#realistic writing | Explore Tumblr Posts and Blogs

3hks · 2 months

Text

How to Write REALISTIC and SMOOTH Dialogue

In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!

*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***

>> Keep your characters in character:

Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)

Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!

>> Take the situation into consideration:

This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.

If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.

>> Don't take too long with their words:

Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.

If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.

*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***

>> Having a variety of dialogue tags:

This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!

Examples:

Beginning - She tilted her head, "What are you talking about?"

Middle - "Oh," he blinked, "I actually never thought about that."

End - "Wait up!" She exclaimed loudly, waving her hands around.

>> Using no dialogue tags to create a smooth conversation:

Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.

Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.

*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***

Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.

>> Pauses and stutters:

When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.

>> Filler words and slang:

Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!

Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!

*** CONCLUSION ***

Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!

If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!

Happy writing~

3hks <3

#writing #writeblr #writerscommunity #writing tips #creative writing #writing advice #writing inspo #dialogue #writing dialogue #writing dialogue tips #dialogue tips #how to write dialogue #how to write smooth dialogue #how to write natural dialogue #tips on writing dialogue #tips on writing smooth dialogue #tips on writing realistic dialogue #how to write realistic dialogue

3K notes · View notes

gutsby · 12 days

Text

Diehard

Pairing: dbf!Joel x Reader

Summary: Joel tries Viagra for the very first time.

Warnings: 18+. Unprotected p-in-v. Erectile dysfunction. Daddy kink. Praise kink if you squint. Overstimulation. Cumplay. She/her pussy pronouns. Pushing physical limits with a pre-negotiated safe word in place for it.

Note: No more limp dick erasure. We die like [old] men.

Part of the Waiting Game ‘verse | Word count: 986

Joel just wanted to prove he could fuck like he used to.

He didn’t think he’d almost kill you in the process.

“JOEL!” you screeched, heels digging deep in the mattress as your climax came in seismic waves.

The stimulation was insane. Normally the much-older man would have been down for the count after two—and usually one—big O, but now his chest was heaving, hips relentlessly beating a punishing pace against your own.

Your walls were slick with not only your cum but his, milky ropes of his arousal making for an obscene set of sounds every time his dick slid in and out of your cunt. You could feel his balls tighten and twitch with every forthcoming spurt of him, practically reeling with the pulse of each new sticky gift inside you. His groans rumbled low, but the power and pleasure and outright primal fervor they conveyed were unmistakeable. You had to look down, feebly, to believe it yourself—Joel never fucked his way through your orgasm and his.

Then you felt a palm slide up the back of your head, and Joel held it up to make sure you watched him fuck you.

“J-Joel,” you whimpered, watching his girth disappear and reappear at least a half-dozen times as you did.

“Just a little more, honey,” he murmured against your forehead. The smack of each thrust was dizzying, “Want my pretty girl nice and full’a me before she leaves, okay?”

Joel never could let you head back to college without a few of his loads and a head full of filthy memories—something to hold you over until your next visit home. You would’ve liked to mumble back, ‘Okay,’ but then your pussy clenched around him, and his thrusts grew faster.

“My sweet girl,” he grinned, “She likes that, huh?”

You could scarcely manage a nod. The weight of your head was held fully by him, and if that wasn’t indicative enough of your fucked-out state, your face surely said the rest. When Joel leaned back to adjust the angle of his thrusts, he caught sight of your hooded, glossy stare and almost came all over again. He slowed his pace for once.

Then he dipped a finger between your body and his, just long enough to douse the tip of his digit with cum. He bottomed out inside you, watched you part your lips in a gentle gasp, and pressed his touch to that open space.

It was almost like you didn’t have the strength to suck. You just let him smear the sticky stuff along your lower lip, gaze plastered to his. Then Joel’s cock sank deeper.

“O-ow!” you whined, partly reanimated by the stretch.

“You can take it,” Joel grunted.

The double entendre wasn’t lost on you. You could, and would, take his finger and his cock inside. You suckled dumbly on the cum-drenched fingertip in assent.

But when Joel’s finger popped out of your mouth and his thrusts picked back up, you weren’t entirely convinced you would be able to hold up the second half of that deal.

It wasn’t fair. He took one magic pill, and poof, his dick stayed hard for half the fucking day. You had nothing but your youth and two shaking legs to ensure your survival. When Joel worked his cock back and forth a couple more times and it seemed your body was about ready to scream, you took hold of his biceps and squeezed tight.

“I can’t.”

“Can’t what?”

The tip of his cock nicked a soft ridge inside you, and you jolted back. Joel’s palm was still pressed to your head, holding you to him, and his hips had you pinned as well.

Instead of answering, you whimpered.

You didn’t want him to stop, but you also weren’t sure if you could handle any more. Your eyes met his, pleading.

“Can’t what?” Joel pressed, a little more sternly.

Another whimper. Inside, Joel’s cock was rubbing that pleasure point raw, and you felt another climax coming.

“Use your words.”

“Too— too—”

Each new thrust was sending stars before your eyes. Joel was one sick man if he tried to make you talk while he fucked you past the point of all intelligible speech.

“Too what? Tell me, baby.”

You’d get that fucker back someday. Joel just grinned.

“Too much,” you hissed when his hips delivered another mind-numbing push. Then, feeling pleasure threaten to peak at almost a painful degree, “Toomuchtoomucht—”

Joel continued thrusting, knowing damn well you knew what to say if you really wanted him to stop. As if to underscore this point, he tipped your head back and made you hold his gaze, features creased with a frown.

“That sure don’t sound like the safe word to me.”

It wasn’t. You knew it wasn’t. He didn’t need to tell you twice, or even breathe a second word besides. With one more brush of Joel’s thick, throbbing, implausibly hard cock, he sent you over the edge and into your fourth orgasm of the morning, hitting that spot again and again.

And again.

Just like before, Joel fucked you through each wave, catching your lips this time to stifle your cries. You might’ve gone blind for a second or two, but that was alright; the pleasure, proximity, and then the sweet, erratic pulse of his cock sending rope after rope of his cum deep inside made the overstimulation worthwhile.

Your body went limp against the bed, held tight in Joel’s grasp, when you felt that sickly sweet dichotomy of soft, tender touches and a cock lodged between your walls that was as hard as it had ever been. Still trying to console you with kisses, still trying to warm you up for another round, perhaps, Joel almost laughed out loud in your mouth when you groaned into his and whispered:

“Please don’t ever take that fucking pill again.”

#SOMETIMES I WRITE THIS MIDDLE-AGED MAN LIKE HE’S 25 AND JUST NEED TO SHUT THE F*CK UP #*brittany broski voice* BE REALISTIC!!!!!!!#BE F*CKING FOR REAL #FOR A SECOND BE FOR REAL #joel miller #joel miller tlou #joel miller smut #joel miller imagine #joel miller one shot #joel miller x reader #joel miller fanfiction #the last of us #tlou #the last of us fic #joel miller x you #dbf!joel miller #dbf!joel

3K notes · View notes

ofswordsandpens · 8 months

Text

actually I also wanna talk about the part where Percy convinces Bob to kill Hyperion because even though Percy never says anything outright sinister, the way he handles the entire situation with such cool ease, playing on Bob’s emotions... its so insane???

Because Annabeth’s reaction to the three of them encountering Hyperion reforming is: “oh this is bad we need to get out of here” She knows if Bob remembers himself, that it's not going to play out well for Percy and her. She also thinks about how they're being pursued and don't have a lot of time. Her solution to the problem, seemingly, is to leave.

But Percy's solution is to work the situation to his advantage. He re-affirms Bob's loyalty to him:

Percy then re-establishes Bob's moral code: "Some monsters are good. Some are bad. This Titan is bad. He tried to kill me and a lot of people. He's not good like you are."

And it ends with Percy leaving the choice of whatever to do with Hyperion to Bob but of course, is it really what Bob chose to do? Bob decides to kill Hyperion. It's not what he may have done, if Percy hadn't intervened. But it's exactly what Percy was oh-so-sweetly leading Bob to do.

And listen, I'm not claiming that it was exactly morally bankrupt of Percy to take advantage of a once-evil titan who could get him and his girlfriend through hell in one piece. Percy, Annabeth, they manipulate monsters and enemies all the time. Annabeth ended the previous book with manipulating Arachne into weaving her own web. So it's not exactly like she's against using manipulative tactics, in theory.

But Bob, at this point, is not just some monster. He is so painfully sincere in his belief in Percy and their friendship, so yes, it does feel a bit sinister whenever Percy uses Bob... and he really uses Bob.

And I think what makes the scene so unsettling, it isn't just that Percy manipulated Bob, its how well Percy manipulated him. He manipulates Bob so well that Percy doesn't even have to kill Hyperion... because Bob does it for him. He manipulates Bob so well, that Annabeth couldn't tell if Percy was purposefully trying to manipulate the situation. (Newsflash, he most definitely was). Like holy shit.

#percy: friends kill for friends <3 #ITS CHILLING #Riordan allowed Percy to be unhinged for ONE book in hoo and then got to boo and went #/um actually writing the realistic outcome of Percy's turmoil in Tartarus sounds like a lot of work so how bout I dont :)/#okay wait while I love this scene in hoh the one part I dont like was Annabeth being like: I had no clue Percy could be so cunning #and like girl YES YOU DO #you were there in BOOK 1 when Percy convinced Crusty to lay down in his OWN bed and then decapitated him #I choose to believe she was simply afraid unsettled and in denial lmaoooo #pjo #percy jackson #annabeth chase #mine

3K notes · View notes

talia-my-darling · 1 year

Text

01.01.23

A blond little boy holding a crystal spun around like crazy. Dizzying himself to the point where he falls over onto the wooden floors. An older brunette helped him up to bring him to their mother. Footsteps and some words of comfort is what anyone could hear, the intoxicating loud noises had been drown out by the older boy’s kindness.

Except the one in the bathroom, they could only hear the sounds of their thoughts and ‘The Ballad of Jane Doe.’ The blue haired freak just sat in the bathroom uncaring refreshing their tumblr page to see if they could converse. They sat in that spot for entirety waiting for someone to give a reason why they could do the things their friends and family could do. Why they couldn’t just run away to a different life and a different person. A normal person.

“Talia, are you in here?” Their mom called to the basement.

#01.01.23 #Writing #Realistic writing #third person

0 notes

tshortik · 7 months

Text

I love you messy artstyle i love you visible brush strokes I love you textures and rough edges I love you imperfections I love you roughness and colour blobs I love you scratchy sketches and bold stylisation and dirt and imperfections I love you ugly and raw emotion!!!!! ❤️

#i talk sometimes #art talk #i made a tweet like this on twatter ages ago but i've been feeling this a lot lately #also this is the start of me writing more on this blog and not only using it as art because who cares!! i don't!!#I wanna translate raw emotion into colors and shapes. I wanna know where to ignore all details and where to go ham you feel me?#i used to dream about developing a style like for MtG where it looked like a masterful oil painting that oozes realism and details #and i've realised the last two years or so that I would actually hate that for me. I know I wouldn't enjoy doing it. For myself.#it's that pipeline from wanting to be the perfect realistic wotc artist to accepting that I will never be that #instead i wanna learn how to stylise better and get a good brush economy going yknow. I wanna be bolder.#i doubt i'll ever be as incredible as all these MtG artists no matter what anyone says. but it's ok!! i don't have to be!!!#i just luv art man!!

3K notes · View notes

starrystevie · 9 months

Text

steve's desperate, okay?

he's officially running late for his first date with linda because he couldn't find his car keys and the shirt he wanted to wear just wasn't working so he had to grab something out of his hamper and throw it on blindly which then messed up his hair and he almost forgot to brush his teeth again but remembered as he opened the front door and-

he only realizes he forgot to put on cologne once he makes it halfway to her house and smells himself. the shirt from the hamper smells stale, not bad, just stale. and steve in his normal, non-rushed state wouldn't have noticed because his trusty calvin klein would have covered it up but today is apparently not a day for things to go right.

with a sigh of frustration, steve pulls into the hook's drugstore a little too quickly and it makes his stomach lurch the tiniest bit before sliding into an open parking sport at the front door. he rushes in, pushing the door open with too much force and books it to the fragrance aisle.

"this is so fucking stupid," he mutters to himself, unable to be heard by any surrounding shoppers over the annoyingly loud jingle playing through the speakers.

steve skids to halt in front of the cologne section, crouching down and scanning quickly over the tester bottles for obsession. once he spots the amber bottle, he yanks it towards himself, spraying as much as he can onto his chest given the awkward angle he's at. as he stands back up, steve pulls his shirt collar up towards his nose and the ball of nerves in his stomach loosens at the familiar smell. he may be late but he feels like he's back in the game.

checking his watch, he sees just how late he is and makes a beeline for the door, nearly running into an older lady with far too many rolls of toilet paper in her tiny arms. as he dodges around her and extends his arm to push open the door, he hears a loud voice over the intercom.

"you're not going to buy anything after stealing cologne?"

steve stops, freezes where he is and frantically turns his head around to spot the cashier grinning at him. he has long hair and a bright red hook's drugstore vest over a denim vest which doesn't look very comfortable. he has chains in his jeans and handcuffs holding his belt closed and a smirk that is trying to kill him and oh-

"wait, stealing cologne?" steve shakes himself back into existence as the old lady pushes by him without dropping a single roll on the way back to her car. "you're going to call me putting on a few sprays stealing?"

the cashier's smile just gets bigger, like a cat hunting down a canary. steve's never felt like a canary before but can't deny that it's an exciting feeling.

"well, on a good day i wouldn't. but i'm bored and you didn't buy a single thing so technically, yes. you're stealing, pretty boy."

steve fights the urge to roll his eyes and put his hands on his hips, so instead he crosses them over his chest, cologne wafting up from the movement and reminding him that he doesn't have time for this no matter how cute the cashier may be.

he makes his way over to the counter, grabs a pack of gum and slams it on the counter. without breaking eye contact with eddie, as his nametag suggests, he throws him a salty smile of his own and pulls his wallet out from his back pocket.

eddie's eyes are a deep brown with a glimmer of something behind them and his hands are covered in rings making his fingers look long and strong. the jeans he has on are ripped on one of the the thighs, showing a hint of a tattoo to match the ones crawling up his arms. steve's no stranger to thinking men are attractive but this guy? he's on a new level. his heart thumps painfully in his chest when eddie's grin grows larger as he watches steve give him a once over. it thumps even harder when eddie gives him a once over of his own.

the clock above the register shows that he's officially 20 minutes late to picking up... laura? lisa?

no, linda. damnit.

eddie looks down at the gum and then back up at steve, quirking up an eyebrow. "i hardly think this monetarily equates to a bottle of cologne but-"

"oh come on!" steve huffs. eddie laughs and it's clear and bright, ringing off the cinderblock walls louder than the annoying jingle that's still playing. whatever fight steve may have had left in him drains away at the sound and suddenly he isn't thinking about the clock anymore. he feels his shoulders fall down to a more relaxed state, feels himself shift his weight on his feet to look more natural than ready to run at a moments notice.

"just kidding, man." eddie rings up the gum quickly and hands it back to steve. "sorry, you looked like you were in a rush. i shouldn't have created a scene just because i'm bored."

steve chuckles. "i'm already supremely late for my date so what's another five minutes. especially if it gets me..." he looks at the gum packet to look at what he even picked up in the first place. "... spearmint freshen-up gum."

"well there you go," eddie says, grin smaller than before, "a perfect thing to get for a date. everyone likes their date to be minty fresh for that first kiss."

it strikes somewhere in steve that he isn't expecting. the beemer is still out in the parking lot running so he didn't have to waste time, his watch on his wrist feels heavy, the scent of obsession overpowering. but he can't make himself move. he wants to stay and talk to eddie, wants to learn about what makes him tick.

"can i borrow your phone?" steve asks. eddie's eyebrows furrow but he reaches for the store phone and places the console on top of the counter.

"for what?"

steve look through his wallet, finding the piece of paper with linda's number on it. holding the receiver between his shoulder and ear, he dials in her number and holds his pointer finger up at eddie, signaling that he'll need a second. steve then brings the finger to his lips and shushes with his cheek pulling up in a smirk. eddie's eyes zero in on the motion and it feels like steve's gone from being the canary back to the cat.

"linda? hey it's steve."

he watches as eddie mouths steve back at him and then nods to himself when he gets the confirmation that it is indeed his name. steve throws him a wink for good measure.

"i know i'm late and i'm really really sorry to cancel last minute but-. oh. yeah, sure. have a good time. okay bye li-."

on the other end of the line, linda slams down the phone without waiting for steve to finish talking and it makes him wince with how loud it is in his ear. he gives eddie a sheepish smile, all toothy and guilt-ridden, and gently puts the receiver back down.

"what was that?" eddie asks with a disbelieving look on his face. steve shrugs.

"she got tired of waiting so she already had another guy lined up to come pick her up."

eddie sucks in air through his teeth and mimes getting shot in the heart. it has steve laughing as he falls over on the counter, hair covering his face. he turns his head to peer up at steve through the curtain of curls, the one brown eye that's visible twinkling in the harsh overhead light.

"was it true love? are you just absolutely heartbroken?"

steve thinks about it for less than a second. watches how eddie curls back up one vertebrae at a time before placing his elbows on the counter and leaning over. watches how eddie's eyes flit between his own and his lips. watches how he focuses on the latter for a little while too long.

"why would i be heartbroken," steve starts. he's being too forward, too brash, but with eddie looking at him that way, he knows he can be. "when you'll probably be on break soon and can make it up to me? you know, for making me even more late and all."

eddie's grin grows wide again. "oh really?"

steve shrugs once more with a playful look of consideration on his face, resting on his elbows to match eddie on the counter. "yes, really. this is your payback for being bored and taking it out on me."

it's later when eddie's on break and steve hasn't left the drugstore in over an hour and they're sitting in his car with bowie playing through the speakers that eddie looks up at him with a look steve knows well.

"you do smell really good, y'know." his voice is softer than steve's heard it all day.

"so are you glad i came in to steal cologne?" steve leans closer over the center console to get into eddie's personal space. there's a hand curling over his bicep and pulling him even closer, their faces only centimeters apart.

"i guess i'll let it slide this time, thief."

and when they kiss for the first time, it tastes like the freshen-up gum they both had been nonstop chewing ever since steve paid for it.

#did drugstores back then have fragrance aisles let alone samplers? who's to say just go with it #inspired by me looking cute for work today and forgetting to put on my perfume and wondering if i should stop in to target on my way in #steddie #steddie drabble #steddie ficlet #steddie headcanon #steve harrington #eddie munson #my writing #steddie fic #is this realistic? absolutely not but ignore that for the blorbos sake #stranger things #stranger things fic

3K notes · View notes

caffeine-and-computers · 2 years

Text

Writing Realistic Characters - part 2

- Journal from their perspective. It can be hard to write compelling, realistic motivation for characters if you don’t understand them yourself. By journalling from their perspective, even if the content of the journal isn’t included in your story, you’ll essentially be thinking as the character. This should help you understand who they are and how they make choices and react to things, like a real person would.

- Answer “character questions”, but be careful when using lists found online. The internet is full of lists of questions for writers to answer when building characters, but not all of them are actually that important or useful. The fact is, it really doesn’t matter what a character’s favourite colour, animal or day of the week is (unless it’s relevant to your story... but it usually isn’t). When looking for question lists online, or making your own, focus on questions that have to do with your character’s personality, such as how they’d react to a situation or which values matter more to them.

- Make character charts! I can’t stress this enough — character charts are incredibly useful tools for writers and I don’t know what I’d do without them. They’re a great way to keep track of important information about your characters in an organized way that’s easy to access when you need to quickly check a detail. I’d also strongly recommend making your own charts, not using templates online (I find it a lot easier to stay organized when I’m using my own organizational system). If you need a place to start, though, I normally create charts with 4 categories: role (protagonist, antagonist, etc.), name, identities (gender, ethnicity, sexual orientation, etc.), and description (just a brief few sentences about them). You can also make personality charts with things like their greatest flaw, greatest strength, story goals, etc.

- Come up with a few detailed memories/anecdotes from their past. Think of them as mini-stories you can drop into your main story to build a more realistic life around the character. These don’t have to be crucial to the plot, and should be brought up in a natural way, such as in conversation with another character or in the main character’s thoughts. For example, your MC’s best friend might compliment her necklace, and she tells them how her sister gave it to her as a birthday present before moving away. You can also use these anecdotes to drop in important information in a non-obvious way. Continuing the example above, the MC could mention that her sister has the same design necklace, but in green. Later, this becomes a clue, when she finds the green necklace outside the villain’s lair.

- Keep a record of their backstory. This one doesn’t really need much explaining... Just keep notes of your character’s backstory as you come up with it so you don’t risk inconsistencies, which tend to break down realism.

- Remember that the reader can’t see what’s in your head. Your characters may be fully developed, realistic people in your head, but that makes it easy to forget that your readers don’t automatically understand them the way you do — they only know what’s on the page. Asking other people to read your work can help you understand how your characters come through to an audience, but if you don’t want to do that, just re-reading it yourself is also helpful. If you do the latter, though, go through an entire chapter at a time, the way a reader would, not small sections.

#writing advice #creative writing #fiction writing #writing #writeblr #writing tips #advice #writing characters #write #writer #fiction #writer problems #writer's block #character creation #realistic writing #realistic characters #writing realistic characters #character chart #overcoming writer's block

1K notes · View notes