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#I don't write much but when I do I always aim to not leave it unfinished.
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Night Gallery Yans in response to a Painting "Reader" taking over Night Guard Reader's life-
I plan on doing a full fic with this, but i wanna map it out a bit by who knows right off the bat and who is throwing hands with the fake-
Fooled for a millisecond: Rosebud, The Scavenger, Soleil
Knows something is wrong with Reader off first glance, but can't put their finger on it: Anri, The Faceless Angel, Julian
"You are not my Y/n - Die.": Julian, The Lady in Red, The Painter, Rosebud's Rose
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Rosebud
"Someone's in a chipper mood today....Are you feeling well, Rosetta?"
Initially writes off Reader's strange behavior as them coming down with a cold. Their roses, on the other hand - can smell a dirty, no good fake from miles away. Hisses at "Reader", bites them if they get too close, turns increasing agitated and violent until the real Reader returns. Their temper tantrums are quite common these days, but the rosed love reader almost as much as Rosebud.
Something must be wrong.
The Scavenger
They could potentially be in the secondary category - if it wasn't for "Reader" throwing the painting off their trail by leaving items belonging to the real Reader lying about for it to steal. The fatal error painting reader makes is by giving the Scavenger something that belongs to them instead of the Reader Scavenger knows and cherishes.
Soleil
Possibly the easiest to trick. The clock is must too busy gathering its lost dogs and bolts to notice anyway. They're so caught up making themselves perfect for Reader they barely realize they're speaking to a fake when their paths cross
Anri
"You don't look to good, Y/n. Take a break and lemme know when you feel better, alright?"
Almost seems...frightened of "Reader" Comes up with an excuse to run off or straight up flees whenever they're near. Can be found throughout the night until the real Reader is back searching for something....or someone.
The Faceless Angel
Night Guard Reader has always been kind to them, but for some reason their kindness feels.... artificial. Stalks "Reader" from the shadows for more clues. Oblivious as to why a hole grows in their chest when they see the human who once and still meant heaven and earth to them. Cries for reasons it does not understand.
Julian
Similar to the angel, Julian can tell something is off. Reader's nice sure, but they have enough of a backbone to tell the other security off when he's being a dick. It's one of the things he fines cute about them. Soon as "Reader's" true identity is revealed Julian is back to his art destroying ways. Whilst attacking "Reader" he never slashes their face which is where he strikes first with other paintings he's killed.
The Painter
"Wicked beast! Demon! How dare you steal the face of my muse - transforming their beauty into this, this- Travesty! Remove their face at once so I may strike you down like the blemish you are!
Painting Reader mistake when it comes to taking Reader's image is removing all aspects it deems imperfections. Scars, birthmarks, acne- It tries to be the perfect Reader and that's where it fails as Painter finds every part of Reader to be a masterpiece.
The Lady in Red
"That does no belong to you. Give it back."
A proper lady would be able to tell her spouse from a fake. Call it intuition or something. She only gives painting Reader a chance to speak if they plan to tell her the whereabouts of her real lover. As opposed to Julian, in slaying painting Reader Red aims solely for their face as punishment for thinking she'd ever fall for a fraud.
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y-umiko · 1 year
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TOKYOREV BOYS WHEN SOMEONE ASK THEM IF YOU'RE SINGLE
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CHARACTER(S): Draken . Mikey . Baji . Mitsuya WARNING/S: a bit smutty on Baji's part
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Draken
The Tokyo Manji Gang gathered for their meeting, though aimed to hang out, the others take this opportunity to introduce their new members to one another.
"Hey! Hey! who's that over there?"
Draken who was mingling with the new members and was busy introducing one another turned to look at the member who spoke. recognizing him as one of the new members who joined the 2nd division.
following the member's line of sight, Draken's gaze falls upon you, happily conversing with Emma. your name leaving his lips unconsciously.
"Y/n?"
The new member sighed dreamily, not taking his eyes off you. "what a pretty name, Is she single?"
"No" was Draken's quick response, his eyebrows furrowed intimidatingly, standing taller to appear more intimidating to the other person as if he needed it.
"I-I see" the new member nervously mumbled, putting both his hand in the air in surrender before scurrying away.
honestly, Draken doesn't know what to feel, but thinking about it now, you and Emma are like a rose among the thorns during gatherings like this, what was Mikey thinking allowing his sister to attend gatherings?
and what was he thinking letting you tag along with him during meetings, and let alone leaving your side, letting you walk around and socializing with the guys without him? especially, since not everyone knows of your relationship.
however, Draken wouldn't be so strict as to not allow you to their gatherings but his not so into vocalizing to everyone that you belong to him, as much as he wanted to do that, he doesn't want a scene that would garner attention and embarrass you.
rather Draken would be more subtle.
"What's this for?" you asked as you felt Draken drap his uniform jacket on your shoulders. the words 'Tokyo Manji Gang Vice captain', on display for everyone to see. subtle but effective.
"Just felt like it"
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Mikey
It's very unlikely that someone would not know that you were dating the infamous invisible Mikey. reputation aside, it's hard not to know you two were dating when Mikey was constantly tied to your side.
if his not holding your hand, his arms would be wrapped around your waist, head resting on your shoulder as you feed him his favorite snacks. really, it's really not that hard to notice.
however, there is always that one dumbass who couldn't take a hint. whose dumb enough to not know who Mikey is and brave enough to approach him when you momentarily left to go the bathroom.
"hey that person you were with earlier, do you know if she's dating someone?"
he blinked a few times before his face twisted into a pout, "yes! And happily so"
the other person sigh, a hand behind his nack in disappointment as his eyes unconsciously follow the direction you just left, which Mikey took the wrong way.
"that's too bad, and she looks so pretty too"
The other person flinch when his instinct suddenly took over his body, feeling a sudden aura coming from Mikey. "don't get any ideas, Y/n's mine"
with a chill that run down his spine, the other person was quick to leave. when you returned, Mikey was back to his usual cheerful self but this time extra clingy and affectionate.
"Did something happen while I was gone?" you asked him, but Mikey only smiled and buried his head deeper between your neck and shoulder.
"Nope, just showing everyone you're with me"
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Baji
"Baji-san you're close with Y/n-chan aren't you?"
Baji stopped writing on his paper, peeking through his eyeglasses to look at the other person. his classmate who asked or rather beg to join your study session with Baji.
something about his classmate didn't sit well with him, was it the use of your first name or the fact that his classmate look a little red on the face upon mentioning your name? nonetheless, Baji proudly answered a resounding Yeah. yet the other person's next question made him uneasy.
"Do you know if she's dating anyone?"
The words process in his head, in disbelief that his classmate just asks that, does not the whole school know you were dating him. Was the fact you spend all the breaks together, enough to say that you two were dating? the hand holding? the quick peck of kisses? was his classmate not really aware?
Baji can only furrow his eyebrow in confusion, before removing his glasses and placing them on the table, before crossing his arms against his chest. the atmosphere turning into a more serious note.
"Listen carefully c/n…"
"oh what are we talking about here?" you ask arriving just now for the afterschool study session, cutting off Baji, clueless to the current situation.
however, Baji's gaze flicked towards you, and as soon as you were within reach, Baji was quick to pull you down to his lap and smash his lips against yours, giving his classmate a front seat on the spectacle.
"…do you understand now?" Baji asked his classmate who can only nod with a red face before quickly excusing himself. leaving you with a beaming Baji, proud of what he did.
"What was that for?" you asked which he quickly avoided answering by smashing his lips with yours again.
If he has to kiss you over and over again for everyone to know you belong to him, he definitely won't have any complaints.
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Mitsuya
"I'll see you later Taka" You bid goodbye to Mitsuya, turning around and closing the door to the club room.
"Mitsuya senpai, can I ask you a question?" a first-year who recently joined the club called. Mitsuya was quick to turn his attention to him and nodded to continue.
"Is y/n-senpai seeing someone?"
it took Mitsuya a moment to respond, a little taken aback by the question when he was expecting a question regarding the club. it was a first, that someone would ask him of all people if you're single.
though he knew you were pretty and garnered attention from all over the school, he was assured that they knew you were dating him. They should be, yet the first year in front of him says otherwise.
he really shouldn't care and just answer that you were dating him yet he suddenly can't help feeling a little insecure. was it not that clear you two were dating?
before Mitsuya can answer, Hakkai came interrupting upon hearing your name leaving the first year's lips. Your dating Mitsuya and Hakkai was just protective of you. blazing and cutting through the conversation with his hot head.
"oi! Y/n-chan is dating Taka-chan! don't go thinking you have a chance!"
The first year was quick to apologize, “O-oh sorry, Mitsuya-senpai I didn't know"
all well that ends well, yet Mitsuya brought the first year's question with him until he met you, and asked a question that he shouldn't have in the first place.
"you love me right?"
you chuckled, "What kind of question is that? Of course, I love you"
the words bringing back his smile and forgetting the first year's question. he becomes more affectionate in public for a few days after that.
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starlight-bread-blog · 3 months
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Ember Island Players and Zutara
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Two approaches to analyzing literature are Doylist and Watsonian: Warsonian is about analyzing from an in-universe perspective, Doylist is about analyzing out-of-universe perspective.
For example: Why did the Gaang arrive at the swamp?
Watsonian: Because a hurricane made them crash.
Doylist: Because the writers wanted to explore the world & characters, foreshadow Toph, introduce plant benders, etc.
This analysis will be from a Doylist perspective. Meaning, I don't intend to prove Katara secretly canonically loved Zuko. She is a fictional character, she'll love whoever the writers want her to love. And the writers said she loved 𝖠𝖺𝗇𝗀. What I do intend to do is to show how the writing alluded to Zuko standing in 𝖠𝖺𝗇𝗀's way to being with Katara.
With that out of the way, let's dive right in!
At the beginning of the episode, when they sit down to watch the play, Zuko and 𝖠𝖺𝗇𝗀 share this exchange:
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If you didn't catch that, look at Katara:
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This is a classic romance trope, typically used for female characters, to signify romantic feelings/a crush. But what is it doing here, when Zuko sits next to Katara instead of 𝖠𝖺𝗇𝗀? What is this interaction doing here in the first place?
When an episode aims to explore an aspact of the characters, it will remind the audience of it in the beginning. In The Waterbending Scroll, Katara steals a waterbending scroll and gets insecure about her waterbending. The episode opens with the Katara teaching 𝖠𝖺𝗇𝗀 waterbending and getting insecure. In this instance, they want you to keep in mind the dynamic where... Zuko is in the way of 𝖪𝖺𝗍𝖺𝖺𝗇𝗀? (That's without mentioning what Katara's doing with her hair). That is strange.
Moving on to the play – See the joke about Katara's characterization in the play:
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The point of Ember Island Players is while the play is heavily distorted, it is somewhat based on reality. It's funny and even gets under the character's skin sometimes because it shows them a parody of themselves. (Further evidence).
When we get to the the scene between Zuko and Katara in the Crystal Catacombs, for some reason, it's portrayed as some romantic moment.
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Acknowledging a fan pairing in canon from is always out of the blue/baity from the get-go. I cannot recall a time when another show that did this. Here however, it's under the premise of somewhat founded parody. Which begs the question:
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(Side note: There's been debate over Katara and Zuko moving away from each other. It's common for eventual romantic leads to deny attraction. It could be contextualized that way later and audiences aren't trained to rule out the pairing. The meaning is dereminted by the outcome).
Despite that, Katara and Zuko aren't in love. Everyone knows this, right?
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𝖠𝖺𝗇𝗀 is jealous. Jealous to the point where he gets up and leaves the theater. The thing that kicks off the conflict of 𝖪𝖺𝗍𝖺𝖺𝗇𝗀 is... Zutara?
Speaking of the conflict, I won't dwell on it too much, but the events were the following: 𝖠𝖺𝗇𝗀 adressed the kiss they shared in the invasion, a kiss that went unaddressed for 5 episodes. Katara is unable to commit to an answer. Her lines, isolated:
"𝖠𝖺𝗇𝗀, I don't know" // "This isn't the right time" // "Right now, I'm just a little confused".
Until he kisses her once again.
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And realistically, she doesn't take it well. Many girls use this language to reject gently. This is purposely written to suggest that they might not end up together. All of which is kicked off because of Zutara. Remember the beginning: Zuko is in the way of 𝖪𝖺𝗍𝖺𝖺𝗇𝗀.
When 𝖠𝖺𝗇𝗀 is back in the theater, he's concerned about his future with Katara. It is showcased with this shot:
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𝖠𝖺𝗇𝗀 isn't angry at Zutara here, so why is Zuko in the shot? A director storyboarded this, it was planned. They could have easily leave him out of it and it would convey the message better. Leaving him here implies that he is somehow related to the conflict, That Aang is worried about them, while both of those things aren't true.
𝖠𝖺𝗇𝗀 not being able to sit next to Katara isn't ship baiting. 𝖠𝖺𝗇𝗀 getting angry at actress!Katara not returning his feelings isn't ship baiting. Katara herself being unable to immediately return his feelings isn't ship baiting. What is ship baiting is how all of this is caused by Zuko to a degree.
Zuko stealing 𝖠𝖺𝗇𝗀's seat and Katara giving him a side glance is ship baiting. Zutara being canonically addressed in a play that's vaguely founded is ship baiting. The former causing 𝖠𝖺𝗇𝗀 feeling jealous, leaving, and starting the conflict over it is ship baiting. Zutara is imbedded in the foundations of the episode. Ember Island Players plays out as if there is something between Zuko and Katara, when there isn't. That's ship baiting.
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phoenixyfriend · 4 months
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How to Call Your Reps About Gaza
I make a lot of posts telling you to call your reps! Anyway, here's the overall shape of how to argue to them.
Disclaimer: I am not in politics. I do not have experience as a staffer. I am just someone who cares a lot about where things are going, and wants to help. Also, this is specific to the US, because that's where I'm based. Hopefully, people with expertise can add more suggestions on.
Find your elected officials.
My Ko-fi: this took me two days to write up, so uh. If you've got a few dollars, send them my way so I can keep doing this sort of thing, and maybe move out of my parents' house sooner.
General tips:
Be polite, or at least civil. Do not swear or shout at whoever answers the phone. This will quite possibly get your number blocked. Fifty civil calls over the course of several months will do more than one where you shout. You can be frosty, you can say you are disappointed, you can say you find the actions of your reps to be reprehensible or morally bankrupt, sure. But keep calm and aim criticism at the rep, not the staffer.
Keep it short. The staffers who answer call centers are busy. They usually start trying to hurry me off after about two minutes. I've yet to manage a call longer than four or five minutes. Pick one or two topics for the day, and focus on those. Cycle through them every time you call. Stick to just one from day to day if it's a large, ongoing issue like Gaza.
Plan for voicemail. I get voicemail more often than not. My House rep usually has a staffer free, but the Senators are almost always voicemail. This will give you a minute and a half max. Be ready to get your point squeezed into that.
Only call your representatives. The important, powerful word here is "constituent." You will be ignored or even counted against if you are from a different district or state. The first thing you start with is your name and address. A staffer will ask for the information they need. On voicemail, leave your full name, your city and state, and zip code before you go into your message. Do not lie, either. They look these things up in the system when you call. I'm not sure how--I think maybe they have access to a database of registered voters--but every time I call, they ask for my last name and address and at some point say, 'oh, yep, I've got you right here,' which indicates a database of some sort.
Research at least a little bit about their opinions. If they already agree with you, then it's much easier to leave a quick "I support you and want you to know that" to combat anyone who's arguing from the other side. If they don't, then you're best off finding out what specific issue they have so you can know the best kind of comment to leave.
Look up specific bills or arguments. I get daily emails from GovTrack about bills that are on this week's docket or have been voted on in the past day. IDK about anyone else, but being able to say that I disagree specifically with HR 815 or something makes me feel powerful, and possibly like I will be taken more seriously. Sometimes you can start with articles like this one, which include links to specific bills on the official congress website.
Email after if you can. Reportedly less effective, and takes longer, but you are more likely to get a written (canned) response, and it reinforces whatever you called about.
Basic structure of a call, at least as I've been doing it:
"Hi, my name is ____ ____, and I am a constituent from [city, state], [zip]. I am calling to express my opinion on [topic]. I am concerned about [short argument with a clear impact on the topic]. I ask that you support [measure or fellow congress member]/vote [yay/nay on specific legislature]. Thank you for your time, and I hope you keep my opinion in mind."
For this post, the topic can be stated as the war in Gaza, military funding for Israel, or unrest in the Middle East, depending on which you think your elected official will respond to best. That said, the structure should work for whatever your call is about.
Arguments to use against your elected official... or your on-the-fence cousin:
I'll be honest, some of these are not going to do much against your representative. They know the arguments, and have been going over them with each other for months. You just need to have one locked and loaded that they consider relevant instead of a nonstarter, in order to back up your opinion as 'founded' instead of 'nonsense, can be swayed with a good marketing campaign.'
I'll include explanations if I don't think something is self-evident (or needs more evidence to tell your cousin), but in most of them I'll provide some suggested verbiage that you can tweak as needed, and for a few of them, that's really enough.
THESE ARE FOR THE TOPIC OF CONCERN, ONLY. You still need to end each one with "I ask that the [official] votes to [action]" at the end. Give them something actionable (example from Feb. 13th). My go-tos right now:
Both chambers: Reinstate funding for UNRWA
Both chambers: Place mandatory restrictions on any aid to Israel, with contractual threats to cut funding if Netanyahu and his government continue to disregard civilian life
Senate: Put support behind Bernie Sanders and his motion to restrict funding to Israel until a humanitarian review of the IDF’s actions in Gaza has been completed (S.R. 504) (Tabled by the Senate on 1/16, but it is being brought back in as conditions continue to escalate)
House: Put support behind Rep. Rashida Tlaib’s petition for the US government to recognize the IDF’s actions in Gaza as ethnic cleansing and forced displacement, and put a stop to it.
House: Put support behind H.R. 786, introduced by Rep. Cori Bush, calling for an immediate deescalation and cease-fire in Israel and occupied Palestine.
What Not to Say
"There is no threat to Israel." I've talked about this elsewhere, but the short version is that this will be basically laughed out as you not knowing what you're talking about.
Anything generically antisemitic. (I mean, it might work on some of the white supremacists, but do you really want to encourage that thinking? No, so don't do it.)
Facts that you "heard somewhere" but cannot find a reliable source for. If it's being reported by the New York Times, NPR, or the BBC, it's probably trustworthy by government standards. If it's not a super common statistic, cite the journal you got it from by name. Remember, you aren't arguing to tumblr mutuals. You are arguing to your elected official or your 'I don't really pay attention' cousin. When it comes to this, big name news sources are better.
Unrealistic demands for complete isolationism, permanently abandoning Israel to its own devices, supporting Hamas, etc. Again, you will not be taken seriously. Pick an argument they might actually listen to, and use it to press them towards a possible solution. You want them to believe that if they adjust their position, they will be doing the will of most of their constituents, and thus more likely to get reelected.
The Ethics Argument
Third-party reporting has stated that that nearly 29,000 Gazans are dead since Oct. 7th, as of 2/18/24. The vast majority of those are civilians, and over half are children. Palestinians in Gaza are facing an acute hunger crisis threatening to become a full-blown famine.
The International Court of Justice has found that there is credible reason to believe that the state of Israel is committing a genocide against the Palestinians of Gaza.
This does not mean that every single Israeli is complicit. It does mean that the government, particularly Netanyahu and his associates, has been reprimanded by a large, diverse coalition of countries, and has consistently refused to listen to that court since.
This argument will possibly work on your cousin. Less likely to work on your elected official. They already know the numbers. I just wanted to get it out of the way first.
The Re-Election Argument: Michigan vs New York
Meanwhile, this is possibly the most effective. Again, this is not an argument of ethics. This is an argument of "how can I make my elected official do what I want." We do not use only the purest moral argument. We use what works.
What to say to your elected official: Michigan, as a swing state, was won by democrats on the power of the Arab-American vote in the 2020 election. We (either party) are at risk of losing Michigan due to the current Congressional approach to the Gaza conflict, as that demographic is now polling as likely to abstain from voting entirely. The risk of losing several congressional districts due to the Jewish vote is a real one, but the risk of losing the the executive branch is greater, especially after what we saw with Suozzi. Supporting Palestine might lose us parts of New York, but supporting Israel will lose us Michigan.
Explanation: Something that has been taking up a lot of time and space in the election coverage is the situation in Michigan, and more recently, there has been attention paid to the special election of New York's third district, AKA the "who gets to replace disgraced George Santos" competition.
Michigan is traditionally a swing state. While 2.1% doesn't sound like a lot, that is some 211k-278k people (depending on your source), and while not all of them can vote... Michigan was won by about 154k. Arab-Americans are not the only relevant demographic, but they sure are an important one, and they are vocally opposed to the situation. Approval has dropped from 59% to 17%. From that same article:
As Axios notes, Biden won Michigan in 2020 by 154,000 votes, but there are at least 278,000 Arab Americans in Michigan. Biden took Arizona, a state with an Arab American population of 60,000, by only 10,500 votes. In Georgia, Biden prevailed with a margin of 11,800 voters, in a state that has an Arab American population of 57,000.
Democrats cannot afford to lose these states. Pressure your congresspeople about that, especially if you live in one of those states. I assume most Arab-Americans in said states are already calling every day; the rest of you can join in.
Meanwhile, most Jews (considered the most pro-Israel demographic by strategists) in America are concentrated in a very small number of electoral districts. Of the twenty most-Jewish, ten are in New York, which is why I put it up in the section header.
One of those districts was won by a Republican in 2022: George Santos, New York's third congressional district. Following his scandals and ousting, the seat was up for a special election, and the two candidates were Tom Suozzi, a democrat who held the seat previously (he decided to run for governor, and lost), and Mazi Pilip, a Nassau county legislator who was of Ethiopian Jewish background and had been in the IDF. She ran on a campaign that leaned strongly pro-Israel and anti-immigration, and when Suozzi won, she interrupted his victory speech to accuse him of supporting a genocide against Israel due to his rather centrist, rather milquetoast stance on the conflict during his election campaign.
Now, Suozzi's win probably had more to do with Pilip being anti-choice than her pro-Israel arguments, but he still won.
Democrats can better risk possibly losing a few seats in NY than definitely losing three swing states.
"But I don't want Dems to win their districts after what they've been--" Nope. Listen to me. Surveys indicate that Republicans are on average more pro-Israel, because Trump and Netanyahu are buddy-buddy, and we do not have a viable third option.
Also, again, this is about convincing Dems to be better. "If you do not vote to put restrictions on funding to Israel, I will not vote for you in November" is a lot more powerful than "I will not vote for you either way, because of what you've been doing, but you should do what I say anyway."
The Re-Election Argument: Risk of Escalation
So, that thing I said about Trump and Netanyahu?
Yeah, so, while Biden is giving Israel military aid while cautioning them to slow down and be careful, Trump is... complicated, but suffice to say he's much closer to Netanyahu on a personal level than Biden is. Biden's relation with Netanyahu is reportedly pretty frosty, while Trump's is based on relations through the Kushners.
Just from wikipedia:
Netanyahu made his closeness to Donald Trump, a personal friend since the 1980s, central to his political appeal in Israel from 2016.[21] During Trump's presidency, the United States recognized Jerusalem as the capital of Israel, recognized Israeli sovereignty over the Golan Heights, and brokered the Abraham Accords, a series of normalization agreements between Israel and various Arab states.
Trump's been more all-over-the-place recently, badmouthing Netanyahu for being what Trump perceives as a loser, which complicates understanding what his approach is. It's kind of incoherent right now.
Given Trump's general history of being pro-Israel, though, and the attempts by House Republicans to push through a bill of unconditional funding for Israel. It failed, but notable is that the more recent bill passed in part because it was paired with aid for Ukraine and Taiwan (something Dems are much more invested in having happen).
What to say to your elected official: If Trump is reelected due to his current appearance of being more critical of Netanyahu, there is evidence from his presidency to indicate that he will support Israel much less critically if elected. While he claims to want to settle the Middle East, it seems incredibly likely that he will worsen the situation for Palestinians, and ramp up retaliatory strikes to groups like the Houthis in a manner that will impact non-military parties, igniting tensions that are already tenuous.
The Disrespect/Wild Card Argument
This particular argument is best used against the Very Patriotic Politicians who are more concerned with the US's image and Being The Alpha Nation than with other things. Basically, this might work on Republicans.
This isn't really something I believe in, as a matter of foreign policy, buuuut it might work on your rep, so. Consider it!
What to say to your elected official: With Israel's recent actions in ignoring Biden, blocking US-sent aid like those flour trucks that got stopped at the Rafah border because they'd be distributed by UNWA, and generally Disrespecting The USA and Being Unpredictable is not only making the US look bad for being unable to wrangle a smaller country, but also making it so we are less able to wrangle other countries in the future, because Israel cannot be predicted and might set someone off.
The Europe and Reputation Argument
What to say to your elected official: The United States is losing credibility as a world power known for its military and ability to manage international disputes on behalf of the UN, because it is seemingly unable to influence Israel, and losing credibility as an upstanding moral state that is not doing foreign coups and banana republics anymore, as it appears to be tacitly supporting Israel's ICJ-labelled genocide, which is a really bad look with the other Western Powers.
I'm not entirely sure who this might work on, but there's gotta be at least a few politicians who are really concerned about America's image, more than about actually doing the right thing. Figure out if your politician is one of them.
If necessary, you can bring up how Trump is threatening to pull US support for NATO if Russia attacks someone.
The Middle East Stability Argument: Iran-backed Militias
What to say to your elected official: I'm concerned that the continued support of Israel, and thus the funding of their actions in Gaza, will increase the instability of Iran-backed militias, as we have already seen with the Houthis and Hezbollah. Entire Muslim-majority nations are showing increased displeasure not only with Israel, but with the US by extension. We cannot afford another war in the Middle East when we haven't yet pulled all our troops from the last one, not with the recent and recurring economic recessions. Any situation would also very likely be complicated or inflamed by the growing tensions among Eritrea, Djibouti, and Ethiopia regarding Red Sea access as well.
Use this on the ones that claim to be pro-military or pro-veteran. See what they said about HR 815 before the foreign military funding amendment was added.
The Middle East Stability Argument: Egypt
What to say to your elected official: Egypt's government has been unstable since the Arab Spring, and even now the military government is incredibly unpopular. With that existing instability, the addition of economic strain from the reduced usage of the Suez canal, the international disputes occurring because they're the main throughway for aid into Gaza, and the threat of a sudden influx of nearly one and a half million Palestinian refugees should Israel continue to push south... Egypt is looking at a possible near-collapse as we've seen in nearby nations suffering similar instabilities.
Explanation: It took several years for Egypt to really start recovering from the revolts in 2013, and it has applied for four IMF loans in recent years. The current government is unpopular to such a degree that they are looking to build an entire new capital from scratch in the middle of the desert so that they're less open to the risk of civilian uprisings; one of the primary causes for civilian dissatisfaction is economic issues.
Due to Houthi attacks at the Bab al-Mandab Strait, traffic through the Suez canal is down massively, and since the canal "represents almost 5% of the GNP and 10% of GDP and is one of Egypt’s most important sources of hard currency." (src) Various sources are reporting that trade through the canal is down 40-50%, which is putting more strain on the already unstable economic and political situation.
Finally, Egypt's population is about 110 million, but the governorate that shares a border with Israel and Gaza, North Sinai, has a population of barely 500,000. A push of one and a half million starving, injured people will, very suddenly, nearly quadruple the population of the governorate, and require extreme aid response from Egypt's government to keep alive and prevent a larger crisis in North Sinai and neighboring governorates.
The Middle East Stability Argument: Normalized Relations
What to say to your elected official: I am concerned that Israel's continued attack on Gaza is jeopardizing any chance of normalized relations with the Arab states in the future. American has put a lot of work into trying to get these various countries to normalize with Israel, and our funding of the current attacks on Gaza are sabotaging all that effort.
This one can be combined with the Iran-Backed Militias argument: Israel, in pursuit of revenge against Hamas, is setting itself up to be in more danger long-term, rather than less.
The International Trade Argument
What to say to your elected official: I am concerned about how the war in Gaza is impacting international trade and shipping costs. With the Suez Canal down to half its usual capacity and the Panama Canal raising costs and dropping capacity in response to the water restrictions, along with rising fuel costs in Europe and Asia, global trade is incredibly strained. We are being relegated to the Cape of Good Hope, Cape Horn, and the Malacca strait for much of intercontinental trade, and the macroeconomic projections are looking very bad for America.
The Domestic Economics Argument
What to say to your elected official: Many of the plans for Israeli military funding cause damage to other parts of the budget. For instance, a recent plan put forward by the Republicans of the House suggested IRS cuts in order to move that money, a plan which would impact the US budget negatively in the long term; we need those 14 billion being spent domestically, not supporting an overreaction/possible genocide in Gaza.
Explanation: In general, pick something receiving budget cuts that your congressperson will care about. I care about IRS funding, and saw it mentioned as a target in an article, so that's what I've got in my suggested verbiage up there.
The fewer people that are working for the IRS, the more they focus on auditing poor people (simple, easy taxes) and the less they can effectively audit rich people (complicated, time-consuming taxes), which means rich people are more likely to get away with evading millions or even billions in taxation. So yeah, you want more funding in the IRS if you are poor. They are already auditing you. You want them to audit the big guys.
The Russia and China Argument
What to say to your elected official: I am worried that the current focus on funding Israel without restriction is causing us to lose sight of the international threat posed by Russia and China. Russia is actively invading Ukraine, which continues to put massive strain on the European economy with regards to oil prices, especially with the Suez situation, and China has been testing missiles near Taiwan, and thus testing US responsiveness to those threats, for months now. We cannot afford to support an internationally unpopular war if we want to remain ready for Russia and China.
This is less likely to work on Republicans, since Trump is friendly with Russia, but hey, give it a shot if they're one of the ones who aren't fully in his camp.
EDIT 2/22/24: I'm a bit unsure of this tactic, but I'm putting it out there with hopes that someone with more political experience can offer feedback:
"Congress, and the US government in general, has promised to sanction Russia for the alleged assassination of one man within a week of the suspicious death, after five months of refusing to enact even slight consequences on Israel for the deaths of nearly thirty thousand, half of which are children. This is ethically questionable at best, but for the interests of elected officials, it is a very bad look. The mismatch shows a massive bias by the American government in regards to Israel's ongoing mass murder, with over two million facing famine as a result of Israel's aid blocking, and America's reputation on the world stage, as well as individual politicians' reputations domestically with constituents, is plummeting."
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Finally, my ko-fi again. I spent a long time on this and I'd like to move out of my parents' house sooner rather than later. If you appreciate my time and effort, please feel free to donate a couple bucks.
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sissyisawitch · 6 months
Text
I'll Be Home For Christmas
Relationship: Sebastian Sallow x f!MC
Summary: After leaving everything behind and starting a new life almost three years ago, MC returns to Hogsmeade for Christmas Eve. Little does she know that her brief return will be enough for her past to catch up with her…
Word Count: ~9.4k
Warnings: Mentions of alcohol in the beginning? Otherwise it's just pure pining and fluff
Author's Note: Special one shot because I just love Christmas. It should've been even longer, but I had to shorten it, or I'd never have managed to post it in time for Christmas. Anyway, I had a blast writing it, and I hope you'll enjoy it as much as I did!
I wish you all a wonderful Christmas!🎅🎄 Lots of love💕
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“Oh, MC, I can’t get over how much we’ve missed of each other’s life. You can’t imagine how much I’ve missed you!”
MC and Poppy sat in a cozy corner of the Three Broomsticks, whose dim lighting and soft hum of conversation provided a comfortable backdrop for their reunion. Excitement and laughter had been echoing for the past hours, as the two best friends shared their numerous respective adventures, and reminisced about the wonderful times they shared while at Hogwarts.
“Life sadly took us on separate journeys after graduation, there was no other way… But I'm so grateful that we haven't lost touch.” MC said as she took a sip of her third Butterbeer of the afternoon. She had never realised how much she had missed the sugary drink, especially after being away from Hogsmeade for so long. It tasted of the good old days when she spent the entire day shopping with her schoolmates, before going for a collation to relax and forget about the homework they had to do.
After Hogwarts, Poppy became a renowned Magizoologist, following in her grandmother's footsteps, like she had always dreamt of doing. As for MC, she had taken a very different path. Barely a few weeks after graduating, the girl had decided to leave everything behind and embark on a life full of travel and adventure. She never stayed in one location for very long. Her aim was to discover as many places as she could.
Now, the only thing left of her former life was her best friend Poppy, and the letters they regularly exchanged. It was for her that MC had exceptionally returned to Hogsmeade, to see her on this Christmas Eve.
“Merlin… I didn’t realise it was so late already.” MC sighed as she looked out the window. The evening sun painted the sky in hues of orange and pink, casting a warm glow through the pub windows.
Poppy grimaced in response, as if a bittersweet realisation came to her, “Time flies when you’re having fun. I wish I could stay longer... but Gran hasn't been well lately, and I've already left her on her own all afternoon...”
“Don't worry, Poppy. I totally understand.”
“I'd love to offer you a place to stay, especially since it’s Christmas Eve… but as I said, it's complicated at the moment.”
MC offered the girl another genuine and reassuring smile, “It’s okay, I don't mind. I've managed to find a room in an inn for a couple of days.”
“I'm glad to hear that.” Poppy smiled back, although ruefully.
After paying for their drinks, the two girls made their way out. They stood on the porch on the Three Broomstick in contemplative silence, the air thick with unspoken emotions. The time had come to bid farewell once again.
Poppy took a deep breath, as if to get rid of the lump in her throat, before breaking the silence, "MC, it's been wonderful catching up with you. I wish we could freeze time and stay like this forever."
A wistful smile played on MC's lips. "Life moves on, though. We have our own journeys to continue."
Poppy hesitated before uttering her newt words, “…Don't let it be another three years before our next reunion."
“It won’t. I promise.” MC replied weakly, having to bite the inside of her cheek to hold back her tears. She had never been very good at goodbyes.
Maybe that was why she had never said one to Sebastian.
With a lingering hug, they exchanged a few more words, promises to stay in touch, and expressions of hope for the future. It was nightfall when Poppy finally disapparated, leaving MC alone on the village streets, which were neither crowded nor deserted. Most of the people still outside were on their way home, or off to enjoy a late drink with their friends.
MC walked for a while, before stopping at a vantage point overlooking the quaint village which was bathed in the soft glow of Christmas lights that shimmered like a galaxy full of stars. Tremendous decorated Christmas trees could be found on every street corner, perfectly matching the garlands of fir branches that linked the roofs of the various cottages. It was even possible to find some snowmen that were bewitched to fill the air with the enchanting melodies of Christmas carols. The whole scene resembled a holiday postcard brought to life, especially with the thick blanket of snow covering the village.
It was magical. Literally.
As MC gazed at the picturesque view, memories started flooding her mind. The charming village setting reminded her of the spirited Christmases she used to share with Sebastian, spending the best part of their day at Zonko's trying to find a way to prank Ominis, before heading off to Honeydukes to buy Chocolate Frogs, just in case the blond ended up sulking for too long. The inseparable duo then made it back to the Great Hall just in time for the big Christmas feast, where they joined Ominis. The smell of roasted turkey, and the sound of familiar laughter echoed in MC’s thoughts.
After dinner, the group of friends used to return to their common room and sit down by the fire. She could almost hear the crackling of the fireplace, and feel the camaraderie that accompanied their joyful exchange of gifts. After that, Ominis fell asleep very quickly, and MC and Sebastian usually took the opportunity to get a little closer. If she closed her eyes, she could feel the sensation of his shoulder used as a pillow against her cheek, while his woody cologne invaded her nostrils.
MC could never escape these kinds of memories, especially when she was in Hogsmeade.
Everything always led back to Sebastian in Hogsmeade.
That was why she had refused to set foot there for so long.
To forget the insurmountable heartbreak of never having her feelings returned by the love of her life, MC had decided to start a new life. She had wanted to move on, to forget her feelings for Sebastian, but she had known that this would prove to be impossible with him in her life. She had therefore decided to make a clean break – because she knew that bidding Sebastian farewell was not a skill she possessed – and to disappear brutally. To make her plan even more effective, she had also cut ties with Ominis, seeing as he was Sebastian’s best friend, and MC had felt awkward to put him in the middle of her drama. The only thing MC had kept from her old life was Poppy... now her one and only friend.
MC had then spent years travelling around the world, searching for a place where she would feel comfortable enough, and that she would love enough to want to settle there for the rest of her life. The goal to her quest was to find a place that felt like home.
After almost three years, she still had not found her home.
“Ow!” MC suddenly exclaimed. Someone forcefully colliding against her back disrupted her reverie.
“I’m so sorry, ma’am. I didn’t see you.”
MC turned at the sound of a deep masculine voice. Indeed, the man could not possibly have seen her, for he was carrying a large pile of children's toys in his arms, up to his eye level, thus blocking his field of vision.
The man shifted the pile of toys into one of his arms instead of both, moving them away from his face to take a look at the unlucky person he had just unintentionally bumped into.
Next thing MC knew, before she could even realise it, MC found herself face to face with none other than Sebastian.
His chocolate eyes widened in recognition as they locked onto hers. An amalgam of shock and bewilderment flashing across his face, washing away his previous apologetic look. He was so flabbergasted that he forgot about the packages in his hands, which began to wobble. MC rushed closer to him, to put the parcels back upright, and prevent them from shattering on the floor.
“…MC?” He asked hesitantly, never tearing his gaze away from her, just to make sure he was not dreaming, that his former best friend was well and truly standing in front of him.
“Hi.” She smiled softly at him. She could not believe that she had not recognised what had once been the only voice capable of soothing her even on her worst days. To be fair, it had changed remarkably. It was more intense, manly... even sexy.
“You’re back?” He questioned eagerly, a beaming grin breaking through the initial stupor.
MC nodded in response. She could not bring herself to tell him that it was only temporary, or even worse to admit to him that she had not come back for him, that she had never had a single intention of ever seeing him again. She could not be the one to wipe that gorgeous smile from his tantalising lips. It would break her own heart all over again.
As she kept staring into those familiar eyes, a rush of emotions overwhelmed MC. The old crush she had once harboured seemed to reignite with an unexpected intensity. It was unbelievably insane that just one glance at him was all it took to make her flamboyant feelings for him resurface. She thought she had managed to eradicate them, but she had actually only been able to bury them deep inside.
However, with that also came the horrid realisation that Sebastian was carrying a large number of toys in his arms. As MC looked once again at the eye-catching bundles in his arms, reality struck her like a cold breeze.
There, nestled in his grasp, was the object of the rude shock that life had evolved without her, in ways she never could have foreseen. Obviously, these toys were for his children, meaning that Sebastian was also married and had a loving wife waiting at home for him.
MC, still quite in denial, racked her brains to find another rational explication, but there was none. There was no other option because Ominis always said he never wanted kids in order not to pass on his ‘cursed Gaunt genes’. As for Anne… well last time MC had heard of Anne was the day Solomon Sallow died. After that, she had severed all contact with everyone except Ominis, who had promised her not to divulge any information about her whereabouts.
MC’s heart sank as her mind kept repeating itself that Sebastian had moved on, embracing a world that now included the joy and responsibility of raising a family.
“Merlin, MC! I thought I’d never see you again! You’ve missed so many things, there’s so much I need to tell you! Do you live here now?” If Sebastian had ever held a grudge against MC for disappearing without warning, no trace of it was visible. His excitement was taking over completely.
“I have a room at the Hog’s Head.”
“What? The Hog’s Head?” He exclaimed in horror – rather dramatically if you asked MC – “You can't possibly stay in this dodgy shithouse!”
MC was surprised by his crude words. She was used to his outspokenness, but she had not expected to hear it again so soon after such a long time. She could only shrug sheepishly, “I don't really have much choice... Sirona didn't have any more rooms available for me. Everything was booked up… you know… with the holidays.”
“Ah... Well, I can't exactly let a lovely lady like you sleep there. I've got room at home, you can come if you like.” Sebastian puffed out his chest, putting on his false air of chivalry.
MC tried her best to conceal the blush creeping up her cheeks, but alas, she could do nothing about her nervous stammering, “Oh… Oh, I… I don’t wanna bother you. Besides, the Hog’s Head’s not that bad…”
“Don't say no. Please. Really, I insist. We could spend the evening drinking and catching up… What d’you say?” Sebastian gave her the sad puppy eyes, and MC could feel all her resolve slipping away at the same second.
Thinking about it twice, the Hog's Head was truly, absolutely dreadful. The few times MC had been there, she had been catcalled far too many times for her liking.
So yes, she knew that staying with Sebastian, his wife and their children was going to be pure torture, but MC still preferred that to the risk of being mugged or assaulted by one of the Hog's Head patrons.
“Okay.” She ended up saying, forcing a smile that masked her internal turmoil.
“Brilliant!” Sebastian looked so excited that it would not have surprised MC if he had started jumping up and down. “Have you got any luggage you need to pick up in your room before going to my place?”
“No, I've just got this." MC replied, pointing to her small rectangular shoulder bag, barely large enough to hold a box of Bertie Bott’s Every Flavour Beans. “I travel light.”
“Perfect! Well then, if you will follow me, my lady.” He offered her his arm with a wink, and after a brief moment of surprise, she accepted it.
Sebastian made it so effortless to fall back into their old dynamic, that it made it just as natural and easy for MC to do the same. It was like they had never been apart.
They walked together, sticking close to each other, in the same way they used to do when they were still teenagers. As they strolled through the streets of Hogsmeade, MC assumed Sebastian was taking her to a Floo Flame. The girl was therefore genuinely caught off-guard when he stopped in front of her. a small house typical of the village – made of stone with an excessively pointed roof – and took out a key to open the front door.
“Ladies first.” Sebastian's face lit up with pride and joy, while he let MC in first, still the perfect gentleman as usual. Even married, he could not help being flirty.
Before entering, MC took a deep breath to try and calm her nerves, in anticipation of meeting the woman who had succeeded where she had failed, the woman who was better enough than her in Sebastian's eyes to have succeeded in stealing his golden heart.
However, instead of coming face to face with her nemesis, MC found herself immersed in an intimate reflection of Sebastian's essence, overwhelmed by how homey it felt. The house was truly cosy, but a little small for a family in MC's opinion. But then again, it had to be remembered that Sebastian was used to small spaces, having lived in his little one-room cottage in Feldcroft for most of his life.
The living room had the charm of disarray, with stacks of well-read books scattered on the coffee table next to empty mugs, suggesting that Sebastian had not lost his messy habits. The smell of the fireplace and coffee intermingled, creating a comforting atmosphere that reflected precisely the way Sebastian always managed to put MC at ease.
MC guessed that the upstairs, which was in fact a mezzanine, must be the bedroom. She did not dare go upstairs to respect his privacy, but from the ground floor, she could see the top of bookshelves reaching up to the pointed roof, proof that Sebastian was still as thirsty for knowledge as ever.
All these little details showed MC that, although his life had evolved, the man standing a few steps away from her was still her beloved Sebastian.
Sebastian, observing MC's reactions, could not suppress a grin, "It's not much, but it's home. You can have the bedroom, and I'll sleep on the couch.”
On further inspection of the house, MC came upon the kitchen, which was open to the living room. She could not help noticing that the worktops bore the marks of failed culinary experiments. Some pans with burnt bottoms were abandoned on the counter, and dirty cutlery had accumulated in the sink. In short, the kitchen was a mess, just as Sebastian could be in other people's lives.
However, what stood out most to MC was the absence of signs of shared living. There were no visible traces of another person – no stray belongings, no indications of a partner or children. It was as if the whole house resonated with Sebastian alone, as if his whole person had become woven into the fabric of his environment.
As MC continued to stare in silence at his topsy-turvy house, Sebastian scratched the back of his neck nervously, “Don't pay attention to the shambles, please. I didn't clean up... since I wasn't exactly expecting any guests.”
Instead of reassuring him as she would have liked, MC's curiosity was quicker to take over her next words, “Where’s your wife?”
“My wife?” Sebastian frowned.
“Yes. The woman you married.” She added bitterly. Her curiosity slowly lowered its mask to reveal its true self of authentic jealousy.
He looked away, but MC could still see that he was biting the inside of his cheek to keep a straight face, “I’m flattered you think I’m charming enough to get a wife, but I’m afraid there’s still no Mrs. Sallow. Besides Anne, of course.”
“Oh.”
“Oh?” Sebastian chuckled at her enigmatic reaction.
“I thought the toys were for your kids…” She admitted shyly, pretty embarrassed after making so many wrong assumptions about him.
“My kids? Bloody hell, MC, you sure have high expectations for me!” Sebastian exclaimed, clearly amused by the situation. “But no, I don't have kids. The toys are for my niece.”
MC was gob smacked, eyes wide and mouth agape, “Your… niece? You have a niece? Anne had a child? Wait, did she get married? With who?”
“That’s a lot of questions.” He smirked playfully at her, while looking for a bottle in one of his cabinets. “But I think you can guess the answer to the last one.”
MC looked down at her feet, taking a moment to think, when realisation hit her like a bolt of lightning. She turned her head back to Sebastian so fast it almost gave her whiplash, “Ominis?”
“Bingo.” Sebastian replied casually, uncorking a bottle of Firewhiskey. “And he took Anne's name. He's Mr. Sallow now.”
“No way!” She gasped, letting herself fall limply onto the sofa out of utter stupefaction.
“Yes way.” He laughed wholeheartedly, sitting down next to her and pouring two glasses of alcohol for each of them.
"How? When?"
"Apparently, after fifth year, they did more than just keep in touch."
MC took her glass in hand, but did not drink from it. She had far too many questions on her mind to take the time to have a sip, "But how did they deal with Anne's curse?"
"It disappeared once you killed Rookwood, since he was the one who cursed her. Apparently, magic disappears with the caster. I learnt all this a few months after graduation, when Anne got back in touch to invite me to their wedding…”
Sebastian suddenly paused in his explanations to down his glass of Firewhiskey in one gulp.
“She wanted to invite you too… I had to explain to her that you'd disappeared without warning." He continued, looking pained, and MC suspected it was not just because of the bitterness of the alcohol.
"I'm sorry." MC winced at her own words. She was pathetic to listen to, using the most clichéd and basic phrase. But it was all she could muster to respond, because it was exactly how she felt. She was profoundly sorry. Sorry to the people she cherished the most, for abandoning them without looking back. But also sorry for herself, because she now had to accept the bitter realisation that she had been absent for so many crucial milestones of their lives.
Sebastian only shook his head, avoiding her gaze and preferring to stare at his empty glass, "Why did you do that? Why didn't you say anything? I was worried sick ‘cause I thought something bad had happened to you, that some Ashwinders were still out there, and had kidnapped you. I spent months looking for you... I'd even asked the Aurors to search for you.”
MC sipped her drink slowly, using the alcohol as a distraction from the painfully heartbreaking explanations of the man sitting next to her
“…They eventually found you overseas. In perfect health... and in perfect company so I've heard. That's when I realised that you hadn't been taken away, but had gone away of your own free will.” Sebastian poured himself another glass before throwing it back again.
“I'm so sorry.”
He scoffed bitterly, “I don't want to hear that you're sorry. It's no use. I just want to know what you were thinking when you left.”
This time, it was MC's turn to down her glass before pouring her heart out in the most honest way possible, "I just needed to get away from everything, from the past. I just wanted to start again."
Against all odds, he nodded understandingly, "Wish I could stay mad at you for it... but I won’t say that I don’t understand."
What he did next surprised MC in the most pleasant way. Sebastian reached out towards her, placing his large hand on top of hers, which was resting on the brown leather of the sofa. Even if his hand was calloused and weathered by time and experience, MC was amazed by how perfectly it fit around her own.
"What matters is that you're here now." He offered her a tender smile that warmed her heart in the most appeasing way. Only he could do that to her.
"I am." MC smiled in return, even more brightly. It was contagious. She turned her hand over and intertwined their fingers together.
As their conversation died down, MC could not help but steal a moment to observe the transformation in Sebastian’s appearance. The once-adorable teenage boy she remembered had blossomed into a handsome man. His features, chiselled by the passage of time, sculpted a strong jawline that added a touch of rugged refinement to his countenance. The shadow of a beard adorned his face, giving him a distinguished and slightly mysterious air. Sebastian's tousled hair fell with a casual elegance, framing a face that bore the subtle imprints of life's experiences, such as a scar on his eyebrow arch that MC had never seen before.
The only remaining trace of the boyish charm that MC had cherished years ago, was the constellations of freckles that beautifully decorated his face. They had always made MC weak in the knees, but the butterflies in her stomach were multiplied tenfold now that they were highlighted by his light tan.
MC internally begged herself to stop ogling him before she fell further under his spell (if that was even possible, considering how head over heels she was for him).
She poured herself another drink and cleared her throat, “You said you wanted to catch up over drinks, right? Go ahead. Tell me about yourself.”
As Sebastian spoke, MC found herself captivated by the way he carried himself – his confidence unaltered after all these years, and the assurance with which he gestured. There was an understated magnetism in the way he spoke, a reflection of the man he had become since they last parted. As he easily recounted all he had achieved, MC marvelled at the beauty of the journey that had transformed him into the person sitting in front of her.
And so, MC listened attentively, desperate to know everything she had missed about him. She thus learnt that, after Hogwarts, Sebastian had joined the Auror recruitment programme. His first reason was that it was a profession he was passionate about, and that allowed him to do what he loved all day long. The second reason – and perhaps the most important – was because he knew that this career would help him to achieve noble things. In other words, it was his way of making amends for all the mistakes he had made in the past, in the hope that Anne would eventually forgive him too (which had taken a long time, but eventually worked out).
After having been accepted into the programme, Sebastian knew that he would not be able to stay in Feldcroft, firstly because the cottage held too many painful memories, but also because it was now Anne and Ominis' shared home. Consequently, he had found himself a small studio in London, not far from the Ministry. However, even after spending several months there, it just never felt like home to him. He resented the lack of green space, and the fact that he always had to check that none of his Muggle neighbours noticed that he was a wizard. So he moved again.
Looking for a place that was both in the heart of the Highlands and still bustling with life, Sebastian found only one possibility: Hogsmeade. The small, all-wizarding village met all his expectations, and the Ministry was easy to reach thanks to the Floo Network. And so, Sebastian moved into this small cottage, perfect for his life as a bachelor.
“So Auror Sallow, huh?” MC said playfully. “Well, can Auror Sallow win a duel against Ancient Magic Prodigy MC?”
“He sure hopes he can, since it’s supposed to be his job.” Sebastian laughed along with her.
“Do you want to put yourself to the test?” She cocked an eyebrow at him mischievously.
“You know I never shy away from a duel.” He replied with the same spark of deviltry in his eyes.
Without wasting any more time, Sebastian stood up, then turned to MC, holding out his hand to help her up. It was a simple gesture, but it was enough to make MC's cheekbones turn pink, as would any act of affection she received from Sebastian.
The two took their positions, taking a few steps apart before facing each other. It had been years since they last engaged in the exhilarating dance of magical duelling, a pastime that had once defined their youth, especially after being named Crossed Wands champions for three years running.
"Ready?" Sebastian grinned, the confidence of experience illuminating his eyes.
"Always." MC replied, wand at the ready, and they prepared to rediscover the thrill that had bound them together in shared laughter and friendly rivalry.
Ever the perfect gentleman, Sebastian let MC commence hostilities.
“Expelliarmus!”
“You're off to an easy start.” Sebastian laughed after brushing the attack off with a simple Shield Charm. “Confringo!”
MC deflected the spell just as easily, smirking right back at him, “You're off to a predictable start.”
A symphony of lights ensued, as sparks and spells flew, and the air shimmered with the energy of their magical prowess. MC’s spells were fluid and controlled, a testament to the skill she had honed over the years. Sebastian, however, moved with a newfound grace and precision, his every movement reflecting the growth and mastery he had attained thanks to the Auror training.
The duelling only grew in intensity as the two friends weaved intricate spells, each trying to outmanoeuvre the other. Laughter and teasing remarks echoed through the night as memories of their youth resurfaced in the midst of their magical exchange.
After several long and intense minutes of competing against each other, Sebastian unexpectedly directed his wand away from MC, aiming instead at the ceiling, and more precisely at the chandelier hanging from it.
“Glacius!” The candles obviously failed to resist the ice and were instantly extinguished on contact, plunging the room into semi-darkness.
Distracted by the newfound refined strategy established by Sebastian – which he had no doubt learnt to put in place at the speed of light during one of his courses – MC did not notice Sebastian disappear under a Disillusionment Charm, which was all the more effective as there was hardly any light in the living room, apart from the orange flames crackling in the fireplace.
With a final, masterful flick of his wand, Sebastian cast the final blow, “Depulso.”
MC found herself propelled to the floor, her back slamming against the sofa. Judging by the underwhelming low force of the impact, it was easy to guess that he had restrained himself, so as not to hurt her.
“Looks like I've had my long-awaited revenge for fifth year. I've finally bested you in a duel." Sebastian, breathing slightly heavier but grinning ear to ear, extended a hand to help her up.
MC, refusing to admit defeat, grabbed Sebastian's hand but only to make him fall to the ground beside her. She rolled them over until she was astride him, holding him firmly down.
She grinned down at him, “Really? Because I actually think I’ve won.”
He barked a laugh, “And I think you've forgotten the rule that you're not allowed to use physical violence in a wizard duel.”
“Since when do we play by the rules?”
Their gazes met for the umpteenth time that night, but this time was different. It was as if time had come to a standstill, as if the world had momentarily stopped spinning for them, just to let them savour the closeness of the moment.
MC kept staring into Sebastian's chocolate eyes, and was truly taken aback by what she saw in them. His eyes, once full of youthful curiosity, now sparkled with a different kind of radiance. They shone with a brightness that seemed to reflect the happiness and contentment he had found in his life. The laughter lines around his eyes only enhanced their glow, and as MC looked into those bright, expressive eyes, she could not help but feel a sense of joy for the man who had evolved from the adorable teenage friend she once knew, into the confident and content individual currently lying on the ground beneath her.
In those eyes, she saw the echoes of the genuine happiness that had transformed Sebastian into the person he was meant to be, the person she should have met from the very beginning of fifth year, if only Anne had never been cursed by Rookwood.
But now Sebastian was completely fulfilled with every aspect of his life. It was as plain as the nose on his face. And the feeling was made all the clearer by the fact that his lively eyes were perfectly matched by his wide toothy grin, which shone brightly even in the middle of the darkened living room.
After eventually snapping out of her thoughts, MC pulled herself away from Sebastian and helped him straighten up, “I’m proud of you, Seb, of what you’ve become. The future Mrs. Sallow will be very lucky to have a capable man like you by her side.”
Sebastian sat down next to her on the floor, facing the fireplace, and back resting against the sofa behind them, “She’ll never be as lucky as Mr. MC will be. I hope he’ll realise he’s got the most brilliant witch of the world by his side.”
MC grabbed his arm and hugged it close to her chest, while hooking her leg over one of his. Their limbs were tangled together, clinging to each other. Sebastian seemed to have no objection to this new positioning. In fact, he seemed quite delighted as he wrapped an arm around the shoulders of the girl next to him.
“What d’you think he’ll be like, my future husband?” She asked quietly.
“He’ll have to be right for you.” He replied all too solemnly.
A small laugh escaped her, “What’s that supposed to mean?”
“It means it has to be someone who will know how to take care of you, and give you everything you need to be happy, without a single shred of hesitation. It will be someone who's worthy of standing by your side and will be able to protect you from any danger… so basically someone who'll be able to defeat me in a duel."
"Seems like I'll be stuck with you for the rest of my life, then." MC continued to smile, but it was no longer in amusement. It was something more akin to contentment.
Sebastian mirrored her expression, "Perhaps you will. I can’t imagine it'd be too bad, would it?"
"Apart from your occasional bad temper, I think I could take it." She rested her head on his strong shoulder.
MC was not sure whether it was the fatigue accumulated from her perpetual travels, or the feeling of being in a warm, comfortable home, or even the fact of being reunited with Sebastian (it was probably all three), but her eyelids became heavy without her even realising it, leading her into a peaceful sleep.
“I'm going to celebrate Christmas at Anne and Ominis' house tomorrow. You're coming.” Sebastian declared out of the blue, without realising that the girl had started dozing off.
“What? No, Seb, I can’t do that. I can’t just barge in when I wasn’t invited.” MC mumbled groggily.
“You don’t need an invitation, MC. It’s you. You’re always welcome.” He retorted instantly, as if it was the most common fact to ever exist. “Plus, they miss you, so they’ll be the happiest people in the world if you show up.”
“I won't even have a present to give them...” She muttered like a pouting small child, which made it impossible for Sebastian to hold back a chuckle.
“You're back. Believe me, that's better than any present you could buy.”
Sebastian's fingers subconsciously started tracing invisible shapes on her arm, effectively lulling her back to sleep.
❄∗❆∗❅⁂∗☃∗⁂❅∗❆∗❄
The next morning, MC was woken by the few rays of winter sunshine that the curtains had failed to hold back. Keeping her eyes closed to enjoy a few more minutes of rest, she rolled onto her stomach and was pleasantly surprised by the feel of soft sheets against the skin of her face. But what struck her most was that she could smell Sebastian's perfume all around her, as if she were immersed in one of the bottles.
Completely enveloped by the sophisticated fusion of woody undertones and hints of vetiver, and the enigmatic charm it carried, MC opened her eyes and realised that she had indeed spent the night in Sebastian's bed. On seeing this, MC let herself think that Sebastian had slept in the same bed as her, and that perhaps, with a little bit of luck, he reciprocated her feelings.
A flutter of anticipation flickered within her, one that prevented her from staying in bed any longer. Without wasting any more time, MC descended the mezzanine stairs to the living room, where Sebastian was already sitting on the couch, Daily Prophet in hand.
“Good morning, sleeping beauty.” Sebastian greeted her with a smile when he noticed her standing at the bottom of the stairs.
MC realised he must have been up for quite some time, for he was freshly cleaned up – the lack of stubble which had been present the previous day was testament to it – and already dressed up for the imminent Christmas reunion. He was clad in a tan windowpane shirt, coupled with a gingerbread brown vest matching his tailored pants. The choice of colours could not have been more perfect. All those shades of brown brought out all his most majestic features: his unruly yet soft hair, his freckled skin, his warm and reassuring eyes…
Sebastian was making it humanly impossible to tear one’s gaze away from his god-like appearance, and MC could not resist making a comment about it.
“Morning, handsome.” She smirked playfully back at him.
“Did you sleep well?”
“Better than ever.” MC admitted, a discreet pink tinting her cheekbones. “Just a question, though. How did I get up there?”
“I carried you, of course. Couldn't let you sleep on the floor. What kind of host would I have been?”
“And… you slept…?”
“On the couch. Just like I told you I would.” Sebastian smiled tenderly.
“Right.”
And with these few simple words, reality dawned on MC. Disappointment settled in, like a gentle snowfall dampening the warm embers of her previous hope that Sebastian harboured feelings for her.
The truth was that he had chosen the sofa over sharing the bed with her, a sign that he still viewed MC as nothing more than a friend. The girl felt her heart tug, like a reminder of why she had chosen not to be part of his life any more.
MC took a deep breath, “I'm gonna go and get ready, so we don't arrive late at Anne and Ominis'.”
“Anne likes us all to be dressed up for Christmas. We can go and buy you a dress at Gladrags, if you'd like–”
She immediately shook her head, “No, no, it's fine. Don't worry, I've got everything I need.”
MC took out her wand and pointed it at her small shoulder bag on the floor. With a simple flick, the object grew tenfold in volume until it reached the size of a suitcase. MC opened it, revealing that the bag had been enchanted to be bottomless, and she climbed inside it before disappearing. All that could be heard was the sound of her footsteps, and her bustle as she went through all sorts of outfits.
“Talk about travelling light.” Sebastian snickered.
A few moments later, MC emerged back from the suitcase as if climbing a ladder, wearing an ankle-length cotton mahogany dress. The corset hugged her waist perfectly, and highlighted her bust with its square neckline and short puffed sleeves. The dress was nothing extravagant, but the fact that it fit her like a glove was what made it so charming.
“Is this dress all right? Think it'll be nice enough for Anne?” She gave it a twirl, so that Sebastian could see it from every angle, before putting on a black cloak to protect herself from the winter cold.
“It looks great. You look great. Well, not great, actually. I mean– More like stunning. You look stunning, you do. We’re even matching. The colour, I mean. Because obviously you look better than me.” Sebastian stammered awkwardly, his cheeks tinged with a hint of shyness. “Merlin, this is awful. I need to learn to shut up.”
“It’s alright. I understood what you meant, that's the most important thing.” MC could only chuckle at his new bashfulness. She found it absolutely endearing.
Sebastian took a deep breath before speaking more clearly, “What I’m trying to say is… You're beautiful. You’ve always been.”
“Thank you, Seb.” She met his gaze, a gentle smile playing on her lips.
He tried to divert attention from his nervousness by slipping on his long black coat, and grabbing the wrapped gifts for his niece, “Ready to go?”
MC nodded in response, waiting for Sebastian to apparate them. She expected him to grab her by the arm, but instead he wrapped an arm around her waist. He brought her small figure close to him, as if he wanted to make sure that she would be comfortable during the apparition, that there was not even the slightest chance for her to get splinched.
With a loud crack, the world began to spin. Next thing she knew, MC was standing in the middle of the snowy village of Feldcroft. As she tried to right herself, she staggered slightly, dizzy from the apparition, whose effects were far more brutal when someone was doing it for you. Fortunately, Sebastian still had an arm wrapped around her waist to cradle her against him. With his other hand, he grabbed her elbow to steady her.
Once Sebastian was certain that MC was all right, he guided her towards the Sallow cottage, which she had not seen for years. From the outside, it looked much bigger than she remembered, particularly because it had an extra floor. Sebastian explained that he had helped Anne and Ominis enlarge it after their wedding, so that they would have enough room for their future family.
Sebastian was the first to set foot on the cottage porch. He hid MC behind him with his body, to create an effect of surprise, then knocked on the door. It was Anne who answered, appearing in the doorway wearing a sublime ankle-length midnight-blue velvet dress adorned with cultured pearls.
"Sebastian! I told you to buy only one present! She's going to end up spoiled rotten if this keeps up." Anne exclaimed without even greeting her brother.
"She's my only niece. Who am I to spend my money on if not her?"
"How 'bout your sister?" She raised an accusing eyebrow at him, while clearing him of all the packages in his arms.
"Ah, but I've brought a surprise for you too. Look what I found last night…" He intoned with amusement, and stepped aside to reveal MC. "A lost soul who wanted to spend Christmas alone at the Hog’s Head!"
"Oh my, MC!" Anne swiftly pulled the girl into a bear hug. "Ominis, come here!"
"What is it, sweetie?" The blond man called from afar, carrying his daughter in his arms.
Judging by the way he had stopped dead in his tracks, coming to an abrupt halt, MC knew that he had sensed her presence thanks to his sentient wand.
Sebastian decided to take his brother-in-law’s daughter off his hands, so that the two friends could reunite peacefully, "Hey, little monster! Wanna give a hug to Uncle Seb?"
Meanwhile, MC approached her old friend and spoke softly, "Hello, Ominis."
Knowing that Ominis was not very comfortable with physical contact, especially with people he did not know well, MC was not sure how to greet him. So it came as a great surprise when he made no hesitation whatsoever and took her in his arms, holding her tightly.
"I should be telling you off for disappearing... but I'm not going to. Not today." Ominis whispered in her ear.
She chuckled lightly, "I'm happy to see you too."
"Let me take your coat." He offered after pulling away.
MC untied the ribbon from her cloak, and handed it to Ominis. She then turned to Sebastian to pick up the toddler in his arms, so that he too could remove his thick winter coat.
"Hi, little princess. I'm a friend of your mummy and daddy, and your uncle Sebastian too." MC cooed in a honeyed voice. She could not help noticing that the little girl in her arms was the perfect amalgam of her two parents. She had all her mother's features, but with meadow-blonde hair and grey-blue eyes like her father.
"Unkie! Unkie!" She pouted and made big gestures with her arms to indicate that she wanted to go back to her uncle. She truly was an uncle's little girl.
"I'm here, baby.” Sebastian immediately took her back into his arms, after giving Ominis his coat, to cradle her. “You don't have to be scared of MC. She's really nice too, you know."
"Auntie?" The one-year-old asked hesitantly, reaching out to wrap her hand around MC's index finger.
"That's right, that's Auntie MC." Sebastian encouraged her. It was impressive how he naturally had his way with kids.
It may have been silly, but something as simple as being called Auntie by a child she had just met, as well as by Sebastian, awakened something in her, a sense of belonging that had been dormant for a long time. She truly felt like a fully-fledged member of this family.
Anne suddenly let out a sigh, "I'd love to be able to celebrate the reunion with you, but I've still got lots of things to do in the kitchen. Sebastian, can you look after the baby while Ominis lays the table?"
"I'll come and help you, Anne." MC declared.
"Thank you, MC. You're too kind." Anne exited the living room, followed by MC.
“So… You and Ominis, huh?” MC started once they were alone. She was sitting across from Anne at the small kitchen table which was covered in food stains from preparing the meal.
Anne immediately shook her head, “Oh, no, no. We’ll have plenty of time to talk about my marital life later. Let's talk about how you ended up here with my brother after all these years."
"We ran into each other last night in Hogsmeade. He offered me to sleep over, and we basically spent the better part of the night talking." MC shrugged.
"And?” Anne pried impatiently. “What happened?"
"Nothing. What do you want to happen?”
“Nothing. It was just a random question.” Anne replied coyly while she finished icing the Yule log. “So, update me as well. Where are you in life? Have you met anyone?”
“No, not at all. I haven't really had time for that.”
“That's a shame.”
“What – uhm – What about him?” MC did not look up from the kilted soldiers she was preparing, in an attempt to appear nonchalant. Needless to say, it was a failure.
“Who?” Anne feigned ignorance.
MC heaved a sigh, deciding to finally meet her friend's gaze, “Sebastian. Has he met anyone recently?”
Anne bit the inside of her cheek, "I think you should ask him directly."
"I'm scared it'll be awkward…"
"Well… if you want to know everything, he hasn’t courted anyone since you went away. He claims that he's not interested in dating, that he’s focusing on becoming a proper Auror first. He always finds an excuse to avoid admitting that he's already got a girl on his mind, but is too much of a coward to act upon it."
MC felt her heart skip a beat. A cold realization settled over her, making her stop everything she was doing. Her heart sank, the weight of unspoken truths pressing upon her, and she forced a tight-lipped smile, concealing the ache within as she navigated the sudden revelation that someone else was in Sebastian's heart, and it was not her.
MC swallowed thickly, "Has he known her for long?"
"Several years."
"And is she a good person? Does she treat him well?"
"He's never been happier than when he's with her." Anne admitted with a sincere smile that contrasted drastically with the unsettled look that MC was unable to disguise.
"Who is it?" She asked weakly, not entirely sure she wanted to know the answer.
"I fear that’s too much information, and that's not for me to tell. Just ask him."
Without another word on the matter, Anne gracefully pivoted, excusing herself to go back to the living room and announce that the meal was ready. MC took a moment to compose herself, swallowing the bitter pill of disappointment before joining the others in the living room.
Seated at the table, surrounded by the warmth of holiday decorations and the aroma of a festive feast, the four friends engaged in a pleasant chatter. The clinking of cutlery and laughter created a veneer of normalcy. They reminisced adventures from their time at Hogwarts, shared stories about their jobs, exchanged anecdotes about Anne and Ominis’s little one, and indulged in the delights of the Christmas meal.
“So, MC, what have you been up to during your travels?” Ominis asked as he had just finished feeding his daughter.
MC swallowed her mouthful of turkey before replying, “Well, you know, trying to explore the world and discover new places. Honestly, I’ve just been searching for a place that makes me want to stay, that feels like home.”
“And have you found that place yet?”
MC was silent for a moment. How was she supposed to explain that she had found this special place years ago, but had fled far away from it, just to search the world for something similar? Because if MC was willing to face the truth, she knew that her home was wherever Sebastian was.
Sebastian was her home.
It was quite ironic that he did not feel the same way about her…
“I… I’m not sure.” MC finally said.
“…Does that mean you’ll be back on the road again?” Ominis questioned again, but this time with caution.
“Yes. I leave tomorrow morning.” MC replied resolutely.
The clatter of dropped cutlery echoed like an unintentional punctuation to the tremendous silence that followed. Eyes widened, gazes met with uncertainty, and an unspoken tension pulsed through the room.
Anne was the first to break the palpable unease by raising her voice, “What? But you just came back! You can’t leave so soon.”
The next sound came from Sebastian's chair legs scraping the floor as he stood up abruptly and threw his napkin on the table, “Excuse me. I need some fresh air.”
His eyes did not meet anyone's as he left the table. Without even grabbing his coat, he stormed out of the house. The door slammed behind him and echoed through the deathly hush inside.
"What’s up with him? Did I say something wrong?" MC asked, disconcerted. She was completely unaware of the weight of her revelation, which had hit her friends like a tidal wave.
Anne huffed in irritation before shouting at her, "Of course you did, MC! You're supposed to be his best friend! Can't you see how cruel you're being to him?"
Ominis rested a hand on his wife's shoulder, "Calm down, sweetie. It's not her fault MC is dense."
"Hey!" The girl exclaimed indignantly, but Ominis ignored her.
"Let me put it simply for you, MC. We were all hurt when you left without saying a word, but Sebastian's been a complete wreck ever since. The usual cheerful Sebastian you know was nowhere to be found for years… until today. And that's only because you came back.”
“And now, you've just brutally told him that you plan to disappear tomorrow, and take his happiness with you! Again!" Anne insisted, determined to keep rubbing it in until realisation eventually hit the girl.
Fortunately, it worked quite quickly, but now MC did not know what to do with herself, "I... I didn't know that... I thought he’d just forget about me and move on."
"I thought you knew him better than that. Haven’t you yet realised that you're everything to him? Because it's more than time you do!"
“I… need to talk to him. Excuse me.”
MC, in turn, rushed out of the cottage, only grabbing Sebastian's coat in her haste.
The freezing air greeted her as she stepped outside, snowflakes landing on her hair and the bare skin of her arms. Thankfully, it did not take her long to spot Sebastian, who had moved slightly away from the house to lean against a tree, his shoulders hunched slightly against the winter chill.
She approached him slowly, but with a determined step, the snow crunching under her feet. She knew he had heard her by the way he straightened up, even though he seemed intent on ignoring her.
“Seb, come back inside. It’s freezing, you’re gonna catch your death.” She implored him, covering herself with her arms to protect herself from the icy wind.
“What’s it to you? You won’t even be there to see it.” He replied even more coldly than the weather, without even turning to look at her.
“…Put on your coat at least.” She insisted, extending it to him.
Sebastian took the coat from her, but instead of putting it on like expected, he draped it over her, so that she would not get cold. His hands lingered on her shoulders, which were now protected by the thick felt.
At last, he met her gaze, his eyes silently pleading with her, “Am I not good enough for you to stay? Not good enough for you to notice me?”
MC grabbed his wrists as if by instinct, “Seb, of course you’re plenty enough. You’re my oldest friend–”
Sebastian sighed in annoyance and pulled away from her, “But can’t you see it’s not enough for me?”
“…What?”
Sebastian reached into his pocket, retrieving a small velvet box. He had always imagined giving her this gift with a broad smile, but now he was opening the box with a rueful frown, to reveal a delicate ring.
“I wanted to give it to you a little after we graduated. I wanted to give it to you to confess my feelings. I wanted that ring to be a symbol of my devotion, and a promise to always remain loyal to you… Turned out life had other plans because you left the day I bought it.”
“Sebastian…” MC croaked out, doing her best to fight back the tears that threatened to fall as she stared at the magnificent jewel that was the poignant representation of all the missed opportunities and lost time.
"Now’s a good time to give it to you, I think. If you’re going to leave again, might as well be honest while I have the chance, before you run away like last time." He said acrimoniously as he placed the ring on her finger.
"Wha…” The shock took away MC's voice before she could even finish her sentence. Her eyes were riveted on the golden band. “What about the girl you like? Anne told me you were interested in someone."
"The girl I like?” He laughed humourlessly. “MC, I've been ridiculously and irrevocably in love with you since fifth year, since the day you kicked my arse in Hecat’s class. You literally knocked me off my feet. I know I didn't always show it well, but it's true, it's always been you.”
MC let out a pained grunt and hid her face in her hands in shame, "Oh Merlin, Seb... I've been such an idiot."
“Why?” Sebastian frowned.
“I've always loved you too. But I was so miserable thinking I'd never be anything more than your friend, that I decided to disappear to try and forget you.”
“And? Please, tell me it didn’t work.” His words came out desperate, almost begging.
She took his face between her hands, and lovingly caressed his cold cheeks, “It didn’t. How could I ever forget you? Being away from you only made me miss you more.”
His hands came down to rest around her waist, bringing her close to his body, in search of both solace and warmth, “It's all right. We're together now. You don't have to leave anymore. All's well that ends well.”
“Well… Not exactly all. You gave me this beautiful ring, and I have nothing to give you in return.”
“I finally have the witch of my dreams back at my side. I couldn’t dream of a better Christmas present.”
Suddenly, MC and Sebastian were interrupted by a cracking sound coming from above them. They looked up and saw a branch of mistletoe sprang out of thin air from one of the branches of the tree they were standing under, its delicate white berries shimmering in the soft glow of the surrounding lights.
Sebastian looked back down at MC, a playful smirk tugging at the corners of his lips, “Actually… I’ve just thought of a gift you could give me.”
The snowflakes descended gracefully around them, creating a magical scene that mirrored the fluttering emotions in their hearts. In that enchanting moment, with the world cocooned in a quiet hush, MC found the fiery courage and desire to close the thin gap between them. Their lips met in a passionate kiss, and their hearts were set alight, for the moment they had dreamt of most in their lives had finally become reality.
Out of enthusiasm, Sebastian tightened his grip around MC, with his arms completely wrapped around her petite frame, enveloping her in such warmth that she completely forgot they were both covered in snow. He pressed and secured her tightly against him, and lifted her off the ground. Out of reflex, the girl's hands travelled up to wrap around his neck to steady herself. Her fingertips grazed his soft curls, sending shivers down her spine.
Unfortunately, their winter wonderland moment was abruptly interrupted by the joyful cheers of their friends inside the house. MC and Sebastian reluctantly pulled away from each other, and turned in the direction of the commotion to see Anne and Ominis glued to the window to spy on them. The wand in Anne's hand was proof enough that it was she who had conjured up the mistletoe.
MC giggled, looking back at her boyfriend with stars in her eyes, and her hands resting in his chest, “Merry Christmas, Seb.”
“Merry Christmas, darling.” He answered softly before leaning in to steal another kiss from her.
MC sincerely hoped there would be another Mrs. Sallow other than Anne next Christmas, for she had finally found her home and never planned on leaving ever again.
❄∗❆∗❅⁂∗☃∗⁂❅∗❆∗❄
Part 2 : Christmas at Home (link)
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usedtobecooler · 2 years
Note
hehe can you write an eddie x reader where he wants to have sex and the reader says they just wanna cuddle and eddie gives up and just accepts his faith as little spoon…
BUT THEN
the reader takes pity on him and jerks him off as they whisper dirty stuff in his ear (he is still little spoon tho) 👉👈
I JUST SAW A TIK TOK ABOUT THIS AND WAS LIKE YES EDDIE
wait no because i love this!!!
Pairing | Eddie Munson x fem!reader
Warnings | sexual content (18+ minors dni), handjobs, dirty talk, dacryphilia, somnophilia, coercion and guilt tripping? (idk if it could be counted as that but i'm putting a warning anyway), sub!eddie, fluff, aftercare.
Word Count | 1.7k
A/N | i got carried away with this i truly apologise
Eddie loved to be looked after. He loved that your own love language was acts of service, you always aimed to care for him in any way he needed. Which, at this moment in time, was in the form of him being huddled in as the little spoon whilst you laid behind him, petting his side soothingly and attempting to lull you both to sleep.
He was making himself obvious, shifting his hips back and forth in a feeble attempt to shake your hand lower, have it brush on the waistband of his underwear. You'd had a long day, you were worn out, tired and in desperate need of a nap before dinner. Eddie's antics were bothering you, and you huffed out particularly loud in his ear in annoyance.
You move your hand back up to rest in the dip of his waist, squeezing a little, "Eds, please don't do this. I just wanna cuddle and have a nap, I really don't want to be touching your dick right now."
"Please?" Eddie's voice is quiet, barely more than a whisper and it's so child-like, pathetic almost, "Promise it'll be quick then we can go sleep."
"Eddie," Your voice is firm, snappier than before, enough to have him freezing under your touch, "I said no. If you don't want to have a nap, get the fuck out of bed and go jack off in the bathroom so I can sleep in peace."
The way Eddie whines like a wounded puppy makes your heart ache a little, your heavy eyes suddenly snapping open and a sad feeling sitting deep in your chest. You didn't like having to tell him no, you rarely ever did tell him no. Anything Eddie ever wanted or needed you were always willing to do, so for him to be rejected by you so harshly must've stung.
It's quiet for a moment and you can hear Eddie's breathing slowing and evening out, clearly giving up on the idea of you helping relieve him and succumbing to a sleep he so obviously needed.
For being so tired before, suddenly you're wide awake with a pang of guilt in your gut and the urge to help him. To give him what he wanted - what he needed. Your hand makes its way subconsciously down to the front of his boxers, the obvious tent still there from the semi he had before he fell asleep.
You gingerly brush your fingertips along the outline of his clothed dick, feeling it kick up a little in interest at the mere touch. You smirk a little bit, unable to contain it - Eddie was always so easy for you. Sometimes all you had to do was look at him and that was enough to have his cock hard.
You press yourself flusher against his back so you can reach around him further, dip your hand into his underwear to get a good feel of his bare cock. Even when it was mostly soft it was still big, thick enough that your hand struggled to wrap around it properly. Your cunt fluttered, thinking about how good he felt when he was inside of you.
Eddie grows hard without you really having to do much, a quick little half-hearted tug and a sweep across his balls having him fully erect. His breathing isn't so even now, somewhat shaky and lighter, your movements clearly rousing him from his sleep.
You're torturously slow with it, deliberately avoiding the mushroom head of his cock in favour of moving up and down the shaft. Not enough pressure to be really working him out, but just enough to leave him keening into your touch in a silent beg for more.
He moans quietly, hips shifting into your hand to try and get you to inch further up. You remove your hand from his underwear in an instant, pinching his side, "Hey, if I'm doing this I'm doing it my way, handsome. Be a good boy and spit in my hand for me."
Eddie whines, grabbing a hold of your wrist to bring your palm up to his mouth, a glob of spit leaving his open lips and sliding wetly into your hand. He shuffles his boxers down below his ass without having to be asked or told, letting his bare cock slap up against his tummy.
You glide your spit-soaked hand back down to his dick, deftly swiping your palm around the head to get it nice and wet, making the drag of your hand sweet against Eddie's flushed skin.
Every swipe of your hand down the length of his cock is slow, languid like you're doing it for fun and not to help him chase his orgasm. You liked to watch Eddie squirm, leave him a whining, panting mess under your fingers. He's quiet, clearly trying to hold it together and stop himself from speaking or moving. It's cute how good he wants to be for you.
"Poor baby, wanting attention so bad he had to beg for it," Your voice is condescending in the way you know Eddie likes, his cock confirms it when it kicks up in your hand, "you're my little slut, always so easy for me."
Eddie whimpers, feeling overwhelmed by the slow drag of your hand sliding up and down his cock so good, the occasional thumb over his head making his legs shake, "Y-you're so good to me," his voice is broken, wet and coarse, "make me feel so, ahh, g-good."
The way Eddie speaks has you clenching your thighs, wanting to give into him and give him what he wants, jerk him off fast and hot until he’s coming all over your hand.
Your fist speeds up a bit on his cock, twisting a little, thumb running over the head just to hear him moan, “That’s it, open your mouth and make those pretty noises for me. Love when you whine like a little bitch, Eds. It’s like music to my ears.”
Eddie grips onto your hip, fingertips pressing harsh little indents into your soft skin, enough to have your cunt fluttering. He’s crying, you can tell by the soft little hiccups he’s making and the way he sniffles. Your tummy flips, something so beautiful about having him totally submissive and at your mercy like this.
“What is it handsome? Hmm?” Your voice is soft yet harsh in the air, breaking up the noises of your slick fist working Eddie’s cock and his choked off sobs, “Y’need to come?”
Eddie nods his head, mass of curls running across your face at the movement. You take mercy on him, fist working him faster, grip tightening just a little in the way you knew he liked. Eddie’s moans fill the room, his hips jerking ever so slightly as he fights to lie still like you’d told him to.
“Bet you’ve been thinking about this all day,” You continue, hand coming down to run over his balls and squeeze ever so slightly before wrapping them back around his cock, “probably even got hard behind the counter at work over it. Fuck, that’s so hot. Are you that easy for me?”
“Yes, baby. Baby, you’re so amazing, fuck,” Eddie’s babbling nonsense, his whiney voice sounding almost pathetic, “please, don’t stop.”
“Really? I’m amazing?” You coo in his ear, teeth grazing the shell lightly, enough to elicit another beautiful moan from his lips, “Do you think you really deserve to come, handsome? After guilting me into this?”
Eddie bites out a wet sob, nodding his head, “Please, sweetheart. M’begging here, please.” His voice is absolutely wrecked, has you moaning in his ear in return, loving the fact that you made him like this only from your hand.
The slick sounds of your hand on his cock are filthy, the precum running from his head dripping all down his shaft and over your fingers. He’s weak for you, always has been.
“Come for me, pretty boy. Make a mess of my hand and the sheets.” You barely get the words out and Eddie is hunching in on himself, coming fast and hard with a wet cry of your name.
You gasp in shock as you feel his release running all down your tight fist, working him through it until he’s shaking a little in your arms. It feels like a lot, leaves your fingers soaked and dripping.
When you eventually release his cock he whimpers at the loss of friction, blindly searching for you. You sit up, slipping your shirt over your head to use it to clean up the mess. It was gross, but it was the closest thing to you and you really didn’t want to get out of bed.
Eddie flips over onto his back as you’re wiping down your hand, grimacing as he watches you, “You’re disgusting, that’s my good Zeppelin shirt.”
“It’s your jizz,” You quip in return, leaning over to clean up the mess he’d made of himself on his belly, thighs and cock. You don’t miss the way he hisses in pleasure at the movement, big doe eyes watching your nimble hands clean him up then throw the shirt away.
You discard the shirt by throwing it haphazardly off the end of the bed, flopping down next to Eddie and snuggling into his side with your head on his chest. Your fingers dance over the smooth expanse of his tummy, down his happy trail and back up. He keens into your touch, almost purring like a cat.
"Y'okay after that?" You ask quietly, worried you'd maybe taken it a bit far and crossed a boundary. You could be mean when you wanted to be, and you didn't want him to think you'd overstepped.
"I'm totally fine, sweetheart. Try and rest." Eddie's hand runs up and down your back, shoulder blade to shoulder blade, and suddenly your eyes are slipping shut, the feeling of tiredness overwhelming your whole body.
You’re not sure how long you’re asleep for but when you wake up it’s dark out, and Eddie’s got his head nestled in between your thighs, tongue licking at your wet cunt like it’s his first meal in weeks.
He gazes up at you with his big brown eyes, nose nestled into your mound and a smile spreading across his face “My turn to make you cry, princess.”
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norrisleclercf1 · 7 months
Note
hii babes can we please please get a super angsty mafia fic for max!!! I am obsessed with your writing!! something about the reader being hurt or even close to dying I’ll leave it up on you!! just wanna say you are a wonderful writer!!! also an update on mafia mick would just be ahh!! hope you are doing good bb
A/n: Mafia Max and it's angst, you're spoiling me
He knew something was wrong. It was one of those waking up and feeling off, but nothing was wrong. Max couldn't place his finger on it. His morning started off how it always did.
You still asleep, him kissing you and then heading out for his daily run and workout. Coming back to you outside in the garden waiting for him. It was then the soft sex you'd have in the privacy of sun room and then going on with his business.
Max got the text of you going out to shop in the afternoon, smiling at your text. But still, the feeling that something was wrong, wasn't going away and he doesn't know how to get rid of it. Sitting in the meeting he tries his best to ignore the growing pressure in his chest.
Max growls when the doors to meeting room slam open and the frantic face of his assistant pops in. "Mr. Verstappen," She whispers, Max tenses seeing the way she was trying to hold herself together. "What?" The feeling from earlier grows, so much so it takes over Max.
"It's," She swallows shaking her head. "It's Mrs. Verstappen," She whispers, the tears finally rolling down her face. Max recognized the feeling now, the aura he's been around all day. He's felt it before, right before tragedy or even worse, death. This, this feeling was utter doom.
---------------------
"A car ran right into hers. 2 of the guards have passed, she," The doctor takes a deep breathe. Max holds up his hand, not wanting to hear the words. Words that have been spoken to him before. "Don't, I won't have you say them." He whispers, large hands wrapping around your delicate ones.
Hands that were always warm and dancing in his hair, now limp and covered with wires and needles. "Mr. Verstappen, you need to prepare yourself." The doctor steps out of the room, Max refuses to look away from you.
"Maxy?" Looking up, his bloodshot eyes meet the eyes of a head of dark curls, and tan skin. "Was it on purpose?" Max whispers, Daniel hangs his head. "Yeah, they aimed for her side. It was on purpose."
Max sniffs loudly, wiping his eyes as he stands up. Leaning down he kisses your cheek, none of your warmth greeting him, only cold. "Stay with her?" "Of course," Max fixes his suit, and adjusts his gun. "Don't leave me, not yet. At least let me finish some business yeah?" He jokes, but it falls to deaf ears.
"I love you,"
He didn't know that, that would be the last time he could say those words to you.
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d10nyx · 12 days
Text
LET SLEEPING DOGS LIE - JOEL MILLER
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ft. joel miller x puppy hybrid!reader
a/n: i'm actually very proud of this fic ngl to you guys. been wanting to write for tlou for the LONGEST time and... you know i had to make my debut w joel :3 first time trying to dive into writing more than just smut, so lemme know what you think !! rbs and feedback always appreciated !! thank you @ama-szn for betaing x
cw: 18+ content, brief mention of sarah and guilt, grinding, p in v, creampie, grinding, slight cockwarming, praise, puppy gets used a lot... joel being snappy and a mild asshole at times, tail play???
word count: 4.1k words
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Now, Joel isn't always the smartest guy around. He has a tendency to get a little blunt, to put it nicely, and he isn't the type to do charity work. Being nice has never done him any favours, so he sees no point in acting all buddy-buddy just for the hell of it.
In saying that, he's starting to think he has a problem collecting strays. It started with Ellie, and now he's starting to see a habit forming when he comes across you. By all accounts, he should have left you in the corner of that beat up store. You'd been a good enough distraction to the Clickers with your incessant whining that Joel could have snuck by undetected.
Well, like he said, he's got a stray problem — and it's hardly good manners to leave a girl in trouble when he can help out. He aims his pistol, frowns as you flinch at the sounds of the shots as he takes them down. Lucky for the both of you, there's only two of them, but he still uses way more ammo than he'd like.
Joel has to double take when he gets a good look at you, mouth opening and closing like a fish out of water as he crouches in front of you. He has half a mind to put a bullet through your skull, but something about the way you look has him hesitating. You're a cute enough girl, a little scruffy looking, maybe, but cute nonetheless. That isn't what has him staring at you like you're some kind of exhibit, though.
"You got... are those fuckin' ears, kid?" He tries to keep his voice low, not only 'cause you're shaking so hard you're practically vibrating, but he doesn't want to find out if those Clickers had any buddies nearby. He tenses up slightly when he notices movement behind you, his brows furrowing as he squints to get a closer look. "Don't tell me that's a tail you're hidin' back there."
Your ears perk up slightly at the sound of his voice, your eyes flicking over his face as your whines die down. You lift the tail, showing off the dirt-ridden, matted fur before letting it flop to the floor once again, tilting your head to the side.
"I'll be damned... Now I'm seein' things." Joel is almost sure that you're a hallucination, or maybe he's finally snapped. He reaches out, pokes the tip of your right ear. It's hard for him to stop himself from frowning when the fur is soft and warm underneath his fingertips, the thing twitching under his touch. They sure don't seem fake. He isn't seeing things, you're real and you're sitting right in front of him. "Can you talk, girl? I'm startin' to feel like a crazy old man, here.”
You blink at him slowly for a moment, like you have to think hard about his words. You nod your head softly, your eyes not straying from him. Your voice is quiet when you reply, breathless and shaky. “Y-yeah… I can talk.”
"Well. That's somethin’.” Joel lets out a breath he didn’t realize he'd been holding in. There's a moment of relief that washes over him in a wave. At least he isn't going completely insane, unless he's hallucinating your voice, too. "We gotta get movin', girl. The gunshots would've gotten every infected for miles gatherin' round, we don't have much time before they come sniffin' around here to see what's goin’ on.”
You nod once again, pushing yourself to your feet. He can see your features a little better now, and he tries not to let his eyes linger on that tail of yours for too long.
You don't seem like much of a talker, but that's not necessarily a bad thing. At least you won't go yapping at him when he's gotta concentrate. It wouldn't do either of you any good if he went and got killed because you couldn't keep your trap shut. You're probably the quietest stray he's managed to pick up. Ellie can talk for hours when she gets going, which...is most of the time, if he's being honest. You're more cautious than she ever was, though, watching him carefully as he stands and takes a look around the room to gather supplies.
Joel checks back on you, not missing the way you're shivering. He frowns, taking off his jacket before holding it out to you. "Here, put this on.”
You don't take the jacket, or so much as answer him. His frown deepens, and he lets out a frustrated sigh, pulling the jacker over your shoulders. “It's just a damn jacket. It won't kill ya.”
The way you stare at him is starting to get unnerving, so he turns away from you to continue throwing anything of use into his backpack. Store's already been raided, though, so he seems to be left with the scraps. Just his luck — scraps and strays. All he ever seems to get.
“Thanks.” You end up saying softly after a moment, and when Joel looks back at you again, that little tail is wagging and you're wearing his jacket properly. He catches himself smiling, so he's quick to turn away, grabbing the map from his backpack before zipping it up. He's always had a thing for pretty girls in his clothes, but he's not gonna admit that.
“Don't mention it, kid.”
˗ˏˋ ☆ ˎˊ˗
It's been about a week since Joel first saw you, and he's doing his best to keep his distance. You seem to settle in fairly nicely in Jackson — or, at the very lease, you fit in well enough with Ellie. Joel's having more than enough conflicting feelings around you to last a lifetime, and you're just a pup. You're already having to adjust to a new environment, you don't need someone like him confusing things.
That doesn't mean he can't watch you from afar, though. He's not sure he'd be able to stop himself if he tried. He can't help but watch as you and Ellie play together, noting how much brighter and happier you look since that day he saved you. Your tail wags so fast it's a blur behind you, your fur soft and fluffy now that it's been washed and brushed out.
Joel likes you more than he'd care to admit. He's already got enough people to worry about, between Tommy and Ellie, and everyone else in the damn community. He doesn't need to add you to that list.
Problem is, Ellie's gotten to know Joel, and she still hasn't grown out of being a little shit. As soon as she catches him sitting a little ways away from where she's playing with you, she decides it'd be real funny to throw the stick right at him. Joel barely has the time to catch the thing before you're on him, practically tackling in an attempt to get it from him.
“Alright… alright.” His tone comes out a little harsher than intended, and he can't help but feel bad as you shrink back, those fluffy ears pressing down against your head. Your tail stopped wagging, too, and you're giving him that kicked dog look. Makes him feel like a monster.
“Shit, I didn't mean-” He sighs, pinching the bridge of his nose after he sets the stick down, patting his lap for you to come closer again. He reaches out, scratching the base of one of your ears with a small smile. “You're alright, girl. Just… easy, yeah? No need to jump all over me.”
That seems to placate you enough, and all seems to be forgiven. You nod and lean into his touch, that cute tail of yours picking up tenfold. There's something oddly soothing about petting you, so he decides to indulge you a little, leaning back against the porch railings as he sits on the steps.
It isn't until he notices your droopy eyes and the way you're slowly inching closer to him, practically curled up on his lap, that he realizes the sun is setting, and he wasted most of the day with you. He can't bring himself to mind.
˗ˏˋ ☆ ˎˊ˗
What is it they say about stray dogs? You feed them once, and they're yours? Joel can't recall, but he's sure he's somehow managed to adopt a little pup with how you cling to him. He tried locking you out of his room one night, and he couldn't sleep with the way you clawed at the door, whining and whimpering to be let in.
You sleep with him now, and he can't say he dislikes the warmth your body brings when he curls up with you every night.
He's got his arm curled around your waist, that fluffy tail of yours resting between his legs and still somehow wagging as he spoons you. He can't help but rub little circles into your stomach with his thumb, his nose pressed against the nape of your neck. For a moment, he finds himself wondering how receptive you'd be if he started kissing the skin there, letting his breath ghost the spot where your baby hairs rest.
That's a dangerous line of thinking, one that he quickly snaps out of. He lets out a sigh, closing his eyes to try and get some rest. You must sense that he's tense, cause you start wriggling around in his arms until you're facing him.
“Joel?” You breathe out, nuzzling his neck with your nose. He can feel your breath on him, and he grits his teeth not to make an audible sound as you lick at him. It's supposed to be a comforting gesture, but it has him squirming for a whole number of reasons.
“I can feel you worryin’, pup. You ain't gotta stress about me.” He murmurs, gripping your hair gently to pull your face away from his neck. He can't focus with your tongue on him like that.
“You look sad.” You whine, pulling against the grip of his hair to keep licking at him. He knows you're just trying to cheer him up, but it's really not helping the way his dick is starting to swell. It's not your fault, you don't know what you're doing to him, but he feels sick letting himself get turned on by your innocent actions.
“Just - go to fuckin’ bed, alright?” He snaps, tugging you away hard enough he knows it probably stung a little. His mouth grows dry, an apology on the tip of his tongue as he watches you retreat, eyes shining with unshed tears.
“C'mon, girl. I didn't mean that, I just…” He sighs, rubbing a hand over his face, his features etching into a frown. “Look, just… c’mere, alright? I'm sorry.”
He shifts so he's lying on his back, doing his best to make sure you don't press up against him when he's in this state. He holds an arm out, and you come rushing forward, tucking yourself against his side. You really are like a dog, always running back to him. He doesn't like how it makes him feel.
His jaw tenses as he shuts his eyes, trying to block out the guilt festering in him as he feels wet tears against the front of his shirt. He can hear your quiet sniffles, but he has no idea how to comfort you, so he doesn't.
Joel does what he does best — pretends the issue isn't there. He scratches behind your ears until you drift off, but sleep doesn't come for him that night. He spends the rest of his time staring at the ceiling, waiting for the morning sun to come through the widows before he carefully removes himself from your slumbering form.
He presses a soft kiss to the top of your head, tucking the covers around your body before he leaves the room. What he needs right now is a cold shower and a little hunting trip with Tommy to keep his mind off of things.
˗ˏˋ ☆ ˎˊ˗
The first thing he's greeted with after returning from his supply run is a sobbing pup. He didn't expect to see you so worked up — barely giving him enough time to dismount his horse before you were clinging to him, ears pulled back on your head and tail limp as you cried into his chest.
“Hey… hey, now. What's the matter, girl?” He whispers, dropping his bag to the floor so he can hug you back, one hand sliding down your back to scratch the base of your fluffy tail. “C'mon, now. I wasn't gone for that long, was I?”
“You didn't say bye.” Your words are muffled against his chest, that whiny tone still in your voice, but he can see the way your tail starts moving at his touch. Makes him feel a bit better about leaving you so suddenly. “You always say bye…”
“I didn't do it on purpose, sweetheart. You were sleepin’.” He says with a chuckle, unable to hide his amusement as you pressed against him. Felt like you were trying to become a part of him with how desperately you attempted to get closer.
“But… you were gone, and… I didn't know where you went.” You whisper, hands gripping onto his shirt tight enough that the fabric stays wrinkled when you let go in favor of hugging him.
“Doesn't mean I was leavin’ you. Just had to get some supplies.” He replies, even if it's technically a lie. It can never hurt getting some more stuff, but a group only went patrolling the day before he left. He did need the time away from you, to clear his head. He just couldn't let you know that.
“And, hey. I was thinkin’ of you the whole time. I even got you a lil’ somethin’.” He says after a moment, grabbing your shoulders to pry you off of him. He ignores the ache in his heart at your little whine in favor of unzipping his bag, holding something up and squeaking it.
Your eyes light up at the sound, and he really can't help the smile that spreads across his face at the sight. He throws the squeaky ball and watches you chase after it, laughing when you return with it in your mouth, biting down over and over to hear the noise.
“There we are. That's my girl.” He murmurs, ruffling your hair before wrapping an arm around your shoulder, squeezing you against his side. “C'mon, let's go and find Ellie. We got some catchin’ up to do, don't we?”
˗ˏˋ ☆ ˎˊ˗
Joel must be getting soft with old age. That's really the only explanation for what's going on. He's letting you sit on him like you're a damn lapdog all because you looked like you wanted a cuddle.
You look so damn cute, too. That tail of yours is going to be the death of him. Joel's heart does not flutter when you smile all prettily at him, nor does it flutter when you rub your face against his neck like you're trying to get his scent all over you.
No. Joel's heart is as cold as ice. He doesn't get warm, fuzzy feelings from cute puppy hybrids, and he certainly doesn't clear his throat to stop himself from saying something unbelievably sappy and embarrassing.
“You comfy there, darlin’? Like havin’ me take care of ya?” He murmurs, not missing the way his breath catches in his throat when you hum in agreement, licking at his skin. You don't seem to notice, so he doesn't mention it. Small mercies.
Maybe it's the whiskey, or maybe it's the way your warmth seeps into him and makes his heart race that has his brain malfunctioning, but he can't stop himself from saying what's been on his mind the past few weeks.
“You're such a pretty girl…” He whispers, nuzzling his nose against your hairline before pressing a gentle kiss there. His hands slide down to your waist, giving you a little squeeze. “So fuckin’ pretty. My pretty pup, ain't ya, sweetheart?”
That tail picks up again and he chuckles, sliding a hand down your back to scratch the base of your tail, tuning in to the steady thump, thump, thump of it slapping against his thighs. He gives your tail a little squeeze, stroking his hand over the fur.
“Ain't no hidin’ how you really feel with a tail like that.” He says with a small laugh, eyes locked onto the way your tail moves as he leans forward, pressing kisses down the side of your throat. He grins against your skin as your tail starts wagging faster, his teeth grazing your sensitive flesh.
“Yeah? Y’like that, puppy?” He coos, the hand on your tail shifting to grab your ass, giving the plump flesh a little squeeze. The feeling of it has him groaning, his cock already starting to fill out. It's been a long, long time since he's gotten laid, and he'd be lying if he said he hasn't been having some conflicting feelings surrounding you as of late.
All he gets is a whine in response, your body shifting just a little closer to him. Joel grabs your hips, pushing you down against his lap so he can grind up against you, a grunt spilling past his lips. He glances back at your tail, rutting against you with more force when he sees the steady wag, the sight of it making his cock twitch with interest.
“God. Good fuckin’ girl.” He breathes out, rocking you against him for another minute before it gets too much for him. He can feel you soaking the fabric of your shorts, and he’s starting to get a little dizzy with all the blood in his body rushing south. He’s so hard it hurts, and he can’t help himself as he tugs off your shorts and underwear in one tug, unbuttoning his jeans and yanking his boxers down just enough so he can free his length from the constricting fabric.
You’re so wet he can sink into you in one thrust, holding you steady as he buries his face in the crook of your neck, panting softly as he takes a moment to catch his bearings. He presses his lips to the skin there, trailing kisses along the column of your throat. You’re so wet and tight and warm, and it's a struggle for Joel not to blow his load early with how much you’re squeezing around him.
”Pretty, pretty girl. You’re doin’ so well.” He murmurs as he starts to thrust up into you, the sounds of your little gasps and moans making his head spin. His grip on your hips tightens so he can guide you up and down his length, helping you move with every drag of his cock. The room fills with slick sounds as he fucks up into you, his head tilting back as he lets out a breathy moan.
He leans forward to kiss you, swallowing your whimpers as he slides his tongue into your mouth. The taste of smoke and whiskey lingers between the two of you, his teeth biting down on your bottom lip to give it a little tug before he pulls away, running his tongue over his teeth. He starts to bounce you on his cock, grunting as your walls flutter around him as he pounds into you. He reaches around to grip your tail, tugging on it to encourage you to keep riding him. His fingers play with the fur there, the upper half of your tail continuing to wag where it’s free from his hold.
”Makin’ such a mess, sweetheart. Soakin’ my jeans.” He huffs, grinding his tip against your sweet spot before he pulls you up by the tail, leaving only the tip of his cock in before yanking you back down with a groan. You’re so wet you’re dripping all down his shaft, soaking his balls and making the fabric bunched up beneath them wet with arousal.
”Gonna make you cum for me, pup. Then I’m gonna fill you up. You want that, girl?” He grits out between thrusts, brows pinching together as he watches you nod eagerly. He has to bite his lip to stop himself from moaning too loudly as his words make your cunt clench around him, trying to milk him dry.
”Alright, alright. I got you, doll.” He lets go of your tail, grabbing your hips to bury himself to the hilt inside of you. He adjusts the both of you a little so he can make you grind against his pelvis while keeping him nice and deep. He rocks your hips, making you grind your clit against his happy trail, his eyes squeezing shut for a moment at the friction the movement brings.
”Shit-“ He hisses as he feels you tensing around him, your orgasm sending him over the edge right after you. His jaw clenches as he shoots ropes of cum deep inside of you, his body slumping against the couch when he’s left spent and twitching inside your needy cunt.
”Just…” He starts after a moment, hands moving to rub up and down your back gently, coaxing you to lean against him. “Stay like this for me, yeah? You did good, pup. Such a good girl.”
He relaxes when you snuggle up to him, his softening cock nestled deep inside of you. There’s something oddly comforting about it, and it’s not long before he’s got his face buried in the crook of your neck, slowly dozing off as he runs his fingers through the fur on your tail. He thinks he could get used to this. He’s really starting to like having you around.
˗ˏˋ ☆ ˎˊ˗
Joel's gotten into the habit of leaving you with Ellie when he has to go on those long patrols. He's never sure if he's gonna make it back, and there's no one in the world he trusts with you more than Ellie. He knows if something went wrong, the two of you would look after eachother, and that's enough to lessen the gnawing anxiety building in his chest whenever he has to leave.
Last thing he expects to see when he pushes open the door to his room is you and Ellie sleeping all curled up on his bed. It catches him off guard for a moment, but it's not long before a small smile breaks its way onto his face. He brushes some hair out of Ellie's eyes and leans down to press a kiss to your forehead, giving you a small scratch behind the ears.
He sneaks his way out of the room, settling himself on the couch. He knows his back’s gonna be protesting the sleeping arrangement, especially after slumming in the past few days on the ground, but he can't find it in himself to care. He curls up awkwardly, letting out a grunt when his too-big frame can't fit fully on the couch.
Despite his discomfort, he feels content for the first time in a long while. He hasn't felt this kind of happiness since Sarah. For once, the thought that he could be happy without her, no matter how much he mourns her, doesn't fill him with dread. The guilt is still there, the thoughts of 'what if', but he lets himself feel them. He knows they're never gonna leave him, and there's no point trying to force them away.
He never wants to forget Sarah, to replace her. There's always gonna be a massive space in his heart that's taken up by her, and there's no one that's gonna change that. But for once, he thinks he's happy with the little family he's got. The strays he's collected. He knows he can honor her memory by doing his best to survive, act like a dad she could've been real proud of.
Joel isn't a very religious man, but he knows he'll see his daughter again, one day. He cries himself to sleep that night, but for once the sobs that rack his body aren't filled with dread. It isn't him giving up, sitting around feeling sorry for himself.
They're tears of exhaustion, yes. But also relief. Hope. He can start again, live his life how he should've been these past few years. Really live, instead of just forcing himself to keep pushing through. Not just for you, but for Ellie. Tommy, too.
His family.
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partycatty · 3 months
Note
You're my favorite writer and I'm a Sucker for Johnny Cage x Himself from Mk11.... please?
okay, so lovingly, i don't feel comfortable directly writing johnny x himself... but i can do you one better?
johnny cage > two for one
the timelines collapse, leaving you in the face of new era and previous era johnny. you're not quite sure how you ended up in this situation, but their hungry stares are undeniable.
warnings: smut.. idk theyre frotting bro idk what else to say. ur rubbing their schmeats together. kissin tips. lockin cocks. diddlin dongs.
notes: THIS IS MK1 JOHNNY ("johnny") X MK11 YOUNGER JOHNNY ("cage") X READER!!! NO DILF HERE!!!
[ masterlist ]
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a swirling tornado of sand interrupted your meeting with liu kang and his recruited earthrealmers, pulling into view several faces you had not met before. one of which being a man bearing a large chest tattoo of "JOHNNY," and you could only assume it was his name. as well as him came others you were later taught were counterparts to some of your companions, namely thunder god raiden, monk kung lao, and a mortal liu kang. a part of you was filled with dread for now knowing not one, but two johnnys.... johnnies? another part, though, was intrigued, if not horribly flustered.
as time went on, you had to spend more and more time around these newcomers as well as your people. your johnny was always clinging to you, or lingering near you but dear god this new johnny was like a lost puppy with a raging boner. his comments, flirtatious advances, and feather touches were driving you up a wall. he was testosterone humanized.
you couldn't deny that your johnny was dizzying in essence, from his charisma to the way his form hugs his clothes deliciously. but, dear lord, this new johnny was a hunk. he was huge in every way imaginable, and you tensed up when they were both in your presence. this all came to a head when you were attempting to work on your reports, but the alternate timeline johnny - the one in which you've started calling "cage" out of formality - couldn't keep his hands to himself. this particular instance, you were trying to inspect a map outstretched on the table, and cage was looming directly behind you, placing his hands on either side of you and effectively trapping you against the table. you tried so hard to ignore it, but his musk and faint cologne made your eyes gloss over with desire.
that is, until johnny strode over to the scene and ripped cage from your proximity, aiming an accusatory finger in his face.
"listen man," johnny was irritated, perhaps suspiciously more than normal. "lay off, yeah? she's trying to figure out how the hell we can send you back to whatever timeline you came from."
"don't you touch me," cage snarled in response, squaring up. he was only a couple inches taller than johnny, but his size was almost double. "i'm a star."
"and? so am i!" johnny shouts back with a groan. as the bickering picks up, you couldn't help but watch in amusement. but then, the insults become less funny when johnny grabs cage's purple sunglasses and stomps on them with a huff. cage frowns.
"ladies-" you interject, standing between the two brick walls of men. "you're both pretty." and so, the two men feel obligated to listen to you. you shoot a glance at johnny, silently scrutinizing his behavior. instead of just taking your scolding, johnny grabs you by your upper arm and drags you into a broom closet. god damn, they wore the same cologne. the closeness was nearly too much, combined with johnny's admittedly sexy scowl.
"why are you letting him manhandle you like that? you don't know him." johnny asks under his breath, towering over you as he holds your arms.
"what do you care?" you're almost offended at his tone, but then it all clicks. johnny's defensive of you, protective. hell, he's jealous... of himself. this realization makes a smile bloom on your face, and johnny immediately knows what you're beginning to understand.
who said you could only choose one of them?
───── ⋆⋅☆⋅⋆ ─────
all it took on cage's end was one sultry stare, and he was sauntering toward the broom closet and locking it behind him. it was incredibly hard to think straight when both men's hands were groping and grasping at your body. in any other universe, you'd be dazed and confused from seeing double, but in this universe you're heated and dizzy from the two hard-ons rubbing into your body. one clothed cock was fitted and gently rutting into your hand, being johnny's. his needy groans and pants were swallowed by your own mouth as you made out with his plush lips. cage settled for your ass, grinding against it with equally needy grunts and breaths that haunted the back of your neck. when you pulled away from the kiss, you noticed johnny's already fucked out expression, his swollen lips parted as he tries pathetically to catch his breath.
"pl... please," he breaths out, voice barely audible over your gentle whimpers and cage's groans. "you don't know how long i've wanted your mouth on my... fuck." his head lolls back as you wrap your fingers around his cock, feeling it throb and twitch hungrily.
"make us feel good, baby," cage grumbles, slapping the side of your thigh. "on your knees, come on." obeying like a dog, you drop to your knees with a harsh bump, but you'll worry about the pain later. cage is already unleashing his cock from the constraints of his pants, palming himself through his boxers. johnny does the same, but couldn't bring himself to wait any more as his dick slings out of his slacks, nearly slapping your cheek when he twitches.
you decide to play the cruel game, denying johnny of what he's borderline begging for, his wet eyelashes fluttering at the sight of you on your knees for him, and... other him. speaking of which, you turn your head and wrap your lips around cage's cock, hollowing your cheeks and gently sucking down on his weeping tip. bobbing your head only a couple inches to tease, cage groans and watches johnny writhe for release.
"what's the matter?" cage taunts a slackjawed johnny. "jealous?" johnny bites down on his lower lip and nods wildly, cheeks flushed and averting eye contact. "hey, hey, ah-" cage tuts. he reaches over and grabs johnny by the neck, angling his face forward. "look at me while she sucks me off." and so johnny does, desperately whimpering and gasping as he watches cage's expression contort when you take his cock fully in your mouth, gagging as you reach the base. his other hand reaches down and holds your head in place, your lips burning from the stretch of the thickness. sure, they were both packing, but cage's was thick while johnny's was long.
your fingers found your cunt, swiping three available fingers across your folds and gathering the wetness before searching for johnny's cock and stroking as best as you can from this angle. his precum mixed with your slick allowed you to slide across easily. your head and torso were angled toward cage as you stretched your arm to jerk johnny off properly. both are now breathing heavily, and you only get to look up for a moment to notice cage's hand around johnny's neck, their intense eye contact having you wonder if you were even needed. clearly you were though, as they're both tensing and moaning at your pleasure.
fighting against cage's hand on the back of your head, you pull off of his cock with a pop and swap your attention, now jerking off cage while blowing johnny. the sudden onslaught of wet warmth makes johnny whine as he bucks into your throat, catching you off guard as you gag once again.
"ngh - sorry," he pathetically apologizes, only looking down at you for a moment. if he looked for any longer, he might just cum there and then. "m'sensitive."
"yeah you are," cage snarls, eyes clenching shut as he focuses on the pleasure. "god, you've got yourself a fuckin' whore in this timeline, don'tcha? you like sharin', johnny?" cage grabs your hair and tugs it lightly, and you hum an agreement against johnny's dick that makes him gasp as he nods along. johnny's warm, wet tip is seeping precum that places a salty taste on your tongue while it traces every vein.
cage's purring degrading comments and praises are lost to your hazy mind, too focused on pleasing the cocks in your face. you manage to pick up a few things about how good you look like this, and how cute they make them in this timeline. of course johnny would be attracted to himself, of course. this, thankfully, gives you an idea.
"hold on," you remove your lips from johnny and he involuntarily bucks into your face at the loss of pleasure. "can we try something?"
the two men exchange dubious glances, but their low lids and parted lips tell you they'd agree to anything you'd ask of them right about now. they nod simultaneously and you rise with a grin, wiping your mouth. each hand finds a dick and picks the stroking up again, trying to keep them heated and eager. one thing you pick up on quickly is that for as much smack as they talk, they're both desperately close from a few touches alone, bucking and whining into your hands. cage's cocky attitude has washed away and mirrored johnny's as they both submit to your touch. just as you feel them getting desperate, clawing at any part of your clothes or skin they could make contact with, you tug them together. cage leans against the wall, and johnny leans against a large equipment crate, gripping the corners.
you guide their dicks together until their undersides brush up on each other, making them both jolt in surprise. clasping your hands in a wide hoop, you resume your stroking, this time with both of their cocks trapped in your grasp. the messy mixture of fluid creates a wet noise as you glide up and down their touching cocks. johnny, as always, can't contain his desire and begins to rut into your hand, rubbing against cage's dick in the process. cage picks up on the idea, and the two men rub their cocks together as your hands stroke around them.
"holy-" cage slaps a hand over his eyes, groaning as his head tilts back. it's clear in all of his time, frotting was never something on his list. neither for johnny. "this... it's too much, doll."
"god - ffngh... it's supposed to feel like that," johnny interjects breathlessly, hips bucking up sloppily. his chin touches his chest as he hopelessly chases his high. "come on, no way you've - ahh - never done this. keep-keep moving-" a sharp hiss escapes his throat when you rub your thumb over his slit.
their thighs clench and their bucking becomes wild and it could be clear to anyone that they're extremely close. you also realize that they're entirely getting off on each other, whining every time their tips catch on each other. cage tightens his grip on johnny's neck and clenches his thigh with his other, while johnny is death gripping the box as he shakes and writhes.
"you can do it," you mutter encouragements to the men as their thrusts stutter. "talked so much before, where is it now, boys? you were doing so good..."
johnny couldn't take another second of the pleasure mixed with your praises, and with a final jolt, his thighs twitch as he cums, shooting ropes of his semen on both your hands and cage's cock. the cum coating his own cock got cage going just enough to finish shortly after, both of them spasming as semen drips down your hands. there was so much, and it felt so warm against your skin as they both whimpered and groaned curses and praises aimed at you and the other man. you lean down and place your lips around their tips, attempting to catch the final spurts as they dripped out. licking up their shafts to collect what you could, they simultaneously hiss at the overstimulation of their sensitive dicks, twitching and trying to pull away from your ruthless grip.
"alright, alright, fucking hell..." cage whines, pulling away with a harsh tug. his breath feels far away, impossible to recollect as he watches johnny shield his face with his arm, skin flushed and sweaty as his dick continues to throb in your hand.
they both reel seeing you lick your fingers, placing them in your mouth and sucking gently, lashes fluttering at how good - and similar - they tasted. johnny finally catches his breath and is the first one to properly speak up.
"someone's probably looking for us," he breathes, trying to fix his dress shirt with sweaty palms. "we... we should get back out there."
"right," you hum as your fingers are pulled from your mouth. "we were... in the middle of fixing all this."
"i dunno," cage smirks, crossing his arms. "i kind of like it here. i got two pretty things to keep me busy."
"don't make it weird," johnny groans, head lolling to the side as he stretches. "don't do that."
"how is that weird?" cage puts his hands on his hips.
oh lord, here they go ahead. maybe another round would shut them up.
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derangedanomaly · 3 months
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hello^^
one, your writing is beautiful and it always brings a smile to my face when i read it
and two, could we get a bad sanses +cross x reader where the reader is small? like the reader is below 5’2” (157cm) and they’re pretty slim??
Hello! I'm overjoyed to know that my silly writing brings a smile to your face, that's exactly what I aim for! :D
Hope this'll be to your liking! ^^
I realized, that I forgot to add the part about the reader being slim, only after writing it 💀 I'm stupid, sorry for that! 😭
MASTERLIST
BAD SANSES X SHORT!READER
NIGHTMARE:
PLATONIC
It doesn't surprise him in the slightest that you're much shorter than him. (He has some sort of god complex going on)
He has a habit of overlooking you, cause he never pays much attention to you.
You often trip just because of him.
He's such an asshole, I swear.
He gives you the more easier tasks, cause he doesn't believe you can do the harder ones.
Prove him wrong, and the next task you'll get will be something like... "Go destroy this AU." And it's like a solo mission too 💀
This dude gives zero shits about you. (He's just acting like a higher-up.)
ROMANTIC
If you stirr some romantic feelings in Nightmare, then he'll immediately notices your height difference. It's actually one of the main things he notices, other than your cute face.
He's not going to go soft on you though. He WILL tease the everliving shit out of you. But his teasing is actually so harsh, his words seriously hurt you. (And he doesn't even aim for that 😭)
Don't worry, it's not long before he gets softer with you, and tone your teasing down.
He literally doesn't let you do the dangerous missions. Or he will, but will team you up with himself. (He thinks he's so slick.)
Other than that, he doesn't really care about your height.
KILLER:
PLATONIC
He loves your shortness. Will make fun of you, almost every chance he gets.
He uses so many puns against you.
He's actually the shortest of the bad senses, so he partly forgets about the fact that he's almost the same height as you. 💀
Man's so goofy, you'll literally become best friends.
He loves to leave you hanging when you need help from him. (Evil at its fittest.)
Imagine you need something from the top shelf, and you can't reach it. So you ask Killer for help. He won't help you. He smiles wide while he's leaving, with you screaming profanities in the background.
ROMANTIC
He giggles the first time he sees your height. (Like he isn't the same height as you 💀)
He LOVES to help you get things from higher places. Makes him feel like your personal hero.
He would somehow convince Nightmare to make him and you go on missions together. (He just annoyed him with it until Nightmare eventually gave up.)
He likes teasing you, kinda like Nightmare does, but his teasing is more like flirting..if it makes sense. It leaves you a blushing mess, and he loves that fact.
You two have little teasing war. He makes fun of your height, and you in turn, make fun of his height.
Y'all are so silly, you're just flirting with each other at this point. 💀
DUST:
PLATONIC
Dust is just one of the people that doesn't pay attention to the heights of others. Or any of these sort of things.
He just doesn't care. 💀
You're not even a monster of some kind he could monitor, you hold no interest in him.
There's like an 80% chance that he'll ignore you altogether.
Though he has some standards, so he'll try to defend you if the others are making fun of your height. (Only if he has a good day though. Don't count on it 💀)
ROMANTIC
Even if he felt some sort of romantic attraction towards you, he just won't care about your height.
He'll probably just say like three puns about your height, but he won't comment on it any more.
He actually finds your height difference pretty adorable. He just wants to hold you tight and not let go.
He'll gladly help you if you needed something from a higher place. He quite likes it, actually.
He won't even ask Nightmare if he could go on missions with you. He just goes. (Nightmare will be fuming when he finds out 💀)
He'll be acting like he doesn't like it when you ask him for anything, y'know, acting like his emo self 🙄
HORROR:
PLATONIC
He audibly sighs, when he sees your height. You're another person on his list of people that he has to look down at, to actually talk to you.
But he does feel a little afraid of accidentally hurting you. You're just so small compared to him...
He makes it his mission to actively avoid you, just so he won't hurt you :(
You misunderstand it as him not liking you. Which results in more misunderstanding 💀
Doesn't try to acknowledge your height that much. He knows how frustrating it is to constantly hear about your height... So he doesn't do it. Which you greatly appreciate ^^
ROMANTIC
He has the same first reaction if he fell in love with you. He sighs, but it sounds more... Whiny...
He just feels really scared of hurting you, but he can't avoid you either, just cause he wants to talk to you. It's a real struggle.
Other than that, actually finds your shortness really cute. And he doesn't mean it teasingly, he means it genuinely.
Wants to be around you at all times, he wants to protect you. You've got yourself your own guard dog 💀
Appoints himself as your mission buddy. Doesn't even bother to ask for a permission from Nightmare. (This is gonna bring a little trouble to him in the future..)
Loves to carry you around on his shoulders. Not only do you feel taller, but he feels really good while having you on his shoulders. It's like he can show you off to anyone proudly.
You don't even have to ask him for help, he's already up and ready to help you out. He just has this feeling that you need help.
Can you tell that I like "short partner x tall partner" troupe?
Anyways, just thought that I'd show you what my HC on their height is at the end.
From tallest to shortest:
Horror, Reaper, Nightmare, Dream, Fresh, Swap, Dust - Epic (same height), Killer - Error - Cross (they're all the same height), Fell - Classic (same height), Ink (shortest lmao)
No one can top Horror's height. He's just the tallest of the Sanses 🤷‍♀️
(I think that the thought of Reaper being taller than Nightmare is funny.)
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chishiyae · 1 year
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— HIS LOVE FOR YOU ! [𝙛𝙚𝙖𝙩𝙪𝙧𝙞𝙣𝙜] e42! miles morales.
𝙧𝙚𝙫𝙞𝙚𝙬 ┊ a ten headcannon summary on what it’s like being the prowlers girlfriend. a man whose demeanor is cold but heart is warm.
a/n. — pretty sure it’s been…what? five months since i’ve last been on here? damn that was a long time ago, but i’m back and after restarting my layout and things, i’m writing 🤍
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E42!MILES, will never tell you how he feels about emotional matters in your relationship. and by this, i mean that if you were to lay on his chest one day knowing he's had a rough day, instead of saying thank you or how much he loves you (or anything like that), he'll massage your back and close his eyes in contentment. he's been more reclusive to himself than ever since he lost his dad. and, as much as he loves and appreciates you, it's difficult for him to be so honest. so, he does that slowly…but even then, he holds a few things back. because he can never just show you all of his love.
when it comes to “i love you”, he takes that phrase very seriously. he believes it’s more than just a catchphrase and hence only says it when the situation really calls for it. that way you feel the meaning. like when he's leaving to do his duties as prowler, not knowing if he'll return. there have been a few occasions where he’s said it when the situation "didn't call for it" — by few, I mean less than five. although, as the relationship progresses, he says it more frequently than he normally would.
don't let him not saying it all the time mislead you for rejection. he fills that hole with a plethora of reassurances ranging from presents to nicknames. looking at "ma," "mamas," "baby," and "princesa," and you'll know he's serious when he uses your real name.
in arguments, he has a small tendency to forget that you have feelings. not to the point that you wanna end the relationship, but enough that you need to ignore him for a day because if you tried more than a day, he wouldn't be able to handle it anymore. you each have a day to chill out and that's all. he values communication. always has been — even before his father died — but now that he's allowing another person into his life, his priorities are shifting and you’re definitely in his list of people to cherish and protect. so he does everything he can to talk things out and apologize. arguments don’t happen often.
he’s not possessive, but rather protective. I mean, can you blame him with this fucked up city? every time you two go out, it’s either holding hands or him putting an arm over your shoulder so no one messes with you. if you’d ask him if a revealing outfit you're wearing is okay, he'd answer "doesn't matter, I can fight." for sure.
for your safety, he never includes you in prowler-related activities, talks, or general topics, but of course he told you about him being the prowler. he told you the instant he realized he loved you. and only tells you he loves you after you’ve accepted that reality. disregarding his uncle's advice not to tell you anything. communication is key right? and that’s a big part of his life.
just like physical touch. he loves kissing you. your forehead and neck especially. passionate kisses are his favorite, slow and sweet. his kisses always aimed at determining what you ate or placed to your lips prior so he could get a taste and guess. regardless of how horrible or delicious it tastes because it's a tiny game he made. did that have anything to do with wanting to kiss you longer? yeah. but what did the first headcannon have to say about his emotions? plus, he liked it after the first time he tried it, and now it’s his favorite portion of any day.
meeting his mom would almost certainly be by coincidence. he wouldn't have planned for you to meet her for at least three months, so he knows it's serious, but she’d meet you sooner. you'd walk by her house and she'd say something like, "i've seen you around miles before," knowing he doesn't let many people in. and is curious about you. she'll naturally ask you as many questions as she can before miles interferes, but even if she likes you, don't address her by her first name.
it doesn't matter when, but whenever your finger is in his way? he’s gonna bite it. there’s no hesitation. as well as engaging in play fights with you whenever possible.
and last but certainly not least, encourages you to do things he’s never done. no elaboration. just gonna let you think on that one.
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© 2023, CHISHIYAE
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astrid-sama · 4 months
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What if a reader x carmilla but reader sold their soul to Carmilla as a show of love and devotion to her? Like either they were already dating, or they confessed and gave her their soul when she accepted.
(Hi, thanks for your request, I'm sorry it took me so long to write it, but I wanted to give context to your request)
Carmilla Carmine x fem reader
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The first thing I thought of when I realized I was in hell was "what did I do to deserve it?", even today I can't give myself an answer, while alive I had always been told that to end up in hell you had to have accomplished horrible actions, but I had never done anything wrong; the only blame that can be attributed to me is my death, I was killed, due to my naivety, by what I believed to be the love of my life.
At first I was quite surprised by hell, I imagined it as a great chasm that descended to the bowels of the earth inhabited by sadistic demons whose aim was to make your eternal damnation an agony, but instead it was a large city and to make your eternal damnation and torment were not demonic creatures but other sinners.
When I had resigned myself to my eternal "life" of suffering, I met the person who made me feel like I was in paradise without ever having even seen the golden gates of heaven.
The first time I met Carmilla was during the extermination, I had recently arrived in hell and I didn't know that once a year the angels came to kill sinners.
I was about to be killed by an exterminating angel but then she came and saved me.
When, after having made the angel flee, she held out her hand to help me stand up and asked me how I was, I felt my heart skip a beat. I don't know exactly what Carmilla liked about me, but after that day I was no longer alone in hell, at first I found an acquaintance, then a friend and finally a lover.
Carmilla had introduced me to her daughters before we even got together, she was very happy when she saw that we got along well, in fact within a few months I had become their "second mother".
The day Carmilla confessed her love to me and asked me if I wanted to be her girlfriend was the best day of my life.
Our relationship was perfect and made me realize how different our relationship was from what I had had in the past, Carmilla was always kind and loving to me, she gave me black roses (my favorite flowers) because she wanted to and not as as a sign of apology for hitting me, she never had outbursts of anger because I went out with my friends or because I didn't answer her phone calls; and the more time passed the more my fear grew that one day all this would end, it wasn't often that I was able to express my love for her to Carmilla and I feared that if I wasn't able to show her that I would be hers forever she would get tired of me (like my ex who had finally killed me).
I began to think about the best way to show her my undying love for her and finally decided that I would give her my soul.
I had organized a romantic dinner at our house and asked Clara and Odette if they could leave us alone for the evening.
My heart begins to beat faster with anticipation when you hear the door open symbolizing Carmilla's return.
-Welcome back-
I said and Carmilla greeted me by kissing me tenderly on the lips.
-How was your day?-
-Good now that you are here with me, mi amor-
I felt my cheeks heat up at the cute nickname, oh how I loved when she spoke to me in Spanish.
-Come love, I gave you a surprise-
-Did I do something special to deserve a candlelit dinner?-
-Why can't I treat my girlfriend well? Come let's go eat-
The dinner was very pleasant and Carmilla's hand remained on top of mine the entire time.
After dinner, Carmilla and I sat on the couch so close our knees were touching.
-Carmilla, I wanted to give you a gift, since you usually give me gifts-
-Mi amor there was no need, you are enough for me-
Carmilla said and then kissed my hands.
-Of course there is a need. I wanted to give you something that could show you how much I love you and that I would do anything for you; I want to give you my soul-
I expected Carmilla to be happy, but instead the emotion I saw on her face was bewilderment.
-Mi amor, don't joke with certain things-
-I'm serious -
-Why do you want to give me your soul?-
-I want to show you that I love you and that I will love you forever and there is no better way to do it than to give yourself to you-
-Mi amor why do you think you have to prove something to me?-
-I I...-
I didn't know what to say, I wanted to show Carmilla that I loved her as she always did for me and I had believed that giving her my soul would be the best path, I wanted to avoid having doubts about our relationship, I wanted to avoid it ending up the way it ended with my ex because maybe if I had shown him how much I loved him he wouldn't have had any doubts about us maybe he wouldn't have killed me maybe...
-Mi amor please tell me what pushed you to do something like that, you know you can tell me everything.-
Carmilla looked very worried.-
When I was still alive I had a relationship, he was very possessive and wanted me to prove to him that I was his but I didn't do it and I ruined everything and in the end he killed me; I was afraid of ruining everything with you too-
-Mi amor possessiveness is not a sign of love, the person you were with before was toxic and if he had really loved you he wouldn't have killed you. I don't need you to give me your soul to love you, I just love you-
-Please forgive me, I didn't realize how toxic what I wanted to do was-
-It's not your fault mi amor, it's the fault of that bastard who made you believe that those things were normal in a relationship. Mi amor I love you more than my life, if you want I will always be by your side and I will help you overcome the wounds that your past reaction has left you.-
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septembercfawkes · 3 months
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How to Convert Exposition into Ammunition
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Exposition is all the facts and information conveyed to the audience. It's facts about the setting, the worldbuilding, the characters, the current situation, the history, the magic or technology, or anything else that is straight-up information. Every story needs some exposition, but for all of us, it's been tricky to handle at one point or another.
One of the quickest ways to tell a beginning writer from an experienced writer, is how he or she handles exposition. Beginners often cram in too much too fast, leading to poor pacing, info-dumps, or maid-and-butler dialogue. Professional writers know how to expertly weave exposition into the story, so that the audience is fed information without hardly noticing it.
Last year, I did a post on how to use turning points to help you discern what info to put in and what info to leave out, when. I mentioned that in his famous book, Story, Robert McKee has a maxim: "Convert exposition into ammunition."
It sounds great, right?
But like some of the most meaningful writing advice, it can be difficult to wrap your head around. 
It sounds great, but like . . . how does one actually do that? And what does that actually mean?
Luckily, McKee does expound a bit on what he means, and today I'd like to expound on what he means by offering my own spin on it.
As McKee points out, "Show, don't tell" is key for exposition--we want to find ways to dramatize the information. Okay, great, chances are if you're reading my blog, you already know that. Still, it's often helpful to start with what you know.
McKee writes:
Dramatized exposition serves two ends: Its primary purpose is to further the immediate conflict. Its secondary purpose is to convey information. The anxious novice reverses that order, putting expositional duty ahead of dramatic necessity.
This is the part I want to emphasize: Its primary purpose is to further the immediate conflict.
Summed up into one simple line, this is what it means to turn exposition into ammunition.
But don't worry, I won't leave you with only that.
Cause if you know me, I like to go deep . . . 
Load the Ammunition! Exposition as an Asset or Problem
Ammunition is meant to be shot, dropped, or detonated.
It's not something you use during peaceful circumstances (unless, of course, the peaceful circumstance is just covering up a silent struggle).
Because we want to connect the exposition to the current conflict, this means that one of two (or both) battling forces is loaded with the ammunition.
The protagonist.
Or the antagonist.
And when I say "antagonist," I'm not just talking about the main "bad guy." 
The antagonistic force is whatever is opposing the protagonist in the pursuit of his goal. So while there is often a main antagonist, there will actually be lots and lots and lots of lesser antagonists. A rock may be an antagonist. A computer. A storm. A substance. A mouse. (Read more about this in "The True Purpose of Antagonists.")
Furthermore, the protagonist of a scene may not always be the main protagonist of the story (but more on that in a sec).
The protagonist is someone the audience is oriented toward (often the viewpoint character), who is pursuing a goal.
So, to simplify, the protagonist pursues a goal, and the antagonistic force opposes that.
This is what creates true conflict, which may or may not include flying fists or shouting matches. Conflict is simply the protagonist struggling to pursue the goal because of the antagonist.
When the protagonist is loaded with ammunition, it's an asset. He aims it at the antagonist to get the obstacle out of his way.
When the antagonist is loaded with ammunition, it's a problem. He (or it) aims it at the protagonist to get the protagonist out of the way.
This means that in order to make exposition into ammunition, we need to turn the information into an asset or a problem.
And it needs to become an asset or a problem for the current conflict. . . .
The Current Conflict
Okay, so, before we go much further, I need to briefly review a few concepts. If you've been following me a long time, I hope you won't want to aim your ammunition toward me, because we've gone over this a lot, but it's critical to make sure we are all on the same page, because everything builds off the basics.
Novelists often focus on the big main conflict that stretches through the length of the book, the global story or the narrative arc (depending on what terminology you prefer), and structurally, it looks like this:
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The conflict creates the rising action. If we were to zoom in, it'd be like this . . .
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But this isn't only true of the story as a whole. Story structure is a fractal, and this is true of smaller structural units as well.
This is true of acts (and the second act is commonly cut in half):
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And it's also true of scenes: 
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They fit inside each other, like a Russian nesting doll.
This means nearly every scene has a conflict.
This also means that nearly every scene should have a goal.
And nearly every scene should have an antagonist.
Because, rising action only happens when a character is pursuing a goal and running into antagonistic forces (obstacles). This is what creates the climb, the escalation.
The difference is that in a scene, all these components happen to a smaller degree, than the story as a whole.
So, the protagonist and antagonist of a scene, may not always be the same as the main protagonist and main antagonist of the global story.
The primary purpose of exposition is to further the immediate conflict.
The immediate conflict is what's happening in the scene. It's the current scene's conflict.
And yes, often that conflict is also feeding into the act-level conflict, which is feeding into the global story conflict. Because the smaller units fit inside (and even make up) the larger units.
So we best turn exposition into ammunition, by making it ammunition for the current conflict.
For the scene-level conflict.
Let's talk about how to do that. . . .
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Exposition as Ammunition
Just as that basic structural shape fits within itself, within scenes, so do all the basic elements of plot.
The primary principles of plot are goal, antagonist, conflict, and consequences (stakes & ramifications).
Every scene should have a goal, an antagonist, a conflict, and consequences.
Turning points are important too--those are the "climaxes" in the structures above--it's when the conflict hits a definitive outcome that changes the direction of the story. It turns it into falling action.
There are more plot elements that build off these, but these are the most important and most foundational. They almost always need to be there to create a great scene.
The way to turn exposition into ammunition, is to turn information into plot elements.
It's part of the goal. It's part of the antagonist. It's part of the conflict. It's part of the consequences. It's part of the turning point. (Or it's part of one of the other plot elements I didn't mention (I'm simplifying).)
Or even more simplistically speaking--it's an asset or a problem in the current situation.
Let's look at an example to demonstrate.
Example #1: Magic System Exposition into Ammunition
Say we have a magic system about shadows. Perhaps in it, if your shadow overlaps with another's, that person is more susceptible to your influence and manipulation. In your little fictive world, you think this is a cool idea, and of course, the audience needs to know about it.
But simply explaining it to the audience isn't plot. Exposition in and of itself, doesn't make plot. Exposition is just information, and it certainly isn't functioning as "ammunition."
How do we convert it into ammunition?
By connecting it to plot.
We make it the protagonist's goal to manipulate another character through her shadow. Now she watches light sources and where her shadow falls. Now she tries to get closer to this other person, without being obvious. It's interesting because it's relevant to what's happening at hand.
Or perhaps in this scene, this magic is part of the antagonistic force. Someone else is trying to stop the protagonist by manipulating her via shadow, and now she needs to make sure their shadows don't touch.
Or we bring the shadow magic into a different, current conflict. Maybe neither person originally intends to manipulate the other via shadow. They are arguing about something totally different. But as it escalates, one shadow falls over the other's and contributes to the situation. It helps the protagonist, or it creates more problems for the protagonist.
Or we tie it to the consequences. If the protagonist fails to outrun the antagonist (current conflict), the antagonist will force her down, then manipulate her to the point she's basically brainwashed via shadow magic.
Or, we make it part of the turning point. The current conflict escalates, and the way the "battle" is definitively lost or won is by manipulating someone via shadow.
It's not just information anymore. It's ammunition.
It's working as an asset or problem for the protagonist.
As the audience watches this play out, they barely recognize they are being fed information.
To them, they are simply being fed plot.
And it's scene-level plot. Meaning, it's immediately relevant. 
Suddenly what could have been a boring chunk of info-dump is exhilarating. It has the audience on the edge of their seats.
Let's look at another example.
Example #2: Backstory Exposition into Ammunition
Let's say your character has a history with another character in the scene. They were childhood neighbors, and one time as kids they got into trouble. They were throwing water balloons at passing cars, and one of the drivers got out and chased them. They got cornered in an alley and the driver called the cops.
Now, these characters find themselves together again, and they are planning what to do next on their way toward the main plot goal.
So I could just dump in that backstory as exposition. . . .
Or I could find a way to turn it into ammunition.
Rather than having them peacefully planning together, it would likely be better if they were arguing about what to do next. This makes the second character an antagonist for the protagonist, within the scene.
Each person is trying to convince the other that their idea is great and the other person's is terrible.
As things get heated, the second character blames the protagonist for getting the cops called on them as kids.
This is now ammunition that feeds into the fight--it's the antagonist shooting it against the protagonist in the current conflict.
Now they are arguing about the water balloon incident.
So what was originally just info about their pasts, is now contributing to the current plot.
Let's do one more example . . . 
Example #3: Character Exposition into Ammunition
Your character dreams of winning the upcoming beauty pageant. But that information isn't relevant to the current plot. Yet it's important information to know, because it conveys not only her interests but key skills she's going use in an upcoming scene.
You could try to shoehorn it in, or you could weave it into the current conflict.
Perhaps the current conflict is seemingly unrelated.
She has to walk home from work every day, and her goal is to get home before dark. She doesn't feel safe walking home in the dark.
Anything that delays her, becomes an antagonistic force.
She's facing stray dogs, street salesmen, and chatty acquaintances.
In her rush, she accidentally steps into a storm drain grate, which ruins her shoes.
The shoes she intends to wear to the beauty pageant (she shouldn't have worn them that day, but she had a nice presentation at work and took the risk). 
This is a cost, or consequence (ramification) of her pursuing her home in a rush.
It's "shot" her in a way that impacts her future. It's thrown her trajectory at least slightly off balance.
It's a problem.
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Contextual Exposition
Now, I want to acknowledge that not every single piece of information needs to be completely dramatized or "shown," and if it was, chances are the audience would feel like the story was lacking context.
Context is the information the audience needs to properly interpret the story. Without it, the audience feels a little blind. They need the narrator to guide them so they can appreciate what is unfolding. 
So, if Joe calls Mack, "Sam," the audience wants a clue as to why. Is Sam a nickname? Is Joe bad at remembering names? Is Joe doing this to be rude? The audience doesn't know. They can't properly interpret what just happened. They need more insight.
If Joe calls Mack, "Sam," to be rude, then the narrator needs to drop a line of exposition to explain that. This is not only acceptable, but necessary.
In a strange way, though, this kinda brings us full circle. 
Notice that this is providing context for the current conflict (or situation). 
It's not information for the sake of information.
Having this information adds power to the current scene. It will help us understand that scene's conflict.
It doesn't take away or distract us from that scene.
In the same book, McKee talks about how you must pass on information that ensures the reader won't be confused. This is contextual information. 
(Well, ensures the reader won't be unintentionally and unnecessarily confused. (In some rare exceptions, we may want the reader to be confused, but only briefly.))
McKee says, do pass on exposition if it reduces confusion.
Do write contextual exposition.
Even in my magic system example above, I would include contextual information. If I didn't, the audience wouldn't know to care two cents about the protagonist's shadow. They would probably feel confused on some level, when one character suddenly succumbs to the influence of the other, not understanding how or why.
Contextual exposition helps build the framework of the current scene's plot.
It may not be ammunition, but it's the material of the weapon that will hold the ammunition.
If there is no weapon, the ammunition doesn't do so much.
Reveal the information that will make the ammunition most impactful in the story.
When you do that, it's still relevantly tied to the current plot.
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flordeamatista · 10 months
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𝗣𝗹𝗮𝘆𝗶𝗻𝗴 𝗪𝗶𝘁𝗵 𝗙𝗶𝗿𝗲
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pairing: bodyguard!ari levinson x mafia!princess reader
concept: You intrigue me, moving on top of me, touching my lips here and there, and I am enveloped by more desire.
word count: 3.5k
warnings: bratty reader, desire, lust, p— in-v, edging, dirty talk, degradation, rough sex, unprotected sex, praise, mature themes, small gun violence at the night club, teasing, nickname ──(Princess, Sweetheart)
a/n: Thank you @sunshinebuckybarnes and @lookiamtrying for always being the finest menaces, and I know this is a few months late, but here it is.
lovely beta: Thank you so much @writing-for-marvel for listening to all the ideas I had for this story and for always lifting my spirits. @lunarbuck Thanks for always telling me it wasn't a silly dream and for always encouraging me. lots of love for you both.
the cute gif and moodboard/line divider made by me
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masterlist
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The sky burns higher and higher, love, is fire too scary for you
Stepping into the house, the sound of your designer red heels striking the marble floor blasts through the foyer like a raging fire storm. Your unyielding determination and boiling-hot rage shines through every step you take.
His eyes are dominated by a blue hue that seems to numb your energy.
He glares at you as if you are nothing more than air; as if he didn't intend to acknowledge your presence. 
You want to reach out and rip that icy gaze off his face. No one ever ignores you in such a manner in this state, or anywhere else for that matter. 
“You’re destroying my life!" Your voice reverberates through the walls as you throw anything within reach to express your seething hatred for him. 
Ari can’t help but take a deep breath, feeling your shouts stab at his head like spears.
"Why don't you just leave me alone?" You snarl through gritted teeth as you tear off your heels, aiming them at his face. “You know, I could hire someone to get rid of you." 
For the one single night when all you want is freedom, he’s here trying to drag you out of the car. You tried escaping by hiding in the backseat of your friend's car, but you never got to the gate. You didn't have time to enjoy your freedom before Ari Levinson dragged you away.
Your humiliation reached its peak when he laughed, mocking your position as a mafia princess who has to beg her own bodyguard to stay away from her. The laughter sent ripples of anger and shame shooting through your veins. 
"Do it, Princess." He smirks mockingly. “I would love to see them try." 
Your nails dig deep into the flesh of your palms as you clench them tightly together. You scream at the top of your lungs as you ascend the stairs to your room. 
Ari can still hear faint echoes of your cries drifting through the hallway until they slowly die away completely. His thoughts drift as he picks up your heels and walks up to your room, murmuring to himself, "This spoiled princess wants to be a brat."
Having no escape, no freedom, I will shake the world to get what I want.
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There is something magical about dancing as rainbow-like colors illuminate the room around you, every move creating a small firework. As the music plays, the room fills with a sweet smell of sweat and perfume that only enhances the experience. Your arms move through the air and your feet bounce in step with the beat. Closing your eyes, you let go of everything else as you reach for the sky with wide eyes and a contagious smile in your heart.
The music plays, and you laugh to yourself, knowing he will probably kill you because of what you did.
“There she is!” You turn to see your best friend, Irnia. Her eyes twinkle with mischief as she hands you a glass filled to the brim with sparkling golden liquid. "How did you escape that beefy dreamy bodyguard of yours?"
A smirk appears on your lips as you sip the drink. “He’s wet and trapped in a bathroom with a broken door knob."
Through careful planning, you managed to lock Ari in the bathroom and break his doorknob. You collected your phone, along with other items he had hidden to keep track of you, and escaped. Your only desire was to hear him grunt in anger when he realized you had outsmarted him. But his blue eyes had lost their intensity long ago; they could never keep up with his work.
The music pulses through the club's veins, coursing through the air and pushing people to dance and laugh. With joy, drinks are thrown back and mouths are wide open.
There is a flicker before the lights go out, plunging everyone into darkness. Screams of surprise echo off the walls. As panic grips the crowd, hands grasp each other desperately in search of an escape.
You suddenly realize, as you feel yourself being pushed by the crowd, that your exit plan is stuck at home because you had locked him in.
Chaos in your mind leaves you speechless, and words cannot describe how fear engulfs you and flushes out the light.
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Your finger trembles at the trigger of your gun, and your heart races in anticipation. A cold bead of sweat rolls down your forehead and mingles with the night's warmth, washing away what remains of your sense of security.
You take a deep breath and lunge forward, gripping your gun tightly as if it’s a lifeline. 
A frantic noise outside causes a chill to grip your body, so you raise your weapon and cry as tears slowly trail down your cheeks. A burning white light weighs down on you, making breathing even more difficult.
The burning white lights mock you with what they can't provide.
Safety.
If you close your eyes, all you can see are a pair of familiar ocean blue eyes. 
Ari had insisted you carry a handgun strapped to your leg and taught you how to use it, although he kept a distance from you. “It’s either your life or theirs. These men will not hesitate to shoot. Are you prepared?" You suddenly feel as if he was protecting you with his advice.
Your gun is aimed at the door, ready to face whatever danger may arrive. It feels heavy, but you know it is worth the effort for the sake of your life.
You feel an icy chill run down your spine as the door of the club's restroom slams against the wall. Across the concrete floor, heavy boots stumble, their footsteps echoing like thunder in the darkness. One by one, the stall doors open, closing in around you and filling the room with the smell of sweat and fear.
You hear Ari's voice and you know you are safe, but still too far away from him. Gun in hand, you hold it tightly. It's just a matter of holding on so he can find you. An agonizing scream follows Ari's grunt and the thud of his fist hitting flesh.
Your heart races as terror washes over you and your throat dried up. You muster every ounce of courage to cry out for help, “Ari, I am in here, please! I'm sorr-y.”
I only know where I am, and anger is outside.
Rage coursed through Ari's veins when he heard you had disappeared on his watch. In his quest to protect you, he called every contact to trace your movements. In the club, he saw your ex-boyfriend marching toward you and felt a flood of desperation wash over him.
As instinct kicked in, he punched anyone who stood in his way with animalistic skill and ferocity. A body flew across the room with each blow, leaving the walls trembling. He heard your voice calling for help at that moment.
Ari surges through the crowd and slams the door of the stall. You stand there, trembling in fear, your gun shaking.
He immediately runs towards you, ready to take on any foe if need be. The gun falls from your hand and into his arms. 
When Ari touches you, your knees weaken, and you feel at peace just seeing his crystal blue eyes. You embrace one another and time seems to stop as relief washes over you both. Tears of guilt roll down your cheeks as you apologize profusely for everything that happened.
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While the stormy sky pours, I search for your caring touch.
A slow pounding of your heart fills the air as you tiptoe into Ari's bedroom. A gentle thunderstorm rages outside the window; the room smells like rain; the steady rhythm of the drops is loud in the background, providing some comfort. 
When your eyes adjust to the darkness, you can see Ari's figure in bed. His long, dark beard frames his lips, adding a relaxed aura to his facial features. Moonlight and lightning flashes create an ethereal effect on Ari's face and body; his sculpted muscles move beneath the blankets, with a few chest hairs peeking out. 
The protective wrap around his arm from when he saved you at the club catches your eye. He never spoke a word about it or blamed you. The contours of his body ache beneath your fingertips, but you remember what happened the last time you tried to get so close to him. 
A lump forms in your throat as you slowly lay the blanket across Ari's chest. It had been a long night for both of you, and this man in front of you saved you without a hesitation.
You reluctantly turn around, ready to leave, when suddenly Ari grabs your wrist and pulls you onto the bed on top of him. His muscular arms wrap around your waist and hold you against his solid chest.
Your body relaxes in his embrace as you breathe in Ari's breath.
The sound of his voice rumbles as he searches for your eyes. "Where do you think you're going, Princess?" he asks in a husky voice as his fingers caress your skin.
There is a throbbing sensation in the pit of your stomach, as well as warmth spreading throughout your body. You are feeling the effects of his presence. Your heart races with tension and nervousness as you try to pull away, but there is an undeniable magnetism between you that won't let go.
You don’t want to show it, but a part of you wants to stay with Ari forever.
Looking for an excuse, you murmur "Away from you. Let me go." But it is too late, he knows you’re concerned for his health and doesn’t let go.
A smirk appears on Ari's face and he responds calmly. "Oh no, now you want to tell me what to do in my room? You were here for a reason, so why do you want to leave now? When I opened my eyes I saw you on top of me. Princess, I can touch whatever is in my room - care to tell me what brought you here?"
You reply firmly, your voice low. "Ari, you're injured and out of it. I just wanted to see if you needed anything. Now let me go, you idiot."
His smirk slowly fades away and is replaced by sadness. "Princess, there's only one thing that can heal my wounds.” He pauses, letting his words sink in. “Kisses from that bratty mouth of yours." 
In one swift movement, he flips you over and hoveres his body above yours, one hand pinning your wrists above your head and the other brushing and grabbing your throat. 
A smile tugs at the corners of his lips as he replies, "Kisses, Princess." With your face inches from his, you open your mouth to protest, only to have him shush you with a stern look in his eyes. 
A mischievous gleam adorned his eyes as he whispered in your ear, "Let me taste those lips and a few other things I've been thinking about for months." He places his lips on your neck.
A part of him has always intrigued you which was why you couldn't leave him. You whisper softly, "Ari, you're insane," inviting him to stop you, but that is the last thing you want and he knows it. 
Ari looks at you with lustful eyes. Teasingly, he asks, "Are you sure?". He glances downward to where your fingers are digging into his shoulders and groans. "The way you're touching me makes me think that you're not." 
You bite your lower lip and throw caution to the wind as you push his shoulders, securing yourself back on top of Ari again. Your legs straddle his waist; you don’t want him to let go.
In a frenzy, you whimper yes, and his hands begin to lace their way up your body, unbuttoning your night top. Soon, you feel the cold air on your breasts and his thumbs touch your nipples. "You feel this, sweetheart?” Ari’s voice is a low whisper. “I’m going to make you mine." 
For months, you've wanted to see him like this, to feel him. Now, after tonight, you’ll never see him again. Because of what happened at the club your parents deemed Ari unsuitable to be your bodyguard. It is your fault, and they said they would talk to him in the morning, but you had to see him now.
"I'm going to scream and you–," you whisper, trying to tease him.
The two of you lock eyes, and your lips part slightly. As his hands reach out for your face, he pulls you in for a kiss. Taking a deep breath, he breathes you in. When you feel his breath on your skin, it makes you shiver with need.
You feel like an invisible fire has been burning your bodies since the moment you touched him, a fire which has been burning for months without a way to slake its thirst. Moans and sighs of desire fill each other's mouths as your mouths collide desperately. When he touches your breasts, your heart skips a beat; every spot craving to be touched more. Ari tears your clothes off your body and you feel the sensation of him bare against yours.
“The screams will be my name and you moaning for me to keep fucking you, sweetheart.” He adjusts himself between your legs.
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Euphoria erupting in your body and a pounding heart.
“You’re already wet for me, aren’t you, sweetheart?"
He can also see how close you are to surrendering completely to his dominance. The teasing look in his eyes gets under your skin, so you lift your legs up and arch your back towards him. 
You feel his cock against you again, teasing your needy pussy for him. 
Your lips whisper, "Please, Ari." As he watches you squirm, Ari raises his hips as if he is considering whether or not to enter you. A coy smile spreads across his face as he teases you around the edges of your pussy. He seems to enjoy it too much.
The more he teases you, the more irritated you become. You bite your lip and moan, the excitement of danger heightening your lust. You watch as he looks into your eyes to see how much you crave him. “Fuck you, Ari," you beg, despite yourself.
You feel as if your bones have melted under pressure, and your legs shake with pleasure and anticipation.
"My princess really wants it." The words spin in your mind intoxicatingly and put a clenching pressure on your core. 
Just outside of where you need him most, his cock strokes up against you. Is this teasing? It's driving you crazy, but with pleasure instead of anger.  Your skin tingles just thinking about him, as if his touch has already molded itself over your soul.
You squint, begging him to stop teasing you without words. Before now, you have never asked anyone for anything.
His hard thick length felt foreign and hot as it slowly eases its way into your entrance. With an animalistic growl, Ari thrusts inside all the way in one motion, sending thrills through your body. His slow, precise movements inside you have you clutching desperately onto his neck, digging your fingertips into his skin.
You intrigue me, moving on top of me, touching my lips here and there, and I am enveloped by more desire.
Each time he rotates his hips, a different nerve ending is stimulated, causing you to moan uncontrollably. He pulls back slightly before pushing into you again. Dropping down on his forearms, he leans over you with his lips never leaving yours.
“You can’t control yourself,” he murmurs into your mouth. “I think I can already feel you coming.”
He smirks and pulls out almost completely before slamming back inside of you. Every muscle in your body tenses up in anticipation as he teases you with all the sensations he has been denying you for months. “Do you want more? Are you ready to come for me?”
Ari slams hard into you and pulls away, taunting you. In an effort to keep him inside, you grasp onto him desperately. The more you plead, the more he retreats, only to push harder the next time.
"My naughty princess," he whispers, "you love this so much." Take a deep breath! His rhythm is slow and shallow, fucking his cock in and out of you before speeding up. With each impact, he slides an arm under your waist and lifts you up slightly as he drives his body faster and deeper than ever before. "Look at you," Ari growls deeply as he pumps into you ferociously. The only thing stopping him is your legs holding him tightly around the hips while smacking your ass as the bed posts shake. The sight of you panting through gritted teeth thrills Ari. 
"Let go," Ari whispers hoarsely as he seals a kiss of desperate longing on your lips, giving the command that calms all drives your body.
A fire of passion ignites beneath the moon's gaze, as he steals kisses from my body in a husk of passion.
The air in the room is hot and heavy, and Ari's sweat-slicked forehead glows in the low light. His lips find your forehead first in a gentle kiss that feels like a long-awaited release. As you lift his hair from his face, he grabs your hand and kisses it. His hand slips lightly through your hand before lingering on your face. “Did I still destroy your life, but now with my cock?” he asks with a hint of a smirk. 
You couldn’t help but giggle, and you playfully slapped his shoulder in response. “Shut up,” you whisper back. “I still want to kill you.”
Ari chucks as he kisses your protest away and flips you so that you straddle him. He cups his hands around your waist, gently guiding you onto him until you both gasp at the sensation of being connected as one. “How about you ride me to death, Princess?” he murmurs.
It was black outside and thunder rumbled, but inside the room was hot, red, and heavy with lust.
When a thunderclap resounds this night, your hands grip his chest tightly. Whatever may happen now, he will always be by your side to protect your heart.
A hungry, filthy eye watches it as lustful desire ignites around every corner
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antimony-medusa · 7 months
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on Consequences in minecraft streaming
Okay so one of the real common things that I've been seeing lately is an increasingly passionate call for certain characters to experience Consequences (and the rest of the post always makes it clear that they mean a specific type of definatively negative repercussions) for their actions during QSMP events. And aside from the absolute deja vu of having seen these same calls when DSMP was airing, and how that turned out (sorry, the syndicate did not all have a meeting where they apologized for their sins while tommy told them they were horrible people), I'm not 100% sure if that's going to happen or pan out in the exact way that I think people are aiming for and expecting will happen.
I keep seeing a lot of people saying that it would be bad writing if people don't get "consequences" for their actions, and what they're specifically asking for is punishment and for people to realize what they're doing was wrong. BBH is supposed to repent for furniture thefts and torturing the people keeping him from his kid. Phil is supposed to realize that actually he's good at PVP and apologize for saying that his team has been suffering in purgatory. Tubbo is supposed to fill in his tubhole and only do things other people ask him to do.
But like, so much of the time, what we're seeing is these streamers being interested in writing morally grey characters, just some little guys who make bad decisions, and the thing about characters being morally grey is that they don't always have a come to jesus moment and become morally pure. Sometimes they just keep being morally grey. Sometimes they get worse on purpose.
Maybe BBH never decides that torturing that guy was bad, because he wanted to get his FUCKING KID back. Like, I seriously think you have to be prepared for that character arc to never end in Bad going "that was wrong to do", and maybe his cubito will still be happy. Phil is a dude with anxiety who's been sure that his kids are going to die from the moment he got to purgatory, streaming at 1-4 in the morning while other teams break into their base, even if bolas goes insane and scrapes out a win I think it's way more likely that that team is gonna go "what a wild fluke that's the power of gas masks" and not have a moment where they go "it was unfair of us to assume that we were underpowered, I guess everybody else was the underdogs! Our bad." Tubbo is tubbo, he's already building a new create thing, he is not going to apologize for leaving marks on the landscape with mod packs.
Like, the streamers are interested in making human characters, making interesting decisions, not communicating moral lessons to their fanbases. Bad is operating within a Taken film, not a sermon. Quackity wants his cubito to be pathetic, gay, and out for revenge, not to communicate the importance of forgiveness to those who hurt you. Tubbo's victory condition is having a nice date with Fred, full stop, does not care who he has to run over to get there.
Absolutely I think there are people intentionally doing corruption/villany arcs on the server, and they probably intend for that to lead places. There will be Consequences, as in, things will happen. Cellbit is doing cannibalsm on purpose, and not as a teaching moment about how good cannibalism is for your social bonds. But like, maybe that leads to him being thrown out of his family and not trusted because of his sins, OR maybe it leads to him murdering his way through a federation complex, facing down a bloody cucurucho, and going "you made me into you and I hate this" and eating him. Narrative consequences does not always mean punishment and a return to moral purity. Sometimes people just do bad things, and then repercussions happen, but they don't necessarily "see the error of their ways". The specific call for like— retribution and repentance as the consequences people are going for— for punishment— if a character has done something bad they don't "deserve" good things to happen to them and it's bad writing for that to happen— I just don't think that those are the stories the creators are necessarily interested in telling.
And secondly, what people are often asking for is character conflict— they want people to be socially excluded by characters they feel have been wronged, and learn the error of their ways that way until they apologize sufficiently. Phil is gonna hate BBH or Tubbo is going to hate Roier or something once they return from Purgatory. People want their cubitos to have beef with each other.
But the thing is, on a meta level, I don't doubt that the entire admin team and streaming team on QSMP is just screamingly aware that this fandom cannot be trusted with conflict. The election was just part of it, but I made it through the election, and Purgatory has been so much more unpleasant— and I am not just talking about twitter. This website, tumblr, has been full of people fighting each other for their teams. And I am not just saying "red team fans have been bad", because boy have I been staring in horrified awe at the takes that some red team people have been putting forward (what on EARTH do you mean BBH deserves to have his kid die, touch grass immediately), but if I step outside of red team circles, everyone is talking about how red team people are horrible hypocrites who win too much and only deserve to suffer (I saw this posting the day that blue had back to back wins, so it isn't even tied to how well red is doing). The quality of the discourse has been increasingly unpleasant, and this has been taking place in streamer's chats, on twitter, in discords, and here on tumblr.
Every QSMP streamer is increasingly aware that having conflict with another streamer is basically sending a wave of negativity their way, and setting off bombs in the fandom at the same time. And they're all friends with each other! Sometimes they decide that the story beat they're going for is worth it and just tell each other to stay off twitter, but like, you have got to be prepared that maybe they will just be friends again. And that might be weaker writing, for people to keep forgiving each other, but that is an unfortunate aspect of the technical aspects of this medium and this fandom. Maybe the creators would be more willing to have character conflict if they didn't know that that meant the person they were mad at in-game would get death threats on social media.
Like no fucking wonder Phil apologized for getting mad at Wil within the same stream and before Wil said sorry to him. This is why the French have given up on revolution arcs, you know it's why the women are all very careful to get along with people. All of those creators know the cost of making anyone into a villain, and I'm just saying maybe get prepared that we won't have inner-party conflict. Maybe they'll decide it's worth it for a fun story moment! Maybe they won't. Maybe don't get 100% married to the idea that the only good writing possible moving forward is for people to be thrown out of the community and then repent for their sins.
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softerglow · 11 months
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how to create a good morning routine
in comparison to a night routine, a good morning routine should be a bit more intensive. the morning should be the time of day where you get the most important or off-putting tasks on your to do list out of the way. there's two different approaches i would take to creating a morning routine, depending on if you're used to waking up on time, or if you have trouble getting out of bed.
the big question:
what do you want to get out of your morning routine? do you want more productive hours in the day? do you want more time to spend with yourself? find your answer and make sure it's a good one. if you don't have a reason that's good enough to get you out of bed, you won't.
the benefits of a morning routine:
starting the day off on the right foot. you have time to regulate yourself and get ready without missing any steps. feeling organized and prepared for the day will help your overall mood as the day goes on. a good morning routine should reduce the stress you feel in your daily life.
punctuality. you know what you need to do, what order to do it in and you're leaving the house on time. many of us have a habit of running late. it's rude and gives the impression that you're unreliable. being on time should always be a priority.
more free time later in the day. you could have more time for self improvement, leisure or picking up new projects if you set up your morning properly.
how to plan a morning routine:
how much time do you have? make sure you have a clear picture of how long you have to run through your morning routine and how much of that time it takes to get ready.
choose what your first activity of the day is. once you've turned off your alarm, you need to stay out of bed. if you have faith in your discipline already, exercise or chores should be first on the list. if you're still adjusting to early mornings or you just prefer a more laid back morning, make yourself an easy breakfast and watch a show or a youtube video. make sure your first activity is something that will get you out of bed, and is not so overwhelming that you're tempted to press snooze.
choose what the last activity of your morning routine is. this needs to be something that will take pressure off the rest of your day. it can change from day to day too, as long as you know what it is by the day before. if you're behind on emails, this is your chance. if you have a speech that's not well enough practiced, practice it. use this time slot to change the mood of your day for the better, get the worst out of the way.
write out a schedule. this can always change later, but you need an idea of what you're aiming for. be realistic in how long it takes to get things done.
example morning routine:
6.00am - 6.30am: yoga
6.30am - 7.30am: shower, skincare, get dressed, do hair and makeup
7.30am - 8.00am: breakfast
8.00am - 9.00am: revise for quiz
9.00am: leave house
other tips:
try to stay off your phone for the first hour of the day. this is to minimize distraction and to make you less dependent on social media. you don't need a rush of dopamine first thing in the morning.
try to drink a glass of water before you go for coffee. being well hydrated helps you stay awake and alert and is a lot kinder to your digestive system than coffee. in addition, caffeine is a diuretic so it's important to drink a lot of water with it.
make sure your breakfast is satisfying in order to maintain energy levels throughout the day. go for protein and fats over carbs first thing in the morning (fats especially if you're taking supplements, several nutrients absorb better when taken with fat). that being said, don't avoid carbs. add a low gi option such as fruit, steel cut oats or certain breads (most grocery stores have low gi options for bread).
most importantly, cater your morning routine to you. being productive might be less important to you than curling your hair just right, or taking your dog for a walk might improve your mood better than getting ahead of your emails. it's your day and you know what will make it good. honour yourself and enjoy your morning.
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hi there, thank you for reading this far. this is a follow up post to how to create a good night routine. i'm glad you're all enjoying my blog so far. wishing light, love and prosperity to all <3
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