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#Writing Our Lives workshop
lalobalives · 9 months
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Writing for the Seasons: Winter
This online class is part of the 2023 Writing for the Seasons Series with Vanessa Mártir. The session is scheduled for the first day of winter in the northern hemisphere, the Winter Solstice, on Thursday, December 21st at 7pm. The class will be held online via zoom. The theme of this generative class is RELEASE. When: December 21st, 2023, 7-9pm ESTHow much: $36Where: Online via ZoomTo register…
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PLEASE! I BEG THAT YOU WRITE AN MIGUEL O’HARA FICTION! IM BEGGING!! PLEASEE!!!! (Sorry if I come off harsh)
Ask and you shall receive!! A quick thing I wrote (not proofread), thanks for the ask <3
Touch
Miguel O'Hara x reader
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(AO3 Mirror), Part 2, Main Masterlist
summary: Miguel misbehaves. You teach him a lesson. part one maybe?? idk y'all let me know if u want a pt 2. (Part 2 is out!)
warnings: pwp!! light f-dom, angry (ish??) sex, grinding, slight m-sub, (m) begging. mostly just filth. I am soooo desperate for any character played by Oscar Isaac. 18+ Minors DNI
a/n: I apologise in advance, native Spanish speakers. Me and reverso tried our best. 
wc: 1.4k
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A great crash from the workshop has you running from all the way in the kitchen, apron still on. 
He looks tired, hunched over his desk. Great hulking shoulders hang, tense in the dim light of a single lamp.
"Miguel?" It's soft, in the metallic hum of lights. "Everything okay?" 
He shifts, looking over his shoulder at you. "M'sorry for the noise mi sol, just tired." 
"...maybe it's time to call it a night, baby."
He waves you off with a flick of the wrist.   "Give me ten minutes, I'll come to bed."
"That's what you said half an hour ago, Miggy." It's under your breath but loud enough that his super senses pick it up.Your voice is fraught, frustrated - no doubt at the nights he'd spent away from you. Whether coming back late from tinkering in his workshop, or on the streets; he'd meet you fast asleep in bed, and wake up to an early morning rush. Either way, he seemed like a stranger in your own home; consumed with his work. It was taking its toll. 
You pad back, returning to the kitchen in silence. You clean up the remnants of a dinner Miguel had picked at, sighing. You loved him, and you knew he loved you; but he lived in his own world sometimes. Sure, the world needed him; but what about you? After everything you had given each other, how could he discard you so easily? 
It's only after a while Miguel realises the noises of you clearing up have long subsided, that he heads into the kitchen to investigate. It's meticulously clean, your apron hanging up on its peg by the door. On the counter, the remainder of his dinner boxed up in tupperware, with a post-it-note on the lid. 'For Miggy <;3' , it reads. 
His heart aches as he walks towards your room. You're dressed in nothing but his t-shirt, knees drawn and curled up into yourself. He slides into bed, staring up at the ceiling. 
"Mi vida?" He mumbles. "Mi vida, I know you're awake." 
You respond with an unceremonious grunt, back still turned. You're mad at him, and he deserves it. 
"I'm sorry." He says, listening to the rise and fall of your chest in the dark. He sits up. Sighing, he cradles your arm, tracing circles into the flesh. Gentle, and oh so soft. "I'm an idiot, you know that. I fucked up. Couldn't see how much you were hurting."
You stir, turning to face him. In the neon lights that stream into your room, his face falls. He brings a hesitant hand to cup at your cheek. 
"Say something. Please." Imperciptably, he watches your eyes fall to his lips. 
You kiss him, passionate and hot and angry. He can barely breathe when you envelope your plush lips around his, snaking your hand towards his back. You claw at his shirt, raking a hand into his hair. When you separate, it's obscene; a sliver of saliva still connecting his lips to yours. His scarlet eyes are low as he licks his lips; chasing your taste. You both sit up. 
"You haven't touched me in weeks, Miguel." Your voice is dangerously low, hand wrapped around his neck.
He wraps strong hands around your waist, guiding you to straddle him. For once, he's grateful for the flimsy fabric of his t-shirt - thin around the apex of your pebbled nipples. He paws at your hips, hands trailing towards your bare thighs. Just as they come to rest towards their crook, you snatch his hands away. 
"Let me make it up to you," He hisses at the contact, leaning into your touch. "Por favor, sólo una probadita, just a taste, my love."
"No touching." Dramatic, he protests, cursing in Spanish before you bring a thumb to his mouth to silence him. 
"No. Touching."
Eyes lidded, looking up at you, it takes everything not to break; you fight the urge to kiss the tip of his nose and whisper praise into the crook of his neck. Instead, you coax your thumb into his mouth; as he swirls his tongue around it, like he would on your clit. Miguel savors it like the sweetest honey, grateful you'll even touch him considering how he's been acting. 
He swells in his pants, hard as the crotch of his sweats graze your bare pussy. Beautiful tits pressed against his chest,  you draw small circles with your waist against the seat of his crotch. Precum spills as his hips jump up to meet you, desperate for contact. 
Immediately, you stop. With a pop, you pull your thumb from his mouth and Miguel moans at the loss. 
"Mierda. Baby, please-"
"No. Here's what's going to happen. I'm going to use you to get off. You're gonna watch, if you're lucky. And then I'm…" You swirl your hips, causing him to groan. "... going to bed." 
"¿Entiendes?" You croon, spiteful in the slow sway of your hips. "Do you understand, Miguel?" 
"-f-fuck, ok, ok-" Desperately nodding, he grips the sheets by his side. Closing his eyes to steady himself, he slumps his head on your shoulder. God, he's trying so, so hard not to cum right there; turned on by the lull of your sweet voice. He likes it when you get angry and treat him like a toy - painfully hard at the way you light him on fire. Everything about you; your scent, the way you taste, the grip you have in his hair; turns his senses up to eleven. 
You grind on his crotch, steadying yourself with your other hand on his shoulder. Plush lip tucked under your teeth, it takes all his willpower not to capture you in another kiss: hungry and consuming and overpowering. He can tell you're serious; everytime he grinds his crotch into yours, you will yourself to stop and tighten your grip. 
"Miguel…" You warn, moaning softly into his ear. "I m-meant what I said…"
When his hips snap up the third time; you growl, frustrated. Both your hands move to his chest, pushing him down onto the mattress so he's on his back. He looks good like this; at your mercy and putty under your hands. You push up the lip of his shirt to expose his midsection and pull down his sweats. A happy trail snakes down to his neatly trimmed cock; its deliciously curved tip springing free. Precum covers his cock, so when you slide him between the lips of your pussy it glides like he was made for you. You bite down on your lip so hard, it almost bleeds. 
With this new angle, you plant your hands by his head; grinding your clit onto his dick desperately. The slick sounds drive Miguel crazy, and when his hands fly to your waist to help you along, you don't move them. 
"You're s-so pretty, mi vida… prettiest thing I've ever seen. Need it. Need you. Use me, please, hump my cock like I'm your toy, p-please, please…"
He knows your body better than you do. You're close, dangerously near the edge. With the way your thigh shakes and the spasms that slow your rhythm, he knows. You don't break eye contact with him under you, moaning as you slide on his cock. Desperate, you chase that sweet spot, electric when he angles your hips just so… 
"M'gonna cum, fuck, Miggy-" You writhe desperately. He's close, too, shamelessly humping your pussy like a feral animal. He can taste it; white hot at the tip of his tongue. Finally, you cum: a leg shaking, biting orgasm that rips through you. You clench around nothing, but it's not enough for him. So, so close; and it's ripped away from him when you come down, in the aftermath. 
Unceremoniously, you pant and roll off of him; spread-eagle atop the sheets. Miggy curses softly at his ruined orgasm - still rock hard. He's glad you feel good, but he knows he can make you feel better, broad hands pawing at your hips. You slap them off, and turn your back pointedly. The slope and curve of your ass taunts him. 
"Fuck off, Miguel."
"Baby, I'm sor-" 
"Fuck. Off."
Sighing, he takes the hint. Grabbing the pillow, he pads off to the sofa in your living room, adjusting his hard on. He'd give you your space, tonight, and begin to win you back tomorrow morning. He needs you, more than you'd ever know. 
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AITA for not having time to read my mutual's writing?
Met a mutual on here, bonded through fanfic, have been tight with them for a few years with pretty much no bumps in the relationship, just overall had a really good time hanging around them when I could. We both write a lot and share our writing, and occasionally we talk about that writing/workshop it in passing.
In the past few years I've gone through a ton of life changes. Most notably I went from a multi-person household to a single-person one, and I've been living alone in a prohibitively costly city for a while now working 40 hour weeks and barely scraping by. As soon as the transition started I spent the last of my free income on a shitty little laptop so I could still write, putting down words on my bus/train commutes in the morning and quite literally writing on my breaks at work because I feel insane when I can't create. I bring this up to really stress that I don't have the time for the hobby, I force myself to make the time and even then it never feels like enough.
The only thing I can really stand to do with my 3 hours of free time at night is hang out with my moots online. I'm an extrovert so being around people recharges me. If I don't have designated social time I get super depressed and can pretty much feel my soul withering away. I also feel like I should probably mention that I kinda have a slew of mental issues, personality disorders and PTSD and AuDHD and the works. Point being, shit is rough my dude, but I am a person who likes to work hard and face challenges head on and even though we strugglin, we doing it with a positive outlook.
But! I am an incredibly solution-oriented person and I have found what I personally believe to be a good balance. No one should have to live like this, but I do, and I have found a way to be happy. My writing and my social time is all load-bearing. It is not something I just choose to do on a whim, it's all planned and scheduled and I adhere to those routines very strictly because, I cannot stress this enough, I will go fucking bonkers if I don't.
I'm mutuals with a lot of writers obv, and I sadly don't have time to read their work anymore, unless I get some extra time on my days off or something gets cancelled or like, I end up taking a vacation. I carry a great amount of guilt for this, though, even though I logically know it's reasonable. I try to support them where I can, cheer them on when I see them writing and tell them how cool their ideas sound, hype them up even when I can't actually read & review.
One of the things I do is sometimes I leave a kudos on fic I haven't read. I'm not trying to be ingenuine, and if they asked me I'd tell them like 'Oh I didn't read it yet, just wanted to show support!' but to me it's kinda like ripping a paper tab off a poster so that other's feel inclined to do the same. Plus my pals get a little email and a hit of serotonin.
Except one of my acquaintances, the one I mentioned at the start here, saw that I left kudos on a couple pieces another mutual of mine wrote this year. They more or less blew up my DMs with a ton of accusatory (like, literally presented like a 'GOTCHA!') stuff about how I was selective in who's fic I read, more or less implying that I secretly held some sort of grudge or negative feeling toward them and was making the conscious decision not to read or interact with their writing because of. Something, I don't actually know what they were trying to say. They also told me they vented to their friends about this MULTIPLE times, but they never once approached me to let me know they were feeling paranoid or neglected, they literally just took the most bad faith reading of it possible and then presented that to me like it was something I intentionally did, while the whole time I was unaware.
I tried to explain to them the kudos thing, that I didn't do it to every story, just ones I caught/noticed in my busy schedule. And I laid all this out and asked, multiple times, what free time am I supposed to read with? They didn't answer, and doubled down, kept trying to show me 'proof' that I was shorting them and no one else. Once they started to realize how wrong they were they backed down, but they didn't really apologize, or admit they were wrong, and they tried to end our relationship and left every single server we were in together. Because of some other unrelated stuff going on in my life, I didn't really consider them to be a close friend, but they were someone I really held dear and would've walked through hell for if they'd asked.
I still feel like there is something I'm missing here, and that's why I wanted to ask if I'm TA. I'm a pretty good communicator but one of the things I told myself when talking down my disordered thoughts (guilt about this prior) was "no one in their right mind would use reading fanfic as a metric for friendship." Now that I've had that exact thing happen, I'm starting to think maybe those thoughts weren't so disordered. Maybe this IS a big deal, and I should think about it more, but I don't even know what the solution to that would be. I just. Don't have time to read something lovingly crafted and appreciate it for what it is. All the hours in my week are used up, I'd have to lose sleep for this and with my mental health the way it is that is not an option.
Feel free to be a brutal, my skin is thick. Thanks!
What are these acronyms?
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audhd-nightwing · 8 months
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batfam as new girl quotes
steph: where are you, tim? this place is fancy and i don’t know which fork to kill myself with.
***
dick (16 y/o): i’ll take you through the whole thing. i’ll be like your guide.
jason (13 y/o): like gandalf through middle-earth?
dick: ok, first of all, let’s take the Lord of the Rings references and put them in a deep, dark cave where no one will ever find them.
jason: except smeagol. he lives in a cave.
***
tim: you text me “happy monday.” what am i supposed to do with that?
damian: oh, i don’t know. maybe have a happy monday?
(he’s trying to be nice)
***
jason: would you consider us adorable?
dick: no! we’re adult men.
dick: we’re cute.
***
cass: you always see the worst in people.
damian: yeah, because people are the worst!
***
steph: i mean, bruce, we love you, but…
steph: but you’re not a man of the people.
bruce: of course i’m not a man of the people. i’m above the people.
***
cass: we’re a family. families talk about things.
jason: no, families ignore things until they go away.
***
new parent bruce: dick, do you want to go to sleep?
9 y/o dick: no way.
bruce: if you do, i’ll write you a check for $6,000.
***
duke: what are you doing in here?
tim: eating cookies and avoiding confrontation.
(in the bathroom at a gala)
***
steph: jason, come on, that’s like the president and the vice president not being best friends.
jason: they’re not best friends.
steph: come on. everybody knows they’re best friends.
***
dick: i’m in love!
damian: titus, clear my schedule. i need a word with our brother.
***
steph: duke, those shoes are not brown! they’re green!
duke: you guys are idiots! they’re as brown as money.
cass: what color is kermit the frog?
duke: brown! he’s a brown frog.
tim: duke! you’re color blind, dude.
***
bruce: darn it! has anyone seen my croquet cleats?
***
tim: hey guys, do you think i’m a good person?
steph: you’re a terrible person. it’s hilarious.
***
dick: i’m very quick on my… uh…
jason: did you just forget the word ‘feet’?
dick: feet, yeah.
(he’s been awake for 72 hours without sleep)
***
duke: i can’t believe i didn’t notice this before but damian, you are legitimately crazy.
damian: i think we’re all a little bit crazy, don’t you, thomas?
duke: no, i mean, you’re like aging ballerina, child chess prodigy, professional magician crazy.
damian: it’s my grandfather’s fault.
duke: yeah okay fair enough
***
tim: if i was doing something stupid, you definitely would be involved.
dick: yeah, you’re damn right i would be. and i would probably be there to make it even stupider.
***
bruce: has anyone seen my good pea coat?
***
steph: i brake for birds. i rock a lot of polka dots. i have touched glitter in the last 24 hours!
steph: and that doesn’t mean i’m not smart and tough and strong.
***
jason: are you insane, bruce? we’re not ready.
jason: that’s like taking a musical from rehearsals straight to broadway. you got to workshop it first.
(pushing the theatre kid jason agenda)
***
dick: you realize i say goodnight to you every night and you never say goodnight back?
dick: what is the problem, jason? do you not want me to have a good night?
jason: oh my god you’re so overdramatic
***
tim: please don’t mistake my measured blank tone for calmness, as i am filled with waters of rage.
(he’s at a gala)
***
bruce: damn it! i can’t find my driving moccasins anywhere!
***
duke: what a dumb idea.
duke: do it.
(he is an enabler)
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nkjemisin · 15 days
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Hey there. I'm writing a story set in New York City and am not American. I have few characters, but most of them are arab or white. I can't help but feel a bit wrong about it, given that America is much more diverse than that, and NYC being an emblem of that. Do you think I should force myself to include more representation or should I just tell my story, and leave that more diverse cast to some other story I could write? I know this is a neverending debate and there are many opinions about it, but I've always agreed with everything you've said in matters of representation in fiction, and so I'd be curious to know your personal answer on it.
I'm a little confused by how you're using "representation," here. It sounds like you think representation = "randomly sticking BIPOC everywhere." I think when most people use that word, it means something more like "create an accurate or at least plausible depiction of a group or place." In actual New York, there are plenty of Middle Easterners and white people who live in relatively homogeneous small communities where they might only see someone of a different ethnicity on the subway. If your story is set in one of those communities -- and you do stick some random BIPOC in that subway scene, because that's plausible -- then it sounds like your characters might be an example of good representation.
(Note: if you're not writing something set in the real world, but it features human beings, it needs to represent humanity as a whole, unless there's a good in-world reason not to. But if it's our world? You can get specific.)
Here's the catch, tho: plausibility is relative. If you've absorbed some biases and haven't done enough research, then you might end up writing something that feels plausible to you, but which isn't actually representative or plausible to anyone else. The way to avoid this is to do the research and check (to the best of your ability) your biases. For example, you aren't American, I assume you've at least visited NYC? If not, you should. You can visit some of the communities I mentioned! You can eat in restaurants, visit mosques, have conversations with actual real people who are living the life you're writing about! If you don't have the time, money, or spoons to do that, there are other ways to do good research -- films and YT/Tiktok videos made by people from the communities in question, for example. But you'd need to watch a lot of them to get a good representative sample.
I recommend this book to all the writing students I've taught at Clarion, and other writer workshops: Writing the Other, by Nisi Shawl and Cynthia Ward. There's a particular part of it that seems relevant here, which is a kind of hierarchy of "appropriate" appropriation, I think first mentioned by Diantha Day Sprouse but included in Writing the Other. Basically it says that if you want to write about a culture that isn't your own, you can learn about that culture in one of several ways: a) You can be an Invader, and just go take whatever intellectual and artistic tidbits from that culture that you want, regardless of how damaging this might be to members of that group. Example: non-Indigenous people who write about actual secret practices, or who encourage the desecration of sacred places. b) You can be a Tourist, in which you're still mooching from that culture, but at least you're figuratively paying someone for it and accepting tidbits that the culture has chosen to sell. Example: getting a sensitivity reader. Or c) you can be an Invited Guest, who brings in as much as they take out, and who has formed relationships that are beneficial to all involved. Example: being part of an exchange program, both as a student and later as a host, and maintaining those friendships outside of the program.
The goal is to be an IG, but that isn't always possible. Tourist is still better than being an Invader. (...I feel like I'm leaving out a category. It's been a while since I read the book; any more recent readers want to check me here?) But the closer you can get to actually participating in that culture, the more your work will be informed by reality instead of biases or misinformation, and the more likely your work will read as plausible not just to you, but to your widest possible audience -- people familiar with the culture and people who aren't.
(I'm a little concerned about your phrasing of "force myself to include more representation," note. Why would that need to be a forced thing? A writer's goal should be to write something that feels lived-in and authentic to [if it's a real place] most people's experience -- not to meet some arbitrary standard, but because that's how you master immersion and characterization. If good immersion and characterization feel forced to you right now, that suggests you need more practice. I recommend writing short stories!)
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phoxey · 3 months
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French toast
Bada Lee x fem!reader
CW: none :3 this is pure fluff
AN: sorry for the long absence, and sorry that this is so short, but i promised a comeback, I am still struggling to write, but it's better than nothing.
I love writing, but like in any relationships there are ups and downs. and in such down phases love is hard work. But it's worth it in the end.
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Valentines Day was approaching, and this would be the first time, that you wouldn’t spend the day with Bada. You two have been a couple for a few years now and she would always make Valentines Day special. This year Bada happened to be in a dance workshop on the other side of the world for a few weeks, missing Valentines Day. You tried to talk to her every day, but time zones were against you. When she was going to bed, you were waking up, and when you were going to bed, she was waking up. You only had a small timeframe for talking, and her schedule was tight. She thought you wouldn’t notice, but she woke up earlier and stayed up late just to talk to you. You wanted to scold her for it, but on the other hand you were also grateful for every minute you got with her.
You woke up to several messages from Bada, which she sent, when she knew it was midnight in Korea. It was some silly memes, asking you out to be her valentine, but with them came a long voice message.
“Good morning, beautiful. I hope you had the most wonderful sleep and the sweetest dreams. Maybe you even dreamt of us? I know, I always do. Especially when we are apart like this. I dream of holding you in my arms, your head on my chest, while we watch our favorite shows. It’s cheesy, I know. I really can’t wait for this moment to come. I will probably be at work when you listen to this. And everything I am about to say, I could have also written in a letter, but I wanted to say those things directly, so you can hear the sincerity in my voice. I want to tell you, how I feel. I am so very madly in love with you, it drives me crazy to not be with you for every minute of the day. Every day my love for you grows. How that is possible? I don’t know. Every day I seem to invent a new kind of infinity. I have been looking at your pictures a lot more these past few days, and since day one your beauty keeps striking me over and over again. I know you still can’t see what I see, but I swear to me you are the most beautiful woman on earth. I wish I could kiss every spot you are insecure about and make that feeling go away. I love all of you. You are truly beautiful inside and out. You are just perfect for me. To have such a kind, hardworking and understanding woman in my life, and to be able to call you mine, is truly the greatest blessing I have ever received. I love you.”
From the first word on, tears shot into your eyes. You were too overwhelmed to form a coherent thought. Just as you were trying to formulate a good answer, the doorbell rang. Confused, you walked to the apartment door and opened it. A giant bouquet of your favorite flowers stood in a vase on the ground. It was arranged in the form of a heart. You had to chuckle, this was so cheesy, but that was what you loved about your girlfriend. She always did and say cheesy things, but somehow it was never cringe.
“I see I am arriving in time.”, a familiar voice said.
You looked to the side and saw Lusher and Tatter walking up to your door, both of the carrying a suspicious number of bags.
“Good morning!”, you smiled. “What are you two doing here?”
Lusher and Tatter were grinning at each other for a moment. “We are playing Cupid.”, Tatter answered.
Inside, you put the bouquet on the dining table, as the girls sat down in the living room. You joined them after a moment, bringing them coffee.
You eyed the bags; your heart was racing.
“So!”, Lusher began, and Tatter got her phone out, to begin filming. “Your special someone instructed us to give you your Valentines Day presents. She is very sorry that she can’t be with you right now, but she still wants to make sure you are being spoiled on this special day. Like you deserve.”
You opened the first bag, inside was a shoebox. You recognized immediately what kind of shoes they were. The Nike Jordan 1s you had been wanting for a while now. You took them out to look at them. Suddenly something fell out of them. It was a polaroid photo. It was a mirror selfie of Bada pointing at her feet. She was wearing the same shoes.
The second bag was bigger but softer. Slowly you pulled out, what was inside. It was two pieces of clothing. Firstly, it was one of Badas pants, you always stole, when she made the mistake of wearing them to your apartment. The second item was one of her oversized hoodies. It even smelled like her parfum.
Speaking of it, the last bag was a little smaller. Inside were two things. One you recognized as your favorite parfum, which Bada also loved on you. Whenever you wore it, she stayed at your side, not leaving you for longer than one minute. But there was also a second parfum bottle. You sprayed it on your wrist and immediately the smell of Bada filled your nose. It was her parfum. Smelling it almost made you tear up. You missed her so much. Maybe spraying this onto her hoodie and your pillow would ease the pain of her not being with you finally.
With each present your smile got bigger and your giggles more frequent. Tatter smiled just as wide as she filmed your reaction.
“Do you like it?”
You spun around and there she was. Her tall frame leaning against the wall with her shoulder. Hands in her pockets. She wore her finest dress shirt and tie. She looked so beautiful. Tears welled up in your eyes as you ran into her arms.
“Happy Valentines Day, baby.”, she whispered and kissed on top of your head, as you buried your face in her neck, sobbing.
“I thought you couldn’t come for another week.”, you muttered against the skin of her neck, placing delicate kisses onto her pulse.
“I wanted to surprise you. Did you really think I can spend Valentines Day without my forever Valentine?”
Bada mouthed a thank you to the two other girls, who just winked at her and left the apartment, grinning.
“We have so much to talk about! I have so much tea for you! And you have to tell me all about your trip and your workshop!”, you said excitedly.
Bada smiled fondly at you and laced your fingers. Tenderly, she pressed her lips to your knuckles.
“Sounds good. How about we talk, while I make some French toast?”
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✨ Everything You Ever Wanted to Know About The Haunting Heroes Discord But Didn’t Want To Ask ✨
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Are you looking to join this DPxDC server but don't know what it's about? Are you new to Discord and want to figure a few dynamics about it first? Then this is the post for you!
We're Super excited to share with you some of the features you can expect when you join the Haunting Heroes DPxDC Discord server.
🔷 I’m new to Discord. What is Discord?
A noble question. Discord is a messaging/private server application where you can join servers to chat, text, and video call people. Lots of fandoms have servers dedicated to their beloved show/book/comics/blorbos
It’s a popular platform because a) it’s free and b) it’s very easy to organize.
Haunting Heroes, as such, is essentially a private chat room where you can talk about DPxDC with other fans. There are other DPxDC servers, but you can never have too many!
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🔷 What do you do on Haunting Heroes?
We do a lot! If you’re here, you may have seen the results of the Writing Games we’ve played, like "Who Wrote That?" as well as "Guess That Fic" (a fun way to give fic recs AND test your DPxDC fic knowledge!).
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We also share updates of fanart, non fanart, and fan fics, as well as recommendations to stories we’ve read and enjoyed.
And we have plenty of ways to discuss ideas: from canon resources to headcanons that intrigue you; from prompts to workshopping your story ideas; from asking for a beta-reader to sharing your progress. Sometimes this even happens live while doing a sprint with others.
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🔷 What does ‘18+ SFW’ mean?
18+ is fairly straightforward: you have to be 18 years or older to join our server. So why SFW?
We decided to emphasize the Safe For Work aspect not because no NSFW content is allowed—we have a flourishing NSFW category as well as a Dark Category with channels for people to talk about it to your hearts’ content! We welcome more mature content, but not everyone wants to engage in it, or only want to engage on their own terms. Being able to curate what you do and don't see is important to us, hence the separate categories (and having to self-select a role to see the NSFW + Dark channels)
We add SFW when talking about HH because ‘18+’ on its own has certain connotations (just like ‘adult content’ or ‘adults only’).
Why, then, are we an 18+ server? We appreciate the under 18s in our fandom, and there are lots of fandom places that are open to all ages (for example, this blog!). But there are older fans who feel more comfortable in an adult oriented space. We noted that a place for adults only in the DPxDC fandom was missing, and wanted to fill that niche.
🔷 Why Should I Join?
✏️ If you’re a writer, you can find a beta reader or ping the Ideas Helper role if you want some help with your story. You can find and share resources for various things, such as writing, art, and how to use A03.
🐱 We also share lots of pictures of our pets!
💡 We have fun emojis and stickers unique to Haunting Heroes, many made by people who are part of the server.
⭐️ We have a starboard! If someone says something you find funny, react to their post with a star emoji; if a post gets 9 stars, it gets shared to the board! It’s like the highlights reel at the end of a Mario Kart Race, but user generated. It's a good way to quickly know what's been going on in the server.
🐰 Our Bunny Hutch (AKA prompts sharing category) is always hopping. Enter at your own risk! You may go there with the intention of dropping off one prompt for someone else to adopt, and leave having adopted 4 new WIPS of your own!
And most importantly, we are a fandom community looking to share with each other the things we love doing or seeing in the fandom. You are likely to find writers, artists, and commenters you know from AO3 or Tumblr, but you might also find new friends to hang out with or be inspired by new things while lurking.
🔷 What can I expect upon joining?
☑️ Once you join, you will have to read our guidelines to make sure you agree with them and know what you can expect in terms of how we handle the server.
☑️ There are also roles to be selected so you can customize your experience. Some roles will allow you to give information to other members (such as the pronouns you select), others will give you an aesthetic (such as color roles), others are pingable and alert you for specific activities (such as movie nights ,or a new writing game being set up, or when someone wants others to bounce ideas). Some will also grant you access to specific sections in our server, such as dark or nsfw channels, which won't be visible otherwise.
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☑️ Don't forget to also select the 18+ role which grants you acces to the whole server. This one is made specifically to confirm you agree with the guidelines and are 18 or older, since that's our sole requirement to join the server.
☑️ Once you define your roles, you can check our server roadmap to guide you through the many channels we have in the server with descriptions for each of them and the bots we have available to help through the experience.
☑️ Don't worry if you get a few pings upon entering: we have a welcome mat where others will greet you once you're in.
🔷 How can I join?
To join, send us an ask confirming you're 18+ and someone in our team will send you the link. You can find the ask box as "Ask us anything here" at the top of our blog or clicking here. Please make sure you check your inbox for our reply. If you sent us an ask and haven't gotten a reply in 48hrs, please let us know either replying in this post or contacting one of our mods.
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We hope you have fun and fulfill your hero-haunting needs💚👻
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nanowrimo · 10 months
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5 Tips for Building a Sustainable Writing Practice
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Every year, we’re lucky to have great sponsors for our nonprofit events. First Draft Pro, a 2023 Camp NaNoWriMo sponsor, is a great writing app—whether you’re writing solo or with a co-author. Here are a few tips for building a sustainable writing practice, brought to you by author Ariana Brown and First Draft Pro.
We’ve all heard the advice to “write every day,” as if it were that easy! Translation: suck it up, no one cares if you’re tired. But what if there was another way to get writing done, without being unkind to yourself? 
Hi, I’m Ariana Brown, and I teach writers how to create a writing practice that is sustainable, flexible, and fulfilling. Most of my students are chronically ill, disabled, neurodivergent, or simply exhausted from the daily stresses of life. I know writing isn’t your only responsibility—capitalism makes sure of that! But I strongly believe that writing should be an enjoyable activity you look forward to.
Below I’ve compiled my top tips for exhausted writers who want to be kinder to themselves—and still get the work done.
1. Add pleasure to your writing routine.
Sensory pleasures are neither frivolous nor are they only for children. They’re a crucial part of being alive! They give us something to look forward to when times are tough and we need motivation. Candles, soft blankets, cold beverages, mood lighting, dance breaks, yummy treats—whatever you choose, make sure it’s something you love. Paint your nails a fun color so you have something beautiful to look at while you’re typing away. Make a playlist of your favorite songs and after you finish a chapter, blast one song so loudly you have to get up and dance. Then, get back to writing. Remember, even for the most focused among us, pleasure is a better motivator than shame.
2. Be clear about your intentions.
What brought you to writing in the first place? For some, it was the ability to escape into our imaginations. For others, it was the chance to finally express what we’d been holding inside. Identify your reason for writing, then ask yourself: Am I still enjoying this? Do I still feel connected to my reason for writing? If not, explore how you can strengthen your connection to your inner child’s reason for writing. 
3. Work with your brain, not against it.
If we know that everyone’s brain works differently, why do we force strict discipline and linear processes on ourselves? My advice: find or create a writing process that works for you. Maybe you love outlines; maybe you prefer to see where the words take you. Either way, make space for wandering, play, and discovery as you write. Take brain breaks. Doodle, map, dance, and draw when you get distracted. Body double with other writers, try new exercises and prompts to make the writing sing, and take plenty of breaks to stretch your body and talk to friends. We come to writing with our whole selves. Listen to your body, don’t shut it off.
4. Find a writing community.
You don’t have to wait for a community to come to you! I offer co-writing sessions on Zoom four times a month for my Patreon supporters, but do what works for you. Attend local open mics as an audience member and cheer on your peers. Invite your best friends to your living room once a month for a two hour writing/crafting session. Or check your local library and bookstores for free workshops and author events. You don’t have to do this work alone.
5. Develop a gratitude practice.
Finishing your draft is a huge accomplishment, but it’s not the only milestone to be celebrated. Consider creating opportunities to thank yourself throughout your writing practice. You’re doing an amazing and difficult thing. The fact that you keep showing up is worthy of celebration. Whether you decide to journal, rest, pray, meditate, or reward yourself, a little gratitude goes a long way.
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Ariana Brown is a queer writer from San Antonio, TX, based in Houston. She is the author of We Are Owed (Grieveland, 2021) and Sana Sana (Game Over Books, 2020), and a national collegiate poetry slam champion. Ariana holds an MFA in Poetry, MS in Library and Information Science, and a BA in African Diaspora Studies and Mexican American Studies. She has been writing, teaching, and performing for over a decade. Follow her online @ArianaThePoet and www.arianabrown.com. 
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f10werfae · 4 months
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Can you give us an example of Henry giving the twins the stink eye and them running to their Momma and her defending them? I love this sweet little family and your writing.
“Iris off now please, that’s not a plaything” Henry sighed seeing his daughter playing around in his workshop.
“But it is dada, it’s a horsey, p-plus all your tools are gone” Iris replied back sassily rocking back and forth on the wooden horse she had asked her daddy to make her, she had him wrapped around her baby finger. “Iris, don’t answer back, now pop off back inside please and behave yourself” At the sound of her daddy’s harsh stern tone, her lips tightened and chin creased. “F-fine don’t want horsey anyway”
“Good cause bad girls don’t get horseys” As soon as she heard her daddy call her a bad girl she knew exactly what to do, she knew her daddy’s weakness. “M-momma” Iris cried out with tears at the corner of her eyes, running towards the living room she saw her brother Beau playing with Marly on the couch as Y/n combed his hair lovingly; their new sibling housed comfortable in her stomach.
When Y/n saw her teary baby her face immediately fell into a pout, “W-what’s wrong Iris baby” Y/n cooed opening her arms and letting her baby fall into her chest, kisses being peppered onto her head. “P-papa was bein’ a meanie and no say sorry” She said through hiccups, Y/n’s eyebrows furrowing as her eyes landed on her husband who walked in with one hand scuffing his beard.
“H-Hen? What d-do ya have to say for yourself?” Y/n scolded with a pout still playing on her lips, Iris hugging her momma’s neck as she gave Henry a face (all of a sudden her tears had stopped and baby Iris had a glorious smirk on her face)
“You little-“
“H-Hen stop it! She’s our b-baby and you were bein’ mean!”
“Baby bun she was playin’ about on the horse-“
“That’s what t-the horse is for no?” Y/n said fiercely, knowing she was going to win this argument, she won every argument. “You’re right baby i’m sorry, I’m sorry to my other baby too” Henry sighed bending over and plucking Iris into his arms before whispering into his daughter’s ear, “You smart little rat, i’ll get you for that”
“Sure you will papa!” She smiled wiggling out of his arms and running towards her playroom with Beau not long following her. “Do I gotta make it up to you too huh?” Henry whispered slotting himself beside Y/n on the sofa, his arm tucking her into his side; his other hand smoothing over her growing stomach. “I know how you can daddy”
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lalobalives · 9 months
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Master Manifesting: Setting Writing Intentions for 2024 with Vanessa Mártir
I’ve often been asked: How have you done it, V? What people were really asking is: How have you created this writing life for yourself, V? How have you done it without an MFA? Without the connections and networking that comes with an MFA? How have you done it your way?  One of the ways is this: I set writing intentions.  In this two hour class, we’ll go through the process of setting writing…
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grxmreaperx · 7 months
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Mark Hoffman cockwarming kink while he's working 👀 ft. Reader squirming on his lap then him slowly giving in
I've gotten quite a few requests for a cockwarming kink with our favorite detective, so I am here to provide!! Might write another fic with this kink at some point, kind of unsure about how this one turned out and I wanna do it justice!
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Pairing: Mark Hoffman x reader
Word count: 1.1k
Warnings: 18+!! Porn with no plot. Teasing, cockwarming, p in v penetration.
Summary: You and Mark have secretly been seeing each other for a while now. One day, when you try and tease him, he makes you work for what you really want.
“What the fuck was that?”
You looked up from your papers, smirking as Mark stormed into the workshop. “What was what?”
“You know what you were doing.”
You pretended to think for a minute. “Oh! What, me putting my hand on your leg?”
He shook his head, scoffing at you. “Don’t act like that’s all you did.”
You and Mark had been seeing each other for a little while now. You were both appointed by John to help him with his plans and, when the tension had become too much, you had both given in. However, you had agreed to keep your relationship a secret from John, and by extension, Amanda. You knew he would be upset, probably believing that it would interfere with his work. You wouldn’t put it past John to put the two of you together in a trap if he found out, maybe not with the intention to kill, but with the intention to scare the living hell out of you.
Even with this threat in mind, you couldn’t help but tease Mark whenever he couldn’t do anything about it: around John and Amanda. You had been sitting together at a table, Amanda placing herself on top of a desk, as you all listened to John talk about his next game. You had zoned out after John had given you your instructions, turning his attention to Amanda. With his attention diverted, you decided to play your favorite game: seeing how far you could push Mark. You placed a hand on his leg, slowly inching higher as he watched you from the corner of his eye. He grabbed your wrist in warning before letting you go. After a few moments, you rested your hand back on his thigh, before moving upwards to palm him through his pants. He sucked in a breath before grabbing your wrist again, turning to you and mouthing “be good.” You rested your chin in your hand, trying to cover your smirk.
You had scurried back to your work room in the warehouse after John was done, setting yourself down at a table and trying to make yourself look busy, waiting for Mark to find you.
“Get up,” he said roughly, sitting down at his own work desk.
“Why?”
“Because I told you to. Get up and get your ass over here.”
You slowly got up from your seat, making your way over to him.
“Lucky for you,” he started, hands working on his belt. “John and Amanda left to go to the other warehouse, needed to work on a trap over there.” He unzipped his pants, pulling himself from his clothing. “Unfortunately for you, you’re not going to get what you want right away.”
Your thighs squeezed together at his words.
“Strip,” he said in a low voice.
You quickly got to work pulling off your clothing before moving to straddle his lap. Already soaked from the thought of what he would do to you, you sunk down onto him, mouth falling open. You began to bounce when he grabbed your hips, stopping you. “What did I say, baby?” he asked. “You don’t get what you want right away.” Your brows furrowed, slightly confused. He laughed. “You want to be a bad girl and tease me? You can sit here and keep my cock warm until I’m ready to fuck you.”
You began to protest, wanting nothing more than to feel him thrusting into you, before a hand around your throat cut you off. “You’re going to be good and sit still here while I work, or I won’t fuck you. Understand?”
You nodded, restraining yourself from rolling your hips.
“Good girl.”
You wrapped your arms around his neck, burying your face in his shoulder as he got to work on the design in front of him. You held yourself tightly against him, trying not to think about the ache between your legs.
You tried to slowly roll your hips, trying to get any sort of friction. You let out a yelp when his hand came down on your ass.
“What did I tell you?” he asked.
“To sit still,” you whimpered.
“Exactly. So be a good girl and sit still.” You could hear the slight strain in his voice, how he was forcing himself to stay still as well.
He got back to work as you clung to him. The feeling of being full of him, but not feeling him thrusting into you, was almost unbearable. You let out small whines, tears pooling in your eyes, legs shaking slightly with restraint.
A small moan escaped you when he shifted slightly in his chair, your core so sensitive you thought you were going to implode.
“Fuck, baby,” he said softly as he felt your nails dig into his back. You felt his hips move slightly, a small groan leaving his lips. He tightly gripped one of the armrests, trying to keep himself in check. The feeling of you wrapped around him, the small noises you made, the way your legs shook slightly, almost did him in.
He was done for when he heard you whisper a small “please” in his ear. He roughly thrusted up into you, unable to hold himself back any longer. You moaned loudly, quickly beginning to bounce on his lap. He gripped your hips, letting out a groan.
He wrapped an arm around your waist, lifting you both from the chair and setting you on the table in front of him before quickly thrusting into you. Your back met the table, legs snaking around his waist.
“Fuck, sweetheart, you feel so fuckin’ good,” he praised. “Did so good for me.”
You cried out, desperately rolling your hips, meeting his thrusts. He grabbed your thighs, pressing them back against your chest, allowing him to go even deeper. Your head fell back against the desk, loud whimpers leaving your throat.
“Got off easy this time, baby,” he groaned. “Just sounded so fuckin’ pretty trying to restrain yourself.”
Your hands gripped the edge of the desk as you felt your orgasm quickly approaching. His hand found it’s way down to your clit, rubbing rough circles as he gave you permission. Your back arched off the table, pleasure washing over you as you fell over the edge. He gripped your thighs tighter, thrusts growing sloppier, as he emptied himself inside you.
You both stayed there, trying to catch your breaths. He let go of your legs, placing his hands on either side of your head.
“The next time you try that shit,” he said, still slightly breathless, eyes boring into yours. “I’ll make you warm my cock until I finish the whole design.”
tag list: @bee-who-isnt-french, @enigmatic-blues, @kujofam, @aliengutzstuff, @mysunfishpeedinmyroom, @slut4hoffman, @schrodingersjigsaw, @hoffmansnightmare, @karmaswitch, @mrs-hotforhoffman, @returntodustsblog, @capan-deveraux2, @switchbabeeexo, @librababe99
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smokesandsonatas · 10 months
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can i have some headcanons of what our twisted wonderland boys will do after they graduate? you can choose only 4 if there is a limit, thank you so much
Twisted Wonderland characters after their graduation at NRC
- This really tickled my brain so I'm going to write assumptions for everyone. I drafted this around last year then only got to post this right now, haha. -
Heartslabyul
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Riddle Rosehearts
After his graduation from NRC, and bagging home the highest honor for an exceptional mage, I can see Riddle furthering his education. If there's such a thing as Ph.D. in Twisted Wonderland, Riddle will pursue that. I can also see him becoming a "Double Doctor," a medical doctor, and a doctor of Philosophy. Not only that but Riddle will also pursue law, along with magical medicine. A doctor and a lawyer, all in one. Riddle would go on to be an internationally recognized mage. He will also be an advocate of Mental Health education, fueled by his past and his mission to never let anyone experience what he went through.
Ace Trappola
I can honestly say I see him being recognized as a famous basketball player or entering the military enforcement of Queendom of Roses along with Deuce. Occasionally, Ace will perform magic tricks along with his brother, which is always a hit of course, someone even offered the Trappola brothers to appear in a reality show but Ace had other plans. In his 3rd year, he will become the Dorm leader of Heartslabyul, while Deuce will be his vice.
Deuce Spade
Will become a high-ranking magical enforcer, his salary will allow him and his family to live comfortably, especially his mom. Once the Queendom of Roses gave Deuce an award as the 'Hero of the Year,' he broke down into tears as he hugged his mom. Will be buddies forever with Ace.
Cater Diamond
Will be a famous vlogger. Be it traveling or fashion, Cater will be a famous influencer. He will also have a successful studio with workshops on how to run a magicam account successfully. If there's a fashion show, he would always be on the VIP list, as he is acquainted with Vil. If he feels burned out, he'll try to stay away from social media. If Cater can't form long relationships, he'll just leave his mark in the world with his vlogs. #LonelyButNotReally
Trey Clover
Owner of a famous bakeshop. His family's shop will prosper under his guidance. On every occasion, their sweets will sold out. One time a magazine listed Trey as the "sexiest pastry chef," and Cater and his other friends will never let him live with it. The Clover's Bakeshop occasionally partners with Mostro Lounge, and when they do, everything sells out within seconds.
Savanaclaw
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Leona Kingscholar
He does not need to work, but he is a genius as Leona is still a prince of a noble family. Have you seen those alpha males ads? Leona will be all of that. A CEO of his own company and at the same time a diplomat of Sunset Savannah to other nations. His business started out as a mining corporation, gradually expanding into construction. A noble man who many people - beastmen and beastwomen - fawn over with. A millionaire. A bachelor. Once, Farena, the current king and his older brother, called to meet with him and Leona put harshly down the phone. Leona's reason for doing this? When he realized that Farena tried to marry him off to a noble from some rich kingdom 'for his future'. Leona's reply? Is a simple scoff and a very deep, "Fuck off."
Ruggie Bucchi
Will be an assistant to Leona. The next generation of Hyenas will not experience poverty as Ruggie did. His all-around skills will come in handy as a secretary. Ruggie will be a finance speaker. He will sometimes get his hands dirty. What? Hyenas are used to it. Fear not, he's still the same old Ruggie, just a little more rich.
Jack Howl
After graduation, Jack will get a lot of offers to be a professional magift player. Leona will offer to sponsor him tho, so he doesn't need to worry about financial things. Will be an advocate of physical health, his muscular physique is no joke. I can see Jack being a well-known magift player and a track and field competitor, with the help of Prof. Vargas as a head coach.
Octavinelle
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Azul Ashengrotto
In every nation, there's a branch of Mostro Lounge. Azul will be listed as the "Top 100 most successful bachelors," along with Jade, possibly Floyd, Vil, and Leona. Azul would go on to accumulate a lot of awards for his splendid business skills. Will own a share in almost all known companies. He'll have to pull strings from Idia to let him invest or buy shares from Jupiter Enterprises. Azul will be compared to the Sea Witch due to how influential he is. Once his mother passed him their restaurant in the Coral Sea, Azul's work will quadruple, and so is his income. Because of him, the mermen's view of octomerpeople will change. But for a darker secret, Azul will be known as the Mediator, and every Mostro Lounge place will be known as a neutral territory for members of the 'other' world. Of course, the Leech twins will still stick with him.
Jade Leech
Jade will inherit their Father's mafia legacy, along with Floyd. The Leech family will prosper under the twins' rule. Jade will open a mushroom business, as to what kind of mushrooms he's selling Jade will smile in response and say it's a fresh mushroom from the mountain. Jade's favorite base of operation would be on land, it's just more fun and chaotic when he watches humans stutter and pass out once he interrogates them. Jade will work as Azul's concierge, working for both him and the Leech family. And in the morning, he'll be the vice manager of Mostro Lounge. But sometimes it does get a little boring. Once a company famous for being greedy with their demands easily relents when they realize it is The Jade Leech that will conduct business with them. Such a shame, Jade would've loved to see the look on their faces.
Floyd Leech
Floyd would be proud of his shoe collection! By now he would have a hundred pair of shoes. Of course, he's still with Jade and Azul, acting as the brawns of the trio. He will make it a point with them to only give him interesting jobs, if it's boring? Floyd would abandon that. One time he learned to drive, he brought his sports car to another country and accidentally got pulled over in the Queendom of Roses, to his surprise it is Mackerel (Deuce) who pulled him over! Floyd paid for the ticket and then went on to hang out with him. Floyd's favorite part of his job is squeezing everyone that owes them unpaid debts!
Though Floyd just doesn't understand why Momma Leech wants to introduce him to a mermaid. Jade is laughing at first, but not anymore once his twin realized that their Momma intends to introduce him to a mermaid too! Floyd will never forget the look on Jade's face - that's probably reflected on him - once their Momma gushes over about 'baby eels'. What? Mermaid eels have little populations. They have to do their part, don't they?
Scarabia
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Kalim Al-Asim
Kalim inherited his father's multi-million business. Through his easygoing personality, Kalim is well-loved by everyone. He established business trade routes with almost every nation, while still honoring his personal ones. An example is with the Felmier's, so that their apples will be enjoyed by everyone in Scarabia. The threats grew along with the Asim's already immense wealth. Don't worry, Kalim by now, will know how to defend himself using his unique magic. He just had to know how to reply with the various marriage proposals going his way, it pains Kalim to reject every single one, you know.
Jamil Viper
After his graduation at NRC, Jamil would take a year or two for himself. He will travel across Twisted Wonderland, and by this time Jamil's perception of the world would change. Finally prioritizing himself and is selfish for once. When he will come back, however, he will be met with a warm welcome from the citizens of Scalding Sands and the Asim and Viper family. Jamil would go on to become a successful businessman and bodyguard best friend of Kalim. But this time, they're on equal footing.
Pomefiore
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Vil Schoenheit
There's no spotlight if there's no Vil Schoenheit. He will become the highest-paid actor for straight 5 years, until Neige just slightly beats him, running off a few hundred thousand madol. But in the same year, Neige surpassed him in pay, Vil went on to win the Best Actor award for his work in a movie as a misunderstood villain protagonist. His movie even screened in the coral sea! As if there's no stopping him, his successful cosmetics company took off Twisted Wonderland by storm, his eye palette alone is sold out within seconds.
Rook Hunt
Oh dear, Rook will also inherit the Hunt's family business. One moment someone can see Rook in Quendom of Roses then the next he would be spotted on Sage Island. Of course, Rook will not stop admiring beauty and arts! He will fund archaeological studies, theater, art museums, galleries, and even beauty pageants. Rook will be one of the art and beauty industry's most important benefactors.
Epel Felmier
Will be known as the "pretty boy of magift." Not in a bad way, but more like a compliment. His talent is honed thanks to his NRC club. Sometimes Epel would attend fashion shows that present him as a "manly man", you know wearing suits and all of that. Because of his new-found fame, the Felmier's apple business will bloom, in part thanks to Kalim.
Ignihyde
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Idia Shroud
Will become the head of S.T.Y.X, but will also manage the Shroud's position in Jupiter Enterprises. On top of that, Idia will develop one of the best MMORPG and FPS games Twisted Wonderland had ever seen. Additionally, Idia won't just stop in developing games, he will also develop magic-infused medical devices that will drastically change the healthcare industry, crediting the Idia Shroud for its invention.
Once a magazine included Idia in their "Top 100 most successful bachelors," he almost sued them if not for Azul, Ortho and his parents convincing him it's a good thing. But Momma and Papa Shroud can't help but wonder when will they have grandkids, the Shroud's need an heir to continue their duties, you know.
Ortho Shroud
Ortho will stay at his brother's side! But his looks will drastically change, if the Ortho from before looks young, the Ortho from the future will have a much taller body, but he will still regain his childlike curiosity. Only the future Ortho is more mature and more open to take time for himself. He will ask Idia to send him off to faraway lands to gather information and to also satiate his curiosity about the real world. Ortho will become independent yet still close to his brother.
Diasomnia
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Malleus Draconia
Malleus' coronation is one of the most liveliest and solemn celebrations Briar Valley had seen for the last 5 centuries. Under King Malleus' rule, his kingdom will prosper. Faes and humans alike will come to a much more common understanding. Although the valley still heavily relies on magic, technology will become available, as a courtesy of the friendship acquaintanceship of Idia.
On some days, Malleus will truly get busy. Managing a country and it's affairs is no small feat. Through trades and partnership with every Kingdom, from Savanaclaw to the Coral Sea courtesy of his two alumni schoolmates from NRC, Briar Valley will prosper. It just gets annoying sometimes when the news reporters, the common folk, the fae senators, and even his own grandmother will ask him about an heir. Malleus still needs to find someone who will stay by his side, and it's not an easy thing to do.
Lilia Vanrouge
Sweet old man Lilia is on his way to retirement. In the chapter of Diasomnia, we learned that his magic is running out. Well, all good things must come to an end. Though his eventual retirement in the Land of the Red Dragon came true, he still returned. And Lilia had his fair share of adventures. Because Malleus is busy with the preparations for his coronation, Lilia is there to help him. On the occasion he's free to do anything, Crowley offered him a teaching position in NRC, which is the spot left open by Professor Trein. Lilia accepted, and for a semester he become a teacher, quitting right after to attend Malleus' coronation.
Lilia liked to think a had lived a full life. He was it all. A fearsome general, a caretaker of the young prince, an adoring father, and a good friend.
Sebek Zigvolt
No one dares to Disrespect the King under my watch! That is what he would occasionally say. If one of Briar Valleys' own Fae advisors disrespects Malleus, expect Sebek to speak, and even draw his sword. Yes, he's part human and half Fae but that doesn't mean he's not powerful enough to defend the king.
With this Sebek will grow in closer relationship with his grandfather and his mortal dad. His parents' dentistry business will expand, and for some time Sebek's face is the model of it, which made him embarrassed, yet he still loves his parents nonetheless.
Silver
I can see Silver honoring his promise to Lilia and staying by Malleus'side. However, that is considering if his feelings don't change. Silver will quickly become one of Briar Valley's most beloved humans, and for some reason, he always gets mistaken as an RSA graduate. Once Vil invited him to cover for a sick model in a fashion show and he declined but Vil already presented his picture to the photographers. For some reason, his picture was leaked to the public and Silver's name is trending for days. Some say he's a child of the king, and others compare him to Neige's beauty. His face was everywhere in magicam, with the hashtags "the most handsome sleepy prince," and the "dreamy prince of dreams."
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muddyorbsblr · 6 months
Text
the final Lady Sharpe part 4: something to look forward to
Series Masterlist See my full list of works here!
Part of the 500 Follower Celebration Requested by: @ellooo0ooo
Summary: You and Edith make significant progress on your mission to put Lucille behind bars; Thomas makes a confession before you go to sleep
Pairing: Thomas Sharpe x Reader
Word Count: 3.1k
Warnings: ghosts; a lil bit of steam [let me know if I missed anything!]
Things to be aware of: Reader & Thomas are married; more pining; simp Thomas
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The ink had dried enough on the final document you were working on duplicating for tonight that you could group them together and place the original papers back in Lucille's hiding place. Tomorrow morning if ever she were to check on them, she would be none the wiser of what had been transpiring over the last two weeks. You repeatedly clenched and unclenched your fingers, trying to get some feeling back into them after writing with barely a pause for break over the last few hours.
"Tomorrow we'll be done with all the documents," you whispered into the silence, feeling Edith's presence nearby as you made your way to Thomas' workshop. "I'll need you to show me where the phonograph cylinders are hidden, and if you know which one has Lucille's demented confession…"
"I'll show you the way," she confirmed. "And I'll make sure that none of the more…how do I put this…bloodthirsty spirits don't touch you. They tend to be a bit overly protective of their turf."
"The what?" You froze in place at her mention of bloodthirsty spirits. You had enough of a fright when you'd first "met" her and Enola, you might not survive encountering their less agreeable companions. The feel of someone nudging you from behind had you moving down the corridor again.
"Don't you worry about them, Y/N. I'll do my part to keep them away, explain to them that you're our friend, and you'll put an end to Lucille's lifelong murder spree. It might take time for them to fully understand, but they will."
Once you crossed the threshold to Thomas' workshop, you heard the exaggerated groan that belonged to your fleeting husband. Checking the candle in your hand, there was only about a thumb's worth left.
"Right on schedule," Edith remarked before you felt a nudging sensation on your shoulder. "You know he must really care for you if he's willing to endure being with her for the sake of your safety. Before she made him go back out into the city to find a new wife--well, a new victim, he looked gaunt. Almost like he found his life grotesque. Then he came back here with you and…there was color in his face again. Like he's allowed himself to live while he wooed and married you. There's a happiness in him when he's with you that I only ever saw glimpses of back when I was--"
Her words fell dead, but you had a feeling you knew what the sentiment was. Back when I was alive. Back when I was his wife.
"Why Miss Edith Cushing, if I didn't know any better, I'd think you were playing matchmaker with your ex-husband and his current charlatan of a wife," you mumbled, trying not to look to deeply into her words, her testimony of Thomas' time before you. You were already having enough trouble keeping your affections for him at bay whenever he engaged in your routine of a kiss to cap off the night, marking yet another rung on the progression ladder. Lucille's incarceration becoming ever closer.
You decided to hide the duplicated papers in between the pages of his sketchbook, thinking the chances were slim that Lucille would look into them since he only kept concept art of the toys he wished to work on within it. Flipping through the pages to evenly distribute the additional papers, you found a set of sketches that had absolutely nothing to do with toy designs.
The last few pages that he'd worked on in the journal were filled with sketches of you. Some depicted you asleep, others as if the image he had in mind was of you next to him at the dining table. And a full page that showed the bedroom you shared with the baronet, you perched on the edge, a light wash of orange painted on the page, like the scene was illuminated by firelight.
That was the day you arrived at Allerdale Hall. The fleeting moments of desirous bliss you had before reality came crashing down on you.
"You say this marriage is all an act for you both now, but it doesn't look that way. Not from where I'm standing…well, floating." Both of you shared a chuckle before she posed a question at you. "Y/N something I noticed at night when he makes his way back to you…there's an excitement in him, as if he can't move fast enough."
"I--I didn't know about that part," you answered her in hushed tones as you made your way to your shared bedroom, maneuvering the barely moonlit halls with what little candlelight remained. "I usually try not to look at him before we sleep. I fail, of course, but I make the effort. Granting his request for a kiss after he washes the night off of him was already a miscalculation on my part--"
"Completely understandable miscalculation," she quipped, managing to quietly open the bedroom door wide open. "Far too handsome for me to even think of knowing any better back then."
"My thoughts exactly," you mumbled, stepping into the bedroom and disposing of the used candlewax before stretching and allowing yourself to relax from the night's clandestine activities. "Goodnight, Edith."
"I'll talk to the spirits inhabiting the corridor where the cylinders are hidden," she offered, a faint whispering joining her once again before you heard her echoing chuckle. "It seems your husband's rushing to make his way to you. You still have quite the night ahead. Goodnight, my friend."
You could feel the fatigue setting in as you let the tub fill for Thomas' bath before putting away your tools and your blades, mentally preparing yourself for another night of insufficient sleep. Just as you had for the better part of the last two weeks.
Right as you made your way back to your side of the bed and shook your hair loose from your bun, Thomas walked through the open door. You gave him a small smile. "I should be done with the documents tomorrow, Edith and I will work on transcribing the recording cylinders that can lead the case more to Lucille than you two days from now at the latest."
"That's wonderful news, darling," he beamed at you, running his gaze over you briefly before walking toward the bathroom. "I shall see you in a few moments," he told you, his voice echoing across the tiles. A few seconds later the sound of the water sloshing and a sinfully satisfied groan filled the room as he sat into the tub. "You truly are a godsend, my wife. Thank you."
You did your best to ignore the fluttering in your stomach hearing him call you that. You wouldn't hear it for much longer with the progress you were making. "You're welcome," you answered back, fighting back your own sounds of relief once your back hit the bed and you allowed yourself to finally relax for the night.
The cumulative efforts of the last dozen or so days seem to have finally taken its toll on you, your eyes fluttering shut as soon as your head hit the pillow. You hadn't been able to hear the sound of Thomas padding his feet on the floor and back to you, or his little gasp as he saw you in your slumbering state.
"No…" he sighed, climbing into bed with you. "Y/N, darling, please tell me you haven't completely fallen asleep yet," he said softly, brushing your hair away from your face.
"Hmm?" You leaned in to his touch, feeling a strange sense of comfort when your cheek rubbed against his slightly calloused hand. "'M awake…" you mumbled, slowly opening your eyes. He gave you a tender smile when your eyes met his, and you couldn't help but return it.
It was only in these moments just before you both went to sleep, your parts in this perilous operation done for the night, that you could allow yourself to almost feel as if you were a normal married couple. Just laying in bed together before going to sleep, sharing a quick goodnight kiss before he pulled you into his arms, cradling you against his chest.
Perhaps even indulge yourself, even for a moment, in the dangerous truth that once this was all over, you would miss these fleeting moments of peace with him. You'd miss how he held you through the night and how you'd wake up wrapped in his arms. How in the last few days he would greet you in the morning with a soft kiss to your nose before you both made your way out of bed and stepped out of your room.
You would miss him when all this was over. When you'd both signed the divorce papers and went on your separate ways, and you were back in your apartment in the city, going to bed alone, you would miss him.
He leaned in and pressed his lips to yours, a small sound coming from the back of his throat as he sighed into the kiss, almost as if he was relieved. "This is the only thing getting me through the nights," he said solemnly, settling more comfortably into the bed as he kept kissing you. "Knowing that this was what awaited me when I get back."
Instead of your usual night routine of a few kisses and he would pull you into his arms, both of you falling asleep to the sound of the other's breath evening out, he moved his body closer, kissing his way to your neck, his hand traveling down the side of your body until it settled at your waist. His lips began to trace along the neckline of your nightgown, the contented hums against your skin combined with the feel of his lips on you had you struggling for breath. "Thomas--"
"It should be you," he whimpered, his exhales warming your skin. "I should be spending my night with you. Laying with you." He kept on kissing along your neckline, his other hand pulling along the string that exposed your décolletage and he immediately pressed his lips to your chest, above your heart. "You're my wife, I should be with you."
He kissed his way back to your lips, your shock from his confession letting his tongue slip past your lips and tangle with your own. It was like flames licked all along your body at the contact, both of you moaning into each other's mouths as your fingers weaved into his onyx curls.
"Thomas, wait--" you tried to say, placing your hands on his chest in a paltry attempt to get him to pause for a moment, failing to fight against your eyes fluttering closed and your entire body melting under him the moment his tongue delicately ran along the roof of your mouth.
"I want to lay with you," he said once he pulled away, looking at you with those wide pleading eyes that likened him to a pup asking for a treat. "May I?"
For the love of all things good in this world say yes, you hissed at yourself. You struggled to breathe properly, fighting against every instinct to give in as he repeatedly whispered "please" into your skin. Trying to not let the curiosity and desire consume you and see how far your husband was willing to go.
This was the fantasy you wanted to lose yourself in, where by some miracle when all this was over and you both made it out alive, that you'd found something with each other that neither of you wanted to lose. That after all this perhaps you could have a life together, preferably far away from Allerdale Hall and the figurative and literal ghosts that roam the corridors.
The fantasy that perhaps when you were both safe from Lucille and she was serving her time behind bars, locked away where she couldn't harm anyone anymore, that Thomas might not want to sign the divorce papers. Because maybe he was falling in love, too.
"We've come so far already, we can't afford to lose focus now," you answered him, your voice coming out so small it was like the words all but refused to get through the lump in your throat. "Once all this is done, and we're free of her, you'll be free to do whatever you please…with whomever you please."
The last part left a bitter taste in your mouth, like it physically pained you to say the words.
"You're right," he sighed, leaning away enough so that he could look at you. The expression on his face was akin to that of a wounded pup, making the guilt and regret from your decision overwhelm your system. "Of course." He moved over to his side of the bed, taking a breath before hesitantly touching his fingers to yours. "May I still hold you?"
You didn't think twice, moving over to him and settling into his arms. "Yes, of course." The words refused to be spoken, but you'd found a strange comfort in his embrace. That despite the very real danger you both found yourselves in, and the looming dire consequences of Lucille and the business end of her cleaver if you made so much as one misstep on this perilous endeavor of yours, you felt almost a safety in his warm embrace.
And while no one would ever be able to get you to admit it, it made getting up out of bed in the mornings near impossible. You didn't want to leave him. You wanted him all to yourself.
All the more reason why you needed to be done with this and go your separate ways. You should never be so selfish as to beg him to stay with you and deny him yet another freedom. So much had already been stolen from him.
He brushed a lock of your hair away from your face before asking softly, "How long do you reckon before Scotland Yard comes here after you send the papers?"
"Not long," you answered him, your words full of confidence in your peers. "I'll include a summary of my findings to help them through the papers I've sent them, process them faster. I'll also try and emphasize the urgency of our situation, that we're currently living in a manor with a woman that has the intention and means, not to mention the stomach, to kill me. That we have very good reason to believe our lives are in imminent danger. Should get them moving pretty quick."
"And what are we to do until they arrive?" You could feel him tensing as he anticipated your response.
Bile flooded your stomach from what you had to tell him. "We keep routine." His beautiful face looked so pained as you said the words. "She has to believe that there's nothing wrong, that everything's going to plan. If she gets even the slightest whiff that we're up to something and she kills me. Maybe even you if she finds out that you helped."
He took a shuddering breath, pulling you closer against him so he could press a kiss to your forehead. "Let's hope they move quickly then," he mumbled against you, pressing more kisses on the same spot as he took calming breaths. "I can barely stomach any more of it." His breath hitched at his words, his tone rife with shame.
"I'm sorry," you whispered, placing your hand on his chest, feeling his pulse sprinting like a madman. "This burden shouldn't be on you. Never should have been. She's stolen so much from you…" Your sentiment caught in the back of your throat as you did your damnedest to fight back tears. "I'll do my best to make sure she doesn't steal any more of your life away."
"What if she figures out what we've been up to? Or if she gets impatient and realizes there's no money coming after all this time?"
It took you a moment before you could answer, the implication hanging over you both now like the Sword of Damocles. "Then Scotland Yard will arrive here to a corpse. Either mine or hers."
Tears welled in his eyes as he pulled you closer, pressing a tender kiss to your lips. "I won't let her hurt you, I swear it." He stole a few more kisses from you before he cradled your head against his chest. "You should sleep, I can feel how tired you are."
"Exhausted," you confessed, settling into his embrace, the comfort from his hold blanketing over you as your cheek rubbed against the soft hairs on his chest. "Goodnight, husband."
You couldn't resist calling him that. In a few short weeks you'd never be able to again.
He pressed his lips to the top of your head, stroking your hair before he whispered, "Goodnight, my darling wife."
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As the minutes passed, and the only sounds that filled the bedroom were your breathing and the crackling of the fireplace, Thomas found himself unable to succumb to sleep just yet. He was still riddled with so many questions that he couldn't bring himself to ask you quite yet.
What if by some freak accident of a chance, Lucille comes across one of your colleagues when she runs her errands in the city and they were to mention who you were, and what you did before you married him? What if now that she was armed with this new information, she deemed you too much of a threat and decided to do away with you like she'd done with so many other innocent women?
What if she decided to make it even worse, and ordered him to kill you instead? Spout some nonsensical notion that he needed to get his hands dirty this time around so she could see if he still had the stomach for it?
He knew he wouldn't be able to hurt you, that he would be completely unwilling to. But would he be able to protect you against Lucille?
And the question that had him looking upon the coming weeks with a mix of dread and hope, all depending on how you would react if he were to even muster up the courage to say the words: What if you stayed together after this fleeting partnership of yours? What if you were open to exploring what a life together would truly be like? Move away from Allerdale Hall and find a place in the city?
"What if I begged you not to leave me?" he whispered into the empty silence, stroking the backs of his fingers along your cheek. "What if I've fallen in love with my wife, and I want to turn our marriage into something real?"
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A/N: *popping out my head from my writing hidey hole* Well hi there! Been a long while since I updated this story, but I can promise you now…I didn't abandon it 🫡 And we're picking up with our precious meow meow baronet big tiddy goth husband really showing his hand here that he's catching feelings 🥹
everything taglist: @simplyholl @loopsisloops @imalovernotahater @coldnique @loz-3 @huntress-artemiss @salempoe @vickie5446 @athalialaufeyson @lokiprompts @kats72 @kikster606 @asgards-princess-of-mischief @lokixryss @thomase1 @mischief2sarawr @peaches1958 @lovingchoices14 @lunarnights95 @goblingirlsarah @iamlokisgloriouspurpose @creationsbyme @maple-seed @mjsthrillernp @ladyofthestayingpower @mygfloki @sititran @glitterylokislut @ozymdias @fictive-sl0th  @lokidbadguy @mochie85 @silverfire475 @joyful-enchantress @elizabethmidnight2017 @holdmytesseract @smolvenger @gigglingtiggerv2 @lokidokieokie @lunarnights95 @superficialdomina @anukulee @kmc1989 @november-rayne @goddessofwonderland @buttercupcookies-blog
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theminecraftbee · 3 months
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Despite knowing next to nothing about Persona I am super interested in your Persona AU, is there any more information on it or is it just those two posts?
so far those two posts only! but because i sort of wandered into fic-writing territory, the basic premise, for those unfamiliar with persona:
this is an original plot, not the plot of any of the existing persona games, but it is meant to mimic what persona plots are like. as mentioned at the start, people are mysteriously vanishing in incidents that are making the national news (including in ways that affect our lead characters' lives). like any of the mysterious bad things that drive persona plots, these are being caused in some way by the existence of otherworldly creatures called Shadows, which are monsters made from humanity's collective unconsciousness.
joel, our protagonist, has recently moved to a new town, new hermiton, and is starting at a new school. (this is also Persona Protagonist Standard; hilarious side effect of it being a persona au is that it's technically kind of a high school au). in this storyline, it's because the people in charge of the dam protecting his town Vanished, and as a result, the dam's flood gates weren't opened when they needed to be, the dam collapsed, and joel's hometown was destroyed. yikes, i'm sure that backstory isn't affecting him at all. he was invited to new hermiton academy to finish his schooling.
however, on arriving, he quickly stumbles into the world of Shadows. for my story, it involves following a butterfly to an unpredictable location, where the border between the real and unreal is thin, and then using that to go into the world of Shadows. (i think i might call it the unreal world? i don't know, workshopping that.) there, he discovers he's a persona-user; that is to say, he's one of the lucky few capable of summoning a persona and fighting shadows. a persona is a representation of a person's soul (i am thou, thou art i), as well as a representation of a mythological or legendary figure of some kind. it grants supernatural powers to the user.
for the record: joel's starter persona is pygmalion, and his starting element is wind. also, in this au, summoning a persona requires stabbing yourself with a special knife, and then using that scar to summon the persona afterwards. this is Middling on the scale of 'edgy ways to summon your persona' in the series, lol. however, joel is special: he's a wild card, which means he will actually throughout the story gain the ability to use other personas and swap them at will. this is a special power only he will possess.
it turns out that he's not the only persona-user in town. grian, one of his classmates, has been attempting to fight shadows mostly on his own, with the help of his teacher, joe hills. joe can't summon a persona, but knows enough about the other world to help grian and now joel out. (although, that's... kind of weird, right...?)
joel now must balance his school life with, you know, fighting shadows to save people from Vanishing and, eventually, to save the world. to figure out WHY the shadows have started Vanishing people, too. and, unfortunately, he can't skimp on the "balancing his school life" aspect, because you see, to a wild card, the bonds he makes with other people are vital. joel will collect social links, each represented by a tarot card. each of these social links are his relationship with another person or group of people, and raising those social links makes him more powerful.
he'll also collect more party members, them represented as one of his social links each as well, and he'll bother his velvet room attendant--jimmy, who's supposed to help him fuse personas and give him cryptic guidance, but like, it's jimmy--and manage to fight his way through the trials and tribulations of being a mildly unwilling video game protagonist in a game where half of the story is having to kind of be everything for everyone at once, and also constant weird things you have to do for the plot.
and that's what i have so far of the au! i am sort of just. making it up as we speak,
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Any advice for when anxiety make you think your writing is bad and not worth it? Or like it's annoying?
Anxiety Due to "Bad Writing" Fears
There are three things you can do:
1 - Read the following posts to transform your mindset by learning that bad writing is a necessary part of the process, we all start out at the bottom and work our way up, and that it's normal to be anxious about that.
Guide: Dealing with Self-Doubt & Impostor Syndrome Building Confidence in Your Writing Concentrate on Quantity at First, Not Quality Comparing Self to Others, Insecure About Writing Overcoming Embarrassment Over Own Writing
2 - Practice good self-care, especially before, during, and after writing to help ease anxiety. Figure out some mantras you can use before, during, and after, like: "I'm doing my best and it's okay if it's not as good as I want it to be. I'm getting better every day." Do things to make the writing process less stressful for yourself... try not to fixate on quality, give yourself encouragement and pep talks, don't compare yourself to others, give yourself grace when you know you're falling short, and try to do things to make your writing time more relaxing (comforting writing spot, soft music, scented room spray, etc.)
3 - Hone your craft by reading writing craft books/articles/blogs, watching writing craft videos, and listening to writing craft podcasts. Follow writers and authors on social media and keep an eye out for free online writing summits and workshops, which offer video talks about a variety of different writing topics. These are usually hosted by a writer who interviews guest writers to talk about an area of expertise, like how to write great characters or how to outline your novel. Sometimes the free videos are only available live or for 24-hours after broadcast, but the cost of admission is merely an e-mail address. Or, if you want to pay, you can get an all-access pass. The more you learn about writing, the better your writing will become, and the more confident you'll become in your writing, and that anxiety will start to ease. :)
•••••••••••••••••••••••••••••••••
I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!
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books · 9 months
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Writing Workshop Week 1: Show & Tell
Hello, writers of tumblr! It’s @bettsfic again with this week’s generative workshop. 
Today we’re doing what might be my favorite class activity: Show & Tell. 
You might be thinking, do you teach kindergarten or something? No, I teach college. But my students are often weary, downtrodden 20 year olds who are more than happy to go back to basics. Tumblr—being a website of people who care deeply about things and share that passion with others—seems like a great place to host Show & Tell.
Speaking of basics, let’s first talk a bit about…
The Writing Identity
The goal of many writers is to become better at writing. While I think this is an admirable goal it’s also a complicated one, because good writing is entirely subjective. Everyone has their own definition of what good writing looks like based on their knowledge base, history, and personal tastes. And so I often encourage my students, before they begin their journey of becoming a better writer, to step back and ask themselves, “What does good writing look like to me?”
And that’s the thing: you can’t really become a better writer. You can become a more patient writer, with the ability to write and revise multiple drafts of a work. You can become a more ambitious writer, with the ability to write longer stories and deeper themes. You can become a more detailed writer, with the ability to render images and the small details of living that maybe other people don’t notice. Writing is a skill that requires practice, but it also requires joy. You have to enjoy the work more than you fear the potential for failure. And to enjoy the work, you need to honor yourself, your interests, and your ideals. In other words, to become a better writer, you have to become more you.
I remember when I first started writing, I frantically sought out writing advice. I clung to simple adages and rules: active verbs are stronger than passive verbs; remove words like “think” and “realize” and other indicators of your characters’ interior experiences; take out adjectives and adverbs. If you were to adhere to all this advice, your writing wouldn’t become stronger, it would become colder. You would write like Hemingway. There’s nothing wrong with Hemingway, but Hemingway already did Hemingway, and that means you’re free not to be Hemingway. 
Don’t we read to feel closer to people, to experience that which we couldn’t otherwise experience? The beautiful thing about prose is that it’s the only medium that conveys consciousness, because language is the way we contain our thoughts, and writing them down offers others the chance to understand them. E.M. Forster in his book Aspects of the Novel says that the only difference between a character and a person is that a character’s secret inner life can be known, but a person’s can only be understood in observed behavior. Novels are stories of consciousness; biographies are stories of deeds. 
In my early days as a writer, those inane adages of “good writing” began to weigh on me, and I found myself frequently opening a blank document and telling myself, “I’m just going to write something for fun, for me, and so I don’t have to follow any rules.” Every time, that lawless thing I wrote would become better than anything I’d written when I followed the rules. And in this case, “better” means I was proud of it; in writing as close to myself as I could, I was able to help my technical skill reach the level of my personal taste. 
Good writing advice doesn’t spout shallow adages of what should be, it tells you all the things that could be; it opens your mind to possibilities and techniques. “Should” restrains creativity; the entire point of writing is to be creative. To be creative means to make something that has never existed before. And so one of the first things I tell my students is: You already know everything you need to know about your own writing. You already have good and important stories in you. You just have to sit down and write them.
“Show, Don’t Tell”
One such adage that still really gets to me is “show, don’t tell,” which a lot of writers believe. Many people take it to mean that you should describe the exterior circumstances of your narrator in order to allow the reader to interpret meaning. Instead of describing how your narrator feels, these people would rather have you describe their facial expression. But if you’re so interested in rendering the exterior rather than the interior, you’re better off becoming a director. 
Others take it less literally: you show your story instead of tell your story, which, sure, is a valid personal belief for your own work but it’s ambiguous and impractical, and also denies the nature of people to tell stories. Fairy tales and fables are stories that are told. Telling stories came long before showing them.  
In some ways, “show, don’t tell,” can be useful. If you spend a thousand words of character A lovingly and carefully describing every detail of character B, you don’t then need to say something like, “She was pining for him,” because you’ve allowed your description to do that work for you. So no, you don’t need to say it, but maybe you want to. Maybe you want to make it inarguable that character A is pining for character B; you don’t want a reader to say, “I think she’s paying that much attention because she wants to kill him and she’s looking for his weak points.”
And so that’s what it comes down to—choice. Ultimately, writing is about making decisions, and those decisions are stronger when you understand all your options.
Behind the adage is a more difficult truth to swallow: prose is both infinite in its potential and also frustratingly limited, because you have no control over your audience. You can lovingly describe every snowflake that falls in a blizzard, and your reader will be taking their own meaning from it—for people who can mentally visualize things, it’s the images their mind conjures; for those who can’t, it’s a mass of facts. And there are also those who are sleepy and missing details, or who are skimming to get to the bits they’re most interested in, or who accidentally dropped their book in the bath and now the bottom half of every page is warped and unreadable.
Or you can say, “It snowed.”
No matter what your beliefs are on “show, don’t tell,” the truth is that it’s a false dichotomy. The very nature of prose is to navigate this divide. Some stories call for more showing, for example when your narrator is at a distance, when we don’t have much access to their thoughts or feelings. Other stories will ask you to tell, especially if we’re deep in your narrator’s head and they’re giving us everything. Showing lends itself to setting, imagery, and plot. Telling lends itself to character, voice, and style. One is not inherently better than the other, in the same way that a screwdriver isn’t better than a hammer—the tool you use depends on the task at hand.
Any time you encounter a trite rule in writing, it’s usually pointing to something much greater and more fun to think about. In this case, showing and telling are two integral tools in meaning-making. For this week’s activity, we’re going to use both show and tell to make meaning.
Prompt time!
In Donald Barthelme's essay “Not-Knowing,” he calls objects magical. “What is magical about the object is that it at once invites and resists interpretation. Its artistic worth is measurable by the degree to which it remains, after interpretation, vital.” 
So what does that mean? Although this essay is a hot mess (lovingly), part of its intended work is to be a mess. In fact Barthelme describes the mess of his desk and allows it to define him. It’s covered in coffee cups, cigarette ash, unpaid bills, and unwritten novels. In reality, those objects are just objects, but when rendered in prose, they give us an impression of this particular world and the character within it. The writer renders; the reader interprets. The things we own, that mean something to us, are also things that can define us. Who is the person who carries a leather wallet embossed with their initials, with the inside holding credit cards and a stack of neat bills? Who is the person who carries a canvas wallet with a faded Punisher logo on it, attached to a chain, and the only thing inside it is a Subway rewards card?
Objects are important. Especially in this world we live in where so many things have become virtual, tangibility will always be integral to us. We are a species that reaches out and touches. We like to hold things in our hands. We love things which cannot love us back. 
For this week’s prompt fill, I want you to find a magical object for Show & Tell. Ideally, it’s something with a long personal history that’s important to you. Maybe it’s the object you would save in the event of a fire, or maybe it’s something you lost long ago. 
First, I’d like you to show us the object by describing it. Then, tell us the story of it.
You can write about how you acquired it and the memories it conjures. Allow yourself to link and associate memories and feelings. Don’t box yourself in too much—just see where it takes you. 
But you can also put a spin on it. Here are some ways you can do that:
If you want to try fiction, you can write the same story about your favorite character’s beloved object, or you could completely make up an object and its history. 
If you want to try something experimental, you can write a story from the perspective of the object, and maybe its beloved thing is you. 
If you want to try poetry, write a poem of your object. This is a separate lesson, but T.S. Eliot’s concept of an objective correlative may be illuminating to consider. 
The purpose of this activity is to dig through your memories and/or observations, connect them, and use something external to conjure meaning from them. You begin with what your object is and it will eventually lead you to what it means.
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Questions? Ask ‘em here before EOD Tuesday so @bettsfic can answer them on Wednesday. And remember to tag your work #tumblr writing workshop with betts if you want her to read your work and possibly feature it on Friday!
And, for those just joining us: @bettsfic is running a writing workshop on @books this month. Want to know more? Start here.
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