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idoodlestuffsometimes · 1 year

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DRAWING BACKGROUNDS: TIPS AND TRICKS

So many people are afraid of drawing backgrounds and I think it's a shame, so here's some tips and tricks, because I'm not perfect at it myself but I think the hardest part is really just knowing where to start.

First off: Perspective

Yeah, yeah, that's the scary word. But I promise you, once you're familiar with the basics, backgrounds are a LOT less intimidating. Don't get discouraged if WHEN you have trouble with it. Even professional artists struggle with it. I promise you, screwing it up is good and normal. That's how you learn after all!

Now I'm not going to go into detail on how to do it here, because honestly there are a thousand and one free resources online and in libraries that can explain it far better than I ever could in a singular broad-strokes tumblr post. But I AM at least telling you you should familiarize yourself with these basics:

Important Terms: Horizon Line: A horizontal line across your canvas, showing your viewer's eye level and providing a location for most of your vanishing points. Vanishing Point: Integral to drawing in perspective. The sides of a 3D object get smaller as they become farther away from the viewer in space. This point is where the parallel lines of a side eventually meet.

The Basic Types of Perspective: One Point Perspective: Good for drawing things that you're looking at straight on. Two Point Perspective: Good for drawing things at an angle. Three Point Perspective: Good for drawing things the viewer is looking up or down at, especially at an extreme angle.

[Click images for ALT descriptions]

And if you're comfortable with these and serious about improving your skills for use in storytelling, I also might suggest looking up:

4 Point Perspective: Great for extra wide or tall shots and for camera tilts if you're doing an animation or animatic. I think some other names for this in animation include "banana pan" and "warp pan."

5 Point Perspective: Fish-eye lens. Good for all your angsty anime boy slipping into madness needs!

Some perspective tips I wish someone had told me earlier:

Objects' relation to the horizon line is constant. A super helpful tip to remember when placing a character or object in space is that they will always (assuming they aren't changing in size or moving up or down) have the same relation to the horizon line no matter how far or close they are. If your horizon line is at shoulder height for your focus character in the foreground, any character of the same height in the background will still line up with the horizon line at the shoulders.

How to pick the distance between your vanishing points: 2 pt perspective uses 2 vanishing points, 3 pt uses 3, etc, etc, but how close should they be? Well, first of all, for anything that isn't one point perspective, one or more points will usually be off the canvas. Super annoying, I know, but the closer your vanishing points are, the more warped your drawing will become. Second, a helpful thing to know is that choosing the distance between your points is basically the illustration equivalent of picking your camera lens! Photography buffs will know that wider (shorter focal length) lenses show more space and make the distance between foreground and background more dramatic, while longer focal length/telephoto lenses are flatter, and more focused and intimate. The same is true of vanishing points that are closer (shorter focal length) or farther apart (longer focal length).

2 point/3 point/etc doesn't actually mean you're limited to that many points total on your page. this one confused me a lot when I was getting started, lol. A lot of examples will show you drawings of nice, neat cities or something, in which all the buildings are facing the same way in order to demonstrate perspective drawing. But in real life, buildings don't all face the same direction. They're at all sorts of different angles. So how do I do that??? Answer: Just because you're drawing in 2 point perspective or whatever doesn't mean you... have to actually keep your 2 points in the same spot. You can move them around, just keep them the same distance apart, so you're not screwing up your camera lens.

Other Tips:

Use reference! The instant you try to draw a house, you're going to forget every house you've ever seen. That's just how it goes. Buildings are complicated. Do yourself a favor and collect a few reference images first, buddy!

Consider details (like architectural style, amenities, and materials) Your building will look more like a building when you keep in mind that buildings have gutters and door knobs and light switches and paneling and stuff, and aren't just boxes with roofs on them. Again: reference! You will forget electrical sockets and baseboards exist immediately. Art brains are dumb.

Use details and texture to fill in negative space Giant stretches of blank space tend to be boring and distracting. Put a few suggestions of wood grain or something on that wall back there, bud, just don't overdo it.

Line weight Darker, thicker lines draw more attention, look heavier, and look closer to the viewer than lighter, thinner lines do. Take advantage of this to draw the viewer's attention to your focal points, de-emphasize less important details, and imply depth. It's up to you to decide how you want to use this and what your style is, especially once you start getting into combining or replacing it with shading, values, and color, but a helpful rule of thumb is to try reserving your thickest lines for focal foreground characters and use thinner lines on backgrounds, especially details in the far distance.

Perspective guides If you're drawing digitally, take full advantage of any perspective tools you have access to! A lot of art programs lately have begun adding perspective guide features that let you set up vanishing points and then literally guide your hand as you draw so you stay in perspective. Some of these include Procreate, Clip Studio Paint, and Adobe Fresco. (still sadly none in Photoshop as far as I'm aware, what the heck, Adobe!). Check through the settings of yours to see if it gives you any perspective guides or other similarly useful tools. They're 100% worth it! And for god's sake, if you've got any skew or perspective warp tools, draw your complicated shapes flat and then warp them instead of spending an hour on it! Don't make my mistakes!

#backgrounds #art tips #tutorial #art reference #drawing tips #perspective drawing #the owl house #hunter toh #doodle art #doodletext #rambling topic #yes i'm using my blorbo to demonstrate art tips what about it #this took longer than i meant it to lol. i got really into the examples #thank you for your patience guys #this turned out to be a GREAT exercise for me as an artist too actually. Trying to explain things is rlly good practice #I didn't even get into values and such. I can only ramble so much I'm afraid

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rice-enjoyer · 10 months

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#felt like i needed to make this after some interactions today #i did this with burning text generator!#my overall tumblr experience has been amazing after 6 months of radio silence #this is directed at everyone who's mutuals with me. even if we are not in the same fandoms anymore or have anything in common #i still love you and get happy when i see you post/ramble about topics that are interesting to you #just fyi if we are mutuals i actively think about you with your pfp and username in mind at least once a day #<<< past rice being based with this tag #mutual appreciation #:-)

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radicalfemimist · 1 month

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I don’t think we as a society talk nearly enough about how intricately connected cats and women are. cats are associated with women so heavily, not just in English but in other languages as well. the stereotype of the ‘crazy cat lady’, the fact words to refer to cats are often also used to refer to female genitalia, ‘cat fight’, ‘catty’, etc.

Cats have suffered alongside women, too, which is not something I have seen brought up. Cats were targeted during the Witch Hunts as well, and suffered similar fates as the women they hunted. During this time, cats were nearly driven to extinction, and the mice and rat population go out of control— which is believed to have heavily contributed if not outright caused one of the most famous plagues.

To this day, I think we need to analyze if it’s truly a coincidence that cats are often portrayed as mean or uncaring because they do not behave the same way as dogs— “man’s best friend”— that their boundaries are violated for fun and then people criticize the cat for reacting, for self-defense. They will mutilate a cat so it cannot defend itself, and then abandon it when it is understandably upset, when it can no longer feel safe.

If you look at the statistics, more cats enter animal shelters than dogs, and tend to stay for longer. Personally, my local humane societies seem to have almost exclusively cats. In part, this is because cats are more effective at reproducing than dogs, and there are very little if any resources dedicated to to TNR. This is also because people will not spay/neuter their cats, and then will abandon the cat and/or just the kittens.

I do not think it is entirely coincidental that cats are so heavily associated with women, and they are villainized for not being dogs. That dogs are called “man’s best friend”, but somehow that does not mean cats are called “women’s best friend”— instead diamonds are, for whatever reason, despite women’s shared history with cats, and shared experience of being villainized for having boundaries. They are made the villain for being cats instead of dogs, they are called uncaring and “assholes” because the way they show love is not identical to the way a dog does.

I feel like there is no way it is entirely coincidental, the way cats are hated and the way they are so heavily associated with women, with females.

#mim’s ramblings #this is a topic I feel more confident speaking on as cats are something I ‘study’#granted there’s not exactly a college course dedicated to cats so not //professionally//#tw animal cruelty #I do try and speak vaguely about the animal cruelty as it is an upsetting topic

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kaiserouo · 2 days

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Well someone has to give it its driver updates, Gabriel

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inoreuct · 6 months

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would you agree that we all need more Sanji getting nosebleeds over Zoro in this fandom?

YES *pelting down a hill waving the proposal for this in my hand like a madman* YESSSSSS

the first time sanji gets a nosebleed over zoro is his clue-in that oh. i’m not straight, am i. the swordsman’s doing a bench press (shirtless, as always) as sanji walks by (and sanji sneaks a look, as always, because who wouldn’t?) and when he glances over the plates he has to do a double take because what the fuck. zoro’s pressing more than twice his body weight. zoro’s repping more than twice his body weight. he’s just registered that maybe he’s stared for a bit too long when he feels something warm and wet on his upper lip, iron dripping over his mouth, and he books it for the galley.

he slams the door shut and presses his back against it before he slides to the ground and screams into his knees because what. the fuck. it’s not even that he’s getting hot and bothered over a guy; it’s just that the guy’s zoro. he’s not supposed to get nosebleeds over zoro.

but he does.

and it gets worse.

zoro walking around shirtless on deck? nosebleed. zoro re-tying the sails and just hanging on with his legs around the mast? nosebleed. zoro strutting out of the shower door, damp with steam and hair dripping wet and a towel around his waist? nosebleed. zoro tsking irritably and grabbing all of sanji’s food and packages from him to haul the whole lot over his shoulder? NOSEBLEED.

and not even that. he starts getting breathless around zoro and his chest hurts. he kicks zoro back while they’re sparring one day and the swordsman grins, feral and unrestrained and all challenge and teeth, and sanji’s heart spasms so hard that he actually wonders if he’s about to go into cardiac arrest. he’s barely twenty, he isn’t ready to die— much less because of some stupid marimo. chiselled abs and a nice set of biceps are only worth so much of sanji’s dignity. he twists and smashes the sole of his shoe right into zoro’s pretty face.

still, it gets so, so bad that he’s elected to just. avoid zoro completely. he’s sneaking around corners and running across open expanses ducked low like some kind of goofy thief and he knows it’s so fucking stupid but he doesn’t. he doesn’t know if zoro likes— no. he doesn’t even think about it. there’s no way, and if he gives himself false hope he’ll just break his own heart. he doesn’t know if zoro likes men, or anyone, much less him; nobody in their right mind would, not really. he's nice to have but not to keep and he's come to terms with it.

…until zoro corners him in the galley and demands to know what the fuck’s going on.

sanji stays facing away, slowly washing the dishes even as his heart pounds so hard it hurts. he is painfully aware of the way zoro’s seething like an over-boiled kettle in one of the chairs behind him, arms crossed over his stupidly broad chest and stock-still because he never, ever shakes his leg even though sanji knows he wants to.

his sponge squeaks across ceramic. the water’s warm against his fingertips, and his eyes flick up to meet his own reflection in the porthole window; he looks… well, he doesn’t know. scared, maybe. nervous. his mouth is thin, eyes wide, cheeks flushed, a shudder running its fingers down his spine even as his heartbeat thumps between his ribs and god, fuck, it aches. and he knows. he looks himself in the eyes and he knows that somewhere along the line nosebleeds had turned into falling in love and he was the stupid idiot who had just let it happen because he was too weak to pry zoro out of his thoughts.

his gaze flicks down sharply when he hears the sudden scrape of the chair, and zoro spits, “look, i can’t fix whatever i did wrong if you don’t tell me what it is.”

sanji’s heart throbs. “what?”

he can hear zoro’s scowl. “what, what? i obviously did something. you’ve been avoiding me like the plague.”

the cook almost laughs. he bites it down and swallows his words, salty-sweet at the back of his throat. guilt nips at him; zoro’s his rival and and his personal annoyance and a blockhead but he might also, maybe, just maybe, be sanji’s best friend. and sanji hasn’t been very fair to him lately.

he swallows again, clears his throat silently. “you didn’t do anything, marimo,” he murmurs to the plate in his hands, trying for airy and getting more somewhat vaguely strangled. he coughs. “just forget about it. sorry i’ve been weird.”

sanji will deal. he will, somehow; he’d been careless and careless is dangerous and for perhaps the first time in his life, he has too much to lose. he’ll squash his heart into a box and lock it down tight like he always has and it’ll hurt, but when does it ever not? he mentally declares the matter done and dusted as he shakes off the plate and gently sets it on the drying rack.

his lungs hitch as a callused hand cups his elbow.

zoro pulls him around. he’s too weak to resist. the edge of the sink digs into his hip as stormy grey eyes scan his face and zoro looks tense, his jaw set in the way it only is when he faces off with a particularly vexing foe.

“did i not look happy enough at dinner?" he asks, and it could be mockery but it isn't, not with that edge to his voice; not desperation, but damn near. like filter paper burning its way to ash. "was it my clothes on the floor? my boots on the bed? what?”

sanji can't stand it anymore. he looks away, tries to twist out of the invisible bonds zoro has him trapped in, but fingers looped around his wrist are all it takes to make him stay and fuck, fuck, he's so fucked.

"sanji, what did i do?” zoro breathes, brow furrowed, voice too near and too damn earnest, and sanji's throat bobs as he digs the heel of his palm into his eye.

this isn't how it's supposed to go. zoro isn't supposed to care. zoro isn't supposed to be standing here in the galley saying his name in that tone of voice. a hand carefully pulls his own away from his face, and zoro doesn't fucking let go, and sanji feels too much like he's been stripped down to the bone.

"i know," zoro continues, gruff like he doesn't know how to be anything else, "that i upset you. so would you please tell me what i did so i can fix it?" he bends lower still, ducking to try and catch sanji’s line of sight but sanji just can't look at him. "i'll fix it, i—"

"you can't fix this." the words are out and in the air before he can stop them, and a bittersweet smile curves his mouth. "there's nothing to fix, so you can't fix it. just let it go, alright?"

zoro wants to argue. sanji can tell. but the swordsman lets out a measured exhale after a long moment and pulls back, face carefully neutral. "at least tell me what's going on, cook."

sanji looks down at his feet. "...i can't."

"like hell you can't," zoro replies immediately, and it's such an abrupt reminder of their normal banter that it wrenches a rough noise from sanji's chest. "i was the one who held your hair back after you had, like, seven margaritas too many. don't think you could tell me anything worse than the experience of trying to stop you from falling into your own puke."

"oh, jesus fuck," sanji swears on instinct, then laughs. it's unfortunately hollow. "that was one time, asshole."

"one time too many," zoro hums, raising an eyebrow. "so you gonna tell me what's going on, or do i have to make it a captain's order?"

sanji grits his teeth.

"i will drag luffy in here, i don't care—"

"fucking—" he holds his breath, flipping around to white-knuckle the edge of the sink and letting it out slow. "fine. you ever loved someone, marimo?"

"sure." zoro shrugs easily, crossing his arms as he looks out the window. "kuina, but i think i learned to love her memory more than anything else. luffy, nami—" a near-unnoticeable flutter of thick lashes. "you."

sanji exhales through his nose as he rocks back on his heels. squeezes out air till it hurts. "you know that's not what i meant."

"what did you mean, then?"

he turns to look at where zoro has settled lazily against the counter, the moon turning his eyes to silver. "I mean the kind of love that makes your blood race. that makes you want more even when you know you'll never take more than you're allowed. the kind that makes your heart hurt so badly you feel empty without it."

the swordsman's face is unreadable as he tilts his head slowly. "i did say i love you."

it hits sanji like a bullet. he sucks in a sharp breath, and his throat burns as he turns away and tries to stop his shoulders from heaving up. "don't fuck with me, zoro. not about this."

it feels rather like a cruel cosmic joke. he's so near yet so far, just one step away with a gauzy curtain between but he can't touch it. he won't. he's got too many things on the line and yet he can't even name one of them.

"hey."

he squeezes his eyes shut against the burn of salt that shouldn't even be there, and look at that. little sanji's gone and broken his own heart again.

"hey," zoro tries again, more insistent, one hand hovering in the space between them and sanji feels the pull of it like a magnet.

he doesn't turn away as it cups his cheek. doesn't run as fingers slide through the short hairs at his nape, a thumb behind his jaw. his lashes are damp. it is everything he wants and everything he cannot have and he can't—

"look at me."

"i can't," he breathes, lungs rising fast and shallow. he's afraid to open his eyes. he's afraid of what he'll see.

"yes, you can." zoro shifts closer and another hand joins the first. it's big and rough and warm and he holds sanji's face like he's the moon herself. "look at me, curly."

he can't.

he does.

zoro's gaze is almost painful to meet straight-on with how intense it is. he seems to realise, face softening as he leans closer, closer, posture loose enough that it would be no problem for sanji to shove him away. "you love me," he breathes. "yes or no?"

sanji's heart stops. his tongue is clumsy in his mouth, his brain a mess of yesnoyesyesnoiwon'tican’tido—

"don't think." zoro's voice cuts through the haze as he shakes his head slowly; a sword through smoke, silver-bright, singing in the air and leaving silence. "don't think. you love me, yes or no."

the galley swims around sanji as his vision blurs. he feels his tears spill hot down his cheek, knows the way zoro aches to brush them away and yet stays still. he opens his mouth and it feels like stepping out of the only shelter he's ever known; he is an open fucking wound and he's raw and everything hurts, everything but zoro. zoro. zoro. "yes."

just one word, three simple letters, and still it feels like damnation; if he'd never said it he could deny it but now it's real. the swordsman relaxes, shoulders dropping enough that his forehead brushes sanji's, and sanji tracks the way his throat bobs. the way steel-grey eyes flicker over his face, molten in the light of the electric lamps and the moonlight spilling through the window, gilding zoro like something out of a dream. a fairytale sanji read as a child until the edges of the pages fitted familiar to his thumbs as his little hands reached for a happy ending that was never meant to be his.

he shakes, now, as zoro reaches up to run tentative fingers through straw-pale hair. "let me love you. yes or no."

"i—" the sound that twists from his mouth is cracked jagged down the middle, unpolished as a common pebble picked up off the damn street. "you don't—"

"yes or no."

"i'm not what you want," he gasps, his face wet.

"yes or no."

sanji wants to break apart. because zoro sounds like he's begging, and he cannot fathom anybody possibly wanting him that much. he wants to scream and cry and claw at the walls until his nails break. he wants to shatter into pieces all over the floor without having to worry about putting himself back together. he wants. he wants, and zoro's looking at him with the closest thing to reverence he's seen in his life, and even that isn't enough for him to believe it. "i'm not what you want."

he can barely look at zoro. he can barely look at himself. the shame is clawing a pit into his stomach, and he lets it, feels every inch of it, because what kind of person doesn't know how to be loved? his breath catches wetly as zoro cups his jaw in both hands, tilting his face up, and once again sanji is too weak to pull away.

"you are everything i want."

the words are so fierce, so sure, and sanji is cracking apart at the seams. the stitches pulled tight by his own hand are unravelling and he can't stop it—

"yes or no."

zoro's breath ghosts warm across his mouth, fingertips in his hair, just far away enough for sanji to see the way his eyes are blazing and yet he waits. his thumb on sanji's cheek is the gentlest thing sanji has ever known.

"you'll get tired of me," he tries weakly, one last time for good measure, and zoro just shakes his head. the resolve in his expression does not waver even once.

sanji breaks.

"yes." the word scrapes itself out of his throat seconds before arms are going around him, and he sobs. lets the swordsman bring them both to the kitchen floor as he curls up in zoro's lap, fingers clawing into his white shirt, numb with how hard he cries because nobody, nobody has ever stayed. not without him getting hurt in the process. he pushes them away when he gets scared and they let him and then it becomes his fault when it all blows up in his face, but zoro's not leaving, and it's so foreign to him that he's shaking so badly and he can't stop.

a warm, heavy palm smooths over his spine and he lets himself be shifted closer, settles sideways as zoro wraps an arm over his shins and rocks them until his breathing evens out. the embarrassment hits like a gut punch; he knows he looks like a mess, face blotchy and hair everywhere and eyes puffy as hell, but zoro cards his bangs out of his eyes and looks at him like he doesn't care, and sanji turns away.

he feels... fragile. like he's made of tinted glass and spun sugar, like he'll cave in at the slightest touch. there is something melting in his chest and it drips down over his ribs; pools fresh as a river in spring, offset by the grounding presence of zoro's hands on his skin. "don't say i didn't warn you," he mumbles, masking his very real fear behind a layer of watery bravado as he hides his face in zoro's shoulder, and of course, of course zoro sees right through him.

the swordsman's thumb traces the swirl of his eyebrow before zoro rests his chin on top of sanji's head. "i don’t listen. you know that."

you know me, is what goes unsaid, and sanji doesn't deign to reply. he buries his face into zoro's chest and breathes in the smell of steel and sword oil and— he sits up slightly, eyes narrowing. "you've been stealing my deodorant, yes or no." the way zoro stills momentarily is a dead giveaway, and he yelps when the swordsman flicks his forehead.

"would you rather i be stinky?" zoro scoffs, rolling his eyes gently as sanji settles back down with a huff.

"you still are stinky. if we're gonna be together i'm expecting you to shower at least once every two days—" zoro groans, and he powers through, raising his voice, "—and if you aren't fussy i'll let you shower with me."

the way zoro instantly stops complaining cracks a laugh out of him. it's weak and watered-down, but it's a start. zoro's hands slide back into his hair and he hums as he lets his eyes fall shut.

the moon's full tonight. their ship rocks gently, and sanji gets comfortable; zoro's warm and solid and happens to make a perfectly respectable pillow. the thought that he can have this now sends a thrill through him.

he's not a fool. he's not optimistic when it comes to this. when it comes to love.

but with zoro's thumb rubbing mindless circles against the side of his thigh and a kiss pressed to the top of his head, he's got a pretty good feeling about this time around.

#er. this dragged me down the hill and i let it #this got so off-topic anon i apologise #but to be fair even after they start dating sanij gets absolutely HORRIFIC nosebleeds #like hello?? that man is hot as hell?? and he's MY man??? good lordy #cue him leaning against the wall in a dramatic swoon and yelling for zoro to catch him #(zoro does not catch him. sanji falls on his ass.)#(he does get a forehead kiss before zoro walks away cackling though so. a win is a win!)#black leg sanji #zosan #one piece zosan #zoro x sanji #roronoa zoro #one piece zoro #one piece sanji #one piece #ino writes #ino's ask box #sanji's issues deserve a tag of their own #my habit of segueing from chill fun rambling to emotionally damaging content should be studied. jesus christ.

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carnivalcarriondiscarded · 9 months

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The ''Are you trying to romance me?'' meme but with Barnaby and Howdy

i belted this out in like a half hour flat <3 bc Yes

#AH FUCK I FORGOT TO PUT SOMETHING ON HOWDY'S TAG #listen listen this was done in a bit of a rush!!! i wasnt paying much attention!!!#i was thinking about what to have for lunch which is always a Very distracting topic #anyway thank you for introducing me to this meme it fits them So Well i think #like in my mind barnaby could do literally anything and howdy is off to the side all 'god... hes so attractive.... i need him'#scribble salad #rambles from the bog #laughingstock #barnaby x howdy #howdy x barnaby #thinking about them alwayyyyssssss #theyre so damn GOOD together what the Fuck is it about them!!!#i know i say this every time but agh! AGH!!#wait... no wait yeah i Do know what it is about them. ive Realized.#AGH THEYRE SO GOOOOODDDDDDDD #the boyfriends the husbands the Fluffy Fruity Pals <3 #alright time for lunch and then its back to packing & the five hour shrek video essay #unless im consumed by the laughingstock thoughts that are fighting to take over my mind again #i need to draw wormie

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ruporas · 1 year

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pre-trimax

#vashwood #trigun maximum #trimax #vash the stampede #nicholas d wolfwood #anyone else think about an universe where wolfwood was not assigned to be vash's guide and was just a normal regular guilt-ridden mf that #meets vash along the way #and they happened to be friends. maybe a little more than friends bc TO ME #vash had a little crush on ww when they first met. he stroked his chin he gave 2 coins to 2 children when he only had 3 he told him his #smile was sad as fuck like #totally crush-able 11/10 and imo ww is pretty charming when it comes to strangers and first meetings #he's naturally kind and casual in tone. he likes the mundane he likes townspeople #it's much more apparent when he gets the chance to just hang out like pre-trimax and in that chapter in vol 7 #when they go to a bar and he's just chatting up with the barkeeper. and in the first few chapters of trimax actually #to me he's a lot more sociable than vash is Tbh. ww is also good with children but i think vash is more impulsive enough to play with them #and be silly. its fun how they balance out like this even socially #anyway didnt even mean to ramble about that. its not on topic at all DFMGKSDGM #ruporas art

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mugichansunflower · 26 days

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Being on call with my friend sure is something That Laios & Mithrun dynamic tho... What if-

#mithrun #dungeon meshi #delicious in dungeon #laios touden #laios dungeon meshi #A random conversation between these two would go hard tho #Laios rambling about monsters while Mithrun looks absolutely dead inside #And then when no one's expecting it Mithrun starts getting in the topic and debate with Laios #I need to lock them both in a room for hours and watch how it goes #I'm sure they can be friends #I want them to be friends...

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suntails · 7 months

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⚔️♣️

#4!!! trey is rambling about [redacted topic] (i cant stand talking abt it sry) and it reminds silver of mr zigvolt #its the passion for it its the normal guy-isms of trey clover and mr zigvolt. its so FUNNY its so goofy. if theres a briar valley event...#if theres a briar valley event i will genuinely be MAD if trey isnt there. they hint the similarities so fuckgn much its HILARIOUS cMON #silver im very sorry u are trapped in this conversation <3 <3 #twst #twisted wonderland #twst silver #silver vanrouge #trey clover #suntails #oh i also dunno if i specified anywhere since i started the series on twt? none of this series is rly intended to be Ships #like if someone wants to interpret em that way? all the power to u. this series exists to make sure i draw every goddamn char w silver #so ig rarepair shippers im unaware of will be feasting GHVBJFK i shake yalls hands in solidarity. im silvil ceo i understand lack of conten

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idoodlestuffsometimes · 1 year

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Brother's Keeper Design Fun Facts that I Wrote on a Very Long Plane Flight to Occupy Myself, and Ignore the Baby Crying Behind Me and the Trail Mix I Spilled into my Luggage (and then Rewrote Later When I was Actually Coherent): a Saga

Hello, ppl who expressed interest in this, thank u for giving me something to do! I hope u find something interesting in me rambling. I like thinking about design maybe a little too much. Here goes:

Fun Fact! In this au Caleb essentially has three personas and now that I'm putting words to it, I realize that this is central to how i draw things because most everything I design to add him into the story is defined by one or more of them. It goes like this:

PERSONA 1: Mad Lord Metanoy

His public image: the tragic brother of the emperor, crippled and driven to insanity by wild magic and presented to the public as an example. This is what Belos WANTS everyone to see, and so it's the most prevalent and is a weird mix of pompous (bc he's an important public figure and the emperor's brother) and pitiful (bc his "tragedy" is central to Belos' propaganda).

PERSONA 2: (Failed) Witch Hunter Caleb

The persona cultivated by Philip: simultaneously the perfect witch-hunting older brother he WANTS and thinks Caleb SHOULD have been if only he'd never been "corrupted" by witches, and also a rebuke for NOT being that. This is an image built out of Philip's wishes, idealization, hero-worship, nostalgia, and anger. Unfortunately for him, it's a persona that's no more real than Mad Metanoy is.

Since he's in control of what clothes Caleb has and what furniture is in his room, he both tries to force it on him and punishes him for failing to live up to it. Which leads to my favorite design tidbit: the caged wings motif! I use it a lot lol, mostly on the furniture. I'm not sure it's really something Philip uses in this way on a conscious level, but the implications are pretty rude and it's fun for me to work in.

Similar to the Golden Guard/Gravesfield symbol but not exactly the same because other people aren't really supposed to know that Caleb has anything to do with the Golden Guard. Every time a pair of wings appears in Caleb's captivity, they are always contained within some kind of barrier. Even the wings of the Emperor's Coven symbol on Caleb's headboard are imprisoned beneath a canopy.

PERSONA 3: and finally, The True Caleb!!

Who he REALLY is: a free-spirited nerd who likes to read, learn, and work with his hands. Poor guy though, he has very limited opportunity to express it. His real persona appears only in the hobbies he's permitted and how he wears and uses the things Philip provides for him.

Anyway, this has been Design Rambling with Doodle. Tune in next time to hear me mumble about furniture probably. Now excuse me, I have to go pull loose peanuts out of the crevasses of my backpack

#brother's keeper au #the owl house #caleb wittebane #doodletext #rambling topic #behind the scenes #i guess lol #geez sorry for posting this so much later than intended #in my defense i got off the plane directly into a jet-lagged meat-grinder of Unexpected Gig + Everyone is Sick Except Me #and also i went back to what i wrote on the plane and went 'Yikes this is incomprehensible' lmao

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oobbbear · 2 months

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My old art teach who taught me so much and helped me prepare my college portfolio now full on supportive of AI art and videos they even opened classes dedicated to it, they post oh so proudly of how fast the students in their ai class ‘improve’ and how ‘efficient’ they draw. They’re a great artist I looked up to them since middle school but now they don’t even draw anymore all they post is AI stuff because it’s “where the future is headed traditional art is not worth it anymore” I don’t know how to feel maybe disappointment but mostly just hollow

#bearz rambling tag #cw ai #cw ai art #tagging this bc ik people don’t like this topic #I dont either #vent #man the feeling of having someone you look up to turning against what you fight for you whole life #I know it’s probably truly where the future is heading #it just #hurts a little bit #ya know #sorry for #talking a lot lately #I am drawing #will post later in the future m

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djsherriff-responses · 27 days

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Hazbin Hotel suffers from an identity crisis where it wants to be this crude and super sexual cartoon that doesn't hold back on edgy humour while it also wants to tackle sensitive topics and be taken seriously , but it doesn't commit fully to either nor does it have any idea how to balance the two

And the end result is a story where you're supposed to be upset about an annual purge while the victims of the purge are cannibals who kill each other for lols 24/7

#Hazbin hotel critical #Vivziepop critical #Still haven't watched past episode 4 but I think this is basically the show #And how it handled certain topics #I was just remembering how edgy comics I read as a teenager were a lot more entertaining #While also being much more offensive than hazbin is #Rambles

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coffeehelly · 9 months

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its really interesting to me how kaidou says he feels like saiki is protecting/looking out for all of them somehow. like do they all have some kind of innate sense that the Weird Things happening around them are saikis doing? or do you think saiki gives off a strong "if anything happens to my friends im going to become the joker" vibe that he doesnt even notice

#the disastrous life of saiki k.#saiki kusuo no psi nan #saiki k #saiki kusou #hes so expressive sometimes i wouldnt doubt the latter #i can imagine him scaring would-be-bullies away from kaidou with a particularly menacing glare without even really registering it #or like. changing the topic away from teruhashis brother whenever he comes up and teruhashi is around #because he knows it makes her uncomfortable #but he justifies it to himself that its just because he personally doesnt like makoto #it has nothing to do with teruhashis feelings. Obviously #his friends notice hes constantly looking out for them but hes so deep in denial he cant see it himself #anyway i got off track here. ramble over

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ventique18 · 1 year

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Anyway Tsunotarou/Hornton is cute and all, but the first time he heard you say "Malleus" when it was just the two of you sent him spiralling into a pit of complicated emotions.

He had to turn away from you because of how vulnerable he felt. He was wondering why the name that drips out of people's mouths like hushed whispers of the name of the devil himself, sounds so holy coming from you.

#brainrotting before studying these electronics topic that I couldn't care less about #sometimes i question why i took this degree?#twisted wonderland #ventique rambles #malleus draconia #malleus x reader

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carnivalcarriondiscarded · 9 months

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i don't know what order to start Dissecting, so i'll just start with:

it's absolutely fascinating how the dynamic Wally & Barnaby had - to my knowledge - before the update, and a dynamic i'd seen speculated elsewhere and generally accepted, has been completed turned on its head

see, given that Wally is the "main character" and Barnaby is classified as "his best friend", i got the feeling that Barnaby kind of... tags along on Wally's 'shenanigans'. that he's the sidekick, the best friend. especially since their dynamic has been previously & briefly described as "Barnaby is very polite to Wally." he's the Companion.

but the audios sorta paint a reverse picture. in the Interview, when Barnaby enters stage right, he completely bowls over Wally's introduction and dominates the interview. when the interviewer asks how the two of them are handling the fame, even outright asking Wally, Barnaby doesn't hesitate to answer the question himself, and only about himself. Wally doesn't get another word in edge-wise until the interviewer explicitly singles Wally out.

(now, an argument could be made that Barnaby knew that Wally was somewhat overwhelmed with all of the questions, and tried to take the reins to give him a reprieve. but, considering that the interview seems to be very early on the possible timeline - like, very soon after Welcome Home debuted - i don't think this is likely. i doubt Barnaby and Wally would've had the time to solidify their dynamic or really get to know each other that well yet)

and Barnaby continues to take point in pretty much all of their other conversations, too. like in the mystery Howdy/Barnaby/Wally audio, their interaction gives off the vibes that Wally is Barnaby's sidekick, his tag-along.

(on a related tangent, it's fascinating how the website described the episodes as "[beginning] with Wally introducing the focus or theme for the day before coming across other characters who would join him on his escapades until the end of the day." but from pretty much everything we've seen so far, it seems like He's the one who's just along for the ride, bouncing from neighbor shenanigan to neighbor shenanigan instead of having his own adventures.

of course, if the 14 audios are present time, which is honestly somewhat likely, this could be because the show isn't running. they aren't doing episodes - they're just existing, doing their things. no need for Wally to take point in any way shape or form. tangent over)

in the 14 audios with Barnaby, he doesn't even acknowledge Wally until the very end - which, of course, could be because that's how the scenes are set up. except that in some of them, the characters do directly acknowledge Wally's presence outside of the endings. Eddie in 5-14, Howdy and Poppy in 1-14, and Frank in 4-14 (technically, since he was infodumping to Wally at the very start before Barnaby interrupted). you'd think that a guy would try to include his best friend a little more!

maybe i'm reading into it too much. & given what we know about Wally as a character, it would make sense for Barnaby to be the go-getter Main Guy of the two. but it really seems like its Barnaby & Wally instead of Wally & Barnaby. he's just kinda... there. going along with whatever Barnaby is up to.

but also, on the other side of things - & it's occurring to me as i type this, it's interesting how in a lot of audios, Barnaby seems to seek Wally out. in "Just So", he shows up to fetch Wally. in 4-14, Barnaby interrupts Frank and Wally's gardening session, almost as if he's stopping by to check on his little buddy. in 7-14, Barnaby calls Julie's house (presumably) searching for Wally, or at least checking in once again. something to consider in all of this!

#and if the 14 audios are in the same day along a timeline - which they Are. im trying to puzzle it out rn but anyway -#its interesting how barnaby just kept. checkin. in.#they had three audios where they were already hanging out and then got two (technically three) more where barnaby checked in!#it feels like there's something there...#separation anxiety? a compulsion? love for his buddy? a secret fourth thing?#maybe he could tell something was Off with wally that day...#(which is a topic i will ramble about in a different post)#its a push & pull to be certain....#but yeah that plus all the evidence of Barnaby kinda being the Lead and wally being brushed off to the side....#what a complicated fuckin picture it paints!!! dont know what it means yet!#i have another post im working on centering on how the neighbors seem to treat each other - wally & eddie especially #but this post aint about that. itll be related though #homebogging #wh speculation #please let this have made sense!#when i make posts i just kinda throw myself at it bc i have No organizational skills!#my brain is a complete incoherent mess and i am so sorry if this post is messy <3

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