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#writing class
one-time-i-dreamt · 10 months
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Instead of reading my story to my creative writing class, I accidentally read them a Buffy the Vampire Slayer slash fic instead.
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writingtheother · 2 months
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Webinar: Writing Inclusive and Emotional Sex Scenes
Writing emotionally charged, sexually explicit scenes in fiction can be challenging no matter what genre you write. This webinar will provide a deep dive into writing inclusive sex scenes that are true to your characters and are memorable for your readers.
EDSE certified sex educator and author Thien-Kim Lam will walk students through the elements of a sex scene, creating chemistry using sensory details, exploring emotional arcs during love scenes, accessibility considerations when crafting these intimate moments, and much more.
This is a live webinar with a combination of lectures, discussion, and generative writing exercises. There will be discussion about the writing exercise but you will not be sharing your work in class.
When: March 17th, 2024 – 9AM – 4PM Pacific Can’t make the live webinar? Register to get the recording after Where: Online — Zoom Classroom Price: $100 – $150 Scholarships Available | Deadline: February 27
Please visit our website more details on registration options, required texts (if any), technical requirements, our accessibility statement, class audience, and the scholarship application.
👉🏾👉🏾 Details and Registration 👈🏾👈🏾
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Creating a Royal Character for Your Fiction Novel | Short Guide
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When it comes to writing a royal character for your fiction novel, there are a few key elements that you should keep in mind. Whether your character is a king, queen, prince, or princess, they need to be believable and relatable to your readers. In this blog post, I’ll help you explore some tips and tricks for creating a royal character that your readers will love.
Research
Before you start writing your royal character, it’s important to do your research. This means studying the history and culture of the time period and setting in which your novel takes place. If your story is set in a medieval kingdom, for example, you’ll need to understand the social customs and political structures of that time.
You should also research real-life royal figures for inspiration. Look at their personalities, strengths, and weaknesses, and think about how you can incorporate these traits into your own character.
Personality
Your royal character’s personality is perhaps the most important aspect of their character. They should be complex, multi-dimensional, and relatable. One way to achieve this is to give them flaws and weaknesses, just like any other character. Perhaps they struggle with a temper, or they have a tendency to be too trusting of others.
At the same time, your royal character should also have strengths and admirable qualities. They may be brave, intelligent, or compassionate. Think about what makes your character unique and what sets them apart from other royal characters in literature.
Relationships
No character exists in a vacuum, and your royal character is no exception. Think about the relationships they have with other characters in your novel. Do they have a spouse or children? Do they have close advisors or friends? How do they interact with the common people in their kingdom?
These relationships can help to flesh out your royal character and make them more relatable to your readers. They may also provide opportunities for conflict and tension within your story.
Dialogue
The way your royal character speaks is also important. They should have a distinct voice that sets them apart from other characters. If they are a king or queen, for example, they may speak in a more formal and regal tone. If they are a prince or princess, they may have a more youthful and casual way of speaking.
At the same time, it’s important to make sure that your royal character’s dialogue is believable. They should speak in a way that is consistent with their personality and background.
Appearance
Your royal character’s appearance can also play a role in their character development. Think about how their appearance reflects their personality and status. A queen may wear regal clothing and jewelry, while a prince may dress more casually.
You should also think about how your character’s appearance changes throughout the story. Do they become more regal as they take on more responsibility? Do they become disheveled as they struggle with their duties?
Conflict
Finally, it’s important to give your royal character a compelling conflict to face. This conflict should be related to their role as a royal, and it should challenge their beliefs and values. Perhaps they must choose between their duty to their kingdom and their love for a commoner. Or maybe they must navigate a political crisis that threatens their reign.
Whatever conflict you choose, make sure it is meaningful and drives the story forward. It should also provide opportunities for your character to grow and change.
Checklist (For All You Writers)
Research the history and culture of the time period and setting in which your novel takes place. 2. Research real-life royal figures for inspiration. 3. Develop a complex personality for your character by giving them flaws and weaknesses, as well as strengths and admirable qualities. 4. Consider the relationships your character has with other characters in the novel, including family, advisors, and common people. 5. Craft a distinct voice for your character that is consistent with their personality and background. 6. Think about your character's appearance and how it reflects their personality and status. 7. Provide a compelling conflict for your character to face that challenges their beliefs and values and drives the story forward. 8. By following this checklist, you can create a royal character that is believable, relatable, and engaging for your readers.
Conclusion
Creating a royal character for your fiction novel can be a fun and rewarding experience. By doing your research, developing a complex personality, exploring relationships, crafting believable dialogue, considering appearance, and providing compelling conflict, you can create a character that your readers will love. With these tips and tricks in mind, you’ll be well on your way to creating a royal character that is fit for a king or queen.
Copyright © 2023 by Ren T.
TheWriteAdviceForWriters 2023
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greenapplebling · 3 months
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As a kid I thought of you as a rose,
As a grown up I saw all your thorns.
I know thorns are there to protect you,
But was it necessary to turn them on me?
Of the rose garden, you're the reddest.
Could it be that your petals are painted
With the blood of my wounds?
It didn't matter if it's by force or gentleness,
If it's by rigor or kindness, if it's by hate
Or love. Your thorns hurt me all the same.
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satanic-witchcraft · 3 months
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(Random rambling time!)
"Join a writing class!" they said, "it'll be fun!" they said.
They, meaning me. I joined a creative writing class and don't get me wrong, I LOVE IT 💕💕💕 for nearly an entire two hours I get to just sit down and write about whatever the hell I want (long stories, short stories, poetry, script writing, etc)
Though I just finished my second official story. My first was was 5 pages and somewhere between 800 - 1,000 words long. Wanna guess how big my second story is?
10,182 words... And 31 Google-doc pages. What the fuck possessed me?
Now all in all, that isn't particularly super long (in my opinion of), but I wrote it in only around 2 weeks and I'm still proud of myself! I'm mid-edit, doing some polishing, then I'll move on. I absolutely loved writing it, but trying to figure out exactly how to finish the damn thing had me like-
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(I've also got 5 poems I'm still cooking, so... My brain is ready to just completely give out on me-)
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xsignedmsriss · 2 years
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You ever hear people say, "well if you wanna read it then write it"?
Yeah, it's time. You have the ideas. You have the passion. So why aren't you writing?
It's not laziness, no.
You don't know where to begin? Probably.
Maybe you've started but you're getting stuck on how to enhance that story. Maybe you're doubting yourself. Guess what, writer? You're not alone! You can get allll the help you need all in one place.
And yes, I meant to call you a writer. You don't have to be a best seller to be writer. Hell, you don't have to be a published author to be a writer.
What would happen if you stopped treating this dream as just a dream?
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Behind the door you're blocking is where you'll find all the lessons you need to help you on your writing journey. A place where other writers go, led by a writer. Learning and helping one another. After this, you'll be able to write that story the way it deserves to be written! But you have to be fast! The doors for this opportunity close soon! But you could always, ya know, do the research yourself and be led to multiple different sites and people, and then more sites and people, and then sites and people. Up to you!
Hope you'll show up at midnight!
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psst, you can use code MIDNIGHT10 when you enroll!
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theultimategaebread · 5 months
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my english teacher will sob once i finish my independent project, because i have been given access to my AU, free reign of what I write, and the Crane Wives, The Fool in Her Wedding Gown, Coyote Stories, and Foxlore albums.
I will also probably be sent to the councilors office but that's okay, cause I have not written anything that I would not be comfortable with them seeing
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asassydork · 29 days
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We’re prepping for a prompt challenge. Gonna pick a genre for the prompts in a poll. Find a prompt that’s voted upon.
Then we’re gonna upload 3 paragraphs of writing for the prompt. Then we vote again on the best one. Then we’re gonna create a prompt chain and tell the story that way.
So there’s always creative dynamics to work with here. 😅😅 ANYONE OVER 18 can JOIN. THIS INCLUDES YOU! Every follower who follows me or even just looks in my direction. You.
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desi-daydream · 2 months
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coffee
i pour my coffee. i add sugar and milk. I stir it and watch it go from a deep black to a warm soft brown. and I wonder where you are. what you’re doing. i hope you’re well. and me? i’m trying to be well enough so that I can still be here when it’s time to meet you.
February 10, 2024
3:43am
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sarahmaclean · 9 months
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This one is for the writers!
Before Romance Writers of America ... imploded, I think, is the right way of describing it? I gave my Mastering the Art of Great Conflict workshop almost every year at the national conference. Since the pandemic, I haven't given it in person, but last year, I gave it online, as part of a week-long discussion of how to plot, structure, and write conflict -- internal and external!
It was a big success, and people seemed to find it really interesting, so I'm doing it again next month!
The class will run the week of August 6, 2023 and include:
A live two-hour presentation on building and maintaining strong, believable conflict in storytelling (live, August 6 at 2pm et, recording available for 30 days),
A participant-only live panel of bestselling authors Amanda Cinelli, Adriana Herrera and Joanna Shupe, discussing the ways they build conflict in their books. Participants will be able to submit questions to the panel as part of the course (live, August 9, 7pm et, recording available for 30 days),
An optional discussion board where participants can ask me in-depth questions and discuss the content of the class. The boards will remain up after the class is complete for 30 days, so participants can engage as a writing community, and
A reading and resource list including all books and materials referenced in the workshop, provided by email and in the Discord community after the course.
Space is limited to 100 participants. To learn more and register, please visit my website!
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jacquelynlscott · 1 year
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🧐 What is Characterization in Literature?
In literature, writers use characterization to teach readers about a character. There are two main elements of characterization: Direct and indirect.
🫵 Direct Characterization
Direct characterization means the writer directly tells a reader about a character. When characterized directly, there is little to no room for reader interpretation. Direct characterization examples include physical descriptions or the author outright stating facts about a character, like their job, relationships, etc.
📚 For example, from Anthony Doerr’s All the Light We Cannot See:
“In a corner of the city, inside a tall, narrow house at Number 4 rue Vauborel, on the sixth and highest floor, a sightless sixteen-year-old named Marie-Laure LeBlanc kneels over a low table covered entirely with a model.”
Doerr directly characterizes Marie-Laure LeBlanc as a sightless sixteen-year-old. There is nothing up for interpretation about where she lives, her blindness, or her age.
👉 Indirect Characterization
Indirect characterization reveals information about a character through their actions, dialogue, thoughts, etc.
📚 For example, again from All the Light We Cannot See:
“All evening she has been marching her fingers around the model, waiting for her great-uncle Etienne, who owns this house, who went out the previous night while she slept, and who has not returned.”
In this passage, readers learn more about Marie-Laure: she is patient and focused, maybe even a little obsessive.
You may have noticed that Doerr mixes direct with indirect characterization in this passage, as writers often do. While readers learn more about Marie-Laure through her actions, Doerr also directly tells readers that her great-uncle owns the house.
🥸 Physical Descriptions
Physical descriptions of characters can work on three levels:
They tell readers what a character looks like.
They tell readers a little about what a character is like.
They tell readers more about the main character because of what they’re choosing to notice about other people.
🫠 When writing descriptions, keep in mind that it’s not really interesting to describe characters by their hair color or their eyes. Those kinds of descriptors don’t tell readers anything about the character.
Instead, try focusing on interesting or unique bits of the character. For example, you could talk about the ash between a character’s fingers. While strange, it gives readers a visual to latch onto while also indicating that this character must wash their hands a lot and not follow up with lotion. Are they OCD? Do they work in the medical field? But also, why is your MC noticing this? Are they judgmental?
The point is small, strange details can generate questions and intrigue, whereas “The woman had brown hair” does no work for any kind of character development. However, if that woman had blonde hair with ends so fried you can see them crunching and breaking off and brown roots two inches thick, that kind of hair description says a lot about who that character is as a person.
⛔ Characterization Don’ts
New writers often introduce characters in cliché ways. Here are some characterization mistakes to avoid:
Letting your character introduce themselves directly to your readers. For example, “Hi, my name is Mary, and I’m 53.” This might work for children’s or middle grade books, but otherwise, it’s best to avoid it.
Information dumping. In real life, people get to know each other over time, learning bits of information every time they see each other. Your characters should do the same.
Introducing your main character’s physical appearance by looking in a mirror or at a picture of themselves.
Introducing your main character as they start their day, such as waking up or showering. Instead, start your story in media res, which is Latin for “in the midst of things.” Start your story when the action begins.
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writingtheother · 3 months
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Reg Open: Non-Linear Story Structures from Non-Western Traditions
When: February 25th, 2024 | 10AM – 1PM Pacific Time Can't make the live webinar? Register to get the recording after Where: Online — Zoom Classroom Price: $75 - $100 Scholarships are available - scholarship deadline is February 4th!
“Begin at the beginning,” the King said, very gravely, “and go on till you come to the end: then stop.”
― Lewis Carroll, Alice in Wonderland.
Carroll’s king was clearly not a Chinese king. Western storytelling traditions decree that a linear structure (along with the three act structure, the hero’s journey, and a rising self-esteem arc) are mandatory features of any satisfying story. This is Western-centric silliness. In this webinar, author Henry Lien will explore non-linear structures, specifically cyclic and nested structures, using examples from non-Western stories and films.
Students will come to understand how these non-linear structures allow for thematic stacking, embracing of moral complexity, and a synthesis between form and content to explode the idea that a straight line is the best way to tell every story. The webinar emphasizes practical craft takeaways for storytellers to apply to their own works in progress.
This webinar will run from 10AM to 1PM Pacific Time with short breaks in the middle.
Details and Registration at Writing the Other's website.
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ktempestbradford · 1 year
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In this two week Writing Fat Characters Master Class from @writingtheother, authors Marianne Kirby and Meg Elison have come together to help you look beyond overused and harmful media tropes of fat people. You'll learn how to avoid these stereotypes, how to write good fat representation, and more, with a lecture, discussions, and exercises that should get you started.
When: April 21 - May 7, 2023 Where: Online — Available everywhere and at your own pace Price: $150 (Scholarships available)
For more info or to register, go to Writing the Other.com
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How to Write a Fantasy Novel Based in East Asia
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Introduction
Imagine a world where dragons soar through the skies, where warriors wield swords with deadly precision, and where magic flows through the veins of the land. This is the world of East Asian fantasy, where ancient myths and legends come to life in vibrant and colorful ways. If you're a writer looking to create your own unique story set in this rich and fascinating world, then look no further. In this guide, I'll help you explore everything you need to know to write a fantasy novel based in East Asia.
Before we begin, it's important to acknowledge the vast cultural diversity of East Asia. This region includes countries such as China, Japan, Korea, and Vietnam, each with their own unique histories, traditions, and mythologies. While it's impossible to cover every aspect of this diverse region in one guide, I'll do my best to provide a broad overview of some of the key themes and elements you might want to consider when writing your own East Asian-inspired fantasy.
So, let's dive in!
Section 1: Setting the Scene
The first step in creating a compelling East Asian-inspired fantasy is to build a rich and immersive world for your characters to inhabit. This means taking the time to research and understand the historical and cultural context of the region you're drawing inspiration from, as well as incorporating elements of mythology and folklore.
For example, if you're writing a story set in ancient China, you might want to consider incorporating elements of Taoist philosophy or exploring the legend of the Monkey King. If you're setting your story in feudal Japan, you might draw inspiration from the samurai code of bushido or the tales of the legendary ninja clans. Whatever your chosen setting, be sure to immerse yourself in the history and culture of the region to create a world that feels authentic and engaging.
Once you've established the cultural context of your story, you can start to think about the physical world your characters will inhabit. This might include creating detailed maps of your fictional world, inventing unique flora and fauna, or describing the architecture and landscapes of your chosen setting. Don't be afraid to get creative here – by incorporating fantastical elements like floating temples, enchanted forests, or spirit realms, you can bring your world to life in exciting and unexpected ways.
Section 2: Crafting Your Characters
As with any story, the characters you create are the heart and soul of your East Asian-inspired fantasy. To create compelling and believable characters, it's important to draw on the cultural and historical context of your chosen setting, as well as incorporating elements of mythology and folklore.
For example, if you're writing a story set in feudal Japan, you might create a samurai character who embodies the values of bushido, such as honor, loyalty, and courage. Or, if you're setting your story in ancient China, you might create a character who is skilled in martial arts and draws on the principles of Taoist philosophy to guide their actions.
When crafting your characters, it's also important to consider their relationships with each other. In East Asian cultures, family, community, and hierarchy are often highly valued, so you might incorporate these themes into your story by exploring the dynamics between your characters. For example, you might create a protagonist who must navigate the complex social hierarchy of a samurai clan, or a group of travelers who must learn to work together to overcome a common enemy.
Section 3: Incorporating Magic and Mythology
One of the most exciting aspects of writing an East Asian-inspired fantasy is the opportunity to draw on the rich mythology and folklore of the region. This might include incorporating ancient gods and goddesses, magical creatures like dragons or kitsune, or exploring the concept of qi or ki energy.
When incorporating magic into your story, it's important to establish clear rules and limitations for your characters. This might mean defining the sources of magical power in your world, such as through meditation or the use of enchanted objects, or setting limits on the types of spells or abilities your characters can use.
Finally, remember that mythology and magic are often deeply intertwined in East Asian cultures. By exploring the myths and legends of the region, you can add depth and richness to your story, while also drawing on powerful archetypes and symbols that resonate with readers.
Disclaimer
I wanted to make sure to note, that it's heavily important to research the culture your inspired by. Many experts will be offended by misinterpreted cultural or even religious aspects that are misused. Especially if it's an individual born in the region your inspired by. So please be educated especially if for example if you're writing a chinese-inspired fantasy novel, and you're not chinese. It's heavily recommended to research cultural-appropriation, the history of the culture. the stereotypes and racism East-Asians go through on a daily basis. Thank you. - Ren T.
Conclusion
Writing a fantasy novel based in East Asia can be a daunting task, but by drawing on the rich history, culture, and mythology of the region, you can create a world that is both engaging and authentic. By setting the scene, crafting compelling characters, and incorporating magic and mythology, you can bring your story to life in exciting and unexpected ways. So, don't be afraid to dive in and explore this fascinating world, and let your imagination run wild!
Copyright © 2023 by Ren T.
TheWriteAdviceForWriters 2023
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filmcourage · 4 months
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Write Your Truth - Writing Class, Answering Your Questions and Writing Exercises
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Watch it on Youtube here.
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idontlikechairs · 4 months
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“You guys need to practice expanding on your ideas.” Expand the length of time you can suck on my fat tumorish ballsack
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