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#twst analysis
rayroseu · 15 hours
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I know I'm just reaching, but the sequence of Silver waking up in the Rabbit Race feels so much like the occuring ways he's woken up by Lilia 😭😭😭🙏🙏💖💕💞💕
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⬆️⬆️⬆️ This is from the Rabbit Fest
⬇️⬇️⬇️ This is the parallel of it in Book 7
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also
one thing I noticed, Silver and Knight of Dawn do have similarities with their magic other than their whole white void magic... ITS THAT THEY BOTH REQUIRE A FAE TO DEVOTE THEIR STRENGTH TO 😭😭🙏🙏✨💖💕💖💕
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In Japanese, they basically said the same thing😭😭‼️‼️✨✨ especially the 我に力を!!😭😭(in silver's case the way he says his line is just more ""informal"" (俺に力を) than Dawn, he says "ore ni" unlike "ware ni")
Does this mean in Silver's heart,,, Lilia is Silver's guardian fairy??? 😭😭😭💞💞💞
GRAAGHHH I CANT WITH THEM SJSHDJAJD
I know thats like obvious already but "guardian fairies" for Knight of Dawn, was the origin of his power, every time he wields his sword he dedicates his strength to them, so every battle he endures feels like its for the fairies that gives him strength and in turn, he wants to protect them (and remember that Silver's dream is to be a knight capable of protecting Malleus and Lilia (the faes he loves!!!))
IM GONNA SOB... GUYS IT KINDA FEELS LIKE he loves his father so much, he thinks his strength came from his love to Lilia😭😭
So, the thing that makes Silver strong even against his sleepiness or sadness, is true love, JDJSJDJS regardless if its not Lilia, it could be Sebek, it could be the first years...
Its mostly Lilia OFCC but it can also be from friends and in the Rabbit Fest, the first years, who are his friends😭💖💖💖🙏✨ I'm sure Lilia would be proud AJDJWJS
ALSO now this just makes me think that MAYBE Silver's and Dawn's lineage, requires them "to love someone," or "be loved" in order to be strong???
If so, THAT COULD BE A PARALLEL to the fact that the Draconia lineage also needs lots of love in order to be born... so both Silver/Knight of Dawn and Malleus/Meleanor are people who were born and whose strength centers around love— kind of like they cant exist nor grow up without it 😭😭💞🙏✨✨
WE NEED MORE KNIGHT OF DAWN LOREEE I NEED TO CONFIRM THIS KNIGHT'S BACKSTORY PLEASEEEEEEE😭😭💥💥🙏🙏✨✨✨
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hanafubukki · 2 days
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Before I really do go to sleep again
I find it interesting how we get a SSR Silver (bday) and SSR Malleus (tsum) card in parallel/released together again in the same month. On Silver’s bday month nonetheless.
The last time they released two ssrs of these two together was last year in January.
With SSR Malleus Bday and SSR Dorm Silver on Malleus’ bday month
And we get a tsum event with them together in one event as well.
Where we can see diasomnia be a family and have cute moments together.
They really are saying these two are tied together by their bonds.
These narrative foils
These brothers loved by one precious fae
Precious Family
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the elitism in magic education
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HELLO 🤡 I have come to you today with an analysis of Fellow Honest's motives and what they imply about the mages and non-mages in the world of Twisted Wonderland, as well as the state of magic education as it relates to one's social status. It's a doozy, so let's get right into it! ***WARNING: Spoilers for Stage in Playful Land!!***
Fellow's resentment of the elite harkens back to something I've always suspected but also something that Twisted Wonderland has seldom gone out of its way to shine a harsh spotlight on. That "something" is the discrepancy between the "haves" and the "have-nots" in terms of magic. With the main setting of TWST being a private magic school, of course the lens through which we view many events will be from this perspective as well... and that limits what we see and hear. Most of the NPCs we encounter (even the annoying ones, such as the Magicam Monsters from the first Halloween event) endlessly praise the NRC students just for attending a famous magic school. If we look closely though, we’ll start to see cracks in the shiny rose-colored lenses (which, coincidentally, is how Fellow’s UM name is written).
To begin with, we are told that only 10% of the human population (for the sake of argument, let's assume that most other races also have low magic rates) is even capable of magic to begin with. Of this 10%, the majority of people with the aptitude for magic only have enough to barely be able to lift a cup. In order to qualify for a prestigious magic school like Night Raven College or Royal Sword Academy, you'd literally have to be the cream of the crop and get lucky in terms of genetics. Magic cannot be learned by someone that was not born with the innate ability for it, and not everyone who is the child of a mage will be capable of magic themselves. This is already one HUGE barrier for entry. We now have more to consider.
Night Raven College is notably a private boarding school. This potentially means that students may need to pay a tuition fee for classes, room, and board. Perhaps this tuition doesn't exist, since NRC doesn't take applications but rather hand-selects its students. Additionally, NRC is based on a British school, and most European schools cost little to nothing to attend. However, it's hard to believe a school as fancy as NRC is a private institution that runs solely on the charity and goodwill of donors (though we do see Crowley happily accepting donations as well, specifically from the local town and from Kalim’s family). Realistically speaking, Stuff Costs Money, and if you Want Stuff, you also Need Money. NRC is not raising these mages of the future out of the goodness of their hearts, NRC is raising these mages because there is profit and prestige to be gained from the endeavor. What if there are students who are picked to go but end up having to leave because they can’t afford it?? This point is just speculative though; I won’t count it as actual evidence since there is no in-game lore which confirms tuition. We do know, however, that students do at least have to pay for their dorm uniforms, as Ruggie has mentioned he could not afford one—hence why he wears a hand/me-down from Leona. We also know students are on their own when it comes to paying for their food, as both Ruggie and Deuce mention being low on cash in reference to buying meals/snacks. Buuuuut even if we discount that money is a factor that gatekeeps some selected students from attending or having the cash to just get by on a daily basis, what we cannot ignore is that money inherently puts some people ahead of others before magic schools even recruit them.
Because the majority of those in Twisted Wonderland are incapable of using magic, magic is not typically included in general education. This means that if your kid manifests magic and you want them to be "ahead of the curve", you'd need to seek out resources for magic training and education. Now, this could mean reading materials, private tutoring, or reaching out to mages you know of. The problem with all of these things is that they tend to require money and/or connections, which are things not everyone has access to. Idia even says in book 6 that Riddle has an “artificially large” pool of magic due to how young Riddle started his magic training, meaning that the wealthy has the resources to just produce “better” mages. The rich also have more money to throw into items to help with magical training, such as bigger and better magestones (which must sell for substantial amount in the first place since Ruggie tries to save some to pawn off later in Vargas Camp) to keep mages healthier for longer (since magestones help absorb blot). This keeps power concentrated in an already elevated class. (Note: research has shown that money opens up and expands one's connections, which still puts the rich in an advantageous position compared to the less fortunate. There are also studies that show impoverished people who happen to have rich friends have a better chance of raising their own social standing just because of the doors and connections that rich friend can open for them.) Look at who in the main cast remarks on having formal magic training: literal royalty like Leona and the upper middle class like Riddle. Again, one could say that because schools like NRC appear to hand-pick students regardless of how much formal magic training they had prior to enrollment. However, the fact remains that it simply looks better to potential recruiters (using this blanket term because we don't know how magic schools besides NRC gets its students) and better prepares the child for magic school curriculum to get an early start on it.
Looking back at the 22 boys that make up the main cast, close to three-quarters or ~75% of them come from at least upper middle-class backgrounds and quite a few could classify as wealthy:
Riddle's parents are both doctors, with Riddle's mom in particular being well-known and well-regarded in their home community.
Cater's dad is a banker; his position is high enough up that he needs to relocate every so often (presumably to service their largest or most important firms).
Leona is a literal prince. Even if he isn't destined to be king, he still has access to the resources and wealth avaliable to a royal.
Azul's mom owns the most popular restaurant in the entire Coral Sea (have you seen how large the Coral Sea is on the world map???), and his stepdad is a lawyer.
The twins' family is said to be well-off; they are able to afford luxuries like fancy clothes and Mr. Leech stresses the importance of manners and presentation. He is implied to have business associates who are also well-off and would like to get in his good graces. (Popular fan speculation is that the Leeches are a crime family.)
Kalim is the heir to a massive family fortune and trading business. He also has relatives who are royals.
Jamil, as Kalim's attendant, is also from a reasonably well-off family; they are compensated handsomely for handling the Asims.
Vil's father is an A-list celebrity, and Vil is also one himself.
We don't know the specifics of what Rook's family does, but it must be well-paying, as we learn in book 5 that the Hunts have villas all over Twisted Wonderland, as well as permissions for international travel via warp pads.
Idia and Ortho's family run a secret organization that researches blot. S.T.Y.X. is so secretive that basically only those in super high positions like Crowley and Leona would know about them. Let's also not forget that the Shrouds have ties to the Jupiter Conglomerate and the Olympus Corp, which is a tech giant in the world of TWST.
Malleus is prince AND the heir to his kingdom’s throne. He is also one of the top 5 most powerful mages in the entire WORLD.
Lilia is a renown war general and a close friend of royalty. He raised a young Malleus as well.
Silver is Lilia's adopted son and is actually a prince himself.
Sebek's parents are dentists. They must make mad money. His grandfather is also a respected knight that served alongside Lilia.
Notice how all the dorm leaders are upper middle class or higher; the vice dorm leaders have ONE normal person (Trey); in Playful Land, Trey confesses to living a comfortable life so we know he must be at least middle class.
We can try to argue all we like that NRC doesn't discriminate based on social status for their selections, but if that's the case then why are so few of the main cast from impoverished or low-income families? Only Ace, Trey, and Jack count as squarely middle class. Ruggie is the only example we have of someone from a very low socioeconomic status rising up to be among "elites". The other example is Deuce, who comes from a single parent household and has implied they don't have a lot of money (for example: how the VDC/SDC earnings will help out his family). (Epel is kind of a ??? case because depending on where in the story you are, his family could be in financial trouble or not; in book 5, they imply his entire village is having difficulties selling product until Vil promotes Harveston apples on his Magicam.) Maybe it's unfair to say that 22 students out of 800ish is representative of the makeup of the entire NRC student population (or represents the composition of all magic schools), but Ruggie confirms in his Birthday Boy vignettes that a majority of the students at NRC are decently well-off. This single digit representation of low-income students is also true of real-life elite schools. They are private schools for a reason; it naturally gatekeeps who is and isn't "allowed" to attend, leading to the majority of its students being members of the elite.
Another thing to consider is legacy students. This term refers to the increased likelihood of people being accepted into a school if they had a relative that also attended that school. We know of two instances of this happening: Ace's brother and Sebek's brother also went to and graduated from Night Raven College. Ace even makes a remark during his sorting ceremony that he ended up in the same dorm as his older brother "as expected". If magic aptitude is genetic, then perhaps it makes sense to recruit from the same families--but again, this is inherently restrictive, as you would continuously be culling from the same pools generation after generation.
Back on the topic of bloodlines and family, what about Kalim, who has an extensive family? There will be no shortage of Asim mages going to NRC just because of legacy (Jamil even alludes to the fact that the previous Scarabia dorm leader was an Asim relative, and his recommendation is what got Kalim the dorm leader seat). And speaking of Kalim, consider instances where rich families are able to bribe faculty (lookin' at YOU, Crowley) or donate a large sum to get their kid ahead or to be given priority over others that may be more qualified than them (RIP Jamil). To continue off that point, NRC itself is structured as a "dog eat dog" world. Those with inherently more magical ability have the right to trump over others. You can duel and lose your dorm seat to a more powerful mage, even if you trump them in terms of merit or leadership qualities. Students feel a sense of duty to obey those who have bested them in battle (ie Epel's servitude to Vil). Everyone fears Malleus. Your magical power is respected above all else.
Attitudes surrounding magic have notably shifted from fear of it several hundreds of years ago (around the human-fae war, back when “witch” and “wizard” were used in a derogatory sense) to recognizing it for its strengths and actively seeking it or granting some favoritism to those who have it. There is, in fact, now class discrimination in based on whether or not you can use magic. We got an early instance of this as early as book 1 of the main story, when Riddle insults Yuu for their upbringing, lack of education, and their inability to use magic. It’s something that clearly rubs Ace, who has a magicless father, the wrong way, and he stands up for Yuu. There are other subtle hints about this divide sprinkled throughout the lore. For example, Ruggie has a voice line which he indicates that the slums where he comes from doesn’t produce many magic users. Again, recall that magic runs in bloodlines. This could potentially allude to a past where those without magic were forced into lower income neighborhoods, which results in pockets like Ruggie’s hometown with a high population of magicless individuals living in poverty. This doesn’t appear to be a large scale issue (perhaps its only an isolated case?), but this is worth paying attention to.
This could all translate into the professional world too. Some jobs are entirely locked behind magic (ie you just cannot do them or pursue them if you don't have the magical ability for it). Some jobs DO require magic (ie medical mages like Riddle's parents, magic police force officers, technomantic inventors, etc) and probably additional training that goes with it. As a result, I'd imagine that these magic-intensive jobs pay quite a bit more. There may also be overall more job opportunities for those capable of magic, since magic is so much more efficient than doing things by hand. It means more retention of wealth and/or more upward mobility for the few impoverished that are able to enter magic schools. (This is, of course, not including the few and far between cases of regular people who get rich in select industries, such as Kalim’s father.) Recall too that NRC requires its students to take internships during their 4th years, many placements being with very prestigious groups and organizations such as pro-sports teams, labs, tech giants, etc. Being able to attend a prestigious school with connections grants those elite students even more opportunities than the average person.
Then think about what this means for people who fall short of these standards that these magic schools set. We actually have examples of them in book 5 of the main story: when Deuce and Epel are reconciling on the beach, a bunch of delinquents from another school come along and start checking out Deuce’s borrowed magical wheel. Through the NPCs’ exchange, we learn that one of them has enough magic to power a magical wheel, but not enough to do much else. This NPC also couldn’t keep up in class and dropped out of a magic school. He then becomes insulted when Deuce implies he is “a beginner”, so this is obviously a very sore spot for him. Riddle also has dialogue that implies students dropped out of NRC prior to his reign (and since then, no Heartslabyul students have left). Additionally, consider how magic can be used to oppress and lord power over others. Deuce himself is guilty for summoning cauldrons to crush rival delinquents in fights back in Clock Town—even if those delinquents lacked magic themselves. Similarly, Epel is implied to use magic to gain an upper hand against those that bullied him back home. This all implies a social divide between those with magic and those without, and begs of bigger questions.
What happens to the ones that don’t make it? The ones that get left behind? The ones without the magic to make it “big”? This is the root of Fellow’s anger; he’s mad at a system that cast people like him (someone with very little magic) and Gidel (a non-mage) aside. They don’t get the opportunity to make better futures for themselves. They’re looked down on by high-up institutions that basically tell them they’re not good enough.
Knowing all of this, the deck appears to be stacked against the poor and non-mages. It’s no wonder why Fellow is so mad.
THIS ACTUALLY RELATES BACK TO WHAT ROLLO SAID IN 5-2 OF GLORIOUS MASQUERADE… "When you have too little [magic], you're resentful. And when you have plenty [of magic], you're arrogant. You can never content yourselves." The NRC boys are arrogant (this is the side of the story we’ve always known due to seeing the world mainly from their perspective). They are the “haves”, and we see them constantly misusing their power by fighting each other over very petty things (even if it’s against the rules to do so). But everyone else??? They’re scrounging for the scraps. Fellow falls into that former category; he IS the guy that’s resentful because of his lack of magic and how something he cannot control has already determined where he and Gidel will stand in life no matter how hard they work. They can never hope to rise out of poverty, and there’s nothing they can do about it. That must be soul-crushing.
When Fellow praises the NRC boys in that overly exaggerated way, he’s obviously being shady and facetious—however, there is also a kernel of truth behind this behavior. Most other NPCs we’ve met have spoken about the NRC boys favorably just because of their affiliation with a prestigious school. It’s the same way people might be impressed if you walked around in an Ivy League branded hoodie or something. People automatically associate you with the school’s shiny and exclusive reputation, and thus assume you are also intelligent, talented, etc. Then, in the same way being constantly put on a pedestal like this might result in the students getting swelled heads, this only further feeds into the NRC kids’ egos. They so privileged they don’t even recognize it. And that makes Fellow fucking FUME.
Look back at Fellow's dialogue. He is constantly mentioning the prestige of the school the boys go to, or adding on extra compliments about their status and skills. He's ass-kissing to his boss, who is also wealthy or part of the upper class, then insults the boss once he hangs up. Fellow is always in a position where he HAS to be subservient to the upper class in order to make his money and get by, and he finds that entirely unfair. Imagine having to simper and placate people you absolutely despise and blame for your problems every day, people who are gorging themselves on luxuries, coasting by in life, taking everything they have for granted while you get by on pennies—that has to get frustrating.
I want to briefly mention here that, in addition to praising the NRC students to high heaven, Fellow also talks down his own skills. He cheerfully calls himself a loser and says that no matter how much he trains, he could never reach their caliber of magic. Yes, Fellow is exaggerating to get the kids to think they’ve won, but I also have to wonder if he’s parroting the same phrases he was told long ago, from people who doubted him and never thought he’d make it. If that’s the case, then I get the sense that Fellow is in a way “reclaiming” his autonomy and power by adopting those same cruel words and using them as a strength. He admits to being “weak” but is also proud of the fact that he can utilize his magic along with his natural charisma to get a leg up over others. It further fuels his new belief that going to an elite school doesn’t matter, it’s practical skills that will serve you well.
Okay, back to talking about his shitty work situation! Fellow’s employer clearly doesn’t treat him with decency. They berate him, make unreasonable demands, act impatient, etc. They are a typical depiction of a toxic workplace and boss. This can also be read as shorthand for the relation between the rich and the poor, and how that may have shaped (or worsened) Fellow’s views on others of the privileged class. He makes many assumptions about the NRC students without really getting to know them, calling them entitled brats. Why? Because these descriptors likely apply to the higher-ups Fellow has always slaved away for. This, in combination with his own experiences in being rejected from magic academia, has created a person who feels trodden on by society and by the upper echelons who run it and benefit off the system.
Fellow himself is the perfect example of someone who was failed by said system. He has dialogue stating that he was never given the chance to learn because his magic was not considered strong enough. Still, he tried to make an effort to earn that chance among to elites and to study among them. Fellow was rejected, ridiculed, and told he had “forgotten his place”, what he had been born into. There were expectations he couldn’t meet, and so Fellow was thrown away like a broken toy. He has failed not because he didn’t try, but because he was denied the opportunity to begin with. This is where is rage stems from. Fellow despises the students of those same kinds of institutions who kicked him down, students who don’t realize how fortunate they are for their educations and will likely continue to perpetuate the system.
What, then, does that means for his signature spell, which is closely tied to one’s identity? Let’s take a magnifying glass to it. As previously mentioned, the name for Fellow’s spell is written as “Rose-Tinted Dream”, but it is said out loud as “Life is Fun”. The chant for it is, “Come on to the theater” (notably said in English rather than in Japanese). Both the spell and the incantation are references to the song Honest John sings in Pinocchio, Hi- Diddle-Dee-Dee. And… well, the whole UM in of itself is one big cruel joke given his circumstances now.
I think this spell is representative of a young Fellow still full of hopes and dreams, looking forward to studying at a magic school. But then those dreams are shattered and he has to commit terrible crimes to survive day-to-day, and he seems to have given up on his dreams. He even goes so far as to protect Gidel from having the same hopes he once did, telling Yuu to not put silly ideas in his head when Gidel expressed curiosity about school. At the same time, he delights in crushing the hopes of those he deems his enemies (stating that he wanted to betray Kalim to “teach him a lesson” about how cruel the world is). Fellow knows the truth: that life isn’t fun, that it will disappoint you and will put you down. His actions are very cowardly as well—he uses tricks and deception, he runs away from his problems instead of properly addressing them, the NRC students remark on his lack of pride. Fellow has had to throw away so much to scrape by. Yet his UM symbolizes someone brimming with hope—so perhaps it’s a UM he manifested when Fellow still thought he had a chance?? And then people made fun of him for it being so weak?? Alternatively, maybe he didn’t get his UM until after his dreams were crushed so he’s looking back on those nostalgic days of blissful ignorance with rose-colored lenses (which is, again, maybe why his UM magic name is written as “Rose Tinted Dream”). A UM that is a reflection of one’s true self, yet that same identity is one that has been forced to be discarded. That’s the reason why, despite all the swindling and scamming, I don’t think Fellow’s enthusiasm for fun is a lie. That’s the one “real” part of him, but even that’s been repurposed to help him live on scraps, something innocent twisted 😭 and that’s really sad to think about…
But also??? You could argue that Fellow still has a little bit of that lost inner child and hope left in him. He tries to defend Gidel’s understanding of the world and has goals of starting his own school despite how poorly he originally spoke about these institutions. (So Fellow does appear to care about children and their futures.) He also has a childish streak despite being an adult, demonstrated by his use of cowardly tactics, taunting kids, and abruptly quitting his job to then destroy his workplace. Fellow himself states that he “just tries to live a free and fun life”, thus his pursuit of money and pleasure. This could all play into being what defines Fellow and thus his UM. It embodies a spirit of playfulness even when he has been crushed under the weight of an unglamorous life.
I’ve heard people saying that while Rollo is Idia’s dark mirror and Fellow is Ruggie’s. They have similar backstories but ultimately their fates are different and left the former two down far more sinister paths. Just as Rollo is an Idia that turned his anger outward instead of inward, Fellow is Ruggie had he not been given a chance to receive an education to elevate his social status and job prospects. Fellow and Ruggie both cling to rich, powerful benefactors/bosses and do their dirty work to get on by—a big difference is that Leona, while he does also work Ruggie to the bone, also has some conscience. Something else to consider is that while Ruggie prioritizes making a life for himself by studying and securing a stable, well-paying job, Fellow is focused moreso on the accumulation of wealth itself (as he suggests to Kalim he’ll take a bribe to let him go free and quits when there is no longer money to be gained from his boss). Both don’t really care how they get their money (even if it is by dirty means), but ultimately Ruggie’s way of making cash is more sustainable in the long run. Yet Fellow ultimately realizes the importance of school deep down despite constantly denying it when the NRC students tell him of it. Fellow is in denial because that’s the only way he can cope and justify his lifestyle. He’s confused when finally confronted with students who are his ideal of “happy and free”, even when they’re in an educational system that he views as shackling people into strict roles. The way he laments about not being able to go to school is also very reminiscent of an adult mourning a lost or unfulfilling childhood, which is quite a depressing scenario…
Fellow is the one that got the short end of the stick in life. Ruggie met Leona, and Leona technically uplifted him in his endeavors, tutored him into getting decent grades and giving him hand-me-downs and money in exchange for his services. Fellow never had that kind of support system, he was just insulted and bullied into giving up and had to find an alternative way to keep himself going 😔
Personally, I think Fellow could also be a dark mirror to Kalim, no?? They exist on opposite ends of a social spectrum. Kalim has everything and Fellow had nothing. What’s more, Kalim is still wide-eyed and trusting. He is the only one willing to try words instead of fighting him and instantly labeling him as the enemy. Meanwhile, Fellow has become bitter because of how the world has betrayed him. He wants to take that trust Kalim has and show him how cruel everything truly is. Why is he fixated on that? Why even offer in the first place if he never intended on going through with it? Why does he want to rub it in Kalim’s face in particular? Maybe it’s because Kalim seems rich and dumb, as Fellow claims, but maybe it’s because there is envy there. Sure, Fellow is upset about Kalim being a sheltered brat that faces no challenges in life, but I also feel like he’s jealous that Kalim can still afford to think this way. That he can still afford to be cheerful, that he can still be a dreamer. Fellow was alluded to be like that once—but he can’t be like that anymore, not when he has to look out for himself and Gidel.
Side note, another comparison! Recall that Kalim’s Oasis Maker is also a UM that uses a little bit of magic. However, Kalim does not know of many creative ways to use his spell, as there is no real reason to since his home country has lots of canals and irrigation. He therefore deems his UM as pretty useless. Fellow meanwhile has what most consider a weak UM but he fully utilizes it to his advantage and pairs it well with his natural charm to maximize its effects. He had to develop these skills because he was in pressing circumstances in which they would benefit him. This contributes to the “mirror” theme between the two.
Fellow and Kalim have a notable similarity as well, and this is where I feel they can connect. They are both older brothers to a child or children who are magicless. Fellow only has one, and Kalim has many—but the number here isn’t what is important. What is important is that Fellow and Kalim think the world of their siblings and want to support them. To that end, Fellow is willing to be cruel and step on others, and Kalim is all sunshine to keep their spirits up. Fellow has suffered through great poverty and insults and Kalim has survived so many attempts on his life, yet they’ve developed distinctly different approaches to the worlds that have embraced them. Kalim’s wealth could afford him protection and luxuries, so he’s able to live carefree with others tending to his needs. The same isn’t true for Fellow, and so he came out far more spiteful and resentful.
Thinking about it, it’s ultimately Kalim’s words that convince Fellow to turn on his employer. (The other boys certainly wore Fellow down and planted the seeds of doubt, but it’s Kalim that I believe fully resonates with Fellow.) He can so happily talk about why he loves school, even though he doesn’t do well at it (something I presume is also true of Fellow, since he is lacking in tons of magic). It’s not said in a particularly articulate manner, but it’s so candid in its presentation. Kalim is relating to him based on similar skillset (or lack thereof) and sharing fond memories of his time at school, reviving the hopeful “lost child” in Fellow. Kalim is probably the first wealthy person in a long time that was friendly, kind, and supportive to him. And here he is, reassuring Fellow his dreams are still possible, to not give up. That’s the final nail that allows Fellow to be “honest” with himself and his inner child. It’s what leads to that slew of irresponsible actions at the end of the event (letting people free, blasting the amusement park, driving a sinking ship, etc.).
At the end of Stage in Playful Land, we see that Fellow never really let that childlike side of him fully die. (It seems to have been concealed under a desire for money and appeasing his boss.) He shares his dream of creating his own great school to give educational opportunities to non-mages and mages with low magical reserves like Gidel and himself, a school that teaches practical life lessons. He wants to promote his own ideals and to change the system he hates from the inside out. This was never communicated to us before most likely because Fellow had renounced those ideas in favor of blind hatred and a lack of faith in the world and those that dominate it.
Fellow also acknowledges that life may be even more difficult for him and Gidel going forward, as now they lack the money for even food and no longer have jobs. Furthermore, they need to worry about their ex-employers coming after them for what they’ve done. Even so, Fellow faces it all with a smile and reassures everyone that they can transfer or visit to play… “on this shining stage called life”. He and Gidel are able to walk away with their whimsy preserved, and can still be that which they’ve always wanted to be: dreamers.
All of this is to say that Rollo was right all along about magic, he never misses—
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kami-kun1003 · 1 month
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im just gonna come right out and say it:
pretty much everyone in this fandom portrays Silver as this perfect, flawless, polite, beautiful, princely, romantic gentleman who can do absolutely no wrong in his life ever. which is… not really accurate at all.
he’s odd. he struggles with showing emotions and doesn’t understand social cues very well. his dorm uniform vignette is literally about how people find him strange and unapproachable due to his lack of expressiveness. in his lab coat vignette, Jamil straight up calls him weird to his face and he fully agrees without hesitation.
and in one of his voice lines, he calls Yuu strange just for wanting to hang out with him. stop and think about that for a second. he considers himself boring and doesn’t expect anyone would want to spend time with him. maybe he used to try and make friends, but people kept avoiding him, saying that he wasn’t fun to be around.
he’s not the handsome guy that everybody in the school falls for, he’s the quiet kid who doesn’t say much or has any friends outside of his own personal circle. and i think that has a lot of potential for angst.
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special-mooon · 7 months
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Found this thread on Twitter about Kalim (and a bit of Jamil) and i think it explains his character sooooo well
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irafuwas · 8 months
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some thoughts on how lilia views love
I’ve been watching through the Stitch event and there’s a bit of dialogue Lilia says that unfortunately made me Think, so I wanted to gather my babblings here.
This post contains spoilers for: Book 7, Tsumsted Wonderland 2, Lost in the Book with Stitch, Spectral Soiree/Endless Halloween, and Tamashina Mina
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After spending the day fighting off Gantu’s robots, scavenging for food, and exploring the island, the boys rest for a bit in an old cottage they found. Lilia wants to take the opportunity to spruce up the cottage and make it more resort-like while they’re enjoying this “vacation”, and Riddle and Jack are both surprised and a bit peeved to hear him say this.
Riddle: Don’t you want to find a way off this island as soon as possible, Lilia Senpai? Malleus Senpai, Silver, and Sebek… Everyone at Diasomnia must be worried sick about you right now. I should think you’d want to assuage their concerns a tad bit faster!
Lilia: …Thing is, I trust them.
Riddle: You trust them?
Lilia: Mm-hmm. Knowing them, no doubt they understand I’m safe and sound and having a good time right now. Malleus and the others know I’m not the type of guy who’d get in a pickle over something as trivial as this. And that’s because they know me very, very well – just like family!
(snipped)
Lilia: It’s truly wonderful having people in your life who trust you and wish the best for you - and for whom you do the same in return - no matter how far apart you may be.
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When you take this dialogue and look at in isolation of this event, then it’s a wonderful thing to hear Lilia say. He trusts his boys and they trust him - because they’re family, and that’s what families do. It’s always great to hear the characters themselves acknowledge their strong bonds with each other, and I thought it was really cute how Stitch got so happy to hear Lilia talking about his Ohana.
But when you take what he said and consider the broader story of Twisted Wonderland (vignettes and events, included), and you consider other things he’s said and done in the past… This dialogue just hurts.
There’s been small moments here and there that made me think Lilia has kind of an unhealthy(?) or warped(?) view of love. I’m not sure what the best word for it is, but I’ve noticed that he doesn’t like people worrying over him, he doesn’t like emotional farewells/sappiness, and he really doesn’t like letting others see him when he’s weak.  Additionally, he seems to value himself very little – he doesn’t think people would be worried about him if he were in danger, or that people would be happy getting pictures of him, or that his departure in Book 7 would hurt those around him so much. I’ll go ahead and put examples for each point so you all can understand better what I’m trying to say.
He doesn’t like people worrying about him
We can see this partly from the quote this whole post is based on, as well as from Book 7.
Based on his conversation with Riddle, Lilia’s way of thinking appears to be:
If someone trusts me -> that means they wouldn’t worry about me
As well as:
If someone worries about me -> that means they don’t trust me
But we do worry about the people we love and care about, don’t we? We worry about our spouses getting home safely from a business trip, and our kids making friends at school, and our friends acing the interview they’ve been practicing for because we love them, don’t we? And because we want the best for them. But it doesn’t seem like Lilia thinks the same way.
And to add onto this point, it’s very clear the boys do worry about Lilia a lot, contrary to what Lilia claims. Due to Lilia’s departure, Malleus brought a snowstorm to the island in his sadness, Silver considered dropping out of school and leaving with his father, only to end up breaking down and crying in front of their crown prince of all people, and Sebek used his one wish to make Lilia be healthy and have him stay with Silver forever. They were all worried terribly about him in their own ways, but it doesn’t seem like Lilia ever noticed (or maybe he did, and just didn’t want to bring it up for some reason. Who knows.)
At any rate, he also gets mad (well, more like tsundere lol) at Silver when the boy was on the verge of tears after Lilia took a nasty hit for him. (I know this exchange occurred with General Vanrouge, and he was quite the asshole back then, but he’s still retained that dislike for people worrying over him.)
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Lilia: Oh, would you quit it with the sniveling. I drank the potion, didn’t I? I just to rest for a little bit, and then I’ll be good as new.
He doesn’t like emotional farewells/sappiness
He exhibits his distaste of sappiness in Book 7 and the Welcome to Tsumsted Wonderland 2 event. In the latter, when everyone is saying goodbye to their tsums, he mentions he doesn’t like the gloomy atmosphere. He wants goodbyes to be happy (and most likely, free of any emotional weight). The same can be said in Book 7, when he wholeheartedly agrees to the going away party the students wanted to put on for him, as well as when Silver mentions his father had wanted them all to send him off with a smile. I’m not sure if Lilia just doesn’t enjoy people getting serious with their emotions towards him, or if he doesn’t like seeing it in general. It gives me Macho Man (tm) vibes, kind of? Like, “don’t let people see you cry and feel sad because then you look weak” kind of thing but idk.
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Lilia: Farewells are certainly sorrowful, but I hate leaving things on such a gloomy note. Let’s keep our chins up until the end. Tsum, your ability to surprise others was exceptional, and you made today so much fun. So long!
He really doesn’t like letting others see him when he’s weak
There’s still a lot of loose ends to be resolved in Book 7, one of them being the full extent of Lilia’s motives for wanting to leave so suddenly. It does seem to be he’s telling the truth that his magic ran out early, since he couldn’t muster up enough strength to fight back against Malleus when he was about to Overblot, but we don’t know if the real reason for that is just because he “went a little to wild” in his youth, like he claimed, or if something else caused his magic to deplete so prematurely. But we did hear him reveal a little bit of his motives when he was talking to Floyd at the party.
Floyd was dismayed he never got a chance to fight Lilia, and he wished he could’ve seen Lilia go all out at least once. When he asks Lilia why he’s dropping out, Lilia says under his breathe that he didn’t want “them” to see him so weak.
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Lilia (whispering to himself): …It’s because I didn’t want them to see me so feeble.
Regardless of why his magic ran out and why he wants to go the Land of Red Dragons of all places, we know part of the reason for his departure is because he doesn’t want Malleus and the others to see how far he’d fallen from his former military glory. (sidebar: I have a feeling he thought he’d be a burden on Silver and co. with him losing his magic, and he was trying to leave so quickly to escape his shame towards his rapid loss of strength and independence (I imagine since he’s a magical being who comes from a country that runs on magic, him losing his powers must feel very isolating and limiting, like he’s lost a lot of the control he used to have over his own life).)
He doesn’t think people would be worried about him if he were in danger
In Endless Halloween/Spectral Soiree, Lilia was surprised by how much Silver and the others had been worrying about him and Malleus when they disappeared. Interestingly, even though Lilia is the one that Silver was the most relieved to see (it’s hard to tell with the live 2d models, but it looked like he went up to hug? Lilia and Lilia slapped his hand away), Lilia later says “I didn’t think you’d be so worried about us.” (referring to himself and the others involved with the party shenanigans).
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(I am aware they changed this line to “I didn’t think you’d be so worried about me” In TWST EN, but I’m just focusing on the JP version).
I just found it weird that even though Silver was very clearly worried about Lilia the most, Lilia kind of redirected Silver’s concern over from “Lilia” to “Lilia and everyone else”. Did it make him uncomfortable to hear Silver was that worried about him? I’m not sure, but it just stood out to me as being a little strange how he responded, and how surprised he was that his own son would get worried about him suddenly disappearing.
He didn’t think people would be happy getting pictures of him
At the end of Lilia’s Tamashina Mina vignette, Yuu stops by Diasomnia to give him some photos he’d taken of Lilia on their trip, and Sebek, Silver, and Malleus are delighted to see them, since it’s not often they get to see photos of Lilia. Lilia is surprised at how happy they are to receive those pictures of himself. But why wouldn’t they be happy? They love him and treasure him dearly, of course they’d be overjoyed to have pictures of him to remember him by. It’s like he thought they wouldn’t care about him that much, which is really bizarre, considering the whole “even if we’re not related by blood we’re still family” thing he told Malleus before.
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Lilia: To think, you’d all be so delighted just to see some pictures of me. I never would’ve imagined you’d all react like this.
He didn’t think his departure in Book 7 would hurt those around him so much
This relates back to what I mentioned in the first point, but there’s one scene that demonstrates this perfectly.
After Silver breaks down in front of Malleus, Malleus teleports both of them to Lilia’s going away party. All eyes should have been on Malleus with how strangely he was acting, but the first thing Lilia honed in on was that Silver had been crying. And not only that, but Lilia looked surprised that Silver had been crying. And why wouldn’t he cry? The one person who formed Silver’s entire world and sun and stars was about to leave him and go die all by himself on the other side of the planet. There is no reason Lilia should’ve been surprised at Silver’s tears, yet he was. And I gather that’s because he never thought the boy could ever possibly want to choose to stay by his side, to choose him over all the hopes and dreams he’d burdened on the poor child from the moment he could walk, to choose him over his real friends and his real family members.
I hope when Lilia “wakes up” from his dream, the first he does is ask Silver what he’d been crying about back at the party. And I pray to god they will actually talk things out and Lilia will finally apologize for how much of a complete idiot he’s been acting.
My headache’s coming back so to wrap this up quickly, my current understanding of Lilia Vanrouge is that he either doesn’t realize just how loved and cherished he is by his family members, or that he does realize it and just pretends not to. If it’s the latter, which is what I personally lean towards, I think he does this as a means to protect himself.
He’s already lost so many of his loved ones, and he very well may be putting up these walls around his heart and pushing away the people who love him just so he doesn’t have to get hurt again. We don’t know how he became an orphan, but his birth family either gave him up or passed away and left him behind. Even when Queen Maleficia took him in, he was always made the scapegoat for the princess’s schemes, and it sounded like he was brought up more as Levan and Mallenoa’s inferior than their equal. And then war struck their nation. And then his one best friend went missing and the other one probably gave up her life trying to protect the very child who'd go on to shatter the ice surrounding his wounded heart.
Perhaps with Malleus and Silver and Sebek now, he thought his best option would be to exit their lives before they had a chance to do the same to him, because he knew they would do the same to him. Everyone does.
As a final note, I still keep going to back to what he said in Cater’s Halloween vignette. I think this one line sums up his views of love better than I ever could:
“But the more precious a bond is, the more pain it can inflict.”
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(source)
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prince-kallisto · 5 months
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Analysis of Crowley and Malleus’ Voice: “I heard Levan’s voice”
When OB! Malleus broke into Lilia’s dream, the very first thing that Lilia says is that he has Levan’s voice, but looks like Meleanor. General Lilia was not one to mince words; and considering how close of a companion he was to Levan, we can take this as a fact that Malleus sounds like Levan. Plus, it was just his immediate first reaction without hesitation (*⁰▿⁰*)
So being the silly Crowley/Levan truther that I am haha, I compiled several clips of OB! \(//∇//)\Malleus and Crowley speaking. I think a lot of people miss just how fluid Crowley’s voice is. Miyamoto Mitsuru (Crowley’s voice actor) depicts a large range for Crowley, from high-pitched and whiny, to deep and ominous. Crowley hardly ever speaks in his deep tone- with these clips that I gathered being majority of the rare occasions that he does. This deep tone is different from the stern one he uses in serious situations (e.g when he got taken away from STYX) or scolding the students. So it feels purposefully special.
And since Crowley speaks in this rare deep tone when speaking to the mirror in the prologue, I assume that it’s closer to his natural voice, as he is not putting up any performances for anyone. He notably speaks in this deep voice when talking about mirrors. The Culinary Crucible one was more of a bonus, as he is being purposefully dramatic, but I put it in to show that Crowley can comfortably speak in the this deeper tone.
Levan is currently a wildcard. Levan could just be a new character! However, I feel like Crowley’s deep tone is the closest voice to Malleus so far, and I am intrigued if this is indeed purposeful 👀🐦‍⬛🐦‍⬛🐦‍⬛🐦‍⬛ Since Levan was described as “kind” once again (using the same exact word that Crowley constantly uses to describe himself in Japanese), I feel like almost every hint we get about Levan is…something to keep in mind \\\\٩( 'ω' )و ////
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thegoldencontracts · 23 days
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Is Azul Actually Kind?
I know how it sounds but pleaseee hear me out.
Azul isn't kind. That seems to be pretty obvious, right? His benevolence is clearly a facade, meant to hide the selfish, cunning nature lurking within.
I thought that too. But then I saw something that made me question it.
Namely, Azul's Platinum Suit Vignette, where he looks at the Sea Witch's actions regarding Ariel, and calls it 'tough love'.
He isn't talking about himself, he has no reason to fib. He even brings up his Grandma, making it pretty evident he's being sincere. He views the Sea Witch's actions - punishing deal breakers and setting people on them - tough love.
And the Sea Witch's actions are remarkably similar to his own. He makes deals, and he punishes people who can't fulfill them. But there are some very interesting things that, to be, combine with this to bring about the theory that deep down (or maybe not so deep down) he views it as an act of tough love.
1. Azul almost never harms his clients in a truly crippling manner. The one exception to this is the Prefect, but I feel that's easily explained by the fact that this was shortly before his overblot, and like other characters, Azul too was behaving in a manner worse than usual.
Other than that, though, his punishments are typically servitude, or giving up a talent. Keyword: a talent. Not the thing itself. Someone with a good voice who gives it up doesn't become voiceless, they just start sounding hoarse. This is proven during his backstory.
2. Azul comes from a place where 'survival of the fittest' reigns dominant. This is proven during book 6, where he mentions being hypervigilant and a risk of predators under the sea. This was also heavily implied by the twins.
To him, people who don't understand not to trust others likely seem misguided - especially considering his childhood.
3. Azul and Riddle have a lot of Parallels
This one is interesting. If you look closely, Azul and Riddle share many similarities: Sophomore Housewardens, Honors Students, completely broke down during their overblot rather than still concealing their emotions, tyrannical behavior over underlings, heavily implied eating disorders, incredibly hard-working despite their smug appearance, being short-tempered, the list goes on.
Riddle also truly believed that he was doing a service to the students of Heartslabyul by enforcing the rules the hard way. He likely viewed it as a form of tough love.
And so, Azul being kind in his own, odd way starts to make sense. It would give him another parallel to Riddle. And his 'survival of the fittest', bootstrap-pulling upbringing may be he doesn't actually find his actions that cruel, if anything, he genuinely may believe he's doing them a favor by teaching them early on not to trust others, to only make deals they know they can keep. And he's not exactly crippling them, so it's better him than someone who will.
So yeah, maybe Azul really does think he's being kind - at least, deep down.
Discourse, critique, and requests for proper citation are always welcome!
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curekibouka-writing · 8 months
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Analyzing the lullaby motif in book 7 (+translation of lyrics)
MAJOR SPOILERS for book 7 chapter 1-5
I hope everyone remembers the lullaby Malleus sang for everyone when he overblotted because that motif came back FOUR times in chapter 5 and I am going to analyze them all because they make me way too emotional 😭
Please feel free to find the lullaby motifs in this post and this post if necessary (although one of them is not included).
Translated lyrics of the lullaby:
A warm cradle
Starlight and joy
My eyes are watching over you still, let's be together
With no fear, even if we wake from this dream
Sleep, sleep, my beloved child
In dreams, I pray you would be guided to walk toward the light
(Analysis begins under the cut:)
The melody of the lullaby has been used 5 times at least in the story, they include:
When Malleus hummed it to everyone he put to sleep during his OB
When Meleanor sang it to Malleus
When Lilia sang it to Silver
When Malleus sang it to Silver
In the bgm when Sebek was helping come out of the darkness
The themes of this piece of music are love and farewell.
Motif use 2 is chronologically when the lullaby was first sung, it’s a song of love from a mother to her child when she knows they must part. I believe that when Meleanor sang this lullaby, she had already made up her mind to fight and let her guards escape with her child. She was taking the last moments she had with her child to name him "Malleus" and sing him this lullaby (7-75). Lyrics include sth like “I will be watching over you even if we wake up from this dream” and “may you be guided and walk towards the light”. But the beauty that comes with the theme of farewell is the theme of legacy. Because even though Meleanor is now gone, her song, and thus her love, never died.
Because Lilia remembers it. Motif 3 is Lilia singing it to Silver, and he’s also sung it to Malleus before. In a musical story, even if the characters lie or don’t have perfect information, the music never lies. Even if Lilia once doubted whether he could love Malleus and hatch him properly (7-77), and even if Lilia may still doubt whether he could love Silver, a human, properly (7-81), the motif symbolises love which tells us the truth — Lilia is capable of giving love. And the legacy is not just that Lilia passed the song to Malleus, it’s that Lilia internalized the song and sang it to his own son. He has seen what kind of mother Meleanor was, and he’s learnt from her kindness, her pride, her love and he has put that into how he raise his own child. Lilia has Meleanor’s legacy too.
And then to address the two Malleus motifs. First of all Malleus never sings it with lyrics, which would imply Malleus himself doesn’t fully know the true meaning of the song. However, he knows that he’s felt happiness and protection from hearing this song, so he sings it to Silver when Lilia asks him to as motif 4 (7-81). When he sang it to Silver he sounded confused, it must’ve been a long time since he’s heard the song. But he still remembers it, which means Meleanor’s love never died because Malleus remembers it all the same. It’s still in Malleus. It’s still there.
But when Malleus overblots, the song gets twisted a little bit (motif 1). However, in Malleus’s mind, it’s still a song of happiness and protection, because he overblotted trying to protect everyone’s happiness forever. But the music sounds creepy to show you the true nature of the song is not like this. The nature of the song is that "even though I cannot be with you always, I will still love you and wish for your happiness". This is the part that Malleus did not understand and did not cope with. It’s also interesting to note that Malleus sang motif 1 with a smile and no hesitation, he was completely confident and sure in what he was doing. Meanwhile, in all other three sung versions, each singer had their own different emotions in their singing, and those emotions were a lot softer, a lot less certain.
And the fifth and final use of the motif is used in the bgm when Sebek yells at Silver for him to get a grip (7-86). The song is arranged into a victorious piece with certainty and assurance. The use of the motif reminds us of the themes: love and legacy. It calls attention to these themes and entrenchs the truth that Silver IS Lilia’s legacy, and that’s only possible because of the love that Lilia has given him. The exact part where the bgm starts playing was when Silver said "Even in the darkness, I could always hear it. 'Stand up' 'Don't give in' 'Live'... it's father's voice. [...] All that he taught me, that's the proof that he had loved me. It's not a dream and not an illusion... it's true love." (I'm serious he really said "true love" for real this IS a translation T^T). When Silver saw Lilia's memories of the song, he denied the love, he said he should not deserve it. The motif had to come back because this is the moment when Silver can finally realize “Ah. This song is full of love and father sang it for me.” The motif HAD to come back because Silver has to come to accept it.
But the bgm arrangement is also made for Sebek. The bgm is full of certainty because Sebek has no doubts in what he’s telling Silver. Sebek, who has grown up alongside Silver, has witness all the love between Lilia and Silver. He KNOWS Lilia’s love is true and he’s conveying that to Silver with certainty. This bgm summarises what Sebek was doing so well, Sebek sees the love Lilia has for Silver and was literally blasting it in Silver’s ears.
As Disney's Sleeping Beauty (1959) puts it, "true love conquers all". And we've been shown that there's love in every direction among our Diasomnia found family. Let's hope that, soon enough, Silver and Sebek would wake Lilia up, and they can finally show Malleus the true meaning of his mother's lullaby and the wish she entrusted to it — that he would walk towards the light, even if she cannot be the one guiding him...
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wafflesex · 8 months
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I once saw a post that was like: “wtf Octavinelle only wears simple suits while the rest of the dorms wear these beautiful complicated outfits that probably take hours to put on even with magic that’s so lazy”
Lemme tell you why Octavinelle wears suits and why it’s so impactful.
A suit implies work. It implies work ethic. It implies “Whoever and whatever this person works for, there’s an expectation to get things done, but in an efficient, presentable manner.”
Beyond that, a suit in a prestigious magic school implies “normalcy.” It says “This dorm and it’s students are still grounded in the reality of the everyday person, even those who don’t/can’t do magic.”
In comparison to the rest of the dorms, an Octavinelle’s uniform is familiar. Humble, intelligent, honest, and approachable.
It’s an angler fish’s lure.
Because while you’re busy admiring and relating to these fine, upstanding gentlemen, they’re tracing their tongues along their teeth. They have bodies in the freezer. Their pockets are lined with dirty money. They strangle throats, collect debts, they know where you sleep… but they have friends. And connections.
So they couldn’t possibly be bad.
To the unsuspecting small fry, an Octavinelle in a suit knows what he wants and he knows how to get it… so surely he can do the same for you.
How that happens doesn’t matter.
In the end, an Octavinelle will always be the embodiment of good business.
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chernabogs · 7 days
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Styx, Fae, and Malleus—Oh my!
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Okay I'm writing this more as a marker for myself because I keep breaking my brain with connecting C6 to C7, but I've included my notes down below to kind of trail through how things might go with the next C7 update. Since the Shroud brothers are back in business, we'll be seeing a lot more of Styx's hand too, so I also wanted to collect as much information (canon) as I can on them too. Because I just think they're neat, and combining all the information makes them that much neater!
Warning for a long-ish post.
All About Styx (Up to C7, April 2024)
Styx, originally serving as just the Watchman before the Age of Gods (which Malleus discusses in C6 part 18),
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is an independently operating institution (non-government affiliated) that specifically focuses on research pertaining to blot. According to the welcome video narrated by Idia’s mother and father, Styx covers the following:
Safe use of technomantic technology
Magical power analysis
Preservation of ruins and mage stones
Blot emission reduction
Post OB treatment
Magical disaster prediction systems
Maintaining phantom databases
Styx operates off of the Isle of Woe, an area mostly inaccessible to outsiders due to its status as being below the ocean and only accessible via the Oceanus Gate. Styx is seemingly composed of multiple units and teams, including the Hex Team, with most of the employees living in the residential block of Oceanus and using chariots (technomantic vehicles) to get to the tower. Another unit that Styx controls are the Charon members. These appear to be the equivalent of armed forces under Styx’s command. They specifically act as retrievers of over blotted mages, or more specifically the phantoms involved in the overblot. Magic Marshals and the Arcane Response Unit often handle overblot cases, but in extreme incidents, Charon members step in.
It’s mentioned that they also arrive regardless of if they have authorization from the government of the location the overblot is occurring. 
Regarding the technomantic equipment mentioned, this is what Styx seems to mainly use for all operations, likely due to the nature of its research. Technomantic technology has an ability to almost entirely nullify magic. Although not 100% effective, it was enough to even make Rooks UM limited, forcing him to only track the kidnapped students when there were second breaks in the tech. This tech was also used on the overblot students, with Riddle stating that it’s equivalent to his UM (C6 part 26). 
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The tower that Styx operates out of is a large structure located in the centre of the ancient city that was originally attached to the Kingdom of Heroes. Within this tower, Styx keeps phantoms preserved frozen in the lower layers. This area is referred to as Tartarus and hosts approximately 10,000 subjects split into 12 levels. A-class are considered exceedingly dangerous phantoms, according to Ortho. Sector 12 is where the original Phantoms are housed, known as the ‘Titans’. These are three phantoms that have been sealed in Tartarus by the original Jupiter family members since the Age of Gods. 
The system designed to preserve these phantoms is known as the Cerberus System. This encapsulates the entire Isle, not just Styx. According to Idia, mages are taken and housed for testing in this region before being wiped by Lethe, another system operated by Styx that re-wires memories and implants false ones. Interestingly, Lethe works differently on fae than humans due to fae’s long lifespans. Idia states that it’s hard to adjust what information to remove and rewrite without making it obvious that there was an erasure. He does mention Malleus by name when discussing this, but not Lilia. 
All About The Fae in Briar Valley (Up to April 2024, JP Spoilers)
Fae appear to live broadly across Twisted Wonderland, but a large majority do reside in Briar Valley (other additions such as Fairyland/Land of Fairy have been mentioned and seem to host diurnal fae. More of this can be found in the fairy gala events. Diurnal fae are considered to herald the coming of spring with this gala, which ties in with later discussions about fae and nature). Various species were also noted to exist, including:
Dragon fae (note: Dragons are mentioned to have arrived for Meleanor during her youth, however after her passing a decade later it appears that Dragons have either gone underground or extinct across the broader Twisted Wonderland area)
Raven fae
Bat fae
Crocodile fae
Subcategories of crafter fae and the likes exist too, but don’t quite count as species 
There appears to be a hierarchy of value among fae. In one conversation by a Senate member (in Chapter 7, release 6), Lilia is referred to in derogatory terms due to his status as a bat fae. It is unknown if this bias is strictly the Senate member, Briar Valley, or if it spreads across broader fae populations. Fae also appear to have monarchies, although the only two known so far are the Queen of Fairyland and the Draconia Family. Fae also appear to age at different rates (Malleus states infant fae often take 30 years to walk, and it took him 20 years alone to gain his 2-legged form). 
Due to Briar Valley being the major focus of C7, we’ll look at fae in this region specifically. 
For context, constant conflict has arisen between fae and humans, specifically within Briar Valley. A major conflict and large plot point in C7 so far is the conflict between Briar Nation (former name of Briar Valley) and the Silver owls. The Silver Owls, run by Henrik, carried out mining operations throughout Briar Nation without permission from the royal family. Despite the name Silver Owls, it should be noted that they are also called Iron Ones due to their iron weapons and armor. According to Briar Nation soldiers, Silver Owls recklessly endangered fae by driving wildlife into villages in addition to colonizing the region. The Silver Owls (Henrik in particular) are aiming to attain Princess Glow. Henrik stated that he wanted it for his father (unlikely, lbr). Princess Glow appeared to be a gem associated with the Draconia Family that was capable of performing miracles like healing incurable ailments. It’s unknown if this is factual or not, but Meleanor does appear to put value on the gem when discussing it with Lilia. 
Conflict with the Silver Owls extended across several regions in Briar Nation, including:
Verdant Moors (outside the present day borders—confirmed by Sebek in C7)
Canyon of Howling Winds (also called Valley of Howling winds in some translations)
Mystical Mountain/Forbidden Mountain
Thunderclap Mountains
Cape Sunrise 
Tenebrae Forest/Dark Night Forest
Crimson plain
Dragon’s Tail Mountains 
Wild Rose Palace 
Black Scale Palace 
Dragon Capital City (surrounding Black Scale Palace)
Cradle Tower
Note: present day Briar Valley is situated farther up north and is said to have a cold climate for the most part, including particularly harsh winters (confirmed by Silver in release 4 of C7). Double note: Names may be susceptible to change with EN release. 
The conflict ended with Meleanor and Levan (Malleus’ parents) allegedly dead. Fae ceased intermingling with humans likely after this conflict according to Lilia in C6 part 18, leaving to heavy deficits in the validity of history surrounding the fae. This also means that a lot of human history books miss history that fae may have personally experienced or have to share (as spoken by Trein and Lilia). 
In terms of powers, fae in Twisted Wonderland seem to rely on nature a great deal for their magical abilities. Idia’s father discusses the extent of what some fae can do due to their connection with ancient magic, including mentioning how fae have had control over climate change and diastrophism since the Age of Myths (presumably predating the Age of Gods). Malleus’ ability to alter the world in a designated area falls under this category. He is stated to have magic tied to the earth itself. Idia’s mother also mentions that fae can also draw magical energy from nature itself, building on Idia’s fathers statement about how fae’s magic directly connects to the earth. Generally, fae with elemental connections can do this, which proposes the idea that Malleus has such an ability. 
It also appears that fae can lend this magic to humans. The Knight of Dawn frequently calls upon the blessings of diurnal fae to aid him in his fights throughout C7 (note: he says 'fairy guardians', so this could be just this specific instance). 
So… what’s up with chapter 7, as of April 2024? (JP Spoilers)
Well… Malleus over blotted. Inconvenient, absolutely. Fortunately, his grandmother snitched and gave all of his information over to Styx, allowing them to formulate somewhat of a plan to use.
We know specifically that the Arcane Response Unit is unable to get access to Malleus through the thorns because, should the thorn wall be penetrated or collapse, it will kill whoever is caught inside of it. At the moment, ARU is likely on the borders of Malleus’ thorn wall while Ortho (acting as a stand-in Charon member, in this case) deals with the issue. Anyone who gets too close to the thorns (fae or human) are also being sucked into the barrier. 
Silver, Sebek, Yuu and Grim are currently travelling through various dreams. This allowed some insight on fae (see Fae in Briar Valley for more) as well as the abilities that they possess. Ortho has pulled the group into Idia’s dream, stating that Malleus is using all resources to keep Lilia asleep. Ortho was able to penetrate into the barrier using a counter-spell barrier and ethereal slicers, in addition to a magical cannon honed by Styx. 
We also know it’s confirmed that Malleus needs to either voluntarily end his spell or die in order to actually cause the barriers to drop. 
What might happen, then? (JP Spoilers)
Who knows! Yana likes to keep us on our toes. That being said, one of the biggest takeaways that came from this is the technology (technomantic) that Styx has access to, as well as what fae seem to rely on to continually use their magic. Styx’s access to technology that can almost entirely nullify magic in combination with their isolation from ‘nature’ (based on the brutalism architecture their facility had) could be two avenues of mitigating Malleus enough to at least let the students get an upper hand. 
However, Styx also did confirm that their technomantic equipment was not having as good of an effect on Malleus’ barrier as they anticipated. If technomantic equipment were to be used on Malleus, it would need to be something advanced, like Ortho’s Cerberus gear, but on a larger scale. Ortho has already shown that Malleus’ magic is ineffective when faced with the type of tech that Ortho is equipped with, positing the idea that this can be an avenue to take. In the battle with Ortho, Malleus does appear to freeze up and misses a hit. 
The comment about Malleus needing to break the spell himself was emphasized a lot in this section. Styx confirmed they’ll reach out to Queen Maleficia to see if she can persuade Malleus to drop the spell, but they’re also convincing the dreamers to persuade Malleus as well. 
So… it seems like a triple whammy of tech, Maleficia, and guilt tripping as a way to take Malleus down. Exciting!!
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rayroseu · 17 days
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i love how diverse in aging Vil's story is. It would've been easy to surround "Vil Schoeheit" with youthful things considering his character archetype, but I'm glad they're not holding back in adding blemishes whenever they showcase actual aging.
This reminds of Malleus' line that there is a beauty in the withering process of statues/gargoyles. In a way, Vil is like an statue (like a celebrity) but he is as well not immune to aging and I'm glad TWST wrote him as appreciated of aging instead of avoiding it
I know its been said a lot that Vil is not vain. He's not fixated on conventional beauty, but its really comforting to see the beauty icon is the one who believes aging is beautiful as well and is graceful about it, not just on others but also himself yk.
I love the realistic flair of "aging" in a story about really young people and growing up lol
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hanafubukki · 7 months
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After knowing what we do in book 7, the real reason Lilia wasn’t included in Glorious Masquerade was because he would have straight up murdered Rollo in cold fury.
No buts or ifs, no excuses.
Rollo tried to hurt his boys: one of which took forever to hatch and is all he have left of his best friends/siblings and sees as an older son, another is a son he raised himself from the cradle he found him in, and another is the grandson of his best friend and is the youngest he loves to toy with.
And Rollo tried to kill them??
Lilia would have straight up taken his hatchet and don the mask of the General in how angry he would have been and no one would know.
For all anyone would be able to tell, Rollo would have fallen to his own plan tragically. Maybe even pushed off the bell tower into a bed of crimson flowers.
No one the wiser.
(He’s had blood on his hands from war, what’s one more?)
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something i noticed
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A while back, I wrote this analysis reviewing how unfair the magic education system is in Twisted Wonderland. I would recommend reading that before this post, as it provides tons of context for what I’m about to talk about and add onto the discussion.
In 2-6 of the Tapis Rouge event, Vil has stylists from Luxe, a high end fashion brand, dress up Azul, Jamil, and Ace to be a part of his red carpet entourage. Once the boys come out in their new threads and makeup, Jamil and Azul, two individuals who are meticulous about details, provide some telling commentary.
According to those two, the team of stylists that helped them were mages. Azul further remarks that they were quite skilled mages and that having this kind of talent indicates a “first class brand store”. Their hair and makeup is also suggested to be done via magic, though this service is not normally performed for customers. Previously, we knew that skincare can be infused with magic (Vil does so with his own) and that magic can be used to style one’s hair (Jamil tells us in his Birthday Boy vignettes that he does his intricate hair with magic and used to take far longer with it when he lacked the precision). Idia states in book 6 that Jamil had no formal magic training before NRC, so that means Jamil was self-taught in his hair-handling magic.
… Okay but 😭 WHAT DOES THIS IMPLY ABOUT MAGIC AND CLASS??? Is it just a coincidence that the teams of stylists who staff a high class store are ALL mages? Surely not, given how uncommon mages are in the general population. The store (or maybe the brand itself?) must be going out of its way to hire them because I guess being dressed with magic is a more “luxurious” experience than the normal way. We can also guess from Azul and Jamil’s accounts that the degree of magic these staffers use requires significant skill and precision, which either means they need formal instruction or lots of practice on their own. Neither option is afforded to people with naturally low or no magic reserves at all 💀 meaning jobs like this are gated to mages only.
Now, this doesn’t inherently mean the rich and famous people who frequent these stores are also all mages (Kalim’s dad and Vil’s dad are two non-mages who are extremely wealthy and influential); the majority of them must still be regular people since humans seem to be the majority, and 90% of humans are non-mages. It also doesn’t guarantee that the Luxe stylists are paid more than a non-Luxe stylist (although I do think this is possible for a prestige brand, especially if we factor in commissions on sales).
What’s sticking out to me here is that there exists an association between magic and luxury. The reverse also appears to have some truth based on what little other lore we have; Ruggie states that there are not a lot of mages from his hometown, which could imply a history of non-mages being driven into poorer communities. It all fits together a little too well to seem coincidental… but obviously, Ruggie’s hometown is just one place and could be an outlier rather than the exemplar. We know that most non-mages must live an average lifestyle, not the extremes that Ruggie has experienced. Still, the claim that magic is typically associated with the upper class holds and it continues to be perpetuated in the lore.
Anyway, Fellow and Rollo were right—
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kami-kun1003 · 10 months
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Silver’s narcolepsy is so… interesting to me
everyone always talks about it like it’s a silly joke. like “ha ha sleepy boy!!!” which is. fine. but from what we see in the game, it’s undoubtedly a serious physical disability. it literally causes him to fall asleep randomly throughout the day and there’s no way he can fight it. that’s genuinely scary and a cause for concern. what if he fell asleep next to a lake and drowned or something??
i can’t help but think about how much it must affect him mentally. imagine you’re the only human in a fae family, and your whole life you believed that you would be the first to die, and you need to make the most out of the short time you have to repay your loved ones for raising you.
and the universe decides to give you a sleep disorder that completely hindrances your ability to do so. you doze off CONSTANTLY, wasting hours upon hours of precious time that you could’ve used for something more useful.
you can’t control it. once you feel that drowsiness, it’s over. nothing helps; you just can’t stay awake regardless of what you try. no one knows what’s wrong with you so you just assume that it’s your own fault for being so lazy. your father’s done everything he can, bless his kind heart, but even he can’t find a solution.
nobody understands what you’re going through, they all say it’s normal to feel bored or tired from schoolwork every now and then. which isn’t how you feel at all, but you just don’t have the words to describe it.
it gets to the point where you’re failing your classes because your body simply refuses to function the way it’s supposed to. your teachers blame you and they’re right, it’s your fault it’s all your fault isn’t it?
your peers make fun of or look down on you for being unusual. for always falling asleep. for not expressing emotion (doesn’t anyone else find it hard?). you feel ashamed. you try to fix it but you can’t. nothing can ever be fixed.
it’s frustrating to be unable to control your own body. you’ve grown used to it, and so has everybody else, although that doesn’t make it any less of a problem. but at this point it feels like there’s no other choice but to just live with it.
and in the end, you feel guilty. your father has given you everything, and yet you can’t give back. does that not make you a failure? a disappointment of a son? here you are, living, breathing, thinking, and you can’t even do anything to thank the person who gave you the luxury of existence.
wouldn’t you hate sleep? wouldn’t you utterly despise that feeling of drowsiness that overtakes your mind when you so much as stay still for a single minute? would you not cherish the moments in which lethargy did not plague you?
oh, how you wish there was a cure.
(tagging: @fruixtii )
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yaksha-lover · 9 months
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Malleus Draconia and the Cognitive Dissonance of being a Lonely Prince
A character analysis exploring Malleus’ conflicting views of self
Malleus has two primary characteristics that are significant to his identity: (1) His role as a highly revered, feared, and praised mage & prince and (2) His loneliness and social/emotional isolation.
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In Malleus’ concept of identity, these two characteristics are in conflict with each other, despite one somewhat being caused by the other. How can a person reconcile the fact that they are supposedly extraordinarily special, talented, attractive (this is canon in universe btw lol), intelligent, beyond powerful, etc. - essentially a perfect prince - with the fact that they have no friends and barely anyone who cares about them (excluding those he feels are obligated to care)?
Malleus has no strong emotional connection with anyone that is not his family (I include Lilia in this category) or one of his guards (who, in spite of Sebek’s protests, is basically obligated - socially or role wise - to respect and love him). Now, I don’t think any of these relationships is obligatory or disingenuous in any way. Lilia, Silver, and Sebek all genuinely love and care for Malleus. However, I’d argue that isn’t how Malleus sees it (I’ll get into this later).
First, I wanna go into the first characteristic I mentioned, him being revered (+feared) because of his status and capabilities.
Before I even get into him as an individual, let’s look at how Malleus himself perceives the mere status of royalty:
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Malleus believes (I suppose because of his personal circumstances) that people who are royalty inherently deserve respect. He even extends this to Leona, who he has a (playfully?) hostile relationship with. I don’t think there’s canon indication that this necessarily means he looks down on people of non-noble birth or anything, but he’s still stuck on this idea that, in certain respects, royalty does deserve better than the average person.
Clearly, this would extend to himself as well. Part of his self-image is kind of decided from birth (in an interesting parallel to Leona who believes that his own status as a second son decides his fate from birth) because he is raised in this environment where he is constantly told that he is better than others, simply because he is a prince.
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That said, Malleus takes being royalty and a leader very seriously. I’d argue he believes that because he is ‘better’ than others, he has certain responsibilities and duties that he must complete, as shown above.
Part of this also means that Malleus takes himself very seriously - he isn’t allowed to even try to be normal, because he always has to keep himself in check. Anything he does will reflect poorly upon himself and his family, and this is something Lilia reminds him of.
Here’s where I’ll talk about Malleus’ relationships with the rest of Diasomnia.
Now, Lilia is clearly the person who treats him the most casually and normally. He knows Malleus very well, to the point where he can read his emotions - namely his jealously/bitterness/frustration after being left out of something.
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Lilia encourages Malleus the most to try and have normal experiences. He understands Malleus’ loneliness, and wants him to make friends - to seek out more than he could have all alone in his castle. But, Lilia also has times where he acts as more than a mere guardian to Malleus. I can’t find the screenshot, but I remember Lilia reminding Malleus about what behaviour is and is not befitting of an heir, so that aspect of their relationship is still something to take note of. Even Lilia, who understands him better than anyone, still must wish for him to be the best heir and prince (sometimes sacrificing his own wants, although Lilia probably does this the least considering he knows Malleus’ feelings).
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It’s no exaggeration to say that Sebek worships Malleus to the highest extent (just look at the portrait of him in his room). The way Sebek talks about him isn’t at all like a friend or even family - Malleus is a god to him. I argue that Sebek’s behaviour specifically (he would cry if he knew this) distances him the most from Malleus emotionally.
This will be explored more later on, but what Malleus wants is to be treated somewhat normally, at least by a few people he can be close with. Sebek does the opposite of this. While the students who are scared of Malleus isolate him because of their fear, Sebek actually accidentally isolates him because of his dedication and worship. Thus, both Sebek and others isolate Malleus through their treatment of him because of his position/status/strength.
Malleus certainly cares for Sebek, but I don’t believe he thinks of him as a genuine friend (and that’s not meant as a way to dismiss the relationship they do have, just that he doesn’t view Sebek as caring about him as a person rather than him as a prince/mage). How can he, when Sebek constantly acts like a fanboy around him?
Now let’s look at Malleus and Silver.
Silver addresses Malleus as either ‘housewarden’ or ‘master.’ Again, to my previous point about Sebek, I think this does point to Silver and Malleus’ relationship not exactly being a friendship. However, I think differently to Sebek, Silver does have more of a personal relationship with Malleus.
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He treats Malleus with respect and formality, but he isn’t over the top with it. I’d argue they have a sort of ‘mentor-student’ relationship in a way; not exactly that, but you understand my point. Silver looks up to Malleus as a person, and Malleus is willing to teach Silver about things. I almost want to say they’re a bit like a younger and older sibling, but I think a bit of the closeness/familiarity is lacking (at least for now). The relationship still has a bit of a formality to it, but that doesn’t mean it isn’t personal. I won’t spoil for those who haven’t read book 7, but I think their relationship becomes more clear there, iykyk.
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I know most of Malleus’ vignettes are played for a joke, but holy shit they make me sad. You can tell that ever since he enrolled, if he wasn’t sharing a class with Lilia, Malleus has basically had to work alone for everything. Even here, Cater is only asking Mal if he wants to join his group so he can use Malleus for Magicam clout. Everyone is so scared of him that he’s never had a partner and he’s even gotten used to it. It might not seem that serious, but honestly - sorry to be crude - this kind of thing does fuck you up, especially while growing up.
Think about how Malleus feels - being the outcast and genuinely having no friends feels humiliating and depressing. It makes you think there’s something wrong with you, and that’s the way I choose to interpret the other aspect of his character. His passive acceptance to social isolation and rejection is a constant among his vignettes - anytime someone brings this up, he’ll say it’s fine and he’s used to it.
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Another relationship worth noting is Malleus’ grandmother - his only living blood relative. Something that stood out to me (and I could be reading too much into this) but Malleus really feels surprised that his grandmother would take time to write her only family member a happy birthday letter?
That’s very sad to me, and I think it’s a reflection of both the expectation Malleus feels is placed on them as royals and his feeling that he as an individual (not as a prince) is inherently less important than any royals duties. He seems to think this way about himself too, treating his princely duties as always more important than anything he would want personally. A letter is a small gesture, and Malleus doesn’t even expect that from his grandmother.
I’ll use this to segue to discussing Malleus’ insecurity and social isolation.
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Ever since he was a child, Malleus has been isolated from others. Before he was feared and before he was worshiped, Malleus was lonely. That’s clear to anyone. Now, I want to talk about how this loneliness and isolation has affected his self-image.
Examining his personal relationships, how the rest of the school sees him, and his own views on royalty and himself, I think it’s clear Malleus, on one regard, seems at first glance to think highly of himself. He isn’t arrogant or boastful. Rather, he just is very extraordinary in many aspects.
But, that surface level interpretation completely leaves out the other side of him. While he might excel in skills, Malleus fails on all regards in terms of relationships. It’s clear, no matter how much he says he doesn’t care or that he’s accepted it, that it hurts Malleus every time he is excluded from something.
He tries to hide that he’s upset that he missed the orientation ceremony, but Lilia remarks that it’s clear how jealous he is that Sebek got to attend. When Lilia reminds him that there’s always next year, Malleus immediately dismisses the possibility that he will ever be invited. In his birthday vignette, he states that he hates eating entire cakes and becomes upset when Yuu brings up the fact that they aren’t meant to be eaten alone because he knows. He knows just how lonely and isolated he is compared to everyone else and he hates.
Malleus has mostly given up and accepted that he will ever fit in. He is pessimistic, but to say he does not hope isn’t entirely correct. Later in the vignette, although he may be half-joking, Malleus remarks that Leona may have stopped by to invite him to a party - he’s even excited by the prospect. And again, he is let down. Leona even taunts him spot-on for his greatest insecurity (isn’t he just so dreamy?).
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Now, while this does offend Malleus to a degree (see their catfight where he basically threatens to declaw Leona), I get the feeling that this kind of interaction with someone who views him as an equal (or at least, isn’t intimidated nor awed by him in the slightest) is probably pretty refreshing for Malleus. In a way, you get the sense that he enjoys that back and forth with him, because this goes back to Mal’s wish to be accepted and have friends to talk with.
Anyway, to return to my main point: Malleus’ deep loneliness and failure to fit in has likely caused some deep rooted feelings of insecurity (Note: I want to make a separate post on this because it’s kind of a lot, but I think this also contributes to his anxious attachment style). Malleus likely feels unwanted, despite all the great things about him that make people like Sebek fanboy over him.
No matter how powerful Malleus becomes, no matter how many people worship him, Malleus will always feel worthless deep down because no one will accept him for who he is.
The kind of insecurity and loneliness that pervades your life for years and follows you around everywhere isn’t something you can just shake off. No matter how much he tries to reassure himself that he is enough, he’ll never quite be able to quiet the voice in his head telling him that he is wanted by nobody and that he deserves nothing, that things are this way because he is not worth loving.
To conclude, how can Malleus reconcile these two sides of himself - the parts that know he is something great (worthy of worship and praise, even) and the parts that tell him he is worth nothing? Both sides are so extreme, people worship him but almost everyone avoids him. I feel that’s something Malleus must struggle with a lot - trying to hold on to the view of himself as a good prince while feeling that slip away when he becomes emotional.
Thanks for reading if you got this far! Let me know if you disagree or think I got anything wrong, this is just my thoughts and my opinions and I’m open to changing them :)
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