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sheoh · 3 months

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Who in Ateez Is Most Gentle In Bed?

Gentle

San

Yeosang

Jongho

Seonghwa

Mingi

Hongjoong

Yunho

Wooyoung

Rough

I truly believe San would be the most gentle lover. He would never want to hurt you EVER. especially during sex. I feel like even if you asked him to be a little rough with you he’d be VERY hesitant, or at least a little awkward as he attempted to regulate exactly how much strength you could take. you'd have to really communicate with him about it because he knows his strength could possibly really hurt you. Sometimes when you are making out he’d be a little forward or rough (the kind to push you up against the wall but protect your head and neck the entire time) he’d always take extra care to not inflict any pain on you. When kissing, San likes to put his hand over your throat, but he never implements a significant amount of strength. It kinda sits there teasing you, leaving you wanting more. he would find it cute if you did it to him but a little rougher (to show him how you actually wanted it) and ultimately wouldn't go through with it tbh lol. he likes the idea of exerting power over you but is extremely gentle in his way of doing it. When you're riding him and he’s close to cumming, he’d debate losing control, flipping you right on your back and fucking you hard and fast just to please himself (which he might just do if the atmosphere is right) but he always puts your pleasure and comfort over his own. if he notices that you're enjoying yourself, he will likely just squeeze your ass, praise you for doing so well between open-mouthed moans and roll his eyes back while you milk his cock slow and steady.

Yeosang is naturally a very gentle person. I feel like that wouldn’t change much even with his partner. He’d acknowledge that sex doesn’t always have to be slow and gentle and take into consideration your wants as his partner. when you reach a certain point in the relationship he'd almost expect to start fucking baselessly for pleasure rather than to have a deeper connection��ofc he would never directly bring this up, and if it didn't happen he would think he was doing something wrong. He’d find himself slowly being more rough with you to see the reaction it draws out. Things like pushing your hips all the way down while you’re riding him and holding them there for a few seconds too long. Unlike San, who has sex in an intimate, gentle, and loving way most of the time, Yeosang feels that pleasurable sex is both gentle and rough and desires both sides. Whatever you’re comfortable with, so is he—but it’ll take some time for him to open up sexually and be rough with you for the sake of his own needs. His “rough side” is pretty low-key. He isn’t too freaky but I can see him being into things that exert his strength and masculinity. Like lifting you up and down on his cock while standing or you on your knees in front of him, in pretty lingerie giving him head. I can definitely see him grabbing your hair and guiding your head back and forth on his dick.

Jongho is very aware of how strong he is and what he can do to you. He’s not necessarily overly rough or overly gentle with you. But he’s definitely not afraid to play fight with you and show you who's the stronger one. I believe Jongho is just a gentle person in general. His strength is very fixed so whether he’s angered or reaching his climax inside you, it’s rare for him to “lose control” or be rough on accident. I don’t think he likes hurting you in any way during sex, he might even be opposed to it. He would consider it if you asked him but as far as feeling pleasure from it-- isn’t necessarily his thing. If you got off on it, he’d be more into the fact that you are. Wrapping his hand around your throat during your high, and forcefully holding your hands behind your back as he gave you back shots are things he’d try but I just think he likes the idea of gentle loving sex more. The reason he’s under Yeosang, despite not really being into it as much, is because he could seriously fuck you senseless if he wanted. He has the control to give you exactly what you want, and well.

Just like San, Seonghwa is very gentle towards his lover. But unlike San, he’s down and very open to the freaky stuff. If you want to do it, so does he. I don’t see him ever being purposely rough with you unless you directly asked him and he knew you’d return the same energy. Even when he’s at his climax about to cum, a whimpering mess on top of you, he’d find himself holding back a bit. Putting in the effort to pleasure you without expecting you to do it in return. gripping the sheets instead of your hair as you suck him off (unless ofc you wanted him to). I can see him holding back your hair while you give him head, staring down so intently at your lips as they wrapped around his cock. The type to touch your body like it was made of glass, but fuck and eat you out like you are anything but. Seonghwa is a very gentle person too but he likes being able to be rough with you and try new things sexually.

Mingi is kind of laid back when it comes to the physical and sexual side of a relationship. Things like caressing your thigh, kissing your neck, or just touching you all the time is his love language and aren’t always meant to be sexual. Which is why it’s sometimes hard to tell when he’s horny or just harmlessly flirting. Those kisses and touches come naturally during sex with him because it is nothing new. But of course, when he’s more aroused he tends to be unconsciously rougher—kissing you passionately instead of lazily, tightening his grip on your waist harder and harder as you grind on his erection—and being overly gentle with you after he realizes what he was doing. Mingi is seriously a gentle giant but when he’s comfortable enough, being playful or in the moment, he can sometimes forget how much strength he has and how easily he can break you. I don't think he likes being rough but it does happen whether he intends or not. I can't see him going as far as to choke you or use sex toys. rather something low-key like biting you or completely slam-dunking you onto the bed in attempts to impress you. He doesn't like you being overly rough with him either. like hair pulling or scratching his back so hard you leave marks because he is a princess after all.

Hongjoong isn't exactly rough or gentle–somewhere in between. He does like exerting dominance during sex though, which may lead to him being more bossy or rough. but naturally, he’s pretty sensual and wants you both to be relaxed and comfortable. When experimenting sexually with him, which happens quite often, he tends to talk you through it and ask how he's doing. If you want it rougher he’ll go rougher, but if it's too much for you he’ll stop immediately, ask if you’re ok, and take a mental note. Communication is key with him, you have to tell him what you want and he'll do whatever pleases you. I don't think Hongjoong particularly likes or even considers receiving/giving pain during sex, but he is sometimes (accidentally) a little rough. When he pushes your legs open a little too harshly to go down on you or is about to cum and begins franticly pounding into you from his once steady pace. he is a bit confused as to why you wanted him to do it more, but he actually lowkey likes it. he finds himself liking the feeling of you doing exactly what he says. sitting down and opening your mouth for his cock exactly when he tells you. Again, this dominance can lead to him being rougher with you but it's not on purpose...i don't think

Yunho has a lot of layers in a relationship. His more sensual side is particularly special because it’s something you rarely see. I don’t think Yunho is overly gentle but I do think he's aware of his size and strength enough to never accidentally use it during an intimate time like sex. In moments when he thinks you’d like it a bit rougher, he’d play along. I think he might even enjoy being rough with you and the power he has doing it. Using his body to pin you down on the bed, using his strength to stop you from getting off his lap bc he wants you to stay longer, using his significantly larger hands to pin them above your head as he kisses you. Yunho is possessive and takes that out on you in bed especially. Yunho sees sex as mainly something to fulfill pleasure, so jealous sex, sex after being away from each other for a while, and sex after a fancy dinner date when you're all dressed up–are things that really get him going and more rough and needy for you. When you tell him to go rougher he’d do it without hesitation. Tell him to choke you and he’d flash a smirk down at you before wrapping his large hands over your throat and squeezing. He’d continue to be rough with you unless you say otherwise but he knows your limits and is very careful not to go too far.

Last but not least our sadist Wooyoung. He’s not gentle in bed. He loves when you’re rough with him and acts rough with you in return. He loves fucking you so hard and fast from the back and slapping your ass as you moan out his name. He likes when you yell and whine to him about something stupid he did just so he can apologize by giving you the sloppiest head of your life. Pull his hair, tell him to wrap his hands around your throat and he’ll get off on watching you and seeing just how much you can take before you "admit defeat". for toys and kinky objects I can see him wanting to try them if you like or dislike them. The only time I see him being gentle in particular is when eating you out, he would be gentle and sensual, trying to tease you and make you beg him to go faster and harder—ofc he he won’t do it. but this doesn’t always happen, he’ll often moan into sloppy wet kisses on your cunt, move his fingers quickly in and out of you, grip your thighs so hard to keep you still it leaves marks. He’d sometimes kiss you gently and slowly when the kiss isn’t really leading to anything. If you got him a gift for his birthday, he’d thank you with the sweetest, slowest, most gentle kiss. You feel so much when he kisses you like this because it doesn’t happen often.

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let-roman-bite-someone · 3 months

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i know i've said this before but i'm so tired of people acting like Patton is the general embodiment of morality. as if he is the personification of the legal justice system and everything he does must be good and fair™.

folks, Patton is Thomas's morality. remember what Virgil said in the Q&A episode?

this applies to all of the sides. every single one of them.

Remus wouldn't be the same for everyone, different people have different types of intrusive thoughts. Logan wouldn't be the same for everyone, different people have had different levels of education, different forms of intelligence and different applications of logic.

but the funny thing is, i never see people criticize the other sides for being too representative of their title. they don't reprimand Virgil for making Thomas anxious because that's his job. they don't bash Roman for being a perfectionist. but for some reason, people expect Patton to be a saint who does no wrong.

it's emphasized so clearly in multiple episodes that the sides are the result of Thomas's upbringing specifically. Patton is simply the moral code that Thomas's parents and on a larger scale, society, had taught him.

“Patton was so accepting of Virgil but he couldn't accept Remus or Janus!”

yeah. because it's easier to deal with anxiety than it is to deal with intrusive thoughts. don't get me wrong, anxiety is definitely a serious issue. but Thomas's anxiety never went directly against his morals, if anything, Virgil's perspective aligned very much with Patton's. being anxious about say embarrassing yourself in public or not getting your work done in time is not as morally concerning as having thoughts about murdering your brother.

but Thomas, like many of us, grew up with no one to tell him what intrusive thoughts are or how to deal with them. when Patton was chastising Thomas for having these thoughts, that's just Thomas beating himself up over something he can't control.

the same goes for Janus. Patton had a hard time accepting Janus because Thomas had learned to always be selfless since when he was younger, and Janus was challenging that point of view. when Patton was pushing Thomas to be selfless, that's just Thomas pushing himself and feeling guilty at the thought of focusing on his own needs.

i feel like people think that Patton is actually Thomas's father figure or something. i understand if he reminds you of someone toxic in your life and it can be uncomfortable to watch. but while it's good to relate to the media you are consuming, it's also important to view things in context.

Patton is not a person, he's not an individual who has the freewill to do what he wants. he is only Thomas's morality and what his morals are heavily depends on what Thomas was taught and how he was raised.

Patton cannot control the morals that Thomas had learned. he can only try to implement them in Thomas's life and unless Thomas himself decides to unlearn some of the unhealthy ideals that he has internalized, Patton cannot go against his nature. he can only do what he has been programmed to do, with the knowledge that he has.

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steddieas-shegoes · 3 months

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stay for a while

for @steddielovemonth prompt 'love is being late to work' and for @steddieholidaydrabbles pop-up event for Valentine's Day

rated e | 815 words | tags: post-sex afterglow, dirty talk, established relationship, domestic fluff

💖💖💖💖💖💖💖💖💖💖💖💖💖

"You gotta go faster," Steve panted.

"I'm not the one riding me, sweetheart," Eddie replied, equally out of breath.

"Put your back into it."

So Eddie gripped Steve's hips and put his back into it.

When Steve collapsed on top of him, Eddie's cum coating both of their stomachs, they both sighed.

This was the first time they'd managed to have sex in nearly a week. Their schedules were awful lately, and any time they did manage to spend together was usually asleep.

But Steve managed to wake up before his alarm this morning and Eddie was already naked and hard and one thing led to another...

"I'm gonna be late if I don't get up and shower," Steve sighed.

He loved his job as a guidance counselor, but the early mornings sucked. Especially when Eddie didn't have to be at work most days until nine.

Maybe he could call in sick or something today.

"I could join you..." Eddie's teeth nipped his neck teasingly. "Work you up while you wash your hair. Suck you off until you can't feel your legs. Maybe fill you up again and lick you clean."

If Steve's cock wasn't trapped between them, it probably would have given a valiant effort at getting hard again.

"Babyyyyy."

"What?" Eddie kissed his jaw. "I just wanna make up for all the time we've missed this week."

"I know," Steve sat up and looked down at Eddie's sweat-slick chest. "It'll be better next week. I won't be on afternoon pick-up duty and won't have senior meetings to go to."

"And I won't be stuck at the studio with this fuckin' singer who thinks I don't have a life outside of him and his lackluster songwriting skills."

Steve smirked. "Tell me how you really feel."

"I would, but I wouldn't wanna ruin the afterglow, Stevie. You look fuckable."

"I look fucked. There's a difference," Steve leaned down to kiss his forehead.

"Not to me," Eddie pouted. "I could fuck you again. Real quick. Won't even know I'm there."

Steve snorted. "Why are you so horny this morning, Jesus Christ."

"Don't blame him. I just always want you. You're like a potato chip: one is never enough."

"Wow. What a line. I'm melting into a puddle," Steve's monotone voice was interrupted by Eddie's loud laugh. "I'm gonna go shower before you try something."

"But...we still have 30 minutes before you have to go."

Steve glanced at the clock, jumping up and yelping when he realized Eddie hadn't even pulled out all the way yet. "Shit!"

"What?"

"I have a senior meeting this morning! I have less than ten minutes!"

Steve tripped getting out of the bed, his legs still wobbly from riding Eddie for the last 15 minutes.

"Reschedule it!" Eddie yelled after him as Steve ran into the bathroom and started the shower. "Call in sick."

"Not happening! It's Hannah; She's freaking out about college applications as if she won't get in everywhere she applies and if I cancel, she'll spiral," Eddie made his way into the shower as Steve spoke, nodding along to his words, but focused mostly on the way the water was dripping down his body as he rushed to wash his hair. "And then I have a faculty meeting with the rest of the counselors to discuss how we'll implement the new afterschool senior study group because the school board said we can't legally call it a study group unless it's 100% sanctioned by the students, which is just incredibly stupid and also not even remotely important! Like, we're just trying to make sure they can pass their finals, why does it matter what we call it?"

Eddie leaned in to kiss Steve's lips softly, just enough of a brush against them to make him pause.

"Sorry," Steve sighed. "Didn't mean to ramble."

"You know I love when you do, Stevie," Eddie smiled at him, grabbing the shampoo bottle from the shelf to get started on his own hair. "I just hate seeing you so stressed. Kinda wanna help relieve that stress some more."

"Baby, I love you, but if you touch my dick right now, I will murder you."

"Ouch," Eddie clutched his hand to his chest. "Straight to murder over a little handjob in the shower?"

"If that's what has to be done for me to get to work on time."

Eddie sighed. "Fine. I won't touch you. But I'm gonna be sad all day about the lost moments we could've shared."

Steve finished rinsing off the soap on his body and turned to give Eddie a quick peck on the lips. "We can share some moments tonight. Promise."

"Okay, okay. Get out before you're late."

Steve was still late for work, but mostly because he still insisted on packing Eddie's lunch while he was in the shower finishing up. No job was more important than that.

#steddie #steve harrington #eddie munson #stranger things #steddielovemonth #love is being late to work #dirty talk #established relationship #domestic fluff #post-sex afterglow

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zoeythebee · 4 months

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This is THE single largest milestone in my entire 7 year game programming career.

I don't think I've ever gone over my history with moving platforms before, but basically. Back in my sophomore year of highschool I had a programming class! I hadn't chosen to take it, but the class I wanted got cut so I got this instead. And I already knew how to program, and the teacher was chill so I was like "can I like just work on whatever?" and she said sure. The rest of the class was doing an online html+css class.

Anyway I was like "yo I have an entire class period to program! I am gonna make a game!" That game was the first version of ThreeEye, and it's scope was very small. My plan was some like 8 levels, and the only mechanics were movement, spikes, and moving platforms. Spikes were extremely easy.

But there are no words for the difficulties I faced trying to impliment moving platforms.

I spent... Every. Single. Class period.

For. A. Semester.

Trying get them working.

I tried making the game in Gamemaker and Godot.

In Gamemaker I had a strange issue with the player sorta hovering above the platform, instead of cleanly moving on top of it. And also sinking a pixel inside of the platform when moving up. I never fixed it.

I then tried Godot, and I continued to struggle.

Oh I struggled, I struggled and struggled and struggled.

And was it worth it? No.

I found the bug, and it was caused by my refusal to actually read documentation and instead follow tutorials. The tutorial I was reading had the arguments for a 'move_and_slide_with_snap` function out of order.

So I fixed the bug.

And immediately found another bug that was even more dramatic and hard to debug.

And I quit.

I quit game dev for 2 years, and never looked back. At that point almost all I had done was watch tutorials and ineffectively debug. And I was so hyper focused on fixing this ONE issue that I never grew. I burnt out and I declared that programming wasn't for me.

2 years later I discovered a video of someone making a game without a game engine, but in C. And I thought it looked fun. So I decided that I would try programming again, but I wouldn't focus on trying to FINISH something. I would program as a hobby, and try to enjoy the act itself.

And I got that spark back, and now, 2 and a half years later. I solved moving platforms with the following 2 lines of code.

And it's not these lines specifically, my skills as a programmer and EVERYTHING surrounding these two lines is what brought me here. My code structure was good enough, such that actually implementing the moving platforms took 5 minutes. I copy and pasted some code, cut some stuff out, and added the above lines.

I know I am technically a better programmer than when I first faced this challenge, but after having actually beat it. I feel like I have made it further than I ever had before.

Also that means this game is also further along in progress then anything else I've made before.

Yippie!

#codeblr #programming #gamedev #indiedev #studyblr #game development #progblr

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genericpuff · 4 months

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What are your thoughts on LO Krokos and LO Ampelus (Psyche) ?

These two male mythological figures, who had a gay relationship with gods, turned into female characters ! If they weren't included (especially since Dionysus is still a baby here), I wouldn't mind. But just using those names like that TWICE is strange, right ?

It's also weird how LO turns two virgin goddesses into lesbians, but don't even implement the canon gay relationships.

Can you find an explanation?

I mean I can't really offer an explanation because obviously I have no way of really seeing into Rachel's head, but it's definitely a choice that she's taken so many gods and characters from Greek myth and turned them into something else entirely, it feels very random and, in the case of the gods who were canonically gay/queer/etc. ... it's hard to ignore and give benefit of the doubt.

Another example is Persephone's therapist, Chiron, who's not just gender bent, but also put into the role of being a therapist ?? Which is like, okay, fine, but like... what is this accomplishing besides vaguely referencing Chiron's affiliation with medicine LOL

(this wound up turning into a bit of an essay so I'm including a jump to make it easier for scrollers lol)

To me, it just feels like it really cements Rachel as not being as well-read in Greek myth as she claims to be, because so much of the actual Greek myth in this comic is either taken directly from first results on Google (see: Zeus' definition of xenia which is taken straight from a Princeton study guide from 2004) and slapped haphazardly into the comic where it's convenient, OR it's just vaguely referenced at even if it's not being properly utilized (like she saw 'Chiron, wise centaur' and went "yeah cool she can be the therapist character!"). I have zero explanation or even assumption as to why she'd turn Crocus, a male lover of Hermes, into Krokos the flower nymph, or why she'd choose to use Ampelus as the name Psyche adopts after being turned into a nymph (which also didn't happen in the original myth). These are "creative choices" that come across as less creative and more just random attempts to make her seem smart.

Like, to a surface level reader or someone who's new to the series, it might seem neat and subversive (it definitely did to me back when I started reading and fell in love with it), but then you actually get further in and peel back the layers and go, "wait, she's just grabbing Greek names that are affiliated with real Greek heroes and gods and characters at random-" and it gets especially ick when it commits queer erasure in the process.

Don't get me wrong, I think having fun with character designs and swapping them or changing them up is perfectly fine, that's the fun of re-interpreting old stories, it's not that on its own that's the issue. It's just that these re-interpreted characters have literally NOTHING to do with the characters that she's basing them on. At least in Punderworld where Charon is a woman, she's still a psychopomp who ferries souls to the Underworld, her being gender-bent doesn't change much because her character and role in the story is still largely the same. Or like in Hadestown how the Underworld is more of a coalmine with Hades running it as a business, instead of the River Styx being a literal river it's a brick wall that protects the Underworld from outsiders ("and they call it freedom"). In both of these examples, they're taking the source material and making it fun and new, while still respecting the source material they're taking it from and keeping it on theme with that source material.

By comparison, Rachel just creates these character references and that's where it ends, they're just references and they don't do anything new or interesting with them, they're not even adjacent to what they're referencing. So we wind up with Chiron being a therapist, Ampelus being the nymph version of Psyche, the Fates looking and acting the exact same as each other even though they had different roles to play between Past, Present, and Future, and Aphrodite's children who... are literally made up from scratch, instead of pulling from the actual real children that Aphrodite had loads of in the original myths.

So many of Rachel's writing choices feel like attempts to be "subversive" when they're not, they're just random. Nothing about the things she changes from the original source material does anything to further explore that source material, it's just yoinking things at random to try and seem more Greek while also further separating her work from legitimate Greek culture. Even when you THINK something is about to be retold in an interesting way, it's very promptly either swept under the rug or veered off in a whole other direction that makes zero sense for what it set up (ex. Echo, what the fuck happened to Echo-)

It's very "ideas first, structure never" writing, she comes up with standalone ideas that sound good in isolation, until she actually tries to execute them and connect them and you realize they have no through line or reason to exist the way they do. It's giving real hard "first draft" vibes, so much of what Rachel chose to do should have been left on the cutting room floor (meanwhile the things that supposedly did get left on the cutting room floor SHOULD HAVE BEEN KEPT IN THE COMIC, ex. Hera's coat prophecy, Hades and Persephone having a date in the Underworld where she decides she might want to go into law, etc.)

Ugh. This got longer than I intended it to. It's just frustrating. I have inspiration to write that essay about queer erasure in LO now, at least. So yeah, hold on tight for that one LMAO

#ama #ask me anything #anon ama #anon ask me anything #lore olympus critical #lo critical #anti lore olympus

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tearskillstardust · 5 months

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how do these genshin characters handle little children?

itto, hu tao, kaveh, lyney, venti, xiao, neuvillette

ITTO

in hanamizaka, a very famous word goes around the market— 'if you're ever unable to look after your children, hand them to itto!'.

although he has reprimanded many guys who tried making fun of him because of that, and so has shinobu, perhaps to a greater extent, it is no lie that when itto looks at a child, his eyes glimmer with adoration for the little one. it seems that babies really enjoy the cushion of his muscly arms and generally warm body and even warmer smile— the gentleman does not mind spending hours with babies in his arms, going from place to place in the market and making the baby happy with so many sights and sounds.

taking proper care of the baby is entirely another thing however, and the women know of his inability in the matter so when they hand him the child, they look at shinobu with a very obvious gaze that seems to say, 'i trust you,' and shinobu smiles back, her own version of, 'yes, you can.'

HU TAO

there is a very beautiful word known as idol in the english dictionary, and if you slowly move your finger down the meaning and towards the antonym, you'll find hu tao's photo in it.

thing is, she treats everyone the same. friend, elders, children— everyone expects nothing from this prankster and she likes keeping it that way because that's real! she simply can't take responsibility of others, however hard she may try. as such, it would be hard for her to bear the responsibility of being a guardian or even an elder figure for a child. she wouldn't understand why she has to be any more ideal to a child than she is to a friend, it just doesn't register in her mind. she can entertain a child for hours on end— but she can't take care of them or even keep them safe anyhow.

KAVEH

we're all aware how sympathetic and kind kaveh is, and it translates perfectly in the way he looks after children. he knows how to look after them and make them be at peace— he isn't an expert at this but years at the akademiya mean that he has definitely learn a tip or two about child psychology from there so he knows how to implement that too! it's nothing much, but children feel safe around him. he manages to portray an ideal figure to look up to and somebody children could want to talk to for hours on end. he is very patient with them and sets them right when they might wrong.

my opinion? he would make it to the top five genshin characters who can look after children in every meaning of the word, along with tighnari.

LYNEY

another figure children would really admire! i think that he's more superficial with that actually, not that he dislikes children or anything, but he just puts up a persona that children would fall in love with and removes that mask when he's out of their vincinity. he is a free spirit who dances on the wind, so children could be a bit time-consuming and tiring for him, although he wouldn't cut back in any form of care and concern for them, he'd rather not take the burden.

what i mean is his love does not come as naturally to him as it does to itto and kaveh, he just does it because he was assigned the responsibility. i don't think this has to be said, but children would find him very fun too. even if he wasn't a magician, he just has a very fluid and attractive way of talking and children would love listening to stories they've heard before once again from him just because he tells them in a fun way.

VENTI

much like lyney actually, just much more mature with children. where lyney could come to a dead end in certain things with children, venti can infinitely trap them in conversation and get them to do stuff that is good for them even if they don't want to do it.

i'd say his love for children would also be more natural. he could just find their optimism and love for everything as sweet and innocent and feel an inexplicable need to protect them anyhow and that would make him very patient in dealing with children. he could very well dislike the caretaking part but he'd quickly just accept it as a favour he did to the child's mother by taking care of her kid a bit longer than need be so that she can rest. very kind with children overall, though his affection is shown by making funny faces at the child until they laugh.

XIAO

very well, surprisingly? or not, actually. even though it seems that he is cold, aloof and shut off, he actually cares a lot and is very observant by nature, it's simply that he doesn't act where he sees that the person can deal with it themselves. he doesn't have a single selfish bone in his body— and the same applies to children too.

he may not know how to take care of them, but he would love to learn it from anyone who might teach him, all with a very straight face but a warm heart. he also wants to protect them because they can't fend for themselves, and he's excellent at caretaking because of that. very good attention to detail and that keeps the child safe in every aspect. i see him also making sure to check which foods can be eaten or not eaten together and keep that in mind before giving the child anything to eat. he would also take care of the tiny stuff, like not startling them awake, being hyper-sensitive to their cries, not touching them with cold hands, and just being very kind to them.

that, of course, does not mean that he does not keep a scarily straight face while doing all that, making the child fearful and loving of his guardian at the same time. children would definitely find him boring and dull, but xiao wouldn't mind it.

NEUVILLETTE

i think he would view children in a very positive and soft light in the sense that he really likes their way of looking at the world and could just want to hear them talk because the way they just say touching or overly random things either strike a chord to his heart or make him crack up, and he likes both these feelings. he would want to keep the child very safe and secure to make sure they don't face anything that could scar them for life. not that he makes them dependent, no the tough love factor is definitely present, but he makes sure he is always there when they're learning to swim in deep waters so that he can pull them out should they drown.

he would also know caretaking and babysitting pretty well. and if he wouldn't, he'd be eager to learn. he would make sure of the child's comfort and talk to them for hours on end without getting bored and teach them about many things too. he would be a very safe and ideal figure for children. (un)surprisingly enough, his expression softens in a way it never does when he looks at children and his eyes seem to glimmer a bit.

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cherryxblossxms · 1 year

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Masturbation May - Day 2a: With Toys (Nanami Kento)

A/N: This is part 1 of day 2, With Toys! I don't see Nanami as being that adventurous with using toys when he does masturbate, so this was very fun to explore and think of what he'd use when he's by himself. Nanami was suggested by an anonymous sender

Featuring: GN reader || Nanami x reader

Warnings: Use of sex toys: bullet vibrator, cock ring; slight nipple play, slight overstimulation, cumshot; reader is mentioned but this is Nanami focused

Word count: 1322

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You were killing Nanami.

You had left for a mission several days prior, and normally, this was no problem for him. Nanami could be surprisingly needy on occasion, but he had the self control and patience of a saint and could hold off on taking care of himself and any urges he had until you returned. Recently, however, you were testing that same patience to the edge of its limits.

He wasn't sure if you had some kind of objective in mind or maybe you were feeling needy yourself. But every other day since you'd left, you would send him a dirty video, ranging from strip teases initially, to finally full blown pleasuring yourself. The videos would sometimes arrive while he was in the middle of something, catching him off guard and making him turn his phone off until he could look at your message privately.

He was gifted at schooling his expressions, but when he was with Gojo, that man missed nothing. And the way Gojo would simply smile at him on such occasions made him think he probably knew what was happening, only serving to annoy him. When you'd sent your latest and most revealing video, Nanami could only thank his stars that it was a rare day off for him, given how quickly he got hard.

However, it meant he couldn't focus on or fully enjoy anything as he tried to move on with his day, such as baking, doing a puzzle, or tending to his plants. He hoped ignoring it would let his body settle down, but as time went on, his thoughts just grew dirtier and dirtier, plaguing him with tantalizing scenarios. It finally came to the point he needed to deal with his raging hormones, or he'd go crazy.

Nanami made his way back to your shared bedroom, stripping off his shirt as he stepped through the doorway. He knew doing this wouldn't be enough, that what he truly needed was to lose himself in you. Solo sessions weren't nearly as satisfying to him anymore, physically or emotionally, ever since you became a couple, but the fire in his groin made it feel like he'd explode if he waited even a moment longer.

You two had collected a variety of sex toys together to use in the bedroom. Although Nanami was very proficient at the use of his own body, it was still exciting to implement different toys to see how it enhanced your pleasure, and that's what he sought out now. He made a beeline for the dresser, opening up a lower drawer and locating your stash, picking up a bullet vibrator you both had come to enjoy. His eyes caught on a cock ring you had bought for him, and after a moment of deliberating, he grabbed it too. You hadn't had a chance to use it yet on him besides confirming the fit, but he knew what it could do for him.

Once he was settled on the bed with a bottle of lube and the toys, now rid of his pants, he wasted no time in sliding a hand down to wrap around his shaft. He was already semi-hard, so he quickly poured some lube and slid the cock ring on. Even without full stimulation, he felt himself grow fully hard soon afterward, the ring now snug on his shaft, and could feel himself twitch.

His thoughts drifted back to you as he finally rewarded himself with some stimulation, stroking himself leisurely at first, nearly melting from the instant pleasure and relief. As his pace slowly increased, he finally allowed his mind to wander back to you, and especially the enticing video you had sent him earlier. Just remembering it sent a spike of heat coursing through his body, only making him harder, and when combined with the cock ring, the head of his cock was an angry red. He couldn't believe the amount of pre-cum he was leaking, giving away how desperate he was and adding to the slippery nature of the lube.

Even though he gave you a stern warning when you sent the videos while he was busy, he did still appreciate it, knowing he was on your mind even when apart. That, and the videos were a boon for when you two were separated, letting him imagine you were still by his side and that it wasn't just his fist that he was fucking.

Using his free hand, he opened up his phone and started up the video you had sent. The angle didn't show your face, focused only on your busy hand as your fingers pumped in and out of your opening. But the microphone had picked up your audio, and even better, the sound of your wet fingers pleasuring yourself, quite clearly. He battled with himself between watching it or only listening, but finally let his eyes drift close as he continued stroking.

If he ignored the feeling of his own hand around his cock, he could almost picture you there with him, hearing your sighs and gasps of pleasure surround him. He could practically taste you on his tongue, imagine the feel of your lips around his cock, or the warmth of your thighs as you straddle his lap. But the stimulation still wasn't enough.

He opened his eyes and picked up the bullet vibrator. Pausing the video and setting aside his phone for now, he placed the vibrator against the underside of his shaft before turning it on. Instantly, he couldn't help the moan that spilled from his lips. The cock ring seemed to make everything more intense, and the strength of the stimulation was on the edge of overwhelming, especially as he moved it up to his frenulum.

His thighs quivered from the stimulation, and he alternated the placement of the vibrator, rubbing it up and down his shaft for the different intensity. As he did that, he reached up a hand to rub across his chest. You always enjoyed touching his chest during intimacy, particularly playing with his nipples, and Nanami had grown to expect that touch with you, becoming comforted by it. He experimentally flicked his nipple and was surprised by the pleasure it brought, and so continued flicking and lightly pinching, reveling in the sensations.

Finally, he could start to feel his own climax crest the horizon, his balls aching to unleash their load already. He quickly pressed play on your video to hear your sweet noises again, then continued his ministrations, breath heavy and sweat beaded across his body. He could start to hear your own climax approach, indicated by your volume and the pleading words you were mumbling, which only served to push him along.

It only took a few moments longer before his body seemed to tighten, then released all at once as the first hot ropes of cum shot out, a deep groan coming from his throat. He quickly angled his cock back, watching his seed shoot out and cover his quivering abdomen. The pleasure was intense and his climax seemed to last longer, maybe helped by the ring, and for a moment, it was as if he'd left his body.

Nanami worked the last of his release from his cock, letting the vibrator stay on a little longer and shaking as overstimulation let in, before quickly turning it off to finally relax. He let his head hang back, trying to catch his breath. Your video had ended shortly after your mutual climax, the room now silent of your lewd sounds and the noise of the vibrating, and he missed it already.

Even though it couldn't be helped, your absence had clearly affected him. As the post-nut clarity set in, he couldn't believe how desperate he'd been. It just proved to show how much he needed you now, and Nanami quickly sent a text to you wishing you well and reminding you to come home promptly.

#nanami x reader #nanami kento #jujutsu kaisen #jjk smut #nanami smut #spicy minx 🔥#the minx can write ✍️

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septembercfawkes · 4 months

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Why the Protagonist Must Be a Problem-solver

In some ways, this post's topic sounds obvious, in others . . . not so much. On the surface, the tip seems simple, and yet, it is easily and often overlooked.

Your protagonist must be a problem-solver.

Yup.

A problem-solver.

I don't care if she's the laziest, most passive, most dimwitted person on the planet, within the context of the plot, she must be a problem-solver (even if a reluctant one).

Otherwise, she'll feel like a weak character.

Otherwise, the plot will feel weak.

Of course, I'm sure you can find rare exceptions to this.

But 99% of the time, your protagonist needs to be a problem-solver.

So let's talk about why.

Why it's Important for The Character

Imagine a protagonist who doesn't problem-solve. She encounters the antagonist, reacts emotionally, but doesn't do anything to try to win the conflict, or at least gain the upper hand of the conflict. She won't be interesting for very long. It's hard to care about what happens to her, when she's putting no effort in to resolve it, when she doesn't care enough to try to fix it herself. It may start to feel like she's stuck in a loop--just circling the same internal responses over and over again, never really progressing, never really moving on.

Sometimes writers mistakenly think this makes her more sympathetic, but in reality, as counterintuitive as it may sound, the opposite is true. Audiences lose interest or become annoyed.

We've all met people who talk, and whine, and fume about their problems but don't do anything to better their situation. We may feel sorry for them at first, but eventually, we want them to take action to improve their predicament. Often we may even find ourselves giving advice (or in some cases, doing the problem-solving work for them).

We feel the same way about characters.

Your protagonist doesn't need to be the next Sherlock Holmes or Violet Baudelaire to be a "problem-solver."

At the most basic level, what this means is that when she encounters an antagonistic force (a problem), she's coming up with--or perhaps shifting--goals and plans (however big or small, or grand or modest), and taking action to try to make those a reality.

If she's not doing that, she's probably too passive in the plot and not exercising enough agency. The story is happening to her, but she's not doing anything to make the story happen. She's not influencing the direction of the story.

When the protagonist is the one coming up with goals and plans, and implementing them, the audience becomes more invested in her. They want to stick around to see if she's successful. She also now holds some accountability over what happens--the consequences--and that actually makes her more interesting and more sympathetic. What happens, good or bad, is on her. She holds responsibility.

If your protagonist isn't problem-solving, it may be a sign that her wants aren't strong enough. Solid stories will showcase the protagonist's deepest desires (however big or small, or grand or modest), what she would sacrifice almost anything to obtain, avoid, or maintain. If the right desire is in jeopardy, the protagonist should naturally be driven to problem-solve. Characters with strong wants are more compelling. And in reality, we all have powerful wants we house deep within our hearts.

Great stories will test and challenge the deep desires of the protagonist's heart. And if that's not happening, you likely haven't figured out your protagonist's deepest desires or you need to alter the character so that she desires what she desires more deeply. Don't settle on something she kinda wants. Find what she'd be tempted to sacrifice her life for--literally or figuratively (meaning her current lifestyle). What does she want to obtain, avoid, or maintain bad enough, that she'd consider doing things she wouldn't ordinarily do? That's the kind of want you should showcase--whether it be obtaining recognition as employee of the month, avoiding responsibility by taking on a new identity, or maintaining control by offing all rebels.

It's usually helpful to focus on an abstract want--obtain recognition, avoid responsibility, maintain control--that can then manifest into various concrete goals. Most people aren't going to give their "lives" to become "employee of the month," but many have gone to such lengths to obtain recognition; becoming employee of the month is just one way to obtain that. So even if the goal seems modest on the surface, tie it to a deep abstract want. (A bit of a tangent, but it's useful, so I left it in here 😉)

When the protagonist is problem-solving, it conveys to the audience what she cares about. If the rebels are increasing in power, and she doesn't do anything about it, then obviously she doesn't really care about being in control very much. That's not a deep desire of her heart. So we need the protagonist to problem-solve to help convey character.

And finally, if she's not struggling to overcome (problem-solving), she's probably not growing through a character arc. She's stagnant. She's not changing her worldview as she strives for success, nor is she wielding her beliefs, growing in resolve. This can make any attempt at an internal plotline feel repetitive or nonexistent, because the character isn't progressing on an internal journey. She's just stuck in the same spot.

Why It's Important for the Plot

Solid stories will showcase the protagonist's deepest desires, and even if those desires are abstract (obtain recognition, avoid responsibility, maintain control), if the character wants them bad enough, they will manifest into concrete goals (employee of the month, new identity, off the rebels) that have specific plans (show up on time to work, move to a new city, locate the rebels' base).

So the protagonist has a goal. The antagonist opposes the goal.

And since there should be an antagonist for nearly every scene, this means there are problems in nearly every scene.

If the protagonist isn't trying to solve those problems, by adjusting his goals and plans, then it's likely the plot isn't properly progressing. Like I mentioned with the internal journey above, the external journey probably feels repetitive, or in some ways nonexistent. It's just circling the same situation over and over, in the toilet bowl.

If you find yourself arguing against this, then it's likely because another character is the one doing most of the problem-solving, in which case, it's also highly likely that character is the true protagonist, and your "protagonist" is really more of a viewpoint character spectating the external plotline.

The plot needs conflict in order to progress properly. If the antagonist shows up, and the protagonist allows himself to just get beaten, it's not strong conflict. Sure, stuff is happening, but if the antagonist is hammering him to the ground without his resistance, it's not much of a conflict. It's passive victimization. And while that might work in a scene or two, it's not going to hold for a whole story, or even a whole act.

A passive victim isn't a problem-solving protagonist. Obviously.

So, suffice it to say, your protagonist needs to be a problem-solver.

#writing tips #writing tips and tricks #writeblr #writing help #writing tip #writer #writing #writing advice #fanfic #writing reference

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jq37 · 5 months

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Seeing you describe your opinion on Wish (the movie itself) as "def do have oh boy" just has me curious now. What is it?

OK, so I let this sit in my inbox for a while because I planned to see Wish and I figured that it would be more fair to wait until I had a full picture of what the movie was before I started talking about it and...yeahhhhhhh having seen it my opinion has not changed. It's just intensified.

MAJOR SPOILERS BELOW (lol, this got past 7k words)

And, fair warning, it's pretty critical so if you don't want to read something critical about this movie then this is your exit.

tl;dr: I think the movie Wish fails at basically everything it sets out to do and it's an absolutely awful 100th Anniversary movie for Disney.

When I say it fails at everything, I mean EVERYTHING*. I'm going to break this into sections for organizational purposes.

*The one thing I'll give it a slight pass on is the art style which I don't love but also wasn't like make or break for me. I would have preferred true 2D or a better implementation of the blended 2D/3D style, but if the movie was otherwise of the quality of something like Spiderverse or Puss in Boots, the animation wouldn't have bothered me. Like, I watched S1 of The Dragon Prince with no problem. I can forgive janky animation--and it wasn't even super janky. Just odd. What I can't forgive is literally everything else about the movie.

Characters

How is this movie so full of characters and yet devoid of characters that matter? There are a million characters in this movie and basically only two of them matter: The King and Asha. But neither of them are compelling in any meaningful way.

There's a lot of to do about the last batch of Disney protags being very same-y in a quirky, all fluff and no substance way and I don't really buy into that. I don't think that Raps, Anna, Moana, and Mirabel are palate swapped carbon copies of each other. They have unique backgrounds and struggles and motivations. I feel like they're all quirky, sure. But they all also have an identity BEYOND being quirky.

I do NOT get that with Asha. I don't feel like I have a good idea of what makes her tick at all. Like, she's kind. She wants her grandpa to get his wish. She wants to be the King's apprentice so she can help people. The queen (we'll get to her) exposits to us that she cares about people. But being kind isn't in itself an entire personality. The way Mulan is kind (defying the law to spare her father the ravages of war in his old age) isn't the same way as the way Cinderella is kind (making clothes for her mouse friends and protecting them from the cat). Asha just has a generalized want to help people, which is an admirable trait, but doesn't give us much to latch onto. It's so telling to me that in a movie called "Wish" our main character's wish is just, "To have more than just this" And yes, Disney princesses wanting "more" is literally their whole thing, but it's always more specific than that. Mirabel wants to prove herself to her family. Rapunzel wants to experience life beyond her tower. Even Snow White--the Disney princess with the flimsiest story--wants to find her true love. That's a concrete motivation! Asha doesn't feel real to me as a character. It feels like the thing that drives her is that the plot needs to happen and that's it.

The other important character in the movie is King Magnifico who was supposed to be a return to form for Disney in introducing another classic villain but he just fails at that so hard. The idea that he could stand toe to toe with any of the OGs like Lady Tremaine or Scar or even the latest villains like Dr. Facillier or Mother Gothel is laughable. He just doesn't have any gravitas. And his characterization is so odd. You can tell that they were trying to give him a "reasonable man doing unreasonable things for a good reason” backstory (both because of some images in the film and some stuff in interviews I read) but then they just...don't actually give the backstory? Like, they imply that the backstory exists but I don't remember them going into it at all. Which like, he doesn't NEED a tragic backstory. He can just be doing what he's doing because he's evil. Ursula didn't need a reason to want to rule the seas. She's just a boss bitch and she wants power. I don't need to dissect that any further. BUT if you tell me there’s a reason your villain is doing something, I need to see that reason. I don't understand why they would include that in the movie, just to do nothing with it.

Beyond that, he's written in such a weird way. Like, despite the "maybe he has a point" angle they seem to want to go with, he's very obviously a self-absorbed ruler--like he'll say things like, "Yeah, I am super handsome" to his wife--which immediately dumps him into the camp villain category. But he's doing the controlling things he does in the movie of his own accord to get people to stick to the status quo he set up. Fine. That's a fine thing for a camp villain to be doing. But then, at a certain point in the movie, he just uses a forbidden magic evil book (which he has for some reason) that just fills him with evil, green magic and makes him 100% unhinged all of a sudden. And that's just...boring? Like, anything interesting you might have been able to do before that point about power and control and how sometimes you make a wrong choice with good intentions is just gone at that point. It sucks because there were a lot of right answers here. You could just make him evil because he's evil. That works. You could have him be seriously convinced that what he's doing is right and be willing to do whatever he needs to do to keep things that way. That works. You could say that he started out trying to be morally upright and then slid into enjoying the praise and control just a bit too much--and I think maybe that's what they were going for. But it does not come across that way. He just seems like a dick to the point where you're kinda questioning how he's pulling any of this off. Asha asks him one question and he flies off the handle. How does everyone not know he's an asshole if it takes so little to fluster him?

So I don't like our main hero or villain. But there are still SO MANY CHARACTERS in this movie.

You've got Asha's SEVEN FRIENDS. Yes, SEVEN. they're based off of the seven dwarves, which is cute enough but do you know what happens when you give the hero seven sidekick characters? None of them get developed at all and you have to treat them like a unit. Only two of them matter at all--Dahlia (her best friend and the one who actually does more than just make dumb jokes or, worse, nothing at all) and Simon (the one who betrays them--more on that later). There is no story reason for them to have shoved in this many sidekicks. Especially since she also has…

Her animal sidekick, Valentino. Who is a very cute goat until he gets sprinkled with stardust and boom. He can talk. Which immediately made me like him less. Flounder he aint. The whole joke with him is that he's a baby goat with a rich, deep, baritone voice. That's it. Almost every joke he makes is either about that or his butt. Boo.

Then, there's the Queen--Queen Amaya--who is such a NOTHING character. There's no effort made to build up her relationship with the king so that her flipping on him later has an emotional impact. I have no idea what she cares about or desires. When she shows up, she's basically acting like the king's secretary, which is weird. I don't think that's what a queen does. There's a moment during a later song when she joins the "revolution" and it just has zero impact because again, it's like, I don't know who you are in any significant way! She seems nice, and I would love to live somewhere ruled by someone boring and benign, but that makes for an awful movie character.

I almost wrote "lastly, there's the star" because I totally forgot about Asha's mom and grandpa. They're in this movie too but even though Asha's whole motivation at the start of the movie is getting her grandpa's wish granted, we never get a good idea of what their relationship is. They have like, one quick scene at the top which tells us nothing, then they're in a crowd scene later, then Asha has dinner with them later the same day and that's it. And, again, we get nothing significant. Compared to something like Mulan where you have a good idea of what Mulan's relationship is with every member of her family by the time the military order comes in or Encanto where between the musical number at the top and the first group scene, you get an entire picture, this is really weak. Again, so weak that I completely forgot that they were even in this movie.

And NOW lastly, there's the star. Who is like, cute enough but he really makes me annoyed because I've seen the original concepts and they would have been so much more interesting! That's the case for the queen too, so I'll talk about both of them together here.

I am sorry to inform you if you didn't already know but the queen was originally supposed to be evil too.

She was supposed to be a part of an evil power couple with Magnifico and how dope would that have been? We've never gotten that from Disney before. Imagine! Disney Villain Song Duet! A Hot couples costume for next Halloween! An actual relationship that's developed in this movie! But nope. They unflavor-blasted her into the paper thin, placeholder of a character we have in the movie.

And the Star went through a couple of concepts. One, was the spirit of her dead grandpa, taking a younger form, which isn't my fave one but it at least would give her a relationship with this person who is supposedly an important person in her life, something we don't have in the movie right now. My favorite alternate concept is that originally, the Star was supposed to be her celestial love interest. And listen, anyone who's followed me for long enough knows that I am a big advocate for platonic relationships and FRONTING platonic relationships. I don't think that a story needs a romantic relationship to be compelling and I think forcing one in almost always makes it worse. But there is NO central relationship in this movie to carry it. Asha has too many friends for any one of them to make a serious impact so it's not a friendship story. Her mom and grandpa are nothing characters, so it's not a family story. She interacts with the star a lot, but that's basically just her talking to herself because the start doesn’t talk. So nothing is really there to latch onto. If they'd decided to go with the romance angle, it would have forced them to focus on at least ONE relationship and it would have been a nice way to throwback to classic Disney movies from the past. Much better than just sticking her with SEVEN WHOLE USELESS FRIENDS. Literally, all they provide is backup vocals in the fight song. Special Dishonorable Mention to Gabo. Man I hate that dude.

So, to recap this section, Asha's personality is only sketched out in the loosest possible way, King Magnifico is entirely half-baked, and there are so many side characters that no one can form meaningful relationships with each other. And it's really a shame because (1) they very easily could have pared down the cast and (2) very recently Disney put out Encanto which handles a large cast beautifully. There are a ton of Madrigals but I can tell you what the deal of each and every one is. This could have been done well and they fumbled so hard.

Concept

OK, so next up is the general plot and concept. This story takes place in the city of Rosas which is ruled by King Magnifco. It is supposedly a paradise, but much like a YA dystopian novel, it has a twist: When you turn 18, Magnifico takes your wish away from you and puts in in his wish room with the promise that it might be granted at one of the monthly wish granting ceremonies. Once your wish is taken from you, you are "unburdened" and you're "free" from having to pursue it. You don't even remember what it was.

There's a kernel of something interesting there. A ruler making his subjects docile, placid zombies that won't challenge him by taking away their ambition? That's interesting. People willingly giving away a part of their heart to dull the pain of trying and failing? Interesting. Someone doing this with no ill intent, but rather genuinely thinking that this half-existence is better than the heartbreak of the alternative? Interesting!

But the actual implementation of this idea? Ughhhhhh.

So first off, just logistically, Magnifico grants one wish a month more or less (Asha says once a month and in his villain song, he said he granted 14 wishes "last year"). So like, realistically, most of these people have to know their wishes will never be granted, right? Because of like...how math works? Asha acts like it's a big shock when she learns that most wishes won't be granted but like girl...math.

Secondly, there are two moments that are meant to imply that having your wish taken away turns you into a shell of yourself. Asha's friend (who betrays her) Simon is said to be all sleepy and more boring since he turned 18 and had his wish taken. And then, later in the movie, we see two new residents have their wishes taken, and they look a little disturbed after it happens. But, here's the thing. NO ONE ELSE IN THE MOVIE ACTS LIKE THAT. Asha's mom and grandpa act like normal people. So do all the other characters. It’s not consistent enough to establish that this is what’s on the line. Does taking your wish away make you a robot or not?

And does everyone just have one wish? I know I could fill a full sheet of paper, front and back, with things that matter very dearly to me. If you took away my wish to write for TV someday, that would still leave my wishes to travel the world and get a comic book adaptation of one of my novels and a whole lot of other things! Does taking your main wish away make you lose your ability to form new wishes? Logistically, how does any of this work? And you can't just say, "It's a metaphor. Don't think too hard about it," because there's a scene where the citizens start asking these questions. Like, "What happens if we have a new wish than from when we initially made it?" As if having unnamed side characters ask the questions first will alleviate the need to answer them. It's not lamp shading at that point. You're just being lazy.

Also, this is more a me thinking about the implications too hard than an actual plot problem but if he's taking the wishes at 18 I feel like a lot of peoples' greatest desire at that stage in their life is, "I want a romantic partner." And if the central conceit of this premise is that once your wish is taken, you stop wanting to pursue it then the city of Rosas is gonna have a population Collapse problem very soon.

The characters--especially Asha--get so emotional about wishes. It's like they're giving a My Little Pony: Friendship is Magic speech every time they talk about it (except MLP has MUCH better writing). It's bizarre to see Asha's mom get her wish back and be like, "Oh my wish. My precious wish!" when she doesn't act any differently than a normal person before or after she has it back (Sidenote: She says this and she's holding the wish ball but we never see what that wish is and that's maddening. Why do I know what the dream of every patron in the Snuggly Duckling is, but they didn't show that? Ridic.) It almost is like, being in contact with a wish ball is a quasi-religious experience that drives the characters’ actions (Asha and the King are both totally enraptured while singing together in the Wish Room), but because we, the audience, are very much not in contact with the wish balls, we're not getting ANY of that.

Anyway, to recap this section: the central premise of how wishes work and how taking them affects people is not treated consistently or explained well, which makes the stakes feel very undefined and sloppy.

Pacing

This has to be its own section, because it's the thing that baffled me most when I watched this movie. So, here's the setup. Asha is going to interview for the internship with the king. She wants to help people and she has the secondary motive of wanting to try and get her 100-year-old grandpa's wish granted because he's not getting any younger.

Here is the entire sequence: Asha is led into the interview by Queen Amaya. Asha is awkward but makes a good enough first impression that Magnifico is moved to show her the wish room (for some reason). They sing a duet about the wishes where they’re both dazzled by the Wish balls. During the song, Asha finds her Grandpa's wish and after the song, she asks him to grant it. He looks at the wish and says while she has good intentions, it's too dangerous to grant--as are most wishes. She asks why not give them back then and he immediately flies off the handle and starts ranting about how HE decides which wishes get granted and what everyone deserves!

Their first meeting and him showing his true colors happens in the SAME SCENE. It's like 7-10 minutes and they just RUSH through all of that. And it's like, why? Did they really need to get to that dumbass star song (we'll get to that) faster?

I know that he isn't a twist villain so we don't need to keep the fact that he’s the bad guy under wraps. And, the way the story is structured, she needs to learn what he's doing before she can rebel against him. But it's not gonna be a big, impactful moment if you're rushing from beat to beat like this is an essay that's due in twenty minutes and you started five minutes ago.

And it really makes you wonder, if Asha can blow the whole lid off this conspiracy within ten minutes of meeting this guy, why is this not happening more often? Between how obviously smarmy the King is, how paltry the wish granting system is, and how easily Asha was able to start asking questions and get him to blow his top (something that happens again later when the citizens start asking question–it literally drives him into his villain song) I don't believe that this wouldn't have happened earlier (Sidenote: Finding out that it HAD happened earlier and that Asha is the latest in a line of failed apprentices who questioned him? More interesting premise).

So to recap: I have no idea why this movie is paced like this but it's not doing it any favors.

Humor

Humor is very subjective so you can take this with a huge grain of salt but I think this is a deeply unfunny movie.

The jokes fall into about three main categories:

(1) Quirky Humor: This is like Asha babbling and tripping over her words. The scene in the trailer where she's like, "Is my face drooping?" is a good example. It's not really a joke but it's clearly an attempt at humor that I don't think meets the mark. It's also in the songs with, for instance, the animals or the King saying slang that doesn't match how they talk or you'd expect them to talk at all and it just feels deeply incongruent, not funny.

(2) Referential Humor: This is probably what bothered me the most because it was just so so very eye-roll inducing. And listen, I love a good reference. Enchanted is my favorite movie of all time. I don’t begrudge them for putting a few references in their 100th Anniversary movie. But ugh. There is a scene after the king's gone crazy where he's destroying wish bubbles for power and he's like, looking at the wishes and making a quip before he crushes them. And for the second one he goes, "Oh you want a nanny for your kids? Definitely POPPING this one!" And he might as well have looked at the camera and said, "Get it? Get it?" and it took 6 months off my lifespan. (Sidenote: He he does a direct ref with the first two wish bubbles--Peter Pan and Mary Poppins–and then he just makes a general ref to the concept of true love with the last one and it's like, come on at least rule of threes this if you're gonna do it. Commit to your awful bit!)

(3) Kiddie Humor: This is where things get especially subjective because maybe a little kid would find this stuff really funny and they are a part of the target audience so that's valid. But it doesn't add much substance to the movie. This is like the goat being like, "I found a secret passage with my butt" or leading a chicken choir or singing the line, "So that's where all the balls of gas come from" while sticking his butt in the air--a lot of these have to do with the goat and his butt now that I think about it.

I think I only laughed at one thing in the movie that was meant to be at least partially funny--when the Queen interrupts the fight song and everyone is like "Oh shit, we're busted!" before she starts singing along.

So to recap: Sometimes a movie has a weak story but it's super funny and that makes up for it. This is not one of those movies.

Music

This is the one thing I already knew before I watched this movie: The music in this movie is bad.

Like, fullstop, no qualifications bad. Not bad for a Disney movie. Not bad for this story. Just bad.

I was a little confused by the choice to pick a pop artist instead of someone who specializes in musical theater style music for this project, but a more pop-y musical doesn't automatically mean a worse musical. Sure, maybe it's a weird choice to pay homage to the past 100 years of Disney movies, but it could be good. I love Six the Musical.

But that's the problem. The songs aren't just unfitting. They're not just un-Disney. They're fully BAD. They feel so half-baked and God, I've never been so assaulted by slant rhymes in my life. Like, this bothers me to the point where I have to go through the entire tracklist. I can't just make a blanket statement, I have to show you what I mean:

1) Welcome to Rosas: This whole song sounds like someone listened to “Where you Are” from Moana (the "consider the coconut" song), “Belle” from Beauty and the Beast, and “The Family Madrigal” from Encanto and was like, "I could do that". And then they couldn't. It's not really catchy and it's pretty repetitive. Super forgettable.

Worst Line: Honestly, this song is too boring to have a worst line.

2) At All Costs: This is the duet that Asha and Magnifico sing. Before I saw the movie, I thought it was going to be Asha singing about a wish and Magnifico singing to his wife to set up the eventual rift between them but that was before I realized that this movie doesn't believe in relationship building. Some of the movie's worst musical sins are on display here. Turns of phrases that seem like they were written by AI and bizarre syntax.

Like what does, "You pull me in, like some kind of wind" mean? That's not what wind does. Why would anyone ever say, "Felt this? No, I haven't" instead of "I haven't felt this?" That's so awkward.

Worst Line: "Leave you here, I don't wanna. I wanna [promise as one does]." My feelings about this line could be a whole other essay, but I've been writing this for 2 hours already so I have to move on.

3) This Wish: This is the big "I Want" song and it fails on several levels. It fails in comparison to all the songs it’s standing in the shadow of--like the last “I Want” song we got is, I believe, “Waiting on a Miracle” and man! How can you not feel for Mirabel after watching her go through everything she goes through at the start of the movie and it getting topped with her being excluded from the family portrait? You see all the build up (including the implied build up from before the movie started) and you see why it's all bubbled up to the point where she has no choice but to sing about it! With Asha, there isn't a whole lifetime of angst that's bubbling up to make her sing this song. Everything that's happened to her has happened over the hour of like eight hours tops. She meets the king, finds out about the king, realizes the whole system is bad, and then gets into an argument with her family who's drunk the Kool-Aid and doesn't wanna hear what she has to say (which makes no impact on us because we have no idea what their relationship is). That's it. It doesn't feel like the movie has earned the song.

And then with “Waiting for a Miracle” the music itself is plaintive and soaring. Like, I just paused writing to listen to it and I couldn't help but sing along and pour a little of my actual IRL "I Want" energy into it. It's a song that feels very real. “This Wish” isn't any of that. And it's not the actresses' fault! She's pouring her whole heart into it and she consistently does all movie. But the song is just, bland. Like I said, "I want to have more than this" is too weak a hook to hang your whole song on–especially when it’s the song that’s supposed to be the thesis of your whole movie.

Worst Line: "So I look up at the stars to guide me/And throw caution to every warning sign." That's not a thing people say and also it doesn't mean anything. If anything, it sounds like she's saying that she's being extra cautious at the warning signs! You can't just throw words together haphazardly and expect them to retain their meaning!

4) I'm a Star: This is, imo, the worst song on the whole track. A friend of mine described it as sounding like a song from a preschool science show and that's exactly it, but there's more to it than that.

First of all, a big part of the reason this song exists is to set up the fact that humans are made of stardust because that's a plot point in the climax. But there didn't need to be a song about that. That would be like if Frozen 2 had a song about how water has memory. But like, OK. If the song was a bop, it wouldn't matter that it was superfluous. Haus of Holbein in Six does NOT need to be there, but I enjoy it! I do NOT enjoy this song however.

This is something I alluded to earlier, but this soundtrack in general and this song specifically sounds like it's trying to do LMM's schtick but poorly. And I know some people don't like his whole style of music (I personally like it) but love him or hate him, his style without his skill? Awful. The presentation of fun facts in the middle of a fun song makes me think of his "Look it Up" in “Shiny” or "That's true" in “A Winter's Ball”. And there's a part where a turtle (we'll get to the talking animals) sings "See we're all just little nebulae in a nursery/From supernovas now we've grown into our history/We're taking whys right out of mystery, closure/Now we're taking in all the star exposure" And it really sounds like someone doing their best to emulate Lin's flow in things like Mirabel's aside to Mariano in “The Family Madrigal” or any number of songs I could name from Hamilton. But it just falls so flat here. It sounds so preschool and cheesy. And not preschool in a fun way. Backyardigans would never.

Also, this song is sung by a bunch of talking animals (the Star gives them the ability to talk) and I find them so obnoxious. They say stuff like, "Did we just blow your mind?" with the "boom" sound effect and I hate it. Maybe kids will like them, I dunno. I refuse to get into it further.

Worst Line: This song completely misuses the word allegory, which I hate, and it rhymes it with "excitatory" which I hate more (and I am saying this as someone who has made peace with the fact that Schwartz rhymes "nasty" with "flabbergasty" in Disenchanted) but there is only one line in this song that can be considered the true worst line because it's my least favorite line in the whole movie. A dumbass, stoner-sounding deer named Bambi (boo) sings, "Ooh, I'm a star! Watch out world, here I are"

They rhyme the word star--not a hard word to rhyme at all--with HERE I ARE.

I firmly believe someone should go to jail for that.

5) This is The Thanks I Get?!: This is the much anticipated and extremely disappointing villain song. There's just no gravitas and it's not clever enough to be very fun. It's just kinda bopping along which is eh, kind of fun at best, but like everything else in this movie, doesn't leave an impact. A musical number doesn't have to be obviously sinister like “Be Prepared” or, the holy (unholy?) grail, “Hellfire”, to be impactful. “Mother Knows Best” is bright and filled with false cheer but it still works because we can see the manipulation that Gothel is doing and she spins Raps around in mental circles to keep her docile. This is just an egotistical rant--and not even in a fun, Gaston kind of way! (Sidenote: Gaston is a good example of a villain who is preening and pompous and kind fo campy, but who you see why he’s beloved AND he can be menacing when the scene calls for it).

Also, it's so full of weird slang that Magnifico doesn't use at any other point in the movie. "Peep the name", "Ungrateful much", "Mmm, are you sure you're not the prob?" It's like he suddenly got possessed by Urban Dictionary. It's bizarre.

It also comes weirdly late in the movie, which isn't a complaint, just an observation.

Worst Line: I think "peep the name" is my least fave but, because I already said that, the opening lines of this song are, "I can't help it if mirrors love my face. It's genetics! Yeah, I got these genes from outer space" and that's such a weird thing to say. I got these genes from outer space? He wasn't even there for the star song so what the hell does he mean by that?

6) Knowing What I Know Now: I feel like this is the song that had the most potential. But for all its build, it never builds to anything. It starts and ends so abruptly (which is the case for multiple songs on this list). We don't really get to know any of the characters well except for Asha so them joining the revolution has no impact. The Queen turning on Magnifico really doesn't have much impact.

(There's a line in this song where a character sings, "I was sweet but now I'm something else" which is so funny because we literally know nothing about her except that she surprises people when she's in a room which, lmao, me too. Fully forgot you were in this movie, girl).

Worst Line: "The good in him, I've watched it melt". There's technically nothing wrong with this line but I hate it because melting with regard to emotion is never, "Oh, his goodness is melting". It just hits the ear so wrong. You can watch the good in him disappear or fade or vanish. Not melt. Hearts melt.

There's also a reprise and a credits song but I have talked about the music for too long as is so to sum up, there is not a single song on this list that I will ever purposefully listen to for enjoyment ever again and there are a few lines that I feel calls for someone being forced to go to whatever the musical version of the Hague is to explain themselves.

MISC

This is just a section for things that annoyed me that didn't fit anywhere else.

There's a moment where Asha sees Star which is a star that has fallen to earth and is shaped like a star and she's not able to put together than he's a star until she looks up at a ball of yarn that's tangled in the trees and sees that the yarn is shaped like a star...which again, Star is ALSO shaped like a star! Baffling.

Gabo at one point makes a comment to the effect of, "Wishing on a Star? Grow up Asha, this isn't a fairy tale." And it's like, dude shut up. Your king is a sorcerer. This movie isn't funny enough to pull off that kind of wink to the audience.

The actual funniest part of the movie is when a talking mouse (not a thing that usually exists in this world) runs onto the Queen's shoulder during a big speech in front of a crowd and not only does no one notice, but she has no stronger reaction than if a messenger was telling her that her dinner was ready. And not in an underreaction for the purposes of a joke way. Like, in a they forgot to write in a reaction for her way. It's so unintentionally hilarious.

They specifically set this in the real world–off the coast of the Iberan Peninsula–but I didn’t get any of that influence in any significant way here. It could have been any generic island town. Rosas sounds like a Spanish name and “Welcome to Rosas” there is some dancing that looks like traditional Spanish dancing. But on a whole, it feels pretty bland. When I think about studying abroad in Spain, one of the big things I think about are all the moments with food–patatas con bravas, pan con tomatae, paella, and so so much coffee. The only food I remember from this movie are the novelty cookies Dahlia is always baking. Which is wild to me because their last big musical was Encanto and you could feel the cultural influences in every scene and it was seamless. This wouldn’t even bother me if that hadn’t made a point to set it in a specific part of the real world and call it out.

A lot of the dialogue is super expository in a way that both makes me think the writers think we’re stupid and that they realized at certain points that they forgot to establish things but instead of fixing the script they just shoved in a line. Like, to the first point, there’s a part where Magnifico crushes a wish and it’s very clear that he’s getting a high from it. But instead of letting the moment stand he’s like, “Oh yes. Who knew crushing wishes would feel so good? I must continue to crush wishes so I keep feeling this good feeling,” and it’s like…why did you need to say all of that? Old Power Rangers episodes have their villains monologue less than that!

This movie opens on a storybook–just like Snow White–and it has a voice over of Asha narrating the history of Rosas as the pages flip. Not a bad idea–until you push into the scene and realize she’s telling all of this to…her grandpa? Who is 100 years old and lived through all of this? What? Why not have that scene be a kid flashback and the story is being told to her? Or have her be doing the little kid thing of telling a story to an adult? Either way, that would help establish their relationship which is ostensibly very important to this movie. Or, wild thought, just have her be telling this story to kids! Like Mirabel explaining all the Madrigal gifts in Encanto! Like, if you’re gonna take cues from that movie, at least go all the way so your movie makes sense.

It’s very unclear how Star’s magic works. It seems like he mostly just gives wildlife the ability to talk. I thought he was just granting wishes but he never does that to any of the humans. And I find it hard to believe that the wish of every animal (and mushroom) in this movie is just to be able to talk.

Easy Fixes

And all of this is compounded by the fact that this isn’t just any random movie or even any random Disney movie. It’s the *100th ANNIVERSARY*. You only get one of those and this is what they wasted it on. My hopes were really high here! I was expecting a lot of love and care to be put into this one, but it just fell absolutely flat. It feels so rote, so by the numbers, so lacking in care. It feels like the shell of an outline of a movie that relies on the fact that we know what a movie of this sort should be and can fill in the blanks.

And the worst part? The absolute worst part?

IT WOULD HAVE BEEN A REALLY EASY MOVIE TO FIX.

Like, I’m serious. If you watch this movie, you will be able to, off the cuff, name tons of things that would have solved problems without breaking a sweat.

For instance, just cutting her friend group down from seven to two would have helped immensely. If she, Dahlia, and Simon have a Three Musketeers relationship, then when he betrays her to the king, it actually means something now!

For a bigger but still obvious change, why not have Asha have an existing relationship with Magnifico? So then this story can be about her losing faith in this relationship she’s had for a long time after she’s seen behind the curtain and become jaded over time and not a 7 minute “Don’t Meet Your Heroes” speedrun.

And making it clear what taking a Wish from a person means–and following through with that portrayal all movie–would all be a game changer. Show that Magnifico’s magical wish granting still leaves the people hollow. Show that Asha is a vibrant, bright person amongst a sea of robotic adults. Show me some worldbuilding!

Also, just hire a musical theater person to do the music. Seriously I can’t believe I have to say this? How is there not a single good song in this movie? There are DCOMs with more bangers than this. Almost every song in High School Musical is a bop. How are you getting outshone by High School Musical?

And these are just changes that preserve the bulk of the story as is. This movie could have been even better if they’d change the direction to go with some of their scrapped ideas!

This is just a movie that absolutely baffles me. I wouldn’t think it would be possible for a movie with this high of a profile to be this bad. You would think that even accidentally they’d have to get SOMETHING right. But they really don’t. I can’t recommend this movie, even for a fun-bad watch. It’s like eating unsalted saltines while you have dry mouth. Just watch a better movie. And here are three movies I think are more in the spirit of Disney’s 100th anniversary than Wish:

(1) The Princess and the Frog does literally everything that this movie is trying to do but better. You’ve got a movie that used a 2D style in the 3D era. You have integration of cultural elements–in this case New Orleans in the 20s. You have a classic princess story with the classic trappings: romance, villain, fairy godmother. You have a rocking villain song. Hell, you even have a wishing star motif!

(2) Encanto is the latest Disney movie of the modern era to have that classic Disney magic, imo. It sidesteps a lot of the classic Disney tropes–no princess, no serious romance (Delores and Mariano end up together but it’s very much a side thing), no villain beyond generational trauma–but it still feels musical and magical and full of character and life. It shows that you can keep the big emotions that we expect from Disney even with more modern sensibilities.

(3) Enchanted is my favorite movie of all time so I’m biased, but I still firmly believe that it stands as a better movie in general and tribute to Disney specifically than Wish. THIS is how you do an homage. The whole plot is a loving roast of all the quirks of classic Disney movies, but it’s also a sincere story that stands on its own. It has references to old movies, but they’re integrated very naturally. And it’s funny enough to get away with things like a character mid-musical number being like, “What the hell is happening? Why is everybody singing?” without it feeling like lazy, “Well that just happened” humor. And the music is so good!

(A quick note on the music btw: Most of the songs in Enchanted are musical theater style songs but there’s one song near the end called “So Close” which is like a pop ballad. And it totally makes sense why they’d depart from the musical theater style in that moment in context but, even if it was jarring and totally unfitting for the movie, it’s still objectively a strong song. Out of context, it would be a great, sad, romantic song. And if the music in Wish was all like that–good but unfitting–this would confuse me less than it does.)

Anyway, I would shell out a LOT of money for a making of documentary for this movie in the style of the Frozen 2 one because as writer and a fan of a lot of Disney’s past stuff, it is completely beyond my comprehension who a team of accomplished people get together to create the 100th Anniversary project with their vast resources and produce this. It just doesn't feel like a movie with any serious care put into it. Which is separate from quality, btw. I don’t like the movie Raya very much but I think it’s obvious a lot of care went into it and I respect this. Wish feels like a movie that was made to fill some kind of contractual obligation and it makes me sad because I really wanted to like it.

#disney's wish #asks #jamiebluewind #sorry this got so long I just find this movie so fundamentally flawed #idk what the current tag etiquette is for stuff like this so I'm gonna cover my bases #disney criticism #disney critical #wish criticism #wish critical #if you liked the movie this isn't an attack and I'm glad you had a good time

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ratgrinders · 12 days

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hello tumblr user ratgrinders... appreciate the work you do even in these trying times (post onscreen homicide). i think the fact that kipperlilly is like, annoying and reminds people of girls they didnt like in high school ppl miss out on a lot of interesting stuff going on w her!

like, the "power hungry teen girl who is just evil and tbk kill her" thing has already been done in fhfy with penelope, & its much more interesting to think about how & why the ratgrinders are doing all this suspicious stuff tbk are noticing-- like the fact that they have been very cagey about showing their combat abilities, the weird stuff going on with various deities, and even kipperlilly's stolen therapy files (lol) are very intriguing!! and imo writing that off as assuming they'll be straightforward, incompetent villians (popular assumption due to their lack of friendship, even though it's famously the weakest magic) is far less interesting. like... they got into this situation for a reason and got involved w all this stuff somehow, & i don't think all of this would happen if they were a normal adv party, even a shitty one. how did they get here! why!! thx

thank you so much, its getting hard out here but nothing can stop the rat grinders stan grind!!!!! (<- is coping. im coping)

yeah but fr, kipperlily is FASCINATING to me. i truly believe that she thinks everything she does is justified in service of her larger goal, whatever that may be. yeah, stone cold murder really isn't the fairest thing you can do to your academic rivals, but writing all of that off as "oh she's just always been a jealous hypocrite who never believed in what she was spouting" i think is an inaccurate interpretation of her own motivations. she clearly believes in something.

cuz the thing is, we're still not really sure was kipperlily wants? ("egg on my face for wanting something"). sure, she's trying to run for student body president, but what exact rules is she hoping to implement, and how does that relate to trying to resurrect a rage god? plus, grix attacked ruben because he/his ritual were a direct threat to the existence of the school, which seems counter productive if you're trying to become president of it.

and what cause would kipperlily specifically have to be tied up with a rage god anyway? there's nothing that clearly on the surface ties a little type A halfling rogue to a fiendish god of rage and conquest, hell some of the other members in her party seem like on the surface they would have a closer tie to it (like both of their now dead clerics, mary ann who literally harnesses rage, ruben who is full of teen angst). kipperlily's apparently been filled with rage since freshman year, but why? (is she like riz, who spent his whole life infected with an aspect of the nightmare king and literally grew up with this seed of doubt inside him? did something similar happen to kipperlily?)

ankarna is the goddess of justice and the conviction to act when they see something unfair. no matter what, i think kipperlily truly believes that she's witnessed something unfair. and it feels significant to mention that this last murder is an escalation on the rat grinders' part. the other people who have ended up dead around them (lucy, yolanda, the original hosts of frosty faire) all seemed to have died indirectly as a result of the rage crystals and the uncontrollable rage it inspires. this is the first time we're seen stone cold premeditated murder, done with simply a blade and betrayal.

honestly, this transition seems to mirror what ankarna herself went through, starting off as the goddess of conviction and justice but slowly transitioning to one of conquest and war. brennan said something about ankarna, "yeah its nice to have someone like that on your side who will stand up for you, but you better hope that person is always right". i think what we're seeing now is someone with that same conviction, but with a misguided cause.

kipperlily's crossed a line now and i wouldn't be surprised if she doesn't end up redeemed by the end of the season, but i'm still interested in how she and her party were motivated to do this in the first place, because like you said i don't think a normal adventuring party would've ended up here. it takes a lot to transition to multiple murders!

#as a goro akechi stan you could never make me hate the overachieving slightly murderous high school student full of rage its impossible #dimension 20 #fantasy high #fantasy high junior year #fhjy spoilers #original post #rat grinders #kipperlily copperkettle

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mysteryshoptls · 2 years

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Friendship Level Up Lines

Below are the friendship level up lines from the newly implemented Guest Room function in-game.

HEARTSLABYUL

Riddle

Your guest room is quite lovely. I'll return again soon with a small token of my appreciation for you.

Max Level: Being a Dorm Leader means that I am constantly busy, but… I cannot ignore your hospitality. Next time I have time available, I shall come visit.

Ace

Looks like a pretty snazzy room, but I bet you've just swept all the trash under the furniture! ...I'm kidding, I'm not gonna go look for any, so don't kick me out!

Max Level: Hey, can I put something in this guest room, too? I bet I’ll be coming around a lot more often, and it’s a pretty big room, so I can have a little space, right?

Deuce

I feel bad you're always inviting me over. I'd offer to have you come over to my place, but because I'm in a shared dorm room it's not that easy to.

Max Level: The other day, I saw something that’d be perfect for this guest room in the school shop, so I’ll get it. Hey, don’t worry about it, we’re buds, right?

Cater

Thanks for the great time! If you ever want to invite me back over, I'll definitely come. I'm sure the guest room will look even more amazing next time I come, right?

Max Level: Maybe I’ll try making some furniture with you next time. The style you got going right now’s pretty rockin’, but we do a collab, maybe you’ll end up even more attached to Cay-kun. What if, right? ♪

Trey

At first, when you said you wanted to extend your hospitality to me, I thought to myself, "what are they scheming?", but... Haha, you're always full of surprises.

Max Level: I need to give you proper thanks for always inviting me. …Eh? Hey, it’ll be troublesome if you ask for that much. Do me a favor and don’t expect too much, okay?

SAVANACLAW

Leona

I don't like being constantly disturbed. So in that sense, this place is perfect and quiet.

Max Level: I don’t mind coming by this guest room once in a while. Make sure you have a place to nap and some food ready for me.

Jack

I mean, I'm pretty busy with my studies and training, but... Hey, wait, I didn't said I wouldn't come! It would be rude to not show up when you've invited me.

Max Level: Oh yeah, why don’t we put a cactus in your room, too? It’s not that hard to take care of, and you’ll end up enjoying raising it.

Ruggie

You wanna know if I'll come back again? Hey, 's long as it's free, I'll come anytime! And hey, if I get some snacks out of coming here too, that'd be even better. Shishishi.

Max Level: I gotta make sure to thank ya for always invitin’ me. Oh right, let me know if any of your furniture breaks. Not sayin’ I’ll do it for free, but I can give you a friend’s discount to fix it.

OCTAVINELLE

Azul

Thanks to your efforts, I was able to spend quite the worthwhile time here. ...If it pleases you, do not hesitate to invite me back.

Max Level: I dislike being in debt to anyone. Next time, I shall play host to you. I’ve already scheduled it. I cannot wait to see your surprised look.

Jade

It seems I cannot help but stay longer than intended here in Ramshackle. I do hope I am not disturbing you.

Max Level: Thank you for everything. Your hospitality is pleasant and appreciated. Perhaps I could receive some guidance in these matters sometime? Of course, you’ll be fully compensated

Floyd

Hey, make a chair just for me. One that's round, but also sharp; that makes a statement, but is also subtle. Thaaaanks~

Max Level: I feel like I’m one of your regulars here, huh. It’s kinda rare for me to be able to hang in one place for so long without gettin’ bored. Keep it up, I’m counting on ya.

SCARABIA

Kalim

Can I come again sometime? Thanks! You should come visit my dorm sometime, too. Me and Jamil'll totally treat you well!

Max Level: Thanks, as always! I wanna give you something in return, so I’ll send some jewels and clothes over to Ramshackle soon! …Eh, you don’t need it? Then, what do you want?

Jamil

I'm usually on the hosting end of these kind of things, but it's not that bad to be a guest for once. If you'd like, invite me again sometime.

Max Level: When I’m in this room, I feel so at home. May I come again? I thought it’d be nice to spend some quality time talking with you sometime. Of course, I’ll definitely bring a gift with me when I come.

POMEFIORE

Vil

When I'm with you, time just seems to fly by so quickly. It may be because I am so absorbed in our conversations. You've successfully kept me engaged, well done.

Max Level: Do you fully grasp just how much of a sin it is to monopolize my precious time like this? If a fan were to hear of this, they may faint from shock… Fufu. That is fun to imagine.

Epel

It's kinda calming to spend time in this room. It's dangerous, though, 'cause I might get so relaxed that I let my real words slip out... But I still want to come over anyway!

Max Level: This place is so awesome with how I can spread out and relax! Thanks for everything. I’m gonna make sure you can have just as much fun over at my place, so you need to come over next time.

Rook

All this time I get to spend with you is filled with new discoveries, it is absolutely spectacular! May I come visit again?

Max Level: You are a dangerous one. Time and time again, I feel as though my innermost thoughts may come spilling out. Oh, this delightful feeling of tension… Beauté! I shall come visit again.

IGNIHYDE

Idia

Y-You've got some ulterior motive for being so nice to me, don't you? Honestly, I'd feel more relaxed if you'd say that you did...

Max Level: When you first said you wanted me to come to your guest room, I thought you were being forced to on a dare or something, but… Guess I was wrong. Uh, well… I’ll come again. Yeah.

Ortho

Your room is such a mysterious wonder. It makes me want to come back over and over again. I'd like to solve this enigma, so please call me over again!

Max Level: I want to help you with setting up your room, too! Let me know the next time you’re redecorating, if you need anything heavy moved. I’ll change into a heavy-lifting attachment!

DIASOMNIA

Malleus

I cannot believe that there would be someone out there who would invite me like this... Wait. I wasn't barging in uninvited, was I?

Max Level: I suppose it’s not a bad feeling at all to have such gentle hospitality like this. Right now, I am in a fantastic mood. Fufufu, if you have any favor you wish to ask of me, now may be the time to do so.

Silver

I haven't had much opportunities to visit another person's home. If I do anything discourteous, I shall remedy my actions. So please, welcome be back again sometime.

Max Level: Thanks to you, I have been able to thoroughly enjoy myself. I am still figuring out how I could possibly relay these feelings of gratitude.

Sebek

From the way you keep trying to talk to me, I can see that you've nothing to do. I'll allow you to join me for training, then! ...Why are you declining...?

Max Level: I’ve gotten used to listening to you ramble on. From now on, you’re free to call on me whenever you want. …I can’t promise that I’ll always listen though, you understand?

Lilia

This place is filled with things that pique my curiosity. Of course, that includes you. Kufufu.

Max Level: I cannot believe I’ve gotten to this age, and I’m still making new friends that I can confide in. Kufufu, it’s a blessing to be able to live this long. Keep up the good work!

Crowley

I don't quite mind being so beloved by my students. I shall whole-heartedly accept your adoration, so please, keep it up for as much as your heart desires.

Max Level: I cannot just let you host and not return the favor. After all, I am so bountiful in my generosity! Please come by my office sometime. I shall treat you in grand fashion!

Grim

Nyahaha, yeah, yeah! I told you, good things happen when you're under my wing. Here, I'll give you a bite of my tuna! ...Just one bite, okay?

Max Level: Hey, look! I dusted the guest room for you. You’re always working so hard, so I gotta help ya out once in a while. Did it make you happy? Hey, did it?

Rollo

I have no recollection of ever accepting such gracious hospitality… How dubious. You would do well to tell me honestly of whatever nefarious plans you may have. What, you have none? …If that is true, then this is even more troublesome.

Max Level: I cannot help but pity you for residing in a place such as this while unable to use magic. If you find you cannot suffer these wicked mages, you should come to me. I shall gladly lambast them.

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lackadaisy-headcanon-supply-unit · 1 year

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how do all the lackadaisy characters react to getting sick/how do the handle the situation. Thanks!! :3c

Lumping these two asks together as they are the same request. Ask and ye shall receive! (A collaborative effort between multiple of our authors as it does involve the whole cast.)

ROCKY

Sick? What do you mean sick. In his over twenty-two years of living thus far he's never been sick once. He has the immune system of a titan, what are you talking about.

Questions he whilst leaning heavily on the bar counter for support lest he is knocked to the ground in a feverish pile by this sudden earthquake that apparently no one else is noticing like seriously you guys shouldn't we evacuate the place?!

In his defense, he's right about one thing: illness seems to avoid him as prevalently and miraculously as death itself. He could get stuck in the rain, take cold mud baths, sleep outside in winter snow, hug someone with Spanish flu, taste the pavement of a rat-infested alley and drink raw sewage and still come out of it all fit as a fiddle.

(Whether he carries anything is a different question, though with the various microorganisms inside him he seems to live in an overwhelmingly peaceful coexistence.)

But every rule has exceptions. And since he frequently does end up in all those situations, when once a millennium he comes down with something it's hard to tell the cause.

How he handles it can be summed up in a short answer of: he doesn't. He refuses to acknowledge it until he's physically incapacitated. If asked about it he keeps insisting that he's fine, a-okay, dandy as can be, never has existed a more invigorated healthy young man on Earth. At best he may invent a perfectly unconvincing excuse, like allergies acting up. (Inside underground caves. In winter. When he's never been allergic to anything in his entire life.)

Aside from perhaps unsuccessfully forbidding him from causing more grievous disturbances than usual, people usually opt to just leave him to it, because once he's set his mind on being "fine" logical reasoning and sound advice are only breath wasted. Ever well-intentioned, Mitzi still tells him to get some rest every now and then, yet keeps stumbling into the boy as he's fumbling through whatever that unresting intent has currently possessed him to be doing.

This wouldn't be such an issue with, say, a cold, because regardless of his masochistic eagerness for activity it inevitably does pass, but if it's something that necessitates any amount of bedrest... well, good luck.

For one he hasn't really a place to rest. I mean... there's the car. No one but Ivy at the Lackadaisy seems to know he technically lives in there, and he's not too enthusiastic to disclose it himself; besides anywhere else actually suitable, like in Mitzi's apartment, he'd just feel like a capital nuisance.

But let's suppose a scenario with the ideal location and someone who cares enough to stick by and ensure he actually does stay put. Shouldering such a responsibility, they must be prepared for a minimum of two things.

For one: he's going to be even more unbearably talkative than usual. Because what else is there left for a restless spirit if the flesh is restrained? Nothing but to complain and lament and versify and prattle on incessantly about whatever comes careening hither along a changeful stream of consciousness. Albeit unwittingly, driving others insane with his aimless rambling is how he keeps himself... well, something.

It's like if his mind had to stop running at maximum speed for just a few minutes it would promptly crash for good. Which, for all we know, may really be the case.

(This is just my two cents, but: I think giving him drawing implements and a coloring book or just plain paper might keep him very nicely occupied, as well as relatively quiet. Be sure to provide plenty of paper though, if you don’t want him to start drawing on other things not meant to be drawn on when the supply runs out like an unsupervised kid... unless you welcome the idea of your walls and furniture being covered in doodles.)

The other, possibly more arduous challenge is keeping him inside the room in the first place. Not understanding nor agreeing with his special treatment largely experienced as imprisonment on his end, he seizes each arising opportunity to attempt to weasel away somehow.

And he's a trained escape artist.

Watch him closely but look away for even a second, and you'll find no trace of him left in the room when you look back. Lock him in there, he'll pick the lock in a pinch - or attempt the window, which depending on the floor number may carry various levels of risk. Tie him down (because you're getting desperate by now) and you're likely to stumble into him minutes later by the front door, having already wriggled his way out. Doesn’t matter which knot was used, he knows most of them by heart. (And even if he didn’t happen to, he’s resourceful enough.)

Like I’ve said before, he perseveres in resisting his confinement for as long as he's capable of moving his limbs around and some vague semblance of coherent thought. Even with his brains cooking with delirium one may have to rescue him as he's crawling along on the floor dragging with him the tangle of blankets he was last left swaddled in, not entirely clear on what direction he's headed but by all means dedicated.

He's not above manipulation either, in order to divert his warden’s attention or make them relinquish his firm supervision rooted in concern for his well-being. Because it's not like he's concerned about it; so why should anyone else be? In addition he's unshakably certain that his role in the Lackadaisy's rumrunning force as well as there in general is absolutely vital and requires that he always be available for employment regardless of if he’s even in a proper state for it. (Just look at the latest comic arc, for crying out loud.)

But psst. Here's a little personal tip, for (Y/N) specifically. If reasonable advice hits deaf ears, and cuffing him to a bedpost yields little results other than another mildly baffling escape attraction, there remains one other thing to try with better chances of success... a more hands-on approach, if you catch my drift.

(Cuddling. I'm talking about cuddling. If you've got a good grip on this string bean of a man he is certainly not going anywhere so long as you're vigilant. Doing so, of course, means risking your own health, which he won't fail to coyly point out either; but he'll otherwise put up minimal resistance and ultimately cave in because God knows he’s touch deprived and doesn't get held enough otherwise. Well, by not enough I mean not at all, ever. But that's exactly why it's a good thing you're here, isn't it?)

Overall, as amusing of a story collection to recount as his commonly absurd ailing escapades might provide later down the line, the fact that they very rarely happen is no doubt for the best. He engages in enough troublesome shenanigans as is.

FRECKLE

Surprisingly pragmatic about it. Yep. He's getting symptoms. Looks like he contracted something.

Best be careful about it... mostly because Nina wouldn't allow him running himself ragged anyhow.

Along with other moral virtues he's had honesty drilled into him from kittenhood. And although it's not always an option in... other matters... he's upfront about how he's feeling physically if not much else, and eventually does come to terms with it. (Once he’s confirmed with certainty that it’s not just the general nauseated feeling he gets whenever he thinks too deeply about his “work” nowadays.)

He doesn't want to infect other people, or incur the stern concern of his mother, so at the very least he stays around the house, doing small, mostly undemanding chores. He's aware it's not expected of him nor recommended, but he has a bit of restlessness to him too.

Mostly because, were it bad enough to confine him to bed in a blanketed bundle of suffering incarnate, all he'd be able to think about is that God's wrath finally caught up with him for being a horrible person and this was part of his rightful punishment. Even worse if he got a nasty fever; it's like he's already burning in Hell.

Distractions may be scarce, but if he's been told off from chores for sneezing on the washing-up or exhausting himself with much too overzealous hammering, he opts to read instead. Over the years he's amassed quite the collection of books, renowned classics and youth literature, and most of them still give off the fluttering remnants of a good kind of nostalgia when flipping through the pages.

And besides, immersing himself in someone else's story is far more pleasant than fretting over his own current predicaments.

Some company, from a safe distance of course, will do him wonders as well. Nina is not the most conversational woman around, and aside from checking on him regularly and ensuring his wellbeing they don't make much meaningful contact.

Rocky likely pops in from time to time however, forever enthused to just run his mouth for as long as allowed, and although he may get a bit too bombastic for Calvin's comparative lack of vitality sometimes he appreciates the distraction more than he's able to express it. And, believe it or not, it's not entirely one-sided either. Rocky has developed a keen sense for his quiet cousin's intent to contribute and will more than gladly listen to what he has to say.

He’ll also forward Ivy’s wishes for Calvin to get well soon as she’s just dying to be able to meet with him at the speakeasy again. (Definitely also attaches a teasing remark or two to the message.) Then he’s eventually ushered out by Nina and as soon as his hasty goodbyes are swallowed by the outdoors Calvin finds himself missing the noise already.

The paralyzed stillness of being sick gets to him a lot more than it shows… seeing as it leaves him a little too alone with his own mind. So he sinks into the comfort of old books until he’s incapacitated by a headache and sore eyes, and diligently rakes those seven leaves that had gathered across the back lawn since he last attended to them two hours before, and lingers outside in the garden until warmer hues overtake a sun-painted sky and the evening chill starts to bite, taking in all things green and alive and in motion to remind himself that he’s not a walking corpse. Not yet, anyway.

Due to his mom’s supervision as well as his own eagerness to follow instructions in order to escape his personal limbo as soon as possible, he does tend to recover fairly fast; and he’s a pretty hardy young lad, thank goodness, so it’s all quite uncommon of an ordeal. In short it’s back to the ol’ grindstone in a jiffy; you know, the kind of grindstone that pulverizes mortal lives and churns out dripping blood.

But hey, best not stop and mull over it too long.

IVY

Oh, it's a nightmare for her.

You mean she can't go out in the evenings anymore? Can't go shopping with friends? Can't procure booze with her criminal coworkers? Can't attend dates with her cute new boyfriend? (Well, those last two are one and the same, really.)

These are all vital activities for a young woman like her to pursue! What else is she supposed to do? Rot in her room and steer clear of all fun whilst everyone else keeps going on with their lives?!

Some flimsy cold is nowhere near enough to keep her away from the beloved Lackadaisy. She can still man the café counter with a little sniffle (taking care to sneeze on no one's food) or look absolutely gorgeous on the dancefloor decked in glimmering pearls and feathers with a slightly paler constitution. But if it's bad enough that she simply must stay put...

During classes the still life of an empty dormitory fills with upbeat contemporary tunes from her bedstand radio as she lies upon crumpled bedsheets, clad in her prettiest pajamas, surrounded by an almost ritualistic circle of tissues and magazines whilst flipping through one of the latter with her legs girlishly dangling in the air. This is likely the scene any visitors are greeted by as well.

She looks like she's coping rather well... until verbal contact ensues and she begins her long string of complaints about how she's feeling utterly miserable. Runny nose, sore throat, grating cough, an unshakable sense of fatigue and she can't even go anywhere! Her classmates are off studying or having fun themselves (as well as deliberately avoiding contact with her for obvious reasons), and she's got nothing to look at but patterned wallpaper and pictures of pretty clothes she currently can't even visit the boutiques for.

But once the grievances are shared she promptly guides the spotlight in their direction, upon which they are to share every last bit of information and news about all most recent ongoings in the world of the healthy. It is a requirement (she will not let them go until they oblige), but also an opportunity; they're welcome to spill the beans on how their week has been and any noteworthy things that happened to them and also to just chat with her about whatever else comes up in the process.

Another way she keeps herself involved with the outside world is through the telephone. The local operator can already tell if she's under the weather by the prevalence of hearing her slightly weathered, juvenile voice squeak for connection to mostly one line throughout the day.

Her calls may also be scheduled to a certain hour so that everyone can come up to Mitzi's office and say hi. That "everyone" overwhelmingly ends up being Rocky, who lingers around there a bit more insistently than usual nearing that time frame and never fails to make his presence known by shouting his own greetings and cheerful encouragements of perseverance into the receiver.

She always asks him about Viktor and Calvin since the former disappointingly refuses to engage with her calls, and the latter doesn't visit because boys aren't allowed in the dormitory... and because he's afraid of catching her sickness. (What a chicken.)

You’d better believe they both get a scolding once she’s recovered for not contacting her at all… though you can’t really stay mad at sheepishly apologetic, babyfaced Freckle McMurray, now can you

Supposing the presence of company who’s emotionally close enough, she may also get clingy in the physical sense. Yes, she knows it’s not very courteous to rub your germs all over someone, but oh, her head is just killing her and she’s exhausted and achy and utterly sick of being sick, hence she desperately needs to rest her chin on someone’s shoulder and latch onto their soft warmth. Really, they brought this upon themselves by daring to enter the sniffly lion cub’s den. Now they’re likely not allowed to move for… let’s say the next two hours. Alternatively, until she has to go to the bathroom or ask them to get her something to drink.

Yes, she’s a bit of a princess; and especially when she’s miserable she may occasionally indulge in showering a willing servant with her various requests. Fetch her this, throw away that, bring hot chocolate and snacks, take out the trash, give her attention. But how could you say no to those big, innocent eyes?

If it’s a schoolmate she will absolutely persuade them to skip their classes for the day and spend time with her instead, offering cuddles and gossip. Forgetting, or ignoring rather, that not everyone can afford to be so lax about their education. Though surely, full-time service as a personal maid slash stuffed animal is making a much better use of their time. She promises to do the same when they inevitably catch the illness themselves, if that’s any consolation.

Nightly adventures and consequent loss of sleep aside, she takes decent care of herself overall, so the understimulating agony of quarantined solitude luckily isn’t something she suffers more of than the average person… albeit that little she’s an expert at suffering luxuriously.

VIKTOR

No, he's not sick, you're just lying. The great, the indomitable, the fierce Viktor Vasco never gets sick.

Denial is definitely a big part of it. He will not admit to getting sick until he's too weak to stand, and even then he'll fight anyone who tries to get him to rest.

The boredom is somehow scarier than actual health concerns. Staying at home and being too ill to do anything except think means he'll think. And thinking leads to a whole load of other things that he doesn't want to get into.

Essentially, getting sick is a liability to everything, from his job to his sense of self.

However, good luck on trying to make him better. He will also stubbornly refuse any help that comes his way, will slam his door in the doctor's face and threaten to tear apart anyone who so much as suggests getting him medicine.

His colleagues from Lackadaisy have taken to asking Mrs Bapka, his neighbour, to administer anything they want to give him themselves (he will draw a line at punching an old woman and fellow Slovakian immigrant), or Ivy (no one can successfully dispose of Ivy and her headstrong attitude. No one.)

The last person he had actually listened to when he was sick was a certain Mordecai Heller. Needless to say, that's not the case anymore.

Maybe that's what really makes him so grumpy and reluctant.

ZIB

His immune system is either rock hard or absolute dogshit, there is no in-between. He can go through a crowd of cats with nasty 'bouts of the flu without catching it, but gets bedridden by something as small as a head cold.

Said wonky immune system may be because he tends to drink stuff cut with the most ridiculous ingredients (radiator fluid, coffin varnish, paint, water, mud, you name it he's probably tasted it)

When he gets laid up, he gets laid up hard (innuendo not intended). He has to drag himself out of bed during the worst parts of it and may not even bother, electing to curl up and shiver/cry from the pain/die where he's comfortable. His band members have to literally drag him out of there on those days and force food down his throat so he doesn't wither away

Goddammit you lanky noodle bitch look after your sick ass don't make everyone do it for you

MORDECAI

He hates falling ill with a passion. It's one of many reasons he drinks tea so often: if he does get sick, it won't hit him so hard.

He tends to try and shrug off small stuff (runny nose, mild to moderate headache, aches and pains) to go to work anyway; but he's no fool. If he really feels icky he'll stay at home and look after himself. As much as he hates to do it, he's only got one body and somebody has to look after it.

The Savoys bash/tease him relentlessly whenever he comes in sick. If the mild headache becomes something worth staying at home for, they'll go as far as to try and visit him (or get him to come to them). Is it guilt about ragging him about it, them missing him or just boredom? Hard to tell with those two.

Serafine once teased about playing as his "mama" and looking after him until he's better. Mordecai, in his sickness-muddled mind, flew off the handle at her...Though all the Savoys saw was him almost break a glass in his paws before telling them flatly to get out.

Neither one realized Serafine had hit a nerve until he refused to let them in for a few days after. Whether it was something about his past or Serafine betraying his trust to get him into her group, they let it go and pretended nothing happened once he was back in action (though there was a noticeably thicker wall between him and them)

SERAFINE/NICODEME

Meet the "clingy" duo.

They don't get sick often and have impressive immune systems, what with their past roaming the swamps and other dangerous conditions, but when they do? Oh boy...

They'll either cling to each other in private, or play it up and annoy a hapless colleague.

And by "hapless colleague", I mean Mordecai—because of course it is.

Sickness is less of an actual, preventive ailment, but rather an excuse to show off some dramatic acting skills.

"Oh, cher, I simply cannot move until you bring me some nice warm tea and chocolate!"

"If I die, tell the world I was warm and safe, because of our dear ami, Heller..."

"For crying out loud, you've both got nothing but a cold."

They'll still play it up.

Just because your nose is stuffy doesn't mean the rest of you has to be.

The show must go on, mon cher.

WICK

He gets sick really, really easily. He stays up late at night often, so he doesn't get much rest and his immunity suffers for it.

(Licking rock walls probably doesn't help with that. Muffinhead (affectionate))

He still does work and goes out when he's sick, which results in papers with shitty writing and his friends urging him to go and rest up, "we can go with you another day".

When he's not thinking straight he'll whine to Lacie about how no one wants to see him when he's sick; ignoring the fact that she's either making him food, putting a cold cloth on his head or literally came by just to say hi to him

He's a bit dim sometimes, but he's a loveable dim.

The easiest way to see how sick he is is to mention putting the work on pause or crack a joke at his expense. If he rapidly objects to not working or good-naturedly shrugs off the joke, it's a small thing, nothing to worry about. If all he has to say in response to not working is "I can't" and he tries to defend himself from the joke (or even worse, agrees with it), he's feeling god-awful.

Lacie tends to hide the alcohol away until he's feeling better. During the week or so he's really feeling foggy this actually works, since in his addled state he can't properly look for them.

MITZI (BONUS since she's been getting a fair bit of attention)

Mitzi doesn't get sick. She becomes inconvenienced.

She's also a real bitch when she's sick. It's less of a slipping mask and more of a "I can't be nice when my brain feels too big for my skull"

She'll still grin and bear it for Rocky. He's positively devoted to her, after all; the least she can do is swallow her nasty remarks and come up with something softer for him.

Some cats swear that she never falls ill or has anything happen to her...Usually because once it does happen she locks herself in her office and won't open the door if you're not Horatio or Viktor.

If another cat somehow gets through her door, can put up with her attitude swings and goes out of their way to help her through her illness, she may very well open up a little and talk to them easier. Something as small as a cup of tea during a ravenous headache will convince the then-bitchy queen that you're not all bad-and later that since you put up with her ravenous insults and still helped her, maybe you're worth swallowing her pride for and confiding in.

#{ahah!! hello!! Rory here!! so you may notice the slightly uneven distribution of (Y/N) here}#{even in my own parts I left Calvin out of it. the poor boy}#{and Rocky's easily goes over 1k because I got a bit excited. as you may guess he's my favorite}#{but reminder that (granted that requests are open at the time) we're more than happy to provide further servings of any of our concepts}#{more specialized or in-depth or what-have-you}#{although this IS a brew of headcanons. which are usually brief. I just got a tad eager with my first contribution here I suppose}#{hello to our lovely readers by the way!! :3}#{💌 mod rory 💌}#🦉mod iphiko #🖋 mod ille #Headcanon Home Brew #Rocky Rickaby #Calvin “Freckle” McMurray #Ivy Pepper #Viktor Vasko #Dorian “Zib” Zibowski #Mordecai Heller #Serafine Savoy #Nicodeme Savoy #Sedgewick “Wick” Sable #Mitzi May #headcanon #lackadaisy

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