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How to show emotions
Part V
How to show grief
a vacant look
slack facial expressions
shaky hands
trembling lips
swallowing
struggling to breathe
tears rolling down their cheeks
How to show fondness
smiling with their mouth and their eyes
softening their features
cannot keep their eyes off of the object of their fondness
sometimes pouting the lips a bit
reaching out, wanting to touch them
How to show envy
narrowing their eyes
rolling their eyes
raising their eyebrows
grinding their teeth
tightening jaw
chin poking out
pouting their lips
forced smiling
crossing arms
shifting their gaze
clenching their fists
tensing their muscles
then becoming restless/fidgeting
swallowing hard
stiffening
holding their breath
blinking rapidly
exhaling sharply
How to show regret
scrubbing a hand over the face
sighing heavily
downturned mouth
slightly bending over
shoulders hanging low
hands falling to the sides
a pained expression
heavy eyes
staring down at their feet
Part I + Part II + Part III + Part IV
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thatsbelievable · 2 days
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deception-united · 3 days
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Get to Know Your Character #2
More asks!
What good/bad traits do they bring out in others?
What views do they have that differ from/contradict those of the other characters?
What would be their reason for causing a scene in public?
What qualities do they look for or value in a partner/friend?
What do they consider red flags in a partner/friend?
What is something you should never do to them?
What is their most important or enforced boundary?
What would break them?
What would push them to physical altercation or violence during an argument?
How do they act in their worst moments?
What embarrasses them the most?
What joke would amuse them?
What does it take to gain their trust?
In what scenario would they feel most comfortable?
In what scenario would they feel most uncomfortable?
How do they take criticism?
What part of their past are they most ashamed of?
What part of their past are they most proud of?
What do they believe is the worst fate one can befall?
How do they view death?
Get to Know Your Character #1
Happy writing ❤
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novlr · 13 hours
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I find it really difficult to make my characters interesting. Do you have any tips on how to do that without having to resort to character templates?
One of the best methods of keeping characters interesting using your writing as the basis, rather than the character itself, is the STEAL method. It's all about using indirect characterisation to show who your character is while you write, rather than relying on a list of things that they are.
Using this method will allow you to develop your characters as you write, especially because these elements will feed of how they develop and how they interact with, behave near, or are thought of by other characters.
Templates give a great static snapshot of who your character is at the beginning of a story, but isn't always the best when you're trying to develop them into who they will become.
Today's Reading Room post is all about the STEAL method and how it can help you develop interesting characters through indirect charactrisation.
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lionofchaeronea · 3 days
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Braying Donkey, Gao Qipei, 1713
Today is International Donkey Day, so please enjoy this little salute to one of the humblest, yet hardest-working and most reliable, of creatures.
Text: BURRO
Where Apache and Comanche have galloped, where cowboys black and white have thrashed their herds into frenzied movement: a burro, climbing slowly.
He forgets the burden of his drowsy rider, thinking only of the sand that slips beneath his hooves, the wind past his nostrils, the scents it brings.
After ten miles of silence he brays, thanking the setting sun: its rays have laid a scarlet carpet down the arroyo, all, he dreams, for him.
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tanaor · 2 days
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Want to know how to hook you reader from the first moment??
(✨ Easy and quick tips to make your first chapter memorable✨)
There have been endless the number of times that I have wondered about the correct formula of starting an history, and although I've learned that in writing there is no one correct way around it, I have gathered some of the tips that helped me the most. That being said, let's get to the tips!!
Introduce them to the mc. Show the reader who they are and what they are facing (can be internal conflict or something instant). Don't start from the pov of a character they won't see again.
Show what the readers are going to feel through the book, the "vibe" that you spent countless Pinterest boards crafting. Do you want them to feel afraid? Happy? Hopeless? Perhaps cozy?
Don't introduce more than three characters at once, and try not to be confusing. Your readers are already lost when your story begins, so try to guide them gently. A confused mind always says no.
Start with something that will later affect the story and move your characters forward. Ask yourself: does this first scene have an impact on the characters or the plot? If no, you can try making it more impactful or starting somewhere else.
Get your readers' curiosity triggered. At the end of the scene, there must be something they want to know to continue reading. It doesn't have to be a cliffhanger, but something like "will the protagonist go on the quest?" or "what are they gonna do now that they don't have any shelter?". The "now that they ..." formula always works for me!
That's all for now, and thank you for reading! As always, happy writing :)
Other tips for writers: previous
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Prompt #69
“Oh, come on, you can’t be putting handcuffs on me right after we had our first kiss!” The villain whined, struggling against the metal bracelets.
The hero tightened their grip on the villain’s wrists. “Only a distraction, sweetheart.” They chuckled.
The villain rolled their eyes, scoffing. “Don’t lie. I know you liked it.” They clenched their jaw, feeling a little worked up.
“Maybe.” The hero smirked teasingly.
The villain groaned. They were so fucked. They tried again. “Not even a little?” They asked in a quieter voice, aiming to get even a bit of the hero’s soft side. But, really, they wanted to know.
The hero grinned, seeing through their words. They shrugged, not giving anything away, the grin only widening on their lips.
The villain huffed, as they were gently pushed into the back of the hero’s car. “You’re so cruel.” They mumbled, slightly pouting.
The hero got in and winked, charming as always, and took off.
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sourdough-seal · 2 days
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13-year-old me, reading a book that made me cry until i couldn’t breathe: i literally cannot wait to write something like this for others one day
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Sequels and Series
              On one hand, a sequel can be easy because you already did the worldbuilding, character creation, etc. in the first book.
              On the other hand, expectations are high—both that the sequel be as good and consistent as the first book, while offering something new. There’s generally two kinds of sequels, ones that continue the world and characters but within a new journey (think Frozen 2 or the Percy Jackson books), and ones that continue the same journey set up in the first book (Hunger Games, or Divergent). Either way, your sequel is about your MC’s arc, so let’s get into it:
1. Leave room for greater change in the first book
              The first thing to consider when writing a sequel comes in writing the first book—obviously the world should leave room for more story in either style of sequel, but so should your character arcs. The first book needs to follow an arc that’s satisfying and fulfilled by the end, but still has room to grow and change in subsequent books.
              It’s important not to go backwards in the sequel and make your character forget what they learned just to learn it again.
              So, if in the first book your MC learns to be confident in themselves and trust their instincts, maybe in the sequel they are too overconfident, and need to learn to trust others’ ideas and suggestions. Or maybe a new situation means adjusting their old instincts that no longer apply. They shouldn’t start as unconfident again and have to relearn their lesson—they’re a changed, grown person continuing to change and grow.
              Otherwise, they may not fully complete their arc in the first book if you’re continuing the same journey in the second—this means you’ll have to plan out a lengthy and difficult arc that has the ability to hold up across several books.
2. But they’re still the same character
The arcs between books should be somewhat related—it would be odd if in the first book a character gets confident, and in the second, they learn something completely new and unrelated to their backstory or personality. If you feel like you’re creating a new character when working on the sequel, you’re probably adding too much.
This goes the same for continuing the same journey. Characters need to be relatively consistent across books, and their gradual change throughout the series should feel consistent, with none of the development happening off page.
3. Sequels/Series are harder to get published (as a first time author)
If you’re looking to get traditionally published for the first time, unfortunately your novel likely won’t/can’t be part of a series or made to have a sequel. It makes sense that an editor is putting a lot of trust and hope into your story to get it published—they aren’t going to sign on to a longer series (or even duology) that they don’t know will be successful. This means that you’re probably unable to do the second type of sequel (by ending on a major cliffhanger).
What you can do is have an ending that wraps up the story satisfyingly, but leaves a little bit of room to continue onto a sequel. If the first book is successful and your editor wants to sign you on for a sequel, you have room to write it. Or, in a lot of cases, you have to publish a few standalones before you build the reputation and trust to write your sequel.
Anything else I missed?
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raineandsky · 2 days
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#115
The villain slips out of sight, and civilians crowd the hero before they can think to follow. Several microphones materialise half an inch from their face.
“What does it mean for the city when villains get away like this?”
“Why is this villain so difficult to catch?”
“[Hero], this way!”
“[Hero]!”
They can see one reporter elbowing his way to the front of the crowd. He nudges his glasses up his nose awkwardly, a clipboard in one hand and a voice recorder in the other. He looks like an old school nerd, in a way.
He manages to wrestle his way to the front of the mob, miraculously. The hero isn’t convinced even they could do that. He clears his throat, adjusts his shirt against his neck, and presses a button on his recorder.
“What are your relations to [Villain]?”
The hero could’ve not spotted him and it would’ve been the loudest question of them all. Their gaze snaps to him traitorously before they can stop themself. He stands there expectantly, his voice recorder raised slightly towards them.
“My relation to them is that they’re a criminal,” they say carefully, a response well-practised, “and I am the person who will put them behind bars.”
That prompts a flurry of more questions, but the hero can only watch this one reporter. He nods, and they’re not sure if he’s trained to stay neutral or if he doesn’t believe them. Their stomach flips uncertainly.
“Can you really be the one to put them away if they keep evading you?”
The hero wants to smite him where he stands. They try to force a confident smile that probably looks more pained. “Then the victory will be all the sweeter when I finally catch them.”
“Are you helping them?”
There it is. The other reporters go quiet, curious. The hero’s aware they probably look like a cornered animal, but they can explain that away later. They were worried that the masses are losing faith in them, perhaps. They can throw a speech together tonight.
“Why would I be helping a criminal, sorry?”
“I’ve done some of my own research.” The reporter pushes his glasses up again as he looks down at his clipboard. “The villain’s getaway car looks alarmingly similar to yours.”
Another flip. Would it be bad to claim they have somewhere to be? They don’t have any answers prepared for this. The reporter’s watching them with an intensity that’s making them feel sick. Avoiding the question is worse, surely.
“It’s not my fault if [Villain] has impeccable taste.” They glance out over the sea of people, trying to seem distracted. Fuck it. Time to go. “Look, guys, I’ll answer everyone’s questions when I’m not actively chasing a criminal. Job first, interviews second.”
The hero flees like the fury of god is chasing them. They can feel eyes on them as they go, that little pain in the ass watching them the most intently.
They practically throw themself into their car, slamming the door like it’ll hide them from the outside. “Took you long enough,” the villain says from the backseat.
“Reporters,” the hero explains shortly. The villain hums thoughtfully.
“Always is.” The villain sighs, tearing their gaze from their phone and up to the hero. “What’s this week’s conspiracy?”
The hero turns the car on to ignore the question for a moment. “They think I’m working with you.”
The villain barks a laugh at that. “Can you imagine?” Their eyes turn back down to their phone amusedly. “A’ight, let’s get outta here.”
Gladly. The hero pulls out of the little alleyway, checking the streets for reporters, unexpectedly nervous, and onto the road. They always take the back roads like this. They don’t need any more reason for people to get suspicious. One reporter putting the thought in people’s heads is enough.
“Don’t get any ideas, by the way,” the villain pipes up after a bout of silence. The hero was quite content to listen to the rumble of the engine all the way back. “You work for me, not with me. Let’s keep it that way.”
The hero nods. The less they have at stake in this stupid little charade, the easier it’ll be to get the hell out at the first opportunity anyway.
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sound-attorney · 3 hours
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definegodliness · 1 day
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9-5-2024, "... return to fantasy."
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novlr · 2 days
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“The most important things to remember about back story are (a) everyone has a history and (b) most of it isn’t very interesting.” — Stephen King
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sunnynwanda · 2 days
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Hey!! Sorry I am always in ur requests box bahaha
If you want to, could you do a story where a supervillain typically goes easy on a group of rookie heroes, as he usually fights them just for fun, and could destroy them if he wanted.
He just lets them think they can beat him.
Then, something happens (maybe they cross a line, and one of the heroes tries to stop their team from crossing that line but they don't listen) where the supervillain shows them just how powerful he actually is? ❤️❤️
Ruin
Warnings: power of destruction, grafic injuries, blood, torture (in a way?), mentions of killing.
Shadows danced across the wall, earning a dark chuckle from Supervillain. Heroes were never much of a threat, more like a bunch of bothersome and overly persistent pests that had flooded the city. The clock struck midnight a few minutes ago, but here they were - attempting to creep up on Supervillain for a surprise attack. As if. 
They'd tried this tactic a multitude of times, none of them were a proper attack or even a surprise. 
Amateurs.
Superillain sighs in exasperation, pulling his gloves on to avoid fatally wounding anyone just as two masked heroes appear in front of him. 
"Evening," Supervillain's smirk is met by two identical scowls. "To what do I owe the pleasure tonight?"
One of the heroes growls, speaking through gritted teeth. "You're under arrest. Surrender." 
Supervillain cocks an eyebrow at the pair, holding back a laugh. Holding back was something he had to do on a daily. And he was growing tired of it. "You think it's going to be that easy? There's only two of you." 
"Two is more than enough to contain you," the other hero speaks up, their expression as sour as their friend's. This time, Supervillain fails to hide his laugh. This seems to make his rivals' blood boil over. "We will destroy you." 
You think you can? Supervillain thinks but keeps his lips sealed shut as he nods, deep in thought. Wish you knew how badly I want to unleash my power. 
But he could not. They were kids. If he didn't know better he'd think the city council sent them on purpose. To test Supervillain's patience or to provoke him. Until he slips up. Until he does something unforgivable. Until he falls prey to the cruel scheme. Supervillain can find no other explanation for sending rookies to fight him, of all villains. It was a death wish. A clear one. How could anyone expect them to conquer a supervillain who has destruction spewing out of his fingertips?
"Cut it out and go home," Supervillain runs a gloved hand over his face, shutting his eyes for a moment. He can tell something is off because they always attack in four and stick together. So where are the other two? "You're just kids."
Someone lets out a bark of a laugh behind him, but there's nothing light about it. Supervillain turns his head, glancing over his shoulder - only to freeze in place. His eyes widen, lips pressing into a thin line when his gaze lands on the sleeping form of his younger brother. He looks peaceful in the arms of one of the heroes, but Supervillain... Supervillain is anything but peaceful. 
"How dare you..?" He cuts off, not even finishing his thought when he sighs, determination setting in. That's one too many lines crossed. 
"Guys," the youngest of the heroes speaks up, their voice weak and shaking. "Guys, seriously. This isn't fair." 
Supervillain can't help throwing them a glance, taking note of their scrunched eyebrows and trembling lips. The heroes ignore their friend entirely.
"Oh, we dare," one of them responds to Supervillain's question, sadistic sarcasm lacing their tone. "You will surrender to us." 
"Still think we're kids?" The other one chimes in, snickering at the thought. Oh, Supervillain doesn't see rookies or kids anymore. Now, he sees enemies. 
He knows what he does to enemies.
"Guys, please..." The same hero pleads, their eyes full of tears. Supervillain almost smiles at them.  
"Shut it," another sneers, irritation colouring their features. They turn to Supervillain with a self-satisfied smirk. "If you want your brother to remain unharmed, you'll get on your knees and beg for it."
"You're taking this too far!" Their friend laments, despair overtaking their otherwise delicate features.
Don't you worry, little one, I'll wreck them. 
"Return him to me," Supervillain demands, rage flaring to life in the depths of his eyes. His voice is hoarse from restraint as he battles his inner demon for every second of delay. "Now."
"Make us," the one holding up the sleeping kid snorts, grinning in the most smug way possible. 
I will ruin you, Supervillain thinks, I'll completely obliterate you. 
"If you can, that is," another hero scoffs. Supervillain glares at them with narrow eyes, pressing his lips together until they turn white. He can feel the piercing coldness of his wrath coursing down his limbs towards his trembling hands.  
"Oh, I can just fine," Supervillain hisses, slowly pulling at one of his gloves, watching it slide off his blackened fingers. He sends the youngest hero a glance - a warning of sorts, before lunging forward.
His fingertips graze the forearm wrapped around his little brother, making it weak enough to let the kid slip down from their hold. The hero lets out a low groan, not quite registering the source of the pain yet. Supervillain's movements are quick, he brushes his fingers over the side of the hero's thigh - the sharp jolt brings them down to their knees with a choked cry - just in time for Supervillain's brother to land safely on the ground. 
The two heroes behind his back seem to snap out of it, jumping onto his back and taking Supervillain into a chokehold with one of his arms pinned to his side. Unlucky for heroes, they restrain the gloved one. 
Supervillain sees the youngest hero take his little brother into their arms, stepping away from the fight, their eyes wide with fear. Their knees are buckling under them at the horrifying sight that plays out, so they lean against a nearby wall.
Supervillain mouths a 'thank you' before bringing his free hand up and dragging his fingers along the arm around his throat. The hero screams in agony, their eyes watering at the sudden pain as they watch their arm turn stiff and black. "What the f-" 
Supervillain doesn't wait for them to finish, twisting around and pressing his open palm to the other hero's stomach. They bend over in an instant, clutching their middle and coughing out dark clots of blood.  
"What the fuck? Is that what you wanted to ask?" Supervillain asks, tilting their head to the side as they watch their enemies on the ground, wallowing in the unfamiliar ache that's taken over their bodies, their flesh twisting and turning into something akin to coal. 
When no words come from them, Supervillain lets out a dark chuckle, crouching to be face-to-face with them. Grabbing one of the heroes by the chin, he sneers. "This is becoming radically boring. Answer me." 
"H-how?" The hero tries to jerk away, tears springing from their eyes as they wheeze through every inhale. Supervillain's fingers are cold against their clammy skin.
"Fuck, it hurts so much..." Another one whimpers out, wiping at their eyes and biting into their lip to suppress a groan. The ache subsides agonisingly slow.
"I know. That's the point, darling," Supervillain smiles, forcing them to meet his gaze with a finger under their chin. "The worse, the better."
The heroes nod, trying to muster up a sliver of courage. They don't manage, because their friend is the first to speak. 
"Stop! Please. Please, stop now," they plead, coming to their knees next to Supervillain, his brother still in their arms. "Here. He's safe. Still sleeping." 
Supervillain stares at them for a moment, considering his following words. "I won't end them. Solely for you." 
The hero's shoulders drop in relief, waiting for Supervillain to pull his glove on before passing his brother to him. 
"Will they... will they be okay?" They ask, concern lacing their tone. Supervillain nods shortly, and the hero almost smiles. "Thank you."
"Now you know why no one dares to cross me." Supervillain informs, clutching his brother to his chest as he stands. "I advise to make use of that knowledge."
With that, Supervillain walks away, leaving the hero to tend to his injured friends while he carries his brother back home.
Supervillain knows this won't be the end of it. He knows a new group of shockingly young heroes will be sent after him sooner that these can heal. He knows they are nothing but brainwashed martyrs.
He also knows the only way of stopping this madness is chopping off the head of the snake.
A/N: Hi! First and foremost, thank you so much for this request! My mind was reeling when I first read it. Never say sorry for requesting, I love doing your requests! This one was extremely inspiring, as always, so... thank you for sharing your amazing mind 💛✨️ I'm not entirely happy with the way this turned out, but I still hope you'll enjoy reading this.
Love you, guys :)
xo Sunny
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theartoffresco · 3 days
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