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#Unique Product boxes
customboxesmart · 4 months
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Unveiling the Spiritual Essence of Product Packaging
Product Boxes, the most versatile packaging solution, are used for packing, protecting, organizing and storing almost anything from cereals, candles, stationery to toys, jewelry, gift, watches and many more. Custom Product boxes packaging aka folding cartons induce a professional look to your products and set them apart from rest of the crowd. Strengthen your brand position by elegantly displaying your products through custom printed product boxes. Whether you want to present cakes, display eyeliners, protect essential oils, or store sports equipment, our premium quality custom product box designing and printing services give you the tools you need to fulfill all your packaging needs. Our 6 color digital printing services ensure you will get highest quality printed product packaging for creating a unique identity of your brand.
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A huge variety of inspirational design templates, splendid finishing choices, and marvelous add-ons specifically designed for product packaging boxes are available at Custom Boxes Mart. Consult with our packaging pros to find out what specialty features generate the highest impact for your packaging while remaining in your budget. Whether the answer is Gloss, Matte, Foil Stamping, 12 color printing, custom dimensions, we have you covered at the highest quality and fastest production turnaround time.
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unopenablebox · 1 month
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tomorrow i have to present some data to my lab group again, an action which always makes me think so so so longingly of lying down in the road
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expandbuzz · 2 months
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The first and foremost element that should be considered is to develop a brand identity that is promising and stands out in the market. It’s advisable, to begin by introducing the products you sell in the market. Then, put your brand USPs and what you offer apart from the competitors.
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shaadiwish · 9 months
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Check Out These Best Unique Gifting Brands This Festive Season. Stay Tuned To ShaadiWish For Latest Trends And Ideas.
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desertrosew · 9 months
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mahburahman · 2 years
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pforestsims · 2 months
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Not much to say other than I'm glad I finally managed to finish these but I still need more bar stuff :S
Bar Decor Set
Download: SFS | BOX
13 decorative objects plus bar mat (tray) and Bar OMSP (single slot, bar worktop height) . Reasonable polycount and texture size (512x256px or smaller, mostly 256x256 px).
Updated : 04.05.2024 - Fixed NonSlip Bar Mat, now it can be placed on all surfaces. 08.04.2024 - edited bar worktop OMSP so it doesn't block bar functions. Added second OMSP for lower bar shelf.
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*Flavoured Syrup features simlish versions of RL product labels.
I used fonts: Simlish Western, Immajer-Simlish, CherryVanilla.
More pics under the cut:
*This is for The Sims 2
If you've downloaded the WIP version please update the files.
Retro Blender mesh and Red recolor was edited, drinking straw box is unchanged.
New stuff: flipped version of straw box (repo), two types of shakers, jiggers & ice tongs, mixing glass, small six pack and separate bottles, glass with straws and empty glass. There's also a bar mat - has 9 placement slots.
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Enjoy!
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Boring technical notes for CC creators:
My Syrup bottle has two recolorable subsets - the cap and Label - both opaque, but there's also a transparent 'Glass' subset with its own TXMT. When switching Label recolors, the glass color changes along with it.
It's possible thanks to 'tsDesignModeSlaveSubsets'. It allows you to have two different TXMTs linked together.
You add 'tsDesignModeSlaveSubsets' to GMND just like you would tsMaterialsMeshName, but the difference is you link recolorable subset to an extra subset inside your mesh. So in case of my bottle:
label = (String) glass
The important thing is to have TXMTs inside your file named as follows:
[CRES name]_[unique subset name]_[suffix shared between subsets]
For example:
[CRES name]_glass_bottle for the glass, [CRES name]_label_bottle for the label and so on.
When creating a recolor for both subsets, it should contain three TXMTs.
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headspace-hotel · 1 year
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against the logic of the lawn
Imagine a box.
This box is sealed with tape or adhesive, which shows you that it has never been opened or re-used. It is in pristine condition. Apart from that, the box could hold anything. It could contain a Star Wars Funko Pop, a printer, a shirt ordered from some sketchy online vendor, a knockoff store-brand cereal, six individually wrapped protein bars.
As a Consumer ("the" Consumer) this is your fundamental right: To purchase a box that is, presumably, identical to every other box like it.
When you Buy Product, it arrives in a box, entire of itself and without context. It has not changed since its creation. If and when Product does change—whether it is broken, spoiled, used up, or eaten—you can Buy Product that is identical in every meaningful way to the original.
It's okay if this doesn't make sense yet. (You can stop imagining the box now.)
Imagine instead a suburban housing development, somewhere in the USA.
Imagine row on row of pristine, newly built houses, each constructed with small, meaningless variations in their aesthetic, all with beige or white vinyl siding and perhaps some decorative brick, all situated on identical rectangles of land covered with freshly unrolled sod. This is the Product that every consumer aspires to Buy.
I am not exactly—qualified, or entitled, to speak on the politics of land ownership in this country. My ancestors benefited directly from the genocide of Native Americans, which allowed Europeans to steal the land they lived on, which is where a lot of wealth comes from in the end, even today. However, I have eyes in my head to see that the act of colonizing a continent, and an economic system that formed as a supporting infrastructure to colonization, have embedded something almost irreparably dysfunctional into the dominant American culture's relationship to land.
This dysfunctional Thing, this Sickness, leads us to consider land to be a Product, and to consider a human upon the land to be a Consumer.
From this point of view, land is either locked into this relationship of control and "use" to varying extents, or it is free of human influence. People trying to reason about how to preserve Earth's biosphere, working within this framework without realizing, decide that we must "set aside" large areas of land for "nature."
This is a naive and, I would reckon, probably itself colonialist way of seeing things. It appears to be well-validated by evidence. Where human population is largest, there is less biodiversity.
But I find the broad conclusions to be strikingly unscientific. The plan of "setting aside part of Earth for nature" displays little curiosity about the mechanisms by which human presence impacts biodiversity. Otherwise intelligent people, perhaps caught up in the "bargaining" phase of climate grief, seem taken in by the idea that the human species gives off a magical anti-biodiversity force field, as if feeling guiltier will fix the problems.
(Never mind that lands managed by indigenous folk actually have MORE biodiversity...almost like our species' relationship to the planet isn't inherently exploitative, but rather, the capitalist and colonialist powers destroying everything.......)
Let's go back to the image of the new housing development. This image could be just about anywhere in the USA, because the American suburban home is made for universal interchangeability, where each little house and yard is static and replaceable with any other.
Others have written about the generic-ification of the interiors of homes, how houses are decorated with the most soul-killing, colorless furnishings to make them into Products more effectively. (I think @mcmansionhell wrote about it.)
This, likewise, is the Earth turned into a Product—razed down into something with no pre-existing context, history, or responsibility. Identical parcels of land, identical houses, where once there was a unique and diverse distribution of life. The American lawn, the American garden, the industry that promotes these aesthetics, is the environmental version of that ghastly, ugly "minimalism" infecting the interiors of homes.
The extremely neat, sparse, manicured look that is so totally inescapable in American yards originated from the estates of European aristocracy, which displayed the owner's wealth by flaunting an abundance of land that was both heavily managed and useless. People defend the lawn on the basis that grass tolerates being walked upon and is good for children to play, but to say this is *the* purpose of a lawn is bullshit—children are far more interested in trees, creeks, sticks, weeds, flowers, and mud than Grass Surface, many people with lawns do not have children, and most people spend more time mowing their lawn than they do doing literally anything else outside. How often do you see Americans outside in their yards doing anything except mowing?
What is there to do, anyway? Why would you want to go outside with nothing but the sun beating down on you and the noise of your neighbors' lawn mowers? American culture tries to make mowing "manly" and emphasizes that it is somehow fulfilling in of itself. Mowing the lawn is something Men enjoy doing—almost a sort of leisure activity.
I don't have something against wanting a usable outdoor area that is good for outdoor activities, I do, however, have something against the idea that a lawn is good for outdoor activities. Parents have been bitching for decades about how impossible it is to drag kids outdoors, and there have been a million PSAs about how children need to be outside playing instead of spending their lives on video games. Meanwhile, at the place I work, every kid is ECSTATIC and vibrating with enthusiasm to be in the woods surrounded by trees, sticks, leaves, and mud.
The literal, straightforward historical answer to the lawn is that the American lawn exists to get Americans to spend money on chemicals. The modern lawn ideal was invented to sell a surplus of fertilizer created after WW2 chemical plants that had been used to make explosives were repurposed to produce fertilizer. Now you know! The more analytical, sociological answer is that the purpose of the lawn is to distance you from the lower class. A less strictly maintained space lowers property values, it looks shabby and unkempt, it reflects badly on the neighborhood, it makes you look like a "redneck." And so on. The largest, most lavish McMansions in my area all have the emptiest, most desolate yards, and the lush gardens all belong to tiny, run-down houses.
But the answer that really cuts to the core of it, I think, is that lawns are a technology for making land into a Product for consumers. (This coexists with the above answers.) Turfgrass is a perfectly generic blank slate onto which anything can be projected. It is emptiness. It is stasis.
I worry about the flattening of our imaginations. Illustrations in books generally cover the ground outdoors in a uniform layer of green, sometimes with strokes suggesting individual blades of grass if they want to get fancy. Video games do this. Animated shows and movies do this.
Short, carpet-like turfgrass as the Universal Outdoor Surface is so ubiquitous and intuitive that any alternative is bizarre, socially unacceptable, and for many, completely unimaginable. When I am a passenger in a car, what horrifies me the most to see out the window is not only the turfgrass lawns of individuals, but rather, the turfgrass Surface that the entire inhabited landscape has been rendered into—vacant stretches of land surrounding businesses and churches, separating parking lots, bordering Wal-Marts, apartment complexes, and roadsides.
These spaces are not used, they are almost never walked upon. They do nothing. They are maintained, ceaselessly, by gas-powered machines that are far, far more carbon-emitting than cars per hour of use, emitting in one hour the same amount of pollution as a 500-mile drive. It is an endless effort to keep the land in the same state, never mind that it's a shitty, useless state.
Nature is dynamic. Biodiversity is dynamic. From a business point of view, the lawn care industry has found a brilliant scheme to milk limitless money from people, since trying to put a stop to the dynamism and constant change of nature is a Sisyphean situation, and nature responds with increasingly aggressive and rapid change as disturbance gets more intense.
On r/lawncare, a man posted despairingly that he had spent over $1500 tearing out every inch of sod in his yard, only for the exact same weeds to return. That subreddit strikes horror in my heart that I cannot describe, and the more I learn about ecology, the more terrible it gets. It was common practice for people in r/lawncare to advise others to soak their entire yard in Roundup to kill all plant life and start over from a "blank slate."
Before giving up, I tried to explain over and over that it was 100% impossible to get a "blank slate." Weeds typically spread by wind and their seeds can persist for DECADES in the soil seed bank, waiting for a disastrous event to trigger them to sprout. They will always come back. It's their job.
It was impossible for those guys to understand that they were inherently not just constructing a lawn from scratch, and were contending with another power or entity (Nature) with its own interests.
The logic of the lawn also extends into our gardens. We are encouraged to see the dynamism of nature as something that acts against our interests (and thus requires Buy Product) so much, that we think any unexpected change in our yard is bad. People are sometimes baffled when I see a random plant popping up among my flowers as potentially a good thing.
"That's a weed!" Maybe! Nonetheless, it has a purpose. I don't know who this stranger is, so I would be a fool to kill it!
A good caretaker knows that the place they care for will change on its own, and that this is GOOD and brings blessings or at least messages. I didn't have to buy goldenrod plants—they came by themselves! Several of our trees arrived on their own. The logic that sees all "weeds" as an enemy to be destroyed without even identifying ignores the wisdom of nature's processes.
The other day at work, the ecologist took me to see pink lady's slipper orchids. The forest there was razed and logged about a hundred years ago, and it got into my head to ask how the orchids returned. He only shrugged. "Who knows?"
Garden centers put plants out for sale when they are blooming. People buy trees from Fast Growing Trees dot com. The quick, final results that are standard with Buy Product, which are so completely opposite the constant slow chaos of nature, have become so standard in the gardening world that the hideous black mulch sold at garden centers is severed from the very purpose of mulch, and instead serves to visually emphasize small, lonely plants against its dark background. (For the record, once your plants mature, you should not be able to SEE the mulch.)
Landscapers regularly place shrubs, bushes, trees and flowers in places where they have no room to reach maturity. It's standard—landscapers seem to plan with the expectation that everything will be ripped out within 5-10 years. The average person has no clue how big trees and bushes get because their entire surroundings, which are made of living things (which do in fact feel and communicate) are treated as disposable.
Because in ten years, this building won't be an orthodontists' office, in ten years, this old lady will be dead, in ten years, the kids will have grown, and capitalism is incapable of preparing for a future, only for the next buyer.
The logic of the lawn is that gardens and ecosystems that take time to build are not to be valued, because a lush, biodiverse garden is not easily sold, easily bought, easily maintained, easily owned, or easily treated with indifference. An ecosystem requires wisdom from the caretaker. That runs contrary to the Consumer identity.
And it's this disposable-ness, this indifference, that I am ultimately so strongly against, not grass, or low turf that you can step on.
What if we saw buying land as implying a responsibility to be its caretaker? To respect the inhabitants, whether or not we are personally pleased by them or think they look pretty? What creature could deserve to be killed just because it didn't make a person happy?
But the Consumer identity gives you something else...a sense of entitlement. "This is MY yard, and that possum doesn't get to live there." "This is MY yard, and I don't want bugs in it." "This is MY yard, and I can kill the spiders if I want to."
Meanwhile there is no responsibility to build the soil up for the next gardener. No responsibility to plant oaks that will grow mighty and life-giving. No responsibility to plant fruit-producing trees, brambles, and bushes. None of these things, any of which could have fulfilled a responsibility to the future. Rather, just to do whatever you damn well please, and leave those that come after with depleted, compacted soil and the aftermath of years of constant damage. It took my Meadow ten years to recover from being the garden patch of the guy that lived here before us. Who knows what he did to it.
The loss of topsoil in all our farmland is a bigger example, and explains how this is directly connected to colonialism. The Dust Bowl, the unsustainable farming practices that followed, the disappearance of the lush fertile prairie topsoil because of greed and colonizer mindset, and simple refusal to learn from what could be observed in nature. The colonizing peoples envisioned the continent as an "Empty" place, a Blank Slate that could be used and exploited however.
THAT is what's killing the planet, this idea that the planet is to be used and abused and bought and sold, that the power given by wealth gives you entitlement to do whatever you want. That "Land" is just another Product, and our strategies for taking care of Earth should be whatever causes the most Buy Product.
It's like I always write..."You are not a consumer! You are a caretaker!"
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purplealmonds · 2 months
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Finished this just in time for the new trailer drop! This is my Mononoke illustration featuring assorted merch from the anime, movie, and stage play! How many can you recognize? ⚖️👹
(Yes, please send answers in the replies! Answers, progress pics, artist commentary will be drafted on a separate post when I'm less tired) ⭐️ UPDATE 04/03/24: Abridged artist commentary is now available under the cut! For the full version, please see the Google Doc linked in the replies.
👁️Overview 
Late last year, I rather belatedly discovered Mononoke’s 15th anniversary came and went, and with it, an entire swath of new content to manically pore over. This is an illustration of the various Mononoke merchandise, props, and set dressing I discovered.
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🔎Scope
Some fun facts regarding the work that went into this illustration!
Not including research time, this project ran for roughly two months, consuming much of my waking hours outside of my full time and freelance jobs.
While the illustration does not depict all of my findings, it does feature over 120 unique props and set dressings!
The majority of the props and set dressing were modeled to varying degrees of detail in SketchUp.
To model prep, I often put together schematics on Photoshop or Illustrators. Some were created from scratch. Others were created with the liberal usage of the Photoshop transform and perspective warp function. 
The master file is 1.5GB. The dimensions are 6400x3600 at 300 dpi, and contains over 2,200 layers. 
Near the end of production, the master file became so unwieldy I created a separate working file. This way, I could create assets lag-free then import the layers into the master file. 
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Past this point is where most of the commentary cuts were made for the sake of brevity. Again, look in the replies for the Google Doc link containing the full version with a table of contents for easier navigation!
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🗳️3D Layout
As you can see, the backbone of this illustration is the 3D model. I spent perhaps 30-40% of my production time on this stage.
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And this is the lit version. The lighting ultimately got downplayed in favor of showcasing the vibrant colors. I like how simple it looks though!
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🎬Production-Based Set Dressing
In addition to merchandise, I wanted to insert set dressing and props from the various Mononoke productions. 
🦊Kusuriuri
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It’s odd to have a section dedicated just to him, but his unique appearance warrants it. His garb and overall appearance is an amalgam of the anime and movie. The original intent was ambiguity– kind of like the blue/black vs. yellow/white dress phenomena a few years back. But after doing the color flats, I rather liked how the rich, unaltered colored fit with the overall composition so it became more blatant. I’m surprised that nobody has commented on this since I published the illustration. Maybe because I didn’t feature him in a close-up?
🐈 kai ~Ayakashi~Bake Neko (2006)
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Finding props iconic to this story arc (outside of the Kusuriuri’s tools of trade, of course) was somewhat difficult. While the environment was richly decorated, it mainly consisted of 2D artwork which I wasn’t keen on retracing. I opted to paint objects that characters interacted with or featured heavily in the show.
Salt Jar
Candlestick
Rat Trap
🦋Mononoke (2007)
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The props fall into three distinct categories here: Kusuriuri’s tools and trinkets; things featured in the opening and ending credits; and objects iconic to each of the five story arcs in the series. I tried to keep most of them clustered on the tatami, but as space grew scarce some props trickled up onto the deck as well.
Medicine Box
Exorcism Sword
Tenbin
Paper Talisman
Mirror
Ring
Geta Sandal
Necklace
Paper Umbrella (Zashikiwarashi)
Daruma Dolls ( Zashikiwarashi)
Gunpowder Ball (Umi Bozu)
Smoking Pipe (Nopperabou)
Genjiko Blocks (Nue)
Train Ticket (Bake Neko)
Lantern (Anime OP)
Butterflies (Anime EP)
☂️Mononoke: Karakasa (2024)
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Pretty slim pickings for the new movie since I only had the teaser, first trailer, and movie poster to reference from. Kusuriuri’s tools of trade were a given, but finding memorable and narratively significant objects was a tad troublesome.
Thankfully, the set dressing ended up (however subconsciously) strikingly similar to the movie’s environment design, down to the green tatami and multicolor shoji screen. I suppose at this point I was so immersed in Mononoke content that its aesthetics subconsciously informed my design choices! 
Exorcism Sword
Tenbin
Paper Talisman
Comb
Movie Poster
Butterfly (Custom design)
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🪭Official Merchandise
Goods related to canonical narratives and/or productions.
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🎊15th Anniversary
Mononoke Shu - A light novel by Hideyui Niki & illustrated by 2964_KO
Whiskey Glass & Box
📖 Key Frame Art Books by Hashimoto Takashi
Ayakashi Key Art Frame Book (2010)
Key Frame Art Book vol.9 (2017)
📚Manga by Yaeko Ninagawa
Kai Ayakashi: Bake Neko Vol. 1-2
Kai Ayakashi: Mononoke Prequel
Mononoke Vol. 1-10
🎭Butai Mononoke
Bakeneko Pamphlet 
Zashikiwarashi Pamphlet
Zashikiwarashi Acrylic Standees
Zashikiwarashi Manegi
💿Physical Media
Official OST CD
DVD Box Set
Yokai Pattern Fabric
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Common Collab Merchandise
This category consists of goods that are generally more affordable and feature graphics from the source material with minimal alterations.
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Amnibus
Wall Scrolls
Tenugui Fabric 
Shot Glasses
Minoyaki Bean Plates
ANIGA-TER
Stickers
Can Badges
Canvas Prints
Anique
Diorama Acrylic Stand
Acrylic Blocks
Challenge Kuji
Kusuriuri & Hyper Clocks
eeo Store Online
Folding Fan
Keychains
Can Badges
gj character G
Cushion
Acrylic Charms
Neo Gate
Satchels
Mini Badges
Mini Badges by Mame Shinoda
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High-End Collab Merchandise
Goods which derive motifs from the characters, props, and patterns from the production and transform them in an elevated manner through abstraction or usage of precious materials.
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gj character G
Exorcism Sword Ring
Goodsmile
Kusuriuri Nendoroid Figurine
Folding Screen
Kusuriuri & Hyper Plush
Tote Bag
Kaya
Umbrella
Tenbin Kanzashi
Tabi Socks
Dress
Kotobukiya
Figurine
Mayla
Pump Heels
Kusuriuri & Hyper Hairpins
Tenbin Earrings
Hyper Earrings
Noitamina Apparel
Perfume
Tenbin Necklace
Folding Fan
Super Groupies
Purse
Wallet
Watch
Tsumuji Design
Exorcism Sword Necklace
Ofuda Bracelet
Useless Use Lab
Fragrance Set
Air Purifier
Three-Sided Mirror
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fuckyeahgoodomens · 1 year
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The Good Omens Card Game is coming out June 5! 🥳❤
Renegade Game Studios will release Good Omens: An Ineffable Game June 5th, charging players with stopping the apocalypse in seven different battle games, each of which you can learn as you play, all in one box! Each of the seven cooperative battle games sees players taking on a different challenge, and each can be played at varying difficulties! 
“We’re thrilled to be collaborating with Amazon Studios to bring fans a Good Omens game” said Scott Gaeta, President of Renegade Game Studios, “Being a huge fan myself, it was important that we capture the spirit of the show and I think that designer, Matt Hyra, came up with something fans will really enjoy.” 
In Good Omens: An Ineffable Game players will call upon characters, both much-loved and deeply-loathed, in order to defeat the Four Horsemen of the Apocalypse, Fight Heaven, Vanquish Hell, and even prevent Armageddon. The battle games are easy to learn but pack a challenge for any group, and each is themed around the confrontations that take place at the conclusion of Good Omens Season 1. 
Fans can catch up on the first season of Good Omens now streaming on Prime Video ahead of the second season premiering July 28th. The series is co-created by Neil Gaiman and is based on the well-loved and internationally best-selling novel by Terry Pratchett and Neil Gaiman.
“Good Omens: An Ineffable Game promises to bring the world of Good Omens to life in an exciting new way” said Jamie Kampel, Head of Licensing & Merchandising for Amazon Studios, “We are thrilled to be creating this game in collaboration with a well-known board game publisher like Renegade, who is passionate about the property and has adeptly captured the tone and details of the series in a way that will delight fans.” 
Renegade will be producing three versions of Good Omens: An Ineffable Game, each with their own unique box art and bonus items, but all feature the same great gameplay! The Amazon exclusive version will include 12 foil versions of the character cards in the game. (= First Version) The Barnes & Noble exclusive version includes a Heaven & Hell-themed black and silver embroidered Good Omens dice bag (= Second Version), while the Hobby Market exclusive includes an Agnes Nutter Book of Prophecies-themed dice bag, in a luxurious green with gold embroidery (= Third Version). 
Good Omens: An Ineffable Game will be available wherever games are sold and have a suggested retail price of $25. 
Amazon - $25.00 - the exclusive 12 foil character card versions (First Version)
renegadegamestudios.com or Hobby Market- €25.00 - seems like this is the Third Version with the Agnes Nutter bag, they have several internet stores that you can switch at the left corner of the page (for example for EU click on the last one):
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The Barnes & Noble (Second Version) didn't publish the product at their pages yet :)
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The Agnes Nutter Book of Prophecies-themed dice bag from the third editon:
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customboxesmart · 5 months
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Eco-Friendly Product Boxes for Every Need
Product Boxes, the most versatile packaging solution, are used for packing, protecting and storing almost anything from cereals, cosmetic, apparel, stationery to toys, jewelry, gift, watches and many more. Custom Product boxes aka folding cartons induce a professional look to your products and set them apart from rest of the crowd. Strengthen your brand position by elegantly displaying your products through custom printed product boxes. Whether you want to present cakes, protect essential oils, or store sports equipment, our premium quality custom product boxes packaging designing and printing services give you the tools you need to fulfill all your packaging needs. Our 6 color digital printing services ensure you will get highest quality printed product for creating a unique identity of your brand.
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Getting wholesale product boxes at such a competitive price has never been simple as it is with Custom Boxes Mart. No minimum quantity is required to order custom printed product boxes with us. Whether you need 1 box as a sample to verify the dimensions & material quality or want 500000 boxes to revamp packaging of your whole product line, we have experts who deal professionally with both of your short run and long run orders.
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thatsexcpisces · 5 months
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Gifts to get the moon signs for Christmas 🎄🤍
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°❆⛄⋆.ೃ࿔🦌*:・❄️ °❆⛄⋆.ೃ࿔🦌*:・❄️ °❆⛄⋆.ೃ࿔🦌*:・❄️
Aries moon: clothing and items for the gym and working out, bold accessories that make them stand out, hats, earrings, tickets or a class for their favorite activity or take them on any fun adventure, new car (if you wanna go big), fancy mirrors, watch, strong fragrance, trendy gadgets
Taurus moon: jewelry, luxuriously-presented items, something cozy and for the home, a spa day voucher, soft blanket, cute slippers, beauty products, skin and self care items
Gemini moon: cute journals to write down their thoughts, entertaining card/games (ex. cards against humanity), stationary, technology, thought-provoking gifts, their favorite book collections.
Cancer moon: cooking set, something sentimental and hand-made (ex. a scrapbook of all your memories together), a comfy robe to lounge in, recipe book, candles and stuff for the home
Leo moon: gifts related to their interests whether musical or hobbies in general. ex., if they love lana del rey get them a vinyl collection of her music or a poster of her. designer clothing, something extravagant and unique, tickets to their favorite musical or show.
Virgo moon: organized home planners, plants, cookbook, antiques, cleaning gadgets, home fragrances, books on getting organized and lifestyle advice, gift cards for home goods stores or their fav stores in general, maybe even get them a small pet to keep company!
Libra moon: designer handbags, books on fashion, good-quality perfumes, beauty items, fancy soaps, silk scarves or pajama sets, luxury brand shoes, fancy decorations for their living space
Scorpio moons: spiritual gifts, something personal from you, leather/ dark colored clothing, pampering gifts, marble items, brand sunglasses, ruled by Pluto; get them an elegant version of whatever they generally like; if they like gold jewelry, get them a carefully-selected box of fancy gold rings or something like that.
Sagittarius moons: gifts brought from a foreign country, something unique, plane tickets to a country they’ve always wanted to go to, travel picture book to record their journeys, good- quality camera, laptop, money, practical gifts
Capricorn moons: expensive things (I mean it’s a Capricorn moon here 💀), money in an envelope, gift cards to high-end stores, good chocolates, wine, and other specialty gourmet items, functional coffee machine, items to relieve stress (back-massager tool, etc), self-help books
Aquarius moons: technology, new phone, computer, Apple headphones, vintage record player, art materials, something no one else has, something related to their humanitarian or quirky interests, trivia games
Pisces moon: dream journal, thoughtful gifts, paintings, adult coloring books or stuff for arts and crafts, cute headphones, their favorite album and CD’s, something that encourages creativity, collection of bath salts and fragrances, meditation/yoga tools, locket necklace, fluffy blankets and pillows
Thank you for reading hope y’all have a good holiday! 🫶🎁🌟
°❆⛄⋆.ೃ࿔🦌*:・❄️ °❆⛄⋆.ೃ࿔🦌*:・❄️ °❆⛄⋆.ೃ࿔🦌
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imakatperson22 · 28 days
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Ok. So. I’ve been thinking…
Everyone involved from Tim to Oliver to Ryan has stated that they want to do the characters justice and tell a story “true” to the characters. IMHO there really isn’t a better story for Buck and Eddie in terms of character growth than them getting together.
Eddie has been constantly searching for a new maternal figure for Christopher and possibly even someone to just play “wife” with him so he can fulfill this heteronormative expectation of a having a traditional family unit that stems from his religious upbringing and what was modeled by his own parents. His identity and self image is that he’s a “nester, he nests”. He needs somebody to love. The rub is that none of his attempts to make that happen have made him happy. Buck is the solution to this. Buck is already a part of the family. What Eddie so desperately searches for in all of his failed relationships is what he already has with Buck and that does make him happy. He just doesn’t realize it yet.
Buck on the other hand is the opposite. Through his upbringing and trauma with his family life, Buck has felt neglected and unloved for a long time. In the earlier seasons, this manifests as hyper sexuality and a need to create intimacy with whoever he can project it on to. It’s quick and dirty and it does the trick for a little but it’s not satisfying and fulfilling the way he wants it to be. Buck needs to be loved. And his solution is Eddie. Buck has that lasting affection and intimacy with Eddie, and I’m not speaking sexually. What’s more intimate than having a key to someone’s house and being their child’s coparent/godparent? Buck also has the belief that he’s expendable and Eddie is the one to help him out of this mindset by making Buck Chris’s guardian in the event of death, which helps give meaning and weight to Buck’s self esteem because now Buck has a reason for self preservation: Chris. Also, Eddie is incredibly patient and kind when it comes to Buck. After the tsunami, Eddie sets Buck straight when he’s beating himself up about losing Christopher. Instead of being angry he lost Chris or just neutral and saying “it was out of your control”, Eddie actively reassures Buck in a positive way. Buck gets what he needs from Eddie. He just doesn’t realize it yet.
I saw something floating around that was really interesting and that I agree with: Eddie knows he loves Buck but doesn’t know he’s queer, and Buck knows he’s queer but doesn’t know he loves Eddie.
Whether or not they intentionally wrote them this way, whether they’re going for just box checking representation or shock value or fan satisfaction, what have you, the reality is that the product they currently have is currently set up in a way for them to do one of the most beautiful, unique, compelling queer love stories we have ever seen on network television. And I really hope they lean in to that.
Thank you for coming to my TED Talk…
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How to Write a Pirate Character | Fast, But Long Guide
Arr, mateys! Are you ready to set sail on a new writing adventure? (Sorry if that was cringe lol) Whether you're a seasoned writer or just starting out, creating a convincing pirate character can be a fun and challenging task. Pirates have been a popular trope in literature and media for centuries, but how do you make your pirate character stand out from the rest?
In this post, I'll help you explore tips and tricks for crafting a memorable pirate character in your fantasy novel. From subverting common pirate stereotypes to using historical research to inspire your character's backstory, I'll cover everything you need to know to create an authentic and unique pirate protagonist. So hoist the Jolly Roger and let's get started!
Crafting a Convincing Pirate Character for Your Fantasy Novel
Pirates are a popular fantasy trope, with their swashbuckling adventures and brash personalities. However, creating a convincing pirate character for your fantasy novel requires more than just the usual pirate tropes. To make your pirate character unique and memorable, consider the following tips:
Consider the Role of Your Pirate
Before crafting your pirate character, consider their role in your story. Will they be the protagonist or the antagonist? Will they help or hinder the protagonist's journey? Understanding their role can help you create a convincing and well-rounded character.
Create Flaws and Vulnerabilities
Your pirate character should have flaws and vulnerabilities that make them relatable and human. Avoid creating a perfect or infallible character, as this can make them less interesting and memorable. By giving your pirate character weaknesses and challenges to overcome, you create opportunities for character development and growth.
Do Your Research
Crafting a convincing pirate character requires research. While there are many pirate tropes and stereotypes, it's important to avoid clichés and caricatures. Understanding the historical context of piracy and the lives of real-life pirates can provide inspiration for your character's backstory, motivations, and actions.
Subvert Pirate Stereotypes
Pirates are often portrayed with common tropes such as the eye patch, parrot, and peg leg. While these features can be fun and memorable, consider subverting them to create a more unique character. Think outside the box and create a pirate character that breaks from the norm.
By following these tips and taking the time to create a complex and well-rounded pirate character, you can enhance the overall quality of your fantasy novel.
Understanding Pirate Stereotypes and How to Subvert Them
When writing a pirate character, it can be tempting to rely on common stereotypes such as eye patches, parrots, and peg legs. However, it's important to subvert these tropes to create a unique and memorable character.
Common Pirate Stereotypes
Eye patch
Parrot
Peg leg
Cutlass or sword
Grog (alcohol)
Treasure hunting
While these elements are often associated with pirates, they can also be clichéd and overused. Consider how you can subvert these tropes to create a more interesting character.
Pirates Were Not Lawless
Pirates are often portrayed as completely lawless and dangerous, but this is a stereotype. In reality, pirates had strict hierarchies and rules within their crew. For example, the captain of the crew often had the final say in any decision, but crew members were allowed to vote on certain issues. Understanding these rules and hierarchies can add depth to your pirate character.
Historical Context
When creating a pirate character, it's important to consider the historical context of piracy. Pirates were often the product of their environment, forced into piracy due to a lack of opportunities or as a result of war. Consider how your character's motivations, actions and attitudes might be influenced by this context.
Avoid Caricatures
To create a well-rounded, complex pirate character, it's important to avoid relying on clichéd caricatures. Your character should have strengths and weaknesses, as well as unique motivations and goals. A good pirate character will have flaws and vulnerabilities that make them relatable and human.
Researching Historical Pirates to Inspire Your Character
One of the best ways to create a convincing pirate character for your fantasy novel is to research real-life pirates and draw inspiration from their lives. Here are some tips:
Consider the Time Period and Location
Piracy has existed for centuries, so it's important to choose a time period and location that suits your story. Different pirates operated in different areas, and had varying cultures and methods. For example, Blackbeard, one of the most infamous pirates in history, operated in the Caribbean during the early 18th century, while the Barbary pirates focused on raiding ships in the Mediterranean during the 16th to 19th centuries.
Read Primary Sources
Reading primary sources, such as diaries and letters from pirates themselves, can provide valuable insights into their lives and motivations. Some great sources to check out include:
The journal of William Dampier
The biographies of Blackbeard, Anne Bonny, and Calico Jack Rackham
The trial records of pirates who were sentenced to death, which can offer insight into the legal system of the time
The pirate code, which was a set of rules that pirate crews followed. It can give you an idea of the hierarchies and structures within pirate societies.
Get Creative
Don't be afraid to take creative liberties with historical accuracy. Your pirate character can be inspired by real pirates without being an exact replica. Remember, you're writing a fantasy novel, not a history thesis. Use your research to create a unique and believable character with their own backstory, personality, and motivations.
By researching historical pirates, you can create a detailed and convincing pirate character that adds depth and authenticity to your fantasy novel.
Building a Unique Backstory for Your Pirate Character
One of the key elements of creating a memorable pirate character is crafting a unique backstory that explains why they became a pirate and what motivates them to stay one. Here are some tips for building a compelling backstory for your pirate:
Consider Traumatic Events
Perhaps your pirate character experienced a traumatic event, like the loss of a loved one or a betrayal, that led them to a life of piracy. This could provide depth and complexity to their motivations and actions.
Include Personal Relationships
Your pirate's relationships with other characters, such as a mentor or a former crewmate, can also add to their backstory and provide opportunities for conflict or growth.
Think About Career Choices
Did your pirate character choose piracy as a career, or were they forced into it by circumstance? This can affect their relationships with other pirates and how they view their role within the crew.
Incorporate Personality Traits
The personality traits that make your pirate character unique can also be tied to their backstory. For example, a pirate with a quick wit may have developed this skill as a result of surviving on the high seas.
Overall, a well-crafted backstory can provide insights into your pirate character's motivations, personality, and relationships with other characters. Don't be afraid to take risks and explore new ideas to make your pirate truly unforgettable.
Creating Authentic Pirate Dialogue That Still Resonates with Modern Readers
Pirate dialogue can make or break the believability of your character. The key is to strike a balance between authenticity and accessibility, so modern readers can understand what your pirates are saying without losing the pirate lingo that makes them unique. Here are some tips for crafting authentic pirate dialogue:
1. Use Historical Language, But Don't Go Overboard
Research historical pirate slang and language to add realism to your dialogue. However, don't overdo it. Too many unfamiliar words or phrases can confuse modern readers, leading them to lose interest in your story. Instead, sprinkle in some pirate language and mix it with modern speech patterns.
2. Consider Your Pirate's Background and Education
Not all pirates spoke the same, and their backgrounds and education levels will influence how they speak. An educated pirate may use more complex language, while a less-educated one may rely more on slang and swear words. Factor in things like regionality, ethnicity, and class to help inform your pirate's dialogue pattern.
3. Use Research and Imagination to Create Believable Dialogue
It's important to do your research and use historically accurate pirate language when possible. But when in doubt, let your imagination take over. Remember, you're writing fiction, not a historical textbook. As long as your dialogue sounds believable and fits your character, it's okay to take a few creative liberties.
4. Read and Watch Movies Featuring Pirates
Reading books and watching movies featuring pirates can help you get a feel for their typical speech patterns and common phrases. Pay attention to how the dialogue is written and how it adds to the atmosphere of the story. But again, don't be afraid to put your own spin on things. Make your pirates memorable and unique.
By keeping these tips in mind, you can create authentic pirate dialogue that still resonates with modern readers. Remember, the key is to balance historical accuracy with accessibility, so your pirates sound believable and interesting. Don't be afraid to get creative and let your pirate's personality shine through in their dialogue!
Choosing the Right Archetype for Your Pirate Protagonist
Archetypes are useful tools for developing memorable and relatable characters, including pirate protagonists. Consider which archetype best fits your protagonist's personality, motivations, and actions to ensure a cohesive and compelling story.
The Noble Outlaw
This archetype represents a pirate who, despite their criminal actions, adheres to a moral code. The noble outlaw may have been forced into piracy due to circumstances beyond their control, and they may only attack wealthy or corrupt targets. This archetype can create tension with other pirates in the crew who may not share the same moral values.
The Ruthless Captain
As the name implies, the ruthless captain is a pirate who rules their crew with an iron fist. They may have gained their position through violence or intimidation, and they prioritize their own power and wealth above all else. This archetype can create conflict between the captain and other crew members who may question their decisions or motives.
The Swashbuckling Adventurer
This archetype represents a pirate who loves adventure and thrills above all else. They may have joined piracy out of a desire for excitement and freedom, and they may prioritize having fun over accumulating wealth or power. This archetype can create tension with other pirates in the crew who are more focused on practical goals.
Crafting Memorable Supporting Characters to Enhance Your Pirate's Story
While your pirate character may be the main focus of your story, having well-crafted supporting characters can enhance their journey and provide depth to the overall narrative. Here are some tips for creating memorable supporting characters:
Diversity:
Consider including a diverse cast of characters to add contrast and tension to your pirate's story. Having characters with different backgrounds and experiences can also provide opportunities for your pirate to grow and develop.
Motivation:
Your supporting characters should have clear motivations for their actions, whether it's loyalty to the pirate crew or a personal vendetta. Their motivations can also provide opportunities for conflict and plot development.
Backstory:
Similar to your pirate character, your supporting characters should have their own backstory that explains their actions and motivations. A well-developed backstory can also provide opportunities for character growth and plot development.
Opposition:
Having opposing characters can create conflict and tension in your story, providing opportunities for your pirate to overcome challenges and grow as a character. Consider creating characters that have conflicting beliefs or goals with your pirate.
By utilizing these tips, you can create supporting characters that enhance your pirate's story and provide depth to the overall narrative. Remember to give each character their own unique personality and motivations, creating a diverse cast that enhances your story's themes and motifs.
Weaving Pirate Culture and Ethics into Your Story's Themes and Motifs
As you develop your pirate character and plot, it's important to consider the culture and ethics of piracy and how they can influence your story's themes and motifs.
Pirate Ethics
Pirates followed their own moral code, which often included principles such as equality among crew members, democracy in decision-making, and retribution for mistreatment by the authority figures they opposed.
Consider how your pirate's actions and beliefs align with the culture and ethics of piracy. Do they adhere to the code or reject it? Does their compliance or defiance create conflict or resolution in the story?
Pirate Culture
Pirates had their own unique culture, including customs such as dividing loot, flying a specific flag, and using distinct language and slang.
Using pirate culture as a motif can add richness to your story's atmosphere. For example, a treasure hunt can provide opportunities for incorporating pirate customs and traditions while also advancing the plot. A ship battle can showcase the crew's cohesion and strategy.
Exploring Themes
Pirate culture and ethics can provide opportunities for exploring themes such as justice, freedom, and morality. These themes can be emphasized through your pirate character's actions and decisions.
For example, if your pirate character is motivated by a desire for revenge against a corrupt government, this can provide a compelling exploration of the theme of justice. If your pirate character struggles with the decision to betray their crewmates for personal gain, this can delve into the theme of morality.
By weaving pirate culture and ethics into your story, you can provide depth and meaning to your plot and characters.
Conclusion
Writing a convincing pirate character for your fantasy novel requires a mix of creativity, research, and attention to detail. By understanding and subverting common pirate stereotypes, researching historical pirates, developing a strong backstory, crafting authentic dialogue, choosing the right archetype, and creating memorable supporting characters, you can create a pirate character that is unique, complex, and memorable. Weaving pirate culture and ethics into your story's themes and motifs can provide depth and meaning to your plot and characters, and make your pirate character more relatable to modern readers. So set sail on your writing journey, and let your pirate character lead the way!
Copyright © 2023 by Ren T.
TheWriteAdviceForWriters 2023
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The Life and Deaths of Christopher Lee Kickstarts Deluxe Blu-ray Edition
The Life and Deaths of Christopher Lee mixes traditional documentary with a dash of fantasy. It is narrated by Christopher Lee himself... in the form of an elaborate marionette, voiced by Peter Serafinowicz. The marionette was custom designed and built by Arch Model Studios, who made all of the puppets for Wes Anderson's Fantastic Mr. Fox, Isle of Dogs and Asteroid City and Tim Burton's Frankenweenie. 
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The film combines new, exclusive interviews with filmmakers, including Peter Jackson, John Landis and Joe Dante, friends and family members with animated flights of fantasy from a wide variety of artists including 2000AD's Simon Coleby, award winning stop-motion animator Astrid Goldsmith and the legendary illustrator Dave McKean who directed, scored and animated a whole chapter of the film himself. 
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Spanning eight decades and almost three hundred films, Christopher Lee became famous for his iconic performance as Dracula. But he was so much more than just the Hammer Horror roles he is so fondly remembered for. His career took him from uncredited parts in 1950s swashbucklers with Errol Flynn, through famous performances in 007 and Star Wars films, cult hits like The Wicker Man and The Return of Captain Invincible, right up to a lead role in cinema's biggest event - The Lord of the Rings trilogy. Along the way, he worked with everyone from Orson Welles to Mario Bava, Jess Franco, Tim Burton, Martin Scorsese and Steven Spielberg. 
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Yet his story is so much richer than just his career. Lee was born into Italian aristocracy, with a military career shrouded in secrecy and kept his private life closely guarded. Some of his ventures and adventures seem highly improbable yet, as the film reveals, he often found himself in unexpected situations - he witnessed the last ever death by guillotine, was cousins with 007 creator Ian Fleming, he met Tolkien, performed with the classic Saturday Night Live line-up, was a friend and neighbour of Boris Karloff, he was the oldest person to ever get on the Billboard music charts (with his own Heavy Metal album), was an expert knife thrower, professional opera singer and a Nazi hunter. And somehow, he also managed to appear in almost 300 films of both the highest and lowest quality imaginable. 
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The film is finished and producers Jon Spira and Hank Starrs want to share it with you by producing a top quality Blu-Ray with great extra features and a really amazing LIMITED/NUMBERED EDITION COFFIN-SHAPED BOX SET, full of goodies, which will look killer on the shelf of any discerning cineaste. The jewel in the crown of this box-set will be a 3D 'death mask' of Christopher Lee designed and produced by Arch Model Studio exclusively for this set. They also want to host some screenings - both online and in real cinemas - so we can all experience it together and you can get to meet some of the people behind it.
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Making this film has been a fascinating journey - producers excavated the British Film Institute archives where they hold Lee's personal collection of scrapbooks detailing his career in his own hand, been given access to personal photos from the family archive, they met and interviewed his closest friends and family from all over the world and we've worked with some incredible artists, puppeteers, animators, musicians and filmmakers to bring his story to the screen in the most cinematic way. Whether you're a fan of Horror, Star Wars, Lord of the Rings or just cinema history in general, we think you'll be delighted by this revealing and eclectic documentary.
Risks and challenges
The film is fully edited and ready to go. This Kickstarter is to fund the final bits of post-production and the production of a fantastic Blu-ray and deluxe collectors edition box set as we're all still committed to physical media. Please note that all illustrations of rewards are designs/prototype images. The final items might differ - we hope they'll actually be better.
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Shoutout to systems/plurals who have unusual experiences or beliefs about their system/plurality!
You think you were born plural? Hell yeah!
You have a mostly or entirely non-humanoid system? That’s so cool, friends!
You don’t feel like you spilt so much as individuals souls gathered in your body? That’s so valid!
You consciously made your system? Good for you!
Your system has lots of non-introjects with extensive backstory, trauma, and disorders that the body doesn’t have? I hope you’re all doing well!
You’re all introjects? Super dope!
You have a ton of inner world relationships? That’s adorable!
You have no inner world? That’s so interesting!
You have any other non-standard experience? You’re valid and I believe you!
Plurality is incredibly complex and I doubt we’ll ever fully understand it. As much as we try to put rules on the plural experience, minds and souls (if you believe in them) are not interested in complying. I think it’s important to remember that mental diagnoses aren’t biological truths, they’re portions of patterns we see repeated. No two experiences will be the same, and the experiences that fit into that pattern aren’t the only ones. Being plural isn’t a chemical process like ATP production. There aren’t chemical components and structures that facilitate it the same way every time. The way our brains work are as unique as our DNA and our environments. We will never succeed in labeling everything they do. What we can do is believe the people who don’t fit into a box.
I love you, you’re so incredibly valid!
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