#you have no idea how many times i had to watch these sequences for this | Explore Tumblr Posts and Blogs

halemerry · 9 months

Text

I’m doing it. I’m breaking down the Scene. You know the one. I've been tearing it apart for a week straight now in discord and figured I should leave my observations here. So, uh, yeah, this one's a big one so buckle up folks!

I want to start with the build up because I can never leave well enough alone and because I think the framing we have coming into this sequence is important. We start with the camera on Mr. Acts of Service himself. Crowley, after banishing Muriel, starts cleaning up the bookshop. The music playing is the soft slow rendition of the opening theme. He is returning this space to the status quo, resetting back to normal, fully intending to do this for Aziraphale before dragging him out to the Ritz, falling back on their typical pattern of going out together for food and drink.

Now in a moment he's going to get interrupted by Nina and Maggie but before we get there I want to take a second to draw attention to the area of the bookshop that Crowley will be operating in for the bulk of this. This space is one we very frequently see Aziraphale in. It's his desk behind the till - a spot linked intrinsically to him, even down to the fact that it's located on the east side of the shop. The windows are throwing beams of light onto Aziraphale's chair and onto the same spot Crowley will stand during The Scene. This lighting choice will not change from now until our last shots in the bookshop and the way the blocking plays around these sunbeams is very aware (as Good Omens nearly always is) of exactly where they will land.

Nina and Maggie enter the scene to have a chat about boundaries and communication. Maggie, his own mirror, tells him flat out that he can't play with their lives like that. Maggie and Nina then both tell him that he and Aziraphale need to talk. And I don’t think they're wrong, exactly, but I do think that Aziraphale and Crowley are actually a lot better at communicating in general than they are in these following high stakes scenes. But that's some meta for later - for now I want to just focus on the particular way Crowley's been primed for the conversation he and Az are about to have. Nina in particular does something really interesting. She does exactly what we as the audience did when we first saw Nina and Maggie: she mistakenly projects herself onto Crowley. She says he has trust issues because she does and in the process accidentally frames the core of their problem as Crowley needing to allow himself to trust Aziraphale, a thing that he actively already does and has done for quite some time and has been shown to us several times throughout the two seasons.

Now the build up we get for Aziraphale going into this conversation is very small. By which I mean practically non-existent. We start at the end of his conversation with the Metatron who tells him to go tell his friend the good news - which notably does not imply that the news is something that would require Crowley to make a choice - and sends Aziraphale on his way. Now the most crucial thing in this sequence, to me, is the expressions Aziraphale makes when he thinks the Metatron isn't looking at him. While polite and smiley when engaged with him, Az's expression falls as soon as he doesn't have eyes on him. Something is wrong and Aziraphale knows it.

Aziraphale enters the shop. The doorway is dark and shadowy and he hasn't composed himself yet - though he does give Nina and Maggie a little smile as they leave. Then, as soon as they're not looking at him, but before he approaches Crowley, the tension is back.

He hesitates, then smiles and approaches Crowley. Crowley, planted dead center in that beam of light from earlier, takes off his glasses and promptly starts nervously rambling. The music cuts off here entirely, giving us nothing to focus on but the noises coming from our lead actors, the background noise from the street, and the ticking of the clock in the background. Aziraphale puts up his hands like he's going to interrupt then lowers them again as Crowley keeps talking, his face shifting into this helpless sort of smitten look.

Now look at the light and how it hits the bookshelves behind Crowley as he tries to get his confession going. It's in the shape of a wing. Keep an eye on that - when the camera chooses to show us this one wing of light is important.

Aziraphale then interrupts and there are two things I want to draw attention to here as Aziraphale fumbles for words. First of all is the fact that he glances in the direction of the door (and the Metatron) at least three times as he's struggling to speak.

Secondly, I want to draw attention to the words Az actually says here. He first echoes the Metatron's earlier statement about good news. He then does not roll into the news itself and instead glances at the door and says the Metatron. He starts rambling about the Metatron to a very confused looking Crowley and evetually talks his way into that the Metatron said something. He then hits a wall again, scrambling to find words and instead of explaining the context of what the Metatron says he lands on Gabriel. His brain latches onto someone obviously on the forefront of both their minds and something vaguely relevant to the news he's about to share. He rambles more about Gabriel's job, glancing once again at the door in the middle of this, still avoiding getting to the actual point or perhaps even synthesizing said point as he goes.

We then cut to what is framed as a flashback. I think it is very notable we only see this as Az is telling it to us. In other words that this is not us witnessing an event happening but us witnessing what Aziraphale is telling Crowley. This sequence is the single scene where the Metatron calls Crowley by name despite actively avoiding it in any real time continuity sequences. He uses it twice here which I think also is the strongest thread in here that tells us that we are seeing what Crowley is being told not necessarily what actually happened.

The instant the idea of restoring Crowley comes up the wing of light behind Crowley loses visibility. Crowley's speechless for a moment so Aziraphale fills the silence, already looking like he wants to cry as he talks about the old days. (I also can't help but to notice that the lights behind Az in this shot look like eyes.) Crowley finally speaks and circles around the beam of light he's been standing in like an object seeking to re-establish a source of gravity. The music cuts back in here with tense drawn out notes.

Crowley talks about how Hell offered him his place back and he turned them down. Aziraphale in turn presses on ideas that we know he doesn't really believe. It's a echo of the bandstand and uses a lot of the same language of that fight - another fight we know features Aziraphale saying things he knows aren't true. By now, we have seen him multiple times this season express he does not want to go back and make it abundantly clear that the side they have made for themselves is important to him. We see him actively calling angels bad and incompetent, contrary to everything he's telling Crowley here. We see him be the one to repetitively remind Crowley that they are on their side and be the one that always draws attention to that first. Yet here he says Heaven is the side of light to Crowley - who by the way is literally framed in light. The frame is telling us outright that Crowley is already Good as he is, while Az's expressions are telling us he knows Heaven isn't.

Aziraphale can't tell him that he did not turn down the job and Crowley does another orbit. The music cuts again. This time, he stops with his back to Az, tilts his head upward and decides to ruin me by invoking God.

Here he is, hearing these awful things that he was sure they had moved on from, hearing these things he has tried for so long and so hard to help them both unlearn. But these sorts of habits and lessons are insidious and he knows that and he himself is even a victim of that himself. I mean, don't get me wrong, he recognizes this is weird, I think, but between his own self worth issues and the stress of the few days they'd had can't work out what exactly is off here. He's confused and lost and just been told, in his mind, that he is not good enough as he is - a thing he has always on some level also believed. Yet he reaches out to the parent that taught him that lesson in the first place for strength and grounds himself with that. He circles back to stand in the beam of light and, with that wing of light finally backlighting him again, he is brave and tries to be enough anyway. He bows his head downward, fully emerging the line of this body in the light and tries again. Because even now, even after that emotional blow, Crowley is an optimist who can't help but to try.

At first Aziraphale can't figure out quite what is going on here. He squints at Crowley and glances at the door again. Crowley meanwhile keeps continually glancing upward, whether at God or to hold back tears or some combination of both. In most of these shots Crowley bisects the room, creating a dark half to his left and a light half to his right.

Crowley says he relies on Aziraphale. Even here, even now when he's just hurt him. Because it is the truth. Because Aziraphale makes him feel less alone. Because Aziraphale proves to him that no matter how fucked the system is that there is still good in the world, even if he doesn't always agree with it.

It is only once there is no doubt what Crowley is doing that Aziraphale starts shaking his head in very small quick shakes. He looks panicked even as they both physically draw closer to each other. It's huge not here, not like this energy to me. Aziraphale asks Crowley to come with to help him run Heaven. This is the point where Crowley starts tearing up.

Crowley then says you can't leave this bookshop, trying to say you can't leave me. Az, nearly in tears himself, says 'oh Crowley. Nothing lasts forever' as a means to convey that the books aren't what is important here. Crowley, naturally, hears 'including us.'

Crowley looks down again, quietly agrees, and puts on his glasses, covering himself up again. He then wishes Aziraphale good luck and the music starts up again, still tense but sorrowful now. He leaves the light and heads to the door. Az can't help but to call after him. Please wait. And Crowley can't help but to listen. It's worth noting here that even as he rotates toward the north door, the light still gently hits his face. The shots in general are darker though. He's moved away from the light but it still can't help but to touch him.

"Come with me," says Aziraphale and then after a pause adds "To Heaven." Aziraphale, looking heartbroken, starts one of two 'I' statements he will struggle around in the next few moments. He lands on I need. Which. I want to pause there a moment because holy shit. That is not something they say out loud either. Az looks at him a moment, visibly struggling before he says his dialogue about Crowley not understanding his offer. Like he's said something he didn't mean to and needs to cover it up or like he can't handle the silence after such an honest statement. And on some level he's not wrong there. Because Crowley doesn't understand what Aziraphale is trying to say. But Aziraphale doesn't understand the way Crowley is reading it to course correct either.

Crowley says that he does understand and that he understands better than Aziraphale does. And he also isn't wrong either, from his perspective. Because he does understand the implications behind the offer theoretically in play here. Because he does know that the position Aziraphale is presenting him is not going to result in the outcome Aziraphale is presenting him with. There are some things you can't undo just like memories slipping through the cracks.

Az says there's nothing more to say, trying to dismiss Crowley despite having been the one to pull him to a stop moments ago. He puts on a fake polite smile for a beat but then his is jaw sets, mouth working as his eyes drop - unable to look Crowley in the eye.

Crowley tells him to listen as the music fades out and points upward. Aziraphale humors this, glancing up a few times before looking frustrated, saying he can't hear anything. The light from the window shines down in his direction without actually touching him. Crowley tells him "That's the point. No nightingales." The shot he's on here is a dark one without even any of the book shops pillars visible in it to brighten the shot.

Aziraphale looks frozen a moment here and then as Crowley calls him an idiot and says 'we could have been us' his face completely crumbles. He rapidly glances away to hide his face and Crowley moves and reaches to pull him back. They're both distraught. Az is clearly already holding back tears even before Crowley touches him. The angle of this shot frames Aziraphale in the light of the window. For the first time in this whole sequence Aziraphale is in the light, literally being physically pulled into it by Crowley.

The music swells, playing a similar theme to the one that plays as the Pillars of Creation are formed at the start of the season. They shift back and forth, the camera focusing on Aziraphale's face and hands. His hands move uncertainly, trying to reach out even as he's struggling emotionally. He is visibly shaking but he crucially does not pull away, not even a little.

His hands settle on Crowley's back, right where his wings would be, and for a brief moment gets taller, like he's allowing himself to lean into the kiss. They press together tightly, their mutual gravity sending them crashing together before they break apart. When they do Aziraphale looks devastated and his eyes move pretty much instantly to look out the window where the Metatron would be.

Crowley's glasses make him harder to read here, but he looks at Aziraphale like a man awaiting judgement in a trial he knows he's already lost. He's sad too, but as always, is waiting for Aziraphale's reaction. Because he might push continually at he boundaries of them as a unit but he has always let Aziraphale decide where to set them in stone.

Az fumbles over words here. He gets stuck on "I" here and lets it hang in the air. He then visibly thinks his words over, his expression slowly filling with resolve as he comes to some sort of conclusion. Then, like it's difficult to say, he falls back into old coded language. "I forgive you." A thing he has always said in response to things that he agrees with but cannot or should not allow himself to have.

Crowley sighs and tells him not to bother, refusing to fall into the old pattern that Aziraphale has. He is setting a boundary, for once, and even if it is one born from misunderstanding I am proud of him for being able to. He turns away and leaves. And this is where Az seems most in danger of falling apart. His lips move as Crowley goes, forming the start of a 'no' after him. He draws back from the door and turns his body away from it, physically distancing himself from anything that would feel like following Crowley. Except he can't help himself. With shaking hands he reaches up to touch his lips. He presses in, like he's trying to recreate the pressure and then his jaw works a moment and his expression sets as resolved.

The Metatron enters through the front door, which is framed in dark lighting. Aziraphale looks panicked and immediately turns his whole body away from him to hide his face while he collects himself.

He turns around after a beat and the Metatron asks 'how did he take it?' This is an odd question that only sort of half fits the fact that we are meant to believe at this point - that Aziraphale should be obtaining a yes or no from Crowley. It's not asking Crowley's choice at all. It's like the Metatron assumed a different conversation had happened or perhaps that he already knew the answer.

Aziraphale says he took it badly and the Metatron just takes a moment to direct a few casual digs at Crowley. He references him being stubborn and too curious - all the while avoiding the use of this name. At this point Az's eyes are locked out the window in the direction Crowley vanished to. The Metatron asks if he's ready to start despite originally having promised Az time to think over his answer. Aziraphale keeps glancing out the window.

For a moment he cracks, stepping away from the Metatron and back toward the east side of the bookshop. For the only time in this whole sequence he steps right into the sunbeam Crowley started in. It notably never illuminates his face as he mentions the issue of his bookshop (a statement absolutely not about the bookshop).

The Metatron explains Muriel will take care of it. Aziraphale looks back out the window with the start of an objection.

The Metatron interrupts him asking if there's anything he needs to take with him. Az's mouth takes a moment to try and form words. He steps out of the light again, starts to object, and then cuts off, eyes back to the window. Then his expression shifts again, settling in another state of resolve before he puts on his falsely polite face and follows the Metatron out.

As they leave the shop we cut back to Crowley. Crowley, who could've left to go handle his own emotions, did not leave. Instead he planted himself there, nice and noticeable. Like he wanted Aziraphale to see and know that he still has a choice. Like he needs to see Aziraphale make that choice for himself. Like he can't quite bring himself to be the one to close that last door. He stands there, framed by light, and doesn't move until the doors to the elevator to Heaven close behind Aziraphale. He then glances at Nina and Maggie and then gets in the Bentley, which starts playing the song that we now know he knows is supposed to be theirs. He turns off the music and drives away.

So there's a lot in these sequences and most of it probably won't help us figure out exactly what comes next, but there are definite signs that all is not as it's being presented to us. Whether he's actively lying or not, something is wrong that Aziraphale either can't or won't talk about frankly with Crowley. I suspect, whether it's under stress from a literal threat or because he believes that it is the safest option for them, that Aziraphale is doing all of this to protect Crowley.

There are also all sorts of signals here, especially in the lights, that gesture at the fact their togetherness is a net good. Together they are balanced and stronger for it and likely more in alignment with the Ineffable Plan. And, more importantly than that, that said togetherness is so clearly what they both want. They have loved each other longer than anything alive has ever loved anyone and none of this changes that. They both are saying that in their own ways here, even if those ways are not ones the other is particularly good at picking up and I for one cannot wait to get to see the payoff of them learning how to.

#good omens #gos2 spoilers #good omens spoilers #good omens meta #kind of #is it meta if its mostly me pointing and yelling?#come suffer with me #you have no idea how many times i had to watch these sequences for this #crowley #aziraphale #the bookshop

2K notes · View notes

churipu · 3 months

Note

can i request the reader being gojo's younger (or little, if that's what you prefer) sister during their highschool days? i think the dynamic between her and geto would be really cute and sweet! meanwhile, shoko would be the tired aunt that has to watch every stupid thing that stsg and the reader does 😭

๋࣭⭑ A CHAOTIC FOURSOME ₍⑅ᐢ..ᐢ₎

featuring. gojo satoru, shoko ieiri, geto suguru + gojo's little sister

warning. time sequence is during their highschool days (2006) and i'd say the reader would be younger than gojo by a year, so she's as old as nanami and haibara :D

note. i'm actually like so ecstatic to write this because i have so many assumptions of gojo with a younger sister, thank you nonnie for requesting this, ily <;33

the mother x the dumb x the dumber x the dumbest

no doubt that shoko is the mother of the group, without her the whole group is just well, plainly chaotic. satoru will come up for stupid plans, hence the dumbest. you will undoubtedly follow him, hence the dumber. and geto will think it's stupid, but will follow him, hence the dumb.

"okay, so what if we just — find a way to summon a curse, and sell our soul to it for something in return?" satoru asks with a cheeky grin.

"sounds cool, i'm in!" you replied with a large toothy grin.

"that must be the stupidest idea i have ever heard in my life," geto sighs out, "but let's do it."

"i don't have a soul," shoko mutters out of the blue, sighing out, "and you guys are incredibly stupid, you know that?" at the end of the day, the plan didn't even commence nor did you all talked about it again.

you are the closest with geto, he treats you like a little sister as well — except he's a little less of an asshole than your actual brother.

satoru is an asshole. he's a pain in the ass, no doubt. all three— you, geto, and shoko— can and will admit the fact that out of you four, satoru is the brattiest. however though, being related to him by blood, you were his target most of the time.

"ouch! satoru, did you really just shoot me with a nerf gun? that fucking hurts you ass!" you hiss, rubbing your nape— where satoru just shot with a nerf gun.

"take that, peasant." satoru sings out, attempting to shoot two more bullets at you, one hitting your arm and the other barely missing you.

you ran to shoko who immediately flee, leaving you open to satoru, traitor. before you eventually seek shelter behind geto who was sitting down on a bench, sipping a drink; and oh boy, the bullet managed to hit his face.

"oh shit." satoru mumbled, "it was an accident, suguru."

"damn." you look at geto, before laughing lightly.

geto smiled at your brother before standing up, and the cat-and-mouse chase between them both begin. geto made sure you were alright after, and satoru was— yeah, he survived, just a little bruised here and there.

being siblings is funny, satoru's closet is your closet too.

"y/n, is that my shirt?" satoru asks, pointing at the white shirt you were wearing and you hummed softly, sipping on a carton of milk.

satoru began lecturing you and how you shouldn't snoop in his closet, "lord, save me." you muttered out, walking in between shoko and geto while your brother constantly turned towards you to lecture you about asking for permission.

"are you even listening to me, brat?"

shoko grunted, "make him shut up, please."

"it's not her fault that she looks better in your shirt, satoru," geto laughed lightly, and that somehow managed to shut your brother up for the rest of the day— until he opens the door to your room late at night with a pout on his face.

"my shirt does not look better on you, for your information."

"oh my god, satoru you're so childish!"

as much as satoru teases you, when it comes to protecting you— he's number one, and he will always worry about you. he will not hesitate to tell someone off if they're bothering you.

"so, who is it?" satoru asks, his eyes not leaving the television screen.

you sat next to him and hummed in confusion. earlier you had gotten home with a small bruise right next to your lip, and as hard as you tried to cover it with make up — satoru still noticed the bluish purple outline of the bruise.

"what do you mean?"

"who gave you the bruise?" he asks again, calmly. way too calm for your liking, to be honest.

"i fell."

satoru finally turned to look at you, "doesn't look like you fell, just tell me what happened, it's not like 'm gonna do anything—maybe." he mumbled out the last part under his breath.

you sighed out, knowing the male won't drop the topic unless you tell him about it, "you know that one guy who wouldn't stop bothering me just because i beat him up in middle school for ruining my comic book?"

"the one i already try to tell off last time?" you nodded at him, "damn it, i should've gotten rid of him that time. want me to hollow purple him or do you prefer a more friendly approach?"

you chuckled, "i can fix this myself."

"nu-uh," he rolled his eyes, "hollow purple it is."

"'toru!"

"sheesh, fine friendly approach it is."

shoko and geto tries their best to look after you and satoru, but they don't get paid for this and always ends up giving up halfway and just joins in the "fun".

"oh, come on satoru, this is like the worst plan ever!" you tell him, crossing your arms.

"what? why? is it because i made it?" he argues, crossing his arms as well.

"no — okay, yes, maybe. but still it's a shitty plan, right?" you look over to geto and shoko who only nodded in forced affirmation, in all honesty, they didn't know what was happening between you and your brother or whatever you both were talking about.

"suguru, even you?" satoru whines out, "traitor."

"see? what about we go for my plan instead?" you offered, and satoru immediately declines, arguing with you.

it took you both two hours to finally settle on doing nothing because you got tired, and satoru got too angry that geto had to drag him away.

when satoru was supposedly "killed" by the sorcerer killer, toji. you were fucking destroyed. until he actually shows up, looking more alive than ever.

"oh, you're alive?" you asked slowly, although in disbelief.

satoru chuckled, opening his arms for you to fall into, "don't say it like that, might think that my own sister doesn't love me," not like you spent the whole time crying over him.

"fucking ass. i hate you so much." you hugged him.

"i love you too."

satoru spoils you. and when he does, he makes sure geto and shoko gets little of it too (because you told him to do it so they would feel loved).

"i was thinking — satoru treating us three to shabu?" geto immediately agrees with no hesitation, no thoughts, he just agreed to what you said.

satoru looks at you and smiled sweetly. a fake one. but it was fun watching him like this so you didn't care, "shoko?"

"free food? hell yeah." shoko nods her head with a smirk.

satoru ended up feeding all three of you like a mama feeding her child, and you ended up getting a scolding from him and a threat that goes a little like: "that's the last time i'm spending my money on you, loser."

but you know he didn't mean that. just watch how he'll probably get you something the very next day.

433 notes · View notes

dtrghost · 11 months

Text

closeness and proximity

Side note: This is my first ever tumblr fic, so uh, be gentle!! moving on!

pairing: ghost x f!reader

synopsis: callsign is sunshine, because you're anything but. team 141 thought ghost was bad? at least they could crack a smile out of the guy from time to time, you? you were stone faced, all day, every day. until one day you're not, not with a certain someone anyway.

warnings: inaccurate military language and sequences, violence, angst, descriptions of interrogation and torture, INTENSE gore (imo), cursing, allusions to mental illness (reader has sociopathic tendencies) you get the gist. If you have a weak stomach or faint heart, please do not read this, like please.

I'd also like to start this off by saying that the mc is not a good person, and that is on purpose. I've seen a lot of the angel fics where ghost falls for his antithesis, so I decided to try something new. So here, please forgive any mistakes.

if this does become a series there will most likely be smut because,,, yes.

(update it's becoming a series so if someone wants to be tagged for that lmk cause i have so many ideas for this)

part 1 part 2 part 3 part 4 part 5 part 6

MINORS DO NOT INTERACT.

Word count: 3.4k

"Sunshine how copy?" Ghost's gruff, static filled voice called through coms, scope checking the parameters of the building she found herself held up in. She didn't respond at first, busy fighting for her life in a basement underneath the building they weren't aware of.

The deeper she went the harder it was to understand what was being relayed to her, so she settled on doing it on her own. He listened to a man grunt, their body dropping to the floor under her boot as she took a deep breath.

"There's a basement underground, coms are cutting out. I'm taking charge on clearing the basement. I'll report when I get to the surface. Sunshine out." She loathed her callsign with a passion. To speak it caused a burning hatred to spark in the lowest depths of her heart and made her cringe horribly. However, she knew it was better than letting everyone know her real name, so she dealt with it.

Ghost sighed, knowing she couldn't be stopped once she started. She had been on a few missions together in the past few years, he knew she was uptight and lacked the emotional capacity to make friends with others. It made him wonder why, what could've been that bad to freeze her heart over and shrink it to the size of the pebble he was crushing under his foot as he shifted uncomfortably. People would try and try to thaw her out, yet always failed.

He waited, taking out strays that attempted to heed the possible rescue requests that came from that basement, and patiently waited.

"This is Sunshine, basement cleared. Might wanna come take a look at this." His eyebrows furrowed, affirming the request and making his way down quickly, not wanting to stay in the open for too long. He made his way to the basement, eyes widening at the various bodies that trailed to wherever she was down there.

Had she done this all by herself?

He followed the bodies all the way to her, lights flickering, casting a bland white light on the concrete walls. seeing her digging through an opened trunk in a room filled with them.

"Weapons. American." Sunshine reported, glancing at him as he took his place next to her, seeing the American flag painted onto the inside of the lid. She turned at the sound of a groan, a soldier she left alive rousing to consciousness.

"Fuckin' hell. This mission was to take out ultranationalists." Ghost sighed. She didn't respond, the task force member watching her turn on her heel and grab the soldier by vest, throwing him against the wall with impressive strength. Blood flowed out of the back of his head, smearing against the wall as he slowly slid to the floor. He had never seen her in interrogation, but he had heard from those who have.

Brutal, heartless, some had to exit the room.

He wouldn't. He's witnessed plenty of torture tactics, even had to rely on some himself to get information necessary for national security. But this is another reason why they called her 'Sunshine', because to others she didn't feel remorse for what she did, some said she enjoyed it even, that her eyes brightened like the sun peaking over the horizon. Whether that was true or not he'd figure out now, as eager as he was. He watched her take out her knife, flipping it in her hand as she crouched to the soldier's level.

"Where'd they come from." She asked simply, keeping an even tone that surprised Ghost. He expected something more fierce, intimidating, but it was as if she was starting a conversation with a normal person. The victim attempted to spit in her face, but with a quick turn on the head it landed on the floor behind her. Her knife dug itself into his foot, his cries of pain echoing in the basement as she twisted it. The sounds of his bones cracking made Ghost shiver.

"Where'd they come from. Who sold them to you." She persisted, her face void of all emotion as she ripped the blade out of his foot. She sighed, turning to ghost who stood in the back, surveying the action. His eyebrows furrowed as she pointed to the door with her knife.

"Wait outside. This might take awhile." At first he didn't move, but the hint of impatience in her eyes spooked him out, for reasons unknown to him, but instinct told him to listen. So he slowly retreated and stood watch outside for anyone either getting up or rushing down the stairs. Y/N turned back to her victim, seeing two loops with chains hanging off of them imbedded into the wall. She tied his arms up, leaving his body sagging down.

Ghost listened to her repeat her questions, and when she didn't get an answer, a shout would follow. But those shouts turned to ear-piercing screams very quickly. He listened to pleads and begs of mercy to understand him, that he couldn't say anything out fear to what they'd do to him.

"Imagine what I'll do next if I don't get the response I want." She'd respond.

The bones cracking, the retch of vomiting, blood splattering onto the cold concrete.

"If you think you can outlast me, that I'll get tired of this and stop for the night to let you regain some of your humanity, you're wrong. Because unfortunately for you sweetheart." The blade tore through his skin, another bellow of pain emerging from his throat as he squirmed in his place. They were both coated in blood, her eyes dull and her ears tuning out the noise. To her, it was as if he was silent, his screams didn't penetrate through to her, and talked and talked until it drove him mad.

"I don't have all night, and I'm getting impatient. You won't die, I wouldn't allow that. I went through med school, graduated top of my class with a doctorate in Neuroscience. I know how to break." Which was evident as his leg was broken and facing different directions from the knee down to his toes.

"And I know how to fix. I'll keep you alive a lot longer than the night, and I'll do a lot worse. So if you want this to end, start talking, or you're in for a long week." Simon wondered what she was doing. His mind went over the possibilities until her victim finally cracked after the final scream he unleashed into the empty basement. He detailed a secret arms trade between an ally of the United States' and another country, which would lead to the likeliness of intentions for them.

War.

Y/N huffed, ripping off a piece of the soldiers shirt that wasn't soaked in sweat, blood, or vomit, which was a very small one, and wiping her hands clean as best as she could.

"Could've said that 10 minutes ago. Now, you'll bleed out within the next 5. Shame." Ghost listened to his anguished sobs as footsteps approached him, turning around from the entrance to see her, covered in blood. His eyes widened slightly, noticing a piece of...

Her eyes followed his to her vest, noticing a very small piece of flesh sitting between her shirt and gear before flicking it off to the side.

"Hopefully he didn't have HIV." She joked, but there was no humor in her voice, no sign of her finding it funny at all, as if she said it to just say it. Ghost didn't respond, he wasn't sure how. He slowly moved to look inside the room, the curiosity of what she did to the soldier eating him alive, until she grabbed his roughly.

"Don't." The word sent shivers down his spine, and he knew better than the disobey as she had operational command authority, and would likely court martial him if he had. So he took a step back and maintained eye contact, radioing in to Price.

"Captain, this is Ghost. How copy." He called, his gruff voice bringing a smile to her lips that he couldn't see due to her mask which was just a boring black one, decorated with blotches of drying blood that lightened up enough to see. "This is Price."

"We found weapons and gear, they're American." He went onto explain the situation, being weary of his mission leader walking around him in circles, waiting impatiently as he reported their findings.

"Copy that. I'll transfer this to Lanswell. Good work, report back to base for debrief."

"Copy, Ghost out." He connected his radio back to his vest. She took out her pistol, leading him to pull out his own. The behavior she exhibited was one he hadn't seen often, and it led to a deep mistrust he couldn't shake. She smirked, turning around, walking back in the room, and confirming her kill with a bullet between the eyes before reappearing in front of him.

He looked at her suspiciously as she gestured to the stairs, wondering who trained her, who made her into what she is now. She wasn't normal, not like the rest of them, she had no signs of remorse, care, or empathy for the people she killed, and she killed them with ease. Over 30 soldiers in one cramped basement and she came out unscathed, in tip top shape. He followed her out and made it to the landing zone where a helicopter came to pick them up.

She was silent the whole way back, Price being there to greet the two before they sat through debrief.

"Sunshine, we have orders from headquarters to have you join Task Force 141. Ghost is to watch over you. An official introduction will be made tomorrow." Price announced, not missing the tightened grip of Ghost's fist on the table.

"Copy that captain." She responded in her usual tone, only fueling Ghost's anger as he turned to glare at her, though she only ignored him, keeping her gaze unwavering on Price.

"Hit the showers soldier." Price dismissed, Y/N being the first to leave. But before she did, she turned to look down at her new partner.

"Happy to be on the team, Mr. Riley." It took his everything to not jump to his feet and knock her out, holding his breath to calm himself down as she walked away, the door shutting behind her. He hated that she had power over him, and worse that she rubbed it in his face.

"There's no chance in hell I'll stand for her being on my team." He immediately threw at him, standing up in his seat with his finger pressing firmly on the table in front of him.

"First, it's my team. Second, It's not my choice, orders are orders." Ghost growled lowly, clearly upset over the lack of fighting to keep her off, to keep her away to those he held near and dear to his heart, even if that wasn't too close to begin with. He saw her as a danger, an immediate threat, someone who belonged in an institution before they saw the battlefield.

"Then send an appeal. She's a war criminal. Tell em that!" He snapped.

"Bloody hell we're all war criminals. Then we'll be stuck in prison with her and you'll complain some more." Price groaned, rubbing his forehead, clearly irritated by his soldier's insistence.

"Not like that. Not how she is. She'll kill one of us before we get the next mission, hell she parade around our bodies like a joker and hail-" Price's hand slammed on the table, cutting his lieutenant off.

"Quiet." Ghost went silent, sighing deeply as he waited for Price to gather the right words, to somehow ease his mistrust in her, though he doubted she could do that. He watched as he shut the door and locked it, keeping his voice hushed, standing closer to his comrade.

"This is classified information, what I say stays in this room and is to never be discussed with anyone else. Is that understood lieutenant." Ghost's eyes widened for a moment before nodding in affirmation, waiting for his captain to continue.

"She- she wasn't brought up normally. As a great many soldiers weren't, hence why many of them join the ranks in the first place. She was a prodigy, she became a seal at 17, and on her second mission she was set up, deserted, and kidnapped. Nobody knows what happened to her in there, a search team was sent out, but she wasn't found til a few months later, and when she came out after she was different."

She was a child.

That's all Ghost could thing about. God knows what happened to her in there, and he didn't want to think about it.

"She exhibited sociopathic tendencies, she was closed off, didn't speak for a very long time. She failed psychological evaluation requirements, depression, ptsd, ecetera. Even then they sent her back out on missions a couple months later." Simon's eyes blew open, Price nodding glumly.

"Missions? Fuckin' hell, she needs help not special ops." He sneered, not at Price, but his anger was seeping through at rates he couldn't control. He was angry, how could they do that to someone? Did they not care, not even a little bit for her life? Her wellbeing?

"I know. But they're not taking her out any time soon, and now that she's on our team the least we can do is try to help her. I knew her before she became this. She was a kind soul." His voice dropped to a whisper, as if reminiscing, and he was. Her bright eyes, so full of potential when they met for her first mission, how she wheezed when she laughed. She was a kid, and it hurt his heart thinking about what she turned into over the last 6 years. Ghost nodded, silently agreeing to his motives before Price simply waved him off.

Simon hit the showers, scrubbing off the dirt and gunpowder that clung to his skin, watching the water turn black as the face paint drizzled down into it. The captain's words ran through his head over and over, the words going in one ear, through his brain, and out the other in a constant circle. He knew firsthand how corrupt his line of work could be, but that didn't make him any less angry when it revealed itself to him in the ways it did.

When he exited, fully dried and clothed with his mask back on, he passed by Y/N's room, noticing the light peaking out from underneath the door. He sighed quietly, his hand coming up and knocking on the door.

"It's open." Her cold voice responded, though it sounded more distant than before. He twisted the knob and let the door open, seeing her laying on her cot in deep thought. He went to question her, until he realized that she probably listened in on their conversation.

"You were listening." She nodded once, curtly and formally before sitting up and turning to look at him. Her eyes narrowed for a moment, analyzing every aspect about him. He felt like he was being stripped naked just by her look, his soul bare for her to look into.

Her eyes drifted over his exposed arms, the sleeveless tank he wore leaving them on display. He was a big guy, his arms were veined and muscled, tattoos filling up a majority of the space, combined with scars that passed through some of them. The top he wore was a bit tight, outline his chest in an attractive way, but she forced her eyes away, knowing he already caught onto what she was staring at.

"Price is right. I wasn't always like this. And I think he was the only one to notice, or at least point it out." She began, drawing attention away from the fact she just checked him out shamelessly.

"Wasn't right, what happened to you." He replied stiffly. She snickered, standing up. He watched her pace the room, twisting a knife in her hands, causing him to tense. She noticed.

"I'm not going to stab you lieutenant." She reassured, though it didn't help at all as she went on. She wasn't sure what she felt, confused for sure, as to why she was unable to emotionally process her emotions or evaluate the information she heard, as if her mind was barring her from contextualizing her state of mind. She knew she wasn't normal, but she couldn't bring herself to accept it and label herself.

"I was 17 when I was taken, you know that. Had a rough upbringing, I won't explain that to you now." She wasn't sure where she was going with this, and neither was he, but he'd listen for a bit to try and understand her more, maybe to trust her more now that she was his teammate. "I can feel emotion you know. Only to a certain degree, I can empathize. Fleeting, but it's there sometimes. I do feel some remorse, but you know how we are in this field. Weakness will get you killed, so you internalize it, you keep it buried underneath everything else, and because my everything else was stripped away with me, it just sits in here." She tapped her temple and shrugged. He understood what she meant, he did that too. He withheld his shame, his guilt, and his remorse, remaining a stone cold figure in the field. He saved the emotional crap for his time alone where he could deal with it in the way he knew how.

"You just let it sit there then?" He pressed, crossing his arms over his chest. She nodded.

"Don't know what to do with it. Lost my sense of self and all I know is this job. I do try though, I try to force some tears like I've seen others do, but the only time these.. feelings present themselves is on my missions, which is why everyone thinks I enjoy it. But I don't, for the record, I just can't control it like you guys do. And I envy you for that." His eyes widened slightly.

"Envy, huh."

"Mhm. You can talk to each other, find common ground and relate, make friends and connections. I can't because I don't feel like you guys do. And then you demonize me and outcast me more than I already am, so. Oops." He thought she was getting upset, but she wasn't, there was not a hint of anger or sadness or negative emotion in her person whatsoever, none that he could see anyway. Her arms were loose and carefree as she swung them around every time she turned her heel to pace back in the direction she just walked in.

"We can help you." Her first sign of feeling was an eye roll with a steady irritated gaze. But she didn't say anything. The idea of needing help repulsed her beyond anything else, made her want to punch a wall and scream, her eyes widened. Anger. There it is, outside of a mission too. She hummed, looking back at him.

"Alright Casper." He grunted, displeased by the new nickname which made her smile widen cheekily. She searched his eyes for a moment, finding entertainment in the small flames in his amber eyes, how they flickered and danced when he found something humorous, how they died out when he found something unamusing or boring, how they raged when he grew angry or determined to finish something with a newfound passion.

She liked to think he had that burn in his eyes when Price spoke to him about the notion of helping her, hoping that he'd care that much even if she didn't want the help, or perhaps she did, that would explain the want would it not? That was a thought for later. For now she'd do her job the way she knew how, she wouldn't change, not yet, not that she knew how anyway.

"We're going out for a drink tomorrow night, care to tag along." He offered, jousting his chin up at her in a heads up manner.

"I don't drink." She replied, monotone as she laid down on her cot, shutting her eyes with a sigh. He watched her body sink into the bed, all stress and tension releasing, and he took that as his dismissal. He shut the door behind him, releasing a breath and walking back to his room, confused and tired where he slept on the day's events.

Though he was curious on how tomorrow would turn out.

And that's it! If you want a series out of this let me know!! It's my first fic and I'll probably binge a bunch because I feel like writing. I'm still trying to figure out the whole border thing I wanna make everything aesthetic or whatever but yeah.

See you guys next time!!

#simon ghost riley #simon ghost riley x reader #simon ghost riley x you #ghost x reader #ghost call of duty #fanfic #call of duty #simon riley x reader #simon riley x you #simon ghost riley smut #simon riley imagine #simon ghost x reader #ghost cod x reader #cod ghost #cod x reader #cod mw2 #cod mw price #cod modern warfare

1K notes · View notes

ghostflowerhotpotch · 10 months

Text

Please No!

Oh this part, the amount of times it has gotten me teary eyed, a lot of this will probably be squealing so sorry about that but I am sucker for angst and this movie knows how to hit me.

Before I start crying let's go back for a bit.

The sequence of Miles seeing the future somehow hit him, and I am assuming it was him and only him since the others don't seem disoriented and were kind of behind.

However, all of them saw Miles clearly be shocked by The Spot's words, and honestly I think everyone would had been a bit intimidated after seeing the man basically tear time and space just to say how he will end you.

Gwen quickly goes for him to see that he is okay and that he can get up.

Gwen is calling his name while Hobie is clapping his hands, so I am guessing they both realizing Miles is stunned but physically okay, or as well as any of them are.

I love that Hobie tries to get Miles moving and went with Gwen to check on him, this guy just met Miles, who hasn't been exactly the friendliest to him (not that I think Hobie care, if he ever paid attention to that to begin with.) Yet he still goes and check on him, even if this hasn't been the point when he actively likes Miles.

Miles is disoriented, the world around him sounds distant and how we see from his eyes everything is a bit confusing and difficult to process.

This is probably bias talking but I love how realistic this feels, it reminds me of the times I had gotten so overwhelmed trying to make sense of words is difficult and felt like I barely have time to process what's going on.

Which makes me feel it for Miles while for him it only lasts a few seconds, DAMN I wouldn't like to be feeling that way when I am having rubble falling on me.

As soon as they start running Gwen checks to make sure Miles is following fine, we know she specifically was looking for Miles because Hobie was going in front of her and Gwen went directly to look towards the direction Miles should had been coming. Then she went a step back to grab him.

While this makes sense, considering he was the one who stunted and Gwen probably can hear Pavitr coming slinging; we can't pretend there is no more meaning behind Gwen checking on Miles constantly while going on.

Hobie went to make sure he could get up but after it is Gwen who is making sure he goes out in one piece.

She continues to grab him by the wrist while running (which btw, tip, most of the time that's a bad idea; it works in this context since Miles seems to be still disoriented,)

She tries to guide him amongst the rubble until it starts getting difficult for her too.

Still keeping an eye on him and helping to get him out.

(Sorry for the shake frame, I try 3 times to get one that looked decent and this was the best I could get.)

I couldn't get a good screenshot for it, but after Gwen helps Miles out he is the one who takes the lead getting out of it while still holding her hand.

There are other things to talk about in this sequence, but they aren't really ghostflower stuff, so it would go in their own separate post.

Let's continue to the part that still hurts even after seeing it so many times.

We all know that there was more than once reason why she did this, and let be honest here, I don't think the canon event was the primary concern.

Let me repeat that to make sure no one gets it twisted, maintaining the canon event IS STILL important for Gwen, but I don't think it was the main reason why she was worried about this, and we see it in the next scene.

Not My video, this is a link for the original.

Again I normally try to not use works (gifs, videos,) but there was no amount of screenshoots and words that would make this moment justice.

I feel my heart bleed every time I watch this scene, I can hear the desperation in Gwen's voice and all I can think is how she must be thinking about Peter; how she also lost him when rubble fell on him and she needed to move around to get his body.

I can imagine how absolutely terrifying and heartwrenching this must be for her; she said it before, Miles was her only friend after Peter, and while Hobie and other spideys are important to her, Miles is next level.

And the idea of losing someone that important to you in the same way you already lost someone else- goddammit I am getting teary eyed writing this.

This is why I said her priority was Miles while asking him to not go; because she didn't try to look on her watch or see if the canon event was still intact, I honestly thing she forgot about it until her watch warned her about it.

I could probably go on, but I would be repeating myself; anyone who says Gwen doesn't care about Miles (using what happens later in HQ as proof,) is blind in my opinion.

I had mentioned multiple times about how the masks are meant to be more expressive than what they would normally be to allow the characters to show emotion.

This normally shows by the shape and size of the eyes, but something I picked up while watching this scene again was that Gwen's eyes look really reflective in this scene (more than usual at least,) which is not something you really see in other scenes.

I think this was a way to indicate that Gwen was getting teary-eyed below her masks, which I think would make sense considering that it already sounds like she is ready to cry by her voice.

May be wishful thinking, but I think the way she says "Right" shows my point about not thinking on the canon event the moment she saw the rubble fall down.

For me it the way she says it looks like she just remember about this, and it needed to be her watch telling her in order to do so.

(By the way, we never see any scene with Hobie's watch doing this, it could had been that way because there was no point in doing so; but I wonder if, while being aware of canon events, his watch doesn't report these events because he isn't working full time with Miguel. Or maybe because Miguel doesn't trust him with that information.

I think is around this moment, that Gwen starts to question the canon events situation.

While she technically sided with Miguel later (or at best, stood aside without doing much for any side,) she sees what they just did here, how they had saved a bunch of people and got a happy ending for Pavitr, who if Miles hasn't done anything, will had probably dealt with a lot of trauma and guilt that he didn't deserve.

Sidenote, sadly Miles and Gwen aren't holding hands in this scene, the angle just gives that impression. I wish tho.

In a way, I think this shows what Gwen ultimately thinks about Miles' being an anomaly.

This entire situation is technically, an anomaly in itself, but she is looking at it in awe and shock, soaking at the image of a city that could had faced a worst tragedy hasn't them being here. She saw Gayatri hug her dad, something that wouldn't had been possible without Miles, because he was suppose to die in a event that is also suppose to kill Gwen's dad; I don't think that was something Gwen missed.

She knows Miles is an anomaly, yet she says she has always thought he was amazing.

I think she sees Miles in the same way Peter B does, yes, perhaps Miles situation was an accident, but it was ultimately good that it happened; because he himself is amazing, and he is better thanks to being an anomaly.

I see this scene, and I think of Gwen seeing Miles, while thinking "Perhaps is by being an anomaly, that you get to do the greatest things."

(Yes, I know that's a leap from speculation and into fanficfky territory, I may use that later.)

The Mumbattan scenes are interesting because we see an entire array of emotions coming from Gwen towards Miles. From being exasperated, to not wanting to give him the wrong idea about her and Hobie, to being so worry nothing else in the world matters.

There are still some things to talk about Mumbattan, but it has been mostly covered.

Thanks for reading!

#ghostflower #gwiles #gwen stacy #miles morales #pavitr prabhakar #hobie broen #atsv spoilers #across the spiderverse spoilers #atsv #across the spiderverse #ghostflower files

627 notes · View notes

scoobydoodean · 5 months

Text

Okay so in 1.03 Dead In The Water, there's this exchange Sam and Dean have at one point in regards to Lucas—the little boy who watched his dad drown, who Dean connects with during the episode:

DEAN Andrea said the kid never drew like that till his dad died. SAM There are cases—going through a traumatic experience could make people more sensitive to premonitions, psychic tendencies. DEAN Whatever's out there, what if Lucas is tapping into it somehow? I mean, it's only a matter of time before somebody else drowns, so if you got a better lead, please.

And the last time I watched this episode, I went "Oh cool! A little Psychic!Sam Easter Egg." Right? Sam goes through the traumatic experience of losing Jess, and he's tapped into "whatever's out there" (the yellow eyed demon) and he's having premonitions about what he's going to do next. Which definitely makes a lot of sense.

But when I was gif-ing stuff from 1.03 today, I realized that... funnily enough, within the context of this episode we also have some fun stuff relating to the "slightly psychic Dean" posts that have gone around this year... Or if you prefer, Cassandra!Dean. Cassandra, in reference to the prophet in Greek myth, cursed by Apollo to utter true prophecies but never be believed.

Dean often knows when bad things are going to happen in Supernatural. He doesn't have visions—but he has "bad feelings" and makes predictions that turn out to be scarily accurate at times. Of course we can infer that Dean is just good at 1) reading people and 2) understanding how sequences of events tumble one by one in a row like so many dominoes. It's another sign of his incredible intelligence. But it IS fun to think about Dead In The Water as the first indication of Cassandra!Dean.

First, because Lucas has premonitions, and Lucas and Dean are paralleled and connect on an emotional level.

Dean and Lucas have similar traumatic childhood experiences. Both watched a parent die and both lost the ability to speak afterwards:

DEAN You're scared. It's okay. I understand. See, when I was your age, I saw something real bad happen to my mom, and I was scared, too. I didn't feel like talking, just like you. But see, my mom—I know she wanted me to be brave. I think about that every day. And I do my best to be brave. And maybe, your dad wants you to be brave too.

Dean is able to connect with Lucas through their shared traumatic experience. He's the only one who's able to get through to him—and after a short conversation and just drawing together for a while—much to his mom's shock. Dean is able to understand what Lucas is feeling without Lucas saying it.

Second, because Lucas has bad feelings that tell him the locations where the spirit will strike next, but no one listens to/believes him.

...Kind of like people usually don't listen to/believe Dean's bad feelings.

DEAN Anyway. Well, maybe you don't think anyone will listen to you, or, uh...or believe you. I want you to know that I will. You don't even have to say anything. You could draw me a picture about what you saw that day, with your dad, on the lake.

Of course, this line is just Dean paralleling Lucas with himself and his own reasons for not speaking, but it must hit home, because Lucas begins communicating with Dean through drawings.

Further, despite Sam also knowing Lucas is having premonitions, when Lucas reacts with extreme distress to the idea of going home and clings to Dean desperately, Sam still... doesn't think it means anything. He thinks the case is over.

Third, Dean has a bad feeling that the case isn't over, and Sam doesn't believe him.

The sheriff had just threatened to arrest them if they stayed in town, so of course going back to town is a big deal. When Dean turns around based on a bad feeling, Sam thinks he's just being paranoid.

SAM But Dean, this job, I think it's over. DEAN I'm not so sure. SAM If Bill murdered Peter Sweeney and Peter's spirit got its revenge, case closed. The spirit should be at rest. DEAN All right, so what if we take off and this thing isn't done? You know, what if we've missed something? What if more people get hurt? SAM But why would you think that? DEAN Because Lucas was really scared. SAM That's what this is about?

Dean sticks to his guns, and they arrive just in time to save Lucas's mother from drowning in a bathtub.

#1.03 #he is literally cassandra #pk rewatches spn number ?#parallels #season 1

221 notes · View notes

noneorother · 5 months

Text

The secret timeline inside of Good Omens season 2 revealed, *part2*

Part 1 l Part 2

The ineffable cut is explained in part 1. Please read that first. (I’ve burnt a timecode into this ineffable edit to help pick up the rhythm.)

So now that I've shown you XX:X6 is the number of the beast in the last installment, what else can we glean? Well, it turns out angel numbers (sequences of repeated numbers ex: 22:22 or 20:02) are quite important events in the S2 universe! I've cut together every "Angel Number" I could find in the timeline and put them in order. I first noticed this near the end of the ineffable cut, where Beelzebub and Gabriel hold hands, so I've started with that one just to give you an idea how bonkers this whole sequence is. Don't forget, sound on! Breakdown below the cut.

So we start off with this Beez and Gabriel sequence near the end of the cut. They start singing to each other a little out of time, but lo and behold, at 02:03:20 the music comes in right on time with the seconds ticking by to line them up. By the time they reach 03:33 they're gone.

Aziraphale is excited to get his "record"! He's doing something sneaky, and as a result opens the door to go off to said covert activity on 00:02:22.

Crowley asks "Do they know?" on 03:33. Who are they and why does he want to know? This whole scene is on a St-James park bench so spying and double speak is in progress, clearly.

Crowley then asks "Something big?" on 00:04:44. We get the hint for the main action of the entire second season here. Something's up with the up...

Now the real fun begins! I'll come back to the ones I just skipped in a later post because they're more subtle. Here's the first "real" angel number at 11:11. Aziraphale discovers THE box and touches it for the first time.

At 22:22 Nina and Maggie's signs are "mysteriously" ignored by a human passerby.

This is wild. Aziraphale is learning about the Everyday record and something funny happens. 33:31 Aziraphale says, " Do you have a copy?" 33:32 Maggie says, "Mm, too many of them" and at the same time a car horn beeps twice. 33:33 Aziraphale is startled by the fact that a double car horn happened on a XX:X2 and looks out the window in concern. So the question is: does Aziraphale feel or know the rhythm of the timestamps?? And are things that line up with numbers a signal he's paying attention to?

A funny one! At 44:44 Aziraphale seems to be wanting to check if Gabriel is really who he says he is, and is watching him like a hawk. Gabriel does all he can to do nothing at all and look innocent while the angel number passes by.

Another funny one. Nice. 55:55 reveals that the Bentley likes Aziraphale more than Crowley, and does whatever he wants, including not speeding when he puts his foot down.

This next one's a little peculiar. It seems like an exchange about Gabriel's whereabouts, but it's the halfway point of the edit (1:11:10-11:11:11) of the ineffable timeline and we seem to be having two conversations at once. Shax says on 11:11 "He hates you." Does she mean that she thinks Crowley hates Aziraphale, or... that Gabriel hates Aziraphale. Aziraphale looks noticeably shocked at her reply. After the eyebrow raise of "You don't seem like his type at all" I would bet we're not talking about Crowley anymore. How did she get this information?

01:22:22 Gabriel does a little laugh to himself while signalling with the lamp. What the fuck? Does someone know morse code?

01:33:33 Maggie extends her had to Nina at the ball, to invite her to dance. Nina looks pleased, but doesn't move until... a very odd miracle sound on a XX:X6 happens and she jumps up to take Maggie's hand. That miracle sound is not Aziraphale's, and besides, he would never miracle on a 6. Who's the demon making Nina dance...

Aziraphale's halo toss is the flip from ACT II to ACT III of season 2, and as such, get's a special time right before rolling over to the second hour. He decides to throw it down on exactly 01:54:45, and at 01:54:54 gets a giant tubular bell ring in the music to highlight the action. It lands on the ground at 01:55:01, and incinerates the demons at precisely 01:55:10.

01:59:59 Beez and Gabriel hold hands, and a magical chime sounds at 2:00:00. Maggie start her sentence "Aww, that's really sweet" at the same time, and manages to finish it on 2:00:02. (Dagon politely waits to pretend to barf on a XX:X3 after she's done.)

The last one is a big one : 02:02:02 gets "to face CELESTIAL punishment" by Michael. This is what we've been waiting for the entire season, the Checkov's gun of the book of life. But, where is it? We then get an odd cowboy showdown style stare-off between Michael and Shax. I'm predicting that missing chunk of time in the bookshop before we come back to Michael threatening Aziraphale with the book of life is going to be a pretty interesting reveal in season 3. -------------------------------------------

People, this is the short version of this post. There are SO MANY things to unpack. Next up is doubled numbers. If you want an ides of what it takes to break things down, here's my workflow timeline right now. The stuff after the first big space is numbers I haven't shown you yet... This show is insane.

#good omens meta #good omens 2 #art director talks good omens #go season 2 #go meta #good omens season 2 #crowley x aziraphale #good omens #good omens analysis #good omens spoilers

168 notes · View notes

novelmonger · 2 months

Text

Some highlights from the Director/Writer Commentary of The Return of the King with Peter Jackson, Philippa Boyens, and Fran Walsh:

As they mentioned in TTT, they were originally going to put the Smeagol vs. Deagol fight as a flashback during the Dead Marshes. Before they decided to use it to open RotK, their placeholder idea for a scene to open RotK was to do a sped-up helicopter shot from the Paths of the Dead, across the plains of Edoras, to the Golden Hall where Aragorn wakes up from a nightmare (and then goes and talks to Eowyn). Very glad they went the direction they did!

In the final shot they used when Smeagol takes the Ring out of Deagol's hand, the actor playing Deagol actually blinked, but they liked Andy Serkis' performance so much, they had Weta go in and freeze Deagol's eyes so they could use the shot XD

You know, I forget sometimes that they didn't even have Saruman in the theatrical cut at all. Boggles the mind.

In the scene where Aragorn comes out of the Golden Hall and goes to stand next to Legolas, who's looking out at the night...Viggo and Orlando weren't in the country at the same time, so they shot them separately and then put them together @_@

You know, I never thought about this before, but when Gandalf touches Pippin's face, they had to make sure his hands looked extra big! So they used an actor called Big Paul, who had the biggest hands they could find, and Ian McKellen directed him for how to move his hands in the shot XD And Big Paul is the Rohan guard who gets shoved aside when Merry and Aragorn rush up to the top of the wall to watch Gandalf and Pippin leave!

THEY SHOT A SCENE OF LEGOLAS TALKING TO TREEBEARD ABOUT THE ELVES LEAVING MIDDLE-EARTH?!?!?!?!?!?! :O Originally, it was going to link the Isengard scenes to the scene of Arwen and the other Rivendell Elves going through the forest, but then because of all the Edoras stuff in between, the connection was lost. They also said something about Legolas reciting a poem! And joked again about putting it into the 25th anniversary edition. THAT TIME IS COMING UP, PETER JACKSON!!!! I WANNA SEE THIS SCENE!!!!!!

a;lkdsjs;kdfljds;fjl NOW THEY'RE JUST TEASING US. They talked about a "library scene" during the whole sequence where Arwen goes back to Rivendell and confronts Elrond about how he saw her son, etc. They wouldn't say what happened in the "library scene," but talked about how they should include that in the 25th anniversary edition too. a;ldkfjs;dkfljsd;kfljdslfk

The people on set who had a crush on Sean Bean were called "Beanstalkers"! XD That's the best; every fan to this day ought to call themselves that!

Similarly to the scene with Legolas and Aragorn, the little bit with Legolas and Gimli as everyone's getting ready to leave Edoras was filmed separately because Orlando and John weren't in the country at the same time. So they filmed Legolas' shots with Brett, John's scale double, then filmed John's shots later, filming both of them against greenscreen. Then they took some unused footage from the Edoras set and put it in the background. It just boggles my mind how many of these cobbled-together scenes there are, because it feels so much like all the characters are together in the real location!

RED ALERT RED ALERT THIS IS NOT A DRILL!!!! They mentioned Beregond!!!! 8D When talking about why they put in the scene where Pippin and Faramir talk (when Faramir says the uniform Pippin's wearing was made for him when he was a child), in order to forge the connection between them that will ultimately lead to Pippin saving Faramir's life, they talked briefly about Beregond! They describe him taking Pippin under his wing, showing him about the city, and called the relationship between them "quite sweet" :3

Another little connection between Pippin and Faramir I don't think I've ever thought about before, that apparently Billy Boyd thought about when doing these scenes, is that Pippin is the only son of the Thain of the Shire, so there may have been a certain amount of pressure and expectation on him. Obviously, he's so young and probably didn't spend too much time worrying about that while scampering about the Shire, but maybe that's something he thinks about while watching the way Faramir and Denethor interact. Maybe a contrast to the way he would interact with his own father, maybe a reminder of the way he would be scolded? Hard to say, but it's interesting to think about.

Uuuuuuughghghg, so frustrating to listen to them talking about the scene on the steps where Frodo sends Sam away DX No matter how many times and how many different ways they explain why they did it, the explanations never quite make sense to me. "We needed there to be more tension." WHY WAS IT NOT TENSE ENOUGH THAT THEY WERE GOING INTO THE LAIR OF A HUGE EVIL SPIDER?! "There wasn't really anything happening on the steps otherwise." YEAH, BECAUSE YOU PUT THE WHOLE CONVERSATION ABOUT STORIES IN THE PREVIOUS MOVIE! Also, why not just cut from one or two shots of them climbing this awful staircase to a shot of them entering the cave? "There needed to be a payoff for Gollum's scheming." WHY WAS GOLLUM BETRAYING THEM TO SHELOB NOT ENOUGH OF A PAYOFF?! "We knew InStInCtIvElY that Frodo needed to enter the cave alone." WHY? WHY?! I've never understood that. They get separated eventually in the book, so why not just ramp up the tension of that in the movie, instead of making the characters so OOC? "We knew it would shock readers of the book, and if we'd changed that, what else might we have changed?" You know...I really, really love these movies, and I appreciate what these three were able to accomplish so much...but sometimes I kind of hate them too -_-

The horses didn't want to walk down the hill on the cobbled streets of Minas Tirith, because their steel shoes were so slippery on the stones. So they all had to be re-shod with rubber shoes. What were horseshoes made of back in ye olden days, though? Iron? Did people run into the same problems back then?

I never really noticed this before, but Aragorn never wears Anduril on his belt! He straps it to his horse, and every time you see him with it, he's just holding the naked blade. This is because they made Anduril so long it was really hard for him to wear it from his belt or to pull it out of the scabbard in a natural way XD

The aerial shot of all the Rohirrim leaving Dunharrow was originally shot to show Gandalf's cart heading into the Shire, but since they didn't use it for that, they repurposed it for RotK!

To get Elijah Wood to foam at the mouth when he's stung by Shelob, they gave him two Alka-Seltzer tablets to put in his mouth and work up some foam with his saliva. I've always wondered how they do that sort of thing in movies, but no one's bothered to explain until now....

Sean Astin's audition scene was holding Frodo after Shelob ;A; Apparently, they (or at least Philippa Boyens) were a little skeptical that an American actor would be able to do Sam's character right, but actually a lot of the English actors who auditioned for the role had a hard time with the Shelob aftermath scene, but Sean nailed it :')

Other than the close-ups, they used a dummy for Faramir on the pyre most of the time. Now I'm just imagining John Noble crouching on top of the pyre, cradling a dummy XD

The first Orc that Aragorn kills on Pelennor fields is played by his son Henry! XD

ARE YOU FREAKING KIDDING ME. They actually filmed Sam pushing past the sort of psychic barrier of the Watchers at the gate of Cirith Ungol, but they didn't put it into the extended edition! I love that part. Like...I'm not even sure why, but I've always thought that was such a cool little detail, and I've always been a bit bummed it wasn't in the movie, though I was thrilled to see the actual Watchers at least there as a sort of homage. And all along, they'd actually filmed something for that after all and I never knew! :O

You know, I never thought about it before, but it makes sense that they had to replace the sky digitally in a lot of scenes in Mordor, because of course when they filmed it, the sky wasn't always completely cloudy, but Mordor needs to have a complete cloud cover at all times.

When Fran Walsh and Philippa Boyens first saw the footage of Sam carrying Frodo up Mt. Doom, they sent a fax (lolol 1999/2000 technology) to Sean and Elijah. They made the first page look all formal and official, and then on the second page it just said, "You made us cry." :')

Andy Serkis refused to have Gollum stand on two feet until the scene in the Crack of Doom. There were a few times that PJ directed him to lurch onto his feet or something, but Andy wouldn't do it. He wanted to show the difference in Gollum physically when he has the Ring again. What a cool detail!

Originally, the whole part where Frodo's hanging off the ledge and Sam is begging him to reach for him happens after the Ring is destroyed. It's really interesting to consider the slight nuances of how different that would be. The final version makes it almost seem like the Ring is still calling to Frodo, like he wants to fall into the lava and join it, whereas originally it was more like "I've lost the Ring and now I have nothing left to live for."

PJ made a sweet comment in the scene where everyone bows to the four hobbits: "This is a moment where there's always a huge sniffle in the audience when the movie's going, and it's usually me." XD

ARE YOU KIDDING ME?!?!?! They shot scenes of what happens to the other characters when the hobbits return to the Shire! There is footage out there somewhere of what Legolas and Gimli do, what happens with Faramir and Eowyn!!!! ;aldkfjsd;fkldslfkjd 25th anniversary edition LET'S GOOOOOOOO!!!!!!!

#lord of the rings #lotr

126 notes · View notes

drconstellation · 6 months

Text

Once and Future Royalty

Just, stay with me on this one. I know its going to look crazy at the start, but trust me, I know where I'm going.

It all started with the 537AD scene in Wessex in the opening montage of "Hard Times," S1E3. Yeah, the one where Aziraphale is supposed to be a knight of the Round Table and Crowley is role-playing the Black Knight, and they are both so super-squeaky shiny clean - not a speck of dirt or mud on them. wtf! It looks out of place, unrealistic, and was bugging the crap out of me, like a stone in your shoe. It just didn't fit. I mean, why put a myth, a legend, into that sequence? Oh, OK, yeah, the preceding stories from the Bible, like the Garden of Eden and the Flood, aren't "myths" as well, you say? Hmm. In the context of the Good Omens AU, being a biblical based story, they belong there far more than the legend of King Arthur.

King Arthur, who supposedly united Britain under his rule during the late 5th century and early 6th century, was shown to have the divine right to rule by wielding the mighty sword Excalibur. Some stories tell of Arthur pulling Excalibur from a stone. Some tell of him receiving Excalibur from the Lady of the Lake. Either way, it was bestowed upon him by divine grace. Despite his triumph in battle, he left no heirs, as his queen, the fair Guinevere, was barren. She had a long-running love affair with the greatest knight of the court, Sir Lancelot, but despite this being an open secret in court Arthur would not put her aside. The knights of the Round Table in the court of Camelot were near-paragons of Christian virtue, and there are many tales of their search for the Holy Grail, the cup from the Last Supper of Jesus Christ.

In the end, mortally wounded in battle, Arthur was taken away for healing, and never seen again. It was said he would return when Britain was at it most direst hour to save the day once more. A "messianic" return.

The Once and Future King.

Now, I'm no Arthurian novice; I drank up all of T. H. White as a teenager, read the Dark is Rising multiple times, Marion Zimmer Bradley's interpretation and what ever else I could lay my hands on for a good couple of decades. And there is LOTS of King Arthur stuff around. You are not left wanting for anything new to read or consume. And I'll bet there are a fair few of you also out there who know a quite bit about the legend as well. Oh, and I can't tell you how many times I have watched Monty Python and the Holy Grail. I still walk around quoting it day-to-day, like the good little Gen-Xer I am, having grown up on that stuff. So I really should have listened to my intuition when bits of Monty Python kept popping up in my brain in response to other parts of GO I was thinking about. (Staaay, I said, stay with me here....)

I kept chewing away furiously on the Wessex problem, growling in feral frustration at it, but also kept reading and sorting out some other ideas and metas at the same time. Eventually I found the key in a tiny little post, about a small detail in the 1941 Blitz episode S2E4, of all places. I wanted to slap myself with how much was staring me in the face so obviously once the door opened. And the damn beauty of it is, that I already written about some it, out of context, without knowing the why.

OK. Where to start this journey...hmmm, back to Monty Python, because, guess what - the Wessex scene is actually riffing off one the more famous skits out the the Holy Grail. The scene is a masterpiece of political satire, from start to finish, but the relevant part here is this sequence:

In case you missed the salient points: Arthur claims he is king by divine providence, because he was given Excalibur by the Lady of the Lake. Dennis the peasant protests this waterlogged method of determination, mentioning ponds, watery tarts and a moistened... well, I hope you get the idea about where this is going.

Meanwhile, in 537AD, Wessex, as the mist swirls around them:

"It is a bit damp," complains a shiny silver Aziraphale.

Yes, Excalibur would be a bit damp after it emerged from the Lake. (vidavalor! Get your mind out of the gutter! I'm trying to have a serious discussion here! Please! And I wasn't even going to go anywhere near what the sword in the stone is really meant to be referring to...it's not even relevant to the discussion at hand, I swear! Well, there is going to be sexual relations mentioned but - oh, never mind...)

Right. Where were we. Lets leave those super-clean elite pretendy knights to swim off through the swirling mist back to their dry homes to write and file reports to head office, along with Patsy and the hired Igors, and Dennis can keep playing in his lovely muddy filth after he finishes protesting being repressed by the divinely-deluded Arthur. I've got a bit more to say about what Aziraphale and Crowley might represent here later but you need some more context first, so lets move on. I just needed to show you the first bit so you can see the Arthurian theme stretches across both S1 and S2, and will likely appear in S3 as well. More about that towards the end.

Ah, before I forget...another ref from the Holy Grail we need to cover:

This GIF, unfortunately, doesn't have the full exchange between the peasants, which is this:

P1: "Who's that then?" P2: "I don't know. Must be a king." P1: "How can you tell?" P2: "Because he doesn't have any shit on him."

Ah. Er. OH!

Have you made the connection?

Who have I been emphasizing as being unusually clean in their Arthurian setting? That's right, Aziraphale and Crowley.

What's this implying? That they are royalty. Celestial royalty. Maybe not kings, but how about princes? You know how we've been discussing whether Crowley was a once at least an Archangel, and there is even a hint that he was a fallen prince of Heaven given during the replay of Gabriel's trial? (Not the prince, but a prince - a seraphim) And that Aziraphale may have once been Raphael, and may be again in the future? Once and future royalty. To me it adds weight to the past discussion, and helps to explain the assumed authority expressed in these two scenes here: On the left, Aziraphale takes control inside the book shop as the angels and demons argue who is going to punish Gabriel and Beelzebub (finally found it after several months!) and on the right, Crowley is shouting at the assembling demons in the street that they are "out of order."

Onward, Patsy. (I hope you're still with me.)

1941, the Blitz part 2, minisode.

We've found Excalibur! On to Camelot!

[Edit note: I've added a few GIFs and screen shots into the sequence of parallels above because I was thinking over a few things since I posted and felt this actually sat better. To try and explain, as they don't exactly match as I would like, in the Holy Grail movie, King Arthur and the knights he has gathered rock up at the foot of Camelot and gaze up in awe at it. "Camelot!" Arthur declares to the party. "Camelot!" Galahad echoes in excitement. And a third "Camelot!" comes from Lancelot. What do we get in GO? Aziraphale leaps out of the Bentley (Crowley's black horse) and declares "The theater! Sophocles! Shakespeare!" I swear, if you put the two side by side, they would match. It's not just a reminder of how much time Aziraphale has seen pass by, or that we are seeing a tragedy play out. But damn it, I could so just see Aziraphale attending a Sophocles performance in Athens back in the day...]

Camelot was King Arthur's castle and home of his court. In S2 of GO the Windmill Theater is established as our court of Camelot where our 1941 Blitz-era Arthurian drama is to play out, involving Furfur and the zombies.

Yes, poor old Furfur. Two's company, three's a crowd, as they say. Now we know we're in Camelot, we need to be reminded of the central tragedy of the Arthurian story, that ultimately led to the golden kingdom's fall. Lady Guinevere, Arthur's queen, famously loved Sir Lancelot, and the two were passionate lovers. It was essentially a love-triangle at the top, with Arthur being jilted, but he wouldn't/couldn't discard his queen. Where do we see this playing out in 1941?

Furfur, pleased with himself for catching an angel and a demon in the act of consorting together (with the help of the zombies,) barges into the backstage dressing room, and confronts the lovers with their crime. But who is playing who in the Arthurian love triangle? I would say Furfur is clearly caught in the role of Arthur here. Consider the following exchange:

FURFUR: Hmm, well, well, well… What have we here? AZIRAPHALE: Sorry, have we met? FURFUR: Oh, no, you never had the pleasure, but… we have, haven't we? CROWLEY: Have we? FURFUR: What do you mean "have we?" You know we have. We were in the same legion. Just before the Fall. Doing dubious battle on the plains of Heaven. Remember? CROWLEY: I remember going into battle, I don't remember being there with you. Sorry. FURFUR: I was right next to you. We did loads together. You use to jump on me back, little monkey in the waistcoat. Anyway, whether you do or whether you don't, it doesn't matter. I'm here to inform you, as a representative of the Higher Powers of Hell, that you, Crowley, are in breach of the Infernal Code. Consulting and collaborating with an angel, Fell the Marvelous, aka… [opens book] Azirapalala. Azirapapap. Aziphapalala. AZIRAPHALE: [annoyed] Aziraphale

Furfur claims a past intimate relationship with Crowley, which Crowley spurns offhandedly. Crowley is playing Guinevere here, jilting Furfur/Arthur, which leaves the demon-smiting Aziraphale standing in for the handsome hero Lancelot (with his French connections, no less), and doesn't he make us weak at the knees when he drops his voice an octave in dominating disgust. (Is it suddenly getting hot in here...? Phew!)

Interestingly, looking back in S1 at 537AD Wessex, though, I would say that Crowley was Lancelot as the Black Knight, a role that Lancelot sometimes played in the legends, and Aziraphale would then be the fair maiden Guinevere. It certainly plays into Crowley's long term role of playing the knight who comes to the rescue of Aziraphale's princess in distress. Excalibur was no where in sight, perhaps still beneath the waters of the lake. Nor Arthur. Perhaps it was still too early in the story then...

I had originally suggested in my very first post that Furfur was given a stag as his demon avatar because he was wearing horns for being cuckolded by Crowley. But I wasn't quite thinking about it in context with the Arthurian legend! The stag is also often associated with royalty, plus while wandering around the medieval bestiary website that someone linked to, it interestingly notes that the enemy of the snake is the stag and the stork (Shax's avatar.) Ah ha!

So how can we extrapolate this knowledge into a possible appearance of the Arthurian theme in S3?

Will we see the love triangle of Arthur/Guinevere/Lancelot come back into play and cause more chaos? I'm wondering if it might have something to do with the Fall.

Or will our lovers bring down a divinely-appointed ruler via their committed behind-the-back defiance of expected propriety?

Will Excalibur appear from beneath the waters, perhaps in another form, to declare a new king?

Could it even be a combination Jesus/Arthur, King of the World, returned? And they turn out to be a very naughty boy, disappearing into the night clubs of Times Square, New York, and that's how they lose him? (Social media viral sensation, anyone?)

I wouldn't be half-surprised if Greasy Johnson's name turns out to be Arthur, actually.

And no, I haven't forgotten that Adam's dad was named Arthur as well.

Bring on S3!

**Bonus**

If you've made it this far and you're thinking:

Let me leave you with this last connection.

In the back stage change room, remember Furfur delivers these lines:

FURFUR: What do you mean "have we?" You know we have. We were in the same legion. Just before the Fall. Doing dubious battle on the plains of Heaven. Remember?

On the first level, he is referring the Great War in the Good Omens AU.

On the second level, Furfur is paraphrasing Milton's Paradise Lost.

On a third level, I can (and will in a future meta) connect this back to the training initiative paintball fight at Tadfield Manor in S1.

And even deeper on a fourth level, if you do know the Holy Grail movie well, you'll remember there is an odd little subplot in it, that infers that the whole King Arthur and his knights thing is merely a full-on violent cosplay that is murderously rampaging across the countryside in the present day with the police in hot pursuit. It's a strange juxtaposition between reality and dream, and you aren't quite sure what it is real or not. The ending is bizarrely and abruptly surreal as the two story lines collide in the heat of battle, as the police turn up and arrest the combatants. A bit like this:

172 notes · View notes

imagitory · 3 months

Text

youtube

All right...for those of you who don't know my thoughts about Wish, yes, I wasn't happy with the finished result, but no, I'm not a hater. I'm mostly just disappointed that this project that had so many good ideas came out so half-baked, and THIS is a perfect example of what I mean.

No, it's not because "Star Boy" appears in it -- at least, not by itself. I do actually like Star's "himbo" personality in this, even if I also completely understand liking the idea of a mute version of the character. (The downside is that the mute Star from the finished film honestly doesn't have much personality outside of just being cute, in contrast to other mute magical Disney characters like Tinker Bell.)

No, the lost potential here is two-fold --

Firstly, I once again felt more emotion watching this storyboarded sequence than I did at any point in the finished film. I smiled hearing the fun banter between Star and Asha, insinuating that they're becoming closer despite their contrasting personalities; I felt some suspense in how Star and Asha were going to get away from evil!Queen Amaya; I even laughed pretty hard at the cat-and-yarn gag! I didn't laugh once while watching the finished movie.

Secondly -- and this point is actually the one I want to focus on more -- is the commentary given about why this scene was cut. I truly think another unspoken reason behind the decision was that this sequence was clearly inspired by the transforming chase scene in Nimona, which Disney of course infamously dropped when they closed Blue Sky Studios and later got picked up by Netflix, only to receive glowing reviews from just about everyone...but one of the core reasons that Head of Story Mark Kennedy cites for why they changed this scene (aside from wanting Star to be mute and not a shapeshifter like other Disney characters, which I'm a bit confused about because yeah, Disney's done cute, mute non-human characters before too -- what about Dopey, Pascal, Maximus, Dumbo, Bambi, Magic Carpet, Sven, and again Tinker Bell?) is that they wanted Asha to be the hero and be able to "solve all her problems" without Star's help.

Up to a point, I understand what Kennedy means -- the theme of the film is supposed to be that we all have the power inside of us to make a difference, and that's great. But by making it so that Asha doesn't need any help from Star, it takes something away from their relationship. No human is an island, and relationships, both in stories and real life, are often built on that fact. Just look at Ariel and Eric in the original Little Mermaid -- Ariel saves Eric from drowning and from Ursula zapping him with Triton's trident, and then Eric saves Ariel from Ursula by skewering her with the broken figurehead of a ship. Even in non-romantic examples, we have Judy and Nick having to help each other solve the case in Zootopia; Buzz and Woody helping each other get back to Andy in Toy Story; the Parr family and Frozone all fighting together against Syndrome's robot with their unique powers in The Incredibles; Jim Hawkins and Long John Silver working together to save themselves and everyone else at the end of Treasure Planet; even Anna helping Elsa learn how to control her magical abilities through an act of authentic, courageous, selfless love that only she can do in Frozen. These characters needing help and deep emotional connections with others is what creates a bond between them, helps the characters grow and change into stronger people, and makes us as an audience enjoy watching the two characters together. We become invested in both the two individual characters and the relationship forged between them. Because they all have their unique strengths and weaknesses, they supplement and complete each other. Even perfect paragon Superman in most DC properties isn't an island -- when he's in the Justice League, there are plenty of times where he needs help from Batman or other team members to save the day. Even Superman is a stronger character when he has people around him who can balance out his flaws.

If Asha never needs help, that runs the risk of the challenges she's facing seeming far less consequential, because no human can handle absolutely everything, all by themselves. Yes, perhaps in the finished film, Asha asks her friends to help her liberate the wishes (a task which ultimately fails, leaving Asha to confront Magnifico alone again and realize exactly what everyone has to do to defeat him on her own anyway)...but just in regards to Star and Asha's relationship -- which even the filmmakers have said is something like a "soulmate" relationship, though not in a romantic sense in the finished product -- these two can't have a meaningful connection if one of them is completely self-sufficient. This is also why quite a few Disney fans didn't like that the Little Mermaid remake changed Ursula's defeat to have it be Ariel who killed her, rather than Eric, because it hurt the "equal" dynamic between the main couple where they both helped and supported each other.

In short, "girl power" shouldn't have to mean never needing to rely on anyone else...and honestly, looking at this scene concept, we don't see Asha relying on Star too much! She's the brains of the outfit -- she's making plans; she's providing Star some much needed common sense; she's using Star's light as a distraction so they can get away...she even escapes Amaya at one point by sliding right under her horse! Asha in this storyboard is a bad-ass!

What we see in this sequence is these two characters having to help each other in order to succeed. And that would've been a great foundation on which to build more dramatic stakes and a relationship with actual pathos, whether romantic or not.

#disney wish #wish (2023)#wish #disney #analysis #asha #star #storyboards #deleted scenes #opinion #Youtube

115 notes · View notes

lostinforestbound · 2 months

Text

I actually wrote this fic back in January, before ever making a tumblr! I had the idea for a while and I wanted to get it out there even if no one would see it, and now it's at over 100 kudos! Never would I have ever thought the fic would be seen this much, and I'm grateful that people like it! This is also an exploration of Rolan's insecurity and guilt being part of Cal and Lia's lives. Enjoy the tumblr version!

Rolan/GN!Tav

Look Away for a Minute

Rolan is frustrated by how his mind constantly clings to the past. It refuses to move on, and he should be over it by now...right? OR A nightmare tortures Rolan in the night, but Tav is there to help him through it.

Word Count: 3k (AO3)

Relevant Tags: Hurt/Comfort, Nightmare sequence, Mentions of abuse, Mentions of vomiting, Rolan's POV

The crushing pressure of hands around Rolan's throat is too much, cutting off his airway so he couldn’t breathe, and so tight that it could snap his neck in any moment. His sharp nails desperately scrape at the wrists positioned there, trying to find a breath that will never come, his tail lashing out from under him. He wants to fight harder, kick until his bones crack, scream until his voice is gone, bite until his jaw locks and breaks his teeth, but an unrelenting fear paralyzes him in place.

He can’t see the face above him through unfocused eyes; it's cast in an unnatural shadow with cruel blue irises staring down at him. It's unblinking, watching him struggle with a lack of reaction as his throat goes dry as sand, the urge to cough rising in need.

Lorroakan.

Rolan rasps, his nails- his claws leaving angry red welts across Lorroakan's forearms. He didn’t know the answer. What was the gods damned answer? Was it something about divination runes? The creation of the Weave? Or was it the Spellplague in the Year of Blue Fire? N-No, no, it had to be about the Nightsong, the relic that he so aggressively sought after. He can still fix this! He can correct himself and apologize. He'll grovel if he has to, knock his own pride down a few pegs to be more convincing and pathetic, just as his mentor wants him to be. He can do better, he has to do better, for Cal and Lia. After what they've both been through for him, for this damn apprenticeship he wanted so badly, it is the least he can do for them. He will-

“What is this, hm?”

Another face appears above him, one he should be so familiar with but it faded so much over time. It's been so many years since he looked at her portrait, one that was gifted to him by Cal when he was welcomed into their little family; he couldn't bear to look at it again, not after her funeral. Her eyes are just as vicious as Lorroakan’s, but she is someone Rolan fears much more. It makes his blood run cold, body shaking as if he was dunked in the frozen waters of Neverwinter.

“You were the sweetest child, but I see who you are now: A manipulator, and a thief.”

Please, no-

“You stole my family, little one. You stole them away for me. Did you wait idly for me to die in order to take them for yourself?”

The moment he tries to tear his eyes away, a new set of hands forces his head still with a grip on his face, maintaining the eye contact. He chokes still, desperate tears filling his eyes as his struggle intensifies. The tiefling couldn't even give her the courtesy of pleading for mercy, or to apologize, he just wanted to run away; after all, he is a coward. One who couldn't even look at a portrait of the person he thought of as his own mother.

These hands have delicate fingers but are just as tight, enough to bruise his fragile jaw; when did he get so small? “Little Rolan, a greedy child. I gave you my home, I fed you warm meals, and I gave you a bed; was that not enough for you? A selfish boy you are! A pitiful thing. The one time I feed a stray, he comes back for more. He takes and takes and never stops. They don’t need you like you need them. They don’t even want you.“

He knows, he knows that uncomfortably well, but by the gods does he need them. He needs them so badly. If they were gone, he would have nothing else.

He feels himself grow limp as more unnerving words are whispered. Most of it he can’t even register anymore, but he knows one thing for sure.

“They would be better off without you burdening them.”

He wakes with a sharp gasp, sitting up with a disoriented mind with wide golden eyes. Instinctively, he digs his nails into his neck, but it takes him a long moment to realize that there is no hands there, no hands to choke him. He breathes in heavy to get air in his lungs, heart racing as he takes in the dark room around him. He’s in his bedroom. He’s not on the cold wood or even in his workspace inside the tower, where he used to be tutored. He’s alive. He's not suffocating. He’s not dying. He’s not dying. Everything is as it should be.

Squeezing his eyes shut, he tries to breathe through his rising panic, but it's not working; every time he sucks air in, it's never enough. He either ends up coughing or barely breathing at all. Nothing and everything feels real at the same time, is he even in the room? The silence presses against his ears, making him feel so, so isolated in the worst way possible. Lorroakan is dead. He can’t hurt him anymore, so why does he still dream of him?

Why does he still dream of her?

“Rolan…” A sleepy voice mutters, before he feels steady arms wrap around his waist, pulling him into another body. He bristles momentarily, almost spiraling into panic once more until he realizes who it is that holds him.

It’s warm, and it’s secure.

It's Tav. It’s safe.

He lets out an exhausted, shaky sigh, leaning back into the hold. His skin glistens from the cold sweat he woke up to. When he lifts up his hands to try and hold theirs, he sees how much they shake; his fingers twitch uncontrollably, and he idly notices that there were small sparks of magic attempting to get conjured. The spell is unrecognizable with how unstable it looks, he can't tell which one it is. Mage Armor? Magic Missile? Thunderwave?-

He feels Tav leave gentle kisses on the back of his neck and across his shoulder blades, making his internal questions pause. “Are you alright?” They question softly, but they know the answer; they know him too well, but it seems they want to hear him say it anyways.

A deep breath echoes in the bedroom, and he squeezes his eyes shut once more as the energy fades from his hands. “No.”

“Do you wish to speak on it?”

“No.”

“For later then. Come here.” They murmur, pulling him to lay back down.

He relents, but he feels disgusting with all the sweat. Gods, why is he sweating so much, and why does he feel cold? The dream was over, it was done.

Tav did not seem to mind the fact he clings to them, turning and letting him hide his face in their neck. It was a little awkward with the horns, but they make it work with their chin resting on his head. He feels their hand start to scratch at his scalp, and the amount of relief that gives him is absolutely embarrassing. His tail curls around their leg to keep them close, and the comforting sensations almost make him want to cry. They peck the top of his head, nuzzling into his sweat damp hair.

He doesn’t deserve this. He really doesn’t.

He’s unsure how long they lay there, it was mostly him trying to calm his heart. He feels fingers gently trace the ridges on his skin, cautious in how they touch. They were sensitive, and the trailing warmth made him shiver. He knows they’re trying to distract him; It’s sweet of them, truly, but his depression grips his chest so deeply. Usually he can handle these on his own. He’s a confident man, and he knows he has Cal and Lia by his side. That they want to stay by his side. If they thought anything else, they wouldn't stay in this tower he took over after the death of his teacher.

But some days are like these, where he can barely move and thinks he deserves nothing after butting into a family that will never be his.

Tav shouldn’t have to deal with this, though they think otherwise, it seems. It isn’t the first time this happened, he's had night terrors that sent him in a panic so bad he vomited and he can't even remember what it was even about. It bewildered and embarrassed him, but Tav didn't even say anything about it, they only cleaned him and the mess up as if it was not a problem. It won’t be the last time this will occur, no matter how much he wants it to be. But that’s what Tav signed up for, happily. They wanted Rolan, with all of his flaws and night terrors.

They shift slightly, pulling Rolan's body on top of them so he can rest there, arms snaking around his waist. Holding him close, their grip was loose in case this wasn’t okay. But Rolan only lays limply against them, energy gone but unable to go back sleep.

He just sees eyes.

“-ght, Rolan?”

Oh, they’re calling him. He can’t force his tongue to work. It feels heavy in his mouth.

They push some hair away from his eyes before cupping his jaw. “My love,” He listens, but their voice is muffled when it tries to reach his ears, a constant ring blocking the sound. It’s so loud. So loud. So loud-

A part of him startles when they start rubbing at his ears. They’re particularly sensitive, they know this after nibbling on them at some point in an attempt to be playful, and it’s enough to make him whine at the touch.

“Rolan,” They murmur, kissing him right between the eyes. “Come back to me, lovely. You'll be okay; you're with me, yes?”

He wants to believe that, even just for a little bit.

He buries his face in their chest, wanting to lay there. To be held, to be comforted. Doesn’t he deserve that after all the bullshit he’s been through? After the torture, the pain, the loneliness?

No.

No he doesn’t, and the thought alone makes him want to drink until he's numb, just like at Last Light Inn, where he thought his siblings, his only family, were dead and gone. Or possibly being tortured at Moonrise Towers. He doesn't know which one was worse to think about, his imagination knowing no bounds in its creativity. What would they have done, if the True Souls decided to hurt them? Would they take their eyes and cut out their tongues like how they did with Asharak-

Before his mind could grow darker, thumbs continue stroking his pointy ears as Tav speaks, “What’s the difference between Transmutation and Evocation? I keep forgetting...” Tav quizzes, feigning innocence.

A foolish question, even a child could answer it…but it’s distracting.

“Transmutation will physically alter the form of an object, or fundamentally change something in its entirety. Evocation is damaging effects mostly used in combat, but will also be used to heal wounds, as you see with clerics.”

“And what is another school useful in combat?”

“Abjuration; it specializes in defense protocols but some spells can be useful in combat, like Counterspell.”

They hum at the response, pulling him up more to kiss his forehead, right between his devilish horns. “You’re so smart, Master Rolan.”

He lets out a stuttering breath. Gods, this night is awful. He feels awful, Tav shouldn't have to deal with this.

When they suddenly start to sit up, his already fragile heart dropped into his nauseated stomach. Did they get sick of him already? Are they going to leave? Will they-

“Let’s take a bath.”

This snaps him out of his raging thoughts, staring at their eyes. "It’s late,” He states after a long moment of contemplating.

“So? Who’s going to be knocking on our door telling us not to take a bath in our own home? It’s your tower,” They say, helping him sit up as well before smiling teasingly. “Let’s take a bath, I’m sure being all sweaty is grossing you out.”

He is reluctant, but doesn’t say no when they help him out of the bed. It felt as if his body refused to move. It’s tense and rigid, his tail curled around his own leg. He can't look at them, and he’s unsure if it’s out of shame or out of fear. Fear of what? Tav? No, no! That would be idiotic to fear them. They love him. He loves them. He loves them so much it hurts. If he could rip out his very soul and gift it to them, he would do so without a second thought.

Their hand holds his firmly, something to ground him into their reality, and they lead him towards their private bathing room, decorated in lovely tapestries with a variety of colors. Some have subtle designs and are more abstract, while others have vivid images of Tav's heroics of Baldur's Gate. It's a courtesy of some citizens that they were gifted, but he cannot tell yet if they even like them there or not; still, he hung them up high for display because...well, he is so proud of them, how could he not be? He certainly thinks some of them are tacky, and he voices that opinion often, and it always makes his love laugh. The sweet, delicate smell of lavender hits his senses after Tav fills their large basin with water, bubbles forming almost instantly.

He watches their movements, seeing them strip off their clothes and kicking them off the side before they approach him again. Their hands smooth over his forearms, and they peck his nose as they unlace his trousers, stripping him as well. He lets them, a feral instinct inside of him begging for the touch, begging for any form of love they’re willing to give. He wants all of it, and he’s selfish for it.

They lead him into the basin first, getting in themselves after he’s settled. They then gently turn him around so he could press his back against their chest. It would be easier to wash his hair this way.

Both of them exchange no words, they only bathe Rolan while they hum to themselves, as if this was normal. This isn’t normal. He doesn’t deserve to be pampered when he’s done absolutely nothing to earn it. But he’s also too weak to resist.

So he lets them run their fingers through his hair, their nails scratching his scalp and rubbing the soap in. He closes his eyes when requested, letting the warm wash over him. Even when his hair and body are clean from the cold sweat, Tav insists on massaging his shoulders, working out any knots he may have. Being the master of a tower is stressful, after all.

During this he zones out, the silence deafening him as his thoughts run rampant once more. He hears them speak to him but the phrases never form coherently. Flashes of the dream drag him down into a form of despair, boring into him like ice pick.

His eyes start to sting, but then his worst fear comes to life; he starts to weep. He’s cried very few times in his life, and even then, those few times they at least warranted tears. He was allowed to cry. But this? In front of Tav and over a gods damned dream?

It only gets worse, because the weeping turns into full blown sobs, body curling forward with his face almost touching the dirty water as he hugs himself tight. His body thinks it’s in danger, somehow, and he can’t pull himself together. Voices tell him he’s nothing and deserves nothing.

Tav soothes him, leaning over him and littering kisses across his shoulders. They say nothing, and he’s thankful for it. He can’t imagine trying to speak in this state, when he tries his words die on his tongue. It's as if like he’s choking all over again, and the urge to cough grows.

Eventually his sobs delude to into sniffles and barely silent whimpers. Tav still doesn’t speak, nuzzling into the soaked skin on the back of his neck. When he calms down, Tav helps him out of the basin after getting out themselves, drying him off and changing him into new night clothes, one that was clean and softer than the one he chose before. He felt pathetic not being able to change himself, but he had no will to do so.

“I’m sorry,” He hears himself croak out. “You should be sleeping.”

Gods, they shouldn't have to even deal with him. What he went through is only a fraction of what they've been through. They saved the entire Sword Coast, possibly the entire world from the Absolute, all while they had a damn tadpole in their heads threatening to turn them and their friends into illithids. Yet, they're doing so gods damn well in their lives, a greedy part of him thinking it's unfair. Why are they fine while he is not? How did they do it?

“There’s nothing to apologize for. You had a bad dream, it happens more often than you would think,” They say, tracing their lips against his cheek while he processes the implication of their statement. “We don’t have to talk about it now. Just know that I’m here, and I’m not going anywhere.”

Though he lacks the energy for it, his mind wants to kiss them so deeply a never let go. He wants to drown in them, in their scent, in their body- damn it all, why is he so needy? He hates- no, he loathes how needy he is, how fucking desperate he gets. It's pathetic; he is so utterly pathetic. Pitiful. Miserable.

When they pull him back to their shared bed and lay down once more, they let him get as close as he wants, and he is thankful for it. It ends up with arms around them tight, him burying his face into their neck while his tail curls around their thigh. He wants to be close tonight, a silent plea for them to let him know everything is okay.

So they indulge his wish, playing with his hair all the while. He probably won’t sleep much tonight, but that’s okay by them, they always preach. It’s not the first time, and it won’t be the last, and they can and will live with that.

Healing is never linear, after all.

#rolan #bg3 rolan #bg3 fanfic #rolan x tav #rolan x reader #bg3 #Forest-Writes #holy rolan empire

121 notes · View notes

itslenagain · 1 month

Text

My thoughts on episodes 1-3 of Netflix ATLA (SPOILERS):

1. Commander Zhao has middle-aged white guy manager energy. I feel like this man is about to lead me in a team-building exercise

2. Aang having his origin story changed irks me! He ran away impulsively in the original show and got stuck in the ice. In this version, he fully monologs to Appa about his fears, but then just leaves for a joyride and gets stuck. It takes away from the significance of Aang leaving in the first place. When Kyoshi berates him for running away, it doesn't feel right because in this version, he didn't really run - he just got stuck in the wrong place at the wrong time

3. The Zuko that stood on an iceberg during a full Moon and challenged Katara to battle would be absolutely enraged at the Zuko that ran from the conflict in Omashu

4. Also, the fact that Zuko has not mentioned honor yet? What the fuck?

5. Seriously, Commander Zhao has a LinkedIn. He's got great networking skills

6. I miss aggro Katara. This version is way more subdued (though we do get a sibling fight in episode 3) and somehow listening to Aang's weird circular philosophy helps her learn how to waterbend and I don't get it

7. Seeing Aang be joyful is a nice change from the movie that shall not be mentioned

8. If Gram-Gram putting the waterbending scroll in Katara's bag replaces the storyline where Katara says fuck cultural looting and steals one I will scream

9. It's interesting to see Azula so early in the story, but I'm bummed we missed out on the whole blackmail thing with her & Ty Lee

10. Do you think Commander Zhao pays his employees a fair wage? Do you think they have health insurance? 401k matching? Vacation time? Sick days? What kind of benefits does his company offer?

11. This version of Sokka is definitely not silly enough

12. I feel robbed that Aang got to transform into a magical girl but we didn't get a magical girl transformation sequence

13. Also, we were robbed of Sokka crossdressing as a Kyoshi warrior and they are so rude for that

14. The graphic murder of the Airbenders felt. Weird? Wrong? I don't think we needed to see that. The impact it had when Aang arrived at the temple to find all of them gone in the original show felt heavier than in this version. We saw what happened, we know they're all dead. As a kid watching ATLA the first time, I remember feeling hopeful for Aang that maybe he wasn't really the last one. We don't get to feel that with this version

15. They did not understand Uncle Iroh at all. His character is so weird. Maybe it gets better???

16. The pacing is weird but maybe that gets better too???

17. I have never related more than when Ozai just burned that Earth nation dude who was about to start monologing, please shut up in my presence

18. Apparently everywhere has names?? Who decided on these names?

19. As a lesbian I also get horny on main immediately for girls who could definitely kick my ass, Sokka was so real for that

20. Overall I think they lean into the idea that the audience for this show is primarily older than the audience for the original (they're not totally wrong!) but I worry about it losing some of the messaging along the way. Part of the beauty of the original ATLA show was tackling these big, complex issues in a way that both kids and adults could relate to and understand. Anyone who knows me knows I also love Bluey for this, along with a few other shows that do it well. Media like ATLA that tackles the ideas of colonization, genocide, war, and so many other important issues is crucial! I hope that these topics are handled just as well as they were in the original series.

Am I going to watch the whole thing? Probably, yeah. Will I enjoy it? I hope so! It's not terrible, but it's also hard to do a show that has so much nostalgia attached to it in a way that will please all viewers.

If you haven't watched it, I think it's worth a shot. Just don't expect it to be an exact retelling of the original story.

#avatar the last airbender #atla #atla live action #netflix atla #aang #katara #sokka #zuko #commander zhao

48 notes · View notes

sorenphelps · 3 months

Text

All the artwork I made for the fanfic Crazy Ex-Boyfriend by @amethystheart2421 for this year's @rsbigbang!

It was a wild run, we got paired up quite late due to our original pairs dropping out of the Bang, and even though it was already December and time was running thin, I decided to make this whole deal a way bigger challenge than it supposed to be... So I ended up drawing all 7 fantasy sequences, trying to mimic a different style for all of them, and finishing both versions of the banners I had in mind. I know, I know, but I swear even I wasn't aware that I am such an overachiever either!

Also, I usually like to hide little details as easter eggs on all of my artwork, so naturally this was the case with these too. I'm gonna list them one by one, also share a little story about each piece, sort of like a "directors cut werk", just so we stick to the screenplay motif. The numbers in brackets lists the order in which I drew the pictures.

The banners (1.,9.): I haven't watched Crazy Ex-Girlfriend the show, so I really had no idea about this whole thing, hence my initial idea of re-drawing one of the official promo posters of the show as the banner. But then Nicole shared the first scene with me when we got paired up, and also told me that her original artist wanted to draw the stargazing scene, which I also really liked. I sketched out both versions to see which one would look better, and also to warm up a bit for this version of the characters. (Nicole also shared some faceclaims, so except Sirius' and Lily's design, I tried to stick to her vision as much as I could.) The Netflix poster was considered the final one for quite a while. The stargazing banner was the last piece of artwork I finished, which I also edited to be used as Chapter dividers. I liked the idea so much I actually referenced the starry sky on the other pictures too. On the Netflix banner, Remus' socks and Sirius' suit handkerchief (how do you call those things in English, gahh) both have the starry pattern.

The western (3.): By this time it was decided that I'd do all fantasy sequences in a different art style, but I couldn't really come up with any specific style which could have fit the western vibes, so the characters are drawn in my own usual style, only the colouring is different. I tried to go for a sepia effect, without using a filter, I think I could pull it off well enough. I was considering to draw Sirius as a Native American for this, because I just don't see him as Caucasian in general, and also, Black Dog sounds like a badly translated indigenous name... But I discarded this idea for the sake of "historical accuracy" (and to save time, haha), as I think they wouldn't visit a saloon this way. I added the starry sky pattern to Sirius' handkerchief and... scarf? (I really should learn how certain textil items are called in English...) There is a wanted poster in the background with Voldy. And I swear I didn't mean to draw Remus looking this horny, it just kinda happened by accident! He is sure VERY fascinated by Sirius'... pistol.😜

The Star Trek (6.): My original idea was to draw like usual and just add so many lensflares to the picture that it's not visible if I copied another style or not. But in the meantime I started to watch Star Trek: Strange New Worlds with my bf and also found out that there is a new cartoon too, so it was then settled. This style is very different from my own, but it was so much fun! It was weird not to draw every single strand of hair in excruciating detail, actually that was the hardest part, haha! I struggled a bit with the placement of the lensflares too, the first version had too many and too bright, it had a disco vibe rather than a spaceship. I wanted to add easter eggs to the background screen, but I was running out of time, so there's only one light blue star similar on the screen! Also now I know that the uniform colors are not really consistent in Star Trek, and Remus’ might have had to be gold as Captain…🤷🏻‍♀️

The Disney (2.): This one sparked the first idea in my head after I read all fantasy scenes Nicole kindly shared with me. When I first sketched this, I still had no idea that I will end up drawing for every chapter and the style copying was not settled either. It started with this piece, I had the vision of the wolf chasing scene from Beauty and the Beast, and we were discussing whether it's plausible to collect berries during the winter or not... I've tried to make the final piece look as classic Disney as I can, and since I could pull it off, it was not a question anymore whether I'd try to do this with other styles for the other scenes. Retrospectively, this one was the easiest to make, apparently my usual style is not that far from Disney (I grew up watching those movies, so it's not a surprise), but I had to really focus on drawing the animals, it's been ages since I last drew any! (The trick is to give them eyebrows, and bam, it's Disney style!) Sirius' armour, clothes and sword has the star, and I also designed his own "crest" with the black dog and a star on his shoulder plate. The whole concept of the picture is Sirius' side being very bright coloured, while Remus' with the scary wolves in the background being very dark. This might have worked better if it was not set in the winter, but I wanted to stick to the Beauty and the Beast vision I had.

The Comicbook (4.): I was very excited for this one, I really like the looks of the old Batman the animated series, and the way some of his comics are drawn. It's such a unique style, I really like the simple shapes and bold contrasts. Well, it turned out I am very bad at this! I struggled quite a bit trying to capture what I had in mind, but I couldn't even come close to it... So I kinda cheated a bit because I just traced the lineart directly from the reference pictures of Batman comic books I found online. I tried to make Remus less buff, but it looked very weird, so I let him keep his muscular Batman body instead. I drew the wolf mask and the whole Sirius panel, and the coloring went smoothly after I finalized the lineart, even though I only realized that I switched the colour schemes of Remus' superhero outfit when I looked up the quotes for the comic panels, oops. Overall I like how it looks, but I am not that proud of it as I had to "cheat".

The Hobbit (5.): I've probably spent the most time with this one! I actually really like Martin Freeman as an older Remus FC, so I was quite excited to do this piece. My original idea was to mimic John Howe's style, as he is the Tolkien illustrator god, but his level of skill and mine are very very far from each other... and as I struggled a lot with the Batman piece, I felt like going for a smaller challenge. That's why I decided to have a go at Alphonse Mucha's art nouveau style. Turned out it was the worst possible idea! 🤣 The whole point of art nouveau is depicting attractive ladies in an ethereal way... But if you switch the ladies with a fat hobbit, the vibe def won't be the same! The first version just looks so extremely absurd, it's both awful and hilarious. By the time I could fix the pose so it wouldn't look as ridiculous, the final style looked nothing like art nouveau... I still have no idea what style it is now, not my own or any of the ones I tried to capture, that's for sure. I considered adding the star pattern to that tablecloth, but I decided that the lupin flowers in the foreground and the whomping willow-like tree are enough reference for this pic! I like how it turned out in the end tho, I think I could do justice for the watercolor-looking coloring technique, and the end result looks a bit like a fancier version of old children's book illustrations... Which is essentially what The Hobbit is, so it all sorted itself out by the end.

The Anime (7.): I like anime (I'm a little picky about them tho), so it was not a question that I would give this style a try! I am a huge fan of cyberpunk (the genre), so initially wanted to do that, I'm such a slut for Ghost in the Shell and I really like the aesthetics of the Akira posters, but after reading the actual scene, it was not really fitting. So I saved the cyberpunk AU for later, and went for the post-apocalyptic vibe instead. Obviously anime had a great influence on my art style, so similar to the Disney one, it was not that much of a challenge to mimic it. However I'm not that good at drawing backgrounds, and oh boy, I really made myself get over this obstacle with this series of pictures! Also as I was more comfortable with this piece, I actually added the starry sky pattern from the beginning to the scarf/blanket Remus has on this picture!

The Sitcom (8.): The original idea was to copy Hanna Barbera's old family cartoons' style, but as my deadline was very close and after reading the scene I realized that it will have a shitton of characters, I quickly abandoned my original plan. So this one is drawn in my own style, sort of, the designs of the characters are more aligned with Nicole's vision (sans Sirius, Lily, and partly Peter). The hardest part was definitely to figure out how I could fit 10 characters into one picture, let alone sitting in a living room! Also, I had to actually draw the living room too, considering perspective and scaling... Something I am not that good at. In the end the coffee table is maybe a little too big, but I needed that to hide the legs of the characters sitting on the sofa, haha! Also, the sofa is the Millennial Dark Green Velvet Sofa, because I also want to have one and it really emphasizes the general existential dread! (Just kidding.) Also also, I just realized that I have no idea how to eat tacos without making a mess (they are not that popular where I live). I added the starry sky pattern to Sirius' shirt, and gave a Teenage Mutant Ninja Turtles T-shirt to Peter, as he is talking about that in the scene. I wanted to squeeze in further references to the newspaper Remus is holding, but it was too tiny. The star from Knight Sirius' armour is in the background on the bookshelf. Also that globe just makes no sense but I had no better idea how to fill the empty space 😅. Molly is holding a mug with "BEST MOM" written on it, and I intentionally made Marlene's eye colour the same as Remus', who btw should have worn a bathrobe according to the original scene, but it was too late to fix that by the time I realized it. All in all, I am quite satisfied with how it turned out, it has the necessary sitcom vibes. And it is kinda a record for me in terms of number of characters drawn (the most was 12, but that one has no background, so I'd call it a tie!)!! I am very proud of myself for pulling this piece off, it really is the achievement of the year!

TLDR; (I mean really, my rambling is just too long!) I am happy that I was paired up with Nicole, working with her was such a creative process! My absolute favourite thing to do is work on AUs, and she has provided me with the opportunity to do so, I am grateful! It was truly a pleasure to participate in this (even if it's not that clear from all the complaining I just had above, haha)! If you ask me nicely I might show you the cursed first version of the hobbit picture!

63 notes · View notes

tiny-sassy-aggressive · 3 months

Text

I am living blogging my reaction to the second watch through of WDAPTEO 4 bc the first run through was so much

00:00- I screamed when I saw the notif. I was alone in the car. Just pulled up to my apt looked at my phone and screamed “ no way “ I still can’t believe we got it

00:01- hi, they are SO BEAUTIFUL I’m squealing. I cannot stop staring it’s embarassing

00:27 what’s going on here? “Nothing” my heart. The smiles

00:50 oh I am LOVING the feature wall. And fish tank reveal project??

01:00 how dare they throw THAT japhan photo up there like it’s just some example. Who the hell do they think they are- also I want that doomed hoodie :( he is snug as a bug in a rug

01:50 terror not even 2 minute in and crack

02:03 I’m sorry Dan asking Phil about TikTok stuff is precious

02:13(What is cba)

02:39 I CACKLED. Phil’s sarcastic ass omg

02:44 dans little pat

02:58 phivorce

03:05 I know the ft, they are friends of course. But seeing the messages really warms my heart. Like it’s so normal why am I emotional

03:52 of course Phil sends millions of memes

04:10 how in the fuck did Phil catch his phone what??? Ft dans face during the whole interaction.

Ad time —— 04:25. Im sorry Dan looks fucking amazing, his hair is so curled and pretty? And he looks so comfy cozy and soft??? My Dannie side is really coming out rn

04:59 handsome devil, damn straight. Love this man he’s too precious for this world

05:23 🍑

05:55 are the Brits okay??? Bone daddies?? I’m too American for this

06:30 perfectly encapsulated Dan and Phil energy

06:35 Dan saying dude scratches a weird itch in my brain

06:55 again! Totally normal to call a friend in a taxi. But this moment makes them so real in my mind like yes. Call that friend. In that taxi. Make it less awkward. Why did I like this moment so much

07:05 A PRETEND CONVO OF COURSE HE WOULD. He’s so real for that

07:34 “these are very dan and Phil”

07:42 I’m in pain. Koala content and ouch I can’t even put into words

08:44 three days without a text sounds exaggerated. Or lie. Like cmon. All those messages and convos and yall went 3 days without a word?? Sounds fake

08:58 asking what he should do for his nails!!? Again totally normal but UGH I love their friendship

09:01 also Phil coming in with a STELLAR idea, hope to see it happen

09:11 Phil’s a little shit OMG he hated the nails Dan got.

09:38: dans precious little selfies

09:44 also who tf is that that does not look like Dan

09:52 wtf do you mean that they had the same weird Swedish bakery???? 10 years apart???? WHAT THE HELL??????

10:35 fuckin nerds ft cute ft selfie

10:52 Dan in Phil’s glasses hi what the fuck? Precious. Phil loves to take photos of Dan sleeping.

11:02 jump. Scare.

11:28 PHIL CALLED HIS MOM. NURSE LESTER.

12:11 Dan stalking the ring doorbell is not something I expected?

12:20 glad to know Phil and I share that we can’t hear someone saw our name bc it’s too intimate

13:16 ordering a roast dinner is so cute idk why

13:35 jump. Scare.

14:26 I hate them :( i so long for what they have

15:04 they didn’t see death note the musical!! Haters!!!!

15:20 HOT

16:00 Phil papping Dan>>>>>>

16:20 I rewatched this part so many times. Thsi entire sequence. This whole. Dare i say SCENE. Disgustingly familiar. Disgustingly cute. I- karaoke game???? What??? It was for them

17:06 omatone :(

18:22 hot? Worrying? Hmm???

18:45 Phil is so dramatic I love him

19:01 genre to dinner? I don’t get them

19:10 DAAAAAN AHHHHH

19:20 SCRIPTS AH???????3@2/9/@/9@22929 more writer Dan

20:17 this is so familiar

20:50 this has “would you still love me if I was a worm” energy? Can’t explain

22:53 “we dan and phil-ed it” we have to steal that! Asap’

23:24 when Dan sits up he is soooo much taller than Phil but he constantly slumps down and looks up to Phil. It’s very cute to watch.

24:30 oh they are fully embracing the joint channel and slowly moving away from gaming and honestly. I’m alright with it. They look so happy

Guys this was too much. So I just started reading fanfic and these conversations were right out of what I’ve been reading which is very odd tbh? But we were fed. This was amazing content and I can’t wait to see what the writers do with this. Cheers

#amazingphil #dan and phil #daniel howell #phil lester #dnp #philip lester #dan howell #danisnotonfire #dan and phil renaissance #Daniel and Philip #Daniel Howell and Philip Lester #Wdapteo 2023

50 notes · View notes

birdiesaves · 18 days

Text

THE MARTIAN ( novel by andy weir ) change as necessary !

mankind reaching out to send people to another planet for the very first time and expand the horizons of humanity blah, blah, blah.

i’m pretty much fucked.

they got the parades and fame and love of the world, i got a firm handshake and a hot cup of coffee when i got home.

i would only be “in command” of the mission if i were the only remaining person.

what do you know? i’m in command.

it wasn’t your fault. you did what you had to do.

in your position i would have done the same thing.

it was a ridiculous sequence of events that led to me almost dying.

everyone thinks i’m dead.

ok, i’ve had a good night’s sleep, and things don’t seem as hopeless as they did yesterday.

i won’t be able to whip something up with tinfoil and gum.

fear my botany powers!

but hey, time is the one thing i’ve got.

i wonder if they'll ever find out what really happened.

i’ll spare you the math. the answer is _________

bleh. i’m going to bed

my life depends on you

i played a lot of dungeons and dragons.

i have an idiotically dangerous plan

i suppose i’ll think of something. or die.

the answer is: i don’t know.

all i accomplished today was thinking up a plan that’ll kill me

also, i have duct tape.

after a search of everyone’s personal items i found my answer.

that was sarcasm, by the way.

this all sounds like a great idea with no chance of catastrophic failure.

do you have any idea the magnitude of shitstorm this is gonna be?

how come aquaman can control whales? they’re mammals!

i expected it to be cold, but jesus christ!

now, on to my next task: sitting around with nothing to do for 12 hours.

i ask for a picture and i get the fonz?

the whole world’s been rooting for you.

really looking forward to not dying.

please watch your language.

sorry we left you behind, but we don't like you.

you're sort of a smart-ass.

your request for “anything, oh god anything but disco” is denied.

no. you’ll fuck it up and die.

i took it apart, found the problem, and fixed it.

i don’t see anything... i can hear it, but... it’s down here somewhere, but i don’t know where.

the subtle and refined “hurl my body at the wall” technique had some flaws.

named after the greek goddess who traveled the heavens with the speed of wind. she's also the goddess of rainbows.

i'm not giving up. just planning for every outcome. it's what i do.

your poster outsold the rest of ours combined.

why are you such a nerd?

you should try to be more cool. wear dark glasses and a leather jacket. carry a switchblade.

you started my training by buying me a beer.

so now i have to do boring-ass experiments with test tubes and zzzzzzzzzz....

frankly, i suspect you're a super villain.

just once i'd like something to go to plan, ya know?

no? ok... what was that!? oh, nothing? ok...

for now i just want to go home.

there's always hope

are we just watching a tragedy play out?

you’ll survive this. i don't know how, but you will.

i've defiled enough historical sites for now.

tomorrow night, i'll sink to an all new low!

tomorrow night, i'll be at rock bottom!

be a smart-ass to a guy seven levels above you. see how that works out.

i remember when you were shy

the attitude comes with the job

and by “enjoying” i mean “hating so much i want to kill people.”

there aren't many people who can say they've vandalized a three billion dollar spacecraft. but i'm one of them.

what's our role in all this? if something goes wrong, what can we do?

how do you come up with this shit?

i admit it's fatally dangerous, but consider this: i'd get to fly around like iron man.

i need you to come back in and make a bomb.

i knew that guy was a mad scientist!

i think we should just go with my iron man idea.

well if you won't let us then- wait... wait a minute... i'm looking at my shoulder patch and it turns out i'm the commander.

give me a minute. you're the first person i've seen in ______.

i think about the sheer number of people who pulled together just to save my sorry ass, and i can barely comprehend it.

i represent progress, science, and the interplanetary future we’ve dreamed of for centuries.

they did it because every human being has a basic instinct to help each other out. it might not seem that way sometimes, but it’s true.

yes, there are assholes who just don’t care, but they’re massively outnumbered by the people who do.

#space memes #space rp memes #rp starters #rp memes #rp prompt #roleplay inbox prompts #roleplay meme #feel free to reblog and share!

45 notes · View notes

yanderecrazysie · 9 months

Note

this request might be a little weird but yandere!bokuto x quiet!reader x yandere!akaashi where reader like to listen to music, coffee shops (yet proceeds to get tea or hot chocolate there), mangas, and dresses. could there be some fear in this too like the fear of the ocean and easily gets homesick.

also i love your writing its amazing and take as much time w this as you need🤍

- anon🥂💍

This sounds awesome- not weird at all! And thank you so much, you’re so kind to me! >3<

Title: Routine

Pairings: Akaashi Keiji x Reader; Bokuto Koutarou x Reader

WARNINGS: Yandere themes, reader has thalassophobia

Summary: Akaashi and Bokuto have picked out the perfect place for you to live. Too bad you don’t agree…

routine

/noun/

a sequence of actions regularly followed.

You were a creature of habit.

You went to work and left when your shift was over. You visited a coffee place before and after work, but you never got coffee there. On Saturdays and Sundays, you spent a good chunk of your time there too, sipping away at a hot chocolate while music blared through your earbuds and you settled into your latest manga.

You also spent a lot of time at home, often doing the same things as you did at the coffee shop. Playing music while you cleaned and cooked, and curling up on the couch to read your manga. You were a homebody, but you enjoyed your time outside too.

You went shopping on Sundays and ate out on Saturdays. A little treat for how hard you worked during the week, no doubt. You got gas the moment your car started getting low and you cleaned frequently.

You liked to wear dresses and makeup, but not too much. Your dresses were nothing too fancy, almost casual and your makeup was light and natural.

You were fond of routines and anyone who knew yours could find you easily.

Stalk you easily.

Seriously, you made it way too easy for two people in particular to follow you around and watch you. Learn all the things that made you you. They knew everything mentioned and more.

Akaashi and Bokuto were best friends and shared many of the same interests- the most intense of which included you. They loved you deeply, but they didn’t know how to approach you with an offer like “date both of us, please”. It just wouldn’t work out.

Bokuto would overwhelm you, Akaashi was sure of that. And Akaashi would underwhelm you, as Bokuto liked to say. They were the unlikeliest of friends and even more so, potential romantic partners. There was no way you’d fall for either of them, much less both.

So they followed you.

At first, they had convinced themselves that, if they just got to know you, they could woo you easily. Pretend to have all the same interests and bam! You’d be one happy throuple.

They could claim to like all the mangas they’d seen you read. Claim to love that cozy little coffee shop where they, too, get hot chocolate. Claim to have the same taste in music.

But wouldn’t that be creepy? They realized that too. Akaashi could be subtle, sure, but Bokuto was not a good actor by any means. Too eager to please, they both knew too well.

Their minds turned to kidnapping a little too quickly. But, after all, they were stalking you. It was the logical next step for them both.

It’d be easy to sweep you away, considering how strictly you followed your routine and the fact that you lived alone. But there was the worry that they would have to keep you locked up, constantly worrying about being put behind bars and keeping you from becoming depressed.

They had an idea or, rather, Akaashi had an idea and Bokuto agreed. It was an awful, cruel idea.

But to them, it was a necessary one.

When you next woke up, you’d be in an unfamiliar bedroom in an equally strange house with even stranger men. You’d be frightened, sure, but you’d soon find it was easy to escape. They wouldn’t stand for keeping you locked or chained up, after all.

While escaping their house was easy, escaping their small private island was not.

When you stared at the vast ocean, face drained of all blood, and swaying unsteadily, you end up looking back at the two men who casually followed you outside, wondering if they knew that you were deathly afraid of the ocean. That you’d never dare try to cross it or so much as wade your toes in it.

Only to be met with smug, knowing grins.

#yandere #yandere haikyuu #haikyuu!!#yandere one shot #one shot #yandere x reader #yandere akaashi #yandere bokuto #akaashi keiji #bokuto koutarou

103 notes · View notes

michelleleewise · 2 years

Note

For the Angst Loki fic you could do it however you like 💞😘

Ok, I'm so glad you said that, cause I have ideas....😈 soooooo hold on to your tissues, this is gonna be painful....*whispers* sorry.....

Based on this prompt......

====================================

Forget Me Not..

Pairing: Loki x reader

Warnings: memory loss, battle sequences, minor mention of blood (not graphic) mentions of injury, smut if you squint, literally all the angst, depression, crying, anger, no happy ending to be found.

Summary: You and Loki have been dating for almost a year when an accident leads to him to losing some of his memory. What happens when the love of your life doesn't know you....

You had been with Loki for awhile now, in fact your were coming up on your one year anniversary, and you were never happier. When he first came to live at the tower he was harsh, even rude at times, but you slowly broke his defenses with your smile and happy attitude. He adored everything about you, and you knew you had found your soul mate.

"Darling, how would you feel about moving in together?" He asked holding your hand, cuddled on the couch. "Loki, I would love nothing more." You smiled as he leaned over gently kissing you. "I hope to one day be worthy enough to make you my wife." He smiled as you cupped his cheek "You have always been worthy Loki." You smiled back.

You both heard the alarm sound, knowing there was an attack somewhere, you geared up and headed to the briefing room. After listening to Steve go over everything in immense detail, you all loaded into the quinjet, ready to take on whatever was thrown at you.

"OK, I wasnt ready for this!" You yelled, coming face to face with what looked like an eight foot dog animal of some sort. Some of hydra's experiments Steve had said. You flipped the daggers in your hands and went on the attack, cutting down as many as you could, looking over seeing Loki taking on two at a time. You started making your way to him when you heard Thor "y/n, watch out." He yelled as mjolnir whizzed past your head, taking out another experiment. You saw Loki running towards you as you watched the hammer curve, making its way back to Thor.

"LOKI, STOP!" You yelled, but it was too late as you watched the hammer strike him before landing in Thor's hand. You sprinted as hard as you could, diving to kneel next to Loki, who was unconscious and bleeding pretty bad. "Thor, what do we do?" You asked looking at him. "I am not sure, this has never happened before." He shifted nervously. You checked for a pulse, breathing when you found it. "Steve, we need med evac now!" You yelled into the comms. You helped load Loki onto the jet, as the rest of the team took care of the experiments.

Loki was still unconscious when you made it back to the tower. Bruce ran scans on him as you waited with Thor. "He has multiple skull fractures but those are healing. I'm not sure what damage may have been done to his brain though. We'll have to wait and see." He sighed. "I am sorry y/n, I should have been more careful." You heard Thor say. "It was an accident, it's fine." You sighed, going to sit in the other room with Loki.

It had been three days and still no sign of him waking. "Y/n, you need rest." Thor said walking in. "No, I'm fine. He's gonna wake up anytime." You said rubbing his hand. You sat in silence together, waiting, when you heard a groan. "Loki, your awake." You breathed standing up looking at him. "Mm yes, it appears so." He said holding his head. "Where am i?" He asked slowly opening his eyes. "Your in the med bay" You smiled. "And who are you, a nurse?" He asked looking at you. "Im...I'm y/n, you know me." You smiled rubbing his hand. "I'm afraid I don't, is there a doctor?" He asked looking around. Your heart dropped as he didn't recognize you. "Thor, what are you doing here?" He asked looking over. "I was sitting with y/n, to make sure you recovered, don't you recognize her?" Thor asked. Loki turned, looking you straight in the eye "no, I don't." He said as you dropped his hand stepping back. "I...I'll get Bruce." You whispered leaving the room.

After a long winded explanation, you discovered that the impact of the hammer caused Loki to lose some of his memory. You looked down nodding as Thor patted your shoulder "he'll remember you." He said. "We don't know that, it may be permanent." Bruce said. "I better get my things out of his room before we move him." You sighed standing up. "I thought you lived together?" Thor asked. "We were going to, but now...it would be weird for me to be there when he doesn't know who I am." you said as you walked down the hall. You grabbed your things from Loki's room, looking around as a tear ran down your cheek. "I love you Loki." You sighed leaving.

A couple months had gone by, Loki had improved but his memory still hadn't returned. You had grown closer, but it wasn't the same. He treated you as a friend, a team mate, nothing more. You were sat in the common room of the tower, curled on one side of the couch reading, Loki on the other side when Steve came in. "Hey y/n, Loki this is Melissa, she's joining the team today so im giving her the tour." You looked up, seeing her smiling at Loki with heart eyes. You felt a pang of jealousy shoot through you when you looked over seeing Loki looking at her the same way. He got up, kissing the back of her hand "if you need any assistance, I'm at your service my lady." He smiled at her. You felt your heart crack.

Over the next few months they got closer. You would walk in the kitchen as they stood together smiling, they would pair up in training, they were always partners on missions. One night you couldn't sleep, so you made your way into the kitchen to make yourself some tea when you saw them. His mouth on hers, his hands roaming her body as she moaned his name. You wanted to run but you were frozen as your heart shattered and your eyes burned. You watched him lift her onto the counter, the same counter he had taken you on several times. as he laid her back, lifting her legs up, you covered your mouth running to your room. As you closed it you sank to the floor, sobs racking your body. That was supposed to be you, he was supposed to be your happy ever after, and now he was hers.

You had locked yourself away in your room for days, unable to eat you just sat and cried. He wanted to live with you, marry you. All of your dreams crashed down in front of your eyes that day. You had lost the will to do anything other then exist. Your heart broken and bleeding as you cried until you fell asleep. You heard a knock on the door, but remained silent. "Y/n, are you awake?" You heard Thor, still not responding as he came in sitting next to you. "How are you doing?" He asked, as you remained silent. He cleared his throat "y/n, I am truly sorry." He said "this is my doing and i..." he started "just go Thor." You said staring at the wall. "I will speak with him, he has to remember you, he love..." you cut him off again "no, he loves her, I'm nothing." You said still not looking at him. "Y/n, please, let me just.." he said "just go. Please." You got up going to the bathroom, locking it sitting on the tub as you heard your door open and close.

You remained on autopilot for months. Barely eating, hardly sleeping. You spent your free time in your room, alone. You went out of your way to avoid Loki, you couldn't look at him without feeling as though your heart was being ripped out. Another sleepless night found you wandering the halls towards the kitchen. You peaked to make sure no one was there before making your way in. You made a sandwich as you heard someone behind you "haven't seen you for awhile y/n, where have you been?" You heard Loki behind you freezing.

"Oh, you know. How are things with you and Melissa?" You asked, not wanting the answer. "Oh great actually. She's an incredible woman. She's actually moving into my room tonight, I came down to make her something to eat." He said. "S....she's moving in with you?" You asked looking at him as he smiled. "Yes, amazing isnt it? I don't think I've loved anyone more." He smiled. You felt your head spin watching him. Feeling like you were going to pass out and throw up at the same time. "Y/n, are you well? You look like your about to faint." He said. "I have to go." You said pushing past him towards your room. "Y/n, wait. " You heard, ignoring him you went to your room locking the door.

You grabbed your backpack, shoving as many clothes in as you could. You changed out of your pajamas, slipping your shoes on and grabbing your coat. Laying everything out on the bed, you went to your desk, grabbing a pen and paper you decided to write Loki a letter. You sobbed as you wrote, pouring everything into it you placed it in an envelope, setting it on your desk. You walked to the nightstand, picking up the framed picture you and Loki had taken, you smiling at the camera as he kissed your cheek. You covered your mouth as a sob escaped, you would never have that again.

You slipped the frame in your bag, throwing it over your shoulder as you unlocked your door, looking both ways down the hall as you snuck out. Making it to the kitchen you saw Loki had left, letting out a sigh you made a run for the door "y/n, where are you going?" You heard Thor behind you making you freeze. "I'm leaving. I can't be here anymore. I can't....I can't watch another woman take my forever from me." You said as tears streamed down your cheeks. "Y/n please, don't leave. He will remember, I know he will." He said "No! He won't!" You yelled turning around. "If we was going to he would have by now and he hasn't! He was my everything Thor and hes gone, I have nothing anymore!" You yelled hand still on the door.

"I just hope she loves him the way he deserves." You sighed wiping your face. "Y/n, please." He said stepping closer "goodbye Thor. Tell everyone I'm sorry, but.....I can't anymore." You sighed opening the door leaving, not looking back. Thor stared at the door, wanting to run after you and drag you back. "Brother, what was that about?" He heard Loki behind him, turning to see him in the doorway. "Nothing, it doesn't matter." Thor said walking to the hall as Loki stopped him "what was she talking about?" He asked as Thor looked up at him "she lost something she loves, and it broke her." Thor sighed looking down. "What did she lose?" Loki asked confused. Thor looked up into Loki's eyes "her heart brother, she lost her heart." Thor said, walking to his room.

💚💚💚💚💚💚💚💚💚💚💚💚💚💚💚💚💚💚💚

@vbecker10 @lokiprompts @lokisninerealms @lulubelle814

735 notes · View notes