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#this is just my perception of the character
dceasesd · 3 days
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why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.3)
go check out part 1 and part 2 if you'd like! this is a long one, sorry guys.
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if you haven't already i'd recommend you check out pt. 1 & pt. 2 (linked above), but if you haven't checked them out i've been going over some of the main things people have been criticizing ba's characterization for: 1. the typical boiling down of jason's character to "the angry one" 2. his lack of strategy going into the fight with the demon is out-of-character 3. the neighbor's kid interaction
alright, so this last point is purely based off of one page of the entire comic: the one where the child of one of jason's neighbors is dragged inside his home when his mother see's jason coming.
first off, i love this page. it might be my favorite page in the entire issue. everything about it is great. just thought i needed to say that.
anyway, there's some people who are seeing this page and reading it as "jason protects kids! that's one of his big things! why are they scared of him?"
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here's the thing, though: the kid isn't scared of jason, the mom is. the kid is literally playing dress up as the red hood-- he's not scared of jason, if anything he's trying to replicate him. little kids dress up as their heroes all the time; why is this kid any different? it doesn't really make sense for the kid to dress up of something he's scared of (not everyone is as weird bruce wayne), especially a real person that could be a real threat rather than a concept. i doubt you see many kids in gotham dressing up as the joker or something, because that's just asking for trouble.
the dress-up honestly seems like a ploy for attention to me. the kid clearly knows that red hood lives in his building (which is honestly so funny. take off the mask jason you're giving you're position away (actually this is a really good instance for analysis but i'm determined to not go on a tangent)). if the kid knows red hood lives in his building, what better way to get his attention that dressing up as him and playing pretend? if the kid was scared of him, he wouldn't want to draw that sort of attention to himself. if he had a sort of hero-worshippy thing going on like i suspect, then he would want to get jason's attention. to sum it up,
it's the mom who pulls him away when jason nears, because she either a) perceives him as a threat, b) doesn't want her kid to try and replicate him even more, or, the most likely option, both! the kid isn't scared of him, but the mother believes they should be.
once again, we come back to the whole perception vs. reality theme i talked about in part one! we've come full circle, everyone!
when looking at the neighborhood's perspective of the red hood, ba gives us a few contradictory examples. there's the kid and the mother, obviously, but there's also a slew of other citizens who interact with him at the beginning of the issue, both in fear and camaraderie.
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the unhoused man and the people outside of his building clearly have a familiarity and are comfortable with him, while the shopkeeper is terrified and literally has a banned poster on his wall featuring jason (i am so curious what he did to deserve that, if he even did anything at all). from this, it appears that jason's reputation teeters between fearful and familiar-- a sentiment that also colors jason's relationship with his family.
furthermore, this concept underscores just how lonely jason is-- one of the only good relationships he had in his current life was his fucking landlord, for gods sake, and he's dead.
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i think it's important to note that jason doesn't respond to the friendly greetings from the men-- he could attempt to build camaraderie, the roots are there, but he chooses not to. he could work to try and show the mother that her son is safe with him, but he chooses not to. why? jason is obviously lonely (as ba states in the panel below) and he caves pretty easily when damian asks him for help (both of them are so desperate for human interaction its tragic). so why does he distant himself from the community?
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obviously it is in part due to the vigilante lifestyle, but it is also jason's perception of himself and how he believes others perceive him, especially in regards to his family (ba is literally hitting readers in the head with that theme baseball bat).
he doesn't see that the kid with the mask looks up to him, all he sees is the mother pulling him away. he sees the banned poster in the store. and, as ba narrates, "he was sure he'd been forgotten about" by his family. utrh is jason's twisted way of attempting to reach out and connect with bruce, and obviously that doesn't work-- so he chooses loneliness over rejection.
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like in part one, though, damian refutes this idea by describing bruce's perspective, showing how what jason believes differs from actuality. bruce hasn't forgotten about him and doesn't hate him, as he suspected, but instead harbors guilt over the situation and desires to make it better, which jason must come to understand to be able to open the locked door and begin to move past his trauma.
so, that's what the little kid in the red hood outfit looks like to me. i actually have a lot more i'd like to say about the boy wonder, especially in regards to the whole "door to my past life" thing and what ba does with lighting and blocking in his artwork, so i may do a little post on that as well! i was gonna try and shove it into this one, but i've run out of room! i hope you guys liked my analysis, if you'd like to chat about the boy wonder or any other comics, my dms, asks, and reblogs are happily open! thanks for reading! :)) <3
pt. 1 / pt. 2
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Hi! I have a request, i hope it's not too specific or silly! How about an ace character that finds a fellow ace? Could be a villain that keeps flirting and when the hero tells them they don't want anything spicy villain is like 'Oh yeah no I'm ace too, just like teasing you :3'
Regardless of whether you answer or not, i hope you have a wonderful day!!
For better or for worse, the date they were on was rather pleasant.
It had been a trap the villain had prepared which was in retrospect a little bit too obvious. Their nemesis had lured the hero out of their messy apartment with a single note - a warning that quite a few hostages were waiting for them at one of the most expensive restaurants in town.
Without hesitation, the hero had rushed to the address but once the hero had opened the door, it was rather clear that no one was in danger. Instead, the hero got some judging looks from fancy folks when they had thrown open the door, panting.
The villain had looked rather amused when their gazes had met. It was the kind of embarrassment that burnt itself into the hero's brain. A memory that would pop up whenever they tried to fall asleep. It was so bad, in fact, that they considered turning on their heel and leave all together but the villain was too quick.
They raised a glass, their smile crooked.
And the hero felt obligated to walk up to them, now that curious looks were jumping from the hero to the villain.
"You could have told me to wear something nice," the hero hissed as they sat down.
"You look great in everything," the villain purred. Their eyes wandered up and down the hero. "Even in sweatpants."
"You flatter me."
"I'm stating a fact."
The hero took in a deep breath. Their heart was still banging against their rib cage violently. They lowered their voice.
"Why am I here?"
"Because you're gullible?" The villain swayed their wineglass in one hand.
"That's not what I mean."
"Because you're the city's sweet saviour who will always help the poor and innocent?" The hero didn't really know why the villain was toying with them like this. Clearly, there was an ulterior motive behind this. There always was.
Mostly, it was scheme after scheme with them. It was true that the hero was rather fond of them but they'd rather cut their arm off than admit that.
"You know I don't have much time on my hands," the hero said. "So whatever you want from me, make it quick."
For a moment, the villain didn't say anything and exactly that gave the hero enough time to truly look at them. Apparently, they had taken their sweet time to get ready for this date. The hero didn't know how to interpret that. Maybe it was the overall atmosphere of the restaurant or maybe the villain really cared about other's perception of them. The hero couldn't tell.
"I guess there is your answer. I thought it would be nice to spoil you a little," the villain said. "My little workaholic."
Oh, shit.
To say the hero started panicking internally was an understatement. They liked the villain, really liked them. Maybe even more than that.
And the villain seemed to have similar feelings for them.
The hero swallowed.
It had taken them quite a lot of bargaining, denial and a great deal of sadness to realise that they weren't interested in anything sexual. It had taken them a lot of time to come to terms with it. Back then, they had felt guilty for feeling the way they did. Often, they had wondered if there was something wrong with them. If it was just them who felt like this.
It was an almost obsessive fear of exclusion that had infiltrated their mind. It was exhauting to explain their own feelings over and over again and sometimes, they had even forced themselves to go beyond their boundaries.
On some nights, they had lain in bed awake, asking themselves if it was fair to be this way. To never be able to fully give back and love a partner that way. They had lost enough people they had been interested in romantically because of this. It was always the same stupid cycle. Always the same brainless questions that didn't help nor comfort them.
The hero was a different person now. They were much more confident but losing the villain that way wasn't only awkward, it was also a little heartbreak all over again.
"Listen..." the hero said. "I appreciate all of this. You're very sweet."
They dug their nails into their palms. Most people didn't understand. Most people said they were totally fine with it and still, they distanced themselves in the end. It used to make the hero angry but above all, it used to make them very sad.
"But, you know, I'm ace, so. Well, yeah, I...you probably know what that means but if you don't, uhm..."
Suddenly, something lit up behind the villain's eyes.
"Yeah?" The villain smiled. It wasn't a grin. It wasn't a smirk. It was a sweet, lovely smile.
"Huh?"
"You're ace?" they asked. Again, the hero swallowed. They looked down at the still empty dinner plate. It seemed like they had been in here for hours now, even though it had been mere minutes.
"...yeah."
"Me too," the villain said softly and the hero couldn't tell if this was some cruel joke or if this was a genuine gift from the universe. This meant no explaining, no stupid questions. No lost relationship, no arguments over this...For the first time in their life, they felt excited after coming out.
"What? Really? But the flirting and the-"
"I love messing with you, you know that," the villain said, winking. They took a sip of their wine. "And I meant what I said. You need to relax. You need someone to take care of you, even if that someone has to use some questionable methods to get you out of your apartment."
The hero stared at them, almost drunk on happiness.
"Thank you," the hero whispered.
"What a silly thing to say, darling," the villain responded.
Both would return to the restaurant several times after.
Hungry for more.
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letmereadinpeace4 · 15 hours
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Love Sea episode 1 Commentary
So yesterday the first episode of Love Sea was released. After watching it, I decided to put down my thoughts and impressions. Hopefully I can keep it up until the end of the drama.
First, a few things:
I have bought and read the Love Sea novel. I will try my best not to spoil anything, but this knowledge informs my perception and my commentary. I have also read Love Sand, which chronologically happens before Love Sea, and I will spoil minor plot points if I think they can help understand elements in the drama.
There will be no Mame hate in this post, or in any other posts.
With that out of the way, let’s start:
The drama opens by separately introducing the main characters. Masahamut is diving, checking and noting damages, while Tongrak is on his way to the island, wearing the most impractical travel outfit he could have possibly worn. We learn that his stay on the island was booked by Connor Warrington, a close friend of his.
The character introduction is pretty well done. Masahamut is set up as a character who deeply cares about the well-being of the island he lives on. He is shown interacting with his friend Palm (they are not biologically related, they are senior/junior) and we get an impression of someone who communicates well with others and has a joking, playful side to him. Meanwhile, Tongrak is shown alone, even as he talks with Connor, we do not hear his replies, so we get the sense of someone cut off from other people. His outfit is also very fancy, showing his financial comfort, but also wildly impractical, showing that he is not very down to earth.
To explain who the characters are in the Mame universe, Masahamut is the best friend of Khom, who is Type’s childhood friend (from Tharntype). Khom is dating Connor, who is close friend with Tongrak. Tongrak is also a novelist, and his novels have been adapted by the movie director Aphros, who is Prapai’s uncle and the director who inspired Sky after his breakdown (not going to lie, with all those connections, I am low-key surprised that the closest we ever got to incest was Tum and Tar’s relationship).
At the docks, Tongrak is not exactly impressed with the place he will be staying at. We have it confirmed that Connor booked his stay because Tongrak’s next novel will be about the ocean (Connor my beloved I love you so much you asshole). Masahamut meets Tongrak at the docks and decide to piss him off by speaking in a Southern accent and not driving an appropriate vehicle to transport his suitcases. After Tongrak blows a fuse, Masahamut cuts him off and borrows a cargo tricycle.
This develops the characters a bit further. Tongrak shows a rather childish side and a lack of control over his emotions, while Masahamut’s confidence and capacity to adapt is set up. We also see more of his playful, “troll” side. I also like how his popularity on the island is subtly shown by having him borrow a bike from someone with no issue whatsoever. People trust him!
Tongrak immediately calls Connor to complain and demands to go home, further showing his childish, needy side. We get to hear Connor, who is mostly amused. Meanwhile, Masahamut unloads Tongrak’s suitcases with an amused expression and grabs the phone to chat up with Connor.
For more explanation about Connor and Masahamut’s relationship, they met when Connor stayed at the island for the holiday. He met Khom, who was working as Masahamut’s assistant and as Connor’s guide, and Masahamut helped Connor in his pursuit of Khom (in exchange for monetary compensation. Truly a win/win situation for everyone involved).
I love how entertained Masahamut is with Tongrak’s prissiness. He doesn’t care or take it personally, just rolls with it and takes advantage of it to troll him.
Masahamut escorts Tongrak to his room, who immediately pushes him out and ignore his offer to be at his disposal if he needs anything.
Sidenote, but I love Tongrak raging against the suitcase and later at the blankets. It is so cute, childish and relatable at the same time. I have definitely “scolded” a zipper because it wouldn’t open or the printer because it had issues.
We cut to Mook, Tongrak’s assistant/secretary, who is looking very busy and overworked. She is so far the most relatable character in the drama for me, down with the messy hair. She is called by Vi, Tongrak’s best friend, who promises to keep her busy. I love her, she is such a troll! Also a cameo appearance by Ja, which is definitely great to see! Hope he’s been well!
We cut back to Tongrak as he goes to a bar, wearing a really awesome sheer shirt and enjoying the attention he gets. Palm is his waiter, and immediately start hyping up Masahamut. We get confirmation that Masahamut is really popular both with the residents and with the tourists. We also learn that he is bi, which is great! We always love to see bi representation.
Tongrak seems pissed both at the fact that Masahamut is popular and by the fact that people would assume he is attracted to him, which he is definitely not! One hundred percent not! Not a trace of attraction here! Who cares if Masahamut is handsome anyway? Not him that’s who! And his sulking has nothing to do with it.
Next morning, we get to see how much Masahamut is involved in his community. While it may seem a bit heavy-handed, I do like that this aspect of Masahamut is so strongly enforced. It gives him a lot more depth and shows his maturity.
This mature impression is immediately countered when we see that he has a double of Tongrak’s keys and didn’t tell him. He immediately takes on the caretaker role and as he cleans up the room, we learn that Connor paid Masahamut to serve as Tongrak’s caretaker/nanny/guide/sitter during his time on the island. Is it like some kind of gift reciprocity? Masahamut helped Connor date his best friend so Connor helps Masahamut get with his own friend? I also really like the comparison of Tongrak to a cat. It suits him so well. We also have it mentioned again that Tongrak is very lonely (initially, Connor filled that loneliness void, but once he started dating Khom, he could no longer give as much attention to Rak as he used to, hence why he is trying to find a solution.)
Connor wakes Tongrak up. Not going to lie I would punch him! Do not bother me before I had my tea and breakfast! As he tries to punch him Tongrak falls on the ground, giving Masahamut a perfect view of his body.
The “seduction” scene is really well-done. You can see the switch as Tongrak finds himself in a more familiar territory and tries to seduce Masahamut by removing his robe/shirt. He really seems to enjoy having power over Masahamut, especially since the latter has annoyed him so much. However while Masahamut is admirative, he does not lose his head and starts commenting on Tongrak’s lack of body hair. You can really see the switch back as Tongrak loses his confidence. Peat acted really well in that scene!
I love how offended Tongrak is by Masahamut’s lack of sexual interest. Poor kitty got his pride hurt! Speaking of which I also love how Masahamut speaks of Tongrak like a kitty he is taking care of.
Tongrak tries to provoke Masahamut by constantly asking for a different breakfast and being picky, to no success. I always enjoy seeing Tongrak’s bratty side, especially when his brattiness doesn’t work.
Masahamut is such a troll! I love him already!
Meanwhile, Tongrak has found out a way to get Masahamut to do what he wants (to some extent). He pays him to get him to speak in a Central dialect. It really sets well the economic difference between them. Tongrak has money to burn and Masahamut will do anything for money. I love how much he doesn’t care about being bought and getting money from his clients. Masahamut is there singing “Material Girl” and doesn’t care about what anyone thinks!
I love it any time Tongrak’s more vain side is shown. The way he jumps when Masahamut mentions wrinkles. Also he is supposed to be in his late twenties/early thirties.
Masahamut offers his sexual services and can obviously see that Tongrak is more interested than he lets on. “Even if you were the last man on Earth, I still wouldn’t want you”. Oh hey! I heard a cool girl named Elizabeth Bennet say the exact same thing. I wonder what happened to her….
We cut back to Mook rehearsing her speech to Vi to not have to work as her assistant. By the way I love her shirt! As she dares Vi to call her, she answers her prayers and does so! We get to see that Mook has an itemized list of how to deal with Vi! That is some thoroughness! Anyway Vi claims a light bulb in her room is busted and that Mook needs to come and change it. I see Vi subscribes to the “pulling her hair” strategy in courtship. Meanwhile Mook is getting more and more erratic and her faces are amazing! She looks offended, outraged and confused at the same time. Also I love how messy her hair is.
“I’m a frail lead actress who can’t do anything on her own” as she sits on the ladder she used to bust her own light bub to get her crush to come to her place! I love Vi she’s such a troll! Also does she have Mook’s picture? I can’t really see well.
In his room, Tongrak is having trouble writing the sex scene and we learn he needs to have sex or to hug someone to properly write sex scenes. It really is interesting that Tongrak needs an intense physical situation to describe a romantic sex scene, because it suggests that he cannot conceptualize the intensity of the emotions involved unless he experiences a “similar”, physical sensation. It really goes with him being lonely but also suggests he never truly offered his heart to anyone.
The next day, Tongrak is working on his novel, looking extremely cute with his round glasses, while Masahamut is waiting. He soon gets bored and starts reading what Tongrak is writing. I wonder if the sex scene he reads out is a random scene that was written especially for this or if it was taken from another of Mame’s novels. I cannot place it.
Anyway Masahamut is bored of it and takes Tongrak on a boat to show him around. I love how Masahamut gently scolds Tongrak and tells him to sit properly so that he doesn’t fall, causing Tongrak to sulk. It sets up their future dynamic. Also Masahamut don’t scold the kitty! He’s a city kitty and has never been on the sea before.
Tongrak is called by Mook and doesn’t hear her well. Yeah in the middle of the sea it is a lost cause. Masahamut decides to take a dive while Tongrak is on the phone, causing him to panic. I actually agree with Tongrak here! For safety reasons Masahamut should have warned him.
Tongrak freaks out and starts crying. Masahamut tries to reassure him by poiting out that he’s fine but is unsuccessful. I love how he takes the freak out seriously and only reaches to touch him after Tongrak has been unresponsive. Tongrak scolds him and Masahamut reaches out to hug him and apologize. I love the light little kiss on the forehead and how Tongrak slowly accepts Masahamut’s hug.
Afterwards, Tongrak is embarrassed about his crying episode (don’t worry baby it happens to the best of us) and plays the shy Victorian maiden when Masahamut moves to remove his shirt as if he didn’t wear a sheer shirt in public two days before. Masahamut offers to show him the good stuff, and just like Tongrak I was not thinking of clams when he said that! Again, I love how confident Masahamut is! He is aware of his charm and sees well the effect he has on Tongrak. The episode ends with them still on the roof of the boat.
Overall I really enjoyed this episode. It was a good set up for the characters and I love the atmosphere they created. I look forward to seeing more of it.
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cripplecharacters · 2 days
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hi there!
im creating a character that works as a somewhat agent for a god. this character has a special eye that allows them to see and speak with ghosts, three who are friends with them. one day they disobey the god's orders and the god takes away their eye which obviously takes away their ability to see and speak with ghosts and especially their friends. the character is not upset over the fact that they are missing an eye, just that they cant see their friends ever again. i was planning on having the character face the god and then getting their eye back, but of course im doing some research to see if this is bad writing on my part as they are disabled before that. its a really specific situation and i tried searching for any ask similar to mine but i cant find one, or i might have missed one. but anyways, i was considering just having the god return the ability but for the other eye as i want the character to not be bothered by them missing an eye and stuff. just wanted to ask for some insight as i dont want to be insensitive
Thank you for your ask! This falls into the 'disability as a punishment' trope, so I'd recommend giving your character something else to see ghosts, like special glasses or a magic mirror or something similar.
That doesn't mean your character can't have one eye. I'd even recommend making them born without the eye instead of losing it later in life (for all the characters in media I’ve seen missing an eye I’ve never seen it not caused by injury, I’d love more congenital disability representation!)
I’d also recommend researching how having one eye affects vision if you haven’t already. Not only is the person unable to see from that side (meaning they will miss or bump into things on that side more often), but it also affects depth perception.
Have a wonderful day!
Mod Rot
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i-heart-hxh · 2 days
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i want to thank you for talking about the doomery takes about Gon and Killua's separation with the level of patience & respect you do. i think people sometimes believe they parted on worse terms than they really did and it leads to people asking questions like "why would Killua say that to him?" or "why didn't Gon give a 'proper' apology?" with a preconception that the situation is irreparable. theyre intelligent kids who love each other a lot, so these things can feel really mean or insensitive to us because we see it as such a high stakes situation when in actuality, the characters kind of know what's happening already and can intuit each others feelings or intentions to a reasonable degree.
like, ex: Killua calls Gon stuff like an embarrassing moron frequently and Gon sees its because he's emotionally constipated and not because Killua actually thinks he's stupid. conversely, Killua knows that what Gon said to him in the palace came from an irrational place of lashing out at the only safe person in the room, and the reason why he can make fun of Gon later for it is because its clear he regrets it. they understand each other quite a bit and though the separation makes them really sad, i'm sure they both get, on some level, why it has to be like this for a bit
Thank you very much for the sweet message!
I honestly get exhausted by how many doom and gloom takes exist about HxH in general, and especially around Gon and Killua's relationship. I hope that by talking about my own perceptions of the series after spending all these years thinking about it and pulling it apart, more people can come to the side of having hope about it and being excited about what's ahead for them.
What they went through was immensely painful, and it certainly hurt those of us who love their relationship, too, but there are far more reasons to believe they have a path of healing and reconciliation ahead of them than all the angsty alternatives. They may have more to go through first before they reach that point, but in my opinion it would contradict the themes of the series for them not to have a second chance to rebuild their relationship even better.
That's a good bit of insight about them and how their interactions are much more than just what they're literally saying! I totally agree that they're quite perceptive about each other and aware of at least some of each others' feelings below the surface. There are actually several scenes where they explain things about the other with a surprising amount of insight--for instance, when Killua is talking to Wing about Gon's tendencies after the Gido match, or Gon knowing Killua will reluctantly fold to him if he insists on something when talking to Meleoron. Their relationship is complex and they both have areas where they need to improve with regards to communicating and understanding each other (especially how they see themselves and the way that warps how they see each others' feelings), but they deeply love each other and I'm sure they're going to want to make the changes needed to fix things between them and not have something like Chimera Ant Arc happen again.
The separation has a lot of layers, but it portrays them both as sad to split up even though it's what's needed for now, still hurting about what they went through but grateful for each other nonetheless, comfortable enough with each other still for Killua to tease Gon and Gon to openly mope about it, and they make it clear this isn't forever. Even with the various subtextual things going on (like Gon's use of "nakama" after Killua had a crisis about that very word and Killua saying Gon is now number 2, for instance) don't erase the overall tone of the separation. It's bittersweet and hard for them both, but not on bad terms!
HxH is a story about human connection and second chances and how love transforms people. The two characters at the center of the story epitomize these themes, so having a cynical view of their bond and future feels like having a cynical view of what the series as a whole is saying. There's nothing wrong with exploring or thinking about angsty themes, of course, and I truly love how much darkness, sadness, and trauma HxH explores throughout, but I don't believe the ultimate trajectory of the series is one of hopelessness or cynicism.
I hope those who are concerned about their future can zoom out and look at the series as a whole and see how many reasons there are to be hopeful for them.
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skayafair · 1 day
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Daaaaaaaaaamn this boy has absolutely no idea how to process his feelings *head in hands*
^ this is about episode 4 ending by the way
And, well, yes, Crystal does refocus any talk about others' problems to hers, okay. Usually there's at least a bridge of "yeah I get you, it's really rough" before sharing your own experience to connect, but she just goes straight to "And I...". Which... honestly she has every right to, but it's also her old self talking, yes.
I'm a bit stuck on Charles' "I cant help her, I can't help you, I can't help anyone or anything" because. It's so damn familiar. It's not that he can't help anyone - he does so plenty. It's not even that he can't SAVE anyone - they DO. But he can't see this, because the ones the closest to him are the ones he cannot save. This isn't about helping, that's a fucking saviour complex. An "if I'm not useful or helpful they don't need me", only just "helping" has never been enough now, has it? It's never enough, whatever you do. Moral support or help with research, little daily things are help, too. But it doesn't count. It has to be big, something you can't overlook, and it has to be final, to make who you're trying to save happy, forever. Only it's not possible. That's why the saviour complex is so bad - you can't save someone whose life is not over over completely, forever. You can only help bit by bit, but it won't ever be enough for you, because it has never been enough for someone big and important in your life, someone from family.
I kinda knew where exactly my - the same - issues stemmed from but never looked at it from this specific angle. I didn't connect the dots at first because Charles had an actual physically abusive parent while for mine it's just narcissistic tendences, but. Honestly the general outline is too familiar and I was tiggered and more perceptive today so yeah, thanks again for the insight, DBD.
The feeling of "I can't help my best friend, I can't help my family, I can't help anyone or anything, so what's even the point of me at all?" is too familiar. And I believe the show didn't create a resolution for Charles' problem, more like put it on hold because there were more pressing matters at hand. If we get season 2, I hope it developes this theme further. I need someone to tell him "your worth has nothing to do with this".
Speaking of which, I can't help being astonished at how psychologically accurate and nuanced the show is. With all the characters, really, but Charles' case is the most obvious, I think. The way he's always drawn to the same kind of people and - wow, Charles, that was unusually perceptive! - even noticed it himself? What he didn't notice yet is that this is the kind of people not only with similar personality traits, but also unavailable. Edwin's metaphorical walls, Crystal being alive and honestly just not very interested? Both are rather rude and I couldn't help noticing how uncomfortable Charles often looks when either of his sweethearts is at it again. I could almost see the cogs in his head turning, figuring out how to balance out yet another moody fit of theirs, be it Edwin or Crystal. And not being offended by obvious insults? Hell, Crystal noticed it right away. Yeah he's used to it with Edwin but that's not normal??? There's nothing good about it??? Have some self-worth, boy!
And. Well. Chasing after an unavailable partner is a totally common thing with this kind of trauma. Toxic relationship is the only normal you know. The only kind of "love" you know. If it doesn't hurt even a little, doesn't have these highs and lows, if you don't have to accomodate another's fits - what are we even talking about, yeah?
Charles is honestly lucky though. Edwin tries to be nicer, amitting his flaws, and generally they are pretty well-balanced and keep growing together (but there's always room for developement). Crystal is doing her best and is caring all over as well. The intent is there and it's good at its heart.
But I'm still waiting for the resolution. "You're the best man I've ever known" doesn't cut it.
Also it would be REALLY interesting to see Charles' developement in s2 because while Crystal is probably still off-limits due to the whole the living and the dead thing (and she wants to be friends), Edwin has opened up. Are there going to be any changes in this regard, because this isn't even about romantic or platonic and the orientation, it's about the dynamic in whole? Or is this going to be glossed over? I mean, when Crystal was being emotionally available as a friend - same episode 4 - Charles got angry fot prying. He doesn't know how to deal with all this but has made some progress. Will we see more of it?
We need season 2 SO. BAD.
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alicenttully · 6 hours
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ffs i can't tell y'all what to do but im done wasting my mental energy being mad over a goddamn show, there is too much doomerism on both sides so im just gonna enjoy what i can. like the fact that unlike what a lot of people were hoping for, aegon ii loving and being proud of his children. or the fact that people were finding his character likeable.
this is not me dismissing the legitimate criticisms about the show because they should be said. but ffs when it comes to alicent specifically i have to ask why are you so preoccupied with her perception by others who were prejudiced against her from the start? this show was never going to be fair to alicent even though it could have been tbh.
but it wasnt and although so many fell for it because of their own internalised misgoyny which is just ironic there were also thankfully intelligent people who saw through the manipulation (like @ripley-stark )and refused to accept that alicent hightower was this irredeemably evil and power hungry villian because im sorry the writing doesnt confirm that.
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spot-of-tea · 3 days
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So I've been seeing a lot of pride stuff coming across my dash and thought I'd share my own headcanons for some Fairytail characters.
If someone isn't on this list and you want to know my thoughts on them send me an ask :)
Natsu
I've always felt that Natsu sits somewhere on the Ace spectrum, he's never shown interest in sex nor does he care for it when anyone mentions it. He is however, panromantic, he cares very little about how a person identifies but if he wants to pursue any sort of relationship then he'll go out of his way to make romantic (at least he thinks it is) gestures towards that special someone. Natsu doesn't actively think about his gender, he genuinely doesn't get the concept, he just dresses and acts how he wants to without putting too much thought into it
Gray
Gray if asked would probably say he's bi, much to Juvia's horror as she now has twice as many love rivals. He'd casually admit to having liked various guys and will weigh in his opinion on checking out the models (male and female) in the latest sorcerer weekly. While Gray would identify as a man he's fairly comfortable in his masculinity and wouldn't mind having his nails painted but would draw the line at wearing women's clothing unless absolutely necessary.
Erza
Demi-ace queen and she knows it. Despite having very little physical interest in people Erza still shows her affection towards her friends by, rather aggressively, showering them with praise and compliments. Erza cares very little about peoples perception of herself and dresses and presents however she pleases. She'll find any reason to dress up.
Cana
Asexual, panromantic. Most people don't realise that Cana doesn't care about sex considering how many dates she goes on and how often she complains about not having a date. In truth as much as Cana can talk dirty and openly flirts with anything that breaths, she really just enjoys someone taking a genuine interest in her and being romantic (not that she'd admit it).
I do have more but this was already getting long, so if there's anyone in particular you want to know my thoughts on send me an ask. I may do a part two at a later date if people want.
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clfixationstation · 1 month
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idk if this is a hot take but I don't think Armin is friendly. I think people find him generally off-putting. Like, people think he looks sweet, but also find him strange; for the topics that interest him, the way he didn't stray far from Eren (& Mikasa) socially, and his general demeanor.
I think that as Armin established himself more as he grew up, he developed better interpersonal skills that compliment his rhetorical prowess. I think he's the type of person who sees value in life and in minimizing harm. He offers kindness to his friends and understanding to all. But I don't see him as particularly "friendly"
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mirnightghost · 4 days
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Starfalls. Again-
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This time the endgame version, which I was inspired by while reading the fanfic. I just started thinking about what Steve ended up going through during Infinity War. Lost Bucky again, unable to save him. Lost new friends. For five years. According to Steve's inner clock, he only loses Bucky for two years the first time. And here...five years? Oh-
Then he loses Natasha, his last close friend. Yes, after that everyone who was turned to dust returned, but in the end Tony died. Therefore, a picture where Steve can finally allow himself to collapse. Release the burden of emotions. Mourning and at the same time relief that his Bucky is alive.
There..there are a lot of emotions there, really...
Oh and I enjoyed drawing this-- although I've gotten really into rendering again, I...yeah, I'm starting to feel more confident in drawing people. :']
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hylianane · 1 month
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And when OPLA calls back to Zeff telling the crew to read stories to Zoro so he can hear their voices and recover faster, by having Sanji sit by his bedside on Thriller Bark and read him a book about the All Blue. What will you do then?
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rakkuntoast · 1 year
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i like doing silly self indulgent low-effort comics
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royalarchivist · 3 months
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[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
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[ Transcript continued ↓ ]*
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
#Pactw#QSMP#Pac#March 18 2024#As much as I love keeping people updated about Pac / the other Portuguese-speaking creators#I think I might not make as many transcribed posts for their clips anymore#I just don't think I'm qualified enough to be transcribing things for a language I don't know#like yeah we have the Qlobal Translator and Aypierre's translators to rely on#And I'm always upfront when I'm not 100% sure about a translation#but I've been thinking about it a lot and it kinda makes me feel a bit icky. Idk.#I might be overthinking this but I just I don't want to spread around translations I'm not super confident about#esp. since I know a lot of people cite my clips in analysis posts or link them to other people as resources#and 90% of the time I'm like ''Hell yeah I love seeing people getting a lot of use out of the archive''#but sometimes I get a bit anxious like ''Did I do a good enough job translating this''#''Am I ruining someone's entire perception of a conversation or character because I left one word out or mistranslated something?''#And like I said that's normally not a HUGE concern since if I'm not certain about a translation I just won't post a clip. but you know#idk it might just be the anxiety talking but I really really don't want to spread bad info#Happy to hear other folks' perspective#I'm really grateful for people like Bell and Pix and others who translate clips and I always try to reblog those#but we don't have a ton of people posting clips & translating things on Tumblr since we're so English-centric#which is part of the reason WHY I like sharing clips of the non-English-speaking CCs#but at the same time I want to do an accurate job representing what they're saying#Maybe I'll just start posting things and give a TLDR context of what they're talking about but not a transcript#that way native-speakers can hop in and add translations if that's something they're comfortable doing#and if not then well. at least I'm not sharing something that isn't super accurate#idk I'm just thinking out loud a bit in the tags#But I'm open to hearing other people's thoughts on the matter#Anyways giant rant aside. q!Pac is NOT doing ok rn
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iedistis · 5 months
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It's a shame they changed the Franc letters so much tone-wise because they gave Gortash a lot more nuance in his methods than what's going on in the patched version. Sure, those may be more banite but I always liked how in the original, the tyranny was not in the relationship between both characters but rather their acts committed together.
I enjoy Gortash as a character so much because he subverted the expectation of what a Chosen of Bane would be. His approach is deeply Machiavellian. The idea of him working his way up through the ranks of aristocracy by both cultural impact that is unignorable thanks to his machinery and a force of personality that disarms his targets emotionally and turns them favourable towards him on an interpersonal level instead of forcing them into submission via fear and threats(as one would expect) made it compelling. It made way for tyranny harder to uproot than one built on aggression because it would not just subjugate people, but change them. A person who fears you is closer to betrayal than one who loves instead. It is an alternative way of subjugation and I like to think that's what may have differentiated him from other Banites so much it made him a Chosen.
And those letters showed how that could've played out. They were deeply manipulative. Threats, if there were any, were in the beginning and faded into the background with the overpowering charm that continued on. The newer version falls flat in comparison. They start and end with thinly veiled threats and that's just not as powerful.
It sucks because I considered them a potential window into how the past relationship of Gortash/Durge could've started out too (regardless of how you interpret the nature of it). I don't think they could've gotten so close as to prompt something like the prayer of forgiveness like this simply because I can't see a Dark Urge responding to threats, fearless avatar of murder and all that. But the first version? Shallow flattery to get the foot into the door and appealing to their wants (like some good old torture racks) to ultimately foster an emotional attachment so severe it borders on heresy for at least one of them? That's awful. I like it.
In the patched letters he's just…evil. A more open and diplomatic (and perhaps more in line with bane) version of it, but also one a lot more predictive. Shame.
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otaku553 · 5 months
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Something funny for your spy x family ASL au
Luffy took ONE look at loid and internally went 'oh sweet. He's a spy like sabo' and never brings it up while anya just stares at him horrified and like with ace and sabo, he just never brings it up.
This also happens with yor and anya makes a funny noise
(As i am typing this my dog has the zoomies and is running around like a maniac)
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HAHA YEAH THIS WOULD DEFINITELY HAPPEN
I think loid’s a good enough actor that luffy wouldn’t figure it out immeditely from like just a few seconds of meeting him but give him a minute or a few and he’ll figure it out on vibes alone
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only the biggest brained individuals understand that Grif is actually the smartest of the reds and blues. only the wisest among us know that it takes a genius to get away with the bullshit he gets into on the daily. only the sharpest crayons in the box get that Grif has been playing everyone the entire show and only acts dumb so everyone underestimates him. only the smartiest of pantses can comprehend him.
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