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#are very recurring traits
daydreamerdrew · 2 years
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Gosh, I’ve been trying to speculate as to what disability/disabilities Darla could have and there’s really nothing I feel I could confidently propose simply because Darla hasn’t historically received an in-depth enough portrayal that shows her in enough of a variety of situations and showcasing enough of a variety of issues for there to be anything that I think she textually fits a good amount of the qualifications for.
#like I think there’s a good case to be made for the ‘deficit’ in social communication part of autism#but there’s not really anything that could be pointed to for the restricted behaviors component#but I feel that arguing for social communication disorder is too limited#as then I don’t think it would properly account for what she has been shown to have#and doesn’t properly account for the fact that she’s disabled to the extent of requiring an I.E.P.#same issue with arguing she has ADHD#well- she could conceivably have ADHD but if so I don’t think that that would be all she has#issues with understanding social situations as well as either an issue with volume control or awareness of social norms around volume#are very recurring traits#her shouting excitedly in a scene where everyone else is not only speaking at a regular volume but treating it as a serious situation#and what she says demonstrating that she doesn’t fully understand the serious situation in the way everyone else does#is probably her most recurring character trait#I believes there’s also been a suggestion of her having memory issues#the first issue of the 2019 ongoing has her mention that she’s always told that she talks to much#as well as has her speak at the dinner table when Billy was specifically addressed#and the information that she volunteers there is something the other kids were trying to keep from the parents#so Mary has to cover for her and be like oh wow I can’t believe we forgot to tell you#it’s not that autism couldn’t be used to explain that so much as there’s a lot more to autism than just that sort of thing#hm I think her deep empathy for animals could also be interpreted as an autism thing tho#but again- still not really anything on restricted behaviors with regards to sensory issues or anything#highly possibly that there’s another relevant condition other than the 3 I mentioned here that I’m not thinking of#my posts
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tomboyyyaoi · 1 year
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autistic meryl is still my ride or die hc
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alvindraperzzz · 11 months
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I always laugh when I see this panel where Steph says she isn’t the possessive type. It’s just so un-self aware. Pre-reboot Steph is the definition of the jealous, possessive girlfriend no matter who is writing her. She is suspicious of every girl Tim interacts with, and has accused him of cheating multiple times. 
“He knows I’m not the possessive type,” she says, as she follows him without his knowledge (not for the first or last time). Right after an arc where she stalks and attacks Tim’s civilian friends because she was convinced he was cheating on her after he expressed concern for another girl. A girl who got shot. 
Not to mention all the times she makes it clear she thinks she deserves to know everything about him whether he wants to share or not, and ignores his boundaries whenever it’s convenient for her. 
Just because a character says it doesn’t mean it’s true, and this is a prime example
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astrologydayz · 3 months
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ASTROLOGY FUCKING NOTES5💜
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MEDUSA ASTEROID 🫦 - 149 CONJUNCT MC IN A WOMAN'S CHART = People c her as beautiful, really beautiful. "Everybody wants her, but nobody can get her" kinda thing. "Stone cold beauty", "won't really let anybody hit". 💜 BLACK MOON LILITH CONJUNCT MOON = a very sexual person, but it's "hidden"/&def not for display for just anybody - People can be really surprised/seriously stunned by how sexual/freaky these people actually can turn out2be!
💘 JUNO CONJUNCT ASC = a VERY loyal person. They can never stand to do anything that comes close to disloyalty. They protect, and stay loyal through all trials - when it comes 2 those they love. Women who have this aspect = born 2 be a loyal/trustworthy wife.
💜 PLUTO CONJUNCT DSC = searching for/attracted2/getting romantic partners who can be very possessive, “edgy”/“rebel like”, shadow searching, intense, calculative, soul deep, power hungry, destructive but transformative, stalker-ish, addicted 2 something, got contacts 2 down under - involved/has been involved in criminality). 💜 BLACK MOON LILITH CONJUNCT MC can be seen as REALLY sexually appealing - people can be all up on them all the time, sexualising them - but they typically hate this. Cuz that's all people see/talk about when it comes 2 them.
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💘 VENUS/EROS CONJUNCT/TRINE/QUINTILE PHOTOGRAPHICA ASTEROID - 443 📸💋 show us a person who can look really attractive/sexy on pictures - they're better looking on pics than in rl typically, if they don't got any aspects 2 mc from "good looking"/sexy planets/asteroids.
💘 VENUS CONJUNCT ASC IN A WOMAN'S CHART = usually a "good girl" - she's loving, charming, caring, kind, compassionate & she judges nobody. She strives 2 be one of those who "gives a hand4free" - always ready 2 help. She's also loved/adored by many typically! People can praise her a lot.
🩵 MOON CONJUNCT ASC = a person who can't stop themselves from speaking their mind, all the time - good, or bad. They typically can't lie either - they have a need 2 share/can't really contain themselves from sharing exactly how/what they feel/think. MOON CONJUNCT SADO ASTEROID - 118230 = a person who’s very sadistic, but hides their sadistic tendencies away from the world. People can be shocked by these people, as they don't show any of these traits publicly.
NESSUS SQUARE ASC = a person who tries 2 "ignore"/or push aside their abusive tendencies.
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❤️ MARS IN 12TH HOUSE = a person who can have a really hard time with confrontation/problems with asserting/standing up for themselves - they don't like conflicts with others. ❤️ Mars conjunct/square Pluto show us a person with an explosive temper - anger issues, problems with controlling themselves/can show tendencies to be violent - u should def not mess with those who have this aspect in their chart. Revenge is one of the many things these people invented.
NORTH NODE IN 7TH HOUSE/CONJUNCT DSC = a person whose life purpose/theme is marriage/relationships/partnerships!
NORTH NODE CONJUNCT CHIRON can show that one's life purpose/theme is pain - it's something that keeps happening. They can go through so many painful things in this life, that it's just 2fucked up.
PLUTO CONJUNCT ASC people are natural daredevils/rebels. They don't fear anything, or anyone. They live by their own rules - unless something else is overshadowing it, ofc!
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SUN CONJUNCT BILK ASTEROID - 4425 IN SYNASTRY = Asteroid person using Sun person for own financial gain/or just gain in general.
NORTH NODE CONJUNCT CHIRON IN SYNASTRY = Chiron person brings a recurring theme of pain 2 the North Node person💔.
💘 VENUS CONJUNCT PHOLUS ASTEROID - 5145 IN SYNASTRY = asteroid person "blows" up/explodes the Venus person's love, affection, attraction, desires, creativity, beauty etc.
❤️ MARS CONJUNCT PHOLUS ASTEROID - 5145 IN SYNASTRY = asteroid person "blows" up/explodes the Mars person's sexual desires/"sex drive", anger, competitiveness, dominance, assertiveness, ambitions etc.
CHIRON CONJUNCT PHOLUS ASTEROID - 5145 IN SYNASTRY = Pholus person blows up the Chiron persons pain/wounds.
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THANKS4READING BABE!
I APPRECIATE U, ALWAYS💋
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qweerhet · 8 months
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the tired and repetitive discourse over age gaps in romantic/sexual relationships always feels like gamifying spotting abuse whenever i encounter it. "the Abuser is a creature that does This Action and has These Attributes" like we're talking about identifying birds or some shit. the reality is that abuse is a qualitative distinction of harm, mainly consisting of recurring and systematic abuse of power--social, legal, financial--over another person, and it can happen in any situation where a party has enforceable power. it isn't an inherent trait of a person, it's a trait of a relationship, it doesn't occur due to ontological facts about someone's personhood and someone can simultaneously have both abusive and healthy relationships.
"the Abuser is a Man who is 45 Years Old and sleeps with anyone under 30" does this make you feel safe? do you feel secure in your ability to recognize a predator by their feather coloration? do you feel superior to those who don't have your birdwatching book? does it comfort you to go down a checklist of individual traits and assign the ontological label to anyone who racks up enough points?
the reality is that assessing abuse requires assessing the material reality of any given relationship, and there's like... patterns in dynamics that more easily give rise to abuse (i.e. if you have legal authority over someone, it's so difficult for that not to become abusive in the context of an intimate interpersonal relationship), but quite frankly assigning ontological qualities of Abuser to individual people's traits commonly found in those dynamics like they're pokemon types is. counterproductive, i'll say that kindly. it blinds you to the reality of abuse and it blinds you to the reality of people you love and enjoy the company of and have genuinely healthy relationships with being capable of abuse. it blinds you to how your best friend, who's emotionally intelligent and self-aware and kind, who has none of the Abuser Qualities, can be abusive towards someone who's the same age, gender, set of marginalized identities as them, simply because they're letting that person crash on their couch and not being cognizant of how control over housing puts them in a position of power over that person. how they can be kind and trying very hard in that situation, how they can not have a malicious bone in their body, but still are committing abuse because they're not acting with the awareness that they have material power they simply Do Have.
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t1red-twilight · 1 day
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1.5 pints
summary: you get injured on a case and spencer is…worried to say the least.
warnings/content: gn!reader, fluff, hurt/comfort, medically inaccurate (i googled stuff but idk), spencer has ptsd, reader is implied to maybe have ptsd, cannon typical violence/injury (bullet wound), reader has self destructive traits, spencer is worried and quite overbearing, non-sexual nudity, spencer passenger princess confirmed, idiots pining over each other, like a significant amount of pining, friends totally share a bed regularly, that’s so normal and platonic, reader is an unreliable narrator at times, lmk if i missed anything<3
word count: 1.4k
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you had gotten injured after a case. it wasn’t anything serious, you had just gotten grazed by a bullet on your upper arm on your dominant side. it stung like a bitch, and bled quite a bit, but it wasn’t anything to cry over. even still, you were bandaged by paramedics before being sent on your way.
the case hadn’t been far from quantico, just a forty-five minute drive or so. spencer had silently insisted on sitting next to you in the suv. the air was awkward. not uncomfortable, per se, it was just that everyone in the car could feel that spencer was definitely upset.
once back at quantico, everyone split up to go to their homes. hotch informed everyone that you would all have the next day off. you searched through your go-bag for your car keys, when you suddenly felt a presence behind you.
spencer’s natural scent of linen and citrus would always be familiar to you. you’d recognize it anywhere. “hey spence.”
“how’d you know it was me?”
you turned around, shrugging. “lucky guess,” you smiled a lopsided smile. there was a momentary pause.
“is your arm okay?”
chuckling lightly, you shifted your weight onto one foot. “yeah, i’m alright. do you need anything?”
he was avoiding eye contact more than usual. “i think you should come over to my place tonight.”
you quirked an eyebrow. there was this unspoken arrangement the two of you had; you’d switch off spending the night at each other’s apartments. it had started when spencer began having ptsd-fueled nightmares again and you had recurring bouts of insomnia. and this consisted of sleeping in the same bed, to comfort each other.
“yeah?” there was an overwhelming feeling that he was more upset than he was leading on, and this was even more evident considering his behavior on the ride back to quantico.
“…yeah. i just want to make sure you’re okay.”
you snorted. “of course you do, spencer.” he finally looked up and resumed eye contact.
“what do you mean?”
“i don’t mean anything.” you twirled your keys around your finger, chuckling lightly at the thought of spencer being caught up in what was to you, a very minuscule injury. gesturing to your car, you add on, “well, we should get going then.”
he walked around to the driver’s side of the car and motioned for your keys. spencer wasn’t very keen on driving; he much preferred his passenger princess privileges and tendencies. confusion and minor amusement flooded your features. “you want to drive?”
“uh, yeah. you shouldn’t be lifting your arm, it could tear your stitches.” the sass in his tone almost made you double take.
“hey, i think i’ll be fine, okay? you don’t have to worry about me because i got scratched.” your tone was more genuine but still held a playful element. he sighs and looks a little incredulous.
“just let me drive. please.” taken aback, you hand over the keys and walk over to the passenger side. you raise your dominant arm to open the door. spencer quickly rushes over to open the door for you. “please don’t.”
“uh, okay,” you reply in a quieter voice. as you buckle your seatbelt, spencer gets into the drivers side seat. he somehow finds a classical station on the radio (it’s not all too surprising that he probably has them memorized), and the rest of the ride goes on without a hitch or bump.
when you arrive at his apartment, spencer runs to your side of the car. he opens your door for you, and helps you out of the car. “you don’t have to baby me, spence.” he mumbles out a response. “what?” you question back.
“can you please take this seriously?” your eyes widen at his more stern timbre. a semi-sarcastic thumbs up is all you give him.
the walk up to his apartment is exceedingly more tense. you try to focus more in the scent of the old building rather than spencer’s apparent disappointment in you. the building smells like, well, old building, and the floor creaks fifteen times on the way to the elevator and to his front door.
you both cross the threshold and he sets his crossbody bag down near the entryway. you didn’t bring up your go bag, as you have plenty of things at his apartment already.
he grabs your hand and leads you to his bedroom. he proceeds to hand you some pajamas: an old mit shirt and soft shorts that you left prior. you wait for him to leave, but he doesn’t. “are you going to let me change?” he looks at you exasperatedly.
“you can’t move your arm.”
“yes. i can.”
“you can, but you shouldn’t. please let me help you.” you just about roll your eyes, but you stop yourself.
“i can undress myself. i just got grazed.” you’re getting more annoyed.
“grazed? you almost fell over from the blood loss. morgan had to hold you up. the average human body has around ten pints of blood and you lost one and a half- that’s 15%. that’s not a graze-“
your eyebrows raise. he was taking this very seriously. “the bullet didn’t penetrate. i didn’t need a transfusion, and it was by no means fatal in any way.” injuries like this have occurred before on the team, and the team has recovered.
“yes, but if you lost 5% more blood, you might have lost consciousness and needed a transfusion. can you please take this seriously?”
surprisingly, you didn’t respond immediately. spencer, and everyone for that matter, had known you to be quite stubborn and not known to back down.
“you got shot. you should be taking this more seriously.”
“you could barely even consider it a shot, spencer. besides, it’s better me than anyone else.”
his eyes widen. “how can you be so reckless?” you don’t respond at all this time. you just look down at the clothes in your hands.
“please,” he quietly says your name, “you just really mean a lot to me. i don’t want anything to happen to you.”
if your eyebrows weren’t high before, they sure as hell were now. “can you promise me? that you’ll take your health into consideration more? i have no clue what i’d- what the team would do without you.”
his slip-up does not go unnoticed. “okay.” you swallow your pride. “i will.”
he sighs in relief. “now please, let help you.” his eyes glance up from the floor to meet yours. you nod and he steps closer. both of your movements are awkward as he places his hands on the buttons of your shirt. he unbuttons it quite slowly, and pulls it down your arms.
he’d seen you in more compromising situations before, so this is nothing new. “put your arms out, but not up, please.” he then proceeds to put his old college alumni shirt over your arms first before pulling it over your head. “i think, you can, uh, put the shorts on yourself. just don’t lift your arms too high.”
“i won’t. i promise.” you give what you think is a convincing smile and he leaves to the bathroom.
when he returns, he is also dressed for bed. he guides you to the bathroom to brush your teeth. he babies you as much as is physically possible, but you draw the line at him brushing your teeth for you.
“dude. i’ll be careful. i’ll just use my non-dominant arm.” the task proves to be weird and uncoordinated.
you both finish brushing your teeth at about the same time. you follow him to the bedroom.
his feet pad across the carpet softly. the socks he’s wearing isn’t shocking to you at all; it’s a habit of his he’s gotten used to. he turns on his lamp on the side table, and turns out the big light.
he draws back the covers before you can, and you swing you legs onto the bed. you pull the covers up to your chin before he can tuck you in or something. one can only handle being babied for so long, after all.
he has one of those fancy dimming lamps. it casts a soft glow over the room without being too overwhelming. and because he likes it this way, so do you.
he turns onto his side and places his hands under his pillow. you begin to turn onto your side, but he stops you. “don’t put too much pressure on it.” you compromise by turning your head towards him.
his eyes are big and his lips are slightly parted. his breathing is deep and slow. you don’t know who falls asleep first, just that you both slowly inched closer so that eventually there was only about two fingers worth of space between you.
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incorrectbatfam · 1 year
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The batfam as teacher comment section in report card.
Dick: Mr. Grayson brings a contagious energy to the class and his enthusiasm is well-appreciated. However, he tends to channel that energy very physically and while that may benefit his learning, it's a disruption to other students. This is a frequently recurring issue that I would like to discuss with a parent or guardian.
Translation – Is this kid ADHD because he won't sit the FUCK down
Jason: Mr. Todd has displayed remarkable attention to detail and a love of literature that I can only attribute to positive reinforcement at home, and he's always a pleasure to have in class. As much as I appreciate seeing him apply his lessons outside of school hours, I believe there are more productive avenues of discussing Shakespearean playwriting with his peers than what he has been reportedly doing. 
Translation – Stop biting your thumb at people
Tim: Mr. Drake continues to exceed expectations in his schoolwork, but his attendance and participation may become a detriment to his overall grades if unaddressed. I have caught him sleeping in class on multiple occasions but he has yet to provide me a reason why he is so tired. Additionally, last month one of our monitors caught him loitering in the bathroom with a note that I did not recall writing. 
Translation – Get some sleep and also you can't make your own hall passes
Damian: I have had the privilege of teaching the Wayne family through my decades at this institution and I believe that Damian takes after his father the most in more ways than expected. His grades are stellar and he is well-organized, but I'm noticing familiar and concerning traits in his attitude and social interactions. I am requesting a meeting with his parent to understand the full context so I can devise a plan for out how to best support him. 
Translation – Forget falling, the apple is still on the damn tree
Duke: Mr. Thomas has been a pleasure to have in my chemistry lab and is always willing to help classmates who are struggling. However, after last week's minor combustion reaction mishap, I think it would be worthwhile to review the lab safety packet that all students received at the beginning of the year. 
Translation – How did you set water on fire
Cullen: Mr. Row displays a passion for transformative literature and demonstrates a clear understanding of modern media culture that has helped him synthesize a lot of our complex readings. However, I'm concerned about his laptop being a distraction, especially with numerous incidences of him looking at non-academic material.  
Translation – Quit reading fanfics in class
Stephanie: You should be pleased to know that Miss Brown consistently keeps the well-being of her peers in mind. This semester, she launched a meal initiative for students whose needs could not be met by the school cafeteria. While we value her good intentions, she has been causing hallway obstructions and there are some regulatory concerns that we need to discuss. 
Translation – She sold pancakes in the halls without a permit
Cassandra: Although Miss Cain is relatively quiet in class, she continues to blow me away with her breadth of knowledge not just on class materials, but also interpersonal details. While this is a good skill to cultivate, we ask that she dial it back especially with our faculty. Additionally, please remember that the teacher's lounge is a staff-only space and students should remain in the common areas. 
Translation – She knows too much
Barbara: Miss Gordon is easily one of the best AP Computer Science students I've seen in my twenty years of teaching. She even went above and beyond the scope of our class to apply what we've learned to a greater school context. While that is deserving of credit, I'd also like to remind her that, in the future, certain ideas should be subjected to careful consideration before actions are taken. 
Translation – She hacked the lunch menu to make every day French Fry Friday 
Harper: Miss Row has a remarkable aptitude for the engineering process that exceeds beyond what students her age can typically grasp, and she is very inventive in her own right. That being said, I would appreciate it if she followed our lesson plans more closely and reviewed our guidelines for woodshop safety so everyone can continue to have a positive experience.
Translation – She made a working crossbow out of popsicle sticks
Carrie: Miss Kelley is a bright student who brings positive energy that is very much needed, especially in morning classes. However, she's been falling behind with several missing assignments at this point, and her explanations for why she cannot finish her work don't seem to be sufficient. 
Translation – "Killer Croc ate my homework" Yeah and I'm Batman
Kate: Miss Kane seems to be very eager to move forward to the next stage of her life, as evidenced by her Career Day presentation. While I believe young people should be free to explore their passions, I also think that Kate would benefit from some workshops outlining more feasible options. 
Translation – "Get bitches" isn't a career goal
Alfred: Mr. Pennyworth is easily one of the best students this institution has seen, both in his academic record and extracurricular activities. He recently expressed interest in the sharpshooting team, which I will not discourage him from, seeing how highly accurate he is. As of this year, I will be retiring as the coach for the team, but I wish him all the best.
Translation – I'm not about to get on his bad side
Selina: Miss Kyle's resourcefulness continues to astound me. Earlier in the semester, she forgot her locker combination and quickly improvised a mechanism to safely unlock it using only the materials around her. The speed and accuracy with which she did that will surely benefit her in the future. 
Translation – Did... did she just pick a lock with another lock?
Bruce: No further comments. 
Translation – whatthefuckwhatthefuckwhatthefuck—
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gonedreaminggg · 4 months
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i am craving disability representation in mcd and mystreet 😭
here i go!
my disability headcanons for MCD/MYS
- Laurance never got his vision back. Not completely, at least. The outer field of his vision is completely blurred, and sometimes it'll randomly get worse/better. In MyS, he's still mostly blind, but he was born with this. It honestly doesn't make a difference in his day to day life because he's so used to it, but he's so pissed that he can't drive.
- Dante has OCD, and he passed the trait down to Dmitri. They both have skin-picking issues as well.
- Naoki (Nekoette) has hyperactive ADHD, which she got from Nana. A lot of people think it's really funny, but when Naoki starts training as a guard, she and other people finally realize how challenging it is.
- Zoey's health starts deteriorating rapidly after giving up her immortality. She has chronic pain issues, and recurring migraines.
- Both MCD and Mystreet Katelyn are hella deaf. Like. Cannot hear for shit. In MyS she wears hearing aids sometimes, but in MCD she's like "WHA?" constantly.
- MyS Vylad is an ambulatory wheelchair user. (honestly i'm just self-inserting for this one lol) they have Ehlers Danlos Syndrome, and use a cane most of the time. They're very active on social media and are a popular disability advocate. It's why they're constantly traveling.
- All of the Ro'meave brothers are hella autistic
- Travis has a lot of chronic fatigue issues because of his demon form and powers and whatnot. When Aphmau gets her relic, and Garroth gets Esmund's, they also have chronic fatigue. The relics are too much energy for a mortal body.
- Levin has hella anxiety. Zoey and Malachai taught him how to manage it over the years. When he becomes Lord, the intensity of the job honestly makes him less focused on his anxieties.
- Malachai still can't function properly as a human. After being brought back to life, he's had a lot of chronic issues, that are honestly all over the place. He also has really bad dissociation, because he was DEAD FOR 900 YEARS.
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general-cyno · 7 months
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it's dressrosa time for more zolu rambles. there were some really good and funny bits like zoro being (unsurprisingly) on board with luffy's idea of fighting the emperors
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luffy charging right after zoro when he gets his sword stolen bc it looks fun (though he ends up in the tournament instead)
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zoro getting absolutely sidetracked from his very important mission of going back to the sunny to help the others bc he saw luffy participating in the tournament, then again when he saw luffy in person (he wanted to be invited too!)
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luffy happily and without hesitation agreeing to zoro's crazy plan for the lift
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cheers to luffy's casual, unwavering faith in zoro!
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zoro just letting luffy do whatever he wants and manhandle him around with a simple "yeah sure where we going" compared to law who is decidedly Not Even Remotely Used to this kind of treatment
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their gremlin braincell once again shining through as they both laugh at pica (much to law's continuous exasperation)
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I also liked how confidently luffy decided and told zoro he'd continue ahead while zoro chose to stay behind and deal with pica, yet again demonstrating luffy's casual but firm trust that zoro can handle things and protect others in his stead, while he takes care of the biggest threats. zoro's own taunting and smug "our captain wants nothing to do with a pebble like you, so you have to make do with me" at pica was good too lol.
when zoro finally defeats pica and side characters, in awe of his strength, are baffled that someone so powerful is luffy's "henchman"? also peak.
two other things I enjoyed, albeit not necessarily involving zoro and luffy directly, were:
- zoro taking the lead, attempting to stop doflamingo's birdcage by force and doing so by asking for ppl's help (showcasing his willingness to guide as much as rely on others when it's needed) which drove folks to actively follow him in a similar fashion to how they tend to do with luffy. in a way, zoro's determination uplifted ppl's spirits + the whole thing helped keep civilians and others safe while luffy recuperated enough to finish off doflamingo. it's no wonder zoro was one of the few straw hats to stay behind in dressrosa, since that's the kind of feat someone like him (as luffy's first mate/second in command) can accomplish. really highlights zoro's role in the crew and why luffy's belief in zoro's reliability, of him being able to handle dire situations and protect ppl on his own without luffy having to worry abt/over him is a recurring and important part of their overall relationship. usopp desperately asking zoro to save him back during the pica ordeal and hugging him afterwards in relief as other characters thanked him too, was a funny and sweet way to acknowledge this as well.
- this interaction between luffy and rebecca:
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can't say whether it was intentional or not, (probably not since these chapters are wildly apart from each other) but it made me think of luffy and zoro's first meeting, and how luffy ultimately decided to make zoro part of his crew after he asked to be fed the stomped riceballs and for luffy to tell rika they were delicious. these two are so very similar on a fundamental level, even if they still retain certain differences and distinct approaches depending on the situation, and it was nice to see another reminder of it. both luffy and zoro are, at their core, strong and kind characters (though in a curiously selfish manner) who don't hesitate to acknowledge and repay the kindness they're offered in turn. imo it's cool how these shared traits have allowed them to understand and stay alongside each other to this point.
edit: forgot to mention but sabo entrusting the crew with luffy's safety and giving them luffy's vivre card (handing it to zoro specifically) as zoro fondly remarks how he resembled ace back in alabasta was just. really really good as well. esp when you consider how much the crew loves luffy, and what zoro himself has done to protect him.
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trumpkinhotboy · 5 months
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"I'll keep an eye on you" pt.2
Pairing: Jacob Black x Reader
Type: Not requested
Genre: Bit angsty and fluffy
Warnings: None Rating: g
Word count: 3400
Requests: Open! For Twilight wolfpack, Narnia, Heartstopper
A/n: Hope you enjoy this lil part 2 !! Also I really want to thank @tgarrett26 for helping me with this fic (you are awesome) + they are the reason there is even a pt.2 hehe
Here is the link for part. 1
*gif is not mine
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Summary: After one night of respite, the reader confronts the day to realize the shadows haven't quite disappeared yet.
There's a timid sunbeam lighting up your cozy little room. Nothing scary or menacing in view. You look over to your nightstand with barely opened eyes to see your mushroom light still on. The clock on your desk shines the time. 7:00am. 
7am?!
You sit straight up, immediately noticing the big dent on the left side of your bed. Yes, of course, Jacob came in last night. Your cheeks flush with the thought of having slept so soundly next to the heaping mountain of muscles that is your friend. You feel so confused and well-rested. For the first time in a few weeks, you awoke calmly. This might have been the best night of sleep of your whole damn life, and it's 7:00am! You managed to wake up before your alarm. You wouldn't have to be rushing to school for once. You were usually only able to fall asleep when the sun started shining and chased away the threatening shadows of the night. So, being late to school was a recurring occurrence for you. For once, your father wouldn't have to come in to try and wake you up. You were pushing away your blankets to get up when there was a knock on your door before it slowly cracked open.
"Sweetheart, time to wake up. Don't want to be late for sch-"
Your father's traits lifted up in surprise, and honestly, you couldn’t really blame the man. You didn't keep track of all the mornings he found you all tangled up in your blankets, hair sprawled everywhere like a bird's nest, saliva drooling down your chin.
"Did you sleep well?"
You nodded eagerly, a sincere smile spreading on your lips. Charlie seemed incredibly thrilled by that piece of news. He was no stranger to the nightmares haunting your nights and was brokenhearted to see you so tired and on edge all the time.
"Well, then. Better get down and eat breakfast before you head to school." He gave you a timid smile before softly closing your door.
You had your first breakfast with your dad in a long time. He was particularly chirpy, and you kept catching his relieved gaze. You left for school on time and had a really great day. You felt awake and energized. Participating in class and your little social circle once again felt like a rush. Your efforts were welcomed with gigantic smiles from your teachers and friends. For a second, you thought the weeks of anguish and terror might finally be behind you. Maybe a night with Jacob had been the only thing you needed to put this whole thing behind you. However, as the sun went down and shadows stretched on the ground, you got more flinchy and twitchy. Once more, you turned at every odd sound, looking over your shoulder as you left the school grounds. You almost ran to your car, locking all the doors, and left a trail of dust with how fast you headed back home on the powdery roads of Forks. 
Dinner with your father was much more somber than the breakfast you shared this morning. You felt like a dagger to your heart, his disappointment when he saw you jump as he caught you by surprise in the kitchen. You usually were always careful about hiding your internal conflict from Charlie. Yet the frustration you felt tonight weighed much more than the want to hide everything from him.
Once dinner was over, you climbed the stairs with heavy steps, feeling the dread in your body get worse the closer you got to your bedroom. You opened the door to find a space very different than the one you had left when you awoke this morning. Your still unmade bed didn't feel so inviting tonight. Long gone were the rays of sunshine that scared the shadows away. The room you faced was now dark and gloomy. Nothing about it felt safe or secure.
You rushed in to turn on your mushroom light and sat on your bed, trying to summon all your courage to breathe calmly. 
It's over now. Nightmares are just that. They aren't real. I'm safe now.
No matter how much you would repeat it, those words felt empty and fake. You got up, put your pajamas on, and as you were ready to get in bed, you noticed a piece of clothing jutting out from under one of the pillows. You lifted it up to find the T-shirt you lent to Jacob. He didn't keep it. He left your house shirtless so you could keep the stupid piece of clothing. You grabbed it and held it up to your nose. Immediately, your senses were overpowered by his woodsy scent. You fell to your bed, shirt still pressed on your face as you let a deep sigh leave your lungs.
Grabbing your phone on the night table, you hesitated. Your fingers hovered over the keyboard before you closed the device and threw it away.
The clock had just struck midnight when you heard something scratching outside. You almost had a heart attack when you saw Jacob hanging onto your window, motioning for you to open it.
"Jacob Black. What the hell are you doing? Do you want to kill me?!"
Your tall friend let out a deep chuckle as he swiftly stepped into your room without making a noise. His gaze fell onto the fort you had built yourself. There were pillows and blankets lined all around your bed, a very feeble attempt at a barrier. The tv screen was paused on one of your favorite movie. He gave you a worried look and took a second to really take in the state you were in. You didn't look like the relaxed girl he had, reluctantly, left in a peaceful slumber this morning.
"What?" you defensively crossed your arms on your chest, already sensing where this conversation would be going.
"What are you doing?" he quietly asked, his head slightly leaning on one side.  
"I was watching a movie." 
You immediately saw a shadow pass in his dark eyes and felt a familiar pain ring in your chest. You couldn't live with disappointing both your father and Jacob. Worse, you couldn't live with the pity in their eyes. If only the bad dreams could stay away. 
"What are you doing," you finally asked, a bit more roughly than you had intended.
He hesitated, sensing you had been offended in some way. "I just did a quick run around the perimeter, but then I saw the light open and just wanted to make sure you were okay."
Your expression softened at the concern painted on his handsome face. Fear did make you more on edge, but you knew Jacob had done nothing to deserve that anger. You sighed before plopping down on your bed.
"That's very nice of you, but I am okay. I just didn't feel tired yet." 
You felt adamant about telling him of the return of the paranoia. You were already so disappointed in yourself. You couldn't even muster the bravery to be in your room alone at night. What would it even do if you told him the truth? It felt so shameful to ask again for his help, to ask him to watch over you while you were sleeping. Just because, like a child, you were afraid of the dark and the beasts it hid. You were instantly relieved when he gave you a suspicious glance as if he might believe your lie. You gave him your best smile, trying to prove how relaxed you were. You only wanted to chase the worries away from his chocolate eyes. 
That could have worked if only the sound of your house creaking under a strong gust of wind and a branch scratching on your window hadn't made you flinch so damn hard. 
Jacob's gaze hardened over your tense figure. You expected him to make a comment, to confront you. As you waited anxiously for the ax to drop, he finally walked over to your bed, sat, and pointed to your television.
"May I join you then?"
You initiated him to one of your best comfort movies. It required absolutely no brain power and just helped you feel better. Always a good player, Jake obliged and even seemed to enjoy it. When you were done, you spent another hour just chatting about nothing and everything. You tried hiding your clock from his sight and hoped he wouldn't notice time flying away, but sadly, there wasn't much your figure could hide from his wolfish sight.
"It's getting late. I should probably go," He muttered after an hour of mindless chatting. His dark eyes fixed on your features, you faced each other, forearms tucked under your head while you lay on your side. You couldn't help your shoulders and jaw from tensing up at his words. The happiness and carelessness he had brought you vanished as if it never occurred. Fear crept up in your belly at the thought of being alone in the dark again. 
You gave him a tight smile as you nodded. He hesitantly got up, giving you another weird look. You barely registered it, too focused on avoiding falling into a panicked state. He walked to the window, and as you thought he was about to leave, he turned around on a whim.
"I really don't understand you. Even in this state, you won't ask for my help?" 
His outburst surprised you and unintentionally made you recoil at the swift motion. He sighed deeply, "Please don't look at me like this. I want to understand. Why don't you want my help?" he repeated, annoyance rippling in waves from his body.
"I- I'm not sure what you're talking about," you responded, determined to hang on to the shred of dignity you had left.
He let out a sarcastic laugh. It was dry and reeked of disdain towards this fluke you were trying to fool him with. "Stop playing Y/n. You reek of fear." 
His words were like a punch in the gut. You felt shame hitting you as you realized how stupid you had been. 
"See? Your reaction only confirms what I already knew. What I don't understand is why you insist on facing this alone. You can always call me, and I will always come through for you. Have I not proven that?" 
"You did, but it's not your responsibility to fix me. To fix this."
"Not my responsibility?" he scoffed. He turned around while dragging his hand through his hair. He was a mix of so many emotions you couldn't pinpoint what was brewing in his brain. He stayed silent for so long that you thought he would leave you like this. You were about to add something when he raised his voice. "I would give everything to go back to that night. To be there by your side. Maybe you wouldn't have to go through that, or at least I would have been the one to rip to shreds that bloodsucker." Flames of rage danced in his eyes while you stood speechless, gawking at him. 
You were at a loss for words. You had seen Jake in many different states in your friendship, but he never looked so conflicted. Anger and sadness seemed to be battling out the right to overpower him. For a rare moment, he looked incredibly vulnerable. He was back to being that innocent teenager you had always known. You approached, unsure whether that would make him lash out, but he stayed put, his eyes fixed on the ground. You knew Jacob felt responsible for what happened to you. What you didn't know is that he tortured himself with it. Your heart ached at the thought, and any frustration you had felt up to this point melted.
Softly, you grabbed his hand. "Jacob, look at me."
When he finally turned around and lifted his gaze, tears hung on to the line of his long lashes. The sight of it made your throat close up. 
"Why won't you let me care for you," he whispered, inches from you. 
His gaze was so deep and carried a tsunami of emotions. Without even thinking about it, you grabbed his face. Both of your hands cradled his soft and warm skin. You saw goosebumps creep up his muscled arms, mirroring the one on yours. Bringing his forehead to your own, you took a deep breath.
"I don't want to be a burden."
Saying the words that'd been ringing in your head for so long felt almost exhilarating while also being incredibly relieving. Contrary to the belief of your messed up head, the world didn't end or break in two once the thought left your lips. 
"I've always thought you were such an incredible person and couldn't help but always want to be better for you. Ever since you phased, that feeling only got more intense. You've evolved so much in the past few months, and I'm still old me. When I got attacked, it was the most horrible experience of my life, but it also reinforced that concept. I couldn't even walk from yours to Emily's cabin without being attacked. The boys had to risk their lives to save me. I didn't even get one scratch, and still, I'm afraid of the dark. I'm afraid to sleep alone. I'm afraid if I let my guard down for one second... it'll happen again. Which means that I'll either die or be a burden for you guys once more because I can't even defend myself against something like that. You're already so good to me. I don't want to add this to your list of things to worry about." 
Your eyes stayed closed even after you finished and controlled your breathing again. Saying it aloud was incredible, but to open your eyes to face his reaction felt nerve-racking. You were about to when a strong pair of arms wrapped around you. 
"You are not and will never be a burden to me." His tone was soft and felt a little strangled. In your dimly lit little room, while the rest of the world was in a peaceful slumber, Jacob's words felt like the only thing that mattered.
He pulled back after a moment but still held you close. "I don't know what gave you the impression that you were a burden. If it ever was something I did, I want to apologize."
"I remember so vividly the look on your face when the boys brought me back to the cabin. You had the same disappointed expression as you have just now. I promise I'm trying to heal as fast I can, but this... this is harder than I thought it would be."
Confusion was now the only emotion on his face, clear as day. "Disappointed? Y/n, I never was disappointed. It was the worst, terrifying, shit your pants kind of fear I've ever felt. It's agony to know you're so ridden with fear. I was disappointed to learn that tonight was still hard for you, not because I think you're not healing fast enough, but because I hoped I finally helped you feel better. I feel so bad you have to live with these memories for your whole life. I just wish I could make them disappear." 
That's when you understood the slim difference between disappointment and defeat. One was channeled towards you, and the other wasn't. For Jacob, it had always been directed at himself.
"Jacob, you're the only one who makes me breathe a little easier. You're the only reason I slept soundly last night." A new light illuminated his eyes. You steadied yourself before you continued, your tone slightly hushed. "You've always had that specific calming effect on me. You're the only person who makes things better for me. Ever since we were kids. I have always felt safe with you. You're like my personal haven." 
It felt like a big thing to say, but you wanted that sadness to leave his face. You wanted his eyes to be filled with light again, and somehow, it felt right to tell him about all this. He spent so much time worrying about everything and everyone. He deserved to know how appreciated he was. He deserved to know what he meant to you.
Emotion thickened the air. So much so that it felt like you couldn't breathe just right. Your hands slid from his cheeks delicately. You placed one at the nape of his neck while the other grabbed the top of his hair. "Jake, I don't think you even understand how much you mean to me."
Time stood still for a moment. Your eyes focused on each other, and the rest of the world ceased to exist.
 "Y/n, I-" his eyes held something heavier. He opened his mouth as if he was about to say something before deciding better of it. It almost looked like it cost him to try and get the words out. He gave up in a huff, and whatever was in his gaze, whatever he thought about, vanished. Some part of you wanted to push him, to ask, but tonight had been a rollercoaster enough. You could let it go for now. He pulled you in for another hug before releasing you a little.
"So, now that we've established that you are not a burden." he started softly.
"And that this is in no way your fault," you added with a grin. 
He rolled his eyes, "Uhm. Can you tell me what you actually need? I can stay here with you if you want."
You felt a pang of your old fears scratch at your heart, but you let them all go in one breath. "I would very much like that."
You tucked yourselves in bed for the second night in a row. You hesitated to turn off the light, but always so observant, Jacob assured you it didn't bother him to keep it open. You lay side by side in silence. You were focused on becoming familiar with the ordinary and hazardous sounds an old house made at night when Jacob started to whisper.
"I know you think you aren't as fearless as us, but I can assure you everyone in our tribe thinks you are the bravest person they've ever met. Not many people would feel comfortable hanging out with a bunch of new werewolves." 
"Brave or totally crazy," you added while making a wicked-looking face. His eyes disappeared in his bright smile, and you wished you could snap a picture of it. 
"No, but really, you're the only one who stayed by my side all throughout my phasing process. No matter how dangerous it was for you. If that's not the definition of bravery, I don't know what is." He turned pensive again while his gaze darkened.
You unwillingly recalled the phasing process of Jacob. All the terrible memories flashed before your eyes. His screams of pain still rang in your ears. You remember distinctly every time you wished to take his place. If you could have taken away some of his pain, you would have in an instant. The least you could do was stay by his side no matter what. You had to fight with Billy and the rest of the pack, but in the end, even they couldn't keep you away. No one could have.
You slid into his arms, and his body tensed under the new touch before quickly relaxing to envelop you in a tight embrace. 
"I would never leave you alone," you mumbled in his chest. "I know you like to have this strong and impressive appearance, but inside, you're still the same little Jacob I've always known. I know you need me."
You lightly pressed your lips onto his chest and nuzzled farther into him. Fireworks were exploding in the boy's chest as he returned the gesture with a kiss on your head.
"And Jake?"
"Uhm?"
"Don't think I didn't notice you wanted to tell me something important earlier. For tonight, it's okay, but we'll have to talk about that."
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Anyways drawing Spring Unsprung Briar gave me a wild amount of creative energy so here's my pitch for a Spring Unsprung Darling costume
Some details just for fun under the cut:
•Since Lizzie is the designer of the original SU outfits, that's also the case here. Lizzie is perceptive enough of Cerise and her style to very specifically fit her needs without even knowing what those needs are (heavy hood, long hair, big jacket, all very good for keeping covered, no?). The same would happen with Darling. Lizzie might pick up on her fascination with Wonderland, the jewelry fashioned like chainmail or bracers, and decide to incorporate it into her design. I don't know if Lizzie even realizes how perceptive she is, she just has an eye for what brings out someone's real personality.
•In terms of actual design, my main inspiration was chess! I let go of the literal shape pretty fast, but I really liked the idea of her looking like a fancy chess piece as a nod to her wonderland shenanigans. Cerise, Kitty, Lizzie, and Cedar all have black and white recurring patterns with 1-3 main colors, so I tried to mimic that here. I mostly just used the color scheme from my ref sheet I did a hot minute ago
•The hair flowers and colorful makeup were non-negotiable of course. I did want to make the flowers have some kind of relevance, but in the end I just gave up and made 'em generic yellow flowers. Any flower symbolism nerds who want to throw their hat in the ring be my guest!!
•I basically just tried to orient the whole thing around asymmetry and reflection, and I think that worked really well in this case, I think it really makes her pop
•She isn't wearing her typical Charming crest, but the symbol is spread out in a couple of pieces. Heart gem at the center of the neck like normal, and the wing is made into one of those ear cuff things
•The background was just kind of a whim, but there is a reason for it. I decided a while ago that the Charming family animal is a lion, so any heraldry or heirloom or anything like that is probably gonna have that winged heart and/or lion imagery on it. If Daring is the peak of the Charmings, then Daring is a lion. Similarly, Darling is a borzoi. It's just different enough to communicate that she's the black sheep of the family, but has enough similar traits to make it clear that she's not in opposition with them. Plus I think borzois are whimsical as hell with the right lighting and I thought it would look neat
•You can see it right in the corner of one of her eyes, I was playing with maybe giving her partial heterochromia? I think I'm gonna stick with just brown eyes but I'm keeping the concept tucked away in the back of my brain for another character
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st-just · 5 days
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Recurring trend of people coining on an insult off some totally innocent cosmetic or demographic trait but when called on it going 'oh no we only meant the bad ones, obviously.' Never sure if they're actually lying or just being very dumb.
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azulcrescent · 1 month
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Aromanticism is a spectrum, and there are lots of ways to experience and view romance and non-romance. Personally, being grayaromantic, I know what romantic attraction feels like, since I did have a crush on someone once. It had all the hallmark traits of a crush: butterfly feelings in my stomach, thinking about them a lot, almost accidentally kissing them in front of everyone because I wanted to put my mouth on their mouth so badly…
And yet, now that it's been nearly 10 years since then, it's bizarre to me that I ever had those feelings at all. It's confusing to me that other people will just look at someone and feel that way, and have that be a recurring thing that happens to them all the time apparently? I have no idea how often people normally get new crushes, or how long it takes for old ones retire, since mine happened only the one time and it took me about 2 years before I was finally over it (we never dated, it was only ever a one-sided crush)
I have mistaken strong platonic feelings for romantic feelings before. But then I would compare it to the crush I had, and realize that it doesn't have any of the same desires attached to it. I feel happy and excited about having a new friend that I get to learn more about, potentially even bordering on queerplatonic feelings, but the idea of kissing them isn't something I'd go out of my way to try and get.
I do have to work pretty hard to maintain friendships, by regularly reaching out to people. Since a lot of people who have a partner get most of their socialization from being with their partner, they don't prioritize friendships in the same way that an aromantic person would. (Not saying that alloromantic people have less friends or that they don't care about them, just making a generalized statement about my observations in how allos and aros handle friendships)
I hope this helps!
That's very fascinating, thank you. I guess you have a point of reference for what romantic attraction feels like since it has happened before, but not since then. And that's a good point about how non-asexual people tend to get most of their socialization from their partners ahaha. whenever a friend in my friend group gets a partner we're like "ah, so they're not gonna show up for gaming anymore" haha.
Thanks again for sharing, and yes, it helps!
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mask131 · 3 months
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The gods of Gaul: Cernunnos
Cernunnos is without a doubt one of the most famous gods of Ancient Gaul, and yet he is actually one of the most mysterious Gallic deities. Sure, he definitively marked the imagination of people - I mean he was literaly used as the basis for the Wiccan Horned God, and you will see lots of Cernunnos-copycats in fantasy RPGs and the like. But... we actually do not know the truth about this god, and despite everybody on the Internet trying to make it sound like we have an easy and simple summary of what he is, we only have strong theories and conflicting hypothesis.
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I/ What we actually have
As with a lot of Gallic gods, Cernunnos exists not in legends or myths, but through a name and a visual. The name Cernunnos is found three times all on its own in Gallic documents. One was a Greek inscription from Montagnac that only says "This is dedicated to Karnonos of Alisontia". The other two are identical inscriptions found in Luxemburg (near Steinsel), votive inscriptions of wish-offerings merely saying "Deo Ceruninco". There is actually a fourth inscripton of the name Cernunnos - and it is from this one that we get the spelling we use today - but it is a special one. Unlike the other three, this one has a picture alongside it identifying the god visually. It is the famous "pilier des Nautes" found under Notre-Dame-de-Paris, the "pillar of the Nautes", the "pillar of Boatmen", considered one of the most important Gallic monuments (because it depicts a set of divine portraits with their names explicitely spelled out).
It is only thanks to this pillar that we know today that the many depictions of a male horned god found across Gallic art are meant to be Cernunnos. There are too many visual depictions of him to be listed here (sixty or so were found by archeologists), but among the most famous is the one I put a picture of above: the Cernunnos of the Gundestrup cauldron found in Denmark.
Here is what Cernunnos looks like on the pilier des Nautes:
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So, we have a name and a bunch of pictures. Let's try to break it all down.
When it comes to the name, Cernunnos/Karnonos, it is commonly agreed by etymologists and those that studied the Gallic language that it means "the horned god". "Carnon/Karnon/Karn" was known to mean "horn", both in the sense of animal's horn and a blowing instrument - it was tied to the Gallic tribes known as the Carni and Carnutes, and to the Celtic carnyx. The "kern" part is also considered to be equivalent to the Old Irish "cern", which was associated with horned beasts. Some have pointed out that if the "Cern" of "Cernunnos" means horn, the "unnos" could be a suffix meaning "beautifully" - so instead of Cernunnos being the "horned god" or the "horned one" it would mean "He who is beautifully horned" or "He with beautiful horns". But all in all, his name stays connected to horns.
[But is it truly his name? This is another debate typical with the gods of Gaul: we do not know the differences between the proper names, the titles and the nicknames. It could be (to take a Greek comparison) like Hestia's case, where he names literaly means "hearth" but is a proper name ; or it could be like the "Old Man of the Sea" which was a generic nickname for a whole group of sea deities.
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Now let's talk about the images of the god. Thanks to having so many depictions of him, we can identify recurring traits that define his visual.
Cernunnos always appears with his legs crossed, in a position (the "lotus" or "yoga positon" to take Asian terminology) that is considered, depending on the sources, either "very unusual for a god of Gaul", either "absolutely typical of Celtic representations of gods, warriors and heroes"... Well, he is almost always in the "lotus position" - in rare cases, he can be standing up. Cernunnos is also always wearing a torc, the traditional Gallic ornament, though he isn't always wearing it around his neck as one would expect: sometimes he holds it in his hands, other time it hangs from his antlers. Speaking of antlers: as we said, Cernunnos is a horned god, and he is usually depicted with antlers. But sometimes, more rarely, he rather sports goat horns - maybe it is a Romanization effect, as he got confused with Pan?
Cernunnos is always a male figure, though his actual age is unclear. Sometimes he is a mature and bearded man, but we also have "ephebe" depictions of him as a beardless youth - that some researchers even go as far as to describe as "child-like". Similarly, he keeps oscilatting between being a singular entity, and a triple-god with three heads or three faces. The disposition of the three faces can be really weird and freaky - for example, he can have a regular human head, and two small human faces growing from either side of his neck, or from the top of his head.
He usually always has a bag or basket with him, a bag that he eithers opens or that is simply sitting before him, spilling its content: sometimes the bag is filled with food, other times with coins, and other tims yet with grain. Cernunnos is usually sitting in the middle of a trio (as in two other humaoid or divine figures are by his side), or he is surrounded by various animals - which he can be seen holding with one hand, or petting near his lap. There are various animals he is associated with - we have seen him with stags, with bulls, with rats, with dogs, with lions, with goats... He is most notorious for being often depicted with the symbolic-mythical beast of Gaul known as the cryocephal snake: a ram-headed snake, whose exact meaning is still unclear to this day. However, Cernunnos seems to really like them: sometmes they just sit side by side, sometims he holds it by the throat, sometimes he feeds it, and other times two of them sit on his lap.
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(This depiction above lacks any horns, but there are two holes at the top of the head implying that the horns were a different part of the statue added separately - which is very interesting in the theory of Cernunnos having antlers that "fall")
One of the problems with the Cernunnos visuals is that it is not clear where they stop, as we got a wide range of variations between the animal and the man. For example, there are strong theories according to which Cernunnos appears on the Strettweg chariot, as the tiny deer with oversized antlers that two men are holding (which would mean Cernunnos could be depicted as a full stag without human traits):
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And on the opposite spectrum, a Gallo-Roman statue was found in Amiens of a fully human deity... except for one deer ear on the side of his face. One of the theories to explain this bizarre statue of the first century claims that it is an hyper-Romanized depiction of Cernunnos - though other theories do exist (for example, when the statue was discovered, it was originally believed to depict Midas, with a variation of the "donkey ear" punishment):
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And you also have in Bouray a cross-legged god with deer legs rather than antlers or ears:
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Given how "late" the visual depictions of the gods of Gaul was, and how the Romanization of Gaul strongly encouraged and favorized the depiction of deities as humanoids (to fit with the Greco-Roman deities), it is very likely that Cernunnos started as a divine stag, as fully animal, and then slowly, especially under the Roman influence, became more and more humanized... (There's also a fascinating case of antlered-goddesses at Clermont-Ferrand and Besançon, but that's for later).
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II/ Some theories
Now that we have the name and the visuals done... What's Cernunnos deal? Again remember we can only make theories based on these fragments and their context - but we do not know for certain if it is the truth.
A: It is agreed that Cernunnos is a nature god, and a god of abundance. The fact he is half-stag, and usually depicted with animals, and even holding them in a gesture of domination or use, shows that he is a fauna god, which prompted some researchers to identify him as one of the avatars of the "Lord of Animals, Master of Wild Things" archetype of Indo-European myths. But more importantly we are certain that he dealt with abundance and prosperity - thanks to him always having a big bag of grain, food or money. He was very clearly a god of riches and wealth - be them natural (grain, food) or manufactured (coins). Some have highlighted the idea that this tied to the symbolism of "forests that have big strong stags in them are bound to be fertile places filled with resources". Cernunnos' ties to abundance cannot be denied because in some Classicized depictions of him (such as the silver goblet above), he is literaly seen holding a cornucopia, aka a horn of abundance.
Some people even want to push the domain further by thinking Cernunnos might have been a god of sexual and reproductive fertility - but this is not based on any visual or religious clue. Rather this theory ties on the European symbolism of the stag as a symbol of virility and reproductive prowess, so it is a purely contextual reading, to be handled carefully. We are only truly certain that Cernunnos offered lots of money, lots of grain, lots of food, and lots of animals (him being surrounded by animals might be an extension of the "I offer you this bag of grain" visual, since animals were hunted down for food, so he isn't just a god of good crops and economic riches, but also one that ensures a plentiful hunt).
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B: There is a strong theory going around that Cernunnos might be a seasonal god, or a deity of the seasonal cycle. This idea comes from various elements pieced together - and which added with the A theory above, would make this go a sort of "Father Nature" figure. It all starts wth the European symbolism of the antlers and the stag in general: given the antlers fall and grow with the turn of the seasons, the stag has been used heavily in Europe as a way to measure the year or symbolize seasons. Some researchers theorized, based on how the size of Cernunnos antlers changes through depictions, and on how he is sometimes a beardless youth sometimes a bearded mature man, that Cernunnos, like the stag, had a seasonal cycle. For some he just loses and grows back his antlers (there is a Cernunnos depiction at Meaux with what seems to be the stubs growing back after antlers fall, which would support this theory), but others push it further by claiming the god died and was reborn each year with winter/spring - an idea inspired by the Indo-European archetype of the dying/sacrifical vegetation god.
There is a specific depiction of Cernunnos that ties into this whole - and I will have to trust Yann Brekilen's word for this, as I couldn't find any picture of the engravings he described. According to him, on the Gallo-Roman Germanicus Arch/Arc, by Saintes, there is a dual depiction of Cernunnos. On one side of the Arch, he is part of a trio: he is sitting crossed-leg with antlers on his head, but naked (usually Cernunnos s clothed in some ways). By his side there is a man armed with a club/mace (which might be tied to the "god with the mace", we'll see that in later posts), and a woman holding a cornucopia. Now, that's on one side of the monument - but on the opposite side, the scene is reproduced... with both the armed man and the antlers of Cernunnos missing, only leaving a regular cross-legged naked man, and the cornucopia-woman. Speaking of this cornucopia-woman: there are repeated talks and interpretations of any female figure by Cernunnos' side to be a "Mother-Goddess" or Earth-Goddess supposed to be the wife/companion/lover of Cernunnos. This is all part of an effort to make Cernunnos a "father-god" (which makes sense in some ways), and it ties into the whole reading of his myth as being a seasonal cycle (the god dying and resurrecting after impregnating his female counterpart ; something the Wiccan mythology for example reused in their beliefs), but... If you ask me, I am not really convinced? A lot of people insist on there being a "Mother Goddess" clearly by Cernunnos' side, but sometimes you see these people reinterpret a lot of the visuals, and it is not obvious that the female figure is with him (Cernunnos is usually surrounded by male figures rather than female ones). Plus, we know the Mother Goddess of Gaul tended to come in three (the famous Matronae) so... I am a bit doubtful of that, but that's just me and because of a lack of convincing evidence.
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III/ Comparisons and equivalences
As I said in my introduction post, a lot of what we know about the Gallic gods comes from the syncretism the Romans operated with their own deities. And with Cernunnos it is... complicated. Because we do not know exactly who was the Roman equivalent of Cernunnos (since the Romans did not speak of him), and based on researches we have two likely candidates. It is very possible Cernunnos might have been split into those two Roman deities, or at least that his attributes led him to be interpreted as two deities mixed in one.
On one side, there is a very strong and popular theory that Cerunnos was the god Cesar, in his description of the religion of Gaul, called the "Dis Pater". "Dis Pater" was the Latin god that was equated and synthesized with the Greek Hades under the share nickname "Pluto", "the rich one". This was because Dis Pater was not originally a god of the dead in the old Italian religion - he was an underground god, indeed, but a chthonic god of riches and wealth, an earth-god of fertility (his very name meant "Rich Father"). This is what tied him to Hades, the richest of the Greek gods - and made him the new god of the underworld and the dead, Pluto. So, equating Dis Pater with Cernunnos makes sense as we do know that both deities were strongly associated with an earthly form of fertility: Cernunnos, just like Dis Pater, brought grain and earth-grown fruit, as well as precious metal (in the form of coins). Not only that, but Cernunnos was strongly associated with the ram-headed snake, and while we don't know much about this mythical being (typically a companion of male gods in Gallic art), it seems to have been a chthonian symbol, and perhaps even a form of guardian of the world of the dead (or a guardian of underground riches cousin of the dragons of legends). This is what led many to interpret Cernunnos as a chthonian deity, perhaps even an afterlife deity - a tradition that seems to have been in early Christian art, where Cernunnos was often associated with the "mouth of Hell" or the "entrance to Hades" (like the 9th century manuscript Stuttsgart Psalter, which illustrates Cernunnos in a depiction of the Christ descending into Limbo.
If Cernunnos is indeed Cesar's Dis Pater, then it would be extremely interesting, because Cesar wrote in his records that the peopleof Gaul believed Dis Pater to be their divine ancestor, and the "father of their race". Aka, the Gallic Dis Pater is meant to be an All-Father, the first ancestor of the Gallic tribes, and the origin of the human race (or at least of the people of Gaul). If Cernunnos is this Dis Pater, it would confirm his role as a "Father-God" and his links to a potential "Mother-Goddess". (It could also explain why he so persistantly wears a torc, as an emblem of the civilization and traditions of Gaul) If Cernunnos is also the Dis Pater, it would give him a role as a nocturnal god, since Cesar resumed in his texts (or rather "recaped" since he was doing a report based on Posidonius own records) that it was because the people of Gaul descended from Dis Pater that the druids measured the time not in "days" but in "nights"...
The other very likely candidate for the Romanized Cernunnos is the one we call the "Gallic Mercury". We know that Mercury was one of the most popular and widespread gods of Gallo-Roman gaul. Cesar did mention him as one of the most important gods venerated by the Gallic tribes before the omans arrive (though this would contadict the is Pater theory, since Cesar identifies Dis Pater and Mercury as two different deities in the Gallic beliefs). Still, Mercury was a god of commerce and riches before all - even more so than his Greek counterpart Hermes - so it makes sense that he would be present in the Gaul province of the Empire, which was big heart of commerce. And where Mercury has a pouch of coins, Cernunnos has a full bag of them... And in several Gallo-Romans depictions one of the two gods that surround Cernunnos is very obviously Mercury... [Several of the images in this post are of the altar of Reims, which depicts Cernunnos surrounded by Apollo on one side and Mercury on the other] And Cernunnos' presence on the Pillar of Boatmen implies he was tied to the fluvial sailors, and to the fluvial commerce and travels... And in Luxembourg we have Gallic depictions of stags vomitting coins, again insisting on how the stag was associated with riches... Even if you take Cernunnos as a chtonian god or death god, it ties to Mercury's role as a psychopomp inherited from Hermes ; and Mercury's presence by Cernunnos side on the altar of Reims for example makes sense if you consider one of the deities Cernunnos was conflated with was Pan (hence the goat horns) - aka, the son of Hermes... Everything is tied together into one big convoluted web of inter-mythologies.
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And when it comes to comparisons to other Celtic mythologies, things are a bit... In French we say "vaseux" - basically there were parallels drawn between Cernunnos and Celtic figures of the Isles, but they rely on very meager if not unstable links. For example some have tried to identify the Cernunnos of Gaul with the Irish figure of Nemed (interpreted as a "stag-god" leading "stag-people" or "deer-people"), and in return the battle between Nemed and Balor for the land of Ireland was projected onto the scene depicted on the Arch that I described prior - a battle between the horned god and the god with the mace for the "earth-mother", the cornucopia woman, the land-goddess. The acceptance of this scene between the horned god and the mace god as a battle for the mother-goddess (which, I insist, was not PROVEN in any way and is completely hypothetic and theorized with no definitive proof - maybe the mace god is here to sacrifice the horned god for the cornucopia-woman, or maybe he is just here to cut off his antlers, or maybe the cornucopia woma cheats on Cernunnos wit the mace god, we cannot know), also led to vague comparisons being drawn to the story of Pwyll and Arawn and how they exchange each other's identities, but we are really in a stretch here.
More interestingly there is a Welsh comparison that could indicate a leftover of a Christianized Cernunnos in an Arthurian setting: the Owein tale (Mabinogi): Kynon, a knight of King Arthur's court, describes how in his youth he had to encounter an ugly knight clad in a black armor who had the information he needed to find his enemy. The knight lived by a "fountain" (a water stream) surrounded by wild and ferocious animals - and to give Kynon the information he needed, the ugly black knight struck a stag nearby, and the animal lowers its head in the direction Kynon must follow. It is very plausible that this supernatural knight who hits an informative stag and who lives surrounded by wild animals is a form of Christian censorship or caricature of a Cernunnos figure, going from a wise and benevolent stag-god to an ugly evil knight who abuses animals, and who has his duality human/beast split between the knight and the stag.
There were also tenuous elements that made people consider the Irish Conall Cernach (known for being one of the sidekicks of Cuchulainn) as a diluted version of Cernunnos as a "Master of Beasts" - more precisely an episode in "The Cattle Raid on Fraech" where instead of killing a monstrous snake, Conall somehow tames it and wears it as a belt, has been compared to Cernunnos' handling of snakes and ram-headed snakes. And don't even get me started on the many, MANY saints of Catholicism that are supposed to be leftovers or reinventions of Cernunnos (saint Ciaran of Saighir, because he tamed wild beasts including a stag ; or the saints of Bretagne Edern and Théleau both supposed to ride a stag instead of a horse...).
The complicated thing (well ONE of the complicated things) with Cernunnos is that he is tied to the stag, and the stag was one of the most prominent smbols and images of the medieval and proto-medieval imagery in Western Europe. You had lot of old mythology stuff that survived in modern days, but you also had lots of medieval symbolism and images (like how the flying stag was one of the symbols of the king of France), and a HUGE re-use of the stag by Christianity in various forms (from the antlers falling being used as a symbol of the Resurrection, to the hunt for the white otherwordly stag of Celtic myths suddenly becoming a hunt for Christ incarnate when a glowing cross appears above the stag's head...). As such it is hard to pin-point what the Gauls truly believed the stag meant, versus the stag symbolism that arose in the Middle-Ages.
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To conclude this post, while I said I had my doubts with systematic identifications of Cernunnos as a companion of a Mother-Goddess, I want to briefly return about a fascinating trivia of Gallic researches: the existence of a female version of Cernunnos, a "Cernunna" we could jokingly say.
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Little figurines and statues were found of a horned goddess - sometimes with antlers! - in both the area of Clermont-Ferrand (which was the domain of the Avernes folk) and around Besançon (the Séquane folk). Who were these goddesses? Local variations of Cernunnos? Sisters, daughters or wives of the god? Or completely unrelated deities? Were they one or several (some are more matronly, motherly figures such as the one with antlers above, others have Venus-like poses unveiling their breast and legs such as the bull-horned below)?
We will probably never know - but while they can be incarnations of this famed "Mother-Goddess" companion of Cernunnos everybody speaks about (and links to the importation of the cults of Demeter and Cybele in Gaul), it is VERY likely these statues date from the Gallo-Roman era and from a Romanized version of the Gallic religion. Indeed, they are all tied by their attributes - they hold a cornucopia, and a "patère" (sacred vase for religious libations). Attributes present in very Romanized Gallic goddesses (such as Rosmerta), but also in typical Roman deities (mainly the lares). Add to that how the adjunction of a male attribute (the stag antlers or bull horns) to a female figure is VERY unusual for Gallic depictions (where the genders are neatly split), while the divine androgyny was a feature of Greco-Roman mythology (the effeminate Apollo and Dionysos, the masculine goddesses Athena and Artemis, the mythical Hermaphrodite...), and it is very likely these statues of the "Cernunna" are the result of the Roman religion "breeding" with the Gallic beliefs...
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shera-dnd · 10 months
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Well with the final Suletta sunday I guess it's a good time to do one last bit of thematic analysis and symbolism
There were no actual tomatoes this episode, so I think it's time we address the core theme those tomatoes played into
Choosing Love
Because in the end that's what saves everyone. It's why even our hated villains get to live.
Because when everything went to shit and they could have all chosen anger or despair, they all chose love
Prospera and Suletta, Ericht and Suletta, Lauda and Guel
They chose to love and live and be together as family
Because love here isn't just the romantic love Suletta and Miorine have for each other, but familial love, and the love between friends too
That love comes together as all the gundams join Callibarn at the end (plus Elan's love for Suletta) and release it all in one crowning moment
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A gigantic blast of gay rainbows. A love so strong it overrides that super weapon and shuts it down
Lets not fucking forget the ghosts stored in the data storm. All of those who died to the gundam curse returning one last time, as their memories are allowed to live on
All those who our protagonists lost, but that are still with them. The memories of them helping them fight on
It's those memories that let Suletta surpass Permet Score 8
But like Sophie said, Gundams are weapons of war. They're meant only for killing.
And once again they choose love. They decide that if Gundams can only exist to harm, then Gundams shouldn't exist at all. The Mobile Suits, Quiet Zero, every weapon disintegrates, leaving behind the thing they truly wanted Gund Arm tech to be
Medical technology. Something that exists with the sole purpose of helping people.
Love may be stored in the gundam, but with them gone that love is allowed to be free again
Of course the mobile suits disintegrating is also meant to parallel the benerit group falling apart, because guess what Suletta isn't the only one going for that thematic consistency
HER WIFE IS DOING IT TOO
Miorine could spend years using her financial power to fight the other companies or made a big show of making donations to Earth, or "helped" in a myriad other ways that still kept her in power as the head of a mega corporation
But what did the bitch do? She dismantled the company and sent all the assets to earth, so they'd be able to rebuild and flourish without becoming dependent on her company's good will
Because guess what choosing love is choosing vulnerability. Choosing love doesn't mean shit if you're still holding power over others around you. They chose love and that means choosing to let go of that power
No money, no death robots, they don't need the power, they don't need control, they just need to help others in whatever way they can
Considering that clinging to control and power has been a very common recurring trait among our villains, this was genuinely the best way this could have gone
And so they all get to live, in a world they built together, a more peaceful world. Because they made their choice
WAIT HOLD ON THIS MIRRORS HOW THE HOLDER THING WAS TAKING AWAY CHOICE FROM MIORINE AND NOW-
Okay I'll stop. I could write a god damn thesis about this show, but I think this about covers things
Love me a show about being hopeful and full of love and joy in a world that expects only bitterness and spite
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ineffableigh · 4 months
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Thinking about Whickber street more...
AFTER Aziraphale leaves for Edinburgh but BEFORE Shax interrogates Crowley, the street is FULL AS HELL of extras in bizarre costumes that are anachronistic as hell (pun intended, stick with me...) Two or more recurring extras in this shot alone...
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AFTER Shax ostensibly leaves to go interrogate Aziraphale when he's driving back in the Bentley, and as soon as Aziraphale gets back to Whickber street, it's quiet as hell (early morning, yes, but still...) AND the Extras who ARE present are dressed VERY NORMALLY. Almost boring compared to before...
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As soon as Aziraphale is back and parks the Bentley, we start to see extras come onto the street from around the corner in incredibly bright colors as before.
Hypothesis:
Either people are right and Aziraphale has been generating the Weirdness (I think this feels less likely given he was in Edinburgh when Crowley was doing the Awning of a New Age and during Shax' interrogation, where we see LOTS of weird extras).
Shax has been behind it to some extent all along. Illusions? Demons? Who knows at this point, maybe Illusions since we see extras teleporting ALL OVER THE PLACE between shots.
Shax is KNOWN to be able to teleport at will, and change her appearance at a moment's notice. She's also CONSTANTLY shown to dress anachronistically, either in her Conspicuous Royal Family And Speaks Like The Queen outfit:
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Or in her 70s-vibes-hitchhiker outfit:
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Or whatever the fuck this outfit is trying to be lol:
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I also feel like it's important that, so far, Shax is the ONLY OTHER DEMON besides Crowley that doesn't have some kind of Gross Feature to her demon self in Hell. She's got her teeth, yes, but she seems to summon those at will as an intimidation tactic rather than as a 'baseline' demon trait.
My brain hurts.
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