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lunanoc · 3 months

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so probably against what should have been my better judgment, i went ahead and actually wrote “meta”, except it’s only borderline meta because it ends up veering off into crack theory territory and is also insanely long, but i figure since it’s now too long to be posted as a discord liveblog like it was supposed to be, i might as well just. post it here (in several parts because no one wants a 10k post lbr)

disclaimer: i like to be transparent about where i’m coming from, so just know that i have not finished reading all the books yet. currently i’m practically through everything, books and extras included, up until and including sand sea part III, so anything i talk about relating to that is my own reading experience. i’ll sometimes reference later books i’ve either read snippets of, or talked about with people who have (and verified the information as best as i could), but because i lack full context for those, any mentions of those elements are automatically grain of salt and relegated to crack theory. for everything i have read that i can grab quotes for, i’ll be providing clear references to the specific chapters of the books they’re from

also, blanket spoiler warning for the books

but that being said, let me actually get into this thing:

king shang of lu, the iron-masked gentleman, king mu of zhou, the queen mother of the west, how they’re connected, who they might be, and what that could mean for the larger dmbj narrative

PART I: KING SHANG OF LU AND THE IRON-MASKED GENTLEMAN

writing this shaved years off of me, the rabbit-holing was insane, and there’s still no clear answers in the end but welcome to the ride i guess

starting off here, the problem with these two characters is that we have conflicting information about them from three different sources that all give a different version of the same story, all of which are various degrees of dubious for different reasons. and you could say ok but really, who cares i do apparently about these two because in the larger plot they don’t really amount to much in the end

BUT

given both the things we learn by the end of sand sea (and elements that pop up in later installments) about all the various parties involved in what’s essentially a subplot, and the fact npss goes into so much detail with such a deliberate throwback to something all the way back in the first book, i don’t think the fact that the various versions of the story of king shang of lu sometimes blatantly contradicting themselves is a mistake, but is rather proof of deliberate obfuscation of the truth. npss tends to like revisiting sometimes seemingly anecdotal or trivial things from previous books to connect them with a subsequent revelation, or open the door to a different interpretation of them, so that he’d do it here isn’t all that surprising to me

the three versions of the story of “the emperor” (or the ruler of the state of lu), king shang of lu, and the iron-masked gentleman we get are, in order of appearance:

version 1 from a silkbook found in the purple jade box in “king shang of lu”’s coffin (Book 1, Ch. 26, Purple Jade Box)

version 2 from xiaoge himself who gives an opposing account to the previous one that he supposedly read from a warring states period silkbook he found in a song dynasty tomb (Book 1, Ch. 26-27, Purple Jade Box / Lies)

version 3 from the powerpoint lesson given by the wang family to li cu (Sand Sea Part III, Ch. 132, 133, 134, Lesson / King Mu of Zhou / Deception)

the first two accounts are both from book 1 and immediately follow each other, but neither of them quite fit with the last one, or at least it would seem so. you could argue this is simply because book 1 was when npss was still trying to figure things out both with his plot and characters, so the final account given by the wang family is a retcon, and while that’s always possible, like i mentioned, npss likes to connect things and tends to either incorporate these kinds of seemingly obscure and irrelevant details for a reason, or simply retroactively fleshes them out to revisit them at a later date and shed a new light on the bigger picture. so it’s more the fact we just don’t know which things he implements deliberately from the start and which ones he ties back to retroactively, but in the end seeing as the result is the same it doesn’t matter much. what does matter is that he does it pretty consistently, so it’s safe to assume he’s also doing it with this particular story (side tangent, but i like to think that npss has shown he’s a big fan of something called chekov’s gun and no i won’t elaborate on that or else i’ll be here for hours but google that if you’re interested it’s fun)

so tldr; i basically just want to argue that by intentionally bringing back this story with obvious divergences, it might be a way to shed light on something else that informs king shang of lu’s story while placing it as a puzzle piece in the bigger picture of dmbj lore

but let’s break down those three different accounts of the story of king shang of lu

the first account

i’m going to tldr; most of these for the sake of clarity, but i’ll be referencing the various chapters all these bits are taken from if you want to verify any of it

technically the first real account of king shang of lu’s story we get is what’s written on the stone slab in the hall with all of the coffins in the seven star palace that says that he was “born with a ghost seal and could borrow ghost soldiers from the underworld” (Book 1, Ch. 10, Shadow), but i’m not counting that as a full-blown version of the story because it’s not dwelt on all that much and mostly serves as a preamble for pangzi to later posit to wu xie that it’s a bunch of bs and was probably just an exaggeration meant to mythologize king shang of lu given that the tomb itself is a weird anachronistic mix of western zhou and warring states architecture (which is an important argument but maybe not for the reasons you’d think)

so i consider the first fleshed-out version of king shang of lu’s story we get to be the one wu xie reads off of the silkbook he and wu sanxing pull from “king shang of lu”’s coffin, and is one that very quickly gets debunked within book 1 itself multiple times, so while it may seem easy enough to write off, it’s not so much what it says that’s interesting, but rather why it exists in the first place

this version of the story essentially relates the life and deeds of king shang of lu, recorded on what’s supposed to be a warring states period silkbook pulled from the man’s own coffin. it talks about how he inherited his title from his father and was a lowly grave robber lord who was cruel and greedy, and how one day he gained from a snake demon/spirit in a tomb he excavated “two treasures” in a “purple and gold box” (this will be important later) which are never explicitated, although wu xie speculates one of those treasures to be the ghost seal as its acquisition is directly mentioned in the text. the snake comes to king shang of lu in a dream and promises to make him a high-ranking official and teach him how to use the treasures in the box if he spares its soul (he doesn’t). and so king shang of lu becomes a military officer under the command of the “emperor” of the state of lu. in his later years, however, he starts to get old and sick, and so the “emperor” demotes him back into being a lowly grave robber, and he starts to fear death, so king shang of lu goes to his military advisor, the “iron-masked gentleman” or 铁面先生 tiemian xiansheng, in search of a solution. the iron-masked gentleman then tells him that something called jade burial armor, a treasure from ancient times, exists, and that it can keep someone young forever. so king shang hunts and hunts and scours tomb after tomb until eventually he finds a western zhou dynasty tomb which will later become the seven star palace where he discovers a corpse wearing the famed jade buriam armor. iron mask takes the corpse out of the armor, subdues the blood zombie it turns into, and then helps king shang of lu fake his death in front of the “emperor” so he can be buried in the tomb he built for himself on top of the western zhou tomb he’d found (Book 1, Ch. 26, Purple Jade Box)

however

this version is quickly debunked twice in pretty quick succession, and then a third time a bit later, still in book 1, but before i get to that, a few extra little details i want to point out:

to be fair literally no one (who doesn’t speak chinese and is reading the original text anyway) would be able to guess either from the translation or merebear’s footnotes that “iron-masked scholar/gentleman” or 铁面先生 is not in fact necessarily meant to be taken literally. it’s partly an idiom. 铁面 tiemian is an expression that can mean “someone who is upright in character”, in other words someone with a positive reputation. so this man isn’t necessarily implied to have worn a mask at all (i think he did, but that’s also for later)

the purple and gold box that’s mentioned in this version of the story is the one wu xie finds in the hands of the corpse of the green-eyed fox (who’s also wearing the belt that has the qilin blood clot wu xie accidentally swallows can you believe, which is also another detail for later) that’s accompanied by a key in the corpse of a woman next to it (Book 1, Ch. 22, The Eightfold Treasure Box)

the second account

before we get into the first version of the story more, let’s briefly take a look at the second one. the first version of the story is first debunked by the second version of the story which is told in abridged format by xiaoge pretty much right after wu xie finishes reading the silkbook. he says that the silkbook’s account is incorrect because the person in the jade armor isn’t king shang of lu, but iron mask who faked his own death in order to escape the systematic execution king shang of lu enacted on all the people who knew about and/or helped build his tomb. he then snuck into the seven star palace and disposed of king shang of lu’s body before taking the jade armor for himself

xiaoge explains that he found this story in a song dynasty tomb he’d robbed a few years ago that contained a complete silkbook that turned out to be iron-masked gentleman’s memoirs (Book 1, Ch. 27, Lies). and you’d be inclined to believe this version of the story over the first one because it’s xiaoge telling it, and xiaoge usually isn’t one for intentional deception unless it serves a purpose, even less so if it’s verbal deception (literally the only time i can think of him openly lying rather than lying by omission is when he disguises himself as professor zhang). except even this version is called into question multiple times. the first time is by wu xie himself, who while choosing not to confront xiaoge about it, senses that xiaoge seems uneasy when wu xie presses him on the point that if it’s true that two people were pulled out of the jade armor in that tomb, then why is there no second blood corpse. xiaoge answers that he doesn’t know because iron masks’s memoirs only mention it briefly, and that maybe king shang of lu was pulled out early enough that he didn’t turn into a blood zombie. technically there’s the mummified body they find in the sacrificial ding cauldron next to the coffin with the monster at the entrance to the seven star palace whose head is cut off that could fit that description (Book 1, Ch. 9, Ancient Tomb), but in any case xiaoge according to wu xie looks like he’s lying. the second time this version is refuted is by wu sanxing, but i’ll get to that when i get back to the first account and how it also gets debunked

arguments against the second account

i already mentioned xiaoge isn’t typically someone who’s into overt deception as a course of action unless it’s strictly necessary (and even then). it’s always possible he was either acting on a compulsion from the heavenly gift or under some order from chen pi ah si (since he was working for him at the time, even if i doubt this to be completely honest) or even something else, so it’s mostly my own assumption that he’s not actively deceiving them by fabricating a story, because xiaoge’s deception usually relies on omission rather than a concentrated effort at producing an elaborate lie. so really, the only fact we can be certain of is that he has an “uneasy look in his eyes” when he talks about the lack of another blood corpse, and that wu xie gets the impression he’s lying, which is a sentiment wu sanxing apparently shares because they look at each other in that moment and silently agree. whether this means xiaoge was *actually* lying, or that wu sanxing was taking advantage of xiaoge’s unease to further his own deception (re: arguments against the first account i’m getting to in a bit) is really up in the air

however

i’d like to think if xiaoge was lying and there was nothing more to it than that, he wouldn’t make it so apparent that that was the case given he only ever really projects visible upset or discomfort at anything when it’s related to his memories or lack thereof, and only much later in the story does that start to extend to allowing himself moments of vulnerability, or just his own brand of open concern for wu xie and pangzi. but this is all happening in book 1 where wu xie, as perceptive as he is about people, doesn’t know xiaoge yet, and so doesn’t know his tells. therefore that he can tell xiaoge is visibly emoting when it’s xiaoge is noteworthy in itself. also, given that book 1 takes place at a time when xiaoge’s memory was still very much lacking and fragmented, and he was likely still working for chen pi ah si partly to search for his memories, i wouldn’t be surprised if his unease was visible because the confrontation of both the first and second versions of the story started triggering his memory in some capacity, or it might have even triggered the heavenly gift senses into letting him know that there was something of importance in these stories since the particular episode of it he’s going through at the time gets a bit fast-forwarded from the seven star palace onward seeing as not too long afterwards xiaoge goes into the gate at the end of book 3

something else that’s worth mentioning is the logic behind these memoirs of iron mask even existing. why it would be in a song dynasty tomb is up for debate and probably irrelevant (although it does to be fair align with king mu’s motives of perpetuating grave robbing for deliberate dissemination of information), but mostly i question how he could have written his memoirs if he faked his death and slipped into the jade armor himself shortly after, unless he waited a significant amount of time before doing so and lived his life in hiding, which is also possible given there’s nothing more we know about him. but more food for thought

arguments against the first account

let’s go back to the first account from the silkbook for a bit and take a look at the other two times besides xiaoge’s second account where this version is debunked:

the second debunking comes from wu sanxing as he and wu xie are waiting around in jinan while panzi is in the hospital, and wu sanxing comes back outraged bc when he tried to have the silkbook they brought back from “king shang of lu”’s coffin, he was apparently told it was a forgery because the gold in it was too pure to have dated back to the warring states period, and so was necessarily more recent, though how recent is never specified (Book 1, Ch. 29, Purple-and-Gold Box). he then suggests to wu xie that he thinks it’s xiaoge who snuck into the tomb ahead of them, and with his skills successfully planted a dupe to trick them. i’ll get back to this eventually, but again, while it’s not impossible, it feels unlikely to me that xiaoge would extend so much effort in deception unless it served a clear purpose he agreed with, which is why i’m not convinced he would have blindly been following orders from someone like chen pi ah ai. and xiaoge would likely not have gone to the trouble of making a fake silkbook either, so the idea would have to have come from chen pi ah si, which then brings into question what motive chen pi ah si would have had to go to such lengths to deceive wu sanxing. again, really the only time we ever see or hear of xiaoge making an effort at deliberate deception is when he disguises himself as professor zhang, and while we never get an explanation for the reasons behind that, that’s more likely to have stemmed from feeling like he had to conceal his identity rather than wanting to deceive if that makes sense. in any case, i don’t know what tangible reason xiaoge would have had to deceive wu sanxing and his team with a fake silkbook even if he’d been acting on chen pi ah si’s orders, because would chen pi ah si have had a reason to go to the effort of creating a fake silkbook to deceive wu sanxing with details so specific that you quite literally have to have been in that tomb before to know them?

the third debunking of the silkbook version is ironically a reverse uno from xiaoge directed at wu sanxing when he, wu xie, and pangzi are stuck in wang zanghai’s tomb in xisha (Book 1, Ch. 63, Chain). xiaoge’s just recovered a massive amount of his memories related to the first xisha expedition, and very bluntly tells wu xie that not only is the silkbook from the seven star palace a fake, it was wu sanxing who planted it there. to which wu xie obviously responds with “wtf no you did”. to which xiaoge then replies completely deadpan as he does with “no, it was your sanshu, he and da kui dug a hole under the tree to do it, probably why da kui had to be silenced”. which leaves wu xie very torn about what and who to believe. and mind you this is also a little before they find the inscription on the wall from “xie lianhuan” accusing wu sanxing of murdering him. honestly it’s possible xiaoge is telling the truth if you consider that wu sanxing might have planted a fake if he knew ahead of time what the silkbook contained, what the seven star palace was, and basically faked his own way through the entire thing

it wouldn’t necessarily surprise me because he does sound very pretends to be shocked in the delivery of many of his remarks (but again, how much of that can you attribute to this being book 1), and while he did bring wu xie along because he was trying to ease him into the game with the wangs, it’s possible he was prudent enough that he would have made wu xie’s first tomb experience take place in a somewhat controlled environment. which doesn’t mean he’d necessarily been there before, just that as entrenched in the wang shit as he is, i wouldn’t be surprised if he’d known even vaguely what the seven star palace represented and what could be found in there. he did know about the snake cypress and about the stone used to subdue it, and while that doesn’t necessarily mean anything seeing as wu sanxing is a highly experienced tomb robber, it’s worth noting that the only times we’ve ever seen those trees is in the seven star palace and in the snake mine in gutongjing. in other words, always somewhere connected to longevity and The Secret and all the parties involved in that power struggle

but then again, we don’t really know how much wu sanxing knew about the wangs and the zhangs etc, so it’s all very up to interpretation. if he did in fact plant the fake silkbook though, it might have served the purpose of making sure there was something to string wu xie along to push him towards xisha and the conspiracy, but the copper fish ended up serving that purpose in the end. nothing really elaborates on this silkbook again, so we don’t know why xiaoge would speculate that wu sanxing was the perpetrator, unless it was because he’d just recovered his memories of xisha (but even then xiaoge doesn’t accuse people so firmly based on impression alone) or he literally saw wu sanxing do it

regardless of who did it, the bottom line is that it’s safe to say the silkbook was probably fake and was placed there intentionally, both because as wu sanxing points out, it is suspicious that wu xie would conveniently only be able to understand what happened to be key portions of the silkbook relating parts of king shang of lu’s life, and because it mentions the purple and gold box in it, which when opened, wu xie discovers contains the first snake-eyebrowed copper fish

to me this actually pushes suspicion more heavily onto two parties in particular: wu sanxing and the wang family. because to be able to forge a silkbook that would specifically contain passages tailored to wu xie’s knowledge of old chinese and not run the risk of him either knowing more or less than speculated, you would have to have extensive knowledge on wu xie as a person on a personal level. and to be fair, this idea hinges a lot on the silkbook being put into that coffin for wu xie specifically ti find, so i’m working on assumptions again, but if this were the case, then only wu sanxing and the wangs qualify to fill that role, and in some ways the wangs even more so because this kind of covert manipulation is very much the way they do things. xiaoge would not have known wu xie to that extent in book 1, if at all, and while wang zanghai himself is a tempting possibility, he was obviously in the seven star palace long before any of this took place, so it can’t be him. in fact, the only thing that ties wang zanghai to any of this at all is the purple and gold box containing the copper fish, since whether or not the box had originally been there and he simply emptied it of its contents or brought it in from outside, he’s the one who placed the copper fish in it

as to why if it was wu sanxing who planted the fake silkbook he would shift the blame onto xiaoge, my theory on that would be that xiaoge was another convenient means of stringing wu xie along into the xisha expedition mystery by virtue of him being zhang qiling and therefore both highly mysterious and suspicious, as well as personally involved. part of me wonders if part of the reason wu sanxing went to chen pi ah si to hire xiaoge specifically because he was added insurance that he would have the means to trigger wu xie’s curiosity, and provide a first clue to lead him into the It conspiracy. wu sanxing did use the picture of the expedition team to explicitly tie xiaoge into it along with the copper fish story, so there’s that to consider

the third account

which finally brings me to the final version of the king shang of lu story, which is the one given to li cu during the wang family powerpoint lesson. this particular version also overlaps with the story of king mu of zhou and the queen mother of the west, but i’ll get to in another part of this meta. so this version of the story is mostly ironically both the version that most blatantly contradicts the first two, while also being the version most accurate to the tiny introduction we get to king shang of lu at the entrance of the seven star palace that says he was “born with a ghost seal and could borrow ghost soldiers from the underworld”. the only real issue with that this third version has it’s told by the wang family to li cu, so just by virtue of it coming from obvious wang propaganda, it’s immediately suspicious by nature

going back to speculations about who planted the fake silkbook version of king shang of lu’s story in the seven star palace, it then also raises the question of, if the wangs were the ones who did it, what motive they would have had not only to do so, but to tell the story in that particular way, only to then tell a completely different one to someone they consider a candidate to join them. in my opinion, the only thing that makes this third version hold water is that given how it’s explained to li cu, and how wang xiaoyuan (the girl who passes by the window during the lesson) has the same version of it, the wang family believes this version is true, and by virtue of that, it gains a little more credibility, bc suspicious as they are and twisted by their own biases their version of history may be, the wang family is nonetheless well-informed for the most part. not to mention because the narrative has the wang family consistently mirror the zhang family and the way they function so perfectly it’s almost eerie, it stands to reason that the wang family also dabble in historical revisionism when they can, so putting out a fake version of history onto a fabricated silkbook seems up their alley

i’ll get into king mu of zhou separately because that’s a whole other can of worms, but this final version of king shang of lu’s story begins between the “emperor” of the state of lu and his advisor, the owner of a fox mask “with ancient patterns that often appeared on bronze ware” (Sand Sea Part III, Ch. 132, Lesson). the “emperor” asks his advisor “around 1000 BC” (fyi the original says 一千年上下 which amounts to “around 1000 years” but it’s more of an approximation and can technically encompass the warring states period too) as a hypothetical whether or not it’s possible “to prevent people from dying”, to which the advisor answers that he himself doesn’t know how, but he does know where to find something that can “beneath the loess inside the mountains”. he then goes on to tell the tale of king mu of zhou to the “emperor”, and of how he was given an elixir of immortality by the queen mother of the west that he likely hid inside of his tomb centuries ago

it very quickly becomes apparent to the reader that this story is an obvious ploy by the owner of the fox mask, who in sensing that the “emperor”, while tempted, is reluctant to cast all appearance of morality aside to deploy his troops to rob king mu of zhou’s grave, calls a “strange man” to the court who’s “believed to be a descendent of the zhou emperor” (that is to say king mu of zhou) “who was able to communicate with the underworld”. the ruler of the state of lu thus gives this “strange man” a jade seal and seals him in an iron coffin deep in a well for 49 days, saying that if he can come back up from it with the ghost seal in hand after having successfully spoken to king mu of zhou, then it would be proof of king mu granting him permission to rob his tomb and take the immortality elixir from it. and so this “strange man” does, in fact, come back, not only with the ghost seal in hand, but with an imperial edict written by king mu of zhou himself that granted him the title of king shang (殇 shang meaning to die young or at war) as well as all the contents of his tomb

the ruler of the state of lu then uses this to make several leaps in logic to justify being in the right if he deploys his troops to rob king mu of zhou’s tomb, because if this “strange man” can communicate with the underworld and was given a title relating to dead people, then surely that means that this strange “king shang” is likely dead himself, and that king mu of zhou chose him as his heir after he’d died. it’s a very convenient out for the ruler of the state of lu to say that he’s only helping an esteemed deceased elder to recover his birthright if he makes him a general and lends him troops to go find king mu of zhou’s tomb (Sand Sea Part III, Ch. 133, King Mu of Zhou)

it’s also quickly obvious to the reader that the owner of the fox mask and this newly minted king shang of lu are in fact working together, given it was the former who referred the latter to the state of lu’s court in the first place, which is something i’ll come back to in another part of this meta. from here, under the ruler of the state of lu’s orders, king shang and the owner of the fox mask, together with more grave robbers who also wore fox masks (as according to the wang family, foxes would live in graveyards and grave robber’s tunnels at the time, and so grave robbers associated their imagery with the profession), began their search for king mu of zhou’s tomb and the immortality elixir it supposedly contained. while this version of the story of king shang of lu more or less ends here, you could assume the rest of it might follow along the same lines of the first two versions, and maybe it does. you’d then assume that the person king shang and the owner of the fox mask (who’s by then inferred to be iron mask from the previous two versions) find in the western zhou tomb is king mu of zhou, who they then divest of the jade burial armor to take for themselves

however, one very important detail in this version compromises this assumption: king mu of zhou isn’t actually dead, and he thus gave king shang the edict personally (Sand Sea Part III, Ch. 134, Deception). what this means is that the ruler of the state of lu was duped presumably not by two, but three people, all of whom were working together to find the jade burial armor for who appears to be king mu of zhou. in other words, where the other two versions of the story have two key players, this final version suddenly introduces a third one, and that changes things. how much it does is what i’ll be getting into in the next part on king mu of zhou more specifically

(tbc in part II and part III of this madness)

#dmbj #meta #dmbj meta #dmbj novels #i cannot believe i actually wrote this this was not planned #like at all #this was meant to be an unhinged liveblog mini thing #not whatever this is #i guess the crack theory conspiracy theorist is going public #if you don't know where i'm going with this that's ok i don't either

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booksandabeer · 9 months

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Hi,

First of all thank you for all the recs you do, it couldn’t be easy doing all that. I just wanted to ask you about your favourite fics where Steve and Bucky were already together during first avenger and get back together in the future? Once again, thank you so much. Even if you don’t answer this I would still be grateful because I got so many of my favorite fics from your blog. You’re amazing and take care.

Hi!

Thank you very much for your kind words. It's lovely to hear that I could help you find some of your favorite fics. 🥰

I've sat on this ask for a few days now because it's actually a really difficult one for me to answer/find recs for without getting into things that can be quite, uh, awkward to discuss "on main." But I will try. As always, I'm going to ramble, so I'll put this under a cut.

(There will be fic recs in here, I promise. Just scroll down if you want to skip the waffling.)

So. When it comes to fics set in canonverse, I mostly stick to either stories that end before the war or stories where Steve and Bucky only get together once they meet again in the future. I hardly read fics with the premise you've described in your ask because—and this is where it gets dicey—they are rarely ever done in a way that I personally find satisfying.

Here’s the thing: If you read a story set in canonverse, inevitably, at some point the war will arrive and with it: Peggy. Now there’s a much larger, much more complex discussion to be had here about Steve’s perceived sexuality, societal expectations of what constitutes "successful masculinity" in the 1930s/40s, and self-repeating and -reinforcing cycles of fanonization that I don’t want to get into right now, so I’ll just say this: Unless the author goes the polyamory route (which I personally don’t care for and therefore don’t read; at least not in that particular combination), usually none of the characters involved come out of such a scenario looking their best or like they haven’t received a personality transplant from one chapter to the next. I know that some people love that kind of conflict and are really into the angsty drama that comes with it—and they may find my stance on this boring and square—but to be honest with you, there’s already plenty of angsty drama in any story involving Steve and Bucky to begin with; I don’t need this on top of it.

And also—look, to be very blunt about it: If I click on a Steve/Bucky story I want to read a Steve/Bucky story, and decidedly not a story about Steve falling in love with Peggy halfway through—especially not when he’s already been practically married to Bucky for years. I'm okay with scenarios where Steve falls in love with her (or the idea of her, really) because he cannot or thinks he cannot be with Bucky for reasons ranging from very reasonable to entirely idiotic, but in a world where they are already together? Honestly, no thanks. I don't want it.

(Also, let's not even pretend that I don't have a huge Bucky-bias.)

But! you asked for recs and not 500 words of waffling, so I went through my lists and bookmarks to find stories that either try to grapple with this *problem* in a sensitive and thoughtful manner, find elegant ways around it, or simply skip over it entirely.

Here we go:

(Note: The exact meaning of 'Being Together' can vary greatly from story to story)

A Tree Grows In Brooklyn by newsbypostcard | 6 parts, 146K, T-E

Author's summary: "You keep asking me what I want," Bucky manages, eventually. "But on any given day, my number one priority is to get through the day alive and myself, and to do it without killing anyone. Everything else is extra." Each work is a standalone.

-> A Post-CW AU that also tells Steve and Bucky's history with each other through flashbacks. Apart from this series, you can really read any story by this author because they do this neat thing where they use roughly the same pre-war/wartime backstory and then depending on when they wrote it and where MCU canon was at the time, the fics branch off from there. Plus, all of their stories are simply wonderful and I will alway recommend them any chance I get.

The Good Morrow by Hark_bananas | 75K, E

Author's summary: Every night, Steve falls asleep and finds himself dreaming about a diner, and every night he finds Bucky waiting for him there. But in the waking world, Bucky has disappeared, gone on the run after the fall of the Triskelion and Project Insight, and the strange dream that they share may be the only way that Steve has to bring him home.

après nous le déluge by tomorrowsrain | 9K, T

Author's summary: After us, the deluge. Steve and Bucky break, mend, and try to find their place in the world without the mantles of Captain America or the Winter Soldier. AU, post Civil War.

-> Part 1 of gale song series, the second part of which which I recced in my Road Trip Rec List. In fact, there are quite a few fics on that list that fit the premise of 'together before/during the war and getting back together in the 21st Century,' so if you haven't already, you might want to take a look at it!

Roll On by jaxington | 3 parts, 306K, T-M

Author's summary: In 1938, there's a bar in Brooklyn called Sully’s where people are safe to be themselves. Behind the bar, a girl pours drinks. She's always got a big smile for Steve and she says queer like it's a good thing. On a regular basis, she takes his shoulders in her hands and tries to shake sense into him, saying, "When will you do something about that best friend of yours?" In 2012, Bucky’s gone, but Steve’s not, and the girl’s hands are too old to shake him. She does her best to make him see sense anyway. Steve had people who loved him before the war, and it turns out a few of them are still around when he finally comes home.

Practice Makes Perfect by nekare | 10K, M

Author's summary: And it’s just. It’s too much. Weeks of pain and months of missing Steve and his mouth and the stupid shit that comes out of it; years of molding himself to his back at night and pretending there’s nothing else to it apart from sharing warmth; a decade of his stomach twisting with the foolish desire to make Steve laugh. It's August and sweltering when Steve asks, out of nowhere, if Bucky wants to try kissing. Just to see what it's like. Bucky then spends far, far too many years pretending it didn't mean anything at all.

a hat, a horse (a Hyundai), and the will to ride by synonym4life | 67K, E

Author's summary: After Steve and Bucky rescue their pals from the Raft prison, they decide to dig deeper into Zemo’s involvement in the UN headquarters’ bombing which sends them on a backpacking trip across select European countries. Steve and Bucky believe this is a story about their mission. Scott Lang and Sam Wilson, who join them halfway through, believe it’s a story about their Eurotrip (and they’re probably right). This writer, however, has been waiting to tell you that the fic’s true mission is Steve and Bucky missioning towards missionary. Follow them on their journey across Europe in tiny cars, packed subway trains and even on skis as they tumble down the Swiss Alps (in a fun way this time!), all the while reigniting untold feelings of the past through inappropriate sexual encounters and terrible communication skills.

Five times Steve kissed Bucky by paragon | 16K, T

Author's Summary: (+ once, finally, it was the other way around)

-> I'm very amused by how short this summary is, but the fic really is exactly what it says on the tin: Steve and Bucky kissing, pre-war to post-CA:TWS.

I Wanna Live in the Hidden Parts of Your Skin by Voylitscope_speed | 10K, E

Author's Summary: Sometimes, Steve looks at Bucky across the floor of their apartment or in the middle of the sidewalk, and it's not goddamn fair how good Bucky looks. It's not fair how Steve, who's spent his whole life fighting with his lungs for air and his heart for a steady beat, sometimes looks at Bucky and his breath and pulse are wrong for reasons that aren't his lousy health at all. And ever since the day with the purple ink, Steve can't stop thinking about people being canvases, like the models at that exhibit. Steve keeps thinking that Bucky'd be the most stunning canvas a guy could ever ask for. (Or: Steve and Bucky discover a kink in 1940. They find a reason to come back to it 80 years later. )

All The Angels and The Saints by Speranza | 48K, E

Author's summary: In which Steve Rogers loses God and finds God and loses God, and also: Bucky.

-> Look, this fic does some of the exact things I said above I usually try to avoid, but (1) it doesn't really do it (kind of, it's hard to explain), and (2) it would be *absolutely ridiculous* to not include it when putting together a list of fics with a pre-war to post-WS arc. This fic is legendary for a reason. It rewired my brain. It was one of the first Stucky fics I read that made me realize and appreciate the full potential and beauty of this ship, and to this day, it remains one of my absolute favorites.

▶ I'm really sorry that I didn't write something for every individual fic like I usually do, but I'm moving back to my home country in less than three weeks, so time is very limited right now. I hope this is still ok, and that you'll find something on this list that you like!

▶ There is a series that would've been perfect for this list but unfortunately it was deleted without warning a few months ago. If anybody has a saved copy of apricotcake's long is the road that leads me home that they'd be willing to share with me, I would be forever grateful! I'm still so sad that it's gone and angry with myself that I didn't download it when I had the chance. :(

#stucky fic rec #stucky rec list #stucky #stucky fic #steve x bucky #steve x bucky fic rec #stevebucky fic rec #stevebucky #asks #my recs

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mrfippstuff · 11 months

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After all this time, I still find myself conflicted on what to think about the whole situation regarding Makima and the hybrids at the end of Part 1.

On one hand, seeing the full extent of Makima’s powers is terrifying, seeing her being able to completely override any autonomy you have, reducing you to no more than a vessel for her wills and ambitions is awful. Characters who were well-defined and strong were turned into puppets, even being dead doesn’t save you from Makima’s hold over you, and there wasn’t never a chance you could fight her once she had you, even characters who would hate her and would fight her given the chance and now nothing more than loyal dogs who happily serve her. Any presence these characters once had is gone now, they simply don’t matter anymore because they have been reduced to being simple tools for Makima’s plans. Knowing what she is capable of makes looking back on the series up until that point rather chilling because you can see just how have Makima has deeply rooted herself into conflicts and characters going on.

Then you look a bit further into it and that deep level of absolute control takes a whole new context when you think about how all these characters just fawn over Makima. Aki, Angel, Violence and Katana Man all say that Makima saved their lives, Quanxi is draped over her, and Reze says she wants to date her, they all lover despite there being more than enough bloodshed between them and her. Makima wanted a loving, genuine relationship, but she was never capable of understanding how that worked, she made these people fall in love with her but all she could offer them in return was mind slavery. Despite knowing the full details of how exactly how Pochita’s contract with Denji worked, she never got why Pochita made that contract, she though he was being random and chaotic, like he’s “supposed” to be, but it never occurred to her that he loved Denji enough to give his life for him. There’s a heavy dog theme around Makima, and while the story tends to lean on the loyalty aspect that dogs are known for, they are also known for having complete, unconditional love for their owners, and Makima have six or seven huskies in her home.

Seeing the full extent of Makima’s power, as well as how it affects the people around her is amazing for both the fear it induces as well as the volumes it speaks about her character.

On the other hand, it’s kind of anticlimactic for the other character involved.

As I said, the characters Makima takes control over are strong and well-defined, and for the most part prior to that last arc they had rather fitting ends to their stories. If the last time we saw Reze was her dying in that alley, that would have been a tragic, yet appropriate end to her story. But she didn’t die, she came back, and under mind control in the final fights, and typically when a story does something like we expects the protagonist to have some kind of struggle to break them out of that control. But we don’t get that, instead she and Quanxi and Katana Man and the other four newly introduced hybrids are cut down like nothing, reduced to cannon fodder. They get killed, twice, and the story just moves on. Angell’s fate was left up in the air because we never saw what happened to him, until it had to be confirmed on Twitter that he died off screen!

Part 1 ended and we got no resolution with those characters, we just never saw them again, and from how different Part 2 is being with Asa, it’s within the realm of possibility that we might never see those characters again! Fujimoto has shown to be an unpredictable writer, so I don’t know what to expect from this situation.

So, while Makima having complete control over other characters does wonders for her characters, it does come at the expense of others with the potential of no resolution for them.

#chainsaw man #makima #reze #quanxi #denji #aki hayawaka #angel devil #i'm most curious about reze #but the story seems to be setting up something between denji and asa #and i don't want a love triangle #unless it's a poly #who knows #katana man

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itsnothingofinterest · 1 year

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Can I ask you about bnha in a more harsher sense? Like not only in the fandom but also IRL?

I honestly don't trust people who genuinely hate the lov in bnha. Especially the type of people that think they should die.

There are a lot of reasons I could give but I think one of the biggest ones is the complete lack of understanding of 'why' the villains exist like they do, and even if they do know why they don't care or have any sympathy for them.

They want a kind of merciless "justice" against the real victims of hero society (the villains, for reasons clearly layed out in the story, who no one in hero society cared about until the point when it became their problem), because "innocent people" and "heroes" were hurt and killed (the civilians in MHA who, to go about their ordinary day, wouldn't look twice at a bloody suffering child) and (people who completely of there own free will sign up for the hero job and can apparently just quit and walk away even in a time of crisis, rich, popular and who '''suprisingly''' don't want anything to change unless it's a change for their benefit, 'heroes are people too!' seriously??)

They're the kind of people that only see labels, villains bad, heroes good, innocent people = innocent (👉in reality innocent but not good). And never question let alone accept why, and then want death and judgement even though it it won't accomplish anything (not even stop the deaths since the issues that made the lov are still there)

People like that are the same kind that are on the wrong side of every issue, even when admitting there is a problem unwilling to do what's necessary to fix it and still judging. That's how I feel and I wanted to ask you if you felt the same way? How do you feel about them? And everything I said above, if it's okay to ask?

I totally get what you mean.

It seems to me that some readers & viewers just don’t want to think to much about this series and see it simply as black & white as possible. As though the “Heroes” and “Villains” are exactly as described and should be treated exactly as morally monochromatic as those words imply (never mind how those words are normally just abbreviations of “Pro Heroes” & “The League of Villains”; the respective sides’ faction names); ergo it is morally unquestionable to defeat said villains by any means necessary and never question anything in the process involved, especially the villains’ origin or the consequences to follow those means.

Feels like they’re too used to the “I was wronged but now I will stab this extra to prove I’m irredeemable and wrong”-type villain. The League are not like that. Shigaraki in particular is never wrong.

But they don’t care. Even in my most charitable read possible for those particular fans; they’re here watching a Shonen to turn their brains off so moral complexity makes them weirdly mad. (Never mind the uncharitable reads.) And that gets them saying sketchy and at times scary stuff about how the victims of society need to die or go to jail forever because they didn’t suffer silently until they died, and instead disrupted the ‘sacred’ status quo. Any other fate is “the worst possible ending”. Ugh. It kind of reminds me of that one Tumblr post about how one guy likes the moral simplicity of Hollywood military vs alien conflicts; only for another guy to point out how weird it is to say there’s nothing wrong in the army killing invaders like they’re sub-human when all those terms are too easily applied to minorities.

Except I’m quite confident MHA is not trying to be that kind of propaganda; these guys are just bad at literary analysis and don’t know what this series is saying about its villains and their victimhood.

And of course no thought is given as to how to prevent other kids from growing up in the League’s situations, thus looping back to where we are now and rendering all the heroes’ efforts inevitably moot. As long as they get a cool climactic fight where Deku beats the big bad, they get what they want out of this series.

What? That just proves Shigaraki ultimately right? Again? ...Eh whatever. Cool fight, that’s what matters.

#ask & reply #bnha #shigaraki tomura #league of villains #lov #paranormal liberation front #PLF #hero society #pro heroes

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alyjojo · 2 years

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The Person On Your Mind in October 😈 2022 - Cancer

Whole of their energy towards Cancer: 6 Swords

This feels like a supportive person in your life, not romantic, but at the same time they know all about your romantic drama, so a good friend of some kind most likely. They see you as kinda foolish, getting yourself into some bad situations, but at the same time they seem to just want what’s best for you - thus the judgement. You’re probably very different, but it doesn’t matter to them. Either they or you are moving on from whatever trouble was existing, towards more stability, whether that’s a new job or some better opportunity. You weren’t happy where you were, so you’re leaving that behind for something new, and hopefully better.

Feelings: The Devil

They feel whatever situation you’ve been in before was toxic as hell, a heavy burden on your shoulders, and something that left you feeling overwhelmed, hurt, possibly traumatized and wounded. Most likely involving a relationship, or more than one even with The Lovers. Toxic relationships have put you through the ringer for some time, hopefully that’s what you’re leaving behind. You could be someone that’s playing with more than one person, simply because you don’t want to hurt anyone, or let them go indefinitely. Your friend could simply know you as a player.

Intentions: 7 Cups

Their intentions are to get real with you in regards to all of the options and confusion going on in your life, probably relating to both money and relationships. This could be a family member as well. It’s a knowing sort of judgmental attitude they have towards you, like it’s time to stop with the games, move on and get real with yourself. Because they care. They also have confused boundaries, not knowing where they can really step in or what to say, they aren’t trying to offend.

Actions: Strength & 5 Wands

They’re holding back the feelings that come off as argumentative or confrontational, in favor of being kind and softer in their speech and behavior. They care about you a lot and don’t want to piss you off or argue, they seem to be saying what needs to be said in more of an “I care and worry about you”’sort of way that is a victory for them, they know how to approach you correctly. Whatever/whoever is causing the problems or chaos in your life, this person just wants you to move on to better things. Especially in regards to money, they’re a more practical and money-minded person. Or maybe your job

Messages:

Their side:

- $$$

- Plot Twist!

- Best of Intentions

Your side:

- I’m afraid to lose you.

- We don’t feel the same way.

- Gorgeous 💅🏽

Possible signs:

Sagittarius & Leo

If you’re dealing with:

Knight of Cups & 10 Cups show you being very loving and celebratory where your friends are concerned, your relationships probably mean the world to you and you do your best to give them all of the love & compassion you have. You make an effort to show those you care about that you care for them.

Aries - making diabolical plans, or apologizing for some toxic bs they’ve brought to your life

Taurus - moving away from this very slowly, in a practical and methodical way, could feel loyal towards you but doesn’t want any drama

Gemini - heartbroken due to debts, financial troubles, abandonment, feeling left behind

Cancer - pissed off, nasty communications, using words as weapons because you’re indecisive, or doesn’t know how to respond to you doing that

Leo - patient, calm & reconciliatory with a Queen of Pentacles or patiently working on balancing their own domestic life & finances, could be spending more time with children

Virgo - greedy and out to please themselves

Libra - confused and fearful of your success

Scorpio - wants to avoid an ending due to sneaky bs or is acting sneaky and avoidant for that reason

Sagittarius - moving away from conflict and/or competition, could be this person with similar energies here

Capricorn - kindly telling someone you mean business, sending sweet messages to a father, or inviting someone to a corporate, business, or official event of some kind

Aquarius - acting independent from you because they’ve been hurt, or vice versa

Pisces - something life-changing is occurring with their job, could be good or bad but nothing stays the same with a Tower

#cancer tarot reading #person on your mind #october 2022 #cancer #tarot

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grandtourdiscussions · 5 months

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Dragon Ball GT Episode 03 - Super-Greedy!! The Merchant Planet Imegga

Air Date: February 21st, 1996

Our first scene seems to demonstrate how this team is going to play out for this adventure. Trunks, playing the responsible decision maker, intends to return Pan home due to her not befitting such a journey, also intending to calm her worried parents. Pan, the troublemaker, has hold over the main control key, doing everything possible to prevent Trunks from getting hold of it. She’s entirely focused on herself, mainly on proving her worth in the future (though these actions don’t help). Goku, the optimist, isn’t intervening at all. Sure, this turn of events isn’t ideal, but Goku’s not gonna get mopey about it. Sadly, it feels like Goku won’t be taking any charge here, but I assume this is to further link up with the first Dragon Ball arc. Though, I really do hope Goku demonstrates some agency over this adventure. It’ll get boring quickly if it’s just Trunks making all the calls.

Back on Earth, Chichi mentions that it’s already been a week since the gang has blasted off. It seems like Chichi isn’t too concerned about this whole thing, likely because Goku and Trunks are there to take care of Pan. I just find it really interesting that she’s not too concerned, considering how dangerous this adventure could be (and soon proves to be) and the fact that Earth could blow up if this isn’t accomplished on time. I mean it’s completely understandable. Goku’s pulled everyone out of worse situations (with everyone’s help, of course. It’s never a job done alone), so I get it.

Well, unfortunately, things aren’t going so well for our gang. An integral piece of the Capsule Corp ship has fallen off in the middle of space. According to Bulma, this has something to do with another piece that fell off during blast-off, a small segment of the course correcting rockets. I guess it’s only fitting for an arc calling back to Dragon Ball’s first arc to immediately involve conflicts revolving around transportation troubles. This obviously establishes early Pan’s troubling involvement in this adventure, considering this whole situation wouldn’t be an issue at all if the ship was fully prepared for blast off. If Pan hadn’t prematurely blasted off, this wouldn’t be an issue. Then again, it’s not like anybody knows this besides us and maybe Bulma.

What you’d expect happens, Pan feigns maturity a bit but really just acts more like her childish self, putting herself first stuff (I’m not complaining or anything, character flaws are cool). Trunks takes charge and attempts to land on what we will come to know as Planet Imegga. Goku sits back and lets it all happen because he’s not one to be scared over this kind of thing. I know I’m kind of stating the obvious here, but I want to focus a lot on the dynamic of the team because this is our first actual look at the structure of it. Details like these should be important to be fully aware of in case anything changes along the way.

The rest of the episode is dedicated to learning about Imegga itself. It’s simply done but it’s rather effective. We don’t get the full rundown until much later, but we know immediately that Imegga is a heavily economic planet, to a fault. Immediately upon escaping the ship to the lively streets of the marketplace, The gang is hounded and essentially forced to spend their cash (Will money be important later on in the journey? Is Earth zeni acceptable on Imegga or did they convert to Imegga’s primary currency? It’s whatever, just some random things that came to mind). This Civilization’s fixation on acquiring currency is pushed even further at the hotel, where literally every utility in the room has a fare on it. We know now that every person works to steal as much money as they possibly can for some unknown reason, and considering the gang are essentially tourists, assumed to know nothing of how Imegga works, it’s easy to see why they were hounded. From the TV program, we see at the hotel, we can see that Imegga is some sort of dictatorship, but we don’t know anything about the relationship between the dictator and the regular civilians yet. However, we can assume that this relationship is tied to why the people of Imegga act the way they do.

Later, Pan, Goku, and Trunks literally fall into a conversation with a poor, struggling family while their house is taken away. Everything you can infer from the previous scenes is spelled out and further elaborated on. I’m usually not a fan of things just being spelled out, but I don’t really care that much here. We had a fine opportunity to piece it all together ourselves, and we still learn even more about Imegga anyway, so the whole scene has more importance than just letting some viewers catch up.

Either way, the scene is done very well. Having this elaborate discussion of the struggles to live in Don Kia’s dictatorship and the incapability of truly owning anything against these robot debt collectors tearing apart this family’s home was a great idea, and it really emphasized the struggle. However, what really drove it home was that the family didn’t seem to care that much. They discussed the debt collectors as if they knew fully that this was going to happen, and that displays that on Imegga, this can happen to anyone. I’ll be honest, I’m not crazy about this place as our first look into this adventure, but it’s pretty good setup work.

Thankfully, Goku finally steps up and shows some agency over where this goes. He insists on fighting against Don Kia and the debt collector bots for what they’re doing to the people of Imegga. I’m personally not a fan of the fact that Goku hasn’t really done anything other than this in this episode, but I assume we just haven’t gotten to a point where Goku can properly lead the way like I want. It is definitely in character for Goku to be as carefree as he has been thus far, so I won’t get pissy about it, especially when I’m talking about the first stop on this journey.

Oddly enough, I often see people in the Dragon Ball fandom act like Goku isn’t heroic at all. This moment of Goku insisting that he help these people reminded me that Goku is heroic. Goku’s heroism is what makes him such an incredible character in my opinion. He’s not your average superhero who goes out of his way to find and stop trouble purely to assist others. He’s also not purely doing things based on what benefits/satisfies him. Goku is the perfect blend of altruism and egotism, a man who will gladly assist people in need when he finds them, but also a man who will do what he can to satisfy himself in these endeavors. It’s moments like these that really highlight what kind of person Goku is when it comes to injustice. He doesn’t search for it to solve it, but he’ll right wrongs when they show themselves to him. Goku can make mistakes along the way which puts people in danger, sure, but he always works to right his own wrongs and to keep people safe even when satisfying his desires. It’s this wrinkle in his character between altruism and egotism that really makes him stand out against other protagonists, and I always felt that this was underappreciated. Goku really is an incredibly well-constructed, lovable character, and it's the little moments like this that really show me that.

Well, as troublesome as the situation on Imegga is, it seems that the gang just doesn’t have the time to right wrongs. I’m a little uncertain about the truth behind this. On one side, it’s true that we only have 1 year to get this done, and we don’t yet know how long this is going to take. It’s safer for their mission to just focus on the mission. On the other, about 15-20 years before these events, it took Goku 6 days to get to Namek, a planet that’s in a different quadrant of the universe. We could possibly assume faster modes of travel have been developed during this time, but we don’t know for certain. Hell, we don’t even really know what this new Capsule Corp ship is really made of in comparison to this older ship. I’m pretty sure the older one from the Namek arc is developed from the remains of the Saiyan pods left on earth, so a lot of that speed could be from the pods (you could go against this by saying it took Vegeta and Nappa 1 year to get to Earth, but we don’t really know where the planet they departed from is in comparison to Earth and we don’t really definitively know the size of the Dragon Ball universe, at least within the original text, I’ve never read any of the supplementary guidebooks). Additionally, it’s taken 1 week to get from Earth to Imegga so you could argue space travel has not gotten any faster, but again we don’t know yet where Imegga is in the universe against Earth. Oh, whatever… this is clearly going nowhere…

Anyways, upon checking to see if there’s a Dragon Ball on Imegga, a small robot eats up the radar. After chasing and capturing him, it turns out that the ship has been towed away! And that’s where our episode ends. I can’t really go further into a discussion on who this robot is, despite its later importance, since not much is given to us here. We know that it consumed the radar out of a need for energy, and we can assume it’s not malicious. It’s not a surprise that we’re gaining additional characters to our adventure, considering this was done all the time in the first Dragon Ball arc, but the quality of said addition may or may not measure up to the past.

My impression of the quality of this episode as a whole is… rather mixed. I by no means think it’s bad or incompetently crafted, I just don’t find myself all that thrilled. I assume part of this is just the first Dragon Ball arc being one of my lesser favorites, but this still isn’t really measuring up to that arc. Then again, we’re still only beginning. This is the first stop. I assume it’ll pick up soon. If I had to give this episode a grade, I’d give it a 6/10. It’s good, sure, but it’s not really that exciting. Though the next one looks to be more fun, seemingly wrapping up this Imegga chapter. I hope that one really closes this segment off well if my assumptions are correct.

NEXT TIME - Dragon Ball GT Episode 04 - Wanted!! Goku Makes the Wanted List!?

Sorry this one took a while to write. I'm approaching the end of the current college semester, so the work has been really piling up, including various essays, movies, tests, books and coding projects diverting my focus from this project (I'm a CS major minoring in Japanese and Cinema Studies so I certainly end up with a wide array of different homework assignments). This is a project that will take quite a while to complete, but I'll do my best to not produce Tumblr's Yandere Simulator, complete with spaghetti text. Also I stopped working on this over the weekend because I really wanted to watch Scott Pilgrim Takes Off, and it's mind blowingly good! Easily one my favorite anime, even one of my favorite TV shows period! I'll definitely be writing about it in the future, so if you see me writing about Scott Pilgrim instead of Dragon Ball one day, don't be surprised, okay? I'll at least finish the Baby stuff before I get to that, so no need to think about any of my future writing endeavors yet. Well, see you next post! Next episode looks really exciting! Can't wait to watch through it and start writing about it! As always, feedback and criticism is always appreciated!

#dragon ball #dragon ball gt #dragon ball z #goku #trunks #media analysis

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missmentelle · 3 years

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What abusers believe.

If you've ever had to deal with an abusive person in your life - like an abusive parent or partner - you've probably wondered what made them treat you that way. If you understand why abuse is happening, the thinking goes, you might be able to figure out how to make it stop.

So why do abusers do what they do? Do they have anger issues? Drinking problems? Past trauma? Personality disorders? Do they just need to get in touch with their feelings and learn how to communicate better?

Nope.

Abusive behaviours come from abusive beliefs. Abusers - whether consciously or unconsciously - hold specific beliefs about relationships that drive their behaviour and allow them to justify the horrible things they do. Even if your abuser has never put their beliefs into words, you'll probably recognize a lot of these abusive beliefs:

You are responsible for my emotions. It is never my responsibility to reflect on my emotional reactions or learn better coping skills - it's your responsibility to stop doing things that make me angry or upset.

I must act on my emotions. If I am angry, I am going to lash out. You have no right to criticize me for that, and it's not my responsibility to learn to manage my emotions - you have to stop making me lash out at you. Asking me not to act on my emotions is controlling and wrong.

You will always be responsible for my emotions. Even if the relationship ends, you will continue to be responsible for my emotions, and I will expect you to continue to prioritize my feelings.

If I have feelings about something, it's my business. If something you do or think causes an emotional reaction in me, then I have a right to get involved or tell you what to do. My feelings must be the priority. You don’t have the right to tell me that it’s none of my business.

You must judge me on my intentions, not my actions. If I didn't mean to hurt you or scare you, then you don't have the right to be hurt or scared. No one has the right to try to hold me accountable unless I meant to hurt someone.

I get to decide what your intentions were. If you hurt me, you meant to hurt me. If you make me jealous, you meant to make me jealous. Nothing you do is ever accidental or unintended - everything you do is intentional and malicious, even if it was a response to something I did.

My feelings are genuine; your feelings are manipulation. If I'm upset, my feelings are real and important. If you are upset, you have an ulterior motive - you're just trying to be manipulative and get attention or sympathy for yourself.

You have freedoms because I allow you to. Every freedom you have in your life - like wearing what you want - it's because I generously allow it. I expect you to be grateful to me for that. I have the right to take those freedoms away whenever I want, and I expect you to obey.

If you set boundaries with me, you are mistreating me. If you really loved me, you wouldn't set boundaries with me. You are doing this to intentionally hurt me, which means I don't have to respect those boundaries.

You holding me accountable for hurting you is worse than me hurting you. My pain at being called out is worse than your pain at being mistreated. If I feel bad about something I did, I have already been punished enough. You trying to discuss the issue or hold me accountable is just your way of abusing me.

If I apologized for something, you have to forgive me. If the relationship has ended, you have to reconcile with me. You don't get to ask for more time apart or more discussion of the issue - once I've apologized, the matter is closed for good.

The relationship is not over until I say it is over. So long as I want a relationship with you, you must have a relationship with me. Your feelings are irrelevant. Even if we have broken up, you must remain available to me so we can get back together in the future. Not wanting a relationship with me means you are mistreating me or being immature.

I am the authority in this relationship. I am smarter and more perceptive than you. I know what is best for both of us. My version of events is always the correct one. I have superior judgement, taste and opinions. If you question me or disagree with me after I've given you the correct answer, you are disrespecting and mistreating me, or you are simply immature and incapable of knowing what’s good for you.

I have the right to control you. It is my absolute right to decide what you do and who you associate with. You have no right to disobey me. I am owed obedience and control; if you don’t give me those things, you are wronging me and cheating me out of the relationship I deserve.

If you resist my control, I am allowed to do whatever I think is necessary to get it back. Once you’ve resisted me, I am justified in whatever I do to regain control of you. I am not responsible for my actions when you resist my control; you forced me to do it, and it’s your own fault.

I should be your main focus. Everything else in your life comes secondary to me. When you make decisions, my feelings should be your first consideration. You are expected to make sacrifices for me and put me at the center of your life; I am not obligated to do the same for you.

If I spend money on you or do something for you, you are in debt to me. You spending money on me or doing things for me does not erase your debt to me, and I am never in debt to you. You are indebted to me for as long as I decide. I may decide that your belongings and earnings also belong to me, since I allow you to have them. I may also decide at any time that you owe me for gifts I gave you, even if they were meant to be gifts.

I am not abusive, and you are not allowed to tell me otherwise. I know what abuse is, and real abusers are significantly worse than me. If our relationship has ever had any good times or positive moments, it can’t possibly be abusive. If you accuse me of being abusive, you are the one abusing me, or you have been led astray by bad influences.

Relationships should be effortless (for me). I am owed a relationship that is peaceful and requires no real effort from me. It is your job to make sure we have that kind of relationship. If there is any tension or conflict in the relationship, it is your fault, and you are depriving me of the relationship I deserve to have.

Abusers and victims alike often buy into the narrative that abuse is rooted in anger issues - after all, abusers are frequently angry, and anger is an issue that can be treated. But this narrative just isn’t true. Abusers aren’t abusive because they are angry. Abusers are angry because they are abusive.

A non-abusive partner is not someone who has learned how to control their rage whenever you spend time with your friends or get home 15 minutes late from work. A non-abusive partner just doesn’t feel any rage in those situations. An abuser’s rage is firmly rooted in their beliefs about relationships - they feel entitled to a relationship that meets their impossible expectations, and when they inevitably don’t get it, they bubble over with fury. Whether they know it or not, they have firmly entrenched beliefs about how relationships should be, and those beliefs are at the heart of their abuse.

Can abusers stop believing these things? Maybe. If they can acknowledge that they have these beliefs, accept that these beliefs are dangerous and unreasonable and let go of these beliefs, maybe it’s possible for them to no longer be abusive in the future. Maybe. But it’s not your job to hang around and find out. If you’re in an abusive relationship of any kind, you deserve better. There are many people in this world who don’t hold abusive views of relationships, and you deserve to find happiness with them.

#abusive relationship #missmentelle #askmissmentelle #emotional abuse #tw abuse #abuser #abusive parents #abusive #unhealthy relationships #toxic relationship #power and control #relationships

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septembercfawkes · 3 years

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Debunking 6 Myths about Steadfast, Flat-arc Characters

Steadfast/flat-arc characters are characters who don't drastically change their worldviews over the course of the story. In contrast, a change character will do largely a 180 flip in worldview from the beginning of the story to the end of the story.

For example, in the fable of the Little Red Hen, the Little Red Hen never changes her worldview about hard work. But in A Christmas Carol, Scrooge completely changes his worldview from the beginning of the story to the end of the story.

In the writing community, there are a lot of misconceptions of the steadfast/flat-arc character (at least from my experience), which I'm going to talk about, debunk, and clarify today in this article. This information will still be useful to writers who have no interest in writing a steadfast protagonist--because nearly every successful story features a key character who is steadfast.

irst, though, we need to visit our familiar pit stop on writing terminology. The most common term for this character is the "flat-arc" character. But it is not the only term. This character has also been called the "steadfast" character, which is what Dramatica Theory calls it. While "flat-arc" is more common, I prefer "steadfast" for a few reasons:

- It conveys that the character must struggle to hold onto something (after all, one is only "steadfast" when there is opposition)

- "Flat-arc" sorta sounds like there isn't really any growth or movement, which isn't exactly accurate.

- For much of my experience in the writing world, protagonists who don't have much of an arc have been frowned upon or treated as "lesser." The term "flat-arc" reminds me of that.

This is completely preference. You may use whichever term you want. Today, I'll be switching between the two.

Now, you can have positive and negative steadfast characters. A positive one will hold onto a true worldview throughout the story, while a negative one will hold onto an inaccurate worldview. For the sake of this article, I will be focusing on the positive one, which is more common, and may do a future article that focuses more on the negative version.

Now, let's talk about some of the misunderstandings and myths about the positive steadfast character.

My (Helpful) Personal History with Steadfast, Flat-arc Characters

Despite wanting to work in the writing industry since I was seven, I entered the writing world like anyone else: naive.

I had an idea for a story I wanted to write, with a protagonist that drew inspiration from some of my all-time favorite protagonists.

What I didn't know, and what no one could explain to me, was that all these protagonists were steadfast/flat-arc characters. And that's what I wanted to write.

I took writing classes, went to conferences, read books, and tried to soak up any piece of advice anyone could give me. But for some reason, some of the information didn't seem to work into my story or apply to the favorite stories I was drawing inspiration from.

This led to a lot of questioning and challenging of "writing rules" on my part (though that was mostly internal). I was told over and over again (if not in these words) that I needed to have a change arc protagonist. It was implied, over and over again, that protagonists who didn't have change arcs were static, simple, lacking depth and dimension, and were just boring. Of course, there was always the occasional acknowledgment that 007 or Indiana Jones were successful. But I didn't want to write 007 or Indiana Jones. I still wanted to go deep into character.

Well, over the years, I unwittingly switched my protagonist from a steadfast protagonist to a change protagonist. I've only fully realized this recently when reviewing some of those favorite protagonists from years ago.

Not to be dramatic, but I feel a little cheated and let down by the writing world because of that. Even recently I went looking for resources on steadfast/flat-arc protagonists, and frankly, found very little. And of what I did find, 95% pulled from the same source material. I mean, it's great, but we are obviously lacking with this.

I tell this story, not for therapeutic reasons (okay, let's be honest, some of it is totally therapeutic!), but because I know there is someone out there who is struggling like I was. Someone who can't get their story to work because they are trying to apply change-arc advice to a flat-arc protagonist. This doesn't work. But you can't see that, because the people you are learning from (who have sincere intentions), don't fully understand or acknowledge steadfast protagonists.

For example, a writing book that has been making waves (that I looove and definitely recommend) is Story Genius by Lisa Cron. This book is amazing! And so helpful!

If you are writing a positive change protagonist.

It will not help you nail down your steadfast protagonist. Because its principles are founded on the protagonist changing.

So if you are trying to apply it to the wrong type of protagonist, you are going to get frustrated. . . . or switch your protagonist's type.

Unfortunately, I myself have been guilty of perpetuating some inaccurate advice, but only because (like most people), I didn't know better. This also tends to happen because by far the most common protagonist type is the positive change protagonist. There are lots of resources on it. There are lots of people writing it.

But this doesn't mean that the steadfast protagonist is wrong. It actually doesn't even mean that he is boring, static, or one-dimensional, nor that he doesn't grow, struggle, doubt, or change at all. He just doesn't do a direct flip in worldview. Instead, he proves his worldview true (the thematic statement).

Let's debunk some myths I've heard in the decade or so of being in the writing world.

Myth #1: Flat-arc Characters Don't Grow

The most common myth you are likely to run into, is that steadfast characters don't grow. This is inaccurate. The steadfast character doesn't drastically change her worldview. The positive steadfast protagonist has a worldview that will be proven true by the end of the story, which creates the theme. (In contrast, a negative steadfast protagonist has a worldview that will be proven untrue.)

This doesn't mean the character doesn't grow in some way.

For example, you may have a flat-arc character who becomes more competent. Maybe he learns to become a great marksman. Or maybe she learns how to navigate law school (Legally Blonde). A steadfast protagonist can gain any kind of skill, even some that are less obvious, such as learning the art of manipulation. In Moana, Moana must learn how to sail.

You may have a steadfast character who learns to become more proactive/assertive. It's not exactly unusual for a flat-arc character to not want to get involved in the main conflict in the beginning. He may be a reluctant hero. He may need to learn to not stand by but to stand up for what he believes in, by confronting the antagonist directly. In Disney's live-action Cinderella, Ella must become more assertive to fully thwart her wicked stepmother.

A steadfast character may grow in experience and wisdom. In Wonder Woman, Diana must experience and understand the real world in order to fully wield her truth against the antagonist.

A steadfast character can grow in pretty much any way that doesn't totally flip his or her worldview.

Certainly, there are flat-arc characters who don't grow at all, like 007, and that is fine, and you can write successful characters like that. But that doesn't mean that none of them grow whatsoever.

Myth #2: Steadfast Characters' Worldviews Remain Completely Static

Explained most simply, a positive steadfast character has an accurate worldview--understands the true thematic statement--from the beginning. This doesn't necessarily mean she has a perfect understanding of it.

The character's worldview may need some refining. It may not be whole or complete. Or, as mentioned, above, it may need more wisdom (discernment) behind it.

These things can only be realized with real-world experience--in other words, the tests and trials of the middle of the story.

While this concept may overlap with the prior, it's slightly different, as not every way a steadfast character grows will be linked to his or her worldview. They may be two completely separate things. But they can also go hand in hand.

For example, while Cinderella knows kindness will help her through trials (the thematic statement), her worldview needs some refining. She must realize one shouldn't let others take advantage of that kindness. She needs to stand up and be assertive with her stepmother.

In Arrival, Louise Banks knows that communication can help us understand another perspective, which enables us to avoid confrontation. However, through the story, she gains a greater, deeper, more complete understanding of that, as she learns the heptapods' language--which has the power to unit humanity and species across time.

In Wonder Woman, Diana knows from the beginning that we should fight for the world that we believe in. However, she gains more wisdom in that regard, after experiencing the gray moral complexities of humanity--does humankind deserve a better world? Only after she comes to terms with this, is she able to embrace the true thematic statement with eyes wide open.

Sure, some steadfast characters have completely static worldviews, but many of them don't.

This concept can become all the more complex when we consider secondary themes.

First, as a quick recap, the positive steadfast character has an accurate worldview--the "truth," as some like to call it--this is also the primary thematic statement. This is the truth the story is arguing. The positive steadfast character starts the story with this.

In contrast, a positive change character will start with an inaccurate worldview--the "lie," as some like to call it--this is basically the "anti-theme"--the opposing argument to the "truth." The positive change character will change to the "truth," the accurate worldview, the true thematic statement at the end.

However, many stories have more than one theme. Many stories have secondary themes.

Because of this, it's possible for the positive steadfast character to be steadfast in the primary theme, but be a change character in the secondary theme.

For example, Diana is steadfast in the primary theme, which is the argument that we should fight for the world we believe in (as opposed to the argument that we should allow humans to suffer the world they "deserve.")

However, in the secondary theme, she is a change character. The secondary theme is about whether humankind is innately black and white or whether they are innately gray. Diana begins the story believing they are innately black and white (innately good, if not for the antagonist), but learns the truth: humankind is innately gray. This is an arc of disillusionment. This feeds into the primary arc and primary theme.

I have an article on secondary themes in the works, but it's not complete yet. For now, know this:

Many stories have multiple themes. A steadfast protagonist may or may not be steadfast for every theme (or "worldview" if you prefer). But by definition, they must be steadfast for the primary theme (obviously).

Again, more on that in the future. However, this is why you may see writers argue over whether a particular character has a change or flat arc, and why the same character may get categorized differently--it depends entirely on what thematic thread the person is pulling. One may, in fact, argue Diana is a change character, because she arcs in disillusionment, while another may argue she has a flat arc, because she believes the primary thematic statement from beginning to end.

No worries if it sounds a little confusing. In short, a positive steadfast character's view may grow or shift in some way, but it never does a 180 flip in the primary arc and theme.

Myth #3: Flat-arc Characters Always Stand Firm

Just because the steadfast character has an accurate worldview and belief system (knows the "truth"), doesn't mean she never wavers or has doubts about it.

In most flat-arc protagonist stories, the character will have her beliefs tested through the conflicts of the middle. As the antagonistic force gets stronger, the character may experience doubts and powerful temptations (which may include conflicting wants). At some point, it may even seem that her worldview might be wrong. This, along with the cost of adhering to the truth, is almost always the meat of her internal journey. If you want your steadfast character to have a rich inner journey, this is where it's at.

For other steadfast protagonists, the internal journey isn't a major plotline (like 007). This means we won't see many (if any) moments of him having a worldview struggle.

Ultimately, at the end of the story, the steadfast protagonist will hold onto her accurate belief system. This is what makes her steadfast. But that doesn't necessarily mean she never second guesses it.

Myth #4: Steadfast Characters are Simple and One-dimensional

While a steadfast character is probably more likely to be simple, they aren't necessarily. Complexity isn't strictly tied to character arc.

What makes something complex is dichotomy. It's boundaries. It's layers of identity. I talk about this in my free booklet "Core Principles of Crafting Protagonists." But I'll review briefly.

Complex characters are most easily created when we smash together seeming contradictions.

- An outlaw who is law-abiding

- A soldier who refuses to hurt anyone

- A vampire who doesn’t like drinking blood

. . . for example.

Once you’ve smashed together contrasting features within the character, the gray area can be explored to find complexity. Why would an outlaw be law-abiding? How can someone be a vampire and not like blood? (These are more obvious examples, but they prove the point.)

Complexity can also be created by considering the character's personal boundaries--what it takes for him to consider doing something he wouldn't ordinarily do. We all have thresholds when it comes to our values. For example, I may have a character who proclaims that he never lies. But when the pressure gets high, I may show him lying to save the life of a loved one. This will reveal that he cares more about his loved one's life than about always being honest. In other words, he's not as simple as he first appeared.

While within the character arc, a steadfast protagonist will largely adhere to the accurate worldview, even when the pressure kicks up, this doesn't necessarily mean she can't find herself being pressured into unusual behaviors outside of it. For example, just because Job will stick to his faith in God regardless of what is inflicted upon him, doesn't mean he won't be pushed to complaining when the trials get intense. Difficulties reveal deeper character.

Finally, a character can be made complex by differentiating layers of identity. Identity gets down to how someone is defined, and no one is defined the same way from all angles. For example, who the character thinks he is, and who he actually is, will likely be different in some way. Who he believes he is and who society believes he is may be, in fact, opposite concepts.

While these elements can feed into character arcs--or rather, The Character Arc--they don't necessarily have to. There is no reason a steadfast character can't have some complexity.

Myth #5: Flat-arc Characters don't have Ghosts/Wounds

This isn't a myth I've heard very much, but I do feel like there are some misconceptions when it comes to the positive steadfast character and ghosts/wounds.

A "ghost" is a past, significant, often traumatic event that motivates the character to adopt an inaccurate worldview (the "anti-theme" or the "lie" or the "misbelief"--depending on your preferred terminology). In the industry, this is also sometimes called a "wound." You can learn all about ghosts/wounds in my article, "Giving Your Protagonist a Ghost."

But in a positive steadfast protagonist, this is often flipped just a bit. The ghost is often a past, significant, sometimes traumatic event that motivates the character to adopt the accurate worldview (the "theme" or the "truth" if you prefer).

For example, Cinderella's mother, while on her deathbed, tells Cinderella to always be kind. This motivates Cinderella to do just that.

Of course, not every character will have a ghost addressed in the story.

For the positive steadfast protagonist, the ghost may be largely resolved.

But not always. They may not have complete closure and peace. And it's possible they are still traumatized by the event.

Sometimes adhering to what is true can be nearly as haunting as having regrets. It's just that the haunting will come from either the cost of the truth, or, a lack of power--a lack of control--during the ghost. Generally speaking anyway.

In The X-Files, Fox Mulder, in the overall story and theme, is a positive steadfast character. The ongoing theme is an argument of belief vs. disbelief. (The motifs, "I want to believe" and "The truth is out there" speak to that.) However, Mulder has an unresolved, traumatizing ghost: his little sister was abducted by aliens.

This event cements him to the thematic truth of belief and motivates him to investigate anything unnatural. But this happened at the cost of his sister.

Sometimes the trauma comes from not being able to do anything, just as Mulder was powerless to stop the abduction.

Other times it may come from not being able to stop a loved one from choosing the inaccurate worldview--the "lie," "anti-theme," or "misbelief." The steadfast character may be haunted by the outcome of someone else choosing the lie.

So, just because you are writing a steadfast character, doesn't mean she can't have a traumatizing past.

Myth #6: Steadfast Characters are Boring

I have sometimes heard writing instructors discourage students from creating steadfast characters because they are "static and uninteresting." By now, you probably can see for yourself that this doesn't check out.

In reality, any kind of character becomes boring when poorly written. Sure, steadfast characters may need to be handled a little differently (they can easily become annoying when mishandled, for example), but this doesn't mean audiences aren't invested in them. A steadfast character can be just as exciting, meaningful, inspiring, and complex as most change characters.

I mean, I don't think most of us would call Diana, Fox Mulder, Moana, or Louise Banks boring.

In the future, I'll be breaking down this largely misunderstood character type some more. I mean . . . some of us have got to do more about the lack of resources out there, right? I don't want another person who wants to write a steadfast protagonist to be "tricked" into switching it to a change one. If you want to write a steadfast protagonist, this is me giving you permission.

#writing tips #writing tips and tricks #writeblr #nanowrimo #fanfic #flat arc #steadfast #wonder woman #arrival #moana #writing reference #writing advice #character

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darkcircles4lyfe · 3 years

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Death to All Might, Rebirth to Yagi Toshinori

So about All Might. I’ve been extremely wary of talking about what could happen to him because straight up saying “I don’t think he’s gonna die” is asking the universe to spite me. Plus it also feels like a room full of people turning to stare at me as if I said the Sun isn’t a star. Man has death flags everywhere, I know.

But, okay, *Bill Nye voice* consider the following:

Mr. Yagi here, if he overheard everything, just received the final nail in the coffin on his career. His time as the symbol of peace is not only over, it was in fact partially responsible for the current state of things, since he once did so much on his own that his absence now makes heroes and civilians alike ill-prepared to cope. I think it was very apt for that one guy to be wearing an All Might shirt--he was acting as a mouthpiece for the latent societal problems embedded in All Might’s legacy.

We know already that he’s been feeling useless. I love this scene and although I’m not gonna talk about it right this second, remember what Aizawa says about just “being here” being enough:

And we know from conversations with Inko that Toshinori is also reframed his purpose around looking after Izuku. But in the end, Izuku rejected his help, and it was his classmates instead who were able to save him. Now the very progress of humanity is rejecting him too. You may me wondering how on Earth I don’t see the logical conclusion of all this being his death. Hold on. It actually has a lot to do with the fact that we’re all expecting it. Nighteye himself saw it, and despite any contrary convictions anyone might have, the plot doesn’t seem to be veering away from that end. All Might Is Gonna Die, says absolutely everything.

It’s occurring to me that I have previous experience with this kind of plotline that probably little to no one else in this fandom shares, being that I’ve read a certain book series in which the main character is told in no uncertain terms that he will die (no, I’m not talking about hp). The series in question is T*e Und*rland Chronicl*s (censoring so it doesn’t get put in their side of tumblr) and I’m sorry but I’m about to go on a shameless tangent about it and spoil the ending for you.

So in this series there is a prophecy in every book, each one having something to do with war and conflict, and so far all of them have been right. In the last book [mc] finds out that it’s prophesied that he will be killed. Lots of the things in the prophecies are convoluted and metaphorical, but no, this one literally says “when the [mc’s title] has been killed.” He spends the whole book coming to terms with this, and he gives into it, only to find himself waking up in the hospital instead. “Wow, plot twist. /s” you may be thinking, and yeah sure, the mc in a kids book survived, big shocker. But it doesn't end there. After the war, there are peace talks, but they escalate until the two sides are on the verge of declaring war again. And [mc], bless him, has just been caught in the middle of all of this the entire time. He’s sick as shit of fighting, of watching the suffering and death of people he cares about. He draws his sword against both of them angrily, gives a speech saying he won’t take a side, and then promptly breaks his sword across his knee: “There. [mc’s title in the prophecies] is dead. I killed him.” He’s giving a huge middle finger to everyone there, to the man who wrote the prophecies, to the entire fucked up culture of it all. And so something that was taken literally turns out to be metaphorical. That is, if you still believe in the prophecies at all.

Hopefully you’re catching my drift here. What I’m saying is, even though this other series has nothing to do with bnha, it goes to show sometimes it’s the most absolute certainties that are red herrings, and a “death” can consequently be a symbolic one. In All Might’s case, it could be the death of hero society and a rejection of his own past. In other words, character development for Toshinori himself that reflects on the way the world is changing, too. Also there’s the fact that the mc from that other series I’m trying not to name has an honorary title, and I’m imagining that role he occupied “dying” could correspond to something that amounts to, “All Might is dead. I (Yagi Toshinori) killed him.”

And here’s another thing: we also have to ask ourselves what good a dead Toshinori is to Izuku, narratively speaking. Yes, Izuku has spent his whole life idolizing even the more toxic parts of All Might, and his idealized vision of his hero does need to “die.” But how about Toshinori as a father figure? Izuku regretting that his last interaction with Toshinori was to reject his help may drive home the fact that he shouldn’t go off on his own, but at this point it’s kinda redundant. If anything it would negate some of the progress that was just made because it’d make him extra paranoid about losing other people too. To be honest, the whole “Uncle Ben” trope, the mentor/father figure who dies and gives the mc a reason to do better, is so tired. Experiencing the death of a loved one really doesn’t deserve to be romanticized like that. I might as well admit that I’m speaking from experience, and let me tell you, losing someone you love suddenly, when you weren’t around, and with unfinished business--it makes you paranoid as hell that it will happen again. It literally gives me nightmares. Y’all, I cannot stress enough that trauma does not equal character development. Granted, just because I know this doesn’t mean Horikoshi does, but in general he does seem to lead his characters toward healing.

Okay, back to the present. Toshinori is turning away from UA. He likely feels useless and rejected. We can infer that what happens next will involve Stain, and we have a couple of extra clues to go with it: Stain considers All Might a true hero, and has stated that he would let All Might kill him. And since Horikoshi loves his parallels, we also have this fight between Endeavor and this random villain who admires him so much that he wants to die by Endeavor’s hand:

This suggests a confrontation in which Stain challenges All Might to live up to himself as he once was, so that as a hero he can vanquish Stain and symbolically overcome society's perversion of that role. But based on what All Might has learned about the system he upheld, Stain is wrong. All Might is not a “true hero” in the sense that the societal issues Stain witnessed exist not in spite of All Might, but (in part) because of him, because he took too much of the responsibility for himself.

Stain probably had no idea about the personal cost of All Might’s lonely burden until after the fact. Maybe he’s seeing it now. So then perhaps the confrontation would be more about Stain claiming he’s just as fake as the rest. Either way, Toshinori has the opportunity to denounce himself and be rid of “All Might,” to stop living in his own shadow. Nighteye’s vision has been defied before, and I honestly wouldn’t be surprised if the combination of society shifting + Toshinori’s own conviction is enough to do it again and work fate in his favor.

He is not All Might. He is Yagi Toshinori: quirkless, worn down, and directionless except for his dedication to Izuku. If he survives his interaction with Stain, he can resolve his imperfect mentorship by confessing about his shortcomings and simply supporting Izuku as a part of his family, not as his teacher (as Aizawa said, just “being there”). And that’s how you really get character development, for both of them. I mean, shit, imagine Toshinori straight up telling Izuku to stop calling him All Might.

#disclaimer: I have a lot of emotional investment in dadmight #so I am hella biased #but hopefully I also have some unique insight to share #all might #yagi toshinori #bnha #mha #bnha meta #bnha 325 #bnha 326 #lin speaks

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mercurytrinemoon · 3 years

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Another post on Moon signs you can drag me for

Before we get into the actual thing, I'd like to say this post initially started as something else but ultimately, what I tried to put across is, sometimes Moon signs aren’t that easy to decipher. It’s easy to grasp overall characteristics of the signs and then learn how to identify their specific traits. But what people seem to forget it that Moon represents the deepest side of us & our inner world - it’s uncommon to really see someone’s side of it unless you really pay attention. Sometimes I’m surprised to see what someone’s Moon sign is even if I know this person well. Meaning, people usually hide that part of them - or they just simply process it internally and others can’t see their emotional reactions. It’s also uncommon for folks these days to fully express their emotional needs so it gets even trickier to pin-point their Moon characteristics. I don't think I have to mention this but, of course, your entire chart should be taken into account, as well as house placement, aspects. Personally, I like to also look at Moon's dispositor.

Let’s start from my friends, Gemini Moons, who, I feel, get a bad rep for not showing their feelings and scanning every emotion like an AI. Nah-ah. I know this one Gemini Moon whose immediate emotional reactions aren’t very cerebral in the sense of processing everything in the mind and intellectualizing it aka, what people like to label as being un-emotional. Instead her reactions are often fast (air energy) but physically expressed through Mercury (Gemini Moon’s dispositor) and Sun (overall identity) – she has them both in Aries. She’s a crybaby who can burst into tears in a matter of seconds. So she’s not something that would stereotypically be assigned to a Gemini Moon. But what I did notice is that all Gemini Moons tend to have this weird look on their face when they’re processing stuff. As if they were about to have a brain malfunction; they stop and have that specific worried look. They also like to either gossip or tell stories (either real or made up lol); they’re great with words - they can talk for hours if they feel comfortable with you. They just crave interaction and mental stimulation. Their quick reactions tend to make them effortlessly witty. Even if they’re a withdrawn Gemini type, they make up for it through social media and technology or just a quiet exploration. My shy Cancer pal with Moon in Gemini is now a brand/website designer and an instagram queen who travels the world. This is great energy for content creators in general. And don’t forget that Geminis need to have their fingers in many pies. It’s because they always have a backup plan… and they get bored easily so they need that chaos around them to feel at home. They like to have options in everything, which is kind of funny cause it’s hard for them to make up their minds and actually choose something. And they store a lot of information in their brains… I feel like it must be exhausting, no?

On the other side of the axis, whenever I see someone with a Sagittarius Moon, I can immediately say “yup, a Sag Moon indeed” (probably thanks to my Sag stellium), meaning, they all seem the same to me. Sag Moons often find comfort in exploration - best if it’s literal travel. They always seem to need to free themselves from their surroundings, family, roots or their own culture to discover something new and exciting, even if it’s only in the imaginary words - through books, movies and other medias. Their happiness always lies somewhere else from where they currently are. Like, I think all Sagittarius Moons that I know have left their parents and went their own paths early on. And they have this yolo attitude. Just like Sagittarius Suns, they’re massive dorks, probably also obnoxious… sometimes in a REALLY annoying way. They’re either a) very wise and curious b) lil preachy and stuck up c) just plain dumb clowns with no filter. But they’re all funny. And they take things lightly, with a natural ease. This means sometimes they may offend other people just because they assume everyone’s as chill as they are; „relax! I was just kidding!” - that’s a phrase you’ll hear from them often… I mean, unless you’re a jokester yourself and you’re unmoved by their sarcastic or teasing words. They have somewhat spiritual or philosophical nature so besides making you laugh, be prepared for deep monologues. They want to believe everything will eventually fall into place. It’s also hard to bring them down - or I should say, it’s hard to make them acknowledge that they're feeling down - they always try to distract or cover it up with a joke, usually a self-depricating one. If Sagittarius Moon (or Sagittarius in general tbh) is telling you that they’re unhappy, then it’s serious.

I’ve noticed there comes a point in life for a Libra Moon where they just have enough. They’re too nice for everyone and one day they wake up and yell about how they have to do everything for everyone and everyone wants something from them and bLah bLah. Makes me think of when Bieber was this overly nice kid and then he was like “I’M NOT TAKING PICTURES WITH FANS ANYMOREEEE AAGhJFJFUWIUq”. Yup, a Libra Moon, everyone. They know how to charm and appeal to people, I think overall they’re easily liked by others. Sometimes it’s simply because they like to kiss people’s ass just to avoid being rejected. That’d be a Libra Moon’s nightmare. They like other people’s company too much. And they thrive in relationships and in a big circle of friends. What they hate is confrontations (like every other Libra placement omg). They may be good mediators when it comes to other people but if they’re involved in an argument they get sooooo passive aggressive. They just don’t know how to handle conflicts - it’s as if their nervous system wasn’t designed for emotional outbursts (because, you know, everything needs to be peaceful and harmonious Venus-style). A fussy or angry Libra Moon will suddenly get loud as they blame someone for something… and then they’ll leave the room cause they’re scared to even hear the other side of the argument. Or, alternatively, they’ll make a doormat out of themselves just to stay quiet and avoid causing any rift. And making decisions? I think it’s common for them to have two different romantic interests and feeling so dramatically torned between them *Alexa play Agony from Into the Woods*. Then when they decide, they have problems breaking the bad news to one of them.

On the other end we have Aries Moons. *deep breath* Listen, I think I’ve said enough about having Moon in Aries (or rather purely dissing it) but last time it made a bit of controversy so why not wreak even more havoc. I have a good description for this one: I will punch you but be gentle with me cause it’s easy to break my fragile heart. So basically, imagine putting Buttercup and Bubbles into one person. And honestly, I need to say this, women with this placement are just hot badasses, look at friggin Angelina Jolie. The queen of badass. The queen of hot. People say because Aries folks move quickly (literally and figuratively lol), they often get bored with whatever got them excited last week... or yesterday. Ha, yeah, right. You get their heart to open up and they’re going to have their eyes for you ONLY, like a lil puppy. Give us treats and we’ll build our world around you. But NOT in a clingy way by any means, we need our space and independence after all. My lil niece is an Aries Moon and ever since I started playing guitar with her, she became my #1 fan or something. That’s the energy. But we get easily bored with day-to-day stuff so yeah, there’s that. Innocent and clumsy yet raw in their emotions - so there’s potential to make mistakes sometimes (or a lot of times) or having this tunnel vision, like „I want this and I don’t care about anything else!”. And then excusing it with some „but the heart wants what it wants” crap (looking @ ya, Selena Gomez). They experience constant inner movement and turbulence that needs a physical outlet in order to feel satisfied. WE NEED PASSION IN OUR LIVES, OKAY?!?!?? now leave me alone

Aquarius Moons aren’t as cold as you might think. People like to describe them as if their Moons actually disappeared from their charts: dEtaCheD, uNeMotiOnaL, tHey fEeL nOtHinG. It’s just they don’t sit and dwell on things, they find solutions to the problems. If something doesn’t make them feel right, they just leave that situation. They do care about other people’s well-being, they’re very sensitive in that regard, they’re humanitarians after all. Yeah, they detach, but from their own emotions - in order to make sense of them. They may seem like snow queens sometimes (and this comes from an Aqua rising) but they’re really friendly and if you pique Aqua Moon’s interest, they’re going to be curious about you. They like new exciting things so if you’re cool enough, you have their attention. Usually they’re pretty progressive as well and can’t stand injustice. That’s why you’ll see them standing up for those who are in need. Uranian energy gives them a specific type of sharp intuition and wit. Idk they’re just cute in a quirky way. But this buzzing, fast energy is a great recipe for anxiety, over-thinking and frequent changes of heart. Similarly to Sadges, they need constant exploration and stimuli. Intelligent, people-oriented (but not people-pleasing! Look to Libras for that), individualistic. They definitely need their own space and independence. Their decision-making is fast and it’s easy for them to just say „screw it, I’m doing this”. My Aquarius Moon friend just casually decided that she’s moving to Turkey cause nothing in our city (or even country) seems interesting or helping her expand… So she was like, see ya suckers, I’m leaving.

Leo Moons shine from within. You’ll spot them from a mile away even if they’re on the shyer side. They’re all lil stars no matter their profession. Very expressive people & easily excitable. Art galleries, live shows, theater - they love a creative environment even if they don’t pursue that lifestyle themselves... One of my Leo Moon friends is an art junkie – suggest taking her to an obscure play at the local bar, a music festival, a weird museum – she’ll say yes in the blink of an eye. And she loves discussing these things. A Leo Moon may not see themselves as artistically inclined, but usually sooner or later they at least try dipping their toes in music, arts, acting, dancing... you name it. They’ll learn a simple 3-chord song on a ukulele and then play it to you in excitement. Imagine a lil kid making you a puff piece and being super proud of it. Sometimes they just need some encouragement. Remember, Leos feed off of praise, that’s their fuel. Doesn’t mean they’re all proud, egotistical people but what it does mean is that they need a lil assurance to gain their self-confidence. I lived with a Leo Sun/Moon for almost 15 years (who’s a musician btw so yeah, a classic creative Leo type) - he did have some issues lol but ego wasn’t one of them. Drama followed him everywhere but I’m pretty sure he disliked it himself. BUT, with that being said, I feel like Leo Moons tend to dramatize themselves internally. People say it’s something Virgos or Geminis would do - because of their tendency to overthink, but Leos can just go straight to a worst-case scenario in their heads simply because they exaggerate everything. So don’t be surprised to see a Leo Moon feeling down and anxious. On the bright side, be their cheerleader and they’ll give that to you in return. They need sparks and dullness kills their upbeat spirit. They need to feel their own heartbeat so the feeling of excitement is crucial for their well-being. Romantic, giving and kind. They’re fixed fire so once they’re set on something or someone, they give their all and are rather loyal.

I feel like my chart low-key tells me I should dislike Taurus Moons but I just want to melt in their arms and just stay there? Like, forever? Low maintenance but a bit slow-moving and stubborn. They won’t settle easily, at least not officially, so you need to have a lot of patience with them. They need 3 things to feel secure and at peace: physical stimuli, time and a stable place they know they can always come back to. And it’s not like all of them are total lazy homebodies, they may be active spirits & travellers but they are going to have a reallyyyyy nice cosy flat somewhere near their childhood place (gotta be be close to their moms, you know). Not necessary materialistic but they may have one thing that they collect throughout their entire life and they won’t. ever. get. rid. of. it. There needs to be at least one constant in their life - like you know when Elton John decided to go to therapy but one thing he stuck to was shopaholism? Very Taurus Moon of him. Also, they’re very affectionate. In fact, may have issues differentiating between affection and passion - this is actually something Taurus Moon and Aries Moon have in common. Pro tip - and this is in regard to all Taurus placements - don’t smell bad when you’re around them (I mean, don't smell bad in general, no one likes stinky people lol). They have a sensitive smell. Doesn’t help that they like to smell everything. EVERYTHING. I swear, Taurus, stop sticking your nose in every single thing!!! You don't need to know how that piece of utensil smells like. Jeez.

Scorpio Moon (shoutout to those who remember me accidentally calling them sporpio last time I made a post on Moons lol). I honestly don’t know what to tell you... I feel like all you hear about Scorpio Moon is 100% true, there’s nothing to debunk here. It’s the Moon of extremes. Prone to jealousy and surpressing emotions; severe trust issues; they’re instigators. I was low-key bullied by a few Scorpio Moons when I was in school so there’s that. Very secretive and private. Scorpio Moon will be like “I’m in control of the situation!!!!” and you’ll just look at them and think, yeah, right, looks like the situation is controlling you. But keep being in denial, sure. Like, don’t get me wrong, Scorpios in general can be TOTAL SWEETHEARTS OMG but ya’ll have issues. Even celebrities who have this placements... Think Beyonce or Lady Gaga, Miley Cyrus... I feel like they have issues lol, especially with control and the need for everything to be perfectly the way they want it to be. To be fair, that’s probably why they’re all so influential and high status: it’s either their way or highway. They need constant reinvention; they’re the ones to wake up one day and decide they’re going through a spiritual awakening blah blah. They also like to talk about dark and shocking topics while having casual lunch with you... So like, be warned that you may end up with a depressed mood after talking to them for 10 minutes. And their mood swings... don’t even get me started on that.

I don't know where to start with Virgo Moons... I feel like they're very calculated and nit-picky but they're a lot warmer than Virgo Suns. I think I called them softies in my last Moon post. Very sweet people but prone to anxiety. You gotta experience seeing them having a heart attack over someone mixing bananas with milk or messing with their stuff that’s been put in a perfect arrangement. I saw a Virgo Moon once literally squealing shouting "YOU'RE GONNA RUIN YOUR LAPTOP WITH THAT SUPERGLUE!!!" Highly entertaining to watch, not gonna lie. Gordon Ramsay has his Moon in Virgo - it’s conjunct Uranus and Pluto so that’s an extreme but I think him being fed up with people over small inconsistencies in their food prep is a perfect example of this energy (btw his chart is hilarious, it literally explains EVERYTHING). They're VERY picky with their food as well, just as Virgo Suns tend to be. Like, they’ll only have a specific type of single origin coffee or they’ll be vegan or something. Self-critical over their work, which is a plus... except for when finishing a simple task takes them a few hours because they want to make it perfect. They take everything seriously. This of course doesn't mean they're total bores - on the contrary, Mercurial energy gives them witty approach and a talent for choosing the right words at the right time. Tho they can be a bit awkward or shy with it. Can be as bubbly as Gemini but the grounded earthy energy gives them more practical and almost nurturing nature - earth signs are providers after all and Virgo is the sign of service - helping others is like their second nature. I’ve noticed they often find comfort in devoting themselves to a choosen task - this is why if they pursue something, they’re really good at it. They’re also very likely to dissect their emotions.

I’m not a fan of water Moons in general but Pisces Moon is the best water Moon in my opinion. Maybe because I like Pisces overall. I think it’s like a tweaked Sagittarius Moon - just more internalized, withdrawn & gloomy. But unlike Sag, who has a tendency to be an adventurous optimist, Pisces likes to focus on the negatives instead. Obviously, they can be very upbeat, they’re Jupiter-ruled after all, but there’s somehing whiny about them lol. Just like Sadges, they dream big and have their standards put up sooo high but if there's not much active energy in their charts, they’re often too passive to actually fullfill any of that - or I should say, they’re stuck daydreaming about it, believing it’ll just magically manifest for them... OR they do everything with an apathetic approach. What I do like about them is that they’re funny. And really chill - sometimes to the point of coming off as confused or hazy. I feel like a lot of them would just love to sleep all day... or sit by the lake and just think about the world. Most of them are also compassionate folks - again, maybe a bit too much. Hey Pisces, you don’t have to take everything to heart, it’s okay. On the bright side, they have big imagination and the ability to disconnect and just create. I have a few Pisces Moons in the family: one’s that sleepy artistic type with grand visions, one is an asshole-ish but funny entrepreneur with a questionable work ethic and one is a witty IT guy who’s actually a workaholic and likes to shut in his own world of computers and numbers or whatever he does there... So there’s this factor of tunnel vision, escapism and, on the more negative side, being kinda iffy and almost addicted to the way they want things to be. Once they set their eyes on something it’s done deal…

My issue with Capricorn Moons is that they're often trying to be sooooo mature omg, like, loosen up a bit. It usually starts when they're in their later teens... They can be the most rebellious kid that likes to have fun and suddenly they'll be like "I'm too old for this ugh grow up" *judgmental stare*. My 18-year old niece once literally roasted my sister that she's in her 30s and still doesn't have her own place (well so do I so I guess she also indirectly roasted me as well???). And she was SO deadpan with it. Because she herself wants to be independent and start a family before turning 25. This is classic Capricorn Moon energy. They suck out joy out of everything lol. Of course, OF COURSE, it depends on the whole chart but I feel like worst-case scenario is that at one point in their life (or maybe even a few times throughout it) they go through a massive shake-up that makes them change their attitude and re-evaluate their structures. There's this multi-instrumentalist Yvette Young - she's a sweet, funny Cancer/Leo mix but her Moon is in Capricorn. She used to be a competitive pianist but the pressure that was put on her has led her to severe health issues. Like yes, she’s now an extremely talented musician - thanks to family’s expectations & a rigid schooling system (Saturn) but it did cost her a lot. She has recovered since then but I think it's a perfect example of this energy. It’s very ambitious and hardworking but emotionally demanding in the sense that you have to actually put your emotions aside in order to deal with the rest. Another thing, because Moon can be associated with family, there's often a weird dynamic surrounding this topic. I don't think I've met a Capricorn Moon that had a completely healthy and happy relationship with their fam or one of the family members. Or, alternatively, there can be a strong bond between one of them but usually created in the atmosphere of hardships.

Last but not least, Cancer Moons. I had three school friends with this placement and all of them made this sad, whiny face as they said „oh I don’t knoooow anymoreee” when they were feeling torned or frustrated. To be fair, two of them are water Suns so for them, it added to the mushyness. All Cancer Moons I know are family people or better yet, baby people. One of those school friends is now a guidance counsellor, working with kids; the other turned her instagram into a gallery of her own child after she gave birth. So much kid content, omg. There’s also something very indecisive about them… or I should say, hesitant. They’re not very fast at making decisions. Also, what’s interesting, they’re kind of like walking libraries, they remember a lot – so they store a lot of information in their brains just like air signs but they process it in a completely different way – emotional, obviously. I think this also makes them hold grudges a lot. For them it’s more of a question of „how does it make me feel?” rather than „how valid is it?”. There’s certain stubborness in them in that regard because they don’t keep their minds open. It’s also hard for them to walk away from people and situations, like a crab pinching you with its claws – it won’t let go. Sensitive but not easy to open up; very protective of themselves and their loved ones & they tend to shut down in their crab shells. But they may crave connection and the feeling of belonging. Also very caring and with a big imagination. They’re very receptive of their environment so mood swings are a thing for them.

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samwisethewitch · 3 years

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An Open Letter to Christian Witches

On this blog, I often champion the idea that witchcraft is a practice, not a religion, and that a witch can practice any religion, provided that religion does not explicitly forbid witchcraft. I still very much believe this, and the point of this post is not to tell Christians that they can’t be witches. However, as a non-Christian witch who has been deeply traumatized by Christianity, I do wish Christian witches would be a bit more mindful of how they show up in witchy spaces.

Recently, I’ve noticed a pattern of self-identifying Christian witches dominating the conversation and centering their own beliefs in spaces dedicated to witchcraft. Now, I wholeheartedly believe that this is unintentional, and most of these Christian witches seem like lovely people. But it’s still deeply frustrating and upsetting to be promised a safe space and support from other witches, only to be preached at.

Or be told that I’m doing witchcraft wrong because my ethics are not the same as someone else’s.

Or be told that I don’t understand Christianity, despite having spent the first two decades of my life fully immersed in it.

Or have my trauma invalidated because, “Not all Christians are like that!”

Or spend the majority of our time together reassuring and comforting a Christian witch who is uncomfortable with the inclusion of pagan and/or occult elements in a ritual.

These are all genuine experiences I have had with Christian witches in 2021. And in every single one of these situations, the Christian witch had a very negative reaction to any kind of constructive criticism or request that they be more mindful of the diverse beliefs and experiences in the space. Any suggestion that their actions may be causing discomfort for others was met with defensiveness, if not straight-up denial. The result is a situation where Christian witches are at the center of every discussion and demand (knowingly or not) coddling or hand-holding from teachers and facilitators, while those of us who are not Christian are left deeply uncomfortable but unable to express that discomfort without upsetting someone or being accused of creating conflict.

And I get it. I really do. Because for most of the people in the above scenarios, this was the first time they encountered a situation where their religion wasn’t the norm. But what I need Christian witches to recognize and be mindful of is that this discomfort of being surrounded by people who do not share your beliefs is something those of us who are not Christian experience every day.

In the Western world, and particularly in the United States, Christianity is a religious hegemony. (A hegemony is a group with total political, social, economic, and/or military dominance in a given area.) Everything in Western society was designed for Christians, to serve a Christian worldview, and to reinforce Christian hegemony. Everything from our government to our business practices to our media reinforces Christian values. For Christians, this creates the sense of comfort and security that comes from being part of the in-group. For non-Christians, it meas being constantly bombarded with someone else’s religion. For former Christians with church-related trauma, it means reliving that trauma constantly.

Here’s a look at an average day in my life as a formerly-Christian pagan with religious trauma. Please note that this is not an exaggeration — this is a description of what I experienced on the day I wrote this post.

I get up and, because I live with Christian family members, I walk past exactly five images of Jesus and/or the Virgin Mary on my way from my bedroom to the front door. On my commute to work, I drive past at least a dozen churches, including the one I used to attend, where my religious trauma occurred. I stop at a red light, and the car in front of me has a bumper sticker with an image of a cross and the message, “If this offends you now, just wait until you see it on judgement day!” I happen to know that these bumper stickers are for sale not at a local church, but at a privately owned, nominally secular business. When I get to work, the woman who greets me at the front gate is wearing a crucifix necklace.

I work in diversity education. When I get to the office, my boss asks me to join the local Interfaith council because I am the only person in our department who isn’t Christian. My current big project at work is trying to get a transgender speaker to visit our organization and help us lead a workshop to work towards amending a history of transphobia in our organization. My boss tells me today the she isn’t sure the speaker I arranged will be approved, because our administration might not think it is in line with our organization’s values. When she says this, I know she means evangelical Christian values. She doesn’t have to spell it out — there’s a chaplain down the hall from our office.

After my lunch break, my coworkers are talking about a church event one of them attended over the weekend. I do not contribute to this conversation. It has been several months since I attended an in-person religious event with people who shared my faith. As I’m leaving the office at the end of the day, I pass a Bible study group that has set up in our recreation area. On my drive home, I pass the funeral home where my grandfather’s memorial service was held earlier this year. The programs for that service had the Lord’s Prayer printed on them. My grandfather was an atheist.

This is my level of exposure to a religion I not only don’t believe in, but have been actively hurt by, on a daily basis. This is my normal. I’ve learned to live with it, tune it out, and self-soothe, because there is no other option.

When I’m finally able to be around other witches, many of them are coming from similar experiences. I am finally in a space where I can be vulnerable, where I can talk about what I really believe, and where I can receive support from like-minded people. But if there is even one Christian witch in the group, it’s highly likely that this space too will be dominated by Christian hegemony.

It’s a noted fact that a person exists within a hegemony, they have very little ability to tolerate challenges to this hegemony due to a lack of exposure. This is the origin of the term white fragility, which sociologist Robin DiAngelo uses to describe the discomfort and defensiveness white people feel when confronted with “racial discomfort” such as being asked to consider racism as a system they are complicit in and benefit from rather than as the actions of lone extremists. White fragility is something I have personally experienced as a white woman involved in antiracist work, and it’s something I have taken years to work through and am still actively working on. Since DiAngelo popularized this term, similar terms have been used to point to similar phenomena in other hegemonic groups, as in the cases of male fragility/fragile masculinity, cishet fragility, and yes, Christian fragility.

I’m not trying to argue that all hegemony is the same, and I am definitely not trying to say that my personal religious trauma is anywhere near the level of pain caused by the mistreatment of Black and brown people by white supremacist society. My point here is simply that being part of the dominant group breeds a very low tolerance for exposure to other groups.

Christian witches are members of a hegemonic group entering a space historically occupied by marginalized people, which creates an imbalance of power. (And yes, you can benefit from hegemony even if you are marginalized in other areas. Identity is multi-faceted. Queer Christians, disabled Christians, Christians of color, and yes, Christian witches still benefit from Christian hegemony.) The only way things are going to get better is if Christians are willing to do the work themselves of building tolerance for religious discomfort. The rest of us can host as many interfaith and secular events as we want, but if Christians aren’t able to tolerate the inclusion of other belief systems, we’ll never truly be on equal footing. Until Christians stop centering the Christian experience, it will continue to dominate interfaith spaces, including witchy spaces.

TLDR: I’m asking Christian witches to be mindful of the privilege they bring into interfaith spaces. I’m asking you to be willing to feel uncomfortable, and to recognize that your discomfort does not invalidate the work your facilitators have put into creating the space and/or program. If you truly can’t stand the discomfort, I’m asking you to politely excuse yourself instead of demanding emotional labor from other witches.

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buckysbabygorl · 3 years

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Names

Summary: Y/N’s always the butt of Loki’s teasing and they can’t stand it, until the hidden meanings behind it are revealed

Word Count: 2k

Pairing: Loki x GenderNeutral!Reader

Warnings: swearing

Cowritten by @babybluereads

When the Asgardians had arrived on earth, the tiny town of St. Abb’s had accepted them with open arms. The community immediately took to caring for the newcomers and providing them with whatever they needed. Y/N, being the assertive and bright person they were, immediately caught the eye of the fighting trio that had defended Asgard in its last moments.

Y/N was quick to help where they could; taking on leadership roles and directing the townspeople on what actions to take next for the Asgardian folk to fit in. They provided shelter, food, clothing, whatever was necessary.

Valkyrie and Y/N developed a fast friendship; she liked Y/N’s confidence and strength, and they managed their people side by side. Thor adored most, if not all migardians and their customs, and Y/N was no exception. Y/N made him laugh, provided him with comfort and advice, and he contributed to the town in any way he could when he visited.

And then there was Loki. Oh, Loki, Loki, Loki.

Y/N had very little patience when it came to him; as a matter of fact, Y/N had none.

Loki was, politely, a grade A pain in the ass.

He was one to disappear for hours or days at a time; returning with no explanation as to why. He forced trickery on the township; amusing the children and the occasional townsfolk, but not Y/N. He was rowdy at the local bar; he was constantly seen partying, making this once quiet town louder than ever.

People adored him in town. Y/N however did not; they wanted structure, organization. He was chaos walking.

Worst of all; he felt the need to be glued to Y/N’s side constantly. He loved to tease them, get a rise from them first thing in the morning, he stopped them from doing their work, and it always left them fighting.

What really bothered Y/N is when he’d insult them in another language; which he did often. Something he’d huff under his breath, and when Y/N demanded clarification he’d simply laugh and walk off. Which seemed to be the only time he ever left them alone.

It was infuriating. Which is what Y/N was complaining about to Valkyrie right at this moment.

“I don’t understand why he can’t just piss off; everyone in town loves him, why can’t he go bother them?”

Valkyrie smiled, “Perhaps that’s why he does it; he knows you hate him. It’s likely the most entertaining thing for him.”

Y/N huffed as they lifted another crate, stacking them against the wall. “Well that’s just sadistic,” they said, “You’d think he’d get his rocks off on something else.”

Valkyrie laughed, but not for the reason Y/N thought.

“I’m not sure why my rocks are of your concern, but please leave sadism out of it.”

Y/N’s teeth clenched at the voice, and tried to ignore it.

Loki smiled, “No greeting? I don’t even get a “good morning your highness”?”

“No, you don’t.” Y/N lifted another crate, which was swiftly pulled out of their hands by Loki. Y/N sighed, reaching for another one.

“I don’t need your help, I can carry it myself.” Y/N stated.

Loki chuckled as he stacked the crate in its place, before plucking the other from Y/N’s hands as well.

“It’s my pleasure, I’m certain I can do a better job anyways.”

Valkyrie shook her head, staying silent as the conversation transpired. She knew better than to jump in: one, because Y/N could handle themselves; two, because the last time Valkyrie stepped in, knives were involved and nearly banned in the town square because of it. Out of respect for peace and civility in New Asgard, Valkyrie ceased her fighting. For now.

As composed of a person Y/N was, they were one to get easily flustered. Yes, their emotions were in check, but something about Loki’s teasing was especially provoking.

“I doubt it,” Y/N said, “Besides, how can you do a better job when you’re hardly ever here.”

“There are other ways to say you miss me, Y/N,” Loki said, “And I’m always here. You’re the one that wishes I wasn’t.”

“That’s not true, I just wish when you were here, you were less annoying.”

“I think that’s asking too much of him,” Valkyrie said, examining the lures of their fishing stock, “It’s ingrained in him.”

“Oh Valkyrie, I didn’t realize you were here.” He teased, momentarily turning his attention away from Y/N.

The warrior rolled her eyes, taking a nearby piece of broken crate and chucking it at his head.

He deflected it but turned to retaliate, before Y/N stopped him.

“Hey, settle down. We have a lot of work to do, and I need you two to focus.” Y/N reprimanded.

Y/N didn’t realize it, but they had their hand placed on his chest. Loki smirked at the contact, before Y/N swiftly pulled their hand away.

“Now,” Y/N said, “Are you going to actually be helpful? Or are you planning on wasting my time.”

Loki hummed before looking back to the open boathouse entrance that he had come from, “No, I don’t plan on staying long. I was only stopping by to see my melilla.”

Y/N scowled with a groan. “If you’re going to insult me, you could at least do it in a language I understand!”

But their complaint fell on deaf ears as he laughed, exiting just as quickly as he’d come.

Now it was Valkyrie’s turn to laugh, their minor conflicts always being of great entertainment. But she knew Y/N would complain about it for the rest of the afternoon; their work was already tainted by the presence of Loki.

Thor was happy to be back, he could only spend so much time with the Guardians before needing some space. He admired the team, but the arrogance of that Starlord fellow was sometimes too much to bear. Not that Thor made it any easier; he was quite the confident man himself. They’d butted heads far too often, and now he was in need of a much deserved break.

He strode into town cheerily; greeting the townsfolk with an overjoyed disposition. Though happy he was to see the midgardians; he was looking for one in particular. He finally spotted Y/N in the small farmers market just off the docks. In fact, he heard Y/N before he saw them, as once again Y/N was fighting with his notorious brother.

“You can’t turn apples into snakes when children are around, someone could get hurt and we don’t have a town doctor until next month!” Y/N scolded.

“Oh amata, I love how easily the simplest of things can make you forget yourself.” He said.

With a slight snarl on their face, Y/N groaned. “Stop calling me that!”

Loki simply laughed in their face, enraging Y/N further. Before they went to scream at him again, Thor decided to intervene.

“My Y/N! You seem awfully invigorated this morning,” He commented.

At the voice of their friend, Y/N turned and their mood was immediately brightened. “Thor! I had no idea you were coming.”

Loki looked at his brother with quiet contempt, “Of course you weren’t notified, my brother is known for making an entrance.

He turned back to Y/N, “Why don’t you ever address me with such kindness, carissima.” He said, dejectedly.

Y/N raised a finger to Loki’s face, once again going to scold him, before being interrupted by amused laughter from Thor.

“Well it’s nice to see that you’ve at least shifted to addressing one another with pleasantries.” Thor said.

Immediately Loki’s face filled with dread. Y/N looked at them both, surprised.

“You call that pleasantries?” Y/N asked, “He’s been insulting me in a dead language since we met.”

They spat the words in Loki’s face, but it was not met with his usual humourous demeanor.

Thor scoffed with delight, “I hardly think dearest is an insult, Y/N.”

Y/N was taken aback. No, that’s not what he’d been calling them, had he?

The expression on Loki’s face displayed nothing but truth at the fellow God’s statement, “Thor, please--” Loki said through gritted teeth.

Thor only smirked, intending to continue the teasing. “What else has he called you, Y/N? I speak fluent latin myself.”

Still shocked by the revelation, but not diffused in their anger, Y/N thought back to what he had called them before dearest.

“Well--he, he also called me amata.” Y/N said.

Laughing once again, Thor turned to his brother, “Oh, did he?” Thor asked.

Flustered, Loki tried to direct attention elsewhere, “Aren’t you supposed to be looking for Valkyrie? Or someone else to pester?” He asked.

Thor only smiled, “No I’m quite enjoying myself here, brother.”

“And as for the name amata,” Thor explained, “It means beloved. I think you’ve mistaken my brother’s flirtations for aggravations, Y/N.”

The three stood, not saying anything more as the passerby’s at the market weaved around them. Y/N snuck a glance at Loki, who was now desperately avoiding eye contact. Could it be that all this time, he was secretly calling Y/N terms of endearment?

He made no objections; only furthering the obvious truth that he had been.

Y/N didn’t know what to think, or what to say.

“Well,” Thor started, “I believe my work here is done. I shall leave you to each other.”

He looked up into the marketplace, “Joseph, so good to see you my friend!”

He parted, calling for the man at the nearby mead cart, while the other two still stood, not saying a word.

Loki quietly scorned his brother; of course he had to expose him. Now Y/N was aware of his secret fondness towards them, someone who already hated him more than he’d like.

“Melilla.” Y/N said.

Loki looked at Y/N, surprised by the word. “Pardon?” He asked.

Y/N hummed, “It’s another name, that you-um.. That you call me.”

“Oh,” Loki nodded, understanding what Y/N meant.

“Well,” he started, hesitant, “It means… little honey.”

“And why do you call me that,” Y/N asked, “Because I’m sweet?”

“No,” Loki defended, “You aren’t sweet. You’re the opposite. Um--bitter, and-and full of disdain--”

He was stopped by the laughter that escaped Y/N, but as he looked at them, he realized he was not the subject of their laughter but that Y/N was laughing with him. Though Loki would never admit it aloud, he found that much more pleasurable than any of the emotions he’d evoked from their banter.

“You aren’t… upset with me?” He asked earnestly.

Y/N looked to the ground, shifting in their stance with hands placed behind their back.

“Not entirely,” Y/N admitted, “I mean… it would’ve been nice to know you weren’t calling me an asshole this whole time.”

Loki chuckled bashfully, “Well, for that, I suppose I can apologize.”

An awkward silence came between them; not knowing what to say. It was surprising, to say the least, the new perspective that had been given to their situation. Loki’s need to be in Y/N’s presence, the constant chatting that what was thought to be filled with insults were now revealed to have been filled with kindness, and arguably, affection. Even on Y/N’s end; the frustrations of his disappearances and the concern for safety during his reckless shenanigans, were those too filled with care?

Loki cleared his throat to break the quiet. “So,” he started, “do you have much to tend to this afternoon?”

Y/N rolled their eyes at the obvious attempt to change the conversation, “Well if you’re going to continue being an idiot, then yes.”

“And.. if I cease, the idiocy?” He asked.

Y/N smiled, “Well, it wouldn’t necessarily be the worst thing, if you helped me with some... stuff down at the docks.”

He chuckled, amused. “You’re actually asking me to accompany you, for once?”

“Yes, I guess I am.” Y/N said. He went to speak before they stopped him, “But on one condition.”

“Oh?” He asked, “and what’s that?”

“That,” Y/N said, “If you’re going to compliment me, at least do it in a language I understand.”

He smiled, “Anything for you, dearest.”

First Loki fic ✅

Inspiration also goes to @damntonystarkandhissmile for the gender neutral ask 💕 I hope you like Loki babe 🤪

Permanent Tag List: @babyblue-07 @fandomsfallnomore @elliee1497@lonewolf471 @babybluereads @marianas-studyblr @godspeedlover@sexwithhiddlesbatch @annestine @shower-me-with-roses

@yougottalovefandoms

#loki #Loki Laufeyson #MCU loki #loki x reader #Loki Laufeyson x Reader #loki imagine #loki fanfic #loki x gender neutral reader #loki x gn!reader #loki x ace reader

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adrinoir · 3 years

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Let’s talk about Luka

Ah, yes. The laidback blue-haired pretty boy of the show. He’s been the hot topic of the fandom lately ever since he - ahem - discovered Marinette and Adrien’s secret identities, but didn’t say a word about it.

Even aside from just that, there are people who are still sad about the whole Lukanette breakup and that they’re just buddies now. Sooo, I kinda wanna give some background on it all plus talk about my own thoughts.

Fair warning/Disclaimer: this is going to be really long and I also DO like Luka as a character. Don’t try to tell me I’m too salty or don’t appreciate him.

Lukanette

Despite all the people who ship Lukanette, I’m happy their relationship ended. Rip me apart for all I care, but I have good reasons why.

Buggachat wrote this great post that’s been living rent free in my mind, about how Luka’s whole attitude of just “being okay” with Marinette loving someone else is “good enough” for her. She’s right - it’s not good enough, and there’s still so many people who overlook that.

I’ve heard talk of Marinette not being good enough for Luka (which is true), but he’s also not good enough for Marinette. They’re not good enough for each other. Him just accepting defeat that Adrien has won Marinette’s heart is setting a very low bar for Marinette.

Think about this, too. Sure she liked him, but it’s not okay to date someone when you still have very strong feelings for someone else. Marinette shouldn’t have tried dating Luka just because she liked him a little and wanted to get over Adrien. And Luka shouldn’t have been okay with being Marinette’s back up plan. That’s such an unhealthy romantic relationship and I really don’t understand how so many people were okay with it.

May I also mention, the relationship ended because Marinette was hiding a secret from Luka and she wasn’t spending enough time with him. NOT because they settled for each other.

I’m really hoping they’ll have a solid friendship. It seems like they already do, but things could land on thin ice with Luka still being in love with Marinette and him now knowing she’s Ladybug and her love (Adrien) is Chat Noir.

Luka Finding Out Their Identities

Well, it’s kind of odd to a lot of the fandom that Luka made the choice to not inform Ladybug that he now knows both her and Chat Noir’s real identities. Like he absolutely didn’t have to do keep it to himself.

The big issue is, him knowing could easily put Ladybug and Chat Noir in danger. Like, if he gets akumatized again (mind you, he’s already been akumatized TWICE), or he gets hit by an akumatized victim, he could leak their identities. Either Bunnyx would have to step in or Ladybug would need someone to take the snake miraculous (then again, I’m not even sure how effective second chance would be in a situation like that).

It’s so incredibly risky to hold that secret. However, we could give Luka the benefit of the doubt. Maybe he doesn’t know how dangerous it is to know their identities without telling them.

But the real question still stands: why did he not tell Ladybug? There’s some possibilities for that.

Why Luka didn’t say anything

1. He doesn’t want to put more stress on Marinette

Luka obviously loves Marinette and wouldn’t try to harm her, as far as we know. So he could just be holding it in for the sake of her own sanity at the moment. He could wait and tell her when he feels she’s doing a lot better.

2. He just wants them to keep their identities known to each other, doesn’t want to get involved

The identity reveal is a huge thing and it’s pretty well known that Ladybug and Chat Noir can’t really reveal their identities to anyone since it’s really unsafe (although it’s somehow okay in America? make it make sense.)

But, it’s been made clear that Ladybug and Chat Noir don’t really know each other’s identities. Maybe Luka’s train of thought is telling ladybug or Chat Noir could lead to them prying to know each other’s identities. OR he simply just doesn’t want to come between them and cause any sort of commotion. It’s a big load to deal with, after all.

3. He wants Marinette back

We obviously already know he still loves Marinette. He could be holding onto the secret because he could eventually tell her he knows she’s Ladybug now, and it could somehow restore their relationship. Luka would have a leg up because he knows Marinette’s deepest secret. He could comfort her and connect with her on that level, unlike Adrien who doesn’t know her identity.

4. It could be a shock reaction

I mean, this is the simplest one aside from “him not wanting to put more stress on Marinette.”

Just by judging the look on his face and the way he said their names, Luka was in complete shock when he saw Ladybug become Marinette and Chat Noir become Adrien. Which is a completely appropriate response to all that, also considering he got insight to their insane childhood dreams.

Maybe there was still that factor of shock, even when Ladybug asked if he saw them unmasked. Luka may not have known how to process it and think of a good answer. So the best thing to do would be to just hide it until he figures out how to talk to her about it.

5. He could be the new Hawk Moth (or villain)

I’ve been on board with this theory for a while now for SO many reasons. With Miraculous, you never know where the plot’s gonna take us. But, I’m going to elaborate more on this theory in my last section in this post.

Why I’m suspicious of Luka (& why you should be, too)

Overall, I am very suspicious of Luka and his motives/intentions deep down. Never trust an incredibly passive man.

He’s such an aloof character and the writers really make an effort to drive that point home. He kinda just goes with the flow. Super chill, talks through his music.

He’s also still a bit of a mystery. We don’t often see him talk about issues he’s having (one of the only ones we’ve seen is him not knowing his dad and then feeling really conflicted when he figure out it was Jagged Stone.) So, how are we even supposed to know what his internal thoughts and feelings are? He’s so quiet, so passive, and hardly shares what he’s thinking. He mainly focuses on helping other people.

Also consider, he’s been akumatized TWICE. For someone who isn’t usually up front about his inner thoughts, it’s very interesting to me he’s been akumatized twice. In order for Hawk Moth to akumatize someone, they have to be experiencing strong, negative emotions. So, Luka clearly has some negative feelings that he bottles up. I can’t even imagine what he’s hiding.

There is easily a chance he could be the next villain, especially now that he knows who the two biggest miraculous holders are. Luka being such an aloof and likable character could be a front. So many people like him and then boom, he’s the most diabolical villain in the whole show.

#miraculous ladybug #tales of ladybug and cat noir #miraculers #miraculous #luka couffaine #luka x marinette #lukanette #ml season 4 #ml season 4 spoilers #ml wishmaker #wishmaker #ladybug #chat noir

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cryoaquila · 3 years

Text

spin the bottle pt. 3

prompt: you play spin the bottle, part 3. pairings: albedo x gn!reader, mona x gn!reader, keqing x gn!reader word count: ~1.5k tags: kissing, very suggestive themes, light teasing a/n: you can find part one here and part two here!

minors dni.

you spin the bottle at a party. it lands on...

albedo

he wasn’t even paying attention. instead, he had a pen and notebook and was sketching something. you tap his arm to get him to notice the bottle.

“oh right, the game,” he replies simply before leaning toward you, giving you a small peck on the cheek before going back to his drawing.

wait, what? you weren’t expecting a small peck like that. no way, you wanted more of a kiss than that from such a cute guy! you whine and pout, uncaring how selfish you were sounding - you wanted a kiss on the lips from him and you were going to get it!

he can’t hide his little smirk and snicker, “oh you were hoping for more? how interesting.” he closes his notebook, taking your chin in his hands as he looks at you with a gleam in his eyes, “i guess i’ll give you what you want then, greedy little thing.”

now that he got his results from a little peck on the cheek, it was time to get results from a longer, more passionate kiss. he leans in to initiate but stops before your lips meet, analyzing your expression. you scowl, pressing your lips to his and he chuckles at your impatience.

he hums against you, eyes watching you carefully as he slips his tongue into your mouth. his taste, well, you can’t quite put your finger on it, it’s a very intricate taste that you’ve never had in your mouth before.

his tongue prods around, exploring every little inch of what it was given, and you couldn’t help but wonder if his tongue would do the same in... other areas.

when the kiss finishes, he flips to a new page in his notebook, writing something.

“what are you writing down?” you can’t help but wonder out loud.

“your reaction to kissing and how naughty you are, wanting more.” you felt your cheeks heat up, but he wasn’t wrong, you did want a kiss on the lips. yet, you still wanted more than that with the thought of his tongue exploring your body still on your mind...

after the game finishes, he shows you his notebook and what he was working on. it’s a drawing of you.

he says as soon as he laid eyes on you he couldn’t help but draw you for you were far too beautiful to not be a part of his sketchbook. you blusha at the kind sentiment and tell him you enjoyed his kiss, even the little bit of teasing that was involved.

he chuckles, saying he enjoyed the kissing experiment you both partook in as well. he added in a low tone that he wouldn’t mind conducting more experiments later with you, but fewer clothes would be required for what he had in mind. you know. for science.

you would never do something to harm the progress of science so of course you quickly agree to his request.

you don’t even recall how many experiments you end up helping him with that night in his room.

mona

mona recites something about how the stars showed her that when you spun the bottle it would pick her but that kissing you wouldn’t be a good idea because of your conflicting signs along with other excuses including, “the stars. can’t do it. not today.”

but when she glances at you and sees your saddened look she quickly stammers over her words before admitting defeat and agreeing to the kiss. she looks very embarrassed, her cheeks turning red and her hands, which were resting on her lap, were clenched into fists.

feeling bad for her, you decide to only give her a small kiss and move on, but when you try to pull away she pushes forward, locking your lips once more in a sloppy, wet kiss.

you’ve never had a messier kiss. your lips would part to allow her inside your mouth and then she’d let you into hers, both of you eager for a taste. gasps of air were the only other sound besides a few soft, muffled moans as neither you nor she would let the other pull away.

eventually, you both end up on the floor, her on top of you. she ran a hand through your hair as you wrap your hands around her waist before bringing them down to her ass for a squeeze, causing her to smirk against your mouth.

finally, you end the kiss, the need for oxygen too grand, a string of saliva still connecting you both before it broke. that’s when you realize the other two that agreed to play had left you and her alone.

well, now that the game was apparently over, you ask if she’d like to leave and get some better food elsewhere together.

she looks a little sad suddenly and mutters that she doesn’t have any money on her.

you pause for a moment, taken by surprise, and you tell her that her company is more than any amount of money and that you’d pay for her and she didn’t have to worry about paying you back.

she suddenly looks like she’s about to burst into tears from your offer. you worry that you were too forward.

she jumps off you and, before you even realize what’s happening, she starts dragging you by your hand out of the party, talking about what food she’s going to order.

while out eating she admits that she was really lying earlier and the readings she conducted said you and her would meet at the party and be completely compatible and a perfect match but she was nervous since she hadn’t kissed nor been with anyone in a long time.

she then starts talking about tomorrow’s date, which you hadn’t even realized was happening until now.

she says she’s glad the stars like you because she’s enjoying her time with you a lot.

and you’re glad both she and the stars like you, too.

keqing

the fact she’s even at the party still boggles everyone’s mind since her high-profile job never allowed her any free time. yet here she was, a rare break in her schedule allowing her to attend.

but you noticed she didn’t seem very comfortable in such a setting. a few times she tried to recite rules to the partygoers, things like you can’t be too loud after a certain time and how it’s important to not leave litter lying about, etc. this caused them to whisper behind her back in quiet mocks. she was actually about to leave before you asked her to play spin the bottle, and she decided a quick party game before she left would be alright for memories.

as the bottle comes to a stop, pointing towards her, a shocked expression crosses her face before she glances away, her cheeks pinkening.

little did you know, she had already planned exactly how the kiss would go should the bottle land on her. she knew what she would do, right down to her hand position and tongue placement. she had seen others make out before and read books a few times involving couples, so she felt confident.

she doesn’t waste any time, per usual for her since she’s so efficient.

she takes your hand in hers and pulls you toward her, your lips crashing together.

but, as soon as your lips touch a little shock zaps you both, causing you to yank back in surprise. she bites the bottom of her lip, wide-eyed.

the stress of the party and the many, many people, all surprised by her appearance, all watching her, talking about her, along with the kiss not ending up how she wanted, all of it causes her confident façade to crumble. her lip quivers as she mumbles an apology, upset that, since she’s arrived, all she’s done is mess things up. she tries to leave, but you take her hand in yours and ask her to not go just yet, that’d you miss her company.

she pauses for a moment before sitting back down, hiding her face in her hands.

you gently rub the tight, overworked muscles in the back of her neck, and she looks at you with appreciation. your hand slides to the side of her face where you caress her, your thumb gently wiping away a few tears. she was so beautiful, even with such a sorrowful look.

she sniffs, still smiling, and asks in a quiet tone, “can we try again?”

the second time around, everything went right. the kiss was just a small, sweet kiss, yet it was special in its own, simple way.

once your lips part from each other, she presses her forehead against yours happily and the crazy environment surrounding you two seems to disappear for a few moments.

afterward, she rests her head on your shoulder and you wrap an arm around her. you two stay like that for a while, the sounds of the chaotic party dulled by the comfort of one another.

“want to come see the work i do for the city tomorrow?” she asks you.

“sure, i’m free. is it... a date?”

she smiles up at you with a flushed expression but doesn’t answer you. guess you’d just have to wait and see what tomorrow brought.

#genshin impact #genshin scenarios #genshin headcanons #genshin x reader #albedo x reader #mona x reader #keqing x reader #genshin writing #written #albedo #mona #keqing

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