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aurae-rori · 18 hours

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DR RATIO ANALYSIS PT 3 BUT IT'S JUST GAY

Now, you might be saying - "Aurae, you've done part one, and part two, so why do we need a part three?" The answer is because of two things - one. I made a deal with the Tumblr Peoples that if one of my posts hit more than 50 likes I would do this analysis. Two. Mihoyo is making this shit canon. I CAN'T MAKE THIS UP. So, let's delve into my usual disclaimer, as we might have some new people joining us for the first time with my insanity.

I have been researching psychology personally for about six years, so although I am not a professional (crawling my way there through the education system. I will be one, one day.) I do have some experience with analyzing homosexuals. Psychology hours, my children. They don't call me "chronically cooking" for nothing. Maybe I should change my url to that...

NOW THAT MY LONG AHH DISCLAIMER IS OVER, LET'S GET INTO THIS! It's time to deconstruct these homosexuals like a modern airplane, because they might as well be taking off with how canon they are.

"It can't be canon," they say, but then Mihoyo DOES PAID SPONSORSHIPS WITH THESE FUCKERS BEING GAY. We've all seen the paid partnership edit. We've all seen the video where Aventurine has the audio of "nice rack" as he talks to Dr. Ratio. PAID SPONSORSHIPS. Now, if that piece of evidence isn't enough for you - let's dive into their actual relationship, which is just a HOMOSEXUAL MESS. I will be focusing more on how Dr. Ratio sees this guy as this is a Dr. Ratio analysis™, but hey, the crumbs.. we eat 'em all. Amen.

Let's start off (I say as I write this part three days later) about how people are like, 'Aven is Ratio's favourite idiot' WRONG. Ratio does NOT consider Aventurine to be an idiot and knows that he is smart and capable in his own right. While Ratio is book smart, Aven is extremely street smart and holds his own very well. Ratio does not consider Aventurine to be an idiot as he takes off his plaster head around him and actually indulges in his whims around him. This is a blatant showcase of fondness because although he is emotionally constipated and can't be affectionate through words without sounding semi-backhanded because he's never had true affection in his life, he showcases his love through actions rather than words. He's just bad at showing love, okay? But he does love Aven. Or like him, to some extent, if you don't want to see them as romantic, which is fine. However, no matter what you label their bond as, it's obvious that they care for one another.

Also, the fucking ZEST FEST that was 'keeping up with Star Rail'. He says, "wait a minute - MUTUAL?" which indicates that he has respect for Aventurine in the first place. He LITERALLY TOLD US that he respects Aventurine and he was commenting on Aventurine's playstyle & everything.. also, at the end, he was here because 'I appreciate this show's dedication to knowledge' - his TONE. Kudos to the VA because that was not convincing at all. Bro was NOT here for the knowledge, bro was here to be GAY!!! Also his little own bathtub couch. We all know Aven bought it for him. Trust, I am John Hoyoverse.

"The Charming Audacity" HUH? BRO? Okay this is hilarious to me because this is the first time that we ever really see them interact with one another, and we get absolutely bitchslapped in the fact that Dr. Ratio calls this guy's audacity 'charming'. That's GAY. That's HOMOSEXUAL.

Also, comparing him to a peacock.. a very beautiful bird.... Must I say more?

Now, the part that I really want to focus on is the part where he gives the Doctor's Note to Aventurine. This shit is important. And I agree with the people who are like - Acheron helped him. Because she did. She was a big part of it and she helped Aventurine get back on his feet in the void. Dr. Ratio is not his only reason to live, but the note, showing that someone will stay by his side? Showing that someone truly cares for him? Someone who's waiting for him when he get back? This bond that he has with Dr. Ratio isn't fake. He already has a starting point to get back to - an anchor to return to. Dr. Ratio is his anchor. Whenever he goes off to do crazy shit, Veritas Ratio will be there when he returns. Because Ratio is loyal. Ratio cares. He cared enough to almost jeopardize their plan to make sure that Aventurine was going to be okay. He cares so damn much about Aventurine that he decided that this man's emotional state after the fake betrayal was more important than all of fucking Penacony.

If you want an example of "I would let the world burn for you," it's Ratio. He's a romantic not in the traditional sense, but he cares and loves Aventurine so damn much it makes my heart hurt. "Do stay alive," he says, knowing that Aventurine struggles with living. Those three words mean the whole fucking world to someone who struggles with suicidal ideation and suicidal thoughts. Someone wants you to live. Someone wants you to stay. Someone wants you by their side.

Dr. Ratio cares. Let me say that again - he cares. He banters with Aventurine, tries to create an environment where Aventurine can feel a little bit more comfortable with the two of them, even in a place as dangerous as Penacony. He will put his own life on the line for Aventurine.

He cares. He cares so damn much. I hate gay people. They make me VIOLENTLY homophobic.

Dr. Ratio after expressing his care indirectly and complimenting Aventurine indirectly: Did I do it?

Aventurine, who has caught none of the hints:

Anyway, thank you for coming to my Ted Talk.

#aurae analyzes #hsr #aventio #honkai star rail #dr ratio #ratiorine #aventurine #veritas ratio #raturine #golden ratio #aventurine x dr ratio #analysis #character analysis #relationship analysis #these bitches gay #good for them

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lunerium · 2 days

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Beautiful and Foolish

My favorite scene from the manga is in the Campania arc, during Sebastian's flashback, when Sebastian realizes that Ciel is unlike any other human, and that his willpower and desire for revenge is stronger than his longing for the past. It sets him apart from all the other humans Sebastian has met before, and it makes him realize that his soul is a most delectable one.

Sebastian thinks that Ciel’s resolute will and undying strength makes him “beautiful and foolish”. What I admire about this scene is that it's the start of Sebastian's character development, and what sets him apart to how he was when he first made the contract with Ciel. He only wanted a soul to sate his hunger, but then he slowly realizes that this human is, indeed, special.

#kuroshtisuji #ciel phantomhive #Sebastian michaelis #character analysis #sebaciel #Kuroshitsuji meta #meta analysis

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wrensartstuffs · 3 days

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It's Soap Saturday so I bring you a(fairly scattered) Soap analysis

"Oh she only has OCD and no more she's written badly" I HAVE OCD AND WHILE THAT DEPICTION WAS EXTREMELY DAMAGING AND COULD'VE BEEN DONE BETTER, IT'S UNFORTUNATELY ACCURATE FOR SOME PEOPLE(it's me I'm some people). SHE OBSESSES OVER EVERYTHING AND BEING A SOAP BOTTLE PROBABLY DOESN'T HELP SINCE OBJECTS ARE EXPECTED TO ACT ACCORDING TO THEIR OBJECTS

She can't HELP IT!!! SHE TRIES TO GET BETTER BUT LETTING GO OF YOUR HABITS IS DIFFICULT ON YOUR OWN AND AGAIN, AS A BOTTLE OF SOAP, SHE PROBABLY FEELS MORE SOCIETAL PRESSURE TO BE GOOD AT CLEANING!!!! SHE FIXATES ON EVERYTHING BECAUSE IT'S ALL SHE FEELS LIKE SHE CAN DO TO HAVE ANY CONTROL OVER THE SITUATIONS SHES IN!!! Besides cleaning, she has ONE coping mechanism, and it's one that everyone else HATES(singing). So no WONDER she ends up just cleaning. For hours. And hours. And hours. To the point where it's irrational

ALSO THAT'S ANOTHER THING!! Having control over situations is very big for me, and fixating is one of those things that helps. For Soap, being in a clean space and cleaning the hotel helps her feel like she can actually be calm and helps control her emotions, because without her cleaning? The hotel would be in shambles! If SHE wasn't helping, then everything would fall apart!! Sure, this isn't reality, but for her? Someone who has tried again and again to make things better but just making them worse BECAUSE of her impulses? She needs to feel like she's doing SOMETHING or else she's nobody. Just another stereotype ignored by the narrative

It's not HER FAULT that she has OCD and it's not HER FAULT that societal pressures force her to be who she is. Besides, after Tissues got eliminated, she could've thought that SHE had a higher winning chance because he got eliminated for his trait being. Well. Sick. So, as the opposite, the fans should love her!! Right? So, she goes further, she puts soap on the pizza, she has a musical number while fixing the hotel, she does all of these things to not only give herself a sense of stability, but also to hopefully boost her appreciation from the audience

And it didn't work

The moment she STOPPED cleaning, it didn't work. She told Mic to listen to her heart when walking through the portal, but if we're being honest(and if we see the comics), she went right back to cleaning. The moment she tried to be less impulsive, she was eliminated. And there goes her control once again

As of now she's likely right back in that loop, cleaning endlessly despite being asked not to as it isn't needed, but she won't, because if she's not CLEANING, then she doesn't have a purpose. She can't just pick up a new hobby, this is her LIFE, and if she can't sing, then she only has one option left

Or maybe I'm just reading too much into a one note character, who knows

Happy Soap Saturday

#Soap Saturday #inanimate insanity #ii #character analysis #soap ii #ii soap #this was written by the self-proclaimed 1 Soap fan #textcorner #textpost

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wisefoxluminary · 2 days

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Based on the lyrics that have been translated from the duet, I will do a mini analysis of where Stolitz are at in this episode and what it says about their relationship as a whole. The title of this song I assume is called When I see him tonight and it says a lot about where Stolas and Blitz are regarding their feelings.

Stolas loves Blitz dearly. He is singing about when he is with Blitz, he can hide the pain of his fucked up life behind a careless smiling front because he thinks that's what Blitz would want. He doesn't want to hear about his divorce. He isn't here to listen to him bare his soul but he just wants him to be with him through all the good and the bad. Stolas is coming to terms with the fact he loves Blitz but he knows he has to let him go. He feels like he is hurting Blitz by keeping him a prisoner in this arrangement and doesn't want to make it seem like he's a burden. He wants to give him the choice whether to stay or go but he knows if he does that, he'll lose him forever. He'll be alone without any love in his life and he thinks he'll die because of it just like Blitz did after the altercation at Ozzie's. He can't decide whether what he's doing is right or wrong but he wants to believe that he can still have this. That he can still have a sweet relationship with Blitz but he knows eventually it'll only fall apart because the only way Blitz can truly be set free is by giving him the crystal. Stolas thinks this is what's best. He wants to give him the decision to let go rather than set boundaries between them.

As for Blitz, he is the most naive out of the pair. He isn't really good with words and opening up about his feelings as he can't really say if their relationship is going strong. He wants to believe they are doing okay together but a part of him knows it's a complicated arrangement and can't bring himself to talk about the pain he may inflict on Stolas. So instead he buries it all away for sex because he thinks that's the only thing he wants. The only thing that will get his attention. To look his way, so to speak. He wants to believe that everything is going fine and he seems excited to see him again. He is singing about all the nasty things he's going to do to his owl prince during sex because he is intent on impressing Stolas because he thinks that by avoiding the subject of their feelings, they can be happy and not have to get themselves hurt. Blitz thinks this is not only the best for Stolas, but also himself because he likes where he stands in this relationship. He doesn't want to let go of this relationship and by indulging the bird in sex, he'll still have him.

The way they are singing also tells us a lot about their stance of their relationship. Blitz is rapping throughout the duet as he isn't really good with words. He gets himself hyped for this date by thinking of all the ways he'll fuck him as that's where he is at the most happiest. As for Stolas, he sings with a dramatic broadway grandure because this is the biggest decision of his life. He is about to let Blitz, the love of his life go and he can't decide whether he is doing what is best for them or himself. He loves Blitzø. That's why it pains him to make this decision. The song starts with him singing happily in the bath about how he's so excited to see him. Getting himself prepared clean and proper but when the thought of Blitz coming over settles in, he is scared shitless about screwing up with what they have as he is scared of leaving their relationship in tatters, hence the mess of his living room and the fridge. Blitz remains optimistic as he gets himself ready for a night of sex and pleasure because he knows that's what Stolas likes and where he is most good at when showing people he loves them/what he likes. He causes a stir, he shouts out from the rooftops that he is in love with Stolas. He announces it to the world because he wants to share his happiness with everyone who cares to hear it. He feels happy with Stolas and he wants nothing to ever change.

So here's my analysis of the Full Moon duet and Stolitz heading into the new episodes as a whole. Do I believe they will fall apart? Probably. Will they reconcile? Most definitely. But if I missed anything, feel free to add more.

Link to original post - https://www.tumblr.com/visemes/748954138058113024/stolitz-duet-lyrics?source=share

#helluva boss #stolitz #blitzo #stolas #blitzo helluva boss #stolas helluva boss #stolitz duet #character analysis #full moon #i ramble a lot but this ship has a lot of angst #i am not ready for the new episodes to drop

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icedroppedinparasolcider · 1 day

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Momoi Airi is a Trans Woman

This is headcanon at the end of the day and there's nothing wrong with disagreeing, but the way she's written regarding her sense of identity as an idol, the choice of phrasing they use when she talks about herself in reference to others (namely Shizuku), and the connections her visual motifs provide to concepts and other characters tied to or commonly seen as trans just makes it incredibly hard for me to view her otherwise.

A lot of what I have to say is very personal to me; I'm a trans woman myself, and Airi's writing and experiences connect with me and my own transition journey in a way I haven't really seen anywhere else in media (I'm not a very prolific media consumer). So it's entirely possible a lot of this is just me projecting onto a character I care a lot about. But while I've adored Airi before this revelation, I didn't reach the level of attachment I have for her until the realisation of just how well she's written through the lens of a trans girl. Specifically one who's, for the most part, entirely socially transitioned but keeping the fact she is trans secret.

When Airi was little, she was, as she herself describes, very boyish. She'd get into physical fights with boys around the neighbourhood or at school, she'd come home most days covered in dirt and mud from playing with her majority boy friend group of the time. She was intensely defensive of her little sister, most of her fights being with possibly bigger-than-her boys because they were mean to her sister. It formed a reputation for Airi, a reputation that followed her as she began to deviate from these patterns and pivot her interests and activities hard and fast thanks to starting to watch idols on TV. She was enamoured with them, would rewatch recordings of their performances and interviews over and over so she could emulate it and be more like them. She'd stop getting into fights, stop playing with her rougher friends; everything started changing dramatically thanks to her being introduced to a new "type" of woman: an idol. Something Airi wanted to become, and was willing to change everything about her to be.

These changes weren't socially easy for her, though, with backlash coming from these old friends and classmates because of how girly she was trying to become. The idea of being a tomboy was something Airi started to consider a bad thing, a gross thing. During her Colourful Festival side-story, To You Who Yearns To Be an Idol, amidst a conversation with her younger self Airi calls the little girl a tomboy, something that makes the younger Airi immediately deflate and shy away from the conversation. It upset her to be called that, especially by an idol, something she wants to become. Which leads to the younger Airi talking about how she's been treated by her peers for changing the way she dresses and not playing the same way she used to, for changing the way she talks, with her being talked to like she's doing something horrible and wrong for simply chasing a dream of who she wants to be. And in this conversation, Airi says a particular line that changed everything for me:

This is said in response to Little Airi's repeating of what the boys in her class call her as she wears cuter, girly clothes. That she's some big, mean monster who shouldn't wear things like that, who could never become an idol. Effectively telling her that she could never be a girl because of the way she used to behave. She started as someone rough, someone harsh and dirty, that's not something she should—not something she could—change. Something we see in present day that she's largely internalised through her struggles with what it means to be an idol, her struggles with calling herself an idol.

For Airi, being an Idol and being a Girl have become synonymous with each other. Her ability to be an idol, to draw that attention, have a smile that sparkles on stage and in front of the camera, spread hope and joy to other people; this part of her identity has grown beyond her job, it's who she is as an individual. Being Momoi Airi, the second year Miyajo student, is inseparable from Momoi Airi, the ex-QT member and now member of MORE MORE JUMP! And if she can't be the image of an idol that exists in her head, that she's always viewed idols to be, that Haruka and Shizuku manage to embody, that Minori is becoming, then can Airi even really call herself as much of a person, of a woman, as them?

Airi's been in this constant uphill battle where she believes she doesn't sparkle as much as the other idols around her, so she puts more effort into learning how to make herself sparkle, but manages to convince herself that because she struggles with this, she's less of an idol than those very peers. It's in large part what Ice Drop is about, Airi's difficulty finding satisfaction with her work as an idol because it doesn't shape up to her own expectations and beliefs of what an idol "should be", because it doesn't match what she sees other idols she looks up to, like Shizuku, doing. Something also portrayed during Airi's conversation with Shizuku in Chasing the Radiance Beyond the Blue Sky, where she outright tells Shizuku that because she doesn't have the same physical appeal she has to fight harder and use different strategies to get any attention as an idol. And if Shizuku is the "perfect idol", and Airi will never be able to achieve that, can she even call herself an idol?

If she can't call herself an idol, does she even deserve to call herself a girl? Or are the harsh words of her grade school classmates right about whether she should be wearing the cutesy clothes?

A large part of Airi's struggle with this, why it's even a spiral in the first place, ties into her nature as a Solid Heart student as well as why I see so much of myself and my transfemme journey in Airi's story. It doesn't matter how many people tell you that you're enough and that you've done what you set out to do, not if every thought in your head is telling you they're wrong. According to everyone I know, I pass really well as a girl. My voice is naturally feminine, even without masking it very hard, I've basically never been misgendered since growing my hair out by strangers looking at me, I've even been told by close friends that they'll forget I'm trans because I'm just "one of the girls" to so many of them. And I appreciate all of it, so much; I'm very lucky to have had such a smooth social transition. But none of that changes who I see in the mirror, who I hear when I talk, what I feel when I wake up in the morning forced to acknowledge my body. I'll never be a "real girl", not until I fix these things, and it's entirely possible that it's impossible to truly get rid of this feeling.

That's what Airi feels regarding her identity as an idol. Everyone in the world could tell her how good an idol she is, how much hope she spread as Happy Everyday, how beautiful and bright her smile is. But that will never replace or fully mask the doubt in the back of her head about whether she's really an idol, because nothing that she used to do aligns with what she's always seen idols to be, so much of what she does today is so different from the reality of her dreams. She's not that idol, so is she even an idol at all? I'm not that girl, so am I even a girl at all? Obviously I am, and obviously she is, but it's a feeling of doubt that never goes away.

Airi needs to constantly be an idol, or she's not an idol at all. And, at least to me, this has come to mean to Airi that if she's not an idol, she's not a girl. Because all of the work she put into being cute and girly was to be an idol. If she can't accomplish that, does she even deserve to be a girl at all? Or is she just a fraud wearing a mask trying to make people laugh on TV?

#pjsk #project sekai #airi momoi #character analysis #transgender #i have so much more to say #but it's getting late and this feels like a good stopping point #i'll probably add more when she invades my brain again #momoi airi......

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data-is-my-favorite-android · 3 days

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Thoughts on The Ghoul

So I think all the characters in the Fallout show are spectacular, but I had some thoughts on The Ghoul/Cooper Howard in particular that I just wanted to put down. Owing to his 200+ years of history, he's a downright fascinating, dynamic character, and I can't wait to see what they do with him next.

Anyway, here's my thoughts/character analysis of The Ghoul:

One of the things I found most interesting on my second watch-through of the show was how everything The Ghoul does is motivated by ruthless pragmatism, not cruelty. It can appear like cruelty--sometimes it tips over into cruelty--but cruelty is not the point. The point is always survival. He must survive to find his family. That is his goal and his one guiding tenet. Nothing else matters, everything else is fluid. Whatever it takes to survive.

Getting rid of the three bounty hunters who dug him up? Survival. Two of those guys were already one twitch away from killing him on the spot for being a ghoul, and the other threatened to harm him if he didn't show enough gratitude. Coupled with some of the other things he was saying, it seemed possible he would double-cross or kill The Ghoul the moment it suited him. No doubt The Ghoul has worked with the type before, and knew trouble when he saw it.

In Filly, he only shot people who were shooting at him. Cooper loves dogs, but he stabbed CX-404 because she was actively trying to kill him. On the surface, he healed her for equally pragmatic reasons: she could lead him to Wilzig. But he also seemed to respect, too, that she clung to life despite her debilitating wound. She's not his dog Roosevelt, so he tries to maintain a cold detachment from her (at first), but he has a soft spot for dogs.

He was willing to shoot Lucy in Filly, but he hesitated--which is more than he did for any of the other people threatening his life. Possibly he wouldn't have killed her (she was armed with a non-lethal weapon) until Maximus showed up on the scene and changed the calculus (dispatch the girl and deal with the newer, bigger threat without having to worry about her finding a lethal weapon and killing him with it). He didn't kill Maximus when he had the chance, either. He didn't need to. Maximus had already shown himself to be incompetent with the power armor. It was simple enough to damage the power armor and watch him tuck tail and run.

When he meets Lucy again, he uses her with the same casual, indifferent efficiency as he would any other tool. The point of dunking her in the water was to lure the gulper. It had the unfortunate side effect of also being torturous for Lucy, but the cruelty wasn't the point. Getting the head back was. The head=caps, caps=meds, meds=survival, survival=eventually find family.

We don't know what The Ghoul would have done if they had retrieved the head from the gulper and his medicine hadn't been destroyed. Probably it would have depended on what Lucy did. If she seemed likely to come after him and the head, he probably would have killed her or incapacitated her and left her for dead. If she had explained she needed to trade it with Moldaver for her dad, Hank MacLean, hoooo boy, he would have beelined for Moldaver's with Lucy in tow. Whether Lucy came along as his partner or his captive/extra bargaining chip would also probably depend on Lucy's behavior.

But they lose the head and The Ghoul's medicine is destroyed. The math changes. He can come back for the head, but he needs meds now, which means he needs caps now, and the only thing of value he has on hand is this pampered girl from a fucking vault who seems patently unwilling to do the things that need to be done to survive in the Wasteland anyway, so if she's gonna die, he might as well profit from it. He needs meds to survive. He needs caps for meds. It's simple, brutal math.

While he's hauling her to the Super Duper Mart, though, he does several interesting things that are degrading for Lucy, yes, but are simultaneously teaching her how to survive the Wasteland, testing to see if she'll adapt. First, he mercy kills Roger and butchers him. It's important to note that The Ghoul didn't have to take a detour from his all-important mission to obtain medicine--he could hear it was Roger, he could tell Roger was going feral and didn't have any meds-- but he went anyway to help ease an old friend's passing. And he made sure Roger's last thoughts were pleasant, too.

Then, because this is the Wasteland and the one law is survival, he wastes no time switching gears. There's no waste in the Wasteland, and a fresh dead body presents an opportunity for those willing to seize it. The Ghoul, mind you, has had 200 years to learn that he can't be picky. Ghouls are unwelcome in most "civilized" parts of the Wasteland, barred from the simple comforts and safeties and securities that other people can enjoy if they reach those scattered, precious oases. The Ghoul has had to eat people. It sucks, but it's that or die.

But Lucy doesn't understand that. She arguably doesn't understand what a ghoul even is because nobody's taken the time to tell her. She doesn't know what the last 200 years have been like. She's appalled--and then she has the audacity to voice her disgust. The Ghoul hands her the knife to keep butchering Roger in part to humble her, to drag her down into the dirt with the rest of them, but he's also teaching her a stark reality of the Wasteland. It was a lesson and a skill that he had to learn the hard way. (Interestingly, while nearly everyone in the Wasteland is disgusted by cannibalism, it's also a known thing that happens all the time. The Ghoul and Lucy are in the interesting position of being some of the only people in the Wasteland who were raised in societies where cannibalism truly was unthinkable).

On the walk to the Super Duper Mart, he refuses to give her water. On a pragmatic level, there's no reason to waste water on the equivalent of a dead woman walking--he's leading her to get her organs harvested, after all. (He is pretty petty when he pours out the last drops instead of giving them to her, though). But also, whether he is actively intending to or not, he is teaching her to adapt to Wasteland conditions. The water in his canteen, in fact, was just as irradiated and gross as the standing water from which Lucy ultimately drinks; he refills his canteen from the same rusted-out vessel Lucy drinks from, and likely drew the previous canteen's worth of water from a similarly unpalatable source. This is water in the Wasteland. Drink it or die.

When she runs away shortly after, he lassos her (and, sidenote: can I just add how fucking cool it is that they actually carry through his lasso skills? Like, that is actually an extremely useful skill and the writers utilized it!), which leads to that pivotal scene where she bites his finger off and he takes hers.

This is interesting for multiple reasons. The Ghoul calls her a "little killer" and seems satisfied to see her finally fighting with the same savagery as a Wastelander. This could be either because a) he believes all people have a killer lurking beneath the facade of civility ("I'm you, sweetie. Just give it a little time...") and she's finally found that steely will to survive no matter what it takes, and/or b) he believes she's been faking her doe-eyed, good girl persona. He's the one who first finds Wilzig's body, after all. To him, it looks like Lucy lured the doctor off and ruthlessly chopped off his head before running off with it. Maybe she's just a really good actress, and in biting his finger off, she's let that mask slip.

Either way, he introduces her to another law of the Wasteland: don't dish it if you can't take it. She takes his finger, he takes hers. He doesn't kill her for it, in part because that would be disproportionate, in part because that would be a waste (he probably needs he alive to exchange her for caps). But also, from a practical standpoint, she just bit off his shooting finger. Unbeknownst to her, ghouls can reattach body parts, even ones that are not their own. He's harvesting his replacement from her. If he wanted to be cruel, he had ample opportunity to be cruel here. He could have taken more fingers. He could have hurt her in ways that wouldn't have affected her value to organ harvesters. He could have degraded her and called her all kinds of nasty names. But he doesn't. He's efficient. If anything, he seems almost proud of her for abandoning her hoity-toity principles and fighting back.

He still needs caps. He's feeling the effects of not having his medication. He's still committed to delivering her to the organ harvesters. In his mind, he has no choice. This is about survival. He has to survive to find his family. This is the option he has available to him. This is how he lives to see another day. He brings her to the Super Duper Mart and, drawing deep from that actor's well, he maintains the tough-guy routine long enough to intimidate her inside, then he succumbs.

He's still down when Lucy re-emerges, victorious, and he knows, he knows that he's dead. He tried to kill her, now she'll kill him. It's the smart thing to do, the practical thing to do. Another law of the Wasteland...

But she doesn't do it. She has all the power here, she knows he's a dangerous element, that she would probably be safer if she left him for dead or killed him herself. But she breaks all the rules. She gives him, freely, generously, with supreme dignity and a selfless kindness he had long forgot, an abundance of the thing he needs to survive, the thing he was willing to sell another human being for no questions asked. Just like that.

There's also something to be said here about how resource scarcity (and the removal of that scarcity) affects people. As soon as The Ghoul gains a cache of at least 2 months worth of medicine, it frees him from the basic math of mere survival. He has room to breathe and think long-term (at least by Wasteland standards). He can reflect on the momentous thing that just happened to him, too. As he watches himself on the TV in the Super Duper Mart, watches the man he once was unwillingly (and unwittingly) take the first step onto the path to what he has become, he remembers what it was like being Cooper Howard. Why he, Cooper Howard, hated the "feo, fuerte, y formal" scene so deeply.

Cooper Howard was a kind, moral, and dignified man who seldom said an unkind word. He was a loving husband who deeply respected his wife and absolutely adored his daughter. Though his naivety, privilege, and ignorance blinded him to the ugly realities of the pre-apocalypse world around him, he valued justice, freedom, and equality. He wanted the characters he played in the movies to reflect that belief in the power of the law and respect the innate humanity of all people, even the villains. And, when he began to see the cracks in the perfect picture of his charmed life, he is driven to know the truth behind the facade. His deep, defining belief in justice and truth would not let him leave it alone.

Cooper Howard learned the truth that Vault-Tec (and by extension, his wife) were willing to drive the world off a cliff, and it destroyed his marriage and deeply affected him. Even then, demoralized and hurt as he was, he found it in himself to be thoughtful and kind to his daughter and the people, both adults and children, at the birthday party he worked the day the bombs dropped. Fundamentally, he was still a kind, moral man. And that kind, moral man found himself in the middle of the most horrific nightmare anyone could ever imagine experiencing: the death of the planet under a rain of atomic bombs. Then he lived through it and had to contend with the harsh realities of surviving on the annihilated landscape left behind. Fortunately for him, he already had several handy skills to carry him through: having formerly been a real cowboy, he knew a thing or two about surviving in tough conditions; having formerly been a soldier, he knew what it took to kill a man and had the experience and fortitude to do it; and finally, having formerly been an actor, he had a built-in psychological coping mechanism to insulate him from the horrors of the things he needed to do to survive.

Cooper Howard used to put on and take off personas for a living. Sure, he played white hats, but he had an intuitive understanding of character and narrative tropes. He played opposite some of the best bad guys in 21st century Hollywood! It wouldn't be hard for him to pull the cloak of acting around himself to do what he initially needed to do to survive. But somewhere along the way, the tough, ruthless persona he adopted stopped being an act and he became his character. He embodied the answer to the question posed by The Man from Deadhorse: what happens when a good man is driven too far?

Cooper Howard adapted to survive. His actions reflect the realities of being a ghoul (again, a people generally reviled by everyone and cast out of safe havens because they are deemed threats). Pragmatic and efficient violence are necessities if a ghoul wants to live long, stay sane, and stay out from under the thumb of would-be enslavers. Still, beneath it all, Cooper Howard is still there, buried deep down beneath the character-persona of The Ghoul.

The Ghoul is drawn to Lucy (platonically, romantically, or some secret third thing), to her goodness and old-world manners just as much as he is disgusted/irritated by them. She's an echo of himself, of Cooper Howard, of who he used to be, and he knows EXACTLY where that gets a person. She's going to get herself killed if she doesn't wise up. With those high-and-mighty, anachronistic principles, that black-and-white worldview, her totally naive misunderstanding of the realities of the Wasteland, she won't last long. And initially he sees her as a pawn, like he was, only good for moving him one step closer to his goal. But then she shows him she can adapt and survive. Not only that, she can be true to her core principles in the process. She can conduct herself with dignity. Lucy reminds him what it was like being the white hat, and shows him that yes, even in this hellscape, there can be heroes. Over 200 yeas, his pragmatism and need to survive sanded away the nuance between Good and Bad. But Lucy makes him reconsider whether maybe there is right and wrong after all, and maybe it actually does matter.

Thus begins his transformation, but the change is not immediate, and this is still the Wasteland. He escapes from The Govermint and goes after Lucy. To do that, he needs to find Moldaver. He tracks down someone who might know where to find her, kills him and accidentally blows a hole through the letter with the key bit of information he needs to find Moldaver. So, he goes to that guy's family to find the man's younger brother, Tommy. When he gets the information he needs, he kills Tommy. He gives Tommy the opportunity to back down, but The Ghoul has a lot of experience and reads Tommy like a book. Tommy is not the kind of kid to let something like this go, and The Ghoul has clearly been burned by leaving vengeful people alive before. Tommy reaches for a gun to shoot The Ghoul, and The Ghoul doesn't hesitate. He blows a hole in the kid. It sucks, but again, this is a decision born from sheer practicality, not love of carnage.

Later, he comes across CX-404 trapped in a Nuka-Cola machine (left there by Thaddeus). The head is lost to both of them now; the dog cannot help The Ghoul with finding it. But he saves her anyway and dubs her Dogmeat. He lets sentimentality get to him for the first time in who knows how long and allows himself to bond with another living being. When he does reach The Observatory (where Moldaver, Lucy, and her dad are), he clearly stashes Dogmeat somewhere to keep her out of harm's way and goes in after Lucy.

After fighting his way through the Brotherhood of Steel, we come to that pivotal scene where Lucy finds out about her father's history. Cooper hangs back to observe and learns that his niggling, hare-brained hunch about Lucy and her last name was correct: she was the daughter of Henry MacLean, a man-out-of-time who presents the first real step in 200 years toward Cooper's ultimate goal: finding his family. (I think it's important to note, however, that he isn't 100% sure of her connection to Hank when follows her to Moldaver's--his reasons for going to the Observatory are either to get information from Moldaver or simply to back Lucy up, should she need help). He lets Hank get away so that he can follow him, and he's willing to follow him alone. But now there's Lucy, who is as wrapped up in this shit as Cooper is (even if she doesn't understand it yet), and he figures they both deserve answers. She's shown that she can adapt to survive, she just needs a teacher. In their first exchange since she left him at the Super Duper Mart, he treats her with new respect and offers her the opportunity to come with him, learn from him, and find out about who she really is and the legacy that has produced her. But perhaps he also knows deep down that he needs to learn from her too. He needs to remember what it was like to be good, to be human. He needs it so he can be it for his daughter when he finds her.

So, yeah, I don't know, it's just interesting how Cooper Howard became essentially lost in method acting a villain to survive the fucking awful conditions he found himself in, but even then he isn't cruel. Like, there are a lot worse things he could have done to Lucy. A LOT WORSE. As far as I can tell, he never looks at or touches her in a creepy, predatory way. Yeah, he drags her around on a leash and cuts her finger off when she bites his off, but that's pretty damn tame for the Wasteland. He secures her with rope, but otherwise is pretty hands off with her. If he objectifies her, it's in an extremely non-sexual way. More of a taking-the-cow-to-market kinda way. Which still sucks, but again, it's not needlessly cruel or wantonly violent, which is pretty impressive given general Wasteland behavior.

He's a damn interesting character, and I'm super stoked to see how he develops--and how he interacts with Lucy going forward.

#fallout show #cooper howard #the ghoul #lucy maclean #long post #character analysis #also #have you guys noticed #Cooper is wearing the same hat shirt and trousers he wore when the bomb dropped??#how has he NOT worn out those clothes after 200 years??#how does he take care of them??#Why does he wear them still?#...do you think it's so that when he does find his daughter #she'll be able to recognize *them* even if she doesn't recognize *him*?

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feelingthedisaster · 1 day

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saw someone say some fans give dean sam's arcs and thinking about it, it does happen and kinda sucks bc 1. just like sam instead and 2. as someone who loves dean, you're removing what makes him dean

i dont want a rebellius dean. i want the dean who no matter if he dislikes an order, he will follow it, bc and order is an order and he is a soldier. he likes to act like a he is some cool rebel but at the end of the day, he'll keep his head down and do as he has been told (and the intro personal conflict "i have to do this even if i dont like it" is top tier)

i dont a want a dean who fights john. i want the dean who shouldnt forgive him but does it anyways bc that's his dad. i want the dean who tries so hard to be a mediator when john and sam fight again and again cause someone has to keep the family together.

i dont want the dean who wants to stop hunting. i want the dean who doesnt have a life outside the life, the man you take away hunting and doesnt know who he is because that's what his life has always been and will be, there was never another option so he doesnt exist without it. he cant stop bc he si nothing outside of hunting (edit: early seasons dean, he gets some character develepment)

i dont want a dean who emphatizes with monster bc he feels like one (thats's literally sam character). yeah, he can feel like a monster in the way "i killed so much people, im a monster" but not in the supernatural monster way. he thinks mostly in black and white about supernatural monster-ish stuff, and yeah, with time and all that sam, benny, etc he learns to tolerate supernaturals but emphatizing on how a supernatural-related freak way? hell no. i want the dean who has to deconstructe himself on monsters for the sake of the people he loves and will fuck up (but try)

want those arcs? sam winchester is right there but dont change dean's. he is already an extremely interesting character on his own

#i love fics that explore his relationship with john and authority figures cause its amazing #i ve been wanting to read one in which he has to stop hunting for injury/other and has an identity crisis but its a little bit too specific #supernatural #dean winchester #spn #sam winchester #supernatural fandom #john winchester #spn dean #character analysis #dean winchester character study #fanon #canon

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whiteeevee996 · 2 days

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Genocide/Vengeance Axis makes me so sad, especially with the context that he remembers killing Integrity and yet genuinely did not want to do so.

Look at the scene where he talks to you behind the door. He tells Clover, "I know why you are here. But I can explain."

He thinks this is all his fault. He thinks Clover is going on their rampage because of him. The reason he reveals he killed Integrity during the final fight isn't because he misspeaks or anything...He says it because he thinks Clover already knows and is genuinely trying to explain himself. Axis is more intelligent and "alive" than the other robots...But he does lack total free will. He can be forced to do things by his programming, and he dislikes that. Killing Integrity was one of those things. And it's him incorrectly assuming that Clover would try to understand that is the reason he gets killed.

#utdr #uty #undertale yellow #ut yellow #uty axis #ough i love him #unsurprising given i have an ask blog for him but oh well #character analysis

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williambeckettfan36 · 3 days

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not a day goes by where I don’t think about the difference between s5e9 (mac and dennis break up) and s14e4/5 (the gang chokes/the gang texts) (or just s14+)

cause in s5e9, the whole episode is obviously centered around how dennis and mac fundamentally need and depend on one another, and that they’re complete and utter best friends. even when they argue, they make up properly, and it gets all wholesome at the end - but then in the later two, dennis is constantly snapping at mac, is irritated by him, and to put it really really harshly, seems like he hates him at points. and then on the other hand mac is unhealthily devoted to dennis. i know the change is really obvious and it’s literally a plot point, but thinking about that specifically makes me sad

#iasip #it’s always sunny in philly #it’s always sunny #it’s always sunny in philadelphia #macden #macdennis #character analysis #episode analysis #toxic yaoi #evil yaoi #mac mcdonald #mac iasip #dennis reynolds #dennis iasip #mac and dennis

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pleaktale · 2 days

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It's midnight and I'm awake like I got a charge of 2000 volts in my body so...

Hobie Brown yapping!

More so about his... morals? Possible beliefs? I don't know, something like that.

This one is more like a little headcanon of sorts? I don't know how to classify this tbh.

Anyways! We have the album for the movie on spotify, right? And in the spotify version (I never checked the others...) some of them have voice-overs from the film. And of course one of my favorites is Link Up and Silk & Cologne (both have Hobie voice-overs).

And even with the other songs with voice-overs, I can't help but think that it has purpose. Why would they throw a random voice-over of a random character in a song if not for the song to relate to them somehow?

See this one for example:

It has a Miguel voice-over at the end, and somehow I can see it fitting his story. He had nothing and found somewhere where he had everything, but still lost it.

Oh and what about this one?

I don't know about you guys but this music screams desperation. Miles desperation to get to Gwen. And in the end we have Mr. Morales voice-over "Mini man, come on, drop the beat!" and when that happens? After he makes his speech and refers to Miles and he's simply not there.

THIS IS GETTING LONG BUT I THINK ITS CLEAR NOW SORRY 😭

About our beloved, we have this in Link Up:

THIS JUST SPEAKS SO MUCH HOBIE TO ME I CAN'T— I'm not going for the "he hates labels so of course he would never call anyone partner!" bullshit. Shut yo mouth.

He does love, he does expect to have someone one day but "don't talk about the worries, let's link up"!! He's one to go with the flow!! No need to rush anything, feelings have to grow in order to be nurtured.

And Silk & Cologne? Just confirms that.

I need you close, don't go far drom me

And I feel better when you talk to me

So come and talk to me

He just wants someone to trust him and take this slow ride with him. At least that's what he expects from a partner – someone to be together without doubting things or rushing them. ( ´∀｀ )b

And that’s it, I just spend 30 minutes to ramble about Hobie and make silly connections with my silly brain. See you soon! BBYE! 🩷

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pipiezexal · 1 day

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I typed up a post on how Laios and Kabru's interaction is important context to Laios and Toshiro's conversation about how Toshiro has always been uncomfortable around Laios, and then I started tacking a disclaimer onto it, but I realized that they'd both probably do better as their own posts, so here we go:

Toshiro isn't being a terrible person and he acts the way he does because of how he was taught to interact with people; he has legitimate reasons to be uncomfortable around Laios, even if Laios is being genuine and does not mean harm. Sometimes people are incompatible with each other personality-wise, and sometimes people who mean well hurt others because of ignorance or ingrained prejudice.

It's probably also worth mentioning that Laios and Toshiro manage to have that conversation and thereafter are much better are working together. It's a very sad scene, both seeing how hurt Laios is and how uncomfortable Toshiro has been, with no way to speak out on it, but after the conversation, the blows end. They're civil to each other. They're kinder to each other now that they understand where they're both coming from.

Just... sometimes you're Laios, who's just trying to be friendly and genuine (in a world where people have been so cold to you for just being yourself, wishing that you could get back half the energy you put into other people), and it's going to hurt when you realize that people don't like you as well as you like them. Sometimes you're Toshiro, who's stressed and uncomfortable around the people who are supposed to be your friends (but still get your name wrong and ignore your boundaries and ask you hurtful questions), and you're going to have to weigh whether it's better to grin and bear it while it lasts or better to cause a scene.

They both probably could've been friends, or at least happier, if they'd had this conversation earlier. But that's not what they were taught to do.

#dungeon meshi spoilers #character analysis #laios touden #toshiro nakamoto #i guess. before you judge toshiro too harshly ask yourself #how many times is it worth it to assert your boundaries without being rude before you give up?

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featherstorm2004 · 2 days

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AFO and Deku

So in light of the recent chapter and the now fully checked out AFO I have seen some people suggest that Deku might try to save him like he did for Shigaraki, and to be honest I'm not fully keen on the idea but first let's explain why some people think this.

The first reason is that in this chapter AFO's mask has fully been dropped and right now he is at his most vulnerable, with Yoichi gone he is in unimaginable pain and can barley muster up the will to fight. And Deku noticed this as AFO is not a creature of subtlety, so people have concluded that since Deku has been built up as a character who will always reach a hand to those in pain, even to his worst enemies (Shigaraki) that clearly he will do the same for AFO. Especially now when AFO's will has been broken and he sees no reason to fight anymore.

There's also the fact that AFO has gradually been humanized since the war started with us learning more about his and his brothers past. However, I feel compelled to mention that when people say Deku will try to "save" AFO what they really mean is put him down gently by having him accept his own death and let himself fade away, which is not a bad end for AFO by any means but it feels wrong for Deku to be the one to do it as to be frank, he and AFO mean nothing to each other.

At this moment in time AFO is not a personal antagonist to Deku, he was/is merely the roadblock on Deku's journey to save Shigaraki, his thematic parallel and deuteragonist. And likewise Deku was simply AFO's roadblock to Yoichi nothing more nothing less, but now Yoichi is seemingly gone which means his relevance to AFO has greatly diminished. I mean don't get me wrong AFO is definitely pissed at him but right now he is simply tired and states so himself that he doesn't care about the groups of hero's attacking him.

So, it feels wrong for Deku of all people to be the one to reach him after all this time, especially when the most likely candidates for that role have at the moment been put out of commission, with Yoichi shattered and Shigaraki smothered.

With that being said it's not impossible for Horiskoshi to surprise us and have Tomura reawaken and put his master to rest but I think that is very unlikely as Tomura is not exactly known to be kind to those who cross him. Especially now since AFO has effectively killed what little good will Shigaraki had left for him after admitting to being behind his families death so, I doubt that he will have the compassion to try and convince AFO to fade away.

There's also the fact that I'm not fully convinced that Yoichi is really gone, especially for him to be taken out in such an anticlimactic way I mean Horikoshi couldn't even bring himself to kill Endeavor when his story had clearly reached his conclusion so I doubt he would end Yoichi's story so prematurely. But yeah that's just my way of saying that I don't think Deku is going to be the one to end AFO it's just not his place in the story and it never has been, but that's not to say someone else can't

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the-bar-sinister · 17 hours

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What the hell is wrong with Kristoph Gavin?? (headcanons)

cptsd and potential bpd due to neglect, abuse and parentification by his parents

tyrannical, angry famous defense attorney father, dismissive, neglectful socialite mother

neglected as a young child and raised himself as an early reader. Straight As and "a joy to have in class. always polite"

Polite due to terror of setting off his father's temper, well spoken due to voracious reading as escapism.

learned to manipulate people without asking directly for what he wants in order to get any kind of positive attention from his father or mother

parentified and put in charge of raising Klavier as soon as Klavier arrived.

golden child/scapegoat dynamic enforced by their parents which Kristoph hates. Tried unsuccessfully to protect Klavier from their parents' anger– by always pushing Klavier to do better to measure up to their expectations.

Constant attention seeking due to neglect as a child.

Obsessed with keeping up appearances due to the fear as soon as people have a negative perception of you they'll leave or destroy you.

"the law is absolute" in that if you don't get caught, you haven't broken the law. Constantly had to evade and manipulate and loophole his father's tyrannical rules in order to avoid being punished for minor and abusive reasons.

#kristoph gavin #klavier gavin #gavin brothers #ace attorney #ace attorney headcanon #headcanon #cw child abuse #character analysis #mental illness headcanon #ace attorney whump #💻🔪

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aaamike · 2 days

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Oh… Kenjaku knew how it would all turn out. He never planned for any of the cursed spirits to make it out of Shibuya or into the culling games… he just wanted Sukuna revived for his merger plan.