#but like it doesn't really matter that they're there
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Okay so someone shared this link on the server for the Chronicles of Darkness game I've been running since 2020 and I looked at the link and went 'yeah right' and then I read the article and went 'hunh' and then I watched the first three episodes of 'Knuckles,' which didn't take long because each episode is about half an hour long, and actually I fucking cried my eyes out at the big fight that is referenced because like... it's ... good, actually?
The show is very silly, and a lot of the humor is very childish, which makes a lot of sense, right, because it's about a fucking video game, but, at least so far, it's an extremely sincere show.
The siblings in this show act like highly exaggerated siblings. Of course adults wouldn't act like this, but it doesn't matter, because that's not really who the show is for. The show is for kids. It's goofy. The heart of sibling rivalry is there. The heart of hurting over a parent who abandoned you is there. The heart of a parent missing a family tradition is there.
The jokes that are made are made with love for Jewishness. Whoever made the food jokes has eaten a lot of gefilte fish and matzoh ball soup. Whoever wrote the episode understands how important it is that nothing puts out the Shabbat candles. Whoever wrote the episode understands the importance of minhagim -- the traditions that are unique to your family, to your synagogue, whatever.
Clearly they're not shomer Shabbos because their traditions include watching movies after Shabbat dinner, but that's not presented as them being Bad Jews -- it's just their family tradition, and that's just how it is.
Mom's bracha for the candles has the 'Adenoy' pronunciation which is so very New York Older Ashkenazi Jewish that it made my heart ache and made me powerfully homesick for the East Coast, since so many of the older people at my old shul used that specific pronunciation.
The fact that they literally centered a pair of Shabbas candles (with what are clearly kosher candles burning!!) in the fight, and the entire fight revolves around those candles? It just hit me right in the middle of the chest.
There's a difference between a show being silly and a show being insincere, and Knuckles is silly but it's not insincere. I will fully admit that I watched the first three episodes to get to the episode entitled The Shabbat Dinner, but you know... I might just finish the series? It's got heart, and all of the actors are clearly having such a good time. It's one of those projects that I refer to as a Summer Camp Show/Movie, where everybody's getting a nice paycheck and having a very good time and not taking themselves too seriously.
Plus, Christopher Lloyd made me laugh until I choked.
#jumblr#judaism#jewish#shabbat dinner#sonic the hedgehog#knuckles the echidna#knuckles series#knuckles show
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Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?
thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')
1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:
and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!
2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)
and you can also use lines against each other to get different vibes:
it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.
(just gonna use my own art as examples, apologies)
if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.
and don't forget about negative space either! the spaces between things have their own interesting shapes too!
I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D
3. acting!
just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.
this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)
it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!
3. thumbnailing!
this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.
it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!
(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)
then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!
(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)
4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.
that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.
↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!
#art#twisted wonderland#(not really related but since that's what the examples are)#i'm so sorry most of my art advice boils down to 'SHAPES ARE FUN'#(they are though)
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If there would be a tommy begins episode, what would you like to see?
I have waited... my entire life for this moment.
Sorry, I'm about to answer this question in the most Jack way possible. Strap in, I'm about to enter my director era. Okay, let's get to it.
Tommy Begins (Jack's Version)
Opening scene: We see a kid (8yo) playing with Legos on his bedroom floor. His room is very much so a boy's room—there are dinosaurs and dragons and a soccer ball in the corner—but it's very sparse. This family is not wealthy by any stretch of the imagination. He's building a car, and beyond his closed bedroom door, you can hear muffled shouting. It's his mom and dad. The boy stops playing with his toys and listens as a door slams downstairs (his mom leaving) and heavy footsteps come up the stairs. He's already scooting backwards when the door opens and his father stands in the doorway. He's visibly drunk, and the camera is angled at Tommy's height so that the man in the doorway looks scary and imposing. (We're really leaning into the visuals here). So his dad looks at him and says, "Tommy, were you eavesdropping?" He wasn't, of course, but it doesn't matter because his dad is already undoing his belt (to beat him, not for anything else!!). Little Tommy continues to scoot backwards as his father comes into the room, and closes the door behind him. Before the door closes and the light from the hallway is shut out, we get a shot of the man's shirt—his father is an auto mechanic and the name Kinard is stitched into his clothing.
Similar to 5x17, where Jonah is introduced as a random little boy before the narrative makes the connection as to who he really is, this is the point where the audience realizes, oh, this isn't just any Tommy, this is our Tommy. And he's about to get his ass beaten.
Oh shit.
And then the 9-1-1 title card appears.
Now, all the begins episodes parallel past with present, so in my head, Tommy is off-work. Buck is moving in that day (this isn't a Buck/Tommy focused episode at all, but Buck is the vehicle for this episode to happen) and Tommy needs to finish going through his stuff to make room for him. He comes across a large box in the back of his closet that's stuffed with all his random keepsakes. He reaches into the box and pulls out a small Rubik's cube on a keychain.
The next scene flashes back to the past. We see Tommy as a teenager, getting into trouble with his idiot friends. They're all high as kites, and one of his friends overdoses on [drug]. He notices—he's the only one that notices, actually—and tells one of his other friends to call 9-1-1. They don't because they're kids, there are drugs involved, and they're stupid, so Tommy calls 9-1-1. He follows the operator's instructions and stays on the line until the paramedics get there. He accompanies his friend to the hospital and someone—a cop who is familiar with him, from having plucked him out of trouble a handful of times—waits with him. He tosses Tommy a Rubik's cube (the same one from the box) so that he can keep his mind occupied. His friend is okay, but the cop is like, "Listen, kid. One day, that's going to be you and one day, it's not going to turn out so well. You've got to straighten up or end up dead." Basically, the whole thing is kind of a wake up call. Before the scene changes, we see Tommy look up and look toward a container of pamphlets on the hospital wall. One of the pamphlets has a soldier on it. In his hand, the Rubik's cube has been completed.
In the present, Tommy continues going through his belongings. This is a dense episode, so we're not going to linger too much on what's happening in the present because it's secondary to what's going on in the past, but Buck and Tommy are texting. Buck is excited and has no idea the turmoil that is going on in his boyfriend's head. Tommy matches his enthusiasm (and it's genuine) but also takes a lot of effort at the moment. Still he smiles a little before he puts the phone down and continues digging through the box. Next, he withdraws his dog tags (and if it isn't obvious by now, the items in the box parallel with the next flashback because these are memories that are actively being triggered while the audience watches).
So, the next scene is obviously back to Tommy's time in the Army. Now, ideally, this would be a ninety-minute episode and I'd have the time to explore all the layers of Tommy's time in the service, but, alas, the boundaries of network television. In my head, most of Tommy's trauma comes from his childhood rather than his time in the Army anyway (which isn't to say it doesn't exist, just that it's not at the forefront of his issues) so we're going to have to gloss over that a bit. When we see him again, he's already in the Army, already well into his career, and the audience can see that he's shaped up and matured quite well. He's well-liked and good at what he does.
He's doing repairs on a helicopter when his CO approaches him and asks where he's going and what he's going to do after he's discharged. Tommy looks across the [hangar] and the camera pans to a a young man. He's in his 20s. Handsome in a boyish way. He's already looking at Tommy, but he looks sad and guilty and hesitant. They meet each others eyes and stare just a bit too long to be casual, and there is a lot of unspoken feeling between the two of them. Their relationship, such as it was during the DADT era, is heavily implied and it does not have a happy ending. Tommy looks back at his CO and says he's headed back home to Los Angeles. As for the rest, he doesn't know what he'll do after he leaves, but he'll figure it out as it comes to him. When he looks up at the guy, he's already gone. It's kind of a metaphor for the way the things he wants always seem to slip away.
In the present, Tommy is still going through his stuff. He unearths an old Academy shirt, so the next scene is his first day at the 118.
Tommy doesn't know it yet, but this is the first day of the rest of his life. Immediately, seeing those walls and doors fills the viewer with a sense of peace. Finally he's where he's supposed to be. He learns on his first day what type of boys club the 118 is under Gerrard. He's visibly uncomfortable (visibly to the viewer, who knows him well enough by now to read his face, but not to the old guard) the first time someone makes a homophobic joke. But he laughs and joins in, aware of but refusing to acknowledge the fact that they are making jokes at his expense. Just like that, he's accepted.
We see him assimilate quickly; the 118 goes on several calls. Not necessarily a montage, but we don't linger on the calls either except for a big fire. He saves Sal DeLuca and is rewarded with lots of accolades and praise. Tommy is one of the "in-crowd" and things are going well. But then Chimney shows up and Hen shows up shortly after. We all know how this plays in canon, so we don't linger too long on the times when Tommy is a dickhead but we do understand, from his perspective, that he has disdain for Hen and Chim—not because he's racist but because their existences threaten to dismantle this bubble of safety he's built around himself at the 118. The goal isn't to make the audience dismiss his complicity, but rather make them understand why he made the choices he made.
Because I am self-indulgent, there is one additional scene right before Tommy leaves for Harbor, where he and Hen are sitting in the locker room. She asks if he's going to miss it. He says he doesn't know, then he pauses and says "Kind of." There are lots of mixed feelings here. He suffocated himself in the closet within these walls and became someone he did not recognize, someone who went along with things rather than fight against the status quo, but he also learned how to breathe and exist a little freely once Gerrard left and Bobby took his place. He got his first taste of what it looks like to be Queer and proud within these walls, and that means something to him.
He looks at Hen and there are so many things he'd like to say to her that he doesn't know how to articulate, mostly because he cannot yet articulate them to himself. He's getting to that point but he's not there yet, so when she asks why he's looking at her like that, he just says "Thank you." "For what?" "For showing me another way." (This, of course, has a double meaning: first, referencing the idea that Hen/Chim showed him another way to be a firefighter, to be a family, to be a human being, and second, referencing the fact that Hen showed him another way to be Queer—showed him that Queerness doesn't have to be filled with self-hatred and pain. It can just... be... and people can either accept it, or they don't). Hen gets the sense that there's a lot he's not saying, a lot under the surface that she's not privy to, but she says "You're welcome."
The next scene is Tommy at Harbor, and the moment he gets there, the viewer can see a weight slip off his shoulders. He's back where he belongs—back with the mechanics, back with the big toys that make him feel at ease. It's a direct parallel to Buck's first meeting with the 118 (not for any Buck/Tommy purposes, just because I love a good narrative parallel) where Bobby pranks him. But Tommy smiles when they bust his balls, and settles into himself, and the viewer can see that he's okay. Things might not be perfect—he might not be perfect—but he's on the right track to being the person the audience will know and love in a few short seasons.
Back in the present, Tommy is pulled out of his walk down memory lane by the sound of his front door opening. Buck is standing on the other side with an overly large box in his hands. Tommy helps him carry it in, and offers to get the rest of his stuff from the Jeep, but Buck waves him off. He studies his face for a long moment, and asks if Tommy is alright. Tommy opens his mouth to answer and discovers, almost shockingly, that he is. He is alright. Maybe he wasn't a couple minutes ago. Maybe those items from the past dredged up memories that were best left forgotten. But he's here now, in this moment with his boyfriend, and he's fine. He's survived a lot. He's grown a lot. He's happy. So he smiles and he says yes, yes he's alright, and he kisses Buck, who also smiles, deeply. The doors close, implying sexytimes and Tommy closing the door on all the chapters of his life that have led him to this place, where he's now ready to embrace and walk into his future.
aaaaand SCENE :) the end.
#I had WAY too much fun with this#Oh my god.#TIM GET ME IN THE WRITING ROOM QUICK!!!!!!!!!!#tommy kinard#tv: 911#bucktommy#(but only slightly)
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If you, too, are looking for hope that Painland could be a thing:
Charles looked hurt when Edwin was talking to Monty, and he was clearly jealous when Edwin read Monty's book instead of talking to him.
Charles and Crystal don't seem to have a very meaningful romantic relationship. They're clearly into each other, and great friends besides, but it feels like they kiss because they want a distraction, not because of a deep desire.
In Episode 5, Charles is clearly projecting his relationship with Edwin onto the jocks. He's quick to say that "they're just mates" after Ritchie is gross and homophobic. What the jocks are or aren't doesn't matter. The important thing is that Charles immediately felt the need to shut down any conversation about whether or not two dead mates could be gay.
After Edwin and Charles hug later in Episode 5, Edwin realizes his feelings for his friend and puts his hand to his chest. Then, in Episode 8, Charles touches his chest after they hug coincidence? I think not.
Also in the finale, Charles says that he has a pretty convincing smile and leans in close to Edwin. It seems rather odd to do that after your friend confessed they liked you. Maybe I'm alone in this, but it seemed like really playful flirting?
Niko points out a blue and a red starfish and says that "they're in love". Blue is Edwin's colour and red is for Charles. This feels like subtle foreshadowing.
And Charles choose to run away with Edwin? Instead of going to heaven or something? After only knowing him for a few hours?
I've seen and read some cast interviews, and I've read what the show runners have said about the pairing. I think that what we're hearing is somewhat conflicted, so I'm not reading too much into it for any interpretation.
There are many interpretations of their relationship, of course, and all are valid. My view (maybe fueled by delusion and little else) is that Charles may have feelings for Edwin, but he's unaware of them or unwilling to acknowledge them for some reason.
Also, even if Painland never happens, I don't want Charles and Crystal to stay together romantically. I don't think that their relationship is very healthy in that regard.
#anyways#this is a sign of permanent brainrot isn't it#dead boy detectives#paynland#painland#edwin payne#charles rowland
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Since you’re in the mood for Navia, how about some Navia cuddle headcanons? I love how you write her.
(Genshin Impact) Navia cuddling HC's
I feel like I'm going insane because I FEEL like I've written this, but fuck it we ball. Also thanks for the kind words!
Navia will 100% have either her arm or hand holding her S/O whenever they're close by.
It doesn't even have to be cuddling, they could just be standing near her and she can decide:
(Navia) "S/O! Come here, I require your presence!"
She doesn't care if it's in public or private, If she wants cuddles, by all the damned souls in hell is she going to get it!
With all the fancy clothing Navia wears and how big her hair is, she usually prefers if she is the one holding them.
It doesn't really matter where, whether S/O is near her chest, the shoulders, as long as she's holding them, she's happy.
Her heartrate steadily increases with every second that passes, enjoying the few moments of quiet in her life with them.
She feels blessed to have them in her life, and shows this appreciation by almost crushing S/O's bone with her terrifying strength.
If her S/O is feeling particularly shy about PDA-
(Navia) "GUARDS!"
She has a blockade of bodyguards block anyone from looking at their sacred cuddle time, much to the amazement and embarrassment of her S/O.
But no price is too big for Navia to pay for her love!
Even if that price is all of S/O's shame.
#genshin impact imagines#genshin impact x reader#genshin impact headcanons#navia x reader#navia genshin impact#navia x you#navia x y/n
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On Friday, during Passover, a terrorist attack took place in Israel. The terrorist attacked an 18 years old girl on the streets of Ramla, stabbed her in the back, leaving her seriously wounded, as he ran away. The girl was in the city visiting a friend, whose father and brother heard the girl's screams and chased the terrorist. The dad, a civilian with a personal weapon, neutralized the attacker. The girl's state has since improved, but she's still hospitalized.
There is footage of the terrorist chasing the young girl down the street, stabbing her in the back without even stopping, causing her to collapse to the ground, as he continues, and flees the scene.
The anti-Israel protests on college campuses in the west are horrifying to watch. They were bad enough when they started on Oct 8, while Israel wasn't even counting its dead yet, because we were still fighting terrorists invading our country and endangering our civilians, so Israel's army was still not free to do anything in Gaza, but these protests have somehow gotten so much worse. They've become more openly antisemitic (we've seen more and more people doing the Nazi salute, and using signs calling for a "final solution," the whitewashed Nazi term for their intended annihilation of all Jews):
They are now more openly calling for blood (in the past week or so, we've seen no calls for a ceasefire, instead we've heard chants to kill Zionists, to burn Tel Aviv, for Iran to fire rockets at Israel, meaning at its civilian population, and to globalize the intifada, a wave of anti-Israel terrorist attacks. During the second intifada alone, over 1,200 people in Israel were murdered). They've also become more physically violent, with more and more Jewish and pro-Israel people being assaulted, and even requiring medical care:
instagram
I've been seeing so much, and it's being talked about on the news here more than you can imagine. The presidents of Israeli universities even did something unprecedented, that they've never done during any of Israel's former conflicts, no matter how bad those got. After publishing repeated calls for foreign universities to fight antisemitism and protect their Jewish students, the presidents of Israeli universities have now published an open letter, lamenting that the problem might be beyond the capacity of university presidents abroad to solve, and addressing Jewish students, stating they have a safe space here, offering them any assistance with pursuing it.
The worst protests are in the US, at Ivy League universities of all places, but I've heard horrifying things about universities in Canada, France, Australia as well... I feel like I can't really do this subject justice in just one post, so if I only share with you one last thing about it, this following vid would be it, because it's bigger than just the protests, and at the same time, partly explains how so many people have been recruited into them. It's a typical example of how in this complex conflict, real facts (such as vids filmed on the ground) are often taken out of context and manipulated to present a simplistic narrative, in which Zionists (i.e the overwhelming majority of Jews) are presented as intrinsically violent and evil, while ignoring and even lying about the anti-Jewish violence at play:
Jews and Jewish allies abroad, please take care of yourselves! And don't let all the hate get to you... Just because there's a lot of them, doesn't mean they're right. Or even that they're the majority. They just give that impression by being more vocal than anyone else, and taking over public spaces, pushing everyone else out.
(for all of my updates and ask replies regarding Israel, click here)
#israel#antisemitism#israeli#israel news#israel under attack#israel under fire#terrorism#anti terrorism#hamas#antisemitic#antisemites#jews#jew#judaism#jumblr#frumblr#jewish#israelunderattack#resources#Instagram
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I'm still seeing a lot of angry takes in the tags about how excessive Watcher's current costs are and how all fans really want, apparently, is "just shane and ryan sitting in a basement" back again. While I do think Watcher is probably spending over budget and that's a real issue, a lot of the takes I'm seeing show a fundamental misunderstanding of how video production works and where costs actually lie. So a few quick things that I just keep seeing that are bothering me:
It was never just Shane and Ryan in a basement. BFU did a great job selling that conceit and making sure you never saw anyone beyond them and maybe TJ, but they absolutely had other crew members with them on ghost hunts and they didn't do all the work on BFU themselves. This Q&A from Season 2 lists 36 people on staff for Buzzfeed Unsolved. It's fair to make arguments that Watcher may or may not need 25 people, but those arguments should not be coming from a place of "before it was just Shane and Ryan and nobody else."
If you don't know how many people are needed to make a professional video from a TV/film standpoint, you will not have a reasonable grasp of why Watcher wants to keep 25 people on staff. Sure, some YouTubers get by with a ring light and a contracted editor. The Watcher team have stated repeatedly that they do not want to work as just YouTubers and see themselves more as a production studio—so why do people keep referencing the YouTube model to understand their business? This is like asking the local shake shop why it doesn't function like the kids' lemonade stand down the block. The item category is similar but they're not trying for the same products or process.
The "gold dusted food" is not the big budget sink you think it is. On most TV shows I've worked on it's normal to partner with businesses that are shown onscreen and work out a deal where the price of the product (in this case the gold food) is reduced or eliminated in exchange for the free publicity. Watcher very likely made a deal with every restaurant it worked with to make the Korea trip affordable for the company. The real budget spends are on things you're probably not seeing but that still matter: camera and lighting equipment is expensive, insurance for that equipment is expensive, business overhead and paying your staff are expensive. So again—it's fine to critique Watcher for the streaming plan and the perceived budgetary issues, but go into this knowing the costs might not be coming from the things you see onscreen.
My source is that I work in TV and film and actually have a clue on how the industry functions. Again, 36 people worked on Unsolved (and those were the people mention in Season 2—who knows how big the team blew up past that in later seasons). Entertainment work is real work, and demands decent equipment, competent staff, and the same types of business and budget problems you'd find in any other business (overhead, staffing, etc.). Feel free to critique Watcher's business model, but first try to understand where that model is coming from and what goals it's attempting to serve.
#watcher#watcher entertainment#rant! sorry! couldn't see another take from someone who clearly thinks video work is just fun and games because “it's entertainment right”#funny how people expect normal business costs and problems for any other career but if it's involved with production they think everything#just magically happens and is made entirely by the onscreen talent. nutso#anyway i think watcher is probably trying its best; maybe got too overexcited; but cares about quality of life for its employees and#wants no one working to the bone. which is admirable! the streaming service was a bad idea but they're not the literal devil like some thin#they're 3 self described idiots doing this for the first time. they backpedaled. i don't see this as the death of the company & i'm gonna#keep supporting them :)
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maybe im just dumb but what is the difference between kris p and kris t?
TL;DR - They are Kris Dreemurr fictives and we needed a way to differentiate them
Oh you're not dumb, don't worry! It really is a little confusing because we haven't talked about who they or we are in a very long time. I'm going to talk a lot here so you have all the context you might need! If it''s too long,, the TL;DR above is the gist of it.
For context, we are a system! You can read about it a little in our FAQ
Kris T and Kris P are TWO Kris introjects/fictives of Kris Dreemurr from Deltarune in our system.
Originally we just had Kris T who split in Dec 2018, and then when Chapter 2 came out, Kris P came into our system after that. Of course at first, Kris T. was just "Kris", but since we had a double now, we had to figure out how to differentiate between the two. We knew another Kris fictive from a different system at this time who was nicknamed P. Kris by Susie in our system, and susie wanted to emphasize who she was talking about.
SO. As a small nod to that, everyone decided to nickname Kris P as Kris P, as an inverse of P. Kris.
A little convoluted, I know!
Besides being Kris introjects/fictives though, they also look different! I made some new drawings to try and showcase their differences if that helps :3?
Their dark world forms also look different. Kris T's is simpler, with a shiny soft cape, while Kris P's is more complicated with a hooded cape, which is also described as "very comfortable"
Here's a whole Toyhouse of images of how Kris T. looks like right now! There's also his reference ! vvv
Sorry if you weren't interested in our "life story"! They're not just random characterizations (they are alters), so I wasn't sure how to answer w/o giving you some sort of explanation.
They have their own sideblogs, so if you have specific questions directed towards them, you can always ask here because we'll see it better, or you can send them an ask in their own blogs. Kris T's is @kristalpepsi, and Kris P's is @itswhattheycallyou
#ask#Anon#fictive#fictives#headspace#ebonytailsart#Because I drew something I guess???#Tumblr is going to be special because I think these images are going to be too haunted for Twitter and Instagram#Feel free to call Kris T. Kritty or Kris T.!#Please be nice to him. He is still a person and presents as trans and nonbinary both inside and when fronting#He just so happens to use binary pronouns.#This is all information they're willing to share publicly! Especially because this has all been public information since 2018 lol!#In regards to 'does this means I cant reblog art of them anymore or use their art as my icon/header?' you still can! It doesn't matter.#As long as the post itself doesn't say “do not use as...” then don't worry about it! :3#Being a system in public/ online and having UTDR fictives is actually rather terrifying. Susie is just very brave about it and doesn't care#Hm what else.. this really brings us back to ogeeitsme.. when people would ask us questions about our system a lot.#Like 'what's the difference between Chara's and Kris's eyes?" We drew a whole graph for that hehe#From Kit#If I get too scared I may delete this.
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Someone on this post commented "platonic yandere step-dad is underrated" and honestly I haven't been able to get that comment out of my head.
Adam being like a sudo-father to reader is so real and all I can imagine is how mad all the other characters are. Like Alastor, Blitzo, Lucifer, Stola, hell even Ozzie and Fizz try so hard to be seen as parental figures only to be pushed away. Then to learn that Adam is driving reader to school and taking care of reader, they're furious and very, very confused.
Like, as much as reader doesn't like Adam for all that he did, I think reader is closer to Adam simply because he treats them like a person. Like Alastor treats reader like some strange toy, very possessive and doting. Lucifer has so much internalized guilt because of readers past (see post here). Reader feels weird around Blitzo because of their friendship with Luna, same goes for Stolas. So when Adam comes around and treats reader like a person, I think reader really starts to value that. It's even better that Adam can assimilate into human society pretty well and that he's a distraction to readers mother.
Don't get me wrong, Adam is still Adam, he's crude and mean, but he does care, even if he doesn't show it well. He has no desire to be readers father, but it doesn't hate it when you start warming up to him. He doesn't hate the routine and he doesn't find himself missing Heaven. Everyone already assumes he's dead, so it doesn't matter if he stays here with you. And it's not like you're going to complain about having someone to keep you from getting yourself killed.
I don't know I've just been thinking about it a lot.
#yandere x reader#soft yandere#platonic yandere#hazbin hotel#hazbin hotel x reader#yandere hazbin hotel#platonic yandere hazbin hotel
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Concept Cards??? + Vignette Ideas
We really need twst hobby cards to come out eventually
(Read As: I want a card where Cater gets to skateboard lmao)
But like...
Riddle - Tending the Garden: His vignette is about trying out new hobbies, but needing to start slow, so rather than just pruning the rosebushes he tries to grow his own plants for tea because it seems manageable/maybe growing an herb garden on his windowsill bc he again, needs to start small and manageable so his schedule isn't thrown off and he doesn't feel like he's sacrificing academics for leisure
Trey - Old Habits: His vignette is basically him and Deuce talking until Deuce brings up he has a toothache. We basically get to see Trey take a deep dive into dentistry and the extent of his knowledge because he manages to identify the issue and solve it, and it's revealed that when he's bored of doing school work and too tired to bake he just loves to study dentistry best he can without schooling on the matter.
Cater - ???: His vignette is him leaving a clone at Heartslaybul so he can escape for a bit and clear his mind while on his skateboard because things were getting too tense for him and he's got nobody he trusts to confide in. We get to see him relax and cheer up while he's out. Alternatively, his vignette could be more about running out of paint because he's trying to customize his skateboard.
Deuce - They're Called What?: In which Deuce's friends find out about gremlin bells and gift them to him. (Gremlin bells are something motorcyclists use IRL, the legend is that someone used bells to scare away malicious spirits on the road, so when someone buys them bells they but them on the motorcycle as basically a reminder to be safe, but obviously in this case it would be for his blastcycle)
Ace - Just a Little Glitter: Ace gets a kick out of pulling pranks on people anonymously around the dorm because his brother told him about a prank he pulled in his time there and sent him a few small vials of glitter to help spice it up. Ace ends up mixing glitter in with someone's conditioner, or puts some between couch cushions so when someone sits down it makes the glitter fly up. There is a possibility for Riddle clocking him as the person who's done it, (likely with evidence from Cater), and instead of getting him in outright trouble, he tells him that the couch needs to be cleaned by hand, each piece of glitter meticulously picked up to get thrown out.
Leona - Once The Greatest: His vignette is about how he used to spar and train with his older brother and the general of the royal army, and how at one point he was able to disarm anyone in less than a minute, despite having been so young and not using magic to help him. Once he fell into depression he never really got back into it. (Maybe he sees Silver and Sebek sparring and calls out an error they've made?? IDK)
Alternatively
Prince's Gambit: totally not homoerotic at all ongoing chess game he has with Malleus slkdfhlksdjhflkjsdf
Ruggie - Only if You Get Caught: In which Lilia catches Ruggie stealing snacks from the teacher's lounge. We find out that he's managed to win over the paintings in the hall to not snitch him out to the teachers in exchange for him coming to read to them every once in a while because they are. Incredibly bored, and it lowkey reminds him of reading to his siblings at home. Lilia points out that he hasn't bought his silence yet and Ruggie reluctantly hands over a snack tax.
Jack - I Can't Let it Go: Jack gets devastated when his cactus starts showing signs of dying because he's done everything he can think of to take care of it. He takes it to Jade reluctantly because he knows Jade is botanically inclined and is horrified when Jade cuts it. Jade was actually propagating it, but keeps that to himself. He then explains to Jack that the reason it's rotting is because it's getting too much water and it's in too small of a pot. He gives him instructions on how to fix it and keeps the baby propagated cactus for himself lmao
Azul - GET OUT OF MY CLOSET: In which Floyd finds out Azul enjoys wearing dresses and owns plenty of high quality ones and never wears them in public. It's not until the eel is out of the room that Azul starts fussing over the state his dresses are in and goes to the vanity to start applying make up. He wants to do drag but doesn't have the confidence to do it in public yet.
Alternatively, same title but it's cosplays he and Idia have made but he's too shy to put on.
Jade - You Can't Hide: We Jade goes about collecting the first years information for Azul, we know that he collects info on: Home countries, Hobbies, Tastes, Least favourite foods, Worst Subjects and a catalogue of the students' Magicam accounts, including private or secret accounts. This vignette would be about a random first year who appears to have no Magicam account and is generally difficult to read. I feel like we would get to the point where Jade goes to the nurses office just to look through files for information he can relay to Azul. (I may be thinking about one of my OCs lmaooo)
Floyd - You Can't Run: We learn more about Floyd's shoe collection and the story behind a certain pair. We find out that at walking boot camp some shithead made fun of Jade. Since they were so confident in their ability to walk, Floyd took their shoes and essentially kidnapped them to leave them on a bed of pine needles so they would have to walk back to camp barefoot, letting them know they got off easy for coming after his brother.
Kalim - My Mom Taught Me!: Kalim invites the prefect to his dorm so he can give them henna on their hands, after having dealt with Jamil's OB. He gets to talk about how it was one of the things he remembers from early on in his life, and it was relatively easy to do. He does his siblings henna too. He ends up explaining how henna on the hands is meant to bring the prefect good luck and keep them safe. We find out after that everyone in his dorm got henna as well because he can't cast protective magic for that many people, so he can at least try with symbolism
Jamil - No Guarantees: Floyd approaches Jamil to ask him if he can teach him to dance a genre Jamil has NO experience with, but his insistence and Jamil's own interest get the best of him and he promises he'll try to find a way to learn it so he can teach Floyd. He ends up learning the basics + a little more essentially overnight and has a loose idea of how to teach Floyd, only for Floyd to tell him he doesn't want to learn anymore.
Vil - Wrong Notebook: Vil doesn't realize until he's gotten to class that he grabbed the wrong notebook off his desk before he left that morning. Rook inquires if he grabbed his design sketchbook instead, knowing full well he did, but just wants a chance to look at the most recent designs. Vil doesn't really care, he's mostly mad at himself for grabbing that instead of history notebook. Rook ends up sliding Vil the notebook he was missing, saying that he noticed that Vil's bag looked a few grams off weight or some shit and he went back to grab it.
Rook - It's Nothing Sinister: A two for one, Malleus can feel someone watching him from far away, and ends up confronting Rook. Rook explains while he does have a tendency to watch those he finds beautiful, this is different; he needed to keep looking at Malleus in order to accurately describe his beauty in the form of poetry. It's only at that point that Malleus sees the simple notebook Rook has, and asks to see it. Rook hands it over proudly, and Malleus can see that there are actually...multiple poems about him, about Leona, about the Leech twins, etc. etc. and finds it entertaining, asking Rook if he may make a duplicate so he can show Lilia.
Epel - Harder Than It Looks: We get to see Epel apple carving again. Ruggie and Jack approach him, and Ruggie asks him if he actually manages to turn a profit on it. Epel explains that back home, basic preservation magic is used, so tourists tend to find them cool and they can charge more for it. Ruggie asks if he can teach him, and Epel warns him that it's harder than it looks, handing him an apple. Ruggie just thanks him and says something's come up, pretending to look at his phone and walks away with a free apple, (Epel confused bc Ruggie could have just Asked for a snack), but Jack expresses interest as well. Jack tries to do it, (partially because he feels bad Ruggie just walked away), but trying to hold the apple securely enough to cut into it without the knife slipping makes him squish the apple too much, the sides kinda mushy and bruised. He and Jack get to have a laugh about it.
Idia - DON'T COME IN: In which Ortho knocks at the door and Idia panics because he is 110% in magic girl cosplay lmao Ortho ends up coming in and gets a giggle out of it because Idia is basically cosplaying young Epel's meemaw (and they both know he is). The worst part is the fact Muscle Red ends up hearing about it over the mic.
Ortho - I Don't Really Know...: Ortho realizes that he doesn't really have any of his own hobbies, all of them have been influenced by Idia, and film club is fun, but it's not a hobby. The first years each present him with different ideas for a hobby he can pick up. He has a blast, but ultimately still feels conflicted about enjoying a hobby his brother won't partake in. The first years start to argue over which hobby Ortho should join them in when Ortho notices Trey through the Heartslaybul windows, (the first years are outside), and the first years end up seeing him enjoying himself with Trey, who not only mitigated Ortho's worries but managed to take on a Different 'big brother' role. Also baking is all ratios and proportions and chemistry, and Ortho finds those fun and easy, and gets invested quickly.
Malleus - I've Run Out Of Ink: Malleus does calligraphy when he's journaling and you cannot change my mind on either of those fronts. The vignette is him just going to Sam's shop, and someone ends up snapping a photo of him at the counter, finding it funny that The Malleus Draconia looks like he's going grocery shopping. Lilia ends up seeing the post and asking Malleus why he didn't just ask him for more ink, and Malleus admits he wanted to potentially run into the Child of Man just so he could pay for their groceries because of a modern romance story he read recently.
Lilia - It's Called Power Clashing: Vil finds Lilia's alternate Magicam and sees that grandpa is actually doing pretty well as a fashion influencer, with power clashing as his signature style. (AKA wearing patterns on patterns that are unconventional). Vil has Mixed Feelings on the style, but with another photoshoot coming up where he knows Neige will be his rival, he needs something to really set him apart and reluctantly asks Lilia if he would be willing to help him design a power clash outfit. And it's Vil so of course he kills it in the outfit Lilia suggests.
Silver - One Day They'll Work: Cater sees Silver at Sam's shop - Silver's buying energy drinks and Cater is getting cold brew kdfjhlskdjfhkljsdf but once they get to the counter, Silver asks Sam if he can have a box from behind him. Cater finds out that Silver collects prisms. He collects them so in the rare event there's sun in Diasomnia, his room is covered in rainbows and he gets to wake up in it, making him happy. Cater asks if it's ever been sunny in Diasomnia, and Silver admits it hasn't since he's been there, but he has faith that there will be sun there one day because he dreamt about it.
Sebek - IT'S NOT CHILDISH: Silver stops by Sebek's room before bed at some point, only to find him putting Malleus stickers into a notebook. Before he can even say anything, Sebek is defending himself, flustered and upset because he didn't say Silver could come in, (Silver is used to doing the courtesy knock and then walking in, especially because Sebek tends to just Bust into Silver's room), and goes off on saying that any media with Malleus cannot be considered childish, even if that media happens to be stickers. Silver swears not to tell anyone, but still finds Sebek's defensiveness amusing
THIS WAS SUPPOSED TO BE A SHORT POST (like less than 100 words) SLDKJFHLSJDFHLKSDJF love y'all slkfhldsjhflkjsdf
#v talks#twst#twisted wonderland#twst hcs#twst headcanons#twst fluff#twst scenarios#riddle rosehearts#trey clover#cater diamond#deuce spade#ace trappola#leona kingscholar#ruggie bucchi#jack howl#azul ashengrotto#jade leech#floyd leech#kalim al asim#jamil viper#vil schoenheit#rook hunt#epel felmier#idia shroud#ortho shroud#malleus draconia#lilia vanrouge#twst silver#sebek zigvolt
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i read somewhere that, after the war, zuko at least hands hama over to the swt instead of keeping her in fire nation prisons 'till the end of her life. Which is nice, I think. But I'm also curious as to how that would work out.
Most notably: how do you think it'd go down if she were to meet Pakku? given they both have some sort of connection to kanna's life, the idea of them being forced to interact even once entertains me very much. like, old waterbending master pakku—white lotus member—who has grown up in a patriarchal society and actively forbidden women from training to fight, under the precedent they are somehow ontologically weaker, fragile, and belonging in the healing huts... THAT guy, meeting his former fiancé's old friend: (or current wife's if you go by canon, which, eugh) A woman who not only fought in the front lines but ended up becoming one of the most skilled, creative, and deadly waterbenders in history. How would he react when finding out that a woman came up with blood bending? How badly would Hama mind-fuck him?? Because I'm confident they'd hate each other's guts-- no way she'd tolerate him,,,
And on a similar note—how would Kanna feel upon reuniting wirh Hama and discovering what she put Katata through, in your opinion? Idk, I'm just full of puppetmaster thoughts today. Hama is incredibly interesting and I wish she wasn't handled so much like a Halloween Specisl creepy witch, (even though katara herself is handled and written pretty well in this episode, i think. but i digress.)
i mean obviously i think about this all the time. i personally think that zuko hands hama over to the swt upon katara's request, and she and aang personally deliver her on appa (sokka is not there, for the very deliberate reason that if he knew what they were doing he would very vocally disapprove). and so katara is sort of retraumatizing herself by doing this, but she also feels like it's necessary specifically because she needs to be able to look hama in the eye and tell her why they're not actually the same (especially now that she actually did bloodbend someone in cold blood). katara has the love and support and safety to step back from her anger and her pain and her grief and hang onto her own humanity and allow herself to be the bigger person even in moments of abject rage and acute trauma, and hama doesn't. hama is a victim of her circumstance, and that's part of what makes her so uniquely terrifying to katara, because katara has that same capacity to make people hurt, she has the same tools at her disposal, and she has the same justifications to exercise that power. but unlike hama, she hasn't actually been pushed past her limits. sometimes she can see the cliff's edge, and sometime she even teeters on the line, but hama was fully just shoved off without a parachute, and that's really what separates them above all. i think katara should be allowed to acknowledge that and forgive herself for that, even if hama doesn't directly apologize to her (although in my mind she does, and it's not enough, but it's also so much more than katara ever expected to hear). even if it is too late for hama, katara deserves to heal.
frankly, i don't really give a shit about pakku or his reaction to hama. i also don't actually think that he thinks woman are ontologically incapable of being talented waterbenders of whatever; he's a pretty worldly guy, the reason he clings to these traditions isn't born of the belief that they're grounded in logical evidence like sokka's is, it's because he believes in the preservation of a system that benefits and valorizes him. pakku thinks katara belongs in the healing huts because he comes from a culture that dictates that women belong in the healing huts. like, he might also subscribe to the bioessentialist logic that women are better healers and men are being fighters, but that honestly doesn't really matter, because (unlike sokka) his epiphany lies not in the fact that woman can fight, but in the fact that his role in upholding these systems has actively driven his loved ones away due to his cruelty. he decides to be kinder, to women and in general, because he realizes that being an asshole has negative consequences. but frankly, who cares what he thinks of hama. realizing that your sister tribe in the south deserves aid and protection after being subjected to a century of genocide is kind of too little too late imo. unlike katara, sokka, aang, or kanna, who can approach this situation from the perspective of being a genocide survivor who even remotely understands hama's trauma, pakku really has no place in this conversation to me.
as for kanna...... god. hama/kanna reunion is genuinely one of the most heart-wrenching concepts to me in all of atla. as a sidenote, hama/kanna fanfic goes so hard every time. there's a total of like 15 fanfics for them on ao3 (last i checked) but they're all sooooooo. fucking delicious. tide locked........... ugh. anyway. i cannot fathom kanna's reaction upon learning that her closest friend once upon a time is not only alive, but also a convicted felon, for crimes including but not limited to manipulating her granddaughter, violating her (and sokka's) bodily autonomy in cruel and perverse ways, and forcing her to participate in that mode of violence in a way that traumatized her forever. even if you don't read them as former lovers (although it is indubitably better that way) it's so gut-churning. kanna lost so many people over the course of her life, and to learn that one of them has returned but in the worst way possible must be mind-boggling and distinctly unreal. like how do you even process that. first, how do you process how much pain she must have went through to become the kind of person who is capable of doing this, and then, how do you process the knowledge that the person you once loved most in the world irreparably hurt the person you now love most in the world? obviously she would always prioritize katara's safety over anyone else's no matter what, but god. kanna has led such a fascinating and impossibly difficult life, and it's not over yet.
#kallianthi#asks#analysis#postwargaang#hama#katara#pakku#kanna#hamaxkanna#hama&katara#also i didn't mention it in the post itself bc i've talked about it before but yeah i very much agree that i wish hama had been framed#differently because i do feel like making her into a cackling witch kind of undermines the whole point of the episode#she's someone who is deserving of our empathy and understanding despite her violence and by reducing her into a caricature#we lose that nuance#but otherwise it's such a fascinating episode....#kataraaa.... katara i love you katara <33333
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Mera Mera Mera Meraaaaahhhhh!
I am so down bad for the octo trio and am even more in love when it's stepcest, sorry your honor I'm a freak. 😔🤚
First the yan Floyd step-son! He's gonna show his mama that he's got his papa's genes too. And now that Papa is outta the picture, Floyd wants first dibs before he has to share with his silly brother. Spoiled boy wants to give only the best.
Then Ebb and Flow! When Jade said "Your not her only brother." I screamed internally and how he insinuated that he's dipped his wick when shes been sleeping! And since Azul grew up with these weirdos has he been treated to the similar teasing (but where they are kinda mean about it. 'You know we've noticed you staring Azul. We get that she's nice looking but watch those eyes. Just because we're a little freaky doesn't mean we're open to sharin' her.' [not that Floyd or Jade for that matter wants to...but just dangle the bait in front of Azul] kinda vibe.) I need to save this fic (among some other of your works) in my kindle to revisit because they have stuck themselves in my braiiiiiin!!!
AAAA yes yes!!!! I love Octavinelle stepcest. We will be freaks together, sweet anon. („ᵕᴗᵕ„)
Stepson Floyd who has always been so spoiled... making sure to give you the railing of your life now that he has you all to himself and no longer has to hold back (temporarily because Jade will want to have a go with you very soon). He's just so obsessed with you. He loves his mama to pieces!!!!
Ebb and Flow!Jade with the secret somno reveal...... oooooo he's the worst!!!! So sneaky... and if he knocked you up it'd seem like something careless Floyd would do (never Jade; certainly not! He's a good boy. <3)...... Jade setting his brother up for trouble while having plenty of fun with you when you're asleep. You're none the wiser, but your body seems to know something because you've felt so warm around Jade lately...
Oh, they are so unfiltered around Azul. The twins openly discuss how pretty you are in very non-platonic ways and Azul has to listen to these weirdos carry on about whether or not they think you'd spit or swallow their cum, what positions would be best to really have you screaming, if you'd let them mark you up. T_T they're both so shameless. Poor Azul... he just wants one cute café date with you, but he knows that will come at the cost of his sanity. It's an impossible battle... maybe the twins are willing to let him experience just a crumb of you, but if he gets too close they'll happily intervene and remind him he's just the childhood friend. Nothing more.
Maybe you and Azul sneak off to kiss and hold hands in private,,, secret relationship.......... which isn't so secret because the twins probably sniff the two of you out very quickly. ^^;;; still, it's fun to imagine. orz perhaps you have most of your "dates" at Azul's house without the twins. Sleeping over at his house and the two of you have to be quiet so you don't wake the house when you get nasty under the covers hehe.
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Do you have any solangelo hcs :)
yes I do!!! they're literally all I think about
nico blushes so so bad. All the time. when he's embarrassed, when he's mad, when he's caught off guard, when will talks to him, etc etc. Will absolutely loves it.
Nico doesn't understand physical affection ("what are the guidelines," he complains to hazel, "what are the rules, what am I supposed to do") but Will lives off of casual physical touch (an arm draped across someone's shoulders, leaning against each other, sitting super close even though there's a million other seats.) Nico eventually becomes okay with touch, but only with Will. Will does it so casually that it seems like there are no rules for him. Nico may not understand it, but it's easier to just let it happen and not worry about it.
Nico IMs Hazel alot because people are so so hard to understand. He's never had friends before. He's never had a best friend. He's never had a crush on a friend. He simply doesn't know how to act. Hazel laughs at him (with him?)
One day Will was in the infirmary alone, taking stock of items and cleaning up. He had turned on the radio and was singing along quietly. He ended up getting really into it and the closest holdable object became a microphone. Unknown to Will, Nico had been standing by the doorway, watching. He had planned on saying hi, but he... got distracted. Nico smiles, a lil laugh bubbling out of his chest. Will screams and literally collapses. He lays on the floor for a solid two minutes, holding his chest, before asking Nico what the hell he was doing. Nico apologizes, but he really can't bring himself to feel too sorry.
Will stares so bad. He stares at Nico while he trains, while he talks- while he's doing literally anything. Does not matter, Will Solace is somewhere near by and he is staring. Everyone notices, it's so obvious. Nico pretends he doesn't know. He's afraid that if he says something about it, Will will stop.
Will has a collection of pretty rocks, leaves, flowers, etc. all gifted to him by Nico. Nico sees Will in everything, every pretty thing of the earth.
Nico snorts when he laugh and he gets so embarrassed over it. Will thinks it may be his favorite sound in the world
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Kaeya with an s/o who is weak to compliments? 👉👈 (bonus points if they're part animal with a tail that wags, giving away their feelings)
Kaeya always has the prettiest things to say, even if it's not to his lover. He's silver tongued and sly, pretty face skilled at spinning lovely tales to any and everybody. However, that definitely doesn't compare to the things he says to you when the two of you are mostly alone. He loves to pull you into the side of his body, pressing a kiss to your cheek before saying the nicest things right into your ear to watch you squirm.
They're not even really all that suggestive most the time. He just loves feeling the way you tense up next to him as he leans in. His brush tickles against your neck as he tells you how lovely the clothes you picked out today are and that he loves how you look in them.
You try to tell him to stop, flustered beyond belief no matter what he says. Once, you attempted to tell him that you don't like it, hoping that it'd stop him from doing it at least for a little while but when he looks behind to see your hands fidgeting/your tail happily wagging he knows he's got you right where he wants you.
He'll never stop if you truly aren't too bothered by it. He just loves making you into a flustered mess, enjoying the way you cover your face and try your best to breath as his compliments make your head swim.
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Idea for an interaction between Luci and Adam
Lucifer: You used to be so kind and happy. So full of life and wonder. What ever happened to you?
Adam, seething: YOU happened to me, damnit! How do you not see that? You STOLE my first wife! You CORRUPTED my second wife with your shitty fuckin APPLE! You condemned all of humanity, all of my descendants, to a life of toil and suffering, all cuz the Big Plan wasn't fucking good enough for you!
And then, you left me! You left US! Left us to deal with the mess that you created! You are the reason for everything that has ever gone wrong in my life! You're the reason I doubted if Cain was my child! You are the reason Cain killed Able! And YOU are the REASON I was alone in Heaven!
Lucifer, looking mortified: W... What was that last part?
Adam, hysterical: You really didn't know?! Oh, what a fucking joke this is! Yeah, they didn't let Eve in because she committed the first sin. But she wasn't bad enough for Hell, so they basically just... Erased her.
*Adam feels his chest*
Adam: But, hey, at least I got my rib back.
Lucifer: Adam, I-
Adam: Able never got into Heaven cuz they hadn't created the Winner system yet. Cain's still wandering the Earth. I'm not allowed to talk to him. Not allowed to tell him that I forgive him, despite how much I hate what he did to his brother, because the angels fear that my forgiveness would undo his curse.
All of my other children, and all of their children, and so on, are just... MIA. The angels don't know what happened to them. Up until the big J-man came about, there were, like, clerical errors or something. They could be in heaven, and just not realize we're related. Or they could have been in hell, and killed in an extermination. I have nothing, Lucifer. My existence is hollow.
Huh! These are some interesting headcanons about the whereabouts of Adam's family! I have to say I haven't thought much about them, cause idk, I have no purpose for them yet personally. But wow, these hit hard. Eve was just erased????? fuckin yikes :(
Cain still wandering the Earth is also really interesting, is he there as like, an immortal human? Is he a ghost lol? Is he just dead but he can't enter Heaven or Hell like... uh... well a ghost i suppose lmao.
To me it would feel like most of Adam's family just doesn't wanna see him anymore, regardless if they're in Heaven or Hell, but them being just... lost is also an interesting possibility.
Also. ouchie. About that whole exchange. No matter how silly of a guy Lucifer is, he is definitely still the Devil and very much responsible for most of humanity's suffering lol
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Hi!! this is my first time requesting anything but i was wondering if you could do creepypasta boys were you kiss / compliment there scars!
Kissing their scars (various crp)
Bro I scratched my skin right next to this burn last week and it HURTS so bad
Characters: Jeff the Killer, Ticci Toby, Eyeless Jack
Notes: Reader is GN, fluff, these boys need help
CWs: talks of violence in.. well all of them, mentioned of self harm in Jeff's part
Jeff
You decide to kiss the gashes in his cheeks, the ones that he carved.. he never really viewed them as anything very negative; sure it reminds him of the night he killed his entire gamily.. a fact he has a very wishy washy feeling of guilt over depending on the day
At first he thinks you're trying to kiss his cheeks but you make it very clear what you're trying to do when you begin to compliment them- they've healed so well since theyve been put there
Between the three he tries to play it off the most, of course it looks nice- they make him beautiful, and he always will be beautiful! What are you talking about reader?
Hes not at all willing to be vulnerable around you, it doesnt matter how long you two know each other or how close you get he never.. really let's himself just be in his feelings around others
But just know that hes going to be sitting in bed tonight looking up at the ceiling replaying what you've said and going back over the events that lead him here- rare moment of self reflection essentially
But to your face.. hes just the same as hes always been, even teasing you for having such a huuuge crush on him- bonus if the two of you are already dating
Eyeless Jack
You rarely ever get to see him without the mask, but when you do.. it's best not to do something like this the first time you see his eye sockets- hes very cagey about his face in the first place and hes not quiet ready to handle more attention drawn to it. The first few times it's off it's best to meet it with indifference
But when more time passes, you're more than welcome to test the waters. You already knew Jack had a fair collection of scars, but there was a different feel to the burned and gashed holes where his eyes would have been
He wont let you kiss him, mostly because hes unsure of what exactly the goo was made of, as well as naturally not liking the idea of someone putting their mouth where his eyes just to be- but you're allowed to trace your fingers along the scar tissue
Hes never going to tell you what happened unless theres a reason to, hes very firm when setting this boundary. It's just something that makes him feel.. gross..
He already doesn't talk much but he becomes silent as you trace your fingers and talk to him
He might go back to wearing his mask all the time again for a while but it's not exactly your fault, it was just a huge step- it's okay to back up a bit to process things
Ticci Toby
Due to his CIPA he has a bit of a disconnect between him and his injuries, scars included. He didnt really feel them when they were being made, sure he may have felt some pressure depending on what caused it but other than that, nothing really.. for a lot of them he doesnt have much thoughts- neither good nor bad
The only ones that really make him feel something are the ones he sustained from the crash- they're scattered across his body...
If you kissed or complimented any other scar he would tease you for being a little "weird", even making it a game to guess where he got the current scar from- with outlandish answers of course
But the second you reach one of /those/ scars the fun is immediately cut, you can tell theres something off
Similar to Jack, its something that has to be eased into due to the weight associated with the injuries. It's not the fact that it hurt when he got them but they serve as a reminder of what he lost
The only one who really tries to change the subject, perhaps by asking if you have any scars or markings on your body or simply changing the subject all together
Probably the only one who wouldn't want to be complimented due to the nature of some of his scars
#creepypasta x reader#creepypasta x you#creepypasta imagine#jeff the killer x reader#jeff the killer imagine#jeff the killer x you#eyeless jack x you#eyeless jack x reader#eyeless jack imagine#ticci toby x reader#ticci toby x you#ticci toby imagine
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