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#as in accordance with the mythology he's based off of
zuzu-draws · 10 months
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About time I see something on my TL that is not blatant Sukuna slander.
I feel like this Quote tweet in addition to the given thread perfectly summarises why a character like Sukuna intrigues me so much. He's like a complex puzzle piece we've yet to solve. An enigma of conflicting sides.
Despite my best efforts i still can't picture his backstory and motivations fully yet. I just hope that whatever Gege has planned for his backstory, it thoroughly shoves my heart through the meat grinder :') Hopefully, it is well thought-out and ties in nicely with his character. It's about time we get to know why he turned out the way he has. And i am DYING to know what Sukuna knows about "Love" ..
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6-2-aestheticsofhate · 2 months
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i have a lot of thoughts on minos in relation to pasiphae and the minotaur (both greek mythological and in ultrakill) but i dont really want to make a lot of posts abt it considering. the topic is generally hard to talk about.
#like i dont wanna go around claiming that the myth went 1:1 in ultrakills lore#because for example sisyphus was more based off a book rather than his mythology (thank god)#so minos might be only loosely based on his mythological counter part as well#but like. the fact that with the introduction of the minotaur enemy we KNOW the minotaur thing actually happened? jesus fuck#like we KNOW ultrakill minos thinks that the people of lust are only punished for loving eachother....#while his real life mythological counterpart got mad at his wife for essentially being raped by proxy and she had to defend herself saying#why would she want that. she was cursed/forced to do that because minos didnt sacrifice that bull to poseidon#like i KNOW why that was never really brought up in ultrakill that would be. a weird topic to bring up in a funny robot shooter#and i dont think you could accurately handle the themes of rape through lore books you find in levels of the game#but theres just. something about minos willfully thinking his wife did that of her own accord and him refusing to think about how lust#carries more than people who had sex a lot in ultrakill.#again the myth MAY be different in ultrakill. maybe he never even accused his wife of that. maybe he was more understanding#but theres a non zero chance he did#he could be willfully ignorant and think his wife willingly cheated on him. he thinks everyone in lust is innocent/only had consensual sex#because the alternatives are too gross/immoral for him to think about#it might be because i sympathize a lot with greek mythology women but finding out that the thing with pasiphae happened in ultrakill#DID happen made me lose respect for minos.#... also towards a lot of the fandom for joking abt it.#rape tw
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dailyadventureprompts · 2 months
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Do the ethnostates inherent in major fantasy ever feel real weird to you? You’ve got elftopia (full of elves, where everyone speaks elf and worships the elf gods), orc-hold (full of orcs and maybe their slaves, where everyone speaks orc and worships the orc gods), and dwarfton (made by the dwarves! for the dwarves!).
You might have some cosmopolitan areas, usually human-dominant, but those are usually rare enough in-setting that they need to be pointed out separately. Is this just based on a misunderstanding of the medieval era, and the assumption that countries were all racially homogenous?
This has been bouncing around my brain the last little while. Do you have any thoughts on that? Is it just in my head?
I think what you've noticed is a quirk of derivative fantasy writing, which like a lot of hangups with the genre originates in people trying to crib Tolkien's work without really understanding what he was going for:
Though it contains a lot of detail, Tolkien's world is not grounded. It functions according a narrative logic that changes depending on what work in particular you're focusing on at the time (The Hobbit is a fairytale full of tricks and riddles, Lord of the Rings is a heroic epic, The Silmirilion is a legendary history).
One of the reasons the races are separate is to instill the feeling of wonder in the hobbits as POV characters for the reader, other folk live in far off places and are supposed to feel more legendary than our comparatively mundane friends from the shire. The Movies captured this well where going east in middle earth was like going back in time to a more and more mythologized past.
In real life, people don't stay static for thousands of years, no matter how long their people live. They meet, mingle, war and trade. Empires rise and fall creating shrapnel as they go, cultures adapt to a changing environment. This means that any geographic cross section you make is going to be a collage of different influences where uniformity is a glaring aberration.
What the bad Tolkien knockoffs did was take his image of a mythical world and tried to make it run in a realistic setting. Tolkien can say the subterranean dwarven kingdom of Erebor lasted for a thousand years without having to worry about birthrates or demographic shifts or the logistics of farming in a cave because he's writing the sort of story where those things don't matter. D&D and other properties like it however INSIST that their worlds are grounded and realistic but have to bend over backwards to keep things static and hegemonic.
Likewise contributing to the "ethnostate" feeling is early d&d (backbone of the fantasy genre that it is) being created by a bunch of White Midwestern Americans who were not only coming from a background of fantasy wargaming but were working during the depths of the coldwar. Hard borders and incompatible ideologies, cultural hegemony and intellectual isolation, a conception of the world that focused around antagonism between US and THEM. These were people born in the era of segregation for whom the idea of cultural and racial osmosis was alien, to the point where mingling between different fantasy races produced the "mongrelman" monster, natural pickpockets who combined the worst aspects of all their component parts, unwelcome in good society who were most often found as slaves.
This inability to appreciate cultural exchange is likewise why the central d&d pantheon has a ton of human gods with specific carveouts for other races (eventually supplemented with a bunch of race specific minor gods who are various riffs on the same thing). Rather than being universal ideals, the gods were seen as entities just as tribalistic as their followers.
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wolfy1298 · 9 months
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Don’t you ever wonder what kind of secrets and plot points Venti keeps hidden? He claims to be the weakest amongst the Seven-and that could be true given his whole 500 year slumber and poison and all- but he’s still a god. AND one of the original Seven. You gotta be good at SOMETHING to survive for this long…
He’s also the only archon so far that doesn’t have a second story quest so what is he hiding?! We have accounts of him literally shaping the land with ease from both the Golden Apple Archipelago events and his character stories. We know that he has close relationships with the Hexenzirkel and somehow managed to avoid conflict with them??? And there’s also the fact from the skyward sword series that he was originally a catalyst user before picking up the bow in honor of Amos. He’s pulling a Childe when it comes to weapons he currently uses and the ones he’s proficient in.
And don’t even get me started on his connection with Istharoth and Celestia! Mondstadt already has the Thousands Winds Temple AND the nameless island where both Venti and Istharoth were once worshipped. And from Before Sun and Moon, we know that the Thousand Winds (which Venti IS A PART OF) were once called the Thousand Winds of TIME, all of whom were created and controlled by Istharoth. AND THEN you have Venti suspiciously appearing in the right place at the right time again and again and again. He even self proclaimed knowing every song: past, present, and future. Hell he’s probably one of the only few beings in Teyvat who can naturally bypass Irminsul because of his songs: Nahida already shown it’s possible to save deleted info if rearranged into fiction so the same should work for songs and poetry. And there’s also what the hydro fungus in Nahida’s second story quest said about changing forms. That you need time for growth to occur. And Nahida - an ARCHON- had trouble maintaining her fungus form for even the short period of time. She was even told that to do so for longer, one would need to bypass time itself which is near impossible. AND YET VENTI CHANGED INTO THE FORM OF HIS FRIEND IMMEDIATELY AFTER RECEIVING HIS GNOSIS AND HAS YET TO CHANGE BACK OR TIRE FROM FATIGUE (as we know it). HOW STRONG IS HE. Sure, the yokai in Inazuma and Adepti in Liyue can all change into a human form, but we know in game that it takes a long time and steady energy to take on a human shape, and the Adepti all seem to have that ability naturally: there’s no bending the laws of nature if it’s already natural to them. So what’s Venti’s excuse?!
As for Celestia: there’s already written in the statue of Barbatos “the gateway to Celestia” and what not. And Khanreia! In the chasm AND in the Caribert quest, Barbatos and Mondstadt keep getting named dropped. According to Dainself, the city in the chasm is supposedly OLDER than Khanreia and possibly the Seven, yet BARBATOS of all beings is mentioned in the records you find??? And in Caribert, it’s a Mondstadtian woman who that one bloke had a child with. Never mind that Mondstadt is where Kaeya and Albedo - the two characters with confirmed Khanreian origins- end up! There’s also the fact that Khanreia seems to base its gods and names and whatever around Norse mythology….which has strong ties to GERMANIC HISTORY. WHICH MONDSTADT IS BASED OFF OF. And Enkanomiya, which was once ruled by Istaroth, is Greek origin. Suspicious considering all the connections to HERMES Venti keeps portraying. (And then there’s also a connection to all three places with the hexenzerkel with their Chinese names? Like I think I read somewhere that Alice is Aries(?)/Eris(?) and Nicole is actually Nike in the Chinese version? Which are very much based in Roman/Greek origins)
Oh and something I forgot to mention earlier with the whole Istharoth connection. Mondstadt’s saying “seeds of stories, brought by the wind, and cultivated through time”. SUSPICIOUS
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Anyways, this has been my nonsensical Venti theory rant
And you’re stuck with me @worldsokayestmagicalgirl
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pecanbrandies · 3 months
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Emerie, the Illyrian Conflicts, and her Future as a Leader
My theory for future books (likely within the novella itself) is that Emerie may replace Devlon, as well as manage the Illyrian conflicts (and the misogynistic issues surrounding them) and bring them into a new era.
I won't go into much detail about why the recent theories of Azriel solving the Illyrian conflicts don't make any sense. ⬇️
Many of the issues surrounding the conflicts are feminist issues. It would make sense for this to be Emerie's purpose, especially if we continue with female led storylines. I also want to be clear that I don't see this as a Valkyrie-inclusive storyline - the other women in this group are not Illyrian and it is not part of their journey. Emerie was the first woman to win the sacred Blood Rite, even when she was disabled as a result of Illyrian tradition and misogyny, owns property when women in the village do not, and has been progressively working against backwards tradition her entire life. I also can't see Koschei just...waiting around for 800 pages while this occurs. Killing him is similar to Voldemort - you kill his soul and then him. It wouldn't make sense for the Valkyries to conquer the third mountain and then let Azriel have an OOC eat/pray/love moment with the Illyrians; it's almost as if Eris points out that there are three sister peaks, lists the sisters that have conquered two already, and tells the reader directly what's next for a reason.
Side Note: I would love for this to happen in a Mor novella, especially since there are so many strong parallels about these two women who both grew up in harsh environments (Hewn City and Illyria) and managed to become elite and powerful.
Emerie shares many similarities with Queen Teuta. ⬇️
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The Illyrians in history reached their peak of power under Queen Teuta.
"Illyrian Queen Teuta is one of the most extraordinary figures of Illyrian antiquity and of Albanian heritage. She was also called the pirate queen, and folklore says that she was wiser than a snake, braver than a line, and more beautiful than fairies."
Emerie - meaning: home strength; brave, powerful
Queen Teuta ruled for three years and "managed to strengthen and consolidate her power, and made powerful allies. She stimulated the economy, promoted the development of Illyrian cities, strengthened the army, and created her own navy." She was known as Queen of the Seas.
In ACOFAS, we learn that Emerie is the daughter of Proteus. Proteus, in Greek mythology, is a sea god.
According to folklore, the queen ended her life by throwing herself off the Orjen peak. This mountain peak lies close to the base of the Illyrian fleet, which is known as modern Risan. Sound familiar?
The Orjen mountain is described as inaccessible limestone cliffs, protecting the settlement below.
Ramiel, on the other hand... "None were permitted on its barren, rocky slopes - save for the Illyrians." (ACOFAS)
Unfortunately, a lot of the biographical details of this queen are skewed, likely due to misogynist reasons.
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In ACOFAS, we begin to explore the Illyrian conflicts, meet Emerie, and we see Rhys question who would even replace Devlon.
"I resented the male...It was his absurd ideas about females that made me want to throttle him. But if he had to be replaced, the Mother knew who would take his position."
We already see Emerie begin to embody some of the strengths that Queen Teuta had. And we see both women greatly affected by misogyny around them. However, the queen's legacy serves as a reminder of when the Illyrian fleet was at its most powerful.
Instead of a mountain leading to a tragic end, it can easily be a beginning.
Emerie has become a Carynthian, an elite warrior, and was the first woman to do so. Besides the IC, only three men have reached the peak before her.
Emerie is already actively at the forefront of change - she is fighting against misogynistic ideals and proving herself to be a fierce leader and warrior. I think that her story is just the beginning and she has so much to offer.
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finisnihil · 3 months
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Analysis with Penacony spoilers ahead, read at your own behest
I love Acheron so so much and one of the main reasons is how human she tries to be. She‘s trying so hard to stay human, to be human.
She’s killed people the blood debt is a burden she carries. She only sees the world in black, white, and red, but she gets lost easily and guides strangers home and she thanks you for trusting her even though you don’t have to and she protects a little boy from the mafia and she mourns your friend with you even though she didn’t know her because she knows you’re hurting and she helps you calm down after you watched your friend die horribly and she stays with you and looks after you and tells you to stay level headed and she apologies for being held back from protecting those you love because she isn’t human anymore and then she does one of the most human thing of all and blesses the soul and mourns her with you, guides her home like she did with you. Acheron is gentle like a psychopomp, like Death. She cries blood but it’s still crying.
Onto the allusion, the name Acheron comes from the river Acheron, one of the five rivers of the Underworld in Greek mythology. The Acheron is the River of Woe/Pain/Lost Souls. The River Cocytus (River of Wailing/Lamentation) and River Phlegethon (River of Magma) both flow into the River Acheron and the River Styx (River of Oaths/Border to the Underworld/Makes one invulnerable if they bathe in it) stems from the Acheron. The final river is the River Lethe which causes forgetfulness when bathed in or drunk from and usually used by the souls of the dead to be reborn. These allusions fit Acheron well, as she cries blood which is fitting for one named after the River of Woe. Her difficulty to hold onto memories is also reminiscent of the Lethe, especially now that we know she’s an Emanator. She was technically “reborn” as when she became one.
Building off this, she fulfills the role of a psychopomp. In folklore and mythology psychopomp are entities that guide souls of the dead, such a Thanatos in Greek mythology who is the personification of peaceful death (Who Seele has allusions to but that’s another analysis). Aventurine associates Acheron with the Finality a few times and we see her act like a psychopomp when she does things like “take us home” when we first meet her and she mentions guiding again when she sends Firefly off. She gets lost in the waking world but never seems to in the Dreamscape.
Building even more off this allusion, in Greek mythology the twin brother of Thanatos is Hypnos, the personification of sleep. Sleep and death are often tied together even outside of Greek mythology, like the Epic of Gilgamesh where Gilgamesh is literally told he can’t think about conquering death when he can’t even conquer sleep.
This all leads me to a theory about why Acheron said she had no choice in whether to draw her blade. She wanted to but she had no choice in the matter. We’ve seen her draw her blade twice so far in the story and it was to wake the Trailblazer and to fight Sam. If Acheron is an agent of the Finality maybe her blade can’t be drawn because it can only be used against those dying or dead or not living? We know Firefly was dying and we know she has a weird connection with Sam. The weird “Death” monster also seemed to target Firefly. I think Acheron couldn’t draw her sword against the “Death” because she is also an agent of Death and cannot attack one of her own, but she can use it against Firefly because Firefly is dying and it would be seen as a final severing of the soul from life or as “harvesting” the soul. Of course I could be completely and utterly wrong I’m literally just making an analysis based on allusions and motifs but still I think it’s interesting. Plus Aventurine calls Acheron and Sam enemies and Sam uses fire, an element typically seen as representing life.
Pulling a little bit away, Acheron sees the world in black, white, and red. The red is fleeting according to her and it reappears when a choice is made. If Acheron is a psychopomp this makes sense, she would mostly see the world as the living and the dead and the red could be a tie to the idea of the red string of fate, as we know destiny is a major theme of HSR’s story. When we make choices that change the direction of fate, we interact with the red strings of fate. This could be another reason she’s at odds with the Stellaron Hunters, they adhere strongly to the idea of destiny but to death destiny would have a different meaning. Her sword has an eye and is adorned with red which is where the majority of the color in her design is centered, going back to my theory around her sword it could represent how it cuts strings of fate and the eye matches the one on the “Death” nightmare.
We also know she apparently hijacked the Ever-Flame Mansion party to come here, maybe because she sensed there would be a lot of death here and came to collect the souls?
Finally, I would like to reiterate I do not play HI3 this is just something I’ve noticed, so correct me if I’m wrong:
She seems to be a Raiden Mei Expy and I know nothing of that character but I did notice when she says “Do you remember me?” there’s the answer of no and yes, and she akins us to a dear friend she had. We, the protagonist, fulfill the same role in this game Kiana (I think that’s the HI3 protag) does in HI3 and I’m vaguely aware Raiden Mei and Kiana have some sort of relationship in HI3. This asking if we remember her could be two things to me: Either she’s asking if we remember her as we have faced death before or she’s asking if we the player remember her from HI3, which she may have an awareness of if she is a personification of death and that may link her to knowledge of the Imaginary Tree as trees seem to be associated with death in HSR when you remember Yaoshi is associated with trees as well and the fruit of their tree on the Xianzhou gives immortality, where if Luocha is an Emanator he would have that tree motif too and we know he has tree motifs because he’s an Expy of Otto who did interact with what I think was the Imaginary Tree and that carried over when Luocha was given the element of Imaginary (Of course I had to talk about Luocha who do you think I am)
Anyways there’s so so much more but this post is already really really long and probably incomprehensible so if I think of any more I’ll make like a part II post anyways thanks for reading this far if you did and feel free to add discussion, mwah!
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p0patochisps · 4 months
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What IS Epic The Musical
I WAS WAITING FOR THIS GOD DAMN MOMENT.
OKAY. BUCKLE YOUR SEATBELT ANON, BECAUSE YOU JUST UNLEASHED MY ADVERTISEMENT SIDE /HJ
According to the EPIC website, EPIC is a loose musical adaptation of Homer's Odyssey written by Jorge 'Jay' Rivera-Herrans. Jay also voices Odysseus, the main character of the musical.
It is completely sung through, consisting of 40 songs. The musical has two acts, which are then split into nine 'sagas'. There are five sagas in act one (Troy, Cyclops, Ocean, Circe and Underworld) and four in act two (Thunder, Wisdom, Vengeance, and Ithica).
As the show is still a work in progress, the songs are still being released on platforms in their entirety. As of right now, the Troy, Cyclops, and Ocean sagas have been released with the Circe saga coming sometime soon.
Jay posts consistently on platforms such as TikTok and YouTube, showing his working progress with little sneak peaks at the songs and little bits of information about each of them that really enhance the listening experience!
Plot wise, like I said, EPIC is loosely based on Homer's Odyssey. Homer was an ancient Greek poet, and he is credited for both the Odyssey and the Iliad.
The iliad is the first of the two, telling the story of the Trojan War and all that happened. The Odyssey is about the journey Odysseus and the six hundred Ithican soldiers took to return to their homeland post-war (Spoiler alert. It doesn't work out very well)
EPIC follows Odysseus as he tries so very, very hard to return to his wife, Penelope, and his son, Telemachus. However, every monster, God, and Goddess in the entirety of Greece and Olympus seems to have beef with this man and he struggles to get home.
He's somehow meant to be one of the most intelligent Greeks out there, cunning and clever and a brilliant soldier (so much so that Athena- Goddess of W i s d o m- decides to be his mentor) and yet he has a knack of pissing everyone off.
Anyway, the Trojan War took him away from Ithica and his family for ten years, and then EPIC follows his stupidly long and complicated journey home in the most stunning, heart-wrenching, tear jerking, awe inspiring way it can.
It's greek mythology, what isn't there to love about it.
I doooo heavily recommend it. So, so very much. So much. Jay is so very, very talented, and all of the singers in EPIC are so very talented. I think the songs are on most platforms (I'll link spotify and YouTube below). I also recommend looking at his TikTok or YouTube pages because this man is hilarious, and the process to the creation of this musical is so very interesting.
Okay bye bye :))
https://youtube.com/playlist?list=PLqxvpcFchZLtYj30bSGmm64JibFLaWOAJ&si=fRBt3GoRCwew5_Sd
^this has all thirteen released songs on for YouTube.
https://youtube.com/@JayHerrans?si=7qR098QuuulGBxYg
^This is Jay's YouTube page.
https://open.spotify.com/playlist/6T7xIAK4W0Fwxp04fSjpE9?si=iccq-vm-SD-i5X0TcXMTBw&pi=e-RZKH3MfvTXmQ
^This is a playlist of released songs on Spotify.
https://www.tiktok.com/@jorgeherrans?_t=8j0ebB8Ka7V&_r=1
^This is Jay's TikTok.
He is also on iTunes but I don't have an account and I can't be bothered to make one (sorry)
IF YOU LISTEN, DROP ME A MESSAGE OR A COMMENT BECAUSE I LIKE TO TALK ABOUT IT.
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pinkandpurple360 · 4 months
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The character designs of the characters in HB/HH get more and more frustrating and awful the more you know about the actual biblical/mythological characters that they are supposed to be based on.
Paimon’s design is not bad on its own, but knowing that he’s supposed to be PAIMON, the king from the Ars Goetia who is in the text described as being a feminine-presenting man riding a camel. But instead we get another fucking BIRD and it’s just so frustrating.
And he’s related to Stolas?! No where that I’ve read or seen has even hinted at them even being related in the original texts that they’re supposed to be drawing from.
And the Seven Deadly Sins is a whole other basket of issues.
Lucifer doesn’t even look intimidating in the slightest and if you showed me a picture of him and I had no idea of who he was, I wouldn’t even know he was the infamous fallen angel we all know as Lucifer.
Asmodeus reminds me of a pumpkin that someone stuck a bunch of fur onto and then put it all on a body.
Beelzebub isn’t even an INSECT!!! It’s in the NAME, BEE-LZEBUB!!!
And Mammon looks like a knock off Christmas tree. No further comments.
And don’t even get me started on the so-called “Full Demon Forms.”
You cannot convince me that those are good designs when all they do is make them bigger and more fiery. These are supposed to be the living embodiments of sin themselves and they feel so underwhelming.
Its just so frustrating (I’m repeating that word, but it’s the best way I can describe my feelings), because there is so much you can do with the lore of these characters (the original lore not the show lore) and the amount of creativity I’ve seen from other artists (such as Lovesart23) is astounding and wonderful to look at and follow along with.
Really the only nice thing I can say about Stolas is that his full demon form was genuinely cool and it really gave off the vibe that “this is an ancient demon of hell.”
Phhh completely have to agree with you on every possible level
WHY ARE THE MONARCHICAL SINS LESS EVIL THAN THE WORKING CLASS what did Viv mean by this??? Why is Asmodeus an angel ?
And why is Lucifer the definition of defanged, what happened to this
A strict dad with high expectations who doesn’t believe in Charlie’s dreams. I was so ready for that story to be told. And now i feel like he’s a teenager with all of his massive authority just gone? I wonder if he even has a demonic form?
Isn’t it funny that Stolas gets an official demon name, his father who only appears once, gets a demonic name, his ex brother in law who only appears once so far and had no introduction at all, also gets a demonic name, but the Wife and Daughter of stolas, his core story, just get human names???
They chose to make stolas a son of Paimon to retcon him into being Blitzs childhood “friend” and to make it look like he’s just like blitz he has a mean dad too! Blech.
While I love the character “Paimon” I found him funny, charming, and delightfully evil, he could have had any other name and been as good. According to some content he’s actually a shape shifter with many forms, but chose the bird form because stolas is an owl, and that’s why he said “the owl boy” and why Asmodeus calls him “birdy babe” watch stolas have like, elephant and goat brothers and sisters or something next. The Stolas and Stella family is just the avian part of the Ars Goetia apparently? Idk. I’d love to know if Stella has a maiden name. I’m still upset actually that Stella didn’t get a demonic name of her own, neither did Octavia, but Andrealphus, a nothing character, gets an official demon name??? Why not just pick a Goetia name and gender swap it like with Beelzebub and Belphegor??? The sexism is unbelievable. Especially Via what a wasted opportunity.
Making him white and British though..I’d be so mad if I were a Middle Eastern person and saw that be erased, what a joke
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temperamentalgreen · 5 months
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I tried making a fun character within @deinocheirus awesome and zany Graeco-Roman world! 
This is Flora!
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She was the goddess of flowers and a nymph of the Islands of the Blessed (Elysium). She was the wife of Zephyros the West-Wind and she is known as Chloris to the Greeks and she was a pretty important deity to the romans and I think she is interesting!
According to Ovid she was the one behind multiple figured in mythology turning into flowers and plants - "I first made a flower from Therapnean blood [Hyacinthus the larkspur flower], and its petal still inscribes the lament. You, too, narcissus, have a name in tended gardens, unhappy in your undivided self. Why mention Crocus, Attis or Cinyras' son, from whose wounds I made a tribute soar?’"And that she helped Juno conceive Mars (without the help of Jupiter), and in return he gave her a grand position in Romulus!
So taking from that, in this world she seems to view the lives of the gods as her personal soap opera or telenovela even intervening to save some of her favourite characters and avoid a sad storyline...by turning them into plants (basically infecting them with some of her clones, more on that below) Her eyes can shoot out and branch into different segments to give her a view of everything around her stationary position, she likes to watch lovers.
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She tends to stick and attach herself to objects like a barnacle to a ship, usually bigger gods and monsters too and feed off of their blood.
According to Ovid "as she talks, her lips breathe spring roses" which I like to interpret as her making smaller clone children of herself that Grow up and do the same, spreading like an infestation (usually to the annoyance and irritation of the host). She's completely sessile and relies on her host for travel, she's happily content with this and besides sticking onto folks going on with their personal lives makes for juicy hot gossip
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Her general starfish/flower form can fold into a shape similar to the head of a rabbit head...a very, very toothy rabbit head (as seen in the little paper mock-up i made below) they are her favorite snac- I mean sacred animal. It's not uncommon to see humans and mortals walking around with these overgrown "rabbit heads" it's usually an attempt for a fat overgrown Flora to stick and stay onto her small host
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Her design is based on Lice/Ticks, barnacles, Starfish, flowers, a stereotypical southern meemaw and my aunt Flora. She likes cigarettes, soap operas and romance novels with a pretty blonde fella on it!
My drawings are a little crude, but I really had a lot of fun! Check out @dimetrodone's work their art is awesome, like something from a whacky 90s cartoon!!
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whencyclopedia · 23 days
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Minotaur
In Greek mythology, the Minotaur was a monster with the body of a man and the head and tail of a bull. The Minotaur was the offspring of the Cretan Queen Pasiphae and a majestic bull. Due to the Minotaur's monstrous form, King Minos ordered the craftsman, Daedalus, and his son, Icarus, to build a huge maze known as the Labyrinth to house the beast. The Minotaur remained in the Labyrinth receiving annual offerings of youths and maidens to eat. He was eventually killed by the Athenian hero Theseus.
The word Minotaur is a compound word consisting of the ancient Greek name "Μίνως" or "Minos" and the noun "ταύρος" or "bull." Thus, the word Minotaur comes to mean "bull of Minos." While, the Minotaur's birth name, Asterion, in ancient Greek "ἀστέριον" means "starry one" which suggests an association with the bull constellation: Taurus.
Minos & The Bull from the Sea
In Greek myth, Minos was one of the three sons from the union of Europa and Zeus; when Zeus was took the form of a bull. Europa's husband was the King of Crete, Asterion, who looked over the boys as if they were his own. When Aseterion died, it was unclear which of the three sons should ascend to power. The three sons were Minos, Sarpedon, and Rhadamanthus. It was Minos, whose name in Cretan actually means king, who was fated to be king of Crete even though Minos' ascension to power was a difficult journey because he first had to see off his sibling rivals. Minos, however, had one advantage that his brothers did not. He claimed that he had the support and authority from the gods to rule, and he boasted that he could prove it by praying for whatever he wanted and the gods would make it so. Thus, one day while sacrificing to Poseidon, he prayed that a bull would appear from the depths of the sea. Minos vowed to heaven that he would sacrifice the bull to Poseidon once it appeared. Poseidon, then, produced a magnificent bull from the sea; thus, Minos' claim for power was validated for no one dared to defy the favor of the gods, let alone the mighty Poseidon who ruled over all of the seas. As a result of winning the throne, Minos banished his brothers from Crete. The three brothers would be re-united in afterlife, for after they died they were made judges in the Underworld. It was their task to judge the dead in order to assign where their placement was in the Underworld based upon the merits of their life.
However, King Minos did not fulfill his vow to Poseidon; he kept the majestic Cretan bull for himself and sacrificed a different one to the god. Angered by King Minos' disrespect, Poseidon plotted to punish him for his arrogance and hubris. In accordance to some versions of the myth, it is Poseidon who punishes Minos by instilling a passion within the king's wife, Pasiphae, for the bull that came from the sea. However, according to the Roman author Hyginus, it is Venus (Aphrodite) who curses Pasiphae, because the Queen had not shown proper piety to the goddess for some time. The goddess punished her by sending a salacious passion for the majestic bull from the sea. Another version tells how Poseidon, angered by Minos, went to Aphrodite for her help in the matter and she cursed Pasiphae as a favor to Poseidon.
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homomenhommes · 3 months
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THIS DAY IN GAY HISTORY
based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … February 14
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c.2000 B.C. - 1200 B.C. – Ganymede, a beuatiful shepherd boy, was abducted by Zeus , king of the Gods, from Mount Ida, near Troy. Ganymede had been tending sheep, a rustic or humble pursuit characteristic of a hero's boyhood before his privileged status is revealed. Zeus either sent an eagle or turned himself to an eagle to transport the youth to Mount Olympus.
In the Iliad, Zeus is said to have compensated Ganymede's father Tros by the gift of fine horses, "the same that carry the immortals", delivered by the messenger god Hermes.
In Olympus, Zeus granted Ganymede eternal youth and immortality and the office of cupbearer to the gods, supplanting Hebe. All the gods were filled with joy to see the youth, except for Hera, Zeus's consort, who regarded Ganymede as a rival for her husband's affection. Zeus later put Ganymede in the sky as the constellation Aquarius.
Plato accounts for the pederastic aspect of the myth by attributing its origin to Crete, where the social custom of paiderastía was supposed to have originated. He has Socrates deny that Ganymede was the "catamite" of Zeus, and say the god loved him non-sexually for his psychē, "mind" or "soul," giving the etymology of his name as ganu-, "taking pleasure," and mēd-, "mind." Ganymede, he points out, was the only one of Zeus's lovers who was granted immortality.
In poetry, Ganymede became a symbol for the beautiful young male who attracted homosexual desire and love.
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c.2000 B.C. - 1200 B.C. – In Classical myth, Hyacinth was a beautiful boy and lover of the god Apollo, though he was also admired by the West Wind, Zephyr. Apollo and Hyacinth took turns throwing the discus one day. Hyacinth ran to catch it to impress Apollo, was struck by the discus as it fell to the ground, and died.
In one telling of the tale, the wind god Zephyrus was responsible for the death of Hyacinth. His beauty caused a feud between Zephyrus and Apollo. Jealous that Hyacinth preferred the radiant archery god Apollo, Zephyrus blew Apollo's discus off course, so as to injure and kill Hyacinth.
When he died, Apollo didn't allow Hades to claim the boy; rather, he made a flower, the hyacinth, from his spilled blood. It's a very moving story that has been the basis of many works of art over the centuries.
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According to Ovid's account, the tears of Apollo stained the newly formed flower's petals with the words ai ai, the Greek cry of grief. The flower of the mythological Hyacinth has been identified with a number of plants other than the true hyacinth, such as the iris.
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c.1200 B.C. – In Greek mythology, Patroclus, or Patroklos, was the son of Menoetius, was Achilles' beloved comrade and brother-in-arms.
In his youth, Patroclus accidentally killed his friend, Clysonymus, during an argument over a game of dice. His father fled with Patroclus into exile to evade revenge, and they took shelter at the palace of their kinsman King Peleus of Phthia. There Patroclus apparently first met Peleus' son Achilles. Peleus sent the boys to live in the wilderness and be raised by Chiron, the cave-dwelling wise King of the Centaurs.
In a post-Homeric version, he is listed among the unsuccessful suitors of Helen of Sparta, all of whom took a solemn oath to defend the chosen husband against whoever should quarrel with him, which brought both the young men into the battle against Troy.
In the Iliad, the two heroes have a deep and meaningful friendship. Achilles is tender towards Patroclus, while he is callous and arrogant towards others. In Athens during the 5th century BC, the relationship was often viewed in light of the Greek custom of paiderasteia (man-boy love).
When the tide of war turned away from the Grreks, and the Trojans threatened their ships, Patroclus convinced Achilles to let him don Achilles' armor and lead the their troops into combat. In his lust for combat, Patroclus pursued the Trojans all the way back to the gates of Troy, defying Achilles' order to break off combat once the ships were saved. Patroclus was stunned by Apollo, then finished off by Hector, hero of the Trojans.
After retrieving Patroclus' body, Achilles returned to battle and avenged his companion's death by killing Hector. Achilles then desecrated Hector's body by dragging it behind his chariot instead of allowing the Trojans to honorably dispose of it by burning it. Achilles' grief was great and for some time, he refused to dispose of Patroclus' body; but he was persuaded to do so by an apparition of Patroclus, who told Achilles he could not enter Hades without a proper cremation. Achilles sheared off his hair, and sacrificed horses, dogs, and twelve Trojan captives before placing his lover's body on the funeral pyre.
While the lIiad never explicitly stated as such, in later Greek writings, such as Plato's Symposium, the relationship between Patroclus and Achilles is held up as a model of romantic love. In the 5th and 4th centuries, the relationship with Patroclus was portrayed as same-sex love in the works of Aeschylus, Plato and Aeschines.
From the times of Classical Greece, and especially in Hellenism, to the time of the Romans, the relationship between Achilles and Patroclus was presented as loving and pederastic, although these roles are anachronistic for the Iliad. Achilles is the most dominant, and among the warriors in the Trojan War he has the most fame; Patroclus performs duties such as cooking, feeding and grooming the horses, and nursing yet is older than Achilles. Both also sleep with women.
In the 5th century BC, in Aeschylus' lost tragedy the Myrmidons, Aeschylus regarded the relationship as a sexual one and assigned Achilles the role of erastes(older lover or protector), since he avenged his lover's death even though the gods told him it would cost him his own life), and Patroclus the role of eromenos (boy lover). He tells of Achilles visiting Patroclus' dead body and criticizing him for letting himself be killed. In a surviving fragment of the play, Achilles speaks of their "devout union of the thighs".
Plato presented Achilles and Patroclus as lovers in the Symposium, written around 385 BC. The speaker Phaedrus holds the two up as an example of divinely approved lovers. He also argues that Aeschylus erred in saying that Achilles was the erastes, "for he excelled in beauty not Patroclus alone but assuredly all the other heroes, being still beardless and, moreover, much the younger, by Homer's account."
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c.1040 B.C. – Jonathan, Son of Saul, born; No one knows exactly when the biblical Jonathan was born, of course. But let's just assign this date to this sweet young man, whose presence in "Holy Writ" has always been an embarrassment to fundamentalist preachers everywhere.
The story of David and Jonathan is well known from the Hebrew bible. It is not explicitly stated that there was a sexual relationship between them but the passionate language is certainly that of lovers.
"And it came to pass, when he had made an end of speaking unto Saul, that the soulof Jonathan was knit with the soul of David, and Jonathan loved him as his own soul. And Saul took him that day, and would let him go no more home to his father's house. Then Jonathan and David made a covenant, because he loved him as his own soul. "
The love of Jonathan for David, a love so deep that he foreswore his father out of loyalty to his beloved, has provided literature with both a powerful trope for male love and one of the most oft-quoted lines of Scripture, spoken by David at the death of his friend: "My brother, Jonathan, thy love to me was wonderful, passing the love of women" (2 Samuel 1:26).
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a modern view of David and Jonathan
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c.940 B.C. – Asher was a son of Solomon, Caleh a shepherd. By some accounts these were the two lovers in the frankly erotic love poem, the 'Song of Songs', widely used as a metaphor for the love between God and humanity. Usually presented as conventional heterosexual love, there is increasing recognition that the lovers were probably both men.
A translation by Dr Paul R Johnson directly from early texts includes the frankly homoerotic:
"How delightful you are Caleh, My lover-man, my other half. Your pleasing masculine love is better than wine. The smell of your body is better than perfume. Your moustache is waxed with honeycomb. Honey and milk are under your tongue. The scent of your clothing is like the smell of Lebanon."
A review of this book, posted on the Wild Reed, notes that:
"It gets to the heart of the question of whether the Hebrews and early Christians were fundamentally homophobic, or whether, as John Boswell has maintained, homophobia was a later addition. Johnson has consulted with many Hebrew scholars, who reluctantly concede the validity of his revolutionary word-for-word translation."
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270 – St. Valentine. No no no...Don't jump to any conclusions. St. Valentine was not Gay, but neither did he have anything to do with the holiday for lovers that bears his name. That St. Valentine, one of the more boring Christian martyrs, is the patron saint of lovers is a mere fluke. You see, the Norman word galatin, meaning a lover, was often mispronounced valentin, and through a natural confusion of names, St. Valentine became associated with love.
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Bishop Peter Ball with Prince Charles (now sick King Charles III)
1932 – Peter Ball (d.2019) was a British bishop in the Church of England and convicted sex offender. In 1960 he and his twin brother (Michael Ball) established a monastic community, the Community of the Glorious Ascension, through which Ball came into contact with many boys and young men.
He was the suffragan Bishop of Lewes from 1977 to 1992 and the diocesan Bishop of Gloucester from 1992 to 1993, when he resigned after being cautioned for sexual abuse; he continued to officiate at several churches after that.
In October 2015, Ball was sentenced to 32 months' imprisonment for misconduct in public office and indecent assault after admitting the abuse of 18 young men over a period of 15 years from 1977 to 1992. Further charges of indecently assaulting two boys, aged 13 and 15, were allowed to lie on file in a contentious decision by the Crown Prosecution Service (CPS). He was released on licence in February 2017 and died two years later.
Peter Ball was the first Anglican bishop to be sent to prison since 1688, when King James II committed seven bishops to the Tower for their opposition to his Declaration of Indulgence.
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1962 – Kevyn Aucoin, the American cosmetologist born (d.2002); a make-up artist and photographer who was well known for catering to the laywoman's need to feel beautiful. He worked with hundreds of A-list celebrities like Cher, Janet Jackson, Tina Turner, Gwyneth Paltrow, Courtney Love and Vanessa Williams. He became a highly in-demand makeup artist, often acquiring $10,000 per session for photo shoots or award shows. As a published author (The Art of Makeup, Making Faces, and Face Forward), he was fond of taking celebrities (and various other men & women, including his mother) and using makeup and costume (and sometimes prosthetics) to make them look like other celebrities, or like other people entirely. He transformed Tori Amos into Mary Queen of Scots, Liza Minnelli into Marilyn Monroe, Christina Ricci into Édith Piaf, Hilary Swank into Raquel Welch, Winona Ryder into Elizabeth Taylor, and Martha Stewart into Veronica Lake, among others.
Aucoin was interested in makeup from the time he was a child,and frequently did his sisters' makeup and photographed the results with a Polaroid camera—something he'd do throughout his career. Afraid to buy makeup, he would shoplift it. The guilt of stealing and fear of getting caught made him stop.
He realized he was gay at age six, and was frequently bullied at school. His parents were initially in denial of their son's emerging sexual orientation; his mother later said, "I didn't think Kevyn was a sissy; I just thought he was a gentle child." In one instance, he had a teacher spank his bare buttocks in class, which Aucoin later regarded as sexual abuse. The bullying continued in high school, and he dropped out after being chased by several classmates in a truck. He enrolled in beauty school and had hoped to learn more about applying makeup, but ended up teaching the class instead.
Aucoin lived with his partner, Jeremy Antunes, whom he married in an unofficial ceremony in Hawaii in 2000 and thereafter referred to as his husband. He had also previously been romantically involved with Eric Sakas, who, after their breakup, remained close friends with him and became president and creative director of Kevyn Aucoin Beauty.
In October 2001, just one month after launching his own cosmetics line, Aucoin was diagnosed with a rare pituitary tumour. He had been suffering from acromegaly resulting from the tumour for much of his life, but it had gone undiagnosed. He died in May 2002 of kidney and liver failure due to Tylenol toxicity, due to an addiction to prescription painkillers used to treat the extreme pain from his condition. A musical homage, called Taxi Ride, was written for him by longtime friend Tori Amos.
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Sucsy (L) with husband Sgourakis
1973 – Michael Sucsy is a Golden Globe and Emmy Award winning film director, screenwriter, and producer. He is best known for creating the HBO film Grey Gardens.
Sucsy was raised in Connecticut and New York City and is a graduate of Deerfield Academy, Georgetown University's Edmund A. Walsh School of Foreign Service (where he earned a degree in International Relations, Law & Organization), and the Art Center College of Design in Pasadena, CA (Masters in Fine Arts.)
Sucsy segued from studying international relations to film production via the advertising industry, where he worked for the award-winning agency Cliff Freeman & Partners on the first-ever Staples t.v. ads. Sucsy then pursued work as a production assistant, an art department coordinator, a production secretary, and an assistant director on feature films, commercials, and music videos in Washington DC, New York City, and Los Angeles.
In 2003, Sucsy was inspired to write and direct a narrative feature film about the famous true story of Jackie O's eccentric relatives "Big Edie" Bouvier Beale and "Little Edie" Bouvier Beale called Grey Gardens after viewing the well-known documentary of the same name. The day after he first watched the documentary, Sucsy embarked on what was to become a six-year process to get Grey Gardens made. He used primary sources including Little Edie's personal correspondence, private journals, and poetry as well as interviews with family members and friends as the basis of his original script which traced the Beales' tragic descent from riches to rags over some forty years. With Drew Barrymore and Jessica Lange attached to star as the reclusive mother-daughter duo, the project made its way to HBO who, in 2006, announced that Grey Gardens was moving into production with Sucsy as its director. Principal photography on Grey Gardens began in October 2007, and it debuted on HBO in April 2009 to great acclaim from critics and audiences, both new and old to the Grey Gardens phenomenon.
Sucsy became engaged to his boyfriend, interior designer Demitri Sgourakis, on February 14, 2012, Sucsy's 39th birthday. They were married on August 15, 2015, aboard the Midnight Rambler, a sailboat, off the coast of Montauk, N.Y.
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1984 – Elton John marries a woman having earlier said he was bi.
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2010 – On this date the Mexican newspaper La Jornada reported that different LGBT rights organizations from Jalisco, Colima and Guanajuato marched down the streets of Guadalajara to demand equal partnership rights. The group, mostly made up of Lesbian and Gay members from different regional university student groups, carried signs and expressed a desire for having similar rights granted to Gays and Lesbians in Mexico City. The group gathered outside the University of Guadalajara and made their way to the city's main plaza where they staged a kiss-in as the shadow of the city's Metropolitan Cathedral fell on them.
The scene outside the Cathedral gave a better sense of how large the march was, an estimated crowd of 350. In addition to the kiss-in, eleven Gay and Lesbian couples also participated in a symbolic wedding ceremony. There were reports of homophobic insults and obscenities being hurled at marchers even as organizers expressed relief that there were no outbursts of violence.
As in Argentina, marriage equality is a red-hot topic in Mexico ever since the Mexico City legislature passed a bill allowing same-sex couples to marry in Mexico's capital city. The measure, which also explicitly would allow same-sex couples to adopt, has run into vehement opposition from right wing politicians and religious  leaders - and will also be heading to the country's Supreme Court for review later in the year.
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Today's Gay Wisdom
From the King James Version:
1 Samuel 18
1 And it came to pass, when he had made an end of speaking unto Saul, that the soul of Jonathan was knit with the soul of David, and Jonathan loved him as his own soul.
2 Samuel 1
17 And David lamented with this lamentation over Saul and over Jonathan his son .... 19 The beauty of Israel is slain upon thy high places: how are the mighty fallen! 20 Tell it not in Gath, publish it not in the streets of Askelon; lest the daughters of the Philistines rejoice, lest the daughters of the uncircumcised triumph. 21 Ye mountains of Gilboa, let there be no dew, neither let there be rain, upon you, nor fields of offerings: for there the shield of the mighty is vilely cast away, the shield of Saul, as though he had not been anointed with oil. 22 From the blood of the slain, from the fat of the mighty, the bow of Jonathan turned not back, and the sword of Saul returned not empty. 23 Saul and Jonathan were lovely and pleasant in their lives, and in their death they were not divided: they were swifter than eagles, they were stronger than lions. 24 Ye daughters of Israel, weep over Saul, who clothed you in scarlet, with other delights, who put on ornaments of gold upon your apparel. 25 How are the mighty fallen in the midst of the battle! O Jonathan, thou wast slain in thine high places. 26 I am distressed for thee, my brother Jonathan: very pleasant hast thou been unto me: thy love to me was wonderful, passing the love of women. 27 How are the mighty fallen, and the weapons of war perished!
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thetimelordbatgirl · 2 months
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What’s the point of the Isle if Red was born in Wonderland and not on the Isle? What’s even the point of Auradon Prep if there’s Merlin Academy with some of the villains and heroes going to school together? What’s the point???
"What's the point???"-A perfect summary of Disney Descendants nowadays. Seriously, the fact that they changed Red to having been born and raised in Wonderland when prior Descendants stuff alluded to the Queen of Hearts having been on the Isle...like what is the point of doing that??? Queen of Hearts could still be wanting to get revenge on Auradon even with Isle backstory, hell that might add to her reasons for revenge, since I'm pretty sure taking Wonderland People out of...well, Wonderland, would drive them insane as its the one place they thrive in and now they've been removed from it and are stuck in a prison and well...I can only imagine Queen of Hearts getting worser because of the Isle. (Seriously, even Ever After High addressed how wonderland people feel when unable to return to Wonderland, aka they feel lost and such in a world that isn't made to understand them...granted they also had the better Queen of Hearts design and better name for her kid but). There is literally no point to removing Queen of Hearts from the Isle and having Red born and raised in Wonderland beyond messing stuff up in Descendants even more (seriously, the prequel book could have been Red and her mom getting control of Wonderland back...not whatever you call the actual plot of the prequel book). Also they actually expect you to believe Red WITH the wonderland backstory, is somehow 'whip smart' and Chloe Charming is the naïve one...when I'm pretty sure the wonderland girl would be the naïve one actually while Chloe Charming would be the smart one??? Especially if Red somehow thinks the Isle was appealing just because it had no rules...
And Merlin Academy...oh one of the many banes of my existence...just...can we call it what it is: Ever After High rip off that also breaks a shit ton of continuity in Descendants??? Because similar to Ever After High, its a school that future heroes and future villains attend...that also leads to the fact that Descendants can no longer be based on the animated films like they claimed to be, because how the fuck would I dunno, Cinderella work if she attended the same school as Prince Charming??? Especially as animated Cinderella was put to work by her step family as soon as her dad died so there'd be no time for school??? How does Aladdin even work now when in the animated film, Jasmine has never been allowed out of the palace because of her over-protective father and has to sneak out and literally met Aladdin for the first time in the animated film...when according to Rise of Red, she and Aladdin BOTH attended school together and also dated in school, which??? HOW DOES THE PLOT OF ALADDIN WORK NOW THEN- and just, why the fuck is HADES of all bitches in the school??? Doesn't he have an underworld to rule??? Or is Disney gonna ditch mythology accuracy completely now??? And I guess Beast in Descendants got cursed as an adult if he attended a school, so rip that 'cursed as a child' implication from animated Beauty And The Beast- and lord, imagine your classmate in the future imprisoning your dad and you having to switch places with your dad, if Belle is attending the school as well. Maleficent....as long as its Leah and Stefen attending Merlin Academy with her I won't scream as much....if its Aurora and Phillip though, screaming time- and just, again, like Belle and Beast, Fay is just, I guess, seeing her classmate deal with family abuse and doing nothing for her when she's the classmate's future fairy godmother.
And also just because they apart of Merlin Academy: Morgie, son of Morgana Le Fay...where the fuck she been? Disney literally did not include her in Sword of The Stone, so where she come from? Also shit name for her son, not as shit as Red, but you know, its up there. Zellie, daughter of Rapunzel...third Rapunzel kid in Descendants lets go...but also hoping she's a time traveller because uh...how else is Razpunel's daughter in Merlin Academy with the future heroes and villains??? Ulyana...another sister of Ursula because using Morgana (Little Mermaid 2) was hard I guess...also comes with a 'whats the point' but a big one this time: what was the point of bating us with Dara Renee playing Chloe, only to reveal Dara is playing Ulyana and someone (with lighter skin tone then Dara) else is playing Chloe? What was the point of doing that beyond being iffy? And Hook...nothing to say on him...I just don't have anything on him, he's the least of Rise of Red's problems, he's just connected to one, aka Merlin Academy and the time travel plot (I'm not starting on that one because that'll be along ass rant...).
So yeah, like said: What's the point- perfect summary of Disney Descendants nowadays.
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hearthandheathenry · 2 months
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All About Ostara
In this context, Ostara is simply the name for the modern pagan celebration of the spring equinox, celebrated in the Northern Hemisphere around March 19th, or by some on the first full moon after the spring equinox. It is considered a Germanic holiday, but we'll talk a little about the different Goddesses associated with the holiday Ostara, as well as the history and where we're at today with our findings.
Unfortunately, there is not much historical text about the holiday Ostara or the associated ancient holiday Eostre, with the earliest known text being from an English monk from the 7th century, Venerable Bede. In his texts, he states that the rough equivalent of the month of April was dedicated to the Goddess Eostre and called Eosturmonath, but that was about all it mentioned.
Monks like Bede back in the day had orders to Christianize pagan traditions in order to slowly convert pagans to Christianity in the least-resistant way, which often meant adopting their festival dates, names of feasts, and whatnot, which was the purpose of mentioning this holiday in his texts in the first place.
Back in the day, the written reoccurant date of Easter had been debated since it began, as the Ressurection date was hard to nail down. Everyone just knew it happened in spring, so different regions celebrated it at different times. But, scholars believe the Christian church most likely saw that there were date overlaps in pagan celebrations, the Ressurection, and Passover as well, and decided to announce Easter Sunday would always fall on the sunday after the first full moon of the spring equinox, following popular pagan lunar traditions. They also adopted the new name from Eostre, cleverly combining the current pagan celebrations around rebirth and the sun into their own holiday traditions, in order to convert people to their religion, while also uniting their own people to celebrate on one date.
Although at one point these were all different celebrations, the Christian church did a very good job of combining and converting the pagan celebrations into their own, enmeshing them for life in history books and making it hard for modern day scholars to distinguish the origins of the pagan holidays seperate from the Christian church's.
After that, the next set of text with a reference to the holiday Ostara or Eostre came over a thousand years later during the Romantic period in 1835, by one of the Grimm brothers, Jacob, while he talked about mythology. In his work, he bridged Eostre with it's Germanic counterpart, Ostera or "Easter" as we know it today, and with the Goddess Ostara. In medieval Germany, they celebrated Ostarun in the month of Ostarmanoth, which gave way to the modern feast of Ostern ("Easter") today. He used these overlaps and more to claim that the two holidays and even Goddesses were most likely one historically
Just like with Grimm, there is mostly just speculation based on language, names, celebrations, etc. In modern-day society, it seems the holidays and Goddesses/Gods of Ostara, Eostre, and Easter have all been mashed up together from bridging multiple pagan religions with Christianity and struggling to seperate it again when we have almost no historical texts to help, since everything way back in the day was based on oral tradition.
As for the Goddess Eostre, who was supposedly a Goddess of fertility and light, she was so rooted in the region surrounding her that it was easier to adopt her namesake for the new Easter holiday (that enmeshed the series of Christian holidays) rather than rebrand under something Christian. According to Bede, her feasting was held in the month of April and celebrated spring. But that's all he mentioned, so her actual traditions have been lost to time, with only speculation to go off of.
After that, Grimm tried to link her with the Goddess Ostara, but we have no historical texts saying she is the same. Nowadays, the only mentions of the Goddess Eostre is with new-age pagan Wiccan practices where they, too, seemed to have linked her with the Goddess Ostara. Historically, it is most likely that the Goddess Eostre is a region-specific Goddess, as she was worshipped in Southeastern England by Anglo-Saxons, and that's where we see the oldest versions of her name referenced in text.
As for the Goddess Ostara, according to Grimm, she seems to have been the more wide-spread form of the Germanic Goddess Eostre, instead of region-specific, and he was the one who first translated her name to Ostara. This is the first historical text we have mentioning Ostara as a Goddess and not just a holiday, which means they (Eostre and Ostara) are technically one in the same, since Grimm was the one who translated the Goddesses name to German in the context that we use today.
In terms of associations with the newly translated Goddess Ostara, the first known reference of rabbits with Ostara in writing was mentioned in a mythology text written by Adolf Holtzmann in 1874 where he related the German tradition of the Easter Hare with Ostara by claiming the symbolism of 'the hare' was also probably sacred to the Goddess.
Afterwards, In 1889, an issue in the Journal of American Notes and Queries talks about the Germanic Tradition of the Easter Hare (gifting cotton stuffed flannel bunnies to children along with Easter eggs) and the story behind it, stating that "The hare was originally a bird, and was changed into a quadruped by the Goddess Ostara; in gratitude to Ostara or Eastre, the hare exercises its original bird function to lay eggs for the Goddess on her festal day." But that is as far as we've gotten in tracing it in texts.
Most likely, oral tradition has reigned supreme throughout history, and different narratives have surfaced about the origins of the symbolism with Ostara and rabbits and eggs and other things, so it's hard to know for certain what is "true" to celebrating the Goddess and holiday Ostara and what isn't.
In summary, based on the limited evidence that we have surrounding history on this holiday and deity(ies), you should feel free to celebrate Ostara in a way that is meaningful to you, especially since there is much overlap with multiple religions and practices. I did my best to round up the most commonly accepted ways to celebrate, the symbolism, and more related to the holiday and Goddess Ostara/Eostre.
Ostara Associations:
Colors - white, green, yellow, pink, purple, pastels
Food - eggs, fresh greens, dairy products, hot crossed buns, lamb, asparagus, honey, berries
Animals - hares/rabbits and song birds, baby animals, snakes
Items - decorated eggs, lillies, daffodils, tulips, crocuses, dandelions, lavender, other flowers, lemongrass, thyme, red clover, birch trees, seeds
Crystals - aquamarine, amethyst, rose quartz, moonstone, fluorite, amazonite, clear quartz
Other - fertility, renewal, dawn, spring, balance, joy, growth
Ways to Celebrate Ostara:
hold a feast, especially on the full moon after the equinox
plant seeds
connect with nature or go on a walk
decorate eggs
prepare your altar for spring
make a cotton stuffed flannel rabbit
decorate for spring with greenery and flowers
cleanse and clean your home
welcome the dawn and sunrise
bake hot crossed buns
create something
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thesunshineriptide · 2 years
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I was thinking, what if while at Y/N's house the boys end up finding the Grimm Brothers/Original stories they're based off. Like the original Snow White or Little Mermaid by Hans Christian Anderson. And Y/N admitting that they were more familiar with those versions than the Disney version was expecting to be skinned alive when they first arrived in Twisted Wonderland
I’m so so fucking pumped for this ask because I’m a huge NERD and I know the original stories so well. Fairytales and folk tales and mythology are one of my special interests you cut straight to my heart thank you anon. Also you didn’t specify what universe this is so I’m putting it in the our world au and if you want me to do the other characters I will GLADLY do them I adore these. ++ I will probably do Idia reacting to Greek myths sometime soon but my brain is honestly kinda mush and narrowing down just one myth is a little hard but I’ll get back to it
This Isn’t How Our Story Ends
Characters: Riddle, Trey, Leona, Ruggie, Azul, Jade, Floyd, Kalim, Jamil, Vil, Rook, Idia, Malleus, Lilia
Warning: the original tales of each story are dark. As such, there will be mentions of mature topics such as death, poisoning, drowning, murder, insanity, and more. Read at your own discretion.
Cw// spoilers for chapters 1-5, swearing, dark topics and themes.
“What’s this?” He had asked innocently, holding up the book in question.
“Huh? Oh, that’s…” Yuu thought of how to explain this, “Well, it’s a story. Kinda. Um…well…”
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Hamlet
It’s fairly well known that the story of Hamlet is the origin of The Lion King (although interestingly enough it seems there’s a real life historical parallel with the story of Sundiata Keita) thus Leona and Ruggie’s interests in this particular story may wain. Shakespeare is dreadfully dry at times and best performed live, which means…Movie night! For this particular iteration I would recommend watching a live taping rather than a film adaptation because otherwise you just miss out on like, half the important shit. Also if you haven’t read or seen hamlet there’s a lovely novelized adaptation that actually adds MORE content and makes it very fun
Leona sat back as he watched the actors take the final bow. Ruggie was nervously sitting beside him, shifting from side to side like he couldn’t quite get comfortable.
“They all died?”
“Yep.” Yuu responded dispassionately.
“And the uncle…” Leona started, eyes looking over everything in the room except Yuu and Ruggie, “In the, uh…”
“That’s the king of beasts, in your world.” They said, “It’s…yeah.”
“He killed for the throne?” Ruggie asked, somewhat surprised.
“I mean, Leona tried to kill Malleus for a game, I’m not sure why you’re surprised.”
“I wasn’t gonna kill ‘im.” Leona grumbled, “Just put him out of commission for a while. Not tryina start a war or anything…”
“Okay, you attempted to maybe kill him.”
“That’s not- whatever.” He sighed, “So, I’m the uncle. Is Ruggie the guy who got stabbed? The…sheriff? Or whatever?”
“I guess in this analogy, yes.”
“Gross.” Ruggie wrinkled his nose, “I’d rather be the girl.”
“Ophelia?”
“Is that the one that drowned?”
“Yes?” Yuu worried.
“Yeah, her. Anything to get away from this analogy.”
Leona snickered and ruffled Ruggie’s hair, earning him a harsh smack to the forearm which he ignored.
“Did the king of beasts have his own sheriff? According to your world?”
“Uh, he had the hyenas. And Zazu, I guess, but none were exactly loyal.”
“Did the king of beasts kill his nephew?” Ruggie blurted out.
“Nah, but he tried. Instead, the nephew killed him.”
Leona wrinkled his nose, joking in a deadpan tone, “Guess it’s time to off the little furball back home.” When neither Yuu nor Ruggie laughed, he frowned, “You know I’m joking, right? I wouldn’t kill my nephew.”
“You tried to kill me.” Ruggie said.
“And me.” Yuu agreed.
“That was ONE TIME-“
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The Little Mermaid
Fun facts the little mermaid was written by Hans Christian Andersen and depending on the historical lens you like to apply was maybe gay. Also, the sea witch doesn’t have a name and doesn’t have eels which means Azul and the twins will be sorely disappointed. Anyway the original story is an angst fest because Hans was an emo at his core and the princess dies at the end
Azul stared at the pages of the book as he slowly closed it. He adjusted his glasses, looking to the twins as he finished. The two looked sick, wearing grim expressions. Floyd stared to his shoes while Jade looked to Azul.
The Octavinelle dorm leader cleared his throat, then took a sip of his water. After a few moments, he turned to Yuu.
“This was a deeply unpleasant experience.”
Yuu snorted a little and nodded, “Fair enough. It’s honestly what I thought was gonna happen to me when I made that deal with you.”
All three of them looked shocked and stared at Yuu like they’d grown three heads.
“Yuu…” Jade started tentatively.
“You know turning to sea foam is like, the worst punishment you can get in the Coral Sea, right?” Floyd cut in, eyes blunt.
Yuu’s expression dropped. They turned and checked each of the trio to see if they were joking and…no, no that’s real.
“What?”
Jade stared at them in deep contemplation, before piping up, “I suppose you wouldn’t know that, it isn’t something the kingdom advertises, per say…”
“But it’s something almost every merman knows.” Azul finished, “This version of the sea witch is…cruel. Unusually so, to sentence a mermaid to that hell.”
“And a princess, nonetheless.” Jade agreed, “Incredibly vile.”
“‘M real glad that’s now our real history. Just somethin the land folk made up, although it’s still rude.” Floyd said, taking the book, “It’s a real stupid deal anyway, the sea witch didn’t even get anything from that. And she didn’t even have any eels!”
“Maybe it was a different sea witch? I dunno man, it’s honestly kinda what I thought I’d be in for.”
“Is that why you were so fearful when we intervened with your proceedings?” Jade asked, looking somewhat amused, “Prefect, we wouldn’t be that cruel.”
“I mean, we could.” Floyd leaned in, teeth sparkling white as the sun shone off them. He could have given a lens flare. “But we like you, so we won’t.”
“We couldn’t be that cruel.” Azul said firmly, “The fate of becoming sea foam is certainly no joke. We wouldn’t dream of it.”
Yuu was a bit flushed in their embarrassment, turning away to mumble something.
“What was that?” Azul hummed
“I said I feel stupid.”
“Sorry, one more time, I couldn’t hear you.” Jade grinned, leaning in closer.
“I Said,” they turned toward the trio, “That now I feel stupid.”
The three just smirked smugly back and Yuu felt like maybe they wished they’d turned to sea foam (not really)
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1001 Arabian Nights
The original story of Aladdin and his magic lamp was honestly very different from the Disney film. Beyond some basic plot points (princess in a castle being in love with a street boy, a genie, etc) the story is virtually different. The main apparent thing being that there’s not one, but TWO genies, and the evil schemer is a wizard pretending to be Aladdin’s uncle, not a vizier taking advantage of the king. On the whole, I think Jamil and Kalim would be interested but wholly unimpressed. Oh, also a lot of murder.
Jamil hummed as he looked at the last page, tilting his head to the side as he thought.
“Aladdin doesn’t…seem like a good person.” Kalim said, staring at the book Jamil was holding. “He just…killed someone?”
“Granted, it was to save the princess,” Jamil began, looking to Kalim for only a moment. He gazed back down, “I can understand something like that. However…”
“There’s a lot of…slavery in this story.” Kalim finished, messing with his fingers, “I don’t like that.”
“The Asim Family-“
“I would never want you to do something you don’t want to.” Kalim said solemnly.
Jamil went silent, looking out the window. He tapped his finger against the edge of the book, lost in thought. “I still do, though. There are plenty of things I do for you that I don’t like.”
There was a silence as Yuu looked between them. Kalim looked hurt, and ashamed. Jamil looked…carefully put together. But deeply uncomfortable.
Yuu cautiously reached forward, taking the book from Jamil, who didn’t acknowledge it but did allow them to take it.
“I’m quite interested in this Roc bird that’s mentioned,” Jamil said suddenly, “It is to be the master of all genies?”
“Maybe it commands Azul.” Yuu joked, thinking back to Jamil’s words just before he’d overblotted.
Jamil glowered in return, but this did earn a laugh from Kalim.
The vice housewarden turned to contemplate the coffee table rather deeply, then murmured, “This tale does ring similar to our history, but rather different. It’s…odd. Like they were cut from the same cloth.”
Yuu shrugged, “It’s just a story. Nobody really got hurt.” They assured when Kalim looked momentarily uncomfortable again.
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Snow White
The Grimm telling of Snow White is also fairly similar to the Disney telling, with the exception of the Evil Queen being WAY more persistent in the murder thing. She attempts to kill Snow three times. The first by cinching her corset so tight that she passed out, but it was unable to kill her. She tries again by gifting her a poisoned hair comb, which again fails to kill her. The third time, the poisoned apple, is the charm. She bites the apple, goes into a coma, glass coffin blah blah blah. Prince finds her coffin, decides she’s a real babe and takes her and the coffin home with him. On the journey back, one of the prince’s servants trips and knocks the coffin into something, which somehow manages to dislodge the piece of apple in the princess’s throat and bring her back to life. Yay! Then she tries to kill her again, fails, and is punished to dance in red hot slippers until she dies. Yay…?
Vil and Rook sat on opposite sides of the couch. Rook was staring pointedly at the wall while Vil was staring directly at the hunter.
“It’s quite interesting-“
“Not a word out of you.” Vil cut him off, turning his attention to his nails instead.
Yuu sat across from them, snapping the book shut to put it away, “Maybe this wasn’t a great idea.”
“You think?”
Rook looked like he wanted to say something, a finger up as though he were conducting an invisible choir.
“Rook Hunt. Keep your mouth shut, you fucking traitor.”
“You said you wished for me to be true in my heart!” He defended.
Yuu took this as the moment to leave the room, clutching the book close,
“Spudling, where are you going? Come back here.”
Yuu squeaked nervously before coming back to stand in front of him, a sheepish smile on their face, “Hmm?”
Vil looked them up and down, before leaning forward to straighten Yuu’s clothes, “Spudling, is this why you were so nervous when Trappola and Spade ate that apple tart?”
“I honestly kinda thought you killed them.” Yuu admitted with a titter.
Vil’s eyebrows shot up as he glanced to make eye contact with them, “Do you think I’m so cruel?”
“I didn’t know what to think.” They said honestly, hands reaching to stop Vil’s from moving, “All I knew was that Rook calls you the king of poisons, and my friends suddenly collapsed after eating apples. Two and two together lead to poisoning.”
Rook began to laugh loudly, then coughed to cover it and continued to not look at Vil.
Vil frowned, “I would never kill anyone, Spudling-“
“Except Neige.”
“NEIGE KNOWS WHAT HE FUCKING DID-“
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Sleeping Beauty
Honestly this one is too graphic for me to explain in detail but let’s just say that the prince is even worse in this one than in the Disney version. Consent isn’t even a question for him he does not care. Also the cure in this version was kind of similar to snow white’s, in which a fragment of the spindle is stuck in Briar Rose’s finger and once it is dislodged she’s freed from the curse. Seriously though, wouldn’t recommend looking this one up to anyone who’s faint of heart. It’s seriously gross.
Malleus and Lilia don’t seem to surprised as you finish the tale. In fact, they don’t even bother to keep talking about it, and it’s totally not because the author of this doesn’t want to get into how absolutely disgusting it is that the 100 year old 16 year old has two kids that she definitely didn’t want, or how fucking gross the prince is to do what he did, it’s because they’re old as fuck and already kinda knew.
Lilia just goes back to setting your kitchen on fire while Malleus decides he’s going to read every other fairy story except this one because this one sucked and his grandma didn’t even turn into a dragon :/
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Alice in Wonderland
Strictly speaking, the 1950’s animated film of Alice in Wonderland is not all that different from its inspiration. Most story beats are faithful to the original, with the exception of tweedle dee and tweedle dum, which actually appear in the sequel Alice through the looking glass. It appears that within Twisted Wonderland’s universe, while there is some misinterpretation of the Queen of Hearts herself, the information given in the film is well known based off of the comments given in the ‘chats’ with each character. It is unknown whether the Tim burton films have any bearing on twisted wonderland’s history, though based off of Riddle’s design and character it appears it may have been a source of inspiration at the least. All of this is to say that none of this particular story would be much of a surprise to any of the characters, as for them it’s very grounded in reality. This isn’t to say there wouldn’t be a surprise, though….
Riddle had been quietly sitting on the couch reading a book for about an hour now. It seemed as though he was nearing the end, and he looked both confused and enraptured by it.
“What’s that?” Yuu asked.
Riddle looked up, and with a carefully crafted blank face he held up the book so they could read the cover.
Alice’s Adventures in Wonderland by Lewis Carroll
“Ah,” Yuu said nervously, “Good read?”
Riddle tilted his head, “You never told me there were stories of twisted wonderland in your world.”
“That’s cause it’s not twisted wonderland.” Yuu defended, “That’s just regular wonderland.”
“The difference being?” Riddle asked, tone taking on a biting edge.
“It isn’t twisted?” They tried, shrugging, “I didn’t think it would interest you, honestly. It’s a lot of the same stuff as history class.”
Trey took this EXACT moment to walk into the room. He took one look at Riddle’s twitching eyebrow and realized that, oh shit, time to intervene. “What’s going on here?” He asked tentatively.
“This- ah…” Riddle took in a deep breath, trying to calm himself, “This world has stories of Wonderland. Yuu neglected to mention this, in my opinion, rather imperative information.”
Yuu shrugged, “It’s just a children’s story. What could be so important?”
“Perhaps the fact that someone travels to and from Wonderland?” Riddle bit back, “Or perhaps that if your world has information on ours, then it isn’t fiction?”
Yuu blanched for a moment before calming themself. “Riddle,” they began, frowning, “I’m sorry. I didn’t think of that. But I have a very…different look on it.”
Riddle raised an eyebrow, urging Yuu to continue. Trey in the midst of this sat down beside Riddle, taking the book from him.
“This was written by someone named Charles Dodgeson, also known as Lewis Carroll. He wrote this for a trio of girls he used to tutor and babysit.” Yuu began, sitting down on the coffee table in front of Riddle and Trey. “He would often take them on canoe rides and tell them stories, making it up as he went along. He favored one particular girl, named Alice Liddell, and favored to write the story about her.”
Riddle looked unimpressed and confused at the same time, “But-“
“Riddle.” Trey said softly, “Let them continue.”
“Dodgeson was eventually fired by the Liddell family due to what was described as a ‘family affair’, the nature of which was never known. After that, for a bit of money he printed the story and sold it, then made wrote a sequel called ‘through the looking glass’.”
Riddle and Trey sat in silence before Riddle piped up, “Through the Looking Glass?”
“Mhmm.” Yuu said, “Alice returns to wonderland after walking through an enchanted looking glass. The rest of the adventure is similar to the first, changing from moment to moment.”
Riddle stared, fists curled in a ball and shaking. “So there’s a way home?”
Yuu looked surprised, “N-no, Riddle, it’s just a stor-“
“IT’S NOT JUST A STORY!” He cried, “It has to be real, you see that don’t you? You got to our world through a mirror, we got stuck here through one too. So there’s got to be another way back! Alice- Alice is real. She had to have gone….” He began to settle down, eyes filling with unshod tears.
Trey looked between Yuu and Riddle, “He’s right. It…would make sense. And…that’s a pen name, isn’t it? How do we know Alice didn’t write that?”
Yuu looked lost, staring down at the sobbing Riddle, who was murmuring various incoherent thoughts all in a long string.
“I’m so, so sorry…” Yuu said quietly, “We…I didn’t….I’m sorry. We can look, okay? I’ll do some research. We’ll get you home…”
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mintaikcorpse · 2 months
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Analyzing the Circus & Biblical Elements in Hellaverse: Lucifer Morningstar
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The Devil Daddy himself! The King of Hell! The original sin! And somehow, the silliest character in the show, Lucifer Morningstar!
Look, he's a ringleader. I've said it, the show says it, Vivziepop said it, his design shoves it in your face- HE IS A RINGLEADER. But leaving it at that is boring, despite how obvious it is, so I'm going to talk about the aspects of him being a ringleader and why he's a ringleader!
Why he's a Ringleader
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The first and obvious reason is that Vivzie wanted him to be.
The in lore and symbolic reasons is because of the way Heaven saw him. In Overture, Charlie states, "He was a dreamer, with fantastical ideas for all of creation. But, he was seen as a troublemaker by the elders of Heaven."
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In a lot of stories, circuses symbolize risk, excitement, and freedom. It can also be a call for adventure, which fits Lucifer so well. He was so excited to create the world and give humans free will, which was seen as something risky and dangerous by Heaven. But, by giving Eve the apple, he was able to give the rest of humanity wonder and excitement, and most importantly, free will. While he does regret it, since he only sees the worst of the free will he has given, that doesn't stop the fact that he still made humans have their own identity away from Heaven, and isn't that the point of circuses? To provide freedom and an identity away from the norm?
Lucifer's Design
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Like I said before, we already know he's a ringmaster, with the suit and tophat and all that. BUT there's also other elements to his design I find very interesting.
For one, the tophat has both a crown, and apple, and a snake on it. I didn't even notice there was a crown on him until the wiki pointed it out. The snake is pretty obvious, since the snake is the one that gave Eve the apple. (Also, did you know that the bible never really said that the serpent was the devil? It mightve been a subject of the Devil, but it was never stated to be the devil. That doesnt mean we cant theorize it was tho. I absolutely love analyzing Abrahamic Religions.) There are actually so many apple references to his design.
He has a somewhat hourglass figure with 2 dots on the back of his suit, which makes his body look like an applecore. His color scheme is also primarily red, white, and yellow, which is the colors that most apples have.
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Vivziepop said that Lucifer and Charlie were loosely based on Porcelain Dolls, and whole that's cute, idk what that would have to do with it relating to lore. Not everything has to be lore related you know!
But Imma theorize anyways.
Perhaps it's like a puppet breaking off a string. When he was in Heaven, he was a puppet on a string, but now that he's away from Heaven, he's like a doll trying to find his purpose. It's a stretch, but still.
Or perhaps it's a reference to both hid and Charlie's child-like wonder, since dolls are mostly used by children who have big imaginations, like they do.
Demon Elements & References
In mythology, Lucifer was said to be the most beautiful angel and the most beautiful demon, so many artists took this as him being human, which is why he's the most humanoid sin. A lot of people complained that he was a twink in this show, but honestly, he was always a twink.
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All of this further proves my theory that the ideal man is a feminine man.
His last name, Morningstar, is a reference to the fact that the Morningstar was said to be Lucifer. In mythology, the morningstar (aka, Venus) was said to be Lucifer trying to steal the light of God, which is why it was a bright star that could be seen in the morning. Him having brighter colors could also be a reference to his association with dawn since it brings the sun and light.
While the name Lucifer has been used by humans for centuries, the name means light bringer, and I like the believe that in the show, it's because he brought the "light" to humanity, aka, free will.
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Fun fact: According to Wikipedia, early versions of Lucifer in Greco-Roman myths said that he was the son of Aurora, the Goddess of the dawn.
I heard this on a Ted Ed, but I forgot the video. But it mentions that someone had to steal the golden hair from a devil in one story, so I think that's why Lucifer is blonde. Plus, it just fits with the apple theme, I guess.
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mlsofh · 3 months
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Theory Eight - Alastor Will Die
Hello Wayward Sinners!
Before we get into the theory, I wanted to say I have a Kofi to start funding the inevitable Youtube channel! The youtube channel will be dropping on Valentines day this year! I've been trying to make a career out of theories and stuff. It's harder than you'd expect. But I have the analysis skills to do all of that! I'll also be having a twitch where I talk to you all via discord call, podcast style, while we dig into theories together! 
Click Me! for the Kofi link! !!SPOILERS FOR HAZBIN HOTEL FROM HERE ON!! Now, lets get into why the name Alastor foreshadows possible death! Firstly, there are so many meanings for the name Alastor. Two of which being defender or avenger. The others are all based around mythology.
"Alastor, a Pylian soldier who fought under their leader Nestor during the Trojan War.[13] He remembered for having, together with Mecisteus, carried the wounded Teucer off the battlefield as they later did also with Hypsenor.[14]" "Alastor, an epithet of the Greek God Zeus, according to Hesychius of Alexandria and the Etymologicum Magnum, which described him as the avenger of evil deeds, specifically familial bloodshed." "Alastor, a Lycian warrior who was a companion of Sarpedon. He fought in the Trojan War and was slain by the Greek hero Odysseus during the battle.[11]" -Wiki On the name Alastor
So, lets dive into why his background could be very telling for the cast of the hotel. Alastor, the Pylian soldier who fought under Nestor. Nestor was known for the things Charlie is known for, her bravery, speaking abilities, and her advice to sinners. She could also be represented by Teucer, who was naive about the world and was the kings son. But he was skilled too and survived through determination. Alastor in the trojan story dies by Odysseus who is known for similar things Adam is known for. Adam is known for his hubris, strength, courage, nobility, a thirst for glory, and confidence in his authority. Hubris for my audience that doesn't know what that means, "Hubris is over-bearing pride that leads to the suffering of a hero, those around him, or both." For Hazbin Hotel, Alastor is very clearly important to the plot, and we can almost guarantee that Alastor has connections to Lilith (but not Lucifer, which is interesting.) and we know he is now positively affiliated with the hotel. Alastor dying to Adam while he protects the hotel isn't actually all that far fetched right now. I think Adam also has a chance of dying. If Alastor is protecting everyone, Charlie may get violent and try to help. This could cause Alastor to tell Husker and Angel to drag Charlie off the battle field. We now know Charlie is willing to get violent at other demons in the name of the ones she cares about, as seen by episode four with AngelDust and Valentino. Maybe she'll try to protect Alastor and be too late. She will be carried away like Teucer was. Alastor working for Lillith and protecting the hotel, then dying in the process, possibly in a very heartfelt way doesn't seem impossible. Showing he was Charlie's "guardian angel" of sorts. Alastor protecting the hotel, possibly while everyone gets away, he dies by Adam who sees him as a genuine threat in the moment. Something that I notice is that in the fixed Hazbin Hotel card, there is no radio tower.
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There's Husker and AngelDust themed sides, but there is nothing suggesting Alastor stays. This card confirms for me that AngelDust and Husker live through the first season, but that Alastor may have a different fate. It doesn't seem good for Alastor, due to the nature of the show and how they seem well thought out with names and background. I think Alastor will be meeting a poor fate by the end of the season, or by the end of the series. That's all I have for now, what do you think? Comment and reblog! Stay Tuned!
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