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projecttreehouse · 2 years

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how to write relatable characters

writing relatable characters may seem like an easy task, especially when you’re constructing your protagonist. but what if you want to make your antagonist likeable? what if you want people to hate your protagonist but still root for them? all of this and more requires that your characters be relatable. they need to feel real, so how do you do that? here’s how:

- flaws: this is probably obvious. everyone has flaws, so we should give our characters flaws, too. this applies even if your character is non-human; they cannot escape the personification that we as writers or readers project onto them. we are humans reading, so we expect to see human qualities everywhere we look. if you’re having trouble of identifying your character’s flaws, here are some prompts for ways to think about flaws beyond a list:

what skills do they lack? what do they struggle with?

can their strengths be turned against them as a weakness?

what makes them react emotionally or impulsively?

are they aware of their flaws? if so, do they want to improve them or change them?

- quirks: these are what make your character unique or special, and no, i don’t mean purple eyes or unique physical traits. i mean: what makes your character authentically themselves? what traits define them that few others have? some ways to think about this are:

how do they react when nervous? do they have a tell? similarly, how do they react on behalf of any emotion?

what skills do they have that hardly anyone else has?

what obscure thing are they obsessed with?

do they have a unique outlook on life compared to their peers?

- values: these come from life experiences: where we were raised, our family and friends, our community, religious affiliations, etc. i suggest identifying eight to ten values that define your character and then narrowing that list down to five values that mark their core or essence. think about how these values influence their choices, decisions, and ultimately, the plot of the novel. here are some more prompts to think about values:

how do they react when their values are challenged? are they one to speak up or do they sit back in the shadows?

what, if anything, will change or shatter their values?

are their actual values misaligned with their believed values?

- stakes: what is at risk for your character? what is motivating them? stakes don’t need to be over the top or life or death; they can be as simple as maintaining a relationship or reaching a goal. unless there’s an outside influence (ie. percy’s mother being kidnapped in The Lightning Thief), most stakes—especially those relatable—tie back to values. even those influenced by outside factors can tie back to values: the only reason percy is motivated to get his mother back is because he cares for her and she is the one person who has always advocated for him and cared for him. he values family and riordan uses his family to motivate him and incite the plot. generally, there will be one overarching stake for your character, but throughout your novel, there should be several smaller stakes. these may not service the plot but should elaborate on your character nonetheless. some ways to think about stakes include:

how can i use internal or external factors to create convincing, relatable stakes that tie back to basic values?

why does the overarching stake matter to my character? why do they care?

how can i raise the stakes or introduce new ones that are relevant to my character and illustrate them as a relatable being?

- connection: even if your character is an introvert, they will still be connected to someone, something, or even an idea. we, as humans, look to certain people, pets, objects, and ideas to maintain our sense of reality whether we realize it or not. if your character prides themselves in having no attachments, think about the ideas or themes that mark the cornerstones of their reality. most human beings strive for some form of connection, so here are more prompts for thinking about your characters and connection:

what does connection mean to my character? how do they show how they value their connections or relationships?

how does my character’s behavior change when around different connections?

what connections define my character and their reality? how will these connections influence my character and/or the plot?

how will removing or challenging a connection change, influence, or motivate my character?

a good rule of thumb is to treat a character as a human, not a plot device. there is a time or place in which a character must act as a plot device, but if you’re wanting your readers to be compelled by your narration and the characters within them, you should strive to write your characters as human (aka as relatable). one of the greatest pleasures i find in writing is when other’s identify themselves in my writing.

you’re not just here to tell a story, you’re here to connect with others through the illustration of your characters. let the reader navigate your prose as a detective, to search for and identify the evidence provided by you. that is to say, show us how these things manifest in your character. don’t tell us.

happy writing! hopefully this post gave you some ways to start thinking about how to show the relatability of your character. if you have any questions about implementing these tools or about writing characters, our ask box is always open.

#writing tips #writing advice #writing help #story writing #novel writing #nanowrimo #writing #write it #writeblr #writers of tumblr #creative writing #books and novels #writers block #character development #writers on tumblr #writing prompts #writing tools #fiction writing #indie writing

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jaegerisim · 10 months

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Vent post y'all are gonna hate me for.

I viscerally hate how the Duffers treat most of their non white or queer characters and I hate even more viscerally, how y'all big byler blogs in your circle jerk of other 5 big byler blogs casually like to ignore many red flags the show has.

Y'all like to say: "tHe DufFeRs ArE gReAt WrIteRs" and it's like girl, who are you lying to??? They aren't top shit writers at all. The Duffers are pretty mid imo. Yeah, they run a good show that's fun to watch and theorize abt , but that doesn't mean they're good writers cuz they're not.

1. they completely side lined Will during s3 for the sake of their straight romances: lumax, jancy, mlvn, duzie and partly stobin (even if stobin wasn't endgame, thankfully, Steve's intentions were clearly wanting to date Robin and they gave it a lot of screen time). Will was sidelined bc he didn't fit the straight romance plotline bc they planned to make him gay or whatever. Now in s4 Will and his feelings have been used as mlvn toilet paper. Yes, we like to say this is build up for byler but canonically, Will's feelings have been used to clean the shit mlvn leaves behind.

2. Billy was sympathized a lot during the last 2 seasons. They gave him the sad backstoryTM in order for ppl to feel sorry for him. Billy's backstory is literally Jonathan's but whatever.

3. El's anger issues are constantly girlboss-ified. They down play her bullying situation and literally just use it for El to be a ''girlboss" without realizing how triggering that is. As someone who has lived bullying, seeing it be ignored by canon and fanon is super sad. The whole Rink-O' Mania experience must have been so traumatizing for her yet, everyone absolutely forgets abt it 🤷🏻‍♀️

4. Robin, Erica and Argyle are stereotypical characters. Robin is the quirky lesbian with social anxiety, Erica is the badass black woman and Argyle is the Latino stoner that sells weed to white kids and works as a pizza delivery guy.

5. Altho Argyle and Eddie both do drugs, (Eddie actually sells K-12 to a minor and nobody batted an eye. He has a huge fan base). Eddie is held in a pedestal bc "poor thing 🥺 he lives in a trailer with his uncle 🥺". Tell me a single fact you know abt Argyle that isn't "he smokes weed", "he is Jonathan's only friend", "drives a van" and "he works at a pizzeria". Exactly, Eddie is given a useless backstory and Argyle isn't.

6. Dustin stopped being important to the plot sometime around s2 and s3. He is only there to curse and be mildly funny. My guy needs to hangout with ppl his age cuz he only hangs out with seniors.

7. El needs to stop having so much "I'M THAT BITCH" screentime like I need in s5 for El's arc to not just be her becoming more powerful and falling in love with Mike. I need the Duffers to explore her trauma and problems.

8. Angela should have been run over by the van.

9. Patrick should have been given a backstory that isn't the basic "strict black parents that hit their kids cuz they are a disgrace". Patrick's backstory is actually racist af, fight w the wall.

10. As Lex already said, they didn't trigger tag the ep where Jason and his friends assault Lucas and Erica. Like wtf? Why was that necessary? Why did I have to see a black boy being held at gunpoint by some white guy?? Was it relevant to the plot?? I don't think so. And then I've got to see ppl online be like "Jason wasn't that bad. He was just mourning" like bitch you can stfu. This is what happens when you make the racist assholes conventionally attractive.

Also the fact that Lucas's arc is fulfilled by him fist-fighting Jason and "embracing his weirdness" aka accepting he is black. His arc was not fulfilled at all cuz that ending spoke so loud to me. It showed how little empathy ppl have towards the struggles poc ppl living in the Midwest have. Y'all circle jerks can only see racism when it's super obvious.

Furthermore, parents complained when ST showed "an excessive amount of smoking" yet nobody batted an eye when Billy tried to run over Lucas, when Erica (an 11 y.o ffs) was chased by white kids or when Lucas was held at gunpoint by Jason.

All of this happened while they focused on Max's guilt and mourning that, yeah, are important but certainly not less important than racism!!!

11. In s3, they gave us that whole Nancy vs The Bigots arc that was honestly just triggering and useless. It didn't help Nancy's character at all, quite the opposite it put unnecessary angst.

12. Lonnie being presented as an abuser just for him to never be spoken of again. Can we please get to explore the trauma he left the Byers's with?

13. The fact that both queer relationships are considered "sloppy seconds" is extremely sad. Both Vickie and Mike are rebounding from their failed relationship with Robin and Will. These 2 ships have caused more commotion than Jancy and Jopper together! (These last ships are technically sloppy seconds too but everybody forgets that. Shocker!!)

14. Last but not least, ppl blame Argyle for being the one to get Jonathan into smoking weed as if Jonathan probably wasn't the one looking for it. Let me tell you, that you only find weed if you look for it.

#P.S: I'm gonna pay attention to how many ppl send me hate bc of this or block me #stranger things #lucas sinclair #st vickie #robin buckley #jason stranger things #will byers #dustin henderson #eddie munson #argyle #jonathan byers #erica sinclair #byler #← target audience #byler target audience

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annymation · 5 months

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Reimagining the characters in Wish

(Part 1- Asha)

Hey guys! I don’t really know how to start this, but let’s just say that I… Didn’t like how Disney’s 100th anniversary movie turned out, like at all.

But I can tell there was a lot of unexplored potential beneath this story, that in my opinion felt overly simple and bare bones.

But if you love it, that’s awesome, more power to you, I wish I could’ve loved it too. And I don’t want to rewrite it to show I’m “better than the writers at Disney” because I’m definitely not lol, I have no experience in writing, and I’m sure they put a lot of passion into the project and I respect them for that. But this movie inspired me with ideas for a different story that I think is worth telling.

But I won’t start telling it today, instead, I'll start a series of blogs sharing my ideas for changes in the characters and their stories, after I get some feedback I will start posting more of the story itself.

If you’re interested, then come along!

Asha✨

Personality

- Asha is a 18 year old girl, with a passion for drawing and helping those around her, sometimes even worrying more about helping others than helping herself

- She’s like a big sister to her 7 friends, always being the voice of reason and acting responsible, but not in a bossy way, she’s actually very playful with them

- To the people of Rosas tho, she's seen as kind of a weirdo, for you see, she spends almost every time of the day drawing in her sketchbook

- She practices everyday to become a better artist, and the people of Rosas find this to be very peculiar, after all, why would you take so much effort to perfect a talent when you can simply wait to turn 18 and wish for the king to make you an amazing artist?

- Asha doesn’t mind these comments, although they have made her less willing to share her drawings with others that aren’t her 7 friends

- As the story progresses we see Asha flourish from a shy and introverted girl to a brave woman who after discovering a terrifying secret about the kingdom’s rulers, steps in and inspires others to join her and fight an evil sorcerer king and his alchemist wife (yes, I made Amaya an alchemist, more on that on part 2 when I talk about how I’d change Magnifico and Amaya)

- Some Disney characters that share similarities with her personality wise are: Belle, Tiana, Pocahontas and Esmeralda

Main Traits:

Calm and mature

Determined

Passionate about her interests (drawing, dancing, philosophy and stars)

Helpful and generous

Perceptive and always questioning things around her that no one pays attention to (like why do all the artists only paint the King and Queen?)

Playful

Compassionate

Backstory

Oooh boy I gave this poor girl so much angst, okay let’s go

Asha grew up with her grandfather, her parents both died in a fire when she was just a baby

(this isn’t just to fit the “haha Disney princess has no parents” cliche, there’s plot relevance in this “mysterious fire” that I’ll talk about later)

Growing up with her grandpa, he’d always support her dream to be an artist, like her mother, who was an art teacher

Her mother not only drew really well, but she also was able to create the illusion that her drawings could move, by flipping through the pages of her sketch books

In other words, her mom was an animator

Asha saw this technic her mom used as a form of magic, so she would often tell her grandpa she wanted to “Do magic just like my mom”

Her father was a philosopher (this was established in the actual movie but never explored haha whyyyy), who taught people that working hard to achieve your dreams is not only rewarding, but also essential, because it’s part of the human nature to persevere and fight for what we believe, even if we fail, even if it’s hard, just keep moving forward.

This philosophy may sound very “umm duh” for me and you since we all know and hear everywhere nothing in life comes for free… But that’s not the case in Rosas

In this rewrite the kingdom wasn’t created by Magnifico, but rather the kingdom has existed for many generations, being ruled by different kings before Magnifico who also granted wishes… but I’m getting ahead of myself.

The point is that the culture of just asking the king to give you or make you whatever you want to be has been in this kingdom’s culture since forever, so when Asha’s dad comes out saying “hey! Maybe we should stop just relying on the king to make our dreams come true, right?” He’s actually being quite a revolutionary… and sharing a very dangerous belief to other people…

At this point you might suspect what caused that “mysterious fire”

So, back to Asha, growing up with her grandpa, they shared a lot of happy memories together. Reading her father's books and her mother's art books helped Asha connect with them even tho she never had them in her life.

But as her grandfather grew older, he became senile.

Asha went from being taken care of by her grandpa to being the one who took care of him when she was still around 13 years old, and when she turned 15 her grandfather passed away of old age

Asha went on to live with her best friend Dahlia, the two became like sisters.

Though she managed to move on from the loss of her grandfather, she could never shake the feeling that he died without getting his wish granted... But she had no way to prove that, it was just a feeling

The wish granting system works different in my rewrite, instead of there being a public wish granting ceremony once a month, there would only be a public wish TAKING ceremony, that would work just like in the movie, you turn 18, you go give your wish to the king yada yada yada.

But the wish granting part would work like this: Almost every night the king would release the wishes up in the sky, they would float down like balloons to their respective owners while they sleep, and once they woke up in the morning they'd feel that their wishes were granted, for they would wake up changed.

With this method, there's no way of confirming if someone really got their wish granted or not, unless you went to ask the king.

Asha never did ask the king if he granted her grandfather's wish, but her grandfather would sometimes express how he wasn't feeling completely fulfilled in his life, he felt like there was something... missing.

This feeling of hollowness persisted in him until the very end, no matter how hard Asha tried to help her grandfather, she never knew him as his real self, because he gave part of his soul to the king, the most beautiful part of his soul, his wish.

Asha had no proof that her grandfather didn't get his wish granted, only a gut feeling.

But because of this, Asha wasn't that thrilled to give her own wish to king magnifico, knowing there was the possibility of it never being granted.

Not to mention she didn’t even know what to wish for, “I’m just 18 and you guys expect me to already know what’s my heart’s deepest desire? I’m still figuring that out, all I know is that I wanna draw”

Plus she wanted to follow her father's philosophy and achieve her wish on her own, eventually, when she figured out what her wish even was.

Asha never rebelled against the system tho, she wasn't a confrontational person. She just accepted the people of Rosas preferred to rely on the king's magic, but that just wasn't for her.

However, on her 18 birthday, when it was expected of her to give her wish to the king, she simply said she didn't have a wish, and even if she did she wouldn’t want to hand it over, she wanted to make it come true on her own. This lead to an argument with the king, and after a series of events (that I don't have time to summarize here, but you can find out about it on my rewrite) leads to her finding out a terrible truth about her kingdom. And that's how her story begins.

Design

- I’d keep these braid ornaments that Asha had in the concept art

- Since in my rewrite she’s not that invested in the kingdom of Rosas, I’d remove all the Kingdom of Rosas symbols that are present in her design (there are a LOT of them)

- I’d replace these Rosas insignia with more star and constellations themed symbols, to reflect how Asha believes that the stars are connected to people and they can guide us, just like how her father believed.

Final Thoughts

My intentions with these changes were to give Asha a strong emotional hook, and something that makes her feel relatable.

The emotional hook here is how she spent so much of her life taking care of her grandfather that she kinda never had time to worry about her own desires, that alone can be relatable to caregivers of elderly people that watch their grandparents or even their own parents lose themselves as time passes, and end up worrying more about the person they’re taking care of than themselves.

Asha has this internal emotional conflict where she feels she needs to constantly help others the same way she helped her grandfather, and one of the things she’ll learn as the story progresses is that it’s not selfish of her to want more for HERSELF.

Another thing that would be relatable about Asha is her passion for drawing, and how most people in Rosas would say she’s wasting her time practicing so much when she can just wait until she turns 18 and wish to be amazing at drawing.

She’d never stop believing that taking her time to improve on her talent and trying again and again was worth every second of her time, because let me tell ya folks, drawing is HARD, and animating like Asha’s mom did is even HARDER, it takes a whole lot of practice, and Asha was determined to keep trying.

She’d be much like Belle, remaining true to herself even tho those around her considered her odd, and very passionate about drawing just as much Belle was passionate about reading.

I also find it funny how Asha’s motivations are fairly down to earth, like in Disney movies you usually have:

I want to be free from these palace walls!

I want to explore the ocean!

I want to open a restaurant!

I want to find true love!

And then there’s Asha here like

“My life is fine, I just wanna chill and draw stuff”

And that’s it, but, in her environment where everyone is expected to have this great wish that they have to give to the king so he’ll make it a reality, she’s kinda the odd one out, and I love that. Would be a great subversion of the Disney formula.

Of course after she learns Magnifico and Amaya’s true intentions she gets a lot more agency and the desire to save her people, her “call for adventure” if you will.

But what are Magnifico and Amaya’s true intentions? Click here for part 2 and find out!

Thank You For Reading!

#disney wish #wish #reimagined #rewrite #disney #wish 2023 #wish asha #wish star #king magnifico #wish movie #wish disney #wish rambles #wish rewrite #Asha #long post #wishrewrite

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burninblood · 2 months

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guys, I sense a lot of tension about this whole buckynat situation XD ... there is even some hate going on on "X" saying they should have stayed broken and stuff... and, listen, I understand, this kind of reunion wasn't what we was hoping for after all these years (10 years?!?!) and of course we had better scenarios in our mind and we were hoping for more good character work (or any characters work at all!), and we want to hear Nat's version (eheh) and these writers are, let's say, uhm, not so good...

BUT

these are american superhero comics for you in 2024. No greatly written for most part, action focused all the time, little or not at all character development, aiming to reach big sales or them get cancelled, flowing with the MCU synergy and stuff. And I tell you as someone who has read comics her whole life (and I had a loooong life, ok XDDD): bad moments in comics come and go, and poor characters run through a lot of shitty writing, and this happens all the time.

Are Lanzing and Kelly good writers? No. HELL NO.

Do I think Cold War was the worst thing written in the media in the maybe last 5 years? YES with a cherry on top! 100% YES.

Is Thunderbolts a good mini series? ... Well, not really. Better than SOL and CW, but still, we're not quite there yet. It was basically random, with a stretched plot that I can't even recall, and really not a team book since it doesn't focused on any of its characters for real. 'Cause you know, I said it before: no character work, just action action and more action.

Is Bucky written by L&K good? No. He isn't. But to be honest he wasn't good in a lot of other comics too, sadly. He has been worse, he has been better. He will improve at some point, that's the cycle.

All this said, am I happy they brought buckynat back? YES. I AM SUPER HAPPY 'cause it opens for possibility!!!

If they gain some more audience as a couple there are more opportunities for them to get more exposure, to be feautured into other comics (in the current cap run written by Straczynski for example?) more and better content, not only together but on their own too! I think them both didn't have a good comic since... 2018??? Nat even earlier probalby, but it's important they somehow stay relevant in the stories 'cause this is how this whole circus works (sad): the characters who sell better get more stories, more comics, better comics from better writers (... hopefully!)! It's bad, but that's the comic market guys.

Idk, it just feels so sad to me that we have waited for so long for buckynat reunion and when it happened finally it left us with just a bittersweet aftertaste... I think this is inevitable 'cause we had so many hopes and we pushed it bigger than life into our heads, and this is reality XD...But realistically speaking, I was never expecting their reunion to be that different from what we got in the end.

It's good to be disappointed, it's right, but let's turn this into a good occasion then, let's try to stay positive and maybe try to exorcise the bad in it by taking a creative angle on the matter: let's write meta about Natasha's pov, let's write fics, let's do edits, fanarts, let's discuss it. But wishing it never happened and dragging them badly...

I know we all feel like they deserved better, and I agree, but let's consider this just THE BEGINNING. It's a starting point and we should keep our fingers crossed for something good to come!

Let's not give up!!!

I'm sorry if this is so long and a whole lot of useless blablabla bhubhubhu, but some of the stuff I'm reading around is starting to be really depressing and a bit too negative considergin the whole situation, and it's a shame 'cause I feel like we should be at least a tiny bit happier here around <3 :D

Let me know what you think of all this mess (or not, lmao) if you want! <3

#buckynat #winterwidow #616 buckynat #thunderbolts 2023 #L & K don't have to be tha bane of our ship guys!#it's just an opportunity with them getting back together!

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writingwithcolor · 10 months

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Japanese Q Speedround: Google Is Right There

Hi, it’s mod Rina. It’s time to speedrun some asks.

@troublsomeidiots asked:

I'm writing a character who is both black and Japanese and lives in japan in a primarily Japanese area and wanted some help in writing a person who is biracial who lives in primarily homogenous society? Like what kind of struggles she would face, especially as a person who has never met anyone who is black other than in passing?

Open Youtube. Hit search bar on Youtube. "being black in japan" "half black half japanese in japan" "black hafu in japan". Try different combinations of keywords. Bon voyage.

(neither Marika nor I are Black. We will not be speaking to experiences we do not have.) (we can outsource to some of our friends if you ask a specific question. These are not specific questions.)

(Black Japanese readers--please feel free to comment if there’s something you want OP to know!)

@layzeal asked:

Hello! I have a question regarding family/last names in Edo period Japan. My story takes place in 1816, my character was born in 1796 from a commoner family (that she gets separated from a few years later, and in a different country).

I've read that regular people in Japan didn't adopt the use of family names until Meiji restoration, but I'm not sure how true that is. Would a family of commoners in that period carry a family name, or would they only use their first names? And any idea if that family would have to present a last name when moving/passing by a different country that does use them?

It's important for me to know, since the existence of a last name or not would quite heavily influence how hard it'd be for the family to meet again, and which means would be used. Thanks in advance!

When I gave Google some keywords from your query, the second result explained how pre-Meiji commoners without family/clan names used bynames to distinguish themselves, and gives additional data on them. Maybe give it another Google?

@weavefeather asked:

Hello, I am a writer and I really need some advice. I am wotking on my book since a few years, maybe 2 or 3, and I finally got the points together how it could begin. My plan is that my MC (named Nanami Kudo) is an lawyer of the FBI and has to go to her homecountry Japan, beacuse they send her to foreign investigations about a syndicate of people..... And the some things happen, like her brother who still lives in jp doesn't really welcomes her, some complications with the police and so on...

But thats not the point! Im really struggling to take in words how she gets to the other country, leaving her home behind and her partner she worked with. Do you have any advice on it, maybe how to structure it, some words or scenarios that fit?

How she gets to the other country: …..She flies there.

How US government agents/workers relocate and what the experience is like: That's your job to google. We are not government agents. Try anecdata on reddit, reddit AMAs, and Quora.

It’s unclear what her relationship/proximity to Japan is. What kind of nikkei is she? Is she mixed race or monoracial? How much Japanese can she speak? So many unknowns. Go read our Japanese tag and appreciate just how many ways one can be a Japanese person. Until then, you are nowhere near close to being able to write a nikkei homecoming plot.

Lastly, you are the author. Give us scenarios yourself and come back to us.

In Conclusion

Guys, you all gots to google some more. It’s beneficial to both of us: not only do we get to help with more specific things and have enough info to do so, but you don’t have to wait months until your ask comes through the backlog only to receive an answer you could have researched in anywhere from a couple days to 3 minutes.

~ Rina

“But Rina, I don’t know how!”

You’re in luck!

First, try one of our own post on Google shortcuts.

Second, stay tuned for some very relevant posts...

COMING SOON: WWC’s A Beginner’s Guide to Academic Research

#japanese #mixed race #japanese diaspora #research #asks

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theerurishipper · 5 months

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Am I selfish for wishing Marinette wasn't the protagonist? She doesn't really connect to the plot besides her love arc and I don't find it that interesting. Like a lot of female protagonists like the cast of Totally Spies the girls force to work for Jerry, or Bloom finding she's a fairy and has the dragon flame or Iris from lolirock who finds out she's Princess of Ephedia. Like you have all these ladies who's arc isn't just connected to just love like it's part of it but romance isn't central to their character they have more to them.

Like it's so weird honestly because I never really knew of a protagonist who just didn't connect with the story instead the secondary character has. His father the villain, he has fans and many who crush on him, he's a model but he's secretly also the famed ChatNoir, he's an abused child who want their parent attention, rich, and a little behind when it comes to social cues. Like? Are we sure he's not the protagonist is that why the show gives him such little contributions and makes others take what he's deserves. Like the book from early on s2, felix finding out his mother in the basement, Kagami learning early on the whole agreste situation and doing a whole play in front of Ladybug with Felix to convey the situation.

She's in every episode most MC's aren't always there sometimes they leave for an episode or two or have someone take the spotlight but she is there 24/7. Like I kinda want to know another character for a chance because I already gauged enough of her character to know romance is all there is to her lol. I don't know can't we have an Adrien central episode, Alya, Kagami, hell even Luka?

No wonder I think the cast are so bland to me because they just appear we don't really know them personally besides if they get akumatized.

Marinette to me is like if we're seeing the blushing female girl and the entire show from a Hinata perspective in Naruto just there to pine for a boy who aren't even that close.

You're not selfish for that, anon. We all have our different tastes. Personally, I like Marinette as the protagonist, but we all have different likes and dislikes.

I will say that the writing for Marinette as a protagonist is pretty lacking though. She doesn't have any connection to the main plot on her own and can only have any relevance in the final battle of her show by taking the place of some other character. The show is literally allergic to taking the focus off her for more than five seconds. Plenty of shows that have a single character as their main lead also devote few episodes to the developing the side characters.

For example, a superhero show like Miraculous would usually have an episode where Ladybug is incapacitated, and Chat Noir has to do the saving. But Miraculous can't handle not having Marinette be the one to save the day at all times, so Chat Noir is just always reduced to being the sidekick or the one who gets caught and has to have Ladybug save him. Like, even in episodes where it seems like Chat Noir will have a larger role to play, the writers can't help but have it be Ladybug who saves the day in the end. Even in episodes that seem like they are going to focus on Adrien, Marinette will have some B plot shoehorned in that will take over the entire episode until it seems like Adrien's conflict is the actual B plot.

Like you said, it's not wrong for the protagonist to take a step back in a few episodes and let the supporting characters shine. Miraculous' habit of shoving Marinette into the resolution for every other conflict but her own is detrimental to both her own character and every other character. It's just bad writing, honestly.

Thank you for your ask!

#ML Salt #ML Writing Salt #ML Writers Salt #Marinette Salt #Asks #Meta #My meta

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hayatheauthor · 1 year

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How To Write A Plot Device Character

A plot device character is a character whose only purpose is to move the plot forward. Unlike other characters, they aren’t a part of the story and only exist to propel your plot forward and achieve a certain milestone.

Writing a plot device character might feel easy enough to most writers, after all, you just need to have a clear understanding of why they exist in your story and what do you need to achieve. However, many authors fail to take certain factors into consideration which can result in an accidental overshadowing of your main plot, straying from the main plot, or making your character very obviously come across as a plot device.

Unsure how to write a plot device character? Here are some quick tips to get you started.

Give Them Their Own Persona

A character written for the sake of the plot is still a character nonetheless. Each character comes with their own backstory, personality and position in your story. While a plot device character won’t require a detailed retelling of their dramatic adventures as a teenager, it is important to ensure you have some semblance of world-building that connects with their persona.

An easy way to accomplish this is by taking their relations with the other characters into account. For example, if your character is the love interest’s sister who sees the antagonist committing a crime, it is important for you to first consider her dynamic with the love interest, her dynamic with the antagonist, and why she would be rightly positioned to witness this crime.

Does she work across the street from the antagonist’s office? Does she dearly care for her brother and wants him to end up with the protagonist? Is she vengeful and won’t hesitate to snitch to her brother or empathetic and attempts to converse with the antagonist?

If you don’t establish some sort of persona or backstory for your plot device characters you risk coming across as inconsistent or creating an overly complex character. This can also negatively impact your plot and make your readers pay more attention to your inconsistencies than the story itself.

Don’t Lose Track Of Their Purpose

Every plot device character exists for a reason. While it’s important to develop their personality and some semblance of a backstory, you also need to ensure you don’t get lost in their personal story, in turn losing track of the actual plot.

Following the previous example, if the sister’s sole purpose in the story is to spot the antagonist that one time, then there is no point in including her in scenes throughout the entire book or dedicating an entire chapter to why she works across from the antagonist. However, you should periodically mention her and her dynamic with the other characters to ensure your readers don’t feel like the moment came out of nowhere.

Authors should take the time to plan out a plot device character’s appearances in the book before getting started with the actual writing. Something as simple as ‘she is present during the office party in chapter 5’ or ‘she helps the protagonist fix her wardrobe malfunction in chapter 16’ can help you ensure you don’t lose track of this character’s position in your book.

Know Their Importance

When writing a plot device character, you need to remember their level of importance determines their presence and relevance in your book. The character used as an example throughout this blog would be a very insignificant character when compared to a deuteragonist who remains by the main character’s side to essentially serve as a witness to the book’s contents.

The same can be said for an antagonist’s assistants or helpers when compared to their positive counterparts.

It’s important to consider every character’s level of importance in your book and then develop While your readers definitely don’t need to know about your deuteragonist’s entire life story, it’s important to develop an appropriate amount of world-building to fit their role in the story. You cannot simply make things along as you go as that can result in plot holes, inconsistencies and you can oftentimes confuse yourself due to the clarity.

Plan Out Their Role In The Book

Once you have a clear understanding of who this character is and what they are meant to achieve, it’s time to take into account how they are going to achieve this. You need to consider your ultimate goal and then flesh out their role in your book accordingly.

Start with their introduction in the book. Which chapter do they show up in? Are they introduced as a connection to another character? For example, does the protagonist meet the sister because the love interest brings her along to an event? Do they play a role in that arc of your novel or are they simply introduced for that one scene?

Once they have been introduced, you need to consider how many chapters/scenes they need to be present in to achieve your goal for their character. Break down their role in these scenes and make sure you haven’t overlooked any plot holes. For example, if the sister is supposed to relay this information to the protagonist’s friend you need to ensure you’ve established some semblance of a connection between these two characters.

Finally, it’s important to consider where this character will end up by the end of the book. Do they pass away? Do they move to another country? Do they have a romantic subplot with another minor character? Do they have a positive or negative ending? While your readers don’t need to necessarily know this minor character’s ending, it’s important for you as an author to develop some semblance of a conclusion for their role in your book.

Establishing an ending for your plot device characters also helps you avoid plot holes in the long run. For example, if your protagonist and love interest end up married by the end of the novel then the sister wouldn’t realistically be able to make it if she recently got a high-paying job at a company outside the city.

I hope this blog on how to write a plot device character will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.

Looking For More Writing Tips And Tricks?

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and marketing tools for authors every Monday and Thursday.

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caffeine-and-computers · 2 years

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Writing Realistic Characters - part 2

- Journal from their perspective. It can be hard to write compelling, realistic motivation for characters if you don’t understand them yourself. By journalling from their perspective, even if the content of the journal isn’t included in your story, you’ll essentially be thinking as the character. This should help you understand who they are and how they make choices and react to things, like a real person would.

- Answer “character questions”, but be careful when using lists found online. The internet is full of lists of questions for writers to answer when building characters, but not all of them are actually that important or useful. The fact is, it really doesn’t matter what a character’s favourite colour, animal or day of the week is (unless it’s relevant to your story... but it usually isn’t). When looking for question lists online, or making your own, focus on questions that have to do with your character’s personality, such as how they’d react to a situation or which values matter more to them.

- Make character charts! I can’t stress this enough — character charts are incredibly useful tools for writers and I don’t know what I’d do without them. They’re a great way to keep track of important information about your characters in an organized way that’s easy to access when you need to quickly check a detail. I’d also strongly recommend making your own charts, not using templates online (I find it a lot easier to stay organized when I’m using my own organizational system). If you need a place to start, though, I normally create charts with 4 categories: role (protagonist, antagonist, etc.), name, identities (gender, ethnicity, sexual orientation, etc.), and description (just a brief few sentences about them). You can also make personality charts with things like their greatest flaw, greatest strength, story goals, etc.

- Come up with a few detailed memories/anecdotes from their past. Think of them as mini-stories you can drop into your main story to build a more realistic life around the character. These don’t have to be crucial to the plot, and should be brought up in a natural way, such as in conversation with another character or in the main character’s thoughts. For example, your MC’s best friend might compliment her necklace, and she tells them how her sister gave it to her as a birthday present before moving away. You can also use these anecdotes to drop in important information in a non-obvious way. Continuing the example above, the MC could mention that her sister has the same design necklace, but in green. Later, this becomes a clue, when she finds the green necklace outside the villain’s lair.

- Keep a record of their backstory. This one doesn’t really need much explaining... Just keep notes of your character’s backstory as you come up with it so you don’t risk inconsistencies, which tend to break down realism.

- Remember that the reader can’t see what’s in your head. Your characters may be fully developed, realistic people in your head, but that makes it easy to forget that your readers don’t automatically understand them the way you do — they only know what’s on the page. Asking other people to read your work can help you understand how your characters come through to an audience, but if you don’t want to do that, just re-reading it yourself is also helpful. If you do the latter, though, go through an entire chapter at a time, the way a reader would, not small sections.

#writing advice #creative writing #fiction writing #writing #writeblr #writing tips #advice #writing characters #write #writer #fiction #writer problems #writer's block #character creation #realistic writing #realistic characters #writing realistic characters #character chart #overcoming writer's block

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lady-phasma · 8 days

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This specific use of the 180 Degree Rule has been nagging me since the last trailer came out. The 180 Degree Rule refers to how the camera frames the subjects in a scene so that they are "switched" when the camera moves. This is less disorienting to viewers than if the subjects stayed on the same side of the frame every time (see example below). It's a small trick, but it is noticeable when it isn't used. Logic tells us they should stay on the same side of the frame but it really doesn't work. If you are interested in understanding this further there is a great sequence in Satoshi Kon's Paprika (2006) that explains it better than I have ever seen anywhere else.

Daemon's War

The exchange between Rhaenyra and Jace in episode 10 conveys so much meaning in so few words. I'm not going to discuss Rhaenyra's desires in this post or if they conflict with Daemon's. That would need its own post all to itself.

Jacaerys: Where is Daemon? Rhaenyra: I don't know. Gone to madness. Gone to plot his war.

Daemon and his motivations are revealed so concisely. There is certainly foreshadowing here, but I appreciate that Rhaenyra knows him so well and has no expectations of him (at this point) beyond what she has seen in the past.

Daemon makes bold assumptions and is arrogant enough to think his way is the best way. When he lists Meleys in their assets there is no doubt in his mind that Rhaenys will side with them in the war. But why does he assume this? What isn't being said is intriguing.

We have Syrax, Caraxes, and Meleys. Your sons have Vermax, Arrax, and Tyraxes. Baela has Moondancer. There are also unclaimed dragons. Seasmoke still resides on Driftmark. Vermithor and Silverwing dwell on the Dragonmont, still riderless. Then there are the three wild dragons, all of whom nest here.

Then, at some point in season two, we see Daemon presumably stop Rhaenys by grabbing her arm.

This man is manipulative and good at it. Rhaenys is not pleased with him touching her. With no context at all, we only have a few words and body language to interpret. I can't wait to see if I'm correct about this when this episode airs. There is a threat or ultimatum here. Daemon's posture is so self-assured, hand resting on Dark Sister as if whatever he is saying has only one response: agreement.

Correct 180 (from trailer):

Might be helpful to cover one while watching the other.

Incorrect 180 (my edit):

What made this 180 rule from the trailer stick in my mind is how tight the frame is on Rhaenys for her reaction shot. A medium shot on Daemon cuts to a medium close up on her in order to show her facial expression. We can't interpret too much from trailer editing as it is specifically designed to manipulate and distract viewers in a different way from the final product. However, we are given Daemon's dialogue for this particular shot: "We are going to King's Landing." But what next? Why show her disdain, frustration, irritation? Is there an "or else" or some other technique to coerce her and House Velaryon?

Rhaenyra's words are relevant here as well as in the foreshadowing of the upcoming war. Daemon is not asking permission. His hostility, animosity, and wounded ego combine to make him rash. Another example of the applicability of the title The Rouge Prince. This isn't an argument that his character is made more complex by this foreshadowing, but that he has rarely, if ever, hidden his motives. His motivations are always clear even if they shift from selfish to selfless (which is only evident a handful of times). He is morally ambiguous to viewers because much of the time he seems to be amoral. He can stomach things that others cannot. He believes the end justifies the means. I think it will be fascinating to see how the showrunners, writers, and Matt can navigate someone becoming a villain without making him completely one dimensional. He is irredeemable and many of his fans love him for precisely that. He doesn't want to be redeemed. He wants to be in control.

I started writing this last night and today this amazing gifset comes across my dash so I had to link it.

#film studies #film studies nerd #house of the dragon #hotd #hotd season 2 #hotd spoilers #hotd s2 #matt smith #eve best #daemon targaryen #rhaenys targaryen #no one asked #forgot my last gif had to come back and add it oops

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canonmisogynyvictimstournament · 9 months

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PRELIMINARY ROUND - DC COMICS

PROPAGANDA

Pantha

1.) Pantha was introduced in new titans #73 as one of the many experiments the wildebeest society was performing. She joined the titans basically right after being introduced.

With her personal subplot in the book having to do with figuring out who she is, both finding her past and building her future. sadly the former wasn't resolved before she left the titans and fell into obscurity (if that was the end I'd've been so happy)

until Geoff motherfucking Johns comes into the picture. In infinite crisis Superboy prime really wants to murder the current superboy. The only thing standing in the way of that are all the previous members of the titans. Pantha's the first one to jump in and within 2 panels of her showing up in the fucking event her head's been punched off. With more attention's given to how sad her murderer is about having to kill her. SBP goes on to kill 2 more titans including Pantha's son but that's not relevant to her mistreatment. and after 3 titans have been slayed it turns out that this was for nothing as Flash pops out of the speedforce and takes SBP away. later in the event Pantha's former team leader Dick Grayson calls her (along with the titans killed and maimed in the fight against SPB) ""titans no one will remember"".

And do you wanna know why Geoff Johns decided to kill of a titan of 3 years? To make the story of her boyfriend more interesting. First of all that's textbook fridging and I shouldn't need to tell you how bad that is and secondly the way he decided to make Leonid a more interesting character is to make him a depressed jackbooted militant Russian bootlicker.

After Pantha brutal fridging another writer decides to pick up her plot.

in Booster Gold #7 (yes. Booster Gold. you know that member of the JLI who's never interacted with any titans at any time before this. this'll become a theme in the short time she's here) we're introduced to an alternate timeline Pantha who's part of the freedom fighters.

when Booster asks what their deals are Pantha tries to explain why she wants to kill Maxwell Lord; a character she previously had zero connections to, before Green Arrow, Oliver fucking Queen interjects to tell her backstory for her. so not only was her backstory given to a Pantha who might have a completely different story to ours, given in a book she had zero connections to but fucking mansplained to us by a blonde bimbo who rightfully shouldn't fucking know who she is. Only to be fucking gunned down by a mind controlled Wild Dog not 11 pages later.

Her final appearance isn't much to note. her corpse is defiled and resurrected by a black lantern ring, she fights some of her old teammates (just not her boyfriend who was shown still being depressed at the start of blackest night: titans) only to be disintegrated by the original Dove coming down from the heavens to save the second one. I like Hawk and Dove but that's one final spit in the face for Pantha.

to explain why I've spent over 500 words trying to explain why Pantha's a victim of misogyny rather a character people'll know or like. Pantha's my favorite superhero of all time no ifs, ands or buts, hands down cards on the table favorite. Pantha's been dead for longer than I've been alive and every time she's brought back it isn't her and she's only there to die again.

in February 2021 a tie in to the event that went on at the time was released where superboy-prime was redeemed. SBP was redeemed before Pantha was allowed to see the panel again. And if that doesn't make your fucking blood boil then I've failed as a propagandist.

Starfire (CW: Sex Trafficking)

1.) Her original characterization was fairly decent, however it still had her stuck in relationships with men that weren't very good for her and had overtones of racism with how she was written. Post that her characterization was slowly chipped away at, some writers with harder sledgehammers than others, culminating in current writing where she's dismissed as "just a fling" to her original counterpart (Dick Grayson) to prop up a different ship (Dick Grayson/Barbara Gordon) and frequently has been used as eye candy in other comics. Simply open the first comic of Red Hood and the Outlaws, which obliterated her personality to make her associate/be subservient to the Red Hood, and you'll find plenty of panels of her appearing simply for eye candy in the boobs and butt pose for absolutely no reason. This is not the only time she's been used to cater to the male gaze (I'd argue even in her original context that was part of her appeal) but in this comic she essentially has no personality beyond "i want sex" as her memory of all past events has been erased. She's essentially just a tool for her male counterparts in the comic to bounce off of, and eye candy to bring more male readers in. She does eventually get more storylines later on, but that doesn't excuse the bad writing she was put through. Her own solo series also cashes in on her sex appeal, by infantilizing at the same time as drawing her in skimpy outfits + more boobs and butt poses galore to go for the "born sexy yesterday" misogynistic trope.

2.) 2011 reboot, in RHATO she was turned into a walking fetish by retconning most parts of her character and erasing all personality displayed in the past 30 years of comics. in that iteration she is only interested in sex and is dehumanised and ‘exotic’. she ‘forgot’ all her past relationships because she doesn’t care about them only sex. her only purpose in that book is as a powerhouse and a sex/love interest for one of the male characters who view her as a trophy because she used to date someone he dislikes (in this continuity) let’s also not forget that she was first created just to be a love interest and although she did grow into a hood character at some point, she is treated horribly time and time again by writers because of conflicting ships. she’s written as a ‘vixen’ as opposed to another ‘good girl’ female character who is shipped with the same guy in canon

3.) Kory’s oversexualization and the dehumanization associated with it is especially egregious in the context of her backstory as a survivor of sexual trafficking AND her black/indigenous coding— both demographics who are at especially increased at risk for experiencing sexual abuse in real life. Especially when it’s done in service of the narrative of a white man (Jason Todd) and in parallel with the similar character assassination of a Navajo man (Roy Harper). It’s so fucking bad, free my girl.

#polls #preliminary round #cw sex trafficking

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aesthetic-gamersnail · 7 months

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A Nightmare (Trolls, Broppy fanfic, oneshot)

I have been thinking about and cooking up my Brozone therapy fanfiction, but I also wanted to write and think about something else for a change. (They have quite occupied my mind) So, I present to you an angsty Broppy fanfic with a happy ending. It takes place somewhen after TWT, but it is not really relevant to the plot (except that Poppy and Branch are already dating). And it is all written in Poppy's POV. I have only written two fanfics before this one (and I'm not even sure these count as fanfics), so please don't be too harsh on me. But I still would love to hear your constructive criticism and personal opinions, therefore feedback is very welcome (I want to grow as a writer and in my creativity in general) With all the things said, I hope you have fun and you like it :) ----------------------------------------------------

It was a nice sunny day. Poppy was in her pod sitting on a couch. With both of her feet up and her scrapbook material in her lap, she hummed to herself satisfied while doing her most favorite activity: scrapbooking. Right beside her sitting was Branch who was occupied with reading a book. The book was called 'Effi Briest'. She asked Branch once what the book was about and he said it was about a girl who at a young age married a baron. They have a child together but because she was unhappy with her marriage, did not feel respected by the baron and was generally not happy with their current situation, she had an affair with the major, one of the baron's friends, but immediately regretted it and stopped seeing him when they moved to a different place. Years later, with their marriage actually already improved over the years, the baron finds out about the affair and kills the major in a duel. Effi is divorced, loses the custody to her child and is exiled from society. At the end she dies at the age of 29 in her childhood home. She asked him why he would read something so sad. At that he pouted and said that first of all it is classic and a 'poetic realism novel' (whatever that is supposed to mean) and second of all it is a book that reaches deep within what the construct of society really is and how it influences our morals and understandings of the world. She nodded at that but still did not quite understand why he would specifically want to read that story. She would rather read something at least with a happy ending. But when she sees how at peace with himself he seems when reading this book, she can't really complain. He is truly one of a kind.

Before them was a coffee table, with two mugs and a tea pot. They both decided on peppermint tea, because he thought that berry tea was too sweet and she thought green tea was too bitter. She put her scissors down for a while and took one of the mugs into her hand. She took a sip of the warm, minty beverage and took her surroundings in. She looked at her pink walls, the sunny world outside her window and her boyfriend besides her on the couch. Wow, boyfriend. To her this thing was still pretty new - and terrifying. She never has had a serious relationship before, and she did not think about having one in her future because she almost always only thought about her responsibilities as queen. But now, it was impossible to think about a future and Branch not being there. He was her other part that complimented her and she hoped she was that to him too. You may say, he was her ying to her yang - or the butter to her cookies- well, of course you could make cookies without the butter, there are substitutes out there - getting off track here, Poppy. The point is: he slipped into her life and without her noticing he became the most important part of it. With his stupid cute ears, that were moving to the slightest sounds, but also sometimes exposing his true feelings. His giggling that was the softest she has ever heard. His ramblings about various topics that she would listen too, even though she did not always understand all of the things he talked about, she was curious to know what he was interested in. And he would do the same for her. And the way he would sometimes hold her hand while brushing his thumb over it, made her ecstatic. And she knew she could always be honest with him and she could trust and depend on him, because he was always honest to her.

Before that it was sometimes pretty lonely. It is not like she did not trust her friends and didn't enjoy their company, but people do not always feel inquired to be honest to someone who will be or is a queen, even if that said person is in the wrong. But Branch was never that way. Whenever he thought she was in the wrong, he would always tell her. She may have not appreciated that many times before and may also not have listened to him which she is not very proud of. But now she really, really appreciates it. She needed that. And it took some stress off her shoulders, because there was now always a person who really got her back. Who would tell her if she is going way out of her head or making the wrong decision. She could really trust him. And she felt understood.

And besides that she really loved him. And that scared her. Because by now he was just - Branch. He was irreplaceable. And she didn't know how she would deal with it if something were to happen to him. She shook her head. Nope, noooo, happy thoughts, happy thoughts. What is she getting all sad about? Everything is fine. He is here with his kinda sad book and he is fine. Why is she thinking about such negative things? At that she sighed. Branch turned his head to her and asked: "Hey, everything's alright?" She smiled at him: "Yes, everything is fine. Just-" she looked at the book in his hand "How many times have you already read this book? I mean you summarized the whole plot to me in a few seconds." "Oh. Well, I guess like, augh, the sixth time by now?" "WHAT? Are you obsessed with this book? Because that is honestly some excessive reading." "I guess it is one of my favorites, but to be honest, I have a lot of books I have read more that a few times. If you have a lot of time alone, you find various ways to spend it. But, actually, what I have been wondering about, what is your favorite book?" "My favorite book?" She had to think about it. And contemplate if she should actually tell him.

"....Promise you won't laugh?" "Sure, cross my heart and hope to die." "...Ok, I don't want you to die, so you better keep the promise. I know it is actually a children's book but I always quite enjoyed 'Alice in Wonderland'." He looked at her, thought about it and nodded. "Literary nonsense, huh.", he said, "...Yeah, that suits you." "Um", she was a little offended, "excuse me, but what exactly are you calling literary nonsense?" "What? Oh! No, no", he waved his hand, while shaking his head and laughing, " 'Literary nonsense' is a genre. It breaks common rules, violates proven things and norms of language. It is largely absurd and a game with language. Nevertheless, the genre is not pointless and cannot be dismissed as simple nonsense or jokes. Because nonsense is not only funny or satirical, but also follows certain rules or sequences. And I thought to my self, that it makes sense that you would enjoy this type of literature."

"....Wow", she smirked at him, "You are one big literature nerd." "At least, I'm not a scrapbooking nerd.", he put his hands to one his cheeks, while closing his eyes and speaking in a way too high pitched voice,"Braaanch, do you know which glue is the best fit to put a scrapbook together? Braaanch, do you know which materials are the coziest to put into a scrapbook? Here are the top five." She had to giggle. "I do not sound like that." "Are you suuuree?", he said while instensely blinking at her. "Hey! Stop that!", she scooched closer to him and took one of his hands into her own. "You", she pointed a finger at him while smiling," are such a dork. I sometimes can't believe that you are the most serious guy I know." He smirked at her. "Well, I just find the middle ground. Guess I am the perfect man after all." "Yeah, yeah, sure. Throw narcissism in there too, if you're at it." "Poppy, you are, augh," he put his free hand over his heart, "too cruel. How can you do that to the person you love?" "Well, honesty is the best policy." He chuckled and said: "Can't argue with that." Poppy looked him in the face and had to keep herself under control. Why, for the love of god, was he so cute? And have the bluest eyes in the world? Argh! It was making her mad for no reason. "By the way,", said Branch while smiling at her, "your dad invited us to go fishing later." "Oh, that sounds very nice." " I do have to ask though." "What is it?", she said it while smiling back at him and squeezing his hand. "Is the sky bleeding?"

Suddenly everything went red. The sky was not baby blue anymore, it was a dark red and the clouds were moving at an indescribable pace. The warmth in her hand was gone too and she looked at the couch. Branch was gone. She stood up franticly and looked around but he was nowhere to be found. "Branch? Branchifer? Sweetie? Where are you?!" Her heartbeat was increasing rapidly and her breathing became irregular. Her sight was getting foggier and foggier and it became harder to breath by the minute. Her thoughts were scrambled, she couldn't form a single sentence in her head. Her whole body was filled with a sense of dread and she was ready to collapse any minute. Breathing pained and with the last shaky breath she took, she woke up.

She had to blink a few times to understand, that the whole thing was just dream. She looked outside her window and saw that the sun was already coming down. She was on her couch with Branch resting on one of her shoulders, cuddled up to her and holding her hand while slightly snoring. She remembered now that they were talking about literature before and were just giggling and messing around but it seems at some point, they have both fallen asleep. Her mind must have taken that and mixed reality with her dream world to create the nightmare she just had. She sighed relieved and cuddled her cheek into Branch's soft hair and melted into his warmth. Thank god, it was only a dream. And that Branch was right here by her side too, so that she was reassured that he was ok. Guess she was more scared of losing him than she thought. But, it would be alright. Because she would always be there for him and be by his side. No matter what.

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So, we have come to the end. My head canon that Branch is a literary nerd brought me the pain to think for an hour which book I should give for him to read, so there is also that hahaha But I hope you enjoyed it :)

#trolls band together #dreamworks trolls #trolls 3 #trolls branch #trolls poppy #broppy #trolls

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mcytblrconfessions · 8 months

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*sighs in sadness* Ocean Queen Lizzie you were too good a character to be released onto the masses who couldn't characterize you well in fanfiction to save your life :(

The joy your story brought me (self-proclaimed number one Ocean Queen fan /hj) is immense, but it does not cancel out the multitudes of fanfiction flattening you into a hollow shell of yourself who only exists as an extension of the men in your life, clogging the LDShadowLady fandom tag and making it nigh-impossible to fin the (rare) fic in which Lizzie is in-character

And trust me, I know. My experiences are born out of pain and sorrow. Deep in the clutches of hyperfixation, I checked the LDShadowLady tag several times every day for months, no filters. I looked at every fic in the tag, and the backlog of fics. I read every fic in the tag, with only a few exceptions for the most truly unstomachable fic. Even as my hyperfixation loosened, I still checked the LDShadowLady tag often, and scrolled through the backlog. I still read every Lizzie centric fic I can find, and a lot that isn't. I still am on a constant search for good Lizzie fic (please: anyone want to recommend any fics? I'm sure there's stuff I'm missing/missed/forgot to bookmark! she doesn't have to be the main character, just significant!)

I have gazed into the abyss. I have absorbed the scope of it. I have written fic on my own.

And yet: the problem is less with the lack of Lizzie fics, and more with the bad ones, the ones that don't actually feature her in any real capacity, which becomes easy to see once you've read a lot of them noticed the pattern, just a combination of sidelining, of mischaracterization, and mischaracterization by omission, that trap that is so easy to fall into.

I can forgive fandom for this to an extent. No fic writer is perfect, this is about the collective patterns. But after a certain point, it starts becoming harder to ignore: the way she is written into fics only to warp around c!Jimmy (sometimes other male characters) with zero regard for her interiority, her agency, her struggles, her potential, in fics that give male side characters these things.

The way she is ignored varies. Sometimes it is the most blatant examples: she is put in a situation in which multiple canon traits/opinions/experiences of hers would obviously be relevant, but all are ignored except supportive sister. Sometimes it is more subtle: it iisn't a plot hole that her being a supportive sister/caring/"strong woman girlboss" (in the way that doesn't actually give her any agency or depth or plot importance, she's still a flat character only there for support, but actually we only write her as a personw with no interior depth or anything interesting bc she's just so cool and competent and perfect there aren't any problems that give us reasons to focus on her or give her like, a character arc or something) is the only thing that comes up in the au, but the fact that the author didn't find anything else about her interesting or worthy of show, never considered showing her in more depth, giving her an arc, giving her choices to make, the fact that over and over again authors decide that the only reason to show her is if she's supporting a guy, grates a whole fucking lot. Mostly, it is more subtle but once you see it you will never stop unseeing it. I try to repeat it but I just sound like a broken record.

Am I going insane for noticing this when nobody else seems to? I worry that, even being mad mostly at the trend and not the individual writers, I am still somehow being too unfair to them. I check my line of thought over and over. Then, once again, I am reading a fic and I can't stop thinking about how it's another fic in the pattern, and I try to find something that isn't and it takes me pages and pages, and I am so angry again. Death by a thousand pinpricks. Driven insane by a thousand lackluster Lizzie portrayals.

It's hard not to feel crazy. People like the Ocean Queen! People don't dislike her character! She just slowly gets flattened, over and over. Never any interest in her depths. (yes I am ocean punning at a time like this)

I am awash in a sea of misery. Every day I think of her and I wish for a world where people liked her better. Where she was the character with a million fics exploring her potential. I think about it and I think about her and I think about my fic for her and the good fics I've read for her and I open another fic where Lizzie is tagged and I hope.

(The pain these fics bring me is immense but the joy I feel about the character is greater, at least. Mostly I think about that. Two sides to everything, how unfortunate/lucky)

Ocean Queen I love you.

#confession #mod response #long post #ch: empires s1 lizzie

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grandpuppyalpaca · 26 days

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I Want To Actually Write Some Fics

So, I'm finally moving to a dorm away from "home" in a few months, and I want to take the opportunity to finally start writing some of the fanfics that have been calibrating in the back of my mind.

Warnings in advance:

I will only be writing fanfic, not original works.

I have never shared or published fics before (Unless you count reading the occasional snippet in Creating Writing Club).

As of right now, I have no beta(s).

Don't know my college schedule/workload yet, so no ideas about how often I could post/update at the moment.

I likely won't be able to post anything until I have access to a computer at the college (presumably in August, sorry about that), because the closest thing I have to an unmonitored/unrestricted device at "home" is my outdated Kindle Fire tablet (where the secondary browser I downloaded to hide reading fics sometimes likes to crash every few minutes).

If you've read past all of that and are still interested in my possible future writings, here are the possible options for what I could actually post:

Azure Fingerprints: Title of a possible series based off of this idea (batman and megamind crossover). > (Time travelers have realized that Bruce Wayne will always, without exception, base his crimefighting persona on the first thing... – @grandpuppyalpaca on Tumblr)

Featuring (so far): a delayed start to "Batman's" career, SuperBat friendship, Bruce's poor social skills, the not-yet-"Batcave" getting turned into a babyproofed nursery, and lots of fluff and crack and FEELINGS. Not sure if other parts of the series would be other longfics in that world, or just little snippets of stuff.

2. Anna Elizabeth Wayne (Actual Title TBD): My take on an Annabeth is Bruce Wayne's daughter fic.

Featuring (so far): Show!Annabeth (Leah Jeffries is phenomenal), Reverse Batkids AU (with a twist or so), an Athena characterization based on Circe by Madeline Miller, GoodDad!Bruce, multiverse stuff (only a little at the moment), Siblings Bonding Over Weird Childhoods, and So Much ANGST. This one is reallllly complicated, so it might be a series just so I can include one of those "explanation of the writer's AU" pages. Not as much of a plot as it is ANGST, small ideas for individual scenes, and general vibes right now.

3. The Adventures Of Lulu And Hatchling: probably the title of first fic (probably backstory stuff) in what would likely be a series. Crossover between ACOTAR universe and PJO/HOO (I am NOT ACTUALLY merging the two worlds). Basic background is that Annabeth's mortal family are the descendants of an illegitimate child from a kept mistress of Tamlin's father, and Annabeth is the first person to have powers from their bloodline. Baby Annabeth gets sent to grow up with Tamlin (Watsonian reasons would be explained in-story), but Lucien unofficially becomes her main caretaker. She spends seven years in the Spring court (pre-Amarantha even coming to Prythian), then is returned home in time for all PJO relevant events to occur. This would NOT be a Complete Re-Write Of PJO Canon.

Featuring (so far): Multiverse stuff, Annabeth w/fae powers, Book!Annabeth description so she can look like Tamlin (Leah Jeffries is still phenomenal, fight me), Lucien's gradually increasing blood pressure, Found Family Fluff, Lucien being a good father/uncle/older brother figure, Tamlin not being a complete alphahole in the beginning, Eventual Tamlin Bashing anyway, Ianthe Bashing (once she joins the story).

Definite intentions for later parts of the story: Powerful!Annabeth High Lady!Annabeth, Consort!Percy (he refuses to become High Lord, especially when he can just vibe and technically hold the official title of Least Politically Important Person At This Meeting), Tamlin's manor getting abandoned and Annabeth employing people to help build a new one that she designs, Inter-Court Meetings between all the courts becoming a Regular Thing (bc I want to put all the little dudes in a jar, shake them up, and study the results under a microscope), Inter-Court politics, gradually undermining the patriarchy, Inter-Court friendships, Beron taking psychic damage from the sheer audacity of---, Everyone Bonding Over Hating Beron, Positive Social Change, and Me Adding My Own Additional Lore To The World Of Prythian.

Optional fun fact! The base story could take multiple paths after TTC, so it would be the most likely fic to eventually make me write one or more AUs of itself, so here's later random details of the story that may or may not be added depending on which timeline I write: Tamlin dies, Tamlin gets locked up in his own house and told that Annabeth is willing to talk to him once he's "being more rational". Beron has a brain aneurysm in the middle of an Inter-Court Meeting and dies, Percy and Annabeth somehow creating a plan to get away with sending Beron off for the Hunters and Amazons to hunt him for sport, Amarantha kills Tamlin and is shortly killed by Annabeth before ACOTAR would have happened, Rhysand and Annabeth become Very Fast Friends and make fun of people together, and Doreen Green (Squirrel Girl) becomes Annabeth's spymaster bc that would just have so much comedic potential, fight me (she's honest about that being her job [if not explaining the details of how she does it] and she's just so open and friendly and polite that it has to be a hoax, right? there's no way she's actually in charge of collecting real intelligence. she has a network of squirrels who pass info to her across the entire continent? oh right, because of the tail, very funny. some of us are actually taking this seriously, Tarquin).

4. Lightning Rod, Grounding Wire: Approximate title for a crossover AU where Agatha Heterodyne (Girl Genius) and Hunter (The Owl House) end up swapping places right before Barry would have gotten Agatha (exact explanations undecided, maybe Belos let the Collector get too bored?) and about the same time Hunter was created (with Hunter being a couple years older than her biologically). Longfic? Series? Who knows, not me(yet).

In the Boiling Isles: Agatha is initially raised by Belos in something a bit similar to the get in loser we're assassinating the emperor - elliptical - The Owl House (Cartoon) [Archive of Our Own] AU, but it's Agatha (Spark, Heterodyne, etc.) so she gets on the wrong side of the empire way quicker. I'm thinking that she wouldn't make it more than a couple years after her breakthrough (w/o Uncle Barry to build her locket) before she starts spouting Extremely Logical Treason in meetings. Mostly, Canon occurs but minus Hunter (I'm going off the theory that Belos had to reuse the same galderstone for each grimwalker, so in this he's permanently down one(1) clone child soldier) and with way more explosions.

Meanwhile, over in Europa: Barry quickly deduces that this Very Small Child isn't Bill and Lucrezia's, is definitely some kind of construct, and is likely part of some kind of plot by Lucrezia (the man's stressed, and 2ish out of 3 ain't bad). Barry's not the kind of spark who'll try to vivisect or euthanize the kid just to stop Lucrezia, so his best bet is hiding him away from the world. Hunter grows up considering himself a construct, in time gets left with the "Clays", and lives a somewhat less stressful life than Agatha would have pre-canon. Everything goes passably well for him until the first events of "The Beetleburg Clank".

Featuring (so far): The rapidly increasing blood pressure of Every Adult in this situation, young Agatha being a feral gremlin, Hunter actually having a childhood, if Eda had a a nickel for every time a semi-feral teenage girl built an interdimensional portal in her back yard she'd have two nickels, SO MANY mistaken identity shenanigans after Agatha and Hunter actually meet, eventual Huntlow and Agatha/Gil/Tarvek OT3, and Eda menacing All The Sparks.

Now that I'm thinking about it, the only one of these that wouldn't need an explanation page is number one.

I do have more ideas on all four of these (as well as other vague ideas still calibrating), but this post is pretty long so I'd need a request from someone before I give more info.

Please comment/reblog/@ me with your thoughts!

For future reference, my Ao3 account is:

Update: Okay guys, I tried to edit one of the words in the title of the poll and it wouldn't let me do that so I just remade the poll but forgot to set the length to one week. If you're still interested in voting, there's another poll pinned on my blog, or you can just comment what you're interested. Even after the polls end, I will be officially taking thoughts/questions/feedback up until August.

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thegreymoon · 6 days

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The Story of Minglan

Honestly, I don't think any of this was cruel to Wang Ruofu.

First, she backed her sister when she stuffed a concubine into Minglan's house in a clear attempt to shit all over her marriage. Then she poisoned Granny Sheng when she rightfully punished her for it. She deserved both her punishments. In fact, they didn't go far enough, IMO.

***

I cannot anymore with this fucking woman 🙄

Who gives a fuck who gave birth to him? That is his GRANDMOTHER. Whom you tried to POISON. Also, he is a government official, and a moral and sensible man. Him covering up for your crimes would have been a failure on all fronts.

***

No.

Your best hope is that Granny will not live longer than ten more years since she is already quite old. And if she does, that she will have moved over to Minglan's house by then, so that she doesn't have to look at your stupid face every day.

***

And after all this, she still continues to be driven by grudges and resentment.

Of course he will have no love for you. Of course he will try to get some recourse for his dead mother. It's no wonder that none of the illegitimate kids love you because how have you treated them? Certainly not well. You may not have sold them into slavery the way your sister did with the kids in her home, but if it had been up to you, all three of them would have died of neglect and you would not have cared. Changfeng and Molan luckily had their real mother with them until they were grown, and Minglan had Granny. You deserve nothing from any of them.

***

I AM ANNOYED BY YOU!

DOES THAT COUNT? YOU ARE STARTING TO GET ON MY VERY LAST NERVE.

My guy, you cannot force trust and intimacy and yelling at her about it is not helping your case!

I find him so pointless as a male lead. He has not done a single plot-relevant thing since he married Minglan. He just whines and whines about how he's not getting enough attention from her while she goes out and about, making new friends and solving Imperial marriage problems. In this last arc, he just swooped in at the very end to take credit where none is due because of course, the writers couldn't have had Minglan resolve the situation, no, Mr. Feng Shaofeng had to have a place in the spotlight too. After everything she did, right at the end, they made her so bumbling and helpless, so that he could swoop in to rescue her. I'm beyond pissed.

***

LMAO, imagine bringing up Wang Ruofu as a role model for anything.

Shut up, shut up, shut up. This drama was miles and miles better without you looking for trouble where there is none.

***

I am on her side here.

I'm super aroace, though, and I can't stand whiny, needy men encroaching on my space and time, demanding more than I am willing (or able) to give. Seriously, fuck off.

***

LMFAO

Minglan did him the biggest favour.

***

Wait a minute.

Doesn't that make Old Master Kang her grandfather??

Gross.

***

What you don't know and don't want to know not only about your daughter but about your entire family, could fill not just a book, but an entire library.

And she is like this because you are worthless and spineless.

***

LMAO, she read him to filth 🤣🤣

I love her so much! Definitely one of my favourite heroines, if not THE favourite right now!

***

Pathetic.

***

Wait. Her??

Didn't Sheng Hong get rid of all of them?

Also, what happened to her leg? Did she also get caned or tortured or something?

Terrible fate, she had such a comfy life with Concubine Lin for so many years and now she has to do hard labour with no hope for things improving.

***

LMAO, so what?

It's not you who has served three Emperors and it's not your memorial tablet being worshipped in the Imperial ancestral hall.

***

LMAO, that's right Minglan, put them on the spot!

They want you to do their dirty work for them.

***

LMAO, of course, let's change the topic quickly, now that the spotlight is on them.

***

Ah, so all of them are slaves, after all.

MInglan gave her the greatest gift. Her freedom to live as a free citizen. I hope she does the same for the rest of them, if she hasn't already.

#the story of minglan #tsoml spoilers #tsoml ep65

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