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#my shading is always lighter than it should be
lovebugdotcom · 7 months
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Values…………….. *punches a wall*
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gouinisme · 1 year
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retail stores hate her: local guy buys what she actually came in for and nothing else
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mythrilthread · 3 months
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My magnum opus, the jewel of my Binderary round-up, the result of four months of hard work (that is to say, a lot of force applied over distance), the project affectionately known as The Motherfuckers (because it was rather unclear if I was going to finish these books or if they were going to be the end of me).
Force over Distance by cleanwhiteroom. It is currently also on AO3.
I was first introduced to this incredible story by a dear friend, who first sold me on actually watching SGU, and then said that they remember this fic since like 2011, which is always a promising sign. I went digging and found out I was in luck - the story was being rewritten and reuploaded on the author's blog. The next two weeks are described by the same friend as "one of the scariest moments in our cohabitation" as I'd spent literally every waking moment injecting the story directly into my eyeballs, and let me tell you, I'd not been doing a lot of sleeping at that time.
Then I gathered up my courage and reached out to CWR re: my burning desire to bind this story. And the rest, well. Let's dig into it, shall we?
This was my first time typesetting 540k words. Considering I tend to prefer larger font sizes for increased legibility, it was immediately obvious that this was going to be a multivolume project. I settled on three, as it's the relationship between three individuals that forms the core of the story.
I also knew I wanted to keep the typeset in black and white, but play around with light and dark a lot. So I did. One of the first design idea I actually had was the way I wanted to handle projected speech. Mental link between Young, Rush and Destiny is THE most vital part of the story, and I wanted to make it immediatly obvious. I also wanted to be able to take one glance at the page and tell how much of the action is actually just two guys staring each other down :) Hence the blackout effect of thoughts being represented as light over darkness.
I also wanted to preserve as much of my reading experience as possible. So I saved all the chapter quotes/summaries in the TOC, and hid the chapter content warnings in the frame of the gate that marks the beginning of each chapter. For most of the chapter the warnings stay the same, so after a while you stop really noticing them, but then you open a new chapter and see that the familiar shape of the words has changed, and get this UH-OH feeling. Which, I think is very much how it works in my design, because when the warnings change there's usually another line of text added.
For flashbacks and dream sequences I switched from italics to a lighter shade of gray. I woudn't say it's more legible per say, but it's in keeping with the overall light/dark theme.
There are instances of people using handwritten notes in the story. I collected more than a dozen of assorted handwriting fonts, with each character having their own "handwriting". So when, for example, someone begins writing in someone else's hand, you immediately know it.
The most insane, labor-intensive part of the typeset, however, was the way I decided to handle the Ancient translations. CWR's gone through the trouble of setting up hover-to-discover for it, which gives you a very different reading experience than, say, having the translations in the endnotes. So, naturally, I said to myself that I want to replicate that, and footnotes just won't do the trick. So. Every instance of Ancient in the text has an underlay of light gray Ancient script. And an OVERLAY of paper vellum with the translation printed in blue. Now, not to toot my own horn too much, but if looks SICK AS FUCK. You also MAYBE SHOULD NOT LIVE LIKE THIS. For the two copies of this work I had to cut up 10 sheets of vellum into strips, and then spent from 20 minutes to an hour per volume tipping the strips in their proper places. I then had to wear kinetic tape on both my hands to help with the joint pain. (It was worth it.)
Now for the title spread. It is also paper vellum that you see as soon as you turn the first page (the half-title), and see it covering the title of the book and author's name. And then you turn it. And the shields sing the matter wave of Destiny through the black. And yeah, I think that's very, very clever of me, actually.
Then, of course, were the endpapers. All 12 of them are unique abstract paintings done on black cardstock by hand with brush pens and correction tape, I scanned a sample of each set for posterity. All of them are my interpretations of characters' midscapes. For volume 1 I went with the fire wind of Rush's thoughts. Volume 2 was for Young, and I went for the reverse blackout poetry effect (because for all the mental talking they do, the unprojected thoughts are opaque to their counterparts) and all the loops, hairpins and blocks he does. Volume 3 is for the combination - Rush's fire wind, changing its color to match the circuitry pattern of Destiny's AI.
The rest, in comparison, is easy. All volumes are stitched with 3 strands of embroidery floss, a combination of black, blue and silvery-gray. The French double-core endbands are sewn in the same color scheme (though with a different shade of blue and gray switched for white for added contrast). The edges are painted and splattered to look like space.
The covers feature my (signature at this point, I guess) half-cloth river pattern, with the base being dark blue linen and the printed parts being Spitzer telescope images of the W51 star forge, Jack-O'-Lantern Nebula and the Eagle Nebula (courtesy of NASA), waxed by hand for added sheen. The spines are foiled in silver with a foil quill.
Each set is 5 pound of solid hand-crafted book, with one set being my personal copy, and the other sent as a gift to the author.
And that's it, folks! This has been an incredible project to work on, and I'm very proud of what I achieved with it.
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mimicmimikyuwrites · 3 months
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A New Beginning - Lucifer (Hazbin Hotel) x Fem!Reader
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Summary: The birth of your daughter with Lucifer brings some of his fears to the surface as he meets her for the first time, but you're there to help him.
Contents/Possible Warnings: Fluff, some angst, but mostly fluff
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The moment she came into the world you knew you'd always love her. Your sweet baby girl looked a lot like her father, and while she had gotten your eyes, everything else seemed to have come from Lucifer. She had the most stunning golden hair you had ever seen, and the lighter streaks of blonde running through it only added to her beauty. Her chubby little cheeks were the most adorable shade of a bright, rosy red, and when she smiled you felt a happiness stronger than you had ever experienced before.
She was perfect.
"God, she looks so much like Charlie when she was born." Gently leaning over, Lucifer held out a finger, and your daughter grabbed onto it, curious eyes looking up at him. "Hi, my baby," he cooed, gently taking her from you, and holding her in his arms. "You're so precious."
You melted at the sight, a warmth filling you as you watched the scene in front of you. He was being careful with her, almost as if he was afraid she'd break at any moment, and the soft way he spoke to her made you fall in love with him all over again. You had always thought you made the right choice all those months ago when you asked him to have a baby with you, and your belief only grew as you looked at them.
"Darling?" Lucifer asked you. "Are you crying?"
You sniffled, nodding in response. It was beautiful. The two loves of your life in front of you had brought you to tears of joy. You loved them so, so much. "I'm just so happy, Lucifer. You're such a great dad."
Your husband looked away, avoiding your gaze, smiling sadly. "I'm not—I could've–" He sighed, unable to find the words. He handed her back to you, and you tilted your head slightly in confusion as he took a few steps back and began to nervously fidget with his cane.
"I could've done better with Charlie." He looked at your baby, the same sad, pained smile on his face. "I'm probably going to fuck up with this one, too." He let out a small, humorless, bitter laugh. You frowned.
"Lucifer, honey." You motioned for him to come closer, and he did, letting you hold his face in one of your hands. "Not all of it's your fault, okay?" You reassured him. He had told you about Lilith, and how she would distance him from Charlie, and how that ultimately helped lead up to his current, rocky father-daughter relationship with her.
He fought back tears. "I–I know you're not Lilith, but–fuck—I'm scared that the same thing's gonna happen, or that I'll screw up some other way. I want to be a good father. I need to be a good father. For her."
"And you will be." You promised. "I can already tell how much you love her, and I know you'll do an amazing job. Think of this as a new beginning for you. A chance to do even better."
He frowned, still filled with self-doubt, but nodded in agreement. This would be a new start for him, and he wouldn't waste his chance. His frown turned into a grin as your daughter reached out her tiny hands towards him, wanting to be held by her father again, and he gladly took her from you.
"Oh!" He said suddenly, letting out a small laugh as he realized something. "We never gave her a name!" He was right. Amid all the emotions, both good and bad, you had both managed to forget about her name.
"What should we—"
"Stella." You decided, cutting him off. She was your little star, your bright light in the darkness, and the cosmic-themed name fit her excellently. A wonderful name for the wonderful little girl you had brought into the world.
"Stella." He said, testing the name out. "I like it." He smiled down at her. "I'll be the best dad you could ever ask for, Stella. I promise."
You knew he wouldn't let her down. She was his new beginning, and he'd stay true to his word.
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heich0e · 8 months
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choso/f!reader
The light from the signs that line the street around you makes a dull, irritating ache throb behind your eyes.
It’s a migraine. Or exhaustion maybe. Regardless of the cause, the pain carves its way through you like rot. You lower your eyes to the pavement, hoping that by averting your gaze from the fluorescents you may find some temporary reprieve.
It doesn’t help much.
You fish the little paper packet of cigarettes out from inside the small purse you wear over your arm. There are only three left in the pack, but you swear there should be more. You’d only bought them that morning—no, wait, yesterday morning, since you’d gone a night without sleep. You suck a little hiss of disappointed air in through your teeth, plucking out one of the last lonely cigarettes from inside the pack and then retrieving your lighter too. Though inadvisable by anyone medically qualified, you hope that maybe the hit of nicotine might help the headache while you wait.
Cigarette between your teeth, you lift your little yellow lighter to the end. Pressing down on the safety that covers the spark wheel you draw it quickly back, but the tiny flame that appears momentarily flickers out just as swiftly. You repeat the motion, pressing and dragging your thumb to light it, but you find no more success than you had upon your first attempt. Your lips pull into a tighter line, pressing into the spongey filter of the cigarette in frustration. You shake the lighter a few times, hoping that whatever meagre amount of fluid left in it might suddenly decide to make itself known.
You light it again.
Nothing.
“Here.”
You glance up.
Choso stands before you, his arm extended in your direction with a lighter in his hand. It’s green—a less neon shade than your own lighter—and has something scrawled across it in smudged ink that you can’t make out in the night. Your eyes meet, a momentary look passing between the two of you. Recognition. Greeting, maybe.
You don’t take the lighter from his hand. Instead, you steady the cigarette between your lips in the V of your fingers and lean towards him. He understands without it needing to be said, clicking his own lighter to life and holding it to the end until the cherry flares red on your inhale.
Your eyes meet again as you angle yourself into his space, closer now than before. The same street signs and their glowing lights that had been so irritating to you catch in his glassy brown eyes, framed by long lashes that flutter in a blink.
He looks tired. But he always looks tired, and you’re sure you’re not faring much better—so who are you to judge?
You pull away once your cigarette is lit, taking a drag and then blowing the smoke into the wind. 
“You’re late,” you say quietly. Not a hello, nor a thank you.
“Sorry,” he replies. “My little brother had cram school. I had to wait to make sure he got home safely.”
Itadori Yuuji—15, a high school student, not his brother by blood.
You nod a little bit, dismissive more than it is accepting, and take another long drag from your cigarette. 
Choso watches you raptly, his eyes following every movement. After some time passes, you hold the cigarette out to him in offering, though it’s mostly burned away.
“No, thank you,” he refuses you politely, dipping his head.
You finish the cigarette off, and then drop it to the ground and crush it under the pointed toe of your high-heeled shoe.
There’s a mint in your coat pocket, and you quickly pop it into your mouth to chase away the lingering taste of tobacco. You love the nicotine rush, but you still hate the bitter flavour that lingers on your tongue even after all these years. Choso watches that too—his eyes following your hand until the little white pastille slips behind your lips.
Your gazes meet.
You take a step towards him, wrapping your hands around his arm and tucking yourself against his side. It’s natural. Familiar. Easy. He smells like soap, and this close to him you can see the way his dark hair—down today, and tucked behind his ears, rather than in the two twists he often wears—is faintly wet, like he’s only just showered. 
“Let’s go.” 
Inside the shabby lobby, there’s only one person lingering—a man, standing behind the counter—who pastes on a small but notably insincere smile when you and Choso step through the door. 
“Good evening,” he greets you with a slight bow.
“A room, please,” Choso says to him, to the point but not unkind.
“For how long?”
You feel the man’s eyes on you then, and you know what he must be thinking. It’s not hard to tell, looking between you and Choso, what the two of you are doing—even less so at a love hotel on a seedy side of town where you can book rooms by the half-hour. The differences between Choso and yourself are many and obvious; what with your skimpy little dress and your heels in contrast to his jeans; raggedy, thick-soled combat boots; and windbreaker. And that’s to say nothing about the differences in your countenances: Choso looks stiff, uncomfortable even, under the scrutiny of the man at the front desk, but you’re largely unbothered by the judgement in his gaze. You lean a little more into Choso’s arm where you’re wrapped around it, tucking your face into his collar in a show of diffidence but you meet the man’s eyes with a flutter of your lashes. 
He licks his lips a little, a flush appearing just above the collar of his rumpled dress shirt, and you resist the urge to sneer in disgust.
Once the two of you receive the key to your room, you quietly make your way there—still sticking close to Choso’s side as you depart from the lobby towards the elevator. You don’t cross paths with another soul as you travel to your room on the third floor, the only sound to be heard is the mechanical fwoosh of the elevator as it climbs, the hum of the vending machine selling variously erotic wares you have to pass to make it to your room, and the quiet beep as Choso unlocks the door. 
Just as the two of you are about to step in, a door at the other end of the hall opens, and Choso swiftly wraps an arm around your waist, tugging you in front of him to usher you across the threshold first—using his body to shield you from the eyes of the man who passes down the corridor behind him as the door swings shut. There’s something almost charmingly conscientious about the gesture, though it seems to have been more unconscious than anything.
The room is just what you expect it to be. Plain. Somewhat sterile. Not uncomfortable, but not particularly homey, either. There’s a bed, two bedside tables, a television mounted at the foot of the bed. There’s a door that leads into the tiny washroom, where the shower seems to take up most of the floorspace. The room is dim, likely intentionally, even once you flick the overhead lights on.
“That guy was creepy,” you sigh, stepping away from Choso and further into the room towards the bed. 
“Who?” he asks.
“The guy at the counter,” you sniff, flopping down at the edge of the bed. You throw one leg over the other, crossing them at the knee, and lean back on your elbows against the mattress. The linen is surprisingly soft considering the inexpensive rate. “You’d swear he’s never seen a call girl before.”
Choso is still standing by the door, looking as uncomfortable as ever. He reaches up and rubs his neck, peering around the room seemingly just as an excuse not to meet your eyes.
“So,” you call to him, beckoning his wandering attention back to you. You tilt your head to the side once his gaze connects with yours. “Did you bring it?”
Choso’s hand flutters to the pocket of his dark windbreaker, and part of you wonders if he even knows he did it. You always find that part of him so curious—his sincerity. How easy he is for you to read. You can’t help but question if he’s like this with everyone, or if there’s something about you that makes him this way.
He nods.
The mint you popped into your mouth before entering the hotel has melted away to nothing on your tongue now, but the lingering freshness remains. You feel the mentholated burn as you suck in a little breath, a pleasant tingle in your throat.
“Let’s see it, then,” you say, holding out your hand expectantly.
He hesitates a little but then he approaches, pulling a creased envelope out from his jacket pocket and handing it to you. It’s folded in half, and theres a grease stain at the corner of the white paper envelope—not uncommon for a mechanic, you suppose.
Choso’s hands are always so clean when he meets you, though.
Inside the envelope is exactly what you came here for.
“This is perfect,” you remark, thumbing through the papers as your eyes quickly scan across the pages to surmise their contents. 
Choso is very still as he stands in front of you, towering over where you sit perched at the edge of the love hotel bed and watching as you flick through the papers he’s just delivered into your hands. There’s something sort of expectant in the way he waits for you to speak again.
“And you’re sure this is all of it?” you ask him, glancing up from the pages in your grip.
He nods. “That’s everything.”
“Gojo’s gonna lose his shit when I slap this on his desk,” you remark to yourself with a snort. You can already picture the absolute dismay on Satoru’s face when he realizes that you beat him to the punch in securing the information that he’s been after for weeks now. You’re sure he’ll be whining about it to Geto for days.
Choso fidgets slightly, shifting his weight from one foot to the other.
“Nice work, kid,” you commend him, looking up at him with a smile.
There’s a shift in expression on Choso’s face then—not quite a pout, but a definite air of disappointment or displeasure. He says nothing in spite of the look, and you don’t ask anything, either. That’s not what you came here to talk about, after all. For all intents and purposes, your businesses began and ended with the stack of papers in your lap.
Contained within the pages Choso brought to you is every vehicle (make, model, VIN number and plate) that Choso’s garage has worked on or modified for the crime syndicate currently wreaking havoc in the city under Sukuna’s command. 
“I’ve got your payment here,” you say, fishing out an envelope of your own from inside your purse. There’s enough cash inside the crisp manila envelop that you produce to reimburse the cost of the room he’d paid for and to compensate him for the information. “The rest of it went to the cram school to cover your brother’s tuition, as usual.”
Choso takes it from your hands, his long fingers brushing gently against your own as it passes between your grips, and he doesn’t even bother checking the contents before he slips it into his pocket. 
“Thank you, Inspector,” he says quietly, dipping his head in a bow.
Your lips purse as Choso stares down at his feet, observing the way he seems to be avoiding your gaze.
Choso’s been working as an informant for the past few years. It started off just passing small pieces of information here and there, having established a rapport with your previous chief in his late teens following the murders of his two brothers thanks to the early days of the gang that would eventually grow into Sukuna’s organization now. Choso was born into that life—cursed by his own blood—but he’s made a conscious effort in his adulthood to keep on the straight and narrow, largely for Yuuji’s sake.
You’ve been meeting him like this for a little over a year now, building your own relationship with him now that the chief retired. Choso’s mechanic shop sees all kinds of people coming in and out, good and bad, and he gleans a lot of information in his neutrality. He’s useful to you.
You understand the risk that Choso takes by meeting with you. By working for you. It’s a truth you recognize as well as he does. But he’s never hesitated to get you the information you ask for. Has never denied you anything you seek. All he asks in return is a meagre compensation and the assured safety and education of his little brother. 
You wonder why he’s willing to go so far, and for whose sake he does it.
You flop back onto the hotel bed, one hand resting over the papers in your lap to keep them from slipping onto the floor.
“I’m beat,” you complain, throwing your other arm up over your eyes and hiding your face in the crook of your elbow.
“You’re not sleeping?” the soft rumble of Choso’s low voice is strangely comforting like this.
You hum. “Haven’t been home in two days.”
“You need to rest,” he chides you, and there’s something funnily maternal in the way he says it. He’s suddenly every bit the big brother you know him to be. You shift your arm so you can peek up at him from where you’re sprawled across the bed. 
He’s inched closer to you since your eyes were covered, hesitating at the very edge of the mattress beside you. He’s staring down at you with a serious expression on his face, slightly pinched in reproach but softened at the edges with concern.
“Yeah, yeah,” you snort, lifting your hand and waving it dismissively. “I’ll get there eventually, kid.”
Choso catches your wrist in his hand before you can let it drop again, suddenly kneeling against the mattress so he’s looming over you. You’re surprised by the gesture, a sudden falter in the steady thumping of your heart as he stares down at you.
“I’m older than you,” he says quietly, somewhat sullen but simultaneously sheepish. His eyes bore down into yours. “Please stop calling me 'kid'.”
You know he’s right. You know just about everything there is to know about Kamo Choso on paper, having researched him and his background extensively before you got involved with him like this. You suppose you picked up the habit thanks to the chief, since that’s how he always used to refer to him. As Choso hovers over you, his big hand still wrapped around your wrist and his broad frame blocking the rest of the hotel room behind him from view, the truth of his remark rings palpably true.
You suddenly aren’t sure how to respond, your lips parting but no words slipping out.
Choso lets your hand drop after a moment, shifting to sit beside you on the bed. There’s no other seats in the small hotel room, so it’s not particularly unexpected, but you’re strangely conscious of him now in ways you don’t like.
“You should sleep here for a bit,” he says, his eyes glancing over to the clock on the bedside table. “We have the room for another hour.”
You don’t ever leave the hotel room before a realistically inconspicuous amount of time has passed, but suddenly the prospect of spending another hour with him makes your stomach twist.
“I’m fine,” you try to brush him off, sitting up and neatly stacking the papers so that you can slip them back into their envelope and tuck them safely into your purse. Your face feels hot, and that ache between your temples is back again. You contemplate another cigarette.
A gentle touch against your elbow makes you freeze.
You glance over at Choso from the corner of your eye, and find his dark gaze on you. His eyes are imploring, soft, and seemingly fathomless.
“Rest,” he insists again. “I’ll wake you before we need to leave.”
Your eyes scan his face. Your headache throbs.
There are a hundred reasons to deny him. A thousand reasons you shouldn’t listen to what he says.
But there’s one—a distant, whispered reason, that you don’t want to acknowledge—that tells you differently.
“Move over,” you grumble, letting your purse fall to the floor with a dull thud!
Choso obeys immediately, shifting so you can crawl into the bed beside him and rest against the pillows. You squeeze your eyes shut the minute your head hits them.
“You should at least take your shoes off,” Choso remarks. You flinch a little as you feel the warmth of his hand on your ankle, holding it steady as he gently slips your shoe from your foot. He repeats the same motion for the other. 
Your eyes remain shut. 
After a moment of stillness, you feel the mattress shift slightly and the warmth of his body recede. When you crack one eye open to survey what changed, you see that Choso’s slipped down to the floor, resting with his back against the side of the bed and his legs crossed underneath him. His eyes are shut now too, and you watch his profile for a moment as he breathes.
You close your eyes again.
“Wake me up in thirty minutes,” you mumble, and Choso hums in response. “I’ll leave first."
But even in the stillness of that little hotel room, even in your exhaustion, neither of you manages to fall asleep.
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viranellee · 1 year
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you'd never guess (i'd never know)
synopsis: the only thing eddie roundtree likes about billy dunne is his younger sister.
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warnings: smut, dirty talk, swearing, unprotected sex (reader is on the pill, but it's never mentioned)
a/n: the lack of eddie smut on here is appalling
⁠ ♡
“Where are you going?”
Frozen in your tracks, you slowly turn around and meet Eddie’s still sleepy but inquisitive gaze, and as his eyes look you over from head to toe, it morphs into a distinctive shade of lustful. You allow yourself the liberty to admire him as he does the same to you - unguarded and vulnerable in his half-awake state, the nest of tangled light brown hair on top of his head, his naked body painted with love bites underneath the white hotel sheets.
You want to kiss him.
“Sweetheart, c’mon. Come ‘ere.” He tries coaxing you, but you know the rules by now. No matter how sweet the temptation is, no matter the things his deep, husky morning voice does to your insides, no matter the way your heart threatens to beat out of your chest everytime you lay eyes on him, you need to be unfailingly secretive about this, whatever it is, between you two. Otherwise the deadly tornado of a man your brother Billy is will turn it into ruin with a single flick of his hand.
Even still, it seems that you’re the only one rightfully worried.
"Eds, I have to leave, you know this.”
Something hardens in his gaze for a moment, but it quickly slips away. It pains you to watch it. You lean down to kiss his cheek in an attempt to make him feel better, but he turns his head around, capturing your lips with his. You gasp and instinctively fist your hands into his hair as he rearranges you to sit on his lap. There’s something desperate about the way he holds you and kisses you this particular morning and it sets everything in you on fire. You moan into his kiss despite your brain screaming at you to get the fuck up and leave before anybody finds out you’re not in your room. Eddie seems to sense your overthinking, as he usually does, and slips his cold hands underneath your blouse, letting his long fingers trace your spine, trying to soothe you.
"Focus on me. Don’t think about anything else.” Eddie instructs and you suddenly feel lighter.
You kiss him again, a silent thanks for bringing you back to the present, and it’s his turn to moan as he presses you down on his hard-on.
"A couple of kisses and I’m already rock hard like a fuckin’ teenager. Jesus, the things you do to me.” He mutters, more to himself than you, but the words still manage to leave their impact on your nether regions.
“Eddie, Eddie…” you pant as his mouth begins to place greedy kisses down your neck. “We’re…we’re going to be late for breakfast.”
He laughs against your skin and you swear you’ve never felt something so good.
“I’m already having my breakfast, sweetheart, and it’s much better than the shit they serve down there.”
Fuck.
---
“Anyone got any idea where Eddie and my sister are?” Graham asks his friends, in the midst of swallowing his piece of omelet.   
Warren shrugs.
“Eddie’s probably still sleeping. I mean, when has he ever shown up for breakfast on time? Let the guy get some sleep, man.” 
Graham nods a couple of times, deeming the explanation logical. It doesn't stop him from thinking about the person left out from it.
"Yeah, sure," he starts "but my sister always shows up. I...I don't know, maybe she slept in this time, but maybe I should go up and check." 
Karen suddenly pipes in from her place next to Graham, putting her hand on his thigh. 
"Don't. For we all know, she's just sleeping in." She says, looking at Warren from across the table pointedly, who takes the hint and nods reassuringly at Graham. "And you know how she gets when someone wakes her up. Let her rest." 
"But what if she's hungry when she wakes up?" 
Karen sighs, closing her eyes for a couple of seconds. Warren inhales sharply, a tell-tale sign of him holding in his laughter. 
"Graham. She isn't an infant. I'm sure your sister is fully capable of getting breakfast for herself." She says, but he still doesn't look entirely convinced.
"Yeah, but I don't want her to be alone." Graham pauses. "I don't want her to feel lonely, y'know." 
"Hey, chill man. She and Eddie wake up around the same time anyway, they usually get breakfast together, don't they? I really don't think there's anything to worry about." Warren adds, as he takes the last bite of his P&J sandwich. 
Graham silently leans back in his chair and Karen takes the opportunity to change the subject.
"Anyway, uh, how's Lisa, Warren?" 
KAREN SIRKO: I knew she and Eddie were fucking from the moment I saw them together. 
WARREN ROJAS: For the record, I had no idea they were fucking. 
GRAHAM DUNNE: [sighs] Can we not talk about this, please? 
---
"Yeah, just like that. Fuck, you look so good bouncing on my cock like that." 
You don't know how long you two have been going at it. What you do know, however, is that Eddie Roundtree, the insatiable sex maniac, has already put you through five different positions and this is the sixth one.
"Eddie, I…I don't think I can..." You start saying as you feel your strength leaving your body, but he knows. He always knows. 
He tightens his hold on your hips and drags you up and down his cock and you have to physically put a hand over your mouth when he hits that spot inside of you. 
"Found it, huh?" He comments, with that goddamn cocky glint in his eye and you would have normally rolled your eyes at him if it weren't for the fact that they were already rolling towards the back of your head. 
"Shut...up!" You pant, and he smirks. As soon as you see that smirk, you involuntarily tighten around him. Eddie groans when he feels it and you lean down to kiss his Adam's apple, and then - him. He cups the back of your neck with one large hand and you shiver.
"I'm, I'm close. Eddie, fuck!" You barely manage to stutter out and he goes even faster, the sounds of skin slapping against skin echoing throughout the room. He presses a sweet kiss to your collarbone and immediately goes back to whispering filthy things into your ear.
"Cum for me, love. Cum on my cock." He urges, breathless, something swimming in his eyes you've never seen before, and you do just that. 
You think you might have screamed. You don't know. All you remember is Eddie.
You hide your face in his shoulder, sensitive and exhausted - he cums shortly after, your name on his lips like a prayer. You sigh when you feel him soften inside of you. He falls back on the pillows and you fall along with him, head on his chest and his hand playing with your hair. 
It's comfortably silent after that, so silent in fact, that for a second you think Eddie might have fallen asleep. You tilt your head upwards to place a kiss on his jawline, but you find him already staring back at you, an uncharacteristically contemplative look on his gorgeous face. 
"What?" You question, growing increasingly worried. 
This is it, you think, this is when he ends things. 
My worst fear is coming true.
EDDIE ROUNDTREE: Y'know, I've played in front of hundreds of thousands of people. I know what anxiety feels like. But laying in that bed with her, looking at her, was the most nervous I'd ever felt in my entire life. 
"I…" He begins and closes his mouth, as if carefully choosing his words, but doing nothing to ease the pit in your stomach. "Well..." 
You stand up upright, a typical "Dunne frown", as he liked calling it, on your face. 
He should look me in the eyes, at the very fucking least. 
"Oh, is this what you're doing now? Fucking me one last time before you reject me? You've had your fun, is that it?" 
Y/N ROUNDTREE: I do admit that I... misjudged the situation. But when you've been with assholes in the past, sometimes you come to conclusions a bit too quickly. 
Eddie's face scrunches up into a mixture of shock, confusion and slight sadness.
"What?" He asks so loudly that it makes you feel embarrassed. "What in the actual fuck are you on about? Why would you even think that? Sweetheart, I was going to say I love you."  
EDDIE ROUNDTREE: I'll never forget the look on her face, swear to God. [laughs] 
"What?" You parrot back, just as loudly. It takes a beat or two for the words to sink in.  When they do, you start laughing like you've never heard anything funnier. 
Eddie simply looks at you like you've grown two heads. 
"Oh, Eds. Please don't lie to me like this." You cover your face with your hands.
Suddenly, your hands are being gently pulled away - he's staring at you so softly you think you might die. You might have actually died and this is your heaven. It certainly feels like it. 
He whispers your name and you whisper his back. 
"I love you." He says, cupping your cheeks,  and keeps repeating it as if trying to get it through your head. 
"Eddie…" you breathe against his lips. He pulls your bottom lip down with his thumb, pupils dilated like you're his new favorite drug. You might actually be. "Eddie, I lo-"
"SOUNDCHECK IS IN 30 MINUTES, ROUNDTREE, GET YOUR ASS OUT OF THE DAMN BED!"  
Fuck.
---
EDDIE ROUNDTREE: She might not have told me she loved me that day, but - [shows wedding ring] - I know. I know.
⁠♡
1K notes · View notes
anothermansjeans · 29 days
Note
oooo i would LOVE if you could do a blurb where we see youtuber reader getting ready with spencer’s voiceover spliced in between your descriptions!
hehehe YES! i was wondering if anyone would have wanted to see it SO THANKS FOR GIVING ME A REASON TO WRITE IT!!
cw: fluff, spencer is a menace at times
wc: 599
youtuber!reader masterlist
++
The engagement of your most recent TikTok was off the charts. It wasn't something that you normally thought about. Yes, making content was your job and what helped keep the bills paid, but you always did well enough to not have to worry (you're very aware and never take this for granted). There was just something about Spencer in your videos that made the views and comments skyrocket.
The video went as follows: it was a simple set up, you were at your vanity with your makeup setup, and you sent a smile and wave to your phone. A voiceover of yourself talking. “Hey lovelies, I’ll be doing my makeup but Spencer will be doing the voiceover! Okay, bye!”
The video continued on with you massaging spf onto your face, followed by some primer. “This is Y/N doing her makeup routine, even though I tell her every day she already looks perfect.” Your awe was heard after his statement. “It looks like Y/N is putting sunblock all over her face. She’s not putting on the recommended amount which is about ¼ teaspoon. Many dermatologists recommend the ‘three finger rule’ when applying so that you know you’ve used enough.” Your scoff could be heard in the background, but Spencer continued. “She’s now using another product with the name ‘elf’ on it. I believe this is a skin primer, which I learned blurs pores and smooths your skin so makeup can glide on.”
The video continued on as you went through putting on concealer, foundation, and contour. “She’s now putting concealer under her eyes and on red spots. I believe this is for color correction, but she should be using a shade of green to neutralize the red and then put concealer or foundation on. She’s now blending in the concealer very vigorously.” His next words were a bit softer, most likely looking directly at you when he spoke “you should have a lighter hand so bruising doesn't occur or worse, when you're blending on your eyelid the possibility of popping a blood vessel.”
Your giggles could be heard as well as your words, “okay babe, you're missing some of the video though.”
“Right! Okay, now she's using foundation. This shade looks to be a shade too dark though. Y/N, did you run out of your winter shade?”
“Spencer!”
“Sorry, sorry, now she’s blending again, still very harshly, but now she's using a darker shade to contour under her zygoma and on her mandible.”
The video went on with Spencer’s commentary sprinkled in. He knew exactly what each process was (you think he watches more of your videos than you originally assumed), and he would only roast you every other step. It was the end of the video when you were putting setting spray on and Spencer let out a sigh. “And the last step. I think. She’s spraying something on her face. She told me this helps her makeup stay on all day, but her skin produces oils throughout the day so it's likely this really only works for a couple of hours at most.”
Your grumbled voice could be heard after his. “Outro, Spence!”
“Thanks… for watching? Was that good? I don't know how to stop the recording, Y/N–”
And the video was over. People were obsessed with Spencer just from his voice alone. The quips were funny, his voice was a bit raspy, TikTok declared they loved him (and you– they were obsessed with this relationship). You had a feeling Spencer would be a lot more involved in your content from here on out.
++
BONUS: some comments
@ user: HE KNEW SO MUCH??? 😭
@ user1: he's so sassy PLEASE...sassy man epidemic is REAL
@ user2: his...voice... girl i would die a happy death fr
@ user3: SHE'S GETTING COMFORTABLE WITH SHARING HIM WE'RE WINNING
@ user4: why is he DRAGGING you ever so slightly LMAOSHSJDJD
@ user5: yall are so cute i want what you have 🫶
++
youtuber!reader taglist: @im-a-ghost666
let me know if you would like to be added or removed!
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roosterforme · 1 year
Text
Right Girl, Wrong Time Part 5 | Bradley Bradshaw x Reader
Summary: You do your best not to let Phoebe and Jeff derail how perfect your weekend with Bradley has been. After dinner, the two of you start asking what comes next, and you take him to a spot on campus he has dreamed about but never seen before.
Warnings: Smut, fluff, swears, and angst
Length: 4900 words
Pairing: Bradley "Rooster" Bradshaw x Female Reader (former fuckboy college student Bradley)
This is a sequel to accompany my story Old Habits Die Hard (you'll want to read that one first)!
Check my profile for my masterlist
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You should have known the two of them would be here to ruin your perfect night with Bradley. Your perfect weekend, really. But it was nearly impossible for you to think back on your time with Bradley ten years ago without Jeff and Phoebe popping up.
You tilted your face to look up at Bradley again, but his eyes were still focused across the room. "It's okay, Beer Boy. Let's get a drink."
Bradley turned toward you and nodded, and you ordered two beers from the bartender and handed him one. He laced his fingers through yours and let you guide him back toward the table where you had set down your bag. 
"Sorry. I just haven't seen or talked to either of them since I left for Rhode Island. Crazy."
"I wish we didn't have to see them now, either," you said, glancing over to their table again. You kissed Bradley's lips and whispered, "I will physically fight Phoebe if she tries to touch you."
Bradley laughed at that, and you smiled too. "You always were a little scrappy," he said. "But I don't think either of them could hurt me now, even if they wanted to. Which I certainly hope they don't."
"They better not."
You couldn't stop stealing glances at them though. Jeff looked exhausted, and he was losing his hair. Phoebe still looked pretty enough, you supposed, but she appeared to be with her husband who was plainly ignoring her and staring at his phone. And it looked like her hair was brittle and crispy from dying it several shades lighter than it used to be. 
Both of them looked miserable. Maybe they should have married each other. 
"Bradshaw!" came a booming voice, and you watched Bradley stand and accept a hug from Tyson.
"Hey, man. It's been awhile," Bradley said as you stood up as well. "Is your wife here?" 
You watched Tyson's eyes grow to the size of saucers, and Bradley casually reached for your hand. 
"No," Tyson said, still looking at you in surprise. "She's pregnant again and not feeling well. Decided not to come at the last minute." He smiled softly at you before glaring at Bradley. "Hey, why didn't you tell me you two were together again?"
Bradley cleared his throat awkwardly. "Well, we're not-"
"It's recent," you blurted out, earning a surprised look from Bradley. "It's good to see you, Ty."
"Yeah.... damn. This is such a flashback!" he said. "Bradley moped for months after you dumped him. But I guess you know all about that now."
You squeezed Bradley's hand tighter, but he was still looking at you like he wasn't sure what was going on.
"I can assure you that I also moped for months," you told Tyson, letting out a shaky breath. "You guys chat, I see someone else I know."
There was in fact nobody else that you recognized, but you needed a moment to yourself. Why did you insinuate that you and Bradley were together again? You weren't together. If he wanted you in that way, he would have told you where he lived. He'd had a full day to do so. And now he was flying home in the morning. 
You felt like leaving before you could start crying. You were going to ruin what was left of your time with him if you couldn't accept this for what it was: one perfect reunion weekend with your first love.
"I thought that was you."
You spun around and almost bumped into Jeff. He was staring at your cleavage as you moved your beer bottle in front of yourself to try to block his view. 
"Hi," you managed to say, but you couldn't bring yourself to smile like he was.
"You look great."
Since the same could not be said about him, you just kind of shrugged. "Thanks."
"I can't believe you're still with Bradshaw."
You took a deep breath. "He's wonderful," you managed to say. "What are you doing these days?"
"Oh, selling used cars," he mumbled. "You?"
Your eyebrows shot up. He had the same math undergraduate degree as you. "I work here. Teaching. Mostly computational physics and linear algebra, but I have a calculus lecture as well."
"Wow," he said, looking both annoyed and impressed. 
"Yeah. Looking at some other schools for tenure positions for the fall."
"Must be nice," he mumbled.
You nodded and looked him square in the eyes. "I worked really hard."
When you noticed Jeff's eyes looking over your shoulder, you felt a warm hand on your lower back. 
"Hey, Sugar," Bradley whispered in your ear, and you looked up at him over your shoulder.
"Hi, Beer Boy," you whispered back, and without a single glance in Jeff's direction, Bradley guided you back to your table, leaving Jeff gaping at the two of you.
"You okay?" he asked, pulling out your chair as dinner was about to be served.
"Of course. You didn't want to talk to your old buddy Jeff?"
Bradley rolled his eyes. "Fuck no. Figured you didn't really want to either." 
You laughed and took his hand as he sat down. "You figured right."
Bradley raised your fingers to his lips and kissed them before reaching for the leg of your chair and pulling you closer to him. When your graduating class president and the dean of admission gave their speeches, Bradley wrapped his arm around you, and your head came to rest against his shoulder. Of course his fingers found your tattoo, blindly tracing along your skin there. 
Your eyes found his when he smiled down at you. His impossibly handsome face and his warm, brown eyes and his perfect lips. How had you managed to go ten years without him? You reached up, stroking his mustache with your thumb until he was almost laughing. 
You whispered, "Missed you," and then he was no longer smiling. He was looking at you intently when suddenly everyone was applauding for the finished speeches, and the waitstaff started rushing around with plates of salad. 
So you ate your dinner with your thigh pressed up against Bradley's, sharing food off of each other's plates. You laughed at the throwback music the band was playing, and Bradley eventually went to get you both more beer. 
Everything was comfortable in a way that you didn't know you were craving until you were experiencing it. 
"Do you want to dance?" Bradley asked you as the band started up again and several people made their way to the center of the room. 
"Yes," you replied, and he pulled you to your feet. He guided your arm over his shoulder with a smile and wrapped his hands around your waist. You traced his faded scars with your fingers while he sang along to the song. 
"You have the best singing voice," you told him, your smile growing wide. "I forgot just how much I loved listening to it."
"Think they know any Grateful Dead?" he asked. "That was my favorite to sing to you."
"Remember when you made me watch like eighty four hours of their concert footage?"
Bradley rolled his eyes and pulled you fully against him. "It was only like a fifteen hour DVD, Sugar. And we didn't even make it all the way through."
You licked your lips. "You're right. We found a different way to occupy our time."
Bradley's face was earnest and open, but there was still a smile dancing along his lips. "We sure did that a lot, huh?" 
You nodded and leaned up to kiss him before you said, "We've been doing it a lot since yesterday, too. This is one hell of a reunion weekend."
You watched the long scars on Bradley's neck as he swallowed. "Is that it though? Is this just for the weekend?" His eyes were searching your face intently. 
The idea of ending things tomorrow morning was too much for you to take, but when you spoke your voice was tiny and unsure. "Do you want more?"
Bradley's eyes drifted closed and his hands slid up your back, holding you in place as his dancing slowed. Your heart was pounding, and you could feel his racing pulse beneath your fingers on his neck. After a pause, he was looking intently at you again. 
"I wanted more ten years ago, Sugar."
The truth of his words stung you a bit. You'd wanted more, too. But you had also wanted him to get a chance to fulfill all of his other wishes and dreams, without making him feel tethered to you while you were so far away. 
"But what about now?" you asked. Then you took a deep breath and forced yourself to add, "Why didn't you tell me you live in San Diego?" Your voice broke on the last words, and you could see the look of panic in Bradley's eyes.
"How did you know that?"
You tried to pull out of his grasp as you swiped at the tears welling in your eyes. "I saw your luggage tag. In the hotel room. You live in San Diego, and you weren't even going to tell me, were you?"
When you squirmed away, trying to put some space between you, he held you tight. "No. I wasn't going to tell you. Not yet."
"Why not?" you asked, your voice barely audible over the sound of the band. "You don't want me now."
"That's not it!" he insisted loudly. "Sugar. Come on, baby. That's not it."
You just shrugged helplessly and looked around the room, the colorful lights obscured by your tears. "What is it then?" you asked, not meeting his eyes. 
He was stroking your cheek now, and although you tried your best not to, you could feel yourself melting into his touch. "Please look at me." You met his eyes and sniffed, and he kissed you softly, reverently, and you let him. "You're so smart, Sugar. And you work so hard." You watched him struggle with his words as so many other couples danced around you. "And I can't be responsible for derailing your career if Miami is a better choice for you. I can't do that."
"Bradley."
But he just shook his head. "No. You need to visit both schools. You need to remove me from this equation."
"But Bradley!"
"Sugar, you let me do what I needed to do ten years ago. It nearly fucking killed me at first, but I never blamed you for what you did. You kept me safe. And made sure I knew how you felt about me first. And you let me make my decisions for myself and not because I was focusing all my energy on you. It hurts me to say it, but thank you. And now you need to do the same thing for yourself."
You sucked in a deep breath. "And what if I choose San Diego? What if that's the right choice for me? Where does that leave us?"
Bradley smashed his lips against yours and you wrapped your arms around his neck once again. His kiss was demanding, but it ended as soon as it began. "Ask me that again after you make your decision. Either way, whatever your decision is, ask me again, okay?"
You nodded at him. 
"And please forget about my luggage tag and my address and promise me you'll visit both schools."
"I will, Beer Boy. I promise."
------------------------
Bradley held you tight in the middle of the dance floor, cradling your head against his chest and singing you another song. He was so close, once again, to telling you he loved you. He wanted you to know it, was pretty sure you already did, but he was too scared.
More than anything, he wanted you to choose San Diego. Because it was the right fit for you. Not because he was there. But he'd be lying to himself if he didn't want to play a part in your future plans. 
"Beer Boy?" you finally asked him. 
"Yeah, Sugar?"
You were smiling again. You seemed to be more at ease now that you got the information about his address off your chest. 
"Can we go? This is nice and all, but I just want to be with you. Alone."
"Let's go," he replied without hesitation. "Should I call an Uber?"
You nodded as he reached for his phone, and he followed you willingly to grab your purse. "I'm going to run to the restroom. Meet me in the lobby?" you asked. 
Bradley kissed your cheek. "Yep. Ride will be here in nine minutes."
You disappeared through the crowd, and Bradley made his way toward the lobby at a slower pace. He opened up the airline app when it prompted him to check in for his flight, but instead he started to scroll to see if there were any seats available on a later flight. He really needed to be back in San Diego tomorrow, but if he could stay with you for just a little bit longer....
"Bradley?"
He thought he was alone in the lobby. He knew that voice. He spun around and came face to face with Phoebe.
"Hi," he managed. "Phoebe."
"Wow," she sighed. "You look great. Even better than you did ten years ago."
"Yeah? Thanks." He swallowed, his throat tight. It was hard to even look at her, even after all this time. This woman had fed into and also stunted his self esteem for nearly four years of his life. 
"Your scars healed nicely."
"Oh," he muttered, brow furrowed.
"You know I didn't mean it that way, Bradley," she said quickly, taking another step into his personal space. "They never bothered me before."
He ran one hand down along his face. "I'm not doing this with you, Phoebe. I truly hope you've been well, but I'm not doing this."
Bradley started to walk away, but she reached out and stopped him with her hand on his chest. 
"I owe you an apology."
He froze and looked down at her in shock. 
She laughed bitterly. "I never could handle the rejection you gave me. But seeing you here with her? Still? My god, I feel sicker than ever over what I put you through. Sorry."
Bradley felt her patting his chest before she started to withdraw her hand. He stood completely still and then nodded and whispered, "Thank you."
He could hear your heels on the floor and sense your presence before he saw you, but instantly you were at his side, linking your arm through his.
You made a show of running your thumb along his mustache before tilting his head down and kissing him, and he let you do it. "Hi, Sugar," he whispered when you released his lips. 
Bradley watched you turn toward a bitter looking Phoebe and say, "Oh. You'll have to excuse us. We were just leaving." Then you tugged on Bradley's arm and led him toward the exit. "I saw her touch you," you whispered. "I didn't like that."
"No? What are you going to do about it, Sugar?"
You just smirked as he pointed out the car that had arrived to pick you up. "I'm going to take us on a little detour. That's what I'm going to do about it."
He opened the car door for you, and you gave a different address to the driver while you scooted across the back seat so Bradley could climb in as well.
"Where are we going, Sugar?" he whispered next to your ear before kissing you there. 
You were practically crawling into his lap when you said, "My office."
Bradley had pictured many times how you might look working in your very own office in academia. He figured all the college guys would be swarming your office hours to spend a little extra time basking in your presence. He also just knew you'd be a great teacher, one who graded everything farily. But getting to see your actual office? Mess around in it, perhaps?
He grabbed your chin and kissed you so hard you squeaked. But his phone started vibrating in his pocket against your leg. He yanked it out without breaking your kiss, and just wanted to silence it. 
"Oh, it's Nat," you whispered, pulling away from him and looking at the screen. 
Bradley grunted and quickly opened the text thread from one of the few people in his life who consistently talked to him on a daily basis.
Phoenix: How's your class reunion going? Haven't heard from you since yesterday morning!
When the car stopped at a traffic light, and Bradley looked at your face all lit up from the street lights, he put his arm around you. "Mind if I send her a picture?" he asked. 
You just smiled and said, "Okay, Beer Boy."
He snapped a few selfies of the two of you all cozy in the backseat, including one with your head resting on his shoulder and another one with your lips pressed to his cheek.
Quickly, he sent two of them back to Nat and then got his lips right back on yours. 
"Almost there," you whispered, pulling away briefly before licking Bradley's lips with the tip of your tongue. His black suit pants felt extremely tight at the moment the car pulled up to the curb in front of the building where Bradley used to walk you to your lab class. 
He helped you out of the car, and his phone started vibrating in his hand. 
Phoenix: OH MY GOD BRADLEY IS THAT SUGAR?
Phoenix: ANSWER ME RIGHT NOW.
Phoenix: IT'S HER. ISN'T IT? SHE IS STILL FUCKING BEAUTIFUL AND YOU LOOK SO HAPPY.
Phoenix: WHY AREN'T YOU WRITING BACK?
Phoenix: OH MY GOD, ARE YOU FUCKING? I AM SO SORRY! TEXT ME BACK LATER.
Bradley tossed one arm around your shoulders and let you read the screen along with him. You started cracking up. "Is it okay if I respond?" you asked, a huge smile on your face.
"Of course," Bradley replied, and he used the ID card you handed him to unlock the building, holding the door open for you to enter. 
"This way," you murmured with a soft laugh as Bradley followed you to the elevator bank, keeping his hand on the small of your back.
As you stepped into the elevator with him right behind you, he watched you send a message to Nat and then hand his phone back to him. He glanced at the screen.
You think I'm beautiful? Bradley was showing me a bunch of pictures, and I think you're stunning! I'm having the best weekend of my life, but I promise I'll return him to you in one piece. It's the least I can do after you've taken care of him all these years.
Bradley's heart was pounding in his ears as the elevator arrived on the eighth floor. "This is the best weekend of your life?" he asked as you laced your fingers through his and led him down the dimly lit hallway. 
"You know, it's not nice to read other people's conversations, Beer Boy," you said with a smirk as you used your ID card to unlock your office door. 
He looked at his phone again.
Phoenix: YOU CAN KEEP HIM! PLEASE KEEP HIM! I'LL SEND HIS FEEDING SCHEDULE AND HIS VACCINATION RECORDS.
Bradley put his phone away with a grin and let you lead him into your tiny office. Two walls were lined with shelves, one wall had a window with a view of the cafeteria, and your desk was right in the middle of the floor. Most of your things seemed to be packed in the cardboard boxes that were stacked up next to the door. 
"Well, this is my office. What do you think?" you asked, shrugging and spinning in a small circle. You looked perfect in your dress, with your tattoos and your mussed up hair. 
"I think...." he began, licking his lips as you planted your palms against his chest. "I think this is the best weekend of my life, too."
Your breathing was a little shallow as you looked up at him and nodded. "What are we supposed to do about it?" you whispered. 
Bradley kissed you softly. "You promised me."
You pulled him closer to you, your lips meeting his in a soft kiss. "I know," you murmured against his mouth, and soon he was tasting you, his tongue gently sweeping against yours. Your fingers scraped along the short hair at the back of his neck as you nibbled on his lips and gasped when he stroked your tattoos. 
Every little sensation, everything that was specifically you had him aching for more. There was no way he could be without you now. He didn't know what the hell he was supposed to do. 
You broke away from his kisses and pressed yourself against his erection. "I have an idea, Beer Boy. What's your Professor Sugar office fantasy?"
He groaned, a deep, needy sound from the very back of his throat. You were gasping in his arms, mouth agape before he even said anything. "We really gonna do that?" he asked you, his voice raspy and broken as you stared up at him with wide eyes. "Because I've been thinking about that for a very, very long time, Sugar."
Bradley eased his fingers along your bare shoulder and up your neck, digging them into the back of your head a little bit, forcing your eyes to remain on his. "Yes," you agreed, already looking like you were in a daze. "I sometimes think about you when I'm alone in here. So it only seems appropriate."
He kissed you hard until you were moaning into his mouth. He wanted you in every way imaginable, all the time. But right now he wanted it sweet and slow and impossibly hot as he showed you just what he thought about when you were on his mind and his dick was in his hand. 
He grabbed you by the hips and guided you backward until you met your desk. Then he spun you around and helped you grab onto the edge of your desk, listening to your hitching breaths and rubbing himself along your backside. "I need you to know," he whispered, pushing your hair away from your ear, "that I'll be thinking about this for the rest of my life."
"Bradley," you groaned as he kissed along the back of your neck, sucking on your sweet skin until you were bucking back against him. 
"Fuck." He reached around to the front of your dress, taking the fabric on either side of the slit and bunching it up in his hands. Then he slowly guided it up around your waist and held it tight with his left hand. "I'd love to fuck you like this, Doctor Sugar," he whispered, running his nose behind your ear. "But with the finesse and restraint I did not possess when I was a student."
"Oh my god, Bradley!" Your voice sounded lighter than air in this small room, your bodies only lit up by the exterior campus lights that filtered through the window. 
He looped one finger through the elastic of the tiny underwear you had on and started to yank it down over your hips, sucking in a harsh breath as you wiggled against him until they were sliding down your legs. Bradley watched the lace land on the tops of your high heels, and then he was unbuttoning and unzipping his pants with his right hand. He eased his pants and underwear down to his thighs and bent you a little bit at the waist with his large frame. 
"You're always soaking wet for me," he gasped as he reached around and slid his fingers against your slit. "You get like this for anyone else?"
"No!" you squeaked as he sunk two fingers inside you without any warning. 
"Just me? You'd get this wet if I was sitting in one of your classes, watching you teach? Soaking through your underwear, squeezing your thighs together in your short, little skirt?"
"Oh god, yes," you groaned, and he pumped his fingers in and out you hard, until you were practically screaming. 
When he slowed his pace again, stroking your clit, he told you, "I'd sit in your class and touch myself. I don't think I would be able to help it, Sugar." He held you firmly against him, pulling his fingers out and leaving you whining before coating his cock with your wetness. He nudged your legs apart with his knee and then guided himself to your entrance, your body welcoming him so sweetly as he bottomed out in one movement. 
Your head was tipped back, and he ran his slick fingers up your neck and between your parted lips. The feel of your tongue swirling along his fingertips and the vibrations of your moans had him shoving his fingers a little deeper. You moaned and whined as you cleaned his fingers while he fucked you at a steady pace. 
"What would I have to do to get an A in your class, Doctor Sugar?" You sucked on his fingers for another beat before he removed them from your mouth and grasped your chin instead. 
"I'd make you stay after class," you gasped. "Watch you touch yourself for me."
"Fuck, fuck!" Bradley growled, slamming into you harder, his left hand gripping your hip. He pulled you by your chin and the front of your neck, arching your back until you were whimpering, meeting his movements stroke for stroke. He could feel you fluttering around him, and he eased his big hand down over your breasts and your tummy until they met your clit. He gave you a sharp squeeze, and this time you did scream before he soothed you with his fingers. 
"I'm gonna cum," you cried, squeezing around him, but Bradley withdrew completely and spun you to face him. You looked up at him, shocked, and he pushed you back to sit on your desk, grabbing your thighs and thrusting into you again. 
You leaned back on both hands, eyes on his as your legs shook gently in his hands. Bradley leaned down and kissed you softly, and you smiled against his lips. He moved a little slower as you came for him, drawing out your orgasm and sucking on your neck as you chanted his name like a prayer. 
Then you wrapped your legs around his waist, pulling him snug against you as his thrusts grew shallow. "You gonna cum for me, Beer Boy? You gonna earn top marks? Be the teacher's pet?" you purred. And he kissed your mouth and your cheeks and your chin, memorizing the feel of your lips against his mustache as you whined. 
He filled you up, moving inside you until he was no longer dizzy with need. Bradley took your face gently in his hands, satisfied and so in love with you. 
"Sugar," he whispered, your body still intimately connected with his. "I l-"
There was a loud knock on the door. "Hello? It's Ted. From security."
"Oh shit," you hissed, sliding off the desk and shimmying your dress back down. You looked so alarmed, Bradley had to stifle his laughter as he zipped up his pants and straightened out the rest of his suit. Then he groaned when you turned on the overhead lights. 
"Uh, hang on, Ted!" you called, kicking your underwear loose from your shoes. Bradley bent and picked them up, shoving them into his pocket as you opened the door a few inches. "Hi, Ted!"
Bradley heard the security guard's voice. "Oh, it's you, professor! I heard a lot of noise, and I just wanted to make sure everything was okay."
"Everything is fine!"
There was a pause, and Bradley watched your shoulders tense up. "Are you alone?" Ted asked. "If you're not okay, I can help you."
You sighed deeply and tipped your head back before pushing the door open wide, revealing Bradley where he was leaning against your desk with both hands in his pockets. 
"Hey, Ted," he said with a smile, and he got to watch the much older man flush crimson as he looked back and forth between the two of you. "Everything is just fine in here."
You pressed your lips together and also nodded at Ted. 
"Right, okay, well. You have a great night, professor," he told you before tucking his radio back into his pocket and hustling away.
You turned to look at Bradley with your hand over your mouth, and Bradley started absolutely cracking up. "Sorry, Sugar, but Ted's never going to look at you the same way again."
You lightly hit his abs, and Bradley pulled you into his arms. "I guess it's a good thing I'm technically only working here for two more weeks," you groaned against his neck. "Poor Ted." Then you were laughing harder in his arms, and soon neither of you could stop. 
Eventually, Bradley tilted your smiling face up to look at him. "I'm going to miss you so much, Sugar."
Your smile wavered a bit. "Can you stay longer?" you asked softly. "A few more days?"
He just shook his head and stroked your lip. "I'm leaving for a six week deployment on Monday."
"Oh," you sighed so sadly that Bradley immediately wanted to tell you he could stay for another week. Another month, just to be with you. 
"Sorry, Sugar."
You took his hand in yours. "Then can we go back to my house? And snuggle?"
"Please."
-------------------------
Thanks for reading and loving these two! I just loved the texts with Phoenix! Beer Boy and Sugar have one more night together.... Thanks to @mak-32 and @beyondthesefourwalls.
PART 6
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izurou · 1 year
Text
you can’t sleep, and so kento can’t either.
it’s a recurring theme. you toss and turn, turn and toss, and being the light sleeper he is—kento will wake up.
he always attempts to lull you back into a slumber though, even if he is only twenty percent aware of his surroundings. one of his arms will reach out to your side and pull you close upon discovery, more or less restricting any further movement on your end as he keeps you in place with his strength.
ten minutes pass, followed by fifteen, twenty five, half an hour—and all you get is the overflow of his seemingly endless supply of body heat, which in turn, just makes your dream of a good night’s rest—or what’s left of it, even more unattainable.
you slip out of his grasp—mumbling something about getting a glass of water from the bathroom—or using the kitchen? he isn’t entirely sure. even so, you’ve pulled this stunt enough times for him to know you won’t be back anytime soon.
so he forces himself out of bed and steps into the pair of sandy brown slippers he keeps by the door—dragging them against the hardwood floors as he joins you downstairs.
“you can’t do this every time,” he mutters over his shoulder—filling your little kitchen with the steady sound of his spoon as it clinks against the sides of his mug. “you do know that, right?”
he’s cute like this—little blonde tufts sticking out all over his head, a faint red indentation wrapping around the arm he was passed out on, and the subtlest hint of annoyance woven into his words—a watered down version of the tone satoru is often on the receiving end of.
“why not?” you ask, sweet and innocent—you’re not hurting anyone—well, maybe yourself in the grand scheme of things, but that has nothing to do with him, right?
“don’t you think it’d make more sense to, i don’t know,” he pauses, lifting the cup to his lips for a quick sip before turning around. “try to sleep?”
“no,” you say, mimicking his movements as you reach for your own cup—chamomile tea he made for you. “sometimes you just have to get up and move around.”
“yeah?” a puff of air leaves his nose—something resembling a laugh as he hides his growing smirk behind his coffee. “looks like you’re doing a lot of moving, sweetheart.”
well, he isn’t wrong, you’ve been leaning against the kitchen island this whole time—at no fault of your own though, because kento insisted on making the beverage himself.
“you know what i meant,” you grumble, giving him a rather unsavoury glare.
he just hums in agreement, pushes himself off of the edge of the counter, and settles in next to you—same exact position, better company.
“something on your mind?” he asks, knowing full well that your brain is often the culprit on nights like these.
“nothing major,” you reply, “just wondering why you put creamer in my tea.”
flavoured creamer to be exact—tasting vaguely of peppermint, something you’d only expect to find in store around the holiday season. why kento has it now will have to remain a mystery.
“i did?” he furrows his brows, craning his neck to peek into your cup—and sure enough, the liquid is a much lighter shade of brown than it should be.
you didn’t say anything of course, seeing as he was nice enough to do it for you—but apparently, not conscious enough to do it well.
“mhm, it’s,” you pause—bringing the rim of the cup to your lips, reluctantly letting the concoction slide down your throat, and over exaggerating the disgusted face you make in the process. “t’s really bad, maybe you should’ve let me do it.”
“tch, don’t give me that,” he huffs, though he just can’t seem to fight the grin that bullies it’s way onto his lips.
“give you what?” you ask, as innocent and sweet as always—even despite the pout on your face.
“that,” he clarifies, pressing a finger against the apple of your cheek, which consequently replaces your pout with a pretty smile—and maybe, this is worth more than the sleep he’s missing out on.
you wrap your arms around him, nuzzling into the warmth of his chest—ironic, you know—but it’s much different when you’re not buried under the blankets. at least, that’s what you tell yourself.
you remain like this for a few minutes, and he’s silent, incredibly so—with his chin resting atop your head and his hands holding your waist. you can’t make out the sound of his breath, nor the beat of his heart—did he die up there?
“ken?” you poke him, searching for a sign of life.
“hm?” he jolts a little, seemingly coming back to his senses on contact. well, he’s not dead—just sleepy, and totally giving himself away.
you might not be able to sleep, but kento can—he just chooses not to, for your sake.
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navybrat817 · 1 year
Note
Is spitfire ready for the race?
Hmm. Mostly yes.
Friendly Competition
Pairing: Motocross!Bucky Barnes x Female Reader
Summary: You make a new "friend" before the race starts.
Word Count: Over 1.1k
Warnings: Cattiness, Nat being awesome, talk of motocross!Bucky Barnes (he’s a warning, okay?)
Graphics talent and thanks: Banner by @sgt-seabass. Divider by @saradika. Header by yours truly.
A/N: Hothead and Spitfire have made an impression, haven't they? ❤️ Not beta read and written on my phone, so any and all mistakes are my own. Please follow @navybrat817-sideblog for new fics and notifications. Comments, reblogs, feedback are loved and appreciated!
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You didn't take a seat right away as Nat led you to the stands. She didn't seem to mind as she stood by you, even with the race getting ready to start. Maybe she sensed that you were a bit antsy and politely didn't rush you.
Your gaze settled on a photographer near the tracks and you hoped she snapped a photo of Bucky. It made no sense why you wanted that. It's not like you'd see the pictures. Plus you already saw how hot he looked in the earlier photos Nat showed you. 
With his stupidly gorgeous eyes and hair and those fucking lips that-
"Nervous?" Natasha cut into your thoughts. 
"I'm not," you said, the corner of your lip tugging a bit. "Maybe a little. I told you, I want Bucky to win."
"And I told you he will. I'm always right, you know. At least I act like I am."
"So humble," you joked, but her confidence helped you relax. 
"Extremely. Let's go sit."
"Natasha! Hi!"
"Shit," she said under her breath. A redhead, a shade or so lighter than your friend's hair, walked over and blocked your path before you could go into the stands. She carried herself with confidence, her shoulders back and not acknowledging anyone else around her. You did your best to make your own judgments on people, but your friend's reaction didn't paint her in a good light. 
I wonder why that is.
"It's so good to see you!"
"Dolores," Natasha said in a clipped tone.
"Did you do something different with your hair? I didn't think the bob cut was back, but you pull it off," Dolores commented with what appeared to be an insincere smile.
Oh. That could be part of the disdain.
You knew well enough that not everyone could be honest and straightforward, but you never understood passive aggressive compliments. Were they even compliments at that point? Why be sneaky?
Be a bitch and own it or be nice.
"No one has complained yet," Natasha curtly responded before you could speak up. 
Dolores either didn't catch the tone or ignored it as she turned her attention to you. "And you must be the new girl I just heard about. I'm looking forward to us being friends," she said, taking a step back so she could look you over. "I love your skirt. Interesting choice for the tracks."
"Thanks. Nat suggested it and, as you already know, she has great taste and style," you said, not at all ashamed or intimidated by her judging gaze.
Like you felt slightly protective of Bucky earlier, you felt the same for Nat.
"Isn't that nice?" Dolores asked, her lip twitching when you didn't cower under her stare. "So nice for her to take the new girl under her wing."
"New girl". That label again. 
"I actually have a name outside of 'new girl'," you said, stating it for her.
"Well, I'm Dolores. Most people call me Dot," her smile widened again. "And some of the boys were just talking about you over there. Heard you made quite an impression on Bucky."
"I'm shocked you've heard anything about me, especially so quickly. Guess good news travels fast."
Dolores bristled, but quickly regained her composure. "I know we aren't best friends yet, but us girls have to stick together. So I thought you should know that some of the boys are pegging you as a, well, pit lizard," she exaggeratedly whispered at the end, like it was a big secret. 
"That's bullshit," Natasha spoke, glancing at you. "They wouldn't."
"I'm just repeating what I heard. I'm trying to warn her," Dolores said with a hint of sympathy in her gaze. It would have worked if not for the mocking tone. "Do you know what that means?"
Oh, I do love the condescension. 
"Groupie for riders? Yeah, I'm familiar with the term," you shrugged slightly. "Did the boys also mention that Bucky kind of asked me on a date?"
The lighter redhead stood up straighter, her eyes narrowing as some of the "friendliness" began to chip away. 
"Something wrong, Dolores?" you asked. 
"He what?"
"He asked her out on a date," Natasha smirked.
"No, he didn't."
"He did," you nodded. "He also didn't give me the impression that he pegged me for a pit lizard. I can't imagine Nat would encourage me to date him if he did."
"I dated him," Dolores blurted out.
The plot thickens.
"It was one date," Natasha said to you under her breath.
"And you should be careful with him," your new "friend" warned as she strode forward. You refused to step backward. "Wouldn't want you to get hurt."
"Are you threatening her?" your actual friend asked, shifting her stance to put you slightly behind her. "Because that isn't a good idea."
It's nice to have a protective friend. 
"It's okay. I'm sure she's just being friendly," you said before Dolores had a chance to answer. You leaned in a little like you were going to whisper a secret. "I think I'll be just fine with Bucky, but thanks. You also have lipstick on your teeth. Thought you should know.
Dolores muttered something unpleasant under her breath when she moved around you and stormed away. 
"Good to see you, Dolores," Natasha said even though she was out of earshot at that point. "Lipstick? Really?"
"What? She did," you said truthfully. "I'd want someone to point it out to me."
"You okay?"
"Just fine," you said when she raised an eyebrow. "It's not a bullshit answer. It's a jealous ex."
Wait. Does one date make you an ex?
"She's right though. You really are making quite an impression on people here," she said, taking your arm so the two of you could finally sit down. "You have Bucky and Maddox making bets over you. Now Dolores is threatened by you."
And I'm not even racing. 
"You make me sound like one of those Mary Sue characters who gets everyone's attention for no reason whatsoever."
"You mean you aren't the most special kind of special person there is?" Nat teased, giving a friendly nod to another girl as you passed by. 
"No, I'm just the shiny new toy everyone wants to play with," you joked back. "I don't have anything to worry about with her, do I?"
"Like what? Competing for Bucky's affection? Trust me. That ship didn't sail. It sank."
You snorted a bit. "Funny."
"Really though. You have nothing to worry about. We have your back," she said, taking a seat. "Besides, a little friendly competition never hurt anyone."
"So, Bucky is a prize now?" you asked as you sat beside her.
"Neither one of you are prizes, but I still think you're both going to come out on top in the end."
With Bucky determined to win the race, you had a feeling Nat was right. 
You just had to make sure Dolores didn't stick a knife in your back when you weren't looking.
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Should we worry? Nah. Love and thanks! ❤️
Masterlist ⚓ Dialed In Masterlist ⚓ Ko-Fi
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k-atsukibakugou · 1 month
Note
HELLO LOVER
for your wittle event i am asking for hanky panky with… shinsou 😔 (also i love u bye)
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HELLO LOVER!!!!!! thank u so much and im so so so sorry, i wrote this with my dick i can't even lie i don't remember half of this tw: toxic relationship + fingering (f!receiving) birthday bash intro + rules + menu | event masterlist
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fuck. fuck. fuck. “fuuuck,”
you ignore his chuckle when he shushes you, pressing a chaste kiss to the red mark at the side of your throat, his tongue already gliding over your skin before you can even fumble with the lock on the cubicle door. desperately, you clutch at his shoulders, blunt nails bruising the skin beneath his dark shirt when he nipped beneath your jaw again, sucking at the skin beneath your ear just to hear you suck in a hiss, revelling in how it hadn’t changed; he could still drive you crazy, could still cloud your mind with a single well-placed kiss.
fuck. you’d been so good; his number was blocked, you finally deleted that burner account you used to stalk his socials two months ago, you avoided the smoke shop on the corner near your place even though they had the cutest lighters and trinkets, you dyed your hair without worrying what he’d think about it. all of that, and still you end up here.
your lips are already swollen, tender from being sucked and bitten, shinso pulling you into the bathroom before it had even been an hour since you arrived, the taste of your cocktail still on your lips when he first kissed you. dizzy, you tug at his hips, breaking the kiss to breathlessly murmur his name, your heart jumping at the taste of it on your tongue after so long.
“shh, baby, i know,” his voice is so low and so gravelly when he whispers, his warm breath against your neck sending a shiver down your spine. you’re sure you’re soaking when he pops the button of your pants, sliding his hand down your abdomen into your underwear. he shudders feeling your soft skin, taking his time to drive you insane with his slow, electric touches to your drooling cunt; every touch deliberate, avoiding where you needed him until your hips were jolting, searching for him, until it was no argument how much you needed him.
his dark eyes sent a shock of lightning into your stomach when you finally felt the tip of his fingers at your clit, your body jumping into his touch the more he teased you. always obsessed with this push and pull, he wanted you to seek his touch, his body heat, his approval, he wanted you to seek him. if your eyes weren’t squeezed shut, you’d see the way his violet eyes glimmered watching your hips chase him.
you never should have tried to avoid him; you should’ve religiously checked his posts, zooming into every detail of the picture he posted smoking in the alleyway behind the bar, you’d have seen the logo printed on his chest if you had just stalked him. you’d know he dyed his hair darker (the exact deep indigo shade you loved on him), you’d know he changed his labret to a silver ring instead of the spiked post, you would’ve known how fucking good he looked. you would’ve touched yourself looking at the pictures of him instead of this, cum on your fingers again and again until it felt as good as he did.
you could have avoided this if you didn’t try to avoid him. if you hadn’t been so good.
you can’t help the whine that leaves you when he finally gives in, sinking his fingers into your needy cunt, infuriatingly slowly, like he’s savouring the way you pulse at every knuckle. shinso’s amethyst eyes are glued to your bitten lips, admiring the way your features changes when you grind your hips into his hand, how needy you look before he’s even moved. he’s still staring at you when he curls his fingers, dragging two fingers inside you just enough to have your jaw falling slack, to get your chest heaving, to get your cunt clenching around him like it always did; to make sure nothing had changed.
“god, i missed you,” you respond with a garbled version of his name, more of a broken moan than anything, unable to spit out anything else when he started fucking you with his fingers, pressing every button he knew would wind you up, working you closer to cumming before his break was over. he knew he could, he knew you inside and out, hatred or not, he could unravel you.
“you missed me, hm?” he nudges your jaw with his nose, smiling against your skin when your eyelashes flutter against your cheek, your breath catching in your throat, “i know your pussy did.”
i hate you, i hate you, i hate you, i hate you, every time your lips part to tell him as much, you can only moan instead, spouting gratitude, begging him not to stop, your anger from every argument melting from you the more your cunt drooled, the resentment deep inside you from every argument, every break up, swirling into something else the longer he fucked his fingers into you. did they even really matter when he had your cunt pulsing? when he could make you cum with one swipe of his thumb over your clit if he wanted to. he could probably make you squirt if you weren’t cramped in this cubicle with him. he decides he will when you come home with him, decides he’s going to taste you before the inevitable argument in the morning.
“fuck, you’re so hot when you act like you don’t need me.”
you can’t entirely tell if he’s being condescending, or if he wholeheartedly thinks every break up was foreplay. if he really thought you didn’t hate him for everything he did. for everything he didn’t do. for it always ending up like this. for every single ‘never again’.
“‘s always better when you’ve been avoiding me,” you still come undone, sticky cum coating his fingers when he talks down to you, that fucking face staring back at you when you meet his eyes again.
“but you always come back, don’t you?”
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gffa · 2 months
Note
I adore your batman stuff very much. I recently read the Wayne Family Adventures, and now I really want to read some more. Do you have recommendations on comic lines to follow?
Hi! I'm glad you're having fun with getting into comics and enjoying the posts around here, it's always nice to have new blood (or returning blood, in my case)! <3 I would give a gentle caution in that Wayne Family Adventures is sort of in a class of its own in a lot of ways, the characterization is much softer and fluffier, while the mainline comics are darker and messier, the characters are definitely not always as nice as they are as in WFA. That's no shade on either of them, just that I want to give a quick warning that if you're stepping from one to the other, the culture shock can sometimes be more than you're expecting. (And also keep in mind that comics are a shifting landscape, there's no one "true" version of many of the landmark moments of characters' lives, you'll see events often retold, you'll see comics that later get retconned, you'll see comics that are in different continuities/set before or after a universe-wide reboot, etc. Don't worry about it, just recognize that you're reading a story to enjoy that story, not as Hard Continuity!) That said, some of the lighter comics that I think would be fun if you're looking to come over from WFA are:
Li'l Gotham is a cute parody series that's super adorable, has some lovely art, and is nice little self-contained stories that are humorous. It's not in mainline continuity and it's even softer than WFA, but it's deeply charming and it's a fun, quick read.
Super Sons (2017) by Peter Tomasi is in mainline continuity and it's focused on Damian Wayne and Jonathan Kent becoming friends, bickering all the while, and getting into hijinks. It tends to lean more humorous and cute, so it's a nice stepping stone up to regular comics.
Robin and Batman (2022) by Jeff Lemire and Dustin Nguyen is a good litmus test for whether you might like regular comics--it's a short 3-issue mini-series focused on Dick's early days as Robin and the complicated, thorny relationship he has with Bruce about it. It's one of my favorite, it balances what a terrible gremlin he was with what a little angel he was and the emotional beats are painful in the best way.
Robin: Year One (2000) and Batgirl: Year One (2003) by Scott Beatty/Chuck Dixon and Marcos Martín/Javier Pulido are good places to start for both characters, and hold up okay considering their age. The art is a bit stylized in a way I really like, it lends it a charming old-fashioned vibe while still being pretty to look at, and there's some solid character moments in both.
Nightwing (2016) by various (starts with Tim Seeley, but it's been several authors by now) is one of my go-to recs, I think it's a great jumping on point, has a lot of really nice art, and often tells fun stories, as Dick has some of the best connections to various other characters in the universe.
Nightwing (2016) by Tom Taylor starts with issue #78 and is a great jumping-on point and Taylor's writing is just very light-hearted, action-packed, quippy, and fun. Starting here saves you from having to slog through some of the worse arcs of Dick's series, you get Bruno Redondo's fantastic art, and you can feel the affection for the character, the author and artist love this character and want to make him very cool, as well as they love his relationships with other characters, so you get good Bruce guest appearances, Babs appearances, Damian appearances, Wally appearances, Jon appearances, etc.
Robins: Being Robin by Tim Seeley and Baldemar Rivas was a fun self-contained mini-series that had all the Robins working together and I don't think it should be taken super seriously as a case story, but it had some quality banter, some hilarious moments, and a great look at these chaotic gremlins all shoved into a mini-van together to go solve a case.
Batgirls (2022) by Conrad Michael W./Becky Cloonan and Jorge Corona is focused on Babs, Cass, and Steph as a trio and being adorable together, with some humorous moments, cool art, and fun Batfam moments. It's nice that they get the spotlight and the chance to shine (it's their book, so they get the majority of the cool moments) and it's not super-long and you can jump right in.
Batman: The Knight by Chip Zdarsky and Carmine Di Giandomenico is a "Bruce travels the world to learn the skills he needs to become Batman" and I'm really in love with the way Zdarsky writes a Bruce who is deeply complicated, messy, coming from a place of loving deeply, but also this man has twenty seven different flavors of fucked up trauma going on in that hell brain of his. Zdarsky's current run on the main Batman title has been my jam, but that's a bit of a darker leap than this one, and I think this one is a great way to get to know Bruce Wayne as a character.
Batman: Urban Legends volume 5 has a story called "The Murder Club" that is basically "Thomas and Martha Wayne are time traveled into the future and see what's become of their son, they're not thrilled about it, but come around when they see the people that love him so deeply--primarily Dick, Damian, and Alfred." and was an absolute BANGER for me for feelings, gorgeous art, and some great character moments.
Batman/Superman: World's Finest (2022) by Mark Waid and Dan Mora is an absolute knock-out, it's Bruce and Clark in their early days of their friendship, where Waid is one of the best writers in the industry for how fun his stories are but also how well he knows the characters, Mora's art is often THE portrayal I think of when I think of the characters, and there's a ton of bonus guest appearances from various characters across DC's universe. Also, I am biased, Dick tags along a lot, as he's still Robin at this point in time, and it's a great dynamic between the three of them.
Batman: One Bad Day: Mr. Freeze by Gerry Duggan and Matteo Scalera was easily the standout of the "One Bad Day" stories for me, it's set in the early days of Bruce & Dick as Batman & Robin and it has ADORABLE sunshine gremlin baby Dick Grayson, a genuinely touching story about Mr. Freeze and his wife, and some beautiful art.
Year One: Batman/Scarecrow (2005) by Bruce Jones and Sean Murphy is a fun look at the early days of Scarecrow, but also has absolutely banger baby Dick Grayson content, there's a scene where Bruce literally just grabs him by the scruff of the neck to haul him out of the way of a crowd about to stampede and it's the funniest thing because that 12 year old could destroy your face with his fists but also Bruce can literally pick him up one-handed. There's some great banter in there and it's just a super fun dynamic.
As you make your way through this list, keep the author/artist and year listings in mind, as often times there are multiple series under the same title and some are more relevant to what you're looking for right now than others. Like, there have been three different volumes of "World's Finest", but I want to direct you specifically to the 2022 version because I think that'll work better for you. Similarly, Nightwing 1996 is one of my faves, but I think the 2016 version will work better at drawing you in right now. This is definitely biased in favor of my faves, but I honestly think they work for good jumping on points for someone new to comics and who's coming from WFA and might not want to get into the messier stuff of the mainline comics right away. Hopefully, you'll enjoy these and anyone else who wants to transition from WFA to reading mainline continuity comics, feel free to join us! Yeah, comics fandom can be a bit of a pill sometimes, but genuinely there's a lot of really fun moments to love and the characters are so much more fun when you're reading their stories with all the history and depth behind them!
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stil-lindigo · 10 months
Note
hi! i'm currently taking a stab at a short comic for the first time and i was wondering — if you're willing to share — what goes into the “base” of your projects? your creative notes have been a HUGE help in pinpointing things i might want to outline in my own work before i actually start making the project, but i'm still incredibly curious about the initial work and planning that goes into the making of yours. love your art!
hello anon! first of all, congratulations on starting on a comic! I hope you find it very fulfilling, and a great learning experience. To answer this ask, I'm going to use bite of winter as the main example for my work process.
Text: More often than not, I start with the entire textual part of the comic finalised. This is kind of obvious, considering my comics are entirely built around it serving as a sort of narration substitute, but it stays true for comics that are just dialogue as well. Speech bubbles will always take up more space than you think. It's good to have all the dialogue finalised before you start so you can accommodate them in the thumbnailing process. --
Thumbnails: I make thumbnails for all my comics so that I can, at a glance, see if things are cohesive. I'll often spend a lot of time at this stage, since it's also the part where I wrack my brain for smart things I can do compositionally (sometimes I go into comics knowing what sort of smart things I want to do e.g the comparison between the open grave + the empty bed was the entire inspiration behind making shallow grave). Thumbnails are always quick and dirty for me. I know my own brain, so I always just do the bare minimum and know I'll be able to interpret it later. Here are the thumbnails I made for bite of winter.
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note: the bright blue border on all the 'pages' is just to indicated where i should try to keep my panels.
it's extremely shitty but it's decipherable to me, and the whole point of thumbnail is that you're hopefully saving yourself time in the future by getting all this planning out now. --
3. Colour: Colour blocks are how I plan out how a comic's colour scheme should look as a cohesive package. Although I didn't used to do this for comics, I do it now ever since I wasted around 8 hours on patchwork canary just fiddling with the colours (ugh). I'll usually go into a project knowing what kind of tone I want to convey with it, which gives me a launchpad for what kind of colour scheme I'd like. For instance, RED, one of my best comics, only uses three colours (black, white and red) and that limited colour palette enhances the message behind it. I think it wouldn't be nearly as impactful if it was all standardly coloured - having that contrast pushes Red's impact as a significant character in the narrative by making her pop on the page.
In a similar vein, almost all of the sunset's emotional complexity gets expressed through its colour palette of red, blue and yellow.
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Even though it might be more conventionally coloured with shading and whatnot, the choices behind making certain scenes darker/lighter and etc really sells the story more in my opinion.
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These are the colour thumbnails I made for bite of winter. It's incredibly rough, but at a glance you can tell the comic doesn't have any particular page that is jarring or pulls you out of it.
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As one more note: I'd advise doing all thumbnailing/colour-blocking at a much smaller size than the actual page is going to be. It keeps you from obsessing over fine details, and encourages you to just block in shapes and colours really quickly.
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that's all from me for now. I hope this helped, and I wish you luck on your project. Pace yourself! Comics are more work than people ever say they are, and it's good to just take your time and enjoy the process.
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mauesartetc · 11 months
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What's your favorite art, writing, and character design advice?
I don't know about "favorite" necessarily, but "blew my mind when I learned this and changed how I do things"? Yeah, I have a few tidbits. You may be aware of these already, but I hope someone out there finds them just as impactful as I have.
The first one comes from art school, circa 2009. Core shadows, everybody!
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This is the idea that shadows are darker and sharper the closer they are to the light source, and become more diffuse the farther away they are.
Later, CG Cookie introduced me to the concept of color shifting, which involves color skewing more toward yellow the closer it is to the light source, and more toward blue in the shaded areas. This makes the color look more vibrant and dimensional than it would if the artist simply used lighter and darker shades of the same hue.
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Another technique I like using is Griz and Norm's "floating hands":
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I could've gleaned this next one from a couple different places but I've modified it to better reflect how the upper arm is slightly longer than the forearm (in fact if you've been following for a bit, you've seen me use it before).
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James Gurney's book Color and Light has a wealth of great painting tips, but here's one that stood out: The concept of color zones in the face.
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According to Gurney, the reason these zones take on this appearance has to do with how close the veins and capillaries are to the skin, as well as how tiny chin hairs can catch the light. Just an interesting trick to keep in mind the next time you're painting a portrait of a light-skinned person.
One character design tip that's always stuck with me is that the bottom half of the character should look like the top half. If you repeat elements such as colors, shapes, and patterns, your design will look more cohesive.
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I think of it like one of those cylinders with rotating segments I used to play with as a kid: You can tell which body parts belong to whom even without the background colors.
As far as writing, I don't remember who I heard this from (some Pixar person; Brad Bird or Pete Docter, maybe?) but the basic idea is: Every character is the hero of their own story. No one wakes up in the morning wondering how they're going to do evil that day. Everyone believes they are in the right, even those the narrative categorizes as villains.
This really shifted my perspective and made me want to treat all my characters with equal measures of empathy. Thus I began my approach to character development as a psychologist might analyze clients, asking how a character would justify their actions rather than projecting my own moral judgements onto them. If you can look at a character as objectively as possible, it's easy to unlock the complexities within them.
Anyway, I hope all this was useful. The trip down memory lane was fun, at least! If this post helped anyone discover a new technique, feel free to leave a tip, and I'll see you in the next one!
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wannaeatramyeon · 1 year
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Is this how you do it- (Not a frequent tumblr user so) Anyways I'm in love with your writing and always look forward to reading new content from you everytime I open this app it's fabulous tbh. On a side note, I wanted to request the lookism guys with a s/o who loves to draw, is generally into art and just lives a normal life like going to college, travelling by the metro, staying up till 3 am to finish art school assignments or just homework you know. I'd love it if you include gun but its totally upto you. Lastly I say it again you're my favorite account on here so I'll always support you btw lmao😭😭😭
Thank you so much for sending in the ask and apologies again (and to all the current requests...) on how long it is taking! AHHHHHH you are so sweet!! THANK YOU FOR THE SUPPORT and for giving the idea for another soft Gun!
Gun Park x Reader: Masterpiece
Gun with art student!reader. You're creating your final assignment.
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"What's this piece?"
"Wait and see."
Gun watches you move the oversized blank canvas, rearranging your paints and material. Preparing your little corner of his penthouse. Your studio, you call it. A spot he has cleared aside for you when you gasped at the lighting one afternoon.
Between your art assignments and Gun's job, any free time you have together is sparse - you both take what you can. A call here or there, sporadic messages, infrequent dates if both your schedule allows.
It only made sense for you to move in, to make it easier to steal time together.
Still, your final project looms on the horizon. You need to focus your time and energy on this for now.
Regrettably.
Because as Gun sits and watches you, tie hanging loose, top shirt buttons undone, hair casual and flopping over his eye, you think he looks good enough to eat.
Focus. You shake your head, redoubling your efforts to concentrate. Strike while the iron is hot; you're inspired right now and you don't want to fail an assignment due to an art block. Again.
Gun stays quiet as he observes you. Gracefully moving, pencil between deft fingers, sketching out your ideas.
There's a lot of things that Gun Park can do, but he knows he can't do this. His hands are better suited to create and mould other sort of masterpieces.
His eyes watch you as much as they do your hand. The crease between your brows as you work out the angle, nose wrinkling when it doesn't quite work out how you imagine. Tongue out in concentration, hair up in a bun and wispy tendrils caressing your neck.
He is in awe seeing the lines and shapes take form.
.
.
The buzz of Seoul softens at 3am when you finish a few weeks later.
You look proudly at your work. It may be your best one yet.
"Is that me?" Gun takes in the figure you have painted.
Suddenly shy and self-conscious, you nod. It's not the first one you've created of your boyfriend but it's the first one that he has seen more than a passing glimpse of.
Gun blinks at the canvas. Is that how you see him?
He studies the angle of the face, scar softened in shades of pink between eyes that should be demonic. Recognises himself in the pose, odd that it is comforting and protective rather than intimidating. The lighter shades of your paint strokes illuminates, frames him like a halo.
Gun looks at the painting and feels your love poured into it.
It's him all at once and not at all. At least not in the way anyone else could possibly see him.
"It's a masterpiece," he kisses you softly as you smile against his lips, "And you're mine."
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femmefatalevibe · 1 year
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Hello! I love your blog and would like to ask for your advice. I want to look like an elegant, expensive woman. However, I am having a hard time applying makeup and setting up a skin care routine. Do you have an tips or resources on how to wear makeup elegantly and care for one's skin (for those new to makeup and skin care)?
What are the basic products needed for a dewy, classy make up look? Do you have any tutorials?
What are the basic products needed for healthy, minimal skin care routine?
Thank you for reading this ask! Have a great day!
Hi love! Sharing some of my tips below:
Skin:
Always use a disposable cloth when washing your face: Regular towels store bacteria and can cause breakouts too easily. These facial wipes from Amazon are my holy grail.
Wear sunscreen daily: Yes, even when you spend all day indoors. UV rays can interact with your skin through windows, too.
Niacinamide, Vitamin C Hyaluronic Acid, & Tea Tree Oil are among the few skincare ingredients almost everyone should consider incorporating into their skincare routine.
Learn the correct order to apply the products in your skincare routine: Cleanser, Toner, Serum, Eye Cream, Spot Treatment, Moisturizer, Sunscreen (or Retinol/Skin Oil at night).
Remember: From a dermatologist's perspective, your face starts (or ends) at your nipples. So, ensure you're cleansing, exfoliating, and applying sunscreen daily to your neck, chest, and décolletage to keep your skin smooth, youthful, and well-hydrated.
Vaseline is a great (affordable) alternative to traditional eye creams.
Sugar scrub your facial hair for a more gentle alternative to waxing (Combine sugar, lemon, and water). Laser hair removal, especially under your arms and your arms/legs is life-changing.
Follow up a warm shower with a dry brush and coconut oil for smoother, firmer skin.
Always apply a hydrating lip balm, mask, or Vaseline, hand cream, and moisturizer to your feet before going to sleep.
Layer complementary scents. Ensure the scents of body wash, lotion, and perfume work well together and don't clash.
Makeup:
Learn your skin undertones and educate yourself on color theory (I can create a short ebook/PDF if you want some more educational content on these types of topics – I write about them for a living!).
Test any foundation, concealer, or face powder on your wrists, too.
Don't forget to color-match your bronze and blush: They can appear orange or muddy if you don't find a product with the correct shade or undertones for your skin type.
Invest in products that go on your face, brow products, and eyeliners. Great mascaras and lip products are easy to find at a drugstore or relatively cheap (I suggest Covergirl and NYX, respectively).
Apply concealer in a triangle; don't dot it around your eyes for better coverage.
If you have oily skin (or it's humid outside), apply powder before your liquid/cream products. Set them again with a light powder to lock the color in.
Apply mascara from tip to base for the best lashes of your life: One coat on the tip, another from middle to tip, and the last coat from base to tip.
In a pinch, use a fragrance-free moisturizer and a Q-tip to remove excess makeup (no more raccoon eyes).
Use a light nude or white eyeshadow underneath your brow to make them appear more defined.
Apply face powder under your eyes to help the eyeliner on your waterline last longer.
Create a simple daily makeup routine formula: 1 skin coverage (foundation/concealer), 1 skin color (a favorite blush or bronzer), brows, mascara, an eye-definer (eyeliner or shadow), and a signature "your lips but better" lip shade (1-2 shades deeper or lighter than your natural lip color): This formula provides you the basics, so you never have an excuse not to put yourself together for the day (5-10 minute routine here).
Discover your day-to-night hero product: Always keep a slightly deeper lipstick, a smoky eyeshadow, or liquid liner in your bag to transition your day look into the evening with one portable product.
Hope this helps xx
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