#do not get me started on the parallels between these three | Explore Tumblr Posts and Blogs

un-lawliet · 5 months

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WHAT IF teen!Gojo and teen!reader are best friends teetering on the edge of lovers but they get into a petty little argument and start ignoring each other right???? so reader goes on a date with someone else to be petty and Gojo internally freaks out. So, him and his friends get in disguises as Gojo tries to sabotage the date without being noticed but instead he accidentally helps the other guy look great and impressive every time💀

Geto, shoko, and Nanami don’t help Satoru. They just watch and laugh😭 good fluffy ending though pls

THANK YOU FOR THE REQUEST !!!!! i loved this idea so so much- i kinda tweaked the request slightly but i hope this is ok <3 i love you and thank you for your patience !

“Normal”

- in which you’re on a date with someone that isn’t Gojo.

“Does this count as stalking?”

It absolutely did count as stalking.

Gojo, Shoko, Nanami and Geto were currently huddled in a dimly lit booth hunkering down as to not be seen by you…or your pompous looking date sat opposite you.

“It’s not stalking.” Gojo splutters, glaring at Geto through the top of his sunglasses, “It’s just..just-”

“You tracking Y/N down and making us watch her on a date.” Shoko muses, rolling a cigarette between her fingers, reaching for her lighter.

“Exactly!”

Nanami groans, his head falling backwards, hair falling over the curve of his eyebrows, hiding his face slightly.

Shaking his head, a small grin dances across Geto’s calm face, watching as Gojo pouts and glares at your table, eyes completely trained on your face.

“‘S’not even that good looking, she just has a thing for guys that flatter her.” He grumbles under his breath, flicking the fancy wall he leaned on.

“Think most girls enjoy feelin’ pretty Gojo.” Shoko replies, hand still feeling around in her pocket, “Oh fuck sakes, I’ve lost my lighter…Hey- Geto, you wouldn’t happen to have a spare one on ya?”

Geto nodded, tossing her a purple lighter from across the table, smiling gently as she thanked him.

“You shouldn’t smoke inside.” Nanami mutters, now staring down at the menu in-front of him, finger tracing along the prices in thought, seeming to pause on the brownie section.

“No one can see, we’re fine.” She sighs, taking a drag and blowing it towards Gojo, grinning as he dramatically clutches his chest, gasping for air.

“What’s the point of us even being here Gojo.” Nanami huffs, side eyeing the bakery stand parallel to their table.

“Because, I need to show her that this..this loser is nothing compared to me!”

“I don’t know Satoru.” Geto muses, taking a sip of his camomile, “Y/N seems pretty into him.”

“Suguru!” Gojo gasps in horror, betrayal dripping from his voice and on to the curve of his disgusted face.

Shoko wiggles her eyebrows teasingly, inhaling before continuing. “He has a point Gojo, I mean look, you ever see her smile like that?”

Gojo whips his head around to stare at you, and Shoko covers her mouth to hide a poorly restrained giggle, sharing a glance with Geto.

“I make her smile like that- She smiles like that with me!!” He whines, and Nanami rolls his eyes.

A waitress smashes a glass from behind the café’s counter, you jump slightly in your seat and turn to look over at the sound, you don’t notice the group of strange looking teenagers ducking down at your movement, concealing themselves poorly in their seats.

Your date laughs at you, you blush and turn back to him bashfully, excusing yourself for being so on edge.

Gojo glares.

“So what’s the plan then Gojo.” Nanami drawls, resting his face on his palm.

“Yes! The plan!” Gojo splutters, looking away from your pretty, pretty face to look at the three of them.

He hesitates and Shoko groans.

“You do have a plan don’t you?”

“Of course I do!..So, the plan..the plan um, well-”

“He has no plan.” Geto interrupts.

“Jesus Christ Gojo.”

“Does that mean I can leave?”

“Shut up!” Gojo exclaims, “I’m thinking give me a second would ya?”

“Nanami if your leaving I’m coming with you.”

“Wanna go now Shoko?”

“Guys!”

Gojo slumps forward in his chair, his face resting on the table as he whines.

Geto rests a hand on his back and chuckles, shaking his head at the two other sorcerers.

“It’s ok Satoru, we can all figure something out ‘kay?”

“Yea?” Gojo replies, his voice muffled by the table.

“Yea.”

Instantly, Gojo springs up, his eyes as wide as his smile.

“Ok let’s brainstorm.” Geto suggest, his voice like honey as he removes his hand from Gojo’s back and reaches back to his tea.

“What if we spill tea over him!” Gojo gasped, pointing towards the cup in Geto’s hand, a sharp look crossing his face.

“Stupid. Y/N would see us.” Shoko grumbles.

“No- See Shoko, the point of a brain storming session means we make suggestions and listen without judgement.” Gojo argues, crossing his arms.

“Yea but your idea was stupid.” Nanami concludes, watching as Shoko nods.

“You suggest something then Nanamin!”

“I’m suggesting nothing, this whole idea is foolish.”

“OoOoh “Foolish” is it?”

“I’m leaving.”

Nanami stands up reaching for his bag, scowling at Gojo.

“Hey, hey Nanami c’mon ignore him he’s just..” Geto pauses with a quick regard to Gojo, “He’s just Satoru.”

“An idiot.” Shoko chimes.

“Yes, an idiot.”

Nanami sighs as he sits down, placing his brown bag back at his feet reluctantly ignoring Gojo’s grin.

“…What if we trip up the waitress as she’s bringing them their food.” Shoko suggests, twirling a piece of hair around her finger.

“That could work!”

“No, Satoru, that just causes trouble to the waiting staff.”

“And?”

Geto rolls his eyes, “We don’t need to cause anyone any trouble just because you’re too afraid to just ask Y/N out.”

“I am not afraid!” Gojo moans, putting his face in his hands.

“Uh huh, that’s why you fell out with her when she told you about the date.” Shoko laughs, wiping off ash from her arm.

“What was I supposed to do?” Gojo queries, frowning.

“Talk to her?” Nanami deadpans, “Like a normal person.”

“Our Gojo isn’t normal though.” Shoko winks, nudging an unamused Nanami.

“Focus guys.” Geto says, clapping his hands twice to draw attention.

Your sweet laugh echoes through the cafe, and Gojo pouts, shoulders slumping.

You were supposed to be sitting opposite him laughing.

It was supposed to be his food with which you shared.

And yet one petty argument about some random guy you had met in returning from your last mission asking you out, had ruined everything.

The shared glances between you and Gojo, how you leaned on his shoulder when you slept in classes, the way he would always keep an eye on your cursed energy when joining you in battle.

All those little moments had dissolved in the bitter moments after you informed him of your date, a small smile dancing in your eyes.

“He said I was pretty Toru’” You had said, your eyes wide, and Gojo wanted to cover the love sick gleam glistening in your eyes with his hand.

“I always think your pretty.” He mumbled, watching you cock your head in confusion.

“What was that?” You questioned, leaning towards him slightly, trying to recall his quiet words.

“Nothin’.” His curt response didn’t phase you as you moved backwards, a charming skip in your step.

“Think he sounds stupid.” Gojo was never good at expressing his true feelings, and in that moment, Gojo’s sheer panic over you leaving him overpowered his aloofness.

“You think someone thinking I’m pretty is stupid?” Your shoulders fell, and you turn to him, a small lour crossing your face.

“What? No? That’s not what I-”

“It what’s you said though Toru’” You sighed, and Gojo cursed at himself for the glimmer of insecurity that appeared to vex you in that moment.

“It’s just- Well he’s just stupid.”

“So you are calling him stupid for telling me I’m pretty.”

“No! He’s stupid! Not his words!”

“That’s the same thing Gojo!”

“Is not!”

“Is too!”

And now Gojo’s watching as Geto summons one of his smallest and weakest curses to push your stupid dates chair over, sunglasses off and held in his fist.

“Oh so we’re actually going with this plan? I wasn’t imagining it?” Shoko muses, stealing a forkful of Nanami’s brownie.

“Nobody else had any better ideas.” Gojo silenced, waving a hand in her direction, practically clamouring on top of Geto to watch.

“Satoru watch it, I can’t see where my curse is going with you on me.” Geto scolds, brushing the white haired man off.

“I can’t believe this is happening.” Nanami’s disinterest oozes out from his voice, nudging his plate over to Shoko who smiles brightly at his offer.

Geto flexes his hand, ensuring that the curse went unnoticed by you, it ducked under a table and weaved between chair legs.

“Make sure Y/N doesn’t see it!” Gojo panics, his hand covering his mouth.

Geto pauses, and looks over his shoulder towards Gojo, eyebrow raised.

“…Sit down Satoru.”

And Gojo immediately drops, hands on his legs.

The curse bobbles over to under your dates chair, and Geto smiles, before releasing his hold.

The sound of your dates chair toppling over boomed through the cafe, and with a swift flick of his finger, the curse dissapears, and all four of the sorcerer’s immediately drop their heads.

“Oh my God? Are you ok?!” Your concerned voice follows, and you stand up instantly, rushing towards your date, who grins at you from the floor.

“Oops, must have slipped.” He smiles, accepting your hand in helping in up, wiping the memory of his fall off of his jeans. “At least I have a pretty lady to help me in my moment of weakness.”

You giggle, and push his shoulder, “Oh shush you tease.” Bending over to pick up his chair.

“Oh no don’t worry I got it.” Your date winks, helping you lift the chair.

“How??!?!” Gojo groans, watching you swoon, “What is happening?”

“Man.. She must really like him eh?” Shoko offers, sharing a cheeky smile with Geto.

“Maybe it’s hopeless.” Nanami chimes in, “Do you want to finish this?” He asks Shoko, gesturing to the half eaten brownie.

“Actually?”

“Yea go on, you seem to be enjoying it.”

“Maybe.” Geto cuts in, “Maybe we should just leave them be? Let it fizzle out naturally?”

“What if there is no naturally Suguru.” Gojo mopes, kicking the leg of the table.

“Gojo it’s obvious she likes you, and it’s obvious you’re both smitten.” Shoko says, her voice muffled and she finishes Nanami’s brownie.

“..You think?”

“Everyone thinks.” Nanami replies, “Haibara thought you two were dating when we first joined the school.”

“How is Haibara by the way?” Geto questioned, “Why didn’t he join us?”

“Not sure, he said something about needing more sleep before his first solo mission.”

“Isn’t that next week?” Shoko adds.

“He likes his sleep.”

“Come on guys! Focus!!” Gojo exclaims. “I’m in a dire situation here!!”

“A dire situation that could be solved with a conversation, Gojo.” Nanami rolls his eyes.

“Try the curse again Suguru.”

“Satoru it didn’t work once, it probably won’t work a second time.”

“Ugh.” Gojo slumps back, a sigh escaping his lips. “If you’re all so sure Y/N likes me, then why is she with that loser right now?”

“She probably got tired waiting for you to make a move Gojo.” Shoko replies.

“Yea the “will they, won’t they” becomes tiresome after a while.” Geto agrees, pushing his empty cup towards the middle of the table.

“Ah!” Shoko says pointing over at you.

“They’re leaving Gojo.” Nanami affirms, joining Shoko in pointing.

“What?!?” Gojo gapes, “No!”

Geto laughs, shoving Gojo to his feet, watching you leave the cafe. “Go get her Satoru.”

“But how?” Gojo moans.

“Just go!” They all exclaim, and Gojo pauses for a split second before he’s bounding towards the door.

By the time he’s outside, you’re waving goodbye to your date, promising to call him as he walks the other way.

You look happy he thinks, and suddenly feels very out of place.

Gojo’s begins to turn to go back into the cafe, admitting defeat, when he hears your voice behind him.

“Gojo?” You gasp, disbelief permeating from your voice. And Gojo freezes, turning around awkwardly to face you.

“Hi.” Gojo replied, scuffing his shoes against the ground as he approaches you, hands in his pockets attempting to appear cool.

You look at him, your mouth slightly agape as you fiddle with the sleeve of your jumper, processing his appearance.

“You followed me to my date?” You ask accusingly, glancing around.

“He didn’t offer to take you home?” Gojo chooses to ignore you, refusing to acknowledge the implication of your words.

“I told him I could go back by myself.”

“Some guy.”

“Satoru.” You pause, lifting a hand to stop him, “Why are you here?”

A car drives past the pair of you, it’s headlights cast shadows across his perfect face and your hold yourself back from staring.

He stalls, looking at you for a moment. “C’mere, I’ll walk you home.”

“Satoru.”

You’re tired of his deflections, for once you just want to talk.

You both stare at each-other, silence decorating the air between you.

And Gojo shakes his head, stepping backwards and looking away.

“You look good.” He mutters.

“Good?”

“Pretty alright? You look pretty, he was right.”

“My date?”

Gojo’s sunglasses fall down the bridge of his nose slightly as he leans down to look at you.

“Who else?” He muses.

You don’t understand, your heart fluttering pathetically in your chest as you prove further.

“Why are you telling me this now?” You ask, your voice light, scarce of hope.

“Because.” Gojo hesitates, hating how unsure he sounds in this moment. “Because you are.”

You step towards him, it’s a slow movement and Gojo watches you almost cautiously.

“It took me going on a date with someone else for you to finally say something?” You tease, your hands shaking despite the confidence in your words.

“Would have said something without him, y’know?”

“..Really?” Your eyes widen, a tiny grin crossing your face.

Gojo nods, and you take another step and hug him, burying your face in the warmth of his chest.

And Gojo’s smile almost hurts his cheeks as he wraps his arms around your figure, pulling you in closer.

“You’re an idiot.” You mumble, looking up at him.

“But you like me.” He replies, cockily grinning down at you, blue eyes sparkling.

“Yea, I do.” You whisper, clinging to him, moving your head backdown to face his chest, face burning with your confession.

A small kiss is placed on the top of your head and you hold back a giddy laugh, pulling away from his embrace completely.

“So…Does that mean you’ll let me take you out?” Gojo questions, taking your hand and pulling you gently along to walk with him.

“Hmm I don’t know..Are you asking?” Your head leans on his arm, grabbing his arm as you walk.

“I would take you somewhere much better than that shitty cafe.”

And you’re laughing, “You love that cafe Toru.”

And he laughs with you, a long arm circling around your shoulders, pulling you impossibly closer to him.

And Geto, Shoko and Nanami watch from the window of the cafe, shaking their heads.

“Idiots.” Shoko says.

“Completely.” Nanami agrees.

Masterlist <3

Feel free to leave a request !

A/N : HELLLLLOOOO PEOPLE !! ABBY’S BACK !!! thank you for the request sweets this is literally one of my favourite concepts ever I cannot cope!!!! I love teenage Gojo so much :( BUT ALSO Shoko <333333 — i hope everyone is happy and healthy, i finished this at 2am and i have school tmrw pls kill me rn i hope a car hits me when i walk in, genuinley this no longer a joke.

LOVE YOU

#gojo x reader #gojo satoru #jjk gojo #gojo satoru x reader #jjk manga spoilers #jjk leaks #jjk #soft gojo #gojo fluff #gojo comfort #jujutsu kaisen #gojo x y/n #gojo smut

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chryblossomjjk · 1 year

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distractions | jjk

⇢ PAIRING: fuckboy!jk x inexperienced reader

⇢ RATING: m/18+

⇢ WC: 1.1k

⇢ WARNINGS: cute couple content, they drop the 'l' word guys, n*pple piercings n sucking bc u know... fixation lmao, v suggestive but no actual sm*t, finger sucking lol, the love is requited :')

⇢ SUMMARY: jungkook agreed to let you do his makeup, but he can't stop getting distracted.

⇢ NOTES: ugh i missed them dearly!! will be putting out more drabbles soon, but i'm currently trying to focus on my other wip!! i haven't posted anything in so long so i wanted to share this with you guys! school n work is hectic i already feel swamped pls be patient with me :') i miss having time for a hobby lmao!! anyways, i hope you enjoy and let me know ur thoughts! love u <3 also apologize if there's any typos or weirdness, this wasn't beta'd!! if you haven't read practice yet, pls read before this!!

⇢ SERIES MASTERLIST

“Kook, look up! How many times do I have to tell you?”

Four months into the relationship and his attention span, or lack thereof, never ceased to amaze you. With a frustrated groan, you place the pointy end of your Sailor Moon brush between your teeth before gripping his chin and turning his wandering gaze back to you.

“Bambi, I’m looking up!” He yell-laughs, doe-eyes wide and sarcastic as they bear into you, equally frustrated. You can already see the concealer you applied just a few minutes ago creasing. Dramatically, he karate chops his tattooed arm towards the ceiling, paralleling your scantily clad frame straddling him. The sudden jump has you shifting against his crotch deliciously. Now’s not the time for fooling around, though. You’re determined to put the cute brush set Jungkook randomly gifted you a few weeks back to good use, starting with giving your sweet boyfriend a full beat. “This is up! What other direction is up?”

What an asshole.

You pop the pink plastic out of your mouth, taking an annoyed chomp out of his annoying fingers. It's playful, of course. You mean, you’ve just got done with a whitening strip, after all…

Jungkook takes the opportunity to shove his digits further past your glossy lips, reaching down just enough to feel your throat constrict, then pulling back. He stares up at you with the cheesiest fucking grin, clearly pleased with himself.

“You’re mean,” you cough, wiping the drool at the corners of your mouth with the back of your hand.

“No you,” he counters, pinching your cheek patronizingly. “I love you, though.”

One month into the lovey-dovey phase of the relationship; that one where the initial butterflies fly away and you’re left feeling like ‘wow, maybe this is a forever sort of thing,’ and you still feel lightheaded every time Jungkook murmurs those three words.

“I love you, too,” you coo, reaching down to adjust his teddy-bear headband. Jungkook’s been growing his hair out. This was his last semester and he was determined to go out with a bang. For whatever reason, he had decided that bang was a mullet. You remember how confused you were when he showed up at your dorm at 3am, drunk off Fireball and excitement, asking you to cut his hair. You thought the request was outlandish and foolish, but you did it anyway, in your bathroom with eyebrow scissors. It came out a teeny bit crooked, and a tiny bit choppy, but Jungkook loved it, staring at his reflection with a big bunny smile and starry eyes. “But baby, this-” you tap on the headboard behind him, “-is up.”

He squints his eyes in defiance before complying. Ah, you’ve trained him well. A very good boy, indeed.

You’ve spoken, or thought, too soon, because after a few swipes of the plush bristles, a high-pitched ‘Appa!’ from your phone, leaning against your Kuromi makeup bag on the nightstand beside you, draws his dark pupils back to the cartoon.

“That’s it,” you huff like an overwhelmed mother of three, yanking the device out of his sight. “Say goodbye to Aang. You’ve lost your Avatar: The Last Airbender privileges.”

“C’mon, seriously?” He laughs while lunging forward, attempting to wrestle the phone out of your grasp. Giggling wildly, you toss it on the pink shag rug below you, out of his reach. The movement almost sends you toppling over. Luckily, Jungkook wraps an arm around your waist to keep you steady. “Bambi, you know I’m easily distracted.”

“But you said I could do your makeup,” you pout, batting your lashes at him.

“I know, I-”

“Don’t touch!” You shriek, preventing him from rubbing his eye.

“Sorry, sorry,” he apologizes through a chuckle, holding his hands by his head in defense. “Maybe I…” You deadpan him as his eyes scan around the room before, not so subtly, landing on your chest. Cocking his head, he tuts his tongue and grips the hem of your shirt. Shamelessly, he stuffs the nearly transparent material into your mouth, exposing your bare breasts. “There, just like that,” he whispers, warm palms grazing up your torso to cup them, thumbs grazing over your little diamond heart jewelry. You gasp at the touch. “You know, I still can’t believe you actually got ‘em’.” Neither could you, honestly, but if there was one thing Jungkook has taught you, it’s that sometimes, you need to step out of your comfort zone. Take risks. Especially when it results in the cutest little nipple piercings. “So fucking sexy…”

You feel his forming bulge poking against you. God, do you want him. But even Jungkook’s dick couldn’t derail you from the mission at hand. Raising an eyebrow, you lift up the makeup brush.

The tits really seem to keep him preoccupied. With a hand on his cheek, you feel his mouth hollowing, sucking your nipple gingerly as you lean over him and fill in his thick brows. Obviously, it’s a bit hard to focus. Every now and then, you have to tug his hair to redirect his nibbles back down to soft licks.

“Okay,” you announce, letting the shirt fall from your candy-coated lips and sitting up, “what color?”

Out of the entire thirty-pan rainbow eyeshadow palette you’re holding up for him, he lazily points to the darkest shade in the top color. His favorite color, of course; black. You should’ve known. Your lips scrunch to the side in contemplation. Jungkook would look so yummy with a smokey eye.

So you blend and blend away with blacks, whites, and grays. Shockingly, your boyfriend manages to stay still throughout the entire process. You’re proud of him, really. He’ll definitely get rewarded afterward. And you were right, the final product is absolutely delectable.

“Baby, your eyelashes are stunning!” You swoon. “And the smokey-eye looks so so so good with your eye shape.”

Silence.

“Jungkook?” You lean forward, gripping his shoulders and shaking softly. Nothing but the sound of faint snores reaches your ears. The little fuck fell asleep. No wonder why he’s been so good. You laugh in disbelief, picking your phone off the floor and snapping a few pictures to show him in the morning. Reaching into your drawer, you take out a couple makeup wipes and start cleaning him up. You loathe makeup wipes and only keep them for emergencies, but Jungkook looks so peaceful that you can’t bring yourself to wake him.

Next, you snuggle beside him with a spare blanket, unable to yank your comforter out from under his thick, muscular thighs. He stirs when you gently pull off his headband. “I love you…” he mumbles, still half asleep. It’s as if the emotion is so ingrained in his subconscious that they bubble to the surface, even when he’s sleepy and incoherent.

And you feel the same exact way.

“I love you, Jungkook. Goodnight.”

#bts #bts x reader #bts smut #jungkook #jeon jungkook #bts jungkook #jungkook smut #jungkook x reader #jungkook fanfic #jungkook series #jungkook fic #jungkook drabble #bangtan #jungkook scenario #jungkook one shot #jungkook imagine #bts imagine #jungkook x y/n #jungkook x you

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wettvagina · 4 months

Text

UNI FUCKBOYS!

description: like we all know geto & gojo are just the infamous duo that everybody and they mama wannna fuck , what happens when you get stuck with the both of them after a stupid dare at a college party?

warnings: threesome , p in v , blowjob ,

You took another sip of tequila as you had lost the second time that night to whatever stupid drinking game your friends were playing at this lame ass party, "Okay, maybe we should stop, I really do not wanna black out." you sighed, crossing your legs as you sat back, "This is so boring, I thought college parties were supposed to be fun." Shoko groaned, "Let's go home." Nanami grunted, his low deep voice barely audiable.

"What? We can't go home now, it's only 10!" you stand up, coming closer to both Shoko and Nanami who were leaning on a nearby counter, "And?" Nanami questioned, "We'll look super lame!" you said, "Well this party is lame anyways." Nanami scoffed, "Listen, this is our first college party, you should be grateful I even scored an invite." you protested, "Let's look around and get the hang of things." you offered.

You and your pair of friends were freshmen in Jujustu College, trying to break out of the boring nerd characters you three had caged yourself in, you presented the idea of a party. The week had just ended, and this whimsical Friday you wore your sexiest dress, and painted on your boldest eyeshadow. Geared up to conquer your first college party.

"Hey! You three down for spin the bottle?" a tall man with piercing blue eyes and white hair asked, "Uhm-" Nanami looked with a face of disgust, "Sure!" you cheered, "Perfect! Follow me." the white haired man's hand found your shoulder as he ushered you to a room.

Upon entering, you noticed that this was someone's bedroom, the music was relatively louder in this room, you assumed it was due to the speaker being in this room. The room was lit by a pair of LED strips parallel to eachother, there were about ten people in this room, two of the ten were gulping down a bottle of beer to use as the bottle in, 'spin the bottle'.

"Shoko?" you whispered, the white haired, pale man barely paying attention to you, walked ahead as you looked back, seeing Shoko and Nanami give you a look. You lightly smiled at them before sitting down, "Alright, finally. Let's start." a blue haired woman begun. "Now, this isn't normal spin the bottle, who ever the bottle lands on has to do a dare, you sure you still up for this?" the white haired man asked, you nodded excessively as you observed the white haired man looking at you up and down.

"Well, I'll let you spin first. And your friend can give you a dare." the white haired man explained, taking a seat next to a larger man with long black hair, and a pair of black circular earrings, you felt yourself blush when the man looked at you, whispering something into the white haired man's ear before giggling.

You wiped your sweaty hand onto your dress before spinning the bottle, sounds of people talking paired with the booming music in the room bombarded your hearing as the bottle spinned, it felt like forever as the neck of the bottle spun in circles, eventually landing between the white haired man and the black haired man.

"Looks like you got both of us." the black haired man snickered, "How lucky, Suguru." the white haired man spoke, three pairs of eyes darted towards Shoko, as she composed a dare in her head. "Uhhh." her brain looked like it had went blank, "Uh, I dunno' go to the bathroom for five minutes.'' she said with a shrug, your eyes widened and your face scrunched, 'oh shit' you cursed to yourself, maybe you really should've just went home when Nanami said to, this is going to be the most awkward five minutes of your life. Thanks so much Shoko!

You bit your lip before standing, "Satoru." you heared the black haired man say as he grabbed something from his pocket and discretely passed it to the white haired man, which you guessed was named Satoru. A puzzled look was displayed on your face, but it was quickly wiped off when the entire room begun talking, you could barely make out the conversation since everyone's voices were layered but by the looks of Shoko's and Nanami's face you knew it wasn't something good.

You watched as Nanami quickly arose, before a door was shut in your face, you didn't even notice that you had already entered the bathroom along with two georgous looking men, the room smelled like vanilla, the room was simple, a toilet there, a sink here and a shower in the corner. You nodded to yourself before facing the two men infront of you.

"Uhm, nice house." you muster up some sort of courage to say, "Oh." the dark haired man said as he looked at Satoru, "This isn't our house." he mentioned, "I'm Geto Suguru." he said with a generous hand out to shake, you quickly took his hand, his warm skin felt somewhat comforting as his eyes raked your body.

"And I'm his way better looking ,best friend, Gojo Satoru." Gojo said with his eblow resting on Geto's shoulder, you giggled as the white haired man introduced himself, "But I suppose you already know who we are." Gojo said with a wide grin, "Uhm, no actually, I'm a freshman here." you inform them, "Ah- makes sense." Gojo mentioned, "If you weren't I would've noticed you way earlier. Your face is just..." Gojo explained, "Eye catching." he continued.

"Oh, thank you." you smiled, blush heating your face. "You're quite the looker as well." you began, "You both are." you say, and now both of them looked at you smiling before looking at one another. "This your first party?" Suguru asks, leaning on the sink, "Yeah, well my first college party." you announce with a soft smile, "Oh, I see." Geto nods to himself while Gojo looks a bit hyper as he leans on the door behind you.

"Say, you wanna try something?" Gojo asks while his hands ghost over your waist, "Huh?" your eyes widen and your heartbeat fastens.

And there you were, getting your pussy pounded from the back, and taking dick down your throat. You decided five minutes ago that this topped every single highschool party and every future party to come.

Gojo stood behind you, hips rutting into you at a brisk pace, as he held onto your waist, Satoru stood infront of you, hand grabbing at your hair as he fucked your throat, your moans clogged with his cock, "Suguru, I want to hear her scream my name." Gojo groans as his cock slides in and out of your welcoming pussy, Geto's cock slides out of your throat, and you watch as he palms himself in front of you.

You pant before you began moaning in pleasure, you batted Geto's hand away from his own cock as you stroked it yourself, groaning and whining as Gojo slapped your ass, "Shit!" Gojo grunted as his hands dug deeper into the flesh of your hips, you felt Geto's hand hover over your head, before grabbing onto it, shoving his cock down your mouth.

Tears began forming in your eyes, you felt like if you were seeing stars by the stomach folding strokes Gojo was thrusting into you, you almost had asked him to take off the condom so you could feel his dick raw. "Feel good?" you hear Gojo say from behind you, you could only murmur onto Geto's cock as it occupied your mouth, Gojo pulled out his cock from your pussy, then re-entered with one hard thrust, causing you to jolt forward, slipping Geto's cock deeper into your throat.

"Fuck, fuck, fuck!" you heard Geto groan, Gojo continued to ram his cock into your weeping pussy at an astonishing pace, Geto pulled his cock out, leaving the tip resting on your lips, your hand circled Geto's length as you pumped his cock, "Gonna' come all over your fuckin' face." he groaned and you begun stroking his cock faster.

"Oh- fuck! Right there." you whined out when Gojo bullied his cock into your g-spot, hitting all the right places, earning sweet noises from your mouth, to shut yourself up, you took Geto's cock back into your mouth, tongue swirling around the tip as you looked up at him.

Gojo pressed down onto your back, causing you to arch as his cock moved in and out your pussy, "Gonna- come! Fuck!" Geto says and you feel his cock tensed as thick, white ropes of his come sprays onto your tongue, you look up at him with his eyebrows scrunched as his mouth made an 'o' shape, he panted heavily as you continued to stroke him while he was coming.

You moaned as you felt Gojo's dick tensed inside of you, Gojo buried his cock deep into your pussy with one final thrust as he came, groaning and grunting and the hold he hand on your hips intensified. "Shit." he panted, drawing his dick out of your pussy, removing the condom and discarding it in a nearby bin.

"You've been a good girl, you'll get to come." Geto coos as he gets on his knees, pinning you against the counter before swiping his tongue on your pussy, licking your puffy clit while his fingers prod at your tired hole. "Oh shit- I'm close." you whine, you hear Geto moan into your pussy as his tongue circles your clit, his lips press onto your sensitive nub and once you feel that you swore you saw stars, coming all over his face as you reached your climax, "Fuck, oh shit!" you cursed as you grabbed onto his hair, "Mhm, good job, princess." he praises as he watches your juices drip down your thigh.

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aneveningsword · 5 months

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𝐃𝐢𝐟𝐟𝐞𝐫𝐞𝐧𝐭 𝐰𝐚𝐲𝐬 𝐭𝐨 𝐬𝐚𝐲 '𝐢 𝐥𝐨𝐯𝐞 𝐲𝐨𝐮'

pairing: Spencer Reid x gn! reader warnings: not proofread words: 832 summary: 3 different ways Spencer shows he loves you

masterlist

one Spencer often went away for long periods of time, it came with having a job at the BAU. Despite missing him and disliking how quiet your home becomes, you knew what you were getting into. You would never stop him from going on a case, no matter how little time you get to spend with him in between.

The longing for your partner was not onesided. There were times Spencer hated to be away for so long, to come home for a few days before leaving you again. He disliked how lonely he felt at night, the bed in the hotel felt too large without someone else there.

It's why he was out and about in whatever city he was in at the time. He would send you photos of things that remind him of you. Maybe some blooming flowers out front of a store. A dog that vaguely looks like you. A couple of birds sitting on a branch together.

Sometimes they would be accompanied by messages. 'thinking of you'. 'doesn't it kinda look like you?'. 'did you know these birds mate for life'. Just small facts or messages that always bring a smile to your face.

It helped ease the loneliness when he was away, knowing he was thinking of you just as much as you were thinking of him.

two While you weren't as much of a book addict as Spencer, you enjoyed reading. You often asked the man to recommend one for you to read. It always brought a smile to his face as he rambled on about the plot and characters, ensuring he did not give anything away. You read at a much more leisurely pace than your partner who could read large chapter books like it was a small letter.

Sometimes you were a bit jealous of his ability to read so fast, not wishing to wade through a large part of the text before getting to the exciting part. But you could not help but enjoy curling up in a chair with a cup of tea and a good book.

Persuasion by Jane Austen was the book you were currently reading, being recommended after expressing a desire for a romance book. But as you read you began to notice small annotations hastily scribbled in Spencer's handwriting. Somewhere about the characters or the thoughts on the themes. But some were drawing parallels to your relationship.

The more you read the less the annotations became about the book and more about your relationship. You found it endearing, more reading the book to get to the next annotation than the next chapter. A stupid love-sick smile graced your face as your eyes skimmed over the writing squeezed in between paragraphs.

The sound of footsteps graced your ears as you quickly began finishing the page you were on. "Enjoying the book?" Spencer's voice rang out, wanting to ensure his recommendation was right. Glazing up at him from the book your smile only grew. "Yes, I am. But I find myself liking the annotations better."

It took a moment for Spencer to understand before the tip of his ears flushed red as well as his cheeks. His eyes flicked downwards as he grappled with what to say. Deciding to give him a break you speak again. "I find them very cute. Shows how much you love me."

three It wasn't often that Spencer had time to sleep in, not getting up at the crack of dawn to get an early start on his work. So, you wanted to do something sweet for him, and what was better than breakfast in bed? What you didn't account for was him waking up before you were finished.

Humming a tune to yourself, you failed to hear the patter of sock-clad feet on the floor. Too busy making sure you didn't overcook the eggs in the frying pan. When two lanky arms wrapped around your middle, it caused a squeak of surprise to be pulled from you. The spatula in your hand dropped onto the counter in surprise.

Soft, muffled laughter filled the room, a mop of brown curls invading your vision as Spencer buried his face into your shoulder. A small huff leaves you, realising your surprise is ruined. "You're meant to be asleep." You whined though a small smile played on your lips, enjoying the sleepy back hug you were receiving.

"Sorry, darling. I just missed you in bed." His voice was rough with sleep, clearly having only woken up moments ago to an empty bed and set out to find you. Reaching one hand up you ran your fingers through his messy hair pulling a small hum of pleasure from him.

"Why don't you go back to bed? I'll bring breakfast and we can spend the morning there?" You offer softly, it takes a moment before you feel a soft nod. Spencer untangling himself from you before trudging off to bed once more, a small lovesick smile on his face.

#spencer reid x reader #spencer reid fluff #spencer reid imagine #spencer reid fanfiction #criminal minds x reader #criminal minds imagines

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therantingsage · 23 days

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Because I promised this, and I really wanted to do it anyway, here's a really really long-winded rambling dissertation on:

Why N and Uzi secretly dating since before episode 5 is genuinely super plausible and also stupidly hilarious /pos

Under the cut cuz it got obscenely long oops-

Idk where to start, so I'll just cover my bases: why people think they've been in a relationship already in the first place.

We all saw this scene:

And legit it can only be implying one of two things. Either A: this is his confession of feelings for her. Or B: this is him admitting that they've been dating for a while at this point. With the hearts it's pretty clear that this statement is meant to be romantically interpreted, and Nori's aghast reaction confirms that that's how it's being interpreted.

Obviously no matter the interpretation, N only writes that because he can't think of anything else to snap Uzi out of it and thereby stop this confrontation from ending poorly. And it works obviously so good on him for the quick thinking.

Two things that make me lean towards the 'we're dating' interpretation over 'confession' interpretation, though: firstly, he's not writing this to tell Uzi something, he specifically calls out to Nori before writing it. "Hey btw I'm dating your daughter" makes more sense than "Hey btw I like your daughter romantically" because if it was the latter, Nori has far less reason to be mad at Uzi about it rather than N. It's not like Uzi can control how N feels. But if they're dating, that means Uzi is partially to blame for that and Nori can get upset at HER.

Secondly, the awkward wording. Like it's really vague and without the hearts you'd have no reason to assume anything but platonic meaning. But these are words we, and him, have heard before:

...from Uzi, in response to a question about who she is and, by proxy, the nature of their relationship. She says it defensively, follows it up by telling N to shut up. N repeating her wording which, again, is a description of the nature of their relationship....but this time implying something romantic with it, it suggests the idea that it had romantic implications the first time.

I don't think it's far-fetched to say Uzi at least has feelings for N at this point in the story. I don't think anyone's arguing that that's not true. But the idea that 'hang out' means the exact same thing both times is what I'm arguing here. They're dating, but this version of N is a stranger to her. A cute stranger, as she says, but a stranger nonetheless who she isn't comfortable admitting to that she's dating him in the future to his face.

Backing up a bit, Uzi's reaction to Nori's reaction:

This is a clear and obvious parallel to the previous episode, when 'Tessa' says "Don't date my robot, please."

In both instances, someone gets on her case about the idea of them dating, and in both cases she doesn't deny it but instead defends both his and her own agency in the matter. No one is allowed to tell them what to do and Uzi refuses to let anyone try.

When Nori says it, though, she does seem to try and deny it for a moment. "I'm not-" She cuts herself off so we can't say for certain what she was going to say (if anything. it's entirely possible she started that sentence with no plan how to finish it, I do that a lot personally). But that's also because, like, she's Uzi. If this was meant to be a secret relationship, it would probably be her who made that decision. And like with butler N, she has no reason to disclose that kind of information to a stranger. She'd probably try and deny it whether its true or not.

As for when it would've started, after camp is the only big timeskip where we don't have much clue went on during. Cabin Fever is a big episode for them, and the three episodes that come after it are all back-to-back-to-back. The only time it makes sense to have started is sometime between eps 4 and 5.

And guys. Guys.

This, more than anything to me, paired with the idea that they've been dating for a while by the time the most recent couple episodes happen.....doesn't this seem so, so romantic? You could easily call this a love confession! So easily! It sounds like one much more than 'we just kinda are hanging out a lot idk' at least.

Like, rephrase that even a little: "Being with you makes scary things fun. Being with you makes me feel brave. It makes me feel safe. So I want to keep being with you."

And Uzi agrees with that sentiment. He promises to stick with her. And she laughs and smiles with him as he makes the scary thing she's been dealing with into something fun, something they can laugh about. The together line gets repeated in the most recent episode, directly calling back to this scene as well.

Like, just...AGH. In Cabin Fever he says it once as they're falling and a second time once they're grounded. The second time its a question, and one she eagerly answers with physical affection, which is super rare for her. In Mass Destruction its a statement, because he already knows her answer. Its a repeated promise. A vow.

Backing up again. Let's assess some interactions under this context. Assuming they're dating in secret. Because it paints so many things in a different light and basically nothing contradicts it which is fricken wild. This:

Isn't a sheepish Uzi trying to hold her crush's hand in a moment of fear. This is an Uzi who wants to keep their relationship a secret but is so in need of comfort right now she's willing to risk exposing them to get it.

This:

Her being so relieved because she almost watched him die but he's alive he's ok and she doesn't care who sees it because she needs to hug her boyfriend rIGHT NOW GUYS I DON'T CARE I'M HUGGING MY BOYFRIEND-

This whole scene. Uzi interacts with him so gently here. She's not gentle with anybody else at all. She sees him stressed and uses his own "you good?" on him and it's just so dang tender when you think about it. Because no one else can hear them talking to each other. It's just these two sending face texts and everyone else's focus is on the Sentinal so they can afford to be as couple-y in this conversation as they want.

And after:

Blushing because they like each other so so dang much.......sweating bullets because the other two can see them do this. Suddenly without either of them really thinking about it they're being romantic around other people and wow! That's nerve-wracking! Peak young love early-in-the-relationship behavior they ain't slick.

His tone of voice in this scene is gentler I think than we've ever heard from him before (Michael Kovach you are so damn good at your job). His loss-filled fury is cooled in an instant when he realizes how close he came to hurting his girlfriend. It's heartbreakingly gentle before 'Tessa' cuts him off.

And when she cuts Uzi off:

He looks like genuinely pissed at her. "Did you really just interrupt my gf while she was talking?? She's scared and you're disrespecting her tf is wrong with u??"

And like- the fact he was genuinely willing to off Tessa for her. Like he realizes there's a possibility she tried to get his gf killed for no reason and upon her not even trying to deny it he just kills her instantly. Because it's no longer a question of the universe or Uzi. It's a question of Tessa or Uzi, and its a choice his heart has already made before this point.

But here's like. The thing about all this that gets me. This is meant to be a secret relationship, right? Like nobody but them is supposed to know about this. And the fact that we the audience didn't have any reason to assume them to be an established relationship without heavy headcanoning means they did a decent job at that, right?

Guys. Guys.

N is terrible at keeping secrets. Like. Horrendously bad at keeping things on the down-low. Every single time in the series he's supposed to not spill info he like. Fails. It's wild. And because the relationship happens after "Inclusive reflexes!" that means that Uzi damn well knows this and still trusts him to try.

But based on V's reaction to the handholding in Dead End:

I'm honestly willing to bet she knew. She doesn't sound surprised, just annoyed that she has to see it. Which means N probably like, heard her badmouthing Uzi or something and got like way too defensive about it and she clocked him instantly. Because he's bad at keeping secrets. And she doesn't bother mentioning it during any of these episodes out loud because she doesn't care what these idiots do in their free time.

Can you imagine how many hundred close calls they must've had? How many times Uzi must've had to aggressively shush him or cover his mouth because he was going to say something slightly too sappy in public? The only reason we don't get to see the time period between eps 4 and 5 is because it would've been painfully obvious that these two dating is the worst kept secret in the entire bunker. I'm going insane.

Uzi fell in love with a proud himbo and they both know it. It's genuinely a miracle they didn't clue the audience in sooner.

#Murder Drones #Murder Drones Spoilers #md N #md Uzi #Uzi Doorman #Nuzi #Biscuitbites #Listen!! I'm feral and I site my sources!!!#This is a hill I'm willing to die on. And then I will rise to keep talking #I miss doing posts like this. I have so so much to say always #Me when I hyperfixate to the point of essays. Oops. Glad I can read

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sassasafreeaction · 7 months

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It’s time to talk about the Laudanum Lesbians, Elspeth and Wee Morag. Right away, it’s pretty obvious that you’re supposed to draw parallels between them and Aziraphale and Crowley. When the viewer first meets Elspeth, we get this gruff girl who threatens the two of them and is established to be doing something “morally wrong”. Life hasn’t been kind to her, and she clearly doesn’t trust people. To really drive it home, she and Crowley are on the exact same page while they’re talking to Aziraphale and wheeling the body to the alley.

Then we meet Wee Morag, and it becomes apparent that every decision that Elspeth makes is to better their life together. She offers Wee Morag food (which is something our favorite demon is wont to do for his partner) and specifically oversells it as something fancier than it actually is. Wee Morag calls her an angel. It’s meant to be a little tongue and cheek since it’s in the presence of a literal angel, but it also serves as a way to show that while Elspeth may not be a Good person, that she at least cares about the person close to her.

Now for Wee Morag at this moment, we don’t get much from her aside from her obviously being the moral compass out of the two of them. She tells Elspeth that she's going to Hell literally two seconds after referring to her as an angel. The more important part of this interaction I would argue is Aziraphale’s response to Wee Morag. Some part of him recognizes a kindred spirit in her. He takes off his hat in a show of sincerity and says that it was lovely to meet her. This is important for later in the episode.

After they fail to sell the body, all three of them end up back in the alley with Wee Morag. Elspeth is again choosing to not trust Aziraphale despite his change of heart to do what he now knows is actually a good thing. Wee Morag starts off on the fence, worried about those souls that won’t get into Heaven. Elspeth tells her that she promised to help, and through everyone’s various methods of convincing (tempting may even be the better word as there is a demon sitting next to her when she agrees), Wee Morag says that she’ll do it because that’s what friends do. Regardless, she’s now had her change of heart. Although I would say hers is more driven by the same thing that drives Aziraphale to help with the Antichrist. It is fundamentally for her and Elspeth’s benefit, not the Greater Good per say, but she needs that reframing of doing the moral thing of upholding her promises and potentially helping people.

In the graveyard, Elspeth does all of the hardwork and Wee Morag holds the light both to assist how Elspeth sees, but also likely to help her keep watch. She’s filling a guardian role for Elspeth. Later when Elspeth sells her body, she even says “She only wanted to look after me.” Upon seeing the actual body (a priest’s body no less), Wee Morag realizes with horror what they’re doing - the potential moral ramifications stare her in the face. She ends up caught in the crossfire of a gun, and she dies for it.

Originally, I thought that Wee Morag’s death sets Crowley up to worry about what might potentially happen to Aziraphale in the future. In a way, I still think it does. She was the Good character helping the Bad character, and she pays dearly for it. His line “It’s a bit different when it’s someone you know, isn’t it?” while pointed at Aziraphale can be felt by everyone in the room. Elspeth has been dealing with death this whole episode, but her whole life is turned on its head when her ‘pal’ dies. Crowley recognizes that it’s the knowing part that actually causes something to hurt. (It’s one of the reasons why he doesn’t have many human friends. He does have a friend though, and it would absolutely gut him to lose him.)

The episode isn’t over though. We still have to watch someone else pay for stepping over the imaginary boundary of Good and Evil, except rather than it being Aziraphale, it’s Crowley. Like Wee Morag, he steps out of his usual role and helps Elspeth, and for that, he pays dearly. He gets dragged off to Hell to have whatever Demons do instead of a rude note done to him. After everything that’s happened, it’s no wonder why you get that panicked shout of “Crowley” from Aziraphale. They just watched the worst case scenario happen for people like them.

Also as another quick fun aside, both sets of characters are bound by something that allows them to not be able to carry out their actual dreams and goals. Elspeth and Wee Morag were bound by poverty while Aziraphale and Crowley are bound by their respective Head Offices.

#The 1941 minisode is probably my favorite #And I love the Job minisode #But I feel like we're sleeping on this one when it's just as good #good omens meta #good omens #meta #good omens season 2 #Aziraphale #Crowley

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beaulesbian · 1 month

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🌘☀️ Some thoughts on Zoro & Luffy and their connection to gods and demons☀️🌒

This post started at first with just a few points about Zoro in the context to Asura/ King of Hell but since then it somehow evolved into connecting bits and pieces between Zoro & Luffy parallels again, I just can't help it, sooo...long post ahead.

Wano + Egghead spoilers

I always love remembering this one of the very first scenes where we (and Luffy) first hear about Zoro, and in the context of Zoro being a Pirate Hunter, even described as a demonic beast or as Koby says "demon in human form." None of this discouraged Luffy upon hearing this, on the contrary - he thought that if he sees for himself if Zoro was a good guy, he would be a great addition to his crew, and then went out of his way to seek him out! And only later we got the explanation that Zoro just couldn't find his way back home. "Roaming the seas" meant surviving for him, bounty hunter meant getting by in life with the skills he knew the best - swords, which is kind of sad when you think about it, but all the more interesting that it was Luffy who found him in Shells town,

where Zoro, a nonbeliever of any gods of higher power, was bound to a cross, and the first thing Luffy pointed out was "he's smiling".

I like to think that the smile might have been one of the first signs important enough for Luffy to choose someone for his crew - not only the kindness that followed when Luffy saw Zoro eating the dirty rice ball, but the smile that's by itself also very connected to Luffy himself:

After that first fight they won together, already reading each other so well, Zoro was the first one to call Luffy his captain (and later at Baratie also the first one to call him the future Pirate King!). He was someone who already fully believed in Luffy's future of reaching his dream without questioning it, perphaps because their drive towards their goals and dreams was very similar. And Luffy was the one who freed Zoro and let him have his swords - his biggest treasures - and gave him back the possibility to go into the world to actually follow his dream!

"One day, he'll show up and take you out under the sun, to the freedom of the sea!" - ch. 1095, Buccaneers about Sun God Nika (flashback with Kuma)

Fast forward to Wano - it's incredible how entangled their stories are with belief in always striving to do better/be stronger/try again next time for Luffy, someone who doesn't care what others think - he just needs to do what he wants and to be free - only for him to awaken his Devil Fruit and his God Nika powers; and for Zoro (a non-believer/apatheist) with how determined he was to successfully wield Enma so he could defeat King the Wildfire even to the lengths of becoming the King of Hell if that was what needed to be done to get Luffy one more step towards being the Pirate King.

Which brings me back to Demon Asura Zoro and where we saw this form throughout the manga:

This whole post started at first as a parallel to my other post about Zoro not really being shown to react to Luffy's Gear 5 (yet, as of chapter 1109), and I kept thinking about Zoro's Asura technique and how he used it so far only three (!!!) times, and there weren't many reactions from the strawhat crew either.

First one was during the Enies Lobby against Kaku, who even calls that vision 'demon-god' (ch. 417). If I remember Zoro was there by himself with Kaku, his crew each fighting other opponents elswhere:

The second time was during their first visit to Sabaody Archipelago, ch. 510, where it was the whole crew against the Pacifistas. The only bigger reactions were Brook and Chopper ("So many Zoros!!" - how cute!)

Luffy went right after Zoro with his last attack against the Pacifistas, so he's either seen Zoro's attack or it just wasn't the time or place to react, which, fair.

and then, third and last time so far Zoro went into his Asura form, it was up against Kaido, ch. 1010, when Luffy was out of it and Kaido was threatening how he would end Luffy in various ways.. which only angered Zoro more ("That's my captain!" - yeah, tell him, Zoro!)

All of these three times we've seen Asura, it was against few of the most dangerous opponents and all three times Zoro had his bandana on, being serious about it. All three of these times he knew his whole crew was fighting for their lives too and were in very real danger. Enies Lobby really changed the tone of the next few arcs with how serious things were about to go; Sabaody was just after Thriller Bark with Zoro being still injured and he knew what Kuma/Pacifistas were capable of - there was real fear and despair. And of course, on Wano against Kaido,. he saw how much damage Luffy took, Zoro could only hope to put more wounds on Kaido to count in their favor.

Zoro knew he had one last attack to try and make some difference in this fight - and this was before his fight with King, so he wasn't fully in sync with Enma yet, but it was good enough to unlock Asura technique - with something more to it.

Apparently along with his haki - not just the armament or observation haki, but the supreme king haki, as Kaido himself is shocked to find out. Zoro wasn't even consciously aware of having/using this haki.

Even the wiki mentions this as Zoro adding the supreme king haki to his Asura attack to strenghten it, or possibly was only able to unlock this technique because of having supreme king haki - meaning he was possibly using it even in both of those pre-time skip situations mentioned above.

The supreme king haki is something people can't learn, but are born with, meaning Zoro probably didn't know until Wano (and still wasn't sure what he did), but possibly learnt to use it instinctively - very much like Luffy on Amazon Lily.)

I already made a post that touched a bit on King of hell Zoro, and other parts around Asura (clearly, i'm never done thinking about that), with a very big possibility/hints that he could come from lineage of people of the D. (asura - enemies of gods - people of D.) - especially if it's connected to supreme king haki as inherited ability (although that isn't confirmed in the manga, as far as I understood).

This brings me to Zoro's family, and specifically Ryuma.

Wano was a great arc that connected things from Thriller Bark -with Zoro returning the legendary sword Shusui back to Ryuma's grave where it belonged.

There was an interesting panel at the end of Wano, where people were celebrating Luffy's victory over Kaido, but were given the name Joyboy as their savior - possibly Momonosuke's doing as Luffy told him not to mention him by name because Luffy didn't want to be a hero.

And in this panel, the peple are comparing this feat of victory to the legendary "God of the Blade" - which is another title for Ryuma.

It's so curious how Zoro is connected to Ryuma, even through span of many centuries and countries across, but still there is that connection, on top of actually fighting Ryuma's zombie on Thriller Bark, and Zoro isn't even aware of it. We only know about it from the SBS corner of Oda mentioning Zoro's family. (SBS corner in vol. 105. Ryuma wasn't mentioned there precisely, but the name Shimotsuki being of Zoro's grandmother and others from Wano, it makes sense they're Ryuma's descendants):

Side note: There's also something really beautiful of how the Shimotsuki line was passed down on Zoro from his grandmother - and his promise he cherishes since childhood being tied to Kuina, someone who wanted to be the greatest swords(wo)man - and therefore Zoro carrying Wado and that dream and promise for her.

Zoro & Luffy

Now to tie it all back to parallels with Zoro and Luffy - I love that there are always these small moment in how similar these two are - in their honest words and actions, in them believing in one another and believing even more in reaching their dreams, their crew and their strengths. In both being so directionally clueless and sometimes outright stupid, yet in certain situations (more so in battles and fights), they are the ones sometimes smartest and most strategic.

Then there's these other similarities between them: how much they don't care about what's told about them or -be it by luck or fate- how things work out in their favor in the end, usually. How both of them don't wish to be heroes, because heroes had to share (food and sake).

How there's that fact that Zoro doesn't know the full context of his powers, especially with his supreme king haki- or that he doesn't want to know the truth or put a name to that ability, because he fights with his swords and doesn't need to put belief of any other powers beside his own strength. (Or maybe he will soon learn how to use it to his (and his crew's) benefit.)

and Luffy, who doesn't know probably anything about Nika- and most likely wouldn't care much about them beside the scope of his new powers. The whole meaning of being something like "sun god" for others didn't register with him yet, and it might never be that important to him personally. Time after time, people around him mention luck or fate, or how people of the D. are the enemies of the Gods - enemies of the celestial dragons, but those don't really matter to Luffy because it doesn't change why he fights and why he needs himself and others to be free and achieve his dream.

How Zoro and Ryuma could be parallels to Luffy and Joyboy - one living in the present, reminiscent of those that lived centuries ago - something about the history always repeating.

When Zoro got to fight Ryuma on Thriller Bark, or even Hyogoro compares him to Shimotsuki Ushimaru (Zoro's great uncle),

and how Zunesha was waiting for Joyboy, how Roger and Oden found messages from Joyboy of his promises to return.

The parallels between sun god Nika and demon god/king Asura are so interesting in their opposites yet similarities. There's still so much we don't know about Nika or Joyboy, but Luffy himself isn't just the perfect picture of responsibility or justice. He's free, and that's the most important for him. He now has the power to do what he really wants to do with his powers, he unlocked that new potential to make it even more fun and even more dangerous against his enemies.

Even if Zoro's saying he doesn't believe in higher powers he embraces the powers that unlocked with Enma and getting him the title of King of Hell, he knows it would be the things that would keep him fighting for another minute, hour, day when it becomes necessary to protect Luffy and their crew.

Zoro may not believe in any gods but he believes in Luffy with all his being.

And in the similar vein, Luffy is the one who always believed in Zoro's strength and capability to protect the rest of their crew when it was necessary, times after time.

It's feels like it's not at all a coincidence that Luffy's whole crew is full of otherness and beings connected to hell/monsters/demons more than anything divine - because lot of the gods in One Piece are mentioned in context of standing above others and above common people - it's a bit flipped of what's good or not, or even more it's never clear because that's life, and those people are just claiming some titles. Eneru being the first example of a "god" the Straw Hats encountered, celestial dragons being called Gods, the Gorosei having each titles of "Godhead" - it's no wonder that Luffy's crew all fights for freedom and reaching whatever each of them needs to achive as their dream,

and includes: a dead man but living skeleton Brook; a demon child Nico Robin; Chopper "I don't mind being a monster for Luffy.'"; Sanji with all his hell fire and "diable" kicks and attacks, along with his non human strength and other abilities; Nami wielding the powers similar to Eneru without the need of both Devil Fruit or being called a goddess, and bringing down lightning on anyone who threatens her crew; Usopp and his powers of nature and plants sprouting new life and strengths from long distance; Jimbei - fishman and former Sun Pirate and also "First son of the Sea"; Franky the more cyborg than a man; and of course, Roronoa "I might as well become the King of Hell" Zoro.

It's not all so black and white, good or bad. Luffy is still everything that makes him Luffy - he's honest and selfish in his selflesness, kind and brave and stubborn, and always knows that Zoro (and his whole crew) has his back so he doesn't have to hold back.

And Zoro is still Zoro despite being able to wield some newer haki powers he's slowly discovering now. He's still getting lost and still is his stubborn self that puts the crew and Luffy above himself, and would follow Luffy into hell if that was needed.

Luffy and Zoro are "just" captain and his first mate, always throughout the story since the beginning. Orphans with such interestingly woven past and relationships around them, who grew up with a big dream they had to go and achieve it no matter what, and found someone just as honest, kind, powerful and trustworthy as they were. But there's that deep and fierce devotion that always borderlines on something beyond just good. They're pirates - because that means being free.

They can be chaotic and powerful, and find something divine in the loyalty of the demonic powers, and something hellish in the god-like entity bringing freedom.

It feels like something Roger said to Rayleigh when they first met - That it was a fated meeting.

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stolitzsings · 3 months

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This is a sort of response to a post I've seen floating around, drawing parallels between the chains in Blitz’s trip that bind him to Stolas and the chains that bind Husk, Angel, and Fizz to Alastor, Valentino, and Mammon respectively. I'm not commenting on that post directly bc I avoid Discourse (tm) at all costs for the sake of my health, and I don’t want to get drawn into an unproductive argument that will mess with my anxiety for a week. I'm not trying to start a fight, just get my thoughts out on why I feel that comparison is inaccurate, and hopefully provide some helpful context and nuance.

So! Let's start with a few disclaimers! First of all, I'm not going to debate the moral purity of any of these characters. I just don't think it's an interesting or valuable critique. On a related note, I am not trying to excuse any of their behavior. I'm happy to admit that my favorite characters in this show have hurt people and are sometimes total assholes. Stolas treated Blitz very poorly at the beginning of their relationship, frequently pushed or even ignored boundaries, and was just kind of a dick about things. My objection to a direct comparison between Stolas and the other characters mentioned above isn't because I think Stolas hasn't done anything wrong; I just think that saying they're similar without further clarification or commentary ignores the nuance of the situation.

Read on below the cut, it's gonna be another long one folks!

Let's start by examining the "agreements" forged by Val, Mammon, and Alastor. I think it's important to note that, in their cases, the person they got to sign their contract could have been anyone. Husk and Angel could have been any sinners, Fizz could have been any imp. They aren't interested in them as people; they were only using them to gain more power for themselves. The only thing that matters to them is, "What can you do for me?" Angel and Fizz quite clearly become cogs in the machine of Val and Mammon's businesses, and Alastor only thinks of Husk as a tool to be leveraged in specific situations to further his own mysterious goals. Each of them has demonstrated to their subjugates that they own them, body and soul. They have signed legally and spiritually binding contracts that essentially surrender their autonomy to a more powerful demon.

Stolas and Blitz’s agreement is... not that. In the most literal sense, they don’t appear to have made any sort of binding deal. They just made a verbal agreement, which I sincerely doubt has anywhere near the force of a signed soul contract. Additionally, Stolas did not ask for and does not seem to want that sort of total control over Blitz. He very clearly does not view this as any sort of power exchange (which may actually be part of the issue, since it leaves him blind to Blitz’s discomfort with their class difference), he sees it as "favors for favors." While this agreement is inherently unbalanced due to Stolas's status, it's worth noting that they’re both putting something on the line here. The other three risk practically nothing (if the person bound to them fails they can always get a new one), but Stolas IS taking on a real risk by letting Blitz access the living world illegally using his book. Again, that doesn't make his actions right, and probably helped him to justify them, but it does set their relationship apart from the others.

In my opinion, some of Stolas's greatest flaws are his thoughtlessness and his ability to justify his own actions to himself. This manifests in the fact that he clearly doesn't see the ways in which their relationship is hurting Blitz. He convinced himself that this was just an equal exchange, and a continuation of the dynamic Blitz established in their first encounter as adults: "I fuck you, and you give me the book". As he becomes more aware of his feelings for Blitz, though (stay tuned for a deeper analysis of this progression later), he also begins to realize that Blitz isn't happy with this relationship. And this, as @masonshmason pointed out, is the central fact that separates Stolas and Blitz from the other relationships. Stolas did not realize- or chose to ignore- how he was hurting Blitz. Once he came to terms with it, though, he understood that he had to make things right. He specifically says this in "Just Look My Way"; "I will try to make amends/ For making you means to an end". None of the others could say this, because in their case, that was the POINT. Angel, Fizz, and Husk were ALWAYS a means to an end, intentionally trapped for that purpose.

We also need to talk about the CONTEXT of the scenes in which the chain imagery appears. For both Angel and Husk, the chain is at least semi-literal, a physical (and perhaps supernatural) manifestation of the way their souls are bound to an overlord. In "Two Minutes Notice," Fizz purposely CHOOSES to represent his relationship to Mammon as chains around his wrists. However, Blitz's scene is part of a drug trip after being forcibly dosed with hallucinogens. It does not exist in any literal sense, nor is it a representation of Blitz’s conscious, literal thoughts. What it DOES do is showcase Blitz’s deepest fears and his greatest flaws through symbolism and metaphor. Blitz is not literally afraid of being forced to wear a clown costume; he is afraid he'll never escape his past traumas or Fizz's shadow. THIS is the context in which Blitz sees himself being chained by Stolas: a bad trip all about his fear of intimacy and vulnerability.

Stolas appears in this trip as someone elevated high above him, something he's climbing towards, reaching for, even though it means being chained to him. It's directly preceded by his ex girlfriend and his former best friend berating him for how he pushes people away even though he hates being alone. Then Stolas directly asks him, "Are you afraid to love people, Blitzy?" Furthermore, the WAY in which he is framed is alluring, slightly hazy, golden and tempting. It couldn’t be further from the ugly, slime-covered past he's fleeing. It's a new start, a chance for something better that seems too good to be true. This trip is all about Blitz’s inability to be vulnerable with another person. The chain around his neck is a representation of the fact that, by getting closer to Stolas, he's giving Stolas the power to hurt him emotionally.

And man, there's a part of him that wants to give Stolas that power. At this critical moment, he's not baring his teeth in defiance or anger. He's blushing, just slightly, and he looks... nervous. Blitz's instinct, when things get too real, is to cut and run. Hurt them before they can hurt you. Abandon them before they have the chance to leave you. It’s how he tanked his relationship with Verosika. This is a manifestation of what might happen if he stays. This is the sort of trouble he can't fight his way out of.

This is the emotional climax of the scene. There are so many ways they could have gone with this if they wanted to represent Blitz being chained and trapped by his agreement with Stolas. If that was the fear--if that was the POINT--they could have had the chains wrap around him until he couldn't move, or glow white hot and burn into his skin, or a million other more direct metaphors. But the chains aren't the thing that hurts him. It's the feathers: the thing that's left behind after Stolas abandons him, sing-songing "you're going to die alone" right alongside two other people who he loved and who now want nothing to do with him.

Finally, let's look at Blitz’s reaction to this scene. It's a moment of revelation for him, in which he realizes he's pushing everyone away and starts to make an effort to change. It's why he's a bit more open with Moxxie in the next scene. The trip sequence ALSO inspires him to get closer to Stolas, indicating that the trip didn’t make him realize "I'm trapped and I need to get out of this" in the same way Fizz did. Rather, he realizes that he doesn't want Stolas to leave him like everyone else, and he wants to start feeling out what it would be like to deepen the connection between them. As I've mentioned in other posts, their kiss at the end of "truth seekers" represents a level of intimacy that we haven't seen before; it's teasing, affectionate, shows Blitz’s interest in making Stolas happy, and takes place in front of M&M, who have repeatedly teased him about their relationship before.

In summary, while the image of chains may have been invoked in all four of these relationships, they don’t necessarily mean the same thing across the board. Blitz and Stolas's relationship differs substantially from the others in its dynamic, and the context of their scene also sets it apart. It's important to look into the details and the nuance of their relationship to interpret what's going on under layers of trauma and unreliable narration.

#stolas #blitzø #stolitz #helluva boss #helluva boss spoilers #helluva boss meta #hazbin hotel

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lostboywriting · 3 months

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Okay. Okay, there's a bunch of wildly speculative stuff that I can't quite pin down right now, so for now I'm going to stick with a couple definite points and just a tiny bit of the speculation:

Point 1: The case from TMAGP 4 is dated November 19, 1831, according to its case number. That's only two days before the letter in MAG 127, from Jonathan Fanshawe to Jonah Magnus, that detailed how Albrecht Von Closen died.

Which is interesting not just because of the dates, but because how Albrecht died seems REALLY FUCKING SIMILAR to what we know about what happened to Red Canary. Albrecht took a bunch of books from the Württemberg tomb. He went wildly off the rails. And when he tried to return what he had taken:

"Do I need to tell you what I found, Jonah? Do I need to detail what covered his organs, his bones, the inside of his skin? What clustered together in their dozens, and all turned as one to focus on me as I opened his chest, their pupils constricting in the light, with irises of every hue and color?" (MAG 127)

Point 2: As I said over here, TMAGP 3's case is dated very close to when Anya Villette crossed between realities at Hilltop Road. They're only about three weeks apart, which seems pretty close for coincidence considering Anya's the only character we see definitely make that crossing at any point in TMA. The timing gets closer if you recall that Anya landed in TMA's world two weeks before she went to Hilltop Road in hers.

The tiny bit of speculation that I'm posting for now in a desperate attempt to conserve my sanity:

There's all this emotional/thematic resonance between the case files each voice has read and the characters they each appear to be linked to (if not to be outright), and I've been pretty swept up in that. And still am, won't lie! But I'm starting to suspect that they (or whatever is behind them) are actually searching, very deliberately, for something else entirely, and using potentially significant touchpoints from TMA's world as starting places. And that the cases we're actually hearing, and many of the thematic parallels they contain, may be only tangential to that.

#I NEED MORE DATA and also oh god we're only four episodes in #the fears may not manifest in the same way here but I am going to be squarely in the spiral before this thing is over #tmagp #tmagp speculation #the magnus protocol #tmagp spoilers #the magnus protocol spoilers #tma spoilers #(kinda)#tmagp 4 #tmagp 3 #tmagp 1

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see-arcane · 1 year

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Lucy and Jonathan

“We met some time ago a man that would just do for you, if you were not already engaged to Jonathan.”

I’ll admit, while it probably wasn’t anything more than an airy throw-in without any real barbs behind it, the inflection on Lucy’s comment followed by the idle advertisement of upcoming character, Dr. John ‘Jack’ Seward, as a higher-up-the-ladder ‘what-if’ prospect, still kind of stung to hear. I know it’ll get sanded back in later chapters because—minor spoilers—context clues will show that Mina, Lucy, and Jonathan have known/been friendly with each other since they were kids, and comments from future letters will show a more mutual regard. So it makes me wonder what the reason for the implied derision was.*

*(Beyond her possibly trying to push Jack in a way that says ‘Nope, No, I Choose Not to See the Crush, No Thank You, Hot Potato.’)

My guess? It’s a bit.

Specifically, a holdover from hers, Mina’s, and Jonathan’s earlier days when all of them had grown into adolescence, social mores started getting hammered in in earnest, and Mina and Jonathan were just starting on their official courtship.

Suddenly, they’re no longer a trio of kids enjoying each other’s company. Now it’s two young ladies—one rich, one poor—and a charming young man—also from a lower class. Considering the period, it would be only too easy for whispers to start flying behind fans and cigars that the young Mr. Harker might consider leveling up his prospects, or that the lovely Miss Westenra, a veritable Victorian Helen of Troy, might idly snatch her low-born friend’s man out from under her nose on a whim. And aren’t they such a pretty picture? Quoting their Shakespeare at each other, so intriguingly close compared to most men and their ladies’ friends…unless there are certain extra friendly circumstances involved, ha ha.

A ribald comment too many from coworkers at Hawkins’ firm and a backhanded compliment or three at the latest spring ball probably shocked Jonathan and Lucy respectively into action. Bonus points if one of the inciting remarks came from some tittering debutante, “Well, I can’t say I’m surprised. You two are so alike! Such sweet bonny things, parroting the Bard at each other, prattling merrily about the latest little outing without stopping for breath. Really, Lucy, he would just do for you.”**

**(Some have wondered if Lucy was nudging Jack toward Mina due to certain similar traits they shared. Some morose aspects, intensely focused, interests in modern technology. You’ll see when you meet him. Either way, it’s another parallel to ponder here.)

Cue Mina having to endure her loved ones defending her honor from being dubbed a victim of romantic betrayal in the most vaudeville manner possible. Though she should expect no less from Theatre Nerds 1 and 2.

When they go out, Mina is permanently sandwiched between them as if they’re ducking behind a red-faced shield. Lucy brandishes a parasol to ensure they’re at least the shaft’s length apart; sometimes she’ll even open it to make sure they’re not swayed by looking upon each other, may Heaven forbid such scandalous temptation! Jonathan sits on the bench with them with his hat pulled down over his eyes for safety’s sake. At least a quarter of an hour at the start of each outing is dedicated to a back-and-forth of:

Lucy, nose up so high she’s looking more at the ceiling than him: Mr. Harker.

Jonathan, checking his pocket watch to see how long he must endure this most arduous company: Miss Westenra.

Mina, head in her hands: It’s been months.

Lucy, scoffing: Months of torment in his presence.

Jonathan, scoffing harder: Agony in hers.

Lucy, on a fainting couch: However can you stand him, Mina?

Mina, about to pull her hair out of its pins: You helped him pick out the ring, Lucy.

Jonathan, picture of woe: Tormentedly, of course.

Lucy, nodding: Agonizingly.

In short, Jonathan 🤝 Lucy:

#they think they're so funny #and they are #lucy westenra #re: dracula #dracula daily #dracula #jonathan harker #mina murray #mina harker

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blacknedsoul-blog · 5 months

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Random thought of the day (VI)

When I first saw that scene, my first impulse was to think, "Fuck, Duke is three Doritos away from figuring it out. Or at least starting to get suspicious".

But I feel like knowing how Duke died put this interaction in a new light:

Duke was betrayed by his assistant. Murdered, actually. We don't know exactly what their relationship was, but they must have been at least business associates. And not just any business: Duke entrusted this man with the preparation of shows that could easily endanger his own life. He trusted him, and what did his assistant do? Kill him.

So I got the feeling that the reason Duke is giving Lenore that warning is because he has been the victim of a manipulator before: experience tells him that someone like that is a dangerous person who will end up betraying her at the first opportunity.

And thinking about it that way reminded me of something else…

We don't know (yet) who Annabel's (and possibly Lenore's) executioner was, but we do know this: the Lady in White's description of the Spectre specifically uses the word betrayed. Whoever ended her life was someone important enough for Annabel to feel that way (and she didn't take it well at all, as the alignment of her Spectre tells us).

It's an interesting situation because it gives you a little parallel between Duke and Annabel: they were both betrayed and killed by someone they trusted.

But where Duke accepted that fact and moved on, allowing himself to trust others again, Annabel understood that the only person she could trust was Lenore.

And now I'm curious if that's going to be a thing at some point.

#nevermore webtoon #annabel lee nevermore #duke nevermore

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matan4il · 1 year

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Buddie 613 meta

We now know that the man who risked himself to get Buck out of the line of fire during the shooting arc is Jeshan, which means ‘clear’ (if you’re interested, you can find more name meanings for 911 characters here). So let me just giggle for a second about the fact that 911 had once again reunited Buddie with a character who can be referred to as Captain Clear Me(h)ta. Coincidence? IDK. But I have to admit, it kinda made me reflect back and feel nostalgic. When I first started watching the show, I had no intention of writing meta for 911, but after going ballistic when 309 aired, I knew I would HAVE to use the s3 hiatus to write down all my thoughts about everything Buddie related so far. That’s what I did, I wrote and shared my baby, my first round of Buddie meta. That’s where it was supposed to end, but then people asked and encouraged me to write meta for the eps in 3b as they would air, too. I figured I could try, and that’s how my Buddie weekly meta posts were born. At the time, there was no one else writing proper weekly meta (I don’t mean a summary/review of the ep, or meta posts that stand on their own, but proper analysis on Buck, Eddie and those who matter to them, organized and serialized for each ep as it aired). And now, I’ve been writing them for almost 3.5 seasons. And I feel like they’ve inspired others to do the same. TBH, I can’t actually remember seeing weekly meta posts in other fandoms (maybe they exist and I just haven’t come across them, IDK). So I got all emotional, thinking about how these posts may be love notes to Buddie and the show, but most of all they’re a love letter to the wonderful people who have been supportive and encouraging, who’ve been reblogging the posts, who’ve been commenting on them and telling me that what I do makes a difference for them. Thank you so much, these posts wouldn’t exist without you. You have a much bigger impact on the fandom than you might have realized! So if Captain Mehta is indeed a nod to the meta, it’s a loving, appreciative nod that belongs to all of you. ~~

When Chim shows up to escort Hen to work, he ends up sitting down for a talk with Denny instead, and I really enjoyed this scene, it was lovely, but it also once again emphasized the difference between the firefam kids’ relationship with their parents’ colleagues and the r/s Buck and Chris have. Chim talks to Hen’s son when he happens to come across the kid, but he only sits down for a proper conversation because Denny implies Hen and Karen are up to something intimate, and Chim shouldn’t interrupt them just yet. Consider how different that is to how Buck intentionally looks to spend time with and dedicated to Chris! And then Chim is impressed by how smart Denny is. It’s cute, but it also reveals just how little they interact that this comes as a surprise to Chim. It’s so different to the intimate familiarity of a parent, which is what we know Buck has with Chris (and that Chris has with Buck, which can even be seen in the kid’s teasing, for example regarding the snoring in 414). ~~

You might have seen that, when the promo came out, I momentarily lost my sanity and posted this. I just couldn’t get over the fact that they actually had Eddie correct the chief on the duration of Buck’s death. It was such a spouse thing to do. It was a declaration about the anguish that each single second represented, when Eddie couldn’t breathe because Buck wasn’t. It was a confession of sorts, on how Eddie felt as he desperately NEEDED his husband to live (I’m not even joking when I ascribe him this title, Eddie said with his whole chest, “THAT IS MY IDIOT HUSBAND THAT I HAD TO WATCH DIE FOR THREE MINUTES AND SEVENTEEN SECONDS AND I WILL NEVER FORGET ANY OF THOSE SECONDS, NOR LET ANYONE ELSE DO THAT”). It was a glimpse into how time must have moved differently for him as each second etched itself forever into Eddie’s mind. And yes, it’s a clear parallel to 413, when we witness time slowing down for Eddie. And I mentioned in my post that in both scenarios, Buck is just out of his reach, so close, but simply not close enough. In one case, this forced Eddie to believe he must now accept his own death. In the other, he couldn’t accept the possibility that Buck would die, so he just fought harder, and if he couldn’t save Buck with one course of action, he tried another, Eddie just had to keep going, 'coz the idea of those three minutes and seventeen seconds turning into an eternity? Unacceptable. ~~

But notice in my unhinged post from that day, I used the word ‘counting.’ Eddie counted the seconds, and this is revealed to us at a poker game where Buck is counting the cards. I already noticed that when we saw the promo, but this connection was reinforced in the ep itself when Chief Williams vocalized what Buck was doing. The thing about counting is that it’s reserved for what matters, what’s crucial. Buck is counting the cards in order to win, and he wants to win because it matters to Eddie. Buck wasn’t the one who initiated the search for a poker game where he could use his newfound skills, Eddie was the one to take that initiative. And he could bring Buck along without telling him where they’re going (I would normally scream for a whole separate paragraph just about Eddie telling Buck to dress nice and there being no need for any further explanation or prompting, but we were so well fed, I’ll have to scream about it into my fist for just one sentence) 'coz Eddie was so sure his husband would go along with whatever crazy scheme he’d come up with. And he was right, even though Buck didn’t think it would end well, he still went along with what his husband wanted. Please let me reiterate: Buck’s counting cards because Eddie is so important to him, and Eddie was counting the seconds because Buck’s his vital sign. ~~

Another thing to keep in mind about the poker game is that the only other time we’ve seen Buck playing poker was in 312. In that ep, Eddie was off to meet Christopher’s school teachers (leading to his eventual lackluster r/s with Ana), so having a free evening, Buck spends it with Maddie, Chim and Josh (and is told he unequivocally sucks at Poker). Jokes were made about setting Josh and Buck up, and it was implied whatever Buck’s sexuality was, that was not the reason why Maddie abstained from making the match. What I find interesting is seeing how far our boys have come! In that ep, they were operating separately, and it led them down the wrong paths.

In this ep, Buck and Eddie were inseparable both as a couple (even sharing the winnings from Buck’s new talent, because what don’t these two share? And I was particularly chewing glass when Chief Williams asks Buck how he wanted HIS winnings, but instead of answering her, he looks at his husband. THEY ARE SO FREAKING MARRIED), and as a family unit with Chris (which is maybe a good moment to point out that all of the romantic couples were paired off in 613, and so were Buddie! Now, one could argue that Buck and Eddie were paired off because, well... who else is left for them to hang out with? But 312 is a reminder that when the show wants to, it can push the main cast and minor characters into the same orbit, so it still didn’t HAVE to pair Buck and Eddie off here. It chose to. On top of that, by showing them with Chris as well, 911 reminded us they’re far more bonded than just two best bros hanging out together ‘coz none of their other friends are single). In short, during 312, Buck lost and Eddie was about to be lost on a detour in his romantic journey. In 613, they ARE a family, they work as one throughout the ep, not just in parts of it, and they’re both winning. ~~

Something that gets to me is that when I first shared the BTS pic of Buddie at the poker game, it was clear that Eddie was just bursting with self confidence. He looked like he would be the star of that game. But when we got the promo, we discovered that it was actually going to be Buck who would shine that night. So what makes me slightly froth at the mouth is that all of that sexy confidence we picked up on in the photo? It was real. We weren’t wrong. It just wasn’t confidence that Eddie had in himself, it’s confidence he has in Buck. All of his swagger? Is a reflection of how much he believes and enjoys seeing his husband be a star. I am gonna need 3-6 working weeks at least to recover from knowing this. ~~

Speaking of things that destroyed me forever, everything about the Buckley-Diaz family in this ep falls into that category. I mean, not only did we once again have incredibly domestic scenes, we had one that was very reminiscent of the lasagna one in 601 (Eddie with Chris at the table, Buck fussing around them only to join in once he brings along something to be consumed), reinforcing that this is THEIR NORM, we also had Eddie and Chris being so cute and supportive when it comes to Buck’s new ability (Chris calls him a superhero, Eddie goes along with it, and when Buck’s upset he didn’t get a better superpower, naming some he would have liked to have, Eddie comforts him by saying those other options sound horrible).

And then to top it all off, we had Buck and Chris cooking together. Bobby’s been explicitly acknowledged as basically being Buck’s dad by both of them, and we know Bobby’s been teaching Buck how to cook. Now we get Buck doing the same with Chris, clearly marking them as father and son, especially since this is done with just the two of them, this special time that’s allocated just to their bond together. Eddie is not needed as a middleman. I know that this isn’t news, but every single time the show reinforces this truth, that Buck is Christopher’s other dad, that their bond is that deep, I gain 10 years, so I have to mention it. ~~

For 613, I made my weekly gifset about Buck and answers, but I’d actually like to elaborate on what you see there. In 602, at the happiness center call, we see Buck looking to Lev in search for his own answers on what his happiness looks like. When he still can’t find any, he turns to Hen, because she always has them. Along this season, that’s been his theme. He’s trying to figure out what he wants in order to be happy, which is connected to the couch theme we’ve all been screaming about since 601 (and especially after he fell asleep on Eddie’s in 612). In 613, Buck suddenly finds that he’s the guy with the answers and he likes it. But has he really got them? Buck says these words to Eddie and Chris, and in addition to that, while he utters them, he’s literally captured in the same frame together with Eddie. But it’s also essential that we heard why Chris can’t just be given the answers. It’s in order to learn, Eddie tells him. That’s exactly what Buck has to do, he has to find his answers in order to learn from the search process. He’s not just there yet, but the framing of the whole scene coupled with the ongoing couch theme is very loud. ~~

What gets me maybe most of all in a whole ep of REALLY GOOD BUDDIE CONTENT, is the way the whole thing wraps up. The storyline on Buck’s new abilities doesn’t end with any commentary on those or on his recovery process. His last scene in this ep is the one with Chris. It follows directly the one with Hen and Karen, a scene which reminds us that we’re never surprised at either woman spending solo time with and caring about Denny, even though neither is biologically related to him, because they ARE BOTH his parents. In the same way, it’s only natural that we see Buck spending alone time with Chris, without Eddie around. It is so meaningful that the last shot of Buck in this ep is not about his story line at all, and neither his abilities, nor having died for several minutes is the point. Instead, the last, and therefore most significant shot of Buck in this very Buddie domestic ep, is him smiling at their son. I feel like that says everything about his trajectory.

~~ (my weekly meta posts) (my Buddie gifs) (all of my content)

~~ My tag list will follow in the reblog, please let me know if you wanna be added/removed here.

~~ Thank you so much for reading and for any reblog, like, comment or supportive tag! Also, HUGE thank you to @whosoldherout. On top of real life stuff, she makes her own amazing gifs AND helps make these posts so much better. She’s the one with the real superpowers!

#buddie #911meta #buddie meta #911 meta #9-1-1 #evan buckley #eddie diaz #911 spoilers #evanbuckleyedit #eddiediazedit #christopher diaz #wm #911edit #buddie gifs #buddieedit #911onabc #911 on abc #911abc #911 abc

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emblazons · 11 months

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So (because I cannot go three seconds without noticing new little things that tell the wider story in this show):

Let’s talk about how the music that plays during the S3 Byler fight is the exact same music that plays during the S4 conversation Mike & Dustin have with Lucas as they walk to class after the pep rally—

—and how that parallel gives us insight not only into how Mike (and his devotion to Will) has evolved between seasons 3 and 4….but also how The Duffers are evolving Mike as a character in the wake of the "conflict" of forced conformity they introduced in S3.

To start: here are snippets of both scenes where “Not Kids Anymore” plays, both in Season 3 and Season 4.

Now, even though Mike is present in both scenes, it’s not entirely obvious why these things would be parallels, given the radical difference in tone. That said: when we look at these scenes in their wider contexts, we see that they are both exploring the exact same issue, only with Mike on opposite sides of the convo each time—

—namely, whether or not its worth it for Mike to embrace conformity, given that there are behaviors/roles he is meant to fill when trying to keep up with being normal/growing up...and "society" says that DnD / nerdiness (and a refusal / lack of desire to participate in performative relationships) stands entirely apart from that.

Let me see if I can explain.

First: these things are parallels because they are asking us to compare the Mikes in each situation—to notice how he took Will’s words to heart, and decided on some level that Will was right, not him. How do we know? Because in the time between these two convos (aka the rain fight and then the first few episodes of S4), we learn that Mike has made a point to address and rectify all criticisms Will had of him & his behavior during the rain fight.

As of the very first episode of S4, we are shown that Mike is 1) paying attention to both the party/DnD the way Will criticized him for not doing (to the point of calling out Lucas for not prioritizing it the way he now wants to)—

—2) he is focusing on keeping closeness with Dustin (even to the point of judging Lucas for not doing the same), because Will accused him of ignoring Dustin as readily as he ignored him—

—and 3) he has entirely stopped "swapping spit" with El (to the point of removing her from a hug at the airport, kissing her on the forehead...and then never kissing her again lmao) while letting his relationship fall apart without much of a fight…right before apologizing to Will for letting El get in the way of their time spent together in the first place.

Basically: even though he is still struggling in many ways to defend himself from being bullied/being an outcast by hiding behind his relationship with El (the same way Lucas is with “being popular” and basketball), we can see that Mike has made clear strides towards embracing the sides of him that aren’t conformist, which is reflected in all of his decision-making in Will's absence.

Though Mike is getting older and the party “aren’t kids anymore,” them paralleling these scenes is showing us that Mike, at least on some level, has realized that growing up is not at odds with embracing the things he enjoys & his various identities, whether that be through playing DnD—

—wearing clothes he chose on his own—

—or willingly choosing closeness with Will over the performance of relationships with girls (the same way Will already had in Season 3, and Dustin reflected as well).

Now...this isn't to say that he's entirely succeeded at the task, given how many times we see him fumble through actually implementing these changes/revelations in himself, whether with clothes (hello 'shitty knockoff'), embracing his actual interests, or even letting himself want to admit he wants to be with/around Will and not El—

—on top of the fact that I've already talked (many, many times) about how the journey of "feeling like you lost" the Duffers took us on had Mike ending up in a position where "conformity" temporarily wins, how that plays into his relationship with El versus Will, and why it matters for his character even outside of his queerness.

Still: I think this parallel in particular is important to understanding his character because it rules out any idea that Mike is somehow oblivious rather than intentionally working through to the changes happening in himself, whether they be in regards to him re-choosing DnD, making decisions about his clothing for himself...or wanting to be closer to Will / not participate in "liking girls," which is what he gets projection-mad at Will about during the rain fight.

tl;dr: Mike has realized on some level that he wants to be more like / closer to Will than his S3 "conformity" self—and the war we see on his face throughout the season in conversations with Will has a lot to do with that, among other things.

This musical parallel in particular draws attention to the fact that there have been changes happening within Mike that he sees and recognizes—he just "lost" like every other character this season, aka failed at walking into a more secure sense of self / out of his "conformist" relationship in its entirety...which we'll resolve in S5. :)

#byler #anti mlvn #mike wheeler #will byers #mike wheeler core #this could have gotten SO MUCH LONGER and I know I'm gonna do a companion piece on lucas right after this but lmao I had to START SOMEWHERE #like? one day I'm just gonna have to write a fucking book on mike wheeler because I have SO MUCH TO SAY LMAO #my st commentary #st parallels #stranger things #st music analysis

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pandemoniumonwheels · 7 months

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I have a crazy theory about episode 7 of The Wheel of Time, but I need it to cope. Feel free to cope with me. Feel free to discard that too.

It was all Siuan's quick thinking and her masterplan. And Verin didn't lie.

To start we need to separate all Moiraine - Siuan meetings. There were three.

The first one, the cold one.

Moiraine demands answers and gets none. Siuan is visibly angry, but also worried. She outright calls Moiraine's stilling a violation. She is aware how hard it is, how dangerous, how difficult to survive. And she loves Moiraine, we know she does, she worries about her. She also has to check if Moiraine can continue their mission. At the same time she can't speak too freely, they're in Cairhien, the chances of someone listening to them are higher than chances of people not eavesropping on them. She needs to be careful. What Siuan says is: "The Tower's laws have stood for 3,000 years, it's time we obeyed them." She is quite vague about the laws she refers to. And she doesn't lie, they stood for 3000 years and every time is the time to obey them. According to the law. Moreover, it's a clear parallel to season 1, episode 6 Moiraine's words: "When have we ever followed the rules?" Since when Siuan who took a marriage vow in front of the whole chamber of Aes Sedai gives a damn about Tower's laws? Why would Siuan suddenly care? Well, she doesn't, it's just a phrase only Moiraine would understand, a code in case someone is listening. This scene is also the only one we see them being close, showing affection (Siuan's hand on Moiraine's cheek? I almost hear "pufferfish" in the way Moiraine relaxes). It's another sign to Moiraine, the non-verbal communication of Siuan's real intent. Then it fades to black. We don't really know what happened between them later. Siuan also talks about rowing together. Keep that in mind, because all that she does next contradicts that statement at the first glance.

The second scene - Rand

Siuan talks with Rand, a very weird conversation. Just a few seconds earlier we saw Lan reassuring Rand that Siuan is not a typical Aes Sedai. And what is Siuan doing? Talking about caging him. But also, she doesn't say she is planning to do it to him. Only that Tower laws require it. The idea is to have Rand as a warrior, not general. But Siuan never says it is hers idea. She shows him how powerless he is. Stresses how he needs to learn. How caging him would help with that? And then Moiraine comes in. Why? To be told (in front of Rand) how incompetent she is? Only to lock them later together, because why not suddenly imprison a banished Aes Sedai with the Dragon Reborn. It doesn't make sense. Unless it's a show created to convince Rand to trust Moiraine. Rand is afraid of the Tower, rightly so. He keeps pushing Moiraine away afraid she is trying to manipulate him, make him follow the path created for him by the White Tower, put a leash on him. Moiraine can't guide him if he sees her as an agent of the power he fears. That's why Siuan becomes exactly that - the White Tower Rand doesn't trust, an Aes Sedai carrying more about forcing him to obey rather than reaching his full potential, an image he hates. On the other side is Moiraine, taking his side, arguing with imprisonment. In comparison, she is extremely trustworthy. And it works. Rand finally confides in her, shares his plans, his brilliant idea of bringing Lanfear to the city(/s). That's when Moiraine's and Siuan's plan fails, one of the Forsaken is not something they wanted, but we'll get to it.

Bonus - Verin 007

We all assume that Verin lied because that's what Moiraine suggested. But did she really? Moiraine decided to trust her to some extent. Why wouldn't Siuan? The phrasing of the "order" was very careful, but maybe not because it was a lie, but as an attempt to allow Siuan to deny such order without suspicion. And to keep the pretence in front of Rand. It worked again.

The third meeting - the pain

It all went perfectly. The Dragon trusts Moiraine and takes her with him (finally) instead of running from her. Siuan is ready to proclaim him. She doesn't need him to do so. Him fulfilling the prophecy in Falme will only make her words more believable. Verin helped them escape, no one can trace this ploy back to Siuan. There is, however, one factor they couldn't expect. Lanfear. Maybe her appearing changed Siuan's mind about letting Rand go? More likely she just Aes Selies about some boy and runs after Moiraine. And magically she finds her without any issue in front of the Waygate. How? Only Verin knew where the Waygate was, and where Moiraine would take Rand. You know where I'm going with it, right? So we get to the closing of the Waygate. Because suddenly it wasn't only about convincing Rand. They had to deal with one more, unexpected guest, and they didn't have time to discuss any tactics. Siuan had to make sure Lanfear didn't see Moiraine as a threat. She would never allow Rand to keep close someone who is working for the White Tower. The risk would be too great. Someone cast away, alone, someone who just lost their love, whose grief might be just enough to turn them to the Dark is, however, a very different thing. Siuan had to create a scene which could convince the very mistress of the dream world that Siuan and Moiraine do not work together anymore, and that Moiraine is no threat to Lanfear's plans. There was no time for planning, no time for explaining, for games. Lanfear was getting closer with every second and they wasted some of the precious time on "you lied to me" part. Side note, I do think Siuan actually believed she was lied to, and her shock was real. So was Moiraine's reassurance. But that's when Siuan came up with a way they could fool Lanfear. All she needed was Moiraine looking utterly broken and betrayed. And there was one way she could achieve that easily. By violating Moiraine more than even Ishamael did, by taking control over her in the most violent of ways, by making herself a villain. So she did. She used the only thing Moiraine never suspected could be used against her by Siuan - their love, their devotion, their secret, sweet, forbidden dream. Siuan broke both of their hearts. And when Lanfear came all she saw was shattered pieces of their love. For her that was what made her turn to the Dark, what's more convincing than a lost loved for Lanfear? Before she could think for too long, see through it, or before Moiraine could do anything, ask questions Siuan would not be able to answer, Siuan attacked. Possibly expecting that's the last thing she would do in her life. And it worked again. Lanfear let Moiraine live. Lanfear took Moiraine with her and Rand.

Siuan made herself a villain in front of Rand. And a betrayer in the eyes of Lanfear. She took that burden from Moiraine, so Moiraine could focus on helping Rand. She used every resource she had, she gave up everything she had. Because Moiraine isn't the only one that knows the right thing to do, no matter how hard that is. And her last plea was for forgiveness and nad of hope that Moiraine understands and continues their mission. As Moiraine herself said, guiding, protecting Rand is more important than Lan. It's more important than her. It's more important than any love. It was Siuan's time to give up everything to the cause. Just like Moiraine did at the Eye of the World.

__________

And it was longer than I expected. I think I will be adding more analysis to the certain scenes, words and looks. Because as I said, I do cope hard.

#wheel of time #wot on prime #moiraine damodred #moiraine x siuan #siuan sanche #the wheel of time #wot show #moiraine sedai #wot #wot s2 spoilers #meta #I'm not sure even I believe that to be true #but I want to #and I'm manifesting that #before season 3 I will manage to convince myself #s02e07

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idoodlestuffsometimes · 1 year

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DRAWING BACKGROUNDS: TIPS AND TRICKS

So many people are afraid of drawing backgrounds and I think it's a shame, so here's some tips and tricks, because I'm not perfect at it myself but I think the hardest part is really just knowing where to start.

First off: Perspective

Yeah, yeah, that's the scary word. But I promise you, once you're familiar with the basics, backgrounds are a LOT less intimidating. Don't get discouraged if WHEN you have trouble with it. Even professional artists struggle with it. I promise you, screwing it up is good and normal. That's how you learn after all!

Now I'm not going to go into detail on how to do it here, because honestly there are a thousand and one free resources online and in libraries that can explain it far better than I ever could in a singular broad-strokes tumblr post. But I AM at least telling you you should familiarize yourself with these basics:

Important Terms: Horizon Line: A horizontal line across your canvas, showing your viewer's eye level and providing a location for most of your vanishing points. Vanishing Point: Integral to drawing in perspective. The sides of a 3D object get smaller as they become farther away from the viewer in space. This point is where the parallel lines of a side eventually meet.

The Basic Types of Perspective: One Point Perspective: Good for drawing things that you're looking at straight on. Two Point Perspective: Good for drawing things at an angle. Three Point Perspective: Good for drawing things the viewer is looking up or down at, especially at an extreme angle.

[Click images for ALT descriptions]

And if you're comfortable with these and serious about improving your skills for use in storytelling, I also might suggest looking up:

4 Point Perspective: Great for extra wide or tall shots and for camera tilts if you're doing an animation or animatic. I think some other names for this in animation include "banana pan" and "warp pan."

5 Point Perspective: Fish-eye lens. Good for all your angsty anime boy slipping into madness needs!

Some perspective tips I wish someone had told me earlier:

Objects' relation to the horizon line is constant. A super helpful tip to remember when placing a character or object in space is that they will always (assuming they aren't changing in size or moving up or down) have the same relation to the horizon line no matter how far or close they are. If your horizon line is at shoulder height for your focus character in the foreground, any character of the same height in the background will still line up with the horizon line at the shoulders.

How to pick the distance between your vanishing points: 2 pt perspective uses 2 vanishing points, 3 pt uses 3, etc, etc, but how close should they be? Well, first of all, for anything that isn't one point perspective, one or more points will usually be off the canvas. Super annoying, I know, but the closer your vanishing points are, the more warped your drawing will become. Second, a helpful thing to know is that choosing the distance between your points is basically the illustration equivalent of picking your camera lens! Photography buffs will know that wider (shorter focal length) lenses show more space and make the distance between foreground and background more dramatic, while longer focal length/telephoto lenses are flatter, and more focused and intimate. The same is true of vanishing points that are closer (shorter focal length) or farther apart (longer focal length).

2 point/3 point/etc doesn't actually mean you're limited to that many points total on your page. this one confused me a lot when I was getting started, lol. A lot of examples will show you drawings of nice, neat cities or something, in which all the buildings are facing the same way in order to demonstrate perspective drawing. But in real life, buildings don't all face the same direction. They're at all sorts of different angles. So how do I do that??? Answer: Just because you're drawing in 2 point perspective or whatever doesn't mean you... have to actually keep your 2 points in the same spot. You can move them around, just keep them the same distance apart, so you're not screwing up your camera lens.

Other Tips:

Use reference! The instant you try to draw a house, you're going to forget every house you've ever seen. That's just how it goes. Buildings are complicated. Do yourself a favor and collect a few reference images first, buddy!

Consider details (like architectural style, amenities, and materials) Your building will look more like a building when you keep in mind that buildings have gutters and door knobs and light switches and paneling and stuff, and aren't just boxes with roofs on them. Again: reference! You will forget electrical sockets and baseboards exist immediately. Art brains are dumb.

Use details and texture to fill in negative space Giant stretches of blank space tend to be boring and distracting. Put a few suggestions of wood grain or something on that wall back there, bud, just don't overdo it.

Line weight Darker, thicker lines draw more attention, look heavier, and look closer to the viewer than lighter, thinner lines do. Take advantage of this to draw the viewer's attention to your focal points, de-emphasize less important details, and imply depth. It's up to you to decide how you want to use this and what your style is, especially once you start getting into combining or replacing it with shading, values, and color, but a helpful rule of thumb is to try reserving your thickest lines for focal foreground characters and use thinner lines on backgrounds, especially details in the far distance.

Perspective guides If you're drawing digitally, take full advantage of any perspective tools you have access to! A lot of art programs lately have begun adding perspective guide features that let you set up vanishing points and then literally guide your hand as you draw so you stay in perspective. Some of these include Procreate, Clip Studio Paint, and Adobe Fresco. (still sadly none in Photoshop as far as I'm aware, what the heck, Adobe!). Check through the settings of yours to see if it gives you any perspective guides or other similarly useful tools. They're 100% worth it! And for god's sake, if you've got any skew or perspective warp tools, draw your complicated shapes flat and then warp them instead of spending an hour on it! Don't make my mistakes!

#backgrounds #art tips #tutorial #art reference #drawing tips #perspective drawing #the owl house #hunter toh #doodle art #doodletext #rambling topic #yes i'm using my blorbo to demonstrate art tips what about it #this took longer than i meant it to lol. i got really into the examples #thank you for your patience guys #this turned out to be a GREAT exercise for me as an artist too actually. Trying to explain things is rlly good practice #I didn't even get into values and such. I can only ramble so much I'm afraid

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