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#ml writing critical
lostinbooks14 · 3 days
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Miraculous: Tales of Ladybug and Chatnoir would've been so much better if the writers gave both Ladybug AND Chatnoir powers essential to defeat an akuma. Imagine,
Ladybug- Creation- The Miraculous Ladybug power which recreates all that shouldn't have, but was, destroyed.
Chat noir- Destruction- The power to purify akumas which allows the weilder to destroy what shouldn't have, but was, created.
Ying and yang, good luck and bad luck, creation and destruction, perfect balance.
They both would've used their powers for good because, as Tikki and Master Fu and all those wise, ancient beings point out, destruction is just as important as creation, dark is just as important as light, bad luck is just as important as good luck (which would've been such a cool theme to dig into but gods forbid the writers ever use this show's full potential).
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motherofplatypus · 6 months
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The funniest thing about thomas and co watching the finale and explaining stuffs while they're at it is that they made it worse by a long shot. It's like beating a dead bush with a dead horse while digging their own graves.
Explain that Mari is actually aware that Gabe is Monarch? Doesn't explain why she's going to his house without Chat to beat his ass.
Jokingly saying that Jagged's crocodile is important to the fight? Nice joke, but care to explain where this whole Kung Fu trio and pet plot came from?
Said that they had planned that Chat won't be in the final fight with Hawkmoth since the beginning? Good job, his character turned out has always been this worthless.
It was Amelie at the end and Emelie stayed dead? Good to know the last 8 years of her irrelevance actually became irrelevant.
Said it was actually Marinette's win? Of course when the villain finally achieved their goal it is the hero's victory.
They actually believe that Gabe is a hero? Hooray, so glad they actually believe that the terrorist who has no qualms nor remorse for physically and mentally beating his own son that he enslaved for his own business is a hero.
And that's not including how they don't explain how people become Miraculized despite it not being akumatization, or how Lila isn't affected by the nightmare, or why Gabe unified Tikki and Plagg in Deflagration instead of making the wish despite it doesn't requires him to unify them.
And those were from two episodes alone. Imagine if they had to explain other episodes, like Evolution and Derision. How deep can they dig their own grave?
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nixthelapin · 3 months
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You know, I liked Lila as a character much better when she was just a lonely girl who lied to get attention and clout rather than some evil mastermind who somehow has three (3) different identities and has a secret lair in the catacombs under Paris.
But the writing team doesn’t want to hear that.
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ilikekidsshows · 5 months
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The Totally Spies-ification of Adrien
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Okay, it's been long enough that I can actually discuss how Adrien's slavery is depicted in the show without anger-fueled exaggerations and hyperbole. I want to discuss how Miraculous treats Adrien's slavery very flippantly and how it is, like everything in this show post-retool, all about Marinette. The show has a lot of stuff that hints that the writers intend for Adrien to be viewed a very certain way. I believe the writers made Adrien a slave for Marinette’s benefit and I will explain how I came to this conclusion.
I’ve joked before about how Astruc has worked on Totally Spies, “one of the kinkiest cartoons ever made”. I’d like to tackle this idea and how it relates to Miraculous more seriously. I’d like to tackle the topic of titillation and how it relates to how this show approaches slavery with such flippancy. My claim is that Adrien being a slave is not meant to be horrifying, which is why the story doesn't treat it as such; it's meant to be titillating.
I usually don't use Read Mores, since they can lead to broken links later, but this is really long. Strap in, folks.
Titillation for the context of this analysis means “content with the intention to excite romantically or sexually”, basically it’s about “kinky” stuff. The purpose of talking about sexuality in relation to Miraculous is not to paint the writers as some kind of fiends, but to present the fact that many teenagers are curious about romance and sex and will think about sex unprompted. This means titillating content in cartoons doesn’t even need to be related to sex to be titillating. And Astruc has a history of putting titillating stuff in his work, with Totally Spies being a very notable example of how you can include non-sexual titillating content in a kids’ show.
It all comes down to expected audience reactions. Adrien is meant to be sexy. I don’t mean that in a “the writers think this is sexy” way, but a “the writers think the projected audience of straight teenage girls will think this is sexy” way. He gets put into bondage three times in ‘Copycat’, ‘Anti-Bug’ and ‘Reverser’ and all three times the camera seems to like to show him off. He is meant to be an object of attraction for the audience. The people criticizing this show have been pointing out how Ladybug's costume accentuates her butt for years, but this is not something that occurs with just Ladybug. When he isn't posing for the viewers, Cat Noir gets whacked around by Akuma’s a lot, but a lot of the time it ends with him in a prone position that is also titillating, in ‘Pixelator’ it goes as far as having his butt jut out. However, the idea that Cat Noir is the one who gets hit when an Akuma needs to show off how dangerous they are is also part of the power dynamic where Marinette or Ladybug gets to show off, so it’s not purely for titillation, which is why other examples, like ‘Stormy Weather’ are more comedic.
It’s likely that Adrien-as-Adrien doesn’t get to participate in the show’s slapstick much, since that aspect of the character is presented as the perfect beauty, a role usually reserved for female characters who only ever get a little bit flustered or banged up to make sure they keep looking attractive. Marinette screams "waack" and runs face first into a wall in the same episode where the silliest thing Adrien gets to do is sneeze (Mr Pigeon). Adrien is meant to be attractive, sexy, titillating, in different ways in his different forms. As Cat Noir he is more active and more sexy, as Adrien he’s more passive and pretty, much like how female love interests can fall into these categories. It’s the Betty and Veronica dichotomy; in the Archie franchise Betty and Veronica are shown as the wholesome and sexy romance options and the reason the writers go out of their way not to resolve the love triangle is to keep the appeal of these both options going. People’s tastes differ, so it would alienate some audiences to pick one over the other. With Miraculous they solved the problem by having the two romance options be the different identities of a single character.
Frankly, as of the season five finale, Adrien is approaching “sexy lamp” levels of replicating sexist ways of writing a female character but just changing the gender. What else do you call him lying on the floor in despair while his love interest gets his superpowers and uses them to beat up his abusive father, while somehow being perfectly fine and happily kissing Marinette later after said father is dead and gone? Adrien’s trauma is debilitating when it serves the writers’ purposes, but stops being a problem as soon as they need him to smile and look pretty. The main reason Adrien’s trauma is so inconsistent is so that he can act as Marinette’s trophy so that Marinette has somebody to kiss in the final shot. If Adrien was despairing about not being good enough for her, or grossly crying about being an orphan, Marinette wouldn’t have a fun time kissing him. And if Marinette isn’t having fun, the members of the audience projecting onto her aren’t having fun either.
Speaking of how Adrien’s depiction relates to Marinette, here comes the controversial part of this post: while Marinette is not depicted as a literal slave owner in-story, narratively, she is very much treated as Adrien's owner from a meta perspective. We, the viewers, are meant to see Adrien as Marinette's property, and the twist of Adrien being a part of a slave race in a dynamic where Marinette holds all the cards is meant to be a good thing. We have been primed to view everything about Adrien to actually be about Marinette, because Marinette is the center of the universe of Miraculous and Adrien belongs to her because he’s the main character’s love interest. Adrien being revealed to be a slave that Marinette could control but then chooses to “merely” manipulate is meant to be glorifying to Marinette and titillating to the viewer. I will elaborate.
Marinette has been incredibly possessive of Adrien since day one and she is only occasionally depicted as being in the wrong about this, when she goes too far by the show’s standards. She stalks Lila and Adrien whenever she sees them hanging out together and she’s unreasonably jealous of Kagami. The only time she is depicted as being in the wrong is not when she's sniffing Adrien's pillow after breaking into his room, but when she actually bullies Kagami out of jealousy, and even that is depicted as more of an unfortunate misunderstanding than Marinette actively doing something wrong. Marinette is more sympathetic towards Kagami when she finds out she and Adrien aren't as close as she thought, that Kagami’s pursuit of Adrien is more hopeless than hers. Basically, Marinette is only in the wrong because Kagami isn't a threat, not because she was doing anything wrong by bullying her to defend her “territory”.
This gets flipped near the end of the season, though. When Adrien and Kagami do start dating, it's depicted as this big tragedy even more so than Master Fu losing his memories. Master Fu going missing is an afterthought, while Adrien choosing someone else over Marinette is the big “darkest hour” moment of the season three mid-finale, the cliffhanger moment of her crying in Luka’s arms while all hope is lost. Marinette isn’t directly crying about this, she is crying from “all the pressure”, but Marinette breaking down happens immediately after a scene of Kagami leaning in to kiss Adrien that has a somber dirge playing in the background. The first part of the finale has everything going wrong at the end; Master Fu is missing, Chloé gets willingly Akumatized, Marinette breaks down, and Kagami leans in to kiss Adrien. These scenes being put closely together is telling us that these are all bad things to happen.
Adrien ending up with Marinette is a given, but it's also taken for granted. Every girl with an interest in Adrien is depicted as an antagonist, while Marinette can do whatever she wants in pursuit of Adrien and will still be morally correct. Chloé and Lila, even Kagami to a degree, are villainized for their attraction to Adrien in a way Nathaniel, Luka or Zoé are not with their attraction to Marinette. Chloé and Lila are full-blown villains while Luka and Zoé are some of the most selfless members of the cast. Kagami is aggressive and socially awkward in a way that is used to justify Marinette's initial distrust and dislike of her (in ‘Ikari Gozen’ Alya voices her pity towards Marinette for having to spend time with her) while Nathaniel is just the pitiful bullied loner who’s still a liked member of the class friend group. Girls who want Adrien are bad for trespassing on Marinette’s territory and trying to “steal” something that “belongs” to Marinette.
The writers thinking Adrien belongs to Marinette is also not just subtext. Later in season five, when Marinette and Adrien finally start dating, Marinette even outright states that Adrien “kinda does a little” belong to her when she’s scared that Zoé has a crush on him. The fumbling of the line means that the writers are aware of how toxic it is to consider your partner your property, but they want to include that sentiment anyway, because that’s how they view the situation. Marinette’s boyfriend is her property and other people can’t even look at her property. ‘Emotion’ continues on this increased possessiveness by having the entire Marinette plot happen because she can’t conceive Adrien keeping things from her, because he isn’t allowed privacy from her while Marinette lying to Adrien (or Cat Noir) is a show staple.
This same attitude of Adrien not being allowed to have romantic options outside of Marinette has also been in the fandom for years. Every time a new female character was introduced, there was a worry that she’d “try to steal Adrien from Marinette”. Marinette and Adrien are endgame, the writers know this and the fandom knows this. The characters don't know this, but it doesn't matter because Adrien was already seen as Marinette's (future) boyfriend even back in season one when he barely knew her. And this attitude the writers and audience have is extended to the characters more and more as the show goes on, as almost every single character becomes an Adrinette shipper in support of Marinette in season five, while no one thinks to ask Adrien what he thinks about this. Only once, in ‘Desperada’ did Alya suggest that Adrien could make his own choice on who to date, but it was implied the choice should be Marinette specifically (Marinette smiles at this, while Kagami frowns). The cast is lucky the writers have decided Adrien already is Marinette's, or he’d be really uncomfortable.
Season five episode ‘Pretension’ goes as far with this as having Marinette basically ask Gabriel for permission to be with Adrien, convinced that she and Adrien can be together with no problems if she can just get him to approve of her. And then Gabriel tells her he’s promised Adrien to Kagami. You know, like a piece of property women were treated as before women were allowed to live without a man to control them. The finale then ultimately does have Gabriel agree to hand Adrien over to Marinette by dying and leaving her in charge of Adrien. Just because she uses the privilege to do some things for Adrien’s benefit doesn’t make what happened any less of a patriarchal transaction. In fact, the writers wrote it that way on purpose, with the knight and princess parallels they set up between Marinette and Adrien earlier in the show being something they are prominently proud of (the “reverse fairytale” as they put it). Adrien is the princess the dashing hero Marinette gets to earn with her feats of bravery; he’s handed to her like a piece of property and Marinette is too happy with her acquisition to even be outraged on Adrien’s behalf. And Adrien wasn’t even allowed to know about any of this, instead it gets handled solely between Marinette and Gabriel, like his opinion on the matter didn’t even matter. And why would his opinion matter, since he already is ready to promise himself to Marinette, even as the writers deny him the agency to actually make such a promise.
The goal of making it obvious that Adrien is cool with being objectified like this is probably why they make Adrien so obsessed with Marinette in season five, constantly repeating her name to himself and saying stuff like: “I can’t stop thinking about you” in ‘Pretension’. They need to drive it home to the audience exactly how okay Adrien is with everyone forcing him to be with Marinette. After all, you can’t force the willing. As of ‘Confrontation’, Adrien’s official goals for the future are: “I love Marinette Dupain-Cheng.” I guess, from the perspective of the writers, the childhood dream of wanting to be what his parents wanted from ‘Wishmaker’ wasn’t sad because of Adrien’s lack of agency; it was sad because he wasn’t forsaking all of his personal pursuits for Marinette specifically. As far as the writers are concerned, Adrien should only care about Marinette and nothing else.
This same entitlement is also present in Ladybug and Cat Noir's relationship. Every time Cat Noir is upset with Ladybug, like in Frozer, Glaciator, Syren, The New York Special or even Kuro Neko, they never talk about what caused it. This is especially blatant in cases where Ladybug has wronged Cat Noir personally, like Kuro Neko or the NY Special, where she never has to face up to what she did wrong because Cat Noir comes back because she “needs him”.  Cat Noir will always come back to her without her having to do anything because she is the main character and she says she needs him. He exists for her and her needs. He exists for her; it’s just another way he’s hers.
Speaking of how Adrien is treated affects Marinette, even Adrien’s trauma actually belongs to her in the writing.  I pointed out earlier that Adrien’s trauma shows up when the writers need to put him out of commission, but disappears as soon as he needs to be Marinette’s trophy, but it goes further than just inconsistency. The early seasons spend several episodes on how Adrien is being locked up by his father and unable to hang out with his friends and, between him and Marinette, Marinette is the one shown to be more upset and hurt by this. They don’t do this in every episode, as ‘The Bubbler’ actually does a phenomenal job of making Adrien’s upset actually about him, but the big point in ‘Glaciator’ is that Marinette is so upset that she can’t see Adrien that she accidentally leaves Cat Noir on read so he’s upset about that. Adrien is only upset because he didn’t get attention from Marinette, while Adrien’s literal abuse at the hands of his father is only important because it makes Marinette upset. Even Adrien himself gets in on this action in ‘Conformation’ when the writers go as far as having Adrien chastise himself of not being more worthy of Marinette’s love when his dad is once again busy ruining his life. Even Adrien himself makes his abuse about Marinette; him being abused is bad because it’s inconveniencing Marinette and inconveniencing Marinette makes him less worthy of her.
‘Cat Blanc’ is possibly the worst offender of all, though. This episode should be all about how Adrien is abused by Gabriel, culminating with Gabriel turning him into a monster that destroys the world. And yet, what is the episode actually about? It’s about Marinette. The worst thing that could happen to Adrien is about Marinette. Only Marinette gets to remember or even know about the possibility of Cat Noir getting Akumatized and only Marinette is traumatized by it happening. After all that the writers later dare to use this event that didn’t actually happen anymore, that Adrien doesn’t know about, to justify him giving his powers to Marinette, because he’s “scared of getting Akumatized” when something like that has never happened as far as he knows. But the writers had him reason this way anyway, because apparently the culmination of Marinette’s character development in the show means taking Adrien’s power as her own and then failing to win even with that at her disposal.
Another note about ‘The Bubbler’ that has to be pointed out is that it’s also the first example of Marinette being presented as good for Adrien simply because she treats him better than Gabriel. The final scene of Marinette giving Adrien his best birthday present yet and letting him think it comes from Gabriel is done to show how selfless Marinette is by letting Adrien keep thinking good things about his abuser. This idea that Marinette is morally good simply because she’s better than pond scum Gabriel is also present in the season five finale, where Marinette manipulates, gaslights and keeps important information from her abused slave boyfriend. Marinette is presented as being in the right because at least she didn’t literally control him with a magical geas like Gabriel did and gave him the object with which to do so (while notably not telling him what it does). Marinette will do the bare minimum of not taking literal ownership of Adrien and we’re meant to see her as a paragon of goodness for it, while she still has no respect for Adrien’s autonomy and hasn’t had any since the show started.
The way the Sentimonster “reveal” is handled shows this utter lack of respect for Adrien’s autonomy that the writers, and Marinette by extension, have. The reveal is not for Adrien, but for Marinette, just like every other piece of Adrien has been made to be about Marinette. Marinette gets to know and she gets to decide if Adrien gets to know, and she decides “no”. She will manipulate him and lie to him to keep him happy for herself, she will keep important information about him to herself that he might never find out if anything happens to her, because Adrien is hers and no one else’s and she has the right to make that decision because the world revolves around her because the world of Miraculous was created to be her playground. “Adrien” is just a toy on that playground for Marinette to play with as the writers see fit.
Now we’re coming back to Adrien’s role as the sexy, titillating love interest character that I talked about at the start of this essay. If Marinette granting Adrien the bare minimum of freedoms as a slave while manipulating him “for his own good” is meant to be a good thing, why is Adrien even a slave? Well, outside of the writers wanting to add a plot twist that doesn’t come with any messy plot they’d have to write about characters other than Marinette, Adrien being a slave is also meant to be titillating. What really is magical super slavery than very, very off the wall bondage and power play stuff? The idea that Marinette could rob her love interest of his free will with ease but won’t because she cares about him so much is very empowering in two different ways. It gives Marinette all the power in the relationship and it makes her out to be such a good person that even having ultimate power over another person won’t corrupt her. Adding to that, we have Adrien’s people pleaser abuse victim personality, which makes him fawn over the people he loves. If Marinette ever wanted to have control over Adrien, Adrien would give it to her of his own volition, no need for magical super slavery or unbreakable geases.
As I stated earlier, Marinette is meant to be the point of view main character the audience of teen girls projects themselves onto. So, really, Adrien’s slavery and abuse responses are all about that fantasy of having a cute boy you have all the power over but not needing to use it because the boy is so nice and devoted to you anyway. Adrien really is “perfect”, the perfect object of attraction, a being who technically has free will but whose free will you never have to take into account because he’s been designed and trained to value other people’s wants and needs over his own.
Marinette doesn't literally own Adrien within the story, but the writers make it very clear that they think she should. In fact, in all ways except the literal, she already does.
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haru-rain · 6 months
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Did the writers of Miraculous Ladybug ever wonder why Chloe is more loved by fans than Lila when they're both "mean" ?
The truth is, the writers only have themselves to blame.
You showed us a vulnerable Chloé. And every time you put her in the spotlight, even when she's acting mean, she has such funny lines that we just want to laugh.
Lila, on the other hand, is never around and when she is, she has such plot armor that you just want to hate her. It's so frustrating to see that everything always works out for her. Even when things don't go her way from the start, they always end up going her way. We can also add to this that nothing cultivates in us empathy for Lila.
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m3nt4llyr4v3d · 29 days
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Miraculous and Redemption
You know, I think I understand what my issue is with this show’s stance on redemption. It’s not specifically who gets the redemption, even the hypocrisy of who does or doesn’t get redemption/forgiven is only one part of the issue.
It’s specifically how they treat the characters who don’t get redemption.
I have seen, in media, where terrible characters who’ve done terrible things get a redemption, and the mean characters, who are just mean, don’t change at all. That’s fine! People are complex, some change and some don’t, some have done horrible things and some are just school yard bullies. It’s fine to showcase this, I mean hell, in the Owl House, Boscha was still an asshole in season 2, and this was past the point that characters like Lilith were forgiven (Lilith isn’t really terrible in Season 1, she just has done a lot worse than Boscha)
Miraculous’s massive issue with this, however, is that the narrative/the authors treats those mean characters as worse than those characters who’ve done horrible things.
I mean, what other media has one of the creators say that some high school bully is comparable to Trump when her literal rich, corrupt, politician father is right fucking there?
Usually the media where a terrible person is redeemed and the mean character isn’t doesn’t treat it as a moral issue. It’s not “oh well this person can’t change” or “oh this person is even worse!” It’s usually “they’re mean, and that’s annoying, but oh well”. That media never treats the character like Satan incarnate, or treats their meanness compared to actual villainy as a moral issue. When characters are around them, they aren’t treating that mean character as literal scum compared to the former villain, the narrative doesn’t treat them as more than an annoyance or, for lack of better words, “small fry”. I mean, while Owl House acknowledged that Boscha was still a prick in season 2, they didn’t act like she was worse than Belos.
Miraculous treats Chloe and Lila, some petty, mean teenagers, as the literal devil compared to other characters. Lila is a master manipulator who somehow convinced 3 people she’s their daughter and has a trillion disguises! It doesn’t matter that that twist came out of nowhere, and it makes it a little weird that this teenager has multiple disguises that she uses around the city apparently, one where she looks like a 20 year old, making people theorize she’s an adult because how on earth is she smart enough or resourceful enough to do this. Chloe is a villain comparable to Gabe, even when she was a hero! Her backstory doesn’t justify any of her actions, but for literally everyone else, we are going to justify their actions! If they don’t do that, they’ll just sweep their actions under the rug completely! It doesn’t matter that she’s consistently being manipulated by the fully grown adults around her, she’s terrible don’t think about it! She neglected her father somehow (???????????????????) so it’s fully justified to send her off with her abusive mother! We aren’t even going to acknowledge that Andre literally had a part in raising her and her turning out this way, because somehow he did no wrong! And what sucks is that it’s succeeding at making those characters appear that way, because some fans are completely genuine when they say that Gabriel is more sympathetic than them. I mean, if you frequent the Reddit (which you absolutely shouldn’t, one way or another it will melt your brain), you’ll consistently see character rankings with Gabriel, Lila, Tomoe, and Chloe in the same category. Somehow the show put the bullies in the same categories as the literal abusive terrorist and his helper in these people’s eyes. You will constantly see these literal teenagers be put on the same category as adults who have done infinitely worse. Even Andre, who is a corrupt politician and terrible role model and literally RAISED CHLOE… is “woobified” by some fans, even going as far to say that Chloe abused him! Nevermind how that would even be possible when she was like, 5-7 when her mom left! I can’t point my fingers at the fans for this though, because the show goes out of its way to place all of its sympathy on the adults, even when they don’t deserve it, EVEN WHEN THE PAST WRITING LITERALLY PAINTS THEIR ACTIONS AS BAD
(It also doesn’t help that the fully grown adult’s actions are all forgiven but god forbid you’re terrible as a teenager, then you’ll get sent off to live with your verbally abusive mother while your basically deadbeat father adopts your half sister literally right after wiping his hands of you)
I will talk about the hypocrisy in redemption at some point, and how bias and forgiveness is handled, but godDAMN, this sucks
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Five Ways SentiAdrien is a Retcon
Adrien’s a sentimonster now, but he wasn’t always. Here’s a list of things that wouldn’t have happened if Adrien was a sentimonster:
Chat Blanc
Epehemeral shows us what happens in a world where Gabriel Agreste learns his sentison’s identity. Chat Blanc shows us what happens in a world where Gabriel Agreste learns his human son’s identity. If Adrien was a sentimonster in season 3, then Chat Blanc would have ended with Gabriel winning just like he did in Ephemeral. But it doesn’t because season 3 Adrien was a real boy.
Gorizilla
Nooroo: Master, you don't really think Adrien could be Cat Noir?
Gabriel: I don't know. But he's hiding something for sure. Since his bodyguard has failed to keep an eye on Adrien, there's only one way for us to uncover his secret.
Yeah, put on one of the slave collars and say, “Adrien, tell me what you’re hiding from me?” Problem solved! Except Adrien wasn’t a sentimonster yet, so Gabe had to use an akuma instead.
Felix
As of season 4, Felix and Amilie know that the Agrete’s wedding rings are amoks, so why were they so obsessed with getting their hands on them back in season 3? What were they planning to do with Adrien? Why did Amilie think that was a reasonable request? There’s no way that she’d hand over her son’s ring! Easy answer: the twins cousins weren’t sentimonster yet and the rings weren’t that special. That’s why that plot goes nowhere and why Felix’s actions don’t match his actions after they decided that the boys were sentimonsters.
Origins
Adrien keeps sneaking out of the house to go to school and Gabe just yells at him, never using the slave collars. Plausible, I guess, but still hard to buy given how controlling he is. Why wouldn’t he use one of the rings? He already doesn’t care what Adrien wants and Gabe does not get meaningfully more controlling as the show goes on (it’s part of why season 5 completely fails to make him feel worse in my book).
Miracular
Cataclysms drive Sentimonsters insane, but kill humans, so Chat Noir probably should have gone insane here. Along similar lines, the fact that akuma powers work on him like a normal human is super weird because Adrien isn’t a true human. Can he break his bones? Does he even need to transform to fight? Do all sentimonsters have the ability to use miraculous? I have questions that this show will never answer because the answers don’t exist. That would require competent, well-thought-out lore.
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eddo-tensei · 4 months
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This will never not make me laugh
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In case you don't know what this is, this is all the sightings of Socqueline Wang in Season 5. Aside from her debut, she only had like two cameos before her big moment in Derision's flashback where she turned out to be this super important figure in Marinette's life...and then she just disappears from the season altogether after the flashback is over. Right after we find out how she got suspended, she just stops showing up for the rest of the season. She doesn't even appear in the present of the same episode or even cameo in the background in episodes afterwards. She's just gone. It's like after they showed her getting suspended and this epic farewell scene between her and Marinette where she rips off the Majesta speech from Alya (Because why not steal one more thing from Alya?), they just treat it as though she isn't in Paris anymore even though we saw her two episodes ago still helping her friends. All this does is serve to prove that Socqueline's entire character is just to provide tragedy for Marinette's backstory and nothing else. I can't even say this is salt for Socqueline because this feels like the writers throwing her out as soon as she apparently fulfilled her purpose in showing Marinette having a big sad because of mean old Chloe. She doesn't even appear in the background of Revolution in protest of Chloe, which you think she would considering how much she hated Chloe. It's an instance of them just creating a disposable character purely just to prove a point and instead of keeping her in the cast, they just throw her into the bin because she doesn't serve a purpose anymore. More people hate Chloe now and that's all that matters to the writers. Screw actually developing this character who's supposedly a great figure in one of our main character's lives. As far as the writers are concerned, she already fulfilled her purpose in the narrative and that's infuriating to me because of how utterly manipulative it all comes across as.
Is this irrational? Am I too upset at the treatment of what's basically a minor character in this show? You be the judge.
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burgendee69 · 2 months
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Something I find interesting is how both marinette and adrien fans will say that the other is the narrative's favourite and they're both right and wrong at the same time. Marinette is never allowed to succeed because the writers need to make sales and continue the show because if it weren't for this out of character incompetence, Marinette would have defeated Gabriel by season 2. Adrien is never allowed to act because Marinette needs to be the centre of the story and the writers seem to think that this means no other character gets to do anything.
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gryficowa · 3 months
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Do you remember how Sabrina took a photo of the injured Chloe in the first season and laughed at her?
Remember when Andre fired Roger and Sabrina had no reaction?
Remember when Sabrina stole Marinette's diary from her room?
Because I see that the fandom forgot about it and easily bought her a redemption arc, as a former scapegoat I am disgusted by it, Sabrina was not a victim, Sabrina was a torturer and she willingly participated in all this
Sabrina was a worse bully than Chloe herself, and she got a redemption arc when Chloe didn't get one because Thomas has a fucked up double standard (Like the fandom itself)
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Really hate how people are all "Oh isn't Ladynoir in season 4/5 so sweet!"
Because they don't remember all the times Ladybug lied to Chat Noir, abused his trust, or just flat out ignored his consent.
They're too distracted by Marinette being sad every other episode to realize this is a pattern of behavior.
Ladybug apologizing doesn't actually mean anything because she never actually changes her behavior.
She is essentially taking advantage of the assumption that Chat Noir will always forgive her as an excuse to
... Oh
Ladynoir in seasons four and five is literally a toxic relationship.
Tension builds: Ladybug lies and refuses to trust Chat Noir with anything unless she's literally forced to.
An incident occurs: Chat Noir quits, Scarabella shows up without warning, etc.
Reconciliation: Ladybug apologizes, or worse, Chat Noir apologizes for getting angry at being lied to
Everything "goes back to normal" until Ladybug's lies pile up again
Rinse and repeat.
The writers really went "it's not abusive if it's a girl doing it to a boy" and the fandom ate it up.
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motherofplatypus · 18 days
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An idea that i don't see people talk about is Chloe being Adrien's sister figure. She had mommy issue earlier than Adrien, then when Emilie was dead, she felt unconscious responsibility to protect and take care of him. All of her affections are all platonic. That's why she hates when Adrien having new friends, bcs they took him away from her. Like, imagine if Chloe has brother complex.
I swear there's a lot that can be explored from their relationship if the writers aren't cementing themselves in "Make everything about Adrienette" and "Adrien is a damsel in distress".
Sigh, another day another wasted potential the show had.
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nixthelapin · 3 months
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I had an epiphany.
Destruction (s5e3) exists only to kill Gabe.
LB and CN don’t accomplish anything with that convoluted plan, neither does Monarch, and it just feels like a huge tease since they almost get the Miraculouses back, but don’t because they decided to monologue instead of just grabbing them off of his tied up body like morons.
If the episode hadn’t ended with Monarch getting Cataclysmed, then what really was the point of the episode? Because it takes place chronologically before episode 2 (Multiplication), so we know she doesn’t get them back when the episode is starting. So… we have an episode to watch her fail spectacularly? It’s kind of interesting to see him change the Miraculouses into rings, or him making an effort to find Ladybug with the Kwamis, but I don’t think it justifies a whole episode.
The writers wanted to create more tension and tragedy as the season progressed, which I can get. But I think the ultimate reason was so they could justify Gabe getting the Wish in the end so Adrien won’t be an orphan. “See! He’s kinda good! He’s doing it for his son! He’s definitely not some power hungry monster! He’s sympathetic- feel bad for him!”
I already hated the episode, it felt so pointless, but now I hate it even more.
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ilikekidsshows · 4 months
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I'm not sure if people still remember but I have always been in the camp that Chloé was a jerk who got what she deserved in the season three finale of Miraculous, a failed hero. When season four first started airing, I also believed that her character regressing in season four could be a reasonable reaction to what she went through in said finale, because she did not have a good time and her lashing out in hurt made sense.
Then season five had the characters talk at length about how Chloé's trauma doesn't excuse her behavior (with Mylène parroting stuff Astruc has said to Chloé fans on twitter if the true source and targets of this part of the episode aren't obvious), in the same season where Chloé traumatizing Marinette is used to excuse Marinette's less likeable behavior. Chloé is made responsible for Marinette's character flaws while also being 100% responsible for her own character flaws when both of their character flaws are stated in-show to be caused by trauma caused by another person. The double standard is obvious.
If I'm going to look at 'Rocketear' and call it out on its character assassination of Nino, I need to look at what the writers did to Chloé and call it out on being the exact same thing. It's not often you see a villain character get character assassinated, but it sure happened here. Chloé might have been a jerk, but she was never whatever seasons 4/5 turned her into.
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haru-rain · 6 months
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I've just watched the interview with the Miraculous ladybug writers about the end of season 5…
Omg I feel like such a clown !
In fact, I realize that the whole Gabriel thing is just an excuse to have a guy who makes a wish that will change the world for the better. In the interview, they say "what we wanted to tell is a revolution of the mind".
But if you're willing to say anything to get to that end, it's normal to end up with a lot of problematic stuff.
The writers also refer to Gabriel as a hero : "He (Gabriel) said to himself, yes, for the sake of my child, I'm ready to give up all this power with which I can do anything I want, but I can't make my child happy" "Which makes Gabriel one of the heroes of Miraculous".
As if all the harm he caused had miraculously disappeared because he helped create this new world lol
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m3nt4llyr4v3d · 8 days
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Forgiveness in Miraculous
The main issue I have with the redemption in ML is that redemption = forgiveness
The fact that characters get redeemed/forgiven/absolved when they haven’t done anything to warrant any of that: they simply change their mind and oh they’re good now! The good guys fully accept them as good too!
The characters who are “redeemed” so far have not put in the work to be redeemed
Literally the only character I can think of who did something bad and is actively putting in the work to be better and be there was fucking Jagged Stone
Felix barely did shit to be actually be a better person, and yet Kagami’s vouch for him is supposed to be our indication that he’s redeemed, not only that but he’s on the team!
Nathalie changed her mind, then changed it back to continue helping Gabe, then changed her mind again at the last possible moment, and she’s just chilling at the end with Marinette not doing anything about it, somehow that’s our indication that she’s redeemed (if it turns out Marinette forgot because of the wish somehow someone please throw a brick at my head)
Andre literally hasn’t even tried to act better or be better, and he’s completely absolved from all his actions because “he’s sowwy!” At least the other two characters tried doing something at the end, he didn’t do shit!
I am aware that them being better people could come around in season 6, but that’s not my issue. My issue is how they are treated as already redeemed without them putting in any work whatsoever!
It’s so ironic that the writers rag on Chloe because they say she only did good things because of selfish reasons, when the redemptions for the other characters literally amount to them changing their mind and that’s it
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