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#notes from the writing raven
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WHAT
[Other May 2024 JP server news!]
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MY EXACT THOUGHTS 😭 After 4 long years… TWST has finally given us the elusive bare Rook arms and his Savanaclaw era design???????
Look at how well-defined his arms are, the Magical Archives was NOT lying about his secretly buff physique… The curly hair??? Freckles???? Ripped T-shirt sleeves???? Even the brows are noticeably different… THE GASP I GASPED WHEN I LAID EYES ON THIS DUDE OTL It’s suuuuch a drastic change???? Vil described Rook’s Savanaclaw days so… well. A little TOO well… (I laughed a little upon realizing Rook always wore some iteration of a hat; in this context, it feels. more cowboy-ish.)
ALSO I THOUGHT BRO WAS CARESSING VIL’S DORM UNIFORM WHEN I FIRST SAW THIS CARD (then I looked closer and realized it seems to be Rook’s bed). The floor pattern does not look like Rook’s room though…? Did he just. Yoink some Pomefiore fabric and hide out in a rando’s room to admire it??? THAT’S AN EVEN SCARIER THOUGHT…
I feel like this is a fever dream that I can’t wake up from 🤡 This right here, officer… This is what my sleep paralysis demon looks like… He T-poses in the corner of my bedroom and watches me sleep while whispering “omelette du fromage” 💀
I didn’t think we’d be dream-hopping to every individual student’s dream to pull them out of it because that feels like such a time sink (and book 7 is already so long), but… why the sudden limited Rook banner drop to go with a book 7 update???? Are we actually going to be waking everyone up one by one…? Well then that also opens up the possibility of a book 8 since there’s no way TWST could cram all this dream hopping AND cleanly resolve all the other lingering questions (Grim’s origins, Ace’s UM, Crowley’s motives, why was Yuu brought to Twisted Wonderland, etc.)????
How fitting that it’s the enigmatic Rook Hunt to send us all spiraling and questioning everything JUST BY SHOWING UP IN NEW (old?) THREADS…
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💐 twst jp may 2024 schedule 💐
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Early May
🍚 Last Master Chef event!! This one has rice as its main ingredient and features SR Apprentice Chef 👨‍🍳🐙 Azul and 👨‍🍳🤖 Ortho. One can be obtained for free by trading in tokens for a special pick key.
🦁🥏 SSR Clubwear Leona banner! No vignettes, but provides unique furniture.
🤵‍♂️🍎 SSR Platinum Jacket Epel banner! His 💐🍎 Broomquet banner will also make a return.
🐉 Main story update; book 7 part 8!!
🌅🏹 Book 7 limited time banner… SSR Savanaclaw Dorm Uniform Rook??????!!!?!?!!?! It’s so weird being about to see his bare arms for once— This will operate similarly to previous story-related limited time baners; ie this Rook is not permanent.
Mid-May
🤵‍♂️⚔️ SSR Platinum Jacket Silver banner! His 💐⚔️ Broomquet banner will also make a return.
Late May
✨ Tsumsted Wonderland part 3!! This will feature a free R ❤️ Tsumsitter Ace and a free R 🐍 Tsumsitter Jamil. There will also be three limited time banners for SSR 👑 Tsumsitter Vil, SSR 💀 Tsumsitter Idia, and SSR 🐉 Tsumsitter Malleus! The SR Tsumsitters that will appear alongside the SSRs are ♣️ Trey, 🐆 Ruggie, and ⚔️ Silver.
General/Long Term
🎉 Main Story Completion Support Campaign! This will be running from April 26th to June 17th.
There will a period of increased EXP and madol drops.
Clear as many books of the main story as you can to earn rewards like a SSR perfume and a 10-pull key. Even if you have already cleared the books, you are still eligible for these items but may need to replay.
Be sure to check the event campaign page to claim the rewards. They will be available to pick up for only 10 days.
Completion support packs will also go on sale in Sam’s shop.
PLEASE NOTE: this campaign does NOT confirm the end of the main story; rather, this campaign is to encourage people to clear as much of the main story as possible (since it seems like a lot of people have been gated by book 6).
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ace…
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From the Tapis Rouge event, when the group is touring the film studio: “Oh, there’s a prison set here. Why don’t you (ie Yuu) get in there for a sec?”
Ace… I think Stage in Playful Land must have permanently changed your brain chemistry… 🤡 Fellow Honest got to you…
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If it’s alright, I have a question about Vil and Epel’s relationship. I understand that the accent changing plot line is just a cultural politeness thing that didn’t carry over outside of Japan, but the other parts of changing Epel’s behavior don’t quite make sense.
Why exactly is Epel being forced to call macarons his favorite food? And act very soft-spoken? I can’t see how these fit in with the politeness aspect of the table manners, no abrasive language, etc. It just doesn’t give a very good impression, especially in combination with the unfortunate implication of giving Epel a Southern accent for the “change your accent” plot point.
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Before I get to responding to the questions posed by this ask, allow me to explain for those who may not be familiar with this controversy! This is so we can all go into reading this post from the same starting point.
I've made titles to denote the explanation of background knowledge and to denote responding to the questions actually asked to me! If you're already familiar with the Vil-Epel-accent debacle then feel free to skip the first section!
Disclaimer: I’m speaking on these concepts as I personally understand them. However, I am not a native Japanese speaker so I’d advise that you consult additional resources with a better understanding of the language and culture. Two resources I enjoy are Yuurei and MysteryShopTLs, who have both also addressed Epel’s accent and how it was localized.
The Accent, EN vs JP
It’s well-known that Epel is a character with a heavy accent who has been explicitly told by Vil, his dorm leader, to alter the way he speaks. In EN, Epel speaks with what appears to be a southern (as in, “from the southern United States”) accent. Therefore, when Vil tells him to stop speaking in the accent, it feels as though Vil is shaming him for his southern roots and culture. This has also led to fans (especially of the EN-only sphere) thinking that Vil believes Epel’s accent is “unrefined” and “makes him sound uncouth/uneducated”, which is why Vil tells Epel to cover it up. I have even received asks conveying as much in the past (here is one example).
In the original JP, Epel speaks in a way that does not closely resemble any real-world Japanese dialect but rather a blend of them. If you ask a native Japanese speaker, they would likely tell you that it is difficult to understand what Epel is saying and that it sounds as though he is speaking rudely or too casually. People could genuinely take offense to the accent because it can be mistaken as something else entirely. This is obviously very different than the real-world accent (which many people can still understand and wouldn’t perceive as rude) that Epel was localized to have. The decision to give him a southern accent, then, does not completely carry over its original JP connotations into EN.
What remains the same in both EN and JP is the reason Vil provides for telling Epel to adjust the way he communicates. As he says in EN, “Speak properly" to which Epel immediately assumes the command comes from a place of elitism/classism and Vil thinking Epel's manner of speaking is beneath him. Vil responds with, "Stop misinterpreting my instructions. I have nothing against your home or its dialect. What I object to is your attitude. Being proud of your home is all well and good, but there is a time and a place for that. The way you address your superiors is entirely unacceptable." (Keep in mind that before this, Epel was the one instigating a fight with Vil and subsequently got his ass whooped for disrespecting an upperclassman. As the victor, he declares that Epel must do as he says--that's the "culture" of NRC. The weak obey the strong, so if Epel wants to do whatever he wants, then Vil challenges him to beat Epel in a fight. Until then, the loser must obey the winner. Epel agrees to these conditions.) This may be a little hard for western English speakers to wrap their heads around, but MANY Asian countries, Japan included, run on a hierarchical system which is embedded even into their languages. Japanese, for example, has honorifics to denote the relationship between the speaker and the listener, as well as variations on the same word depending on the context ("boku", "ore", "watashi", "atashi", etc. are all valid ways to refer to oneself, "onii-san", "onii-sama", "aniki", "kyodai", etc. are all ways to refer to a brother, whether blood-related or not). In some cases, it's considered rude to call others by their first name unless you know them well, and even then it's not common to see a first name without an honorific. This is not as strictly adhered to in English, which is perhaps where a cultural disconnect occurs. What Vil is referring to in his instructions to Epel is what is known in the world of linguistics as "code switching", or changing how one communicates to suit the situation. Part of code switching is changing one's "register", or the level of formality you use. So for example, I could use a colloquial/casual register when I speak with my friends, but I may shift to a more polite and formal register when I speak with my professors, a boss, or an older relative. Vil, then, is critiquing Epel for not speaking politely to his seniors (something which is expected in Japanese culture, but not expected among those in similar grade levels in western cultures).
In the Harveston Sledathon event, we get to venture to Epel's hometown and hear how the locals speak. Indeed, we get more instances of people who speak in the same way Epel does. It's the Harveston dialect, which is so distinctive that it basically sounds like a whole different language. (There are also languages like this in real life; consider Mandarin and Cantonese; technically they are both "Chinese" but Mandarin and Cantonese speakers would not be able to comprehend one another even if they use the same written language). However, it's notable that Marja (Epel's grandmother) and the mayor of Harveston are able to code switch flawlessly into a more standardized tongue. They explain that this is a skill they have developed because it helps in communicating with tourists/visitors to the village and for whenever they travel to the nearby city to sell their wares. This reinforces Vil's point that there is a "time and place" for certain ways of speaking, which Epel needs to consider.
Macarons and Soft-Spokeness
Accent thing aside, some English-speaking fans take issue with Vil's stern treatment of Epel, particularly in instances in which Vil seems to be exerting significant control over his underclassman's behaviors. (Japanese-speaking fans largely do not hold the same sentiment.) Examples of this include Vil forcing Epel to state that his favorite food is macarons, as well as making Epel present as soft-spoken even when he's just among his peers. I will now be addressing both of these points. TO BE CLEAR, I am NOT trying to defend Vil but rather I'm just going to speculate about why the circumstances are the way that they are and/or why perceptions of his attitude may differ.
Starting with macarons! It is stated in Epel's official profile and by Epel himself in his Birthday Boy vignettes that his favorite food is yakiniku (Japanese grilled meat). However, macarons are also listed as his favorite food, and this is notable because he's the only character with two foods listed instead of just one. In the aforementioned Birthday Boy vignettes, Epel is quick to qualify his love of meats with, "Well, I do have one thing I like even more. It's, ah, macarons." When asked what he likes about them, he says, "They're... cute. And sweet! And they come in lots of different flavors." His voice here sounds hesitant, so it's not clear whether he's being entirely honest or not. He even admits in a whisper that, "[Macarons] are not very filling, but still." Epel again complains about macarons being good but not very filling when he has some in the City of Flowers/Fleur City. To this, Azul asks, "Why do you look so unimpressed, Epel? I thought macarons were your favorite food. [...] But was my intel mistaken? Would you prefer something with a stronger flavor profile?" Epel insists he is fine, and Azul responds with, "Excellent, then my intel bears out." This creates some confusion over whether Epel actually likes macarons or not. I doubt that the information Azul has on others is inaccurate. Plus, Epel states of his own free will to the player (who is interviewing him) that he also likes macarons. This leads me to believe that while Epel doesn't outright hate macarons, he does like them alright (but still prefers grilled meat more). The only thing he seems to have an issue with is how unsubstantial macarons are as a food item.
Now... why does Vil make him state that macarons are his favorite food instead of grilled meat? It's sort of touched on in Epel's Ceremonial Robes vignettes. In them, Vil chides Epel for his poor table manners and asks him to state his favorite food. Epel responds with grilled meat/barbeque, which earns him a smack from his dorm leader. (Vil actually smacks Epel multiple times in these vignettes as punishment, which ended up being another source of ire in the English-speaking part of the fandom; such a thing is more common in Asia and its media, so it's not seen as too outrageous in Japan.) "Do my ears deceive me?" Vil says. "I could've sworn I heard a word unfit to be spoken in this noble dorm. I will ask you again. As a student of Pomefiore–a dorm founded upon the tenacity of the Fairest Queen–what is your favorite food?" From this dialogue, it can be surmised that Vil's reasoning for drilling the macarons in as Epel's favorite food is because it is something that is more befitting of the regal "image" of the Fairest Queen and the dorm made in her honor. Vil seems to regard grilled meat as an inelegant food which does not suit the Fairest Queen nor Pomefiore.
The second thing the asker brought up is Epel's soft-spokeness. I guess I'm a little confused by this??? Soft-spokeness is a part of being polite; it ties back to volume control (ie "indoor voice" being softer than "outdoor voice"). I also don't recall a specific instance of Vil chastising Epel for NOT being soft-spoken at all times. He allows Epel to be loud sometimes and raises his voice himself. I feel like volume is not something that Vil harps on as much as other things like cursing or speaking politely to the correct authority figures (unless, of course, volume is important to the level of politeness required for the current conversation). I could be wrong on this though, so please let me know if you know of any specific instances of Vil being mad about Epel speaking loudly that I may have missed! What I do find odd is how... consistently (?) Epel tries to keep polite even when Vil is not around to monitor him. When Vil and Epel first met, Vil makes it clear that there is a "time and place" for Epel's accent, and it's not when addressing seniors. So... by the logic, shouldn't Vil be okay with Epel acting more relaxed or rowdy around first years or more casual settings in general? Why does Epel need to maintain the facade of being polite even when not in the presence of his superiors? Why does Epel seem to even act fearful about word of his misbehavior/rudeness getting back to his dorm leader and even make others swear they won't divulge the incidents to Vil?
One theory I'll propose is the entirety of book 5. Vil was insistent then on having Epel in the NRC Tribe. He wanted to weaponize Epel's cuteness, which he believed could compete with his long-time rival, Neige. This probably fed into Vil's demands for Epel to appear and act dainty and innocent, traits which Neige effortlessly possesses. Vil literally even refers to Epel as his "Poison Apple" that will help him defeat Neige. After book 5, Vil seems to have eased up on his rigidity. However, I will caution that this explanation may or may not align well with vignettes and/or event stories, which do not always work in a cohesive timeline with the main story.
Perhaps a more all-encompassing explanation is... this is probably because Vil is just very strict about how his dorm members present themselves at all times, since they are expansions of Pomefiore and of himself as the leader. Both the macarons and Epel's attitude are reflections of the dorm he (a celebrity who is very aware of the public eyes on him + his reputation) is affiliated with, and Vil won't have them poorly represented. He is the dorm leader, so he has the "right" to rule and impose his ideals as he sees fit. It's a similar situation to Riddle forcing the Heartslabyul students to follow silly, nonsensical rules (because they're tradition) or risk a scolding or a beheading. And again, Epel is following along because (as established in book 5), he has agreed to submit to Vil’s orders until he beats Vil in combat.
At the end of the day, I don't think Epel being forced to call macarons his favorite food is a huge deal. Is anything that big lost in claiming you like something that isn't your actual favorite food? It's not like Vil is forcing Epel to claim he likes eating something that would actually harm him (like, if Epel had an almond allergy or something).
What's more dubious is how VIl governs Epel's attitude and temperament at seemingly all times (to the point of eliciting some apprehension from Epel). Given the most generous reading, maybe it's Vil's way of teaching Epel maturity and how to keep his voice down since Epel had zero of it and acted loudly brazen when he first enrolled. It doesn't help Epel if he's quiet and well-mannered in very limited social situations; it has to be "generalized" or expand to other scenarios for Vil's lessons to truly be instilled in him. (Like... what would happen if Vil DIDN'T hold Epel in check? His classmates would not be able to understand Epel's speech, and he might get into trouble by picking fights with others.) This is a life skill that Epel lacks, unlike his grandma and the Harveston mayor, and Vil's teaching it to him via "tough love" (though whether you approve of his methods or not is up to interpretation). Recall that Vil also teaches Epel to embrace femininity as its own strength and to disregard outdated gender norms--this could be considered another "lesson". I doubt that anything Vil imposes is done maliciously, but rather comes from a place of wanting others to be better and to shine their brightest, even if that path is difficult or painful. Epel, as the rebel in this circumstance, of course does not enjoy being told what to do and misbehaves in small ways. There’s a limit on how much he can misbehave though, as it would hurt his pride to be reminded of his failure to one-up Vil. He's like a kid that doesn't want to be caught cussing or acting out by his parent. It can be seen as immaturity and an unwillingness to change or to grow up, but it can also be seen as someone who wants to freely be able to express themselves or to be their "truest" self. Epel is rowdy and headstrong, and it's difficult for him to repress these parts of himself. Given the least generous reading, Vil is oppressing and stifling Epel in many ways that extend beyond what his dorm leader position should reasonably allow him to do. In fact, a popular fan translation for book 5 is "The Beautiful Oppressor", as Vil is frequently shown limiting the liberties of his NRC Tribe members during their training arc, not just Epel's.
Which is the truth here? Why do those in the English side of the fandom decry Vil's actions and side with Epel whereas the Japanese side see little issue with this?
I wager that this predominantly comes down to, again, cultural differences. Many English-speaking fans are based in the west (particularly the USA and Canada, where the EN servers first launched), places which emphasize individuality and self-expression. Of course they would be more likely to take Epel's side, as he's the one trying to be himself and stand out in his own way. Meanwhile collectivism--an ideology which stresses conformity with a group--dominates in the east. They are more likely to see no problems with Vil's actions because, to them, he is acting in the ways he is to "guide" Epel and show him how to best "fit in" with Pomefiore and at NRC. I believe the whole "being soft-spoken" thing also ties back to cultural differences; speaking loudly is something else that can be considered rude in Japan, so it's entirely possible that Vil encouraging Epel to be soft-spoken is another element of politeness that did not translate well to English (as the western world tends to be much louder and more animated in their conversations).
What it boils down to is that the way Vil and Epel's relationship was written did not work well for a western audience, whose values and perspective is VERY different from the original audience TWST had. It appeals far more to a Japanese fanbase than a western one, and has resulted in many misunderstandings or anger about Vil's character because of this.
I'm not sure if I managed to adequately explain everything, but I hope that this at least helps you to see from a different perspective!!
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hi really sorry if this has been asked before but how are unique magic named? Do the caster just name it however they want? Thank you for answering!
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In 6-58, it’s implied that the name and chant for a UM comes from one’s “inner voice”. (The example from this book being Epel, who is first discovering his UM here; Rook instructs him thusly: “Relax. Calm your breathing. Focus. Listen to your inner voice. And speak the spell that enters your mind. Go on.”)
So!! UM doesn’t seem to be something the mage makes a conscious naming decision for; there is a predetermined name that comes from “within” and is unconsciously selected.
This is also supported in 5-66, as Deuce’s recollection of using his UM for the first time matches: “[The chant/name] just kind of slipped out”. When he used his UM to save everyone from OB Vil, the spell was also shouted without much of a thought.
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Oh how I want this event where twst boys will be turned into children. The chaos!
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That might be an interesting event for late spring/early summer, seeing as Japan has Children's Day on May 5th. It's a public holiday meant to celebrate children's individuality and happiness. I know that this kind of idea is already popular within the fandom; plenty of fan artists and fanfic writers (myself included) have done this prompt before. (If you're interested in reading those, I'll refer you to the masterlists for whichever characters you are looking for.)
Maybe it could be an event where the staff could shine as parental figures/guardians to the boys who temporarily turn into little kids? Crowley is the token absentee dad/j We at least know that Sam would conveniently be the one providing all of the childcare items www It could also give a chance for "younger" characters (ie first years or other smaller family members like Cheka + Ortho) to step up and fill the "big brother" role. Although... I do get the distinct feeling that some first years would end up bullying their child dorm leaders or at the very least not taking the best care of them 😅
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I don't know if you've discussed this before but I don't really get madols/thaumarks in terms of value.
I thought it was like yen as in the anthology Azul is fretting over a 100(100 yen is 0.65 usd) coin and they all think he's paranoid, making 100 madol seem insignificant.
But then 50,000(yen to usd is 316 usd) madol for an item is supposed to be crazy expensive? As shown in the prologue.
Which isn't much for the exchange rate.
At the end of book 3 it states that the menu in the mostro lounge is then priced at 5-16 thaumark an item????
It makes no sense
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I talked about the difference between thaumarks (in EN, similar to the American dollar) and madol (in JP, similar to the Japanese yen) in this post. You will find many examples there as well!
You might be confused about the value of thaumarks and madol because currently the yen irl is weak. For reference, right now 100 yen is 0.65 or 65 cents in USD (not even a full dollar). However, I believe that the “true” exchange rate for thaumark to madol is more accurately described as 100 yen for every 1 dollar/1.00 USD. This results in a "cleaner" converted number and is closer to the value of the yen to dollar (106 yen to 1 dollar) when TWST first came out in 2020–though EN would not come out until a few years later. In 2024, the conversion is closer to 150 yen for 1 dollar, and this difference is probably what resulted in your confusion.
Knowing this, a thaumark is actually 1/100 the value of a madol. Just move the decimal point of the numver over to the left by two spaces to do the madol to thaumark conversion! This would make the value of a 50,000 yen/madol item actually closer to 500 dollars/thaumarks.
It should be noted that the broken chandelier in the prologue is stated to be worth “a billion” or more in both EN’s thaumarks and JP’s madol. Some numerical values like this are left unchanged between the two servers.
In real life, the value of currencies fluctuates all the time! But in a game like TWST, the currencies can be stabilized and unchanging regardless of what happens in the real world. That's likely the case in this situation.
In the anthology comic you referenced, the whole joke IS that Azul is fretting over what is a miniscule amount of missing money because he is just that stingy. The 100 madol coin and its 1 thaumark (or 100 sorcents) equivalent are supposed to be seen as not a lot of currency. He's overreacting over some change in both JP and EN currencies.
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As for the pricing of menu items at the Mostro Lounge, I don't think the values are strange at all. The prices quoted, however, are a little off. The items mentioned in book 3 actually range from 6-15 thaumarks or 600-1500 madol.
Azul explains that the drinks on the menu are 6 thaumarks/dollars (600 madol/yen). This is even more expensive than asking for a glass of juice or soda at a restaurant (a few dollars or a few hundred yen). It’s about the same price as a specialty drink (think like a mocktail or something). Putting that another way, that’s about the same cost as a tall Starbucks drink.
Azul also says that there is a limited menu with items for 15 thaumarks/dollars (1500 madol/yen), which I imagine are like the lunch sets or desserts. Many cafes and especially anime/manga collab cafes (which are notorious for being costly) have similar pricing for their dishes; in some cases. Here is an example of a menu from a Tokyo Mew Mew collab cafe (although you can find several others with matching prices or cost even more):
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Let's also keep in mind that Azul only stated that items on THIS particular limited collab menu were 15 thaumarks/dollars or 1500 madol/yen each. We don't know if other limited collab menus or if the regular item menus are higher/lower cost. We should be cautious of using the 6-15 thaumarks/dollars or 600-1500 madol/yen range to cover the entirety of the food and drink prices that Mostro Lounge offers. For example, in Azul’s Dorm Uniform vignettes, he specifies that he’s selling the Mystery Drink for 1500 madol/yen or 15 thaumarks/dollars, which is significantly more than (/over double) the usual cost of a Mostro Lounge drink. If you got the mystery drink with your lunch, you’d already be in at $30 or 3,000 yen for a single meal—and again, this is only if you don’t count extra costs for tax and/or tip.
Let's do some math terrifying, I know... Deuce is shaking for what I assume is the regular order for a student dining in. We will order 1 drink and 1 item from the limited menu. Without tax (and tip, if Twisted Wonderland has that), this alone would cost you $21 or 2,100 yen. It'll cost even more if you order extra drinks or dessert. I imagine that just the 1 drink and 1 limited menu item together already cost significantly more than what you can get to eat at the school cafeteria. Because NRC is based on a British boarding school, let's use the irl cost of the average British high school's lunch costs (2-3 pound sterling, according to Google) to compare. 2-3 pound sterling is about 3.70 USD or 370 yen. Even if we were to assume that a private British boarding school would charge significantly more for food (because it's a "fancier" institution)—be it double, triple, or quadruple the price—students would still be paying a fraction of what one casual meal at the Mostro Lounge would cost. Not only that, but NRC students are getting more bang for their buck in the cafeteria, since food is served buffet style. You get a lot more variety and amount of food for much less initial cost. Comparatively, Mostro Lounge is the expensive option 🤡 (even if most of the main cast and NRC student body seem to be from pretty well-off families and could probably afford eating there daily, no problem). The average high school student has no income, has limited allowance, or earns minimum wage, so that cost of a fancy Mostro Lounge meal would take quite a bite from their personal spending budget.
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Hi raven, I’ve loved your intricate and deep analysis of the twst cast for the past 2 years to the point where I’m surprised you have characters you don’t really care about! (Not that that’s bad thing!) Now with the introduction of new characters (cough, cough Rollo), I’d love to see how you rank the twst characters again 👀
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Thank you very much—but I think there’s an important distinction to be made!!
Knowing a lot about a character, analyzing them, and thinking that they have interesting writing does not always equate to “I like this character”. This is definitely the case for me; I try to compartmentalize my objective opinion from how I subjectively view each character. There’s certainly characters I dislike on a personal level, but I continue discussing them because they still provide value and nuance to their world and story! (You can see that I don’t like Malleus at all but I am still capable of thinking critically about his loneliness and how his resistance to change informs his actions.) For the sake of analysis, I can mostly put aside my own feelings 😂
A character could be the most kind and/or complex individual ever and someone could still dislike them for a reason as innocuous as not vibing with their tropes or even their physical design. (For example, I dislike Vil’s dad not because I think he’s a bad parent; Eric Venue is one of the best parents in the whole game. I simply dislike him because I have a bias against celebrity characters.) And that’s okay!! Everyone’s tastes are different. People should be allowed to dislike whatever they want for whatever reason they want.
I wasn’t able to find a TWST character tier list that included all the NPCs, so… I typed in as many other significant characters as I could recall for the tier I slot them in. I hope that works ^^
I think the only big changes here are Idia and Rook; Idia has gone higher up (no doubt thanks to all the family drama he’s been in lately) and Rook has dropped down (he has, sadly, been displaced by another pseudo-French man). I also tried to segment my “likes” into “lesser liked” and “more liked” tiers, otherwise there would be a ton of people crammed into the blanket term of “like”. Malleus is… in a tier of his own…
There’s my updated tier list for ya! ^^ Let me know if I missed anything~
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Twst in “ The wizard of oz” ( a shitpost)
Yuu as Dorothy ( obvious choice)
Grim as Todo
Ace (or Deuce) as The Scarecrow
Ortho as The Tin Man
Epel (or Jack) as The Cowardly Lion
Vil as Glinda (He would look pretty in her dress)
Azul as the Wicked Witch of the West
Jade and Floyd as The Flying Monkeys
Crowley (or Idia) as the Wizard himself
And the rest of the cast are the munchkins
( let me know what you think of the cast, and who would you choose to cast here)
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I uh 💀 recall being forced to watch Wizard of Oz once as like a 7 year old, so my recollection of it is vague at best 💦 I did refer to its Wikipedia page to summarize the story and characters to me, so hopefully that’s enough to get an understanding of this prompt!
My interpretation would be:
Yuu as Dorothy and Grim as Toto! The obvious picks ✨
Expanding Team Dorothy and co. to create novel roles so each of the first years can have a part in the journey; I very much like the idea of the first year friend group!
If we’re sticking with just the Scarecrow, Tin Man, and Lion… I’d choose Deuce for Scarecrow (since he is objectively the less intelligent between him and Ace). What Deuce would gain at the end wouldn’t be smarts, but rather the understanding and the acceptance that he’s stubborn and simple-minder, and that’s his strength. This would be similar to how Deuce unlocks his UM in book 5, by embracing his true self.
Jack would be my pick for Lion (since he is more beast-like). Additionally, Jack had to deal with finding the courage to stand up to the rest of his dorm, including the dorm leader, in book 2.
Vil as Glinda works, but I can also see Azul playing Glinda in a sleazier manner befitting the shadiness of a used car salesman. I just think that juxtaposition between how kind he looks and his real attitude would be hilarious (think of like Fairy Godmother from Shrek 2).
Back to the idea of Vil as Glinda though, he’d totally kill the look!! I think it would be funny if the ruby red slippers that bring Yuu home are the crimson Ténèbres brand mirror heels 👠👠 mentioned in Jade’s Dorm Uniform vignettes (a highly exclusive shoe that even Vil dreams of but finds it hard to get his hands on). RIP Yuu though, having to walk to the Emerald City in those…
Azul and the twins work as the Wicked Witch of the West and her Flying Monkey (Flying Fish?) henchmen. However, I can also see Malleus and Sebek + Silver in these roles since Malleus is TWST’s poster child for “villains”. He’d be mad that you killed his mother—/j
I can kind of see Idia as the Wizard since they’re both mysterious shut-ins, but I feel Crowley is more befitting since he’s the one constantly promising to find Yuu a way home. Crowley also works better since the Wizard kinda pep talks the Scarecrow, Tin Man, and Lion about how they had the traits the most wished for all along. It seems like the kind of corny thing he would spout to try and convince his students to be friends. The enigmatic headmaster who loves shiny things and oversees a school that looks great from the outside but is constantly dealing with traumatic events on the inside… Doesn’t that kind of man fit the role of someone who lives in the shining Emerald City made of smoke and mirrors?
SHORT KINGS RIDDLE, LILIA, AND EPEL SHOULD BE MUNCHKINS… (Riddle and Epel would be mad about it, but Lilia would have fun with it and ask the others if they think he rocks the outfit.) This is only, of course, if Epel is not already a part of Team Dorothy and co. as a new character and/or if Lilia is not already serving as one of Malleus’s minions.
The Seven Dwarves and Cheka should be included among the Munchkins.
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Can I ask why you don’t like Vil much? If you haven’t answered that already?
For me, I also didn’t like him at first but loving Rook has turned me into a Vil lover 😭.
[Referencing this tier list!]
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A significant part of it is no fault of Vil's own, it's just... I have a very strong aversion to celebrity characters. This dislike scales up the more famous that celebrity character is + how much attention is brought to their status, and well... Y'all know perfectly well how famous Vil is 🤡 This is why I also dislike his father to some degree, though it's to a lesser extent because I at least appreciate Eric being involved in his son’s life + find Eric to be friendly.
Celebrity characters tend to make me feel deeply uncomfortable chiefly because their careers put them in a position where they're ripe for parasocialism (which is when one party, ie their fans, extends emotional energy, interest and time, and the other party, the persona, ie the object of their affection, is completely unaware of the other's existence). Parasocialism in of itself is not a negative thing by default; it can, in fact, be a powerful motivator to improve oneself or can significantly lift one's mood. Some sectors entirely rely on parasocialism to function (such as the "influencing" industry).
Where it starts to get iffy for me is when we veer into the most parasocial of fans who will take extreme actions to support and/or hate on an individual. These are your stalkers, your sasaeng fans, etc. While I'm aware that these are the vocal minority of a celebrity's fanbases, the kinds of things these extremely parasocial fans pull off deeply unnerves me. Like Vil, the celebrities involved are by no means at fault—but they’re always “tainted” in my mind by the association due to the sheer magnitude of what their most crazed fans do in their name 💀 So when I think of that celebrity… I also think of the insane stuff they have to deal with from their fans and that stresses me out.
I find the whole “celebrity worship” culture in of itself very odd. It’s difficult for me to form an attachment to a real person that doesn’t or cannot reciprocate. By extension, it’s hard for me to wrap my mind around activities like following the celebrity’s life closely, supporting any and all projects due to their involvement alone, and collecting merch/signatures. Thinking of Vil’s fans doing this… (or, as seen in the Tapis Rouge event, getting emotional/shrieking for him, begging for a glance, fainting, etc.) it invokes those feelings of discomfort again.
Finally (regarding the celebrity thing), Vil and other famous people tend to be in the spotlight. I don’t really like this sort of a presentation; it calls too much attention to them. This runs counter to the types of characters I tend to gun for: the schemers who operate from the shadows, typically appearing innocuous or humble at first glance. These characters stay out of the spotlight and prefer it that way, as it allows them more freedoms to enact their plots. Celebrities’ positions don’t really allow for that. Even if their off-camera persona is completely different than their on-camera one, the attention they’re showered with never seems to fade.
I also find Vil’s entire presence way too intense (even when he’s lined up next to arguably much more physically imposing students like the 180 cm+ squad or any muscular character). This is why I can tolerate Neige but dislike Vil; Neige comes off as innocent and approachable—so much so that I don’t even register him as an idol or a celebrity in my mind. He’s just a cute boy-next-door type inviting me to dance and sing with him and his friends!
Vil’s hair, makeup, tall heels, the need for perfection, his sternness. It’s a LOT to take in. I can admire the confidence and the tenacity with which Vil pursues beauty, but at the same time… it can come off as super overwhelming. I don’t think I could comfortably breathe in the same space as him without feeling like I’ve offended his sensibilities 😅 Sometimes I get a little anxious just reading him scolding others; it feels like he’s reaching through the screen and scolding me too. I get the overwhelming vibes even through the things Vil creates or commissions; the composition and choreography of Absolutely Beautiful was so oppressive and centered on winning that I disassociated from my own school’s team 💀
Some other minor, miscellaneous gripes I have with Vil:
I don’t generally have a problem with Vil’s leadership or how he guides/teaches others. (His behavior is very similar to what I’ve experienced within my own culture’s upbringing.) However, I do not approve of all of his methods and I do think he does “too much” at times + oversteps, making me feel uneasy.
His tastes don’t really match mine! It’s a little too “glam”, especially the ensembles with heavy smoky eyes.
What’s with him dying the ends of his hair that color… It makes me think of him dunking his head in grape Kool-aid as a dye 😭/j
There we are ^^ I hope that explanation was sufficient!! I tried to explain my… admittedly complex feelings behind my dislike of Vil as neatly as I could. Nothing against the guy, how he is written, or his fans (both in-universe and irl), of course!! This is just my opinion.
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take-up twst rings
***Please note:*** Sharing merch images + news is not intended to encourage and/or to pressure anyone into making purchases. It is up to the individual consumer to be informed and to choose how they spend their money.
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TAKE-UP is a Japanese jewelry brand that has been around since 1979! It often makes pieces inspired by individual characters. Sooo of course Twisted Wonderland also did a collab with them.
The Pomefiore, Ignihyde, and Diasomnia rings are currently available; Heartsablyul, Savanaclaw, Octavinelle, and Scarabia’s availability periods ended back in autumn.
The TWST rings come in a special black box with shiny gold embellishment and a mirror that resembles the Mirror of Darkness. I believe most of these designs were already revealed before—but they’re too pretty to not stare at and appreciate again, no?? 😂
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azul and vil, but if they were a singular character
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THE ULTIMATE CON MAN........ . . ..... . . . . . . ..... .. . . . Uses his looks to charm you into signing...
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the elitism in magic education
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HELLO 🤡 I have come to you today with an analysis of Fellow Honest's motives and what they imply about the mages and non-mages in the world of Twisted Wonderland, as well as the state of magic education as it relates to one's social status. It's a doozy, so let's get right into it! ***WARNING: Spoilers for Stage in Playful Land!!***
Fellow's resentment of the elite harkens back to something I've always suspected but also something that Twisted Wonderland has seldom gone out of its way to shine a harsh spotlight on. That "something" is the discrepancy between the "haves" and the "have-nots" in terms of magic. With the main setting of TWST being a private magic school, of course the lens through which we view many events will be from this perspective as well... and that limits what we see and hear. Most of the NPCs we encounter (even the annoying ones, such as the Magicam Monsters from the first Halloween event) endlessly praise the NRC students just for attending a famous magic school. If we look closely though, we’ll start to see cracks in the shiny rose-colored lenses (which, coincidentally, is how Fellow’s UM name is written).
To begin with, we are told that only 10% of the human population (for the sake of argument, let's assume that most other races also have low magic rates) is even capable of magic to begin with. Of this 10%, the majority of people with the aptitude for magic only have enough to barely be able to lift a cup. In order to qualify for a prestigious magic school like Night Raven College or Royal Sword Academy, you'd literally have to be the cream of the crop and get lucky in terms of genetics. Magic cannot be learned by someone that was not born with the innate ability for it, and not everyone who is the child of a mage will be capable of magic themselves. This is already one HUGE barrier for entry. We now have more to consider.
Night Raven College is notably a private boarding school. This potentially means that students may need to pay a tuition fee for classes, room, and board. Perhaps this tuition doesn't exist, since NRC doesn't take applications but rather hand-selects its students. Additionally, NRC is based on a British school, and most European schools cost little to nothing to attend. However, it's hard to believe a school as fancy as NRC is a private institution that runs solely on the charity and goodwill of donors (though we do see Crowley happily accepting donations as well, specifically from the local town and from Kalim’s family). Realistically speaking, Stuff Costs Money, and if you Want Stuff, you also Need Money. NRC is not raising these mages of the future out of the goodness of their hearts, NRC is raising these mages because there is profit and prestige to be gained from the endeavor. What if there are students who are picked to go but end up having to leave because they can’t afford it?? This point is just speculative though; I won’t count it as actual evidence since there is no in-game lore which confirms tuition. We do know, however, that students do at least have to pay for their dorm uniforms, as Ruggie has mentioned he could not afford one—hence why he wears a hand/me-down from Leona. We also know students are on their own when it comes to paying for their food, as both Ruggie and Deuce mention being low on cash in reference to buying meals/snacks. Buuuuut even if we discount that money is a factor that gatekeeps some selected students from attending or having the cash to just get by on a daily basis, what we cannot ignore is that money inherently puts some people ahead of others before magic schools even recruit them.
Because the majority of those in Twisted Wonderland are incapable of using magic, magic is not typically included in general education. This means that if your kid manifests magic and you want them to be "ahead of the curve", you'd need to seek out resources for magic training and education. Now, this could mean reading materials, private tutoring, or reaching out to mages you know of. The problem with all of these things is that they tend to require money and/or connections, which are things not everyone has access to. Idia even says in book 6 that Riddle has an “artificially large” pool of magic due to how young Riddle started his magic training, meaning that the wealthy has the resources to just produce “better” mages. The rich also have more money to throw into items to help with magical training, such as bigger and better magestones (which must sell for substantial amount in the first place since Ruggie tries to save some to pawn off later in Vargas Camp) to keep mages healthier for longer (since magestones help absorb blot). This keeps power concentrated in an already elevated class. (Note: research has shown that money opens up and expands one's connections, which still puts the rich in an advantageous position compared to the less fortunate. There are also studies that show impoverished people who happen to have rich friends have a better chance of raising their own social standing just because of the doors and connections that rich friend can open for them.) Look at who in the main cast remarks on having formal magic training: literal royalty like Leona and the upper middle class like Riddle. Again, one could say that because schools like NRC appear to hand-pick students regardless of how much formal magic training they had prior to enrollment. However, the fact remains that it simply looks better to potential recruiters (using this blanket term because we don't know how magic schools besides NRC gets its students) and better prepares the child for magic school curriculum to get an early start on it.
Looking back at the 22 boys that make up the main cast, close to three-quarters or ~75% of them come from at least upper middle-class backgrounds and quite a few could classify as wealthy:
Riddle's parents are both doctors, with Riddle's mom in particular being well-known and well-regarded in their home community.
Cater's dad is a banker; his position is high enough up that he needs to relocate every so often (presumably to service their largest or most important firms).
Leona is a literal prince. Even if he isn't destined to be king, he still has access to the resources and wealth avaliable to a royal.
Azul's mom owns the most popular restaurant in the entire Coral Sea (have you seen how large the Coral Sea is on the world map???), and his stepdad is a lawyer.
The twins' family is said to be well-off; they are able to afford luxuries like fancy clothes and Mr. Leech stresses the importance of manners and presentation. He is implied to have business associates who are also well-off and would like to get in his good graces. (Popular fan speculation is that the Leeches are a crime family.)
Kalim is the heir to a massive family fortune and trading business. He also has relatives who are royals.
Jamil, as Kalim's attendant, is also from a reasonably well-off family; they are compensated handsomely for handling the Asims.
Vil's father is an A-list celebrity, and Vil is also one himself.
We don't know the specifics of what Rook's family does, but it must be well-paying, as we learn in book 5 that the Hunts have villas all over Twisted Wonderland, as well as permissions for international travel via warp pads.
Idia and Ortho's family run a secret organization that researches blot. S.T.Y.X. is so secretive that basically only those in super high positions like Crowley and Leona would know about them. Let's also not forget that the Shrouds have ties to the Jupiter Conglomerate and the Olympus Corp, which is a tech giant in the world of TWST.
Malleus is prince AND the heir to his kingdom’s throne. He is also one of the top 5 most powerful mages in the entire WORLD.
Lilia is a renown war general and a close friend of royalty. He raised a young Malleus as well.
Silver is Lilia's adopted son and is actually a prince himself.
Sebek's parents are dentists. They must make mad money. His grandfather is also a respected knight that served alongside Lilia.
Notice how all the dorm leaders are upper middle class or higher; the vice dorm leaders have ONE normal person (Trey); in Playful Land, Trey confesses to living a comfortable life so we know he must be at least middle class.
We can try to argue all we like that NRC doesn't discriminate based on social status for their selections, but if that's the case then why are so few of the main cast from impoverished or low-income families? Only Ace, Trey, and Jack count as squarely middle class. Ruggie is the only example we have of someone from a very low socioeconomic status rising up to be among "elites". The other example is Deuce, who comes from a single parent household and has implied they don't have a lot of money (for example: how the VDC/SDC earnings will help out his family). (Epel is kind of a ??? case because depending on where in the story you are, his family could be in financial trouble or not; in book 5, they imply his entire village is having difficulties selling product until Vil promotes Harveston apples on his Magicam.) Maybe it's unfair to say that 22 students out of 800ish is representative of the makeup of the entire NRC student population (or represents the composition of all magic schools), but Ruggie confirms in his Birthday Boy vignettes that a majority of the students at NRC are decently well-off. This single digit representation of low-income students is also true of real-life elite schools. They are private schools for a reason; it naturally gatekeeps who is and isn't "allowed" to attend, leading to the majority of its students being members of the elite.
Another thing to consider is legacy students. This term refers to the increased likelihood of people being accepted into a school if they had a relative that also attended that school. We know of two instances of this happening: Ace's brother and Sebek's brother also went to and graduated from Night Raven College. Ace even makes a remark during his sorting ceremony that he ended up in the same dorm as his older brother "as expected". If magic aptitude is genetic, then perhaps it makes sense to recruit from the same families--but again, this is inherently restrictive, as you would continuously be culling from the same pools generation after generation.
Back on the topic of bloodlines and family, what about Kalim, who has an extensive family? There will be no shortage of Asim mages going to NRC just because of legacy (Jamil even alludes to the fact that the previous Scarabia dorm leader was an Asim relative, and his recommendation is what got Kalim the dorm leader seat). And speaking of Kalim, consider instances where rich families are able to bribe faculty (lookin' at YOU, Crowley) or donate a large sum to get their kid ahead or to be given priority over others that may be more qualified than them (RIP Jamil). To continue off that point, NRC itself is structured as a "dog eat dog" world. Those with inherently more magical ability have the right to trump over others. You can duel and lose your dorm seat to a more powerful mage, even if you trump them in terms of merit or leadership qualities. Students feel a sense of duty to obey those who have bested them in battle (ie Epel's servitude to Vil). Everyone fears Malleus. Your magical power is respected above all else.
Attitudes surrounding magic have notably shifted from fear of it several hundreds of years ago (around the human-fae war, back when “witch” and “wizard” were used in a derogatory sense) to recognizing it for its strengths and actively seeking it or granting some favoritism to those who have it. There is, in fact, now class discrimination in based on whether or not you can use magic. We got an early instance of this as early as book 1 of the main story, when Riddle insults Yuu for their upbringing, lack of education, and their inability to use magic. It’s something that clearly rubs Ace, who has a magicless father, the wrong way, and he stands up for Yuu. There are other subtle hints about this divide sprinkled throughout the lore. For example, Ruggie has a voice line which he indicates that the slums where he comes from doesn’t produce many magic users. Again, recall that magic runs in bloodlines. This could potentially allude to a past where those without magic were forced into lower income neighborhoods, which results in pockets like Ruggie’s hometown with a high population of magicless individuals living in poverty. This doesn’t appear to be a large scale issue (perhaps its only an isolated case?), but this is worth paying attention to.
This could all translate into the professional world too. Some jobs are entirely locked behind magic (ie you just cannot do them or pursue them if you don't have the magical ability for it). Some jobs DO require magic (ie medical mages like Riddle's parents, magic police force officers, technomantic inventors, etc) and probably additional training that goes with it. As a result, I'd imagine that these magic-intensive jobs pay quite a bit more. There may also be overall more job opportunities for those capable of magic, since magic is so much more efficient than doing things by hand. It means more retention of wealth and/or more upward mobility for the few impoverished that are able to enter magic schools. (This is, of course, not including the few and far between cases of regular people who get rich in select industries, such as Kalim’s father.) Recall too that NRC requires its students to take internships during their 4th years, many placements being with very prestigious groups and organizations such as pro-sports teams, labs, tech giants, etc. Being able to attend a prestigious school with connections grants those elite students even more opportunities than the average person.
Then think about what this means for people who fall short of these standards that these magic schools set. We actually have examples of them in book 5 of the main story: when Deuce and Epel are reconciling on the beach, a bunch of delinquents from another school come along and start checking out Deuce’s borrowed magical wheel. Through the NPCs’ exchange, we learn that one of them has enough magic to power a magical wheel, but not enough to do much else. This NPC also couldn’t keep up in class and dropped out of a magic school. He then becomes insulted when Deuce implies he is “a beginner”, so this is obviously a very sore spot for him. Riddle also has dialogue that implies students dropped out of NRC prior to his reign (and since then, no Heartslabyul students have left). Additionally, consider how magic can be used to oppress and lord power over others. Deuce himself is guilty for summoning cauldrons to crush rival delinquents in fights back in Clock Town—even if those delinquents lacked magic themselves. Similarly, Epel is implied to use magic to gain an upper hand against those that bullied him back home. This all implies a social divide between those with magic and those without, and begs of bigger questions.
What happens to the ones that don’t make it? The ones that get left behind? The ones without the magic to make it “big”? This is the root of Fellow’s anger; he’s mad at a system that cast people like him (someone with very little magic) and Gidel (a non-mage) aside. They don’t get the opportunity to make better futures for themselves. They’re looked down on by high-up institutions that basically tell them they’re not good enough.
Knowing all of this, the deck appears to be stacked against the poor and non-mages. It’s no wonder why Fellow is so mad.
THIS ACTUALLY RELATES BACK TO WHAT ROLLO SAID IN 5-2 OF GLORIOUS MASQUERADE… "When you have too little [magic], you're resentful. And when you have plenty [of magic], you're arrogant. You can never content yourselves." The NRC boys are arrogant (this is the side of the story we’ve always known due to seeing the world mainly from their perspective). They are the “haves”, and we see them constantly misusing their power by fighting each other over very petty things (even if it’s against the rules to do so). But everyone else??? They’re scrounging for the scraps. Fellow falls into that former category; he IS the guy that’s resentful because of his lack of magic and how something he cannot control has already determined where he and Gidel will stand in life no matter how hard they work. They can never hope to rise out of poverty, and there’s nothing they can do about it. That must be soul-crushing.
When Fellow praises the NRC boys in that overly exaggerated way, he’s obviously being shady and facetious—however, there is also a kernel of truth behind this behavior. Most other NPCs we’ve met have spoken about the NRC boys favorably just because of their affiliation with a prestigious school. It’s the same way people might be impressed if you walked around in an Ivy League branded hoodie or something. People automatically associate you with the school’s shiny and exclusive reputation, and thus assume you are also intelligent, talented, etc. Then, in the same way being constantly put on a pedestal like this might result in the students getting swelled heads, this only further feeds into the NRC kids’ egos. They so privileged they don’t even recognize it. And that makes Fellow fucking FUME.
Look back at Fellow's dialogue. He is constantly mentioning the prestige of the school the boys go to, or adding on extra compliments about their status and skills. He's ass-kissing to his boss, who is also wealthy or part of the upper class, then insults the boss once he hangs up. Fellow is always in a position where he HAS to be subservient to the upper class in order to make his money and get by, and he finds that entirely unfair. Imagine having to simper and placate people you absolutely despise and blame for your problems every day, people who are gorging themselves on luxuries, coasting by in life, taking everything they have for granted while you get by on pennies—that has to get frustrating.
I want to briefly mention here that, in addition to praising the NRC students to high heaven, Fellow also talks down his own skills. He cheerfully calls himself a loser and says that no matter how much he trains, he could never reach their caliber of magic. Yes, Fellow is exaggerating to get the kids to think they’ve won, but I also have to wonder if he’s parroting the same phrases he was told long ago, from people who doubted him and never thought he’d make it. If that’s the case, then I get the sense that Fellow is in a way “reclaiming” his autonomy and power by adopting those same cruel words and using them as a strength. He admits to being “weak” but is also proud of the fact that he can utilize his magic along with his natural charisma to get a leg up over others. It further fuels his new belief that going to an elite school doesn’t matter, it’s practical skills that will serve you well.
Okay, back to talking about his shitty work situation! Fellow’s employer clearly doesn’t treat him with decency. They berate him, make unreasonable demands, act impatient, etc. They are a typical depiction of a toxic workplace and boss. This can also be read as shorthand for the relation between the rich and the poor, and how that may have shaped (or worsened) Fellow’s views on others of the privileged class. He makes many assumptions about the NRC students without really getting to know them, calling them entitled brats. Why? Because these descriptors likely apply to the higher-ups Fellow has always slaved away for. This, in combination with his own experiences in being rejected from magic academia, has created a person who feels trodden on by society and by the upper echelons who run it and benefit off the system.
Fellow himself is the perfect example of someone who was failed by said system. He has dialogue stating that he was never given the chance to learn because his magic was not considered strong enough. Still, he tried to make an effort to earn that chance among to elites and to study among them. Fellow was rejected, ridiculed, and told he had “forgotten his place”, what he had been born into. There were expectations he couldn’t meet, and so Fellow was thrown away like a broken toy. He has failed not because he didn’t try, but because he was denied the opportunity to begin with. This is where is rage stems from. Fellow despises the students of those same kinds of institutions who kicked him down, students who don’t realize how fortunate they are for their educations and will likely continue to perpetuate the system.
What, then, does that means for his signature spell, which is closely tied to one’s identity? Let’s take a magnifying glass to it. As previously mentioned, the name for Fellow’s spell is written as “Rose-Tinted Dream”, but it is said out loud as “Life is Fun”. The chant for it is, “Come on to the theater” (notably said in English rather than in Japanese). Both the spell and the incantation are references to the song Honest John sings in Pinocchio, Hi- Diddle-Dee-Dee. And… well, the whole UM in of itself is one big cruel joke given his circumstances now.
I think this spell is representative of a young Fellow still full of hopes and dreams, looking forward to studying at a magic school. But then those dreams are shattered and he has to commit terrible crimes to survive day-to-day, and he seems to have given up on his dreams. He even goes so far as to protect Gidel from having the same hopes he once did, telling Yuu to not put silly ideas in his head when Gidel expressed curiosity about school. At the same time, he delights in crushing the hopes of those he deems his enemies (stating that he wanted to betray Kalim to “teach him a lesson” about how cruel the world is). Fellow knows the truth: that life isn’t fun, that it will disappoint you and will put you down. His actions are very cowardly as well—he uses tricks and deception, he runs away from his problems instead of properly addressing them, the NRC students remark on his lack of pride. Fellow has had to throw away so much to scrape by. Yet his UM symbolizes someone brimming with hope—so perhaps it’s a UM he manifested when Fellow still thought he had a chance?? And then people made fun of him for it being so weak?? Alternatively, maybe he didn’t get his UM until after his dreams were crushed so he’s looking back on those nostalgic days of blissful ignorance with rose-colored lenses (which is, again, maybe why his UM magic name is written as “Rose Tinted Dream”). A UM that is a reflection of one’s true self, yet that same identity is one that has been forced to be discarded. That’s the reason why, despite all the swindling and scamming, I don’t think Fellow’s enthusiasm for fun is a lie. That’s the one “real” part of him, but even that’s been repurposed to help him live on scraps, something innocent twisted 😭 and that’s really sad to think about…
But also??? You could argue that Fellow still has a little bit of that lost inner child and hope left in him. He tries to defend Gidel’s understanding of the world and has goals of starting his own school despite how poorly he originally spoke about these institutions. (So Fellow does appear to care about children and their futures.) He also has a childish streak despite being an adult, demonstrated by his use of cowardly tactics, taunting kids, and abruptly quitting his job to then destroy his workplace. Fellow himself states that he “just tries to live a free and fun life”, thus his pursuit of money and pleasure. This could all play into being what defines Fellow and thus his UM. It embodies a spirit of playfulness even when he has been crushed under the weight of an unglamorous life.
I’ve heard people saying that while Rollo is Idia’s dark mirror and Fellow is Ruggie’s. They have similar backstories but ultimately their fates are different and left the former two down far more sinister paths. Just as Rollo is an Idia that turned his anger outward instead of inward, Fellow is Ruggie had he not been given a chance to receive an education to elevate his social status and job prospects. Fellow and Ruggie both cling to rich, powerful benefactors/bosses and do their dirty work to get on by—a big difference is that Leona, while he does also work Ruggie to the bone, also has some conscience. Something else to consider is that while Ruggie prioritizes making a life for himself by studying and securing a stable, well-paying job, Fellow is focused moreso on the accumulation of wealth itself (as he suggests to Kalim he’ll take a bribe to let him go free and quits when there is no longer money to be gained from his boss). Both don’t really care how they get their money (even if it is by dirty means), but ultimately Ruggie’s way of making cash is more sustainable in the long run. Yet Fellow ultimately realizes the importance of school deep down despite constantly denying it when the NRC students tell him of it. Fellow is in denial because that’s the only way he can cope and justify his lifestyle. He’s confused when finally confronted with students who are his ideal of “happy and free”, even when they’re in an educational system that he views as shackling people into strict roles. The way he laments about not being able to go to school is also very reminiscent of an adult mourning a lost or unfulfilling childhood, which is quite a depressing scenario…
Fellow is the one that got the short end of the stick in life. Ruggie met Leona, and Leona technically uplifted him in his endeavors, tutored him into getting decent grades and giving him hand-me-downs and money in exchange for his services. Fellow never had that kind of support system, he was just insulted and bullied into giving up and had to find an alternative way to keep himself going 😔
Personally, I think Fellow could also be a dark mirror to Kalim, no?? They exist on opposite ends of a social spectrum. Kalim has everything and Fellow had nothing. What’s more, Kalim is still wide-eyed and trusting. He is the only one willing to try words instead of fighting him and instantly labeling him as the enemy. Meanwhile, Fellow has become bitter because of how the world has betrayed him. He wants to take that trust Kalim has and show him how cruel everything truly is. Why is he fixated on that? Why even offer in the first place if he never intended on going through with it? Why does he want to rub it in Kalim’s face in particular? Maybe it’s because Kalim seems rich and dumb, as Fellow claims, but maybe it’s because there is envy there. Sure, Fellow is upset about Kalim being a sheltered brat that faces no challenges in life, but I also feel like he’s jealous that Kalim can still afford to think this way. That he can still afford to be cheerful, that he can still be a dreamer. Fellow was alluded to be like that once—but he can’t be like that anymore, not when he has to look out for himself and Gidel.
Side note, another comparison! Recall that Kalim’s Oasis Maker is also a UM that uses a little bit of magic. However, Kalim does not know of many creative ways to use his spell, as there is no real reason to since his home country has lots of canals and irrigation. He therefore deems his UM as pretty useless. Fellow meanwhile has what most consider a weak UM but he fully utilizes it to his advantage and pairs it well with his natural charm to maximize its effects. He had to develop these skills because he was in pressing circumstances in which they would benefit him. This contributes to the “mirror” theme between the two.
Fellow and Kalim have a notable similarity as well, and this is where I feel they can connect. They are both older brothers to a child or children who are magicless. Fellow only has one, and Kalim has many—but the number here isn’t what is important. What is important is that Fellow and Kalim think the world of their siblings and want to support them. To that end, Fellow is willing to be cruel and step on others, and Kalim is all sunshine to keep their spirits up. Fellow has suffered through great poverty and insults and Kalim has survived so many attempts on his life, yet they’ve developed distinctly different approaches to the worlds that have embraced them. Kalim’s wealth could afford him protection and luxuries, so he’s able to live carefree with others tending to his needs. The same isn’t true for Fellow, and so he came out far more spiteful and resentful.
Thinking about it, it’s ultimately Kalim’s words that convince Fellow to turn on his employer. (The other boys certainly wore Fellow down and planted the seeds of doubt, but it’s Kalim that I believe fully resonates with Fellow.) He can so happily talk about why he loves school, even though he doesn’t do well at it (something I presume is also true of Fellow, since he is lacking in tons of magic). It’s not said in a particularly articulate manner, but it’s so candid in its presentation. Kalim is relating to him based on similar skillset (or lack thereof) and sharing fond memories of his time at school, reviving the hopeful “lost child” in Fellow. Kalim is probably the first wealthy person in a long time that was friendly, kind, and supportive to him. And here he is, reassuring Fellow his dreams are still possible, to not give up. That’s the final nail that allows Fellow to be “honest” with himself and his inner child. It’s what leads to that slew of irresponsible actions at the end of the event (letting people free, blasting the amusement park, driving a sinking ship, etc.).
At the end of Stage in Playful Land, we see that Fellow never really let that childlike side of him fully die. (It seems to have been concealed under a desire for money and appeasing his boss.) He shares his dream of creating his own great school to give educational opportunities to non-mages and mages with low magical reserves like Gidel and himself, a school that teaches practical life lessons. He wants to promote his own ideals and to change the system he hates from the inside out. This was never communicated to us before most likely because Fellow had renounced those ideas in favor of blind hatred and a lack of faith in the world and those that dominate it.
Fellow also acknowledges that life may be even more difficult for him and Gidel going forward, as now they lack the money for even food and no longer have jobs. Furthermore, they need to worry about their ex-employers coming after them for what they’ve done. Even so, Fellow faces it all with a smile and reassures everyone that they can transfer or visit to play… “on this shining stage called life”. He and Gidel are able to walk away with their whimsy preserved, and can still be that which they’ve always wanted to be: dreamers.
All of this is to say that Rollo was right all along about magic, he never misses—
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🧁 tsumtsum cupcakes 🧁
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This is a complete compilation of all the TWST character themed cupcakes you can assemble from the current event in the TsumTsum mobile game. I like staring at cute food so I’m going to make you do it with me/j
It's fun to watch the Tsums assemble their cupcakes! There are cute easter eggs to spot in the fillings and cakes—for example, Deuce's cupcake goes from golden to blue, perhaps a reference to how he went from the bleached blonde hair of his delinquent phase to his current natural navy hair. (Here's a video of that animation!) You'll also find some of the boys' favorite foods or familiar iconography sprinkled in as decorations! I'm sure you're already able to spot those from a mile away!
The second set of cupcakes will be coming out on the 11th!! Excited to see them~
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april 2024 octa + 4koma manga updates
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Tweels, colorized... 💀
***Spoilers under the cut!***
This chapter of the Octavinelle manga is the part of book 3 where they try to sneak into Azul's office and swipe the contracts the first time (only to be caught and attacked by Azul, Jade, and Floyd)
ihfbpbafyowrp9geqa I'm giggling a little at how Jack's tail is depicted while hiding. It sticks out very obviously (like they say it does in the game), but I'm so used to his tail being depicted as very fluffy in both fan art and his full body in-game models that I almost didn't recognize it in this panel.
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ADJbiyoeqeyogeqpiegBfu THEY GOT ZAPPED LIEK ASH GETTING ZAPPED BY PIKACHUKN ADGVUQEFYOEQEGVYOGEEGIGEBI THE CARTOONY SKELETONS ARE SENDING ME FR
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fvuegqtviDVDVs673r18oAE FVYEFVLIFEFAL We get a lot of very expressive panels of Azul, Jade, and Floyd!! My favorite has got to be Azul squishing Floyd's cheeks and poking his nose with a magical pen, causing the nose to scrunch up. Very cute!!
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asdjvkslfaeiabefbhi I love derpy blank expressions like this... It works super well because of how detailed the faces usually are. The contrast is great!
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WFHLVGFOEAIADF;AD HELL YEAH 😭 OCTATRIO BEING OMINOUS AND SHADY AF MEAN GIRLS SQUAD, LET'S GOOOOOOOOOOO
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Not normally a fan of Malleus, but I really like how the mangaka depicted him in these panels; they show how he can be cool and mysterious at first glance but can warm up to you and smile too.
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WLBHADVUOAVYFIFwn; Errrrrrrrrr 🤡 Whatcha doin' there, buddy? H-Having fun???????? AVERAGE WEDNESDAY NIGHT OF AZUL ASHENGROTTO COUNTING HIS CONTRACTS AND LAUGHING TO HIMSELF LIKE A NERUOTIC SUPERVILLAIN... I'm begging you to please chill tf out... but also please carry on as you were--
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In other (non-insane Octavinelle-related news)! The 4koma does not focus on Octavinelle and Scarabia characters as we've predicted (since the first 4koma focused on Ace and Leona, respectively). This month's comics focus on Silver in Musicology/Music class and Ortho doing Summoning. The Silver comics feature Idia, Ruggie, Malleus, and Lilia as side-characters, and the Ortho comics feature Idia (yes, again lol; he's the character with the most frequent appearances across the 4koma's 2 month run so far), Floyd, Vil, and Crewel.
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No updates on the Episode of Savanaclaw manga yet!
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something i noticed
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A while back, I wrote this analysis reviewing how unfair the magic education system is in Twisted Wonderland. I would recommend reading that before this post, as it provides tons of context for what I’m about to talk about and add onto the discussion.
In 2-6 of the Tapis Rouge event, Vil has stylists from Luxe, a high end fashion brand, dress up Azul, Jamil, and Ace to be a part of his red carpet entourage. Once the boys come out in their new threads and makeup, Jamil and Azul, two individuals who are meticulous about details, provide some telling commentary.
According to those two, the team of stylists that helped them were mages. Azul further remarks that they were quite skilled mages and that having this kind of talent indicates a “first class brand store”. Their hair and makeup is also suggested to be done via magic, though this service is not normally performed for customers. Previously, we knew that skincare can be infused with magic (Vil does so with his own) and that magic can be used to style one’s hair (Jamil tells us in his Birthday Boy vignettes that he does his intricate hair with magic and used to take far longer with it when he lacked the precision). Idia states in book 6 that Jamil had no formal magic training before NRC, so that means Jamil was self-taught in his hair-handling magic.
… Okay but 😭 WHAT DOES THIS IMPLY ABOUT MAGIC AND CLASS??? Is it just a coincidence that the teams of stylists who staff a high class store are ALL mages? Surely not, given how uncommon mages are in the general population. The store (or maybe the brand itself?) must be going out of its way to hire them because I guess being dressed with magic is a more “luxurious” experience than the normal way. We can also guess from Azul and Jamil’s accounts that the degree of magic these staffers use requires significant skill and precision, which either means they need formal instruction or lots of practice on their own. Neither option is afforded to people with naturally low or no magic reserves at all 💀 meaning jobs like this are gated to mages only.
Now, this doesn’t inherently mean the rich and famous people who frequent these stores are also all mages (Kalim’s dad and Vil’s dad are two non-mages who are extremely wealthy and influential); the majority of them must still be regular people since humans seem to be the majority, and 90% of humans are non-mages. It also doesn’t guarantee that the Luxe stylists are paid more than a non-Luxe stylist (although I do think this is possible for a prestige brand, especially if we factor in commissions on sales).
What’s sticking out to me here is that there exists an association between magic and luxury. The reverse also appears to have some truth based on what little other lore we have; Ruggie states that there are not a lot of mages from his hometown, which could imply a history of non-mages being driven into poorer communities. It all fits together a little too well to seem coincidental… but obviously, Ruggie’s hometown is just one place and could be an outlier rather than the exemplar. We know that most non-mages must live an average lifestyle, not the extremes that Ruggie has experienced. Still, the claim that magic is typically associated with the upper class holds and it continues to be perpetuated in the lore.
Anyway, Fellow and Rollo were right—
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