Omg i love your Yandere serial killer with a split persona so much 😭😭, can you do more headcanon about him?? Like does he aware of his other persona seeing reader kinda scared to talk to him normally thank u

Yandere! Serial Killer Scenarios

Featuring the kind, quiet man who has no idea why you look at him with terror in your eyes. This time with an official character design!

Content: female reader, mentions of murder, obsessive behavior, horror, dubious/non-consent

[Main Story] | [More original works]

You only attempted to escape once.

His frequent warnings had begun to wear off, and your mind dared to wander towards hope. One day, during his evening walk, you ran to your bedroom and pulled out a train ticket you'd hidden earlier inside a drawer. The small piece of paper weighed heavy in your hand. Come, now, you scolded yourself. It was weeks of careful planning: anticipating his schedule, erasing your tracks, preparing the essentials. You could already smell the worn leather seats, and hear the jarring whistle of departure. Then you'd be far away from this maniac, all but a terrible memory to be locked away.

There was no time for hesitation. You grabbed a small bag and sped towards the station, frequently looking over your shoulder, muttering silent prayers. Once you made it to your compartment, you exhaled in relief. A relief you hadn't felt in months, washing over your body and relaxing your tense muscles. You climbed the stairs, and searched for your seat. Has someone misread their ticket? You found your spot occupied by a stranger.

"What did I tell you about running away?" his deep voice echoed across the empty hall.

The walk back home was silent. You were convinced this was your end. You'd arrive at the house, and he'd cut you into pieces. Your lips curled in a horrified grimace, mind flooded with foreign feelings: your nails plucked apart with pliers, a burning sting after each detachment. The roots of your teeth grinding and screeching within the bone of your jaw, until all that's left is a fleshy, gaping wound. Plop, plop, as each little souvenir falls into the jar.

He slammed the door shut and stared you down. You looked at the floor, but all you could see were the grimy ID cards of all the women who never made it out of this damned house. You were next.

His large hand ruffled your hair, and you glanced up in disbelief.

"This stays between us. Mother better not hear that her soon-to-be daughter in law tried to run away. Especially now that she's warmed up to you. Are we clear?"

You nodded desperately. God, how pathetic of you. But being trapped was better than rotting underground like the rest of them. You just wanted to live.

You can always tell whether it's him, or him. It's the silence. Or lack of, for that matter. He likes the quietness, the muffled ticking of the clock, the busy rattling in the kitchen, your laughs, your chatter. You'll sit together and listen to the rain, or read your books across from each other. There's no need for words, you know you can be at peace.

He likes music. When you hear the record player, you know it's your cue to perform. You exit your room - it's better if he doesn't call you down himself - and descend to the main area. The stairs creak louder, the wallpaper begins to yellow. It's almost as if the house ages with the music, and you tumble back in time.

He's been waiting for you, naturally. How's a man meant to spend his evenings, if not with his adored wife? He'll reach out for your hand, and invite you to a slow dance. Those are the worst moments. The tight, suffocating hold, his deranged stare drilling into your very soul, the whispered promises: that you're forever his, and you'll never find happiness anywhere else. He knows it. It's the same for him, really. Everything he's ever needed lies within your embrace.

Some days, the charade doesn't last long. You simply won't be in the mood to be kissed, to be stripped naked and fondled by his murderous hands. So you'll just pout and gaze ahead. It angers him terribly.

"Wretched whore. Do I look like a beggar?"

He'll shove you aside and make his way out, taking his tools with him. He hates asking for your affection and would rather take his anger out somewhere else. You know he won't hurt you, or force himself on you, which means someone else will have to pay for your disrespect. And yet, it's the only freedom you have around him - the privilege of refusing him and living to see the next day. The rest aren't as lucky. You'd rather not think too deeply about it.

My honey, I know With the dawn that you will be gone But tonight, you belong to me Just to little old me.

What a bizarre thing, to harbor such hatred towards the one you love. You've never met anyone kinder. He's thoughtful, patient, caring. He knows everything about you and lives to serve you. He's your best friend and your lover. He's the one you want to marry one day. But he's also...well...him. And you can't have one without the other.

"No, Mother, it isn't tacky," he barks at the shattered mirror, adjusting your necklace. "And you know what? It's up to (Y/N) to decide if she wants to wear your wedding jewelry."

"It's nice", you respond curtly. You look into the empty reflection and nod. He likes it when you take his side in front of Mother.

"I knew you'd agree. We're a match made in Heaven, aren't we?" he smiles and zips up the old dress. You shiver: wearing a dead woman's gown was not part of your wedding plans. The corset is tightened, and you gasp. His hands are tense.

"I know he proposed to you. And what a stupid grin you had on your face when it happened! You never act like that around me."

He doesn't call me a bitch, for starters, you think to yourself. You shuffle on the bed, trying to loosen up the garment, but he swiftly pins you down onto the mattress.

"Not that it matters. Would you like to know why?" he inquires with a familiar glimmer of jealousy in his dilated pupils. "Because I'll always be your first. You know it, I know it. He never will.

At the end of the day, you belong to me."

To compete with oneself. Nonsense. Utter madness, all of it. The house; the drawer filled with gory trophies; the nightly talks with Mother dearest, whose bones have most likely turned to dust by now; the bloodied scalpels; the embrace of a man who fills you with warmth and terror.

You're part of it now.

DAY 75: onehat

i kinda really wanna see a big ol vent/rant from you about genshin now lol. I would read an essay

I'm not sure you understand the insanity you just unlocked in me but ok

genshin impact is probably the clearest modern example i can think of of capitalism absolutely eviscerating a creative project. For context, I started playing genshin in 2021, just after the 1.4 update. it was venti's first rerun/the first windblume festival if that means something to you. and I really genuinely thought that it might have had something special. It was a gacha that didn't FEEL like a gacha, which was a huge feat to me.

it began with a very simple story pitch--you, the protagonist, are one of a set of twin siblings traveling through space. you come upon a seemingly unassuming world and your attempts to continue your journey are suddenly stopped by a mysterious, all-powerful figure. you are separated from your sibling and wake up alone on the shores of this planet you were attempting to leave together. throughout that opening cutscene and scattered through the world and your character's dialog there are implications that all is not as it seems, that your character is something unique to this world and that they possess powers and abilities that you've yet to unlock. You are told that you must travel the seven nations of this world in order to find your sibling, which is great--a simple, zelda-like objective which drives the player to explore the secondary narratives of the world. none of this is bad on the surface. in fact i'd argue it's pretty good. there's a ton that can be done with these story bones. even at launch the map and combat system were full of potential as well.

Note: for ease of reading, i'm going to label the different storylines of the game now. A-plot refers to the central objective of the entire game; the find-your-sibling plot and everything that encompasses, including the abyss order/dain, the heavenly principles, the fake sky, etc. B-plot refers to the secondary objective present in each new nation, usually meeting the archon and/or solving a problem for the archon. (A and B-plots will occasionally intersect.) C-plot refers to any story, location, or background information which remains in permanent gameplay but which isn't directly related to the A or B-plots, such as dragonspine, the chasm, enkanomiya, etc. D-plot refers to any story, location, or background information which is confined to limited-time events and does NOT remain in permanent gameplay, regardless of its connection or lack thereof to the A and B-plots, such as the golden apple archipelago, the infamous albedo/dragonspine event, the infamous kaeya/diluc event, etc. Lore as i will refer to it in this post refers to any information which is present in permanent gameplay but which is not directly told to the player within the A or B-plot story quests and objectives, including books, weapon, artifact, and item descriptions, world quest dialog and puzzles, etc.

So now we're in mid-2021, there are two nations' worth of B-plot story quests released in full, and we've run into our first problem, which is that the game isn't finished yet. I don't have any actual information about how the game was/is written, but based on what i've observed over the past few years, my best guess is that the A-plot has been fully written since the beginning, at least in some form. there were very early-game events and information pertaining to the A-plot that would take years to see any actual payoff in the main story quests (kaeya's origin story, the 1.3 scaramouche fake-sky drop, the flowers in lumine's hair, etc.) but those kinds of A-plot story easter eggs very quickly dropped off when the game absolutely EXPLODED during the pandemic.

this sudden burst in popularity was the true beginning of the end for genshin, i think, because suddenly they had a HUGE fanbase that desperately wanted more content faster than they could pump out new A-plot or even B-plot story quests. one of the most pervasive complaints about the game when I began playing in 2021 was that there was nothing to do between story quests. update 1.4 (which was the update I started playing at) was important in that it was the first time since genshin's release over a year before that players recieved any new A-plot, in the form of the archon quest We Will Be Reunited, also known as the quest with the most fucking misleading name of all time. you'll never guess what doesn't fucking happen during this quest. anyways. we were a year into gameplay, two nations out of seven released and a third on the not-so-distant horizon, and it seemed obvious that players were owed some sort of A-plot payoff. and that's very much what WWBR was advertised as, from the quest's name to the banners full of art of the twins staring wistfully at each other. The thing is, what i'm describing as A-plot payoff was actually. not really A-plot payoff at all. WWBR was the reveal that the protagonist's sibling was working with the abyss order, and that the abyss order was connected somehow to Khaenri'ah, which at this point casual players would only have known about from THAT QUEST and MAYBE kaeya's character descriptions if they were diligent enough to get him to friendship level 10 (which, btw there is no indication that you should do to get important context about the story of the game, because kaeya is a 4-star starter character and the only character in the entire game that actually has genuinely important story hidden in his character descriptions.) So what I'm calling A-plot payoff felt at the time a lot less like A-plot payoff than it did like an abyss sibling cameo in an attempt to satiate everyone who was begging for more story. We actually gained almost net 0 information. this is very quickly going to become a pattern.

As I've already alluded to, the motives behind this writing decision are transparently obvious. Genshin is a free gacha game which relies on a consistently active and engaged userbase to make its money. With fans getting restless about the lack of engaging story at the time and a new, very ambitious B-plot quest gearing up for release that would require major support from that fan base in order to remain profitable, the writers were backed into a corner. they HAD to throw the fans some sort of bone in order to keep them engaged with the A-plot, since it was originally pitched as the driving force for the story as a whole, but they were also clearly not at a stage of the writing process where it was prudent to give the player any REAL information about the A-plot. This is how we ended up with a 10-second abyss sibling cameo and an offhanded mention of Khaenri'ah, a nation whose plot-relevance was at that point still basically unknown.

The real problem is, WWBR worked. at least, it worked as intended at the time. It satiated story-focused fans in the interlude between B-plot nations, as hyv was gearing up to release inazuma, which required a lot of time in preparation. WWBR was followed almost immediately by the C-plot golden apple archipelago in 1.6, widely regarded as one of the better events of version 1. GAA was memorable especially because it was the first event that involved an entirely new, limited-time-only map, meaning the event had much more longevity than the standard events players were used to. This is, imo, most likely the update combination that led to the standard formula which hyv uses for its quests and events nowadays. the back-to-back release of WWBR and GAA satisfied both fans who wanted A-plot story AND silenced criticisms about the game lacking endgame playability, which at the time must have seemed like a goldmine to writers desperate for a solution to their content-to-fanbase ratio problem.

From here, genshin started following a standard method of release for their next three nations--inazuma, sumeru, and fontaine. the formula generally went as follows: one major version update (usually version x.0) containing a major map update which included all B-plot relevant locations in the new nation, and the first chapter of the B-plot story quest relevant to that nation. this would then be followed by 2-3 version updates which would each contain the next chapter in the nation's B-plot story quest, sequentially. After the nation's B-plot quest ended, during the downtime in which the next nation's story and map would be finalized, subsequent updates would be largely C-plot, and would contain minor expansions of the map to increase endgame playability via exploration and world quests. This is how we ended up with updates like the chasm, the several extra islands in inazuma, and the quite frankly ridiculously large sumeru map, as well as the offloaded maps like enkanomiya and the sea of bygone eras. with the possible exception of the chasm, none of these areas are A OR B-plot relevant. hyv has realized that artificially inflating the map makes their game technically more engaging during the downtime between nations. However, this comes at a price. While the scenery and set design of the game remains consistently beautiful, the actual, mechanical gameplay that populates that scenery very quickly became mind-numbingly boring if not borderline unplayable. While the 1.0 questlines were not perfect, there was at least an emphasis on the player actually DOING things. 1.0 B-plot quests would have you going to mini-dungeon temples and completing challenges which would acclimate you to the combat system while also serving narrative purpose. There were quests that required you to navigate open-world dungeons. Because your characters were lower-level, combat challenges that arose during these quests were CHALLENGES, rather than two-second buttonmashing segments. By the time we get to sumeru, though, both B-plot AND C-plot quests have become little more than moving your character from location to location and tapping through (usually unvoiced) dialog. there's no GAMEPLAY in the quests anymore, because gameplay isn't what makes money. What DOES make money is giving players 300 hidden chests to find in an open-world map segment, each of which gives them 1/80th of a gacha pull. And so the story suffers and the map gets bigger.

Along with the map expansions, downtime between nations usually also nets us one A-plot quest, usually involving the character dainslief, who was the driver of the initial WWBR quest. This is the second half of hyv's magical formula for keeping fans happy between major releases. the A-plot quests will, as a general rule, give players either very little new information or no new information at all, but will dress up the delivery in such a way that it ALMOST feels as though the protagonist has moved forward somehow. the most recent example of this writing style, the 4.7 quest bedtime story, amounts to about an hour and a half of gameplay and, while it DOES contain a segment in which the protagonist finally actually has a conversation with their sibling, that conversation literally begins with the line "I have so many questions, but for some reason I don't want to ask them right now," ensuring that the sibling will not actually be required to give away any plot-relevant information whatsoever, and the quest ends with the protagonist FORGETTING THAT THE CONVERSATION EVER HAPPENED IN THE FIRST PLACE.

As I think I mentioned before, the cardinal problem of genshin impact's writing is that fans want answers faster than the writers are prepared to give them. I don't doubt that there's a game bible or relevant equivalent somewhere within hyv which contains the explanations we are currently lacking in regards to the A-plot. the game is consistent enough in its storytelling for me to believe that this isn't all just being made up as we go along. But I'm also certain that a lot of the late-game A and B-plot that is planned (especially if the Khaenri'ah is truly planned to be the 8th nation of the game) hinges on the player knowing very little about the A-plot. this would be fine if genshin was a standard single-release video game that players could work through at their own pace, but it isn't. it's unfinished, and each nation in the game releases months to years after the last, leaving the writers to scramble to fill in the gameplay gaps and players struggling to remember plot-relevant information when it's brought up literal years after they last heard it mentioned. Not only does the time between updates leave players frustrated about the lack of A-plot, it makes the A-plot harder to understand when it is brought up, because the writers are required to throw in so much dense C and D-plot just to keep engagement high enough to make the game profitable in its downtime. we joke about the insane convolution of genshin's lore, but that is first and foremost a byproduct of its financial model. the game requires engaement to be profitable, and adding lore for players to look into drives up engagement. The fact that having so much story with so little plot relevance muddies the waters and makes the A and B-plot stories considerably harder to understand doesn't matter as long as money is being made.

I want to take a quick detour here to talk about the release of sumeru specifically, because this is when I really began to clock the fact that genshin was declining. on paper, racial sensitivity issues aside (Not that they're not important, but i'm doing this deep dive from a storytelling and game design point of view, nothing else. that's a whole can of worms i don't have time to get into here) sumeru was a really promising addition to the game. The new B-plot quest which was set to drop in 3.0 was highly anticipated for several reasons. Two fan-favorite characters (kaeya and scaramouche) were expected to play major roles, because of earlier C and B-plot quests, and much of the nation's scenery that was teased in trailers and promotional content appeared to tie into the A-plot. the most exciting draw about sumeru and version 3.0, though, was the major update to the combat system.

Arguably genshin impact's most interesting feature upon release was its combat system. The map was basically a botw clone at that point, and the story quests, while decently engaging, were rough around the edges to say the least. What genshin DID have going for it was a unique real-time combat system that rewarded strategy and quick thinking.

Genshin's combat system is elemental, and on release there were 6 elemental affiliations: anemo (wind), cryo (ice), pyro (fire), hydro (water), geo (rock), and electro (electricity.) in a sort of pokemon-like system, certain elements were weak to other ones, but more importantly, certain combinations of elements could drastically boost combat stats. Players got to construct four-slot teams of characters, each with an elemental affiliation and certain "skills" which would match their element, and you were encouraged to use the interactions of these elements to build teams. very quickly, a huge community formed dedicated to optimizing teams and tiering characters. People would even make a game out of building teams specifically to do high-level damage with "bad" characters or characters who weren't designed to be damage drivers (my 100k jean burst was an incredible moment fr.) this was, of course, also a picture-perfect driver for the gacha aspect of the game, which was how players obtained new characters.

Pre-3.0, combat was... well i won't say it was balanced, but there was no elemental reaction that had any MAJOR advantage over the others. when you actually ran the numbers, i believe vaporize was the best reaction in terms of damage output, with the best team being raiden national with kazuha for EM buffs. but a well-built freeze or melt team could do similar numbers, or even better numbers depending on your artifact rolls. (ayaka permafreeze you will always be my #1.) Despite a steady stream of new characters with each update, characters from the earliest version of the game like xingqiu and xiangling were still topping the charts in terms of usefulness and versatility in teambuilding. However, as early as 1.0, players had been teased that a major update to the combat system was planned. There was a seventh element, dendro (plants) which pre-3.0 only existed as an elemental affiliation for menial enemies. there were no playable dendro characters, and the only elemental reaction that existed relating to it was very low-level and not particularly useful in combat.

Originally, dendro was projected to be added to the combat system somewhere in version 2, but its release was delayed substantially, meaning it came out along with its affiliated nation, sumeru. And as soon as it came out, it basically broke the combat system. I assume that the scaling they ended up going with may have been out of fear that players would be hesitant to integrate a new element into their pre-established team builds, and thus they may have been worried about sales on their dendro character banners, and i assume that the fact that 3 elements are required to get the highest-level reaction was an attempt to make the meta more balanced in the face of that scaling, but, well... it didn't work. At this point, the genshin impact combat meta is basically "if you're not using hyperbloom what the fuck are you doing." there's basically no reaction in the game that comes close to it in terms of both damage and ease of use. you are not going to beat a hyperbloom team with anything other than a better-built hyperbloom team. combat is now very heavily skewed in the direction of dendro, meaning that if you DON'T want to use a dendro team, you're going to be doing significantly lower numbers. And since enemies are added with each update, post-3.0 combat becomes difficult and annoying if you don't have a hyperbloom team on-hand.

The major gripe i have with dendro isn't even the scaling, though. I mentioned offhand earlier that the 1.0 B-plot questline had a section which taught you the basics of the combat system via mini-dungeons. These mini-dungeons, of course, taught you the version of the system that existed pre-3.0, so there's no tutorial for dendro reactions. Rather than integrating the tutorial into the story and world like they did in their early quests, upon playing 3.0 for the first time players were given a popup that explained, very wordily, how dendro reactions worked. there was no opportunity to test these reactions in an environment without consequences--if you wanted to try them you'd have to remember the relevant information, build yourself a team, find an enemy to try them on, and just hope you got it right. This lack of integration is something i began to notice more and more with genshin as it progressed, especially in sumeru. where in mondstadt and liyue open-world puzzles would be explained to you by an npc or via environmental context clues, in sumeru you'd be stopped while exploring every two seconds by a popup explaining some puzzle or another which, of course, you wouldn't read, because you didn't want to do the puzzle right that minute anyway, and then by the time you DID want to do that puzzle you'd have no in-game way of figuring out how to do it. The puzzle popups may seem like a small thing, but it's one of the clearest examples in the game to me of the fact that the player experience is so clearly not being prioritized here. the game doesn't even TRY to be immersive anymore. they have no qualms about pulling you out of the story to read a paragraph about how the puzzle works. they don't care how your character, in-universe, is supposed to have acquired that information. they don't care why your character, in-universe, is doing the puzzle in the first place. because they know the reason YOU are doing the puzzle, which is to unlock a hidden chest that gives you 1/80th of a gacha pull.

That was not "a quick detour" was it lmfao. ok anyways. back to the story. Now i want to talk about D-plot, meaning limited event stories, and lore as i defined it earlier, meaning contextual details not present in quests or playable story. This is where i think genshin's story becomes completely inaccessible.

Already, we've covered the fact that in order to consume the very basic story, players have to be willing to wait years between A and B-plot quest releases, punctuated by irrelevant map expansions and interlude quests. I mentioned before that genshin's incompleteness is one of the major problems of its story. the fact that players have to wait years, remembering plot-relevant information that they have no way of knowing will even BE plot-relevant, for the payoff of these narratives is frustrating at best and actively malicious at worst. But in theory, there should be an obvious way to circumvent this. One could just wait until the game IS completely finished to play the whole thing. Sort of like buying a game in early access but waiting until it's actually finished to play it all the way through. that's theoretically possible. but, as i have been hammering home this whole time, genshin is a free game, and therefore genshin relies entirely on a consistently engaging fanbase in order to remain profitable. if genshin does not have a base of players who are willing to log in every day, or at the very least once every update, the game's financial model collapses on itself. therefore, genshin puts on limited-time events. this is a standard in gacha games, as a way to keep the fans consistently engaging. What is not standard, however, is the way that genshin uses these events as vessels for its story. about 19 out of 20 limited events in genshin impact will be useless menial bullshit with no effect on the story or really even the player aside from maybe making you fucking angry. 1 out of those 20, though, will be innocuously named, with nothing in the banner or event description to indicate that it's special in any way, but it will contain serious A or B-plot relevant information that exists nowhere else in the game. My personal favorite example is the infamous 1.3 scaramouche appearance, in which he showed up, told the protagonist that the sky was fake, and then immediately fucked off again. Scaramouche did not show up again until at least 2.0, and the fake sky wasn't so much as MENTIONED again until 3.2, almost TWO YEARS LATER. but there are others, such as the (almost equally infamous) albedo doppelganger event in which a major character's loyalties are called into question, or the event where major biographical information is revealed about kaeya, the only playable character with major known connections to the A-plot and Khaenri'ah. With all of these events, once the event period ends, the information contained within them vanishes from the game completely. there's no way to replay old events that you've missed, even sans rewards, so if you miss a plot-relevant event the ONLY way to catch up on that story is through word of mouth. again, this is a transparent way to keep genshin's userbase engaged during downtime between B-plot quests; if you don't log in and play every event, how will you know if you've missed something important? You might not be able to fully understand the future story if you miss out on the D-plot now!

The D-plot problem is something that I think could, in theory, be circumvented by dedicated record-keeping. if the wiki had anything resembling an easily accessible event database that marked story-relevant events and contained summaries or gameplay videos, at the very least you wouldn't have to fear being completely lost on the off chance that a random throwaway line in an event from fucking 1.3 becomes plot-relevant. but hyv obviously doesn't want that, because it undermines their financial model, and the sheer number of events and the amount of rerunning of irrelevant events they do makes the task of recording and categorizing them all daunting if not impossible.

Then, of course, there's lore. this is arguably what genshin is infamous for in certain circles of the internet. You know that unraveled video where bdg reads every book in skyrim? if you tried to do that with genshin the video would probably be about 10 hours long. and it's not just books; genshin hides (potentially) plot-relevant information in weapon and artifact descriptions, in random hidden world quests, in character bios... the list goes on. and 9 times out of 10, the information is essentially written in code. Plot-relevant characters will have multiple names, or the relevant information will refer to them as vaguely as possible, presumably to further the "mystery" and encourage theorizing among fans. but the sheer amount of information like this that exists within the game makes it all but impossible to determine what is plot-relevant and what isn't. For a topical example, the most recent A-plot quest bedtime story mentions the name Rhinedottir in connection with events in Khaenri'ah, suddenly making that name A-plot relevant. Rhinedottir is an alternate name for the character Gold, whose existence you would only have known of before this point if you'd unlocked and read the character Albedo's character bios. (Albedo is a limited-run character who hasn't been available since november 2022, btw.) the only other information about Rhinedottir permanently available in the game comes from the description of the weapon Festering Desire, which was only obtainable from a limited event back in 2020, anyway. So basically, if you wanted ANY context for that remark, you'd have to have been playing the game since AT LEAST 2022, AND you'd have to have taken the time to go over your weapon and character descriptions with a fine-toothed comb. keep in mind that as of right now (june 2024) there are 85 playable characters in this game, each with 10 unique unlockable character bio sections, and over 150 weapons, each with their own unique descriptions, not to mention over 50 artifact sets, each with 5 unique artifacts, which all have their own unique descriptions as well. there are also 51 different collections of books which contain written lore as well. the idea that any player could keep up with all this, or that anyone could even sift through it all to pick out the important things that they NEED to keep up with, is insane, especially when the game makes a point of withholding crucial plot information from its players within the A and B-plot quests. this amount of written lore only exists, again, to drive up engagement in the hopes of subsequently driving up profit. Even if the average player isn't reading and absorbing all this information, the fact that it's there coupled with the fact that the writers consistently refuse to reveal anything beyond surface-level A-plot information means that there's basically ENDLESS theory fodder. and THAT means that people will be posting their theories and talking with each other and getting into arguments. it means "genshin impact" trends on twitter. it means engagement, and engagement means money.

basically what it comes back to is that everything is so transparently money over player experience with this game. I think what we're witnessing with genshin is what i would call an end-stage gacha game--a gacha game that's gone on a little too long and gotten a little too popular, and so the veil has started to slip a little more than usual. Gachas work primarily because they operate by toeing the line between what is fun to play and what is a predatory mechanic. As long as the actual gameplay remains engaging and rewarding, players can ignore the unsavory business practices underneath. At this point, genshin has swerved too hard into the money-hungriness and is still hoping that they can use their old tried-and-true engagement farming methods to remain popular regardless. currently, it seems like those methods are still working, unfortunately. Like I said in the post that prompted this, i really can't wait for the hyv writer NDAs to expire 10 or so years down the line, because I can only imagine what an insane shitshow writing for this game must be. I want to see the tell-all articles. I want carnage.

That being said, I played genshin impact religiously from 2020 to 2023. I loved the game. Despite myself, I am still really, REALLY interested in the A-plot. I want to know what's going on with the protagonist and their sibling; where they came from, what happened to them, what the heavenly principles are, what role celestia plays in all of this. I want to know Kaeya's full backstory, what role Khaenri'ah plays in the overarching story, and what happened to it in the past. but I don't really have any faith that I ever will, because I know that as long as keeping their fans in the dark and stringing them along remains profitable, that's what hyv will continue to do.

Do I think genshin impact is unsalvagable? in its current state, yes. If I was given the ability to turn back time and convince a bunch of executives of the profitability of this venture, I would change almost nothing about the story of genshin and completely rework the mechanics of its release. I would make it a series of single-release self-contained games rather than a constantly-updating gacha. Each game would be one B-plot quest, or one nation, eight games in all, preferably released once every year. Removing the gacha mechanic, players would be given access to a certain pool of characters to build teams at the start of each game, and then periodically unlock new characters as the story progressed. for example, if you were playing the inazuma game, you'd start out with only your protag, and after progressing to a certain point in the story you'd get a pool of inazuma 4-stars to teambuild with freely. Then, as the story progressed and you met plot-relevant inazuman 5-stars you'd add them to your pool. I'd change basically nothing about the combat system except for a properly integrated introduction of dendro when it makes its appearance in sumeru. Once you completed the story in that nation, you could move onto the next game in the series if it was out, or if it wasn't, you could continue to explore the open world while waiting for the next release. Would this be as profitable as the gacha model? probably not, but what it WOULD do is allow for much more consistent pacing and writing, with the added bonus of not making your userbase feel like you'd shoot them in the head for their pocket change.

I've got a book draft project that I call Book I Am Not Working On that I probably haven't touched for like four years now. I originally wrote the first draft of the first book like 10 years ago, didn't like the ending, and decided to write a Next Generation Reboot with the previous cast's offspring and niblings as the main characters. Skipping the world ahead 20 years, and having the new protagonists be Standard Fantasy Book Protagonist Aged, in their late teens and early 20s, they learn about the past book's events in glimpses, as almost mythical legends.

The new story's main protagonist is the niece of a character I originally wrote into the first book as a gag - a naive Farmboy Hero. In this one he's taken up the role of a Grim Mysterous Mentor, who tags along on the protagonist's misguided quest because he knows that he can't stop her, so the best he can do is help. And he mentions that there is this wise man that he used to know in his youth, who lived in this specific city - he is wise in the ways of the world, and if he is still alive, he should be able to help them.

The protagonist agrees to go find the man, and for the first quarter of the book, this Wise Man that Old Uncle Hiram Knew In His Youth is this grand and surely legendary Wonderful Wizard of Oz kind of a figure, who is surely all-powerful and could fix anything. After all, old uncle Hiram would trust him with his life, and uncle Hiram doesn't trust anybody.

And then they finally make it to The City, and find The Old Friend. Who is a completely normal-looking middle-aged guy in an apron, kind of fat and slightly balding, busy with five kids and a grandbaby. And he's just as surprised to see the protagonist and her uncle at his door.

So the protagonist's uncle and his friend retire into a more quiet room to discuss the problem at hand while the protagonist and the friend's eldest daughter head out to find new, additional problms, fully trusting that these Adultier Adults will know what to do.

Meanwhile, the two old friends sit down, and the Old Friend looks at the protagonist's uncle, just going "dude for fuck's sake. Twenty years and you haven't changed at all. All these years I thought you were dead and then you show up at my doorstep, plop a felony level problem on my lap like 'hey lol this wasn't even my problem before I decided to get involved, pls help lol' and expect me to fix it."

And Old Uncle Hiram, who in fact is only in his early 40s and suddenly doesn't seem all that old and wise at all, just shrugs like "yeah I kinda gambled my life (and my niece's life btw) on hoping that you wouldn't have changed at all, either. That you would agree to help us, while calling me a fucking idiot the whole time."

And the old friend goes "yeah no shit of course I'll fucking help. You fucking idiot."

My Thoughts That No One Asked For!

Malleus is obviously very strong. We can only assume Malleus is stronger. It was easier to defeat the other Housewardens because to some extent, everyone fighting that Housewarden in on their level. Malleus is one of the top five mages in Twisted Wonderland. Fighting against him is practically impossible unless you call in another top mage. Oh wait! They're asleep like everyone else. So hear me out...What if instead of ending with an epic fight where the Prefect stands off against Malleus....The Prefect breaks the "spell" with a hug. Not a kiss, that's too Otome. A hug. One to let him know it's ok for him to be upset. It's ok for him to mourn what he is loosing and what he doesn't have. Malleus just sobs...into your arms. And giving into the sadness and accepting the reality of the situation is what snaps him out of his overblot state. Just imagine it like this.

"I am always left alone! At the end of the day I am destined to be alone! Everyone will leave me behind! I'll have no one! That is why...I need to keep you all here....happy in your dreams.....just the way you want your life to be."

Malleus' laughter echoed throughout the halls of Diasomnia. The people who were currently awake had a sense of fear embedded in them. He was too powerful to fight. It seemed impossible to take him down. Was this the end? The one overblot you couldn't defeat?... But then...you realized something....you were afraid of him...for the first time since you met him...you were scared....but why?...Yes he's overblotted and caused everyone to sleep for a thousand years and yet....you still can't help but see him as that weird horned boy who showed up at Ramshackle one cold autumn night...the man you dubbed Hornton because he wouldn't tell you his name...the man who gave you the courage to fight against Azul when he practically had Ramshackle in your clutches...the one who sent you the holiday card, the one you took nightly walks with, the one who helped to fix the stage, the one who was worried when you disappeared. There were so many things that Malleus was. You think back to when you told him you might have found a way back home. He looked so hurt you...He looked

Scared...

You had no idea what triggered it. With every ounce of strength left in your body. You approached Malleus, shakily. Staggering with each step. Exhausted and sore from fighting. Silver, Sebek and Idia stared at you like you were insane. Had the prefect ha one too many overblots???

"HUMAN!! WHAT DO YOU THINK YOU'RE DOING???"

"Prefect! Wait!-"

"Th-This is l-like something o-out of some kind of m-manga o-o-or an anime...wh-why are they having a main ch-ch-character moment?"

You finally stopped when you were face to face with Malleus. You looked like a mess and he looked fine.

"Oya? Approaching me head on, Child of Man? Or have you come to accept your fate and give into slumber for-"

Before he can finish, you hug him. It's gentle and soft and just meant to be comforting and kind.

"It's ok Hornton..."

You whisper as you hug him. You brace yourself for him to shove you off with a blast of magic that would kill you...but it never happens...instead the young prince curls into you arms and begins sobbing into your arms...as the blot disappears and everyone awakes. Like some form of fairytale.

john b had these big firm hands.

not because you’d been studying them or anything, you just very quickly learnt this about him when you’d joined the group — the way the other pogues would complain about aches and knots in their back only to have it quickly resolved by the brunette. with the little crush you’d developed on him, you’d find yourself complaining more and more about your own pains — perhaps when on your period or after a long day, and he’d be happy to help you. that’s what he did, he was a problem solver.

what you failed to realise is how much john b enjoyed it too.

in a general sense, sure. like mentioned, he liked to help people and fix everyone’s problems for them— and being such an active group, it was often physical pains causing them strife. whether it would be a knuckle in popes calf or an elbow in jj’s shoulder, they were appreciative.

“you should be like, studying to do this for a living bro. you got a gift.” the blonde would comment after john b had cracked his shoulder, to which the brunette would shrug it off with a—

“yeah, like i can afford that.”

you don’t realise, but soon enough the routledge boy starts to pay a little more attention to you specifically, and no one knows or cares why enough to comment on it. he’d started to ask, instead of waiting for you to complain about it. asking ‘does this hurt? does this hurt?’ as he moves you in different positions because he thought you looked ‘a little stiff’ that day.

you liked it. you liked holding his attention. john b was the leader, somehow the main character in everyone’s life— so you revelled in the attention he’d give you whilst playing the group chiropractor. it made you feel special when he singled you out.

he seemed to have this belief, that you were way more tense than anyone else in the group. he’d hooked his fingers into the idea that because you happened to have anxiety, your body would too suffer. this might’ve been true, maybe you were more tense than everyone and it showed— probably naturally less comfortable around the group seeing as you were the newest addition, but the likelihood was that john b had only convinced you and everyone else of this because he just adored getting his hands on you.

he likes the way your skin feels soft compared to the callous palms and nicked fingertips of his own. he likes the way the fat of your flesh moulds and succumbs to his touch. he likes the way he’s developed enough natural strength over the years to manoeuvre you any which way he wanted, his own warm little rag doll for the time being that sent his imagination running rampant when he’d put you in more vulnerable positions. he loved the way your brows would furrow when he’d crack the right spot or dig his hands in the right place at the right pressure. the way your lips would part with a little whimper when there’s an audible crack.

his voice was what made it enjoyable for you a lot of the time. not that it didn’t feel great, but john b had a ‘talk you through it’ kind of voice. warm, kind, comforting, rumbles in your ear when he’s slotted up behind you, performing his magic until you click somewhere you didn’t think you could.

“how we feeling? hm?” he’d ask, and you could hear the casual smile in his tone without looking, a face that you didn’t have to look at with your eyes to know it was there because you’d seen it so many times.

his cock would always twitch when you’d respond. the prettiest, whiny tone when you were especially relaxed and off guard, a tone that even had jj’s ears perking up from across the room occasionally. “feels so good, john b.” now you didn’t have to say his name, too.

he told himself it was normal to feel that way about a friend as long as there was a boundary. you were pretty, and soft— he’d be a fool not to find that attractive. what he did feel guilty about, was the indulgence. it wasn’t gentlemanly of him, something he prided himself on being. he couldn’t let anyone know he’d continue the fantasy later on, replaying your satisfied mewls in his brain like a broken record, the sounds morphing and twisting, moulding like clay in the hands of his imagination as he attempts to twist it into sounds of sex. he can still feel the heat of your skin beneath his hands through his minds eye, but this time he’d be pushing your lower back down to make you arch as you take his dick deeper.

he recalls the squishiness of your thighs that one time he worked the knots out, and this time uses the memory to fuel the thought of pushing your thighs up against you whilst nuzzling his nose against your clit and lapping up the juices you’d leaked from him rubbing on your body prior. he hears it again, “feels so good, john b.” but this time your head is thrown back, your tits are spilling from that little bra that peeks from your shirts, your clits throbbing against his tongue.

he makes a mess on his fist each night he thinks about it, and wonders how often he can get away with touching you up under the guise of a massage.

I read the latest chapter of the savanaclaw manga and I like how it made things great than the actual game. With Ruggie having emotional scenes regarding the sacrifices he did and the Savanaclaw students turning against Leona after he gave up just like what happened with Riddle and the Heartslabyul students.

[Referencing this post!]

The game also depicts these moments, albeit very briefly, in 2-24 of the main story:

The expressions and poses are pretty limited due to the nature of the visual novel format. The manga definitely leaves a stronger impact due to having fewer visual restraints than the game! We can see how twisted (hah) the characters' faces are, and just the sheer amount of upset Savanaclaw mobs ganging up on Leona after he has announced he's throwing in the towel. You can get a better understanding of Leona's perspective as well, how all of the desperate mob students' faces have kind of a dark shadow and how that might trigger his own insecurities about having hope for his own future.

That's what's great about reading the same story over in different formats; it can be fun to pick out small differences in how the tale is told or we could glimpse new interpretations of the same scenes that give them new life.

Gojo and nanami are definitely the most misrepresented characters in fanfic in my eyes. I share the same sentiments with you about nanami and people writing him as if he's geriatric because he's just a no nonsense, work and go home, responsible adult. He knows what memes are, and he knows how to use a smartphone, he even used video game terms when he was fighting dagon! ("It's like he has infinite HP") He would know who doja cat is!

As for gojo, I feel like a lot of writers conflate his extroversion and somewhat silly demeanor for having people skills. It's canon that his lack of social skills is his one main flaw! And you can see it through the way the other characters interact with him: Ijichi is scared of him, Nanami thinks he's flippant, and Utahime straight up despises him and he thinks she's just joking about it. All of the Tokyo students save for Yuuji and Yuuta think he's weird and find his silliness off-putting. I just don't think he'd be very popular in those college AUs that write him as some kind of social butterfly who's friends with everyone, at best, he'd be well-known for his good looks and family name and being glued to the hip to Geto, who would definitely be the more popular one of the two. He'd probably also put people off by making insensitive comments (intentional or not) when trying to hold conversations, he's just not a guy that can easily understand other people or be understood. That's just my take tho

i've already spoken my thoughts on nanami, but,,, yeah T-T he's a very 'no frills' character, and since it's difficult to make a character who's only goal is to be boring, y'know, interesting, people tend to just settle on making him act older/overly mature/overly stoic, instead. i get why it happens, but i do which creators would engage with how funny he is as a character from time-to-time. that poor man is bare-knuckling it through life, blasting cobra by megan thee stallion and trying not to get the sixteen-year-olds he works with killed and he should be more appreciated for that.

and i couldn't agree more with the gojo stuff T-T T-T the popular fuckboy is a very common archetype that a lot of people want to write around, and as the resident pretty boy, i get why people want to slot gojo into it, but it's literally canon that not a single damn person can stand being around him for longer than an hour at a time beyond, like, two high-schoolers and the ex-boyfriend who hasn't spoke to him in ten years. i think the only canon-compliant way to write for him in an college/no curses au would be like. that guy who everyone assumes is popular because he's rich and attractive, but actually has like two friends and is way better at sports + housework than his overly pretentious major. he just kind of sucks, and it's important to me that people recognize that as one of his most endearing traits.

Let me introduce you to... Lucian.

Reminds you of someone ? That's normal 😏

Alright, you deserve to know 😂

I haven't planned to talk about this AU now because I wanted to keep some coherence with the timeline of my main fic... But, well, nevermind 😂

It came from a joke with @avani-telvanni ages ago, and Luvia ended up having a daughter with Raphael.

Her name is Lunahel but she's usually called Luna, this is the girl you can see below... I shall make a post for her too someday.

And this handsome devil, Lucian, is her little brother, freshly born a few weeks ago ✨

I don't see Raphael as a dad but this is a funny AU and I like drawing this little family, so...

Luna and Lucian have their mother's eyes, red as blood. Their horns are a bit more elaborate than Luvia's but not as much as Raphael's. Also, since their parent's skin tones are very different, the children are both kind of orange/pinkish skinned in their devil form. They have tails and wings, but their wings don't look like their father's for a particular reason 👀

I won't explain more cuz this post is already too long, but don't hesitate to tell me if you like these two 🖤

Bonus: The character I created for reference. He's supposed to look younger but, well 👀 Thanks auntie @avani-telvanni for the hair !

Deviders by @adevilyoudo 🤌

I was kinda thinking about the future of Tommy. We can be sure that the character will come back for S8. Tommy was supposed to be there for only 4 episodes and that he already has been there for more.

As for now, Tommy has been seen in 7x03, 7x04, 7x05, 7x6 and 7x9 and he also was in the Finale.

For one, Lou and Oliver did an interview together and we can assume it's not the only one. You don't ask your actor to do a 5 minute interview in which they barely talk about the show (also I think that the host made the interview awkward and both Lou and Oliver were picking a bad vibe.) Also, this interview was done late this season. Tommy came back in 7x03 and kissed Buck in 7x04. Yes, both Lou and Oliver did interviews but none of them were together and it wasn't on set. As for now, the Access Hollywood interview was the second interview that Oliver did on set, the first one being the Zach show. The rest were by zoom or other facecams ways. As for Lou, it's the only interview that was recorded. Everytime he did an interview, it was for an article and we never had the audio.

Also, Lou does cameo, and if you have a problem with the price I don't think it's his fault I think he put them at the lowest he can but the site up the prices because of the demands. Simple economy lesson, the more there will be demands the less the offer will meet the demands and so in order to change that the price changes. More on the cameo part, Lou has changed the way he does cameo. When he used to talk about Tommy, he would talk freely about him, his cameo would be pretty straightforward and he even made a backstory for Tommy, which I love because as someone who likes to do some deep dives on a character's psyche, the backstory explains a ton. But recently, his demeanor changed. He did a cameo in which he was more vague and kept looking to the sides as if there was something or someone reminding him to "behave".

Another thing, Lou was added in a video the cast did for Instagram. A video that had everyone, minus Peter and Angela, might be exempt from social media because Angela is less active than the rest and Peter is non-existent (Thank you Kenny for giving us proof that Peter is still alive with your Tiktok or Instagram posts). Also, Tim had posted a BTS that was just a frame of Tommy and that could mean something.

But I also want to talk about something, the contract. When Tommy came back, Lou said that he was only there for 4 episodes. And that might be right, at the time. Upon seeing the reaction about Tommy and maybe seeing how well the producers seem to like Lou, his contract for S7 has been extended for two more episodes, including the finale. It doesn't make sense for someone like Lou who keeps talking about how good he feels on the 9-1-1 set to not ask to extend his contract.

But then what would happen in S8? I don't think Lou would or should get promoted to the main cast, regular at least. It doesn't come from some kind of hate for Tommy or Lou, I really like them both, but more in a storytelling point.

The show is a workplace drama meaning that the job is not only important but also kind of its own character. 9-1-1 also focuses on three jobs instead of one as other shows, like The Rookie, Station 19, Grey's Anatomy for instance, tend to do. On 9-1-1 we mostly focus on the 118, LAFD but also on the 911 operator and the LAPD. The show is mostly focused on the 118. Having Tommy as main would shake things up, it would add another station to focus on or have drastically more calls that will need air support but we would also need to introduce other characters from Harbor and I think the show would be too stacked. The only way to properly focus on Harbor would be to maybe have a spin-off focus on them with either Tommy as main character or as regular. Having Tommy a main on his show would cut down on his timescreen on 9-1-1 and thus impact the Buck/Tommy relationship; we saw that happen with Carina/Maya on Station 19/Grey's for instance.

Also if you're one of these people that think that the cast hates Lou. Oliver has only said nice things about him in interviews, Tracie has told that Lou was lovely when she went on live on the 9-1-1 Instagram page and Kenneth has been good friends with Lou since he was in S2. And if you think that Oliver hates Lou because he doesn't follow him on Instagram that would mean that Oliver also hates Tracie and Anirudh because he doesn't follow either of them. On Instagram, Oliver follows only the main cast of 9-1-1 and he seems to use his Instagram as more of a professional account. His posts are mostly show related, contrary to his stories in which he shares mostly his dogs.

Now as the main cast the easier way for them to add a character in the main cast would have them to either work at the 118, the LAPD, or the Dispatch center. It would be less likely to have someone work for the LAPD, the focus is more on Athena and she said multiple times that she hates working with someone. The Dispatch center could work better and we could up certain characters, like Linda or Josh, as main. That would work better. They are already existing characters that the public loves. We need more of them. The last case would have someone from the 118. They could either introduce someone new or push Ravi to main. Which would seem less likely. Anirudh seems to be the busiest actor in the show. I think he also got cast in another show and is also doing other shows outside of 9-1-1. He also seems to keep time to travel outside of work. You go King. Ravi as main would be possible, but it would also shake a lot from Anirudh's busy schedule.

Now, another character that fans have been begging for as main character is Karen. That would be trickier. If we follow my logic, you are free to disagree but be nice! Karen is neither from LAPD, Dispatch or the 118. She's Hen's wife and a rocket scientist. But that doesn't mean we wouldn't see more of her. 9-1-1 always showed us the characters' life outside of work. But since Hen is the only one from the main cast who has no one from her family as main, we saw less from her which is criminal. Maddie is with Chimney and both are main. Same for Bobby and Athena. Eddie and Chris are also part of the main cast, and Gavin seemed to have been pushed a little bit more upfront since he was part of the group promo for the season. As for Buck, for a while he had Taylor who had kinda her own thing and Tommy who also has his own thing.

Buck and Hen are in the same case, they both have their love interests that are not part of the main cast. Buck only Abby back in S1 but it mostly feels like Buck was the love interest since he was nowhere as important as he is now, same for Chimney.

But one thing that we saw in S7 is that Karen can be more important. She was there for when Hen came home after being demoted. Also the Mara storyline felt like it was more of a Karen and Hen than a Hen and Karen storyline and I would love to see more of Karen in S8. Honestly, I feel like she was in more episodes this season than she was in any others.

So now that I shared my thoughts you can share yours. Be nice or you will be blocked. There is too much unnecessary hate in the fandom for any characters and actors. I'm not going to tolerate people's shits.

₊˚🏩✩ Hot Summer Dayz : Let’s Play Summer Solstice!₊˚💿

?? . . . 4 the Shifters & LOA babes … 𓈒 ݁ ₊ > 📧

HEY BABES!! 🎀 Welcome back 2 me yapping my ass off 🤭 so for this posts i’ve always wanted to host a manifesting game kinda thing because i always see them and i think they are just so super cute snd so fun!! so i thought why not host a manifesting game that summer + video game themed bc i thought it would be super cool and super fun!! 2 manifest as a group and be able to see ur guys success stories !!

?? . . . documenting files … 𓈒 ݁ ₊ > 📟

❥ ⋆.˚ MAIN PURPOSE + RULES! 🪼

₊˚🪸✩; Obviously!! We’re Manifesting our dream lives in the beginning of June b4 Summer bc we all deserve to have a life we love!!

?? . . . Rules N Regulations … 𓈒 ݁ ₊ > 📟

#1; Decide What you Want #2; Do not Affirm Against your desire NO MATTER WHAT!! #3; QUIT Wavering !! #4; Keep Affirming/Reminding yourself that you infact have your desire!! #5; Do not Entertain Any kind of Limiting Belif/Intrusive Thought #6; your feelings do not matter you can still manifest anything #7; Quit The Limiting Belifs #8; PERSIST. PERSIST. PERSIST. #9; No Over Consumption #10; Do Not Look For any more advice on how to manifest you already know how!!

❥ ⋆.˚ ENTER YOUR KEY! 💫

₊˚🪸✩; Since this Challenge is Video Game themed i thought it would be fun to have people comment/repost this post and join in kinda like a team of Players!! any one can join at any stage you want also shifters can join in on persisting that you already shifted!!

❥ ⋆.˚ CHOOSE YOUR CHARACTER ! 🏩

₊˚🪸✩; Now the fun parts!!⭐️ now we will be deciding what we want!!, you can make a physical,digital or mental list,visualize,make a vision board,use states etc. what ever you wanna do just keep persisting no matter what!! for me im gonna make a list/script on my notion!!

❥ ⋆.˚ HIT THE JACKPOT ! 🌸

₊˚🪸✩; In This Game we all have common goal changing self and accepting the fact that we already have what we want!! Aka HITTING THE JACKPOT !! you can affirm and persist any where,at any place & at anytime not matter what you!!!

“You are Already in Barbados”

I am waiting for part 2 to see the season in full before I form an official opinion on it… but if they were going to do all of these side storylines then I wish they would’ve done them in a way that built up Colin and Penelope’s stories outside of each other. My main gripe is that Colin and Penelope have established friendships with side characters that feel neglected in their own season.

My personal favorite friendship, Penelope and Madame Delacroix, have barely interacted. Giving us more scenes of them being partners in crime besties, even just casually hanging out, would have been so fun and been an interesting parallel with Eloise’s friendship with Cressida, both of them exploring genuine friendship outside of their previous codependent bond. It would’ve been great to see Penelope with a friend aside from Colin who she can let her hair down and be herself with. It would’ve been really funny too if Penelope talked to Genevieve about the advice Colin was giving her and she went “omg no” and gamed her up with real flirting advice. She would’ve also provided a great contrast to the toxic environment of Penelope’s family. Giving Penelope and Francesca more casual friendship scenes together would’ve been fun too and great for both of them as they were coming into their own this season.

On Colin’s end, I was hoping from what happened last season that he and Will would’ve become closer friends this season, but again so far they’ve barely interacted. I think that their friendship would’ve provided some great contrast to his surface level rake friendships. Colin needs more real friendships anyways and Will is a great friend to have. To top it all off Will is exactly the kind of man that Colin wants to be. Will knows the struggles that Colin is going through, the difficulty in the world they live in to be an honorable man, to follow your passions, and to be a good partner. A further explored friendship with Will could’ve shown him that all of what he wanted was possible, it may not always be pretty and you have to work for it constantly but it is possible. More scenes of the relationship between Colin and Benedict (instead of the Tilly Arnold stuff) would’ve been really great for both characters too. Both of them are really lost right now trying to find their purpose and passions in life, that bond basically writes itself. Also scenes of Benedict being very aware of Polin would’ve been iconic. It would’ve been especially great if Will joined in, they started all 3 hanging out for fun more, and they became a friend group that carried over into Benedict’s season.

It’s stuff like that, those casual fun moments and relationships outside of the main romance, that I think could’ve added to the story instead of feeling like a distraction.

HSR’s Guns & Roses: Analysis of Boothill & Argenti

****Possible spoilers ahead, esp. Boothill’s & Argenti’s lore****

With Boothill out now, I’ve been very intrigued by the Boothill & Argenti duo which I’ve noticed so many details that are similar but also different about them, some of which many people may have already noticed but I still would like to analyze them since it’s been a hot minute since my last lore thread

The main aspects of these 2 characters that I want to talk about are their gameplay, characteristics, and lore/backstories

When we look at their gameplay, some details stand out; for example, both have the same element (physical) but opposite paths when it comes to their DPS roles (Boothill is Hunt which specializes in single target fights & Argenti is Erudition which specializes in dealing dmg to multiple enemies)

Their weapons are also opposites of each other where guns are ranged & the lance is typically used in close combat

This is more of a coincidence which I tweeted about recently but I still think it’s funny that their best-in-slot relics can be found in the same cavern of corrosion

Next we’ll look at their characteristics by which I mean their personalities & designs; off the bat we can see that Boothill has a more gruff personality & if he weren’t censored by his synesthesia beacon, he would be the sole reason for bumping HSR to a higher audience rating; this man probably would not hold back on the expletives 😂)

Meanwhile Argenti is shown to be very kind with his words, often using compliments & praises; typically he speaks with levelheadedness & grace, just like how we imagine a knight would speak

If we think about it, Boothill & Argenti are both very flamboyant characters but in different fonts; just look at their demo trailers as references since they both move like dancers (Argenti looks like he’s in a graceful ballroom dance while he’s fighting the swarm disaster; Boothill straight up MOONWALKS while dodging bullets from the IPC, we literally went from Marilyn Monroe to Michael Jackson 😂)

What accentuates their flamboyance even more is the way they both have spotlights on them at various points of their demo videos

Bonus shot of Boothill being so extra (read: fabulous) while fighting:

They also have very flamboyant designs which makes them stand out (as Boothill explains, they’re both clad in silver which definitely is one of the first things you would notice when looking at them); I don't know how much value silver has in this universe but it is considered a precious metal & valuable to us due to its many uses which is thanks to its malleable nature

Another thing to point out is that Argenti is based off the Latin word for silver argentum; fun fact, the Latin translation is the reason why the symbol for silver on the periodic table is Ag :3

I feel like their color palettes are a bit similar (silver, red, black) but they also have varying degrees for shared colors, specifically red & black; from a visual standpoint, this goes very well because Argenti having more red helps to emphasize his association to roses & Boothill having more black helps to emphasize his identity as “death” (well, for the IPC at least)

Moving onto their lore, although Argenti doesn’t have lines about Boothill, we do get lines about Argenti from Boothill himself; based on Boothill’s voicelines, we can assume that he holds some respect for Argenti as someone to whom he can relate

Their backstories are quite similar when we take a closer look at them

For example, they both have experiences where they lost their homes & the people important to them (damn, HYV really said you’re gonna suffer 💀)

Their respective factions are both noted to be groups of solitary people

Interestingly the factions have different reputations according to the data bank where the Knights of Beauty are looked down upon & the Galaxy Rangers are seen as heroes which may be a bit different from what we’re used to since knights normally have a positive connotation as people who hold chivalry as one of their most important values

Their goals are similar in the way that they both are looking for a specific person or entity: Boothill is looking for Oswaldo Schneider (who is responsible for the loss of his family & home; we might possibly meet him soon since we ended off 2.2 with the cliffhanger where Boothill confronts Aventurine to ask him where Oswaldo is) & Argenti is looking for Idrila the Beauty

They also have their critical turning points in their respective Character Story Part 3 portions

Boothill’s portion talks about his transformation into a cyborg & his adoption of the name “Boothill” which he explains is what they called gunslingers who ended up dead; it is a clear representation of his old self having died along with his loved ones & his home when the IPC destroyed everything

Argenti’s portion talks about his journey as a new Knight of Beauty & the obstacles he faced after having met the knight that was mentioned in his Part 2; here we see his transformation into a Knight of Beauty & his dedication to the path he walks

Before I had mentioned silver being an important part of their designs; here I think is where we see the importance of silver the best (since silver is a malleable material, it can change its meaning for both characters based on their situations)

To reiterate, becoming a cyborg by replacing his body w/ silver represents Boothill saying goodbye to his old self who knew of happier times & his loved ones; for Argenti, the silver that he wears is a sign of his devotion to Idrila the Beauty

What ties their differences so well in my eyes is that silver acts as a symbol of Boothill’s & Argenti’s resolve to accomplish their goals (silver may be malleable but it still can be strong metal & it’s even better since Argenti does talk about his will/faith being unbreakable)

I truly love their dynamic as complementary foils & I really hope that we’ll be able to see more interactions between them in the future since we just only have Boothill’s voicelines about Argenti but considering their goals, it probably won’t happen, at least not any time soon

Let me just say that I only cooked this idea up after listening to Boothill’s demo trailer on repeat…..a normal amount, I’m so normal about him 🙂🙂🙂🙂

Thank the YEEHAW man :3

Heya! Can you do Dark Choco Cookie and Cotton Cookie child?

So I originally misread Cotton as Cotton Candy (especially since not everyone includes the Cookie part of the name), and I’m not doing Dark Choco/Cotton, so Dark Choco/Cotton Candy it is

Anyways, this is Bubble Choco Cookie

So Bubble Choco here is somewhere in his teens, and he’s an avid poet. However he does not want anyone to read his poems, and will make sure you don’t touch his poetry journal. They’re mostly edgy or sad and they aren’t the best, but it’s how he expresses himself. He’ll just pull out his journal and pencil at random times and start writing

When he was younger, he used to be a lot more cheerful and bubbly, but as he entered his teen years, he started to act more rebellious and “dark”. He never quite gave up his fashion sense though, with his main changes just being that he wears some darker shades

He is also very fond of chocolate, specifically the aerated kind

Okay I’m gonna be honest, I don’t have much for him other than the poet angle. I just kind of decided to finally start drawing him

I also recognize that he has very little of Dark Choco in his character, as well as design, but that’s in part because of the way I envisioned this ship. For one thing, it’s in Ovenbreak so no Dark Cacao Kingdom here, Dark Choco probably just lives with Cotton Candy, and also, it’s a wholesome ship, their kid doesn’t need that much angst. And he’s a poet instead of a fighter, and if he doesn’t want to fight, I don’t see any reason for Dark Choco to teach him; Cotton Candy doesn’t seem to live in an area that requires much sword fighting or the like

Anyways, on to design stuff

So Bubble Choco is based on aerated chocolate, since it’s like a really light chocolate, and cotton candy is also light (I’m talking weight btw). Also, I’ve eaten this kind of chocolate before (I quite enjoy Aero bars), and I quite like it

I think another name I was considering was Air Choco, since it’s closer to the actual name of the ingredient, but Bubble Choco works better as a name

Aerated chocolate:

So as I said earlier, I kind of made him for the sake of making him and doing more of these, so there wasn’t a super big amount of thought out into him. I do still like how he turned out though

All I really had to go on initially was the poet angle (I didn’t even reread my old notes), and I wasn’t really sure where to go with his personality until I started tweaking his expression. He was also originally going to be a girl but somewhere in development I decided “eh, why not have him be a boy?” and there you have it

I also knew I wanted him to have black poofy hair with things in it. It was originally more of a curved line in between the ends, but I changed it when I looked at Cotton Candy’s hair more. Though I kind of wish I had kept it now. There was also an old concept I mad ages ago that also had that hair, but it was longer. Don’t know why it’s this current length

After doing the hair, I wasn’t really sure what to do with the outfit, and I kind of just made something up as I went. He’s got the poofy ends of his jacket because of the whole “bubble” thing. I wanted to give him more poofy stuff

His colors are brown and light green become the Aero bars I usually see are regular chocolate (brown) and mint (light green). The pink was added to there’d be a little more color variation

As for the thing in his eye, it’s because of Cotton Candy’s heart eyes and me liking to put stuff in the eyes in place of that. Bubble Choco’s eye thing is supposed to be a sort of reference to Dark Choco with his star, though I didn’t bother to curve it out. And as I realize now, the eye I chose is also his missing eye and the star eye of the SoD. I’d like to claim that was intentional, but it wasn’t

And anyways yeah, there you have it. Bubble Choco. Don’t really have much else to say other than I hope you enjoyed him

honestly so happy that its easier to grind in hsr then genshin cause im actually able to properly build my characters instead of whatever mess i had in that game (i got the right artifacts but trying to get materials for anything was a bit of a pain to me)

also that the resin (i dont know what its called in this game im using genshin terms) can like. overflow into this other thing??? is. so helpful. (i stopped playing at one point so i just came back to both being full. and then when i realized what it actually did it was a godsend because it made it so much easier to fully commit to grinding. i know in genshin you can make the resin this little thing? condensed?? but thats a thing you have to do yourself i think)

all im missing is leveling up the lightcones and traces

and im only missing the traces because i already used up weekly bosses. THATS IT.

robin and ratio have the same boss material so all i have to do then is get the other resources which isnt actually that hard (ill only have an issue if i cant material synthesis or exchange or whatever since i need to do it for the robin stuff that you get from enemies that can ambush you, i dont know what you refer to them as, but cause i havent unlocked penacony yet lol)

and the only lightcones that might give me issue is because highlighted is penacony material stuff

(yes i put final victor on ratio LMFAO)

so YEAHH i feel like im doing pretty good in that department. also ive caught up to penaconys story i just havent started in-game because i wanted to see where it all leads up to and then go back to see all the foreshadowing and get a better understanding of what happened since it also confused me, so im waiting for a time i can just sit there for countless hours and focus. i even switched to eng vas so i dont end up misreading something

(anyway i only got to trying to max out my characters as much as i can until i can level them higher because before i got stuck on so many quests that required a fight 😭, yanqing, argenti, i hate battling you oh my god)

actually on that topic everyones relics arent fully maxed out.

ive only been leveling this cause 5 star dan heng is my main damage dealer

and the healer because im fucked without them (its natasha, but im open to changing it if i find a better healer or shield 🙏)

on that topic:

i returned to honkai star rail because aventurine. i focused on the story because aventurine. (got spoiled his story, realized 'what the fuck hes cool i like him' and watched someone go through the story) i came back in time for his banner but you know what? i had like zero wishing stuff because id stopped playing so i missed out unfortunately

i have friends who have aventurine as like one of the support characteres thingy tho? like the the where you can get support from other peoples characters

so thats been fun. but also auto is kind of bad with aventurine. or maybe because it thinks 'oh theres already a shield, so i wont e' which is pain. on the other hand actually playing instead of having it on auto is fun with aventurine. i like planning around it and thinking of who to have use their skills while keeping in mind when i should have him refresh his shield. i cant explain to you how it hurts seeing hp missing with a shield around it because i cant do anything about it (im the type of person who likes to keep my characters hp full ngl)

probably not the best decision to want shield over a healer but. i can make it work. maybe. i just want aventurine ok. (except for phantylia who as far as im aware is the only one who can just TAKE hp like that? without even affecting shields???)

I think the reason for all that discourse in the JJK fandom is that we had some expectations about what this story would be about, and we were wrong. I'd say it was our fault for having them, because Gege had his own story in mind and it isn't our role to tell him what to write/draw. But I'd also say that we were misled into having those expectations and then being deceived, because shock value is fun.

(I'm not in the AOT fandom so maybe I'm 100% wrong, in which case don't pay attention to me. I'm just rambling I'm not trying to make a point)

See there's not such a thing in Attack On Titans. I mean I know people are arguing whether a decision was good or bad or a character development was positive or negative, but no one is rioting the way JJK readers are even when someone dies, kills, or does worse (they do start a genocide lol). Because in AOT you know since the beginning what this story is about : surviving, war, and liberty. With time you learn that it's also about racism, destiny and injustice. But the story starts with death and blood and it never calms down, characters keep dying or getting hurt and no one's safe all along the story. So you just know it'd end the same way, you know what to expect, that power of friendship won't save anyone here.

But Jujutsu Kaisen is different, because it has all the codes of a basic Shonen. Everyone was comparing it to Naruto during the 1st season so you would believe it'd follow the same path. Of course there's fights and fails and suffering and death, because it's necessary for the growth of the protagonist. He'd learn he's not strong enough and he'd try harder and mature more and be better. Jujutsu Kaisen makes you think it's your One Piece-type manga where 1 person dies every 4 arcs and the main team survives everything, even when it looks impossible.

And then Shibuya happens and you're shocked because it's way to early to kill so many valuable characters in a row. Usually that kind of massacre happens during Big War arcs like in MHA. At first you think it's an interesting writing choice because it changes from other mangas, and you wonder how the main character will evolve from that. But then the training arc never happens, because shit keeps falling on them and there's a pile of deads and you start to wonder when it'd stop. Spoilers : it doesn't.

So at some point you realize it. This isn't a classical shonen. This isn't an happy-ending after a hard fight kind of story. There's no power of friendship to save them, there's no important moral path to keep following no matter what (like "I won't do to you what you did to me because it'd mean that I'm the same" no it doesn't work here), and there's not even a chance to run away from that cursed role no one wants to bear. There's no one protecting the kids anymore. The MC isn't strong enough and the mentors are dead and close friends are off-fight and the one person able to end this has to make the horrendous choice to give up his humanity.

In AOT, you were shocked, but it felt logical in the sense of where the story was leading you from the beginning. In JJK, you feel betrayed and manipulated because everything made you think about those other mangas where people ended up fine, but it was just a cover.

Honestly you COULD have guessed it'd end that way. Many people did. You just ignored it.

You thought Junpei's death was an exception, the Major Point for Yuuji's development, the Shock Value Kill to put some depth nuance in the story. But in reality it was a warning, a taste of the future. There WERE signs after all, and Gege never pretended to write another Naruto. You were so used to the classical shonen that you read the signs and fell for the trick.

JJK has never been a nice story from the beginning, Sukuna was at the center of every event since the beginning. You can dislike what is happening but you cannot say it's bad, as in a scenaristic choice. Gege is a writing genius and unfortunately he's also pure evil.

You shouldn't have trusted a one-eyed cat after all.