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yomogi-mogi-mochi · 1 year

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Twst Characters and their Government Assigned Mitski Songs

As a Japanese American lesbian it's my duty to assign these characters their songs from our lord and savior Mitski. Enjoy :)

My masterlist containing stories using some of this analysis is here.

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*̩̩̥*̩̩̥ ୨୧ Pomefiore ୨୧ *̩̩̥*̩̩̥

Vil Schoenheit: Brand New City

"If I gave up on being pretty, I wouldn't know how to be alive"

I was stuck between Brand New City and Liquid Smooth- or even Working for the Knife. Honestly the angst potential for this man? Autonomical. I'm thriving.

This line in particular gives my Lush/Liquid Smooth vibes- being at the ripening peak of your youth. Despite the development he does go through during his Overblot arc, I think he does still have this fear of growing old and less desirable, as signified through his reactions when he remains old after escaping from S.T.Y.X.

Especially as someone who is the leader of the Pomefiore dorm- he is seen as the epitome of beauty. I mean it's most of his motivation for doing the things he does, so what happens when he no longer has that asset. Of course, he may remain beautiful on the inside (as Rook mentions), but we're all human- there's a very strong desire in him to stay as he is- hot with smooth red blood and as plump as a ripening fruit. I don't think it makes him any less likeable, I actually think it makes him a lot more realistic to see him this way. I'm sure he'll have a breakdown in his 30s and 40s when his impossibly smoothed skin begins to wrinkle lol

He's forever tethered to prettiness and beauty inside and outside- I don't think he could live with himself if that part of himself withered away.

If you like my analysis of Vil, please consider checking out my Vil x Orpheus MC fic Lasting Spring. It's a Vil x Orpheus Inspired MC, some angst/hurt/comfort, and friends to lovers

Rook Hunt: Pearl Diver

"Those creatures of your working mind, don't fear them or their hunger. Forgive the sea, follow the tide with the monsters on your shoulder. Pearl Diver, dive, dive deeper."

Was between Strawberry Blonde and Pearl Diver, but I felt that Pearl Diver fit him best. He's an aspiring archaeologist, he's a hunter which hops from one shiny thing to another- there's always something that he's chasing for the thrill of the hunt, whether that be uncovering the mysteries of bygone civilizations, or his nimble prey (Leona lol). But this is a ceaseless hunger, a thirst which will never be quenched. And I think partially he knows this- though the adrenaline of chasing down and carving his prey is hollow, it reels him back everytime- never lingering too long on anything.

What better metaphor is there than this shiny pearl, slumbering deep beneath the deep seas that he keeps diving deeper and deeper for? I think partially it's passion but first and foremost it is a youthful hubris, and endless hunger for knowledge that I'm sure many are familiar with during your teens/twenties. I think there will come a time where he dives too deep for his own good- but that won't stop him from plunging back into the ocean to find its beauty once more

I explored this characterization in my Rook x Pygmalion MC fic Pygmalion, check it out. It's got angst, slight enemies to friends to lovers, and a lot of hurt/comfort.

Epel Felmier : Your Best American Girl

"Your mother wouldn't approve how my mother raised me. But now I do, I do."

I think this is one of a handful of Mitski's "hopeful" songs- and one which explores the sociopolitical nuances of love that is rarely explored so beautifully in music (especially because the industry is oversaturated with mediocre white people, cishet white men in particular). But I think for Epel, it signifies a similar journey towards acceptance that is told in his arc

The song it not only touches upon racial differences in dating, but also gender/gender performance (as they often overlap due to cultural differences in gender and gender performance) in its overall message. With a pretty boy who learns to accept that part of himself as an empowering part of his whole- this hopeful line rings wonderfully with his development, as he becomes more comfortable in his background, masculinity, appearance, and strengths.

‧✦‧ Diasmonia ‧✦‧

Malleus Draconia: First Love / Late Spring

And I was so young when I behaved twenty-five; Yet now, I find I've grown into a tall child, and I don't wanna go home yet; Let me walk to the top of the big night sky

Was stuck between this and I Don't Smoke, or Washing Machine Heart. Either way he's a huge softie who's been sheltered his entire life so the experience for his first love for him would be as intense as this song. The lyrics tend to swing between a painful yearning for the love to never end, and a longing for the love to end as quickly to cease how suffocating and choking love can be when you first feel it.

First love is something that almost bursts at your seems when you first experience this. And it's the best feeling in the world, because you just so so full with this buzzing lightness you've never experienced before. But you know it'll end because of course fairy tale endings of true love and love at first sight don't exist, so you're begging it to be as painless as possible. For Malleus, I think this is how he experiences first love- as well as his feelings for his family (Lilia, Sebek, Silver). He knows its not going to last the eternity he is cursed with (which becomes evident with the current chapter when Lilia begins to show signs of age), and he wants so desperately for it to stretch as long as it can- but also to end as quickly as he blinks so the pain doesn't leave a relentless aching.

"Tall child" I think also describes him very well. Of course he is knowledgeable of things but he lacks the wisdom people gain from experience and the stimulus of life and tragedy. He's been numbed partially to being alone, and by sort of distancing himself from the people who project the image of untouchable monster to him, he becomes that very thing.

Much angst potential for this man as well. I love.

If you like my analysis for him, you'll like my Malleus x Light Fae MC Spolia series (*^-^*). It's got a lot of art history knowledge (gothic period), some friends to lovers, hurt/comfort, and yearning idiots.

Lilia Vanrouge: Pink in the Night

"And I know I've kissed you before but, can I try again, try again, try again?"

This song is interpreted as a romantic love song as many of Mitski's song are, but I only think that's because there's a misconception that romantic love = most raw and powerful love, and I absolutely do not agree.

He knows that there is an eternity before and after him that stretches beyond the things he loves. He may not be alive to see Silver grow old (or vise versa), or be able to support Malleus for the rest of his life either.

But unlike Malleus, he's come to terms with it, and adheres to a sort of absurdist school of thought. He values freedom and dynamic movement- he allows himself to tether his life with others, while also valuing his own experiences and opportunities. So I think these lyrics pair well with his acceptance of the nature of his life compared to the people he loves, in addition to his philosophy of living.

If you want to see a romantic interpretation of this analysis however- you'll like my Lilia x Dullahan Beloved Thy Name fic. It's got your standard hurt/comfort, angst, and I might make a sequel.

Silver: Crack Baby

"Crack Baby, you don't know what you want. But you know that you're needing it. Yeah you know that you want it.

I think Silver is one if the most emotionally intelligent characters in Twst, maybe next to maybe Carter. So the knowledge that he's likely going to be the one who will leave everyone else behind is something which is cemented into his desires and anxieties that are revealed to us in Chapter 7.

I think he also sort of knows that there's more to his genetic heritage than what is available to him. And in addition to the nature of the environment that he grew up in that instills this very fixed fate onto him- the lyrics parallel well to the permanent cravings, thinking, and power (ie his unique magic that has strong connections to Aurora plus the necklace Lilia found beside him when he first found Silver) that we're conceived before he really came to be as a person.

He lived in the foods far from the castle, he didn't have to become someone who serves both his father and Malleus- but he chooses to because of his permanent fate. The fact that he will be the one leaving everyone is internalized and delegated to his desires to make himself useful, memorable- something of substance for these other lives that seen much more grander than his own. This is why he breaks in Chapter 7, wanting only to be useful and give something to Lilia- the preconceived nature of his life has lead him towards the painful truth, and there's anxiety that lives within him because of his family. But of course, this is because he loves them.

Sebek Zigvolt: Real Men

"Though honestly sir, all I wanna do is get naked in front of you. So you can look me up and down and give me your love for being so good"

So, the Malleus obsession, right? Yeah I think he would absolutely break down if Malleus were to ever get hurt or overblot on his watch. He absolutely hinges his own self worth and life on this man because A) he's part fae so he has the means to do so and B) I don't think he's had a chance to mature in order to cultivate his individual character enough. He's young.

This is from one of Mitski's earlier albums, Lush, so I think it's safe to say that this song is from the perspective of a younger woman than she is in say albums like Be My Cowboy and Laurel Hell. Women are taught to be obedient, to never be questioning to their superiors (men), to give and give and give. I wonder- where did Sebek learn this then? Perhaps his Fae mother? During his training as a guard? When he yells at people to respect and give themselves whole to Malleus, he's merely protecting that learned sentiment outwards. There was probably some moments in his life where he was being told the same exact thing.

So maybe in chapter 7 after Malleus' overblot, be learns to be "someone", to actually learn what he's giving when he says he'll give his all to Malleus.

*:ﾟ+｡　Scarabia .ﾟ･*..☆

Kalim Al-Asim: Francis Forever

I don't need the world to see that I've been the best I can be, but I don't think I could stand to be where you don't see me

I think these lyrics best describe his relationship to Jamil.

He genuinely thinks the world of Jamil, but he's also naive- before Jamil's overblot, I don't really think it ever occurred to him that Jamil had been downplaying his own abilities, or that he had any resentment in doing so, because he genuinely thinks he and Jamil are friends. He doesn't fully comprehend that there's a certain power dynamic between them because the people around him have been accommodating to him his whole life, leaving him in ignorant bliss. He expects Jamil to cook for him and be his vice dorm leader because there's a master-servant pretext he doesn't quite understand but has been benefiting his whole life from, but in turn, he also doesn't really refuse when Jamil also asks him to help out. Which, in Jamil's perspective, I'm sure was even more frustrating on his end cause it really means he's actually just fucking clueless lol.

But I do think after Jamil's overblot and he does come to terms with his position, he still wants to be friends with him. And with the understanding of his dynamic and his own desires to continue a relationship with Jamil- he is definitely willing to sacrifice his own small victories as long as Jamil and him are able to still be together, side by side.

I think the lyrics speak to a more evolved side of Kalim that was not fully developed before Jamil's overblot, and it adds a bit of that bittersweetness thats in their relationship that actually strengths their bond in the end.

Jamil Viper: Class of 2013

"And I'll leave what I'm chasing for the other girls to pursue"

Has got to be one of my favorite songs cause it's so short yet so poignant like it just shows how talented Mitski is with just some simple notes on the piano and a few lines

Anyways apart from my Mitski obsession, this line in particular narrates the slow extinguishing of one's own desires to save oneself from being continuously hurt from preconceived barriers. For Mitski, I think here she's observing an industry that's dominated by white cishet people- and for Jamil, it would be in relation to the social/emotional obstacles correlated with servitude.

However, these feelings rarely die down. They stratify against the pressure of time, and in Jamil's situation, it presents in the form of anger and resentment towards Kalim.

Every moment of his life, he's had to measure and count each movement so his body molds into the image that is desired from a Master-servant relationship- and that initial warmth of personal desire slowly grows onto a bitter flame that wells quietly inside him, until explodes in the form of his overblot.

Now as a communist yeah go Jamil eat the rich ✊️ but I think Kamil is, as previously explained, genuinely naive about his status and the way Jamil has had to live. So I can't say the overblot is not at all unjustified- but the collateral damage is definitely not a great look.

If you liked my analysis of Jamil, you'll like my Jamil x Shikigami MC Merciful Crusade fic. Slight enemies to lovers, hurt/comfort, discussion of trauma, with a happy ending.

✦·.⋆ Ignihyde ⋆.·✦

Idia Shroud: Working for the Knife

I always thought the choice was mine, and I was right but I just chose wrong; I start the day lying and end with the truth that I'm dying for the knife

Within the context of Mitski, this song is interpreted to be working for a thankless, unforgiving industry that is dominated by mediocre cishet white people/men, but I think it more broadly it discusses the concept of creation, and the artist's relationship to it.

And broader themes apply to Idia's relationship with the construction of Ortho, or what I imagined it was like. In Chapter 6, Idia mentions something about the human heart- about how it is just a hindrance in comparison to more objective systems of the world- like programming, or robotics. But I think here he's not only referring to Ortho's condition as an AI (as AIs evolve and feed off of information and systems created and use as humans, Ortho becomes sentient), but more importantly Idia's own betrayal of the heart.

On Idia's terms, Ortho's death and creation cannot be associated with much objective reasoning. The reason why the brothers tried to escape in the first place was because of the human desire for more in their life- Idia wanted partially to escape the burden of becoming the head of the family, and both of the brothers obviously wanted more than to spend their life from the prison that the family curse unfortunately shackles them to. Though these are perfectly healthy desires to have, Idia has blamed himself for risking both him and his brother's life before they had properly assessed the phantom situation, in addition to not being able to stop the security breech that ultimately (in Idia's eyes) lead to the death of his brother. For him, this relapse in judgement is purely because he avoided looking objectively at things (which in it of itself, is a subjective thought which I think he understands more after his overblot)- therefore, I think he's created a system for himself where there is a statistically low chance of him failing in situations he is not confident in- like his appearance or his socialization skills. What better way to avoid social ridicule than to avoid socialization altogether? And by lowering his self image by the start- there is no way others can lower it even further. Shut yourself from the world- and no one can disturb the objective fact that you're a good for nothing loser that got their own brother killed. No one can shatter your own reality.

But it's undeniable that Idia is a sort of prodigy and a genius- so he's constantly switching between extremely high and low self perception that sort of parallels his internal clashing between his objective way of thinking, and his own feelings.

But I think after his overblot, he's started to come to terms with this internal debate, and accept the fact that it's alright to feel things, and love for people and the world while maintaining his structure of thinking (he seems to think in connections, rather linearly- which can lead to a lot of conclusions of self blame and pity, but those systems can also be used in other, more positive ways), and reality is really what you make of it.

So I think this part of the song that indicates a melding between dichotomies- of regret, hurt, and blame- but also hope and desire perfectly describes Idia's personality, as well as his relationship with the world.

I think a lot of people who've had to deal with attachment issues and have late diagnosed autism can relate to this sort of journey. His way of thinking (ie being able to make metaphors between real life and video games- thinking in systems of connections rather than abstractly in isolation/linearly) particularly resonates with myself, an autistic, and I think a lot of late diagnosed autistics who are also burned out gifted kids (especially if you're the eldest sibling lmao) can relate to his way of thinking, especially if you're also intersectional.

Idia is seriously one of my favorite characters. Autistic rizz strikes again lmao

Ortho Shroud: Goodbye, My Danish Sweetheart

"So I don't blame you if you want to bury me in your memory, I'm not the girl I ought to be- but maybe when you tell your friends, you can tell them what you saw in me, and not how I turned out to be"

Don't worry I didn't forget about our dear sweet boy.

I'm sure when Ortho (the version we see at NRC) was met with some mixed reactions from his family, including Idia. It doesn't take an AI to see that Idia clearly still blames himself for letting the original Ortho get killed- something the current Ortho no doubt at least takes the blame for, because he's not able to live up to the standards of the original Ortho, and make his brother happy again

In chapter 7, he also mentions to his parents "Thank you for treating me as one of the family", so it sort of implies there that he's probably held some guilt before, since Idia has shut himself from the world, and is very outward about his self hatred.

I think after chapter 6 when Idia is able to come to terms with his guilt and way of seeing things, Ortho is able to also have some closure. Rather than viewing himself solely through his brother's eyes, he's able to see himself as an individual. I think his decision to join the drama club shows the evolution he's gone through.

*♡.* Heartslabyul *.♡*

Riddle Rosehearts: Class of 2013

"Mom will you wash my back? This once, then we can forget"

He's the poster child for mommy issues, come on.

He's obviously been through some traumatic shit with his mom, particularly verbal and emotional abuse that has completely shaped his way of attachment and view of himself and others. He holds himself to a high regard because he sees himself as an extension of his mother's (and the queen's) qualities of high discipline and authority- and he holds his mother to a high regard that in turn puts him in a similar, high position. Without doing so, there's probably no way for him to justify the treatment he's had to go through. By viewing his mother as an absolute authority he looks up to, he's able to somewhat justify the harsh standards he was held at, and holds everyone else to (something he shows regret for doing after his overblot). This is why he lashes out so violently when this notion is challenged by others, because that is also putting his mother's treatment of him in question.

Obviously a lot of the respect he has for his mother is born out of the fear that his mother could just be a bad person, someone who does not love him sufficiently enough to treat him with care and softness- but there is also a kind of fucked up form of love in there. Iykyk lol, especially if you've seen the woman your mother was, or see what she's had to sacrifice for you- the way she held you in her womb through the seasons and the hours she's had to push your small body out of you- there's something that wells inside of you that makes you want to be held, and hugged and told everything is going to be okay by her despite all of the burning hate and resentment for the way she's carved these marks into you thay made you feel and see the world with that weeping blood. Then you see her mother, and think- oh. Right.

When everyone goes away for winter break, Riddle tells Trey that he's going to have a talk with his mother- and I think that shows that for him, not all of that high regard for his mother came from fear, and survival- but also, somewhere, love that had traced all the way from his mother, to his body while he was still in the womb, planted deep inside the darkness that lies between where the fibers of our body meet.

This line in particular is heartbreaking because the speaker is asking her mother to face her back, and wash the filth off of her. An act of love, that you can bare to fully face, because of the pain that person has caused.

Ace Trappola

I have no idea for this one. For him and Deuce (also Jack) it's a bit hard because their position in the game is to kind of be the navigators so he kind of lacks enough material for me to make education assumptions of his psychosocial background. If anyone has any ideas please add them below 🙏🙏

Deuce Spade: I Bet on Losing Dogs

"Will you let me, baby, lose on losing dogs?

I know they're losing and I pay for my place by the ring"

Deuce, again, is also hard to do but I think these are the closest lyrics to what his ultimate intentions are at NRC. He really does want to improve and prove to his mother that he can be a son she can be proud of- but he's consistently trying to fight everyone lol.

He's kind of like Zuko from ATLA lmao. But you can clearly see throughout the game that he feels shame for his past and recent actions of trying to solve problems with his fist, and the efforts he puts into studying and becoming a good student. To him, I'm sure it feels like he's betting on losing dogs- that it is simply within his nature to continue to fuck up.

Unlike the subtext of Mitski's lyrics however, he's betting on those metaphorical dogs because he wants to make his mother proud, rather than placing bets on a losing battle because it makes me feel at least something.

So if you do have better suggestions I'm totally open lol. But this was the only one I could think of (；∀； )

Cater Diamond: Nobody

"And I know no one will save me, I'm just asking for a kiss- give me one good movie kiss and I'll be alright"

When I look at people like Cater, I (not only generally avoid them) but I almost always think "Wow. You're a pretty hard worker. So serious, so frantic." (The word I'm thinking of is 必死 and Google is saying the english translation is "desperate" but thats not quite it.). It does make me want ro break them open a bit- not because I think whats inside is valuable in the slightest, but I'm just curious to what sort of thinks they're working so so hard to hide under all of that "effortlessly likeable" facade that barely veils the attachment issues that runs deeply in their bones. But I wouldn't do that, since it would be too tedious and predictable, haha.

Also probably why he's an easy target for his older sisters to be honest lol.

But I digress. This song at its core is about tethering love solely to the external world (which I think humans can't help but to do and is healthy to a certain extent)- and I think it reflects one of Cater's more hidden issues if mental health and self perception which he uses social media to likely numb.

I think someone on tik tok had a good explanation of this (I forgot their username ( ´Д｀)) but Cater's character shows the lesser known forms of depression/mental health issues where we seek any sort of stimulation (ie love in whatever form, but anyone as long it makes you feel) to battle the numbness and lack of self perception that comes with constantly being under the oppressive pressure of our own psyches.

"Movie kiss" is also language Mitski intentionally uses to emphasize the fact that it doesn't have to be real- it can be a parody of something and completely staged- as long as it provides some sort of stimulation, kind or like social media.

Trey Clover: I Will

"I can at least be neat

Walk out and be seen as clean

And I'll go to work and I'll go to sleep and I'll love the littler things

I'll love some littler things

He definitely has some self blame for Riddle's situation when his mother came to his parents pastry shop. I think it's partially the reason why Trey values a respectable distance between him and others, and also why he undermines his own abilities. He makes a hell or a lot of effort not wanting to stand out in anyone's eyes, because he doesn't want to cause situations like Riddle's- where his position in someone's life results in trouble for them.

He's nice, but he's not necessarily kind, you know? I feel like he spreads himself pretty evenly among people, completing his role within the social spiral so people aren't hurt from his actions or existence.

This line from Mitski kind of shows thay detached nature- he doesn't want to be a bother to anyone so he assumes a sort of detached "mother" position, being generally pretty nurturing and assuming a nice face so he doesn't have to be weighed with that burden of causing trouble for people.

He's pretty normal otherwise 🤷 everyone except Riddle and Cater in the Heartstlabyul dorn is kind of hard to do

I have a Vampire MC fic for him in progress- ill link it when I'm done!

✧*: Savanaclaw ･ﾟ✧

Leona Kingscholar: I Bet on Losing Dogs

"I bet on losing dogs I know they're losing and I pay for my place by the ring Where I'll be looking in their eyes when they're down I'll be there on their side, I'm losing by their side"

These lyrics are a perfect parallel to his personality and self perception.

He's constantly putting himself in a losing position (ie skipping class, not putting his all into academic and sports related activities) because he's let his placement assigned to him at birth seep into all aspects of his life.

He shows a lot of symptoms of depression/a mood disorder like hypersomnia (opposite of insomnia), low motivation, losing interest in hobbies, etc etc because he's constantly been surrounded by the fact that he is the second son- and will for his whole life live in his brother's shadow all of his life. I think he avoids being with Cheka not only because he doesn't like kids (relatable) but also because it's a constant reminder that a literal child will achieve what he cannot just because of his birthright, rather than a test of power or intelligence. But obviously he's adult enough to recognize that his nephew is a kid and he shouldn't be throwing his own shit at a child.

He has no care for people's opinions of him or measurements of his abilities because he already knows people will always see him as a losing bet, that losing dog- so he leans fully into the achetype.

Ruggie Bucchi: Humpty

"All the eggshells are on the ground, and I try, I'm trying to pick them up, but they crack and crumble, it's all too much- too frail for me to touch"

Gah Ruggie is also kind of a hard one

But I think there's a certain self image that comes with being a hyena beast beastman especially with the associations it has within Scar's narrative. He consistently mentions to Leona that they should both play their parts and benefit from eachother. I think there's a part of him that hinges his self worth on his ability to serve people not only because of his socioeconomic background, but also his species. He's had to walk on these fragile conditions of self worth his whole life, which is why he's continuously shown himself to be extremely resourceful, and quick thinking about the people he surrounds himself with that must work to his benefit. He's a scavenger, he has to make do with whatever he can, even if that is feeding off the (literal and metaphorical) scraps.

Not my best work lol. Please let me know if you have better suggestions.

Jack Howl: Stawberry Blonde

"I love everybody because I love you; I don't need the city, and I don't need proof; All I need, darling is a life in your shape- I picture it, soft, and I ache"

Difficult for him because he's so?? Well adjusted?? Lol like just one of those people you see you're just like "Ah wow you really actually had a happy childhood". Like such a foreign concept to the dorm leader/vice dorm leaders who are screaming, crying, vomiting into the void lmao

I feel like these lyrics were to be the case if he ever were to fall in love? The song itself is about yearning for something you can't get a hold of, but the lyrics in the beginning just cry absolute adoration that he values in relationships because he's seen it in his own family. As a professional yearner I can definitely say this boy yearns for sure.

*+:｡.｡　Octavinelle　｡.｡:+*

Azul Ashengrotto: Nobody

"I've been big and small, and big and small, and big and small again- and still, nobody loves me, still nobody loves me."

Perfect for his overblot narrative lmao.

This one is pretty straight forward, I think Mitski not only narrates the dramatic physical transformations that still make her seeming undesirable- but also the radical changes in personality in ego (as in inflated ego, deflated ego).

This works with Azul's backstory since he not only went through a physical transformation that likely fed into his attachment style and the way he views his self worth, but also the personality changes that reflect the gradual repression of these insecurities that lead to his overblot.

The lyrics also imply that there is a certain condition to being loved that the speaker is not able to fulfil. Now for Azul, I think he's able to fulfil that condition by providing contracts to others- but he internalizes that and uses it to fill the hole that is caved within himself due to a lack of self worth and positive self image. He becomes too power hungry because he's obsessed over these external means of validation to replace any intrinsic value that he has not been able to see within himself.

After his overblot I think he recognizes this dissonance between his external personality and internal insecurity, along with his intentions with others' magics that clearly stemmed from an externalization of his insecurities, and he chooses to accept his insecurities (both physical and mental) as a part of himself. Great redemption arc 🤌

If you like my analysis of him- you'll like my Mute Siren MC x Azul Ineffable Bloom fic. Childhood friends to lovers, lots of yearning, hurt/comfort, and also, flower symbolism/hanakotoba.

Jade Leech

Augh Jade is hard too. I feel like he has a very specific, calculated anger that is not very often in Mitski songs. Her stuff is more like eternally cindering flame- his feels more like a surgical needle.

Any suggestions????

Floyd Leech: A Pearl

"There's a hole that you fill, you fill, you fill. Buts just that I fell in love with a war."

This is a bit dramatic for him but oh well lol. Similarly to Rook, I think he's quick to obsess over things. But unlike Rook who will travel to the oceans depths to get a glimpse of that thing- Floyd is someone who, as soon as he's bored, will just shrug and find another thing that interest him. Partially, I think this is a cycle for him that he continues because of the initial thrill of it- and that goes for his relationships as well. With Azul and obviously Jade he's been with most of his life it's a little different, but for others, say, a romantic partner- I think he would definitely have a tendency to sort of love bomb people before one day he gets bored and begins to pick the person apart. He searches for little ticks he doesn't like, parts of their personality thay he finds annoying- and comes to the conclusion that he's simply done with them. And I think the cycle continues.

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Live love laugh Mitski ✌️ I use so much of her lyrics in my writing. There were a lot of characters I had several songs for but I kept it to one per character

★彡 Feel free to add your own interpretations and takes!

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