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question-why-not · 10 months

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i really hate how the DC writers and some fans are so obsessed with “which batfamily can beat which” and with just seeing “cool fight scenes” and stuff

This awful obsession keeps taking precedence over and destroying any semblance of actual good creative stories

Jason Todd is probably one of the most common victim of this BS, see RHATO 25 and all of those stupid fights between Jason & the batfamily in Task Force Z, the writers making the characters fight in situations they absolutely don’t have to, at least not without trying to talk it out first (there was absolutely no reason for Jason & the batfamily not to communicate about what’s going on with the task force, it was literally only engineered to be a total failure of communications to have a batfamily VS Jason fight that looks cool)

i don’t actually read a lot of comics, i read task force z just to get context on that panel where Cassandra spooks Jason, but i’m sure other people here can tell examples where it happens to other characters too, but i do think Jason is a more common victim of this simply due to DC not having any real direction to take his character to because they won’t let go of the Joker, and even without that simply because they won’t let go of the conflict between Jason & Bruce, because “if it’s not broken don’t fix it” and these people are concerned with making money not with telling a compelling story

Also, like, fighting isn’t all the members of the batfamily can do????? They have a wider skillet than that, with each of them also having their own unique specialization??????

Dick is one of the best acrobats in the world, and extremely capable & experienced vigilante, he’s the oldest of the batkids and has the most experience as a result, and he’s also a leader in the vigilante community

Barbara is Oracle, a legendary hacker and leader+coordinator of multiple superhero teams, top notch computer skills second to none as well as multitasking and crisis management

Jason is a master tactician, he can toy with people and factions in extremely long term plans to achieve the results he wants

Tim is the shoe-in to being the world’s greatest detective, he’s a very capable vigilante overall, and his computer skills are top notch, not that far behind Barbara

i don’t know if Stephanie is considered “the best” of any batfamily skill in particular, i suspect this may be due to writers’ sexism treating her more like an emotional support character to others rather than as her own character most of the time, i don’t actually read the comics that much and my information is what i decided should be canon based on what i learned from the fandom and in my opinion makes for the most compelling story, please do tell me if Steph has been written to be exceptional even in the batfamily in any particular skill, she deserves to be

Cassandra is the world’s best combatant, hands down, she stopped and restarted a man’s heart to make a point using just a palm strike, in a front-on battle she can literally take anyone down before they can really perceive that she’s there, and her combat skills also happen to allow her to read people like an open book

Damian was trained by the league of assassins from birth, he’s extremely capable in everything in a similar manner to how Bruce is, his character arc is even not really about him learning how to be a badass vigilante and more about him learning how to express himself and connect with others

Duke is literally a superpowered hypergenius, i don’t think i can do justice to his abilities here so go look at his wiki page

Stop constantly making these people fight each other!!! There’s more to them than that, and it just makes for shitty stories!!!!

#batfamily #nightwing #oracle #red hood #red robin #spoiler #black bat #robin #the signal #dick grayson #barbara gordon #jason todd #tim drake #stephenie brown #cassandra cain #damian wayne #duke thomas

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drbatsponge · 1 year

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Batgirls #14 review...

Disclaimer: this is basically a review I did on dead app (Amino) for Batgirls #14 because yes I have an audience there surprisingly, but I'm copy and pasting it here to see if people like my reviews idk.

...

Hey hey everyone, so as you know it's Cassandra's birthday, and what better to do than review a rather recent comic that came out that's all about her?

I will start this by preferencing that I haven't gotten through all of my Batgirls reviews on here yet, you all know I've really only given you my reviews of the first two issues.

It's safe to say that the book has had its fair share of controversy from time to time, as you all know from my previous blog on my problems with the series:

Though I will say that the recent issues of it have been pretty decent all around.

Not that I hated the first few issues (aside from 7 and 8, but that's a whole other can of worms to open), but I have a feeling that the book has finally found its footing as of late and is actually doing more of what I had expected from it.

And issue #14 has to be a pretty exceptional issue in my personal opinion, this issue is definitely the best one in the series so far and is probably one of the best Cass stories I have ever read. (Or seen? Idk, it's a silent issue for the most part, lol.)

And that's certainly saying something.

Now this is a silent issue, so it has no dialogue (at least not until the end but you'll see what that's all about...), meaning that the visuals are what make the issue, and well it's safe to say they got that right.

The main artist they got for this particular issue is Jonathan Case and his art is just really spectacular.

A problem with Batgirls is it does have a hard time tying down an artist, at least ever since Jorge Corona left the series, but I've never had a problem with the other artists on the series, though they had slight imperfections that would bug me even if nitpicky.

Like Neil Googe draws Cass and Steph a little bit younger than they're supposed to be and Robbi Rodriguez's movements for the characters are often too stiff for my liking.

But Case gets everything right.

Cass is drawn looking her age and the actions she takes are conveyed perfectly.

I mean what can I say the art is just gorgeous throughout the entire issue, I really hope Jonathan Case comes back to do another issue of Batgirls after this because they're just great.

Now the plot of the issue is pretty easy to explain, Cassandra is basically looking for Steph who had been kidnapped by her father in the prior issues of the series.

(This entire issue reminded me a LOT of Cassandra's stories that happened during the War Games saga, I actually plan on writing another review today on a particular comic that came out during that time.)

Cass at a point opens the letter that Steph leaves her to either see if it has a clue, or because at that point she thinks it's too late, but the letter contains a rather shocking confession

You are reading that right, Stephanie Brown quite literally admitted she has feelings for Cass.

And seeing how Cass reacted, it's possible she might return those feelings back.

Now I'm not sure if this confirms StephCass, we'll have to wait and see what happens in the upcoming issues, but yeah I hope this means what I think it means.

Now, of course I can't close out this review without mentioning the special appearance from Cassandra's dear mommy.

Yeah you had to see the full sequence because it's just 😍.

(Tumblr's image limit unfortunately prevented me from actually showing the full thing. 😭)

But yeah, all in all this is a REALLY good issue of Batgirls and I definitely recommend people pick it up even if you've had problems with the series.

It's just a passionate love letter to the character of Cassandra imo, and tbh I think this story will be remembered as one of her best for quite some time.

So, an obvious 10/10 from me. :)

Well, I hope you all enjoyed this review of Batgirls #14 from me!

As always stay tuned! Same bat-time, same bat-channel!

You can find the Amino version of this review here:

#yeah just testing the waters here to see if people like the way i review things #if you do then cool I'll post more reviews here lol #cassandra cain #stephanie brown #lady shiva #batgirls #dc comics

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redjaybathood · 2 years

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You have by far the strangest ideas, no hate tho! I quite liked reading that. The only objection I have to this is having Cass on a team with Jason, don't think that'll go over to well.

hanks! I like strange, strange is my jam. I swear the god, half of what I write starts as 'hey, wouldn't it be fucked up, if':

what if Bruce put Jason, who did not, in fact, murder Felipe Garzonas, in a high-security prison for life;

what if Batfam didn't know Red Hood's identity and mistakenly thought that he and Bruce were in some Romeo and Juliette forbidden love not-relationships, and so tried to use his feelings to manipulate him into the side of good after Batman was killed and Red Hood, undoubtedly, was overcome with grief;

what if Talia al Ghul hired Stephanie Brown to find out what happened to her son, and what actually happened was Bruce accidentally killing Jason without realizing it;

what if Jason Todd was a girl and pregnant with basically an Antichrist...

Though I think comics as a medium lands the strange well. Recently, I asked people to send me the craziest Jason-related prompts, most of which I didn't post yet because I was held hostage by an idea of Jason helping Brotherhood of Evil to take a small European country while he was still Robin. But they were hella good! I will get to it.

As for Cass as an Outlaw, I beg you to reconsider. 'cause that team-up was obviously from New52, where she has, in fact, worked with Jason on the same team.

Look; I love Cassandra, but I will never see eye to eye with that part of fandom that thinks: hey, Cass would never work with a murderer! My girl Cass was ready to save a death-row prisoner under the eyes of the victim's family. You think she believes that everyone is worth living but not everyone is allowed redemption? What's, in your opinion, Cass thinking the point of living is then? (ok, this is actually a good thing to examine in fanfiction). Or, for that matter, she wouldn't be able to work with him to save others or for another common and important goal? She's more professional than that.of

I will give you that she won't go out of her way to seek him out on her own volition if we stick to the canon events.

But do we have to? I wrote a few UtRH AUs, I can do another. Say, if Jason shows up right in time to rescue Steph — while Cass wasn't able to; if Jason killing the Black Mask was the only thing that saved Steph after she saved herself and decided not to kill him? Would Cass's feelings on 'thou shall not kill' be shaken a little? I want to put Cass against that dilemma because I like putting characters against themselves.

Hey, so here's an idea for the team-up:

1) War Games are on.

2) In the midst of the gang war, and as a response to Robin's disappearance, We Are Robin movement raises up.

3) Jason Todd rolls into town with a brilliant idea. Keep in mind that Jason is also like barely eighteen here, if that. Maybe seventeen: died at 15, a year in the ground/zombie state, a year at the League still in the zombie state. Let's say, he's not even a fully fledged Red Hood here, he's 17 and angry and his aforementioned brilliant idea is to blow up Batmobile without Batman inside it just so Bruce knew that his security system sucks, and he sucks too.

Only he doesn't have time for this shit because there's a missing Robin and there's a lot of Other Robins, and there's a gang war and Roman Sionis, who's The Worst TM.

4) Hearing about Robin disappearance is a massive red flag for him; of course, after he left behind the Plan A: Petty Confrontations With Bruce, he goes to plan R: Find and Save Robin, which morphs into plan P: Turns Out, There's A Lot Of Robins Now, And All Of Them Need a Goddamn Adult.

5) City (via Bruce's suggestions and donation here and there) bans Robins movement for their own safety, instills curfew. Good luck with that, all I'm saying.

6) Meanwhile, Cass is looking for Steph as well and she can't find her. She finds We Are Robins, though. Finds out that they are looking for Robin too. Hmmm let's say, CASS BECOMES A ROBIN. Okay? Okay.

7) So, things come to a head when Robins find out that Black Mask has Robin. Cass warns Bruce as soon as they get a lead on the location - Bruce is caught up in something else, though, like also life-or-death situation, so she knows he can't come right away but she hopes that he will arrives later, as their cavalry.

8) Robins perform a destruction. Half of them is blowing up Black Mask's holdings across the whole city, while others - named, Duke, Cass, Jason - are lying in wait, until Black Mask sends the most of his enforcers to deal with literal fires in his backyard. He himself stays with Steph.

9) The Robin gang sneaks in, knocking out the guards. They almost made it to the basement where Steph is kept. Buuuutt Black Mask has hired an extra help. Or so they think; thing is, Deathstroke is here to check out if it worth the effort helping Black Mask to take over Gotham, for the Secret Society. It's neither here nor there, though: they have to fight him, and Duke is knocked out, Cass is injured saving him.

10) Deathstroke isn't really into this fight and he pretty much decided that Black Mask isn't worth recruiting, so he fucks off. Leaving the kiddos back to their mission. Cass, being heavily bleeding, plus someone needs to look after Duke too, finds the security room so that Jason could find Steph faster.

11) She finds her on the monitor and directs Jason there. And she watches, helpless, it all, live: Stephanie uses the noise they've made and distraction it caused Black Mask, to get out of her binds and attack him. He's on the floor. She's staying over him, with a gun in her head. Cass is so - she sees it, Steph wants to do it, wants to pull the trigger. Cass is devastated.

But then Stephanie lowers the gun. Turns her back to him. She's leaving. Cass feels relief flooding her.

And then Black Mask raises his own gun and shoots her in the back.

Or Cass thinks he does. She hears a gunshot, a floor and several doors down. But Black Mask is the one who crumples in the ground. Blood is pooling under his head.

Jason steps into the view. Places the gun on the ground. Raises his head, says something to Steph, placating. Gestures at the camera in the corner. "Your friend was very worried about you," Cass reads his lips.

Jason helps Steph hobble outside of the basement, to Cass. The girls help each other, he picks up Duke. They go out of the building. Outside, sirens. Ambulances. Cops pulling guns on them.

Batman.

All of them are arrested.

Part 1 - fin.

Ok, so you were right in the senses that Cass wouldn't be endeared to Jason who kills; but this whole fic, he wasn't a killer yet. Black Mask was the first and the only one he has ever killed. He did it to save Steph. The bullet was the only thing faster than another bullet, in that situation. It was, logically, the only way to save Steph for sure.

I know this because Cass would spend hours, on various different days, obsessing over the footage, from different angles. She will analyze trajectories and blood splatters. Try to come up with some other way. What would she do? What would Batman do? But the thing is, Jason isn't her, isn't Batman. He, at this point, is not trained by the League of Assassins or their affiliates. He's just, dead Robin, come to life. A gun he picked up from a guard he knocked out, non-letally, is the only weapon he has. He couldn't save Steph any other way. Cass knows it.

Cass also knows it that Steph made that choice, not to kill Black Mask. Made it and almost got a bulled as thanks. Made it and had to witness Jason erase it right before her eyes, for her. Cass knows that Steph is greatly fucked up over this one, and it still will take years, maybe, to recover in full.

And another thing that Cass knows: they are on the run because of Jason. So, no, nobody is exactly happy with him. Because while they were not just vigilantes, illegal crime fighters, they were Robins, banned illegal crimefighters. They could have been arrested and charged and got a book thrown at them if they so much as walked down the street in a red hoodie.

And Jason went and made them accessories to murder. Accomplices, if they are caught and DA has his way. They can never go back to Gotham again.

But, he did it to save Steph. Can Cass say she didn't want him to?

#jason todd #cassandra cain #fic idea #asks #outlaws line-up

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gregxb · 2 years

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I posted 162 times in 2021

11 posts created (7%)

151 posts reblogged (93%)

For every post I created, I reblogged 13.7 posts.

I added 17 tags in 2021

#podcasts - 3 posts

#greg weisman - 3 posts

#gargoyles - 3 posts

#disney - 2 posts

#babylon 5 - 1 posts

#demona - 1 posts

#voices from the eyrie - 1 posts

#frank paur - 1 posts

#david xanatos - 1 posts

#elisa maza - 1 posts

Longest Tag: 21 characters

#voices from the eyrie

My Top Posts in 2021

What's your opinion on the Cassandra Cain controversy in this current Young Justice arc?

First off, I just want to say that I think this arc has so far been awesome! I love it!

But to get to the heart of your question, I became aware of it on Twitter a few days ago... I read the Twitter thread and... let me state for the record that I know very little about Cassandra Cain, Lady Shiva, etc. While Lady Shiva was occassionally around, Cassandra Cain wasn't when I read Batman comics. So let me put the source of any ignorance you may think I have out there.

While I, personally, am not bothered by any of this, I am sympathetic to those who are. If it was my favorite character, if it a character arc that meant a lot to me... I would be, at best annoyed and trying to will myself to think "this is a different universe, a different version... it'll be okay" and at worst, livid... Livid.*

That all said, I only saw people posting their concerns on the change, nobody was attacking the writers and producers of YJ. Nobody was falsely accusing them of sexism or racism. They were talking about a character arc from the comics they love, and expressing disappointment in how it was altered in a civil, adult fashion... and good behavior is not something the internet tends to encourage, so we can be and should be happy about that. The internet tends to go from zero to eleven at the drop of a hat, so it's good to see the criticism be constructive rather than personal.

*I'm still livid to this day over what "The Goliath Chronicles" did to my favorite characters. I'm still not a fan of the split personality aspect of the Green Goblin in the 90's Spider-Man toon and the Raimi movies. Believe me, I get it.

13 notes • Posted 2021-11-18 14:20:34 GMT

14 notes • Posted 2021-03-07 05:07:03 GMT

Greg and Jennifer welcome back series co-creator, Greg Weisman and welcome, for the first time, series co-producer, Frank Paur. The group discusses Greg Weisman moving from development executive at Disney to producing the show with Frank Paur; Frank’s trip to Japan to finalize the look of the show with legendary animator, Kazuyoshi Takeuchi (Akira); bringing New York City to life; unveiling the show to the press, to focus groups, and ultimately to the general public. How David Xanatos and Demona were (and still are) unique and compelling villains. And we briefly touch on why the show got cancelled. All of this, the 1994 Northridge earthquake, and so much more.

Follow us on Twitter at: @FromEyrie Visit Jennifer L. Anderson’s online stores at: Angel Wings and Demon Tails Visit Greg Weisman at: Ask Greg Visit Frank Paur at: FrankPaur.com Everything you ever wanted to know about Gargoyles at: GargWiki

31 notes • Posted 2021-10-24 16:09:44 GMT

Greg and Jennifer bring on series co-creator, Greg Weisman, to dive into the show’s premiere episode. The choice to set it in Scotland, and how they accidently didn’t contradict actual Scottish history; the terrific script written by Michael Reaves and how he was a savior for the series; the animation and sound design; contrasting Demona and Princess Katharine; and how a show on the Disney Afternoon’s opening episode featured genocide. But, most importantly, the three of them pay tribute to the memory of Ed Asner (1929 – 2021).

Also available on your podcatcher of choice. Apple Podcasts, Spotify, Audible, etc, etc, etc

https://www.spidey-dude.com/voices-from-the-eyrie-03-awakening-part-one/

Follow us on Twitter at: @FromEyrie Visit Jennifer L. Anderson’s online stores at: Angel Wings and Demon Tails Visit Greg Weisman at: Ask Greg Everything you ever wanted to know about Gargoyles at: GargWiki

42 notes • Posted 2021-11-12 14:05:28 GMT

I cannot believe I haven’t promoted “Voices From the Eyrie” here!

Welcome to Voices From the Eyrie, a monthly podcast dedicated to discussion, analysis, and celebration of the classic animated series: Gargoyles. Join our hosts: Greg Bishansky and Jennifer L. Anderson as they lead insider discussions with series creator Greg Weisman, and other members of the cast and crew as they dive deep into each and every episode of the series as well as the SLG comic books. On top of that, be there as other long time fans, and some new fans are invited on to give their perspectives on this wonderful show ranging from newbies' perspectives to discussions of myth, legend, Shakespeare, biology, and so much more.

We are available on Apple Podcasts, Spotify, Audible, and your podcatcher of choice! And you can always find us here: https://www.spidey-dude.com/category/podcasts/voices-podcast/

62 notes • Posted 2021-10-15 20:29:12 GMT

Get your Tumblr 2021 Year in Review →

#my 2021 tumblr year in review #your tumblr year in review

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ordinaryschmuck · 3 years

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Why I (Want to) Love Tangled: The Series/Rapunzel's Tangled Adventure

Salutations random people on the internet who most likely won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

When I heard Disney was making an animated series based on Tangled, acting as a continuation from the original movie, my initial thought was, "Why?"

Sure, Disney is infamous for its unnecessary sequels of the story after happily ever after, with the many, many, many failures that follow suit. Even then, though, most of these continuations were movies that kind of have the potential to tell more of a story. But what more could be said about Tangled? Sorry to spoil a movie that's over ten years old at this point, but by the end of it: Rapunzel lost her golden hair, was reunited with her parents, fell in love, and lived happily ever after. Her losing the golden hair is the most essential part of that list because how can you do a series based on a Disney princess when her most iconic feature is gone? Then I found out that the series forced a way for her hair to come back, and my new initial thought became, "Oh man. This is gonna suck, isn't it?"

Despite the hesitation, I decided to give it a chance anyway. After all, I've been pleasantly surprised before. Things like My Little Pony: Friendship is Magic, The Mitchells vs. the Machines, and even The Owl House (yes, really), were shows (and a movie) that I didn't think would be that special. Only to find myself enjoying nearly every minute. So after watching Tangled: The Series/Rapunzel's Tangled Adventure, I can certainly say I was surprised...but it was entirely for the wrong reasons.

And to explain how requires spoilers. So if you haven't checked the series out yet, I highly suggest you do it to form your own opinion. Just keep in mind that it's a bit of a mess, but it can be an enjoyable mess...sometimes...let me explain.

WHAT I LIKED

The Animation/Art Style: The series swapping from 3D to 2D might have been the most brilliant decision anyone could have ever made with this series. Usually, when an animated movie gets turned into a show, the most noticeable downgrade is always the animation. Whether it’s not as detailed or not as fluid, it's always subjective that the movie is better animated than the series. But by switching up the styles, the contrast becomes objective instead. 2D and 3D animation each have their pros and cons, so deciding which one is better is nothing more than a matter of opinion. So by changing the style, Tangled: The Series/Rapunzel's Tangled Adventure avoids getting complaints of being a downgrade from the original movie. It also helps that the art style of the series is really unique.

The best way to describe how the show looks is that it's like a coloring book brought to life. At times, everything looks like it was drawn and colored in with crayons, which sounds like an insult, but in actuality, it's one of the best features of the series. As much as I love most animated shows nowadays, I will admit, they all look a little too similar at times. Then here comes Tangled: The Series/Rapunzel's Tangled Adventure, which tries to incorporate a whole new style that successfully sets it apart from most shows.

As for the animation itself, it's really well-made! It's remarkably expressive when required, while the movements are really fluid during the correct scenes. Sure the fighting can be a little floaty during some action set pieces (yes, those exist here), but the dialogue and comedic moments are really where the series shines with its animation. I may have problems with the series as a whole, but I give credit where credit is due for the perfectly executed effort that I see in every episode in terms of animation.

Rapunzel and Eugene’s relationship: This was not something I was expecting to enjoy from the series. In the movie, Rapunzel and Eugene were fine. They were the typical Disney couple that worked off of each other enough that it was always entertaining, even if it was unbelievable that they fell deeply in love with each other after, like, two days. They weren't bad, but they weren't anything to go crazy over.

But the writers for the series said, "You know what, let's make these two adorable in nearly every scene they're in." And they are!

Even though I don't believe in their relationship in the movie, I fully believe it here. Both characters have a large amount of faith in one another on top of having endless love for their partner. Like how Eugene knew Rapunzel would be fine when taking out an airship or how Rapunzel couldn't bring herself to say a bad thing about Eugene when making Cassandra a sparring dummy of him. It's legitimately pleasant to watch, to the point where I put Rapunzel and Eugene in my top ten list of favorite fictional couples. They're that good to me, and it's one of the reasons why I don't jump on the bandwagon of shipping the two main female characters together. I'm all for LGBTQA+ representation, but give Cassandra her own girlfriend. Rapunzel's taken, and most of my enjoyment of this show comes from her and her man. So, you know, keep things as they are.

Cassandra (Seasons One and Two): Seeing how I've already mentioned her, let's talk about Cassandra, shall we? Because when making a series based on a movie that had only four prominent characters, with two of them being comedic animal sidekicks, you're going to need to introduce more members to the main cast to write more potential stories. And Cassandra, in Seasons One and Two (I'll get to Season Three), is a worthy addition. She acts as a strict straight man (I know the irony) who interacts well with Rapunzel and clashes perfectly with Eugene on occasion. She was passably entertaining in Season One and developed amazingly in Season Two. Her growing frustrations with Rapunzel's actions lead to a slow build-up that made her betrayal heartbreaking but somewhat understandable. And as for the results in that betrayal...yeah, I'll get into that later. For now, I'll just say that Cassandra was a pleasant addition to the main cast, especially when she was a part of the main trio, and she's yet another good surprise that the writers supplied for the series.

The Songs: The songs are...not going to be for everyone. Most of them are passable yet kind of generic, while others sound like they belong on Disney Junior (Looking at you, "Bigger Than That"). But when Tangled: The Series/Rapunzel's Tangled Adventure makes a hit, MAN, it is a home run. Numbers like "Ready As I'll Ever Be" and "Nothing Left to Lose" are sung phenomenally, orchestrated well, and are songs I can listen to on repeat multiple times. And "Waiting in the Wings" is not only something I consider to be the best song in the series, but it's also something I'd place as high up on Disney's best due to how f**king incredible it is. "Waiting in the Wings" is a powerful ballad that manages to be both tragic yet inspiring on top of how well it sums up Cassandra as a character. The writers may not always be on top of their game when it comes to music, but songs like these prove that they know how to earn that Disney name.

And that’s all I have for the likes...Oh boy. That’s not a good thing is it?

WHAT I DISLIKED

It Peaked at Season One: It did. It really did.

Season One felt like the writers had a grip on what type of show they wanted: A slice-of-life series with Rapunzel dealing with the issues of her kingdom with a meager threat of these black rocks growing in the background. It was all cute and well-balanced for the most part, but that all disappears in Season Two. Because now it's sort of about this adventure, but because Tangled: The Series/Rapunzel's Tangled Adventure set itself as a slice-of-life series, there need to be these small-scale stories that intertwine the grand narrative being told. The issue is that the story comes to a grinding halt one too many times as fans are forced to sit through these filler episodes that, while not all of them are bad, still feel like a distraction. And by Season Three, the series does feel more focused while having some slice-of-life episodes added to the ongoing story instead of distracting us from it. But the writing isn't as strong, there are several plot holes in the narrative (how did Rapunzel's sunstone get into her dress?), and there is way too much time going back and forth on Cassandra's morality. They claim that she's a villain while arguing that there might still be some good in her, and they continue this train of thought for nine episodes when it really could have been settled in two. For me, it's a bad sign for a series when the first season is the best one. Because if it's all downhill from there, what's the point of even watching?

It Tries to be Epic: This might have been the worst decision the writers could have made.

Now, here's the thing: I don't mind grand epic tales of adventure and battles against demons. If anything, I'm all for them...when it's appropriate and fits with the tone of the series.

Tangled: The Series/Rapunzel's Tangled Adventure suffers a similar problem Frozen II has, in which the writers felt like a big, life-threatening adventure was the perfect continuation of a meager, personal story about the relationships of characters. It isn't. If anything, it's completely missing the mark about what the original story was about. And sure, sometimes writers can succeed in telling personal stories through grand adventures. Just look at The Owl House and parts of Amphibia. But with those shows, it's established within the first few episodes that action and peril will be a series staple. With Tangled, while there was some action and peril, it's all very subdued compared to how high the stakes got raised in later episodes in the show. Especially in the series finale.

And, I mean, c'mon. You're making Rapunzel an action hero?

Judy Hopps? Yes.

Moana? Maybe.

Raya? Most definitely.

But Rapunzel? The character who’s all about optimism and seeing the best of others. That's the character you're going to morph into a hero that fights against an evil demon laid dormant for years? Did you even watch the original movie? Yeah, sorry, but I just don't buy it.

If you want to tell an epic story that gets the blood pumping for fans addicted to adventure, go for it! See where the wind takes you. But make sure to set that tone as early as possible while also making sure that it fits with the characters. If not, the end result is a series that feels like it's trying to be something it’s not.

Eugene is Kind of an Idiot at Times: It should be noted that Movie-Eugene and Series-Eugene are practically two different characters. In the film, Eugene was more or less the straight man, as he often questions the wackiness in the world around him and keeping Rapunzel grounded in reality. For the series, most of that personality got transferred to Cassandra. Thus making Eugene's new role in the series act as the egotistical imbecile. Sure, he had those moments in the film, but not as frequently, and it really pains me when the writers really lean hard into a minor aspect of his personality. Sometimes there are moments when Eugene acts like his original self. But it's all small scenes that are spread apart with entire episodes where he has half a brain cell. I'm sure some people didn't mind this change to the character, but as someone who adores the movie version of Eugene, I can't help but feel disappointed.

The Villains are the Worst: Now, I don't mean the one-off villains that show up, cause some chaos for a bit, and disappear at the end of the episode. Those are characters with fun personalities, occasionally cool designs, and do their job as villains of the week. It doesn't matter if their motivations are laughably simple, as their purpose is to be enjoyable characters above anything else. So I actually enjoy those villains...it's the ones that act as season-long antagonists that really grind my gears.

The purpose behind these types of foes is to build up how evil they are throughout the season. The issue is that the writers try to give these characters, or at least two of them, a point. To be fair, this can work. Just look at Killmonger from Black Panther and sometimes Karli Morgenthau from The Falcon and the Winter Soldier. You understand and probably even sympathize with the logic and reasoning these characters have. It's just that their actions couldn't be farther from what you would do. The problem with Varian and Cassandra is that they have the motivation, but it's not written suitably for the story.

Cassandra is a whole can of worms I'll get to in a minute, but Varian is someone I can easily discuss for a brief time. Because while I can comprehend his pain for having his father frozen in yellow rock, I don't think turning evil is the best decision to go with that character. Because A. Everything is his fault. He blames Rapunzel for not helping him, but even if she didn't have a crisis to deal with, there was nothing she could have done to stop it. His frustrations are not only unjustified, but given the fact that this wouldn't have happened if he listened to his father in the first place, it feels like him becoming evil is too drastic of a turn. And B. Varian worked much better as a supporting character rather than a primary antagonist. He was just this hopeful, if not a clumsy scientist who wanted to prove himself, who causes minor catastrophes due to not thinking ahead. Turning a character like Varian into a villain is a bit of a misstep because if the guy acts hilariously incompetent as a good guy, it makes little sense to have him be intelligent and ten steps ahead of Rapunzel when being evil. If he were to become more serious and careful when helping the rest of the main cast, I'd consider that character progression done properly. But becoming a villain is just an overreaction.

However, none of that compares with my issues with the main antagonist of the series: Zhan Tiri. This goes back to my problems with the series making itself too epic. Because if Zhan Tiri existed in any other show, I probably wouldn't have any problem with her. She's built up well throughout all three seasons and is kind of threatening at times. But she doesn't belong in a series based on a movie that dealt with a small, personal issue where it wasn't even the character who killed the villain in the end. It was her love interest and animal sidekick. Even if Zhan Tiri works well as a character, the fact that it doesn't feel like she belongs in the show makes her too distracting to enjoy. And that's why these villains suck. If not poorly written, they don't belong in a series that should focus on small-scale issues. And if you can functionally write an antagonist that appears for only one episode but flounder with ones that show up in several, well, that's just embarrassing.

Cassandra (Season 3): OOOOOOOOOOOOOOOOOH BOY, do I have some words to express with this character. Like with Movie-Eugene and Series-Eugene, Cassandra from Seasons One and Two is frustratingly different from the psychotic IDIOT from Season Three. Basically, just take the issues I have with Varian, multiply them by ten, add them with some bafflingly stupid decisions, and you still wouldn't get how much Season Three-Cassandra frustrates me!

First off, her motivation...what the f**k were the writers thinking? The big reason why Cassandra betrays Rapunzel and motivates all of her misdeeds was that Cassandra's mother was Mother Gothal...EXPLAIN THAT LOGIC TO ME?! Because Cassandra should know what type of woman Mother Gothal was. She should know what Mother Gothal did to Rapunzel in the first eighteen years of her life. So how is Cassandra being abandoned by Gothal the central motivator to cut ties with Rapunzel, who is probably an even bigger victim in this scenario!? Seriously, Rapunzel was cut off from the rest of the world and treated as an unknowing prisoner because she was beneficial to Gothal. Cassandra was adopted into a household with mutual love and got to actually live her life. In no way does it make sense for her to be angry at Rapunzel.

Nor does it make sense that the writers try to play it off as a good thing in the song "Crossing the Line!" Sure, it sounds nice, but thematically, it gives across the opposite feelings that the audience should have. Because if Cassandra cutting ties with Rapunzel is meant to be tragic and awful, why is the music suggesting it's the best possible thing that's ever happened for the character? If you like the song, fine, but even you have to admit that it's thematic nonsense.

But, sure. Cassandra's evil now, and she considers it a good thing. Whatever. I'll take it as long as it leads to good stories...but here's the thing: In the penultimate episode before the three-part series finale, Cassandra asks a question. A question I would have never expected her to ask, despite everything that has happened in the last season. A question that was so baffling, I had to legitimately pause the episode to process the fact that she asked something so stupid. Because Cassandra, the character who is intelligent and grounded in reality, asked, "Am I the bad guy?"

I was honestly shocked to find out she was shocked! How, in the flying, everlasting, cock-a-doodle-doodling F**K does a person like her not pick up that maybe, just maybe, she isn't the hero in this story!? Call me crazy, but endangering the lives of people you once called friends and family, dressing in black, AND HAVING A GIANT EVIL-LOOKING TOWER MADE OUT OF F**KING SPIKES aren't qualities I would give to a hero!

If Cassandra was like Thanos, a character so wrapped up in his ego that he can't even notice how evil he is, I would understand. But she doesn't have an ego. Anger, yes. But for the most part, her personality is based on having logic and reasoning. So turning her into a villain and having her unaware that she's a villain is an act of lunacy that I am incapable of understanding. I don't know who's idea this was, but whoever is to blame...you've got issues.

>Sighs<...This series isn't good, is it?

IN CONCLUSION

I like the animation and some of the characters...but that's not enough. Tangled: The Series/Rapunzel's Tangled Adventure is a mess of a show that tries to do too much for a story that should have so little. Meaning that it's a D+ for me. I want to enjoy it and give it a higher grade, especially with how much I hear people praise this series. And if you do enjoy it, all the power to you. Your opinions are valid, even if I highly disagree with them. Because for me, this is a show that I won't get myself tangled up in again in the future.

#tangled: the series #rapunzel's tangled adventure #rapunzel x eugene #tangled cassandra #tangled varian #zhan tiri #what i thought about

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bigskydreaming · 3 years

Text

About that last Cass meta, I wanted to correct or elaborate on something I realized in hindsight lends the wrong impression. This happens a lot with me, especially the longer a post gets, because I’m just trying to cram SO MUCH stuff in a post as is that I leave stuff by the wayside, and it typically tends to be the stuff I think is so matter-of-factly obvious to me personally, that in the moment it seems to be the most obvious thing TO leave out, as I instinctively think of it as the thing most people would figure out or connect the dots on themselves. Most of my posts I tend to write stream of consciousness as though I’m literally just speaking to anyone who follows me, and aren’t like, made with either the intention of gaining new followers or even REACHING people who don’t follow me, so like, just because I’m thinking ‘oh anyone who follows me would already know I think this’ like....that isn’t a valid assumption to make about anyone who just might read a particular post. And like, this isn’t reasonable on my part and does tend to lead to a lot of misunderstandings. So.....that’s a thing and its also a mea culpa.

In this particular case, the thing I need to elaborate on is my stance on how Cass is written speaking. When I spoke of the racist tropes I think are evident in a number of Cass’ depictions, even if unintentionally, this was NOT meant to reference or invalidate peoples’ conscious choice to make Cass have trouble with the spoken word due to various disabilities that might stem from the way her brain’s very wiring has been messed with in her backstory and appearances.

Writing Cass as disabled and having various speech impediments or trouble translating her thoughts into speech for neurological reasons is one hundred percent valid, and I should have used more nuance when describing my issue there. Personally, I tend to write her as being dyslexic and having aphasia, but she hasn’t had a specific speech or learning disability NAMED in canon as far as I’m aware, and there’s plenty that could feasibly apply.

But what I was talking about specifically is like......for instance, some people write Cass as struggling with ENGLISH, specifically, but fluent in not just sign....but say, Cantonese or another Chinese dialect as well. This is when red flags go up for me because I’m like, hmm, that’s an interesting choice that doesn’t seem to have anything to do with story logic, because see, Cassandra’s only issues with language are due to something that affects her equally with ALL languages. She only BEGAN learning languages not long after her first appearances, and the barrier that kept her from doing so previously like.....it went down in regards to ALL languages at the exact same time.

So while it definitely is reasonable to have Cass being more comfortable signing than speaking out loud due to the fact that she prioritized learning sign language first, is less familiar and thus potentially comfortable with being part of spoken and verbal conversations period, and perhaps depending on what specific speech or neurological disabilities you write her as having is physiologically more adept at translating her thoughts into sign language without any trouble than she is selecting verbal words......what DOESN’T make sense is Cass having somehow picked up Chinese over the past several in-universe years, but its English specifically she struggles with and has a barrier conversing with her siblings in it. THAT specifically is where I would say hey maybe if this is a choice you’ve made in your own writing, this is one where you should look at what made you make that choice and second guess it like mmmm what WAS I thinking there precisely, and was that thought something I want to stand by, upon reflection.

Similarly......there is a certain WAY that people go about writing Cass struggling with speech that raises red flags for me......and that’s when they write Cass speaking the broken English I referred to specifically in that post, as in, the way Hollywood depicts caricatures of Chinese characters speaking non-fluent English. There’s a very familiar and evident cadence to that, which I believe a lot of people simply default to when writing an Asian character who has speech issues, but again, this is something that you should probably subject to more self-scrutiny. Because a Cass who has speech issues due to a neurological disability is going to display those issues in a fairly consistent way no matter how long its been since she started learning whatever language it is she’s speaking, albeit with some variance that accounts for workarounds she might have developed or learned to compensate for any issues she has there. But what she’s not going to do, IMO, is perpetually speak English in a cadence that lends the impression that she’s just not familiar with the language or struggles learning it or just hasn’t become proficient with it regardless of however many years she’s supposedly been learning or using it at this point. I’ve heard a lot of people with various speech or neurological disorders speak, but personally? I’ve never heard someone speak with a speech or neurological disorder that manifests in them speaking like a racist caricature of a Chinese character according to Hollywood depictions. THAT, specifically, is my issue there.

(And related, my reference to Cass being as much a genius as anyone in her family in that last post was meant to specifically highlight how well and how quickly Cass DOES adapt to a society she was not at all raised to be a part of, once she’s given resources and support in order to enable her to do so. Cass picks things up with TREMENDOUS speed in the comics, and so part of my ire about that last trope in particular is how often I come across fics where by their DEPICTION of Cass’ speech issues, it seems a lot more like she just hasn’t become fluent in English yet. And although its of course true that she had a very late start, if she’s been a member of the family for years at this point in your fic and you’re not bringing up any specific speech or learning disability affecting her ability to learn English, and thus it basically looks like despite years of practice Cass simply hasn’t managed to attain enough of a command of this particular language to comfortably converse in it with her family.....that’s when I go scrunchy-eyebrowed. Because like I said, Cass is SMART and she picks things up damn fast, and without any other explanation provided in narrative for why she’s struggling here specifically, I AM going to draw my own conclusions about why you’re writing her speech the way you are, and you probably aren’t gonna like my conclusions but that’s really more of a you problem at that point, IMO).

And finally, I think but don’t quote me on that, I’m a mind changer, I change my mind a lot......the last issue I have where I see red flags go up when it comes to Cass and communication is when Cass is struggling with speaking English but without direct reference made to her doing so because of a specific speech or learning disability....and at the same time, the author of the fic shows no acknowledgment of any other character’s disability or any desire or intention to depict any of the other characters with some canon disability or another as actually disabled. I’m not gonna lie, although Babs is able-bodied in canon at the moment, if someone’s writing Babs that way while writing a Cass that seems plucked out of pre-Flashpoint continuity rather than based specifically in her Batman and Robin Eternal origin......I’m not gonna be all that inclined to give the author the benefit of the doubt there and assume their depiction of Cass’ speech issues is due to an actual desire to write her as disability rep. I mean, it could be that I’m wrong and they are! I don’t actually know! I’ve been wrong before, I’ll be wrong again, either way the world WILL go on! I’m just saying it like it is.....point blank, if there’s no sign of a single other disabled character in your work and Cass just so happens to visibly struggle with speaking English, I’m just not gonna automatically assume its because you’re writing her as disabled rather than just writing her while racist. And if you ever do end up called out for that and its only after the fact that you suddenly seem to backpedal and insist you were just writing her as disabled all along, my skepticism, it will still abound. *Shrugs* It just is what it is. Do with that what you will. Literally just like, my opinion dude.

But anyway! That is the nuance I should have included at that part in my already behemoth-esque post but didn’t, but that is very much a mea culpa and so please take this as a wholly necessary post script. Disabled Cass one hundred percent has my support and I should have been more conscious about implying otherwise, no matter the point I was trying to raise at the moment there.

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salarta · 3 years

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What don't you like about Lorna's characterization in X-Factor?

Thanks for asking!

I believe in transparency, so before I get into that, I want to provide a little background on the point of view I’m coming from that influences my opinions.

I was opposed to Lorna being on X-Factor when it was announced. There was already a lot of bad blood and history for me with Marvel as a result of these past few years especially. I won’t exhaustively detail all of it, but the bottom line is, I was already in a place of having a low opinion of current X-Men comics in general.

Then when it was announced she would be on X-Factor, not even as the leader but just as a team member, that immediately grated on me. She’s been buried and sidelined for so long, and now she’s not only right back on the same title yet again after 30 years - that’s a second wave fringe title - she’s not even leading it, or doing other, more meaningful things outside it simultaneously.

Then I saw the interviews by X-Factor’s writer at announcement, which immediately gave me a couple red flags. One, the writer couldn’t seem to say a single thing about Lorna besides essentially “Magneto is her dad and Havok is her ex.” Not even about trauma, of which Lorna has tons of it. Yet she had no problem acknowledging trauma as an important story point for other characters. Two, in trying to form her opinion of Lorna, she said she talked to a couple friends, one of which she said put the Lorna x Havok relationship in a “new light” for her. Meaning she was limiting her fan input just to a couple people she knows and whatever biases those two have, at the exclusion of all others.

That’s my background. Before a single issue dropped. Now let’s get to the things I have problems with since it’s started getting published.

And I do welcome people correcting me if I’m incorrect about details of the book. Being wrong happens. The only true path toward a better future for Lorna is honest assessment.

My biggest problem with X-Factor’s characterization, as a whole, is that it completely disregards important parts of her history in the way she should think and act, and instead treats her like a blank slate.

This is clearest in X-Factor #4, the issue during X of Swords where Rockslide dies. Lorna is a survivor of the Genoshan genocide. We saw how deeply that wounded her. We outright saw her experience of being hailed as a sovereign princess by the people of Genosha, followed by those same people begging Lorna, specifically, to save them. Only for Lorna to be unable to do so, and unable to handle all the death and carnage and pain around her (note these pages are in order of her experiences, not publication order).

After the Genoshan genocide, we saw how not only did she survive this, she had those moments replaying constantly in her head and all around her until the other X-Men dug her out of Genosha’s ruins.

She suffered immensely from what happened to her. So much. But by the end, after dealing with the strain and trauma for so much time, she started to settle into a role from that experience somewhere in between Xavier and Magneto - which is extremely appropriate, considering her very first appearance in comics was all about her struggling between the “good of the X-Men” and the “evil of her father’s blood flowing through her veins” (as it was incredibly simplistic at the time).

This is the Lorna that came out of her hardships with Genosha. The one who felt the weight of those deaths and took them on to a point of being ready to fight for mutant rights.

In spite of this, Marvel has been ignoring the Genoshan genocide concerning Lorna’s history for 15 years now. Refusing to acknowledge it at all, as they let Jean fight Cassandra Nova on its ruins, and let Storm act outraged about its dead, and let Axis exploit it for Red Skull while Lorna’s written as off doing something completely unrelated.

The problem noted in the paragraph above is not X-Factor’s problem alone. It’s a running problem across all of Marvel.

But where X-Factor differs and is far, far worse is that X-Factor #4 not only completely ignored this event in her history. It had her behave as if she had no concept whatsoever of death and loss, had never received the development she did from the Genoshan genocide.

For over 15 years, Lorna’s been wiped from the Genosha story even though she went through the genocide and had served at Magneto’s side (before learning she was his daughter after all) during his rule. Not once in any of that time did Marvel allow the deaths of millions crying for her specifically to save them to impact their treatment of her. It’s been as if she suddenly no longer gives a damn about them.

But one mutant she doesn’t know at all dies nearby and she has a complete breakdown, running around unable to figure out what to do with herself, getting yelled at by her father to make the prophecies come out and later on wishing she could just disappear and stop being a part of anything at all?

That is not Lorna. Or rather, maybe it could count as Lorna from the 90s before Genosha ever happened. But it is absolutely not post-Genosha Lorna, the woman who endured the pain of millions dying all around her and came out of it a woman ready to fight through that pain.

Perhaps if this story acknowledged and incorporated the Genoshan genocide, did an incredibly good job justifying her behavior through that and making it all make sense, I would feel differently. But as it stands? This is an insult to everything she’s endured.

Which gets me to my other big complaints about this book. It doesn’t ACTUALLY acknowledge anything about her history at all.

This is where fans of the book will say “Oh X-Factor acknowledged Giant-Size X-Men when she built the base” and things like that. No. The book has only vaguely hinted at that history, which is very different from truly acknowledging and using it. The few times the book does this, such “acknowledgments” last for exactly one panel, and you have to be a real hardcore Lorna fan or long-time reader to have any chance whatsoever of seeing those statements as callbacks to her past. If you’re a casual reader, Lorna’s comment to Krakoa before creating the base could just as easily be read as that Lorna and Krakoa used to date and had a really bad breakup.

I’ve been asked before what would count as acknowledging her past. So here’s an example. Instead of the vague hinting with Krakoa, Lorna could’ve explicitly said something along the lines of “Hey, remember when Storm and the others helped me launch you out into space?” That would have been enough for a casual reader to know the amazing feat she did, its importance relative to current Marvel events, AND that she has a history with major known names in the franchise.

But as written? It’s just a silly little joke of a character who’s apparently never done anything notable or interesting “before now.”

Aside from these problems, I’m not keen on what has over time appeared to be a running theme of “Lorna is stupid” on this book. It started with this simple “joke.”

An important note: this panel is out of context. It looks worse by itself, but I have since been corrected by a reader that what happened before this was Northstar trying to charge in, Lorna trying to stop him, both getting caught in this trap, followed by Rachel’s quip. And they do have a history from before X-Factor. They were on the same team, Starjammers, in the late 00s to early 10s.

If this was the only case I had, I wouldn’t be bringing it up. It’s fine taken in isolation. There’s a question of why Lorna’s the sole target of the quip when it was Northstar’s fault, and a problem that people could easily misremember this in the future as Lorna taking the blame. But a single moment is no big deal.

But then we have the scene from X-Factor #4 above where Magneto’s written as yelling at her, putting her down for not being able to get the prophecies out. Lorna even explicitly calls it a “fitting humiliation” during that story.

And then we have the most recent issue. Where Siryn outright calls Lorna dumb as the story has her act in a way that makes her being called that appropriate.

In other words, three times now, Lorna’s been presented as the object of ridicule. As a failure who isn’t able to make plans, think ahead, or handle these stresses that come her way. In essence, it’s wiping out the development she received not just from her experiences on Genosha, but also from her time as leader of All-New X-Factor. Would YOU expect this character, as presented, to be at all capable of leading her own team some day? Or of leading people in a movement, harkening back to when she was called the Queen of Mutants both post-Genosha and when she was initially revealed and Magneto was believed to be dead?

My expectations of X-Factor before it started releasing issues were low, as stated above. But as it’s been releasing issues, it’s just been confirming my worst thoughts about Marvel and how little they think of this amazing character who’s been through so much and never receives her due.

All it’s doing is exploiting her to sell the book and promote everyone else on it. That is my straightforward assessment and opinion of the book. None of the stories or moments truly address anything Lorna’s experienced. The initial story was about Aurora, setting up Northstar as the leader, and forming the team. The Mojoworld story was about Shatterstar. X-Factor #4 was about Rockslide and his death. The latest story is about Siryn.

And it’s great for all these other characters that they’re getting all this care and attention that they often don’t get. But it doesn’t have to come at Lorna’s expense. If she’s going to be on the book, it has to actually give a damn about what she’s been through and how it’s shaped her, and openly acknowledge her too often forgotten past spanning 52 years.

I am not saying X-Factor taken as its own thing is bad. I’m not saying it treats any of the other characters bad. I’m saying it’s bad for Lorna, and she’s better off not on it even if she doesn’t get to join the new X-Men team.

I will end off on a bit more of a positive note for people who happen to like this book. There are a couple things I do like about it.

I like the creative usage of Lorna’s powers in building the team’s base, and in having the prophecies encoded in electromagnetic signatures. Those are an excellent way to show she can be and do other things besides “bend spoons,” and she’s not just “Magneto with boobs” as far as power usage.

I also like that the book does not have a sexism problem in its treatment Lorna. Past treatment of Lorna had this problem in a big way, as demonstrated by this awful as fuck cover from X-Men Blue.

And I partly like the very last few panels of X-Factor #4, in that Lorna gets to do some public speaking among mutant colleagues. I loathe the treatment leading up to it, and I think it could’ve been much better if it followed the vein of one of the variant covers of Lorna holding up a sword in front of an army as if urging them onward to battle as a warrior queen would. But it was still better than okay.

But those few good bits do not in any way make up for the bad as I’ve seen it in this book.

#polaris #lorna dane #x-men #marvel

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youngjustus · 3 years

Note

For the character thing: Tim drake? But if someone else said that then how about Kon? :)

timothy

First impression:

i was many years old when i found out there was more than one robin, and then proceeded to spend many hours into the night googling all of them. i read his origin story first, and that really sold me on the character.

Impression now:

he’s for sure in my top favourite characters list, and through him i’ve found a lot of other characters and story arcs that mean a lot to me. he just makes me happy, and i see a lot of myself in him!

Favorite moment:

every single part of a lonely place of dying. no, i will not elaborate. ❤️ (at least in this ask because it’s already very long lol)

Idea for a story:

basically any and all story ideas i have for anybody are character studies, and for tim it would for sure be surrounding mental health and probably seeking a therapist.

Unpopular opinion:

he’s not as shy or... as easily embarrassed i guess? i’m not sure how to word it, but i’ve seen a lot of fan works tend to portray him as more outwardly sad than he actually is. some people who know him can see past it. also his humour tends to be sarcastic, and he’s capable of being, like, mean.

ALSO HE DOESN’T LIKE COFFEE.

Favorite relationship:

conner, bart, and cassie go without saying, but also dick, bruce, alfred, stephanie, cassandra, cissie, anita, greta, and kara.

Favorite headcanon:

he has autism and ocd. :)

conner

First impression:

my first impression was unfortunately from the yj cartoon, where i didn’t really like him! i thought he was way too much of the angry jock trope and not much else. but then i delved into the original 90′s comic, and i loved his costume and his personality way, way more than his cartoon adaptation.

Impression now:

conner is one of my favourite characters ever! he’s one of the few characters that i feel very confident talking regarding his history and characterization. i think he’s a really interesting character when in the right hands with still a lot of unexplored aspects of his origins, powers, and relationships with other characters. i love conner very much, and i love talking about him!

Favorite moment:

reign of the supermen! is objectively, like, a bad story, but i unironically enjoy it a lot; i love conner’s introduction and his growth just in his few first story arcs.

most of the black zero arc in his 90′s solo series where he meets an alternate version of himself that never left cadmus.

i also like his death in infinite crisis. if it were up to me i’d change a few things about this story arc, but i do like his reluctance to rejoin the fight and then his sacrifice.

Idea for a story:

i don’t want to go into a whole lot of detail in case i do end up doing this, but i’d love to get to write about him moving to smallville.

Unpopular opinion:

he shouldn’t be superman! that goes against all of his character development of being his own person! also he’s not superman’s kid! i will say both of these things until they disappear from fanon!

Favorite relationship:

the rest of the core four of course, but also clark, kara, martha and jonathan, mae, linda, cissie, anita, greta, and krypto.

Favorite headcanon:

that is a gay man, your honour.

#these are taking me a while but thank you to everyone who sent in asks!#asks #yj posting #long post

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misstvirus · 3 years

Text

** RESIDENT EVIL VILLAGE SPOILERS **

I decided to put this on tumblr so I could hide spoilers from Twitter and full explain why I gave Resident Evil 8 the score 5/10

These are my opinions and my personal review of Resident Evil Village. Everyone is entitled to their opinions and I am in no way saying that anyone’s experiences or enjoyment of the game are invalid.

Please excuse me - I had a hard time trying to put my thoughts in order. This is a game summary and commentary after the first few paragraphs.

I first discuss the graphics, music, etc but it turns into me basically explaining the plot so I could express my dismay at the end. Skip to the last few paragraphs to read my mental nerdy breakdown.

The gameplay, graphics and mechanics are perfect. Each installment since of series since Resident Evil 7 - has improved. The game mechanics while in combat such as switching weapons, healing and guarding are smooth, it’s damn near perfect. The Duke brought a lot of nostalgia and memories of Resident Evil 4’s Merchant. I enjoyed being able to interact to upgrade weapons, buy supplies and sell treasures. The games over all aesthetic, atmosphere and attention to detail. Each location was beautiful and you can see the love, sweat and dedication put into the game. The music is there, it is eerie at times but it’s not as memorable as other installments of the game. Resident Evil 7 had its featured title song, “Go Tell Aunt Rhody” - Resident Evil Village’s “Yearning for Dark Shadows” was not as heavily featured and did not get the hype like it’s predecessor.

Resident Evil Village had a good story (please note this is my thought strictly AS A REVITALIZED RE GAME BEFORE THE CHRIS REDFIELD SEGMENT). The story starts by continuing with Ethan and Mia Winters after the events of Resident Evil 7. I knew Capcom moved in a different direction and accepted that as long time RE Junkie that although it’s from the same universe - they would not be the same type of games. Chris Redfield’s end game appearance in RE7 and a few Easter eggs were the only MAIN (not DLC content) links to the previous RE installments. The new set of villains and interesting tie-ins to village folklore story was a great way to foreshadow the events to come. The village and story behind Mother Miranda and her reasoning for creating the big baddies because wanting to bring back her dead child were good and had this been a stand alone or continuation WITHOUT TYING THE GAME INTO THE RE UNIVERSE I would have liked it fully.

The game starts with Ethan and Mia Winters, a new baby, Rose and are Having marital issues not dealing with Louisiana/RE7 events and Chris Redfield shows up and kills “Mia”. Chris’s team takes the baby and Ethan and knocks him out. When Ethan wakes up in wreckage of a van, without his baby and dead drivers. As Ethan wanders into the woods and makes his way to the village. He discovers something is killing the people and meets up with a group of people who worship Mother Miranda and quickly die by monsters. These monsters are called “lycans” who are products/monsters of the Cadou mold similar/same thing in RE7. Ethan finds himself apart of weird meeting of all five villains - who stole baby Rose and want do some weird shit.

Tada! Ethan has escaped and ends up in Lady Alcina Dimitrescu or “Tall Lady” “Vampire Mommy” castle. You are confronted by her and her three daughters Bela, Cassandra and Daniela.

Let me step in to rustle the jimmies and ruffle the feathers of the Lady D hype group. What you see in the previews is what you get. No more, no less! There is nothing special and there are no redeeming qualities or mentions past notes in game files of Lady D outside your castle encounter. The story isn’t based around her, she’s just a tiny part in a larger story plot 1 of 5 villains/baddies. The daughters are overly sexual and have the most cringe worthy dialog. I love me some sexy characters and villains but the daughters were just so cringe. They could’ve AMPED up the horror with them and created a stronger scare factor but dropped the fucking ball. They were not creepy or scary and brought nothing to the story with delivering lines about wanting to “consume Ethan’s manflesh” “not stale as mother said - tastes so good.” Also to be noted they were not actually vampires but bioweapons. Lady D being a good result to the mold “Cadou” and the daughters the result of the Cadou and mixing of insects. You kill the daughters, get chased by Lady D who eventually mutates into a flying tentacle bat-dragon and it’s done, she gone. Sorry to fuckboys who thought she was bigger player.

After Ethan beats Lady D, he grabs a yellow flask that’s apparently filled with the juice and parts of baby Rose - and each of villains has one of these baby-juice boxes. Ethan will have to collect them all to be able to put Rose back together.

Next visit is House Beneviento. This was the scariest of all five villains and village locations in my review of the game. It reminded me of a Silent Hill installment less a Resident Evil installment - the use of light, sound and overall paranormal factor did bring in a successful horrifying portion of the game . The mutated baby chase was comical yet creepy. You have to hide to escape it and you ended up playing hide and seek with possessed dolls. The entirety of House Beneviento will definitely give you an uneasy feeling. Donna, the woman controlling a doll named Angie is another baddie who you later learn is mentally unstable and uses her abilities to manipulate plants - to cause hallucinations to create the creepy doll house scenario. (Oof it’s hard for me to stay on track). Part 2 of 4 of Baby Rose - which yes it what your game objective says.

Next Moreau, a mutated fish man - gives Ethan the Resident Evil 4 and Resident Evil 5 game play feel - having to complete actions while some oversized bioweapon is looming around and can take you out with a misstep, like falling in the water or moving too slowly. Moreau did not gain any abilities with the Cadou mold, basically his body wasn’t compatible and he just mutates uncontrollably. Mentally slow, weak and kind of a sad story. Ethan runs into Chris Redfield who tells him to stay out of it and than runs away. Ethans fights Moreau and gets another baby juice jar.

Next Ethan faces off and explores a laboratory with Karl Heisenberg - a bioweapon who can manipulate metal (think a less cool and weakly motivated Magneto). He one of the last big baddies - and motivated by being essentially rejected by Mother Miranda. He is the most stable reaction to the Cadou mold. Before Ethan and Heisenberg face off - Chris Redfield comes in - to reveal he was not the bad guy Ethan thought in the beginning of the game. Mia wasn’t Mia but in fact Mother Miranda in disguise- who was attempting to steal the baby Rose which she ended up doing anyway because Chris’s team wrecked with the baby. At this point I’m say FINE WHATEVER, I guess this works

Chris goes into kill Mother Miranda, we the audience discover the BSAA is now not what is used to be. Chris isn’t affiliating with them and his team hides away from them as they attack. BSAA gets struck down attempting to kill Mother Miranda’s mutation - a megacyte squishy organ (that’s keeping her alive and immortal). Chris puts a massive bomb on big Miranda squishy thing and discovers that Lady Dimitrescu, Karl Heisenberg, Moreau and Donna Beneviento are all attempts to create a perfect vessel to bring back her own dead child Eva, who died in 1912 of the Spanish flu. It is revealed Eveline, the RE7 little girl mold baddie wasn’t another failed attempt. Miranda has turned baby Rose into baby juice to use with the Cadou mold in a ceremony to bring her dead child back.

AND drum roll please - we find out Ozwell Spencer, founder of Umbrella and the progenitor virus the big Daddy of it all was in cahoots with Miranda at some point in his youth and supported her crazy ass research but had his own stuff going on. WHY?! WHO KNOWS? NOT ME! WHY WAS THIS PUT IN THE GAME. To piss me off? Yes. Chris has also discovered Mia is still alive in jail cell for what reason? who knows? And Mia reveals that Ethan is special!

Cue black screen, Ethan awakes to see to Eveline - the mold baddie from RE7. Eveline explains - that Ethan has been dead and died back during the events of RE7. Jack Baker had killed him and dragged him into the house. So he was dead the entirety of RE7 - That explains why Ethan is constantly dismembered, beaten and walking the mold keeps him alive. Ethan will not survive much longer because his missing heart but is determined to bring back his baby. Weakly he carries himself to fight Mother Miranda with Chris. Mother Miranda performs her ceremony with the baby juice boxes and out comes not Eva (her baby) but Ethan’s baby Rose.

They fight and Ethan kills Miranda, carrying Rose off to Chris but that missing heart is the end of Ethan so he takes the trigger for the squishy bomb and pushes Chris away and sacrifices himself for his daughter. Chris boards a helicopter with Mia and baby and the body of a BSAA solider. Ethan blows himself and the Miranda squishy up. The BSAA soldier turns out to be a bioweapon and Mia is distraught at Ethan being for reals dead and Chris is annoyed and directs the pilot for BSAA Europe HQ. Credits Roll, now we see Adult Rose (baby juice reborn as mold human) visiting her Dads grave it’s apparent Chris has been training her and her bodyguard (?) pulls up and they argue and she goes all combative on him. It’s implied she’s not normal since she was DUH she was turned into baby juice and put back together with Cadou mold they drive off - apparently you can see a ghostly Ethan in photo mode - I don’t know I don’t give AF enough about The Winters family and this game at this point

The End

5/10 - Story (read below)

9/10 - Everything else

- Katie’s Dismay and Final Review and Rating-

Graphics: 9/10

Setting: 8/10

Music: 6/10

Game Mechanics: 10/10

Story: (pre Chris Redfield tie in): 7/10

Story: (post Chris Redfield) 4/10

As a modern game, it was great, exceptional. It checks all the classic horror boxes but isn’t the scariest entry, Resident Evil 7 was a much more scary game. The story is why my rating is slow and it’s based on my biases and years of following the story.

STOP! Don’t want to hear my angry ranting? SKIP THE REST

THE ANGER OF a grown ass Resident Evil Fan.

They should’ve omitted the entire BSAA story and BSAA bioweapon-man and not included those notes about Spencer and Umbrella. This game was solid as a next installment and sequel to Resident Evil 7 until they decided they wanted to tie the original Resident Evil storylines into the new story.

When Capcom decided to breakdown and rebuild the franchise, it was a blow because so many storylines were unfinished. I understand they needed to keep evolving and I was blown away by the result. RE7 was not and did not feel like an old RE Game but it was new and it brought back the horror and fear the RE Games early installments were known for. A new RE for a new generation!

But TO ME PERSONALLY - The positive thoughts and opinions I had of RE7 are sullied by Resident Evil Village. Why try to tie it in as an after thought after such a successful overhaul? It’s a slap in the face! Capcom has created some of the best characters in video game stories just to say fuck them for this overhaul but WAIT WE REALLY LIKE CHRIS AND THE BSAA STORY LINE LET’S BRING IN THE OLD STORY NOW.

Fucking NO.

I don’t know what’s worse reading that fucking note from Spencer or the BSAA bullshit.

So now one has to say... WHAT happened to all of the characters who worked for BSAA or worked with affiliates of the BSAA? Chris goes on his own way - Now what? What happened??? There’s nothing explaining what happened between RE5 and RE6 to RE7! They failed to create that bridge. If they had established ANYTHING in RE7 it would be easier for me to swallow.

If you want to overhaul and change the series FINE but don’t back peddle now. Don’t try to throw it the last few minutes of the game with some lazy writing and a vague cliff hanger just leaving it like this.

And of course one could think - “maybe they will make a new game, maybe another sequel?”..... BUT HAVE Y’ALL seen what’s happened at the end of every RE game since RE4???? We are finally getting a Netflix series in 2021 to fill the time after RE4!!! That was 16 YEARS ago! So how can crazy ass fans like myself really expect them to fix the plot holes?!

My theory is that - in between RE7 and RE village They were working on the RE2 Remake and the RE3 Remake and it was if someone at Capcom finally asked - “If all these new RE players are going to play RE village - don’t we need a way to connect these stories????”

And someone jumped up in a conference room and replied. “FUCK IT LETS JUST TIE IN SPENCER AND THE BSAA IN THE LAST 10 MINUTES!”

I have cried, laughed and loved these games my entire life. Some of my major life events happened because of this series! I have followed every game, collected merchandise, gotten tattoos and met the most amazing people because our mural obsession over this series. That’s why it hurts me that’s why I’m tear it apart so viciously and also why I keep playing. There’s always hope that someone will fix the plot holes and finish the stories that lured in the older RE fans and I will always hold Capcom to a high standard and expect them to do right by the fans. I’m not speaking for ALL older RE Fans or ALL fans and I’m definitely not gatekeeping the fandom. This is how I feel - I’m grateful there is a new generation breathing life into RE but I’m screaming a warning - BUCKLE UP BUTTERCUPS - there’s a strong chance your favorite characters new or old aren’t going to get an ending or be reduced to a brief snippet in a file you may not not find.

ANYWAYS

Happy to those who loved it, condolences to those who are pissed off like myself

I’m annoyed but I’ll power through!

Happy 25th Anniversary to my longest obsession!

RE Verse coming in the summer, the Netflix series and the remake Live Action Movies.

HERE’S TO RESIDENT EVIL!

#resident evil #biohazard #resident evil village #resident evil 8 #my opinion #video game #capcom #spoilers #resident evil spoilers

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ellana-ravenwood · 5 years

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The Batfamily TV show I wish existed but that will most likely never be (wecanhopethough) :

I’ve been fantasazing a LOT lately about a Batfam centric tv show. Not a story just about Bruce and then the kids are somewhere in the background, or just about one of the kid, or one character of the “extended family”. Nope. A TV show, that would focus on everyone. And here’s a few of my thoughts haha :

We’ve seen enough of times Bruce’s parents murder so no need to have a scene of that again. Even people who never read a Batman comics or watch a movie/animated show, sort-of know how he ended up being Batman ya know ? It kinda became a trope, a classic scene, to see little eight year old Bruce screaming above his parents’ bodies, in an empty alley...We really don’t need to see yet another one of those. We all know the story. And for those who are not up to date, there will be hints of what happened dropped all through the show. Because it’s still about Batman.

The Robins and all though, often people don’t even know there’s more than one Robin ? Or at least don’t know how many there are really...So here how I would love for the show to start/be :

The first few episodes would only be about ONE kid, and ONE “extended family member” (Like Babs, ya know ?). My absolute biggest dream would be to have the ENTIRE Batfam represented (or most, there’s some members from alternate timelines/world that I’m not sure would appear...or maybe just as a cameo ?), and each of them would have their moments, and be just as important as the other. My perfect Batfam TV show would portray how they are all linked, how they’re a family (albeit not always a very functional one) So. Here we are. Longer episodes than normal shows,more mini-series sort of things than the traditional 40 minutes episodes. I think an hour would be a good timeframe, at least for the “origin story” episode...so, yeah, longer-than-usual episodes about all the origins of the kids and all.

First episode start with Dick coming in young Bruce Wayne’s life. We quickly understand that Bruce just came back after years away from Gotham (and that it was to train to become Batman). He’s been back for less than a year, and already started to be a night vigilante...And here he comes. Little Richard Grayson. A boy in which Bruce sees himself a lot (because of the way he lost his parents). And so Bruce makes the crazy decision to adopt the kid (yeah yeah I know “ward”), and it literally changes the way he lives. And boom, Dick’s origin story. Maybe a little shenanigans across the Manor. Dick’s difficulty to adapt to living with Bruce now, and not having his parents. Showing how he can get so angry at times ! And how he isn’t just that jolly little boy who jokes around and hugs everyone he sees ? Basically, an episode that could show every faces of Dick Grayson. Because he deserves to have a show where an entire episode is JUST FOR HIM, and how he is.

Second episode would be Barbara Gordon’s introduction. Pretty straight forward. Who she is, daughter of who, how she came to become Batgirl. Her close relationship with the Batman and his sidekick(s). Showing all the dimension of Babs, her intelligence and such. She isn’t just “a badass girl” (she’d only be a girl at the beginning), but an extremely intelligent one who’s able to turn situations around that look desperate, thanks to her analytic brain etc etc. She’s essential in a lot of Batman stories.

Third episode would be Jason’s arrival. Completely different from Dick’s. the episode would focus on the few years he has with Bruce, and where he comes from. How Jason hasn’t always been “the rebel of the family” (and how actually Dick has that role more than any of his brothers really...in this episode, probably there will be a quick mention of how the “previous Robin” is sort of a taboo subject because he left Gotham to go with the Teen Titans and Bruce is still not over it...). How he’s actually really sweet, and so SO happy to be Robin, and finally have someone that cares ? Which will explain why he became Red Hood later on...The episode would end on his death.

Fourth episode would start with Bruce being depressed, still not over Jason’s death. It would show how he became even more violent, which he has fights about with Dick...At the same time, Dick came back to Gotham as Nightwing after Jason’s death to still be there as a support for Bruce. Dick is always there when his friends or family members need his help...Doesn’t mean they don’t fight though. Bruce is even tougher to get through to than he used to. Jason’s death really hardened him further, the guilt not helping, of course. And then...Here enters little Timothy Drake. “Hey, I know you’re Batman !” he tells him, smiling widely...A few of his (baby) teeth are missing, that’s how young he is. The episode would be about how Bruce refuses to take Tim in as first (even more so since Tim’s parents are still alive by then), and would show their relationship evolves, all the way up to Bruce officially adopting Timbo.

Fifth episode : Hey is that Stephanie Brown we see ? Yup it iiiiiis !! Her story. Her background. What’s up with her. This episode is all about her. How she’s an important part of Bruce’s life, however isn’t one of his adoptive kid (it would be weird anyway...it would mean she ends up dating her own brother...). I always viewed Steph’ as an important member of the “Batfam”, but not as one of Bruce’s kid ? Like, she’s most definitely cared for and loved, but she doesn’t permanently live at Wayne Manor, and isn’t officially his ward or adopted kid etc etc...Doesn’t mean she isn’t included and not sort-of-family ! But, ya know what I mean, extremely close friends can be family too (remember : this is only MY opinion and how I view the characters after I read comics with them, you can totally disagree...in that case do it nicely, please).

Sixth Episode would be Cassandra’s. Bruce is fighting against her father, and that’s when he finds that young girl that appears mute, and that just killed a few men in front of him. He learns of her story, how her father tried to turn her into a weapon since she was born, via some audio recordings he found in one of his hideout. And he feels utterly disarmed. What is he supposed to do ? He can’t let such a dangerous person out, at the same time, she looks so young...And it’s not quite her fault, according to the recordings...He can’t just leave her there, but he’s also sure that locking her up would do more harm than anything else. So he takes her in. Ensues the beginning of Cass’ evolution (the rest will be in other episodes).

Seventh episode would be the one where Bruce discovers that Jason is still alive, and that he HATES HIM. Fighty fights fight...Oh shit it’s my son. Flashback of how Jason got resurrected and his short time with the Al’Ghuls, and a little speech about why he hates Bruce so much. Very “Under the Red Hood”, I guess. Ends with a heartbroken Bruce, and an even angrier Jason (because he saw Tim and Cass and can’t believe Bruce still enrolls kids to be his little “child soldier”...of course, it’s more complicated than that).

Eighth episode, Damian’s dramatic entrance. “I thought you’d be taller”. He tries to fight every single one of his siblings (that he most definitely not consider as such yet) (and yes I’m including Cass because I want her to be part of it all...), and it’s obvious they let him win. Sure, the kid trained since he was born...But they’re all pretty old now, and trained by the Batman too. Damian couldn't overpower them that easily (yeah it’s a canon thing I’m not a fan of...). In any case, Damian’s first few days in the family are tough af...

Then after all those origin stories, a lot would happen before Duke’s episode finally comes (because he appears quite late in the Batfam). So an explanation about how he came to get in, what happened to his parents, etc etc. An episode about Duke ! He might come in only like, in a later season (again he comes really late into everything, although he appears before). But when he comes in, Damian is less of a brat now, and considers everyone his family etc etc.

I know there’s a lot more people that are friendly with the Batfam (like Luke Fox and all) HOWEVER, I wanna talk about the “core” Batfam, Bruce and the kids and all. Family. Now of course, Kate Kane would appear. Maybe have her own part of an episode about how at first she decides to become Batwoman of her own volition and isn’t even affiliated with Bruce. Her story at her military school. Why she decided to get into this business etc etc...Probably things about Jim Gordon too. Oh, and the villains ! But really, only full episodes about the ones that are really...family. Like, Kate is Bruce’s cousin and all, but...they always kinda had their own things going on. Now as I said, she’ll appear, but you know what I mean. Basically, allies and friends will most definitely appear, but they won’t all have a full episodes about them ? Maybe a story revolving around them, and therefor we learn the essentials. Also, lil introductions to all the pets the Batfam has (of course we’d have Batcow, Titus, Ace and other Alfred the Cat hehe).

The narrator would be Alfred Pennyworth, because he’s the one constant in every story. He’s always there (or almost). First episode would start with Bruce as a little boy, after his parents’ death, training around the house, and then as the episodes unfold, more and more members appear, training with him (opening credits).

We’d just have episodes about their domestic life AND their detective life. A perfect mix of both World. And after all those introduction episodes, that would be all interesting because we all know those peeps have some wild backgrounds, then the audience would know everyone ! Now, it’s a lot of characters, so, once they’re all introduced, they don’t need to always appear. There would be episodes of all of them together, and sometimes of just two of them bonding over whatever ? Like, Dick and Jason. Tim and Damian. Etc etc.

And every episodes would talk about all the different facets of their personalities, and not only focus on stereotypes (like it’s often the case :/). Like, NONE OF THEM are one-dimensional characters. So, let’s show that Bruce is a caring man but also a total jerk sometimes, that Dick is the “carefree” one but also the “angry Robin” more than Jason is, that Jason isn’t just a killing machine and a rebel, but also very sweet. That Tim isn't just that coffee addict boy who never sleeps, but a selfless man who’s in it because he thinks he does the right thing. That Damian isn’t just a brat who hates everyone, but tries really hard to better himself and is actually extremely scared of becoming like the Al Ghuls and turning bad etc etc...Show their complex personalities, and not just boring and lazy cliches.

Are you starting to see why this show would be impossible to exist, wether live action or animated ? Haha yeah, it’d be like, 300 seasons long hahahaha. Because there’s so much material ! ...But I’m pretty sure so many of us fans would watch every single episodes.

PS : This is an “adaption” I imagined, so of course not every subtlety about everyone are in the short synopsis of their episodes I gave, and there would be much more than that. And some aspect of the stories are switched a little. And it’s only snippets, small portions. My idea would be much more worked on. I just wanted to share the little things I thought about ^^. '

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renaroo · 4 years

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That Time Ted Kord and Barbara Gordon Invented Sexting in the DCU

[Birds of Prey (1999-2009) #25]

There’s a lot of things I would like to end the decade on, and I’ve got a Cassandra Cain post I want to get up, but I am called to talk about one of the most important, most obscure parts of the DC Universe that happened 20 years ago. Also I’m shameless and encouraged by @secretlystephaniebrown and @shobogan so here we go.

DC, and most comics really, have this bad habit of minimizing or erasing past relationships of characters in order to “simplify” romantic narratives with an endgame pair.

In some ways, I suppose I get it. There is a certain joy I can take from the notions of pure love and meant to be, and with these two characters in particular -- Ted Kord (Blue Beetle II) and Barbara Gordon (Batgirl I/Oracle) -- I have very passionate feelings toward other pairings with them.

But my god. What is lost in the world and in your perspective on both of these characters if you do not know their history together. No, seriously! It’s great!

Ted and Babs are both well established nerds in the DCU even before the 90s. On every team Ted’s a part of he is one-half prankster and one-half tech support, to his continued chagrin. And Babs’ technical skills and eidetic memory are among her most famous traits, even when she was the Batgirl of the Bronze Age.

By the 90s both of them had also been through a lot -- Ted had gained and lost a dozen teams it felt like by that point, Barbara had survived her attack by the Joker but had only begun to establish herself more widely in the superhero community as Oracle, and the Birds of Prey were literally just starting out.

Babs had Dinah, but was still not revealing her identity to Dinah, she needed a friend. And, online in a techie forum, she made one:

[Birds of Prey (1999-2009) #2]

This friendship blossoms for a while as purely digital space across quite a few issues -- a lot of good issues of the early Chuck Dixon run which is an under-read treat these days, I feel. It still has its... Dixon on it, but the characters are great and this relationship is just one example of them.

Ted helps Babs out quite a bit and finally, they’re ready to meet in person.

[Birds of Prey (1999-2009) #15]

They’re honestly adorable, and pretty much instantly know each other’s identities. For one, Babs knows all the identities on the Justice League roster. For two, Ted can put together pretty quickly what tech-related superhero would have access to that kind of information.

For three, they went to a meet up in color coordination with their hero identities. Which of course is protocol in comics but still.

Point stands.

Ted stays in the picture for a long time after this, he’s a good friend and confidante to Babs and they’re genuinely interested in each other’s company. Platonically or romantically? It doesn’t seem to really matter until it’s finally the end of a long and tough arc, and Ted is forced back into wearing his Beetle suit again.

And they have a serious conversation about their relationship that ends like most interactions with Ted do: a good laugh.

[Birds of Prey (1999-2009) #25]

Ted and Babs actually relied on each other a lot as friends after that. Ted was Beetle on and off again, but Babs could tell that something was up and was firm in pushing Ted to go to a doctor to get himself looked at.

If she hadn’t, Ted could’ve gone without treatment for a severe heart condition that had already cost him 3 heart attacks without him realizing it.

[Birds of Prey (1999-2009) #40]

And, the first person he tells, is Babs.

[Birds of Prey (1999-2009) #41]

Unfortunately, about this time is where comics get. Weird and difficult because as writers move books or even just as storylines naturally shift for bigger parts of the stories, things get dropped unless it’s picked up elsewhere.

A few comics like Formerly Known as the Justice League (2003-2004) would call back to their relationship and it would be in the pseudoromantic and fun banter that had had for the 90s and early 2000s, but it never picked up as a focus again.

[Formerly Known as. Justice League (2003-2004) #5]

By 2006, Ted was dead, murdered by Max Lord after he got on the right trail for what was happening with Checkmate and the OMAC Project that Bruce had on the back burner. And he was alone, after almost all of the superhero community ignored or downplayed the importance of what he was finding (except for Booster).

Unfortunately, that included Barbara.

She’s not outright dismissive and she’s not cruel or condescending to him in the ways other heroes are at the final hour, but her attention is elsewhere. They grew apart from where they were, Ted’s reputation was at an all time low to other heroes while Babs’ and the Birds of Prey were at their height.

So she gave him the final clues that would lead to the discovery of OMAC. And would send Ted to his death.

[Countdown to Infinite Crisis (2005) #1]

One thing I do appreciate, though, is that unlike a lot of comic character deaths, Ted’s did actually have impact, and it had it for years. Especially for those closest to him.

I could (and probably should) do an entire history lesson on Booster Gold and the impact their relationship has had over the years, but we’ll stick with Babs here, because Babs was allowed to grieve and honor her friend, too.

Something that wouldn’t happen in the future with other characters important to Babs’ life.

Ted was special, though, and Birds of Prey knew that and had an issue that spent a lot of very good time honoring that and his history with Babs and the rest of the team.

Which is where we get our confirmation that Babs and Ted were Cyber-Doing it before it was ever popular in one of my favorite exchanges of all time

[Birds of Prey (1999-2006) #96]

Now, am I going to wax poetically about the tragedy of Babs and Ted’s forgotten fling to force the diehards into multishipping admittance with my undeniable canon fact?

Yes.

I mean no! Not really -- I’m a diehard Boostle shipper who doesn’t budge for much and my shipping opinions for Babs are pretty firm as well.

What I’m attempting to get at here is that they have a good history, that their characters and understanding their relationships with others, make them more interesting and complex characters with fun and joy to be explored in multiple angles, even when you have your penned, perfect ending for them.

And I think erasing that in favor of perpetuating this idea that people come out of the womb with this set romantic path that any deterrence there from has to be either meaningless or actively horrible is at best less fun you can be having in these expansive universes, and at worst actively hurtful to people’s world views and expectations.

But also.

Babs and Ted were actively sexting in 1999 and that is an important - neigh, historically significant -- event in the wider DCU so.

Booster Gold has to have a storyline someday where he has to save this moment from never happening. And I will co-write it with you, Dan Jurgens, please.

#Barbara Gordon #Ted Kord #Oracle #Blue Beetle #Batgirl #DC comics #meta #long post #Rants of Unusual Size #opinions opinions opinions #Birds of Prey (1999 2009)#Formerly Known as the Justice League (2003 2004)#Countdown to Infinite Crisis (2005)#hilarious #character death tw #sex tw #kinda #They Cyber Did It

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seyesnyl · 3 years

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Critical analysis of a Comic book

During my search for books and articles to aid my practice-based research, I came across the text “Critical Approaches to Comics: Theories and Methods”. This book offers a look into the critical analysis of books and the theories and methods their authors employ. It focuses on four essential aspects of a graphic novel/comic which are: Form, Content, Production, and Reception. In each of these parts, contributors with comic criticism expertise discuss their methods of analysis and put into practice these methods on selected comics or graphic novels.

It is an insightful book and going through it made me understand different ways a comic could be analyzed and further understood. I had recently purchased a comic book called X-Men Red (Fig. 01) and wanted to try out the procedures that some critics had employed in their analysis.

Peter Coogan in Chapter 15 Genre: Reconstructing the Superhero in All Star Superman, discusses the superhero genre and its characteristics. He offers a guide towards analyzing the superhero comic book and its context. His procedures entail multiple readings to properly critically analyze.

First reading: Familiarize yourself with the events and characters of the story.

Second reading: engage with the text at a deeper level, note the conventions (heroes, villains, love interests, etc.). Note how are they used; seriously or comically or problematically? Observe structural pairs (events, characters, icons, and settings) that reflect and comment on each other.

Third reading: attend to the sequential artistry of the comic book.

After these three, the analyst should assemble their notes and try to identify patterns in the story, using conventions, and the sequential artistry that leads to discovering the thematic concerns of the authors.

He mentions that superhero comics are usually intertextual in that they reference other texts and those should be watched out for. He also says to consider the general tendencies of comic books produced at the time the text you are analyzing was published.

Lastly, it should be noted how the characters represent oppositional attitudes (both semantically and syntactically) and how these oppositions are mediated. Then determine what you have to say about the story and how the text supports and reveals the points you want to affect.

(Smith and Duncan, 2012)

Fig. 01 Cover of Taylor, T., Alixe, P., Lee, S., Kirby, J. and Asrar, M., 2018. “X-Men Red - The Hate Machine”. New York: Marvel Worldwide.

After three readings and making notes, I assembled this analysis on two chapters of X-Men Red (1 and 2).

The comic starts with a one-page introduction of Jean Grey back into the comic universe, back from the dead. It’s a sequel to her actual resurrection chapter, but this first page helps bring the reader to speed with synoptic text and imagery (Fig.02). “I was the Phoenix”, “I burned so brightly”, “And then I was dead”, “And everything was dark”, “I’m alive again”. She is pictured in the last panel of the page recollecting this and reflecting on the events straight after her resurrection.

Jean’s death as the Phoenix is a famous story in the X-Men universe, and just last year, a second live-action movie adaptation was released in theaters worldwide. The first was released in 2006 and there have been many adaptations in comics and animated programs over the decades since the story of her death was first introduced in 1980.

Fig. 02- Excerpt from Taylor, T., Alixe, P., Lee, S., Kirby, J. and Asrar, M., 2018. “X-Men Red - The Hate Machine”. New York: Marvel Worldwide.

From the first page to the following pages of this chapter, Jean acts as the narrator of the events that happened just before she died, and after she came back to life. This is done through green text boxes in the chapter. She catches up with the rest of the X-Men team, and we watch her move from here with her blue-skinned teammate Kurt, to another setting where we get the first glimpse of intolerance towards mutants that will be the focus of this story. Kurt is the target of discrimination by a passer-by and through this, we also get to see a glimpse of Jean Grey’s strength as she deals with this situation. It is revealed throughout the book that Jean can use her powers to its extent without fear of the Phoenix entity taking hold. The extent is yet unknown to her, but she knows she was being held back before.

This theme of intolerance towards mutants (people with abnormal abilities and sometimes appearances) is a topic frequently explored by the X-Men franchise more popularly and taken more seriously compared to any other comic in the superhero genre in my opinion. The seriousness is similarly conveyed in this comic book.

There are similarities in the discrimination mutants face with what minorities in our real world go through. In this instance with Kurt and Jean, it is indirectly shown that even though they are both mutants; Kurt is singled out by a normal white-passing man because he outwardly presents to be different with his blue skin and long tail while Jean is overlooked because she appears like a normal human. Likewise, in the real world, the more obvious your difference is, the more bigotry you are likely to face. Darker skin, non-Eurocentric features, gender-queer appearances, disabilities, etc.

Fig. 03- Excerpt from Taylor, T., Alixe, P., Lee, S., Kirby, J. and Asrar, M., 2018. “X-Men Red - The Hate Machine”. New York: Marvel Worldwide.

It is obvious Kurt faces this all the time, and he seems to brush it off, but Jean is coming back into this world as sort of fresh-eyed and is appalled the hatred has become more emboldened since she had been gone. It is an added effect she is a mind-reader and reveals the hateful man is scared and does not understand half of the things he professes to hate, which is a common belief about bigots. She also alludes he is among the infamous internet trolls that write bile to strangers from the anonymity and safety of his room. It is fair to say that the “internet troll” in recent times is one of the most prominent social bullies. This man is a clear representative of today’s social and digital hate culture

The first chapter concludes by panning back to the image of Jean in the setting of the first page’s panel, narrating the story of her coming back to life and what she has faced so far. It is from here and the following chapters that the story moves into the present. Jean says that with her new life she will ensure to change this hateful world.

The art of this chapter is a bit unusual to me. It tends to be abrasive. I haven’t paid much attention to western comics recently so that might be a factor in my unease. The artist Pascal Alixe uses short dark lines that don’t flow together for shading and this gives the character’s faces and bodies a rough appearance. The art also doesn’t follow the regular pin-up styles for female characters that comics are famous for. They appear stockier and more muscular than the typical comic representation which, realistically, makes sense for the jobs they take on.

In chapter 2, since Jean has been revealed to be a strong mutant, and we are following her quest to save the world, it is curious to witness how she goes about it. A fascinating way she does this is by using her telepathy to link the brilliant minds of others to solve a specific problem. She does this when she invites distinguished thinkers from all over the world for a meeting and links their minds with her powers to develop an idea to make the world better. She pulls a similar feat later in the comic when she uses Black Panther’s neurological knowledge and the powers of Trinary, a new teammate, to remove an item from a person’s brain. Doing this passes across the message that complicated problems can be solved by bringing together the skills and talents of different people. A telepath might not be realistic, but someone with empathy and good interpersonal skills may achieve this.

In a United Nations meeting, Jean pleaded her case to the world ambassadors. Referencing Professor Xavier’s intent for ‘mutantkind’ – who believed mutants could win normal humans over by being heroes when needed and being invisible when not – she says mutants should not need to be heroes for acceptance. This is a fascinating sentiment as she (or rather the author) could be referencing other superheroes in the superhero genre and the terms of being accepted. This calls upon the intertextuality of the superhero genre. Superman, Spiderman, and other heroes with powers have often had complications with public acceptance until they proved they are useful to society by using those superhuman powers to save their citizens. This also translates to real-world issues. For example, how black people often need to be exceptional before they are thought of separately from stereotypes.

In an examination into ‘homo-normativity’ in children’s literature, Lester (2013) posits that in most queer literature for children, there is an emphasis on the queer or gender non-conforming character to earn approval as opposed to being entitled to it. She states in the article that “This motif of having to prove oneself means the main characters are accepted only after those around them learn to appreciate their differences, the implication being that there is ultimately something unacceptable about gender nonconformity for which young male characters must compensate”… “These cases of privileging individual exceptionalism as the only way of gaining acceptance still maintain that gender nonconformity is unacceptable and should be avoided”.

Fig. 04 - Excerpt from Taylor, T., Alixe, P., Lee, S., Kirby, J. and Asrar, M., 2018. “X-Men Red - The Hate Machine”. New York: Marvel Worldwide.

Unfortunately, this chapter ends with Jean being framed for the murder of an attending ambassador by the villain of the story, Cassandra Nova. Even though Jean had made some progress during the meeting, the situation has now become worse than before as it is publicly witnessed a mutant has murdered someone that appeared to have opposed her. Before the frame job, a message from Nova was passed to Jean informing her that she had upset the status quo with her actions and would face the consequences. Taking this back to the real world, this alludes to what many social activists and minorities discern, which is that systems have been put in place to ensure that the oppressed remain oppressed for the benefit of the oppressors.

In the subsequent chapters, the story develops further; however, it is noticeably told from an intriguing point of view. More common superhero stories find their heroes playing a more passive role. They live their lives until an accident happens nearby or a super-villain wants to take over the world or rob a bank before they act. In X-Men Red, Jean could have waited for the anti-mutant tensions to rise and actual conflict to ensue before she acted, but she takes on an assertive role and is seeking to achieve a goal and is now being thwarted by the villains.

I researched on remarks from the author, Tom Taylor, about the comic, and he states “this book is Jean Grey coming back to life, but not coming back to the life she left behind. She doesn't want to come back to that life either. She's seen that the world has moved on. It's changed and she doesn't like everything she's seen. She's very empathetic and she feels so much of what's going on around her that she wants to make an actual change to the world. Not just for ‘mutantkind’ or humanity, but for everybody”. He doesn’t out-rightly mention the subliminal social commentary and that is likely because it speaks for itself and is not heavily nuanced.

I find this book pertinent to current times and it is thought-provoking without losing too much on the entertainment factor. As a consumer of superhero entertainment, it is usually difficult for me to grasp how a really powerful protagonist can lead an engaging story, but when faced with the seemingly insurmountable problem of bigotry, discrimination, and changing the hearts of people, it is a worthy challenge and I can’t wait to see how it culminates.

This has been an insightful task for me and the text that assisted my analysis has expanded my outlook on comics and the different facets of it that I never paid attention to. This will undoubtedly help me in my practice to be more intentional about the choices I make in the comics I create in the future.

References

Lester, J.Z. 2014, "Homonormativity in Children's Literature: An Intersectional Analysis of Queer-Themed Picture Books", Journal of LGBT youth, vol. 11, no. 3, pp. 244-275.

Smith, M.J. & Duncan, R. 2012;2011;, Critical Approaches to Comics: Theories and Methods, Taylor and Francis, Hoboken.

Taylor, T., Alixe, P., Lee, S., Kirby, J. and Asrar, M., 2018. “X-Men Red - The Hate Machine”. New York: Marvel Worldwide.

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theastrophilearchitect · 3 years

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March TBR/W.

Every book, audiobook, tv show and movie I want to consume in March 2021.

-Hence ‘TBR/W’ - to-be-read/watched.

I’m not usually a fan of pre-planning my media for the month - I plan out all my media obsessively, but doing it by month seems a little too much like setting deadlines for my taste, and I’m sure I’ll somehow manage to turn watching tv into a chore. Regardless, it’s worth a shot, so this is going to be a rough guide - I’m going to pick four of each category, one per week, because I’d rather underestimate and surpass than overestimate and have to defer things to the next month. So let’s go.

Books

1. Skyward and 2. Starsight by Brandon Sanderson

Skyward is set in a future where the human race is on the verge of extinction, trapped on a planet constantly attacked by alien warriors. Spensa, a teenage girl stuck on the planet, wants to be a pilot, but it seems far-off. Then, she finds the wreckage of a ship that appears to have a soul, and she must figure out how to repair it, and persuade it to help her navigate flight school.

In truth, I mainly want to read this because of how highly it’s been praised by Hailey in Bookland on YouTube. I actually tried reading Sanderson’s Mistborn series a couple years ago, and just didn’t click with it. I love fantasy, but I can pretty confidently say epic fantasy just isn’t for me. However, Sanderson’s work is adored by many, and Skyward and its sequel Starsight appeal so much more to me, and I can’t wait to get to them.

3. House of Earth and Blood by Sarah J Maas

This is Maas’s first technically-adult book; Throne of Glass is young adult, ACOTAR being classed either as young or new adult. I’ve been a fan of Maas for a long time, and, though I enjoy her books less now than I have in the past due to how seriously they tend to take themselves, I’d still love to read this one. Where her previous series were both fantasies, this sits somewhere between that and a sci-fi, but I can’t say as-of-yet what I think, because I haven’t read it yet.

Bryce Quinlan finds herself investigating her friends’ deaths in an attempt to avenge them after they were taken from her by a demon. Hunt Athalar is a Fallen angel, enslaved by Archangels, forced to assassinate their enemies, when he’s offered a deal to assist Bryce in exchange for his freedom.

4. Scythe by Neal Shusterman

I listened to this as an audiobook in 2019 as part of BookTuber Book Roast’s Magical Readathon, and didn’t hugely get along with it in truth. The audiobook was excellent as an audiobook, but the story Ian’s I just didn’t really vibe. I think I just want to like this book, so I think it’s worth a reread to see if my opinion changes.

This follows Citra and Rowan, a reluctant pair of apprentice Scythes - in a utopian future where humanity has the means to live forever, it is the job of the Scythes to control the population by essentially reaping the souls of those they choose to die. Neither Citra or Rowan want it, but I don’t remember enough about this book to say any more.

Audiobooks

1. Mockingjay by Suzanne Collins

This is the last book in the Hunger Games trilogy, and you either already know what this series is about, or you’ve been living under a rock for the last thirteen years. I read this book for the first time nearly seven years ago, and it’s stuck with me. It sent me into a phase of only reading dystopian books (The Darkest Minds by Alexandra Bracken was part of this, and was the series that really got me into reading), but this was the main one that stuck with me.

It contains a powerful message about capitalism and discrimination, and this is the second time I’ve listened to the audiobooks, though the god-only-knows-what time I’ve read the series. I listened to The Hunger Games and Catching Fire in February, which automatically puts this on my to-listen for March.

2. Ghosts of the Shadow Market by Cassandra Clare, Sarah Rees Brennan, Maureen Johnson, Kelly Link and Robin Wasserman

This is a novella bind-up set in the Shadowhunters world, that I would imagine has quite a bit to do with the Shadow Market, an aspect of the Downworld introduced in The Dark Artifices, which I finished in January.

In truth, I’m mainly planning to listen to this audiobook because it’s the only Shadowhunters novella bind-up with an audiobook, and I’d just rather read additions to the main Shadowhunters series in this format rather than physically.

3. The Ballad of Songbirds and Snakes by Suzanne Collins

This is a Hunger Games prequel that was released early last year, and I just wasn’t going to read it. I heard several reviews, the general consensus of which was basically that it’s not as good as the trilogy and is somewhat unnecessary, but, in truth, my curiosity’s got the better of me, especially since I started listening to the trilogy’s audiobooks again.

This prequel follows Coriolanus Snow as a mentor in the Games before he became President of Panem and the wonderful villain of the original trilogy.

4. Eliza and Her Monsters by Francesca Zappia

I mentioned this in my physical TBR post a couple weeks ago, but have decided to listen to the audiobook instead. A few weeks ago, I’d started to run out of audiobooks I wanted to listen to, and didn’t want to read anything on my regular TBR in this format, including this book. But, I went through a load of audiobook recommendations, and this was one of them, so it joined my to-listen.

I’m not hugely into contemporary books, but I’ve wanted to get more into the genre for a while, and this was the first one to join my TBR.

This novel follows Eliza Mirk, your typical high school outcast, who publishes a hugely popular web comic under the pseudonym LadyConstellation. Then Wallace Warland, the biggest fanfic writer of her comic transfers to her school and begins to draw her out of her shell.

TV Shows

Before I go into my list, I’d like to mention that I am currently watching WandaVision and am definitely planning to watch Falcon and the Winter Soldier on Disney+, but both come out on a weekly basis, so aren’t being included on this list. Also, I’ve been watching way too much YouTube recently, so I’m not sure I’ll get through all of these this month, especially since I’m watching the Arrowverse shows, which have such long seasons.

1. Love, Victor Season 1

This Love, Simon spin-off follows a character named Victor at Creekwood (I think that’s the name?) High School. I saw Love, Simon twice in cinemas when it was released, and, miraculously, it made me cry. I love that movie.

This series was released last year on Hulu, which is only available in the US, but as of February 23rd, it’s one of the shows that came to Disney+ as part of Star.

2. The Flash Season 1

As mentioned, I’ve started watching the DC Arrowverse shows. I watch tv shows through alternating seasons - as in, I watch season 1 of show A, then season 1 of show B, then 2 of A, etc., then when I finish one, I start watching show C - but I’m treating the Arrowverse as one show (even though it isn’t) so it’s not the only thing I’m watching. So this is technically Arrowverse S3, preceded by Arrow S1+2 (though I haven’t actually started S2 as of writing this because of how much YouTube I’ve been watching, so I’ll be finishing that first).

I genuinely don’t know that much about most DC superheroes, Flash included, but I’m going into this having been assured it takes itself less goddamn seriously than Arrow. It’s my sister’s favourite Arrowverse show, and I can’t wait.

3. Dare Me Season 1

I added this Netflix show to my watchlist when it came out, and my basic understanding is that it focuses on the cheerleaders at a high school, and begins when a new coach arrives. It focuses on the psychological damage behind competitive cheerleading, and I’m not convinced I’m going to love it, but I think it’s worth a shot.

4. Arrow Season 3

I’m so confused by this poster. This is specifically the season 3 poster, and I’m so confused, but I’m sure it’ll make more sense when I watch the season.

I explained the weird way I’m watching Arrowverse (named as such because Arrow was the first show in it) already, but Arrow follows Oliver Queen, the son of one of the billionaires of Starling City upon his return after being stuck for five years on an island when a cruise ship carrying him and his father sunk. His father left him with a list of names of the people ‘corrupting’ the city, and Oliver takes it upon himself to assume a vigilante identity and take them down.

Movies

I’m not a huge movie-watcher, but I end up compiling so many to watch that, to ensure I get round to them, I watch a movie every time I finish a tv show season. I’m also currently re-watching the MCU movies in chronological order.

1. Instant Family

This is just something that came onto Netflix recently and I thought might be entertaining, and so it joined my list.

This follows a couple who decide to adopt a teenager, only to find out she has two more siblings.

2. Guardians of the Galaxy Vol. 2

This is just a continuation of my MCU re-watch - I love this movie. I love Guardians of the Galaxy, full stop (on another note, I just generally don’t understand why British people call it a full stop and Americans call it a period. Neither name makes particular sense).

3. Avengers: Age of Ultron

And here we have another continuation of my MCU rewatch. I honestly think this is my favourite Avengers movie, because the whole teams actually together, and Wanda, Scarlet Witch, is introduced - I love her. I really didn’t like Vision until WandaVision came out, though.

4. Behind The Try: A Try Guys Documentary

Not technically a movie, but still. (Are documentaries movies? I tend to think of them as separate categories, but I guess they’re both movies. Hm.) I’ve been watching the Try Guys for years, which means I need to convince my sister to give me her Google password so I don’t have to pay for this.

I’m probably not going to stick to this list, and even if I do, I’m either going to also consume things not on it, or just not finish it. But, you’ll have to wait for my March wrap-up to find out.

#tbr #book #books #reading #reader #bookblr #marchtbr #tv shows #movies #review #films #movie #tv show #writerblr #march tbr

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