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#no bc the parallels exist in canon
rivalmelty · 9 months
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listen if the existence of the book means there are an infinite number of realities then there’s at least one where fukuzawa took in the both of them and the ada was born on two pillars instead of just one
(pls do not tag as beast)
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alliseaisfandom · 7 months
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Look.
I'm not saying I've seen this film before.
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BUT
I'VE SEEN
THIS FILM
BEFORE
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(and I fucking hated the ending)
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raelyn-dreams · 5 months
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I think Ryuseitai and Crazy:B should have an event together purely for the Rinne-Chiaki parallels because the !! Main Story really gave us "If I had taken one wrong step, I would've ended up exactly like you" and then just. Never really elaborated when there is so much that could be done with it???
Do you know how often I think about the potential of these two??? I am literally skimming through stories for Chiaki-Rinne mentions its that bad.
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florencewellch · 7 months
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Cannot believe that "an abuse victim doesn't have to forgive their abuser" and "two 16 year olds who have been dating for 2 months dont need to have sex right away" are apparently wild takes to some of you all
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un-pearable · 1 year
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MARIO GOOD
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snowydawn17 · 2 years
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Suddenly I’m really mad at dr3 again
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catwouthats · 6 months
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Reasons Lokius could be canon:
Sylki was probably mainly canon to teach Loki self love. Now he can finally love without hurting others.
It didn’t hurt as much for Loki to stay behind at the TVA this time (bc he has Mobius)
They mentioned Loki is bi in season 1 (and it’s Disney so it might have been for a reason)
Pie Symbolism (It symbolizes comfort, eternity, love) and their little pie date (plus mobius eating Mc-apple pie while staring longingly at Loki)(but tbf, mobius did also pick up sylvie in a pizza pie car in s1)
The close ups during intimate moments
Brad and B-15 called Loki Mobius’ pet (also he acts like his pet. Waiting for his permission to use magic, being compared to cats, literally a collar??, following after him)
They are so smiley around each other :]
They care for each other and check up on each other
Mobius risking his life for Loki
Mobius supports Loki’s mischief
The fact that they both got betrayed by their possible female love interests last season and now are just depending on each other
The contrast between the lokius and sylki shots that now exist in s2
Their little parallels to timeslayer (examples: when Victor and Loki fell, Ravonna ran to Victor and Mobius to Loki literally in the same shot. Timely gave her a cone shaped flower and Mobius gave Loki the paper cone filled with Cracker Jack. Probably more.)
Love is a dagger according to Loki, and Mobius gave him two daggers in s1 (though 1. he wasn’t the only one that had dagger moments with him obviously (though he was the only one to give him two) and 2. they got taken away from Loki immediately (symbolism))
Mobius knows Loki’s whole life like the back of his hand (this annoys the shit out of all his coworkers
Loki comparing himself to how his brother Thor went to Earth and went soft… (because Thor fell in love with a Mortal…) this was right after he defended Mobius…
Loki fixing up his jacket and hair before he sees Mobius/Don again. (He does this with no one else)
Don/Mobius always mentioning how he is now single when talking to Loki (first: “it’s hard being a single dad” than “oh yeah I don’t have a wife anymore so you can take that jet ski”)
Loki wants his friends back (he wants Mobius back)
The way everyone one else is always awkward whenever they are bickering (third wheeling)
Reasons Lokius won’t be canon:
Disney.
The head writers are fucking idiots (when it comes to queerness)
Is coded canon? Disney wouldn’t let it show on screen but… is coding canon?
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maripr · 4 months
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Ozcarnation merge musings from my twitter
I wrote these months ago and finally sharing them on tumblr.
Why I differentiate between Ozma and Ozpin, a 🧵
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I disagree with the general interpretation of where the merge subplot is actually heading in canon: most people think it will actualize, I think it will be reversed, either stopping the merge for good or reversing it after it comes very briefly into reality.
Oscar's arc, paralleling Ruby (mainly, but other characters share the trait as well) has been about him trying to find his own place and his own story, but the shadow of supposed ego death is always looming on him and terrifying him.
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Everytime he takes a step forward, he's reminded again of the expected fate for him, something that some characters actively want (like Ironwood).
Examples:
volume 6, after being treated as a stand-in for Ozpin, currently MIA, Oscar takes his own decision to forgive the team and be prepared for battle alongside them. While reconciling with tem, with his new combat gear, he still can't help but be haunted of "how much time he has left".
Volume 7 places him in a conundrum the entire volume: he's developing as a fighter, growing up as an adolescent and forging stronger relationship with his newfound friends. Jaune clearly comes to see him as a little brother and there's something interesting going on with Ruby that may or may not result in a romantic relationship down the line. The team actually worries about his opinion on stuff as well, and Ruby clearly values him as Oscar Pine. Meanwhile, the very person who's helping in his growth is James Ironwood, who cannot shut up about wishing Ozpin was there everytime they meet, and telling Oscar he will basically cease to exist to his face with a big shiny smile. It's unclear at this point if James knows or not about how terrified Oscar is of the merge, as the boy never voices this fear. I think he just wants not to think of it. So even at the end, where James finally says "fuck it, Oscar or Ozpin, i don't need either" and shoots him, Oscar starts coming onto his power, in a scene that's both powerful and bittersweet, paralleling Penny.
Both of them, for their qualities, were chosen by a magical destiny, one capable of beautiful and powerful magic, that they don't want, never wanted and will struggle with with the next volume. Penny's arc is a direct parallel and commentary to Oscar and the way it ends might comment on Oscar's arc. Not in death but that Penny could finally show everyone she was her own person who could choose for herself.
Coming back to volume 8, Oscar has his worst time yet, finally voices his fear of merging with Oz, and comes back from it scarred but stronger, having helped Ozpin trust himself and others and gaining a new ally in Emerald.
But, see where I'm getting at? This is no resolution.
Oscar has briefly shown his fear but at the end of the volume, much like Ruby has done for several seasons, swallows the literal torture he endured for half of it and the fear of imminent ego death due to reawakened magic, and chooses to focus on the positives.
Boy, if he had fallen into the ever after maybe he would have healed too. Or maybe we would have no plot at all bc Oscar and Ruby would have noticed each other's pain, which would have been nice as well, but sometimes therapy has to be brutal.
And also Oscar can't conclude his arc in the ever after because his own is complimentary to Ruby's but also a contrast to it. Ruby wants to emulate her mother and ideal of what a hero is and must learn that she is enough as she is already. Oscar does NOT want to emulate or be his father figure, whose og incarnation was basically THE ideal hero of fairytales. He wants to be enough but doesn't know who he is yet, since everyone keeps telling him to his face that Oscar Pine isn't enough.
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SO anyway. If both Penny (a commentary on Oscar) and Ruby (a direct parallel)'s arcs end with them realizing their own individuality, I 100% believe Oscar's arc will end like this as well.
And when i say end i mean end is just a new beginning.
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Before moving to my final argument, let me also briefly comment on how Jaune and Weiss' arcs are similar but different to Oscar and Ruby's. It's interesting because, by main character status, Jaune as the leader of team JNPR, is a lancer and a foil to RWBY and Ruby inside of team RWBY's dynamic, Weiss, as Ruby's partner, is the lancer and foil to Ruby and inside new JNPR/ORNJ, Oscar, as Jaune's new partner, is his lancer and foil.
And both Jaune and Weiss deal with identity but more in a role they want to play as expected to what their family might want, initially, and later as the knights they idealized in fairytales. This is way too long for this post, but again, fascinating. And also Whiteknight slays.
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So, my final thesis:
Oscar's arc will end with him affirming his own individuality over the merge.
So why can't Ozpin also do the same?
The god of light's intention in bestowing Ozma with this method of reincarnation was the positive idea of him never being alone.
And this works, more or less, in different lifetimes. Even in the very first, the farmer who we initially assumed was completely eradicated, still voiced his opinion and reminded Ozma of the good path.
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In later lives, the spirit and the host lived more comfortably, having estabilished an equal partnership.
But... They still end up as one person? They're literally so like-minded that their enormous guilt complex makes one believe he's responsible for everything the others did?
I feel like this is what the story is trying to say, much like what many characters say of Oscar, and it's framed as a bad thing.
And incorrect. Oscar is always "punished" for what his predecessors did because he will be Ozma eventually.
The voice still going by the name of Ozpin feels responsible for everything that happened since Ozma was brought back to life and literally agrees with his own torturer that yep, he deserves all the punishment and pain for it.
Every incarnation eventually reaches a point where they start to identify with their predecessors in such a way that contradicts what the god of light's intention was (then again, we have been shown time and time again that the god of light is not very good at his job).
Instead of a partnership where each soul helps the other moving forward and never los hope, we have a continuous cycle of guilt and self-abuse accumulating. Oscar is gnawing at it the entire time. Who's to say Ozpin, as the professor, also didn't?
And Oscar is going to break the cycle.
As he does that, I want Ozpin to also realize his own individuality.
This is why I want an happy ending for all the incarnates, not just Ozma. Merged they may be for now, in the physical realm, why should only Ozma move on to a peaceful afterlife? All the people who ended up clogs in the ever ticking clock and had no say in it were all people with their own lives, their own friends and families, their own name. And they deserve peace too.
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ataraxixx · 5 months
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my piece on why i really like echo. i have ruminated a lot of these thoughts in my brain for awhile but i realized ive never actually made a public post abt it .. echoheads lets discuss extensively
see. i think we can all agree about the most common echo characterization. at least the one i usually see in fics? and generally most fan content. hes a happy-go-lucky guy whos a bit child-like or naive, very innocent and mostly just glad to be here and full of wonder and whimsy and etc. and also really loves zane and is very kind and sweet and etc.
i am not saying this is an incorrect characterization by any means . obviously. because hes literally got like 5 minutes of screentime and most of that is spent not talking so its really up to whoevers writing him how they want to take his character. but i also think that making him just. Fine with everything is a very underwhelming way to take his character. because he could be so much more than just. zane's brother who is innocent and silly. he can be innocent and silly and still have complicated feelings about his situation and existence yk.
i enjoy villain/antag echo bc it gives him a role in which to explore those complicated feelings as Himself. not as second fiddle to whatever zane is doing, but as a story of his own to come into his identity. because often times when hes included in fan content hes there just to be zanes brother and nothing else. which is so sad for him. because in canon thats all he ever was and all he'll ever be to his father. to zane. to the ninja. he's just the copy. the lesser version. he can never be his own self he will always be a derivative of zane.
like how is that not an interesting thing to explore. and how could we not think about the complicated feelings he would have about that. echo isnt stupid. he isnt incapable of having those kinds of feelings about his identity or role in the world because he is Literally Zane. he is programmed to be identical and he is in every facet of his personality and mannerisms a reflection of how zane was before he met wu/the ninja. when he was just a bit clueless about the world but not Stupid. just unknowledgable. and he was still capable of complicated feelings about himself because we see as early as episode 2 of season 1 he is wondering about himself and his role in the team and how he feels about the world. he isnt just content every day of his life to simply be there; he questions things and thinks about them deeply. why do fan creators often rob echo of this same capability and dumb him down to simply being child-like or incapable of complicated thought?
i always see him just. Fine with everything. and i dont think he needs to be a villain or evil or even violent to make him an interesting character. but i also think that anger and violence is a natural progression of the situation he has been put in by the doctor and by extension the ninja. they too do not regard him as his own individual, only as an extension of zane. which is literally crazy. because he is a whole ass person. they disregard his identity because its the same exact one as a person they already know; but he has no control over that. he didnt ask to be made as a copy of someone else, and now he exists, and he is forced to live knowing he was never his own person, even though he Is. Because he is Himself and he Exists and yet he isnt because his face doesnt belong to him and his voice doesnt belong to him and his name doesnt belong to him. the world decided he is someone else and he cant be who he actually is because someone else is Already him. like christ man. why are we sleeping on this and just making him like yayyy:3 im so happy i love everything or whatever. bro should be questioning his existence!
because i do think joining the SoG gives him such an excellent entry into both formulating his own identity while also paralleling harumi in an interesting way; for both characters in their attempts to create their own identities opposing the ones theyve been forced into, they end up only relating themselves to that identity anyway. in echos attempts to separate himself from zane he ends up relegating himself to hating zane because zane took something from him, an acknowledgement that he is a copy in the first place. their scrapped fight dialogue is so interesting guys. a discarded replica an experiment left to rust. should he not be upset that despite not asking to be made, much less in the image of someone else, he was left abandoned? that he was created solely to be hated by his creator for not being Someone Else? And now he is stuck always chasing after the shadow of that person because he was never meant to be his own person. only zane's copy. never as good as the original. and he has to live with that. its so devastating and good characterization and so interesting that i cannot pass up on it for simply having him be Guy Who is Happy and Innocent.
He is not stupid. He would definitely have less anger in his heart if the ninja got to him before Harumi did, but i think its so impossible that he can simply look at zane and feel nothing. that he can see the person who has cursed his existence into meaninglessness and just be like omg brother:3 because he is doomed to constantly be relegated to Zane's Brother and he will never be Echo to these people that call him a friend. He cant even use his own name he has to be Echo. because its someone elses name and not his even though it Is His its the name his father gave him. but hes not allowed to use it because hes not the original. and he is lesser. and he will always just be zanes brother and he will never be zane. and he will never even be echo. isnt that so fucked.
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I’ve been out of the loop for batim/batdr for so long how did it change the lore?
none of the ink creatures are sacrificed staff members forced into a fate worse than death anymore. they're just ink creatures in a parallel dimension that joey drew made bc he was feeling pissy
in addition, it's not the real henry in there. joey was mad at henry so he made a fake henry just to torture him over and over
then allison was his Friend and so he decided to add her to the torture labyrinth to make things easier on fake henry. didnt stop the torture labyrinth tho
then he made himself a daughter out of ink and he wasn't the big evil corporate boss at all he was the Awesome Dad who encourages audrey to use her imagination and hope and shit. entire second game just forgot that he was supposed to be the villain
also in a very fanservicey way, bendy now can turn into his cute lil demon form and be audrey's little brother
a lot of people like it but it really really felt like fanservice above story to me. mascot horror isn't always like, good horror, but the first bendy really WAS. it had a great aesthetic, great designs, and was really effective in the implications of being sacrificed to an "and i must scream" demonic existence by one man's pride and lack of care (ie: capitalism) and the second game was just like "actually joey drew was a good guy the whole time and the real bad guy is this Random Obviously Evil Employee over in the corner and audrey's fixing the torture labyrinth so there's a little less torture <3"
i did like the idea of color animation being an anti-bendy threat but they literally did fuckall with that, just had the new bad guy like... mention it?? and then do nothing with it.
i feel like part of it also might have been that "trying to outsmart the fandom" thing. a popular theory, at least in my circles, was that henry was a bendy creature– the sacrificed staff had to be "perfect" for the role (IE: the two alice angels) and the first bendy was made without souls and that's why it was fucked up, and then joey realized the perfect bendy was his creator so he yeeted henry in, and that's why we never see our own hands or reflection + respawn in ink + sammy lawrence tries to sacrifice us immediately. god how fucking cool would it have been to, like, hear henry over loudspeakers trying to help us, and then we walk into the room he's in and just see BENDY.
but yeah no bendy's just a cute lil guy in the corner who can sometimes hulk into the ink monster bc... that was a thing in fanfics? joey drew is a good guy and good dad and the real enemy is the exploited worker. FUCK the original game's really good horror and atmosphere amiright
anyway i get why people like it i guess but hhh it really doesn't land for me. honestly im just pretending the first game is the only canon it was way more interesting
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annebonnydyke · 1 year
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So you’ve had fun Goncharov posting and now you actually want it to be real
(Disclaimer that this is my own opinion based on the vibes I get from Goncharov and you might not necessarily agree with me. Also blanket content warning most of these work deal heavily with domestic abuse, violence, racism, and sexual assualt)
1. The Godfather Part 1 and 2- as far as I can tell this is where most of the Goncharov gifsets come from. This is one of those movies people constantly tell you is amazing and when you finally sit down and watch you get upset bc they were right. They’re regarded as some of the best and most important movies in the film canon for a reason. Mafia movies about the corruption of the soul, inescapable cycles, being doomed by The Narrative™ and of course young hot and sexy Al Pacino and Robert De Niro.
2. House of Leaves- for people who enjoy the interpretation of a nonexistent work part of Goncharov, House of Leaves is partly a horror story about a house that bigger on the inside, partly an academic analysis of the nonexistent record of that horror, partly the story of a man’s psychological unraveling, partly a critique of cold academic analysis, and partly a love story. If your favorite part of Goncharov was the metanalysis of a work that doesn’t exist and trying to fit all the pieces together this ones for you.
3. The Handmaiden- for all the people who love Katya and Sofia, two women stuck in their place in the world, who love each other but end up betraying each other. The Handmaiden is psychological thriller about a Korean pickpocket who is sent to con a Japanese noblewoman out of her fortune. Deals heavily with themes of deceit, betrayal, queer love, imperialism, and a woman’s place in a world controlled by men. My favorite movie of all time, highly recommend.
4. Black Sails- truthfully only tangentially similar vibe-wise to Goncharov but as a black sails blog the mutuals would have my head if I didn’t include it on this list and trust me the Goncharov to Black Sails pipeline is very real. Fans of clock symbolism and being being trapped by The Narrative™ will greatly enjoy this one. also that Katya/Sofia and Eleanor/Max/Anne parallels are real and I can prove it and don’t get me started on the Silver and Andrey parallels.
5. Bound (1996)- another one for the Katya/Sofia girlies out there. Two women hatch a plot to steal millions from the mafia, but will they make it out alive? Great style and cinematography and much more punchy and action heavy than the the rest of these. Its a very good modern film noir and the first feature film directed by the Wachowski sisters. Also a much shorter movie (1 hour and 48 minutes) if longer runtimes aren’t your thing.
Honorable Mentions
1. Goodfellas- I personally haven’t seen Goodfellas yet so can’t really give my opinion on it however if you actually want a mafia movie directed by Martin Scorsese starring Robert De Niro here’s one you can actually watch. My friend Angel says this ones really good and I trust their opinion
2. War and Peace 1966-67- again I haven’t seen this one but my friend Bianca really liked this one and tells me whenever she pictures Goncharov she imagines this. From what I gather people who are interested in how soviet history affected the art of the time and enjoy complicated relationship drama will enjoy this one. Also if you’re into very long media this one is split into 4 parts and clocks in at a crisp 7 hours.
If anyone has other suggestions let me know! I love getting recommendations :)
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kalofi · 8 months
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zl fic idea
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hii everyone i wrote something yesterday about an au idea i had for zolu and. i thought i'd share it here since its a bit too messy and disjointed in places to post on like. ao3 or something.
4.7k words, warning for temporary major character death but do not worry all will be fixed in due time. i'll put the rest under the cut
ok i have an idea for an au thats like kind of reincarnation but like reality displacement but like. okay just listen.
so we start at laughtale. its a couple years into the future from where we are in canon the strawhats are achieving their dreams luffy is about to find the one piece theres a big battle happening between them and the blackbeard pirates and whoever the fuck else is there idc. the rest of the strawhats are fighting the bb crew while luffy and zoro head off to find the one piece and also end up fighting black beard himself. luffy and zoro atp r like basically a thing but they never talk about it cuz theyre luffy and zoro and they kind of just exist with each other but like. theyre basically in love and everyone knows it. anyway they go off together luffy has the one piece almost in his grasp blackbeard attacks they fight its a big battle blood is shed bones are broken uumm in my mind luffy and zoro are like teaming up against bb bc his devil fruit is lowk broken and op and like ok theres gear5 too but i didnt rly consider that so lets just assume bb’s devil fruit can negate gear5 somehow or luffy exhausts it before bb is fully defeated. 
finally theyre able to knock bb down and hes out and theyre both tired and worn but they DID IT and the one piece is luffys and theyre facing each other grinning ear to ear and zoros saying “you ready, king of the pirates?” and luffy laughs and goes “not just yet zoro, i still gotta-“ and then theres a spear piercing right through his chest. and in the next moment its gone. 
theres a gaping hole through his captain and theres blood, theres so much blood and luffy’s still smiling like he hasnt realized it yet, like it hasnt even registered. zoros ears are ringing and he doesnt know what to make of whats hes seeing because its just not real, it CANT be. 
he looks over luffy’s shoulder and blackbeard is on the ground with his hand outstretched , black energy coiling back into his form and he’s laughing and laughing with bloodstained teeth. hes fucking laughing. one moment zoro is still standing parallel to luffy and the next hes in front of blackbeard and the mans head is rolling through the dirt and gravel, wado dripping crimson, a terrible gap toothed grin still stretching the man’s cheeks. 
zoro is breathing heavy, hes trembling and hes almost mesmerized by the blood pooling around a lacerated neck— then he’s remembering luffy and turning around and calling his name and he can see right through him theres a HOLE right through him and he chokes and stumbles and rushes to his side right as luffy starts to crumple to the floor . catches him and lowers him gently and doesnt know what to say. 
hes still shaking but cant move his mouth and everything is muffled, the sounds from the battle outside are distant and they dont matter but what does he do. what does he do. 
he snaps out of it when luffy gently calls his name. a strong “zoro,” like hes not fazed at all. like there isnt blood soaking into zoros clothes. 
his brain kickstarts and he’s speaking. saying things like “youre ok you’ll be ok” and “choppers right outside i’ll just call him and he’ll fix you right up” and “you always bounce back, right captain?” and hes thinking “dont die please dont fucking die. not now, not when we’re this close please dont fucking die” and hes silently praying to all the gods he doesnt believe in but luffy calls his name again and his mouth clicks shut. luffys saying it’ll be fine, that he had fun. that hes proud to have made it this far with all of them. and those sound a lot like parting words so zoro’s shaking his head no but luffy is still smiling. hes saying that hes glad he had zoro, that he made him happy. hes saying to tell everyone he’s glad they met, that hes glad they all had each other, that he knows theyll be just fine . 
zoro wants to say that luffy should tell that to them himself, when hes wrapped up and recovering and alive but his mouth is glued shut again and he feels that interrupting luffy now would be cursing him to death, like his words are the only thing keeping him tethered here, he just needs to get him to keep talking to stay awake. 
he tries to smile but it comes out ugly and wrong and he feels his lip wobble so he drops it. he settles on rubbing his thumb on luffys shoulder. something to keep him here. 
so he rubs and luffy talks little things until he cant anymore. until his eyes grow dull and his skin loses its warmth and still zoro rubs and he rubs.
thats how law finds them. zoro hunched over a body that should never be as still as it is. and its really no surprise hes there, hes been gunning for the one piece since the time he could captain a ship (or a submarine) but it all feels so wrong. 
zoro either doesnt notice him or doesnt care, but either way the man doesnt acknowledge law until he’s right behind him. its not like law can say anything to announce himself either, not after seeing the state of the body that zoros currently holding. the body that used to be luffy’s. hes still processing it all when the other man(the one whos alive) finally speaks. 
zoro asks if hes got a devil fruit. less of a question and more of a statement, but he should know anyway since theyve spent considerable time together and hes literally seen him use it. law cant unstick his jaw so he hums in affirmation. “and you can switch stuffs’ places?” another hum. “what about time.” 
that makes law pause. “what?” his voice comes out stronger than he feels. 
“what about time? can you switch things in time?” by this point law has awakened his devil fruit or some shit dont sweat the logistics but hes never tried anything of that sort so he kind of stumbles “im not- maybe? ive never attempted-“ zoro interrupts “send me back” 
“what?” 
“send me back so i can fix this. you can do that, right.” it clicks. law would pity zoro if he didnt know any better, instead he just feels mounting despair and resignation. 
he may not be crew, but he knew luffy too, he was allied with the man for fucks sake, and this just feels- wrong. he sighs, a tired, heavy thing. 
“what about your crew?” its useless. zoros as stubborn as his captain, with arguably a handful more screws loose. “it wont matter. they’ll never know because i’ll make sure this doesnt happen.” he still hasnt turned around. law doesnt know what expression hes making and hes sure he never wants to find out. 
hes ready to deny it, cut his losses and head for the one piece himself (hes not heartless, but if he stands here any longer and has to look at. well. he think he might never be able to move again) but then he really thinks about it. could he? would it even be possible? surely this isnt the way things were supposed to go, surely this isnt right. luffys never been one who was supposed to die just like that, like this, law knows that much. he thinks hes going to regret this, but he counts it as one last thank you for everything luffy did for him. 
youre gonna owe me big time strawhat-ya. if i even remember this, that is. 
he puffs a breath “i can try. i cant- promise anything but. i think we both know this,” he makes a vague, weak gesture, “isnt right.” 
zoro doesnt say anything, law didnt expect him to. he just bows his head slightly and law takes that as the acknowledgment it is. 
he brings his hand up, “dont do anything stupid, zoro-ya. or, at least, make it stupid enough to bring him back.” 
he positions his fingers in way so familiar, but the weight of it now is nearly unbearable.
room.
shambles
zoro’s world shatters, differently than before, and then theres nothing.
he wakes up in bed, bleary eyed and a pounding headache assaulting his senses. his alarm clock is going off which only adds to the drumbeat against his eyes. he grumbles and whacks around aimlessly to shut it off. the silence lasts a moment before his eyes fly open and he jolts up, sheets pooling around his waist. luffy. where was he? where was zoro? did the crew find him and take him back to the ship? did law fail? but this didnt look like chopper’s office.
he looks around to find hes in a room hes never seen before in his life, yet he instinctively knows is his. it all feels so wrong, like he doesnt belong in his own skin. he scratches lightly at his arm. he needs to go to work. 
work?
what the fuck is happening. 
its like his mind is at war with itself, one truth trying to dominate over the other. he trained at sensei’s dojo. he aged out of foster care. he was a swordsman, he was the first mate of the strawhat pirates. he didnt go to college, hes working construction. he made a promise, and kuina died. kuina…died. huh. his captain, his luffy, someone he knew so intimately and who knew him in turn. hes never met someone with that name his entire life. he needs to go to work, he needs to find his crew. 
he doesn’t understand what the fuck is happening. 
without his permission his legs stand him right up and he moves confusedly, surely, to the bathroom he didnt know he had. his reflection stares back at him in the mirror and its him, of course it is, he doesnt know why he expected someone else, but hes also…different. he has both function of his eyes, first of all. a scar in the same place as before but its light and healed over and doesnt seem to have blinded him like it once did. his hair is green, sure, but black roots peek out from underneath the familiar shade. hes grown stubble, he should shave. he needs to go to work. 
hes so confused, but his body moves like its been doing this its whole life. as far as zoro knows, it has. 
he continues getting ready, mind still at odds, and makes himself a cup of coffee (in his own kitchen. his own kitchen? the state of it leaves less to be desired. sanji would surely skin him alive) before tucking into his shoes, grabbing his wallet and keys and heading out the door. he seems to live in a single room apartment, and a crummy one at that. his legs move him faster, he has to go to work, he cant be late again (again?).
his car is parked outside the building, he has no fucking clue what it is but he unlocks it all the same and settles in. he feels like he shouldnt be operating this sort of machinery. franky would know better than him how it must work. he starts it up and backs out. trusting his gut to get him where he needs to be. he should be more concerned, he should be frantic and inconsolable, his captain was dead in his arms and now hes? what? going to lay some bricks or some shit? but he finds that part of him dulled in favor of following whatever mundanity this body is pushing him towards. 
uumm whatever whatever he arrives at work eventually i dont know how construction jobs work are there offices or something. idc thats not the point. johnny and yosaku are there and zoro is surprised to see them since, as far as he knows, the last time they were with each other was at arlong park which was years ago for him. but the two greet him like this is a daily occurence, like theyve been working together for years. and zoro thinks, knows, they must have. but this is good, this is great fucking news actually because until now theres been no confirmation if zoro was here alone (wherever “here” is) but now his proof is right in front of him because if johnny and yosaku are here, and they exist the same as from before, then that must mean everyone else is here too right? he clings onto this hope with both hands trembling. 
nami, usopp, the cook and chopper and robin and franky, brook, jinbe and fuck. fuck, luffy. theyve got to be here somewhere, zoro just has to find them. hes not sure if they remember things like he does but hes got to try because they are his as much as he has always been theirs and they should all exist together as it has always been. 
so then yeah he finishes his shift because its what hes ‘supposed’ to do but he doesnt go home. he drives around aimlessly before pulling into a random lot and pulling out his phone (theres no snail attached to it. weird.) he doesnt even know where to begin. hes not usually the one coming up with plans, he just goes where theres blood need to be shed. but no one seems to be in any danger here except for maybe himself, and its not like he has his swords anyway- shit. fuck did he still have wado? he must have right? he knows there was a kuina that existed here too, he knows because he remembers. and she, well she wasnt around anymore so he must have wado. he must. with shaking fingers he pushes that aside for now, though barely. he needs to find luffy, but he wouldnt even know where to start. luffy could probably find the rest of their crew by simply wandering around and happening upon them, thats how he did it before. but zoro has no idea where he’d be, he doesnt even know where he is. nami or robin would be a good bet to at least form a plan, but he wouldnt know how to find them either. 
is there even a coco village here? would robin still be part of baroque works? he needs someone who has a defined location that he could google or something (what the hell is google?). usopp would be at syrup village right? shit. is there even a drum island? these are all too broad, he needs something specific. specific…..a place with an identifiable name, somewhere smaller that would be easier to stake out…
a lightbulb goes off. 
fucking shit he thinks. of course. of fucking course it would come down to the cook. 
he types in “baratie” to his maps and a location pops up, just 27 minutes from where he is now. he hasnt eaten yet either, so he figures thats killing two birds with one stone. he taps the address, backs out of the lot and drives. 
(if it takes him nearly an hour to get there thats nobodys business but his own)
he pulls up to the building about a quarter after 7. it seems packed enough already, but if memory serves him right then that was just par for the course for baratie. he parks, gets out and locks his car, then shoves his hands in his pocket and resigns himself to another oncoming migraine hes sure to get upon interacting with the man hes certain is waiting somewhere inside. 
the tables are full, the host tells him, he slips a 20 from his wallet and suddenly (of course) theyre more than willing to serve him. 
he gets settled in a far and somewhat isolated booth and a waiter comes up to him, but he cuts the man off as hes introducing himself and says “you got a blonde working here? stupid ass side part with a weird eyebrow? goes by sanji” the waiter looks shocked and put off by his rudeness but quickly collects himself and says “we might. depends on whos asking” zoro snorts “just tell him hes got someone who wants to talk to him,” he cringes at this next part, tries to smile but knows it comes off as a sneer. hes not sure if he still has conquerors haki wherever he happens to be now, but he tries to channel that energy the same way he would if he were in battle and says “tell him im a fan.” the waiters eyes widen, in fear or surprise zoros not sure (most likely a mix of both) before he nods and scurries across the floor, weaving in between patrons and coworkers alike until he disappears behind the double doors to the kitchen. 
zoro sits with his arms crossed and skims through the menu out of boredom and impatience. its a couple minutes before he sees a familiar head of blonde hair emerge from across the way. a smile climbs onto his face despite himself. sure, the guy annoyed him to hell and back and their…friendship (if you could really call it that) was a tumultuous one, but it was good to see someone familiar nonetheless. he schools his expression before the blonde can spot him. a few moments pass before hes standing right in front of zoro, his stupid suit primped and pressed as always, and a cautious look on his face. 
“you asked for me?” his tone is the one he only reserves for men who he deems not worth his time. zoro grits his teeth but says “yeah, theres something ive gotta discuss with you.” 
hes never been one for tact, forever blunt unlike his swords. 
sanji quirks a brow “i dont plan on talking about anything with anyone unless theyre a paying customer” zoro feels his eyebrow twitch but grabs his menu nonetheless and points to a random item without looking “i’ll have this then, and whatever booze you got.” sanji leans in to see what hes pointing to before his one visible eye widens and a grin slowly overtakes his previously unaffected face. 
he speaks condescendingly. “wonderful choice sir, coming right up.” before zoro can get another word in he grabs the menu out of his hand, spins on his heel, and marches back to the kitchen. 
zoro clenches his fists and does his best not to grind his teeth into a fine dust. no matter where they are or what displacement in time the fucking curly brow never fails to be absolutely insufferable. at least this way though, zoro knows its him for real. 
its another 20 minutes before the shit cook reemerges from the back with a platter and a mug in his hand. he steps up to zoros table and places the plate and cup down in front of him with a smug look. zoro has no idea what the fuck hes looking at on his plate. he doesnt have time to question it before sanji plops down in the booth seat across from him, disregarding all previous faux-professionale and asking “so what do you want” zoro tears his eyes away from his plate and looks into sanji’s, trying to convey as much emotion, as much urgency as he possibly can. 
“luffy needs us. and we have to find him” whatever the cook was expecting him to say, it definitely wasnt that. the other man regards him more warily now, looking him up and down with a tense frown before replying “i dont know what the hell youre talking about. and i dont appreciate being mocked or having my time wasted” he goes to stand up but zoro grabs his wrist, yanking him back down unceremoniously. 
he blinks before rounding back on zoro, flaring his nostrils in a way zoro knows means hes about to get himself in deep shit “oi, what the fuck do you think youre-“ he doesnt let him finish “im not mocking you. this isnt some stupid prank or whatever youre thinking. and despite how much i would enjoy punching your teeth in right now im not looking for a fight either.” 
the cook still looks affronted but seems to actually be listening. zoro continues “look, i dont know what the fuck is going on. i was at laughtale with you and the others, with luffy, and then i woke up and now im here and i dont know how but this is all wrong. its all wrong but i need to find luffy and fuck, i cant do it alone. i need your help to find him. find everyone.” the blondes eye is wide, but he blinks and its gone. he looks more tired than zoro has ever seen him 
“im not paid enough for this shit. i dont know why i even-“ he looks like hes getting ready to leave again but zoro is desperate at this point so he blurts out whatever he thinks will convince the other man hes not bullshitting.
“we met you here, at the baratie. me and nami and usopp and luffy. luffy busted through one of your walls so your old man punished him by making him wash dishes. i dont, i dont know what luffy said to you, or how he convinced you to join us, but he changed your life like he did mine. we sailed together, and we had each others backs no matter how much we got on each others nerves. you were our cook. i was our swordsman. luffy was our captain and youd do anything to help him, i know you would, same as me. youre a pervert and an asshole and a damn annoyance, but youre strong. i could still kick your ass though” if the cook’s eyebrow could go any higher hes sure itd be clear off his forehead by now. 
“and you- your dream. you wanted to find the all blue.” he stalls there, engine sputtering. zoro doesnt know what else to say, so he snaps his mouth shut. 
the blonde is still gaping at him like a fish, but he mouths the phrase “all blue” like hes been searching for it his whole life, like he always knew but just never had the words. 
he blinks. 
then he blinks again, rapidly. there are tears pooling in his eyes. his mouth flaps for a moment before he seems to finally be able to push out words. 
“you- zoro?” he sounds small. he sounds hopeful. zoro grins. 
“yeah, yeah its me.” sanji stares at him a moment, then looks around, as if hes seeing everything with clear eyes for the very first time. zoro figures he might as well be. 
“holy shit. holy shit.” 
zoro laughs, a rough thing. theres a ball in his throat that he cant seem to dislodge. “nice to have you back, curly brow” sanji’s gaze snaps back to him before he scowls and tries wiping away the tears that are now streaking down his cheeks. its useless though, it seems they cant stop. zoro laughs again at the sorry state of the asshole in front of him, this time more full and genuine. he feels so relieved he doesnt know what to do with himself. 
“yeah yeah, whatever dick head.” sanji grumbles. zoro quiets down, glances away, lets him have his moment. “fuck, mosshead, im still on the clock and you unload all this on me? how the hell am i supposed to finish the rest of my shift?” his words are sharp but he doesnt sound angry at all. in fact, when zoro turns back to look, hes smiling. 
“you remember now though, dont you?” he has to be sure. 
“what does it look like, dumbass? think im tearin’ up cuz of pollen or some shit?” the cook rolls his eye. theyre both silent for a moment, trapped in their own heads, before he speaks up again. “so, what now?” zoro doesnt even have to think before he answers “we find everyone else, obviously.” “well no shit, but how?” zoro glances to the side. “i was hoping youd figure that out” sanji stares before bursting out laughing. zoro scowls and hunches into his shoulders. 
“of course!” sanji cackles “of course your dumbass wouldnt know what to do! you probably just typed in the most recognizable place you could remember and hoped one of us would be there!” zoro doesn’t answer, because yes thats what he fucking did, but it worked didnt it? he doesnt see whats so funny. 
“fuck you.” 
he wants nothing more than to bash that smarmy mouth in, but the familiar egging settles something in his soul. sanji gasps a few breaths before calming down, now wiping tears from his eyes for a completely different reason. 
“alright alright, well lets figure this out then, yeah? we figure out how we got here then we can figure out how to get back right? simple enough” 
zoro nods, “law was-“ he stops. remembers dull eyes and clammy skin and wrong wrong wrong. he shakes his head, “no, no we cant” sanji looks at him confused. 
“we cant go back,” zoro presses, “not until i fix things. i promised i would” the other man seems to pick up on his panic and his mood dampens, becomes more serious. “promised what?” 
zoros never been one to sugarcoat, but now he wishes he could find a way to soften the blow hes about to deal. he inhales, pushes the breath out. says, “luffy died, sanji.” the fact the hes actually using the other mans name seems to fly right over his head in favor of the first part. “what?” zoro huffs, is he really gonna make him say it again? “luffy di-“ sanji interrupts, angry now, fists clenched and whitened from the pressure “i heard what you said. but what do you mean.” 
he doesnt want to have to tell sanji what happened, doesnt want to talk about it at all, wants to slice it up into small enough pieces that it very well may have never existed.
he told law the others wouldn't have to know, that he would make sure of it, but he's realizing now just how unrealistic that is. as much faith as zoro places in his own abilities, he's aware he's only one man.
and, he figures, if there's anyone i can trust enough to share a burden heavy as this with, might as well be the one who's strength i'd count on just as much as my own.
sanji cant help if he doesnt know what went down once they got separated at laughtale, so zoro sets his shoulders, clenches his fists, prepares himself like hes riding into a battle he knows he has no chance of winning—hes the first mate for fucks sake—and resigns himself to filling the other man in on every horrible detail
by the end, the cook looks much the same as zoro feels, pale-faced and shaky. he runs a trembling hand through his hair and clenches his eye shut. “fuck mosshead, thats…” he doesnt bother finishing, and zoro stays silent—already knowing just how much of a shitty situation it is that theyve found themselves in.
(btw the reason sanji was so smug about what zoro randomly chose on the menu is bc its one of their most expensive dishes. even upon regaining his memories he still makes zoro pay it cuz hes an asshole like that. business is business 😁)
uuummm i dont feel like detailing the rest basically my idea is that they work together to try and track down all the members as well as law, since hes also a part of this. i dont know how or when or in what order but i do know finding luffy would come last. so yes its zolu but for a majority of it more in spirit than anything. maybe i can throw in some luffy pov of him living with ace and sabo . he knows something is off but cant place his finger on what. he knows something is missing but hes got his brothers with him so what else could he possibly need? etc etc. you get the idea
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urasawayaoi · 23 days
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what are the most homoerotic moments in monster (strictly in canon) in your opinion ? like the ones urasawa knew what he was doing
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this is such a good questionactually and i would love to hear othere ppls thoughts on this... to me personally its got 2 be tenmas arrest when lunge is reading the love letters its just such an insane parallel to the roles they play in the twins' lives & their relationship in general. like
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^ really normal about tenmas case obviously
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^ lunge losing his family + job + 10 yrs of his life chasing after some dude(and also irrefutable evidence the twins exist)
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^ while tenma never lost his identity in the way that johan + grimmer + roberto had, lunge accusing him and tying him to the case permanently smeared his name and image; kenzo tenma becoming a wanted fugitive instead of a loved & respected surgeon. much like franz realizing he cant control what he loves lunge can finally see how wrong he's been, and while he can't ask for forgiveness he can try to let go of the weight of the past.
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^and of course. he got exactly what he wanted. tenma is in prison, the "killer" is caught, and yet he doesn't feel any sense of accomplishment or pride in the job both bc he knows its not over and he knows he fucked uuuuup.
last thing abt this scene i will say... i ddont rly understand the exchange that happens right before it.... v
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like is that referencing the first interrogation they did.. or is he hinting at tenmas innocence bc hes reactive... leave a comment below if you are smarther than me
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slexenskee · 8 months
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JJK Recs
Got a comment on this and figured I'd turn it into a post. Here are some of my favorite Gojo-centric JJK recs that basically live rent-free in my head and also very much so helped me form my own characterization for Gojo. Most of these are GoYuu bc I'm a shameless fan.
I keep the warmest truth - dehawny: Gojo/Yuuji | just adore this ace!Gojo headcanon. lowkey so torn on Gojo's sexuality bc I absolutely can see him being asexual and maybe even a bit touch-averse with the whole Infinity thing, but I also can see him being a total slut lol. This is one of my favorites and the only ace!Gojo I've found I think? The tags are just perfect and very much so aligned with my own personal Gojo heacanon 😂 "Gojou is confident about everything and that includes his sexuality", "he's also good at everything except maybe communicating"
A Duty and Responsibility - googlehome: Gojo/Sukuna this fic definitely pushed my 'bottom Gojo agenda' idk I can see this man with any sexuality I swear. Another great characterization of Gojo, and also Sukuna. I adore very serious fics with a splash of humor in the narrative. I can't imagine Gojo as a person who takes himself entirely seriously, no matter how much responsibility he accepts, or how many burdens he carries for others, or what kind of nonsense gay crisis he ends up in, so I just love his voice in this.
Countdown - Rizna: Gojo/Yuuji a fandom classic as far as I'm concerned. This is such an excellent role reversal AU - if you're into S2 teenage brat Gojo, this delivers. I love all versions of Gojo, including mouthy teenage twink Gojo deeply obsessed with his adult sensei who's Trying His Best™ to be the adult in the relationship.
Enough (A Cinderalla Story) - athena_crikey: Gojo/Yuuji in an absolutely fucking hilarious twist of irony, I actually didn't read this story for a long time because it was a rockstar AU and when I first got into this fandom I was desperate for canon stuff. Meanwhile I then go on to bust out 400k+ words of my own rockstar!Gojo AU, so I guess I'm just a fucking clown.
Heart Laid Bare - athena_crikey: Gojo/Namami incredible introspection on how Gojo handles (or rather, doesn't handle) the burden of being invincible and the strongest told in Nanami's POV. I could wax poetic about this fic and the way Gojo comes across so multi-faceted as both a man who can do everything and also a man who can't even remember to adequately feed himself. I drew a lot of the inspiration for Gojo's cursed technique in my fic from this, how Infinity is both his blessing and his curse and the parallels to his overuse of RCT being a kind of toxic spiral.
Shared Infinity - athena_crikey: Gojo & Yuuji - read the tags on this one it deals with some heavy stuff (not with Gojo) I love the way this fic showcases Gojo as a mature adult deeply protective over his students while still maintaining his kind of flippant/uncaring outer persona we see in the show. Just completely love fics that really naile the dichotomy of Gojo being both caring and yet rather unkind.
Take Two - athena_crikey: Gojo/Yuuji - specifically love how this AU fic deals with the idea of Gojo's own fame being his shield between himself in the world around him where his Infinity technique doesn't exist. I love how Gojo is handled in this one, so jagged around the edges, and just his own worst enemy when it comes to his own feelings. Also love me a Gojo who can own up to his own mistakes, look at our baby go, showing emotional maturity and everything!!
Still, More Firsts - hngr4fngr: Gojo/Yuuji man do I adore this whole series. Great porn with ridiculously excellent plot/characterizations lol like I came here for the bottom!Gojo and left with way too many feelings about how Gojo deals with his trauma and how that would effect his sex life. Also has a super interesting take on how Infinity works!
little lamb to the slaughter - voxofthevoid: Gojo/Yuuji still obsessed with the astoundingly incredible smut, just absolutely shook by how god-tier this writing is, it is so hard to write good smut, just pacing, flow, word choice... this could be a masterclass on how to write really great smut that can actually pull a visceral reaction out of a reader. I think a great deal of that ability comes from a mastery of the tone of voice of the characters, too. Gojo is just incredible in this Yuuji POV, the way he describes Gojo is just utter perfection. On a related note, in general Yuuji's voice is so fucking funny in a way that doesn't detract at all from the mood of the story. In fact I think this would be too heavy without his hilarious occasional inputs.
there is no try (but it's still going to take a while) - juurensha: Gojo/Geto I love me a star wars AU jfc. I'm not even a fan of SatoSugu but this is just *chefs kiss* Jedi Master Gojo is such a mood.
anchor - valleykey: Gojo/Geto I love this one mainly for the Suguru characterization, which I truly never thought I'd say bc I'm just not normally a fan of his character/relationship with Gojo. He's just perfect in this fic though - it just makes so much more sense for his characterization, and idk, pulls it altogether in a way I think it falls flat in canon. That isn't to say Gojo's not great in this, he's just really not the main character at all. But it deals well with Gojo's loyalty to those he deems worthy of it (even if the recipient isn't considered 'proper' by jujutsu society) and just offers a good take on supportive (and smitten) Gojo
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Okay so a thing that has bothered me ever since I first watched Chat Blanc was Bunnyx and the general time travel stuff because tghis makes no sense. In the Chat Blanc time line, after Chat Blanc destroyes the universe, everyone is dead. Including adult!Alix aka Bunnyx. So the Bunnyx fron the Chat Blanc timeline doesn'rt exist anymore, meaning that the Bunnyx fron the episode is from a parallel timeline where Chat Blanc didn't destroy the universe. That however raises the question why she would even care about that other timeline. Is her quest to assure victory over Monarch in every single timeline because that sounds exhausting as hell. I also don't understand the deal with her leg disappearing while she witnesses the fight between LB and CB, it has no reason to, because LB defeating CB doesn't have any effect on Bunnyx because, as stated earlier, the Bunnyx from that timeline is already dead! And honestly, the fact that Lb even had to fight CB makes no sense. They could've just went back in time 2 minutes so LB can erase her name from the letter (or just be quicker so Adrien doesn't see her) and CB doesn't happen in the first place!
Like, genuine question, what was the point of the whole thing? I mean other than the concept is cool and the writers wanted to give LB trauma (which never really plays a significant part in the overall story anyway??)
Sorry for rambling so much, I don't know if this makes any sense, the episode was really confusing to me and idk if it's just because the episode actually doesn't make sense or because I just don't understand it bc time travel is really confusing. Would really love to hear your opinion!
You're fine and you're not missing a thing. The episode simply doesn't make sense nor am I sure why it even exists. I know a lot of people love it, but I really don't get the hype. It runs off of nonsense logic and makes most of the characters look really bad.
Let's start with the lore.
The canon lore is that Bunnyx only travels through time, not universes, so it makes no freaking sense that an adult Bunnyx would be able to stop Chat Blanc since the existence of Chat Blanc should stop her from existing. It's a total paradox that goes against everything we'd been told about her powers. Of course, she's also supposed to be the hero of last resort, yet we hear about her hanging out with famous historical figures and the season five final sees her acting as a substitute for the horse miraculous even though the people she portals in don't do a thing to help with the final battle, so it's not like Chat Blanc is the only time her powers and role get ignored. Any time I use the rabbit, I have to completely rework its lore because canon is just so bad at time travel. I like Alix and her adult design is awesome, but any time Bunnyx shows up, I expect to be annoyed.
Also, I will never forgive her for just dumping Ladybug back in our time without so much as a word of encouragement or any reassurance that the Chat Blanc stuff was only a maybe. And Ladybug was the one to figure out how to fix time!!! Alix, you suck at your job! Or this is just another case of the writers refusing to let someone other than Marinette save the day even though the poor girl really needs a day off.
As for why this episode exists? I don't even know, dude. It makes no sense. Back when we thought it was going to be a driving force in the season four conflict - an assumption that was backed up by Marinette's nightmare in sentibubbler - the episode kinda made sense in spite of its flaws. But we're two seasons past Chat Blanc and the only person who is apparently traumatized by it is Adrien.
Yes, the writers actually said this. No, you didn't miss an episode where Adrien learned about Chat Blanc. They were talking about the nightmares from the final:
Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.
Yes, this is embarrassingly bad writing. The character who never saw or even heard of Chat Blanc is somehow the one who is traumatized and effected by it while Marinette's trauma has nothing do to with Chat Blanc or the events of the season four final. Instead, it's random BS that was never even hinted at until season five. I just... what?
In case it wasn't obvious - which I guess it isn't given that professional writers missed this - the logical way to write this to have the season four conflict be about Chat Blanc from Ladybug's side. After the conflict ends, she reveals everything to Chat Noir who becomes terrified of hurting people with his powers. This is only exacerbated by the events of Destruction. But then the show would have had to let Chat Noir have a character arc that didn't revolve around Ladynette and the series seems allergic to that as a concept, so instead Adrien gets magical trauma that keeps him from the final fight. And I thought the Derision retcon was bad!
Other issues with Chat Blanc in no particular order:
It cements Nathalie as just as bad a Gabriel since she's the one who tells him Adrien's secret identity and we then see her do nothing to try to protect Adrien.
It makes Gabriel irredeemable by showing him gleefully hurting his child. Dude punts his son across the city with a smile on his face!
It makes Adrien look slimy since he asks Marinette out without telling her that he knows her secret identity. This one is in a bit of a grey area for me because the secret identity stuff is complicated, but Adrien has never been the one who cared about secret identities AND he's the one who has been directly turned down in hero form. The episode takes none of that into consideration with its writing and it really needed to for Adrien to feel like he had a valid point of view here. As is, he's taking advantage of a situation and putting his Lady love at risk for his own wants.
The pillow sniff scene makes Marinette look unhinged.
It spits in the face of The Power of Love by having Adrien's love fail to be enough to stop him from killing Marinette.
Marinette's parents should have gotten involved after Gabriel threatened her. There is no way in hell that I'd let my kid go over to the Agreste mansion after that. If the writers were once again determined to not let Tom and Sabine parent, then the threat should have come when Marinette was alone.
Why did Ladybug even need to go to the future if Bunnyx could have just gone back in time and stopped Ladybug from leaving the present for Adrien? Why did Chat Blanc even need to be defeated? What did Ladybug's ladybug actually fix when she cast her charm?
This is minor, but it bothers me: Chat Noir should not have been smiling and happy when he was freed from his akuma. That boy should have been in the middle of a breakdown.
I know people forgive some of the above because Chat Blanc is sort of an AU and I'm not going to say that's wrong, I just can't look at it that way because there's nothing that sets Chat Blanc apart from the normal timeline. The Paris special gives us an AU. Chat Blanc (and Ephemeral) are what the writers told us would happen in the canon timeline if Gabriel ever discovered his son's secrets. Canon Gabriel was the one doing those things and would have done them again if given the chance. This is who the writers said he is. Same goes for all the other characters who come across less than stellar here.
There's a reason why I love a good Chat Blanc rewrite. It's an idea with a lot of potential, but canon capitalizes on almost none of it.
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victimsofyaoipoll · 7 months
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Round 4
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Casca
She is part of a weird fucked up love triangle with two dudes. All three of them are honestly kind of terrible for each other but she gets shoved aside in favor of the two dudes in most fics and is not allowed to grow past the toxic relationships of her past. Also she’s a cis woman who dresses pretty masculinely (because she’s in a mercenary band) so she gets type casted as the mean lesbian friend, when she’s straight in canon
I've seen more than one Yaoi Shipper say that Casca should have died during this one big canon event as opposed to being assaulted by one of the people in the Yaoi Ship, which of course conveniently would remove her from the narrative and as an obstacle to said Yaoi Ship. Aside from that specifically, though, I think it's particularly cruel to imply that being killed is a better outcome than being a victim of SA, and is an example of the contempt fandom on the whole has for female characters who act traumatized - particularly when both male characters in the ship have similar trauma and its never implied they should have died rather than be assaulted.
She's an incredibly interesting character in her own right with really good dynamics and parallels to Griffith and Guts, and the way those three play off of each other is integral to the story, but most of what I've seen completely ignores her in favor of focusing on only Griffith and Guts
Elizabeth Midford
She started as just a cutie fiancée trying her best, turns out she's also a swordfighting genius, very under pressure to perform feminity in the Victorian Rose type of way. Fandom crucifies her bc she's Ciel's fiancée and they want him to be with his butler, Sebastian, the demon he sold his soul to for revenge
anime was a shitty canon divergent adaptation that butchered her character down to her "cutesy silly girly" persona, which obviously made the 2008 anime fans hate her with a passion (nothing wrong w being girly I'm just saying the adaptation made her super one dimensional) anyways fujoshis used to treat her as a villain because she's the fiance of Ciel,, who as u might know already was HEAVILY shipped with his butler, Sebastian back then (now it's kinda looked badly upon, nice tbh that ship sucks ass xD) She's a bit similar to Misa Amane from death note in the way she was treated. (Like an obstacle the yaoi ship must overcome rather than a person)
she's my silly little rabbit! i could gush about her character but i'll keep it short and just say that she's really well written and one of the best characters in the series. anyways she's ciel's fiance and she's like, rightfully annoying as any other 13 yr old girl would be but the fanbase fucking crucified her for even existing. she gets demonized for being 'annoying', but then ciel gets yaoishipped with an even more annoying guy. there is 100% an argument that lizzie/ciel is weird bc they're cousins (i personally don't ship it) but that falls flat when her detractors then ship the 13 yr old ciel with an eons old demon who Canonically looks like his father. the anime also never reached her main character development until years after its peak and that was only in a movie, so she really got the bad end of the stick here. not me though i had a giant crush on her when i was 12
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