#why does writing have to be so complicated | Explore Tumblr Posts and Blogs

wren-kitchens · 2 days

Text

so shiver, but shiver with a friend

1034 words

the boat is creaking. that's not even remotely abnormal; the boat spends more time creaking than it does staying silent—gem built it so it would do that. sure, it took a lil' getting used to, but it didn’t take long for the rhythmic rocking and gentle creaking to become conducive to sleep, and now gem finds it far more difficult to sleep in silence. after all, silence means something is wrong—the engine rumbles if it's working, the waves splash against the sides of the boat if it's still afloat. a creaky boat means gem is still alive, and the boat is still running. but this isn’t your average ambient creaking. like she said, gem knows the noises of her little fishing boat like the back of her hand, and this is not a normal creak. this is a suspicious creak. and- sure, that might sound silly, but have you memorised every sound this boat can make? didn’t think so.

this fic exists for two reasons, which are stiff stiffyck's love for qpr elven duo (gem and scar) and also me overthinking scar's wheelchair worldbuilding in the hermitcraft world

this could be a lot better but alas I have been consumed by depression writers block, so honestly i'm just proud this ended up as a finished fic

btw this is one of my first times writing wheelchairs, and whilst it is fantasy so things are gonna be a little different, I would appreciate if someone could tell me if I did something wrong/insensitively!

the boat is creaking.

that's not even remotely abnormal; the boat spends more time creaking than it does staying silent—gem built it so it would do that. sure, it took a lil' getting used to, but it didn’t take long for the rhythmic rocking and gentle creaking to become conducive to sleep, and now gem finds it far more difficult to sleep in silence. after all, silence means something is wrong—the engine rumbles if it's working, the waves splash against the sides of the boat if it's still afloat. a creaky boat means gem is still alive, and the boat is still running.

but this isn’t your average ambient creaking. like she said, gem knows the noises of her little fishing boat like the back of her hand, and this is not a normal creak. this is a suspicious creak. and- sure, that might sound silly, but have you memorised every sound this boat can make? didn’t think so.

anyway, all of this to say that gem is pretty sure someone is on her boat at the middle of the night for what she deeply hopes are not nefarious reasons. although, she cannot think of any reason someone would be sneaking onto her boat at two in the morning—nefarious or otherwise. maybe it's grian trying to lag some things out of her chests? but why on earth he wouldn't do that in the day when she wasn't on board, gem has no clue.

there's a new noise now, one that suggests against the idea of nefarious deeds, but only confuses gem more: a kind of squeaking, like a rubber ring being taken off, or an air mattress being slept on. okay, that doesn’t rule anything out at all, and only serves to make everything far more complicated. who is bringing a rubber something onto her boat at 2am? what is happening here?

overtaken by an amounting curiosity to whatever the hell is actually going on, gem climbs out of bed and pads softly along the floorboards in her slippers to her door. she regrets not installing one of those peepholes, because now she actually has to engage with the something that's happening outside in order to investigate. gem is sure there isn’t anything especially dangerous that could be going on, but she pulls out her sword preemptively as she opens the door slowly to find-

to find..

well, she's not sure what she's found.

"gem!" says a cheery scar, who is. on her boat? how is he on her boat- he uses a wheelchair, and the boat is in the middle of the river.

except- no, hang on, his wheelchair seems to be completely lacking wheels, which gem would argue is the main point of a wheelchair. where the wheels should otherwise be, there are floatation devices—seemingly rubber, which explains the noises gem was hearing earlier—in patented hotguy colours, so she assumes that's intentional. okay, that's- that sure is something.

"you-" gem scrambles for any words to express how bizarre this situation is and fails miserably. "you’re on my boat." is all she manages. void, it is way too late (early?) to be trying to figure this out.

"I am on your boat!" scar says, looking rather proud of himself. it's kind of sweet, to be fair—even as it only adds to the crazy situation. "y’know, I didn't think i’d actually manage it. last time I tried, I sunk."

gem blinks, giving up on making sense of the situation now and letting herself just go with the bizarre. "yeah, I can imagine why scar." she gestures at the rubber wheels (they look a bit like wheels, anyway). "how did you get those?"

"cub helped me!" scar smiles, as if this was a normal conversation to be having. does he even realise how strange this situation is, or is this just normal for him now? "see- you know how my chair has an elytra mode?"

"uh huh."

"well, now it has a swimming mode!" scar says, and he clicks a button on the underside of the seat. within an instant, the floatation devices deflate, replaced swiftly by the regular wheels. "ta da!"

"that- I mean, that's very cool." gem says, and she means it, despite how unenthusiastic she knows she must sound. in her defence, it is the middle of the night. "I just- why are you here?"

something changes in scar's expression immediately, and gem panics a little until scar says meekly, "it- okay, well. now it sounds silly."

gem snorts. "because showing off your inflatable wheelchair at two in the morning is normal?" she tilts her head, and her voice is fond when she says, "you know you can tell me anything, right?"

a smile tugs at the corners of scar's lips, and gem feels something warm in her chest to see it. "I know, I know." he hesitates for a second, before giving a huff of exasperation. "I wanted a hug." scar admits, glancing at the floor.

"wh- scar." gem finds herself beginning to smile. "do you really think I would ever turn down a hug from you?"

scars grin is almost shy as he opens his arms, and gem practically falls into them, burying her face in his jacket. man, she has missed hugs from scar; she loves the way they fit together so well, like pieces of a puzzle, perfectly matched to one another. there are very few places where gem feels entirely at home—she's been pretty much everywhere, so she knows what home feels like—and scar is closer to home than any place has ever felt to her.

before she knows it, scar has scooted forward just enough to unbalance her, and she lands on top of him. gem scoffs playfully as scar laughs to himself, holding her closer.

"I can't hug you properly if you’re stood up, y’know." scar mumbles into her hair.

gem rolls her eyes, fond as anything. "well, i’m not complaining." she's quiet for a moment, letting herself appreciate the moment—breathing it all in. "I love you." gem murmurs.

scar squeezes her, and gem can almost hear his smile when he says, "I love you too."

#hermitfic #wren writes #gtwscar #goodtimeswithscar #geminitay #hermitcraft #please don't tag as ship <3 #elven duo #hermitblr #I can’t figure out any more tags tell me if I need something else GKDHS

331 notes · View notes

vbecker10 · 2 days

Text

Loads of Fun

Laundry Day (Loki x female reader Y/N)

How Could This Not Fit?! (Loki x fem reader Y/N)

Pairing: Bucky x female reader (Y/N)

Summary: Bucky doesn't want to admit that he hasn't quite gotten used to all the new technology since he was freed from the Winter Soldier and his latest issue is with the dryer. Y/N catches him mid-struggle with the machine and comes to his rescue.

Warnings: some light swearing, feeling a tad useless and old, Bucky struggling hard with the laundry, Y/N being super awkward

A/N: So in Laundry Day (linked above) I wrote an off hand little comment about how much laundry Bucky needed to do and @alexakeyloveloki comment inspired me to write a short fic about it so... enjoy 💚

This is not the same Y/N from Laundry Day & How Could This Not Fit?!, this is a different one. Apparently a bunch of women in the Tower have the same name as you (haha sorry that's dumb but I wanted them both to be Y/N fics so here we are)

"Oh.... I messed up," you close your book and get up from the couch quickly as you suddenly realize it's almost midnight. You had meant to only read one more chapter but you had gotten lost in your book as always.

You grab your detergent from the closet, drag your overflowing laundry hamper to the door and slide on a pair of flip flops. "Every freaking time," you mumble to yourself as you open the door. Once again, you put off doing laundry until you completely ran out of clothes.

The elevator doors open and you step out into the basement. "At least no one should be down here," you think out loud thankfully.

You had tried to do your laundry this morning but you gave up on that idea as soon as you opened the door. Loki's girlfriend was sitting on top of one of the dryers with her legs around his waist. You put your hand on the door and shake the images of the two of them away, you don't need that to be stuck in your brain.

"Damnit," you whisper as you freeze completely, the door halfway open. Bucky has his back to you as he stares at the dryer, unaware of your presence. You had developed a crush on the super soldier and decided the best way to handle it was to avoid him at all cost like any other mature adult. You were terrified that you might say or do something embarrassing so you thought your best option was to never be alone with him.

You sigh, knowing you're out of underwear and options so you open the door the rest of the way. Before you can say anything to him, the dryer Bucky is focused on begins to beep loudly.

"I don't know what you want from me," he says to it, his voice full of frustration.

He opens the door and the sound stops, you are both completely still but as soon as he closes the door it begins again. He pushes the button on the panel to start the dryer but the beeping continues.

"Why are you so complicated?" he asks the machine, clearly unaware that he is no longer alone. He pushes another button that does nothing to quiet the sound then he groans loudly, nearly ripping the door off the hinges with his metal arm.

"Do you need help?" you ask quietly from behind him.

He closes the door quickly as he turns around to face you. You can see the frustration in his expression turn to embarrassment when he realizes you were watching him. As he opens his mouth to answer you, the dryer starts to beep again.

He pulls the door open and turns towards you again. With a look of utter defeat he says, "I think it hates me."

You cover your mouth to keep from giggling at the fact that a super soldier is losing a battle with an appliance. There is no need for you to add insult to injury, you think, but he does look like he is in desperate need of a hug.

You walk over to him and drag your hamper in front of an empty machine. "I'm sure it doesn't hate you," you reassure him with a smile and he shrugs, clearly not believing you.

"Can I take a look?" you ask pointing at the dryer and he nods, moving away from it as if it might explode at any second.

"You can try but I'm telling you, this one is evil," he laughs nervously.

"I think I can handle it," you try to sound sure of yourself. "Oh, I'm Y/N, by the way," you suddenly decide to introduce yourself as you close the door.

"I know," he answers and you turn your head to look at him over your shoulder, the beeping continuing. "You work for the IT department," he says and you feel yourself blushing. "I've seen you around the Tower a few times."

"Yep, that's me," you respond, trying not to sound as if your internally screaming. He remembers my name? When did we even talk? I definitely would remember if we talked. Focus, focus, you yell at yourself, you've been staring at him for too long.

"Well, they don't train us to handle haunted appliances but I think I can handle this one," you say then immediately cringe. Why do I talk? You think, this is why I avoid him.

Your thoughts are interrupted by Bucky laughing. You turn towards your new favorite sound and he smiles at you as he leans on a nearby washer.

Ok, you think to yourself, time to show off and fix this stupid thing. You check to see what settings he's used but they all look right. Well, there's that, you think a bit annoyed but you're determined to figure it out. Suddenly you get an idea.

"Sometimes these things get weird when they are unbalanced or too full," you explain as you open the door and bend down. You reach in to level things out. A second too late you realize your holding a pair of his damp boxers and throw them back inside.

"Yep, these look fine," you close the door quickly and stand up, hoping he didn't notice but you can tell he saw you pick them up. "No. I mean... not that the boxers look fine, just like the load is fine. I- I'm just gonna..." you say, as you turn to face the dryer again. "I'm gonna die," you whisper as you rub your face with your hands. Good job dummy, you managed to make this even more awkward.

"Damn dryer is going to beat both of us," he says after a moment of continuous beeping and you can't help but agree with him.

"I think you might be right-" you pause, your eyebrows scrunching as a blinking red light catches your attention. "Has this been blinking the whole time?"

"I think so," he guesses. "Is that important?"

You sigh and nod, "It means I'm an idiot."

He tilts his head, his arms folded across his chest as he watches you open the dryer door again. You pull open the small door at the bottom and groan. He walks closer to see what you are doing but you don't notice until he leans over your shoulder.

"What is that?" he asks and you jump at how close his voice is to your ear. "Sorry," he laughs. "Thought you knew I was in here."

"Yea I just thought you were over there," you wave you hand towards where he had been and almost hit him in the face with the back of your hand. He dodges it easily and laughs lightly as you cover your mouth. "I'm so sorry," you mumble from under your hand.

"Its fine, you missed," he says with a grin. "So what's wrong with it?"

You pull out the lint trap and show him, "This thing is full so it won't run until we empty it." His expression tells you he has no idea what it is so you explain how a lint trap works and that if you don't clean them out you could potentially start a fire.

"Oh," he responds. "Wouldn't it be helpful if the stupid thing said that's what was wrong with it instead of just beeping?"

"It did," you groan then point to the light that is no longer blinking. "That's what the little light was for."

You wait for him to be stunned by your stupidity. You work for the IT department at Stark Industries, the most technologically advanced company in the world and you barely fixed a not broken dryer. You turn it on for him then turn your attention to finally loading your clothes into the washer.

Instead of responding the way you think he will, he sighs and takes a seat. "I don't understand any of this new technology," he admits.

You turn over your shoulder to look at him and see that he seems defeated again. "Don't worry," you try to make him feel better. "Stark likes new toys. He gets all the fanciest tech, no one knows how to use this stuff."

"I don't know how to do anything," he rests his elbows on his knees and leans forward. You turn on the washers and walk towards him. "Nothing is simple anymore."

"What do you mean?" you ask as you sit in the empty chair next to him.

"Everything is a computer now and the whole building talks. The fridge has more technology in it than the last car I drove, the toaster is voice activated, hell even the sinks are motion sensors," he says, his eyes focused on his hands as he talks.

You cover your mouth quickly to hide your laugh but it slips out. He looks at you and you lower you hand to ask, "I'm sorry but... who told you the toaster was voice activated?"

"Sam," he says then his eyes widen, "It's not is it?"

"No," you shake your head and can't hold back your laughter.

He groans, lowering his head again, "I'm gonna kill him."

"You didn't really believe him did you?" you ask in disbelief.

"I spent five minutes yelling 'toast' at it this morning before he said it was probably updating," he admits, covering his face with his metal hand.

You smile and imagine him getting more and more annoyed at the poor little appliance.

He sits up, resting the back on his head on the wall behind you. "I just don't know why everything is so complicated," he says and you suddenly feel guilty for laughing.

"I'm sorry," you tell him, looking down at your feet. "Have you tried talking to Steve about getting you up to speed on some things?"

"I don't want to keep bothering him every time I can't turn on a light or get ice out of the fridge," he says. "Steve adjusted fine so I just have to keep trying to figure all of this out."

"Who told you Steve adjusted well?" you ask before you can stop yourself.

He looks at you but doesn't answer so you continue talking. "I was part of the team that helped wake him up. Trust me, he freaked out plenty of times and he was confused by pretty much everything in the beginning."

He shakes his head, "I didn't know that, it's one of the only things we've never really talked about."

"I'm sorry we didn't have a team prepped for you when you joined. I guess we just sort of figured you had been awake a lot more than Steve," you say. "As the uh... other guy," you add awkwardly, trying to avoid calling him the Winter Soldier.

"Technically I was but..." his voice trails off and his flesh hand covers his metal hand as he looks down.

"The other guy didn't do much cooking or laundry, did he?" you ask, finishing his thought.

"No," he answers.

After a short silence you say, "If you want, I can help get you up to speed. A lot of the tech around here is actually pretty easy to use, if you know what your doing."

"You don't have to waste your time," he shrugs. "I'll figure it all out."

"Helping you wouldn't be a waste of time," you tell him with a smile. "Besides, I have a lot of free time. I pretty much do nothing but read when I'm not working so I'm always around if you need me," you add and groan internally. Try to make it sound like you don't have a life at all, good job, you think.

He smiles and makes eye contact with you, "That would be really helpful, thanks."

You get lost in how his smile lights up his face but the long beep of the dryer finishing thankfully means you don't stare at him until it gets awkward. He gets up to empty the machine and you grab your book from the top of the washer before sitting back down. As you open the book he sits next to you again.

"Oh," you close the book and look up. "Sorry, I thought- you don't have to stay down here. I've got a while left until it'll be done."

He looks at the time left on the washer and says, "I just thought we could talk for a bit but... if you would rather read, I can leave you to it."

"I can read this later," you smile. You mean to gently toss the book on the table used to fold laundry but you over shoot and it hits the floor, sliding away from you. You cover your face with your hands and get up.

"I've got it," he laughs. He places the book on the table and sits next to you.

"I'm not usually a disaster," you tell him and he chuckles. "Actually, I kind of am. That's why I'm way better off with books and the tech stuff then with people," you admit. "I always do something stupid or say something weird," you feel yourself shrink back in your chair.

"I think it makes you interesting," he replies with a smile. "I'm never quite sure what you're going to say or do."

You laugh nervously, "Me neither." A second later your brain turns on, wait did he say I was interesting?

"There is actually one thing you could help me with now, if that's ok?" he asks, keeping you from focusing too much on what he had just said. He takes out his phone, "I think there's something wrong with it."

He hands it to you and you almost drop it when your fingers touch, "Ha, I've got it. Sorry." You open the settings and start looking for usual problems but things seem fine. You look up at him, "What's wrong with it?"

He smirks and says, "It doesn't have your number."

"Wow," you can't help but laugh. "That was really smooth."

He laughs and says, "I'm a bit out of practice but I thought that was good."

"It was," you blush and add your number before handing him back his phone.

He looks at it then back at you and says, "Okay, but seriously, how do I text you cause I'm not sure how exactly to do that."

I hope you liked this!! Please like, share and comment if you did 💚💚

(I don't have a Bucky tag list yet so sorry my Loki list didn't get a choice lol)

@soubi001 @michelleleewise @harlequin-hangout @ace-of-gay @xorpsbane @mochie85 @sheris532 @lokiswife-dark-fox-queen @lokiandbuckysdoll @winterfrostlovetriangle @cabingrlandrandomcrap @stupidthoughtsinwriting @mjsthrillernp @lulubelle814 @goblingirlsarah @janineb86 @alexakeyloveloki @siconetribal @jiyascepter

189 notes · View notes

slugtranslation-hypmic · 1 day

Text

I Think Hypmic's Portrayal of Gender Roles is Kinda Refreshing: An Essay A.K.A. I'm Procrastinating on a Weekend Deadline :)

Hypmic's talking points on gender are hamfisted, corny, and melodramatic. "Maybe...we shouldn't have a wage gap," is not the hottest of takes. However, like most things in Hypmic, the writers have a lot more to say about gender and gender roles in the framing of the story itself that's much more nuanced. And honestly? It's kinda refreshing.

It's also something that went way over my head when I first became a Hypmic fan. Sure, I read manga and played Japanese video games--usually translated into English first--but I didn't have enough exposure to hundreds or thousands of pieces of untranslated Japanese media. I'm going to guess that most Hypmic fans don't either, which is totally fine and normal. We all exist within our respective cultural communities wherein we're bombarded with messages constantly telling us how to act, think, and speak. We tend to absorb these messages on subconscious levels and reflect them in the art we create and stories we tell, either by reinforcing them or challenging them. Thus, our stories don't exist in a vacuum, and divorcing stories from their cultural backgrounds can suggest the artist is the original thinker of a larger concept or hide their specific point of criticism. That is, if I wrote a story about a man who chooses to not catch fish, drink beer, and drive a Dodge Ram pick-up truck, we should be aware that I'm not the person who conceptualized the stereotype of dudes who catch fish, drink beer, and drive pick-ups. I wouldn't deserve the credit for dreaming up that exact image, and at the same time, it would be incorrect to read that as me targeting those three things randomly. The choice to not drive a Dodge Ram pick-up is not a commentary on Fiat Chrysler Automobiles. It's a stand-in for the notion of masculinity.

Thing is, we're hit with messages about masculinity, femininity, and other gender-related concepts on a daily basis. No matter where you live or what language you speak, every person on Earth is inundated with messages saying, "This is what you are, and consequently, this is how you should act." Our relation to these messages is complicated, and this complexity is compounded by different cultural communities preaching different messages in their stories, marketing, and human interactions. For instance, the US's massive global cultural influence means that those outside the US can still easily recognize what I mean by catching fish, drinking beer, and driving enormous American pick-up trucks. But the location and cultural differences may add or subtract nuances. A person living in, say, Munich is unlikely to have Dodge pick-ups advertised to them the way a person in rural Texas would. Our fictional Munich person does not feel the same social pressures to buy a Dodge and represent their masculinity with a Dodge the way our imaginary Texan would. In turn, the Munich person likely sees a Dodge with an element of absurdity--who the hell needs such a big truck in a European city?--and foreign Americanness. The Texan wouldn't have that concern--why worry about navigating your enormous truck down narrow streets when you live in the countryside?--and sees Americanness as their local default, thus removing any element of foreignness.

That is to say, gendered messages aimed at people (especially women) who live in Japan don't affect me the same way as they impact those who do live in Japan. Like, it's not my dog in the fight, and there are plenty of people who are directly affected who write their own stories and commentaries on gender roles in Japan. Japanese women don't need a random guy in the US to stand up and say, "Damn, your gender roles are fucked!" 1) They already know. 2) They're already saying it. So I come at this from an angle of someone who already has deep, primary frustration with the gendered messaging in my culture and secondary frustrations when similar messages appear in other cultures. I don't have a bone to pick with Japanese media in particular. Plain and simple, reading and working on hundreds of pieces of Japanese media is what I do for a living. It's in my face constantly, and as a result, I am also perpetually bombarded by messages about gender roles in Japanese media.

It's not a hot take to say that Japanese media, like the media of every single other culture around the globe, has a lot to say about gender. There's a lot of slotting people into boxes and telling people what to do. It's chafing, as we see all across history in art produced in reaction to gender roles. In the past couple of decades, global shifts in gender roles have caused media to shift the messages they're pushing, but it's not controversial to say that Japan has lagged behind other countries like the US.

Many, many stories push arbitrary notions of how to be a girl or how to be a boy that don't necessarily come from the author themselves. The authors probably aren't even fully conscious that they're making these choices. If an author writes a story about a library and makes every female character a romance fan and every male character an action fan, it's likely a reflection of endless messaging that says action is for boys, romance is for girls. In turn, this story becomes yet another reinforcing message. If no fictional girls like action, and no fictional boys like romance, it becomes alienating for real girls and boys who don't follow these same rules. These rules are everywhere and have so much to say about gender that it's hard to know where to begin. Girls must like cute things. Boys can't like sweet food. Women must not express sexual desire. Men can't be shy. On and on and on.

Which is why, when there's a relative lack of this in Hypmic, it's kind of a breath of fresh air.

Wrong Ways to Be a Man

Actually, Hypmic does have a few moments where characters claim there are certain things men or women should do, but the writing always frames these messages as incorrect.

Take Samatoki, for instance. After Kuukou and Sasara leave MCD, Samatoki tells Ichirou, "Men shouldn't cry when they lose their friends. Men should only cry when they lose a family member."

(TDD chapter 10)

This line usually appears via Ichirou's perspective. In the stage play, it's told during a song Ichirou narrates, and as shown above in panel 3, the manga frames the line from the angle at which Ichirou sees it. In such moments, the audience is meant to read this as a cool line from a strong mentor figure to Ichirou. That's how Ichirou sees it, and he's a seventeen-year-old with too much on his shoulders who idolizes Samatoki. He is incapable of seeing how much pain Samatoki struggles with.

However, when the manga focuses on more intimate moments of Samatoki's life, we see that Samatoki does struggle quite a lot.

(BB/MTC+ chapter 6)

This isn't a cool, attractive figure meant to be idolized. While Samatoki's cigarette usage and aggressiveness are often framed as sexy or enticing, the juxtaposition with dirty laundry, overflowing ashtrays, and empty bottles make him a sympathetic and struggling figure. Therefore, we should understand that his notion that men don't cry is flawed. It's a means to distract himself from emotions he doesn't want to feel.

Later, as Samatoki begins to process his emotions and open up to his teammates, the unhealthy coping mechanisms recede. Samatoki is more confident, mature, and happier as a result of being more emotionally vulnerable.

We see a similar transformation with Kuukou. As a teen, Kuukou is reluctant to accept help or truly let anyone in. In a conversation with Hitoya, he says (and I am still completely unable to take this seriously), "A man's got to wipe his own ass."

(DH/BAT chapter 4)

However, over the course of his character arc, Kuukou learns that he cannot exist as a good leader or individual without the teamwork of his newfound "family." Only rejecting this classical and toxic notion of masculinity brings Kuukou joy.

In fact, most of the first-line characters have very similar arcs. At the start of the story, Ichirou is insistent on doing everything himself. He has to learn to be able to rely on other people (Kuukou, Samatoki, Ichirou and Jirou) to be happier and unlock his true strength. See below, his final attack and Ability use in the 2nd DRB, which is only possible when his brothers figuratively and literally support him through it.

(BB/MTC+ chapter 25)

Sasara struggles with emotional honesty and trust in favor of using humor to gloss over discomfort. It takes multiple heart-to-hearts with Roshou before he can let humor take a backseat and say how he really feels. Ramuda has difficulty trusting other people and being honest with his emotions when faced with stressful scenarios. Only through Fling Posse is he able to open up and ask for help instead of driving people away when the problems are too big for him to face alone. Jakurai struggles to connect with other people, work through and acknowledge his complicated feelings, and not place himself on a pedestal. Through Matenrou, Jakurai is able to ask for help, be more open, and ultimately be less hard on himself.

The second- and third-line characters follow similar arcs, and this repetition creates a core message for Hypmic: Trust and rely other people. Be open with your feelings. There's a wrong way to be a man, and that's to hurt yourself and other people.

Right Ways to Be a Man...Are Infinite!

But with that being said, there is a surprising lack of commentary on how else to be a man. Hypmic as a whole doesn't do much to constrain the male characters in terms of gender roles.

Sure, some characters do fit into more traditionally masculine roles--Ichirou, Samatoki, Riou, etc. The messaging makes it clear that it isn't wrong to play into masculinity provided it doesn't become toxic. (See above.)

Even then, however, these especially masculine characters are associated with less masculine traits that are either portrayed positively or not portrayed as a joke. Riou is an avid cook, but the joke is never that he wears an apron and knows his way around an outdoor kitchen (tee-hee, men don't cook!). It's that he cooks with horrifying ingredients. Samatoki is a fashionista, but the joke is framed as a counterpart to Ichirou's nerdiness.

(DoD chapter 1)

Here, it's funny that neither of them can shut up (the ペラペラ/blah blah SFX, the long bubbles filled with lots of text that's cut to indicate they kept going for longer), but the object of their attention--a model toy and a pair of jeans--are treated in the same neutral light. It's very common for stories to touch on, even defensively, the social taboo of men being into clothes. Hypmic doesn't even acknowledge that such a taboo could exist.

This is subtle but extraordinarily effective in giving characters the same consideration and weight. The more feminine characters are always treated just as sincerely (or, if there's a joke to be made, irreverently) as the more masculine characters. Take Ramuda, for instance. In Japanese media, a love of sweets is often characterized as feminine and will often be remarked upon, even in LGBT+ media, as atypical for men. Again, there's zero acknowledgement of such a thing in Hypmic. Whenever other characters talk about Ramuda's food intake, it's always framed as a concern about the lack of nutrition.

(FP/M chapter 11... I don't have the source lying around on my computer, so here's the old-ass scanlation lol)

It's also given the exact same weight as anyone else's junk food habits. Here, MCD goes out for burgers (a neutral to masculine-coded food due to the meat and high calorie count) while Ramuda opts to try a sugary Starbucks-esque drink. The parallelism in the comic's framing suggests that the two objects are functionally the same, and there is no comment that a sugary drink is feminine and therefore "inappropriate" for Ramuda. There's also no indication that MCD's preferences are in any way better. They simply happen to be the characters' personal preferences. The punchline is two groups splitting up, only to awkwardly run into each other again moments later.

(DoD volume 4 bonus comic)

Similarly, Ramuda's interest in clothes or fashion is never treated negatively--in fact, the discussions of clothes as a means to find identity and happiness make it a positive!

In ARB cards and promotional materials, Ramuda sometimes wears dresses. It's, again, portrayed in parallel to other characters wearing more masculine clothes and is never commented on as something "unusual." It's just who Ramuda is.

Hifumi is another interesting case. Like Ramuda, his playful personality often doesn't as stereotypically masculine. (To be clear, I read much of this as "gender neutral with a strong emphasis on youth" versus "feminine" in a way that I'm not sure has a good US equivalent...metrosexual/yuppie men's fashion, maybe? In the sense that it's a youth subculture that defies some masculine gender roles but is still focused mainly on men. I wish I was more well-versed in Japanese men's fashion and could give an exact term, but I'm what I'm thinking of is definitely an established thing--young, trendy dudes whose styles focus on poppiness vs. the rugged manly man or "idk, I'm just some guy" subcultures. It's a thing that pisses off old Japanese conservative men in the same fashion as people getting up in arms about "the gayz!!!1!" and their androgynous clothing lol.) Their personalities are often the butt of jokes, but only in the same way that Dice or Doppo are--that is, that they're exaggerated and over the top. There's no commentary on masculinity or lack thereof.

There are also moments when Hifumi, Gentarou, or other characters play feminine characters in roleplay moments, which is usually (but not always) not the sole joke. The audience is supposed to find it funny, but the humor is almost always centered on the absurdity of the scene as a whole. For instance, in a moment where Hifumi and Doppo are pretending to be two drunk karaoke-goers, the humor comes from the composite set-up of Hifumi's hair twirl, Doppo's untucked shirt and tie, Doppo and Hifumi's exaggeratedly flirtatious poses, the spotlights and sparkles, and the same font as used on classic karaoke machines.

(FP/M+ September 2022 oneshot)

Hifumi and Doppo do not perform traditional gender roles in their homelife, and while it's easy to see and often commented on in the English-speaking fanbase when it comes to Hifumi, I find it just as prevalent on Doppo. It's true that Hifumi is taking a feminine role by doing the majority of the household's cooking and cleaning, but if we were to assume Doppo has the masculine role in the household, he would have the breadwinner duty. However, he isn't the main source of income for their household, and he's just as unassertive in finding a (female) romantic partner as Hifumi is. Japanese men are bombarded with media messages stressing the importance of taking an active role in career and romance. That Doppo does not would, in many stories, make him the butt of a joke for not living up to masculine gender roles. But he isn't; instead, Hypmic portrays him as a sympathetic character. It's tough, Hypmic says, for people to get good jobs and maintain friendships/relationships as an adult.

Similarly, it's noteworthy that Hifumi's self-appointed term "Gigolo" is consistently portrayed as a good thing in Hypmic. The meaning of the English term aside, the Japanese word ジゴロ (jigoro) is almost always used as an insult for a man who is financially dependent on one or multiple women. In the strictest sense of the term, Hifumi is a jigoro in that his income derives from his female clients. However, there is never any shame associated with that, and as a whole, Hifumi's career as a host is shown to be a positive thing. I can't express enough how rare that is in any sort of semi-serious media. Certainly, Hypmic acknowledges that his job requires too much drinking (Doppo's verse in Hoodstar), but the overall portrayal is overwhelmingly positive. Hifumi and his coworkers are never treated as uneducated, boorish, or pathetic for "failing" to find other work that does not require flirting with and entertaining women. (This is partially due to the overlapping judgment with sex work.)

All the various harmless preferences and personality traits of the male characters are treated equally with no judgement over what's masculine or non-masculine. Within the broader context of Japanese media, this absence of judgment stands out and reinforces one of Hypmic's core themes: Differences make us better, not worse. In the end, Hypmic suggests, there's no one right way to be a man.

Right Ways to Be a Woman...Are Just as Infinite!

But what about women? This series is, after all, marketed mainly towards women, and while female audience members can no doubt extrapolate the lessons learned from the male characters, it's worth taking a look at the female characters too.

The female characters do receive much less screen time than the men and are not the focus in the series; I'd argue that's less an issue of overt sexism and more that they fall out of focus in the story the writers want to tell. (There's a broader discussion to be had about inherent sexism in the writers' focus which goes hand-in-hand with rap industries across the globe favoring men and rap being an example of exaggerated masculinity, but that's a topic for another day.)

Even so, the framing of the female characters is interesting in a couple key respects. The individual character arcs and motivations of the main female characters are, in my opinion, some of the weakest parts of Hypmic--many times, Otome and Ichijiku do things because the plot demands them to, making them look incompetent or needlessly cruel for characters we're supposed to sympathize with. Nemu's story seems to be handled with more care and takes an interesting twist, wherein she openly acknowledges that she's disenfranchised as a woman in modern Japan but rejects the notion that she needs to find strength on either Ichirou or Samatoki's (male) terms. By choosing to be strong in "her own way" (whatever that means...it's not well-defined), the authors are using Nemu to reject the notion that strength and power are inherently masculine.

What I find to be far more interesting is the character design for the Chuuouku women, both in what is said and what is not said.

To begin with, the characters and their portrayals run the gambit from highly sexualized to completely non-sexual. Some characters (especially Ichijku and Honobono) have conventionally attractive, curvy body types and are often drawn in ways that highlight their bodies.

(FP/M+ chapter 4)

(FP/M+ chapter 14)

In some cases, especially Honobono's, the enticing nature of the illustrations is framed as the character's choice; in the above, her words indicate that she wants to seduce the off-screen listeners. The images included above are largely representative of these characters' raps, regardless of illustrator.

But on the flip side, other characters with large breasts or hips are never drawn in a sexual fashion. By way of comparison, here are two shots of Nemu rapping.

(BB/MTC+ chapter 12)

Even in shots with dynamic poses, no attention is drawn to Nemu's figure in any sort of provocative sense. Nemu touches her chest, drawing the reader's eye there, but the artist does not emphasize the size of her chest--they're allowing a chest touch to be no more than an emphasis of the self. At the same time, Nemu's body isn't downplayed. We can see in panel 2 on page 2 that Nemu has a small waist and wider hips, but once again, she isn't being sexualized. The action lines draw the reader's eye to Samatoki and thus put the action first and foremost. This creates the idea that not only can characters portray themselves sexually, but they can just as easily choose not to.

We see similar with Otome, who does not wear any sort of revealing clothing and is never shown in a sexual fashion. However, Hypmic doesn't equate revealing clothing to sexual portrayals either! While I wouldn't call Tsumabira's outfit revealing, she does have more visible cleavage than most Chuuouku figures. However, her bare chest is never sexualized like Ichijiku's.

(BB/MTC+ chapter 4)

Compare the non-emphasis on the chest and the power stance to any of the many shots of Ichijuku where her breasts are front and center in the camera. Speaking of power stance, Tsumabira remains confident in her power stance without being sexy--that is, no stepping on the camera and showing her whole leg.

Which isn't to say that Tsumabira is a sexless character. She's drawn visibly turned on by the male characters in such a way that is cartoonish but not, in turn, overly sexual. Were this supposed to be titillating to the reader, I would have expected to see a larger close-up on her face and tongue. However, the artist (who is no stranger to focusing on tongues!) devotes the majority of the panel to Tsumabira's body language (which, again, doesn't absurdly exaggerate any of her proportions or focus on her chest) and covers part of the mouth with text bubbles. Tsumabira is drawn as engaging in sexual behavior without being sexualized for reader entertainment.

(FP/M+ chapter 4)

The juxtaposition of such different views with little to no judgement attached to any of them suggests that it's perfectly okay to want to be sexy or not, to wear revealing clothing or not, to be involved in sexual situations without being the object of sexual interest, or to simply exist with an attractive body type without sex ever coming into the equation. Just as some characters choose to tie bodies to sexiness, some don't whatsoever--and either is perfectly fine!

The former idea ("I can choose to be sexy") may not sound especially revolutionary to US audiences, where sexuality is thrust upon women willingly or otherwise, but I find it fascinating because it lets the main characters embrace this idea without associated slut shaming. So much of Japanese media insists that women should be sexy but are also wrong for wanting to indulge in their own sexuality. Therefore, having characters who run virtually every iteration of take on the topic (I want to engage in sexuality and be sexualized, I want to engage in sexuality without being sexualized, I don't want to engage in either) with multiple body types (ie, Tsumabira isn't automatically not sexualized because she has a smaller chest; Nemu isn't automatically sexualized because she has a bigger chest) and no judgement involved feels like another breath of fresh air to me.

As a whole, I find the diversity of the Chuuouku uniforms and character appearances quite interesting. They're undeniably all feminine and relatively militaristic, but different characters wear entirely different wardrobes. Skirts vs pants, blouses vs dresses, high heels vs boots... Since every character has her own take on the common theme, it once again feeds into the idea that each character is her own individual and perfectly valid for defining femininity in her own way.

Haircuts, too, range from longer and more feminine hairstyles to pixie cut-esque looks.

(BB/MTC+ chapter 16)

Again, nothing of the framing suggests this short-haired woman is in any way different from her longer-haired counterparts on the edges of this screenshot.

Finally, while most Chuuouku women are conventionally attractive, I find it extremely compelling that Haebaru is a stereotype of an unattractive Japanese woman. To be extremely clear, I do not think these stereotypes should have weight, but the combination of chubby and/or muscular build, freckles, rounded nose, and non-glossy hair is often used as a visual shorthand for unattractive or otherwise undesirable women.

Sure, it's not fantastic that Haebaru is a scheming, two-bit villain. However, so is virtually every other female character in the series, and in particular, Haebaru is (the conventionally attractive) Tsumabira's counterpart. Both are treated with the same respect or lack thereof, suggesting that one's appearance has nothing to do with your ability to be a no-good baddie. Ha ha ha.

It would be lovely if the female characters were fleshed out further and given intelligent choices and diversity outside of the realms of physical appearance. However, I do think the writers' choices are limited by virtue of all women automatically being antagonistic side characters (which, again, is another discussion altogether). What the writers can and have accomplished is further reinforcing a celebration of differences. Just as there's no one right way to be a man, there's an infinite number of ways to be a scheming snake of a woman HAHA.

Intersection with LGBT+ Topics

Unfortunately, this is a very binary look at gender and gender roles, which, while largely representative of the current state of Japanese media, can be disappointing.

Hypmic appears to want to steer shy of LGBT+ topics as a whole, which is a bit of a shame. In a story so focused on gender and acceptance of diversity, it seems the natural next step to explore the notion of those who experiences don't align with a strict gender binary. Such stories are growing in popularity in Japanese media but have yet to be anywhere near the mainstream acceptance in US media (which is still in a fledgling stage at best). I would imagine Hypmic's writers are unable or unwilling to take a definite stance on these topics in the work due to fears of financial or career backlash. If nothing else, the sexuality of the main characters needs to remain in a limbo in order to have plausible deniability for both self-shipping and shipping with other characters. (Some deniability may be more plausible than others.)

The few instances in which Hypmic does wander into this territory are usually clumsy. I am no fan of the handful of scenes where male/male attraction is supposed to be funny purely by virtue of being male/male.

The inclusion of Urumi, the one minor character explicitly LGBT+, is not stellar either. I am hesitant to apply any definite label to her, as the real-life people her stereotype portrays self-identify as everything from trans women to cis men--or refuse to use these English labels at all! Still, we know from her profession (proprietor of a bar heavily implied to be a gay bar by the neighborhood it's in), appearance (poofy permed hair, exaggerated make-up), and demeanor (feminine speech style, a bit flirtatious) that she's AMAB and choosing to present herself in a feminine fashion. By writing Jirou to ask, "Aren't you a man?" in an exasperated fashion, the writers have put her gender presentation in a boke role--suggesting she's over-the-top, exaggerated, comedic. It's not great. I completely understand why readers find it offensive (and it is) even while I don't think the writers intended it that way. Ultimately, it would have been great to see other explicitly LGBT+ characters portrayed without the joking angle.

With that said, I'm not entirely unhappy with her character. She is a stereotype, but the authors have chosen to take only the visual elements of the stereotype and leave the rest on the cutting room floor. In other works of fiction, characters like Urumi are often hypersexual to the point of being in-universe creepy, especially towards underage boys. Other times, characters like her may be eccentric or off-putting in other ways. However, that's not at all the case here. Urumi seems to play a helpful big sister/aunt role in Jirou's life, and he's clearly comfortable enough with her to spend the night at her bar.

(BB/MTC+ chapter 17. "Sorry, but can I shack up here again tonight?" "Of course you can.")

While she seems to engage in some sort of a bohemian lifestyle, as evidenced by the alcohol and smoking, it isn't anything outside of what many of the other characters do. Additionally, while she isn't drawn in a flattering fashion in scenes where she's playing up her persona (which is par for the course with any character in this series, regardless of gender), there are plenty of neutral shots of her being serious. Finally, the art is never outright rude--that is, she isn't drawn exaggeratedly masculine or flamboyantly...snakey? I don't know how to describe this to anyone who's lucky enough to have never seen this--clearly LGBT+ AMAB characters drawn with noodly limbs and huge, overblown lips winding around male characters.

Maybe because I see so much worse continuing to be produced in this day and age, I feel like Hypmic could have done a much, much worse job with this character. She overall plays a positive role and is treated with much the same care as other side characters. It's unfortunate, then, that the writers have chosen to make her gender presentation the subject of a joke.

In other frustrations, I heavily dislike the unnecessary gender divide in background characters. All punks and other background baddies are male, whereas all adoring fans are female. (But Rhyme Anima has done an interesting job of subverting this!) The vast majority of other background figures fall into strict gender roles, which is likewise disappointing. It appears that diversity may be an accepted trait for none but a lucky few that form the main Hypmic cast.

All in all, I don't think Hypmic's portrayal of gender roles is groundbreaking, nor do I think it's fair to suggest that all Japanese pop culture plays into strict gender roles. There are certainly many Japanese works, popular or otherwise, with much more interesting things to say about gender. However, when compared to the vast majority of the titles that cross my desk on a regular basis, I notice and appreciate the level of care put in to Hypmic's commentary on gender roles. The work consistently reinforces the notion that it's okay to be your own individual, no matter how that plays into your gender, and I find that freeing. That's a message we could all do to hear more often, regardless of culture and language.

TL;DR: Oh no, my rapidly approaching deadline. :)

#not a translation #analysis asks

120 notes · View notes

waspredteeth · 23 hours

Text

I see a lot of confusion on why calling Damian Wayne "feral" is racist/problematic, so here's a rundown.

There's a difference between calling your child or your younger sibling "feral" and calling a character like Damian "feral." You know your child/sibling/niece/nephew etc. They're real people, and unless they have a problem with it personally, then there's nothing wrong with calling them feral as a joke. It doesn't (shouldn't) affect their perceptions by other people. It doesn't become a label that follows them.

Damian al Ghul-Wayne is a fictional character. A canonically mixed Arab/Chinese/Jewish White character with a history connected to some of the most prominent Arab comic book characters, who themselves also get insanely mischaracterized.

He's constantly whitewashed. He's been written with racist undertones (the suicide bomber vest). He's had his character development and progress backtracked time and time again by DC. DC treats him weirdly most days and completely shitty in the worst stories.

A good majority of fanon hasn't done any better than DC. You cannot pat yourselves on the back for being more inclusive or mental health aware than DC when you call a mixed Arab/Chinese boy "feral". It's constant. You can come up with various titles and nuances for every Bat-character, for every Robin.

Tim can be smart, a skater, a genius, the one holding everyone together, the little brother, the one who needs love. Jason can be cool, morally "right" or "wrong", unstable, PTSD-stricken, the one who was betrayed, the one with Shakespearean tragedies. Dick can be fun, happy, the first one, the prodigal son, the one with complicated history and the big brother.

You give them room for exploration. Love and care and attention and research. Many headcanons. You either comply with canon or you don't, but there's substance to their character.

What does Damian get? He's feral. He's rabid. He's a gremlin. He can't be reasoned with. He has no self-control, he's impulsive. He's hurt others, and you can't forgive it. Sometimes he's homophobic. Or classist. Or plain mean and rude to your favorite boy. He's always carrying a sword. A psychopath with no regard for another's well-being (usually Tim in a lot of fics). He can't be taught what's right.

I've seen people cry that Damian needs to punished or kicked out or treated the same way he's treated others. He needs to be brutalized or talked down to. He can never grow as a person, because he's mean to Tim or Jason, and you need him to exist as the abuser. His first move is always violent.

Fanon compares him to an animal often; he bites, claws, hisses, growls. Bruce or Dick or Jason or Tim have to wrangle him, tame him, civilize him the white man's way in lieu of his brown mother and grandfather who "clearly" raised him wrong. You don't see the issue with that? The issue with always labeling one of the few major brown characters in Batman comics as the unreasonable animal? That the child of color is always the abuser, the instigator, to older characters?

And even if you don't see him this way, you don't write him this way - then are you giving him the care and attention you give for other Bat characters?

Do you know anything else about him other than his "anger"? Because he isn't always angry. In fact, he's typically well-mannered. Quiet even, when he's not being provoked. DC's writing will always vary but whenever Damian lashes out, he's usually written with a reason to act the way he does.

Are you making him intelligent like he should be? A hard believer in redemption? A neglected and abused child who isn't meek or crying or closes himself within? Are you willing to explore that he's always exhibited the "wrong" kind of trauma responses - lashing out, being snippy, ruining relationships, refusing to admit weakness?

Do you write anything about him without making his mother and grandfather comically abusive and violent? Will you give him the supporting cast/friends he actually has? Can you write his dad/siblings interacting with him without making them white saviors or therapy pets? Can you write him without a ship or his love for animals or being vegetarian overshadowing everything?

Is he a character to you at all other than a glorified plot device with a sharp tongue and the convenience of being violent?

#damian wayne #dc #robin #damian wayne meta #dc meta #fandom needs to start interrogating their choices around non-white characters in general but especially when it comes to Batman comics #you may not intend to be racist or ableist or misinformed #but what you put out into the world is going to be seen by everyone #and you should very much reconsider doing things like calling Damian feral and implying he has zero self-control or civilization #or implying Duke is uneducated by hc'ing him with terrible handwriting or making him the “sane” one bc you haven't read any comics w him #or shoving Cassandra into a corner as a perfect unvocal specimen or making her a sentient therapy animal for your favorite white boy #or sexualizing Dick in obscene amounts and making him a “slut” when its against his entire character #its day in day out in this fandom when it comes to snubbing and being utterly wrong about characters of color #fandom critical #damian al ghul #a painted bird called tamer #batman #batman meta #tim drake #jason todd #dick grayson #cassandra cain #batfanon #bruce wayne

57 notes · View notes

dykealloy · 19 hours

Note

Rec list please ✍️🏻

(with tropes and just a smidge of reason why the media is recommended <- both very optional of course)

oh boy. okay. Confession time, I've watched a ridiculous number of shows out of east Asia so this is a good opportunity to share some faves from recent memory. If there's going to be one running through-line with these recs it's that I love character-driven narratives which explore interesting interpersonal relationships (socio-cultural commentary is a plus).

In no ranked order, here's my top ten:

Hamster running the emotional gamut wheel (well-written stories about grief, closure and family)

Move to Heaven (2021) Korea, 10 episodes, Netflix Summary: Han Geu-ru is an autistic 20-year-old who works for his father’s business “Move To Heaven”, a company that specializes in crime scene cleanup, where they collect and arrange items left by the deceased and deliver them to the bereaved family. When Geu-ru's father dies, his guardianship passes to his uncle, ex-convict and underground MMA fighter Cho Sang-gu. Per the father's will, Sang-gu must care for and work with Geu-ru for three months to gain full guardianship and claim the inheritance. Eying money, Sang-gu agrees to the conditions and moves in.

This show knows exactly what it is and executes with excellent writing and characterisation. While it does have an overarching narrative, Move to Heaven is structured so that you're exploring a different person's story each episode, so it has a lot of flexibility to explore themes of grief and closure through different lives and relationships, and when I tell you this show can hit emotional beats... (<- may or may not have cried through most episodes on my first watch-through. Emotional terrorism). These stories are really beautifully portrayed and though there are effective comedic beats, there's this clear authenticity in not needing to undercut or distance oneself from the vulnerability of the subject matter.

Geu-ru and his uncle (Sang-gu) add a lot of needed levity, with Geu-ru's need for consistent, structured, methodical routines constantly clashing with Sang-gu's chaotic and combative approach to life. Sang-gu's character arc (though predictable) is just so satisfying. It's kinda hilarious seeing Geu-ru (and his father by extension) inadvertently poke more and more holes in Sang-gu's initial plan of "take the money and run" the deeper he incorporates himself into the space and purpose that his brother once took up, and it's very heartwarming to see these polar opposites slowly develop a respect and appreciation for one another.

Tropes: reluctant to responsible parental figure, tear-jerker

Oh No! Here Comes Trouble (2023) Taiwan, 12 episodes, GTV and iQIYI Summary: Pu Yi-yong was a typical 17-year-old student with a passion for drawing and a hereditary talent for calligraphy. After he wakes up from a bus accident that claimed his father's life and left him in a coma for two years, a 19-year-old Yi-yong must now find his place in the world again. This becomes more complicated when spirits begin approaching him and asking for his help.

This show actually has a lot of similarities to Move to Heaven e.g. exploring different side-stories each episode, focus on victims forgotten by society (the lonely, the homeless, the outcasts and the minorities), themes of grief and closure, polar opposite characters learning to work together, breaking me emotionally at some point. But Oh No! Here Comes Trouble differs in tone (distinct directing style), quirky humour (Taiwanese comedic style is just different and I love it in this show) and presentation (urban fantasy/mystery).

Yi-yong might be one of my all time favourite characters in media. From the outset he presents as this classic, one-dimensional, grumpy delinquent teen (e.g. resting-bitch-face syndrome, scrappy mullet, academically behind, no social grace and a tendency to accidentally hit people in the face with softballs). As fun as that is, the more you watch, the more this show challenges these assumptions. Yi-yong's mum (also an A+ character, god I love her) is a hairdresser, and often uses Yi-yong as her stylistic guinea pig. Yi-yong's not super intelligent, but he's compassionate (albeit at times reluctantly so). He really listens when people talk to him, whether they're trying to comfort him, give him advice, or asking him for assistance (though he often questions and expresses frustrations about his own ability to help other people). There's a humble gentleness to him.

Yi-yong was already struggling to juggle his dreams of becoming a comic artist with the practicalities of his life before he fell into a coma, then he woke up two years later, having completely missed the perceived "pivotal juncture" associated with the transition from youth to adulthood. Time moved on, and so have his peers, leaving an almost 20-year-old Yi-yong lost at sea with no paddle, no map and grieving the loss of his father. And now he has supernatural beings approaching him and insisting that he is the key to settling their unfinished business. To Yi-yong (and to popular east-asian social standards), Yi-yong is a loser. He's academically unintelligent, has no clear aspirations or discipline or future prospects, his family is far from wealthy, he's got zero social status, smarts or rank. Yi-yong is just as much of a forgotten outcast to society as these spirits are.

He does eventually get assistance in the form of Chen Chuying - a junior police officer (helping substantially with the mystery investigation side of things) and Cao Guangyan - former one-sided rival schoolmate and current med student who coincidentally moves next door (initially maintains the outsider perspective of Yi-yong as a hooligan until they get to know each other a little better, by which point Guangyan is already helping Yi-yong get back on his feet) who form a very well-rounded, loveable cast.

I wish I could talk more about this show, I am very fond of it. Please do watch it and if anyone wants to discuss it my dms are open.

Tropes: ragtag trio of idiots, urban fantasy, mystery, tear-jerker, reluctant hero

Get your pussy up get your money up (life is giving lemons and survival is the name of the game)

Honourable mentions here: Yeon Sang-ho popped off with Train to Busan in 2016 and South Korea has been throwing bangers into one of my favourite genre pools ever since. If you're interested in more zombie series I would strongly recommend checking out All of Us are Dead (2022), Happiness (2021), Sweet Home (2020) and Kingdom (2019).

A Shop for Killers (2024) Korea, 8 episodes, Netflix Summary: Jeong Ji-An tragically loses her parents as a young girl. Her reserved and mysterious estranged uncle, Jeong Jinman, acts as her sole guardian and care-taker, raising her with tough love and a survivalist mindset until she leaves for university. One day, Jung Ji-An hears that her uncle has suddenly passed away, and returns home, where she learns the truth behind her uncle's business and by extension, her past.

Ji-An is locked inside a building with no communication with the outside world, nowhere to go, and with assassins after her head (not ideal). Unbeknownst to Ji-An though, her late uncle Jinman prepared a thorough defense system for this very event, setting her up with home-terf advantage and a very dangerous fortress against this army.

Ji-An and Jinman's story is told mainly through flashbacks as Ji-An attempts to survive the raid on their home. Their dynamic is definitely a repeat of the stoic, initially cold father-figure type "I am neither your mum or your dad, and I can never be" to the orphan child that we've been seeing more recently of late. I'm not mad about it. It's a good formula. I won't go into the type of person Jinman is, or the nature of his work/business. Going in blind and slowly figuring this out with Ji-An was a big plus in terms of the viewing experience for me.

Tropes: reluctant parental figure, home alone antics

D.P. (2021) Korea, 12 episodes, Netflix Summary: Ahn Junho is enlisted to serve in the South Korean Army as part of his national service obligations. He eventually goes to the Army's Military Police. While getting used to life in the MP, Junho's street smarts lands him in the D.P. (Deserter Pursuit) unit. Junho is assigned with Corporeal Han Hoyeol to capture deserters, revealing the painful reality endured by each enlistee during their compulsory duty.

imo D.P.'s is at its most enjoyable when Junho and Hoyeol are working as detectives with limited time and resources. Hoyeol's presence especially adds needed levity. He's like the show's own eccentric little court jester (at least until season 2, where he becomes the show's own tortured little court jester). You don't know how much you're missing Hanyeol until he shows up and you're finally given some space to breathe.

This show's gotten a lot of praise for its realistic social commentary around the vicious cycle of bullying, hazing practices, corruption and abuse within the South Korean military. It's well written and fast-paced, and it definitely doesn't pull its punches. I probably wouldn't recommend this show were it not for the quality of its writing, its ability to balance the depressing subject matter with pockets of dark comedy and everyone's favourite dynamic duo Junho and Han Hoyeol. All the content warnings for this one.

Tropes: ptsd, abuse, brotherhood, idk man straight up not having a good time

Weak Hero Class (2022) Korea, 8 episodes, Viki Summary: Straight-A student and loner Yoon Sieun utilizes his wits and tools to defend himself from a boys school full of shit-heads. He slowly warms up to Ahn Sooho, the school's strongest fighter, and Oh Beomseuk, the new transfer Student.

Sieun is here to answer the age-old philosophical question: "Aren't you tired of being nice? Don't you just want to go apeshit?" Even though Sieun is physically lacking, he's very capable of baring his teeth and using his smarts to fight like hell. It's so cathartic to finally see a short, weak, bullied protagonist willing to go violently feral upon provocation.

This show's tone can get pretty dark and surprisingly violent. The true core behind why a lot of people love this show is Sieun and Sooho's friendship. Sieun starts off as a grumpy, glaring, withdrawn hermit with no interest in anything that isn't studying (honestly idk how Sieun keeps finding himself in these situations like. All the kid ever wanted was to hit the books). I won't spoil too much, but watching as Sooho slowly peels away that protective shell Sieun encases around himself is a thing of beauty. I strongly recommend you give the first episode a go (free on youtube).

Tropes: angst, bromance, badass bookworm, adults are useless, abusive parents

Detectives smashing you over the head repeatedly with gay subtext (not explicitly gay but if you have a brain and any semblance of a gaydar that thing is going to be going off like a geiger counter next to the elephant foot)

The Devil judge (2021) Korea, 16 episodes, Netflix and Viki Summary: Set in a dystopian version of present-day South Korea, the world is bereft of law and order and the court justice process has become like a reality tv show. Head Trial Judge Kang Yohan mercilessly punishes the guilty and corrupt, earning him the "Devil Judge" monicker. As bitter rivalry takes shape between Yohan and the highly ambitious Jung Sun-ah, who has risen from poverty to become a corporate social responsibility foundation director. Into this turbulent world enter two childhood friends on a mission for true justice and determined to discover the secret Yohan is hiding: rookie judge Kim Gaon and detective Yoon Su-hyun.

The Devil Judge tackles the concept of the anti-hero (battling evil with evil) and questions why these figures are idolized by the public. It also challenges the naive faith in the rule of law and whether or not the established systems should be upheld or not. The screenwriter has however made it very clear that he focused way more on the relationship between the characters than conveying his own message and boy oh boy is that reflected in whatever Yohan and Gaon have got going on (serious come-hither eyes, gratuitous physical touch, themes of power, justice and corruption, Yohan pressing Gaon up against the nearest hard surface on at least four separate occasions, etc.).

Kang Yohan, the titular anti-hero/main protagonist operates within a failed state and a corrupted judiciary. To a certain extent he knows the self-destructive path he walks is doomed to fail, but to right the system and take revenge, he's on the lookout for a someone that can out him as the Devil and become the messiah that Yohan himself cannot be. It does come off as very "anime" at times (theatrical presentation, tragic backstories, bad writing when it comes to women, naive characters and overly dramatic tone) but hey, if you have very few qualms with that, chances are you're going to have a blast.

Also the OST for this show absolutely fucks. It has no right being this good. Jung Se Rin really popped off. I have Enemy of Truth as a staple in a lot of my playlists.

Tropes: idealist vs jerkass pragmatist, anti-hero/vigilante, whump

The Worst of Evil (2023) Korea, 12 episodes Summary: Set in the 1990s, a former DJ starts selling a new powerful drug. Since the police know little about its origin, rural police officer Park Junmo is assigned to go undercover and infiltrate the criminal empire responsible for the drug trade between Korea, Japan, and China. Junmo later discovers that his wife, Yoo Euijung, also a detective, has volunteered to participate in this dangerous mission and seems to have a past with the underground drug king (and Junmo's boss), Jung Gicheul. The deeper Junmo entrenches himself as Gicheul's subordinate, the more unrecognisable he becomes to those closest to him.

Junmo could have let Gicheul die or slip away like several times in a row, indicates he has zero idea why he does this, then says the line verbatim "I look up to him and I like him and my body follows my heart". What am I supposed to take away from this. This show has everything. Early 90s homoerotic cigarette lighting, sodomy, incredible cinematography, betrayal, close-ups of Junmo's bloody face squished up against Gicheul's thigh. There's some scenes where Junmo is looking at both his wife and Gicheul framed in the same shot like the goddamn camera is daring you to question who he is more jealous of. My biggest complaint is that there was quite literally no need for a wife-stealing plot - the most compelling, messiest gay situationship was right there for the taking.

In episode 9 post-gang war hallway-slaughter, a blood-soaked Junmo hops up onto a table on all fours with a knife between his teeth, locks eyes with Gicheul then proceeds to slash a man's achilles tendon and if you listen closely enough you'll hear me in the background screaming YOU HAVE BECOME HIS DOG. 10/10 watch this show.

Tropes: mafia, undercover, bodyguard, make him worse, devotion and loyalty gone bad gone nuclear, maybe if they fucked nasty about it we wouldnt be in this mess

Beyond evil (2021) would also go here and has similar vibes to the above two, but I personally don't have much to say about it. Unhinged slutty old man, gay stuff going on over there, etc, etc. Citrinekay sums it up nicely here. Guardian (2018) would probably also go here. Definitely check these out if you enjoy/like the sound of these shows.

Lighthearted fun romance (I am not escaping the lesbian fujoshi accusations)

Cherry Magic (2020) Japan, 12 episodes Summary: Adachi is a salaryman with low confidence and a tendency for self-deprecation, resulting in him often acting awkward around others, not being sure how to assert himself in the workplace, and constantly comparing himself to the company's golden boy - Kurosawa. Things become further complicated when Adachi finds out after his thirtieth birthday that he has suddenly gained the magical power to hear people's thoughts if he touches them. Adachi struggles with his newfound touch telepathy when he accidentally discovers Kurosawa is in love with him.

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? (Yes that is the full title, Japan you are killing me) is very sweet and wholesome and the humour hits and I believe in Kurosawa Yuichi supremacy. I know self-deprecating characters can be a downer for some people but Adachi comes off as very relatable and seeing him slowly gain more confidence in himself and his abilities is heartwarming. Great serotonin-booster. If you find this show's premise interesting there's a high likelihood you will enjoy it.

I didn't care so much for the second couple but if you're like me it's easy to skip through these scenes (you won't be missing anything).

Tropes: office romance, telepathy, pining

Semantic Error (2022) Korea, 8 episodes, Viki and Netflix (region-dependent) Summary: Cho Sangwoo is the epitome of an inflexible and strict rule-abiding person. When talented graphic design major Jaeyoung discovers Sangwoo is the cause for his delayed university graduation, he sets out to take revenge (by becoming Sangwoo's biggest, brightest daily annoyance). Jaeyoung finds himself in hot water when he inadvertently develops a crush, and junior computer science major Sangwoo is about to encounter some serious errors in his usual programming.

This is a classic polar opposites attract story, with Jaeyoung the loud, extroverted, brash foil to Sangwoo's reserved, withdrawn, morally black-and-white, logic-first persona. As much fun as it is to see Sangwoo's ordered world thrown into chaos, it's equally enjoyable to witness Jaeyoung jump from being obsessively committed to annoying Sangwoo, to being whipped for him (and the subsequent difficulties this causes for Jaeyoung - a popular, attractive, talented, bi artist used to getting his way - in trying to pursue a highly irritated and emotionally closed-off Sangwoo, who is being challenged with a side of himself he hasn't had to grapple with up until now). Also Jaeyoung has an incredibly hot lesbian best friend which was great. for me specifically.

An entertaining, cohesive story with great actors who have fantastic chemistry. What more can you ask for?

Tropes: enemies to lovers, opposites attract, university, pulling pigtails

Old Fashion Cupcake (2022) Japan, 5 episodes Summary: At the critical juncture of a mid-life crisis, Nozue, a 39-year-old office worker, is stuck in the dull, mundane grind of wake, work, sleep. But due to his age, he's convinced he's well past the point he can take risks by trying something new. As such, he continues to decline promotions at his job and romantic advances from potential partners. He confides one day in his 29-year-old subordinate, Togawa, making an off-hand comment about a desire to be like a young girl - capable of feeling excitement and joy in life again. In an attempt to inspire him to move forward, Togawa suggests an "anti-aging experiment" and the two of them go on a journey together to help Nozue feel young again.

First things first - a large portion of Togawa's proposed "ant-aging technique" involves frequenting dessert cafes and restaurants that are catered towards a younger female demographic and fuck me the food in this show always looks so goddamn good.

The boss/employee thing might turn people away from giving this a shot but what I really love about this show is that despite being Nozue's subordinate (and younger than him - which is a bigger deal in Japan), Togawa is extremely blunt and unafraid to tell Nozue exactly what he thinks (so long as Togawa believes it will ultimately benefit Nozue in the long run), and it's very clear that he does this because he has a strong sense of respect for Nozue (and because spoilers - Togawa is so down bad for his boss like okay boy DAMN. Go get your esoteric old man). This show is also great at conveying emotion and inner conflict without dialogue (I've enjoyed coming back for a re-watch and picking up on little nuisances in Togawa and Nozue's behaviour that I missed the first time around).

Overall this is a very cute, very wholesome coming of age/queerness story that reminds you that it's never too late to pursue what interests you, try something new, and enjoy life while you're at it.

Tropes: fingers in his mouth friday, pining, age gap, office romance, food as a love language

That's it! If you want more recs from a genre hit up my inbox, I had a fun time pulling this together and have many more in the chamber where that came from.

#long post #yes I didn't add the untamed because if you haven't already seen or heard of that show you are. living under a rock #i didn't realise how difficult it is to communicate specifically why you like a show until now #move to heaven #oh no! here comes trouble #a shop for killers #d.p.#weak hero class 1 #the devil judge #the worst of evil #cherry magic! thirty years of virginity can make you a wizard?!#semantic error #old fashion cupcake #drama recommendation #kdrama #asian drama #show recommendations #drama recs #ask

40 notes · View notes

hydraulicpressedspaghetti · 2 days

Text

I spent a couple hours trying to decipher and write down the lyrics to the stolitz duet (I’ll keep updating as more recordings are posted, hopefully the unintelligible lyrics are easier to hear in at least one!)

Lyrics below the cut (question marks in parentheses mean I’m not 100% sure)

S: thank you too (?????)

The butterflies in my stomach, I have’t felt this nervous(??????) since I was a little fluffy dove, nesting my

Daring do, his half disguise, behind the smile my beak is grinding, never minding

I swore I couldn’t dwell on the divorce, so for my own health, I’ll remind myself

That when I see him, I know that it won’t be so tough, I’ll believe him and not the voice inside of my own head(?!?)

Instead(?) of our arrangement, it can just be him and me, how perfect it could be, when I see him tonight

B: it’s time to meet?(??) alright, alright! It’s been a while since he came for attention! Are we okay? I can’t really say, I’m getting by by avoiding his questions

So complicated, I hate when it’s complicated, why do I alway end up in situations that are complicated

Here I go again, getting in my head, so I’ll focus on the sexy stuff instead

S: when I see him

B: I’m gonna do that thing he likes(??)

S: when he sees me(?)

B: we don’t have to change things, I’ll just bring a load of spice

S: —(???) make things worse

B: we’ve got a nice arrangement, and it’s working out just fine, we’ll keep it light(?)

S: I’ll fucking die alone if this goes bad tonight

Both?: when I see him tonight

S: am I doing something I can’t take back

B: relax

S: would he want me if he was free

B: we’re fine!

S: and if he’s only here as a prisoner, what kind of monster does that make me? My entire life’s been written in stone

B: we’re gonna bone

S: he taught me that I could choose

B: cool

S: he deserves a choice to stay or go, though it scares me to think what i’d loose

B: I can’t wait to lose ourselves in nasty sex and make that bird SQUAK

S: what do I(???) ———- (???)

B: we’ll just stick with what makes sense, like him sucking my

S: co ————(??????)

B: who needs words when you’ve got a mouth full of

S: come to your senses

B: ———-(???)

S: this will be(?) all for love and trust

B: I’ll leave his bird puss nice and rough

S: I will love(?????) him soon

B: he’ll be coming-

both: -soon enough

B: oh yeah!

S: when I see him, will it be tender or be tough? Will it please him, or will I just be fucking it all up? Can this be a relationship, or am I still naïve?

I’ll set us free, whatever it may be, when I see him tonight

#helluva boss #stolitz #stolitz duet #spaghetti posting

28 notes · View notes

chifuyusun · 1 day

Text

Negai no Astro Chapter 3: Some Thoughts

Another banger by Wakui. I'm enjoying this story and its characters a lot so far! Wakui always knows how to move me with his complex family plotlines and drama🥹Excited to see what's to come, and also afraid for the siblings and the angst that I'm certain Wakui is cooking, I mean we already saw a glimpse of it. It was resolved quickly though, yay (for now)

The family all look so tiny and cute aw🥰I really want to see more of their past before the rebellion started, them growing up together, bonding, just soft moments..I feel like Wakui will bring these forward during fights or deaths..we saw him do that a lot in Tokyo Revengers, to pour salt on the wound 😭 Anyway, we have the number of most of the siblings so far except the 4th, 6th and 7th adopted, and as far as we know they are 12, I believe one was shown this chapter but not given a number yet, and it is 12 adopted siblings and Hibaru if I am not wrong, I have a feeling the cute girl from the promo pictures is not related to them, but to the astro power. I would like to meet some characters outside the family, I love the concept a lot as someone who has enjoyed such stories, but I wanna see some friendships etc. like in TR, Wakui knows how to write such bonds so well🥹

+ Still no news of her..no name, no info, Wakui please..🙏🏻😔

He's like the little "I choose violence" “peace was never an option” duck meme😭 but damn, seeing a different side to Terasu this chapter sure was interesting..he can be pretty cold-hearted, unlike his angel of a brother..but they complement each other, as one of the TR quotes that I love dearly: "he compensates for what he's lacking."

While I stand with Hibaru on this, I need to know more about Terasu and his relationship with the siblings aside Hibaru because he does not seem to have any bit of a soft spot for them, and I wonder why. I mean, he went to the extreme immediately, but we also saw that Shio wants them dead, and who knows what else he witnessed the siblings do when Hibaru was in his coma. He definitely just wants to protect himself and Hibaru from Shio and the rest who wish them harm or want them eliminated out of the picture, but I did not like the "we're not blood related we might as well be strangers"..I understand his frustration, but adopted family is a family, and found family is a family..reminds me of the conversation between Shinichiro and Izana, when Izana insisted that blood means everything, and Shinichiro said blood does not matter, they are still family, be it adopted, or the family you choose..but also if your family wants you dead, it is a complicated situation in a dog eat dog world, as Terasu said, it's kill or be killed. I wonder what Hibaru will do when forced to face such a situation, cause surely the power of love and friendship wont stop Shio and the rest

Hibaru and Terasu's fight was fun to read;not fun emotionally was gonna cry if they did not resolve it but like, seeing Wakui's fight scenes again, I love it + I knew Terasu's astro power is a shield, I mean it was quite obvious since he survived a whole building crashing on him, but nice to see it confirmed lol. + so they are shield and strength, interesting dynamic.

Angel mc with a heart of gold🩷every chapter I love him more and more, I'll give him the world and keep him in my pocket🥹 I am afraid of him though, "never be so kind you forget to be clever", I hope he knows the limits of love to give those who wish him harm. but it warms my heart, how he says he loves Shio and everyone..my sweet boy, please don't hurt him Wakui..i hope some of the siblings will be on his side. I also love how his purity and kind soul reflected on Terasu and were able to turn things around and end the fight. I'm starting to doubt that Terasu would betray him (mentioning this cause I wrote before some hints that he could be a Judas kind of character later) I love angst, but I hope to not see them fight again. Also the way he sobs and calls him "jerkface" because he was so hurt that the family was called strangers..adorable precious sweet boy🫶🏻

Angry kitty😠

Hibaru is so cute and Terasu is like "free me I don't wanna be here"😭

grandpa is so funny the way he's here for the tea and encouraging the fight , I hope to keep seeing more of him

I finally know pretty boy's name! Shikaba! and the other brother is Taira, interesting to see they are presented together in both their appearances. they don't seem too mean like the other brothers. Taira so far seems like a Hanma type of character who comments about everything and enjoys the vibes lol. As for Shikaba, interesting to see his eyes are still closed 🤔

aaand him, Kuran, he sure is intriguing, as Hibaru referred to him as "a real man among men", and it shows he truly admires him and his strength. he's been quiet so far in all his appearances, but does not seem too friendly, we shall see

that's all, I adore Hibaru and Terasu sm🫶🏻

24 notes · View notes

ititledit · 2 days

Text

Terrible headline choice, but overall I'm glad child free women are getting some mainstream coverage

________________

The number of women choosing not to have children is growing and the global birth rate is plunging.

While their reasons vary from climate worries to financial concerns and health complications, those making the decision to be "child-free by choice" say societal acceptance is yet to come, often leaving them feeling ostracised.

The BBC spoke to members of Bristol Childfree Women, a social group with more than 500 members, set up by women and for women who have decided not to have children.

While Caroline Mitchell always knew she never wanted children, she wasn't prepared for how hard reaching "child-bearing age" would be.

The 46-year-old, who lives with her husband in Brislington, Bristol, said while it never bothered her when she was younger, she had not anticipated the barrage of personal questions she would face as friends and acquaintances started to have children.

"I have felt like a freak because of it," she said.

"I feel like my perspective and my experience is just not acceptable."

In Caroline's eyes, society is set up for motherhood.

"You realise how you're quite excluded from a lot of life," she said.

"It's really hard for me to meet people, because it's all about the women you meet at the school gates or the writing clubs for mums."

Caroline said she thinks that sometimes women with children believe the "whole world" is set up for child-free women.

"Actually, it's really exclusionary," she said.

Many in her circle of friends have children and while they have never knowingly done anything to make her feel different, she says, the fact they are "all doing one thing" and she is doing another has been "quite hard".

While Caroline is "100% certain" and "very comfortable" in her identity, she admits she has, on occasion, “agonised" about her decision.

She said that was down to the "cultural expectation" of what was normal and the concept that if you were a woman, having a child was "the natural thing to do".

Official figures released in 2022, external show record numbers of women are reaching the age of 30 child-free.

More than half (50.1%) of women in England and Wales born in 1990 were without a child when they turned 30 in 2020, the first generation to do so, according to the Office for National Statistics.

Megan Stanley, who is originally from Oxfordshire and lives in Bristol, was so certain about her decision to not have children, she has been trying to get sterilised since the age of 19.

When it comes to her painful periods, Megan said it feels "cruel" to go through the "suffering every single month for a body function" she feels she does not need.

"I know that sterilisation doesn't solve periods but it does alleviate a lot of those major symptoms," she said.

But the 31-year-old said she has come up against hurdle after hurdle.

“The doctors would say ‘you're still a bit young’ or ‘you might change your mind’,” she said.

The furthest Megan got was when she was 29 and had an appointment with a surgeon.

"I'd prepared everything - my medical history, prepared all my line of reasoning. I'd even gone as far as to get a testimony from the therapist I was seeing. I'd gone the full mile," she said.

However, permission was not granted once the gynaecologist asked about her relationship status.

"At the time I'd been dating my now long-term partner for maybe three months," Megan said.

She told the doctor that her partner also definitely did not want children and he had already had a vasectomy.

Megan said the doctor then told her that if her partner had a vasectomy, “then you don't need to have this done, do you?"

It was then that Megan said she realised it was "inescapable" and they were "just not going to do it".

"Why should what happens to my body be beholden to what he's done to his?" she said.

"It's got to the point now where I long for the menopause. That's what I'm looking forward to."

Caroline believes women without children may be “complicit” in keeping cultural expectations as they are.

"We don't talk about it - so there's still this thought that it's what everyone does," she said.

"Motherhood is just everywhere all the time, in your face."

She said it was hard not fitting in with the "norm of society" and at times, she had wished she was "different".

"My life would have been easier in some ways," she said.

Yet for many women, whatever choices they make, they seem to beat themselves up about it and "seem to be not very accepting of everyone's choice", Caroline added.

Fiona Powley said she knew she did not want to be a mother from the age of 12 after seeing her own mum struggle with motherhood.

“I just thought motherhood didn't look like lot of fun," she said.

Now 49, Fiona runs the Bristol Childfree Women group, external and while she is currently experiencing menopausal symptoms, she has "no panicking feeling" that she did not use her ability to reproduce.

"It feels very comfortable," she said.

Ironically Fiona now looks at herself and thinks she could have actually done “quite a good job of parenting" but she "never really wanted it enough".

However, like Caroline and Megan she said new people she meets can react negatively when she tells them she chose not to have children.

“There's being told you'll regret it. What's your point of existing? If you don't have children you're not valid as a woman," Fiona said.

Fiona has even been called "selfish" and some have questioned who will look after her when she is old.

“It's almost like people feel uncomfortable," she said.

“It's probably because it never occurred to them that they also had a choice.”

Megan can sympathise.

In the past, the reaction to her not wanting children has been quite "visceral", she said.

She claims some people have painted her as "a child-hater, or a mean person” because of it.

"I think my not wanting kids is just an innate thing to who I am," she said.

Fiona said there were so many reasons why people decide not to have children.

Looking back, she thinks her own reasons were "probably quite unhealthy", but she knows that she is not going to "suddenly wake up as an old lady and feel bitter and regret".

Caroline said she would be a "resentful mother", adding there were a "huge amount of upsides" to not having children, like focusing her time on her relationship with her husband and her hobbies.

Megan agrees.

“There’s a lot of joy to be had in not having kids," she said.

“It isn't all about freedom and money. It's about choice."

#feminism #radical feminism #child free #bbc news

20 notes · View notes