#because if we always assume people mean bad and are bad | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Tumblr has 4 main sources of revenue.

#because if we always assume people mean bad and are bad

blujayeyes · 1 day

Text

TMAGP OIAR Theory under the cut⬇️

Hi! It’s me! If you were on tmagp tiktok in the VERY early days of tmagp(I’m talking first two episodes just released) I was that one guy in the comments of every tmagp related video telling people my ship name for Chester and Noris(bEYEnary bfs). It is very likely you have no fuckin clue what I’m talking about, and if so, yeah that’s fair I’m assuming that’s most people reading this; HOWEVER either way in the past several months since tmagp 1&2, I have been working on my theory board(red string and all) and I have created a conspiracy board that would put Collin’s to shame, and looks just as insane, but using this I think I have solved the OIAR’s purpose within tmagp’s alchemy based fearscape, and bottom line, everyone is screwed.

So it all started when I saw these two images being compared on here

So then I was like yeah that’s interesting from the alchemy angle but what does it mean but then I saw someone saying that if you look closely at the OIAR logo you can see the symbols for sulphur, salt, and mercury, the soul, body and mind, and then my curiosity got the best of me. So I started theorizing about this on my coarkbord and did some digging into the philosopher’s stone.

It was said to be a red stone that alchemists would try to make due to it’s properties of being able to turn base metals precious metals BUT it was also said that it could be used to create the elixir of life which could indefinitely prolong life aka immortality AKA one of the major reoccurring themes of tma AKA Jonah Magnus’s main goal that motivated him into starting the eyepocalipse AKA the thing we learnt was impossible in the fearpocalypse because no new people were being born and the end would eventually get them all.

So what did Lena say the OIAR’s job was to Gwen? To keep the wheel forever turning. So logically that would probably mean keeping the entities fed but preventing the end of the world. In other words sustainable fear. Keeping the wheel FOREVER turning. Are you starting to get it? So using that logic that clearly shows why she works so hard to keep the externals(avatars) at such a distance. But in her phrasing she made it sound like the OIAR is something they would jump to take if given the chance.

And then it hit me. Going back to my previous point we have been showed how much avatars and alchemy overlap, especially with the more recent episodes highlighting how avatars are partaking in alchemy, with tmagp 19 showing both the Magnus institute and sir Isaac newton were very involved with using alchemy in their spooky shit. Even as far back as the first two episodes we see this, and although it is more implied in episode 1 with red canary seeing “weird symbols” in the Magnus institute, it is said overtly in ep 2!

Which leads me to at least theorize that wether metaphorically or literally, the reason the avatars so intertwined with alchemy want to take control of the OIAR so bad, is because the OIAR(and probably FR3-D1, let’s be real) is the philosopher’s stone of their patrons, granting them eternal fear with perfect balance, just as Robert Smirke always dreamed. And the reason Lena wants to keep the place so secure is because if one did take it, it would unbalance the scale, making it lose it’s function and the possibility of an apocalypse imminent. And Gwen just weakened Lena’s boundaries by letting lady mowbray into the building.

Or I’m wrong. There’s every possibility that I’m wrong. After all this is my theory board

And it’s like, 40% Elias theories. Jon would be proud.

But I’m like, 72% sure I’m right.

#the magnus protocol #tmagp #tmagp theory #tmagp 19 #tmagp predictions #ink5oul #the Magnus institute Manchester #lena kelley #lena tmagp #gwen bouchard #gwen tmagp #lady mowbray #magpod theory #magpod #the magnus pod #l

26 notes · View notes

somewhereincairparavel · 2 days

Text

🪸 𓇼 ⋆｡˚ 𓆝⋆｡˚ 𓇼 Percy Jackson headcanons starring Elora! (An island and summer girl at heart!) 🪸 𓇼 ⋆｡˚ 𓆝⋆｡˚ 𓇼

Thank you @sequinsnstars for reigniting my interest in this series. It's time I did a remake!

I know everyone is just thinking "why did you have yourself be a camper in camp Jupiter if you hate camp Jupiter so much?" Well. I exist in camp Jupiter because I want to spite everyone who gave Jason a hard time there 😤

Anyways, I had no claiming in Camp Jupiter, the moment I stepped foot onto the campus with the 7, a huge shiny blue trident appeared over my head, the storm clouds were huddling together to form a storm, and all that typical dramatic Poseidon shenanigans. I think that kinda cemented that I was officially a part of camp half blood now??The claiming actually made me feel good? Because Poseidon chose to be extra dramatic and made sure to do it when basically everyone at camp was inside the huge campus, so basically everyone stopped what they were doing to like, stare in curiosity.

Because in Camp Jupiter, I never received any positive kind of attention yk? Neptune was considered bad luck, so I was basically receiving the child of hades treatment, but the Roman version.

As a legacy of Athena and Hermes (thank you to my moots for helping me figure this out!) I naturally get along with them very well.

@gentlehue would SO teach me how to grow plants, and I'll help her water them 😤💅 Cynthia I'd definitely give you potted flowers every time I run into you 🩷

I swear the Aphrodite children are SO superficially judged by people in camp sometimes :/ I'd defend my pretty babies from harassment and gossip any day fr (@sequinsnstars @auroraofthesun)

Also dear Aphrodite children, I love makeup and would spend hours in your cabin with you drowning in lip gloss. Y'all would be the best teachers for my make-up lessons.

Percy and I have beds facing diagonal to each other, while Tyson sleeps in the bottom bunk. We have fun game nights all the time omgg.

I have pictures of my happy times in Rome stick on my board (‘happy times’ translate to pictures w my bb boy Jason Grace since we were kids and he has them stuck too awh 🥹)

Since I'm an Athena legacy, I always tease Annabeth and Percy that “I'm related to BOTH of them” and also, they make me pick sides when they're annoying e/o by saying “cmon family sticks together!”

I would be great buddies with Castor and Pollux (let's pretend they're both happy and alive) and would always reassure them that Dionysus kids don't deserve to be called “lazy and useless” bc THEY DON'T.

Speaking of which, Dionysus rolled his eyes at my dramatic claiming muttering “another useless sea urchin that provides nothing but high attitude to our camp” 😭 bro didn't even Hesitate

I feel like I wouldn't get along with Ares children that much. Neptune children are known for their high temper (with Neptune representing the ‘violent and turbulent’ side of the ocean, unlike Poseidon who represents the positive sides of it) and it would totally clash with Ares kids tbh. Frank Zhang, however, is the biggest exception!

I have these moments where Annabeth is just so used to calling Percy “seaweed brain” and teasing him about being oblivious that she forgets that I'm an Athena legacy aswell and just assumes I'm not that smart. (Not implying that she thinks Percy's dumb, but her teasing kinda gets to her head sometimes) and i have to snap back with some quick smart response to remind her that lol

am considerably close to Nico, because I already knew him at camp Jupiter, and we kinda had a small heart to heart about how terribly we were both treated because of our parentage. Of course, that closeness continued in camp half blood as well.

I'm the closest to Kayla and Will in the apollo cabin because they almost always are the ones who treat my injuries (and @auroraofthesun too because you're an Apollo legacy!)

I have a Pegasus that I took with me from Camp Jupiter, his name is ‘Alga’ (meaning, ‘seaweed’ in Latin) he's steel blue with a grayish tint. I didn't get a Pegasus of my own like Reyna did, but more rather, I came across one who followed me around, and i adopted it without telling anyone but Jason about it while I was at camp. He thought it was sweet and didn't snitch on me or even tell Reyna <3

And Yes, Alga and blackjack are buds. And yes they do roast us, and yes we do understand them.Also, just like how Demeter kids hate when flowers are being plucked from their roots, and how Percy hates aquariums because they confine sea creatures, I hate it when people take too many seashells from the beach. (irl I actually love seashells and used to collect them, but I've heard taking too many spoils the ecosystem in a way, and realistically if I am in the pjoverse, that would naturally make me dislike it)

But I do love making sand castles and attachingseashells on them, because I'm not taking them with me right? It's just gonna stay there. I can have fun in an eco friendly way lolzAnd I prefer keeping fake seashells made of ceramic and stuff as decor to maintain my aesthetic

Me and Percy can communicate underwater, but to other people, it would sound like we are speaking gibberish. He was ECSTATIC when he discovered this new made-up sea language ability lmao

Also, we are both in-charge of cleaning the ocean if it gets too dirty, so we have “chores days” where we dive in, and clean every ounce of harmful algae. And tending to sick sea animals.My nickname is ‘Kelp head’ because I have extremely wavy hair that's shaped like kelp. I've had that nickname ever since my time at camp Jupiter!I'm extremely competitive at capture the flag! Because of that Roman wild war blood in me, I just can't help but take it kinda seriously. I feel like Percy's way more chill when it comes to this lol

28 notes · View notes

dreamterlude · 1 day

Text

i have thoughts regarding that whole thing abt not shaming bisexual women for having a boyfriend

i think way too often we frame it as "it makes sense for bi women to end up with men because there are more men attracted to women than wlw" and like. sure thats true. but also maybe some bisexual women just prefer men. maybe some bisexual women just like men more

because as someone who is seen as a bisexual woman (even though im not a woman) i know for a fact im more attracted to men that i am to non men. and i dont think this is a bad thing, i think its a reality that we should accept because it doesnt make bi people less bi to have preferences for a gender

but apparently if you are a bisexual woman or woman aligned person and say that you prefer men then the general public will just assume that youre not bisexual, as if they knew your sexuality better than yourself

at the end of the day i think this all boils down to the misunderstanding of what bisexuality truly means. some bi people have preferences, others dont. bisexuality isnt a one size fits all (neither is any other sexuality)

also some peoples response to this is always smth along the lines of "so now its revolutionary for a woman to like men?"

which is just really missing the point. im not talking about revolution im saying the bisexual experience is wide and personal to each one of us

i think bisexual people can have preferences the same way i think we dont need a new label to call people who like all genders without preference, because both of these experiences are part of the bisexual reality. this might just be my opinion though

#bisexual #bisexuality #happy pride i guess #pau.txt

17 notes · View notes

taylor-titmouse · 4 months

Text

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

#tt talks writing #tt talks drawing

3K notes · View notes

am-i-the-asshole-official · 1 year

Note

UPDATE What's up, it's the proposal guy. You said you wanted to know how this turned out, so I figured I'd tell you. First some context though, because I'm mean and I wanna keep you in suspense longer.

1- I don't wanna doxx us so I'm not telling you where we live, but suffice to say, neither of us are American, and gay marriage has been legal here for less than five years. For both of us, this is the first relationship we've had where marriage was even an OPTION, and I think that's where we've been getting some of that whole 'this has to be a REAL proposal with EVERYTHING' idea.

2- I gotta figure out how to explain this properly. So, I'm pretty used to being the GUY guy in relationships? I was always the one who did the nice gestures, not the one they got done for. Before I met my dream guy, I didn't really notice or care that it was such a thing, I just assumed that's how shit worked. Also, I promised I wouldn't talk a lot about his stuff here, but his last boyfriend before me SUCKED. Anyway point here is, it turns out we both REALLY like feeling swept off our feet sometimes, and a big part of finding each other has been getting to feel special for once? That's a stupid sappy way of putting it the point here is I think all that's what morphed into "I need to be the one getting proposed to, also it has to be completely perfect", and then our Petty & Extra genes got involved.

So I'm sitting in bed thinking about all that up there, and watching all the comments coming in basically being like "Dude, you are BLOWING this" on repeat, and telling me to compromise, and I look up and see him flossing in the bathroom and making all these doofy faces at the mirror, and it's like a switch just flips in my brain, and I'm like "Oh, I'd rather he gets to have his perfect proposal than we both have an okay one". I'm gonna do it.

Morning rolls around, and while I'm 'out for my jog like normal' I hit up a pawn shop for a temp ring (the ring pop thing is cute but NOT HIM). I found one I was at least confident wouldn't get ruined the first time he got his hands greasy (he fixes old machines as a hobby it's hot as hell), got back home, and hid the box in the toe of my nasty ass workout shoes in the bedroom closet, since I figured he'd check there last.

He was still asleep, because he stays up late no matter what and then is SHOCKED he's tired the next day, so I called and booked a table at our usual anniversary spot. (Side note about the 'he picks bad restaurants' thing. This isn't an 'I like Greek, you like Chinese' situation, dude's just BAD at finding places. He either assumes pricey is tasty and I get to eat some overrated gourmet bullshit, or he'll try and find something hip and underground and risk giving us food poisoning again, and he REFUSES to give up and pick somewhere we've been before when it's his turn to plan date night. I'm obsessed with him <3.) Date was set, I'd propose on the 21st.

Some of you might have noticed this, but fun fact! It's currently the 16th.

Last night I'm doing dishes and he's been sent to our room for mug collection duty, and he's taking FOREVER, so I go check just in case he found the ring, because the man's a gift tracking BLOODHOUND. Turns out he hasn't, he's found my Angry Box.

I assume other people have an Angry Box? Basically, we had this huge messy fight right when we first moved in together, and I never wanna let it get that bad again, so I have this shoebox where I keep a bunch of our stuff I can look at if we're fighting and hopefully cool off. There's one of those photo booth roll things, letters we wrote when he moved back with his parents for COVID, the wine cork from our first date, shit like that. Anyway, he's just sitting on the floor staring at it, and I explain about the Angry Box, and then he! Proposes!!! Kind of.

He definitely didn't have anything prepared, because by 'propose' I mean 'ugly cried & rambled at me for several minutes before I figured out it WAS a proposal', but once I got on the same page it was amazing. I said yes, and he had to admit he didn't have a ring for me because he was CONVINCED he'd win and I'd do it, so I grabbed mine because, yeah, he was right. He was like "this is the ugliest ring I've ever seen" and I was like yeah well the plan is to replace it later and he went "No. You can pry this off my cold dead fingers. After I'm buried with it." So I guess it's not a temporary ring anymore.

I'm just gonna go ahead and skip to this morning. I pointed out we still have the reservation, and he said I should propose there anyway because "We can get a free dessert. They have those creme brulee shot glasses you like. And for love, or something" and I said ok deal, but that means you gotta get me a ring to keep it fair, and his eyes LIT UP. When I swung by his work for lunch he was still on the phone with a jeweler and he had a whole page of notes on three other ones. Pray for me.

OH PS: I was RIGHT that he'd been the one behind the cat biting me, but it wasn't about the proposal stuff, it's because I paid my baby sister three dollars to shout 'fuck you' every single time he enters a room she's in for (if you ask me, he should be madder at my sister for charging so little), and he did it by giving her a bunch of treats for biting his hands too, so now neither of us can pet our baby girl without oven mitts on. HOLY SHIT I love this man.

Oh my goddddddd I love everything about this <333 I awwww'd out loud on a voice call, like, six times while reading. You two are friggin perfect for each other and so obviously smitten with each other and I wish y'all all the happiness in the world

PS Are y'all planning to have a big wedding? If so oh boy I can't WAIT to get that one in the inbox

Original post

#aita #am i the asshole #aita update #the saga of proposal anon

12K notes · View notes

arachine · 9 months

Text

yes, i'm ready (to fall in love)

── ˚₊✩‧₊ genre: smut, fluff, mild angst

── ˚₊✩‧₊ synopsis: after reader is persuaded into putting herself back out there by long time friend, shoko, she successfully ends up scoring a date. unbeknownst to her, though, the gods have different plans—and one of them seems especially interested in her relationship with ex-husband, gojo satoru.

or in other words: a failed date results in a night of passion amongst former lovers.

── ˚₊✩‧₊ contents: 13.5k words, ex-husband!gojo + co-parent!gojo, slight dub-con (alcohol use), dumbification, overstimulation, vaginal penetration, unconventional form of contraception (pull-out method - don’t do this), pussy eating + one oc for the sake of plot

── ˚₊✩‧₊ note: i know this is really long and most people don’t have the attention span for it but PLEASE give it a chance! this is literally the longest piece of fiction i’ve ever written and i’m really proud of it :(

songs to listen to for best reading experience: donny hathaway - i love you more than you’ll ever know barbara mason - i’m ready partynextdoor - showing you bryson tiller - been that way

After you divorced your ex-husband, and decided to devote all of your time to being a mother, you never really considered getting back into the dating world. Not that you didn’t eventually want to settle down with someone new, but the dating world now was just so–different.

Different in the sense that meeting people organically was becoming increasingly difficult. It wasn’t like how it used to be in high school or college, and it really didn’t take that much effort then to get a man’s number by the end of your outing.

When you were in your early twenties, a brush of your hand on a man’s arm would’ve worked. An ‘accidental’ bump into someone at a grocery store or cafe might’ve ended in a quick lay. Using these tactics today, though, might earn you some weird looks–have–earned you some weird looks.

You’re on call with a friend from college when you begin recounting something embarrassing that happened to you recently. At first, the conversation started out about all of the professors you would’ve slept with (if given the chance), but then, one thing led to another, and she asked you something that made you wince:

“‘How’s your dating life been since, you know, Satoru?’”

There’s a heavy silence from your end, and she almost thinks you hung up.

“I mean, if you want to share,” she splurts, attempting to approach this gently, “I know that after the divorce, I wasn’t there for you like you needed, but I’d like to make up for that–if you’d let me.”

Shoko’s always been like that. Blunt and charismatic, but gentle and zephyr-light in the way she cares for those closest to her. It’s a trait of hers that you admire, because not so many people would care to treat your heart with such fragility.

“No, it’s okay. You can ask, you know, it’s not this secret thing,” you start, sighing before continuing, “it happened, and it was a mutual decision.”

Shoko hums on the other side, “Well, I’m still sorry. I let us go without talking for far too long…”

“Well, I accept your apology, even if it’s unwarranted. Like I said, it was mutual and…there wasn’t really an intense grieving period for me? The only thing that hurt me is that you distanced yourself. I mean, the girls did miss their aunt Shoko…” you say, trying to make her feel bad but not too bad.

“I know, I know, I’m a bad aunt,” she jests, then the tone shifts to something serious. “I think I was just scared because both of you were my best-friends. I didn’t want to ‘pick sides’, but I see now that it was a mutual decision, so I’m assuming you two are on good-terms?”

Again, you pause, “I mean, yeah. Satoru will always be my best friend. We may not be together romantically but he’s such an integral part of my life, I couldn’t do this–all of this–alone.” After you say it, you feel a weight being lifted off of your chest that you didn’t know was even there.

You think nobody would understand if you told them this. You think they’d question how a person could divorce someone who’s supposed to be their best-friend. And with the way you describe it, they’d probably think you were still in love with him. But Shoko’s different, she gets it. Which is why saying it to her came so easily.

“He is a great father,” she chimes in, “but you two rushed into it so quickly, I don’t think either of you had time to discover yourselves after college.”

Although she can’t see it, you smile. Because she gets it. Even if time did place itself in between the two of you, she was there for most of it, when things were still touch-and-go. When things were fresh, and clumsy.

“Exactly, that was our biggest gripe,” you admit, “We didn’t afford ourselves that time to grow, and I think that hindered our relationship. We weren’t husband and wife first, we were parents–and we were young, way too young.”

“You made it, though,” Shoko tries to brighten the mood, “you’re both amazing parents, and I know those beautiful girls that you created are lucky to have you.”

The intimacy of the conversation sends your emotions into overdrive. You quickly realize how much you missed her, how much you yearned to talk to her. To reconnect on this level.

A single tear cascades down your cheek, and you try not to sound like you’re crying when you say, “Ok, enough about that. You wanted to know about my shitty dating life, right?”

It happened last week, the grocery store incident. You were out picking up a few things for dinner when you spotted a cute guy standing outside of the aisle a few rows from you. He was fit beyond measure, in looks and strength, and was wandering around aimlessly in pursuit of red pepper flakes.

Coincidentally, you just happened to be in the seasoning aisle, and like the good samaritan you were, decided to personally hand-deliver it to him.

You wince as you vividly recall the embarrassing ordeal that ensued immediately after.

“Hey,” you peer from behind the aisle, with a bottle of red pepper flakes in tow. “I heard you mumbling about finding this, and you looked pretty lost, so I thought I’d pick ‘em out for you.”

The man’s brows furrow briefly before his lips up-turn into a grateful smile, “Oh, cool, thank you so much!” As quickly as the conversation started, it ends even quicker. He gives you a final nod of endearment before he’s turning around on his heels to resume his shopping.

“God, could he be any more dense? The men today really make you work for it, huh?” you mumble to yourself, pulling the bosom of your blouse down until a good amount of cleavage is on display. “Okay, alright. You got this, you got this. This always used to work, right? Yeah, men love boobs.”

Walking up to the man again, you try a different approach–a bolder approach. “Not to be a bother but I was wondering if I could-”

“Babe? Oh, there you are,” a new voice interjects. The owner of the voice emerges from around the corner and walks up to the man with a cart and a baby in tow. You’re stunned, to say the least. All you can do is stand there and blink in complete and utter dumbfoundment. As you remain in their presence, you take a moment to analyze the woman. She’s gorgeous, and toned. A real model-type broad, with feline-ish features that make so much sense paired with the man who appears to be her partner.

Oh, you think, and apparently say aloud, too. That’s when the woman turns to you, finally acknowledging your much smaller, and much quieter presence.

“Hi, can we help you?” she smiles, and it’s actually genuine. Toothy and perfect, and totally not jealous. You blink once, twice, before gathering your wits to answer her question.

“Yeah, uh, no. I actually, uhm, was helping your h-husband. He was looking for red pepper flakes,” you mutter embarrassedly, and point to the bottle in his hand. Upon further observation, you notice that she isn’t exactly wearing a ring. You find this odd, especially because his not wearing a ring is what encouraged you to pursue him. Carefully, you prod.

“If I may ask, how come neither of you are wearing rings?” The couple gives each other a look, one that makes you feel like the odd man out. A look that is universally known, and without a doubt, could easily be translated to: ‘did this chick really just ask that?’

Still, you smile as you wait for an answer. The woman takes the initiative. “Yeah, we don’t really believe in rings, isn’t that right, babe?” she says so matter-of-factly. You blink again for what seems like the thousandth time, because of all things, you did not expect that to come out of her mouth. Her husband is quick to validate her statement.

“Yeah, we think rings are unnecessary, you know? You don’t need a piece of metal to confirm your feelings,” he says walking to his partner’s side and wrapping an arm around her.

Disgustingly, the two give each other googly eyes before locking lips briefly. You can tell they’re the type to probably share this information with just about any soul who asks. Today, you just happened to be that unfortunate soul.

“Are you married?” she queries, tilting her head against her husband’s chest.

“I was, now we just…co-parent,” you purse your lips, ready for this entire interaction to be over. The woman frowns at your answer, and this time it’s not as genuine.

“Awe, well, I’m sorry to hear that.”

“It was actually a mutual decision,” you quip.

“Okay,” she smiles, widening her eyes at her husband to signal a departure, “well, it was nice meeting you, and thank you for the red pepper flakes.”

The family turns away and heads to the front where check-out is. You don’t even buy the items you intended to purchase, just leave your cart in the middle of whatever aisle you abandoned it and leave the store.

“Oh, baby, you didn’t?” Shoko asks in horror. You nod your head, still forgetting she can’t see you and the way you’re sliding down against the wall.

“I did, and I shan't ever again,” a laugh erupts from your throat.

“I mean, fuck, are we getting old? ‘Don’t believe in rings,’” she mumbles, “Don’t believe in rings, my ass! Is this what the youth are doing these days? Not proposing with rings?”

Now that you think about it, you wonder how that would even work. “Yeah, right? I mean, how does that even work? ‘Will you marry me? But, actually, you should know I don’t have a ring for you, so people will have to guess that we’re together purely based on vibes and energy,’” you mock, in a not-so-great man voice.

Shoko’s laughing so hard by the end of your bit that she breaks the sound barrier, and the sound that makes on the phone sends you into your own fit of laughter. You laugh so hard it seems like a stream of pee comes out. Curse your developed incontinence after motherhood.

“God, you’re so stupid, I can’t breathe,” she says exasperatedly, and you know that on the other side she’s probably keeling over in her bed.

“Oh, please. I bet you haven’t laughed this hard in a long time, bitch.”

“I haven’t,” she cackles. This back-and-forth continues until the two of you settle down enough to continue discussing your (pee-inducing) love life.

“You tried any dating apps?”

It’s a simple and valid question, but it only makes you laugh even harder. You only stop when the other side of the line goes quiet. “Wait, seriously?”

“Yeah, seriously. It’s what everyone’s doing these days! You’re not that old, you know.”

“Shut up,” you kid, “ it’s just that I never considered it. I mean, dating apps feel so impersonal. How serious do people even take it?”

“Sure, there’s people who use it for casual hook-ups and stuff, but a lot of people do come out of it with a relationship. Just don’t knock it ‘till you try it.”

“Oh?” you muse, curious. You wish Shoko could see your face, and the weird little dance your brows were doing. “Shoko, have you used a dating app before?”

The brunette kisses her teeth. “Can’t get anything past you.”

“Never.”

There’s a sense of hesitance but you encourage her to elaborate because ‘she became estranged from you for almost a decade and needed to pay her dues’. Sighing defeatedly, she eventually acquiesces.

“Fine, fine, maybe I’ve…been on a few dates,” she starts, “–and had a few one night stands, maybe more than a few, and maybe even dated a guy that turned into my stalker–”

“Ieiri Shoko! You naughty, naughty girl! Wait, stalker?”

“To make a long story short, I got a restraining order on that creep. Anyway,” she segues, attempting to change the subject, “We should make you a profile!”

For the rest of your phone call, Shoko guides you through all of the dating app basics. She offers her expert advice as you scroll through your camera roll for potential photos to use. You go through about a hundred before you finally settle on five that she really likes.

The one that she tells you to put first is a photo of you in a bikini. It’s a few years old but she says you look ‘radiant’ and that your ‘tits were practically spilling out of the cups’. Plus, for further consolation, she says most people on dating apps are liars.

“Everyone’s got at least one old photo on their profile, doesn’t make you a catfish,” she quips, “just means you’re a nostalgic person!”

“Right…”

The next one is a selfie. You’re smiling big in it, showing your gums, and it’s genuine. Shoko says guys like those types of photos because it shows them that you’re approachable. It also won her over because it’s fairly recent, too.

Out of all your photos, there’s only a select few that were taken within the year. You had to admit to her that you never really took photos of yourself anymore. Satoru took most of your candids. Still, she had a mission. And she wasn’t going to be satisfied until she stuck around to see your first match.

“After the selfie you should put the one of you with the girls.”

The picture she’s referring to is one Satoru also took. You remember that day fondly, and even now, the memories feel like a warm embrace.

about 8 years ago . . .

“Dad, mom, look! Hurry!” Hana, your oldest, shouts. Satoru and you are sitting on a blanket up on the sand dunes with Haruki, who’s trying her best to make a sand castle–to no avail.

“What is it, hon?” Satoru and you rush over to her, snatching toddler Haruki in the same breath. When you get to the scene, a flood of warmth washes over you upon discovering the ‘threat’.

“See, it’s baby turtles!” Hana’s squatting in the sand, watching with pure and unfettered fascination as the hatchlings crawl north to the ocean. When she looks up at you, with eyes so bright, and a smile so big that’s missing two of her front teeth, you want to cry.

“Oh, hon, that’s beautiful,” you gasp, lowering to your haunches so that you can join her. Satoru is about to follow suit before deciding at the last minute to go back to the blanket. When he returns, he snaps a picture unbeknownst to you. Eventually, though, you turn your gaze to him and he captures–what he used to think then–the ‘prettiest’ photo of you.

“You sneaking photos of me?” you squint, pointing at him. He trods closer until he’s standing above you. Then he snaps another. Your head’s tilted up, and you’ve got one eye open, and the other closed because of the sun. He always liked when you squinted like that because it made your nose do this cute little scrunch.

“Yup, ‘cause you’re my muse.”

You’re pulled out of your daydream when Shoko says your name on the other line.

“You still there?”

“Yeah, it’s just…”

“Just what?” she queries, waiting for a response.

“I wanna use it, but my ex-husband took it. It feels weird, you know? And do I want to use a photo of me with the girls?”

“Hon, who cares if Satoru took the photo? It’s still a good photo, and to answer your second question, why wouldn’t you include a picture with your girls?”

“I don’t know, I guess I’m just afraid no one will be interested. Nothing about a picture of a mom with her two daughters exactly screams ‘fuck me’.”

Shoko lets out a small chuckle but you’re being serious. “Oh, sweetie. You’re so cute. Milfs are in these days, I don’t think I’m the one getting old, I think it’s just you!”

“Ha-ha, laugh at the mom,” you feign annoyance, but give her a laugh in return.

“But seriously, please use that photo. Nobody’s going to skip you just because you’re a mom. A lot of men on there have kids of their own, just gotta tweak your settings,” Shoko reassures you.

By the end of your call, the profile is set. You thank your old friend for the previous heart-to-heart conversation, and the time she spent helping you set up your profile.

“Keep me updated, and don’t talk about mom stuff, okay? Now, I’m not saying you can’t talk about them,” she begins, “but show these guys your personality! I know she’s in the closet somewhere hiding next to our old slutty clubbing clothes.”

Then, the both of you say your goodbyes and she wishes you a good-luck on your newly established dating journey. As you lay in your bed, you give your profile a final onceover. Not too bad, you think to yourself.

You ended up using all of the photos she had originally picked out for you. Even the beach photo. To compensate for your old photos, though, Shoko made sure that your prompts were witty and full of personality.

“I’d match me, I think. No, yeah, these are funny. She did a good job.”

The following day, you open your phone to fifty notifications from the dating app. A tingle of excitement shoots through your body from the tip of your toes, to the top of your head. It takes all of your might not to squeal in the office.

“Holy fuck,” you whisper at your desk. The amount of notifications that you initially saw on your homescreen read ‘50’ but when you opened the app, it showed you an overwhelming ‘100’ with a fat plus sign next to it. “Wait, are these all the people who liked me? Shoko’s gonna flip.”

Getting up from your chair, you make a beeline to the nearest bathroom. Not that you have to use it, but so you can scroll through all the potential prospects without your boss seeing you on your phone.

Pulling open the door to the bathroom, you close it shut behind you and lock it. A few minutes pass in the time you’re able to get through about half of the people who liked you. You end up skipping a lot of them. They’re either too young, too self-absorbed, creepy, or just downright not your type.

Some stick out, though. Even trick you into thinking they’re potential matches, but then the other shoe drops–because there’s always another shoe. You’ll scroll through their profiles, and they’ll seemingly have all the perfect traits: intelligent, witty, handsome, tall–and then, boom. You see their ‘don’t want kids’ preference. Every failed match only discourages you more and more.

It’s weird, because your profile preferences are set to ‘have kids’ and you even have a photo pictured with your girls. So why are men liking your profile despite that? After a few more scrolls, you’re just about ready to head back to your desk but then–you have a hit.

Your finger hovers over the ‘x’ at the bottom of the screen, then retracts. The guy’s profile at first impression is miles better than the rest, it’s almost too good to be true. His first photo is what piqued your interest. It’s of him posing for a silly photo with his sons, and he’s got his arms draped around their shoulders.

As you scroll down his profile, you see that there’s even more of him with his children. You take this as a green flag. He wants people to know he has kids, and that he isn’t embarrassed to show them off. You admire him for it.

The last few remaining photos are an amalgamation of selfies and full-body photos. To the average, well-adjusted adult, looks wouldn’t be a deal breaker. But he definitely wasn’t too bad on the eyes, and you were not complaining about that–especially, after the odd men you had to scroll through to get here. In other words, he was gorgeous and still fit despite being older than you (him, respectively being in his early forties).

Checking the time on your phone, you realize that you’re pushing your little ‘bathroom break’. Before heading back to your desk, you decide to respond to his first photo.

You: Cute! Could never get my girls to stand so still for a photo like this now haha :)

Work goes by slower than you’d like, but finishes up just in time when you get a notification from the dating app. You’re a little more excited than you’d care to admit. Tidying up your workspace, you say your goodbyes to your colleagues and head to the elevator. Absent-mindedly, you rush to answer his message but realize it won’t go through because of the elevator’s poor service.

Kazuki: Oh, they’re moody and grown now, don’t be fooled. I can't remember the last time I saw my youngest smile.

You don’t answer his reply until you get home. Actually, you do just about everything but answer his reply: check on the girls, shower, prepare dinner, pour a glass of wine–you’re nervous, and you don’t know why. But you know you should probably answer soon before he becomes disinterested. So you get comfortable in bed with your glass of wine and pull open his chat.

You: Lol, know that all too well. Kids are little assholes, aren’t they?

The speed in which he reads your text is startling, you don’t even have enough time to close out of the chat. Then, he responds.

Kazuki: Hell yeah they are!

Kazuki: Sometimes I want to strangle my youngest. He’s at that age where he’s starting to rebel and question everything. I told him he was supposed to be the ‘easy’ one, but his knucklehead brothers are bad influences on him…Tell me, does it ever get easier?

You: Sounds a lot like my oldest. She used to cling to me like a koala but now she’s the ring leader, and I’m the enemy. My youngest still loves her mama, though (for now lol).

You: And to answer your question, I’d like to think so?

You take a second before continuing your response. Shoko told you to keep the mom talk limited, but this seems to be working for you so far, and he’s genuinely interested in what you have to say. So for once, you’re going to ignore her advice.

You: Kids go through phases. It's our job to reassure them that we’re not going anywhere. No matter how much they push us away or try to, that is :)

Kazuki’s chat bubbles pop up, then disappear. You think he’s deciding on what to say.

Kazuki: I can tell we’re gonna get along great. It’s nice opening up like this, you know? Talking to another parent. If I'm being honest, dating apps have always intimidated me…

Kazuki: People see kids as ‘baggage’, and it really bothers me. My kids aren’t baggage. They’re the best parts of me. And if someone doesn’t see that, then we have no business getting to know each other.

Kazuki: Sorry for getting all sappy. Just felt like I needed to say it.

His apology makes you frown. It feels like a breath of fresh air to hear someone talk about their kids so lovingly, because you feel the exact same way. You’re glad you downloaded the app, and you make a mental note to thank Shoko again later (after you debrief her about this).

You: Never apologize for speaking about your kids! And if we’re being absolutely transparent, that was my biggest gripe with downloading this app, too.

You: I’m so glad we matched each other. I’d like to get to know you more. And I’m hoping the feeling’s mutual?

Kazuki: It’s more than mutual.

Kazuki: Don’t want to get ahead of myself but how do you feel about dinner? There’s a cool high-scale restaurant in the city that I haven’t been to yet. Heard it’s got two Michelin stars despite opening up not too long ago.

The prospect of going on a sit-down dinner date has your stomach in knots. It’s been a hot minute since the last time you’ve done so, but you’re eager to know the man behind the screen on a more personal level. Plus, being treated to a high-scale restaurant with two Michelin stars doesn’t seem too bad either. You’re never one to turn down free dinner.

You: I’d love to, but how soon we talkin’? Gotta see if it’ll align with my schedule.

Kazuki: How’s this Friday at 8 sound? :)

The days leading up to Friday breeze by in a blur. For the majority of the week, it feels like you’re walking on cloud nine. Eventually, the conversation transitions from the dating app to exchanging phone numbers, and since then, the two of you have been texting back-and-forth everyday.

You talk about mundane things. Work, shows, movies, books you’ve recently read, what your kids are up to–but the other things? The other messages are flirty, and sexy, and filled with so much tension that it could cut a rope in half.

In between messages, the two of you have also exchanged a few photos. Nothing risqué or anything of that nature, just random photos of you throughout the day. The last one he sent was a few hours ago of him at work, captioned with: ‘Could this meeting be any longer?’.

You reply to the message with the ‘ha ha’ reaction, in consideration of not wanting to get him in trouble at work (even if he was the one who initiated the conversation). As the days go by, though, you make it a habit to update Shoko every step of the way.

Her first reaction to hearing about him was enthusiastic. That is, until you showed her screenshots from his profile. You vaguely remember her saying something that was meant as a compliment, but came out more like an insult.

“‘Oh, he’s a dad!” was her initial response, “oh, he’s a dad…and he really loves his kids. You’re meant for each other.’”

When you tried to ask her what she meant by that, she changed the subject. Every update since then has earned slightly more positive reactions, though.

Today, you ask her for more advice. Only this time, you’re on video call.

“Shokoooo,” you drawl, “our date is tomorrow! You have to help me find something to wear.” The panic in your voice is so palpable, she can almost feel your shaky hands through the screen. Flipping the camera, you hurriedly pan your phone around the closet.

“Breathe, girl, breathe,” she demonstrates first, before telling you to repeat the same motions. “Take me to that section over there–no, not that one–wait, yep, there.” You amble over to the area she’s directing you to through the phone.

“What’s that black little number right there?” She points. You prop the phone up on a shelf and scour through the section, tugging out a dress you haven’t seen in ages (which has you questioning how she even spotted it because it was pretty far back into the closet). Walking back into frame, you hold the fabric up to your body.

Shoko nods in approval, “That’s the one, babe. Try it on!”

It’d been about a decade since the last time you wore this dress. It’d also been about a decade since you were ever this small. Looking in the mirror, you run your hands over every surface inch, every crevice of the dress, in a newfound sense of appreciation for the adult weight you’ve gained since becoming a mother.

The dress was always stunning but it hugged everything perfectly even more so now. When you walk back into frame, your friend gives you a look of pure adoration. She’s so enthralled that she snaps a few screenshots for keepsaking.

“Thank god it’s Satoru’s turn to get the kids tonight,” she says, “‘cause you’re definitely getting some tonight.”

You roll your eyes, reminding her she’s on speaker phone. “Oh, please. It’s just dinner!”

“Not in that dress,” she retorts, wagging her finger in the camera. While the two of you continue to chat about the details of tonight, a knock on your bedroom door draws your attention.

“Mom, can I come in?” the voice sounds. It’s Haruki.

“Come in, hon!”

After you give the ok, you turn to Shoko and mouth to her to behave. Haruki turns the knob and enters, closing the door behind her. She sees you standing in front of the mirror before you see her, and silently utters a ‘wow’. You’re just about done putting your earrings in when you join her in the other room.

“What do you think, bun? Does your mom look hot?” you spin around, smoothing your hands down the length of the dress. You wait in anticipation for her approval, because if anyone could tell it like it is, it was always going to be a kid. Your Haruki was no exception.

“You look really pretty, Mom. I’m glad you’re going out tonight, I mean, you don’t really have friends so I think this will be good for you,” she elaborates, though you wish she would’ve stopped at the compliment.

Still, it puts a smile on your face to hear her verbalize that she’s okay with you doing something for yourself. You never quite discussed the prospect of getting back out there with your kids–and not even intentionally. It just never felt like the right time.

“You could’ve stopped at the compliment, punk!” you grab her, then wrap her in your arms, “but thank you. Love you, bun.”

“Love you more, mama.” Neither of you make the effort to pull away. Instead, you both stand there. Hugging, breathing, embracing each other’s warmth. You don’t always get hugs this good, so when you do, you savor it. Drag it out until your arms and legs get all tingly.

Or until someone interrupts. Another knock on the door. This time it’s Hana.

“Ew, what’s going on?” Hana feigns a look of disgust. You know she’s just jealous; she’ll never admit it, though. Which is why sometimes you have to force her to participate.

“Get over here,” you scrunch your nose, forcefully pulling her into your tight embrace. She tries to protest but eventually accepts defeat. You squeeze them both until they whine that they can’t breathe anymore. Then you squeeze them some more because this one’s for you.

“My special girls,” you breathe in, taking in all of their love. Soaking it all up so that tonight you have the courage to try again. To allow yourself a love of your own. When you let go, there’s a sniffle from the closet. It totally dawned on you that Shoko was still on the phone.

“They’re so big now, they don’t even know their auntie,” she fakes a sob, blowing her nose into a tissue.

“Mom, who’s on the phone?” Haruki queries with a confused expression etched onto her face. It suddenly dawns on you again that although you’ve been communicating with Shoko again, you haven’t exactly told them.

“Hey, you came in here to tell me something right, Han?” Your attempt to change the subject is poorly done, which doesn’t come as a surprise to you considering deflection has never quite been an ability you excelled at. Nonetheless, the look of suspicion they give you after is fleeting before they explain to you in unison that their father is here.

“Your father’s been waiting down there this whole time and nobody cared to tell me?” you whisper-yell, left eye twitching to emphasize your ill-preparedness. The girls only shrug their shoulders in response, like this was something you were just supposed to know.

“Well, you did force us into a hug and make us do all that Kumbaya stuff,” Hana mumbles under her breath.

“Okay, enough about all that. Are you guys all packed? Where are your bags? I don’t want your dad seeing–”

“You don’t want dad to see your date, right?” Hana raises a brow, all knowing. Sometimes she was a little too smart for her own good. You want to blame that on the private schools Satoru had them enrolled in, but really you just know she’s just a menace in her own right. She learned that from him.

“I agree with the kid,” a voice chimes in. You rush to the closet and grab your phone from the shelf. There’s a huge, shit-eating grin on Shoko’s face. Somehow she’s responsible for this. You don’t know how yet, nor do you have proof, but you know it.

“Okay, thank you, love you, bye!” Before you can hang up, Shoko blurts something.

“Tell him I said hi,” she begins, “–andnottogetahardonwhenheseesyou!”

You hang up the call and roll your eyes, chuckling to yourself because of her idiocy. When you enter the corridor, you hear a faint sound of hushed voices from downstairs. It’s only when you round the bannister at the top, when those voices become discernible and louder.

You stop at the top, and when your eyes meet his, it feels like all the air in your lungs have expelled. Suddenly, you’re hyper-aware of what you’re wearing, and the fabric, and the way it clings to your body. Neither he, nor you, look away–you should, you want to, but you don’t.

And in the time the two of you gaze upon the other, time stops for a modicum of a second. In this second, you and him are the last two souls in the world. At least, that’s how it feels anyway before he breaks eye contact.

You shift your gaze shortly after, and put on a trained smile. Those eyes of his were always so intense. You guess you forgot over the years how easy it was to lose yourself in the crystalline pools of them. Gathering your wits, you resume your movements and saunter down the imperial staircase.

“Hey, didn’t mean to keep you waiting. Sort of lost track of time, but I think the girls are all packed,” you say, your voice coming to a decrescendo upon noticing the way his eyes trail over your frame. They’re unreadable, though. Indifferent, and honestly, you’re not sure how to feel. So, you begin fidgeting uncomfortably with the rings around your finger.

Then, he smiles. It’s eerie and fake. “Not a problem, I haven’t been here too long. But, uh,” he begins ambling around the place, touching random objects around the living room, “Didn’t know you had plans. What’s the occasion? Going out for drinks with your colleagues?”

You furrow your brows, confused with his sudden interests in your plans. It wasn’t really like him to prod. “No, actually,” you rock back-and-forth on the balls of your heels, “i’m…i’m going on a date,” you finish with a pursed smile. He only nods his head in response, still walking around the place touching stuff, messing with the picture frames on the mantle. They’re all crooked now.

“How come this is the only picture you have up of me,” he asks suddenly. You know, that he knows, the answer to that. And he knows, that you know, you’ll indulge in his games anyway.

“The girls wanted them in their rooms. Why do you ask? You want me to go grab them and put ‘em all up around the house?” Again, he doesn’t say anything. Just gives you a final once over before heading back to the foyer to ask if the girls are all set to go.

“Yeah, but I can’t find my tablet, dad. Can I go look for it?” Haruki speaks up. “I thought I packed it.”

Satoru looks at the time on his watch, pinches the crease in between his brows. “Sure, kiddo. Can we make it quick, please?” He throws his hand in the air for emphasis, then points to his watch. Haruki nods, then runs up the stairs.

“Actually, you go on up too and help your sister. You guys are holding up dad,” you turn to Hana and gesture for her to head up with your head. She rolls her eyes, yelling up the stairs for her younger sister to ‘freaking hurry up’.

You and Satoru both turn to each other with wide eyes, laughing at the nerve of those children.

“They get that attitude from you, you know,” you point to him, driving your index finger into his bicep.

“You sure? Their mom’s got a pretty bad mouth on her, too. Or, have you forgotten?” He teases, bending his knees slightly to level his eyes with yours, intruding into your space. The smirk he dons is cheeky, too friendly–too inviting. You want to smack it off of him.

“Oh, shut u–” the sound of your phone chiming interrupts your banter. It’s a message from Kazuki, and you open it while Satoru stands over you. Probably close enough to read the message on his own if he wanted.

Kazuki: Hey, I hate to do this but I don’t think I can go through with tonight.

When you read the message, your heart drops into your stomach. There goes the other shoe, you think, fully embracing your pessimism. Who were you kidding, really? To think that tonight you’d go out and have a good time. Do something for yourself. It was stupidity.

Chat bubbles pop up on the screen. He has more to say.

He has more to say, and you’re fighting the urge to cry–to not shake out of sheer frustration while you’re still standing in front of Satoru. Because nothing would be worse than him seeing you can’t even land a date.

Kazuki: I recently just went through a divorce, and I know that I should have informed you about this before continuing our conversations…Especially since you’ve been so transparent with me about your own divorce and strife.

Kazuki: But if I’m being completely honest, I was scared. I genuinely wanted to see this through, at first. I wanted to forget about my ex-wife for just one night. But I realized I’ve been asking the impossible of myself…I’m still in love with her, and it’s because I’m in love with her that I won’t allow myself to lead you on any further.

Kazuki: I think we would’ve had a good time tonight. It's unfortunate we had to meet under such circumstances because you’re a really lovely woman, and I’m sorry an asshole is standing you up right now.

Kazuki: Take care. I know there’s a guy out there just waiting for his shot.

Satoru takes notice of the way your face drops as you read over the messages. Part of him wants to overstep his boundaries and take a peek at the screen. But he doesn’t. He gives you your space and takes a seat on the couch, waits for you to say something first.

In the meantime, he studies your face. Watches intently as your eyes become glossy the more you scan the messages, watches as your bottom lip catches between your teeth to hold back from crying. He thinks he knows what just happened.

Taking a deep breath, you lock your phone and put on another trained smile, “Well, looks like I’m staying in tonight.” Satoru dislikes when you do that. When you put on a fake smile and overcompensate to make others around you feel better, even when it’s so very obvious you aren’t. He wishes that sometimes you would just be selfish–act out.

And then you continue the façade. It makes his skin itch.

“I was too tired anyway, guess I can just catch up o–”

“Will you stop,” he spits, rising from his seat on the couch to stand. It comes out harsher than he intended, but he doesn’t regret it. You look at him like he’s got two heads as he walks over to the mantle and leans against it. His back is turned towards you, and the palms of his hands hold the crest of it. He uses it as leverage to rock on the heels of his feet. You can tell there’s something he wants to say because of the way his jaw ticks.

Satoru is never one to bite his tongue, so you’re not exactly sure why he’s choosing to be so restrained. If he wasn’t going to spit it out, you were going to poke. “What’s your problem?”

He chuckles at this, rubs his chin then pushes off the mantle to stand in front of you, gets all in your space again. The movement almost sends you back but you hold your ground, tilt your chin up at him and repeat the question. Slowly, this time with more venom.

“My problem? What’s your problem?” He breathes through his nose, his eyes flickering back-and-forth between your own. “Why do you always pretend like you’re not lonely? It’s okay if you were looking forward to having fun tonight. It’s okay to be upset and be mad at the asshole who stood you up!”

With every verbal prod at you, the gap between you decreases. His feet inch closer and closer to your own and force you to retreat farther until your back hits the wall. The coldness of it causes your breath to hitch, and you try to stay calm as Satoru encroaches more into your personal space. Being on the receiving end of his passion was always suffocating, you feel exposed under the intensity of his gaze–even more so as he continues to tear into you.

“Why do you even care?!” you cut him off, eyes wide and veins pumping full of adrenaline. “It’s not your place to be so invested in my life anymore! We’re not together, you don’t have to get so hot and bothered about things going shitty for me. I’m a big girl, and I’m perfectly capable of fighting my own battles.”

By the time you finish, you’re a heaving, shaking mess. He takes this as a sign to withdraw from your space, and goes to sit back down on the couch. When you finally settle your nerves, you join him, leaving a foot of space in between you. There’s an awkward silence, one that wouldn’t have even happened if he just respected your boundaries in the first place. Now he feels like the asshole instead of the actual asshole who dumped you. Taking a hesitant breath, he decides to speak up.

“Look, I’m sorry. I didn’t…It wasn’t my intention to come off so strong like that,” he begins, “I just wanted to let you know that you don’t always have to pretend to be fine. It’s not fair, you shouldn’t do that to yourself.” His eyes wander over to you reluctantly, like he’s scared that if he looks too long you’ll disengage from the conversation.

“It’s okay,” your voice is small, just above a whisper. You want to face him, but you know that if you do, you'll break into a million pieces. So you keep your gaze downward, busy yourself with the stray pieces of thread on the bottom of your dress. “You’re right, you know. I think I just…I think I just tell myself to expect disappointment so that when something bad happens, I’ll know it’s not because I got my hopes up.”

Satoru turns to you, and you can see him frown through your peripheral. Still, you don’t face him because you’re not done talking. But you thank him silently for listening without interrupting.

“Even though you’re right, I don’t appreciate the way you came on so strongly. We’re not married anymore, we’re not a couple–we’re co-parents. So if there’s something I want you to know about that’s outside of the scope of our kids, I’ll let you know. Otherwise, leave it alone.”

Satoru’s face softens. For once you’re being selfish, putting your foot down. This is the side of you he likes. “Okay. I respect that,” he says, “But can I ask you something?” The smile on his face is mirthful, like he’s got something else up his sleeves this evening. Skeptical, you finally face him with a raised brow.

“What?”

“Let me take you to dinner.”

You laugh in his face, even go as far as smacking his arm because you want him to know you found the joke really funny. He doesn’t budge, and that’s when you realize he’s being serious.

“Wait, what?”

“Let’s go to dinner,” he stands up, crossing his arms across his chest. You tilt your head in disbelief. You’re just waiting for someone to tell you you’re on that old reality show punk’d.

“Funny, I just poured my heart out to you and now you’re making fun of me,” you roll your eyes, feigning annoyance.

“I’m being serious,” he reassures, “you’re already dressed up. It’d be a shame for it to go to waste.” His eyes are twinkling with hope, and once again, you find yourself falling victim to their persuasiveness.

Being under Gojo Satoru’s gaze was suffocating.

Giving in, you ask, “So what are you gonna do? Drive all the way home to get dressed?”

The question is genuine, but the bastard just grins. “I’m a little hurt,” he throws a hand over his heart, “don’t you know me by now? I’m a businessman. I keep pressed blazers and slacks on me at all times.”

He swings his keys around his index finger, hoping that the promise of a spare change of clothes being in his car is enough to convince you to say yes.

“I don’t know…” you trail.

“C’mon, let me take you out. I promise you won’t regret it.”

Somehow he was able to persuade you into going out. After he changed into his spare clothes, you ended up telling your girls that there was gonna be a change of plans, and that they’d go home with their dad tomorrow.

Of course, before leaving, you made sure to leave some money on the table for pizza, and you also made sure to drill into their heads not to open the door for anyone except the delivery guy. You knew they knew the drill already, but it didn’t feel right to leave without saying it anyway.

“Be good, listen to your sister, she’s in charge,” you pinch Haruki’s cheek. Hana smirks, nodding her head in agreement with you.

“I will mom, I know,” she huffs, crossing her arms.

“And you,” your finger wags at Hana, her smirk drops. “Don’t provoke your sister, be nice. Act like you love each other, please.”

“Fine, whatever. I guess,” she grabs the knob to the door, ready to kick the both of you out already. “So does this mean the two of you are back together, or?”

Satoru and you turn to each other before answering in unison, “No.”

“Okay, cool. Well, have fun,” she practically closes the door on the two of you, locking it after. Satoru is just as dumbfounded as you are, but then you break into a fit of laughter.

“Those kids, man.”

“Your kids!” you correct, pushing him playfully as the both of you walk down the pebbled pathway. He finds his equilibrium in time to unlock the car and open your side of the door. You pause before ducking inside.

“Oh, how gentlemanly of you,” you jest, “And they say chivalry is dead.”

“How could it be when I’m alive?” He says matter-of-factly, closing your side of the door. He taps the top of the car before sliding across the hood to the other side. Nice to see some things never changed.

When he gets inside and turns on the car, he puts his hand on the back of your seat to back out. The proximity sends a shiver down your spine, and you have to physically refrain from letting your eyes linger on his jaw, and his arms, and the face he makes when he’s trying to concentrate.

You try to dispel these less-than-friendly thoughts by looking somewhere, anywhere else but him. But you can’t, and it’s irritating.

This is the second time tonight you’ve been this close, and it’s only this time that you realize something about him is…different. Earlier, he didn’t really smell like anything, but you quickly notice his smell has changed.

There’s a sort of piney scent coming from him. It’s not strong or obnoxious enough to blind your nostrils, but it’s enough for you to just barely pick up on it. You almost think it was premeditated, that he took the liberty of spritzing some on before walking you to the car. Before you separated, he’d made it a habit to wear variations of woody scents for you. If you can recall correctly, a passing comment you made about the cologne he was wearing that day is what sparked the habit.

Surely, this couldn’t be coincidental?

“You smell nice,” you blurt, filling in the silence.

Satoru glances at you, “Thank you.” You hate that from the corner of your eye, you can see his stupid little smirk growing bigger by the minute. He already had a big ego, it didn’t need to be stroked any more.

“Don’t let it go to your head, though. You usually smell pretty rank.”

“Ohhh, is that so? Guess I gotta start wearing this more often then, huh?”

“Sure, do what you want,” you say, trying to remain indifferent even though you’re failing terribly to hide your smile. When the car approaches a red light, you finally decide to ask the big question. “So where are you taking me?”

“You’ll see,” he glances over, “Just know I’m good friends with the owner, so last minute reservations weren't a problem.”

The rest of the car ride is silent, save for the low hum of the music playing on the radio. When you arrive at the location, Satoru makes sure to walk all the way around to your side of the door again and open it. Immediately after, the two of you are greeted by a young male. He’s wearing a white button down, black slacks, and a black vest with a red tie. Judging by his appearance, you assume he’s a valet driver.

Satoru drops his keys in the driver’s hands, and escorts you towards the entrance. The boy bows and goes to park the car. Looking around, you start to wonder where exactly this place is supposed to be. The area is dark and secluded, and from where you stand outside, it doesn’t sound like there’s supposed to be a restaurant here. You don’t hear any voices, you don’t even see any security or other passerbyers.

Still, you follow behind him like a duckling, only coming to a halt when he leads you to a door taller than the both of you. He gestures for you to back up, then raises his knuckles to blow a strong, single knock. You’re taken by surprise when a set of angry eyes appear behind a slot in the door.

The pair of eyes first scan over you, then Satoru. A gruff voice is second to accompany them, “Where can I get a good drink?”

“I heard the bar down the street is nice,” Satoru answers. The hatch to the door closes, then swings open the door, and the man behind it moves aside to welcome you in.

“Follow me, please.” Once he closes the door, he begins guiding you down the dimly lit hallway. After making what seems like your hundredth turn, you eventually reach a staircase. The man gestures for you to go on ahead, and you think this is him implying where the three of you will depart.

“Thank you,” you say softly, disappearing down the stairs. Satoru isn’t too far behind, keeping a pace between you. As you near the end of the long, narrow hallway, a stream of white light brightens up your whole path. It leads you down to another door like a beacon of light, and when you reach it, you can hear voices, live music, and dishes clanking on the other side. It’s bustling with life. A huge, joyous smile plasters across your face. It’s almost child-like in appearance, like you haven’t seen something this cool in a long time.

Satoru stands beside you and winks. “What d’ya think? Any idea yet where we are?”

“I think this is fucking cool, and hm,” you take a second to mull it over, “are we at a speakeasy?”

“Smart girl. Now come on.” Stepping back, you allow him to pull open the door, and when he does, there isn’t a word to describe the atmosphere of the place you step into. All you can do is stand there in astonishment. Before long, a man walks up to you.

“Welcome, what is the name you reserved under?”

“Gojo.”

Nodding, the host instructs you to follow after him. He leads you to a private seating area, somewhere far in the back that’s secluded from the other patrons. The space is much bigger, and much more extravagant. You know you’re only sitting way back here because Satoru is who he is. And in all the years you’ve known him, his connections were just another party trick in his arsenal.

The hostess seats you, then Satoru, and tells you that a waiter will be with you shortly.

“This is nice, really nice, but is it–”

“Legal?” he finishes your sentence, “don’t worry. It’s a modern speakeasy-style restaurant. There’s nothing illegal going on here, promise.”

While you wait for your designated waiter, your focus shifts from the man in front of you to the man singing on the stage. Up until now, his voice was white noise in the background, but then he started singing a tune scarily reminiscent of your past–and your breath catches in your throat.

If I ever leave you, baby

You can say I told you so

And if I ever hurt you

You know, I hurt myself…

Turning your gaze back to Satoru, you squint your eyes mirthfully in disbelief. You wonder if this is just a funny coincidence, if this is the universe playing her tricks, but you know deep down, that coincidences and Gojo Satoru don’t belong in the same sentence.

You open your mouth to speak, but quickly close it when you see the waiter approaching from the corner of your eye. He greets the both of you with a polite smile, then sets down two glasses of water.

“Good evening, I’ll be your waiter for the night,” he says, placing a menu in front of you, “Can I get you fine folks started off with a bottle of wine?”

Satoru nods, tells him to bring the best bottle of red they have and then gestures for him to come closer so that he can whisper something in his ear. All the while, you sit back in your seat observing, clicking your nails on the table until the server pulls back and bows.

When he departs, you immediately lean in over the table, and ask, “Just how much time did you have to plan all of this?”

Satoru feigns aloofness, taking a sip of his water, “What do you mean?”

You roll your eyes, gesturing at the stage with your eyes. Then, as if suddenly coming to a realization, he goes, “Oh, that? Yeah, I had nothing to do with that. But isn’t it funny they’re playing our old song?”

Now he’s smirking, with his elbow leaning back on the chair, and a gaze so piercing, you’re certain you’ll crumble into nothing unless you look away. So you do, avert your gaze back to the stage and sway calmly.

Is that any way for a man to carry on

Do you think I want my loved one gone

Said I love you

More than you’ll ever know

“So funny,” you counter.

Eventually, the server comes back with a bottle. “1982 Chateau Latife Rothschild,” he holds it out to present, “Is this alright?”

Despite the years spent with Satoru, and the many elitist events you often attended with him, your knowledge on wine had never surpassed anything but surface level. You knew the difference between good wine and cheap wine was the taste, but your taste buds had grown accustomed to store-bought, so if anything, store-bought tasted like heaven to you. Anyway, though, you nod your head and urge him to pour a glass.

“Thank you,” you smile, before gently swirling the glass and bringing it up to your nose to smell (something you only know to do after being the odd man out at so many company banquets). Satoru waits for you to sip your glass before he sips his. The way you melt into your seat is a silent assurance that you’re pleased.

“This is great, you’re amazing,” you tell the server, who seems pleased by your compliment.

“Glad to be of service, miss. Are you ready to order?”

Dinner goes by smoothly. In fact, it goes by so smoothly, you and Satoru finish the entire bottle of wine. Now you sit at the table, bellies full, faces flushed and sore from laughing, and now you find yourself telling him about the grocery store incident. If you had half a mind (a sober one), you’d shut up right this second to save yourself from the embarrassment. But you don’t. And Satoru’s very persuasive when you’re tipsy.

“Keep going,” he leans in, hand nestled under his chin. He’s completely invested in the story. Actually, as soon as he heard the words ‘store’ and ‘cute guy’, he just had to know more. And you begging him to change the subject didn’t help, not when the sadist in him loved to see you so embarrassed.

“Fine,” you hiccup, “It was so - so bad, Toru.” He doesn’t miss the way you slip and call him by the nickname you’d always reserved for him. It makes his heart race, and god, does he miss the way it sounds spilling from your lips. But he ignores the feeling, and refocuses on your story instead. Which, by the way, was proving to be a task in itself because his eyes couldn’t stop drifting back down to your lips. So soft, so–

“And then she said ‘we don’t believe in rings,’” you whisper, fist coming down on the table. The sound it makes nearly sobers you up, and you realize just how loud you’re being despite your table being secluded from others. Giggling like a kid, you continue, “I mean, how fucking insane is that?!”

“Something as bizarre as that could only ever happen to you,” he replies, laughing along with you, “those people were crazy.”

“The craziest,” you agree, throwing your head back in another fit of laughter. Gradually, the two of you begin to settle down, and once again, you find your attention being drawn back to the man on the stage. Only this time, he’s making an announcement.

“Good evening ladies and gentleman. Tonight I’ve got a special request,” he says, looking out into the audience. Looking at you. “This one’s for a very special lady who, from what I’ve been told, is a great mother that needs to start doing things for herself.”

The singer steps out of the spotlight and hands the note to a server. Your server. Then he begins to sing, and your heart drops into the pit of your stomach. It was your wedding song.

[...] I don’t even know how to love you

Just the way you want me to

But I’m ready (ready) to learn (to learn)

Yes, I’m ready (ready) to learn (to learn)

“Now this one? This one was me,” Satoru leans forward, and you swiftly turn your head to face him. He smiles as he watches your face go through ten different emotions before ultimately softening. It warms your heart to see how incredibly planned this evening was, despite the amount of time he was given to work with. Even so, it kind of scares you–because then that meant this was a grand gesture–that this was his way of saying something. And you weren’t too sure if you wanted to hear it. Your gaze drops to your lap, and Satoru frowns.

To fall in love

To fall in love with you…

“Look at me,” he says softly, but you don’t. “Hey, look at me.” He reaches over the table to take your chin in between his fingers. The touch alone feels electric. Sends liquid hot lightning down the column of your spine. Reluctantly, you meet his gaze, and like always, it’s suffocating. They’re so wide with hope, and so, so gentle in the way they hold you. The longer you gaze upon them, the more you convince yourself it’ll be okay if you surrender to them.

“It’s been years since we’ve divorced,” his voice is shaky, almost strained, like he’s actively thinking how to choose his words carefully, “and when we sat down that night, I thought it was what I wanted, too, you know? And for a while, it was,” he reaches a hand across the table to rest atop your own, “but you gotta know…you gotta know–you’re it for me. There’s no one else on this Earth that I want to start over with. You’ve always been the beginning and end of my story, and I’ll be damned if I let another man start one with you.”

Your heart is beating faster than you can even process what he’s saying. The only thing you’re focused on is not passing out in the middle of this damn restaurant. But then he’s squeezing your hand, and your focus is drawn back to those piercing, pale blues that even put crystals to shame.

“So what do you say?” he says, so softly, so tender. “Can we try again?”

Waiting for your reply, he squeezes your hand again. It’s like your soul is wandering the line between death and the living, and his touch is the tether that brings you back. In the background, the tune of the song sung at your wedding gives you a push of courage.

I don’t even know how to kiss your lips (kiss your lips)

At a moment like this

But I’m going to learn how to do

All the things you want me to

Yes, I’m ready

(Are you ready?) Yes, I’m ready

To fall in love

To fall in love right now

“Yes.”

The walk back to the car is hurried. Aided by both, years and years of built up tension, and the liquid courage currently bubbling in your systems.

The race back to his apartment is even faster. You thank the gods silently that it’s within close proximity to where you just were.

Once you get there, make your way past the doorman and concierge (who both give the two of you a knowing look), go up the elevator, and finally get into his loft–it’s over. Years of restraint, years of pretending, wanting–yearning, come crashing down.

There’s barely any time to close the door before he’s pushing you against it. His lips trail down the column of your neck, then come up to kiss your jaw, until eventually, they find your lips. And when they do, it’s instantaneous–that familiar feeling, the feeling that feels almost like falling.

Once again, for what felt like centuries, you feel again the rush of helplessness. The push and pull of the tide. It brings you down, down, down to the bottom of the ocean floor, and it’s unmerciful.

Kissing Satoru is like being shocked with ten thousand volts of energy. Like all this time you’ve spent not kissing him, has been costing you your life, and he’s the only one who can deliver you salvation. It’s all teeth and tongue for a minute. Messy, and sticky, and nasty. A true testament to the desperation brewing in the pits of both your stomachs.

The sensation of it all has your knees going slack, and that’s when he says–

“Jump.”

Obeying, you do just that. Jump right into his arms, and wrap your legs around his torso like you’ve done so many times before. The way you feel now is the way you used to feel before then, too. Like you were made to fit like this. To be held in his arms like you were molded from the same clay.

Carefully, he adjusts his grip on your body. Keeps his palms planted on the bottoms of your ass, and begins the trek to his room. He struggles a bit getting there because you haven’t stopped kissing since entering the apartment, but he figures it out after a stumble or two (which resulted in a bitten lip and you apologizing profusely through giggles).

“The turbulence up here is crazy, don’t blame me, blame the pilot,” you jest, kissing down his neck to make up for it.

“I’ll make sure to let him know,” he jokes back. As soon as he gets to the bed, he sets you down at the edge of the bed. You try to bring him down to your height but he stops you, wags his finger in your face playfully before using it to push you back into the bed. His fingers start to play with the fabric of your dress, and then his face takes on an indifferent expression. The same one from earlier that night when he first saw you walking down the stairs.

“Can’t believe you were gonna wear this for him…” he trails, lifting the fabric up slowly, eyeing you while doing so, “as if this dress doesn’t mean something.”

Of course, when Shoko chose it, its significance did make you falter–but in your defense, not once did you ever anticipate for him to see you in it. And you especially didn’t expect for him to remember it, the last time you wore it was almost a decade ago.

“I didn’t…” you start, a smile creeping on your lips, “think you remembered?”

“‘Course I did, how could I not?” He says more sharply than intended, taking offense. He takes offense because he spent the better half of the night showing you he remembered. The little things and everything else in between. Couldn’t you see that?

“It was our 4th anniversary. Bought you this dress and fucked you in it that same night. Funny how the second time I’m seeing you in this dress, the circumstances are the same except only this time we’re divorced,” he says, crawling over your body. “Guess I gotta show you just how much I remember.”

With that, he slips a hand under your dress, pulls your panties to the side and runs a finger down your slit. Oh-so-willingly, do you spread your legs for him. It’s almost subconscious, the way your body responds to him. And he revels in it. Lets his fingers work you, feel you, bring you to ecstasy. Then he heightens your pleasure tenfold when he kisses his way down your body, and takes a seat before you on his knees.

Unceremoniously, he pulls your body to the edge of the bed. Takes his time slipping your panties down the length of your legs, then kisses the insides of your thighs, before finally stopping at your mound.

Slowly, he lowers himself to your cunt, kisses your clit softly. Once, twice, three times. The pace in which he’s moving is killing you, to say the least. But you know he’s savoring the moment, making up for all the years he spent not kneeling like this between your legs. So you let him; let him caress you all over before he comes seeking the honey-sweet salvation dripping from your core.

The second his tongue makes contact with your heat, you find yourself clamping a heavy hand over your mouth. “Fuck, Toruuuu,” you drawl, back arching off the bed. Pleased with his abilities, he smiles smugly, using this as an opportunity to push himself even deeper. Up and down, he licks at your slit, uses his fingers in tandem with his tongue to prod at that spongy spot he knows you love.

“Tastes,” a harsh suck, “so good,” another, “better than I remember.”

You know he’s talking, but his words fall on deaf ears. You’re so caught up in your own high, you don’t even take notice of the obscene sloshing sounds coming from your pussy, or the moans you’re making. All you can do is lay there and take it as he takes, and takes, and takes from you.

Soon, you find your orgasm cutting through you like a knife, and you come with a strangled cry that has you biting back tears. Satoru talks you through the whole thing. He lays his head down on your thigh and continues working you with his fingers until you start to shake from the overstimulation.

For a few, you lay and stare at the ceiling. You think you can see the Milky Way–and all the constellations that make it up. It feels like your soul is floating beyond your physical body, and you don’t come back down to Earth until a sharp, stinging sensation brings you back. Did he just?

“Did you just bite me?” you lift your head, peering down to see the evidence. In all its glory, there it was; a red ring smack-dab in the inside of your thigh with teeth imprints. Looking at Satoru, he grins.

“Had to get you back from earlier,” he says, sitting back on his knees. You attempt to kick him with your foot, but he grabs hold of it. Pretending to be wounded, he gasps, “Is this how you treat the man who just gave you a soul-shattering orgasm?”

You roll your eyes, but to your dismay, it only encourages him to continue.

“Fuck, Toru,” he mimics, “oh my god, Toru. You fuck me so goo–”

“Alright, enough!” you manage to kick him this time, laughing as you bring up your hands to cover your face. “Keep carrying on like that and I won’t let you fuck me…” You’re serious in your bite, but he’s smirking. Like he knows you’re full of bullshit.

“Yeah right. You and I both know I make you feel too good.”

Feeling bested, you scoff, though, there’s no real weight behind it. While he begins to remove his shirt, you sit up and replace his hands. He relinquishes control and allows you to unbutton it until the item falls haphazardly to the floor.

He’s so beautiful, you think. Still so chiseled, so perfect after all these years since you’ve last seen him like this. At his most vulnerable. The only difference now is that there are more freckles littered across his skin. Back then, he’d say they were signs of aging, and he’d hate them.

But he’s older now. More mature. So much so that he even winks at you when you trace your fingertips over them.

“They suit you,” you whisper.

“Yeah?”

You nod your head, “mhm.”

Continuing your ministrations, you begin removing his belt. He holds your gaze the entire time it takes for you to unzip his pants and pull them down–and he doesn’t once shy away when you discover the wet spot on the front of his briefs. Slowly, delicately, you remove the soiled item and let it fall down to the floor with the rest of his clothes.

Still looking at him, you take hold of his length and fist him once, twice, experimentally. A dribble of pre oozes from his slit and you bring it to your mouth. All the air in his lungs expel into the air when you lick it off with your tongue, and god, he thinks he could come from that alone.

God, he’s missed you. Missed your touch, your lips–the way you hold him with your eyes like he’s something worth being gentle with. Nothing could ever compare to you, not even his own hand.

As soon as you’re about to take him in your mouth, he stops you. Pushes you back down onto the bed and slots himself between your legs. “No more playing, I’m tired of playing,” he breathes, lowering himself down until half of his weight is on top of you.

Guiding his cock to your entrance, he pushes past your folds with little resistance. The feeling of your cunt squeezing him in has his arms wobbling like jelly, but he musters enough strength somehow to stay up. You, on the other hand, are close to tears.

The more he eases himself in, the more you feel like you’re being stretched open (despite him previously prepping you). If you were being truthful, this wasn’t a complete shock to you. You’ve known that he’s always been big, but something about tonight feels different. Or maybe it’s just been too long since you’ve had something more than just your own fingers.

Even so, you try your best to ignore the burn of the stretch. You throw your arms around his neck and invite him deeper into you, hooking your legs around him so tightly that it renders his limbs useless. For a minute, all you can feel is the weight of him inside of you, and his chest against yours as they rise and fall asynchronously.

“Toru,” your voice is just barely above a whisper, but enough to make the hairs on the nape of his neck stand. “Make love to me.”

Heeding your request, he begins moving. Painfully slow, he unsheathes himself from you until only the head of his cock is inside, then pushes himself all the way back in with force. Again, and again, he repeats this motion. Pulls out, pushes in. Pulls out, pushes in, until he decides to increase his pace and set a steady rhythm.

Every thrust into you is meticulously calculated. Sharp, and forceful, and not once does he disrupt the rhythm. He listens carefully to the sounds you make. Even listens to the way your breath hitches when he hits a spot right. Everything he’s doing is perfect–and it’s to no surprise. Deep down, you know that Satoru knows your body like the back of his hand. He’d know it if you were all old and wrinkly. He’d know it if his soul reincarnated. Hell, he’d know it blind.

“Missed this,” he grunts, burying his head into the interstice of your neck, “missed you,” a kiss to your neck, “missed us.”

The veracity of his words render you speechless. He’s already professed his feelings for you tonight, but it feels even more real now that you’re beneath him. To be loved by Gojo Satoru was a feeling many couldn’t say they had the consolation of knowing. Only a few in his circle could hold that position–but only one person in this world could truly ever know his love to its fullest extent. You.

Satoru continues his mindless rambling, “I love you,” a thrust, “it’s always been you,” another, “was always going to be you.” Leaning back on his heels, he pushes your dress all the way up to reveal your breasts. Now it’s him who sits back and admires this time. As if he were reacquainting himself, he traces the planes and pastures of your chest with an eager hand. He runs it up and over each mound, squeezing and kneading the flesh experimentally.

Then, he dips down and kisses the space between them. Sucks and licks until the skin bruises, and he has evidence to prove tonight actually happened. Eventually, he withdraws from your chest and returns his focus on easing his cock in and out of your cunt.

“So beautiful,” he says, but it’s more to himself than anything. You’re so lost in your own pleasure, he doesn’t even think you can hear him. “Want you to cum on my cock, know you can do it, baby. Know you can,” he grunts, taking your hand and intertwining it with his own. Letting his head fall into your neck, he begins to quicken his pace. Fucks into you with everything he’s got and willing to give.

“Toru,” you finally manage to say, “‘m so close, keep going. Do it - do it inside.”

Do it inside. Do it inside. Do it inside. The thought is tempting, too tempting. It makes his dick twitch inside of you, and he swears if you say it again, he’ll actually do it. But he knows better than to listen to anything you say out of delirium.

“Trust me, sweet girl,” he cradles your face, to which you lean into, “I want to - I want to so fucking badly. But we both know you’d regret it later.”

Whining, your lips form into a pout, and the sight is so cute, he can’t help but to kiss it off of you. Compared to your kiss earlier, this one is much sweeter. Slower. More relaxed. He kisses you with the intent of making you dizzier than you already are, and it’s scary. Even so, you don’t pull away. You allow him to drink you up. Like your lips are the only source of water around, and he’s been quenched for days.

Finally, with a few more thrusts, you reach your climax. The pressure building in the pit of your belly pops like a balloon, and everything goes white. “Toru!” you shriek, arching off the bed and trembling in his grasp.

Using your arch as leverage, he keeps his hands underneath your back and continues to ram into you without abandon. You’re a babbling, wet mess at this point, and your cunt squeezing around him only encourages him more.

“Fuckfuckfuck, ‘m gonna - ‘m gonna,” he curses, balls beginning to tighten. Quickly, he unsheathes himself and fists himself the rest of the way. With an impassioned moan, he climaxes–spurting thick, white, ropes of seed all over your abdomen. Then, falls onto your limp body with a grunt, chest heaving rapidly, and slick with perspiration.

By this time, you’ve settled down enough to form a proper sentence. “That was…”

Satoru huffs, catching his breath. “Yeah.”

Still spent, he continues to lay atop you. And you, having nowhere else to go, let him. The two of you lay comfortably in silence like this for a long time. Just you tracing shapes into his back, and him purring into your neck. Both of you know you should be getting up, but neither of you make an effort to do so. In this moment, time is transcendent. There is no rush to move when time stands still for you.

Soon, that silence is broken.

“I love you,” you say, and there’s no elaboration. Not even a recant. In fact, you say it so nonchalantly, he’s not even sure it was real. You say it like you’ve never been more certain in your life, like it’s the easiest thing you’ve ever had to do.

“Really?” he queries, almost pathetically like the mere idea of you loving him is something unattainable. You look at him like he’s got two heads.

“Yeah, you’re my best friend. I’ve always loved you,” you admit, pausing your ministrations on his back, “I just had to relearn how to love you.” He smiles at this, hums into your neck to keep from crying.

“I’m glad we found our way back to each other,” he mumbles into your neck, “so where do we go from here?”

“From here we take it slow. We’ll learn together what it means to be individuals, and then from there we’ll see where it goes,” you say matter-of-factly, “no more repeating past mistakes.”

“Agreed,” he nods, “what will we tell the girls?”

That’s when your eyes widen and you sit up, forcefully pushing Satoru off of you.

“What did I say, what’s wrong?” he queries, sitting up on the bed. He watches you rummage around the room maniacally, head on a swivel as you run out of the room and return with a purse. You pull your phone out to see a slew of missed calls and messages.

“We forgot to call the girls!” You yell, showing him your phone screen of missed calls. Gojo jumps up to join you, one leg already sliding into his pants.

“Shit!”

Noticing the state of your appearance, you pinch the skin between your brows. “Satoru, I can’t wear this! You got cum all over it,” you groan, pointing to all the splotches of white. He tells you to wait a second before disappearing into his closet, then he comes back with a fist of clothes and throws it at you.

“I can’t wear this either, they’ll wonder why I’m wearing your clothes!”

Satoru runs to you and pull the dress off of your body, “We’ll wash it!” he screams, disappearing again out of the room, and to where you imagine, the laundry room. When he returns, he’s out of breath and panting. It’s only then do you realize how insane he looks with half his shirt buttoned, and his pants twisted around his hips. A giggle escapes your lips.

“What are you laughing at? Chop chop,” he claps, ushering you into his bathroom.

Yeah, you’d be lying if you said you didn’t miss this idiot.

comments + reblogs very appreciated !!!

#art by: @yamada_souko (twt)#gojo satoru x reader #gojo satoru x reader smut #satoru gojo x reader #satoru gojo x reader smut #gojo satoru smut #satoru gojo smut #gojo satoru x you #satoru gojo x you #gojo satoru x y/n #satoru gojo x y/n #jjk smut

7K notes · View notes

ink-asunder · 1 year

Text

We NEED to reevaluate how we view people with "red flags" that don't actually indicate harm to anyone. Things like "doesn't like animals," "doesn't have pets," "my pets immediately distrust them, so that means they're Secretly Evil."

I have a psychotic disorder. I suffer from flat affect. I have zero control over how I am emoting, and very often my emotional readout is completely blank. A LOT of animals (dogs especially) have exhibited aggression and fear around me ever since this started. (There are only TWO dogs I've met in the last five years that didn't BITE ME.) Dogs are unsettled by me because of a symptom of my psychosis--a condition that is out of my control that IS NOT DANGEROUS and doesn't harm anyone.

I also have a severe autoimmune disease and severe allergies to basically all animals. Whenever I tell people I can't come over because they have pets, or I don't have/want pets of my own, the IMMEDIATE response I always get is "why don't you like animals?" So I'm always pretty pissed off when I have to say, "I'm severely allergic. Don't fucking assume I have an undesireable quality just because I'm not a pet owner."

Another ableist red flag we need to talk about is "has no other friends/all their friends break up with them." Hi. I'm physically disabled with a digestive disease and a degenerative disease in my spine. That means my dietary restrictions are stupid and I can't sit/stand/walk for more than 15 minutes without being in pain. Most of the friends I break up with, I do so BECAUSE THEY ARE INCREDIBLY ABLEIST TO ME with no visible potential of changing. From people relentlessly harrassing me about lifestyle changes to not accepting correction or feedback when I tell them "hey, you CAN'T do x because it triggers y condition." If they argue or blow me off, I'm not their fucking friend!

Tl;dr: Disabled, chronically ill, and people with "scary" mental illnesses are often lumped in with "bad people" for characteristics that hurt no one and aren't in their control. Stop using "my dog is uncomfortable around them" as a litmus test for everyone you hang out with.

#chronic illness #disabled #disability #chronic pain #ableism #saneism #not to mention that its literally dangerous for disabled and psychotic people to be isolated and demonized.#its not just that no one want to be my friend. its that people are that much closer to putting me in danger because i dont fit-#-their standard of a 'good person.'

12K notes · View notes

inkskinned · 8 months

Text

it's hard to explain because inevitably you sound like an asshole, but some people are allowed to lose their temper, lose their mind - you're not, though.

when your friend never texts you first and misses your birthday and never makes an effort; you don't mind. you know she's struggling, and you want her to get the help that she deserves. you give her every excuse and every chance.

it shouldn't matter to you so much that people are always coming through for her. you want her to be happy, you love it for her. you love that her community rises up to the occasion. why does it bother you that when she snaps at someone, says horrible mean things - but two hours later, everyone is comforting her while she's crying. you know she's stressed. why do you kind of hate that she is welcomed back to her job, that her parents are endlessly wiring her money.

and you're - fuck, are you envious?

but when you don't text back, someone sits you down and says i know you're struggling, but you're being a bad friend. when you're too numb to show up for work, your boss just shakes his head. i'm sorry. i can't approve more time off. we have the company to protect. when you finally snap back at your family for making that shitty comment again, you're forced to apologize for being too sensitive.

god forbid you need something. people aren't used to you being the one asking. you're the giver like the book you hated; your pages all open and rumpled. you always have the answer, always have the solution. you are reliable, trustworthy. people like you don't struggle with things. you're supposed to be lifted by tragedy. you are given a maximum of 24 hours to grieve, and then you need to just behave at the party.

you can't read the giving tree without feeling like crying, and even that feels like it's too much emotion. like, nobody looks at you and assumes you're the tree; they'd name five other people before even considering you in the running. you're just there, never-asking.

your friend gets to say mean shit, that's just her personality. when you make a snide comment, you're just being petty. people laugh when your friend stands you up for another event; they say she's just like that. you were 5 minutes late to a meeting with friends and they were mad about it for the rest of the evening. your friend sets everything on fire; everyone applauds her through the ashes. you so much as light a candle: and suddenly now you're an arsonist.

you don't want your friend to suffer, though. the thing is that you just wish that the empathy and kindness your friend gets - you wish you had that option, that everyone offered you grace and money and a gentle reception.

the other day you were fighting down the bad urge; the void call, the end note. you tried-anyway. you went to the family event, tried laughing at the right moments. nodded and smiled and all of it. one of your siblings threw a fit, but she's allowed to, so everyone just rolled their eyes about it. you took 3 whole minutes to stand outside when you got overwhelmed. you literally set a timer about it.

in the morning you woke up to a text from your parents: you were a complete disgrace last night. idk what your attitude problem is, but you really need to fix it.

#writeblr #eldest daughter syndrome #tbh

6K notes · View notes

ev-arrested · 1 year

Text

You can tell the exact mental state of Dick Grayson based on the music he plays in the car

His entire family monitors his listening habits, and if it's anything but things from the list of genres and artists that Dick normally likes while provably mentally stable, they get concerned.

Tim, texting the group chat without Dick in it: Hey, guys, just needed to let y'all know that Dick picked me up today, and he put on an NF song in the car.

Barbara: Fuck, he's depressed.

Steph: Isn't he always?

Barbara: No, like--more than usual.

A week later.

Jason: Y'all, I'm with him rn and he's blasting S&M in the training room. One of you bitches--and I will find out who--triggered some body image issues, and now he's sexualizing himself to cope.

Tim: Did one of you guys call him ugly or smth???

Steph: I would never. I'm not a mean person, unlike you guys.

Damian: Why did you immediately assume it was one of us?

Jason: Because y'all are terrible people.

Tim: I'm not taking this from a literal gang leader.

Jason: But I admit, that is a bit of a jump on my part. It could've been any of Dick's trash friends that he, for some reason, keeps around, so that's on me.

Cass: Monitor him so he doesn't do anything drastic.

Barbara: Let me know if he starts compulsively thinking about becoming a stripper.

Jason: If that happens, there's no saving him.

After Dick returns from Spyral.

Duke: Now this just might be me, but I don't think I ever pegged Dick as a metalhead before he went off to work for Spyral.

Tim: Dear god.

Tim: Don't tell me he's listening to SOAD.

Duke: What even is that.

Jason: System of a Down

Duke: Oh, yeah, it's that.

Tim: NOOOOOOO

Duke: What does that mean???

Barbara: He's self-destructive.

Steph: Isn't he normally?

Barbara: No, like--I mean yes, but more explosively.

Jason: His main goal is to blow up...

Barbara: Don't.

Steph: aND THEN ACT LIKE HE DON'T KNOW NOBODY

Jason: HAH HAH HAH HAH

Barbara: This is serious.

Steph: He's listening to vocaloid. That's....so odd??? @Damian did you have anything to do with this?

Tim: oh my god

Damian: The answer to this question is of high importance: what song is it?

Steph: Do you think I can speak Japanese??

Damian: Ask.

Steph: omg fine.

Steph: He says it's "Assassin Princess" by Mitchie M.

Tim: Hold on lemme listen to this shit

Damian: It's a good song.

Jason: Okay, but what does that tell us?

Damian: It's not a song I ever played for him.

Jason: So you're telling me he's listening to vocaloid independent of you?

Damian: It would appear so.

Jason: Oh, that's bad.

Tim: The song's about a spy and her partner murdering her ex-boyfriend who betrayed her.

Steph: He's feeling vengeful.

Jason: Oh, that's really bad.

Cass: He's playing One Direction.

Barbara: Honestly?? Chances are, he's fine.

Duke: Agreed. He's playing "What Makes You Beautiful", so I doubt it's anything.

Duke: Now if he starts playing shit from their solo careers, we have a problem.

14K notes · View notes

weirdmageddon · 9 months

Text

i love these tags this person is so right

actually, can you imagine if dave was raised by B1 roxy?

i wanna get into this actually

(ok i had to spend a few hours rewriting this because IT DIDNT FUCKING SAVE AFTER FIVE HOURS OF WRITING WHEN MY COMPUTER UPDATED WHILE I WAS AFK so it would mean a lot to show this post some appreciation. i LOVEEE hearing what other people have to say)

even though these things mom does are presented in an extravagant, kitsch, jokey way, her intentions always came from a place of sincerity. she is simply Funnie

but rose reads too far into it and assumes things that aren't there, that her mother is passive-aggressively feigning interest in rose's interests simply because the things she does are so extra. "why do all of this if not to mock me"

im telling you right now if dave lived in this household he wouldn't assume antagonism, he'd go,

don’t forget who LITERALLY patented tangible jpeg artifacts as their post-scratch adult self and scattered shitty scummed up statue of liberties all over the planet. theres no way some of that overboard artful shit wasnt post-ironic / circling back around to genuine funny sincerity

dave's natural state is funny sincerity like roxy. he's had the natural capacity for this type of humor from the start and this is the direction he goes towards when he grows out of his brother's shadow by the end of the comic. dave and roxy share an earnest “so bad its good” type of humor

(lots more under the cut; the length of this meta analysis just got unwieldly with all the pictures and whatnot)

despite the alcoholism, roxy is a supportive mother. she's not the ideal guardian but hells of a lot more supportive of her kid than bro is. if she knew dave's interests she would totally indulge in them with some over the top silly goofy haha shit as a genuine gesture simply because she loves him

rose isn't too keen on it though. but she is more similar to dirk in her natural state of thinking of overthinking shit and assuming the worst, like the tags said

and yes dave got the sweet cuddly yet sometimes backhanded ouppy gene from roxy, probably even moreso lol

roxy's even said rose "sounds like girl dirk"

side tangent here, but this is something i wanna talk about.

i dont think bro should ever be in custody of children ever but if theres anyone who would be up to the task it's rose probably. i know she'd be able to keep up with him. not only does she have a defined personality (dave is more malleable and absorbs his environment like a sponge), if anyone can pick apart B1 dirk's batshit brain and probably be right on the money it's her. lil cal has been pumping patriarchal nonsense into bro's head and rose would be able to bring the fucking facts to the table without losing her own and being a living example of a badass little girl. i also don't think bro would try to force masculine roles onto rose like he did with dave, seeing as she is a girl, so she would actually have more of a leg up and get some passes that dave was never afforded. and rose wouldn't stand idly and accept any bullshit; she is no doormat. and i think this would earn bro's respect

but anyway, from this, couldn't we conclude roxy "sounds like girl dave"?

yeah okay. we havent even gotten into their penchant for funny typos or misspeaks, deliberate or otherwise

so, dave's environment

the sentiment "god you hope you can be as good as your bro at this some day" might have been genuine at the time when he idolized bro but of course he's not able to express that in any sort of sincere fashion because he's in dirk's fucking household. and this level 10 irony shit isnt doing dave any favors

his role models were the Internet and a vague idea of what Bro was like. So he built up his facade based on irony–not the literary definition of irony, as Rose might be quick to point out, but a popular concept of irony based on the idea that things that didn’t make sense actually made sense in some roundabout way. As a master of irony, Dave probably reasoned, he could see in a way other people couldn’t why a world that was scary and didn’t make sense really did make sense, and could therefore convince those people that he was superior to them. And he would wield his knowledge to maintain the appearance of superiority by calling everything ironic and pretending he didn’t care about things that didn’t make sense, and he would use walls of vaguely rhyming words to keep everyone at arm’s length so they wouldn’t discover his insecurities (source)

roxy's style is the embodiment of post-irony. being raised by mom lalonde would be like being raised by joel vinesauce ok

what can i say ….. (getting meta about this actually, hussie got these jpeg wizard wallpapers from a spyware website. link takes some time to load because internet archive)

rose is quick to read post-irony as actually being a joke/insincere, which in bro's case would be true. but i believe dave's natural instinct, outside of the influence of bro, is to read post-irony as genuine, which is exactly how mom serves it. we see this as early as act 3 from him; he understands her motives better than rose does herself:

and in act 6 intermission 2 i think it's pretty clear

but the thing is, it's always genuine from her. dave wouldn't have to second guess it because he's not one to naturally second guess someone's sincerity; that was learned due to his bro being virtually unassailable

there two types of ironies at play here:

seems like a joke, is actually genuine (roxy)

doesnt seem like a joke, is actually a joke (dirk)

you can make the argument that the second is is more psychologically destructive because it makes you question the reality of what is genuine sentiment and what isn't. dave never knew what was genuine and what was irony so he just sort of existed in this sincerity-ironic limbo and always did the opposite of what he genuinely felt on principle even if it always did originate from a genuine place.

"it just a joke bro i was just being ironic i dont actually x" is so much more trust-breaking and psychologically damaging than "wait are you being serious" / "i am being so fucking fr rn davy gravy" / "ok thats actually pretty fucking awesome. giant ass wizard statue" / "RIGHT"

how much about dave would change do you think? his character arc would be completely different for one thing, i think he'd have it good aside from mom's alcohol issues. he'd be left with the sweet and funny parts of him that we see at the end of the comic. the fake coolguy stuff is out, but this remains. this is dave in his element and we see it as early as act 1

he'd probably have no shades growing up in the lalonde residence* either cause those were given to him by bro straight out of the crater as an extension of his own cool image. and john gave dave ben stiller’s aviators for his 13th birthday to replace them so he could “spread his wings”

dave said he was wearing them for the ironies but i kind of doubt it. maybe post-irony but there was some reacharound to it being genuine because dave never put those pointy anime shades on his face again.

*though... it’s kind of hard to imagine him without his shades at all? B2 dave still got stiller’s shades from stiller himself so maybe getting them is a universal constant. i can imagine mom getting him them as a birthday gift cause shes pretty wealthy and probably could buy it out in an auction. but also itd be cool if john still gave him it as a gift

dave is actually a lot more genuine and easy to read than he lets on even when grappling with his upbringing with B1 dirk (again, see this post). this can be seen all throughout he comic but a good example is the evolution of thoughts about his interest in the preserved dead things in his room:

if B1 roxy was dave's guardian he probably WOULD have pursued paleontology because she wouldve indulged him in it and probably find it cool and worthwhile to pursue, instead of allowing dave to flounder under ironic detachment, being poisoned by irony to the point of gaslighting himself into believing he doesnt actually believe he thinks this shit is cool. even if it was indulged in this such a way; a superficially kitsch and ironic appearing presentation, it comes from a genuine place and inspires genuine interest. just read the comments.

basically, i think if B1 roxy raised dave, their relationship would have a surface level appearance of being bizarre or over-the-top but they’d have an unsaid mutual understanding that it’s completely in earnest and just build on each other's funny and absurd gestures of affection. rather than seeing it as one-upping each other, it'd more like collaboration of some silly bullshit that you take a step back and look at full and just say, "fucking incredible"

speaking of paleontology, mom had the proto-ectobiology lab. maybe they'd be able to use the equipment to appearify paradox ghost imprints of the dead shit to create paradox clones of things from the cambrian era??? sounds like a fun mother son bonding activity. and theyd actually put the sciencey shit in the household to use

oh god i know exactly the kinds of music shed listen too also growing up as a teen in the 80s. she on that (post)-punk/art rock/new wave/new romantic mtv stuff. XTC shit fr. this is a B-52S HOUSEHOLD. maybe the associates for the campy melodramatic flair. so he gets to keep the record on his shirt cause he is an enjoyer of the shit in her vinyl collection. dave would still gravitate towards musical expression and music itself but of more variety outside of just rap, with an 80s-90s, even 70s flavor due to mom’s influence. see this for perhaps a glimpse. she probably visited new york city a lot for business trips and because the music scene was cool as hell around that time, imports came straight from jfk airport, she probably got in on that a bit and have remnants in the form of vinyls and cassettes. in this way she could be distributing void to dave (influencing him with forgotten / presently irrelevant music). now he can REALLY rave about bands none of his friends have heard of. “hey davy grvay watcha listenin to” (he holds up vinyl cover) “omg snakefinger”

btw dave lalonde would look like this to me

#homestuck #homestuck meta #dave strider #mom lalonde #roxy lalonde #hs #strilonde guardian swap

6K notes · View notes

3hks · 2 months

Text

Writing Character CHANGE

Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.

There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)

So with this post, I'll be teaching you MY personal tips regarding this subject!

*The Basics*

Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!

A couple of flaws.

How your character views themselves at first.

Your character's morals/ideals and how they think.

These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!

*Change*

Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!

"During character development, your character should grow."

This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.

While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.

Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.

*Negative/Passive Change*

Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!

No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.

If not, then did they really grow?

Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!

*Positive Change*

Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.

Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.

"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.

What am I talking about? Here's an example!

Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.

That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?

He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.

*Different Changes*

As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.

So listen up, because I feel like no one really talks about this.

Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.

Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?

See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!

*SUMMARY*

In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.

Growth = Maturing (gaining a better sense of who they are and the world they live in.)

NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!

For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.

YOUR CHARACTER SHOULD NOT BE PERFECT!

They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.

I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!

Happy writing~

3hks <3

#writing #writeblr #writerscommunity #writing tips #creative writing #writing inspo #writing advice #character writing #writing characters development #character development #character change #writing characters change #character building #tips on character development #tips on character building #advice on character building #advice on character development

1K notes · View notes

maxwellatoms · 14 days

Note

In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they’re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?

Thank you so much for all your answers and insight!

Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.

I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.

I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".

I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.

The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:

"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."

And then later:

"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."

I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.

But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.

I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.

Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.

It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.

#maxwell atoms #entertainment industry #animation #intellectual property #turds

2K notes · View notes

punksocks · 9 months

Text

Astrology Observation: No.24 (18+ Only)

No minors! Adults only pls

Just based on my opinions only take what resonates

-Water moons/mars are the most likely to just say they love you during s*x (they may mean it too !); Can happen to fire moon/mars too but they may not mean it after the moment; Earth Moon/Mars will not be saying anything without planning well in advance (Earth moon AND Mars, you will not catch them slip lmao); I’d assume Air Moon/Mars would be the most likely to tease the other person(s) and say just about anything but I love you

-Venus aspects to Mars/ Taurus/Libra mars/ Venus and/or Mars in 2nd could really enjoy dressing up in lingerie and setting up a s*xy atmosphere in general (and your partner would enjoy this too !)

-1st/2nd /7th/8th house Venus, Scorpio Venus, Venus conjunct Pluto/ sometimes 12th house venus you may get compliments on your genitals from people during s*x (like told you have a pretty p*ssy lol yea fr)

-1st /8th house mars, Aries mars, Scorpio mars/Mars conjunct Pluto/sometimes 12th house mars would also be this for those in their masc energy (instead of pretty someone might admire the aggressive look of your junk instead)

-Imo the easiest sexual partners to discuss boundaries and such with will be partners that have easy (conjunct/trine/Sextile) mars aspects to your Mercury and/or moon

-I know we’d assume that mars in 8th is the most s*xual but I’d argue that mars in 12th is also super s*xual. Intimacy tends to be heavy on the mind, and there’s a higher chance of mirroring s*xual energy back to others. Especially if the native acts out of their masc/mars energy

-i’d think Aries, Leo, and Scorpio mars would be the most into their partner being SO attracted to them they can’t keep their hands off of them and/or finish too fast (least likely with Scorpio unless you’re just really over stimulating them, most likely with Aries- the most veracious Aries mars go rounds imo)

-I’d argue and assume that air mars/3rd house mars are spacing out the hardest during s*x, and I bet it’s not on purpose (just bouncing between thoughts and coming back to what’s going on)(also if you keep their attention, you’re doing something right)

-Water mars could mean you sleep around for emotional validation (…Imma say it… cancer mars has the strongest chances lol)

-I think your Venus and mars together can show if you’re more of a sub or dom imo (like if they’re both cardinal you’re probably a dom, if they’re mutable then you may be a switch/sub, and if they’re fixed I’d think you’d be hard set on being a sub or dom — and then results may vary depending on the combination of signs and how much of your feminine or masculine energy you act out of.)

-I think Scorpio Venus/Mars makes someone more dominant in s*x than Aries mars/Venus imo (they’re not here to win, they’re here to posses you- that’s so intense man)

-Understated praise kink placements? Virgo moon/mars. They need to hear praises for how well they did or they’re gonna overthink it. Libra/Taurus mars also would like this. And Venus square/opposition Mars would too in a tell me how much you want me sort of way (it makes them feel really desired)

-Tumblr ruined me bc now every time I look up a dudes birth chart and see Sagittarius mars/Jupiter positively aspecting mars I’m like damn, do they just have bde or actually have a big d*ck and I feel bad for guessing lmao but now it’s so automatic

-Strong Lilith placements (1st/7th/8th/10th) can show guys pressuring you to perform their like shadow side fantasies (which is not cool, because where’s the consent? We always need to discuss things beforehand and map out a plan otherwise it’s skeezy behavior -unless you’re into being surprised but even then lol)

-Gemini placements (the big 6, but especially mars) make you louder in bed. And more open to trying new things and switching up positions.

-5th house synastry is really s*xy and fun. Some of the best dates and relationships imo. It also allows you to open up and experiment in a way you never have before. Can keep a long term relationship exciting as well depending on the overall synastry. (Be careful bc this is the pregnancy overlay too oml)

-I think north node in 5th can (depending on the sign and aspects ofc) can point to indulging in the senses, partying, breakin hearts and hookin up a bunch— especially if you’re unbalanced/still learning to balance this with your south node energy

-(in sing songy voice) Scorpio synastry is someone telling you s*x with you makes them f*cking crazy (No they are not kidding ! Lilith synastry is this on steroids but it feels more like you’re lighting this fire in the more masc person - and they’re afraid of burning imo (I’m not singing any more lol)

-I hold to the fact that Lilith in 1st/7th/8th/10th can make someone jump into bed with you way faster than they usually would even if they have like an earth or water mars, if you have Lilith synastry with them this is amplified

-Masc folks/Men with Taurus and/or Cancer in their big 6 (especially mars/venus) are very attracted to women/femmes that are curvy and have an hourglass figure. Aries placements tend to be attracted to athletic figures. Leo placements are likely to jump at figures they find attention grabbing. Libra/Scorpio placement men are more likely to be attracted to figures that they’re socialized to find s*xy. I find that Sagittarius/Pisces is the least likely to have a set type. Aquarius and Gemini are also pretty dependent on personality and conversation skills.

#astro observations #astro community #astro notes #astroblr #spicy astrology #scorpio venus #Aries mars #Scorpio mars #cancer mars #Virgo mars #Leo mars #lilith astrology #8th hokage #12th house #libra mars #Taurus mars #Sagittarius mars #5th house

4K notes · View notes

Last Seen Blogs

veggieholic

VEGGIEHOLIC

discording

DEVILED EGG

michelesucks

memes, crafts, food, crystals

markvape

Mr Vapes

hotspot1230

Untitled