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#Romance writing advice?
watermelonsloth · 5 months
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Why the Hell Do I Ship Royai???
(TW: brief mention of suicide and allusions to unhealthy relationships)
I know nobody asked but I find the fact that I ship Roy Mustang and Riza Hawkeye so interesting because, on paper, I shouldn’t ship them.
First of all, I don’t like straight ships with dynamics like the right hand man or ships that have the male character as the woman’s superior. It’s not the dynamic itself that bothers me, it’s the predictability of it. When it’s hetero, I immediately think “of course those two are gonna get together.” It feels like low hanging shipping fruit.
I also don’t like stoic badass x absolute clown (competent or otherwise) ships. I almost always end up wondering why either side likes/puts up with each other. Especially since the badass tends to be an asshole and/or emotionally unavailable while the clown (forcibly) takes on their baggage.
Lastly, I don’t like relationships where one or both sides are codependent on the other. “I’ll die without you”, “You can’t leave me”, “I refuse to go on without you”, “You’re mine/I’m yours”, “You’re my other half (seriously)”, etc. ships have never been appealing to me. I understand why people like them, but I just can’t get over how gross it makes me feel. Like, I promise the planet will continue spinning after they’re gone, get some self confidence, I’m begging you. Maybe it’s because I’m not a romantic, maybe I’m overthinking it, maybe I’ve heard too many stories of codependent relationships going south, who knows?
By all means, I should look at Royai and think that it’s an incredibly unbalanced and unlikeable relationship (at least in a romantic sense). But I don’t. And I think I know why: Royai took what should’ve been an incredibly one-sided/unbalanced relationship and balanced it.
First, it avoids coming across as predictable (because it technically isn’t canon) because the series goes out of its way to expand upon their relationship's. It doesn’t absolve the predictability, but it counters it. It avoids being forced by being taken seriously and being given serious time to develop.
Secondly, both characters are developed in ways that avoid their relationship coming across as overly cliche. Namely, they’re given reason to like each other and both are charismatic/likeable enough that they aren’t annoying (I know this isn’t much, but the bar is in hell for shounen romance. Especially background character romance). Hawkeye has her lighter and nicer moments and Mustang knows when to be serious. The problem of the stoic character having exponentially more baggage or the clown forcing that baggage onto themselves is also avoided by both of them having a lot of baggage and (something FMA nailed as a series) boundaries.
My last problem is avoided by both of them staying their own characters. They can both function without the other, the other doesn’t fill their every waking thought, they’re capable of and willing to call the other out on their screwups, and whatever pedestal they put the other on doesn’t impede their judgement (for the most part) or make them ignore others to a concerning/upsetting extent. Even after Hawkeye says she’ll take her own life if Mustang dies, it somehow avoids being ship-ruining/frustrating/ disturbing. It’s tragic, but it doesn’t make me want them to not get together (it makes me want them to work through that shit and then get together). I’m gonna add that this is probably helped by the fact that Mustang never takes advantage of her vulnerability and he doesn’t come across as the type who ever would. It would’ve been so easy to make Mustang the stoic badass in charge with enough baggage to fill an airport with Hawkeye as his softer/more lighthearted right hand woman with a concerning level of dependency on him, but the author didn’t go that route and I will be forever grateful.
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me-writes-prompts · 2 months
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-:“Can we please just talk?” Post argument make-up talk prompts:-
(You know who needs this? YOU KNOW WHO NEEDS THIS?! AZIRAPHALE AND CROWLEY! *sobs*)
By @me-writes-prompts
"Look, I'm really sorry for shouting at you. I just...I just lost control. But it wasn't your fault, it was me. Please forgive me?"
"We really shouldn't have fought over a piece of dumpling, don't you think so?" "Yeah, that was rather a vague topic to argue over." (Vmin, anyone?)
"I'm really sorry, I wasn't in the right mind and vent it out on you."
"Are you still mad at me? I mean, it's okay if you are. I'm mad at myself, too."
"Can we talk?" "Yeah, yeah. Let's do that."
"I didn't mean to say you're not enough, okay? Because you are, but I am not. I am not enough to appreciate a person like you."
"I really wasn't thinking straight, now was I? I'm sorry. You shouldn't have to put up with my shit. I'll be better for you."
"Are you calm now?" "Yeah, sorry. Needed to take a time out."
Kissing as apologizing but then also expressing it in words.
Angry cuddles, because they are cold. Definitely not because they want the warmth their partner provides.
"That was a really silly argument we had last night, right?" “Hmm, yet we couldn’t stop the topic.” They try to joke.
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cj-etc · 2 months
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Forbidden Romance Prompts
Sneaking out of an event/party to be together
Holding hands under the table at meals, hoping nobody catches on
Secret glances in public/out with friends
Finding excuses to see each other (group project, work meeting, car troubles, etc.)
Texting/writing letters to one another and having to hide their responses
Seeing each other in public and having to ignore each other/stay apart, as much as it hurts
Secret meeting spots
Being discovered and begging to keep things quiet
Fake enemies
Planning to run away together (you would never do it)
Kissing in the car
Small gifts
Why is it forbidden?
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youneedsomeprompts · 2 years
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How to write a kiss scene
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requested by: anon request: How do I write a good kiss scene? As how do I describe it? What details or words would make it good?
What goes into the writing of a kiss scene?
details to incorporate:
the sensations in their stomach, their chest, and their knees
the way their breathing changes shortly before the kiss
the feeling of the other's hands
the texture of the other's clothing
the moment they realise they've reached the point of no return
the feeling they're left with after the kiss
words to use...
... to describe the kiss:
tentative
tender
hesitant
quick
soft
gentle
delicate
languid
feathery
familiar
exploring
hungry
heated
fiery
frantic
impatient
sloppy
messy
aggressive
... to describe how they feel about the kiss:
nervous
excited
giddy
anxious
apprehensive
ambiguous
surprised
reassured
certain
confident
relieved
eager
greedy
... to show what the lips do:
exploring each other
brushing over each other
locking
devouring
touching
sealing
pressing against each other
capturing
lapping
tasting
crushing together
travelling (the other's body)
trailing (down to the other's chin)
grinning into the kiss
caressing
lingering
... to show how their body reacts:
feeling warm all over
buzzing
humming
pumping/palpitating heart
clenching lungs
joy bubbling up
tingly stomach
warm chest
burning cheeks
sweaty palms
blood rushing through their veins
... to describe what their hands are doing:
tangling in their lover's hair
wrapping their arms around their lover's neck
intertwining their fingers with their lover
resting on their lover's hips
pressing into their lover's shoulder blades
cupping their lover's cheeks
touching their lover's chin
curling their arm around their lover's waist
resting on their lover's shoulders
grabbing their lover's collar
sneaking up under their lover's shirt
brushing over their lover's bare skin
lightly squeezing their lover's butt
focus on:
the sensations instead of what's physically happening. (the protagonists might very well not know themselves what is happening exactly, but they feel very precisely)
I hope this helps <3
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corvase · 1 year
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enemies to lovers midpoint prompts
as the request stated, that ‘i am trying really hard to keep hating you‘ phase, or what i like to call the reluctant friend stage. feel free to use :)
“i think we’re friends now.” “God, don’t say that.”
“everything is just a competition for you… isn’t it?” “isn’t it for you, too?”
“h—” “don’t talk to me.”
“i’d pay good money for you to admit you tolerate me.” “tolerate being the operative word.”
“why can’t you open up to me?” “why do you want me to?”
they’re so used to hating each other sometimes the snide remarks just slip out LMAO
like “should i get you something too?” “you can get out of my fa— woah, hehe. sorry.”
“you’re still on that?” “still on that..??? STILL ON THAT?????? I CANT STAND YOU???!!!(!;!”
a whispered moment between them ; “i’m trying so hard to hate you.” “why?”
they’re trying hard to hate each other then something happens (plot) and they’re stuck together which makes it ten times harder
“be honest with me.” “but why? why would i do that?”
“stop.” “stop what?” “being so kind to me.”
remember… they hated each other a couple chapters back. what changed? why did it change? who did it start to change in first?
the moment where your character asks themselves; “when did this nuisance become so important to me?”
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novlr · 1 year
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How to write romantic love
Writing romantic love is simultaneously one of the most joyful things you can do as a writer, and one of the most difficult. There’s a lot of emotion to cover - from the highs of a new relationship, to the struggles of a relationship on the rocks.
Like all of us, your characters will display love differently. Are they open and affectionate? Shy and nervous? Loud and blunt? To help you along the way, here’s some examples of descriptions you can use to show (not tell) your readers that your characters are in love. Movement
Inching towards each other to touch
Shyly tucking stray hair behind the ear
Unconsciously parting or licking lips
Embracing with full bodies touching
Nervously shuffling feet
Running and reaching with open arms
Fiddling with hair or clothing
Crossing or uncrossing legs
Leaning forward to show attentiveness
A bounce in the step
Glancing flirtily over the shoulder
Facial expressions
Flirtatious winking
Smiling to themselves at nothing
Glancing up through lowered lashes
Unblinking eye contact
Grinning or beaming uncontrollably
A look of yearning
Lips slightly parted with desire
Dilated pupils
Glowing cheeks or flushed skin
Faraway, daydreaming look
Slight, secretive smile
Sounds
Deep sighs
Unconscious swallowing
Nervous coughing or throat clearing
Light chuckle with a silly grin
Grunts of appreciation or praise
An inner, audibly racing pulse
Thumping heart
Quick, short breaths
Low, whispered voices
Listening to love songs
Joyfully humming
Feelings and sensations
Nervous tingling
Butterflies in the stomach
Hot and flushed face
Hyper-sensitive skin
Acute awareness of personal proximity
Weak knees or legs turning to jelly
Shaky hands
Loss of speech or getting tongue-tied
Daydreaming and absentmindedness
Seeing the beauty in the world
Pulse racing
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em-dash-press · 1 year
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How to Write Characters With Romantic Chemistry
Writing great chemistry can be challenging. If you’re not super inspired, sometimes the connection between your characters feels like it’s missing something.
Here are a few steps you can consider when you want to write some steamy romantic chemistry and can’t figure out what’s blocking your creativity.
1. Give the Love a Name
Tropes have a bad reputation, but they can be excellent tools when you’re planning or daydreaming about a story. Giving the romance a name also assigns a purpose, which takes care of half the hard plotting work.
You can always read about love tropes to get inspired and think about which might apply to the characters or plot points you have in mind, like:
Friends to lovers
Enemies to lovers
First love
The love triangle
Stuck together
Forbidden love
Multiple chance love
Fake lovers turned soulmates
There are tooooons of other tropes in the link above, but you get the idea. Name the love you’re writing about and it will feel more concrete in your brain.
2. Develop Your Characters
You should always spend time developing your characters individually, but it’s easy to skip this part. You might jump into writing the story because you have a scene idea. Then the romance feels flat.
The good news is you can always go back and make your characters more real. Give them each their own Word or Google doc and use character templates or questions to develop them. 
You should remember to do this for every character involved in the relationship as well. Sometimes love happens between two people who live nearby and other times it happens by:
Being in a throuple
Being in a polyamorous relationship
Being the only one in love (the other person never finds out or doesn’t feel it back, ever)
There are so many other ways to experience love too. Don’t leave out anyone involved in the developing relationship or writing your story will feel like driving a car with only three inflated tires.
3. Give the Conversations Stakes
Whenever your characters get to talk, what’s at risk? This doesn’t have to always be something life changing or scary. Sometimes it might be one character risking how the other perceives them by revealing an interest or new fact about themselves.
What’s developing in each conversation? What’s being said through their body language? Are they learning if they share the same sense of humor or value the same foundational beliefs? Real-life conversations don’t always have a point, but they do in romantic stories. 
4. Remember Body Language
Body language begins long before things get sexy between your characers (if they ever do). It’s their fingertips touching under the table, the missed glance at the bus stop, the casual shoulder bump while walking down the street.
It’s flushed cheeks, a jealous heart skipping a beat, being tongue tied because one character can’t admit their feelings yet.
If a scene or conversation feels lacking, analyze what your characters are saying through their body language. It could be the thing your scene is missing.
5. Add a Few Flaws
No love story is perfect, but that doesn’t mean your characters have to experience earth shattering pain either.
Make one laugh so hard that they snort and feel embarrassed so the other can say how much they love that person’s laugh. Make miscommunication happen so they can make up or take a break. 
People grow through their flaws and mistakes. Relationships get stronger or weaker when they learn things that are different about them or that they don’t like about each other. 
6. Create Intellectual Moments
When you’re getting to know someone, you bond over the things you’re both interested in. That’s also a key part of falling in love. Have your characters fall in intellectual love by sharing those activities, talking about their favorite subjects, or raving over their passions. They could even teach each other through this moment, which could make them fall harder in love.
7. Put Them in Public Moments
You learn a lot about someone when they’re around friends, acquaintances, and strangers. The chemistry between your characters may fall flat if they’re only ever around each other.
Write scenes so they’re around more people and get to learn who they are in public. They’ll learn crucial factors like the other person’s ambition, shyness, humor, confidence, and if they’re a social butterfly or wallflower.
Will those moments make your characters be proud to stand next to each other or will it reveal something that makes them second guess everything?
8. Use Your Senses
And of course, you can never forget to use sensory details when describing the physical reaction of chemistry. Whether they’re sharing a glance or jumping into bed, the reader feels the intensity of the moment through their five senses—taste, touch, sight, sound, and smell. 
Characters also don’t have to have all five senses to be the protagonist or love interest in a romantic story. The number isn’t important—it’s how you use the ways your character interacts with the world. 
-----
Anyone can write great romantic chemistry by structuring their love story with essential elements like these. Read more romance books or short stories too! You’ll learn as you read and write future relationships more effortlessly.
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cuubism · 2 months
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i went to physical therapy for my stupid broken arm so as is my legal obligation i HAD to make ship content about it. everything is ship content that's how it is
cw injury, referenced abusive relationships
--
Hob's had plenty of clients come to physical therapy who clearly don't want to be there. Plenty of others who are reasonably frustrated by the work and time involved in regaining functioning after an injury. But this is the first time he's just had someone be... quiet. Resigned.
Dream sits with his hand cradled to his chest, barely speaking, only answering when Hob asks a direct question. He's reluctant to give Hob his hand when Hob asks if he can look at it, like he thinks Hob's grip is a bear trap that will snap down and crush the bones like whatever had done so the first time. Hob still doesn't know what that was. All he knows is the bones have been realigned and healed over but the dexterity in his hand still isn't right. That was what Dream had said, in the first spark of passion Hob had heard from him. It's not right.
But he does eventually give his hand over. His bones are so fine and delicate, and each movement hesitant. Cautious. Hob tests the flexibility. The strength. Dream is right, it's not where it should be. He still doesn't know what happened.
"I won't make you tell me if you really don't want to," Hob says gently. "But it is important to know how it happened to make sure we rehab it the right way. Did you get it caught in something? I've seen guys come in with machine injuries like that."
Nothing about Dream suggests "person who works with heavy machinery." But who knows. Hob will try not to stereotype.
"No," Dream says quietly, looking down and away from his hand like he can't bear to see it. "I. I am an artist. My ex... he felt that I cared more about my art than about him. Perhaps I did. And he was... frustrated. I suppose."
Hob can put the rest of the pieces together in his mind. "Jesus," he breathes, and Dream flinches.
"I have an unfortunate ability to involve myself with such people," he says.
"No, it's not your fault," Hob says automatically.
Dream narrows his eyes. "You presume to know that?"
Hob raises his hands in surrender. "Never mind. I won't pry." He's not Dream's therapist. His job is to help him with his hand, not... whatever else is going on in his life.
He takes Dream's hand carefully between both of his own again. Presses down lightly on his knuckles. "So. Crushed. Like that?"
Dream nods. Hob still doesn't know all the details, but he's imagining a boot going down hard on the top of Dream's hand. The thought is sickening.
"Can you fix it?" Dream asks, like he doesn't dare to hope.
"Well, you already had it repaired surgically, yeah?" Hob says. This strikes him as a bit of good luck--hand fractures are not simple--but he doesn't want to undercut Dream's confidence even further by saying so. He's usually pretty good at reading his clients, and he's already sensing that Dream is holding onto his determination to be here at all by the barest thread. Best to build him up as much as possible. "So it's just a matter of strengthening the muscles again."
He's fairly confident he can get him back to a usual level of functioning with it. The question is whether he can return him to the specific level of dexterity he needs for his art. He doesn't say that. Not yet.
Finally, he gets the tiniest of smiles out of Dream. He's really lovely when he smiles.
(He's pretty when he doesn't smile, too. Hob would have to be blind not to notice it.)
"So," Hob says. "Let's look at the current range of motion, yeah?"
Dream tilts his head. "Did you not already do so?"
"For regular motion, yeah. But I want to see where it's impacting your drawing."
Dream draws his hand back, looking uncertain.
"Come on." Hob hands him a pen and paper. "Show me. I promise I know nothing about art. If it's not up to your usual standards, I'm not going to be able to tell."
Finally, Dream takes the pen, and starts sketching.
Hob watches, noting the way his hand trembles, his uneven grip on the pen. Notes how quickly he gets demoralized when it doesn't turn out the way he wants. Hob can make out what he's written and drawn, but it's clear from Dream's expression that it's far from how it's supposed to be.
"This is just a starting point," Hob reminds him. He has a feeling he's going to be doing a lot of those sorts of reminders with Dream; he does not seem to find optimism easy.
Then again, if someone who supposedly loved him had hurt him like that, Hob would probably find optimism a bit difficult, too.
Finally, Dream drops the pen, clearly frustrated. "I have tried to paint at home, too. It has not turned out any better. You should throw those away." He gestures to the sketches. "They are terrible."
"Nah, I'm gonna keep them," Hob says, and puts them in his folder. "For comparison later." It could also partially be because he finds Dream's drawings of cats, imperfect as they are, charming. Sue him.
"As you insist," Dream says.
Hob gives him documentation on some other exercises he can do at home. Tries to think through what might make him feel better with his art. It feels, somehow, so important to make him feel better.
"At home, go easy on trying to use a pen, or paintbrush or whatever, it's hard on your hand," he finally says. "But you probably want to get back to your art, so-- okay, don't make fun of me if this is stupid."
Dream just raises an eyebrow, waiting.
Maybe Hob should try to learn more about art before he gives advice. Nevertheless, he forges on. "Holding a pen is tough, but if you wanted to like, finger paint or something? That would probably be fine. Might be good for flexibility, even."
"Finger paint," Dream repeats, enunciating each word.
"I told you not to make fun of me if it was stupid."
Dream smiles, just a small thing, like he finds Hob ridiculous but in a charming way. Good enough, Hob figures.
"Very well," Dream says at last. "I will take your advice."
Dream simply walking out had felt like a distinct possibility, so Hob will take this as a win.
"Hey," he says later, catching Dream for a moment as he's checking him out. "It's going to get better, yeah? Trust me. Don't worry too hard, just give it time."
He really shouldn't make promises like that. But he can't seem to help it, with Dream.
Dream considers, then says. "I do trust you."
Hob finds that it means a lot. Now he's just going to have to earn it.
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swellio · 4 months
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different kinds of love to write about
fiery love
this kind of love is filled with bantering, snarky remarks, and a handful of eye rolls. it makes you question numerous times how these two people — who can't seem to stand each other — can stay together. all questions go out the window, though, when you notice their almost obnoxious laughter at an inside joke, or the silent looks they share whenever someone else makes a comment. if one of them ends up hurt, you better be prepared for the other to start a war for them.
for characters who feel this love, it truly is the two of them against the world, and they're confident in their ability to tackle it.
familiar love
this love is saved for those who have not known a life without one another. for as long as people can remember, these two have been side by side, growing and learning together. this love is filled with shared sweaters and personalized playlists. they may have even had other partners before realizing they were simply searching for each other. in hindsight, it was obvious — everyone seemed to have seen it except for the two themselves. after they get together, it's clear they were made for each other.
for characters who feel this love, it may have taken them some time to figure it out, but it was more than worth it in the end.
secret love
this love can be represented by tiptoeing. these two are not supposed to see each other, and they're both aware; why, then, is it so hard to stay away? it's as if they're two magnets, unable to pull away. love can make people do dangerous things, and these two are willing to risk it all if it means being together. this love is filled with lingering touches, quiet smiles, and haste kisses. although it may hurt to keep their relationship a secret, they would rather have hushed moments with each other than nothing at all.
for characters who feel this love, they don't care their romance makes their lives more complicated than it needs to be — their love is powerful enough to give them the strength they need.
--
lmk if you want more!
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writers-potion · 1 month
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Vocabulary List for Kiss Scenes
Ways to Kiss
gently
softly
lovingly
affectionately
tenderly
briefly
quickly
passionately
seductively
sensually
sincerely
slowly
frantically
shamelessly
Adjectives for Kisses
amazing
wonderful
memorable
loving sweet
tender
innocent
warm
romantic
lingering
spicy
breathtaking
seductive
affectionate
dreadful
terrible
awful
wet
sloppy
soft
moist
slobbering
drunken
clumsy
uncomfortable
awkward
passionless
Verbs for Kiss Scenes
pulse
flare
overwhelm
stun
stagger
flutter
coax
encourage
brush
bite
nip
nibble
taste
feast
savor
devour
delve
explore
worship
fuse
drown
invade
capture
imprison
swirl
massage
cuddle
caress
cup
pet
rub
trace
skim
trail
graze
hiss
growl
murmur
come apart
Nouns for Kiss Scenes
flavor
tang
embrace
sensation
ectasy
rush
greed
frenzy
euphoria
elation
rpture
jolt
rhythm
velvet
goosebumps
lobe
nape
mess
Types of Kisses +
a song
a smooch
a peck
french kiss
single lip kiss
lizzy kiss
ice kiss
lip trace kiss
butterfly kiss
air kiss
eskimo kiss
hickey
lovebite
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
References
https://timesofindia.indiatimes.com/life-style/relationships/love-sex/how-to-kiss-in-7-different-ways/articleshow/55049549.cms
https://www.wattpad.com/408233278-vocabulary-word-lists-for-writers-words-for-love/page/6
http://getintoenglish.com/they-smooched-on-the-balcony-kissing-vocabulary/
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me-writes-prompts · 1 month
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-:“We just got together but I already love them” Wholesome new couple prompts:-
(AHH I RANDOMLY GOT THIS IDEA AND HAD TO DO IT. please tag me if you write any of these :’)
By @me-writes-prompts
“Can I…may I hug you?” They ask softly, when you’re done ranting about an exhausting day you had. (🥺❤️‍🩹)
Planning a picnic and making them food even if you’re an amateur cook, in hopes you’ll impress them more🫶🏽
^^ “Did you make this?” “Yes…is it not good? I’m sorry.” “No, no. It’s good, heck, it’s great!”
The way their eyes light up when their partner comes to them.
Leaving little notes by their bedside with a kiss on their forehead. AHHH
“Ok…so, umm I made this playlist for our first month anniversary. I hope it’s not too bad!” “Omg, this is- I can’t believe it! I always wanted someone to make me a playlist!”
Getting them way too many gifts for their birthday.
“Are you sure you want to do this? I don’t want to make you uncomfortable, baby.”
The little kisses they share throughout their day, and getting absolutely flustered over it because it’s all so new
Cuddle session every. Other. Night.
Cooking their favorite meal together
Constant compliments and the little things they notice about each other as they grow together
Baking cookies for their families as it’s their first Christmas!
^^ “Your cookie looks better than mine!” “No, your does!” “No, yours!” “No-” And they just pull them in a kiss to shut them up with a smile already forming on their lips.
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saraswritingtipps · 11 months
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Sparking Chemistry Between Characters
Subtle Gazes and lingering touches:
The eyes are the windows to the soul, and they can convey volumes of unspoken emotions. Describe those stolen glances, the lingering eye contact, and the way their gazes seem to connect on a deeper level. In addition, small touches like a brush of hands or an accidental bump can create electric moments that hint at an underlying romantic attraction. For example:
"Her heart fluttered as she caught him stealing glances, his eyes softly tracing the curves of her smile. With every accidental touch, their hands lingered, sending a current of warmth through their veins."
/////////
Meaningful Conversations and Shared Secrets:
Deep conversations and intimate confessions can be powerful tools for hinting at romantic feelings. When characters open up to one another, revealing their vulnerabilities and dreams, a bond begins to form. These moments create a sense of emotional intimacy that can lay the groundwork for a blossoming romance. Consider this example:
"Underneath the twinkling stars, they shared secrets that they had never uttered to anyone else. As he listened to her dreams, he realized that he wanted to be a part of them, and a warm smile played on his lips."
/////////
Playful Teasing and Banter:
Ah, the age-old art of witty banter! This lighthearted exchange of playful jabs and teasing remarks can build tension and create a magnetic pull between characters. It allows them to establish a unique connection filled with laughter and friendly competition. Here's an example:
"Their banter was a delightful dance of sharp wit and quick comebacks. Every retort was like a playful spark that kept the fire between them burning bright, a dance they couldn't resist joining every chance they got."
/////////
Unspoken Jealousy and Protective Gestures:
Jealousy can be a potent emotion to hint at unexpressed romantic feelings. When one character starts to feel protective or slightly possessive, it suggests a deeper connection brewing beneath the surface. Show how they react to potential rivals or display signs of concern for each other's well-being. Check out this snippet:
"Her heart skipped a beat as she noticed the subtle tightening of his jawline when he saw her laughing with someone else. His fingers tapped nervously, silently craving her attention, and he couldn't help but step closer, ready to ward off any potential threats."
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wordsnstuff · 3 months
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This might sound strange... writing a romance I started to see romantic potential between my lead and a side character, rather than strictly between the two leads... I'm starting to swerve. How can I suit my writing/mindset to keep the relationship with the side character platonic?
When characters develop minds of their own...
Writing is one of those mediums where people tend to overlook the importance of experimentation. It's seen as a fairly linear process: brainstorm, map the plot, write the draft, edit the draft, publish. If any other type of creation was done this way, most would see the process as incomplete, because experimentation is imperative to creativity. Curiosity is the key to finding satisfaction, and no matter how brilliant you think an idea is at its conception, the best way to do it justice is to question it.
If you find yourself in a situation where your story begins to develop outside your control, don't strangle it back into the shape you imagined for it at first. See where it goes. Let it bleed outside the lines and see what you prefer. You can always return to the original plan. The beauty in fiction is that it has infinite possibility, and if you have the talent to write characters and worlds that determine their own trajectory, enjoy the reward.
In your case, you've designed a romance between two characters but the chemistry of a different pairing has become more compelling, so see what happens. There is a good chance you've simply written a secondary character that serves the story better in a leading role, and there's no harm in experimenting to see if that's correct. If it doesn't work and you're convinced the relationship is more suitable in the platonic category, you will find the reason along the way and that reason will speak for itself as you return to writing the original pairing. If anything, this might become an organic way for you to misdirect the reader in order to make the payoff of your original idea more substantial.
Writing should be an intuitive process. If you're swerving in another direction, satiate your curiosity and then make decisions with all of the information. Just like any other artistic medium, you will only know what's right once you've established what isn't.
Best of luck,
x Kate
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corvase · 2 years
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establishing a relationship prompts
feel free to use :)
the hesitation before introducing them like “name, this is my family. guys, this is my… um, this is name.”
“i thought we were …” “thought we were what?”
the built up feeling of being excited to see them for no particular reason at all and the character feeling that being like what’s wrong with me? we aren’t even dating
“what are we?” and the other character responding like “what do you mean?” even though they know
“can we talk? what are we? what are we doing?”
“i don’t want to continue this… relationship… if this is how it’s going to be. i want some clarity.”
explaining it away with friends like oh no we aren’t like that… but that bitter taste being left in their mouth because what are they if not that thing
a character leans in for a kiss and the other asks “what are we?”
they’re just relaxing together when one asks out of the blue “what are we?”
“i don’t like him. if anything, i hate him.” “…. right.”
additionally, character trying to explain it away and sounding even dumb to themselves
“what are we doing?”
“i’m tired of feeling like i have an expiration date on my forehead. what. are. we?”
the classic “you know i think of us as more than just…” if u know u know
“what are we?” “whatever you want us to be.”
a confession like “i don’t know why i feel this way but i know you mean a lot to me and i want to ask if you feel the same abort me” because communication everyone
the more and more they think about it, the more they feel hesitant about continuing with their relationship because they’re terrified that it’s not reciprocated
what happens next? will either of them be honest or will they crash and burn after the question is asked?
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the-bar-sinister · 10 months
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♦️ Your fiction is worthwhile.
♦️ Your fiction is art.
♦️ Your fiction has artistic merit and value.
♦️ Your fiction is important.
♠️ Even if people call your writing worthless.
♠️ Even if people call your writing disgusting.
♠️ Even if people try to devalue you as an artist.
❤️ Even if your writing is self indulgent.
❤️ Even if your writing is a genre people dismiss.
❤️ Even if your writing is about sex or romance.
❤️ Even if your writing is violent, dark or taboo.
❤️ Even if your writing is fanfiction.
♣️ All fiction is art. All art is worthwhile.
♣️ You do not have to justify your fiction writing to anyone.
♣️ Your fiction is art and it has artistic value.
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cj-etc · 2 years
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Showing Romantic Feelings Without Kissing
Let’s be real, the biggest way to show romantic attention between characters is through kissing. However, your characters shouldn’t have to kiss in order for it to be obvious that they’re in love. Here are some other ways to show that connection!
Hand holding
Sitting close to one another
Quick hugs
Secret glances
Light touches (arms, legs, etc.)
Napping together
Making sure the other eats/drinks
Inside jokes
Fixing the other’s clothing
Laughing way too hard at the other’s jokes
Going on walks together
Looking at something and wanting to show the other immediately
Late night walks/talks
Going to one another for advice
Leaning on each other’s shoulders
Driving each other home after a long day
Sharing drinks/food
Sharing clothing
Helping each other with work/other tasks
Incoherent bickering over nothing
Feeling possessive of one another (to a certain extent)
Telling each other’s friends about one another
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