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kimbapisnotsushi · 8 months

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you seem to have a good read on HQ and your takes are great, so i have a question...and if you'd rather not go there, please ignore this! but i see oikawa get called "arrogant" quite often and i'm curious, would you say he is? what is it that makes people think that? imo he has a plenty of flaws, but i truly don't think arrogance is one of them. self-centered, sure, but not arrogant i think. i'm open to being wrong, i'm just legit so confused by that particular criticism, it makes me doubting my reading comprehension. i feel like that one post that's like "free my man, he didn't do that. he did a lot of other stuff tho" LOL. if you do answer this, then thanks for your time!

oh, dear anon. this is a very very big question and i'm honored you think i am capable of providing an answer that does it justice!! i don't consider myself an oikawa expert by far, but i'll do my best because he's still very beloved to me, and i hope whatever i say helps!

(but also - maybe take what i say with a grain of salt LMAO)

anyways, to get the main point out of the way: i completely agree that oikawa isn't arrogant! i actually haven't seen any commentary about that myself (bless!!!), so i can't say for sure why some people might think that, but my guess is that they think his pridefulness = arrogance — they think that the confidence he has in himself and seijoh contributes nothing to their actual power and is utterly meaningless if they don't win, especially in the face of ushijima. which, like, come on. what kind of captain would he be if he wasn't confident in himself and his teammates? is he supposed to tell them that they're going to lose??? is he supposed to discourage their hard work and effort???

or maybe it's because oikawa acts like he's all that, but doesn't have anything to show for it. who does he think he is? what does he think his pride is worth? what right does he have to go around making grand declarations when he has nothing to his name?

(which isn't entirely true, either, but we'll get into that, promise.)

now, do i think that he can, occasionally, be flippant, shallow, and/or petty? yeah, sure. he's got one hell of a personality about it. even iwaizumi says as much. oikawa is great at being a little shit. it's one of my favorite things about him!

but is oikawa genuinely arrogant, or self-centered? well . . . i don't think so.

see, here's the thing about oikawa: he knows he's good, but he doesn't think he's good enough. i think it'd be easiest to really explain what that meant if we broke this down into two separate parts, so let's give it a go, shall we?

(buckle up, friends, because it's about to get LONG. also: TIMESKIP SPOILERS!! and there's a tldr at the start of the tags because. WOW.)

so, first things first: if people are calling oikawa arrogant, then i'm like 99% sure that they don't actually know what the word "arrogant" means.

"arrogant" is used to describe someone full of themselves. it's used to describe someone conceited and pompous. it's used to describe someone so assured of and invested in their self-importance that they don't care for other people, and if it seems like they do, then it's usually wildly off the mark and still serves to inflate their own egos.

oikawa has never once been like that. he's been pretty much the exact opposite, in fact.

and yeah, sure, by his third year of high school, he knows he's good at volleyball, and that's fine! it's perfectly all right to claim you're good at something if you have the skills/experience to back it up. confidence is healthy as long as it isn't in overabundance, and we actually see a lot of this throughout the series!

(not to mention that this was where ushijima fell short. he was overflowing with confidence. he did not believe, for even a single second, that hinata shouyou and his meager, scrappy little flock of crows could beat him.

but oikawa? he knew. he knew what it looked like to make something bloom.)

the key to oikawa's confidence that made him better was that he could pinpoint others' strengths and weaknesses just as well as he could with his own. and (bear with me, please, i might get kind of boring here bc it's nothing that hasn't been said in the manga before) i don't mean it in the way we see the coaches or more analytical players do, as observations to be taken advantage of by everyone else; i mean that in the sense of how vital it is to his position as a setter. that was always the biggest difference between oikawa and kageyama: no matter how much more raw talent kageyama had, no matter how much better oikawa believed him to be, kageyama, especially in the beginning, struggled to do what oikawa could with a team. kageyama struggled to bring out the best in each player. and it wasn't because he didn't know how -- oikawa freely admitted that kageyama had the skill for it, that kageyama, once he got his shit together, could win against him -- it was because kageyama didn't have that same confidence in himself.

(not until much later, anyways. but that's another story, for another time.)

so, oikawa's confident. he knows he's good. he can bring out the best in each player. he's got a killer serve (and a killer smile!), a mind for tactics that borders on machievallianism, and cherishes the trust he is given like it's something precious. his coaches let him lead without leaning on them. his team has the utmost respect and admiration for him. he has a reputation. from karasuno to shiratorizawa to the whole of miyagi -- there is not a single character who knows oikawa tooru and would believe that he is, in any way, bad at volleyball.

but it's not enough. despite all of that, oikawa still doesn't think he's good enough. and that, friends, brings us to the second point.

oikawa tooru is nothing if not passionate.

so were the others, of course. kageyama kept going after his grandfather's death. hinata kept going while being a nobody from nowhere with no one to back him up. atsumu kept going while osamu didn't. it's not even about just those who went pro -- kenma, kuroo, noya, and everyone else found things that they were passionate about and kept going with it. the entire story revolves around loving what you do and trying to keep that love alive, and, sometimes, that can be really, really difficult when it seems like it doesn't love you back.

oikawa was so insecure over kageyama to the point where he nearly decked the poor kid. oikawa got crushed by ushijima-- who kept telling him that his team was not good enough, that his choices were not good enough, that there was nothing good enough to be proud of -- for years in a row. oikawa was taught that there would always be someone better than him no matter how skilled he was, but if he let that stop him then he didn't fucking belong on the court in the first place.

oikawa tooru is intimately acquainted with not being good enough, but he keeps trying to be. he keeps going. he tries to keep the love alive even if he's not loved back. he pushes and practices and takes a plane far from home to become even better. even if he doesn't have the skill, even if he doesn't have the talent, even if he doesn't have the love -- he still has his pride. and what does that mean, in the end? how far does that take him?

in the end, oikawa tooru walks across a world stage and sees people who believed in him on the other side and calls it a family reunion. in the end, he gets to play the volleyball that reminds him of why he loves it and how it gives him so much love back. in the end, his pride is unyielding and unbreakable, a product of the forge. he molded it with his own two hands. he will not let it falter so easily.

arrogance would not have taken oikawa tooru this far. i hope this has proven that he is anything but.

remember: instinct is something you polish. talent is something you make bloom. and never, ever let anyone else tell you what your pride is worth.

#tldr: oikawa 's confident in himself but (believing that there will always be someone more talented) is always striving to become better #ANYWAYS #i know this one's a bit different from the itachiyama post where i analyzed each panel but like #that was REALLY hard to do for this one since there were so many good ones i could use!!!#so i ended up just smashing 2-3 panels together that i thought were best representative of each point i wanted to talk about #and then just diving deep into the whole thing #if i had done it the first way we would have been here FOREVER #literally that's why it took so long i kept deleting and rewriting and going 'holy shit how the fuck do i write this'#'how can ANYTHING i possibly say do justice to oikawa tooru'#i hope i did a good job and i hope this helped anon!!!#i genuinely think this is the most insane thing i have ever written so thanks for that i guess #oikawa tooru #haikyuu #haikyuu!!#haikyuu meta #sou says stuff

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bastardlybonkers · 18 days

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i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one

his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.

ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication

ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.

#dunmeshi #dungeon meshi #shuro dungeon meshi #delicious in dungeon #toshiro nakamoto #dont get me wrong i understand relating to a character and hating whoever wrongs them cause youre protective or you relate really hard #but i think toshiros been getting the short end of the stick for a long time now 😭#even his love for falin is misunderstood #he literally states all the reasons he likes her #and none of them are superficial #but hes so closed off and has such difficulty expressing himself that instead of asking her out or smth he just #proposed to her out of the blue 😭#leading a lot of ppl to just assume that he went 'white woman spotted' and proposed #do Not misunderstand me i am #a HUGE farcille stan #obviously #but i dont think toshiros feelings are surface level and i think theyre absolutely crucial to understanding him and his motivations #as a character in this story

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thatbadadvice · 3 months

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Help! I'm a Perfect Genius, but This Potential Employer Asked Me a Boring Interview Question!

Ask A Manager, 13 Feb 2024:

I was rejected from a role for not answering an interview question. I had all the skills they asked for, and the recruiter and hiring manager loved me. I had a final round of interviews — a peer on the hiring team, a peer from another team that I would work closely with, the director of both teams (so my would-be grandboss, which I thought was weird), and then finally a technical test with the hiring manager I had already spoken to. (I don’t know if it matters but I’m male and everyone I interviewed with was female.) The interviews went great, except the grandboss. I asked why she was interviewing me since it was a technical position and she was clearly some kind of middle manager. She told me she had a technical background (although she had been in management 10 years so it’s not like her experience was even relevant), but that she was interviewing for things like communication, ability to prioritize, and soft skills. I still thought it was weird to interview with my boss’s boss. She asked pretty standard (and boring) questions, which I aced. But then she asked me to tell her about the biggest mistake I’ve made in my career and how I handled it. I told her I’m a professional and I don’t make mistakes, and she argued with me! She said everyone makes mistakes, but what matters is how you handle them and prevent the same mistake from happening in the future. I told her maybe she made mistakes as a developer but since I actually went to school for it, I didn’t have that problem. She seemed fine with it and we moved on with the interview. A couple days later, the recruiter emailed me to say they had decided to go with someone else. I asked for feedback on why I wasn’t chosen and she said there were other candidates who were stronger. I wrote back and asked if the grandboss had been the reason I didn’t get the job, and she just told me again that the hiring panel made the decision to hire someone else. I looked the grandboss up on LinkedIn after the rejection and she was a developer at two industry leaders and then an executive at a third. She was also connected to a number of well-known C-level people in our city and industry. I’m thinking of mailing her on LinkedIn to explain why her question was wrong and asking if she’ll consider me for future positions at her company but my wife says it’s a bad idea. What do you think about me mailing her to try to explain?

Sir,

You have been wronged in the most grievous of ways by a coven of retaliatory, self-aggrandizing women who have failed in the extreme to recognize your brilliance, your talent, and above all, your general superiority.

Of course you should mail this mediocre "grandboss" on LinkedIn to inform her of the deep offense she caused you by interviewing you in the first place, let alone doing so using a boring question — indeed, you have a moral and professional obligation to do so in order to preserve your honor and the honor of scores of men like you who have never done a single solitary thing wrong in their lives, ever.

But I beg you to consider doing more. A single, private message to one incompetent bitch may not convey to the necessary parties the depth and breadth of the situation. Many, many people have important lessons to learn from your experience, and I encourage you to share it widely. Consider making a public LinkedIn post, and ensure that it is shareable across platforms. Depending on your financial resources, a billboard with your name, professional headshot, and contact information could go a long way toward ensuring that everyone in your industry who needs to know just how you handled the way these women treated you, does know about it. I hope that in your continuing job search, you are able to connect with potential employers who have a much better grasp of all you bring to the table.

#advice #bad advice #ask a manager #workplace #workplace advice #linkedin #bosses #working #developers #coding #fedoras #men #misogyny #workplace misogyny #hiring #job searching #employment

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celaenaeiln · 9 months

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Okay but you can’t just say “I'm not going to get into their brother relationship because that involves how Alfred treats Dick as a son rather than a grandson and is opening a whole new mansion of stuff so I'm going to wrap this up here” and not follow up with another post because that’s just cruel 😔😞 (aka this is me saying I really like & enjoy reading your interpretations and I need more of them HEHE)

😂😂😂😂😂😂

Thank you!!!! <3333

I love thinking about how Alfred treats Dick more of a son than a grandson because their relationship is different from Alfred's relationship with the other kids. Furthermore, it also explains a bunch of his actions.

First of, I know when everyone saw that Alfred had left Dick his entire inheritance they went "What the fuck." There were a bunch of jokes and questioning about why Alfred would do that and a lot of people have wrote it off as Tom Taylor's writing. But here's the thing. Tom Taylor has done a lot of stupid stuff in terms of characterization but he's done quite a few things right and one of them was adequately explaining Dick and Alfred's relationship.

I don't know how many people can read cursive but it says, "I invested much of this wisely and ethically...In fact, I planned to come to you for advice. Like Bruce, your mind is astonishing. You are a problem-solver and the world is full of problems." (There's actually panel during one of Dick and Slade's fight I have saved so lemme know if you or anyone is interested in Dick's innovativeness and how it makes his a terrifying opponent.)

Let me pause right there. This is Alfred's life savings. It's every piece of penny he's saved and every minute of his life is in that money. On top of what he says about Dick's intellect-and I agree and can prove it-he must've loved and trusted Dick an extraordinary amount to do this.

Alfred goes on to say, "I couldn't think of better hands to leave this fortune in. I believe you will see this, not as a personal gain, but as an opportunity. Because I believe in Dick Grayson."

He continues praising him and- HERE IT IS- "I am so very proud to call you my son."

DICK IS ALFRED'S SON.

This is the cleanest, clearest panel where he explicitly says it.

Hold on-this is the cleanest panel that says it? Wait a minute, let me retract that:

"Master Bruce was my son for a while. And then there was you."

THIS MOMENT HAS BEEN BUILDING UP ON US FOR YEARS. Tom Taylor wasn't doing lip service, he was just writing the inevitable!

I swear there's a panel where Dick refers to Alfred as his dad...

*Record scratch* WHAT DID ALFRED CALL DICK? WHAT DID DICK CALL ALFRED?

THIS IS WHY I LOVE THEM!!! THEY ARE GLORIOUS, BRILLIANT, UNDERRATED, AND NO ONE UNDERSTANDS THE FULL EXTENT OF EITHER OF THEIR ABILITIES, LOVE, OR DEPTH OF EMOTIONS.

THEIR RELATIONSHIP IS ON A DIFFERENT LEVEL.

Take the Ric Grayson arc for another example.

Background context: Dick-Ric-was sleeping on the counter and all of a sudden he was startled out of a nightmare thus accidentally ending up bumping into the guy next to him who was drinking. Of course the guy doesn't mind only because it's Dick but anyways, here Alfred makes his entrance. Another thing I love about about this interaction is this is one of the few times Alfred has ever admitted to being in the military. The only other time I can think of him openly saying that is when he's slapping Bruce around.

The worry in the man's eyes for his wayward son...when Bea is snarking with Dick about his tab Alfred decides to pay for him instead.

LOOK AT HIS EYES AS HE SAYS GOOD NIGHT! THE AMOUNT OF EMOTION HE HAS IN THEM IS PURE PERFECTION. THE MAN JUST WANTS HIS SON TO COME BACK.

Not to mention, Alfred adores Dick in a way he didn't even with Bruce.

"For a long time I would dread coming down to this dark hellhole. But the advent of young Grayson has forced an alteration in my attitude. The masters have made much progress in these few short months. I was opposed initially to the recruitment of the lad in Master Bruce's self-appointed 'War on Crime.' But I am prepared to admit my error. Master Richard has mad a difference for the better to our lives."

This is HUGE. Coming from Alfred, this is massive because Alfred LOATHES Bruce's "War on Crime." How much?

So much that he slapped Bruce bloody for it.

The pseudo-father and son beat each other to pieces over it. So after years of Alfred hating Bruce for what he's done, for him to say he only accepts it because of Dick-because of Dick's personality-is enormous praise and accomplishment.

Alfred loves Dick in a way he doesn't love anyone else. And before I get flamed by people for suggesting Alfred loves Dick more than Bruce, I want to say he loves Dick as much as Bruce but in a different manner. He doesn't see Dick as a grandchild who needs to be coddled and softened, he sees Dick as a son he can spoil and cherish.

Him paying off the tab was not only an act of kindness, but it mimicks the way a rich father gives everything to his youngest son. Bruce was the first born he raised but Dick was the baby of their family. This also ties in with how Bruce doesn't see Dick as just him son like he does with the others. To Bruce, they are just as much brothers as anything else.

When Bruce fires Dick from Robin after two-face, Alfred couldn't take it lightly. Dick wasn't just the light of Bruce's life, he was the fucking sun to Alfred's.

I started crying when I read this because the emotions and the pain he's feeling is so visceral. A man who has been MI5 and SAS (Special Airforce Service), who has fought wars, who has fought his son, lost his best friends, is breaking down alone at the top of the stairs over not having Dick as Robin.

You might think that's not all that sad. Worse things have happened. You're overreacting.

Tears are literally streaming down my face as I'm writing this review. Rudolph nose and ugly bloodstained eyes complete with it.

Can you ever imagine loving someone so much?

Crying in silence with a steady voice to never let them know your sorrow?

But sure, sure, he's cried when others were killed like this so I'll go into other special things.

Some of his best moments are with Dick:

The pure adoration in his eyes as he watches his young son go 'flap' 'flap' 'flap' with his older brother's too big cloathes.

He's laughing! Do you know the only times he laughs or grins like that?

That's right-with Bruce! With his other son.

With Dick, he laughs, gets angry, and actually shows interest in things not related to people's health. Dick humanizes Alfred.

Who is the only other person Alfred has gotten mad at? Oh yeah. Bruce.

There's another panel where Alfred just sits by his bedside holding his hand.

It's the little things that matter is a lie. When it comes to Dick, Alfred does things in fighter jet air shows level of affection which he learned just for this during his SAS days.

Their shared interests & mutual understanding

People always think Dick and Alfred have nothing in common between them. Dick is excitable, bouncy, and some other adjective while Alfred is calming, stoic, and butler-y. They actually forget that Dick and Alfred canonically bond of plays. Dick, as I said before, is a massive theater nerd. He loves plays. He really wanted to see that shakespeare play and Alfred said he would take him because he knows people there and then went on to complain about how his brother didn't even drop by to see him. I love their interactions because Dick brings out a different side to Alfred.

Das Rheingold was a German musical drama that was performed as a single opera at the National Theatre Munich. This is the link if you're interested in reading a short synopsis of this complicated play by the Metropolitan Opera. It's like a mix of "The Lord of the Rings" and "The Rings of Power."

Also the fact that Alfred is tying his tie like a father would tie his son's.

I know they make a crack out of it by using Bugs Bunny (Bugs Bunny is a fantastic cartoon! I grew up on it!) but Alfred knows that Dick loves opera and theater and is only asking if this particular play will suit his interests. Okay, great, we know Dick likes theater. You've said that and posted about it before. But how do we know Alfred likes it too and not just because he's British and posh and whatnot?

He has preformed at the London Theater, and this is another way he connects to Dick emotionally. When Dick complains about being Batman, Alfred is the one that tells him:

This is something Alfred understands about Dick that absolutely no one in the family does.

The two of them are show people. They know how to play the role they were given, and they know how to play it well. No one suspects Alfred the Butler of ruthlessly using firearms and no one suspects Dick the Light of the Universe to ruthlessly to manipulate allies.

Dick knows this about Alfred too and never presses for any answers. When Alfred's pulling out a bullet from Dick and performing high level medical techniques he should know nothing about, Dick asks him, "Where did you learn all this, Alfred." To which Alfred responds, "You would be amazed at what you can pick up by watching the Discovery Channel." Dick just gives a pained laugh retorts about his wonderful bedside manners.

They know.

What Alfred sees in Dick is a pure goodness that can't be emulated. He loves his son for how absolutely good he is and is devastated when Dick can't be with him. Of everyone, Dick is the one Alfred is closest to. Other members have their moments with him but no one continually seeks out his presence just for the fact they like him aside from Dick. The rest treat him as an important side character, not a parent. And Alfred responds to that devotion with overwhelming love of his own.

Alfred and Bruce's optimism comes bundled up in the form of Dick. It's stunning how it's always Alfred of all people who admits this. Alfred who isn't supposed to show favoritism or bias is the one that consistently acknowledges how important Dick is to the family and him. This solidifies the fact that Dick is Alfred's favorite.

Other moments that differentiate Dick and Alfred's relationship:

We're pretty familiar with this and many of us have laughed it off when Alfred scolded Dick (also Dick looks hot af here). But can you imagine even anyone else playfully mocking Alfred? THIS. BOY. IS. SPECIAL. Alfred doesn't even blink twice at the address, indicating how typical it is for Dick to act that way with him. You only do that to people you're best friends with.

Casual comfort, the two of them.

Dick and Bruce were brothers and how that ties into Alfred:

Adding to my "Light of Bruce's life" Robin Dick canon, Alfred told Dick that Bruce "would have self-distructed if he hadn't met me and learned responsibility. I made him laugh, and he was like the greatest big brother you could ever imagine...it was our town."

Bruce and Dick are so damn codependent.

Bruce would not have survived without Dick. That's all there is to it.

Robin Dick was the light shining through rain clouds, the glitter in the air, the angel with golden wings, the giggling sweetheart to Alfred and Bruce. He was sunshine, love, and joy and the men both adored, thrived, and cherished him for it.

And if Dick and Bruce were brothers then Alfred was Dick's father and he was Alfred's son.

#dick grayson #nightwing #alfred pennyworth #bruce wayne #batman #batfamily #canon #cl anon asks #Thank you so much for the ask! I had a ball writing it <3 #cl asks #thanks for the ask!

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ronearoundblindly · 3 months

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Hideout (3.1)

touch-starved!Nomad Steve Rogers x motel employee!Reader

Sensitive Boy, part I (see previous or series)

Summary: Steve surprises you with help at the perfect time.

Warnings for light smut (I have to split this chapter or it's just suddenly twice as long as the last, but really there's just massage and an implied orgasm in this half. You know me: too many feels and too much development...) MINORS DNI. This series is 18+ only. If you are underage or simply enjoy lighter content, there is plenty for you to read on my Light Masterlist, but this post is not for you! WC 3.2k

With so much on your mind, scaring the crap out of you is not difficult, so his strong hands hold you upright.

“Don’t do that,” you shriek, barely glancing at Steve’s face. You startled so suddenly your housekeeping cart is left rolling away at a snail’s pace.

“Sorry, I—“ long arms abandon you and reach to stop the bin “—it said on your website you were closed for renovations, and…”

You look him up and down. You were sure after he left two months ago that you’d never see him again. You’d gone too far. You’d pushed him too hard. He wasn’t ready.

Steve adjusts the strap over his shoulder. “I thought maybe I could help out…if you want?”

The last guests checked out a half-hour ago, and you readied to spend the whole week meticulously refreshing each room with your parents. The list of what needs done, however, doesn’t only include the motel. There’s a bunch you all had let slide up at the house. Help would…be extremely helpful actually.

Steve pulls a paper bag out of his knapsack. “Or I brought you some lunch if you just want a break or something.”

“It’s okay,” you rush out. “More than okay. Thank you, yes. We’d love—I’d love that.”

No one else can know it’s him-him there though. You’ll have to think of a way to keep your parents and St-‘Grant’ as far apart as possible, and how long you can manage that is…questionable.

If Steve’s not worried though, you’re okay.

Turns out, keeping your family up at the house is easy. Your mom shouts down the phone with relief that she can tackle the fridge, and you hear your dad mumble something about ‘the garage in daylight.’ You can enjoy a sandwich in the office with Steve in peace, explaining what all needs done before the electricians show up Friday afternoon.

The closure hasn’t been planned for a long time—not even before Steve and ‘Tom’s’ last visit—hence why you just painted Room 8, 5, 2, and 1 since March, but doing all those is how you and your parents really noticed that the light fixtures from the ‘90s were not only dated but very worn and that the same color layered over and over again for twenty years was, well, getting old.

Warmer months are better for the work. Pipes won’t freeze while you air out paint fumes, etc. The week after the gigantic, city festivities of Independence Day is notoriously dead. Since there were no reservations this stretch as of April, the family jumped at the chance to fix it all in one big, daunting go.

Saying you’d looked forward to this is a wild overstatement. You’ll be glad when it’s finished, and that’s the bulk of your excitement.

With his assistance though? Hope soars.

Steve will help you take down the sconces, the hanging lamps, and the panels above the vanities, then you both can—

“Where’s the paint?”

He’s very intense with the gameplan. Three guesses why.

“Dad’s gonna pick it up today. Probably. I’ll text him.” You whip out your cell again. “We didn’t think we’d get that far by evening.”

Steve nods.

“We also need to move all the furniture away from the walls and drape plastic to protect the carpet. Oh, and put tape along the trim and doorframes, ya know.”

Steve nods again. He wads up the wrapping from his sandwich and casually asks, “are all the doors open?”

You only just get your finger in the air to point at the desk.

“Master key is—“

But Steve is observant and has clocked everything about his surroundings each time he’s stayed, apparently. He stretches over to the wall beyond the counter, snatches the (correct) unmarked key, and heads out the door.

The service bell rings gently to emphasize the conversation is over.

All furniture in every room is pulled away by the time you finish sanitizing the one guest room he interrupted.

He asks where you keep the ladder, not that he’ll need it, but you will for reaching some of the lights.

You don’t know whether to be in awe of or exhausted by his efficiency.

He’s rigid and militant—go figure—until these few moments he suddenly can’t be.

As you toss plastic over the last bed to move, Steve yanks that sucker across the floor so fast, you roll off. His eyes are saucers as he apologizes, but you get the giggles and pick yourself up.

His fingers can’t separate thin layers of the plastic at one point, and he throws a minor fit until three rip apart together. Steve frowns at you and grumbles that he’s only ever used cloth for this before. It seems to take everything in his power not to say “back in my day,” but you can read between the lines.

Years of crusted paint makes the removal of some fixtures tricky.

Steve rips out one stripped screw with needle nose pliers, squeaks in alarm at the hole left behind, and then quietly asks if you have patch paste.

You call your dad before he’s left to buy paint. He adds spackling to the list.

The closest Steve comes to telling you anything specifically about himself is when you struggle with a stuck bolt.

“Just a little trick I learned when I was—“ Steve wraps his big hand around yours to pull the wrench instead of push from the other direction “—smaller.” He huffs out a laugh, adding, “when I couldn’t, ya know, ‘put my weight into it’ because a feather could’a knocked me over.”

As you relish the simple contact of his fingers, you smile, too.

“Hmm. I heard you got into back alley scrapes.”

“If you heard that I won any of those, you were lied to.” He patiently waits for you to finish removing the bolt before he pries the aged metal and glass away from the old paint it’s stuck in. Steve sighs dramatically.

“Shoddy education these days…”

“I…” You tap his bicep with the claws of the wrench. “I can’t argue with that. We hear only what they tell us about…heroes.”

You should have known he’d shut down at that word, but it’s the truth. Even with him right in front of you, the only things you know about Steve Rogers are from books, newspapers, and the internet. At face value—looking directly into the face of this man—all of what you’ve been told is hogwash. It’s insufficient. It barely covers 1% of who this man is.

He teaches you tricks of the weak man’s trade because it helped him once, too. Today, he’s friendly. Not that he was unfriendly before, but Steve is so reserved he never reference the past, in general, i.e. that there was a past existence of like the planet much less him.

It’s the number one rule of Fight Club: you don’t talk about Fight Club.

If there was ever a real fight club, it’s the Avengers.

You have no official rules for what this is between you. You don’t have to to know that is the most important one. You do not talk about Fight Club. Steve isn’t afraid of silence, that much is clear, but he isn’t a fan. He tries—he is trying—to connect and relate. He can’t be a man of the people, however, if he can’t talk to the people.

It’s important: connection. You know with every fiber of your being that Steve deserves it, but even with unlimited, super-human strength, he cannot get himself out from between this rock and that hard place.

You do not talk about Fight Club, especially when you’ve been kicked out of Fight Club.

Today, though, he’s a little different, a little softer. Perhaps it’s knowing there are no other people in the building, perhaps he is truly more comfortable with you, but either way, Steve is not flat or off-putting.

His organized persona, his focus on the work, his indirect interactions and practical touch; they all fit here while he has a project. It’s the closest he can be to his old self, maybe even his real self, without mentioning the past—the fighting past—at all.

“You’re really good company,” you tell Steve, “even when you make holes in the walls.”

He tilts his head down and blushes. He shrugs as he takes the sconce out to the dumpster. Although he didn’t say it, you hope this is okay.

Either way, you relish it. The help. The touch. The silence. All of it.

You relish Steve.

Your dad brings by the paint, spackling, and a surprise of pizza for dinner while Steve is taping the baseboards in a corner. You introduce ‘Grant’ from afar and haul the cans and boxes from the car to the room, cataloguing all you two have finished to this point and what you’ll do before stopping for the night.

Dad is impressed. He’d suspected the three of you—you, he, and Mom, that is—might settle for slapping some paint up around where the electrician would install the new lights. No one planned on getting this far in one evening.

He won’t stand in the way of progress, so your dad simply calls out, “bit of an artist, are ya?”

Steve looks up, confident with only the side table lamps plugged in, he can barely be seen. “Just want to be useful,” he mutters.

You wink at your dad as he heads back to the still-running car. “Grant is a jack of all trades.”

You’re sure to thank him for the food and let him know all the motel stuff is completely covered for tomorrow, too. You’ll work as late as you can and start as early as possible.

Dad says your friend has gone ‘above and beyond.’ You agree wholeheartedly.

‘Grant’ would more aptly be described as a machine.

All the furniture moved, all the lights taken down, all bordering taped, and now all blemishes in the walls smoothed, your impromptu contractor finally calls it quits when he’s forced to watch stuff dry.

You’ve kept the air conditioning going in one room.

Steve tentatively asks if he should walk you up to the house, but you counter with “it’s not any less dangerous for an average guy alone to return” and a cheeky smirk. Besides, it is very late. You let Captain OCD keep going; you tapped out a while ago.

He puts his hands on his hips, arms akimbo, thinking of a comeback that never manifests. After giving up, Steve takes his tiny bag into the bathroom and brushes his teeth.

You can faintly hear it over the murmur of the TV.

You aren’t really watching. It’s background noise to your general exhaustion.

With only a side lamp and the screen as light, Steve’s bare feet crumple over the discarded plastic sheet on the floor. He falls into one side of the bed, fully-clothed and (finally) tired.

Though productive, the day has been a distant one, working in different rooms for most of it and tiptoeing around real conversation. You want him to feel appreciated, not pressured, so you ask if he’d like the TV on for a while or would rather quiet.

Steve just grunts with his eyes closed.

Gently, you place a hand on his chest to steady you, leaning to kiss his bearded cheek.

“Thank you, Steve,” you say softly. “Good night.”

He hums when you say his name, and before you can lift your hand away, he captures it under his, holding you in place.

His eyes aren’t open. He can’t see you smile wider.

“Okay.” You tuck yourself into his chest as he raises his other arm out of the way. “Okay.”

Your ear sits in the dip beneath his collarbone, listening to his steady heart, his thumb sweeping back and forth over you knuckles.

He smushes you closer to his side. You toss your leg over his.

You forget to turn off the TV.

He’s sanding the spackled spots by the time you wake, so you rub across his back and dismiss yourself to get breakfast up at the house.

Steve makes no effort to go with, which is fine. You assumed as much.

Your dad calls Grant a ‘magician’ over the pop of oil in the skillet and insists you give your friend whatever he needs to keep working so fast. You are only half-joking when you admit the key is staying out of his way.

Bonus: the exchange reinforces your parents simply leaving the two of you alone down the hill, and you proudly tell Steve that when delivering him an enormous plate of scrambled eggs.

He jumps right back into planning-mode and orders you to roll the first coat of paint onto large areas. He’ll follow, completing the edges and corners.

It’s such a domestic thing to do. There is no one in danger, there are no bodies piling up if he makes a wrong move, and he can go faster or take his sweet time. Steve breaks when he wants or needs to. He sits outside and listens to the birds in the sunshine. No one is around to question him, not even you. You are only there to encourage.

You realize he was looking for a project. He’s used to—and likes—being busy, getting his hands dirty, producing results.

It’s a long, messy day where he becomes more serene in spirit the more intensely he works. You reward him with gentle sweeps of your hand down his arms, pats on his shoulders, and brushes at the small of his back.

Despite the almost constant movement, the day is over before you know it, earlier than yesterday, but it’s too hot to go on.

All the windows stay open to air out the fumes.

Though it won’t stop you from sweating, you both shower off as many splatters and flecks of paint as you can. You insist he goes first so there’s plenty of hot water.

He’s sitting on the bed, shirtless, checking his phone when you come out of the bathroom, but he immediately squirrel the device away in his small bag. Not much to carry around. Not much to leave behind. Steve can’t leave a trace of himself anywhere.

Hunched over and fatigued, he flashes a polite smile your way and blinks heavily.

He deserves the world.

You grab the small bottle of lotion from the countertop and playfully jump onto the bed behind him.

“How about a massage, yeah? You much be aching.”

Honestly, you don’t mean for it to sound sexual, but the phrase comes out downright dirty, making Steve awkwardly chuckle.

“You don’t have to,” he placates.

“Nonsense, I want to. It’ll make the air feel cooler.” That’s as good of an excuse as any. Who cares when the rippled expanse of his back flexes wildly in your touch?

His breathes are audible from the beginning.

You dig at his traps, his leg bouncing as he tries to relax. You use your thumbs, the flats of your hands, and your knuckles.

He shoves his fist in his mouth when he starts to moan, covering the move with a cough, but muffling the noise is abandoned in favor of clasping over his lap. He’s intent on hiding his hardness this time. There’s nothing you can say to truly lessen the sting of needing more. You can’t simply tell him he’s allowed to desire this; you have to ignore his misplaced shame.

But you can take pity on him.

“If you lie flat—“ you step off the bed to give him privacy “—I’ll have more leverage.”

You hear him crawl and adjust on the sheets. “Unlike the torque on a wrench,” you add, just to show you’ve been listening to him.

More lotion is needed for the surface area.

You turn up the TV, feining interest in the late night show so any noise he makes is not as obvious. What the speakers can’t cover, however, is Steve’s involuntary thrusts when you rub the heels of you palms up and down the sides of his spine. If you prop up on your knees, he has more range of motion and doesn’t obviously rock you while mindlessly humping the bed.

His sweats are slung low on his hips, two darts of muscle prominent above his ass.

They are irresistible, the perfect grooves to target and roll into, and he immediately mewls long and deep into the mattress, fingers curling and relaxing while his body seizes.

He hasn’t even finished coming, you think, before he taps at your leg and races to the bathroom.

You hope you didn’t push too far. You hope he’d tell you to stop if he needs more space, more time. Mostly, you hope he knows you’d give him every conceivable pleasure, just because he is him.

The water runs a long time, continuous splashing in the sink, and then nothing.

He didn’t bring much because he doesn’t have much. Your heart sinks, realizing you’ve made him soil one of only two pairs of pants he has here.

He cracks open the door, muttering, but you can’t make out the words.

You turn the volume back down. “What?”

“It pretty hot.” He clears his throat. “Would you mind if I sleep…without…?”

“Naked?” you squeak before composing yourself. “That’s fine. Whatever’s comfortable.”

You shuffle up the bed to click off the lamps. This man isn’t the type to strut around in the nude—yet, anyway—so in the faint and ever-shifting glow of the screen across the room very little can be seen.

‘Little,’ however, can’t describe anything that is visible about the man emerging from the bathroom.

You have to make a point not to stare, but no skit or commercial on the channel promises the same level of entertainment.

Steve slides himself beneath the sheet, sitting near the headboard.

You hold up the remote. “On or off?”

“Off,” he says, “please.”

You’ve certainly done enough for one day. You won’t push your luck, so you hit the power button, toss it on table, and snuggle into your half of the bed, facing away.

“If it’s too hot for any covers, that’s okay, too.”

A rustling interrupts the rhythmic whir of crickets in the night until you feel a warm hand lightly mold to your waist.

This should be encouraged. This should be rewarded.

“Hey, Stevie,” you whisper, waiting for his hum, “happy belated birthday.”

At most you expect a grip of notice, but instead, the big hand snakes across you and hauls you into his chest, his long legs bending to match the crook of yours, his nose and forehead tucked against your occipital.

“We did okay today,” Steve mumbles into your shirt.

You walk your hand over your stomach to find his, lacing the fingers together. “Yes. Yes, we did.”

Steve got to be useful today. He had a partner today. He will tomorrow and the day after, for as long as he stays, for as long as you’re alive. Nothing can change that.

Maybe he can’t talk about Fight Club, but he connects with you anyway.

A/N: Whoopsy. Didn't want to make y'all wait for a 6k+ chapter, so here's the first half! I am DEEP in the feels of this one. So, so many notes have been taken. The brainrot is real, and I fucking love it!!!!

[Next: Sensitive Boy, part II]

[Main Masterlist; Ko-Fi]

@supraveng @1950schick @patzammit @whiskeytangofoxtrot555 @yiiiikesmish @ashesofblackroses @jaqui-has-a-conspiracy-theory @brandycranby @buckysprettybaby @ellethespaceunicorn @rogersbarber @spectre-posts @bucky-fricking-barnes-reads @fallinallinmendes @deandreamernp @im-a-slut-for-fluff @fangirl-swagg @georgeweaslysgirl @austynparksandpizza @claireelizabeth85 @jamneuromain @rach2602 @royalwritersoftheuniverses @shelbygeek @rogersideup @eyebagsanonymous @trudy-shams @saranghaey @awkwardgiraffe726 @marvelmenwhore @happinessinthebeing @before-we-get-started @sjsmith56 @esposadomd @cjand10 @yearningforsappho @mrsevans90

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nonsensical-pixels · 11 months

Text

SYBOULETTE'S CANDY NURSERY CONVERTED TO THE SIMS 2 🍭

my previous conversions of syb's nursery sets can be found here: dreamy toddler 👶🏽| little dino 🐱‍🐉

hi everyone! @syboubou released their candy nursery set some time back in april to celebrate the release of ts4's growing together expansion pack, and i DESPERATELY wanted it for ts2! it's so, so adorable! so i did what i do, and almost two months later... here we are! i'm finally done converting the ENTIRE set! 🥳💃🏽

altogether there are 23 buy items, many of them functional, and 3 build assets: 2 wallpapers, 1 carpet floor. i'm immensely pleased with how it all turned out! it should pair well with my dreamy toddler conversions (linked above) and also my 4t2 conversion of madlen's kei baby care kit!

credits go to @syboubou for the amazing original set! it's simply perfection! 💝

there are two versions in the download below: a merged version, and an unmerged version. yes, the download is just THAT big. please pick only one! a collection file has also been prepared for convenience's sake.

DOWNLOAD: SFS | MF 🧁

keep reading below the cut to read what you need to read! and see what you need to see!

more previews

things to note

a readme.txt is also included in the download!

the changing table does not actually come with a bin. so unless you place the decorative trash bin next to it, your sims will be throwing their trash into the void.

the crib is unanimated. i tried my best but the mapping and the way the model was made simply would not accomodate any animations without looking even worse 😫

the dresser is just decor. i use the gussy up mod in my game so my sims rarely use wardrobes. plus, the original dresser's structure made it impossible to be animated 😅

the way that the playmat works in the previews above is actually as a rug. i made an invisible recolor of the sims 2 store playmat (included in the download) and layered it over the decorative one so that it's 'functional'! if you just want the playmat as a rug, you can delete this.

the toddler bed is cloned from @themediocresulk's toddler beds as pet beds so that it's less buggy and your toddlers can get in or out whenever you want them to! you may want to grab this mod so that they gain more motives.

items included

taken directly from that readme.txt.

buy mode:

Baby Shoes Box -> 318 polys, $49 Beehive Ceiling Lamp -> 900 polys, $99 Bookcase -> 489 polys, $249 Books -> 84 polys, $49 Cat Plushie -> 840 polys, $39 Changing Table -> 349 polys, $249 Cloud Rug -> 2 polys, $49 Crib -> 1788 polys, $399 Diapers Box -> 772 polys, $9 Dresser -> 76 polys, $699 Hanging Plant -> 506 polys, $19 High Chair -> 1048 polys, $249 Mirror -> 270 polys, $149 Ottoman -> 316 polys, $89 Playmat -> 1584 polys, $249 Potty -> 112 polys, $99 Rabbit Lamp -> 912 polys, $35 Rocking Egg Chair -> 1760 polys, $379 Shelves -> 168 polys, $89 Toddler Bed -> 1855 polys, $349 Toy Rattle -> 432 polys, $49 Trash Bin -> 222 polys, $39 Vanity Case -> 1436 polys, $29

build mode:

Floor Carpet -> 26 swatches, $1 Wallpaper Panelling Paint -> 56 swatches, $1 Wallpaper Panelling Pattern -> 32 swatches, $1

misc:

a recolor of the sims 2 store's baby dangle monster playmat is also included. if you want to use it, you'll need the original mesh from the store download.

phew, that was a LONG, but satisfying, post to write! i hope everyone enjoys these conversions as much as i do! i had a lot of fun making them 💝

have a lovely day simming everyone! don't be afraid to reach out to me if there's any issues with this download. though as always, keep in mind...

cheers ~ 🥂

#s2cc #sims 2 cc #sims 2 #4t2 #4t2 conversion #4t2 buy #4t2 walls #4t2 floors #sims 2 download

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sotwk · 11 months

Text

Taken (Eomer x femReader )

Part 1 of 3

Part 2 / Part 3

Love Confession feat. Eomer Eadig

Valentine 2023 Event by @sotwk

Summary: The lone shield-maiden in Eomer's Éored has been secretly in love with him for years, but has long accepted that that he can never share those feelings. At the feast of King Elessar's coronation, she is surprised to learn that there may yet be hope.

Prompt: "It's like you never really see me. I'm standing right in front of you and you don't see me!"

Requested by and Dedicated to: @writefortherain-blog Thank you for making this request and giving me the opportunity to write for Eomer!

Word count: 2.4k

Content: Romance, angst, mutual pining, oblivious to love, jealousy, forbidden relationship, class division, shield-maiden, King Eomer, post-RotK

Rating: T (Teens and up)

Warnings: Some sensuality

To Read on AO3: Link

Taken

Third Age 3019 May 1

Minas Tirith

PART ONE

Downing that fourth cup of wine had been a mistake. Or was it the fifth? Sixth? The ridiculous dress with its rib-crushing bodice and neckline positioned nowhere near your neck, had also been a mistake, even though the local clother had insisted to you that it was in the "proper" Gondorian fashion. The entire evening and its inconveniences had all been for a failed end.

You finally jostled your way out of the packed feasting hall and stumbled outside to the courtyard, your compressed lungs and flushed skin rejoicing at their contact with the cool night air. One hand rose to massage your throbbing temple, and the other clawed irritatedly at the boning that caged in your unacceptably unfeminine frame.

"Never again," you seethed under your breath, as you crossed the white-stone pavement to move even farther away from the chaos you escaped.

It had been a painful decision to ride out to Minas Tirith with the rest of your Éored and attend the coronation of the returned King of Gondor. You despised grand affairs, knowing well enough the requirements rules of court would impose on you, unwieldy formal attire being just one of them. These were at least tolerable within Rohan, where you could find some comfort amongst familiar faces and settings. But as the lone female who rode in the company of the Third Marshal, you refused to be excluded from any undertaking by your Éored, however dangerous or unpleasant. Whether it broke your arm or shattered your heart.

"I can just go," you thought, casting a quick glance back at the great hall, alive and alight with the merry cacophony of a thousand revelers that would surely last until dawn. The two hours you already spent mingling to the best of your limited ability had to suffice, and it was doubtful your presence would even be missed.

But the call of a deep voice stalled your retreat, loud and commanding and instantly recognizable even across a distance as it shouted your name. The soldier in you succumbed to the instinct to obey your Marshal, to honor the oath you had sworn on your knees years ago.

The flickering flames of nearby torchlights reflected against the carved silver panels of the breastplate he donned over his lavishly embroidered tunic. Famously handsome even when caked in blood and grime, Eomer was breathtakingly resplendent bearing the regalia that befitted his station. King Eomer now, you reminded yourself, as you dipped your head in a bow.

“My lord.”

“Is something amiss? Why did you leave?” His narrowed eyes upon you were penetrating, his tone demanding rather than concerned. Lying to someone you had spent practically every single day of your adult life with was difficult, and even more so with an addled brain, so you knew you had to mince words carefully.

Fortunately, you had years of practice doing exactly that.

“I underestimated the potency of their vintage, and downed one cup too many.” You scrunched up your features in a grimace that just slightly exaggerated your pain. “I thought it best to excuse myself and retire for the night.”

“Perhaps if you rested a while and ate some food…” He rested a hand lightly on your shoulder. “It is much too early and the quarters would still be empty. I know you detest fraternizing, but just sit at the table with the rest of our men.”

You released a graceless guffaw and a puff of wine-tinged breath. “Half of them are already deeper in their cups than I, and getting sloppier by the second. I finally had to remind Héothain of his manners the second time he tried to sneak a hand down the front of my dress.”

“He did what?” Eomer’s sudden growl awakened you to your own carelessness and slip of the tongue. Smooth-cheeked Héothain was the youngest and newest addition to the Éored, and remained sorely lacking in experience with women. He should not be held accountable for his awkwardness amplified by insobriety.

“It was a silly mistake that caused no harm,” you insisted, pulling back as Eomer attempted to lead you off by the elbow. “Two sprained fingers taught him a lesson he shall not soon forget.”

Eomer glowered at you but remained silent for a pause, as he did whenever running through courses of action in his mind. “Then you can come sit by me at the King’s table.”

Your laugh in response to that suggestion was shrill and nervous, as he looked so serious making it. “I most certainly cannot… my lord.” You stated your defiance firmly, baring a toothless pertinacity against your leader, and underneath it a silent plea that the friend in him would understand. “There is no place for me amongst such esteemed company and truly, there is nothing in the world I would enjoy less at this moment.”

You sighed and braced one hand below your rib area, massaging a spot where the corset dug into a still-tender battle injury.

“Please. Let me go back to my room where I can be rid of these dreadful garments.”

“No.” The immediacy and sharpness of his refusal made you blink in surprise. “Not until you explain yourself to my satisfaction.”

“Pardon, my lord?”

“Hah, there! That is what I am speaking of.”

“I’m afraid I don’t understand--”

“When did you cease to call me by my name in private conversation? Or last bother to converse with me at all?!” You took too long to answer, and he barreled on, hazel eyes flashing with the sudden rise of agitation. “Let me enlighten you, since I recall it well. It began after Theodred’s death, accompanied by a host of other changes in your behavior towards me that you think I have not noticed!”

You scrambled to concoct a rebuttal, another feint to keep him from uncovering your secrets. Alas, your dulled mind had frozen completely in the face of the horse-lord’s fury, which had never been directed at you in such a manner.

“You are misreading things, my lord, or else imagining them. I cannot say that I--”

“You cannot even look me in the eye these days of late!” Eomer snapped. “Nor can you stand to be in any room I am in for long.” He threw out his arm in the direction of the great hall. “Even now you rebuff any attempt I make to spend time with you.”

“I…I…” You stammered, rendered helpless before his unexpected wrath, cursing yourself for the poor timing of your inebriation. How could you put up your shields when your mind was struggling to pick out your own lies from the truth?

“If you are angry with me, I would have you admit to it now. I will no longer be played for a fool.”

Indignation pooled in your gut, crawling upward until it deepened the coloring of your already flushed face. “I confess to nothing! For what cause do I have to be angry?”

“Because you loved him!” Eomer erupted. As you gaped at his outburst, he gripped a fistful of his hair, and took in one sharp breath, steeling himself. “You loved Theodred,” he finally said, in a voice gone cold and quiet. “And you place blame on me for his death.”

The fire in your belly flared at the terrible accusation. “Theodred was murdered by Saruman, and only a traitor would fault you for that vile cur’s deed.” You shook a finger at him emphatically. “I am no traitor.”

“Did you love my cousin?”

“Of course I did,” you said stoutly. The prince’s demise plagued you still, for you had been the one to spot Theodred’s body amongst the corpses that littered the fords. And after he’d been borne away to Meduseld, you never saw him alive again, and all you could do was weep in the privacy of your quarters, which you did for weeks, mourning the loss of so much more than a dear friend and mentor.

“No one has ever shown me greater kindness than Theodred.” You held a hand over your heart as a different ache rose in you. “He believed in me at a time when no one else would, not even you."

Eomer had fallen silent, but you saw his cloaked shoulders rise and fall, broad chest heaving in the manner so familiar to you. It was the way he looked on the battlefield, where his blood ran hottest, and he was fighting to balance out the genteel lord and savage killer that both resided within him. He was so thoroughly upset with you.

“If I have made you feel like your cousin’s fate was in any way your fault, I am truly sorry,” you said. "But what sort of questions are these, and why are you asking them now?"

His gaze flicked back in your direction, leaden with anguish. "You should know why."

“I am telling you I do not, my lord, and I must beg you to explain why you are speaking so cryptically."

“You wish for me to explain in words something I have been trying to show you for years now?!” He gave a strangled laugh and raised his eyes and hands to the night sky. "Bema…"

“It is as though you never really see me,” he muttered, almost as though speaking to himself. “Here I am, standing right in front of you, and you do not see me!"

But you did hear his mumbled complaints, and suddenly it was all too much. Your sickening weariness, your aches both physical and emotional, your befuddlement caused by the six drinks and this man's unhinged raging as he launched yet another ludicrous accusation at you.

"Not see you?" you repeated, and something about just saying it rammed open the gate behind which you had caged up every real thing you ever wanted to say to Eomer, Son of Eomund.

"If such a thing were possible, I would wish it upon myself immediately!" you exclaimed. "But you are all I ever see, even when I do not wish to! Even when I flee from your presence, I can never escape a face that refuses to leave my thoughts!"

Oh Valar, no. STOP. Panicked, you bit down on your lip to imprison the words fleeing your mouth, so hard you tasted blood. But Eomer suddenly moved forward, encroaching on the space you desperately fought to maintain for your own protection, and his hazel eyes locked into yours to wrench away the last of your defenses.

"It hurts too much, can you not understand?!" you cried, managing one step back. "To remain in the presence of the one thing you most desire but will never have, to be taunted by a dream that will never be fulfilled, to watch as it falls into the possession of another while you can do absolutely nothing!"

He spoke your name, his voice oddly hoarse, and shame finally came crashing down inside you. Your hands flew up to hide your face and suddenly he grabbed your wrists, tugging your arms away only to replace your hands with his own, warming your cheeks with his calloused palms.

“Then see me now,” he ordered. “And know I have always understood how that feels. What great fools we have both been all along to deny ourselves our true desires.”

“Eomer, what--” The stroke of his thumb over the corner of your mouth drove the rest of the words away, and the parting of your lips and flutter of your eyes gave him the approval he sought.

His kiss tasted more glorious than they did in a thousand daydreams combined. It did not surprise you that he was completely unlike the other men you had kissed before. Whereas lesser men were greedy and sloppy in their hunger, the caress of Eomer’s mouth was deep and languid, almost worshipful in its exploration of your lips, as though he aimed to savor every small sensation and intended to carry on doing this with you forever.

His one arm looped around your waist to hold you covetously against him; his broad left hand traveled from your cheek to cradle the back of your neck, his long fingers burying themselves into your hair, tips grazing your scalp. It fired up a new heat in you that you had never felt before, not with such raw intensity, and a tremulous whimper escaped your throat.

But the sound of your own pleasure was your undoing, for it triggered an alarm in your head, one that caused you to break away from Eomer’s passion. You mumbled against his lips the words you had conditioned yourself for years to think around him.

“My lord, I cannot…”

He paused, his eyes still dazed and unfocused, caught in a state of bliss--one that you caused, you realized with a shiver. “You cannot… what?” he said thickly. Without waiting for an answer, he dipped back in eagerly to trail his mouth up your jawline, his tongue skimming the tender pulse underneath your ear.

You gave a small cry and pushed against his chest with more force, immediately waking his attention. His arm around your waist remained stubbornly secure however, and it took you physically prying the powerful limb off for you to slip free. Either due to shock or lingering delirium, Eomer did not resist.

“I cannot…” Your voice broke even as you clung to your resolve. “I cannot have you.”

His heavy brows furrowed. “What?” Within seconds the confusion lifted to uncover his dismay, layered with anger. “You would speak lies and nonsense again, after everything I told you?”

“It is the truth, Eomer!” You started backing away already, stepping faster and faster as he began to move and reach out for you. “You can never be anything more than a dream to someone like me. I cannot have what is already taken.”

“Taken? What--wait! No!” He started to run, but you had already turned heel and were sprinting full-speed towards the Citadel Gate. You had always been faster on your feet; there was no hope of him catching up if you refused to heed his orders. “Stop!”

His shouts of your name faded quickly, drowned out by the noise of the milling crowd you plunged into and the thunder of your own frantic heartbeat. You slowed to a walk but kept a quick pace, weaving haphazardly through the throng and on and on until you’d descended at least two levels. Only then did you duck into a side street and survey your surroundings.

Your escape succeeded. Neither Eomer nor any Rohirrim were anywhere to be found, at least for the moment.

You collapsed upon the nearest doorstep, exhaustion and aches finally overcoming you. As the chaotic whirlwind within you settled, so too did the reality of what just occurred sink in.

Eomer desired you, perhaps even loved you as you did him. But the King of Rohan’s love was not for you, a common soldier, to take. You had known that all along, and he did too. It was unkind of him to give you such false hope.

Raising your fingers to your swollen lips, you felt the ghost of his perfect kisses on them, and finally burst into tears over yet another memory that will grieve you until your trampled heart could bear no more.

To be continued...

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#sotwk fanfiction #eomer #eomer x reader #eomer fanfiction #rohan #lotr #eomer x you #valentine event 2023 #follower request

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agustdef · 10 months

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Will You

Pairing: Jeon Jungkook x Black!Reader

Genre: Fluff; Idol AU/Idolverse

Word Count: 3k

Warning: Light Language

Rating: PG-13

Beta Reader: @hobeemin

A/N: This was due to idk and I have so many ideas that I simply didn’t write a ff that ended up posted for much too long. So here’s to hoping to finishing these ideas.

“And without further ado, I am more than happy to introduce you to our keynote speaker Ms. YN LN.”

Clapping fills the room, and Jungkook joins in a beat late. His mind wandered as he’d listened to the other speakers for almost an hour. They’d all had interesting things to say, but something about being in a room with all these people with a person at a podium felt too much like school. Plus, a few of them seemed just to enjoy hearing themselves talk.

He refused to admit that to YN, though.

His beautiful girlfriend tried to give him an out when he said he’d come with her for this event. Told him how boring it would be and that she didn’t mind if he just did something else until she was done. Of course, he pushed for it, and she relented with one final warning about how he’d be bored as hell. To a degree, he’d known that going into it, but he wanted to support her. And to see her in her element.

Though they both work in the same industry, they’re on different ends of it. Jungkook as an artist and occasional writer, while YN worked legal. Their first encounter was when an American artist friend of his invited her out to dinner as a thank you for helping him with a contract issue with his label. They’d made him promises and tried to backtrack when it was time for the new contract. YN worked at a firm that specialized in that kind of thing, though they usually worked with smaller artists. His friend had been her big break, bringing in business and a promotion.

Of course, Jungkook was too much of a punk to ask her for her number at that meeting. He was too nervous about if it was forward, and he didn’t want to mess with the mostly professional nature of the event. But he got her card, and that was enough.

Until they kept bumping into each other at the more business-like industry events. Well, half bumping into each other and the other half him hunting down her name on programs and making sure to show up to those panels or events. It made him feel like a little bit of a stalker, but to combat that, he finally got his shit together and asked her out after running into her at a restaurant.

Grateful to not be turned down was an understatement.

As they got to know each other, he felt himself fall hard and fast. She was perfect. Not in how one thinks when they hear the word, but in how that worked for him. That made their relationship work through the lows as well as the highs.

I love you slipped out of his mouth five months in.

If that didn’t explain why he put himself through this boredom, nothing, else would at least not in a way that made sense. His members still sometimes looked at him crazy with how he felt about her and how he could only sometimes find the words to explain it in a coherent way.

“I promise to try not making this too boring for y’all. I can not, however promise it won’t be boring at all. My line of work has to have some pitfalls besides all that paperwork,” YN joked.

The entire room laughs. It’s not the funniest thing in the world, but the way she delivers it and the energy she exudes as a person gets to people. It’s why Jungkook lets out a laugh that’s a little too loud and draws the attention of those around him. And of YN, though she doesn’t look his way to make that clear. He just nose from the way she pauses for a second longer, and her smile widens.

Embarrassed isn’t even the right word for him at the moment. Part of him wants to flee the room, but he stays in his seat. It helps that anyone who side eyes him switches to being shocked to see him there. Being identified as a member of BTS is what he can handle; being embarrassed is not, despite what his variety show content and the lives over the years might suggest.

To let the feeling pass, he focused on the stage. Well, on YN.

“For those who don’t know me, I’m YN LN, and I've been working at Heights Law for the last six or seven years,. We specialize in fair contracts for indie artists. From things with their label to tours, merchandise, the people they hire, and even contracts between members if it’s a group. About thirty-five percent of those we work with don’t even have a label they’re signed to and don’t want to. And then about twenty percent of our clients are more mainstream artists looking for the same services.

We don’t work with any sort of label because we feel it ties us to worrying too much about keeping on their good side when trying to figure things out. And while we are not on a mission to do anything that would be, for the lack of a better word, line crossing with the people we are trying to get to sign the contracts, our clients come first. That’s made us stand out in a way y’all may have heard about a time or two. I’d like to personally apologize for making you sit through articles about a certain label trying to screw over up and coming artist Minx and all the weird things that were honestly not so weird about her tour rider.”

Again laughter, but with some whispers and grumbles thrown in. That entire situation had everyone in the industry confused as hell, and for the last few months, they thought Minx was trying to be greedy until everything was settled and it was shown that all her asks weren’t as crazy as they’d seemed. Even Jungkook found himself looking at YN like she’d lost it with every new bit of information that was released. He’d asked her about it, but she gave him a look, and he had to wait out the outcome like everyone else.

“And for this, I think Minx is the perfect situation to discuss. I mean, when else will you see how things can go when a former lawyer turned pop star wants to sign with the label she used to work for but knows all their tricks.”

That was all it took to have people enthralled. After everything settled, everyone still had a million questions about it, but they were still waiting for someone at the firm to answer them. Jungkook had the fortune of dating YN around the time, so he got her to tell him, and Minx had invited them somewhere and told him more. So, he knew everything.

Which meant he could just stare at her. He didn’t think of himself as the type to be much of a creepy person, even if him trying to run into her wasn’t a clear indication of that. That and that looking at her was one of his favorite pastimes.

YNs cute.

He would and did use a million words to describe her. But the first thought in his brain when he saw her was how cute she was, and he felt his heart triple in size from that alone. Her genuine smile and soft features do a lot to counteract the fact that she’s only an inch shorter than me, which throws people off when they meet her and had only seen her face before.

Those legs of hers, when she wears heels, drive Jungkook absolutely feral. And he has to fight off the thought of them as his mind spirals. He focused instead on the light tint of pink pushing through the brown skin because of all the bright lighting, the way there’s a stray piece of hair not as curly as the rest that she swears isn’t from heat damage, and she can fix, the soft red of her lips, and the way every part of her body seems light and open as she talks about a subject she loves. A look he’s familiar with and is how he knows she looks at him.

More than anything, Jungkook is sure that YN loves him as much as he loves her, and like a revelation, he knows how much that is. How much space that love takes up in him, to the point that sometimes it feels like it’s overflowing. Right now, it feels like it’s overflowing.

“Questions?”

That one word pulls him out of his head, but he looks at YN with a clarity he didn’t have a few minutes ago, let alone a few hours ago.

Someone clears their throat, but his eyes don’t leave her.

“Why not just go with what the label wanted? I mean, sure, Minx had the background, but that shouldn’t make her any different than any other artist. Should she not be thankful to get into the place twice on different sides of it?”

There was agreement in the crowd, but it died out quickly with everyone else's quietness drop quiet.

Despite the shift in vibes, there’s a smile on YN’s face.

“Why do you think that? Is it because others don’t have that same knowledge? I can see how that could be seen as unfair because it is. But because she has the background,, she used it to help herself best,, which made it so we could best help her and those in the future. However, I can assure you that they changed their contract language a lot since then. Height and many other firms who deal with them and this kind of thing all saw a shift for the better and for the worst with them. So, while you may wonder why Minx didn’t simply take what she should be lucky to have gotten from them, I hope you’re settled by the fact that unless the rare thing happens. Someone else does the same thing, no one else will be able to give the insight on how to best make the next contract work for the client in the way she did.”

The response is assertive, sarcastic, and professionally annoyed. It doesn’t leave room for anyone to say anything that doesn’t make them look any more like an ass. But the man at the podium opens his mouth a few times to try and figure out what to say. In the end, he walks away from the mic with his head down. Jungkook is sure that if it weren’t for pride, he would walk out of the room altogether.

“Any more questions,” YN said after a moment.

There’s one that Jungkook has. One he needs answered, but he finds himself glued to his seat.

Several people go up and ask their questions, all of them better than the first one, though some of them toe the line. There are also a few that Jungkook would deem flirting, but they don’t bother him. Not with the thoughts swarming around in his head.

Before he knows it, she answers the last question, and everyone is dismissed. A few linger to talk, but with this day being so packed, everyone wants to rush off to the next talk or event happening.

He sits in the seat for about fifteen minutes before she walks up to him, and when she puts her hand on his shoulder, he looks up at her startled, even though he watched her approach him.

“Ready to go?”

Jungkook’s mouth opens and closes as he stares at her. He feels all over the place, but none of it’s uncertainty or doubt.

“I have a question,” he managed.

“Huh?”

“I have a question. I didn’t get the chance to ask it in there. I was… I’m nervous to ask it, and I couldn’t do it in there.”

YN frowned. “You can always ask me anything, my love. No need to be nervous about it. Plus, I’m sure yours is better than some of the bullshit I get asked in general when it comes to work.”

For a moment, Jungkook says nothing. All he can do is stare at her and try to keep his breathing normal. The latter is the hardest part, but YN takes his hand in hers and squeezes it tight.

Taking a breath, he gets to his feet, takes both of her hands in his, and stares into her eyes. He’s more than sure about what he has to say.

“Will you marry me?”

“Yes.”

Question nor answer was said with any hesitation. However, Jungkook could tell that YN was still trying to process what was happening. He was too, but that wasn’t important now.

After a second, Jungkook released one of her hands, and with the other firm in his grasp, he led her out of the room. He hears her ask a question, but it doesn’t fully register in his brain. All his focus is on weaving through the crowd of people and out the door of the convention center. The place isn’t as isolated as some can be, so he walked past the parking lot where his car is and made his way past the hotel they were staying at.

“Where are we going?”

“Jungkook?”

“Jay?”

There’s a loud exhale too, but Jungkook paid it no mind. He’s on a mission.

“For goodness sake, Kookie.”

YN matches his pace though she’s clearly confused by what the hell is happening. He knew he should say something, but couldn’t find his words just yet, so he kept walking until ten minutes later, they were in front of a popular celebrity-use jewelry store.

A few of the things he bought for himself and others - YN included - were from here, so he had a code that they gave him to get in. The door buzzed them in, and the moment that they walked in, there was a person there and ready to help. Though it might not be obvious to most, it was clear from the knowing smile on the woman’s face she knew what was up.

Didn’t stop Jungkook from being so flustered, though.

“Hi. Engagement rings. I mean, we would like to see engagement rings.”

Without a word, she directed them to the back of the store. They followed close behind her, and when they entered the room, she’s taking them to another person is setting down a tray of rings, with others sitting on a cart behind him.

Yeah, she knew.

Once everything is on the table, the man leaves, and they’re directed to sit. The woman who welcomed them stands on the other side of the table.

“This is a collection of all the rings we sell in the store. Though there are others, we can have custom made if what you see in front of you isn’t the right fit or you want a mix of styles. There’s a mix of the traditional sort and the non-traditional. Some are even without diamonds. Please, take your time to look through them and see if something catches your eye.”

Then she’s gone, and all the sound goes with her.

“We’re doing this?”

“You asked me.”

“True.”

Jungkook finally turns and looks at her, and despite all the nerves he’s feeling about if she’ll take it back, there’s a smile on her face. And a lack of anxiety like what’s going through him. Though he can tell, she’s a little thrown off by it all.

“I did. And I want to.”

“Then we better start looking, yeah?”

“Yeah.”

All the tension that was once there leaves the room, and they both turn their attention to the hundreds of rings in front of them. It’s an overwhelming site, but they dive into them. Jungkook tries to get YN to try some on, but she says that she doesn’t want to just yet, so they set them on the empty tray right in front of them.

Each one feels perfect to Jungkook, but not right. More of the diamond rings that look how he’s used to seeing American engagement rings look like end up on the tray, which isn’t much of a shock with YN’s usual preferences.

A tray marked as morganite is second to last, and Jungkook almost avoids it, but then one ring calls to him. His eyes zone in on it, and he reaches for it just as YN gasps. His neck nearly breaks when he turns to look at her, but the slight pain means nothing as he follows her gaze to the ring he was reaching for.

Without another thought, he picks it up, takes her hand, and slides it into place. Though it’s a little loose, it fits her finger. The oval champagne colored gem is on a white gold band and surrounded on either side with diamonds that fan out, almost like leaves on the stem of a flower. They wrap perfectly around her finger and stop before they reach the palm side. Everything about it is YN. Is them.

“Perfection,” YN whispered.

“Yeah.”

And like the whirlwind that this was, Jungkook was happy to find that they had the same ring, the right size, on the premises, and he paid for it right then and there. It only left YN’s finger so they could clean it, and then it was on again.

They walked out of the room, and both were on a cloud. All those nerves Jungkook felt before were gone, but something else replaced it.

“I guess we have a wedding to plan. I can’t imagine when we’d even have it,” YN said.

“Now.”

Not the least bit startled, she turned to him with a raised brow.

“Now?”

“I… I don’t know. Maybe?”

Silence sat between them for what felt like forever, and then YN turned her attention back to the jeweler.

“We need to see wedding bands, too,” she said, then turned back to Jungkook. “And you need to start making phone calls.”

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duhragonball · 2 months

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Akira Toriyama (1955-2024)

I wouldn't say I'm feeling better today, but I'm feeling less bad than yesterday. So let's see if I can put some words together.

In case anyone still hasn't heard, Dragon Ball creator Akira Toriyama passed away on March 1, 2024. This news was made public on March 7 or 8. I woke up early on Friday morning and found out while I was checking Twitter. I had a long, busy day at work, and I kept getting on my phone to scroll through fan reactions and tributes.

I think that, more than anything, is what's gotten me so worked up about his death. My Twitter timeline and my tumblr dashboard were just chock full of touching message and images about how Akira Toriyama's work has changed their lives. I wanted to write my own tribute, but I'm not sure what else I can say that hasn't already been expressed by Archie Comics, professional wrestling trio The New Day, and the Republic of El Salvador.

There's this immense, global community of fans, and it's easy to lose sight of just how big it is. It's easy to get bogged down in the infighting and petty squabbles. I saw one tweet responding to the criticism of Dragon Ball not being like this "entry level" franchise compared to other, more high brow anime and manga. It's popular with so many people, that critics will assume it's designed to appeal to the lowest-common-denominator. But the opposite is true! Dragon Ball is accessible, which is how so many people from so many different places and walks of life can get into it. The guy telling the story was such a master storyteller that he could grab an audience's attention and make it look easy. So easy that the haters would start to think that it was a trick, and he must be overrated.

Let me talk about this panel for a minute.

Last night I started going through the original manga, looking for panels to screencap. I wasn't sure what I wanted to do, but I thought maybe a selection of panels that really stood out for me might be worth posting. I'll probably still do that one of these days, but I got to this one, where Gohan tells Chi-Chi about Goku's death, and it hit me like a ton of bricks.

This was a powerful scene in the anime, of course, but in the comic it's even more profound. It's just one panel, no dialogue, because the reader already knows what's happening here. We know Gohan is telling his mother that Goku died in the Cell Games, and that he refuses to be wished back, because he thinks his presence on Earth will attract new enemies. It was hard enough to hear when Goku said it to Gohan and the others, and now Gohan has to relay that message to Goku's wife. All she can do is lie prostate on the floor and weep.

And look at the composition. She's surrounded by all that negative space. Gohan's there for her, but she still feels so alone, surrounded by her husband's absence. Pots of flour for food he'll never eat. An empty chair he might have sat in. Their son, who will have to grow up without him.

I saw this, as though for the first time, and it was so gut-wrenching that I had to post it by itself. I felt like it summed up my feelings better than any words could. We're all Chi-Chi in this panel, reacting to Akira Toriyama's death. And we're all Gohan too, each of us consoling one another with our own thoughts and tributes.

So what did Akira Toriyama mean to us all? Lots of people have answered this in a lot of different ways. Obviously his art, storytelling and cultural impact speak for themselves. I've seen people compare him to other luminaries like Jack Kirby and Osamu Tezuka. I'll try to add my own two cents with this:

I wrote a post about "Dragon Ball Daima" back when it was first announced, and I led off with this image of a note from Akira Toriyama. I guess this was from some big fancy presentation about Daima at a convention. I forget which one. In particular, I was skeptical that the Daima rumors were even true, and if they were, the whole idea seemed half-baked to me. Turning Goku into a kid had been done before, and it wasn't exactly successful the first time.

But this note from Toriyama was very reassuring to me. More than the trailer clips and character designs, this was what got me interested in the show. That's because he took the time to not only hype up the show, but also to explain what's going on behind the premise. He took the time to tell everyone that he's working on this show, and what "Daima" means, and why all the characters get turned into kids. It's "due to a conspiracy", and the good guys will have to "fix things". In short, he established a plot, conflict, and resolution to the story. He didn't just slap this together to sell new merch. I'm sure that was part of the motivation to make Daima, but there's more to it than that.

I think that's the loss I feel with Toriyama's passing. It's not that there won't be new Dragon Ball stories in the future. I'm sure others will continue telling their own versions long after I'm gone. I'm not that worried about the fate of Daima. I'm sure they'll figure something out, whether it's delayed, rewritten, or canceled. But we'll never see another message from Toriyama to promote a new project, and that's what I'll miss. From here on, his credit will just be an acknowledgement of his past contributions.

There's this great credibility with Akira Toriyama's name. Fans will argue about how involved he was in a project as a way of establishing how good or bad it was. Dragon Ball GT has his name on the credits, and he provided some designs and artwork early on, and for some fans that proves the series has his endorsement. For others, the sole problem with the show is that he wasn't directly writing the script. There's similar debates over Dragon Ball Super, where he was involved, but only writing those mysterious "notes". So if a fan doesn't like something in DBS, who do they blame? Did Toriyama lose his touch, or did his co-creators fumble the ball? Dragon Ball Evolution basically ignored all of Toriyama's advice and bombed, while Battle of Gods, Resurrection F, Broly, and Super Hero all put Toriyama's writing credits up at the very beginning, and each film made plenty of money. I read his comments on the Daima confirmation, and immediately thought "Okay, this should be pretty good. Akira Toriyama knows what's up."

That's gone now. I mean, there's still a lot of talent out there, but we'll never again have the little gas mask-wearing robot telling us that this story will be good because he worked on making it good. I don't think I really appreciated how much I trusted that guy until now. I still can't believe he's really gone.

I'll probably have more to say about this in the coming days, but I'll stop here for now. Thanks for letting me ramble a bit on this.

#dragon ball #akira toriyama

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elitadream · 8 months

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🎆 Sing for Absolution: behind the scenes 🎆

Hello everyone, and welcome to this summary on how the story was visually built! If you happen to come across this post and would like to read (or reread) the collab @drones-of-innocence and I have created together, just click on the title above and it will take you right to it! 🤗

With that said, let's begin! :D

As some of you already know, this was an idea that Drones had for a long time. It was brought up during one of our many conversations a few months ago, in which she briefly described the plot and sent me a condensed version. I- immediately and completely fell in love with the concept, so much so that I couldn't keep still. 😂💘 I practically begged Drones to let me draw a few frames for it, and she happily gave me permission. At first, what I intended to do was make about 3 or 4 thumbnails, like I had done with One Step Closer.

I returned with 22.

And from there, we both decided "Okay. Yeah. Let's make this official. 🙌💯" LOL

What's interesting here is that, as you can see, some frames didn't make it to the final cut! 🤓 And inversely, new frames were eventually added as the collab progressed. Out of all the sketches that were either abandoned or later deemed superfluous, my personal favorite would probably have to be this shot of Kamek. 😈

From the rough thumbnails I had presented, Drones helped me select the best and most eloquent ones, and I also changed a few other things along the way. For example, one panel that was entirely redone was frame 3 (where Mario enters Peach's room), because the initial composition didn't allow for the reader to see the setting very clearly, and I felt that the establishing shot needed to be wider.

Many of the drawings were also ultimately flipped to give the visuals a more coherent direction and better flow, including this one!

I decided pretty early on that the palette should be made of cold hues, seeing as these events happen to take place at night and that a warm overlay wouldn't adequately have conveyed the more ominous and solemn tone of the story in my opinion. 🤔💁‍♀️

Oh! And I almost forgot: using cold colors for the backgrounds and characters was also very convenient because it helped make the magical effects (the fire, the spells, etc- all the bright, warm and/or complementary nuances) really stand out, which resulted in a more interesting and visually striking contrast overall. 😌🎨

As I do with all my illustrations, I started by cleaning the sketches and adding a unifying background filler for all the frames. Then, I selected the colors I wanted to use (a gradient made of a mix of navy blue and purple) and worked on each drawing individually. Even with simple tones, we can observe the sheer difference that shading makes! 👀😉

There's a visual element that appears in the story and which I had borrowed from Drones before, and that would be Peach's healing magic.^^ ✨ I remember I was fascinated by the idea when I first discovered it in Un Fiore Per Te, which had prompted me to ask her if I could feature it in a piece where the Princess is seen using said power while at Mario's bedside in one of my other tangents. 💞

I kept the effect similar on purpose in Sing for Absolution, so that the slight reference would be easier to catch! 😊

And last but not least, there's that cheeky little Fire Flower! 🤭🔥

As mentioned in a previous ask, the flower actually signifies a lot in this case as it somewhat embodies the deeply affectionate bond between Mario and Peach, glowing brighter and closing its eyes in happiness when the two are close. 💖

While admittedly not the first drawing I made in which a Fire Flower appears, the one that actually inspired both Drones and I to include this symbolic power-up in the story was one that I made all the way back in February for Valentine's Day. 🥰 The subtle yet direct reference can be spotted twice in the text, linking this piece to the collab and establishing a bit of a chronology as well. I was very honored that Drones added this small detail, and I very much look forward to working on more ideas with her in the future! 😁🤝

Big thanks once again to all of you dear friends and followers who have commented and given their thoughts on this projects. Drones and I can't thank you guys enough for your interest and enthusiasm!! 😇💗

ALSO ALSO- I have shared here my visual side of the collab's progression, but Drones intends to give her own side of the story's development soon (explaining some of the themes and narrative elements a little more in depth), so make sure to stay tuned and check her blog as well! ^-^ 💫

#Mario #Princess Peach #Mario x Peach #Mareach #concept #story #collab #Sing for Absolution #fanart #fanfic #elitadream #drones-of-innocence #creators on Tumblr

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theerurishipper · 1 year

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Zuko Did Not Abuse Azula in the Comics.

I'm gonna do it. After a lifetime of never posting any of my own posts in the ATLA fandom, I am gonna talk about this. "This" is the arguments sprung forth that Zuko abused Azula in the comics, more specifically The Search. Now, I don't think the comics are well-written, but what they don't do in any capacity is paint a picture of Zuko abusing Azula. And despite this, I've seen several claims about how Zuko did in fact, treat Azula cruelly and horribly and let the Gaang abuse her happily. And I might not like the comics, but that's just flat out wrong. So, I'm writing a rebuttal to all the arguments I've seen on the topic, at least, as many as I can remember. What I'll do is quote an argument and use evidence from the comic to rebut it, and hopefully people will stop claiming that the abuse victim treated his abusive sister the way she treated him all their lives. So yeah.

To be clear, I'm not making this post to hate on Azula's character or something. I'm not making this to start a fight, or to make people angry. I mostly made this to express my own frustrations about some things I've seen.

And it's probably a bit too late for this, but if you think Zuko did abuse Azula or whatever, you're entitled to your opinion, but please don't interact with this post. I've tagged the anti tags and placed my text under a read more, so y'all don't have to read it.

This gets long, so under the cut it is. Let's go.

Argument: "Azula is protesting being treated cruelly and Ty Lee chi-blocks her for no reason at all! And Zuko doesn't protest this cruel treatment of his sister! He's abusing her!"

Ty Lee chi-blocked Azula after Azula attacked Zuko and displayed violent behavior. On top of being Zuko's bodyguard and therefor responsible for protecting him, Ty Lee also has a great fear of Azula because of how Azula treated her in their past. Zuko tries to be kind to his sister by bringing her tea and she attacks him. Furthermore, Zuko also protests her being chi-blocked even after she does so. He tries to treat her with dignity and be kind to her but Azula herself is the one to sneer at his efforts.

Argument: "Zuko is awful for leaving Azula alone with her abuser! He doesn't care about her well-being!"

I agree that Azula shouldn't be allowed to talk to Ozai. Ozai abused Azula as well, and contact with him would only cause her more problems. However, Zuko doesn't know this. He himself is an abuse victim, and all he's seen his whole life is that Ozai favored Azula over him. And Azula used this to place herself in a position of power over him. She's always tried to drive it into his head that their father liked her better than him and that he was worthless in Ozai's eyes. Naturally, Zuko assumes (incorrectly) that Azula has some kind of special relationship with Ozai that he doesn't. He knows Azula has not had a perfect and healthy life, but he is not privy to the details. He doesn't know what's going on in her head. This is because he is not a mind reader, and she refuses to let herself be vulnerable in front of him because she believes she is better than him and that vulnerability is a weakness.

Even in the comic, she expresses no hatred or fear of her father, and doesn't indicate to Zuko that she does not want to be alone with him. She shouldn't have contact with him, of course, but she refuses to admit that her father is responsible for how she is now and that he has hurt her. She blames her mother, she blames Zuko and his friends, she blames Mai and Ty Lee, but she refuses to blame herself and most importantly, she refuses to blame Ozai. She's still behaving the way he wants, attacking Zuko and, if I may bring up Smoke and Shadow even if it pains me, she's trying to get Zuko to be like Ozai. She herself expresses the desire to speak with Ozai in the panels above, so if she herself hasn't acknowledged the way Ozai has hurt her or how he has abused her, and if she is still under the belief that he loves her, how is Zuko supposed to know any better? He's not doing anything he thinks might hurt her because she hasn't expressed that it hurts her, because she herself doesn't believe it does. And yes, it does hurt her, but it's not Zuko's fault for not being able to magically comprehend that, especially since she has spent her life driving the opposite message into his head, that Ozai favors her and not him.

Argument: "Zuko threw his little sister in an institution! He didn't care for her or for what became of her! He just left her in there to rot!"

What should he have done then? How should he have dealt with her? Azula may be traumatized and in need of help, but Zuko isn't the one to give that to her. He doesn't owe that to her after everything she's done to him, and he doesn't have the capability to help her himself. Azula has always expressed hatred for her brother and has been very clear about the fact that she considers him weak. He tries to help her and she rebuffs him continuously, choosing to attack him instead. She still wants him dead, and she has still not expressed any opposition to the things she learnt from Ozai. She still considers her brother a failure, she still hasn't mentioned that she thinks genocide is wrong, and she certainly doesn't think she's to blame for anything.

Given free reign, she attacks Zuko and manipulates him, and she is obviously too dangerous to let loose. The most Zuko can do is get her the help she needs, which is what he tried to do. I find the whole way these comics deal with mental health distasteful, especially with regard to Azula, but that's a flaw in the writing, not the characters. Zuko could have thrown her in prison like Ozai, since she was complicit in his war efforts. But he recognized that she needed help and tried to provide it for her. I wonder what anyone who criticizes Zuko for this would suggest he should do instead. Keep in mind that Azula is an imperialist and staunch supporter of Ozai's quest to take over the world. She also attempted to kill Zuko multiple times and has expressed no remorse for it.

And also, there is the argument that the institution is abusive and that Azula was mistreated in there. And where is the evidence of that? No, seriously, I went and looked through the comics, and I didn't see any evidence that Azula was abused in there. It seems to be a headcanon. Of course Azula resents being put in an institution, especially when she believes nothing is wrong with her and since she so adamantly refuses to let anyone help her. But nowhere does she mention that she hates it because the people there hurt her or something. And where else could she get help for her problems? Should Zuko take on a second job as her therapist? Should Iroh leave his life in Ba Sing Se behind to come and help a niece who has only ever hated him and wanted him dead? People say that the straitjacket is proof of her being abused, and I don't really like it either, but considering that she is eagerly awaiting the opportunity to attack Zuko, the straitjacket is probably a precaution to make sure she doesn't hurt anyone. Not that it stops her.

And when Zuko does try to help her some other way by offering for her to stay in the palace instead to make her more comfortable, she attacks him. So.

Also, these comics totally forgot how lightning-bending works.

Argument: "Zuko violently coerced his mentally ill sister to come with him on a mission to find his mother!"

She's also Azula's mother, actually. And he didn't coerce her. She blackmailed him and forced herself onto the trip. It was entirely her own decision to come with them and it was not Zuko who forced her to do anything.

Argument: "The Gaang attack Azula for no reason! They're threatening her violently!"

I mean, considering everything she's done to them and still hasn't given up on wanting to do, it's expected that they would be wary of her and perceive her as a threat. Remember when the Gaang pulled their weapons on Zuko, and only didn't attack him because he tried talking to them? Azula here is still antagonizing them and is still calling them derogatory terms like "peasant," so she still hasn't given up her beliefs of superiority. Which obviously doesn't give them a very positive impression.

Argument: "Iroh always expresses ill will and hatred towards Azula and thinks she's a lost cause! He encourages Zuko to hurt her because he thinks she's irredeemable!"

Iroh expresses the wish for Azula to find peace the way he believes Zuko will.

Argument: "The Gaang treated Azula cruelly and threatened her for no reason! They started abusing her the moment they got the chance to, when Azula was defenseless and unable to protect herself at all!"

Here we have exhibit A, where Aang cruelly laughs in Azula's face and greets her mockingly, while Azula is respectful of the people she has hurt many times over.

Oh wait. He greets her cheerfully and kindly, and she starts ordering the Gaang around like they're her servants.

Argument: "Sokka threatened Azula violently for no reason and Azula was just defending herself!"

Sokka didn't even do anything to her. He waves his boomerang near her and tells her not to try anything. And yet the way some people will use this scene is to suggest that he was outright attacking her when she was vulnerable or something. And yet she is well off enough to shoot lightning at him unprovoked. Considering all of Azula's actions, they are well within their rights to keep her in control. Would you say Katara was unjustified for threatening Zuko with death right after he joined them? Was she abusing Zuko then? The answer is no.

Azula has been well known for committing many acts of violence against them, including but not limited to pursuing them relentlessly, attacking them, taking over Ba Sing Se, trying to kill them, actually killing Aang, almost killing Zuko, and she is complicit in the crimes of the Fire Nation. She has done nothing to prove that she's changed her ways and that she is now not interested in killing them, and we later learn that she still does want to attack them. Sokka is well within his rights to threaten her since she has inflicted so much harm on his friends and might still do so. But Azula has no such right. The only reason she has so much free reign is because of Zuko's compassion. The Gaang are right to be suspicious and wary of her after everything she's done and she has no right to be disdainful about that. Do you think if Zuko showed up to join the Gaang and shot sparks at them when he got irritated, that they would not be in the right for perceiving it as a threat? Would you say that Zuko should be allowed to act violently with the Gaang in that situation?

She is here because she manipulated her brother and the fact that she is being allowed on this trip unbound is much more than what she realistically deserves. And she proves Sokka right by attacking him. Sokka merely waved a boomerang in her face (he wasn't even that close to her, actually, and he certainly wasn't in her face) and warned her not to try anything, and she tried something instantly. Just before this when Zuko was with her, she attacked him. No matter her mental state or her age, Azula is dangerous and deadly, and she has not changed. They have no reason to trust her. They have the right to be distrustful of her and to warn her not to step out of line. I know people like to ignore the fact that Azula is still an Ozai sympathizer and an imperialist who partook gleefully in the war efforts and like to only see her as a mentally ill 14-year-old girl, but that's not what the show says, and neither do the comics, so.

I'm guessing it's wrong of the Gaang to react when someone who has previously proved to be more than ready to hurt them and kill them tries to hurt one of their friends. Sure, Azula wasn't going to hurt him severely, but she sure did hurt him enough for him to yell out and fall down. And considering everything else, the Gaang are right to try to protect themselves from someone they perceive as a threat. Sokka wasn't even close to her, damn it. Azula has no right at all to be making demands of the Gaang, and they don't have an obligation to treat her the way she wants to be, like they are her servants and like they are inferior to her.

Argument: "Zuko threatens Azula for no reason and abuses her!"

Azula is someone who has proven to be a threat time and again, and here she is yelling strange things and inching closer with an angry look in her eye. For people like Zuko, it is understandable that this looks like a threatening situation. We know what Azula is talking about, but all they can see is her behaving in a way that could be threatening.

She yells accusatory things and looks angry, and she is moving closer to the rest of the Gaang, almost like she is ready to attack them for something. And so Zuko tells her that that's enough. And he releases some... steam, I guess? He doesn't even bend a flame. And yet he's abusing her somehow. And then she makes it sound like he's overreacting. If someone you knew was dangerous started coming closer to you while yelling with a strange look in their eyes, would you try to wonder why exactly they're behaving like this and if they're alright, or would you prepare to defend yourself?

And here we also see Azula blaming the Gaang for ruining her life and not, you know, her abuser Ozai. So sure, of course she'd accept Zuko's help when she thinks he's to blame for her misfortune and not her own actions and Ozai's abuse.

I too wish Toph was here.

Argument: "The Gaang abused a defenseless Azula, Part 2."

Defenseless Azula breaks the deal she forced Zuko to make with her and jumps off Appa when they're too high.

Aang saves her and she blasts him.

Now, we know in this scene that Azula is having visions of her mother and that she's hearing things. We know that she's not exactly of sound mind when she goes on rampages. But the Gaang doesn't know that. Zuko doesn't know that, and he has no way of knowing because she won't tell him. Even when he asks her who she is talking to, she just yells at him and rebuffs him.

Look at Zuko, saying that he doesn't want to fight Azula with a sad expression. How abusive!

Azula throws the first blow here. She isn't seeing things when she attacks Zuko, she just used him to get here and now she wants to get rid of him. And Zuko is doing what he said he'd do, keeping her in line. And don't say he should have just let Azula go. He wouldn't be a very good Fire Lord if he let the lightning bending imperialist go off on her own.

And then the Gaang takes her down after she attacked them first. So if that's abuse, then I don't know what to say.

Argument: "Zuko abusing his sister, Part 3."

Very abusive, yes.

Oh, and he finds a secret she's been keeping from him! That's so abusive!

Argument: "Zuko abusing his mentally ill sister, Part 4."

She attacks him first. You could make the argument that it's because she's having visions of her mother, and yeah, she is. But Zuko doesn't know all this because she won't tell him. And also, as it should be obvious to everyone, that's not an excuse.

Then there's a fight scene.

Argument: "Zuko cruelly held Azula off a cliff to threaten her and hurt her! He's abusing her while she is clearly not well!"

Ah, this infamous scene. Where Zuko holds his weak and defenseless sister off a cliff and laughs maniacally at her suffering while she pleads with him to spare her- oh wait.

Obviously, he dragged her to a cliff just so he could hold her off it. It's not like they were fighting in that environment. It's not like she just fell near the cliff's edge and he picked her up.

I honestly don't see anything wrong with what he did. He's clearly defending himself from her, and holds her over the cliff so that she won't attack him again, and so that he can make her listen to him after she has acted out again and again in a violent and dangerous way. She was attacking him, and this was the only way he could get her to listen to him. If you think he was considering dropping her, you don't know Zuko at all.

Anyway, this is actually one of the few scenes from any of these comics that actually made me feel something. It's an expression of the tragedy of their relationship from Zuko, and also him standing up to another abuser in his life. Yes, Azula abused Zuko, that much is not up for debate. Here, Zuko is finally confronting Azula on the horrible was she's treated him their whole life. I don't begrudge him that. And him saying "since the day you were born," is obviously not literal. Like, I can't believe I have to say this unironically. If people say "I must have walked a thousand miles," do we take it literally or do we understand that it is an exaggerated way of expressing that someone has walked a long way? It's the same thing here. Just because Zuko exaggerates his speech does not mean that the sentiment he is expressing is untrue. This is such a stupid line to get hung up over, but gotta take every inch you get when the whole text is against you, I guess.

Argument: "The Gaang abusing Azula, Part 5."

Where the Gaang verbally abuse Azula who is clearly hurt by their cruel words- hold on.

Ah, yes. Call the people who are somehow still putting up with you "louts," Azula. I am sure that is a very good and proper way to treat people who have every right to throw you back in jail and be on their way. They don't even say anything back to her. The Gaang has the patience of saints, honestly.

Thank you Sokka for being the one with common sense. I suppose he's also a villain now for saying "she's tried to kill us twelve times" when that's not true, it was only about two times. Which clearly makes it better.

Argument: "Zuko abusing Azula, Part 6."

Azula antagonizes a child, Zuko tells her to knock it off.

He's being so cruel to her.

Argument: "The Gaang abusing Azula, Part 7."

She attacked them. They defended themselves. It doesn't matter if she saw her mother in a vision. That's not an excuse and it's not the Gaang's problem. It's not Zuko's obligation to help his abuser, especially since she doesn't want his help anyway.

Gee, all these arguments are starting to sound awfully similar. It's almost like Azula always instigates fights and the Gaang defend themselves. Hmm.

Argument: "Zuko abusing Azula, Part 8."

She attacked first. Again.

This time she even attacked two actually defenseless people.

Argument: "Zuko gave the Gaang permission to attack Azula for no reason at all! The used their position to abuse her!"

No, he gave them permission to take her down because she went too far and attacked innocent people who did nothing to her.

Honestly, Zuko should have done this a lot sooner. She's tried to kill them four times already. She hasn't listened to them when they tell her not to do something and she's endangered all of them many times. She's being granted more than she deserves by the Gaang, and yet she goes on to do things they explicitly tell her not to do because it might hurt the forest or other people. She's proven that she is not concerned about who she hurts as long as she gets what she wants, and it took until she attacked people who weren't the Gaang for Zuko to suggest taking her down. The fact that he didn't give the okay for this the first time she tried to kill them is honestly a testament to his character.

Azula had this coming. No amount of the excuse of mental illness is enough to justify her actions. Even if she has a mental illness, it doesn't give her the right to attack others. And Zuko has all the right to defend himself and realize that working with Azula is impossible. He doesn't look happy to be doing this. He looks quite sad, in fact. I joked around a little in this post but seriously, anyone who says Zuko is the one abusing Azula is interpreting the text in very bad faith. I know people like it when Azula is a victim so that they can justify her hurting others, but Zuko and the Gaang had every right to retaliate throughout this comic whenever Azula attacked them or hurt someone else. These two siblings aren't even the last non-Gaang people Azula hurts in this comic.

Argument: "Zuko abusing Azula, Part 9."

Wherein Azula attacks her mother who doesn't remember her and her defenseless family with the intent to kill.

Now I'm not heartless. I feel for Azula here, I really do. That panel of her with tears in her eyes truly makes me feel sad. She definitely didn't deserve what happened to her throughout her life at Ozai's hands. She didn't deserve to feel unloved and feel like her mother thought she was a monster. She didn't deserve to be abused by Ozai. Azula deserves to heal, she deserves to be loved, she deserves to be treated well and she deserves better.

None of this gives her the right to hurt other people. Innocent people. She may feel her mother has wronged her, but it's not true. And she doesn't get to attack her mother, who doesn't even remember her, out of hatred and anger. She doesn't get to kill this innocent woman and attack her family. And Zuko is not in the wrong for stopping her. Zuko is not the wrong for protecting his mother and her family. Zuko is not abusive for defending other people and himself from Azula. Because even if Azula is hurt, she is taking it out on other people who have done nothing to deserve it.

Zuko redirecting her lightning back at her doesn't kill her, and I'm sure Zuko knows that it wouldn't. He doesn't want her dead. He doesn't want to hurt her. He wouldn't have thrown her over the cliff for that very reason. Despite everything, Zuko loves Azula. He cares about her. He wants to have a good relationship with her. He's very affected by the knowledge that their relationship is so bad. He truly wants to help her. But it is Azula who is resistant to that help. It is Azula who thinks her brother is weak and deserves to be hurt. It is Azula who despite wanting love, chooses to push people away and hurt them over and over again.

He's saddened at her running away, he chases her and pleads with her to let him help. But it is Azula who refuses him, who rebuffs him and attacks him at every turn. It is Azula who is always the aggressor, it is Azula who is at fault in their relationship, all because she believes that everyone is to blame for her mistakes but herself. And the only way she can heal is if she realizes who the blame truly lies with, Ozai, and rejects everything he's taught her, that love is weakness and to rule with fear. She needs help, but Zuko is not obligated to provide it to her. And yet he does, out of the kindness and compassion in his heart, and the love he has for his sister.

Argument: "He abused her in the show, then! Since this post only talks about the comics!"

That's because it should be obvious to anyone watching that Zuko didn't abuse Azula. If anyone thinks Zuko abused Azula, I invite them to watch a show called Avatar: The Last Airbender. It's really quite good.

So I feel like I've covered most arguments I've seen. But I do want to talk some more about why exactly I wrote all this, why I wasted two hours of my life on this.

Anyone who goes through the ATLA tag on my blog will probably reach the correct conclusion that Zuko is my favorite character, and that he and his arc mean a lot to me. And so, it's honestly not great to see people undermine all of the suffering Zuko has gone through in his life, all to justify Azula's abusive behaviors. It's not wrong to like Azula and love her character. She's a complex character that many find relatable, and that's not wrong. But to accuse another character, her actual victim in the series and one whom many can relate to as well, of being her abuser and denying her abuse of him... it's not a great look. It reeks of victim blaming and abuse apologism. And it's not true. Azula is an example of how victims of abuse can become abusers themselves. This is what she represents in the show. And it is not wrong for people to call out Azula and not Zuko, because Zuko got called out in universe, called himself out and he changed. Zuko redeemed himself and became a good person.

Azula has not done that. She hasn't changed, she hasn't acknowledged that she is wrong, and therefore people are allowed to criticize her and dislike her, and they are allowed to call out her abuse and her other actions. People call out Zuko for his bad actions as well, but the fact of the matter is that he changed, and people don't feel the need to call him out anymore because he's done it himself. Zuko doesn't need the same criticism Azula does because he grew and she didn't, that's it. So all the talking points about how people don't call out Zuko as much as Azula or that they don't criticize his bad actions are moot because of his very widely acknowledged and celebrated redemption arc. Because he realized his mistakes and worked hard to fix them. So, there is really no point in criticizing him anymore the way there is for Azula, since she hasn't changed. And it is not "hate" for people to understand that despite Azula's abuse at Ozai's hands, she dealt the same thing to her brother for years. And it is not wrong for people to criticize her for it.

All this talk about how Azula is always being hurt and betrayed by everyone, and all this talk about how Zuko is weak unlike Azula is the exact same reasoning Azula uses that enables her to abuse others within the story, the reasoning that Ozai instilled in her. It is quite literally the parroting of Ozai's beliefs, that Zuko is weak and soft, and that Azula is strong and powerful and yet she's a victim of everybody. She believes that others deserve to be hurt because they are too weak or because they are responsible for her suffering, and not her or Ozai. In the end, it wasn't Zuko who drove away her friends Mai and Ty Lee, and Mai and Ty Lee did not "betray" her. It was Azula's cruel treatment of them because she controlled them through fear that drove them away from her, and when push came to shove they stood up for the people the loved and for themselves. It wasn't Zuko who drove away their mother, it was Ozai. It wasn't Iroh who hated Azula and wanted her dead, it was Azula who hated Iroh and wanted him dead, and these are all things she learnt from Ozai. She can only ever grow if she realizes her mistakes and accepts the blame for her own actions, and if she stops blaming her victims for her suffering and starts blaming her abuser.

Blaming Zuko for defending himself from her and calling that abuse is victim blaming. Whether you like it or not, Azula did abuse Zuko. She had power over him, she targeted his insecurities constantly, she lied to him multiple times and made him doubt his own perceptions, she manipulated and gaslit him and made him feel unsafe in his home. She supported Ozai's abuse of Zuko and participated in it and took pleasure in it. Zuko never did anything of the sort to her. He reacted to her abuse in a way he never did with Ozai until the end, but that does not mean he wasn't affected by it or that it didn't happen, because it did, and even though he fought back with her, he was often defeated and Azula always managed to manipulate and terrify him. For fuck's sake, he literally had a chant, "Azula always lies," so that he could comfort himself after she terrorized him, something that he's been saying to himself for years according to Zuko Alone. People will point to Zuko challenging Azula as him abusing her back, but what defines abuse is the power dynamics. There is no such thing as mutual abuse. Abuse is all about one party having power over the other, and in Azula and Zuko's relationship, she had all the power over him because she was the favored child. Of course, this was also damaging for her, very much so, but it means that she had power over him, and he didn't.

Azula is a tragic character and her life is a sad one. But that doesn't make her any less of a bad person, and it doesn't mean she is not a toxic individual. Her actions have hurt other in many ways, and she does not feel remorse. She finds pleasure in the pain of others, especially her brother, at whom she smiled in glee when he was being maimed by their father. She took over a city and killed someone and did it with a smile on her face. She tried to kill her brother and laughed about it. She gleefully suggested genocide, and wanted to take part in it. And she hasn't changed, so people are allowed to dislike her and call her out for it. Personally, I believe that Azula has the capacity to change and to redeem herself. I don't think she's too far gone or is irredeemable. She is not as bad as Ozai, and it's not too late for her.

No one deserves a redemption. It has to be something you actively work for, something you do and it is something that you have to work for. Azula can change if she truly wants to. She has people who are willing to help her if she so chooses, like Zuko for better or worse for him. But that means admitting to her mistakes, acknowledging that she is wrong and has hurt people, and making the effort to change, which so far she has not done. And Zuko is not obligated to forgive her or help her in any way, and neither are the Gaang or Iroh.

You can like a villainous character. You can like a character who is a bad person. It's not wrong. What is wrong is to paint another character in a bad light, in a false light, to justify your love for another character. And especially in this case since Azula is Zuko's abuser, turning the tables and calling him her abuser for defending himself against her all because you want to excuse Azula's actions and want her to be a victim is really not great. Accusing Iroh and Ursa of being responsible for her downfall is not great. All this is directing blame away from the real abuser, Ozai. And it veers into victim blaming and abuse apologism, like I said.

Being a fan of Azula doesn't mean you can handwave away her less than savory traits or cherry-pick the ones you like. She is a victim, but she's also an abuser. And it is not "bashing" or misogyny for people to call her out. Calling out Zuko is also okay and allowed, but it is honestly less productive since he changed himself already. I understand that people don't like when their favorite characters are criticized or hated, but that doesn't mean characters who do bad things are exempt from being called out. And it doesn't give anyone the excuse to start misrepresenting other characters and hating on them to prop up their fave. Fans of characters who are villainous should understand that. And in this case, anyone who is a fan of Azula should understand that.

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invpulse · 6 months

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I haven't seen a lot of discussion about RSD when it comes to ADHD discussions, so I thought I would do the honors since it's been affecting me for many years and I'd like people to know more about it!

I have had a diagnosis for ADHD but was never told- instead learning I had autism through therapy but still having some behaviors that I could never explain that just Happened.

I learned I had ADHD over the summer, and with that, severe rejection sensitive dysphoria.

before reading, please keep in mind that this is mostly talking from personal experience and some skimmed research! not experiencing RSD doesn't mean you do/don't have ADHD, and it may not appear like how it appeared for me. I don't only have autism + adhd either, so those may also contribute to any differences! ^^

RSD is the immense emotional pain after being criticized, rejected, or even teased (ignore my misspell in the panel). This rejection can be real or perceived, and we react like this because it hurts.

The pain can manifest as aggression, bringing on symptoms of depression (thoughts of s/h, isolation, demotivation, etc) and anxiety/panic attacks.

it can cause physical aliments like the above. For me, it causes my heartrate to skyrocket, heart palpitations, the feeling of being in a crisis, and extreme shaking to occur along with stomach pain.

(In fact, right now I'm going through it because making a post talking about this, despite having & dealing with it, makes me scared of other's opinions on it.)

RSD can also take the form of avoiding situations, people, or conversations where rejection or criticism is very possible.

Like other types of dysphoria, it is out of our control and hard to manage. It can last from days to weeks to months, all depending on both the trigger* and the individual.

I had a RSD episode that was on-and-off for a little over a year or two; getting more tame and bearable as it slowly drifted and stopped haunting my mind with the incident.

Compared to the other times my RSD was set off, this moment was a rather big moment in my life and ended up permanently changing me moving forward - which can be the reason why it lasted so long.

Despite how unbearable it can get, there are some ways to cope with it & lessen the effect it has.

Communicate - If you need time to process something that's told to you, you should say so (as difficult as it is). Tell the person(s) involved about your RSD, how you need time to digest information like this and take some time to relax. Trying to respond to the information while going through the head of the dysphoria will be very rough and might not be what you truly want to say.

Distract - This is really useful for me personally! Do something that grabs your attention or occupies your mind. One of RSD's main symptoms is rumination, thinking of something over and over again. I usually listen to music, draw, or play a game that won't frustrate me - like minecraft! (i'd say rain world but some of you would call me a maniac /lhj)

Perspective - This may require some communication, but it can really help and connect with others. See what the involved people thought / perceived, explain, talk. This doesn't always have the chance to end in rainbows and rekindling but at least you understand. Sometimes simply hearing the person explain their own side is enough to ease my RSD, being able to have someone explain themselves to me so i can understand them better.

I also wanna point out the "don't take it personally" thing that people try to use to deal with it isn't something i agree with since we're going to take it personally at first regardless. Later on, not really, but you're trying to cope with the symptoms... telling someone (or yourself) that they're too sensitive & over-reacting is the worse thing you could do.

With time, you can even begin to build up your 'armor' and be able to sustain yourself in situations you might get hurt in. Of course, some things may be able to sneak past and hurt you more than you expect, but at the end of the day, you're trying your best to go about it the best you can while taking so many blows. you're doing great.

OK i dont have a lot more to add so if anyone else would like to talk about their experiences, please feel free! Character showcased here was my beloved fursona Shiki! i'm just a little neurodivergent + black artist from new york :]

hope you enjoyed it! sorry for the long post </3

#long post #rsd #adhd rsd #rejection sensitive dysphoria #neurodiversity #digital art #digital illustration #sfw furry #furry art #digital drawing #furry character #furry oc #furry artist #procreate #furry

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genericpuff · 5 months

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The Kiss Bet Episode 172 - Hot Pot and Venting About How I Want My 70 Cents Back

Okay, look, this isn't a post I was expecting to make today but it's something that just happened and I have to fucking talk about, so let me preface this with some context.

I had to buy coins recently and because I switched to using my iPad for reading comics on, I got a "new reader" type deal from Webtoons for a coin bundle that got me like 100 coins for $5; because technically it was a 'new account' as Webtoons operates their in-game currency model on apps, not on actual emails (meaning if you use the app on an Android phone and then switch to an Apple iOS device, they're technically two separate accounts which you sync the reading data between via the account info linked via the email, therefore they have two separate coin wallets).

So with more coins than I knew what to do with, I decided to start FastPassing The Kiss Bet again, which I had recently stopped FP'ing around the S3 mark, as it's recently devolved back into the "will they won't they" trope, but instead of between Sara-Lin and Joe, it's between Sara-Lin and Joe's younger brother (the "true endgame") Oliver.

Now I don't mind the ship in essence. Joe was definitely not gonna be endgame, it was always gonna be Oliver, anyone who's read any amount of romance before - especially high school romances - knows how this shit tends to go, and The Kiss Bet isn't exactly trying to be groundbreaking or subversive in any way, it knows exactly what it's about and what it's trying to accomplish.

But it's almost become a little too good at this. Because in playing the "will they won't they" game for so long with a character that we know is endgame, it's basically been weeks and weeks and weeks of-

youtube

That said, after I caught up on the recent FP episodes, it seemed like stuff was finally moving a little bit. We were finally meeting Oliver's mom and his stepdad who he has a fractured relationship with, Joe was finally getting with his true endgame girl, Vicky (who's totally not an exact genderbent version of Joe lmao) and Sara-Lin was finally realizing she had feelings for Oliver.

And then the newest episode came out, Episode 172 - Hot Pot and Venting.

CAUTION: FASTPASS SPOILERS FOR THE KISS BET OFFICIALLY BEGIN HERE!

Already I was a little petty over the title like "lmao ok clunky title but whatever". I swept it off as not a genuine criticism, just me being a nitpicking asshole over what's essentially Fluff: The Comic.

The episode cost 7 coins, which is about roughly 70 cents, albeit closer to a dollar for Canadian readers (here's something they don't tell you about Canada - our Monopoly game currency is just as fucked as it looks) and that's where I'm gonna get into my second disclaimer that I need to be perfectly clear about (and it'll be what we get more into later on in this post).

I understand the principle of paying for art. I understand fully that many of these webtoons are being produced on tight deadlines by creators who often can only afford 1-2 assistants, if any at all. I understand and fully agree that creators deserve to be paid for their skills, time, and efforts, not just as creators working on the hellsite that is Webtoons, but as artists in general who deserve to make a living the same as anyone else. Anyone who follows my stuff here knows I'm an artist myself so I would never debate the ethical necessity of paying artists for their work.

However.

I can say that, and also agree with the people who have stated in discussion circles such as on /r/webtoons that a lot of the comics that have started charging 7 coins have been suspiciously delivering less comic since. And it's not even so much in the literal panel count, the liquid volume of these comics have remained the same, but the calorie count has dropped significantly. Food metaphors aside, what I mean is that despite many of these comics maintaining their 40-60 minimum panel count requirement, they have in fact reduced the actual amount of content that happens in them, and The Kiss Bet's newest episode is a stark example of what I mean.

I am going to start by posting only post three panels - three panels that literally sum up the entirety of Episode 172 and what it chooses to spend its time on.

That is it. That is literally all that's established in this episode. I'd tell you to go read it yourself, but honestly, this is genuinely one of those rare times I can honestly say that a 40+ panel episode is not worth 70 cents and you'd be better off, and that's saying a LOT when these episodes are only priced at the cost of a gumball. At least Lore Olympus has entertainment in how bad it is most of the time, Episode 172 of The Kiss Bet is just nothing. You will literally get more substance and flavor from an actual gumball.

Literally every other panel in this episode is either repeating the same dialogue (Sara-Lin saying the same thing multiple different times to express how Oliver is holding her hand or how his stepdad is a dick) and then Sara-Lin and Oliver staring at each other. Over. And over. Again.

I am not joking. I did not cut anything out in that sequence. That is where the episode ends. Complete nothingburger, seemingly cut off right as it was just getting started like Cait Corrain's career.

Out of the entire episode, there were 45 panels. So I can safely assume Ingrid's minimum panel requirement is at least 40 per episode, that's me assuming the best that she didn't exactly meet her panel minimum at 45 panels on the dot.

Out of those 45 panels, there were:

Two actual unique backgrounds that weren't gradients or just a single piece of furniture

4 separate panels of Sara-Lin freaking out over Oliver holding her hand and wondering if he even noticed

10 panels of Sara-Lin staring at Oliver either dumbfounded or asking him to repeat himself (or apologizing over nothing)

5 panels of the characters saying nothing

11 panels of Sara-Lin repeating information in different ways that could have been accomplished in half that time

Two separate occasions of Oliver getting Sara's attention from off-panel, literally formatted the exact same way both times (and both followed by reaction panels of Sara-Lin staring at him dumbfounded)

Way too many panels of Sara-Lin blushing in response to Oliver being an asshole tbh like literally this guy's a douchebag, Joe may have been the "out of her league" love interest but at least he was nice and didn't treat Sara-Lin like someone who just bought a Husky as a "starter pet" ???

Again, I don't usually like being a dick about the coin costs, and I definitely don't like being a hypocrite in telling people they should pay artists for their work while simultaneously posting their paywalled content like this, but I think there does come a point where it feels more irresponsible for people to not be aware of what they're about to pay for and how little they're going to be getting. This episode is literally one of the best - and worst - examples of how far the romance genre has fallen on the platform - when it's not being overtaken and oversaturated by problematic series that romanticize abuse and sexual assault, it's being dragged to death with the most boring executions of tropes that everyone has seen before and is only exciting for anyone who's never read a book or watched a romance movie, period.

And here's the thing where I do approach a bit more "hot take" territory, but every time I see this argument come up about episodes not being worth the coin cost, I see others who rightfully argue that 70 cents isn't that much to pay for what you're getting - weekly episodes of work that are usually always delivered on time, with more panels than you would ever typically see in a free to read comic.

But here's where I take issue with that argument, as much as the principle of it is sound, it misses the overall point: readers are paying for entertainment first and foremost, so can anyone who's actually paying for regular refills on their app currency step away from this and truly call it "entertainment"? Nothing was gained. The comic had 45 panels to say something, anything, and managed to not even squeak out so much of a word. Even the silent moments have no substance, they just reiterate information that we already know.

Do we really need another panel of Sara-Lin blushing at Oliver? We've known for weeks now that she has a crush on him. Do we really need another panel of Oliver getting Sara-Lin's attention? What is this actually showing of their chemistry? What is being shown here that hasn't been shown numerous times - with and without dialogue - for weeks now? What does the comic have to show for itself after four seasons?

Another point of the "it's just 70 cents, don't be an asshole" argument that people seem to miss is it's not 70 cents. It's $1. Because if you want to buy a single episode of the Kiss Bet, you can't just pay for the individual episode in isolation, you have to pay for the coins first, and $1 is the absolute bare minimum you have to pay to get 10 coins, which will only pay for one episode of a 7 coin series - of which there are many now, basically any series that's 40 panels or more will cost 7 coins and, shocker, those are the series that WT will tend to promote most, you'll rarely see the 5 coins series in the banner ads, and that's not even getting into how there are more and more series cropping up that have 5+ episodes behind FP rather than the traditional three.

So if you're someone who's (almost definitely) keeping up with more than one series? You can't just pay the $1, you have to pay at least $5 for 50 coins, and that will NOT go far anymore or cut as evenly as it used to when just about every series is now 7 coins. Webtoons knows fully well what kind of game they're playing by making the new coin cost an uneven number while still offering increments of 5/10 in their coin bundles. They undoubtedly want you to be left with an uneven number so that you'll be easily lured into buying more coins so you don't 'waste' the uneven amount you have left that isn't enough to buy the episodes for the series you want to read. Obviously this is more speculation and not fact, but it's a common business model and with the series that have adopted the 7 coin count model (rather than starting off with 7 coins outright) such as The Kiss Bet and Lore Olympus, it's becoming abundantly clear that either the creators or the platform itself is encouraging these series to meet their panel minimums with as little content as possible in order to get more money out of readers who are barely even being drip fed actual entertainment and narrative progression, let alone spoon fed.

And then there's the waiting. The goddamn waiting. So many of these series guilty of siphoning their content off through a hose that they're deliberately standing on are designed intentionally with the most egregious cliffhangers in mind to keep their audience hooked so they'll undoubtedly FP next week. Do you know what that amount of waiting does to a comic? To its readers? First off, it artificially extends the actual pacing of the comic to make it feel longer than it is, when in reality, many of these plotlines are happening in a vacuum of very short bursts of time. Case in point, Lore Olympus is commonly confused for having a plotline that takes place over the course of months, when actually when laid end to end in order of cause and effect, many of its subplots - including the romance of Hades and Persephone - takes place over the course of days. This over-inflates the plotline's actual depth and, even worse so, it makes it harder for readers to keep up with information that's being delivered, as it often takes weeks for that information to actually go anywhere - so by the time it does, many readers have straight up forgotten about it.

It's absolutely not okay that so many of these kinds of series are normalizing literal slow burning for an audience who's paying to be entertained. It's not a "slow burn". It's just slow, and deliberately so. It's absolutely NOT FUN to follow a comic that does not go anywhere week after week. It's frustrating. And before long, it starts to feel like gambler's fallacy, where readers have to essentially gaslight themselves into paying into it more and more convinced that it has to pay off eventually, based on a promise that was never actually made, only assumed in good faith. And readers should not have to fill in the bulk of the content that isn't happening with their own imaginations, which is something that happens a LOT in these series that spend so much time on the characters just staring at each other and saying nothing. It's not 'plot' to just draw characters blushing and have your audience fill in the rest of it entirely on their own. This is certainly a technique in writing, but in the case of The Kiss Bet and other comics like it, it's much less of a valid technique and more just flat out manipulating your audience into falling so hard into the sunk cost fallacy trap that they don't notice they're being robbed blind by the plot that hasn't actually happened - and they've been paying for that financial and emotional robbery out of their own pockets and brains every step of the way.

Again, I do not care about the coin cost in and of itself, seventy cents IS still an incredibly cheap price for weekly updates of a series that has to put out so many panels each week. But as a reader and a customer, I should not be leaving these updates with less information than what I started with. And I'm someone who's incredibly old school by webcomic standards, there are comics that I follow that have updated 1-2 pages a week for over a decade that manage to do more with their limited pages than Lore Olympus and The Kiss Bet manage to do after entire hiatuses filled with pre-production time.

Why does this page of Alfie manage to move both the intrinsic plot of the titular character as well as the external plot that's going on around her in one page made up of 5 panels better than what The Kiss Bet can do in 45?

Why does this page of Tamberlane manage to convey more information about the world's lore and the people in it in a way that's emotionally driven and clearly affecting the characters without outright info-dumping than what Lore Olympus has managed to spit out onto its plate since S3 started over a year ago?

How does Tales from Alderwood manage to be more entertaining and convey more meaningful storytelling through its characters in a single page consisting of zero dialogue than what The Kiss Bet can convey in its silent panels of staring, blushing, and repetitive stuttering?

Why are the creators who are relying entirely on their own efforts, resources, and ability to generate income through community interaction and support putting out better work with less panels and on slower schedules for FREE than what we're seeing from professional creators on a professional publishing platform who are being paid to do this as their job?

There's this saying in the tattooing industry: good work isn't cheap and cheap work isn't good.

At this point, 70 cents is not a 'bargain' as many people like to argue in defense of the creators. And while I do want to have good faith in the creators who don't pull this shit, the creators who clearly go above and beyond to do what they do in the pursuit of storytelling and polishing their craft to be the best piece of work that it can be - the comics that are worth paying 70 cents and beyond for - are not the comics that Webtoons is promoting to people. The creators of the works that genuinely deserve more than 70 cents per update are being left to fend for themselves without support from the platform, while those that aren't worth the price of even a flavorless gumball are consistently winning the Wonka Golden Ticket lottery.

The cost of 70 cents is relative. For some works it's a genuine bargain. For others like the The Kiss Bet and Lore Olympus, 70 cents is not a "bargain", it's not a "good deal", it's exactly the value of what you're paying for - cheap work that isn't good.

#so yeah i'm done reading the kiss bet fr now #i figured if i had 100 more coins than i needed i may as well use them for something that i didn't need to start from scratch on #but i literally feel ripped off LMAO #webtoon critical #the kiss bet #lore olympus critical #anti lore olympus #lo critical #Youtube

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villainsandvictimsalliance · 3 months

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What do you think of afo giving shiggy decay

Oldest and favorite theory now to (very possibly) turn true in the manga. This was seriously one of my first theories when I joined the fandom!!!

Tumblr sucks at helping you find your own posts, meaning I have no way to link my old posts about it in this ask :( but anyway.

At first it was purely born from the frame of the shadow man with the hat delivering Tenko home and how strange it was that Tenko happened to awaken his quirk that day. There's also the fact that the man looked a lot like AFO, with the body structure, the suit and the face in shadows.

This is the panel that started it all:

I remember a lot of people went against it 'cause it was anticlimactic for them. They thought that if AFO gave Tenko decay, that event was taking something from Tomura as a character, making him less interesting.

For me, it made sense because there were too many factors that you couldn't explain otherwise. Some of them are exposed here. There are too many variables for it to be a coincidence. Now, if AFO gave Tenko decay or if he did something to activate it that day... That's yet to know.

But for example, look here. AFO had a room fully prepared for Tomura. He had shelves full of books, a bed, a chair and a desk... He even had toys!

* it looks like some of the action figures had arms or even the head missing. One of them is fully on the ground.

It wasn't long until Tomura had a PC installed too:

It's clear that AFO was expecting him. For what I know from the Vigilantes manga and bnha, AFO didn't treat every kidnapped kid like that. He had a hospital full of kids to turn into nomus after all. He wasn't that involved with every experiment.

Tomura was clearly different from the star. He knew who Tomura was, he expected the tragedy to happen, he expected the quirk too. AFO never reached for Tomura's hands. He acted like he had already seen the state the Shimuras' house was left in. He knew where to look for Tenko, like he was following him.

And the way he spoke... It was too premeditated:

He created that situation so he could play the role of Tenko's saviour. He needed Tenko to hate every hero, every citizen, he needed to feed his anger, his hurt. Or well, at least how's the theory goes.

AFO gave Tenko decay, waited for the result of an abused 5 years old reaching his limit and then he appeared like a knight in shining armor. He made sure to allow Tenko to walk around, he was also probably using his influence to interfere so a) the Shimuras deaths wouldn't become a scandal and b) no one would rescue Tenko before he could.

But going back to the "AFO gave Tenko decay" theory, I think the canon fact that supports that theory the most is that Tenko was already 5 years old. Here are the panels I'm referring to:

There's always the question if the Shimuras had a quirk. We know Nana had hers, but nothing is said about Kotaro or Nao or even Hana. We don't know if they were mostly a quirkless family or if Tenko would be the first one of them.

For the way Tenko recounted his day to Nao, we know that he was at the park playing with some friends. Here:

Between AFO picking Tenko up from the park and taking him home to his family, he must have done something. I don't know about the timeline... and if Giran could have already been associated with AFO... I just remembered that his quirk was the ability to muddy the memory of anyone up to five minutes prior or after he used it.

You see, Tenko never said anything to his family about the man that brought him home. We don't know what Tenko did when he "played the hero". We don't know what AFO told Nao. This is just theorizing, but giving someone a quirk by force doesn't hurt? From whom did AFO take decay if Tenko wasn't the original user?

Doc Garaki said it was a quirk never seen before...

I don't know. Since you asked me my opinion, I'll say that I'm still not very sure if AFO gave decay to Tenko or if it was Tenko's quirk from the start. It's not unheard of, since his case sounds a lot like Eri's, who developed a weirdly aggressive quirk on her own.

We're getting closer to being absolutely sure 'bout AFO's involvement with Tenko prior to the deaths of the Shimuras.

I just wonder what option fits better thematically.

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corazondebeskar-reads · 7 months

Text

Kinktober Day 23 - Breeding/Fancy Dress (Din Djarin)

mhi ba'juri verde

Mand'alor!Din Djarin x f!reader

Word Count: 1k

Summary: After Din is crowned Mand'alor, you make good on your promise to fulfill the rest of your vows.

Warnings: Breeding, p in v unprotected, gratuitous sappiness, throne sex, mando'a, this is basically what it says on the tin. I mostly wanted an excuse to think about what a Mandalorian gown would look like.

inspired by the Kinktober 2023 prompt list by @absurdthirst.

also on ao3

When his guards have cleared everyone out of the throne room, Din remains seated. His elbows rest on his thigh guards, and his helmet rests in his gloved hands.

You climb the steps and kneel before your Mand’alor.

He looks up and groans. “Not you, too.”

“Can you blame me, Mand’alor?” you give him a sly smile. “I’ve been on my knees for you for far longer than anyone.”

He’s exhausted. The decorum and theatricalities... he understands. Manda’yaim is returning to strength, and putting on a formal ceremony for the first Mandalorian on the throne in far too long was a smart political play.

He hates that he has to think about smart political plays.

But he looks down at you, in a truly impressive display of craftsmanship, and thinks there are some perks.

You smooth out the skirts of the gown, which is woven in and around your armor. It’s the green of your hal’cabur and the silver of his, with embroidery like liquid beskar. Some of the layers of fabric are actually coated in near-molten beskar and hardened into plates. It’s draped in thin beskar chains. No expense spared—though the decorative pieces will be remelted and used for foundlings, as is The Way.

“You look radiant,” he says. “Let me see you, cyare.”

You lift off your helmet. No one will be able to enter the throne room, not with it sealed and the guards posted outside.

Din takes his off as well and leans back on the throne. “Come here,” he says.

You climb the stairs and go to kneel at his feet, but he tugs you into his lap. “I don’t think I’m allowed on the throne,” you say.

“I don’t think you’re allowed to defy your Mand’alor, either.”

You laugh, and he exaggerates a pout.

“Are you laughing at your king?”

“Oh, no, ner Mand’alor, I would never.”

At the affected simper in your voice, he grins. It’s contagious, and you grin back before it fades into a fond smile.

“You looked so strong and sure up there,” you say, straightening the fur-trimmed cloak on his shoulders. “Someone the people can place their trust in.”

“Don’t,” he says softly. He’s heard it all from you before, and while he’s inclined to believe you, as he would trust your opinion above all others, he’s still uncertain about his suitedness for the role.

“Din,” you murmur, placing a chaste kiss on his lips. “There’s no one I’d pledge myself to other than you. Not Bo, not Paz, not anyone. But my offer to run away with you still stands.”

He smiles. You both know neither would run away from duty, but he appreciates the sentiment.

“Should we attend this great celebration in your honor? Stop Fett from giving the kid too many sweets?”

“Mmm, just a moment. I’d like to do something else first.”

You narrow your eyes. “You know I’m fully armored under the dress, right? They did not build an easy access panel for you.”

“Well, then, they’ll be dismissed.”

You roll your eyes.

“Please, cyare?”

Your protests die as soon as he's spoken. His beautiful brown eyes look up at you with love and desire. But you make a show of groaning and getting up, tediously removing your dress, holsters, girth belt, and all the panels of your armor so you can open your flightsuit and step out, completely bare.

“No access panel, but I saved you the trouble of undergarments,” you said. “You’re going to help me put that all back on quickly when you’re done, right?”

He was leaning forward, an elbow on his knee, and chin rested on a fist. The smirk on his face told you he had enjoyed watching you perfunctorily strip down. When he finished looking you over, he leaned back again and extended an arm.

You took his hand and slid back over his thighs. “This seems unfair,” you say, originally intending to tease but then feeling it genuinely when you settled on the cold beskar.

“Just this morning, you were telling me how I get to ‘spoil myself’ now that I’m Mand’alor? I’m just taking your advice.” He reaches down and pulls his cock out.

You lean back a little, sulking that he didn't have to strip naked in a frigid room also. “Okay, but really, how is that fair?”

He rubs the head of his cock over your clit until you whine, and then pulls you down onto it. You gasp, unprepared for the stretch of him.

“Still worried about if it’s fair?”

You shake your head and moan as he helps you bounce with his hands on your hips.

“Hey,” you say breathlessly between kissing and nipping at his neck, soaking up all the noises he made. “You remember when I said I wanted to wait until all this was settled?”

His hips stutter, and he freezes. “Don’t tease, cyare.”

“I’m not, ner riduur. It's as settled as it will ever be. We have a lot to do for Manda’yaim, but it feels like the right time.”

His stare is intense, pupils blown dark, and he tightens his grip on your hips. “You’re sure?”

You lean in to kiss him. “Positive.”

He pulls you in, arms tight around your back, licking into your mouth with ferocity. He sets a rough pace, leaving you to cling on with your arms around his neck while he fucks up into your wet cunt. The sound echoes in the chamber, but it won’t occur to either of you that the guards could probably hear until much later.

“Last chance, cyare. You’re going to let me put a baby in you? You want more ad?”

“Please,” you cry, grinding down to hunt down your own release.

He’s never spilled inside you before, the two of you too careful, too aware of the danger around you. But Manda’yaim is stabilizing, her people returning. And though you both love Grogu, you’ve always known there was room in your heart for more children.

You cum when he fills you, the warmth and pulse of his cock intoxicating. You’re not sure how you’ll ever go back to a different way.

He whines when you stand up. “It’s not going to take if you let it drip down your thigh.”

“Guess you’ll have to try again later.”

He does, in fact, help you redress (though his wandering hands take much longer than if you had done it yourself).

Mando'a Translations (in order of appearance):

mhi ba'juri verde - we raise warriors Mand'alor - the ruler of the Mandalorians Manda'yaim - the planet Mandalore Hal'cabur - chest plate of Mandalorian armor Cyare - beloved ner - my (ex., ner Mand'alor is my Mand'alor/my King) riduur - spouse ad - children

#din djarin x reader #mando x reader #the mandalorian x reader #din djarin x f!reader #mand'alor din djarin #tbh I'm not happy with this #it was more like a writing exercise than an actual story #but here we are #kinktober 2023

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