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imsobadatnicknames2 · 4 days

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How can you consider yourself any sort of leftist when you defend AI art bullshit? You literally simp for AI techbros and have the gall to pretend you're against big corporations?? Get fucked

I don't "defend" AI art. I think a particular old post of mine that a lot of people tend to read in bad faith must be making the rounds again lmao.

Took me a good while to reply to this because you know what? I decided to make something positive out of this and use this as an opportunity to outline what I ACTUALLY believe about AI art. If anyone seeing this decides to read it in good or bad faith... Welp, your choice I guess.

I have several criticisms of the way the proliferation of AI art generators and LLMs is making a lot of things worse. Some of these are things I have voiced in the past, some of these are things I haven't until now:

Most image and text AI generators are fine-tuned to produce nothing but the most agreeable, generically pretty content slop, pretty much immediately squandering their potential to be used as genuinely interesting artistic tools with anything to offer in terms of a unique aesthetic experience (AI video still manages to look bizarre and interesting but it's getting there too)

In the entertainment industry and a lot of other fields, AI image generation is getting incorporated into production pipelines in ways that lead to the immiseration of working artists, being used to justify either lower wages or straight-up layoffs, and this is something that needs to be fought against. That's why I unconditionally supported the SAG-AFTRA strikes last year and will unconditionally support any collective action to address AI art as a concrete labor issue

In most fields where it's being integrated, AI art is vastly inferior to human artists in any use case where you need anything other than to make a superficially pretty picture really fast. If you need to do anything like ask for revisions or minor corrections, give very specific descriptions of how objects and people are interacting with each other, or just like. generate several pictures of the same thing and have them stay consistent with each other, you NEED human artists and it's preposterous to think they can be replaced by AI.

There is a lot of art of the internet that consists of the most generically pretty, cookie-cutter anime waifu-adjacent slop that has zero artistic or emotional value to either the people seeing it or the person churning it out, and while this certainly was A Thing before the advent of AI art generators, generative AI has made it extremely easy to become the kind of person who churns it out and floods online art spaces with it.

Similarly, LLMs make it extremely easy to generate massive volumes of texts, pages, articles, listicles and what have you that are generic vapid SEO-friendly pap at best and bizzarre nonsense misinformation at worst, drowning useful information in a sea of vapid noise and rendering internet searches increasingly useless.

The way LLMs are being incorporated into customer service and similar services not only, again, encourages further immiseration of customer service workers, but it's also completely useless for most customers.

A very annoyingly vocal part the population of AI art enthusiasts, fanatics and promoters do tend to talk about it in a way that directly or indirectly demeans the merit and skill of human artists and implies that they think of anyone who sees anything worthwile in the process of creation itself rather than the end product as stupid or deluded.

So you can probably tell by now that I don't hold AI art or writing in very high regard. However (and here's the part that'll get me called an AI techbro, or get people telling me that I'm just jealous of REAL artists because I lack the drive to create art of my own, or whatever else) I do have some criticisms of the way people have been responding to it, and have voiced such criticisms in the past.

I think a lot of the opposition to AI art has critstallized around unexamined gut reactions, whipping up a moral panic, and pressure to outwardly display an acceptable level of disdain for it. And in particular I think this climate has made a lot of people very prone to either uncritically entertain and adopt regressive ideas about Intellectual Propety, OR reveal previously held regressive ideas about Intellectual Property that are now suddenly more socially acceptable to express:

(I wanna preface this section by stating that I'm a staunch intellectual property abolitionist for the same reason I'm a private property abolitionist. If you think the existence of intellectual property is a good thing, a lot of my ideas about a lot of stuff are gonna be unpalatable to you. Not much I can do about it.)

A lot of people are suddenly throwing their support behind any proposal that promises stricter copyright regulations to combat AI art, when a lot of these also have the potential to severely udnermine fair use laws and fuck over a lot of independent artist for the benefit of big companies.

It was very worrying to see a lot of fanfic authors in particular clap for the George R R Martin OpenAI lawsuit because well... a lot of them don't realize that fanfic is a hobby that's in a position that's VERY legally precarious at best, that legally speaking using someone else's characters in your fanfic is a much of a violation of copyright law as stright up stealing entire passages, and that any regulation that can be used against the latter can be extended against the former.

Similarly, a lot of artists were cheering for the lawsuit against AI art models trained to mimic the style of specific artists. Which I agree is an extremely scummy thinbg to do (just like a human artist making a living from ripping off someone else's work is also extremely scummy), but I don't think every scummy act necessarily needs to be punishable by law, and some of them would in fact leave people worse off if they were. All this to say: If you are an artist, and ESPECIALLY a fan artist, trust me. You DON'T wanna live in a world where there's precedent for people's artstyles to be considered intellectual property in any legally enforceable way. I know you wanna hurt AI art people but this is one avenue that's not worth it.

Especially worrying to me as an indie musician has been to see people mention the strict copyright laws of the music industry as a positive thing that they wanna emulate. "this would never happen in the music industry because they value their artists copyright" idk maybe this is a the grass is greener type of situation but I'm telling you, you DON'T wanna live in a world where copyright law in the visual arts world works the way it does in the music industry. It's not worth it.

I've seen at least one person compare AI art model training to music sampling and say "there's a reason why they cracked down on sampling" as if the death of sampling due to stricter copyright laws was a good thing and not literally one of the worst things to happen in the history of music which nearly destroyed several primarily black music genres. Of course this is anecdotal because it's just One Guy I Saw Once, but you can see what I mean about how uncritical support for copyright law as a tool against AI can lead people to adopt increasingly regressive ideas about copyright.

Similarly, I've seen at least one person go "you know what? Collages should be considered art theft too, fuck you" over an argument where someone else compared AI art to collages. Again, same point as above.

Similarly, I take issue with the way a lot of people seem EXTREMELY personally invested in proving AI art is Not Real Art. I not only find this discussion unproductive, but also similarly dangerously prone to validating very reactionary ideas about The Nature Of Art that shouldn't really be entertained. Also it's a discussion rife with intellectual dishonesty and unevenly applied definition as standards.

When a lot of people present the argument of AI art not being art because the definition of art is this and that, they try to pretend that this is the definition of art the've always operated under and believed in, even when a lot of the time it's blatantly obvious that they're constructing their definition on the spot and deliberately trying to do so in such a way that it doesn't include AI art.

They never succeed at it, btw. I've seen several dozen different "AI art isn't art because art is [definition]". I've seen exactly zero of those where trying to seriously apply that definition in any context outside of trying to prove AI art isn't art doesn't end up in it accidentally excluding one or more non-AI artforms, usually reflecting the author's blindspots with regard to the different forms of artistic expression.

(However, this is moot because, again, these are rarely definitions that these people actually believe in or adhere to outside of trying to win "Is AI art real art?" discussions.)

Especially worrying when the definition they construct is built around stuff like Effort or Skill or Dedication or The Divine Human Spirit. You would not be happy about the kinds of art that have traditionally been excluded from Real Art using similar definitions.

Seriously when everyone was celebrating that the Catholic Church came out to say AI art isn't real art and sharing it as if it was validating and not Extremely Worrying that the arguments they'd been using against AI art sounded nearly identical to things TradCaths believe I was like. Well alright :T You can make all the "I never thought I'd die fighting side by side with a catholic" legolas and gimli memes you want, but it won't change the fact that the argument being made by the catholic church was a profoundly conservative one and nearly identical to arguments used to dismiss the artistic merit of certain forms of "degenerate" art and everyone was just uncritically sharing it, completely unconcerned with what kind of worldview they were lending validity to by sharing it.

Remember when the discourse about the Gay Sex cats pic was going on? One of the things I remember the most from that time was when someone went "Tell me a definition of art that excludes this picture without also excluding Fountain by Duchamp" and how just. Literally no one was able to do it. A LOT of people tried to argue some variation of "Well, Fountain is art and this image isn't because what turns fountain into art is Intent. Duchamp's choice to show a urinal at an art gallery as if it was art confers it an element of artistic intent that this image lacks" when like. Didn't by that same logic OP's choice to post the image on tumblr as if it was art also confer it artistic intent in the same way? Didn't that argument actually kinda end up accidentally validating the artistic status of every piece of AI art ever posted on social media? That moment it clicked for me that a lot of these definitions require applying certain concepts extremely selectively in order to make sense for the people using them.

A lot of people also try to argue it isn't Real Art based on the fact that most AI art is vapid but like. If being vapid definitionally excludes something from being art you're going to have to exclude a whooole lot of stuff along with it. AI art is vapid. A lot of art is too, I don't think this argument works either.

Like, look, I'm not really invested in trying to argue in favor of The Artistic Merits of AI art but I also find it extremely hard to ignore how trying to categorically define AI art as Not Real Art not only is unproductive but also requires either a) applying certain parts of your definition of art extremely selectively, b) constructing a definition of art so convoluted and full of weird caveats as to be functionally useless, or c) validating extremely reactionary conservative ideas about what Real Art is.

Some stray thoughts that don't fit any of the above sections.

I've occassionally seen people respond to AI art being used for shitposts like "A lot of people have affordable commissions, you could have paid someone like $30 to draw this for you instead of using the plagiarism algorithm and exploiting the work of real artists" and sorry but if you consider paying an artist a rate that amounts to like $5 for several hours of work a LESS exploitative alternative I think you've got something fucked up going on with your priorities.

Also it's kinda funny when people comment on the aforementioned shitposts with some variation of "see, the usage of AI art robs it of all humor because the thing that makes shitposts funny is when you consider the fact that someone would spend so much time and effort in something so stupid" because like. Yeah that is part of the humor SOMETIMES but also people share and laugh at low effort shitposts all the time. Again you're constructing a definition that you don't actually believe in anywhere outside of this type of conversations. Just say you don't like that it's AI art because you think it's morally wrong and stop being disingenuous.

So yeah, this is pretty much everything I believe about the topic.

I don't "defend" AI art, but my opposition to it is firmly rooted in my principles, and that means I refuse to uncritically accept any anti-AI art argument that goes against those same principles.

If you think not accepting and parroting every Anti-AI art argument I encounter because some of them are ideologically rooted in things I disagree with makes me indistinguishable from "AI techbros" you're working under a fucked up dichotomy.

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yumeka-sxf · 12 days

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I try to stay away from negative topics, but after hearing talk on social media yesterday and seeing this post from @such-a-downer, I just had to give my two cents about the complaints regarding yesterday's chapter being "another short mission" and that Endo is somehow being "lazy" or whatever.

I honestly don't understand this mentality of criticizing manga-ka, or any artists really, because they aren't delivering by whatever standards you personally think are appropriate. To me, it just seems like entitlement because Endo has no obligation to cater to any specific fan's wants. This is his story to tell the way he wants, and his characters to develop at the pace he deems fit. This isn't a business contract where we're paying him to deliver content we want every two weeks without fail. If I'm consuming the fruits of someone's creative labor for free, I certainly feel no right to complain if sometimes their content isn't what I wanted or expected. I'm fine with that because 1) I know it's what they (the creator) wanted/needed at the time, and 2) even if a particular chapter wasn't my cup of tea, I know other fellow fans out there somewhere are enjoying the heck out of it, and that's cool!

We also have to remember that SxF is basically a one-man show. If Endo is busy or sick or whatever, it's not like he can have someone fill in for him to write and draw the series. That's what a hiatus is for, that's what making a short chapter instead of a longer one is for...that's how artists should be treated so they don't get burned out and stressed. Plus, art shouldn't be rushed. Any artist knows that there are times when you have trouble coming up with ideas and maybe need a little extra time to develop a more complex section of the story. To immediately jump to conclusions that he's lazy or doesn't know what he's doing is ridiculous. Maybe he didn't feel good for a few days, maybe he's been busy with other SxF events, maybe he just needed more time to get a particular future arc developed, or maybe he just has basic IRL obligations to take care of like we all do...you don't know what's going on in his life, so don't make assumptions.

Another thing to keep in mind is that it's literally impossible to please every fan. One of the comments I read for example, someone was ready to drop the series because we haven't seen much of Yor in "a while." All I could think of was "didn't she just have a pretty big role only four chapters ago when they went to the ski resort?" Plus she was the star of chapter 91, which was less than ten chapters ago. So according to this person's standards, four chapters without seeing a particular character is "too long"? What if it was only three chapters, would that be acceptable? It's not right to push our own personal standards of a series' pacing as the "correct" way: some people want to see more of character X while someone else wants to see more of subplot Y, so should both complain that the manga-ka isn't doing right whenever they focus on something else? I'm not saying you shouldn't make criticisms of a manga-ka's work, but the criticisms should come from within the narrative itself, not superficial things like chapters focusing on subplots/characters you don't want to see or not having enough "plot-advancing" content when it's not a plot-focused series.

People who have read SxF up to this point should know the general flow of the chapters: mostly slice-of-life episodic, with more plot-heavy, intense arcs once in a while, like the cruise arc and bus arc. It's an ensemble series that spends most of its chapters focused on at least one of the Forgers, but occasionally other characters here and there. That's how the series has been for years and will likely continue to be. So if you keep complaining because you only like the dramatic story arcs and not the "nothing happens" episodic chapters, then maybe the series just isn't for you. It's totally fine if that's the case, but don't act like Endo is doing something wrong because he's not providing the particular thing you want in his story.

To summarize, Endo has no obligation to cater to particular fans' standards, just as we have no obligation to keep reading his work if we don't like it. But being a fan to me means respecting the creator's pace and vision even if it's not always what I personally want. I can find something to enjoy in every chapter because I'm a fan of SxF, not a fan of one particular aspect of it. But I also will not complain every time my tastes aren't being catered to and will simply occupy myself with other things while I wait. What's the big hurry, after all? I'm in no rush for SxF to wrap up its plot and I'm glad Endo isn't rushing either.

And that's all I'm gonna say about this topic, lol. On a happier note, I'm going to finally see Code White on Thursday! 😁 More to come later~

#spy x family #sxf #spy family #spyxfamily #sxf manga #sxf manga spoilers #sxf spoilers

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galactic-rhea · 3 months

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WDYM Anakin is Luke and Leia's dad

I dunno if this post will reach the Star Wars fandom but I hope it does because I'm sure you all will get a good laugh at me.

As of recent I have developed a good hiperfixation for Star Wars, the thing is I knew nothing. NOTHING about Star Wars besides the fact it had aliens and...a war...in space? And funny swords. And main character is Luke or something, I spent over 20 years ignoring anything about Star Wars and somehow missing most references out there.

And recently, literally less than a month ago I saw a gif and said to my partner "oh this guy this guy looks cool, this gif looks nice" and he said "Oh well, he's a good character." And it all developed into me watching Clone Wars, the animated series you know and...and I was kinda blown away, on my opinion the show IS GREAT. And I love every character and their interactions, I love how much they focus on side characters, and they all seem very well written. I got hiperfixated really fast and saw Anakin and I was like "Omg, babygirl. He's a blorbo now."

And because of the show, this was super unexpected, but somehow I also got, really got, into the ship with Padmé because omg, cool woman. Literal happy squeaky noises of someone who was in a bad state and needed some good ol' distraction and comfort.

Now, like I said I knew nothing about Star Wars as a whole. And I still haven't watched the movies, besides the ocassional gif?

So imagine my shock, my surprise, my...bewilderment when I realized.

"Wait a minute, LUKE IS ANAKIN'S SON?! HOLY-"

Ladies, gentleman, and others, I think I came very late to this party and I don't even know how it took me so long.

Not only that, but because of this sudden love for the series, I went to my friends circle like "BESTIE, GUESS WHAT, I HAVE A NEW BLROBO AND A NEW FAV SHIP AND EEEP"

And my friends are like "omg that's amazing, what is it?"

I tell them, and of course they all know these characters and they all react like they know this very bad secret fact and I got told several times already "Please, don't watch the episodes 2 and 3 alone, it will hurt."

I feel like blissfully walking among rainbows and blue skies while everyone else know that my future is doomed. Somehow.

(Uncomfortable silence)

Not only that, but then I spent a whole deal of time thinking "Where the heck I have seen these guys" cus there was some fmailiarity I couldn't just point out and then one day I woke up, brushed my teeth and of all sudden I realized and it was such a shock.

Do you know how SURREAL is to get very into a character, and into a ship, and then realize they're the same from that super widespread meme that has been around for who knows how much time?

I swear I thought that meme was from some old medieval fantasy movies or something.

But alas, Star Wars now is EVERYWHERE. People do references to Star Wars ALL THE TIME and it's just now I'm catching them.

I got spoilers. From a meme. In a youtube review that had nothing to do with Star Wars hah. Everything is a spoiler, the world is an apparent spoiler. Now I'm here, trying to avoid spoilers from something everyone seems to know, even my family knows. It's so surreal and I wouldn't have it any other way 😂

Anyways, if you read until here, know that a wild ride still waits me, cuz I'm only starting Season 3 of Clone Wars and I don't plan to watch the movies until I finish the series.

And yes, I made this blog just to ramble freely about SW and draw stuff because it sparked my inspiration after a long art block.

Have this doodle I drew after watching the two first episodes, my offering for you reaching this far.

Note: Wouldn't Anakin and Padmé's ship name be Animé? Cuz that's hilarious.

#rambling #star wars #star wars fandom #anakin skywalker #darth vader #the clone wars #sw tcw #tcw #tcw fanart #clone wars

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alllgator-blood · 15 days

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Your art is so beautiful. I love the shapes you can see in the way you draw. Especially how you draw heket. You draw her with such smugness

Thank you so much!! I appreciate this ask a lot + the other comments you write on my posts, I have some personal life stuff going on rn so I've been kinda quiet the past few days but I still read every message that tumblr gives me notifs for. I haven't posted my art publicly in a couple years, so literally any time somebody says anything about my stuff I'm like YIPPEE!! and I do a small jig

ALSO YESSS I'VE BEEN WAITING FOR A HEKET ASK, she's a close second to shamura for me but she hasn't appeared much on here yet. I feel like she's the backbone of the family being shamura's main caretaker and the one that wrangles the brothers, but doesn't really know how to appreciate herself outside of how "useful" she is. However, she definitely has an Image she needs to uphold as a powerful famine god, so she just regurgitates her brothers' incessant self-indulgent ramblings on the rare occasion somebody brings her up jdfsjdfslgfkj

#cotl #cult of the lamb #heket #her arms are beat tf up because she kicked narinder's ass 1000 years ago lollll

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idesofrevolution · 10 months

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Requiescat

"Alright, my Musical Mentees, welcome back to my Channel! I am your friendly neighborhood musical critic, Kyle Donaghue, and today we're going to be reviewing something a little bit out of our typical wheelhouse!" Kyle sat with feigned excitement in front of his webcam. Though on the outside he eagerly drew out his intro for the 250th episode of his "Musique Critique" web series, internally he was livid. The young YouTuber had dreamed of becoming the go-to modern music critic on the platform but after almost two years of barely breaking a thousand views, he recognized he needed to do some market research on what his 347 subscribers wanted to see.

Thus, after asking his audience for requests, the music of some newer wannabe rockstar gained traction to be reviewed. To the music conservatory graduate, such low-brow "music" was beneath him; yet reality dictated that the business of content creation was based upon supply and demand. His audience demanded it, and if he wanted to gain any traction whatsoever, he needed to pivot. So, when the band in question, Catalyst, announced a new single drop, Kyle decided he was going to be the very first reviewer to tear it a new one.

"So you guys have been requesting I listen to this band called 'Catalyst' for a long time now, and today is finally the day. Apparently, the lead singer of Catalyst announced a few days ago that a new single was going to be released. I haven't heard much about them, so I did a bit of digging." Kyle clicked around on his computer, dredging up whatever he found in his five minutes of "research" the night before. "So, this band literally came out of nowhere. They're independent and are in talks with some record company about a deal, but nothing has come of it yet, so I'm going into this completely blind. They're out of Austin, Texas, and it's four guys who started the band out of this lead singer's parent's garage. The guy's name is Jaxon Black."

Kyle was literally reading off of some Tumblr fan blog about all this, but his audience certainly didn't need to know that. Why would he put in any effort for a band of this low caliber? "Black is 27 years old and started the band in 2013 when the four of them were in high school. They haven't really found any success, which is one of the reasons I'm surprised you wanted me to review them in the first place. They play in dive bars and some small venues, but nothing really outside of that." Scrolling through the blog, a picture of Jaxon Black actually appeared on the feed. He looked like any run-of-the-mill traditionally hot bad boy that you could find on the cover of GQ. What was so special about him?

"So, it's interesting too. This guy looks completely different than he did back when the band was formed. I totally get he was a kid when he started it, and there's puberty and whatever. But I mean, can you say plastic surgery? C'mon, guys. This guy is a 'serious musician' to you all?" Kyle sighed and wiped his face clear of the disgust he felt inside, putting on the eager façade he felt he needed to emulate. "But for you guys, I will make an exception, I'll give Jaxon Black and Catalyst a chance. I'm doing this for you! Just know that!" With that, he began to screen share, and the handsome visage of Jaxon Black was plastered on his screen as it would be for the whole review. The single didn't have any album art or anything, it was just a Soundcloud link; so in hopes that his audience would see right through this charade, he let would make them look at the face of the man who wrote whatever terrible song he was preparing to hear.

"See what I mean, guys? Ugh. I'm sorry, anyways. Here it is. The link that's posted on this fan blog brings me to Soundcloud, and there's no title or anything. It's just called 'Untitled', so we're off to a great start. But like I said, let's give the guy a chance. So without further ado, here is Catalyst's 'Untitled.'" With the press of the space bar, the sound of a slower ballad began to play through his earbuds.

The song began with a slow and heavy bassline in A flat Locrian, immediately an odd choice to start with. Contrarian, in Kyle's opinion. In terms of influence, it was an odd mixture of stereotypical hard rock like Guns n' Roses or Aerosmith, prog rock like Yes and Pink Floyd, with a random hint of Santana? Kyle did his best to stifle the cringe which trickled down his spine, but his face could do nothing to hide it. He felt the corners of his lip tense up and purse, his left nostril tweaking in pure annoyance.

"Starting off in Locrian... that's an interesting choice." He muttered under his breath. Looking at the progress bar, he saw the song was a full seven minutes and thirty-six seconds long. Lovely. "I feel like this is gonna be 'Hotel California' but bad, not gonna lie to you guys." Though, as the electric guitar faded in, quiet and subtle, it took Kyle by surprise. The technique that Black employed in his riffs, with precision he'd rarely heard outside of a classical guitarist, was nothing short of impressive. "Okay, the guy's got some skill. I'll give him that."

The music felt lugubrious, giving the sensation of swimming through a vat of molasses, pushing and pulling at great tension. It was near impossible for him to put into words, but the gravelly tenor timbre of Black's voice deftly began to soar atop the dredging music below. Evoking Eddie Vetter or perhaps even Jon Bon Jovi, the words were not exactly easy to decipher. Frankly, the song was almost trancelike, as if he'd taken a handful of mushrooms before embarking on his musical journey.

"Guys, I don't know how to explain it, this shouldn't work but it... it kind of does? I don't... I don't know." Kyle leaned back in his chair, closing his eyes. The song had actually piqued his interest and intrigue, it was unlike anything he'd ever really heard before. Yet, it felt so familiar in ways far outside his comprehension. Waves of goosebumps washed across his body, barrage after barrage. The music became a full-body experience, and he was rendered speechless for the first time in his life. Wiping the sweat from his brow, Kyle tried his best to analyze the theory engrained into the song but found his mind to be a mere void that was seemingly being filled with viscous liquid. The longer the song went on, the more his mind felt entirely numb.

"I'm... I'm impressed, guys..." Words began to falter, his tongue feeling swollen and heavy. Behind his closed eyes, ribbons of bright colors danced against the black backdrop, bursts of red and purple illuminating the periphery like clouds of heat lightning. He could feel the notes meandering through the air and landing on his body, pressing down with the force of a boulder each time. "He's... he's really good, guys..." A thick dribble of saliva oozed through the gap in his open lips.

It was as if he was being drained of all his energy, all of his willpower, every last ounce of strength which propelled him to live. And yet, despite the darkness he could feel creeping over his body, he was oddly at peace. As if moving of their own accord, Kyle felt himself shuck his shirt from his body, now covered in a sprinkling of sweat across his limber torso and head. The music pulsated from within him as if he were the amp himself, seemingly making the muscles in his arms expand and contract. "I can... I can feel him in there..." Kyle couldn't even fathom how he'd gotten here. He was in his room, sitting in his chair and yet, he was somehow with Black, inside the music. With every heavy pick of the bass, his biceps began to swell and firm; veins distinctly snaked down his strong forearms and into his callousing fingers. His body temperature was now sweltering, shedding every ounce of water and liquid within him into the beadlets of sweat which cascaded down from his thickening pecs and cobbling abs.

The drums and synthesizer came in, further enriching the already complicated chords which tickled his ear like a soft, warm breath. The bass line was an ebb and flow, weaving and bobbing as the song soared through the chorus, a melody that sent a ripple of lust across his body. It was as if he were on a ship in a storm, one which was luring him deeper into the dark waters as his thighs began to balloon out of the sweat-stained shorts he wore. The power of the music seeped into his veins, imbuing him with a foreign energy from a distant shore beyond his corporeal being. His calves spasmed and inflated, while his feet stretched out wider and stronger in his quickly ripening socks.

Black's voice was now all that Kyle could hear in his head, every indecipherable word rang as some existential truth. Kyle's thoughts were no longer his own, he was just along for the ride, a passenger in his own mind. He was no longer in control of his actions, nor his thoughts. His breathing had become heavier, slower... The music had invaded his very being and taken control. Spatterings of black ink began to sprawl across his glistening smooth skin, each with some sort of esoteric reference which he would not yet understand. Grim Reapers, skulls, geometric designs of unhuman origin now proudly displayed across his strong body.

"Fuuuck, man. This shit is amazing..." His voice gradually grew scratchy and smoky from years of singing for crowds of headbanging punks in cramped, smelly bars. He reached to his left, eyes still closed in euphoric bliss, snatching the small joint which now sat on the edge of his desk. Kicking his sweaty, buttery feet up onto the wooden surface, he brought the smoking j to his lips, dragging a heavy dose of creative vapor into his powerful lungs. "Fuckin' hell, you guys... I mean... shit." He blew out a heavy, grey plume of smoke from his wide nostrils. "This song is fuckin' incredible."

He pulled down his shorts and briefs, letting his lean but long dripping cock slap against his navel. Strings of pre seeped out of his pulsating cockhead, making winding rivers flowing down toward his sagging sac. A large prince albert ring now adorned the top of his uncut shaft, with three frenum piercings towing down his urethra in succession. The slightest touch from his calloused fingers wreaked immeasurable pleasure, radiating from the groin all across every inch of his body. Thus, as he wrapped his hand tightly around the limber shaft, gently caressing the prince albert with the tip of his index finger, he could barely breathe without a quiet moan escaping his throat. Quickly, the fondling turned into a measured, intentional pump with each beat of the music.

The drums and bass were now coming together in a thunderous crescendo, Kyle could feel his very blood bubbling beneath his skin as it made his way up his strong neck and toward his skull as he hastened his pace. The room around him began to blur and distort. Bookshelves formerly lined with music theory textbooks and repertoires of classical mainstays were warped into racks of well loved guitars: Fender, Gibson, Sqiuer, & Ibanez. The pristine white duvet-covered bed was now clad with sleek black satin sheets and a shiny vinyl comforter. The portraits of famous composers which once adorned the wall were now a collage of posters: Black Sabbath, Def Leppard, Motley Crue, Metallica, AC/DC, The Ramones, Aerosmith, Pearl Jam, Nirvana, Led Zeppelin, Iron Maiden. Piles of ripped up, weathered clothes, marinating in the sweat of shows past now littered the dingy red carpet.

The blood had finally arrived at the precipice of his brain, and like a tidal wave crashing against the rocks, it overtook him. His hair darkened to a deep black, his brows furrowed, his lips now plump and curled into a permanent cocky smirk. This was his kind of music. This was his genre. This was the message he was born to bring to the masses. It was a message of rebellion, of raging against the corporate machine of whitewashed mass-marketed culture. A flash of bright red and teal illuminated the room from behind Kyle's closed eyes as rope after rope of his spunk shot from his cock onto the laptop and camera. He roared in climax, louder than he'd intended, but nothing his neighbors were unfamiliar with in regards to the activities the apartment notoriously beheld.

The music had stopped, the final note hung in the air for a moment before retreating back into the abyss as his shorts melted into a dense magenta slime, moving down his muscular legs until they covered his entire lower half before hardening into slick gator skin pleather pants and a pair of beat up black combat boots wafting the scent of his musky feet. Axel opened his now black eyes, letting out a sigh of complete satisfaction.

"Now that's what I call fuckin' music, man! See why I wanted ya to experience it? It's like a requiem for corporate machine, man. That's why Catalyst is my fuckin' muse. Their music is gonna take over the whole fuckin' world." A loud pinging signaled Axel to check his phone, where his bandmates, performing as Hammerthrow, were confirming their next gig in L.A. "Fuck yeah, guys. Just landed the Cali gig. I'm thinking we cover this masterpiece and mind fuck them into oblivion. Catch us in Azuza next week, kids. You don't wanna miss it." With that, he ended his recording, smirking mischievously as he uploaded it to his channel. The song certainly was going to change the world, even if the world itself wasn't ready.

#male transformation #body transformation #original #transformation #musky #gay transformation #punkification #rocker transformation #music transformation #badass transformation #bad boy

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evilwickedme · 4 months

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hey it’s me from the Batman posts! (the one that left the tags abt wanting to get into Batman but having no clue where to start)

If its not too much trouble, I’d love any advice on where to start with Batman or Batfam(?) stuff, I saw someone suggest reading the Batman: Wayne Family Adventures thing on webtoon as an intro to the characters so I’ve been doing that, but I’ve got no clue about any of the official comics or shows/movies/etc. I’ve never read a comic series before so everything is super new to me.

I know different series(?)/versions(?) can be wildly different bc of different writers and stuff, I definitely trust your taste on what would be good / enjoyable bc the posts you’ve been reblogging are like 90% of whats gotten me interested in the first place

Thank you, and absolutely no rush!!

Hey I am legit SO happy that you sent me this ask this is literally my favorite thing to do!!!!

So to start with I do actually agree that wfa is a good starting point but for a different reason than I feel most people would recommend it. The thing about wfa is that it has a consistent design for every character, is humorous, touches not only on the main batfamily members but also many extended members, other noteworthy people in Gotham, and the batfamily's cast of friends and teammates as well. This means that while its approach to characterization is incredibly fanon-y, it's a good basis for how to continue. You read wfa, and you know that Dick is the first robin, wears ridiculous costumes, was batman for a bit, is nightwing, part of the teen titans... this isn't a lot, but it's just enough to orient yourself before jumping into some of the most convoluted art ever created, aka the comic world.

Another tip I'm gonna give you is to let yourself be confused. I think the people who end up sticking with comics are people who are aware that if they pick up a comic it's very likely the writers and artists have read and worked on comics that you haven't read yet or even heard of, so you're always going to be missing something. That's fine. If something is really important to the plot, it gets explained; if it's not, it's windowdressing. Often there'll be little boxes saying what comic and issue they're referencing, so if you find it interesting you can just go read it - otherwise, if it's not there, you can google it, or go to any comic fan and ask "hey do you know what this is about?" and if they know, they will answer. There is nothing a comic fan wants more than to explain how to get into their favorite character/s, trust me.

Anyway this has been a very wordy intro but here are some potential starting points for the batfamily!

Bruce Wayne

You know who he is. Pick up an issue of Batman or Detective Comics and he's there. Pick up an issue of any other DC comic and there's like a 30% chance he's there too.

Batman: The Long Halloween

Noir style, investigative, early in batman's career, two face's origin story

It has a sequel-ish story called Batman: Dark Victory that's almost as good

Batman: Hush

Batman: Year One

Frankly there's not going to be much information in this comic you don't already know, but also, it's a classic, so might as well

Batman: A Death in the Family & Batman: A Lonely Place of Dying (crossover with the new teen titans)

First story is Jason's death, second is Tim's introduction and arguably the start of the batfamily being a family

Tim drags Dick back into the fray in ALPOD. It's just sort of the kind of thing he does

Do NOT confuse A Death in the Family with Death OF the Family, which is a much newer story, and Not Good

Batman: Under the Red Hood

Jason's villain arc! More details below

Batman himself isn't actually my favorite but you know he's got some decent stuff since he's, uh, the main character. DC doesn't have a multiverse the way Marvel does - and getting into that would be a whole separate ask - but their elseworlds are stories about the characters in different situations. Some ones I've heard good things about include Gotham by Gaslight, Dark Knights of Steel, Batman: Last Knight on Earth, and I keep meaning to get into Batman: White Knight, which is a whole other universe on its own. I've been trying to get into more modern batman stuff and unfortunately I just haven't clicked with anything.

Dick Grayson

Guy has been in a lot of things. If you read a random Batman comics from before 1980, there's a good chance he'll be there.

Teen Titans and The New Teen Titans and Titans (1980s-2000s)

I haven't read enough of these to say much of anything, but he's a founding member of the TT

Nightwing

His post-Robin superhero identity. At first only present in NTT and occasional Batman comics, but eventually he gets his own miniseries in the early 90s, followed by an ongoing. Recently-ish started reading them and they're angsty and very 90s in a lot of ways but I'm enjoying it

Modern Nightwing titles also exist. For sure.

Batman & Robin by Morrison

In one of DC's ten million crises, Bruce "dies", and after a short story called Battle for the Cowl, Dick ends up becoming Batman. Damian is his Robin. It's an interesting time for batman comics, although not necessarily the best writing that Dick has ever gotten.

Batman: The Dark Mirror

Also a great story for the Gordons. Bruce is back from the dead, but Dick is still Batman in Gotham. This was my first even Batman comic and it's really good.

Obviously there's other stories, such as Grayson, where he becomes a super spy for a bit. There's a million and a half reading lists for Dick out there as he's a massively popular character and he's one of the characters DC is pushing the most right now. As with all the rest of these, these are good entry points; from there I trust you to find your way

Barbara Gordon

The original Batgirl, sort of (nobody really brings up bette kane unless they're pointing out that babs wasn't the original Batgirl, she's just not important). She appears sporadically in silver and bronze age batman comics and detective comics, but she quits being Batgirl shortly before being raped and shot in the spine by the joker in Batman: the Killing Joke, which I purposefully did not put on my rec list.

Birds of Prey

Babs-as-Oracle at her best.

Batman: The Dark Mirror

Babs' long lost brother comes back to town. It's fucked up.

I've been reliably told to stay away from her Batgirl runs - most people who are a fan of the character don't like that they retconned Oracle away and it's mostly not very well written. There's a comic called batgirls that lasted about a year that included her, and it's okay.

Jason Todd (my beloved)

MY MAN

Batman: Second Chances

Collected edition of Jason as Robin, so much fun. Extremely silly at times since it's the 80s.

Batman: A Death in the Family

For obvious reasons.

Then he's just sort of dead for 17 years. He shows up in heaven in a Green Arrow issue and is occasionally brought up or shown as a hallucination, but that's about it.

Batman: Under the Red Hood

There's a new crime lord in town and he's so smart and talented and hot omg I wonder who he is!!!!

The collected edition also comes with the annual that reveals how he came back to life

Task Force Z

This shouldn't be as good as it is.

Jason gets recruited to work with a team of undead villains

Jason gets called a hot a bunch of times, and is shirtless a lot. This doesn't matter but you know, like, yeah it does.

For Robin!Jason there's also Batman: The Cult - which I finally got my hands on recently but haven't read yet. For Red Hood!Jason there's lots of stuff, but most of it isn't very good or is actively bad. Most people will tell you to stay away from Red Hood and the Outlaws, and they're right, although the 2016 run is better. Most people will tell you to read Batman & Red Hood: Cheer, and they're wrong, it's ass.

Tim Drake

Frankly this boy has no flops. Or very close to it.

Batman: A Lonely Place of Dying

Tim figured out who Batman and Robin are at AGE NINE. Respect.

After this he appears in various Batman and detective comics issues, I haven't read any of these.

Robin

The first Robin to get his own ongoing! Like with Nightwing, it started with a miniseries (a few of them, actually) and got turned into a long running series from there. Lasted like 200 issues, too.

Tim FUCKS.

Not Steph's first appearance, but most of her appearances pre-2009 are in this series.

Young Justice 1998

It's insane in all the best ways. Cars have sex on panel. They play baseball to save the world on an alien planet. A power of friendship speech prevents the end of the world. In the first issue, a woman develops breasts so big she falls on her face.

This team eventually breaks apart and Tim along with 3 other teen heroes nicknamed the core four (Superboy, Impulse, & Wonder Girl II) become part of Teen Titans 2003, which I haven't read and is also a bit of a flop era fashion wise for everyone anyway. I do have the volume of TT03 where they meet the versions of themselves from the future and I plan on reading that soon-ish.

In the mid 2000s basically everyone Tim loves dies. Steph died in 2004 ish after a very short stint as Robin. Tim's mom dies, then his dad is murdered, and it's unclear what happened to his step mom, but she was in Bludhaven, which had an atomic bomb dropped on it. Impulse becomes kid flash becomes the flash becomes murdered, and superboy gets killed while saving the world. Steph does turn out to not be dead after all and Impulse and Superboy come back from the dead eventually but by God he's having a tough year BEFORE Bruce "dies".

Red Robin 2009

After Bruce "dies" and Dick becomes Batman, Dick makes Damian his Robin and nobody believes Tim that Bruce is still alive, so he steals the Red Robin costume and goes on a mission to save his dad!

Not a comic to read first because it's so uncharacteristic of Tim as a person, but definitely something to read as soon as possible, because it's ridiculously good.

After flashpoint/n52 Tim doesn't have his own ongoing for a while, but he does come out as bisexual in an early issue of Batman Urban Legends (2021) and he got his own ongoing called Tim Drake: Robin in 2022 which was ugly AF and yet cancelled far too soon. There's a Young Justice run from 2019 I haven't read yet.

Stephanie Brown

For her I would go to Google, bc I haven't gone down the rabbithole enough for her yet. I know her first appearance was in a batman comic where she became spoiler to spoil her dad's plans - her dad being a third rate villain called the cluemaster - and she almost kills him, so good for her. Afterwards she appears every once in a while in various comics, most notably in Robin, where she and Tim as Robin start dating despite him knowing her identity but not the other way around.

Robin 60s (I don't remember the exact issues)

Steph gives birth and gives her baby up for adoption

Robin 126-128

Steph becomes Robin when Tim quits for his still-alive-but-not-for-long dad.

War Games

Steph does a fucky wucky and accidentally starts a gang war which gets her killed

There's another Robin arc where she comes back and it turns out she was never dead, Leslie (the family doctor) simply faked her death and sent her to Africa to recover

Batgirl 2009

Her first and only solo ongoing, but it's really good

She also appears a lot in Cass's Batgirl ongoings, and occasionally shows up in yj98. Her most recent series in Batgirls, which isn't very good but her interactions with Cass are very gay, and we've all been shipping it for 20 years at this point, so frankly it's long overdue. Unlikely to become canon tho, unfortunately.

Cassandra Cain

She doesn't use a lot of words, so neither will I. Probably.

No Man's Land

Frankly I am terrified to read this, it's so many goddamn issues, but this is her first appearance. I have one "volume" and it's as big as the fucking Bible.

Batgirl 2000

She's the first Batgirl to get an ongoing. The one from 2008 I've been reliably told isn't very good. She's absolutely terrifying in the 2000 one, I approve.

Outsiders 2016

Supposed to also be good for Duke content. I think at this point she's going by Orphan? Idk she's had a lot of names.

Idk I prefer Black Bat

Spirit World

Mini series that recently ended. Soooooo good. Alyssa Wong is a top contender for favorite modern writer.

She's mostly a background character. Bc DC is both sexist AND racist. She was also in batgirls.

Damian Wayne

Frankly he's my least favorite of the batkids, but that's not his fault, he's been a victim of a lot of really racist writing.

Batman: Son of the Demon

Somehow both his origin AND an elseworlds that doesn't count. Not required reading, but Bruce and Talia are madly in love in this.

Batman by Grant Morrison

After UTRH and before Dick was forced to become Batman Morrison reintroduced Talia's son, who in this version was a rape baby bc apparently brutalia weren't in love and Talia drugged Bruce. Fucking fine, I guess.

His character growth during his time as robin is sweet tho.

Robin 2021

His only solo ongoing, pretty good

Super Sons

He had two team up comics with then fellow child Jon Kent, son of superman, and it was fucking adorable. Then they aged up Jon to 17, so they're still friends, but Jon has his own shit going on.

Duke Thomas

He's REALLY new, and I haven't read any of it, I'm sorry.

Robin War

Batman and the Signal - I finally got my hands on the first issue of this last week!

The Outsiders 2016

Frankly they should capitalize on the Duke & Cass friendship/siblingship more often.

Alfred Pennyworth

I haven't read it, but there's a series called Pennyworth about his days as a spy for the crown. Supposed to be pretty good.

Kate Kane

The Jewish lesbian batwoman of our dreams

Batwoman: Elegy

Her introduction

Also, it's written by Greg Rucka, and if he can do one thing, it's write sapphic women. I'm not even joking.

Get the newer edition that has both of her original Rucka stories

Batwoman ongoings

She's had a couple, they're both supposed to be pretty solid, I've only read a few issues here and there

Batman in other media

Animated: I'm currently watching Batman the Animated Series for the first time and it seems to really get Bruce as a character, even if Robin will be there one episode and his existence will be a plot hole in the next. The Justice League animated series has also been fun so far. Teen Titans have gotten a number of animated adaptations all of which have pretty strong followings. There's an animated show called "Young Justice" which is a Teen Titans show and I refuse to watch it (it has a very devout following, but all that means is that the Young Justice - All Media Types tag on ao3 is just the same as Young Justice Cartoon and I have to filter heavily when looking for yj98 fics). Lego Batman is a REALLY fun film, and I think it turned into a whole franchise.

Live action TV: I have watched the first season of both Titans and Gotham, but both of those were before I was into the batfamily as a concept. My impression of Titans is overall negative and my impression of Gotham is overall positive.

Live action movies: There are so many Goddamn Batman movies. I like the Dark Knight Trilogy, but even calling it "based on" the Dark Knight comic trilogy is giving it a lil more credit than it deserves. The Batman 2022 is massively popular with the comic fandom for a reason - I'm not a big fan of it, but I did enjoy laughing at the movie so at least there's that. Batfleck sucks. I haven't seen anything else, up to and including the Joker movie. Oh, and Birds of Prey was really good, but that's not Cass.

Video games: The Arkham trilogy is well loved and I have indeed just bought it, but I haven't gotten to it because I'm currently working on Gotham Knights and uh. Okay so listen. This game is a lot of fun and I will be finishing it. But it's like. Got a massively antisemitic plot point. I can't even say I don't recommend it, I'm genuinely enjoying the game a lot. But I've never seen anybody bring this up, and it's bugging me.

ANYWAY I'm sure I've missed a LOT but this is introductory so you know I'm giving myself grace. There's characters I completely skipped and I'm sure mega fans of characters I haven't read much of will be offended that I said such and such about them but you know it's only been about a year and a half since I started reading dc comics and I'm still figuring it all out. And I probably will still be figuring it out for the next decade. To me that's actually part of the fun of it.

#batman #bruce wayne #dick grayson #jason todd #tim drake #stephanie brown #barbara gordon #cassandra cain #damian wayne #kate kane #duke thomas #alfred pennyworth #batfam #dc #reading list #gail speaks #ask #fageles

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homunculus-argument · 5 months

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Hi i hope ur havin a decent day. I like ur posts and wanted to share that the other day i asked my sister what a concerning number of panic attacks to have in one day was and i was shocked when she said any panic attacks are concerning. Like im out here just goin about my day trying to figure out whats normal too and i think thats neat, same hat buddy!

Also arabic calligraphy does slap i grew up in a muslim house where arabic calligraphy was everywhere like a texas house of crosses and its neat. Religion and me are complicated but the art is always a delight. Theres lots of cool reasons why its like that if u wanna wikipedia it sometime or chat to me about it.

Oh yeah I encountered someone's story here, somebody told of how she told her first gynecologist that sometimes the period pain is so bad that she faints from it, and he dismissed her as being dramatic, which she interpreted as "fainting from pain is normal, and there's no reason to be dramatic about it". And she lived like this for years and had a whole baby, and then asked a pediatrician could she at least get painkillers for the periods while she's breastfeeding, because she's scared that she'll hurt the baby while falling when she faints while holding the baby. And this time the response was a far more appropriate and professional "ma'am what the fuck", and it turns out that fainting from pain actually isn't normal.

I've got a tricky relationship with religion too - my father was a militant atheist who hated religions as a whole and christianity in particular. My mother didn't care that much either way. If dad had just once said "I don't want that stuff around my kids", it would have been so. My mother wouldn't have fought it. The only reason why both me and my sister were raised christian anyway was because the thought of protecting his children from something that he deemed harmful literally never crossed my father's mind. It flat-out didn't occur to him that he could or should make the slightest gesture to keep his children away from influences he hated.

I'm currently learning Hebrew on duolingo for some reason, and while I haven't even gotten halfway through the alphabet yet, this writing system sure was not designed with idiots in mind.

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spiderriot · 1 month

Text

"Why I disappeared for 2 and a half years" life update

‼️tw for medical trauma/near death experience‼️

So first off if you have no idea who I am, that makes total sense. I'm the former artist who drew these

If you still don't remember me, that's extremely valid and understandable

So about 2 and a half years ago I got really sick, so sick I lost my ability to walk or use my hands and was in so much constant pain I would hardly sleep and passed my days literally screaming and crying in pain. I got sick to the point where drinking water even made me throw up and I was slowly starving. But I had no insurance or money so no doctor would help me. I lived like this for half a year until I was rushed to the hospital at risk of heart attack, starvation, and organ failure. Luckily at this time I finally had insurance so after a long time in the hospital I was able to be linked up with doctors and proper medication.

I was diagnosed with a late stage degenerative nerve disease, as well as seizures. Because of how long it took to get proper treatment I had lost the use of my legs and am now permanently wheelchair bound. I also live in constant pain as there is no cure and all I can do is manage the pain I have. Basically my pain receptors are always turned all the way up and I have to be medicated for the rest of my life or it will kill me.

With that I also lost the use of my hands. Luckily with a lot of physical therapy I can use them again, just not like I used to. I had to completely reteach myself how to move my fingers, hold things, type, eat, put on clothes, etc. But sadly this means I'm having to reteach myself how to draw. I am very early into it and it's not going well yet, but I hope one day I will be able to draw again.

As to why I haven't posted about this until now.

1) I was so sick for so long I didn't use social media for almost a year and honestly between grieving the loss of so much and my rehabilitation I just straight up forgot

2) I could not for the life of me remember any of my old login info and just today found the info in an old file

But if you've read this far, thank you, and as I continue to recover I hope to be more active on here and maybe one day post art again. Thank you

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animentality · 1 year

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heyheyhey idk if u know how cool and important it is to have a badass assassin story with something other than cis gays and have it be Not a Big Deal but,,, it’s literally one of the first legit published books I’ve ever found like it?? And in a genre that I love??? And written well?? And genuinely funny as fuck?? Idk I’ve never seen an enby that gets to exist without it being A Tragic Plot Point or something To Overcome so thank u??? Like so much???? I can’t tell u how much???? I definitely didn’t cry at all about it nope not even once

:DDDDDD omg, my heart started pumping faster when I saw this ask. I am always so giddy when people talk to me about my books, especially the specifics about characters and tone and things they liked!

Yeah, I wanted to include every goddamn color in the pride flag!!

Pansexual/ bisexual assassins, nonbinary demons, a transgender assassin, an unrealistic number of gay and lesbian demon summoners! That's my fantasy world. It's not talked about, because it's simply normal.

Irvine in particular I adore because I am nonbinary myself, but also because they are just so powerful, and they don't even know just how much yet!

I always disliked how many nonbinary characters in fantasy and sci fi are just token "they/them" body guards, robotic or asexual leaning non-humans, or quiet, unassuming love interests who only exist to show a character is pansexual or something.

Irvine was my love letter to my own identity because I thought hey what if there was a nonbinary character who just fucks shit up, every time they appear? What if there was an enby who just kicks ass and is sexily never showing their face, and wears a badass hood all the time?

And then Irvine was born. My little storm demon :)

Also, I don't know if you ever saw the commissioned art, but I will post it in this ask for your viewing pleasure:

so glad you love my child. my baby blorbo.

who i intend to put through the wringer, lemme tell you, because i like to put all my favorite characters through it.

So glad you find it unique too! I honestly was feeling so badly about it, after months of querying and beta swapping, and getting feedback from dozens of people who only found things to criticize as being too strange or too different or stylistically confusing.

I went through a year of being told it wasn't good, and-and I'm a little emotional and overcome with appreciation and gratitude to all the people who not only bought or downloaded the book while it was free, but who also actually read the whole thing, and found it GOOD.

Like people...think i...write well??? oh gosh. oh god.

chills.

The asks I get keep me going through this mundane, dull little world. They give me something to look forward to, in between the doldrums of normalcy...

They also validate me for thinking someone...someone out there must find this good...

Thanks for taking the time to send this ask :))) it means the world to me.

I save them all in my drafts so I can look at them when I'm sad...

Also, THANK YOU FOR NOTICING THAT THE BOOK IS FUNNY.

in between the angst and the action and the blood-filled fist fighting and crazy sniper/melee battles, there is a lot of dark comedy!

I love dark comedy. I love satire.

As much as I love being edgy, I think a story without any humor at all is unbearable.

I want you to hurt with my characters...but you should also laugh with them! Laugh at them! Be amused by their stupidity...or by their cleverness.

Be charmed by their vulnerability, but also their insane, abnormal, bizarre points of view!

AAAAH, I'm so glad you found it funny AND heart-breaking!

That is exactly what I want every story of mine to be.

Thank you thank you thank you for this ask!!

Link to referenced book here, for all the poor spectators who have to see me blubbering like a child.

Please leave a review on Amazon/Goodreads if you haven't already, but if you have, thank you for that too! Every review helps me out so much!

#writing #writers on tumblr #writeblr #reading #book recs #literature #spilled ink #ao3 #lgbt #nonbinary #assassins #demons #demon summoners

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comradekatara · 3 months

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i am very curious about your thoughts on various utena/atla character parallels… every once in a while i see you offhandedly compare like.. korrasami and utenanthy and i’m like HOLD ON this is so true! if you have any further ideas about that i would LOVE to hear them. i honestly don’t know how big the audience is for rgu/atla analysis but i am definitely part of that audience. 😭

yesss i can't believe you're literally the first person to ask me this lately i've been making rgu references on like, every single post i'm shameless!!!!! over the summer i even wrote (like 95% of) an essay comparing sokka and nanami (tldr; they are meat) and i have yet to revisit it (bc i'm scared tbh) but i will post is eventually that is a PROMISE (for an audience of 5 people). also before we go any further my utena blog is @saionjeans and we have fun there. also, i have some utena/atla crossover art here and here, so check that out if you haven't already. the rest of this post will be scattered thoughts because my nanami-sokka essay will be doing a lot of the in-depth analytical work and i don't need to rehash that all now. but also, because i have never not once in my life heard of brevity, i did write a bunch of mini essays anyway, because of course i did.

korrasami and utenanthy: love and abuse

i compared utenanthy to korrasami a couple times, most notably in this post where i talk about how meaningful their relationship is despite being (arguably) underdeveloped, and then in the tags i still have to acknowledge that utena and anthy nonetheless did it better 17 years prior. but i do think that there is so much to be said for utena-korra and anthy-asami as two young women who are both set up to be "special" but in a way that denies and restricts them from their own humanity, cloistering them away from the outside world and making them more vulnerable to abuse. i talked pretty recently about how asami's abuse is really shrugged under the carpet in a way that pisses me off if i think about it for too long. rgu does such an incredible job of gradually exposing that abuse and its effects on society, not as a deviation from the norm (of the nuclear family, of the romance, of the school, etc.) but in fact a common symptom of it. lok does not critique the nuclear family in any meaningful way despite setting up so many different areas through which such a critique could be facilitated (made worse by the fact that atla sets such a fantastic precedent). but anyway, enough about lok (and how she disappoints me).

2. miki & kozue and katara & sokka: siblings and memory

in my sokka-nanami essay i talk about how various characters can be read to embody various analogues, but how my focus in that essay is primarily to draw a parallel between sokka and nanami by using the framework for gender/patriarchal logic rgu establishes. however, i also talk about how azula can be read as a nanami (or even an anthy) figure, as well as how katara and sokka can be read as miki and kozue (katara = miki and sokka = kozue, obviously) (and note that kozue and nanami are significant foils/mirrors too). i mean, they even have a similar light blue (to signify naïveté, innocence, childlike wonder) versus dark blue (to signify cynicism, jadedness, resigned subsumption into harmful norms) color scheme going on. the Special sibling and the afterthought. (although before going forward i do want to be clear that i am in no way alluding to any incestuous undertones wrt katara and sokka, and i would even argue that the allusions to incestuous desire between miki and kozue are more complex and nuanced than simply reducing it to mere perversion. but that's beyond the scope of this ask lol)

i know that some people might bristle at my comparing katara to miki (baby misogynist, little freak) but miki really exemplifies the trope of the "sunlit garden" in the same way that katara exemplifies that trope in atla. miki isn't the narrator of course (akio is), but the central motif of desire staked to an illusory formative memory since lost that defines a character's motivations and self-becoming is first properly introduced (not including the utena meeting dios intro) and defined through his obsession. in the same way, we are introduced to the world of atla through katara's formative memories, her desire that motivates her self-becoming also being an illusory formative memory, as well as a tale she longs to replicate ("the four nations living together in harmony"). katara, like miki, is defined by her naïveté and childlike innocence, her somewhat reductive desire to be noble and heroic, and her need to flatten everything into a clear-cut narrative wherein she is always its heroine. like miki, she resents her sibling for being transformed into a more cynical version of themselves in accordance with society's pressures (in kozue's case, it's the inescapability of patriarchy, whereas in sokka's case, it's... a lot of things), and longs for a time when they were "truly happy" and playing together (playing piano, playing in the snow, you get it).

both kozue and sokka heavily subscribe to patriarchal logic and comport and reduce themselves in accordance with the dictums of a world they consider truly inescapable. kozue seeks power within her limited frame, whereas sokka only seeks power insofar as it allows him to assume his very narrow role of protector, but they both assume those limitations to be ontological and fixed in a way that does not allow them to see past it. however, the lack of empathy both miki and katara refuse to attempt in understanding their worldviews, in no way making an effort to broach that misunderstanding instead of simply letting the chasm between them fester, nonetheless implicates them equally. after all, they too both adhere to their own limited worldviews, only in their worldviews they are fundamentally special and thus beyond reproach. sokka and kozue are both integral aspects of katara and miki's sunlit gardens, and their idealized return to a picturesque nostalgia involves a transformation (or regression) of sokka and kozue into their more innocent former selves. and sokka and kozue are in turn obsessed with katara and miki, the central figure around which their identity and actions revolve.

through this framework, aang thus becomes katara's anthy (aangthy, hehe), as the embodiment of katara's hopeful/nostalgic ideal of heroism, companionship, and the idealized promise of a distant irretrievable past. like anthy with kozue, aang "replaces" katara's longing for the softer, more innocent version of her brother with aang's friendship. like miki with anthy, katara possesses romantic feelings for aang despite his functioning as a replacement for sokka before he became a shell of his former self (or kozue before she became... sexually active). this is because katara, like miki, idealizes the patriarchal narratives that dictate that all significant relationships be either romantic or familial (or both). she wholeheartedly subscribes to this notion, hence why she attempts to subsume everyone who can meaningfully fit into her narrative framework as either a lover (aang, haru, jet, zuko for all of 2 seconds) or a pseudo family member (aunt wu, hama, pakku, toph, etc etc.), replicating those dynamics as many times as she needs to to make them fit within her two dimensional tapestry. and crucially, coming face to face with yon rha subverts that, because she recognizes the messy humanity spilling forth from the neat boxes she puts people in, and must thus contend with her own role in her narrative. of course miki, being a side character and not the narrator, certainly not the hero, does not get this luxury. and he must find a way to grow up anyway.

3. akio and ozai: patriarchy

there's something truly incredible about how both akio and ozai manage to inflict psychological harm upon every single character in their respective shows, even if they never interact with those characters directly. their reach is vast and spindly; it cannot be overestimated. and yet, ozai has only reigned for about six years. akio is only acting chairman of ohtori academy. they are not patriarchy itself, but merely its signifier. and obviously their modes of embodying patriarchy differ in many respects: a school is not a nation (despite the similarities), and a father is not a brother (despite akio being father-like). ozai is defeated by by being stripped of his technology of violence, whereas akio is not "defeated" in a literal sense (although i suppose anthy driving a car through his ghost and exploding him into a cloud of roses does make quite the statement), anthy merely leaves. and yet, in both instances, they are both forced to succumb to their own limited ideology regarding what constitutes power. if ozai lacks firepower, he lacks control over his subjects and the right to sovereignty. if akio's control is challenged, if people realize that they can just leave, that the ends of his world are entirely arbitrary, he no longer has the power to abuse and exploit and use others for his own ends.

the metonymic signification of patriarchy figured through both ozai and akio in dual ways further emphasizes their respective roles. ozai is both king and father, akio is both (acting) chairman and (acting) father. patriarchy dictates every aspect of [a patriarchal] society: from interpersonal dynamics to the nuclear family to the school to the state to the world. what makes both akio and ozai so brilliant in this regard is the fact that their influence is reflected in all these facets. ozai abuses every member of his family individually; controls them as a system; inflicts his (family's) propaganda onto the fn education system, rewriting history with (almost) no one to disprove him; inflicts his imperialist agenda both within the fire nation (ruining local economies through industrialization, forcing citizens to conform to restrictive roles, inflicting violence through occupation) and beyond it; he refers to the world as "my world," as if he is its creator, its owner, or its god. and in many ways, he is. akio similarly abuses everyone interpersonally (most notably anthy, touga, and utena); subsumes utena into his nuclear family system so that she cannot leave; uses the academy as a site of control in which adolescents are forced to comply with socially codified norms and thus made more vulnerable to the influence of adult authority figures (especially those who emphasize their individuality or inherent specialness when compared with the rest of the student body); operates ohtori as a sort of nation wherein patriotism is reified through the use of uniforms, affiliations, sociopolitical hierarchies, and an acting government (the student council); and defines himself as the creator/owner/god of his world. to be end of the world. to embody not an apocalypse, but a cage.

ozai and akio both fashion themselves the entire world, but it also makes them more vulnerable to resistance, to any mode of critique that points out the obvious: no, you're just one person, and the logic you use to dominate others is deeply, noticeably flawed. it's a logic that they exploit but that in turns exploits them, as they have so deeply internalized it that they can no longer immunize themselves against any kind of resistance. ozai claims that there is no room for an air nomad in his world, which is why aang defeating ozai through the pacifist values of his people and not through his greater power (which would nonetheless be subscribing to ozai's logic, and thus letting him win ideologically if not physically) is so crucial in shattering ozai's paradigm. just as utena, as someone who refuses to conform to the strict, arbitrary, and violently enforced norms of patriarchy, can so thoroughly disrupt akio's control by resisting him. just as anthy can by leaving. akio remains in his cozy little coffin, exerting meaningless control to uphold the hollow puppet of his ego.

people sometimes joke about how long it takes for zuko to recognize that the burning off of half his face was "cruel" and "wrong," but it's not that zuko didn't find it painful, it's not that zuko didn't fear his father, it's not that zuko idolized his father beyond reproach. he questioned his cruelty, in fact he did so constantly. he simply saw no other way to live. he had no conception of a world beyond ozai's defined limits, had no choice but to believe ozai's dogma and loathe himself for not sufficiently adhering to it. similarly, people often ask "if anthy could leave all along, then why didn't she?" because she, too, was trapped in a coffin of her own self-loathing. to leave an abuser is not as simple as simply stepping beyond the threshold and never looking back. first, you must locate the threshold. then, you must find the courage to look beyond it. i briefly touched on azula being an anthy figure before. well, i think that she is. just because she has yet to see beyond the threshold does not mean she does not find her limits. and yes, its not triumphant, and yes, her facade that masks her pain and fear is shattered, but ultimately, that breakdown is a good thing for her. because that's her first step to freedom.

4. the sunlit garden as mythmaking events

i talk previously in this post about the motif of "the sunlit garden" in rgu vs what i like to call "a mythmaking event" in atla, and i do want to elaborate on that slightly. i provided a link to a post on my utena blog going into what the sunlit garden "is" for each principal character, and atla has a similar mode of communicating these nostalgic desires and idealizations that motivate self-becoming, largely through flashbacks. for aang, it is quite obvious, as his memories of a before and after are (temporally, although not psychologically) fragmented by an entire century. that disconnect severs the two versions of himself quite neatly. those memories with gyatso and the other air nomads (as well as with child bumi, and with the mysterious kuzon) are his idealized past, his "sunlit garden," whereas the storm is his mythmaking event, the point in his life where his choices collide with his telos. there is no going back.

katara and sokka have a similar sunlit garden, their snowball fight being the last truly happy memory they have before the black snow falls and their childhood innocence is severed from them forever. kya's sacrifice and murder is katara's mythmaking event as she then chooses to assume the mantle of her mother who took her place, decides to become the greatest waterbender possible to compensate for surviving the genocide, and chooses to be a hero so that the collective memory and sacrifices of her people will not be in vain. like utena, she witnesses pain and suffering at a very young aged and is moved to become a hero so as to mitigate that suffering, even if her own formative tragedy can never be rectified. also like utena, she idealizes a seemingly utopian past wherein violence was more covert and thus presented itself as more ideal (the time of princes vs the time of harmony). her naïveté and persistent idealism are both her downfall and her greatest virtue. she refuses to accept the true state of the world to the point of blindness, but it is also that refusal to accept it that allows her to force the world into a kinder shape.

as for sokka, his mother's death was also a formative trauma, but his true mythmaking event is when hakoda leaves for war with all the other men of his tribe. hakoda tells him that "being a man is knowing where you're needed the most, and right now, that's here, protecting your sister." it's not a rose crest ring, but it may as well be. from that moment onward, sokka officially comports his identity into being his sister's protector, which is how he thus defines his manhood. and of course, being his sister's protector means being a martyr, because the precedent for "protecting katara" that has already been established is, well, dying for her. like aang being the avatar and the last airbender and katara being the last southern waterbender, sokka is thus defined by his necessity (ie, usefulness to others) as well as his isolation – not only the "last warrior/man" of the swt, but also via his own process of depersonalization and self-dehumanization as he attempts to fully embody his role as an eventual martyr.

zuko's mythmaking event is, of course, branded onto his face. in fact, zuko essentially assumes both katara and sokka's mythmaking events by first being irrevocably altered by his mother's sacrifice, and then being all the more transformed by his father's decree as he attempts to dictate what kind of man zuko needs to be. his "sunlit garden" is also shown to us in flashes: memories of a (literal!) sunlit garden, of turtleducks, of his mother's gentle guidance, of happier times on ember island, on his father's hand resting on his shoulder with pride instead of malice. it is unclear just how truthful these nostalgic memories are. obviously, his family was never actually happy. ozai had always been exerting control over them, even if his violence was once more obscured. we never see azula's sunlit garden, for instance (although i'd argue that she and zuko possess the same mythmaking events), and i cannot help but wonder whether it's because, like touga, she never actually had one.

finally, some honorable mentions must go to the following: toph, whose sunlit garden is also her mythmaking event, as she learns from badgermoles how to hone her gift and reject the rigid societal impositions that seek to limit, repress, and control her. hama, who never attempts to return to her sunlit garden in the swt with kanna, despite her freedom as established in her mythmaking event of teaching herself to bloodbend; she knows that she is irrevocably altered, and thus she can never go home again. appa, whose sunlit garden, of playing with the other bison at the southern air temple, occurs in conjunction with his mythmaking event of meeting aang and becoming the avatar's animal companion.

all of these events are depicted through flashbacks wherein the consecutive shots between flashback and present day mirror the character who is having the memory in the past and present, overlaying their younger face onto their current face with identical framing. i'm too lazy to compile a bunch of screenshots here, and i couldn't find the post i'd seen previously that had done so, but if you're as familiar with atla as i am, then you already know exactly what i'm talking about. this device is so effective particularly because it exercises restraint. every flashback in atla is crucial because it signifies either a sunlit garden or a mythmaking event that motivates the character its focalizing in the present day. atla is economical with its flashbacks, but not withholding. like with rgu, flashbacks in atla are used with a specificity of purpose, and illustrate their points in clear, precise ways. just because atla is not as overtly metatextual with its central themes of narrativization, nostalgia, idealization, bias, and storytelling, does not mean it is not present, and in fact, overt. ranging from katara's role as narrator to the fire nation propaganda aang attempts to correct in school, the use of memory and illusion is crucial in illustrating how atla functions as a narrative about heroism, legacy, and challenging dominant myths through preserving cultural memory under an imperialist regime.

5. final thoughts

obviously, i could go on forever. there is simply no limit to my ability to unpack and dissect these two shows (hence, my sideblogs dedicated to doing so). i haven't even talked about zuko as an analogue to saionji with regard to their latent homosexuality, misogyny, violence, and struggle to conform to a patriarchal ideal. and i barely touch on katara as an analogue to utena with regard to their naïveté, heroism, myopia, persistence, and somewhat misguided desire for justice (through her terms specifically), although like kozue and nanami as mirrors wrt sokka, her traits that i describe when comparing her to miki also map onto utena in many ways – except of course, utena, unlike miki, is also the "hero," and thus has the same destabilizing revelation regarding the banality of evil that katara undergoes in "the southern raiders." moreover, i only discuss one central motif in utena, because i think the sunlit garden is the trope that maps best onto the thematic work atla is doing, but i'm sure that there are many more frameworks i could compare. and yet, i only have so much time, and only so much space in which to ramble. so hopefully, for now, this suffices. however, if there any specific areas in which you would like me to elaborate, you know that i shall always be happy to do so.

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word-wytch · 5 months

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tldr: extremely sappy and vulnerable post ahead

My baby, Don't Stand So Close To Me, turns one year old today.

After a lifelong history of abandoning creative projects, my love for the story I wanted to tell and my newly found passion for the art of writing finally surpassed my fear of rejection, and so I stepped out of the Shire and onto this very long road.

Listen, I know I'm talking about a fanfiction and being very dramatic, but in my opinion every creative endeavor holds the same amount of weight no matter if you're writing books for money, or writing songs for the radio, or songs played only in your bedroom. It all requires you to dig deep and face yourself.

This is the longest and hardest I have ever worked on a creative project in my life.

Over the course of the past year I have come to know myself in a way that I think only writing a novel chapter by chapter for an online community could accomplish. There have been some very dark times, but facing your shadow is always illuminating. Through it, I have grown exponentially both as a writer and as a person.

If I could offer one piece of writing (and life) advice it would be this: Let yourself be where you are. Love yourself here, now. You have been good enough, are good enough, and will be good enough, always. You have nothing to prove to anyone. Your only responsibility is to keep the flame of your joy for creating alive. And that's it. The rest will take care of itself.

I know this is easier said than done. I know this from the painful experience of having believed the opposite about myself at one point.

All artists want to be seen on some level, we need to be. But ultimately, no amount of external validation can supplement the intrinsic love you have for creating. It's even better shared with others, but it comes first from within. I would argue that even if all you had was an idea that made you so giddy that you had to run laps around the room, then you have it all. Your only job is to keep that love alive. It's what I'm chasing every day. More than followers, or notes, or any superficial measure of success. That feeling is everything. The love that I have for my art and this character is everything. The love that I have for myself is, ultimately, everything.

It is a natural part of the journey for all creatives to encounter blocks and adversities, so when it feels like you've lost that joy or you're dragging your forehead against your keyboard in the thick of it, please do not fret. The real secret is that you can never really lose the spark, because you are the spark. You'll feel it again. You're not broken. You haven't failed. Just love yourself anyway and let yourself be where you are, even if that's crying into your ice cream.

Because the gap between how you feel and how you want to feel is not something that once closed, will stay closed forever. It's something you love yourself back to again, and again, and again, and again. And maybe, after your muscles build and your blisters heal, you'll come to enjoy the journey.

For the first time in my creative life I truly feel seen. Thank you all for seeing me, for coming on this journey with me. Thank you to every reader who's left a kind word, every friend that I've made as a result of pursuing this. There are too many to name. I have never been a part of a fan community in this capacity and I feel so unspeakably lucky to have found such a home in this one.

I want to thank, most especially, the people who have both figuratively and literally held my hand throughout the last year behind the scenes. Thank you for sending me coffee, letting me bounce ideas, send massive emails, text feverish voice messages back and forth, keysmash spoilers at you, cry on your shoulder, and fangirl over our boy (and his teacher) @toxicjayhoo @storiesbyrhi @the-unforgivenn @munson-blurbs @jo-harrington @rip-quizilla

I love you.

#dssctm #dssctm updates #updates #personal

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whumpsday · 8 months

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my unhinged rant about the whumptober discourse, below the readmore for the benefit of ppl who dont wanna see that crap. im just gonna go insane if i don't say this somewhere bc i feel like i'm losing my mind

this drama is genuinely so mind-blowingly stupid it's unreal, and it's been bothering me so much that i just HAVE to talk about it or i'm gonna go insane, if for no other reason than to get it out of my system. i honestly never expected the whump community to go on the kind of bad-faith tirade that's taking place.

disclaimer right here that i do not support AI scraping creative works without permission (like chatgpt and a whole host of AI art programs do) or these AI-generated works being passed off as legitimate creative works. obviously that stuff is bad, and literally everyone on all sides of this agrees it's bad. i used chatgpt exactly once one week after it came out, before i knew how shit it was, and haven't touched AI stuff since. because it steals from creators and it sucks.

now:

saying "whumptober supports/allows AI" when their official policy says plain as day:

"we are not changing our stance from last year’s decision"

"we will not amplify or include AI works in our reblogs of the event."

"we discourage the use of AI within Whumptober, it feels like cheating, and we feel like it isn’t in the spirit of the event."

is bonkers! whumptober is a prompt list, there is nothing TO the event other than being included in the reblogs. they literally cannot stop people from doing whatever they want with the prompts.

someone could go out and enact every single prompt in real life on a creativity-fueled serial killing spree and the whumptober mods couldn't do shit about it. it's not like it's a contest you submit to. it's a prompt list! someone could take every single prompt from the AI-less whumptober prompt list, feed it into chatgpt right now, and post them as entries. and the mods of THAT wouldn't be able to stop them either. because it's a prompt list.

the AI-less event have also made just... blatantly false claims, like that grammarly isn't AI. grammarly IS AI and they openly advertise this. hell, this is grammarly's front page right now:

and this is a statement from grammarly about how its products work:

its spellchecker / grammarchecker is AI-based! claiming it's not AI is just... lying. saying "this is an AI-less event" and then just saying any AI that you want to include doesn't count as AI is ludicrous.

and you know what? whumptober actually pointed this out. they said they don't want to ban AI-based assistive tools (like grammarly) for accessibility reasons. this post has several great points:

"AI is used for the predictive text and spellchecker that's running while I type this reply."

"Accessibility tools rely on AI." this is true and here's an article about it, though the article is a little too pro-AI in general for my tastes, there's nuances to this stuff. it's used for captioning, translation, image identification, and more. not usually the same kind of AI that's used for stuff like chatgpt. THERE ARE DIFFERENT KINDS!

"But we can't stop that, nor can we undo damage already done, and banning AI use (especially since we can't enforce it) is an empty stand on a hill that's already burning, at least in our view of things."

and people were UP IN ARMS over this post! their notes were full of hate, even though it's all true! just straight lying and saying that predictive text isn't AI (it is), that AI isn't used for accessibility tools (it is), that whumptober can somehow enforce an anti-AI policy (they can't because it's a prompt list).

in effect, both whumptobers have the EXACT SAME AI POLICY. neither allows AI-generated works, but both allow AI-based assistive tools like grammarly. everyone involved here is ON THE SAME SIDE, they all have the exact same opinion on how AI should be applied to events like this, and somehow they're arguing???

not to mention that no other whump event has ever had an AI policy. febuwhump, WIJ, bad things happen bingo, hell even nanowrimo doesn't have one.

and you wanna know the most ridiculous part of this entire thing? which is also the reason why none of the above events have an AI policy.

no one is doing this. no one is out there feeding whumptober prompts to chatgpt and posting them as fills for whumptober cred. it's literally a hypothetical, made-up issue. all of this infighting over a problem that DOESN'T EXIST.

to the point that people are brigading the whumptober server with shit like this:

saying "everyone who participates in whumptober is a traitor, you should go participate in this other event with the exact same AI policy but more moral grandstanding about it" is silly. every single bit of this drama is silly.

in the end, please just be nice to people. we're ALL against the kind of AI that steals from creators. the whumptober mods are against AI, the AILWT mods are against AI, whumptober participants are against AI, AILWT participants are against AI. there is no mythical person out here trying to pass chatgpt work off as whumpfic. let's all just be civil with each other over this, yeah?

#txt

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kafus · 4 months

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ok i've decided i want to infodump about vee and nova a little after all! because uhh not only am i impatient because autism but i also. want to dip my toes into talking about this. just days ago i was still terrified but now i am Tentatively Brave... if i can talk about it here casually like this then i should be able to write a more formal summary later some other time

i've tagged this post appropriately (at least i think i have, feel free to suggest if i should add more) but also a heads up here too before i keep talking that while i'm not going into graphic detail on anything there are STRONG themes of organized sexual abuse of a child, sexual abuse of animals, and grooming! (there are no disturbing visuals in this post, just text)

IF YOU CAN'T READ THIS POST THAT'S OKAY I STILL LOVE U

takes a deep breath alright so the deal with these two. back all the way in 2021, i decided i wanted to make "vent ocs" as in i just wanted some concrete/consistent designs i could use in vent art drawings that weren't a direct reflection of what i envision myself to look like or whatever. i was going through a lot in 2021, in december 2020 i had just gotten my first big repressed memory back and my life was in a whirlwind of change and heavily increased PTSD and DID symptoms, so i was using art a lot as an outlet. in the end i settled on this drawing, based on the design taste i would have had as a young person (god the quality is so old now LOL i've improved a lot but anyway)

i was intending for these two to be just visual designs and nothing more than that but i got attached and actually ended up giving them a whole storyline and everything, which is something i admittedly hadn't done in a long time up to that point so that's cool.

the reason i preface explaining the premise of the storyline with this is because i think it's important to acknowledge that these two are intrinsically tied with my real life and the feelings i experience as a CSA/OA survivor. not because i think someone has to go through awful things to write or draw about them necessarily, but because i am passionate about expressing myself. it's important for me to be seen in some way, to be heard after years of silence. it is not safe for me mentally to share the exact details of my abuse online rn (and please don't ask for them!) but i also don't want these two to be removed from the message that i survived something and this is me making art about that in an abstracted and magical way with a fictional universe that brings me a lot of comfort. i hope this makes sense lol

oh and also with that in mind if you think for even a second any of this is a weird sex thing for me or some shit please stop reading this post and go do something else with your time. this is my trauma expression and i don't need to be compared to the people i was abused by when i was a literal toddler thank you!

AANYWAY so! premise! gonna be point blank with it! vee (not her original name but shh) is born as a normal 100% human girl, aka without the eevee ears and tail. she is groomed from a very young age (like, toddler age) and eventually abducted by her groomers which happen to be members of... well right now it's team rocket because i haven't spent the time to worldbuild a new villainous pokemon organization yet. roll with me here. she is taken to a remote facility out in the middle of fucking nowhere and is never returned to her previous life or family.

Why? well i'm glad you asked! the org is running a bunch of different experiments in this facility and one of them happens to be trying to enable humans reproducing with pokemon. this doubles as both a money thing and a power thing. they seek out a child as the victim of these horrible experiments because children are easily malleable. way easier to control a child than an adult who already has a firm identity/self.

vee is the child they chose. surgery is forcibly done on her to give her working eevee ears and tail, and also like, fuck with her body chemistry and stuff. she's biologically part eevee now. yes this is bullshit pokemon magic science LMAO but she is kept in this facility and chronically sexually abused for a few years by pairing her with various mons and trying to get eggs to happen.

the experiment isn't working though so they hypothesize that giving her a dedicated partner, especially of the same evolutionary line, would help, and they raise nova from birth as an eevee to take on that role. eventually the two of them are paired together. despite the acts they are forced to commit on each other and the abuse they endure, they actually become inseparable very quickly cause like. they don't have anyone else. and also they just genuinely care about each other. additionally at this point nova has evolved into an espeon and has telepathic powers, so him and vee can communicate linguistically with each other, so you know that helps

generally my current focus of this story is in the early years, when vee is 12 and younger, before they start realizing that shit is fucked up and they need to escape (up until that hypothetical point they have been successfully groomed into believing everything happening to them was not abuse/was normal). i have left out a metric fuckton of detail here just to get across the basic premise. i am constantly exploring vee's psyche, nova's psyche, it's like an in depth exploration of the mind of an abused child in horrific circumstances and god it's cathartic. i love these two so fucking much

btw i guess this art has more context now huh haha after i infodumped off the plot to my sister they looked at this art again and was like. OHHH THIS IS EVEN MORE OMINOUS AND HARD TO LOOK AT WITH CONTEXT. AND I WAS LIKE YEAH!!!! YOU SEE THE VISION!!! THE SYMBOLISM!! ETC!!!!

uh yeah if you read this far thank you and i just wanna say i've been building up the courage to talk about these two for GENUINELY two years, it has been over 2 full years since that initial drawing, and i am nervous and jittery posting this but i do not want to die without having shared my work with the world and i'm willing to take the risks to get my voice out there. so you reading it is very much appreciated ur like my first step into being more confident as a survivor lol

oh and fwiw despite these guys being so correlated with my trauma it's not offensive to make headcanons or ask me questions about them or compliment darker art of them however you want, in fact i love that shit!! please i've been holding these guys back for two years i have so much to say that hasn't been said. as much as i am nervous i am EXCITED

#sa tw #mind control tw #csa tw #oa tw #abuse tw #this post is a bit of a mess sorry!#this is why im sort of “drafting” my summary as a stream of consciousness infodump #i need to tackle having the confidence talking about this first #just get it out no matter how messy #and THEN i can clean it up and present it in an artistically pleasing way #kiki was here #kiki.txt #vee & nova

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fuedalreesespieces · 2 months

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ramble-y post incoming:

tldr: is the inukag to izanori pipeline real, and am i falling headfirst into it? yes, yes i am.

[This post does contain spoilers for Kanata Kara and Inuyasha.]

recently (and by that i mean two days ago) i decided i wanted to start a shojo manga that wasn't too long, something I could read in between lectures. i checked some of my saved manga on the website i use, and found one that i had saved purely because i'd been enthralled by the cover art, which looked like this:

(i mean, look at them!!)

...that, and it was 14 volumes, so I thought i could finish it within a week or two, reading a few chapters every day.

i was wrong. i'm on volume ten and it's been a day and a half.

i haven't finished and I'm making this post (partly because i've been rambling about it in ballistic keysmash-consistent twitter posts) to say that Kanata Kara is good. very, very good. damn that one-star review on the site i'm using, because that shit has to be an accidental click. I love the world-building, the diverse cast of characters, and the art is magnificent. I think my favorite thing of all has to be the themes represented so far in the manga, perpetuated by our titular characters noriko and izark. I may make a future post about that when i finish the manga, but there is one thing i noticed while reading that struck me as really interesting: the dynamic between izark and noriko, and the characters themselves, remind me a lot of inuyasha and kagome.

now i'm gonna preface this by saying i'm not trying to say that these are the same dynamics or something, because they aren't - I just want to point out parallels i thought were really interesting, as someone who loves both relationships in their respective mangas. i also want to establish that Kanata Kara predates Inuyasha by three to five years*- so what I really should be saying is that inuyasha and kagome remind me of izark and noriko, but you get the picture. you could argue a number of things with this in mind, but i'm not here to discuss any of that. this isn't meant to be some sort of dumb gotcha; both series are good in their own ways, and some of the similarities i'm highlighting can be attributed to similar tropes being at play!

*(sources vary, some say 1993, others say 1995)

izark/inuyasha

demons - inuyasha is half inu-youkai, whereas izark is the sky demon from a prophecy that makes up much of the manga's internal and external conflict for him. an interesting contrast i found was that while inuyasha's half-demon features are present for the majority of the manga and his human side shows up only a handful of times, it's the exact opposite for izark, whose "human" appearance reigns for the majority of the manga.

both characters were shunned by their respective communities (and humanity at large, though inuyasha had his mother for some time, and izark's mother tried to kill him). when both parents died, they began living on the fringes of society, never interacting with anyone and, according to them, "preferring to be alone."

both share moments where their demon sides take over and they are unable to control themselves - unless, of course, their loved one is present to help them. otherwise, both are trapped in a violent, bloodthirsty state of mind that makes them lose parts of their identity each time transformation is undergone. both try to avoid this part of them out of fear of losing themselves, but when occasions rise where they are in those forms, their respective loved ones pull them out of it/help them ground themselves.

powerful fighters willing to quite literally put everything on the line for their respective loved ones - i'm talking half-dead-dragging their-bodies-across-the floor and thinking "well, at least she's okay."

one interesting difference to me is how izark and inuyasha approach their humanity. izark is constantly shown in his "human" form and is only in his demon form a handful of times, and the exact opposite is true for inuyasha. izark's earlier (brief) plan of doing away with noriko is spurned from his desire to avoid the tragic fate tied with his demonic form, whereas inuyasha's earlier actions are motivated by his desire to become a full demon. izark relates his demon side to inevitability, to the idea that he might just become the monster everyone prophesied him to be; inuyasha (in the beginning) views his humanity with scorn and associates it with weakness. he wants to embrace the possibility of achieving full demon status, and why? is it just because he wants power? in my opinion, no - I think it's a way of finding a place; being free to go where he wants. inuyasha is already powerful in his own right, and even when he's given the opportunity to claim a formidable weapon like his father's sword, he says he has no interest in it (until, of course, kagome mentions he could try to claim it just to spite sesshomaru, and only then is his interest peaked.) inuyasha seeks freedom by assimilating into a full demon identity, izark seeks freedom from that full demon identity, and only then will he feel in control of his life.

kagome/noriko

both from modern era japan and get isekaied into another world - kagome's instance is time-travel, though - noriko is transported to a whole other world with different culture, geography, and language (noriko having to learn the language of the people there and taking part in their customs is one of my favorite things about the manga!!)

the beacon of light in their respective groups/found family, bringing everyone together

key players in a "Prophecy of Doom" - kagome's "destiny" is to continue the cycle of the shikon jewel; noriko's "destiny" is to awaken the Sky Demon (izark). both girls, and their loved ones, change their futures.

damsels? maybe, but never in distress:

and, of course, the most prominent parallel for me: their acceptance of their lovers and the ripple effect that love has on their lovers' relationships and life:

"i'm not leaving you no matter what happens, no matter who you are - I will stay by your side":

"you changed my life for the better":

"i've opened up and become more vulnerable":

there are a ton of other examples i could use for this bullet, since it has a pretty broad spectrum of events that could fall under it, but these are my favorites.

i also want to draw attention to the way noriko deals with feeling powerless - both she and kagome are surrounded by powerful, experienced individuals, but unlike noriko, kagome has a reign on her archery and spiritual skills pretty early on in the manga, so she contributes in battles one way or another. one of noriko's longest internal conflicts is that she feels guilty that she can't do anything to help and that people are getting hurt on her behalf:

i absolutely love the advice given to her, and how it ties into the themes of the manga. noriko feels like she isn't helping, but even a simple thank you helps - even if it's just thanking one person for a single deed, everyone is intricately tied, and that goodwill spreads. it grows. it becomes a part of everyone. you don't have to be a fighter to spread good.

conclusion: the parallels are neat and READ KANATA KARA!

#inuyasha #inuyasha a feudal fairy tale #kagome higurashi #inukag #inuyasha x kagome #kanata kara #from far away #izanori #comparison

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