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#red hood analysis
cakegatedisaster · 2 years
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Don't ever think that I don't understand Bruce Wayne's refusal to kill. It's a limit he sets for himself because he doesn't trust his own actions enough to stop killing if he does it once. It is, in his mind, a protective barrier against himself and other people, especially the ones he loves. After being exposed to death at such a young age, of course he'll never be comfortable killing, not when he believes in that it harms one's soul.
Now don't ever think that that excuses him for not wanting Jason to kill the Joker.
Bruce doesn't want to save the Joker, he wants to keep Jason safe from himself. But Jason should be allowed to make his own decision about what he considers harmful to himself.
The tragedy of Jason Todd is that, even if he vanquished his demon, even if he killed the Joker, the Joker would have won because he would have succeeded in corrupting Jason.
And even more so is that this would only be a tragedy to Bruce.
To Jason, it would be a triumph, a success, a way to finally resume himself that he's safe.
But to Bruce, killing and refusing to be remorseful for it will always be a sign of being tainted and of his own failure, instead of another individual choosing their own path.
Jason Todd's tragedy is only a tragedy to those who refuse to see his triumph.
(@jasontoddskris @jasontoddiess @artxmisreblogs thought you all might appreciate this)
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shyjusticewarrior · 3 months
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Jason is an "I'd kill for you" person stuck in a "live for me" family.
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donnatroyyyy · 3 months
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Jason Todd’s death storyline was perfectly executed because they killed him figuratively (killed his innocence) before actually killing him. It’s a tragedy because he died in two separate ways. And the reason his resurrection is just as much a tragedy is because only one of the things killed can be brought back and it wasn’t the thing that made Jason who he is (his innocence and kindness).
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GUYS CAN WE **PLEASE** TALK ABOUT THIS
DO YOU GUYS KNOW WHAT DAMIAN GAVE TO EACH OF HIS FELLOW BAT SIBLINGS??? Because these are all real established items in DC canon!!
I’m going to work my way back from Dick, because, OMG. 
Damian gave Dick the Sword of Sin. If that sounded vaguely familiar to you, you might be an Azrael fan because that is his preferred blade to use. What is so special about this sword??? It’s ability:  The Sword of Sin can be ignited with the mind of the wielder, if the person is powerful enough. The sword has the ability to conjure in the mind of its victims all of the sins for which they are guilty or have not atoned for.       Golly gee, I wonder who this might be super effective against. You know. Giant bat guy with a guilt complex bigger than Texas. You can bet your butt Dick is going to send Bruce through a series of ‘Nam war flashbacks before this series is over. I can absolutely see why Damian would give Dick this weapon here, as he’s known Bruce the longest. I can easily see what part in this story Dick is going to be playing as he clearly has the most directly effective weapon against Batman. Damian’s favoritism here is both sweet and a little cruel if you think about the context much. 
Now let’s talk about Stephanie’s weapon, and yes she very much is Damian’s older sibling even if she isn’t a Wayne. Damian gave her the Coup-Stick of Black Bison (A DC Super Villain.) What can this staff do???   The mystical power of the coup-stick can animate material objects and in so doing, command these objects to do its bidding. This power cannot affect living biological material, but can affect non-living organic tissue. Black Bison once used the coup-stick to re-animate the stuffed remains of a white stallion (as well as other animals). Black Bison has also used the coup-stick to control the weather, such as summoning a strong wind to deflect attackers.      Guys Damian gave Stephanie a weapon that will allow her to call on back-up, and COMMAND her own creations, a weapon that allows her to be a leader!! Something she has wanted for a long time??? Also, it sounds like it has the power to control the weather??? Damian really said #girlboss and how much he loves her without actually saying it. I cannot stress enough how well DC could do her justice in this series if they at least tried.
Now, wow. Damian really straight up gave Jason’s dramatic ass the actual Trident of Poseidon, which is an unbreakable weapon that that serves as an extension of the wielder’s own power. Damian really gave Jason not only a King’s weapon, but a godly weapon. What other powers it has might not be relevant to whatever power it might awaken with Jason as its wielder.       Damian really cut out the middle man and just said, “Look, you are stupidly strong. I’m going to give you a stupidly strong weapon. Have at ye!” And you know Jason is going to wield that thing like he’s Poseidon, rightful ruler of the sea. I literally cannot wait to see Jason just absolutely power-housing his way through whatever gets in his way.  
Lastly, but not least in the slightest, Damian gave Tim the Cloak of Cagliostro! Which I want to acknowledge right off the bat, 🎶one of these things is not like the others~🎶 And thank Rao for that, because:  The Cloak of Cagliostro is a magical item which allows the wearer to teleport, and to become intangible, and invisible.      That is the *cutest* Easter Egg ever! Gotham Knights acknowledgement of Tim’s teleporting anyone????? Tim was the only one Damian gave a defensive weapon, and not an offensive weapon to. And that makes sense, because Tim is a defensive fighter! Tim never has to be the strongest person in the room. He just needs to be clever enough to use what he knows to win. Instead of giving him a weapon to swing around, Damian gave him something that Tim could use to protect himself, and actively use to make ALL of his skillsets stronger, not just his fighting power!!! This! Is! NOT! Damian looking down on Tim or considering him weaker. He’s playing to Tim’s strengths! He literally gave his big brother a cloak that straight up is like a cheat-code of meta-powers that would suit Tim SO WELL, because he knows Tim will be able to use those abilities to bullshit levels of effectiveness!! 
It genuinely looks like thought went into what weapons each of the Robins were given. I know fanon likes to bash on Damian or bash on his relationship to his siblings, or vice-versa, but in canon it has been clear for some time now that Damian considers all former and current Robins his family. (Including Tim. He refers to Tim as Timothy nowadays, and calls him his brother, that’s not fanon) No matter if Damian is not himself right now, he’s genuinely looking out for all of their best interests, and is ensuring that each one of them is as well-equipped as possible. 
Regardless, genuinely curious to see how each of these weapons will be used by their respective Robins, and how this will all end up. Hopefully, it ends with a giant group hug that will break the internet. (Also, ngl, I hope if Tim gets a new superhero identity soon his new suit will play off of Gotham Knight’s Tim’s abilities or be based off this cloak. Just think that would be neat ✨)
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allthegothihopgirls · 11 days
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the entirety of red hood/arsenal is just jason going on like:
"well i'm kinda starting to accept that it isn't always roy's fault for dragging me into these elaborate schemes. i'm a consenting adult, and i've actually chosen myself, to follow wherever he goes. not one of my better calls, but it was mine."
"and when he wanted me to move across the country with him, of course i said yes. i thought my answer was a product of persuasion, but i would have done it without a fight."
"it annoys me when roy spends all our money on stupid shit. but i keep letting him do it so we can pick up more jobs and spend more time together. i think it's good for him."
"roy made a fancam of me and put it on the largest L.A billboard he could find. some perceived it as a profession of love, if only they knew the type of shit he tried with me on a daily basis."
"i used to be really opposed to roy's oddly intimate nicknames, but now i catch myself off-guard referring to him as 'bestie'. i haven't tried to stop though, it seems to please him."
"i think roy sees me as a test guinea pig sometimes. he keeps trying to convince me it's just because we're super close and total bros, but i don't think 'total bros' test their prototype flamethrowers on each other mid-shower."
"roy's like a master guilt-tripper. honestly most of the choices i make now are in the interest of making him happy, because even if i act on accord of my own feelings, one display of emotion from him and i'm already rescinding my actions. you think it's because i love him? wrong. i just hate when he gets whiny."
"i don't think roy's ever going to grow up. he's so lucky he has totally 100% grown up me to guide him and not encourage his childishness."
roy on the other hand:
"yippee!!! my personal boytoy bestie is travelling the world with me and we're making the coolest memories together. hope i don't go fuck this up and hit a devastating rock bottom."
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jasonswh0rre · 2 months
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The Psychological Analysis of Jason Todd
I am a psych major, and my professor is allowing us to make an analysis of any character of our choice, so I figured who better to write then Jason Todd. This was very fun to write and I very much enjoyed rewatching Batman: Arkham Knight. Please enjoy. ☁️ Warning(s): Trigger Warning for Trauma, Mental Health Content, Violence, Graphic Imagery, Spoiler(s)☁️ Word Count: 2.6k ☁️: Authors Note: I am working on fanfics, more headcanons for Arkham Jason, unfortunately I am busy with classes, assignments and deadlines. I will try to be punctual but it may take time. Thank you for your understanding.
Introduction 
Jason Todd is the secondary villain in Batman: Arkham Knight, which has the same moniker. He is the second Robin and Bruce Wayne's adoptive son.
Jason Peter Todd was born in the slums of Gotham City to two drug-addicted parents, who would eventually try to settle a debt they had by giving Jason away when he was a baby. Jason received no parental figure to help guide him, leading him to petty crimes such as theft to nourish his survival. Jason is a character who takes what he needs if it means prolonging his survival; his lack of a parental figure leads him to an identity crisis between longing for a parental figure and convincing himself he is better off without one. When the simple truth is that every human needs a mother and a father, we respond positively to a nurturing environment, and through early adolescence, our brains crave the structure needed to build us into well-rounded adults. 
At fifteen, Jason inadvertently met Batman while committing robbery when Batman was fighting Gotham's notorious supervillain, The Joker. Believing Batman is in trouble, Jason jumps between pushing the hero from harm's way. Despite life's misfortunes, Jason possesses a remarkable code of morality enough to want to save someone. Jason, attempting to rid Joker of his breath, aims a pistol at the clown and, before firing, is knocked out of his hands by Batman's batarang. Unfortunately for him, Joker would leave Jason with a cryptic message, one for the young man to head.
Jason would later be apprehended and taken into custody in the back of a police car by Batman after Batman retrieved his gun and stolen money. However, rather than being charged, Jason receives a blessing through a Wayne Industries project that helped troubled teens; through the program, Jason was able to turn his life around. All attract the man who helped Jason find a new purpose: Bruce Wayne. Months after being released, Batman appeared in Jason's dorm, again offering Jason another opportunity. 
2nd Robin and Kidnapping
Taking Jason in as his ward as well as dubbing him Robin after Dick Grayson, Jason sought justice and enjoyed being a hero. Like the previous Robin, he showed a keen aptitude for it; unlike his predecessor, he possessed a fiery temper and willingness for more lethal force. While Jason's temper is directed towards the criminals that harm the innocents, Batman views this as inexcusable, fearing the day that Jason will kill instead of reprimanding. 
In the most twisted sense of irony, Jason's morality inevitably becomes his downfall. The Joker has blown up a school with kindergarteners; this leads to Jason's resolve that Joker needs to die. Knowing that Bruce would try to stop him, Jason abandons his comms and tracker so he can kill Joker. However, it is a trap, and Joker ambushes Jason. Jason was kept in a wheelchair, bonded by barbed wire that kept Jason leaning hunched over in excruciating pain. Throughout his pain, Jason's mind remained still; he was confident that Batman would find him; his sheer will at the beginning of his torture is, with all honesty, remarkable as Joker has been known for his mental abuse and mind games he plays with his victims including his sidekick, Harley Quinn. 
In the six months of his torture, Jason's unwavering mental resolve was slowly crippling as Joker had wanted; throughout the game, Jason's voice mixed with crippling fear and small doubts about Batman coming. The Joker feeds into his doubts by showing him a photo of Batman with his replacement, Tim Drake. This leaves Jason troubled as he slowly loses hope for Batman. 
The last act of Jason's torture involved a video sent to Batman via The Joker of Jason, who has undergone all his brainwashing; in the video, Jason is sitting down in a chair; he is not chained, barbed, handcuffed, or kept sitting still in any way by all means Jason could easily walk away. This is a significant and crucial part of Jason's torture as it symbolizes just how much mental anguish and emotional exhaustion Jason went through to the point that he no longer had a yearning for freedom—making him downright timid and submissive towards Joker enough to out Batman's identity when asked by the latter. This results in Joker shooting Jason point-blank in the chest, as Joker "never could stand a tattletale." However, this was only a ploy to make Batman believe Jason is genuinely dead.
On the contrary, Jason was kept alive for another year, endeavoring more torture, mistreatment, and malnourishment. Harley Quinn did the final touches of Jason's emotional and mental brainwashing; a former psychiatrist who manipulated Jason into believing that Batman was the cause of his anguish and his pain was his doing; she did this long enough, even punishing Jason by waterboarding him and electrocuting him when he refused to say Batman, indicating he still had some level of awareness of who was torturing him. 
However, once Harley could get Jason to say Batman's name, Jason was drugged and beaten by two prisoners dressed like Batman; he was given a gun by The Joker and was ordered to kill them. Jason's resolve and humanity were a cord, still entrenched in him before Harley convinced him further, snapping his humanity and getting him to shoot the two dressed-up prisoners dead.
During the riots of Arkham Asylum, The Joker paid mercenary Deathstroke to keep Jason there and shoot him if he escaped. However, Jason convinces Deathstroke that Joker will not keep his promise and that if he helps, Jason will triple whatever Joker plans to pay. Accepting the offer, Deathstroke assists Jason in escaping, stealing a helicopter, and flying to Wayne Industries. Jason steals millions of dollars from his former guardian. Ironically, crossing paths with Tim Drake, who assumes Todd to be Deathstroke's sidekick, when Jason's ankle is caught between Tim's grappling hook, Jason cuts the cord, allowing Tim to fall when suggested by Deathstroke that killing Robin would bode well for them with the Dark Knight. Jason Coldy says that if he dies in a fall like that, Batman needs to pick his sidekicks better. 
Jason's psyche has been torn and scattered, leaving him a hollowed carving with a mocking J branding etched onto his face, from birth his eyes were already met with darkness, born to parents who never showed him recognition, let alone love, and through the Wayne Industries Project and his adoption by Bruce his eyes were wide, and remarkably hopeful, to be free of the weight of Gotham's misfortunes finally; those eyes that looked with gleam forced shut until he saw nothing but blackness.
Arkham Knight's Birth
Jason adopts a new persona built on the pain and suffering in the wake of his escape from Joker. He feels betrayed by the one person he only had in the world and wants vengeance. Jason works alongside Scarecrow, one of Batman's enemies. The two begin a plan on Halloween to take Gotham and Batman's legacy along with it. Jason gathers all Batman's enemies to join, assembling a militia with Deathstroke. While working with each other, Scarecrow "tests" his fear toxin on the young man, sending him on a psychological spiral. One of his more apparent fears is the Joker, who can be found near, in the background, or standing right in front of him laughing and mocking him, but beyond the clown prince of crime's appearance, Jason also sees his replacement, Tim Drake, and "fights" him.
The fight has Jason severely outnumbered in the beginning, with Tim succeeding, even using his staff to choke Jason, forcing him to the ground as the Jokers around him laugh. Further into the fear toxin, Jason appears in front of Wayne Manor, where he throws down his helmet and says the following: "Someplace warm, someplace safe, someplace where I'm needed, someplace where I'm loved," Joker once again appears in front of him laughing and mocking him on whether he even deserves it, this is Jason's internal struggle in a manifested form of the person who caused him harm, of the person who convinced him from the start that he was alone and would not be saved. Jason is mischaracterized as always being angry or standoffish, but anger has more truth than any lie detector can scoop. Jason feels this anger is not just because of some personality trait; anger is his cry out, and he's shouting to be seen and loved. This is most likely due to being tortured at 15 or so, which, despite the fact that at the time of Arkham Knight, he was in his early 20s, his mental age was regressed to the age when he was captured. This makes Jason appear at first glance as someone emotional, cocky, and arrogant. He values safety and love; he doesn't want to be on his guard 24/7, but he's grown up in an environment where letting your guard down gets you killed. He follows Joker into Wayne Manor, where he sees Bruce; suddenly, several versions of Batman appear in the room. They beat him and told him they never wanted a partner or even a son. This is a conflict that has always waged war in Jason's mind. Jason's biological father attempted to give him up and then belittled him when he explained that Jason's worth was so low that he couldn't even leave him; he has low self-esteem that he internalizes into rage in the way that he fights to prove his strength. 
This is why Jason has a strong attachment to Bruce/Batman it maybe due to an underlying desire to seek his approval especially by the time when he adopts him. Bruce gives him everything he could ask for and anything he could think of, and Batman gives him a purpose. Ironically, this is still the case despite Bruce himself having an avoidant attachment style. 
Conclusion and Diagnosis
Jason Todd's character in "Batman: Arkham Knight" exhibits a complex interplay of psychological factors that align with the diagnostic criteria for Borderline Personality Disorder (BPD). One prominent feature of BPD is emotional dysregulation, characterized by intense and rapidly shifting emotions. Jason displays various emotions throughout the game, from anger and hostility to vulnerability and despair. His reactions often appear exaggerated or disproportionate to the situation, indicating difficulty regulating his emotional responses.
Furthermore, Jason's sense of identity is notably unstable, which is another hallmark feature of BPD. Having grown up in a dysfunctional environment with absent parents, Jason lacks a stable sense of self and struggles to define his identity. This is evident in his adoption of various personas, including Robin, the Arkham Knight, and, later, the Red Hood. His shifting identities reflect a profound inner conflict and a desperate search for validation and purpose. Jason's interpersonal relationships also reflect the interpersonal instability characteristic of BPD. He forms intense and unstable attachments to figures such as Batman, vacillating between admiration and resentment. His interactions with other characters are marked by rapid shifts in perception, alternating between idealization and devaluation. For example, while Jason initially idolizes Batman as a mentor and father figure, his feelings of betrayal and abandonment lead to resentment and hostility towards him.
Moreover, Jason exhibits self-destructive behaviors as a coping mechanism for his emotional pain, another hallmark of BPD. He engages in reckless actions, disregarding his safety to seek vengeance against those he perceives as enemies. His confrontations with adversaries are often fueled by a desire for self-assertion and control, masking more profound feelings of emptiness and despair.
Underlying Jason's behaviors is a pervasive fear of abandonment, stemming from his traumatic upbringing and experiences of betrayal. This fear drives his desperate attempts to maintain connections with others, even as he pushes them away with his volatile and unpredictable behavior. Jason's fear of abandonment manifests in his interactions with Batman and the Bat family, where he oscillates between seeking their approval and rejecting their authority.
Jason Todd's character in "Batman: Arkham Knight" embodies many of the core features of Borderline Personality Disorder, including emotional dysregulation, identity disturbance, interpersonal instability, self-destructive behaviors, and a fear of abandonment. By analyzing his actions, relationships, and psychological struggles within the context of the game's narrative, it becomes apparent that Jason's character aligns closely with the diagnostic criteria for BPD, providing a compelling framework for understanding his complex and multifaceted personality.
Besides indicating various symptoms of BPD, I would also consider diagnosing Jason with Complex Post post-traumatic stress Disorder (C-PTSD). Given Jason's background of severe trauma, including childhood abuse, neglect, and prolonged torture at the hands of the Joker, it's worth considering Complex PTSD. C-PTSD typically develops in response to chronic trauma and is characterized by symptoms such as emotional dysregulation, disturbed self-concept, difficulties in relationships, and a persistent sense of threat. I would include diagnosing Jason with Major Depressive Disorder (MDD): Jason's experiences of profound loss, trauma, and betrayal may contribute to symptoms of depression, such as feelings of hopelessness, worthlessness, and a loss of interest in activities. His struggles with emotional regulation and chronic feelings of emptiness could also align with depressive symptoms. Following my diagnosis, I am also inclined to believe he suffers from attachment disorders; given Jason's tumultuous upbringing and experiences and a multitude of parental figures involving neglect and abandonment, it's possible that he may have developed attachment-related difficulties. This could manifest in insecure attachment styles, fear of abandonment, and challenges in forming and maintaining healthy relationships. 
Furthermore, I would consider Antisocial Personality Disorder (ASPD): While Jason displays empathy and compassion at times, his willingness to engage in morally questionable or violent behavior, as well as his disregard for societal norms and rules, may align with some features of ASPD. However, his capacity for genuine care and loyalty makes this disorder out of sorts with his character.
Lastly, Post-Traumatic Embitterment Disorder (PTED): PTED is a proposed diagnostic category characterized by intense feelings of injustice, betrayal, and embitterment following a traumatic event or series of events. Jason's experiences of betrayal and abandonment, particularly by Batman and the Joker, may resonate with the symptoms of PTED. 
In conclusion, the character of Jason Todd in "Batman: Arkham Knight" presents a compelling portrayal of psychological complexity shaped by a tumultuous history of trauma, betrayal, and profound loss. Through a comprehensive analysis of his experiences and behaviors throughout the game, it becomes evident that Jason embodies many psychological struggles, warranting consideration for various diagnostic possibilities. Borderline Personality Disorder (BPD) emerges as a primary candidate, given Jason's emotional volatility, identity disturbances, and interpersonal difficulties. His tumultuous relationships, intense fear of abandonment, and self-destructive tendencies align closely with the diagnostic criteria for BPD. Furthermore, Complex Post-Traumatic Stress Disorder (C-PTSD) offers another lens through which to understand Jason's psychological profile, considering his history of chronic trauma and its pervasive impact on his functioning.
Additionally, Major Depressive Disorder (MDD) may contribute to Jason's experiences of profound despair, hopelessness, and emotional emptiness. His struggles with attachment-related difficulties suggest the possibility of underlying attachment disorders stemming from his early experiences of neglect and abandonment.
While Antisocial Personality Disorder (ASPD) and Post-Traumatic Embitterment Disorder (PTED) offer alternative perspectives, they may not fully capture the complexity of Jason's character, given his capacity for empathy and genuine care, despite his propensity for morally questionable behavior.
In essence, Jason Todd's character in "Batman: Arkham Knight" is a poignant exploration of the human psyche's intricacies, illustrating the profound impact of trauma on identity, relationships, and emotional well-being. By delving into his psychological struggles within the context of the game's narrative, we gain valuable insights into the complexities of mental health and the enduring resilience of the human spirit.
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I don’t think Jason has ever hated Tim
I recently revived my Jason Todd hyperfixation from its torpor and realized I had... Means and Ways of reading as many comics as I want for free, so I made the transition from Fanon Only to having read Lost Days, Under the Red Hood, Teen Titans #29 (where Jason fights and beats the tar out of Tim), Hush, Red Hood and the Outlaws (the majority of both runs), Red Robin: The Grail, Batman and Robin: Streets Run Red, Green Arrow #70 - #73 (where Jason kidnaps Mia), Battle for the Cowl, and a smattering of other bits and bobs, all within the last month.
I have come to the conclusion that the idea that Jason hated Tim before slowly learning to be okay with him is completely backwards.
Jason starts respecting Tim as a fellow combatant after basically their first meeting, and was sympathizing with him even before. Fandom talks a lot about how Jason repeatedly tried to kill Tim, but I think there’s a good argument to be made that actually Jason has never tried to kill Tim, and there’s a better argument that Jason has never tried to hurt Tim out of a dislike for him.
Tim is the one who feels viciously betrayed by Jason, hates his guts, and depending on if you blend in the New 52 either learns to begrudgingly like him or just stays hatin.
Obviously I need some proof here, since this goes completely against the grain of every relationship interpretation I’ve ever seen for them, so approximately seven miles of character analysis under the cut lmao
I’m gonna try to go in chronological order of the characters’ history here, which means we’re starting with Lost Days, and Jason’s first reaction to finding out there’s a new Robin:
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This does not look like anger to me.
Lost Days is only six issues long, and this is the entirety of the pages devoted to Jason’s feelings on Tim. Jason succeeds in a plan that would have almost certainly killed Batman if Jason had gone through with it. Jason undeniably has Joker dead to rights at one point, but lets him go. Jason at no point in this story attempts to harm Tim at all.
Now for Hush.
Context for fanon only folks: this is where the “throat slitting” bit happens.
Context for a lot of confusion: I don’t know if Jason is the one who holds Tim hostage or not.
In the original Hush plot line this is only Clayface; Jason isn’t here at all. It was later retconned in Under the Red Hood that Jason was actually in this fight for... some amount of time. It’s highly unclear to me when they swap out. Probably because originally, they didn’t swap out. Oh well! In either case, it’s now canon that Jason coached Clayface on his acting, so for the purposes of this essay, Imma hold Jason responsible for the throat damages and the words said regardless of who did what!
Right off the bat: this is a hostage taking, not a murder. Yes, Clayson Jayface does nick Tim’s neck and absolutely makes the threat of murdering him to Batman, but it’s clearly a threat. Like, look at this panel:
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He is talking a lot. This isn’t an attempt to kill Tim, it’s an attempt to screw with Batman. No matter who this is, they have every reason to expect that Batman will stop them before they do any permanent damage. Can you see that little, blurry, half-hidden line of red? Lets look at what the damage was later on:
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The bleeding was stopped by a bit of cloth, some pressure, and he’ll need stitches eventually, but they can clearly wait, and Tim doesn’t seem alarmed. That’s enough to scar, and enough that it is perfectly reasonable for Tim to assume that he would have died if he hadn’t been rescued.
However, Jason being deeply protective of kids is a reasonably consistent character trait. “You really think I’m gonna bring the pain to a ten year old?” Even at Jason’s most villainous, he is willing to put himself in danger in order to protect his own sidekick Scarlet. I think it would be very out of character for him to have gone through with it. Combined with Jason’s later actions and the general fact that a hostage is pretty useless dead, I come to the conclusion that Jason was bluffing.
It is ambiguous though, and I admit that this is probably the weakest link in the “Jason never tried to kill him” chain.
But enough of that, was he angry with him? Is the hate there?
I argue no, and that really there’s no emotional investment in Tim at all. In terms of hard numbers the pages Jalay Toddface spends holding Tim hostage is 3 and the number he spends fighting Batman is 13 and the number of times he even so much as LOOKS at Tim is ZERO, like actually, literally ZERO TIMES. He does not spare poor Timmy a SINGLE GLANCE.
Now make a special note here because those three pages of no eye contact from someone who might not even be Jason are the ONLY times that Tim is called Pretender or Imposter.
I’m relying on this research done by Kiragecko: https://kiragecko.tumblr.com/post/128411908944/bat-sibling-interaction It only goes up to Battle for the Cowl, (as does this essay it turns out, I just don’t know how to bridge between that and the New 52) so it isn’t every interaction ever, but it’s still excellent research, go leave a like.
According to them: “Comments: Tim thinks about Jason a lot while he’s first training. He imagines the former Robins giving him pep talks, and uses them to fight off fear gas. When Jason comes back, though, Tim’s really nasty, especially in his head. Jason, however, is somewhat respectful. He usually calls Tim ‘Tim’, and seems to kind of like him. ‘Pretender’ and ‘Imposter’ are things that CLAYFACE said, not Jason.“
How many times are those said? Once. Each. That’s it. As a comment under the Jason and Tim post done by Kiragecko points out, “Replacement” doesn’t even get used.
Under the Red Hood is basically THE Jason Todd comic. To my memory he doesn’t interact with Tim in it. However, it does contain that aforementioned reconning! So we get to see his reasoning during this encounter.
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And it very very clearly isn’t at all about Tim.
Moving on to Titans Tower, which is indisputably focused on Tim: When he fights Tim, he is absolutely violent and over the line, but he’s NOT out of his head. Jason is clearly very lucid and careful about what he’s doing.
Is he angry? Of course! He’s angry at the Titans who in his mind cared about him way less than their other members, and accepted a replacement robin as though his life, his whole flesh and blood self, was something that could be so easily forgotten and swapped out.
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But I think it would be a mistake to assume that Jason’s at all mad that he isn’t Robin anymore.
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A very interesting direct parallel to this fight is when Jason kidnaps Mia, Green Arrow’s sidekick Speedy, fights her, appeals to their commonalities and encourages her to solve crime his way rather than Green Arrow’s way.
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In both scenarios Jason engineers a way to isolate a sidekick and attempts to teach them something through combat. He makes a direct appeal to them against their mentors, and seems genuine about what he’s saying. He also lets both of them live, and with Mia is honestly pretty damned polite about it all. At least, as polite as a guy can be about kidnapping you and encouraging you to try to kill him in your high school gym that he definitely should not know about.
The plain fact of the matter is that Jason knocked Tim out, had time to paint his whole ass name way up high on a wall, and did not kill him. This is the same Jason who just prior to that took out all of Tim’s allies non-lethally. The same Jason who kept Mia’s protector’s busy non-lethally. The same Jason who cuts Mia free and gives her weapons back and starts slow in their fighting to make sure he doesn’t hurt her too badly. The same Jason who seems to feel very strongly that killing, trafficking, or selling drugs to kids is an unforgivable offense and very clearly sees Tim as a kid.
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Quite frankly, this reads not like a murder, and not like a jealous beatdown, but an attempt to convince Tim that he’s going to get himself killed and needs to get out while he still can. In Jason’s mind before they meet, Tim is purely A Robin, a kid who deserves better than to be put into danger against the same monsters over and over again until he finally slips up and dies.
Is this a hairbrained and back asswards way of doing that? Yes! But it does track for someone who tries to do all of his talking through his actions, which do speak louder than words, but unfortunately C-4 loudness is not actually a significant boon to nuanced communication.
If you want to put it in a less charitable way (and maybe we should, this is a bonkers asshole move on Jason’s part no matter how you slice it) then we can say Jason is testing Tim, trying to see if this one has what it takes to be better than he was, to survive where he couldn’t. Personally I think it’s a mix of both, and for this end of that emotional mess: Tim passes the test.
Jason leaves while talking about Tim in present tense, showing that he has every expectation of Tim being alive, and praises him in the process:
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Did you know that the fun panel of Tim kicking Jason in the nuts is actually from the same comic run, about twenty or so issues later?
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Did you know that the argument they were having starts with Dick and Tim wrestling with Jason and accusing him of a murder he did not commit, and in fact tried to save the victim from?
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Did I mention yet that the death in question was of Duela Dent, aka the JOKER’S DAUGHTER, whom Jason caught attempting to hold a young woman hostage for ransom? And that Jason repeatedly shot her getaway balloon instead of her and then tried to save her life immediately afterwards despite the fact that she was going to let the hostage plummet to their death? And it is implied that part of the reason he’s so easy on her is because of “Once a Titan always a Titan” loyalty, with this being our first clue that Jason isn’t the one shooting at her anymore?
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Did I also mention that he comes to her funeral in part to be around Donna (the starry leotard lady whose statue he smashed) because it’s nice to be around people who understand being displaced by their own death? And that the one who sticks up for him in this scene is Donna?
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At risk of negating my own thesus here, I’d say it’s reasonable to think that maybe Jason feels rage-hate for Tim in this “kicked in the dick while Dick grins smugly” moment.
Lets go now to Robin #177 at the tail end of the 1993 to 2003 run - Bruce has “died” and Tim hasn’t yet gone on his epic quest to find him. Tim finds Jason unifying street gangs with the intent to bring them under control and solve the current crisis. He appeals to Tim for help with this, in fact he comes off as almost puppy dog eager to work with him, and seems really sad when he says fuck no.
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This is one of the first fights in which Tim really holds his own against Jason, and I am very proud of him, yes :3
This gets Jason arrested. Then Tim actually goes through with a heavily modified, less violent version of Jason’s plan that Jason didn’t think could work. A few issues later, when Tim decides that he’s going to try to honor what Bruce would have wanted by springing Jason out of jail, Jason makes note of that.
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Jason is pretty damned civil at their next meeting, even though Tim makes it pretty damned clear he doesn’t want him around.
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And now... we have to talk about Battle for the Cowl.
I’ve seen it described as a masterclass in how NOT to write Jason Todd, due to it portraying him as being an absolutely off his rocker anger murder violence man. I am inclined to agree.
In this three issue comic Jason Todd has been dRiVeN mAd (in the most bullshit comic sense of that word) by Bruce’s will... telling him to go to therapy. Yeah. So uh, he dons a Batman suit to shoot people in AND pretends to be Black Mask so he can enslave a bunch of villains Amanda Waller style, and like it gets weird from there. It is an extremely jarring transition from that last scene to GUNS BAT HATE MAN.
He still does not hate Tim in it. I really, seriously thought I was going to have to make a lot of excuses for this portion but then the more I read of it the more vindicated I was cause let me repeat: One of the most unhinged with Bat hate and crazy juice versions of Jason ever put to print does not hate Tim at all.
Hell, he likes Tim! He compliments him!
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And on top of that, even though he is MUCH more lethal against his fellow robins when they attack him - Jason straight up shoots a ten year old Damian in the chest. It’s fucked. - There is still evidence to suggest that Jason deliberately didn’t kill Tim when he had ample opportunity.
Jason first of all never hunts Tim down. I’ve heard Battle for the Cowl described as Jason tracking Tim down or kidnapping him or going after him to force him to Be His Robin, but that’s just not how it goes.
Instead he waits for Tim to come find his Batcave, disorients him, and goes for a ton of surface cuts. He only actually goes for a real body blow after Tim picks up a crowbar and beats Jason across the face with it a few times.
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(Again, proud of you Timmy)
After the stabbing, Jason doesn’t just leave Tim there; this isn’t a matter of hurrying on before he could check. He’s seen dragging Tim off. When Nightwing later comes to rescue him, Dick is downright certain Jason is lying to him about Tim being dead because Jason is refusing to show him the body and Dick figures it’s because he knows there’s no body to show (if in part because he can’t let himself believe Tim is dead without hard proof).
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Tim himself wonders about this, noting that the batterang was rusted and shattered on his armor.
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Sure, Tim used playing possum to make his pulse slow to a near stop for a while, maybe that fooled Jason, but keep in mind that BRUCE taught Tim that skill, and if there’s one thing these comics have established, it’s that Jason is dangerous precisely because he is so intimately familiar with the techniques of the Bat. Jason even makes specific note of the fact that Tim being trained like Bruce and fighting like Bruce would be his downfall at the beginning of their fight.
The whole comic leaves me wondering just how much of what happened went completely according to Jason’s plan. I really would not put it passed him to engineer a ‘death in the family’ recreation for the next Batman in line! As much as I agree that this is garbage characterization for him in many many ways, I do think Jason makes a fantastic villain. I love to see him run rings around the Bats in some places, and make lemonade out of getting his ass kicked in others.
No matter how we interpret the stabbing here though, what does seem very clear to me is that Jason makes the Be My Robin offer to Tim first and foremost because he thinks pretty highly of Tim! He’s been rejected by Tim at least three times over but keeps holding a hand out for him. This does not seem like Tim hater reaction hours here!
Also that whole thing about kids being dragged into this vigilante life irresponsibly? Yeah that’s still there!
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I have TRIED to find evidence that Jason hates Tim at like literally any point here. I have gone through the shit people point to. I have looked at the context around those and dug up more obscure interactions for second and third views. Everywhere I look I just see more instances of Jason complimenting Tim!! It’s driving me nuts!
The only conclusion that I can come to is that people read this stuff and just trust that Tim is right about Jason. Tim’s internal view waaay more closely resembles fandom interpretation. Tim assumes that Clayson Toddface would absolutely have killed him in cold blood, that Jason beat the shit out of him purely to prove he was stronger, that he’s a brute, a moron, an active danger to society, and that every bit of leniency given to him will result in betrayal and death.
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I don’t have clearer proof for it, but I also don’t think it’s a stretch to say that Tim probably believes Jason has it out for him and holds him responsible for his replacement.
So yeah. As a fascinating reversal of my expectations going in: I don’t think Jason has ever hated Tim, but boy fuckin howdy has Tim HATED Jason.
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cakegatedisaster · 1 year
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JUST TO BE CLEAR.
Jason Todd is NOT emotionally stumped. This boy feels ALL OF HIS FEELINGS and is PERFECTLY HAPPY to let everyone know precisely how he feels.
He is not in denial. He does not reject emotions.
He is, without a doubt, the most emotionally adept Bat.
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shyjusticewarrior · 5 months
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Dream Jason assuring Tim he'll be a good Robin
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Real Jason in the nightmare realm assuring Tim he is a good Robin
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ghost-bxrd · 5 months
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Just listened to Welcome To Night Vale and thought— why isn’t there something similar but with Gotham City? Like, a podcast about a radio channel broadcasting today’s weird phenomenons, Bat sightings, the newest Bat rumors and, of course, people taking bets on open air about when the next Arkham breakout will be (and when Red Hood will snap again and shoot Batman in the kneecap).
Ngl I think that would be hella funny.
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chaikachi · 10 months
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The Little Prince, The Rose, & The Aviator
AKA We just got confirmation that Oscar's main allusion is in fact The Little Prince so I wanted to gather all evidence that supports it in show thus far.
cross-posted from twitter
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A brief summary for those who aren't familiar:
The Little Prince is a story about a young boy that travels to many worlds & meets many people. It is told out of chronological order from the perspective of an airplane pilot that the prince meets close to the end of his journey.
It explores themes around childhood and growing up, love, loss, friendship, loneliness, and hope, among other things. All ideas very prevalent in RWBY.
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Part 1: The Little Prince
The first theme I want to touch on is that struggle of trying not to lose yourself as you grow up.
"Grown-ups never understand anything by themselves, and it is exhausting for children to have to provide explanations over and over again."
Oscar is the youngest of the group, and yet he is one of the characters most often shown trying to reason with the adults in the room.
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Yes, we've mainly seen it with Hazel, Ironwood, and Oz... but while the rest of RWBYJNR are also 'just kids', he spends so much energy trying to reason with them and mediate conflicts there as well. All while still being the youngest of the bunch.
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Another way this shows itself is in Oscar's resistance to merging with Oz. The merge is a very clear metaphor for how the people you meet and the things you experience can often change you. And how, when you're a kid, it all feels like its completely out of your control.
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Speaking of the hoverbike scene, I want to shift to a different part of The Little Prince. The infamous moment with the fox and what it is to be 'tamed'. To be tamed is to create ties with others. To become important to them and for them to be important to you.
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When Oscar is having a talk with Oz in v8 about how he finally felt like himself, the person he wanted to be, and felt like he was finally "part of the team"... There is a fox plushie lying on the ground as he passes by.
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But we see that Oscar was right to feel this way later on.
Because just as he was "only a little boy like a hundred thousand other little boys" when he first met everyone... he had since been tamed, and tamed his friends in turn. And they fought tooth and nail to bring him back when he was captured by Salem.
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Part 2: The Aviator & the Rose
In RWBY, most characters have a main allusion that is central to their arc and then secondary allusions for what roles they fill in relation to other characters. (Ex. Yang's main allusion is Goldilocks, but when thrown into the plot, she also becomes the Beauty to Blake's Beast, just as Blake was once the Beauty to Adam's Beast).
If we apply that metric to other characters here, we know that Ozpin's main allusion is The Wizard of Oz and Ruby is Little Red Riding Hood... so when placed within Oscar's story structure of The Little Prince, they become The Aviator and The (Ruby) Rose, respectively.
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The aviator is a man that struggles to hold onto his childlike wonder. He tries, but he lives in a world of grown-ups so it becomes difficult with time. The little prince - much like Oscar with Ozpin - helps him remember some of the things that he's forgotten.
When the little prince meets him, the aviator is grumbly after crash landing his plane in the desert & is trying to fix it before he runs out of water.
Funny then, that when Oscar is crash landing a plane it is Oz that instructs him on how to do it.
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When the aviator explains his circumstances, the prince laughs and exclaims that he "fell from the sky too". Which is an interesting tie in to the canon RWBY fairytale mentioned in Before the Fall, The Boy Who Fell From The Sky...
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...as well as another fairytale we've seen mentioned in the show proper: The Girl Who Fell Through The World. A tale that was first talked about by Oscar, later expanded upon by Ozpin, and finally lived by Ruby Rose herself. (Yes her team also experienced it but it's very strongly emphasized Ruby and Alyx were paralleling each other in ways the others were not).
One thing about the little prince and the aviator is that by the end of their journey when it's time to say farewell, it's quite clear they've tamed each other as well. So much time spent by the pilot wishing to fix his plane and get out of the desert, but when it's finally time to say farewell, he does not want to go. This is not something we've gotten in show yet, but I'm willing to guess is going to be the basis for when the war is won and Oz is finally set free. Leaving the two of them to finally have to say goodbye.
And I realized I couldn't bear the thought of never hearing that laugh again. For me it was like a spring of resh water in the desert. "Little fellow, I want to hear you laugh again..."
Moving onto the Rose.
In the story, the little prince is enamored by her as soon as he sees her for the first time. As he gets to know her, she is described as many things. Some that fit Ruby well (miraculous, naïve) and some that she subverts (vain, self-centered).
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Ruby might not be caught up on physical appearance, but she is convinced that she's the only one in all the world that can do what she has to do. It's a childish way of looking at things, and to believe you can't accept help from others is - in its own way - selfish.
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In the book, the rose asks the little prince to tend to her. She's very needy with her demands and while the prince loves her dearly, it is a strained relationship. In RWBY, Oscar sees Ruby wilting very early on and decides to tend to her without waiting for her to ask. Of which we have... SO MANY EXAMPLES AND I DON'T HAVE A HIGH ENOUGH IMAGE LIMIT TO POST THEM ALL SO YOU GET 2.
Not pictured here, but still worthy of note: Oscar mediating when Ruby is being undermined in v8, Oscar talking the responsibility of telling Ironwood the truth in V7, the "food always makes me feel better" / "I made you a casserole because you were sad" scenes. The List Goes On.
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Part 3: Other Easter Eggs & Evidence
There are also other fun little pieces that drive home just how much these characters allude to the book as well as the inspiration it's had on the show in general.
The first thing the little prince asks the aviator for is a drawing of a sheep that he can take home with him so that it can eat up the sprouts of baobab trees before they overgrow his entire planet and destroy it (and his rose) in the process...
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The tree in the Ever After has maple leaves, but the shape of its trunk is very clearly not a maple. When compared to these illustrations, it seems to have pulled inspiration from baobabs... and what does the tree in the Ever After do?
Its roots consume the rose.
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One of the lessons that's brought up repeatedly in the book is that:
"One sees clearly only with the heart. Anything essential is invisible to the eyes.”
This is brought up in a few different ways:
The little prince left his rose back home, so when he looks to the night sky, separated from her, he says:
"The stars are beautiful because of a flower you don’t see . . ."
When Ruby is in the Ever After, with no one to tend to her, she is in a town filled with paper stars.
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It is brought up again in reference to the desert, which we have a wonderful tie-in now thanks to the animatic shared at RTX recently:
“What makes the desert beautiful,” the little prince said, “is that it hides a well somewhere . . .”
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And again by the aviator in reference to the little prince himself.
What makes the little prince special is his loyalty to a flower. Ruby Rose, who inspired Oscar to keep fighting, who reminded him he was brave, and who's mission he has worn on his literal shoulders.
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Two other lines in that passage I've highlighted I also want to mention.
"As the little prince was falling asleep, I picked him up in my arms, and started walking again. I was moved. It was as if I was carrying a fragile treasure."
This line about the little prince being a treasure (treasure is an rg song truthers rise up 🙌)
And the emphasis on lamps being symbolic of the Little Prince himself which... we've seen for Oscar A LOT.
"What moves me so deeply about this sleeping little prince is his loyalty to a flower - the image of a rose shining within him like the flame within a lamp, even when he's asleep... (...) Lamps must be protected: A gust of wind can blow them out..."
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Also Ruby has been referred to as a "spark" by Oz before and when Oscar is worrying over Ruby at Brunswick farms, Maria tells him to "keep that fire fed" which is exactly what lamp lighters do. Just very deliberate use of that imagery here.
It ALSO ties into earlier in the novel where, among the little prince's many travels meeting plenty of confusing adults he doesn't understand, he encounters a lamplighter. And of all those that confused him, he found he could at least relate to this one and see value in his work.
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There is also a matter of how the prince's first appearance is at sunrise:
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That he is cited to live on a planet "scarcely bigger than himself" and "being in need of a friend". How we see Oscar very alone on his farm back in Mistral, just like the prince, only tending to his daily chores by himself, we never even see his aunt.
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And while there are a few other bits and pieces i'm surely forgetting, the last big one I want to talk about is how both the beginning and end of the book start with a venomous snake.
The aviator shows us a drawing of a boa constrictor eating a wild beast...
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...versus Oscar's first appearance coming immediately after he wakes from a nightmare of Tyrian, a venomous scorpion faunus, being sent to capture his rose.
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And the story ends with the little prince in a desert getting bit by a venomous snake that sends him back to his rose and away from the aviator... thank goodness RWBY loves to subvert its fairytale origins, amiright?
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"(The little prince) fell gently the way a tree falls, there wasn't even a sound..."
tl;dr Oscar is for sure The Little Prince, Ruby has always been his rose, RG canon, Tryian vs. Oscar in the desert real and #GREENLIGHTVOLUME10 SO WE CAN SEE IT HAPPEN ALREADY >:OOOO
Thank you for reading 💕
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batsimsposts · 18 days
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CAN WE PLEASE FOR THE LOVE OF ALL THAT IS HOLY STOP REFERRING TO THE POC BATBOYS AS FERAL???
I've seen several posts on my timeline from pretty popular batfamily blogs where they refer to Damian or Dick as feral.
The Damian one is just pure racism?? Even if that's not what you meant, the effect is still there. Why would you call Damian, who is a middle eastern child, a feral child? Or go so far as to relate him back to an animal? The amount of people making that connection is so disgusting to me. And it's not even the bloggers themselves, the comments and reblogs are filled with people who like this narrative of Damian being completely feral... Like ask yourself why you think it's funny? Like why do you enjoy that comparison so much? There are so many other words and references you could be using that don't sound racist, and yet you chose to use this one?
I don't see as many posts claiming Dick is feral, but there have been a few posts about Robin!Dick and people being like "omg Robin!Dick was feral! He was such a little gremlin!" .....
You could use so many other words to describe Dick as Robin, and you chose "feral"??? What about Rowdy? Angry? Easily excitable? Like what made you specifically choose feral? And another thing is if you specifically refer to Robin!Dick as feral but Nightwing! Dick as civilized... What makes you think Robin!Dick is specifically feral?
Like to me (CALL THE POLICE THIS IS A PERSONAL OPINION) it sounds like the only time Dick was feral in people's eyes is when he's fresh from the circus. Like Robin!Dick was learning a whole new culture because he quite literally had POC parents who taught him differently... And your first instinct is to call that era of his life "feral"?
Idk yall can we please use our critical thinking skills next time? At least use a different word? Or check yourself before making these types of posts/art? Like it cannot be that hard to not be racist.
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onnahu · 7 days
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Why Bruce and Jason can't have a relationship we all want them to have
The thing about relationship between Jason and Bruce is that their upbringings were so different, and they both are so stubborn, they never could've agreed on some things.
Bc let's be real. Bruce went through a traumatic even as a child, and that was terrible. But before, he had two loving parents, and even after, he is a white, rich man. He is the definition of privilage and that's what made him Batman. I assure you, if he was poor, or even in middle class or whatever, he would never become Batman. Not only for a lack of funds.
On the other hand, we have Jason. From comics, even if fandom kinda streches it, his parents did everything they could. Jason for sure loved them, taking from his reaction at Willis's death, and everything about Catherine. We know he loved them, and they loved him. There is no hint for abuse in his early life (beside new-52 but new-52 is dumb), even if classist beliefs make us assume that. They had many problems, not much money, and Catherine was sick, and later an addict. So even in their poor financial status we can assume Jason's childhood was as good as it could be. He never complained about it, at least. Also, I personally headcanoned it earlier, and in the Hill it was pretty much confirmed, that Jason's latino.
That leaves us with two differences between them already, that gives them opposed perspectives on life. Bruce could never understand Jason's life no matter how he tried. Then, we have Catherine's death. It's a similiarity. Traumatic even where they lost their parent/s. But it's also very different. Even in their reactions we can see how they're not the same. Because as Dick's and Bruce's were similiar, Jason was complitely different.
Jason knew he doesn't have time for grief. He did what he had to keep himself alive, and took care for himself, that he in some way did already. He even menaged to do well for himself. We know that he survived on the streets alone for at least few years, and didn't really need Bruce's help for that. Although survival is not the same as life.
The other, propably more important thing: there was noone to blame for Catherine's death. He could blame her dealer, but he didn't really murder her. Dick and Bruce had the person that murdered their parents. They wanted revenge and they worked for it. Jason hadn't had anyone to take revenge on. He had no one to avenge.
Then, Jason got adopted, and could taste Bruce's life in some way. He learned how it is to have money to throw everywhere, and be priviliged for high quality education, food and entertainment. His poin of wiev on it was of course screwed up, but he got to expirienced it. Also saving people. Because saving people is a privilage.
If you struggle to keep yourself alive, you can't keep the others alive, unless you have a martyr complex. We, as animals, are programmed to keep ourselfs going no matter what. We have to be our own priorities, and if you can prioritiez others it's because you no longer need it for yourself.
Anyway, Jason saw how it is to be Bruce. To be a hero. But Bruce bever knew how it is to be Jason. How to be anyone that's not him. He can have empathy, he can try everything, but he could never understand. Some things you can know only if you expirienced. The same way I know I, however I want to, I will never really understand some things.
Also the whole thing with dying. That's important to. Jason knows how it is to die. He knows how it is to kill. Bruce doesn't know either.
Anyway, it's all kinda messy, but the point is - they could never see eye to eye in some matters. They can try, but especially after Jay's ressurection, they can never have a relationship we wants them to have, not in canon, at least.
Thanks for coming to my TED talk.
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allthegothihopgirls · 1 month
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Hc that Jason really resonated with Frankenstein’s monster after he came back from the dead and his terrorization of Bruce is, in part, inspired by the monsters terrorization of Victor
ok i'm gonna preface this by saying what the fuck anon (/pos). i've been talking about this concept since it popped into my inbox i'm actually OBSESSED.
clawing at the insides of my enclosure foaming at the mouth etc etc
anyways, 1000% YES. the whole thing of jason being put back together not only at the hands of another, but also in a way which is so so unfamiliar to the him he knew before death, soooo extremely frankenstein's monster-coded.
both brought to life by impossible circumstances, and neither feel as though they own their autonomy. searching for some kind of redemption, needing to feel complete or avenged.
both having a sense of justice, shunned by society, one which doesn't earn them praise but instead punishment and disgust. both resenting the decisions of their creators/mentors. torn between worlds, neither of which they feel accepted in. oh my GOD.
i'm a huge fan of the whole idea of jason coming back and feeling displaced and in an entirely foreign body, and that's just oh so frankenstein's monster..
like IMAGINE that being his frame of reference for his feelings. put together what feels like piece by piece, messily, with only second-hand scraps. all with no regard for the person he was before, only with the intentions of being 'repurposed'.. AHHHHH
(as well as the fact that it's ALL mental for jason, he comes back 'perfect', unscathed and replenished. he has no physical justification for feeling the way he does, second-hand and hand-sewn. his feeling of 'monstrosity' stems from elsewhere; the feeling he gets walking around in this body which is simply not his, or the look in bruce's eyes when he sees him again for the first time, seeing a monster not a son.)
also the conscious knowing that his make-up is no longer his own, he's composed of parts which are unrecognisable to his old body, the one he owned and hand-carved through age. having to walk through days, feeling his actions as his own, but having a body which warps the intent behind them to all onlookers.
god imagine, blaming your creator for your fate, and needing the answers of your inadequacy to come from him himself.. and no other source can explain your imperfection in a way you can accept, it has to be him. jason NEEDS bruce's validation, to confirm or deny that he is irredeemable and a lost cause.
as much as i don't think jason would take pride in relating so much to frankenstein's monster, it's definitely a lingering thought in the back of his mind, something that determines his own story and outcomes.
he thinks of him when he loses control, and knows that he can't use it to justify the way he acted. he cannot tell the monster that his actions were okay, and that the people just did not understand, although as much as he wants to.. because he knows that isn't the case. he knows the monster was always a monster, and grows to feel the same way about himself.
he resents the way he acts, because all he sees is the monster. the one who acts according to his moral compass, but is always wrong. always clouded by his monstrosity. he decides he really should never trust himself or his intuition, because it's always disgusting and ugly, and even he'll be able to look back in retrospect and be repulsed by the way he carried himself, and not hate the way everyone punished him for it.
he wants so desperately to get himself back, morph back into the boy who knew his rights and wrongs and was never looked at funnily for acting how any normal person would. but the only part of his past self that still exists is in his mind, he wants to rip it out and show people that it's still him inside of there, but he simply can't do that.
his body changed without his permission, he never asked to be an abomination, a scientifical anomaly. he wants to scream about how it's not his fault, how he's not what the world paints him to be. how he can just be normal. but he's never really going to feel that way, as long as his mind and body remain two separate entities at war.
i feel like he clings onto the humanity of frankenstein's monster, and uses him as an anchor, something that shows him it's possible to remain acceptable and human.
i also think he analyses the character oh so deeply, to try and latch onto all the relatability he can find, the things he doesn't get from real people.
maybe he has a copy of the book, annotated in such a personal way. perhaps someone else stumbles upon it, and is just so distraught by the conclusions drawn from the scribbles and highlights, the way jason seems to view himself.
the way that although jason's always seen himself like the monster, unloveable and unacceptable, everyone else was always ready to accept him.
that maybe the real downfall of jason and frankenstein's monster is that the way they viewed themselves was too focused on the displacement they felt, assuming automatically that everyone else must feel the same way about them, if not worse. not taking the moment to let people learn to love them all over again.
anyways, unreliable narrators post resurrection!jason todd and frankenstein's monster, who were always seen with at least an ounce of humanity, but were both overridden by self-hatred and the disgust of their form, which led them to total exile and isolation.
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a-sour-nectarine · 2 years
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People don't seem to understand how truly terrifying the third Robin was. Sure, the current one runs around with a sword sometimes and has unprecedented levels of anger trapped in a too-small body, but he will never be scarier than his predecessor. The one who managed to keep a grieving Batman in check. The one who can destroy you without ever laying a finger on you. The one with a speedster, the daughter of Zeus, and a Kryptonian on his side. He leads them. He keeps up with them. He outpaces them.
They love him, respect him. They call him for backup. It is rarely the other way around. He can keep up with Impulse, go toe to toe with Wonder Girl, overpower Superboy.
If you ask the Red Hood or Spoiler, the third Robin can outsmart the Batman. If you ask Batgirl, he is the only one she truly views as challenge. If you ask Nightwing, he will tell you the story of the first time the third Robin ever saved his skin. Before he'd even been Batman's partner, when he was just a stubborn kid with a stolen mask.
He flies without wings and scales buildings on human legs. Gothamites will swear up and down that he can bend steel and break concrete. Even Metropolis respects him, cheers him on. No other Bat has that privilege.
And yet he has the gentlest hands. The softest smile. There is nowhere safer than in his shadow. Nowhere better protected than in his care. Nowhere as comforting as under his watchful gaze.
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modernday-orpheus · 8 months
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Okay, hear me out. If Tim idolized Batman instead of Robin, Bruce would be dead.
Disclaimer: I am not perfect and don't know everything there is to know about comics! Some shit here may be accidentally based on fanon rather than canon! Please be nice!
Tim, of course, respects and looks up to Batman. Bruce is his mentor and his father, so it's safe to assume he loves him as well. But his Hero™ is and always has been Robin, Dick at first but especially Jason judging by the timeline. Most people in Gotham view Robin as an addendum, an extra, nothing more than a kid sidekick. They’re disappointed if her shows up without Batman, and question his abilities. Tim’s hero worship combined with his knowledge of their identities, in this case, allows him to see things as they truly are. For Tim, Robin is a light in the dark, a balancing act with Batman, not his sidekick but his partner. He’s a necessary part of the Dynamic Duo because while Batman represents Justice, Robin represents this Hope for a better future. Sure, he’s just a kid; by all accounts he shouldn’t even be out there fighting, but maybe, if he is, no other kids won’t have to fight as hard just to survive. He represents the soul of Gotham, underneath the criminality and corruption; a city full of people, tough-as-nails, saying “No, fuck you, this is our city” despite the constant danger. He represents the people who come together in times of crisis, who help out their neighbors when each new disaster strikes. He’s trained in martial arts, of course, and he’s a skilled fighter, but Robin’s primary job is always the safety of civilians. He’s the one that gets scared little kids out of a burning building while Batman keeps the villain of the week busy, the one who stays behind with SA victims walks them home because Batman is too much for those things. He uses fear where Robin uses kindness, compassion, and love.
Tim sees this. So, when Robin dies and Batman is getting rougher, more violent, more careless, he notices. He notices that Bruce is picking bigger fights than he can handle, taking hits he could dodge, breaking four ribs instead of two, barely making it back to the manor each night. If he idolized Bruce, at this point, he would trust him the way the rest of Gotham does. He would assume it was a rough patch, and Bruce would recover, and that Batman would always save the day. He would see a solitary hero, the way Batman wants to be seen. He wouldn’t think it necessary to reach out to Dick for help, and even if he did he would think Nightwing would be enough help. He wouldn’t understand the importance of the Robin mantle, the specific role that needs to be filled. Nightwing can represent a lot of things; fluidity, positive change, and freedom come to mind immediately, but there's no world where Nightwing represents Gotham and Hope the same way Robin does. He can’t serve the same purpose anymore, not in that uniform. Bruce would die at Two-Face’s hands in that very first arc, I have not a single doubt in my mind.
Then, as Tim comes back to Gotham post-training and actually starts to help out, it’s common for him to be the conscience. He falls easily into the role of Robin, the role that makes him protector of the innocent. He’s not like Jason, raised by these streets in a very different way, though I wouldn’t say either is better or worse. Where Jason struggled and had to fight, out there each night pre-Bruce out of necessity rather than choice. He knows all the best hiding spots and back-alleys because it kept him alive. He chooses to be Robin because he needed a hero and wants to be that for other people. Tim chose those streets, and he chose them for Robin. He knows the best hiding spots because they put him closer to the action, because he raised himself on all those cold nights alone on rooftops with his camera. He knows the back-alleys because they made him faster, made it so his little kid legs could keep up with his hero so he wouldn’t miss a moment. He lives for Gotham nights, for the thrill of seeing everything, getting to know everything. He chooses to be Robin because where his parents failed to teach him how to be a good person, Robin stepped up. He bases his morals off of watching Robin help people, and because he’s a kid he assumes that it’s normal to behave with altruistic intentions and prioritize others.
There’s a point to be made here, briefly, about how this lends itself to Tim’s self-worth issues and insecurities. If his job is to assist, supplement, guide, and fill in the blanks when Batman fails, he doesn’t have the option of failure. He expects that how he does his job, as long as the job gets done, doesn’t matter because he doesn’t view himself as the hero. He never views himself as a main character in his own story; he truly thinks he’s doing what anyone else in his position would gladly do. This is why he overworks himself, why he’s known for living, for lack of a better term “like a goddamn ninja turtle”. It’s why he’s always Robin or Red Robin or even his public persona Timothy Drake-Wayne but rarely Just Tim. Very few people get to see Just Tim, normal Tim, because if they’re seeing that then he’s not doing his job.
All of these factors lead to Tim’s conclusion that if no one else can get Batman out of this state, least of all Batman himself, of course the next logical conclusion is that it’s his responsibility to step up and do the job. Furthermore, it’s only because he idolized Robin that he can fill the role properly because his relationship to Bruce, especially in the beginning, is nothing like Dick and Jason’s relationships with Bruce. He’s not his kid, doesn’t bring Robin’s joy and hope home, so instead he has to work twice as hard in the field to keep Bruce away from the edge. He’s the first of the Robins to view himself as Batman’s protector rather than the other way around, and he’s the only one who Bruce acknowledges when he tries to fill that role. Bruce accepts it when Tim manages him, reorganizes his files, forces him into the medbay, even when he very occasionally goes as far as to outright scold him rather than just pressure him to make the right choices. He’s given an inch and takes a mile, because he believes (rightfully, in my opinion) that if he doesn't then all hope is lost. And Bruce allows him to help, to guide, as much as he’s willing to because he’s not his kid first. He’s Robin first.
This mentality carries over to the Red Robin arc, where Tim spends an entire year chasing after Bruce to save him. He does it alone, and although he asks for help he doesn’t actually expect it. Furthermore, because his morals are based off of Robin in his infinite altruism rather than Batman with his rigid rules, he doesn’t mind working with Ra’s al Ghul. He doesn’t mind betraying Ra’s by killing his men, by blowing up his bases. He doesn’t tell Bruce about it to protect Bruce from having another murderer under his roof, and because he doesn’t think it matters enough. Bruce isn’t surprised when Tim is the one to save him. I believe he would have been if any other Robin had shown up. He and Dick have had a strained relationship for years, he and Jason aren’t even on speaking terms, Stephanie was so often full of rage at him throughout her run as Robin and is dead at the time, and he doesn’t even really have a relationship with Damian. Aside from all of that, he’s assumed dead. He can’t assume the Justice League will spend their time saving a dead man. And yet, despite all of that, he isn’t surprised when Tim is the one to pull him out of the time stream. He’s disoriented, sure, and a little surprised it was possible for him to be saved at all, and he even wants to hear about how he figured it out, but his doubt is never placed on the fact that Tim would be the one to understand and tear the world apart to bring him home.
I believe this also helps to explain Tim’s struggle with letting go of the Robin mantle, outside of the fact that he was the first to have the choice to move on taken away from him. If he’s always been Robin first, always felt the weight of that on his shoulders, what is he supposed to do when his very identity is stripped away right as he loses everyone who got to really know him as Just Tim? How is he supposed to cope with having to reconstruct his own idea of who he is with no one around to remind him? Humans are social creatures. We learn and grow with and because of each other. He’s encouraged by Dick to grow quickly out of Robin to fill a new role, which is a nice sentiment from Dick’s own point of view, but he’s lacking a sturdy foundation. Not because it’s not actually there, or because he lacks personality or morals, but because he truly views himself and all of his good decisions as just what anybody would do and what Robin is supposed to do. He doesn’t consider that following these morals makes them his, makes them the building blocks for wherever he goes next, he considers them to be traits of a character he no longer plays; a purpose he no longer serves.
(This is the second time I've posted this, so if you see another version that's why!)
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