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peachesofteal · 9 months

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Speaking about Ghost/Soap/Darling omegaverse... May I bring the idea of Soap and Ghost being alpha and Darling an omega? But wait, let me sprinkle a little of angsty thoughts about it:

Johnny and Simon get to spend their ruts together. Hell, they share a room, and even on base they get to have privacy and go through them with the help of each other, not only fulfilling their physical needs, which are sated of course, but also emotional. Yeah sure, heats are emotional but ruts are too, and they spend so much time together that almost, if not all of their ruts together have been spent in the company of each other.

But Darling? Imagine Darling having a heat every time she's alone. Simon and Johnny gone on some mission, gone for weeks and sometimes even months. Trying to satisfy herself with whatever smell is left on Simon's hoodie or Johnny's shirt. She tries to brush away the thoughts of loneliness and being left out that arise every time she rests in her nest, every time she has to painfully get through her heats without her mates' company.

Hell, she tries to hide everything every time Johnny and Simon come home, smelling like each other and fresh bite marks on their necks. She really, really tries. But nothing escapes those two, no. They can smell that little, slightly rotten smell on Darling, sensing her discomfort and those bouts of anger flaring up, those hints of desperation hiding in a slightly-rotten fruit smell. It becomes stronger and stronger each time she sees how close they are after they tell her that another rut came while they were on base, and her? At this point she might lie and say she's on suppressants. Again, they at least suspect about it.

But hell, the fact that there are always fresh bite marks on them every time they come home, while hers is is non-existent (Johnny and Simon foolishly believe she doesn't wish to be bitten), is NOT helping at all.

And they realize how drastic, how deep the problem is once their leave coincides with Darling's heat.

Except she hides. She doesn't let them in, because they maybe have never seen her on her heats.

She doesn't trust them to know how to deal with it, how to deal with an omegas' most vulnerable moment when all they've known is how alphas deal with their ruts.

Darling doesn't trust them, not fully, at least.

Djsjjd jfc when you said omegaverse I was 👁️👁️. Peach I hope you're having such a good day and I must thank you once more for giving us such beautiful stories, I hope nothing but good things happen to you from now on:)

— 🫔 Anon

Oh… okay, I see you. This is so good! There’s so much to explore here… 🩵

18+ / dead disco omegaverse au (it needs a name but we’ll get there?) / mature themes

The door swings wide, and Johnny is nearly bowled over by the scent. It’s everywhere in the flat, wafting down the hall to where they both stand at the threshold, overcome with the smell of overripe fruit, something sour and tart hovering at the precipice.

It’s the smell of their omega in distress.

But what surprises them both, is along with the burnt tannins of distress, is another smell. A ripe smell, a bruised stone fruit smell.

The smell of an omega in heat.

But their omega doesn’t have heats. You’re on suppressants.

Still, it’s definitely your scent. There’s no mistaking it.

Simon tenses, hackles rising with a growl. Johnny’s hand finds his chest, placing his palm over the older, bigger alpha’s heart soothingly. They’ve just both come off a rut, poor timing all things considered. Both exhausted, they were looking forward to getting home and falling into bed with you, cuddling you close while they both slept off the stress from the op and the remaining… sensitivities.

“Darling?” Simon calls, keeping his voice soft and easy.

There’s no answer. The flat is silent.

“Love? Are you here?” Johnny tries, pushing through to the bedroom, where he’s half expecting to see you curled up in the bed.

Except, you’re not.

It looks like you may have been, at one point. It’s a pile of blankets and pillows, haphazardly arranged with various shirts and other soft things.

Johnny chokes on a breath. The scent is much, much stronger in here, and Simon’s eyes slide closed as he draws a deep inhale.

“Omega?” He murmurs, and to their relief, there’s a small whimper from the closet.

When he gets the door open, his heart breaks. Simon’s body goes preternaturally still, and they both stare down at you.

You’re drenched in sweat, burrowed in a pile of clothes, eyes wide. You reek, panic and fear, distress and pain burning in their nostrils, along with the overripe scent, the telltale smell of a heat. Worse, when you look up at them, there’s no recognition there. Nothing to show that you know who they are to you, or even where you are. Johnny shoves away his panic over your confusion, this state, to try to coax you forward into his arms.

“Hey, there ye are.” He reaches for you, slowly, and your body presses against the corner, head shaking back and forth. Johnny frowns. “Darling, it’s okay. It’s us, you’re alright.” His hand gets closer, nearly brushing you knee, and then to their absolute shock, you snarl.

Simon is conflicted. He’s confused.

Why did you tell them you’re on suppressants?

They would have done things a lot differently, if that wasn’t the case. They wouldn’t have left you alone, if they had known. His stomach clenches when he thinks about the possibility that this isn’t the first time you’ve been on your own during a heat.

“Darling.” Simon coos. He doesn’t want to reach for you. He doesn’t want to pull you from the closet, this safe spot you’ve built, your nest. He doesn’t want to force you out, like his father would have. Like he always did to his mother. His father would have gripped you so hard it would have hurt you, left bruises on you. He would have terrified you, taken joy from it. “Omegas are weak.” Simon was raised to believe. “The lesser. It’s our job to teach ‘em.”

You snort out a trembling breath from your nose, little groan slipping from your lips and you rub your wrist on your gland. Johnny makes a strangled sound in his throat as it happens, and Simon doesn’t need to ask to know what he’s thinking.

Only omegas who have been abandoned or lost their mates try to self soothe like that, scent themselves like that. It’s an instinct, something that happens to try to prevent them from becoming overheated or harmed by a heat unmanaged.

“No, no no. It’s alright, love, we’re here.” Johnny pleads, hand still tentatively outstretched while you stare at his fingers. Every time your wrist rubs over your gland, they both cringe, and Johnny’s body goes rigid.

“I- don’t-” You stutter. You blink at them slowly, and he can see it all on your face, plain as day. The pain. The confusion. The distress.

Simon crouches, just outside the closet. He starts up a soothing rumble, trying to lure you towards him. You lift your head slowly when you hear it, when you feel the subharmonics, the song that sings to you.

“Come here, baby.” Your brow creases, and you rub your face. You look exhausted, like you haven’t slept in days and he wonders how long you’ve been you like this, how long you’ve been suffering. You don’t smell like pre heat, so you must be on the curve upwards. Guilt burns in his stomach. “It’s alright now.” Johnny moves next to him, shifting into a kneel very slowly while you watch him, hazy gaze fixed on the bite marks on his neck, over his gland.

“You’re safe.” Johnny coaxes, and he keeps his hand towards you, but unmoving, trying to show you that neither of them are a threat.

They both work to emit soothing scents, trying to lull you into their arms. You watch them warily, curiously, eyes opening and closing in slow motion as your instincts battle whatever confusion is happening beneath the surface.

It works. You crawl slowly out from the corner, t shirt sticking to your skin, your arms trembling under your weight.

“Good girl.” Simon murmurs. Neither of them move, afraid to spook you, and then you’re curling up between their bodies, rubbing your wrist against your gland over and over.

You tuck yourself into them, head laying on Simon’s chest and his hand comes slowly to rub your back, getting you used to his touch, easing you into a more relaxed state while Johnny smooths a hand over your shoulder, coasting his wrist closer and closer to your gland, trying to scent you subtly and soothe you, gentle you. You whimper when he makes contact, and they both press a little closer.

“Shhh. You’re okay, darling. We’re here.” Simon bows his head, skimming his nose overtop your scalp, and you shift, hands grabbing for Johnny, trying to pull his body overtop yours, effectively sandwiching yourself as tight as you can between their mass. You whine, and Johnny hums in your ear, soothing you by scenting until you’re letting out little rumbles of your own, soft purrs puffing against Simon’s chest, Johnny’s lips ghosting across your sweat dotted forehead.

#🫔 anon #tamale anon you genius!#peaches asks #peaches writes #dead disco omegaverse au

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crossdressingdeath · 1 year

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A thing I wish DAO went into more: the way Alistair is in some ways incredibly selfish. Like, the way he refuses to take charge of the group is treated as kind of endearing in the text, but the game doesn't really get into what a massive burden he just... drops on the junior Warden present with no warning or discussion. Think about it: the Warden is heavily implied to be very young (possibly younger than Alistair, definitely around the same age), most of them have no real experience in leadership, several of them have no experience in the world outside their small corner, all of them have only been Wardens for a few days. And Alistair dumps leadership of the group on them and refuses to take any of that weight. Does your Warden like leadership? Are they any good at it? Is it exhausting and difficult for them? Alistair doesn't care! He doesn't want to lead, and that means you have to lead, and whether or not you want to lead has no bearing on that. It's not a discussion, there's no suggestion of sharing the responsibility of leadership as the Wardens of the group; Alistair metaphorically throws the responsibility at you and runs.

But if you go for low approval with Alistair it's basically all about calling him childish and immature, even though I think a much more compelling low approval dynamic is the Warden despising Alistair for putting so much on them with no hesitation, but being stuck with him (because they know as well as he does that they need all hands on deck Warden-wise) and stuck with that burden of leadership (because a Warden kind of has to be in charge of the group and even if one didn't no one else in the group would be very good as a leader in this situation, and Alistair has made it very clear that he won't take it). Even at high approval it would be very compelling to have this sense of resentment at how Alistair just assumed they'd take on the burden of leadership and refuses to take any of it for himself. But that aspect gets completely ignored in the story, you don't really get the chance to raise the matter aside from asking why you're in charge despite him being the senior Warden present a couple of times.

It also adds something really spicy to the fallout of sparing Loghain, though, because... Alistair forced the Warden to take on leadership. He made them be the one to make these hard choices. It's never been a discussion, it's never been the Warden's choice whether or not they take on responsibility for these tough decisions, Alistair always just expects them to do it. And now they've made a call he doesn't like, and he abandons the group on the eve of battle because of his wounded feelings? I'd argue that's as much a betrayal as sparing Loghain if not more so, and certainly more of a betrayal of Duncan's memory; Duncan understood that a good Warden must be driven by necessity, not emotion or even morality, and I feel like in the Warden's place he likely would've made the same call. They need Wardens around to kill the Archdemon, as many as they can get, and even one more could make the difference between victory and defeat. The Warden and Alistair may not know the details, but with the most senior Warden present saying they should make Loghain a Warden instead of killing him a logical assumption would be he has a very good reason for saying so and maybe they should listen to him! I would've loved it if during the argument with Alistair after sparing Loghain you could really get into that "You forced the responsibility of making these decisions on me when I never wanted or asked for it, you don't get to throw a tantrum now that I've made one you don't like" aspect of it, but you... don't. And that's a shame, because it takes a lot of depth away from his dynamic with the Warden.

#dragon age origins #alistair theirin

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russellsppttemplates · 1 month

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How about a girlfriend that does charity and she does it with the driver maybe Lando? when they’re home together (like idk buying and donating things for orphanage or women’s shelter) if you’re comfortable with he idea

"I don't mind auctioning my stuff away, but how about some of your things too?", Lando suggested as you sorted through his wardrobe and helmet and racesuits collections.

"I've been donating clothes that are still in good shape - your clothes have more value because they've been worn by you, so it brings in more money", you reasoned, "no one would buy anything from me", you shrugged your shoulders.

"We could try, though! Chat is always crazy about you and I think they would be down for that. Say this dress here - didn't you tell me that it pinched you and it hurt your boobs?", he pointed to a black dress you wore to a team Christmas dinner, "I certainly don't want you in pain and never hurting these", he cupped your boobs, smirking like a horny teenager, "so maybe it would be good to sell and then donate that money?", he suggested.

"I doubt anyone would pay good money for it, but sure, we can try! And we could throw this one in the mix too, and this shirt - if anyone's paying for anything it's because it's a good piece", you mumbled.

"Hi guys! Chat is all excited because you're here, see?", Lando kissed your temple and secured you on his lap, "today's stream is a little different, and you might have seen a little bit of it from the stories I put up earlier this week", Lando explained, "earlier this week Y/N and I made a big order of clothes and some furniture for an orphanage back home. They have an amazing program to ensure kids have a future in what they want to study or work in and we're also visiting them soon, and we thought you guys would want to help too if you wanted!", he smiled.

"This seems like we're decluttering the house - and in a way we are, to be honest, but there's this organisation here in Monaco that helps new parents in need - anything from diapers, formula, wipes, medications, clothes - and since we don't know much about that", you said as Lando chirped in, "not yet", smiling as he kissed your temple again, "since we don't know much about it, we were thinking of auctioning Lando's racesuits and a spare helmet, and all of the money would be going to that organisation", you explained, still blushing from his comment.

Lando put up the website where you had uploaded the photos and details, "someone says "there are some of Y/N's dresses here, are they for auction too?" - Yes, they are! This one wasn't so sure anyone would buy them so please buy them because a) it's for a good cause and b) I would get to tell her "I told you so" and get bragging rights for being right", he smiled smugly.

"Wow, you're really loving it", you spoke to the stream as the pieces or clothing were getting higher and higher bids, "guys, thank you so much! You have no idea how happy this makes me, us! We donate to this organisation every year and now we thought we could make a bigger contribution but never this big, thank you so much", you smiled, feeling a bit emotional and how caring and giving everyone was being, even people typing in the chat that they had made a direct money donation with the quantity they were able to give.

"What can I say? I'm always right", Lando charmed, praising himself as you cuddled closer to him, "you were", you whispered.

"Louder, baby, the chat can't hear you say I was right", he chuckled.

"Oh, the lady at the orphanage just sent us pictures of the kids doing their homework on the new desks!", you showed Lando the pictures you were sent, "I wish we could show you guys, but the little faces are showing", you said, pursing your lips and scrolling through until you found one of just the room, "this one doesn't! Look at how great their room looks now!", you gushed as you showed the camera.

(Thank you for sending this in ✨️)

#lando norris blurb #inês writes blurbs #f1 blurb #f1 x reader

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bblovetarot · 2 months

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{𖨆♡ 𖨆} Who will be your next partner?

ʚ ═══･୨ꕤ୧･═══ ɞ Pick a Pile ʚ ═══･୨ꕤ୧･═══ ɞ

. ༄ . paid readings . ༄.

。°⚠︎°。follow your intuition when choosing a pile. if you're drawn to more than one pile, that's okay! you may have messages in more than one.

。°⚠︎°。tarot readings are not 100% accurate, and do not dictate your future. please keep in mind that you have free will. these readings are also general and aren't specific to one person, so please take what resonates and leave what doesn't!

Pile 1

Pile 1, your future partner seems like a bit of a mystery wrapped in a dream. They're the creative type, always eager to lend a hand but not so great at asking for help themselves. It seems they've been through the wringer in love before, maybe coming out of a tough situation when you meet them. This person feels things deeply, maybe even gets lost in their emotions sometimes. They might seem distant to others, but that's just because they struggle to express what's going on inside. Misunderstood as aloof, they're actually just wrestling with a jumble of feelings. Despite this, they're not ones to shy away from adventure. They've got a spark for exploration, a childlike wonder that's both bold and brave. When it comes to decisions, they're all about following their heart, even if it leads them into uncharted territory. So, get ready for a partner who's a bit of an enigma, but with a heart full of courage and a spirit yearning for new experiences.

Pile 2

Pile 2, your potential match is a real go-getter, always aiming to steer their own ship. They might seem a tad controlling, but really, they just value their independence and don't like being told what to do. Rebels at heart, they're not big on following the crowd or taking advice from others – they trust their gut above all else. They're come off as confident and may have a bit of an ego. They might prefer short-term flings over long-term commitments, relishing their freedom and not feeling the need to settle down. They could be a bit of a catch, with plenty of admirers vying for their attention. Living life on the edge is their style, always chasing the next thrill. Yet, beneath that daredevil exterior lies some emotional baggage from past hurts. They might not have fully dealt with it, which sometimes leads them to push the limits. Despite this, they handle it with grace, giving off an air of composure. They're more laid-back than they let on, though, trusting their intuition and going with the flow. Life's too short to sweat the small stuff, and they're all about making the most of every moment. Your next partner is someone who has equal parts spontaneous and soulful, ready to dive into life headfirst and enjoy the ride.

Pile 3

Pile 3, your next partner might not be so new after all – you might already know them. It could be someone you've had a bit of a break from. Work seems to have been a big priority for them, maybe even causing some strain in your relationship. You both decided to take some time apart, but it was always with the understanding that it wasn't goodbye forever. This isn't a case of ghosting; it's more like a mutual agreement to hit pause for a while. Deep down, you both know there are things that need to be hashed out, conversations waiting to happen. They've been sending mixed signals, leaving you feeling a bit confused and maybe even rejected. But hey, you've moved past that – your gut tells you there's more to this story. It's time to have that heart-to-heart you've been putting off. Who knows? There could be some big revelations waiting for both of you. Despite the ups and downs, you trust your intuition when it comes to this person. So, get ready to dive back in and see where this journey takes you.

#dividers by chaefilm <3 #pac readings #pac tarot #tarot pick a card #tarot reading #daily tarot #future reading #pick a pile #intuitive reading

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infamous-if · 8 months

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There's been some discussion recently about MC that caught my attention because I agree. MC feels like a loser when you think about all of the other characters. When I play an MC who did nothing wrong to Seven it just feels like Seven is angry for no reason. Seven is allowed to act like a child while MC has to take it? Doesn't seem fair.

Everyone has something going for them and what about MC? No one likes them and everyone hates their guts. Aren't they supposed to be the main character? Why does everyone hate them? Why aren't they considered more talented? It just feels like MC is a doormat while Seven and the other ROs are these talented superstars.

I don't want this to come off any way but I feel like the story would be stronger if you made MC a bit meaner or at least made people acknowledge MC as a better singer.

I don't want to sound rude but I'm very much exhausted by this topic. I've probably explained this 5+ times but I'll try to break it down one last time just so people can understand what I'm trying to do.

First, to get it out of the way, we are only on Chapter 2. I just want to reiterate that. The story just started.

It just feels like MC is a doormat while Seven and the other ROs are these talented superstars.

Secondly, MC is a character I try to give as much customization to, both personality and appearance wise. There's a variety of ways you can approach everything, or I at least try to in a way that doesn't sacrifice what I want to write for the plot, but I think people are under the impression MC is 100% a blank slate character when it's not true.

MC is still dependent on the plot and I always strived for MC to have their own narrative arc. The same way the ROs have their own character arcs, MC will have their own, because they are a character in their own right and going through some that fundamentally changes their life. That means the MC from Chapter 1 will not be the MC at Chapter 20. They will be different. That's what a character arc is. Character development is expected. How can you expect a slew of ROs to grow and change and MC remaining stagnant? Doesn't make sense narratively and it seems unfair to MC.

The MC is not a completely blank slate, and that's where people are getting it confused. In the beginning, MC is going through such a change with BOTB, without their family, and on the heels of a band breakup that's still impacting them today. MC is a little down, maybe even depressed if that's how you read it, and they're getting pushed to be leader by their manager. They are not really okay right now. They have to be professional and put on a brave face for the sake of their band, who, if you paid attention to what Rowan said in Chapter 2, are all depending on this. This is what they worked for since high school. MC is not going to flip a damn table on Day 1 just because you want them to. MC can fight, if you choose, against UWB. That's not supposed to be a smart choice, but emotions get the best of all of us.

They are only just navigating a worldwide globally famous show with a cheating allegation hanging over their heads, and a manager who wants them to be leader when, up until now, they haven't been. They've just been friends making music and miraculously having a fanbase. Now they're really in it. They have been thrust head first into the industry in a way that is so big that MC has to go from singer playing with their friends to a leader of a band who may just become globally famous in a few months if they play their cards right.

A lot of their actions are influenced by the fact that their band almost broke up and it's a thing that hangs over their head. Their past influences them. That's...how people work.

Now, if we're at Chapter 20 and MC is still acting like a scared bunny who doesn't know what they're doing, then be my guest. Scream in my inbox, I'd understand. That would be terrible writing, but we're not. The tour just started.

I play an MC who did nothing wrong to Seven it just feels like Seven is angry for no reason. Seven is allowed to act like a child while MC has to take it? Doesn't seem fair.

MC doesn't have to take it lol. I've always given an option to be rude to Seven/try to put them in their place.

People think I favor Seven when that's not true. (Seven isn't even my favorite RO)(That title goes to August lol). Seven acts the way they act because they are not in a healthy headspace. Their actions are not meant to be understood, because they are not entirely justified. Seven has a lot of growing up to do, but I have never sat here and advertised Seven's emotions as correct. Everyone knows Seven is childish, everyone knows Seven is handling everything terribly. People in the story have mentioned it. Their abandonment issues GREATLY influence their characterization and actions. MC has abandonment issues as well, of course, but MC is not as emotionally unstable as Seven. That's canon. It is what it is. Seven has a whole subplot about it.

As do other ROs. The only difference is that they're not so open about their struggles. Seven just doesn't care. Their emotions guide them. They can't control it. That's who they are. I have also said that many times.

I don't know why you think Seven can get away with everything when 1) it's only been 2 chapters and 2) no one knows how anyone feels about Sev because it's in MC's POV. Seven goes through their own trial by fire. As every RO does......thats a narrative arc.

Seven was always going to be a plot point, whether they were an RO or not. They were always going to be MC's former best friend.

This one bothers me the most, mostly because I don't know where this came from. "No one likes them" Jenna and The Jewels does. Slow Crawl does. Their fans do. We haven't even properly met the other bands. Of course there will be bands who don't like MC: they're competitors. They're not friends. They don't know MC, why would they be biased towards them? Because they're the main character? They don't care about that?? It's how fiction works.

Maya is following the band around because of how much she admires MC.

Orion quit his job because MC's singing inspired him that much.

G listened to MC and saw something in them. Literally calls them the 'Chosen One'

Fans of the old band preferred MC over Seven. They liked the songs where MC sang solo. MC was better for their future over Seven. Hence why it was Seven getting demoted, not MC. I've said this. It's in the story.

I don't see how being the lead singer of a band on a global show at 26 makes anyone an actual loser but I digress.

Literally in Part 2 MC is acknowledged so maybe it'd be better if we waited? Say a good few chapters...?

If you wanted a story where MC is Queen level famous right out the gate and the #1 draft pick for BOTB and has no problems and better than everyone, then I'd advise you to look elsewhere. I don't like that. I like giving MC obstacles because conflict creates story. I like MC having to fight for their spot. It's more realistic, and this has never been a story of fame. It's been a story of their journey to fame.

That's their narrative arc. They grow into it.

You are allowed to hate/dislike Seven. I encourage it. I have given MC the option to hate Seven, because I'm aware that what Seven is doing is unfair. I am not punishing you for hating Seven. And this goes for all the ROs. It does not bother me if you dislike my characters. It means I haven't made them squeaky clean and have made them realistic enough to have people both dislike and like them, much like real life. I get it.

I've always advertised Infamous as a messy, angsty and dramatic story. I've used the term 'melodrama' for it often. I've always said the ROs--especially Seven--are flawed. Some more than others. I've said, verbatim, they are not wholly good people. I don't know why people act so shocked when they act some type of way. Like...I've always stayed true to what the story is. Half the dynamics aren't healthy right now...but that's the 'growing up part' of the story we haven't even gotten to yet?

If that doesn't interest you, then that's perfectly okay! If you don't like the narrative arc I have planned for MC, that's fine too! It just becomes a bit disheartening when people ignore the narrative.

I will try harder to write in a way that specifies my intentions. I always believe that if more than a handful of readers have the same complaint, then it's on the writer to fix it.

I hope my tone didn't come off rude, I'm just really really tired of this. I've had to deal with this since even before the demo dropped :) but your critiques are valid and everyone is always free to express themselves however they want. <3

#inbox #'MC is a loser' convo will always follow me I guess #MC will win a grammy and someone will be like: “they're kinda...loserish though? imagine winning a grammy at 30 and not 20 lol”#/j #ill add this to the faq and never talk about it again

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bahrtofane · 1 month

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promises under the stars - jude pov

Jude never meant to replace you. But that's how it ended up isn't it. There's no one to blame but himself, no one behind each and every decision that now has him standing at the end of an aisle, waiting for his bride. A bride that isn't you.

highly highly recommend reading this fic first. or else it kinda doesnt make a whole lot of sense on its own. then come back here. this is kinda like a part 2? kinda

shout out to this anon for this idea ! hope you like it

word count - 2.1K+

watch it - well angst, yet again. pregnancy talks the works. sorry if i used ur name for his wife xoxo. enjooyyy

p.s. - shout out to @anadiasmount for the inspo to create the image at the end ! go read all her stuff yall so good

—————-

He thinks the moment it all comes crumbling down is when he gets word of you getting mobbed. After you've just been to Madrid with him. And he can't do anything about it but send security and hope it doesn't get out of hand.

He expects you to give up right then and there, curse him and wish for him to have nothing to do with your life again. But you don't. You can never bring yourself to blame him. To hate him.

Then comes your whole family suing him for something completely out of his control. Fresh after your father has threatened him, this is just what they need to come after him legally.

It's okay because they don't win. Of course they don't. How stupid do you have to be to try and sue for going on vacation for someone you love. He wants to call you every step of the way. But his lawyer warns against it. So he doesn't. And you’re left in the dark.

Do you even know that they've tried to sue?

He can guess what you're thinking. He knows you too well. You think this is him taking an exit from his life. He doesn't want it to be this way. Maybe its for the best after all he finds himself thinking. Back to the thoughts of letting you go for your good as much as his.

But like most things in life, things get muddy.

He spends his time in a whirlwind of emotions, all leading back to you. He can not go more than an hour without you in his mind.

Even if his texting habits dont show it, he wants to talk to you every second of every day. Do you remember when he would call you to complain about the mundane. When he stubbed his toe, or drank out of his mind, pressing his nose against the screen trying to feel you against him.

Things have changed. He’s no longer the same youthful Jude with a penchant for recklessness. Taking day trips to see you, skirting around paparazzi and your families just to have a moment together.

He misses you, but he’s scared to reach out again. So he remains silent and an onlooker to your life.

Funny isn't it. World class player with more money than he knows what to do with is scared to text you in fear of what your families will say or do.

And yet, he can’t stay away for long can he. His resolve breaks on your birthday. Months and years have gone by. Legal cases are drawn out go figure. And he's been so busy with games every few days and events he can never say no too. When he gets home his bones ache, only finding the strength to clean himself up and go to bed.

When he calls you he realizes maybe it's too late. That waiting for things to blow over have left a gap in your time together. He knows nothing but memories. Your life eludes him. He tries to go back truly, but seeing your story while you're out with friends, smiling- actually smiling. He thinks he better not intrude.

His mother isn't helping one bit. She's come to the conclusion that the only way to move on and get your family off his back for good is to just move on. Find a “nice sensible girl” she says, smiling.

Jude doesn't want to. It makes him sick. Kicking and screaming the whole way about it. It’s not a bad idea in theory. Pretend to date someone. Your family gets off his back his family of yours boom you can be happy together again.

So he can learn who you are again. Find a way into your life. Do you still tilt your head when you're confused? He needs to get back to you. He can't let someone like you leave. He doesn’t just love you, he’s fascinated with the person you’ve grown into.

The thought of you with anyone else makes him sick. He still loves you, and he makes himself believe that the same is true.

If only right.

He meets Kaylie in the dead of winter. At a sponsorship event that he completely forgets about and shows up an hour late to. He looks around trying to find his agent but before he can even say his usual rounds of hellos he spots his mother standing with a blonde who clutches her necklace to her chest while she laughs.

This is the start of his own nightmare.

He comes back around when he knows he has to. After taking his sweet time talking to everyone. He tries to look for help to get out of the encounter but it's already too late. His mother is flagging him down. So he walks over, already sweating.

His mother all but pushes them together.

“What a couple you two are.” she beams, hands clasped together.

He gives a tight lipped smile and tries to wiggle his way out the awkward slew of introductions Kaylie gives of herself. But his mother gives him a look, grabbing into his arm and making stand and listen.

There's a look in his mothers eye, he knows what it means. This is the woman that's supposed to replace you. He feels sick.

——-

Along the way he thinks that maybe this is what's best for him. For you.

His family all love Kaylie. And she's sweet enough.

Nothing like you, dragging him into different clubs while you linked arms to get ice cream at the same time.

He finds it hard to keep up with her. Her life is fast paced, more so than his. Every time he calls she's in a different country it seems, catching flights and going to fancy resorts.

You never minded a quiet night in. Its what you loved, being able to exist with him.

Most of all she doesnt know him. She knows Jude Bellingham. The player, the figure, the celebrity. She doesn't know that he has a bad habit of touching his ears when he's nervous, how his eyes go wide at praise and teasing. How without a hundred reminders and alarms he truly would be late for everything. You always helped getting him to things on time.

When you were both awkward pre teens struggling to make sense of the world, you’d stop by his house to make sure he wouldn’t miss the bus. Sitting next to him on the beaten leather seats, and spitting facts you learned the day before.

He always listened. He still would today.

He doesn't think Kaylie’s noticed anything about him. She spends most of their time together taking pictures and flaunting him around. He pretends it doesn't bother him. Is the peace even worth it at this point?

She doesn't know how much he loves making little daisy chains, how much he loved putting them in your hair when you were kids. You’d throw a fit, but he never missed the look in your eyes when his fingers would swoop down to settle them gently.

Kaylie is beautiful. But she's not beautiful like you. She may have an expensive taste for clothes that allows her to put together a stunning outfit for any occasion, cleavage on display while she pouts her lips and bats her eyelashes for a kiss. Kisses he never gives her. He can't. Not when he knows you wait for him.

Sure she's great by the average man's standards. But she's not lovely like you. You could be in a trash bag and he'd still think you're the most gorgeous person on the planet.

He thinks this whole Kaylie thing will blow over, that he'll be able to get back to you.

And he tells her this.

He goes through the motions, just to shut everyone up.

Sitting her down when his mother isn’t around, “I don't love you. I will never be okay. I'm only here to get my mom off my back.”

And she laughs, flicking her hair over her shoulder, “Okay Judey whatever you say,” bracelets clanking together.

The name makes him want to hurl. “Get out of my house.”

Kaylie has got it in her head that she's here to stay. They've gotten into screaming matches because she's gotten her hands on the spare key and spends her days lounging in his house while he's away. They're not even officially dating by any means.

And he keeps finding her in his bed, in nothing but one of his shirts. Giggling and acting coy. He's losing his patience and losing it fast.

“Why did you give her the key.” Jude storms into his mothers house.

She's making tea, swirling a spoon in her mug,”she's your woman isn't she. She needs one.”

“No. She's not my woman and you know that. Everyone that.”

She set the spoon down in the sink, going over to where Jude stands.

“Jude. you need to focus on what's good for you. And she wasn't good. You should be lucky that they didn't win the case. I went and told them about Kaylie and how wonderful she is. Be thankful. “

He's losing his mind. He needs to talk to you.

He gets the chance when he's back in his hometown. And he sees you. He doesn’t think he could ever miss you, not even in a crowd. A rush of people stop him from running right to you. So instead he texts you. For the first time in ages.

Was nice seeing you.

He hopes you can read between the lines, that you still know him well enough to understand what he really means.

I still see you.

For Jude is a coward.

——

You dont reply. He forces himself to go back to what hes been forced to know.

Kaylie is all over him, hands roaming his body. There are days when he gives in. Sharing a bed with her as a cruel demented way to find some sort of release from everything that goes on around him. The look on her face after its all set and done makes him genuinely want to punch something. A look of arrogance, like she's won something.

And to top it all off he's been called up for England. His life gets even busier, if possible. Trying to keep up with it all proves to be grueling.

But light comes in the form of you. In the form of a single text.

Watched you play tonight. I'm proud of you.

You're proud of him? You watched him?

The words bring him to near sobs, the light of his phone illuminating his hotel room while hes getting changed into his pjs. It's completely dark, his personal preference. And hes so happy he would fly the damn plane himself to see you.

Before he can even think of a reply Kaylie tells him she's pregnant. Barging into his room with a little white box in hand. He thinks is some sort of congratulations for the game. Tacky card, maybe a watch.

When he opens it, his world comes to a halt. Its a single pregnancy test.

He wants to cry. He's too young to be having kids let alone with her. It makes no sense to him. He always used protection the handful of times they did sleep together. Each time he'd only cry in the shower trying to scrub off her smell and the feeling of her touch off of him. She's only a distraction he tells himself. Too late for those words now.

It feels so wrong, so so wrong. He was supposed to be waiting for you and here he is sleeping with another woman. Who's now pregnant. He wants to vomit.

He's in too deep now. And he can't be a deadbeat dad.

Thoughts of you get pushed back to his mind while he scrambles to deal with the consequences of his own actions.

When they get back to Madrid, his mother doesnt let him off easy. Screaming at him till he thinks he's popped an eardrum. And yet there's a gleam in her eyes like she's happy it all worked out this way. Doting on Kaylie and rubbing her belly (that's not even close to showing yet), and calling herself grandma already.

The next step is obvious. He has to marry her and make it work.

So he does. An impromptu wedding that happens so fast he doesn't even hear the congratulations from everyone. He doesn't know how to break it to you so instead he posts on instagram and tries to figure out what his life has become.

Jude is nearing 25. He has a kid on the way. He's married. He hates his wife. He hate himself. Can you ever forgive him?

#jude x reader #jude bellingham x reader #jude bellingham imagine #jude bellingham x you #jude fluff #jude bellingham #jude x you #jude x y/n #jude bellingham one shot #jude bellingham fanfic #jude bellingham angst #bahr footy #YAY #i acc got this out in a semi reasonable time frame go figure

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bulbabutt · 11 months

Text

ok i wanna talk about tmnt 2007 and the way i think this is the best version of a leo and raph conflict, and also leo as a character

for context i've been talking about tmnt things kinda chronologically, so i'm gonna mention an unconditional understanding in 03 i bring that up in a previous post about that show and the family dynamics in it here if u want context for what i mean

i think this movie can really be appreciated for the place it has between adaptations, and the way character-wise everyone is more or less the same as they've always been but with a more interpersonal relationship as the focus. the main villain of this movie doesn't really matter, the conflict, the fights, that's not where the strength is (although, it is reflected in the conflict and ill get into that)

so tmnt 07 is one movie that kind of combines the 90s movies, 03, and mirage all in one place, and tonally is is similar to the show that will come after it, 12. if the 90s movies give us conflict between leo and raph, and 03 gives us the unconditional understanding between the two, 07 takes these two aspects and creates a story out of it. (debate in your own mind if this movie is a literal sequel to the 90s ones or not, its not that important)

the set up of this movie is we are in a post killing the shredder world. leo has been told by splinter to go get training elsewhere, there isn't much context for what happened to cause this, but i would bet its a similar cause to 03, where he had ptsd and lashed out at his father to which splinter sends him to his grandfather to get better advice than he thinks he can give him. the difference here is there is no grandfather hes sent to, he's sent on a journey of self discovery around the world to learn about it and himself.

the thing about leo as a character, and this goes for all leos, he's has a very black and white way of thinking. leo thinks he's been sent away because he's failing his family, that he's not a good enough leader. so he stays away for longer because he doesn't feel good enough. he finds a place where he can help and he does that. leo always needs a bad guy to fight, or else he's fighting his own demons. so he stays there for a long time. finding a place he can help quietly, never letting anyone see him, and becoming a legend to the locals because no one knows what's really going down.

april manages to track him down and tell him about whats going on with his brothers, how they're holding up without him and without being a team, and i think thats a good reminder for him that they miss him. he doesn't tell april but he finds a way home only after hearing about this. when he arrives and speaks to splinter, he says "i was so caught up in my own world i forgot about everyone else, i'm sorry i failed" he still doesn't feel like he's done anything of worth.

i'm gonna jump in here and say, you know how we all love rise raph? cuz hes the big brother and some traits that come from that are like being overprotective and taking on everyone else's problems and trying to handle emotions alone? well that's a trait thats usually leo's. but the difference with leo is sometimes that concept doesn't make you as likeable. sometimes it means you come off like a nagging mother hen who thinks they know best but in an arrogant way. sometimes it makes you mirror being a parent when no one asked you to be. leo's less of a passionate character than raph, hes more analytical and full of himself. he takes splinters lessons more seriously, and hes always trying to do whats best for everyone so they don't have to worry. this is something evident with 03 and 12, but its so specifically noticeable here because these traits make up the main conflict. i just want to bring that up so we start seeing leo as no different than some of our other favourite iterations.

splinter responds to his apology by saying "you owe me no apology, but perhaps you should talk to raphael, your absence has been particularly difficult for him, though he'll never admit it" but when leo greets him raph is brushing him off.

on raph's end, this is him being angry that leo left, and angry that hes back and everyone wants to pretend that he wasn't gone at all. as if the time he was gone didn't happen. hes lashing out because he too cant handle talking about these emotions. and hes lashing out by becoming a vigilante in his own right.

i see a lot of people misunderstand what raph is doing here, that "this is what the turtles always do" or "this is the same as what leo was doing how could he be mad" when that is not true. that's what casey does. its true that both leo and raph have been fighting bad guys on their own (as a way of dealing with their issues) but raphael has made himself a costume to disguise himself which means hes prepared to be seen. hes riding a motorcycle around, which is loud. this isn't stealthy, this is aggressive. his vigilante name is in the news. the turtles are ninjas, they silently help where they can and fade into the night and, very specifically, they work as a team. these turtles live in a dangerous world, what if something happened to him while no one else was around? they would never know because he never told anyone.

so raph is lashing out, and leo doesn't have a good way of dealing with it. he tries to slide back into being leader, doing what splinter says but he forgets how his brothers are, and with raph egging them on they get into fights they shouldn't. which leo specifically gets in trouble for, as the oldest brother, and as their leader. leo tries to be this better leader hes supposed to have learned to be, but it doesn't work and raph ends up back out there in his vigilante get up. leo tracks down said vigilante, and in his peak "leo knows best" moment, lectures him, not knowing its his brother. there's a scuffle, and the mask comes off. let me point out that casey knew this vigilante was raph but his own brother didn't, because leo has been gone that long.

so lets get into what this fight is really about. on the surface, its "wow you've been going out at night alone putting yourself in dangerous situations with no backup" and "so what you're just mad that i can do it without you" which leo would be right about. and this is the analytical leo, he really thinks that's all that's going on here. what hes missing is that raphael has missed him as a brother, and hes hurt that leonardo left and just came back no big deal. that he wants everything to be normal. raphael is always a character with big emotions and the only outlet he knows to express them is violence.

leo, who as we've established, went away to learn to be better for his family is angry that raph doesn't see that. he's mad raph doesn't appreciate the effort he went to, and he thinks he's just angry because he's not in charge. each brother sees the other as being arrogant.

this leads them to the big fight. no one can disagree that this is the best part of the movie (seriously watch the movie for this scene if you haven't seen it before) , but the real best part of it is that raphael wins. raph proves hes just as capable of a fighter as his brother, if not more-so. he uses those sais as they're supposed to be used, catching leo's swords and in a fit of rage he fucking breaks them, leaving leo defenceless and completely vulnerable to attack. you'd think he'd be smug that leo lost but he pauses, going through a lot of emotions in a moment, questioning what he's doing, why hes doing it. and leo finally looks his brother in the eye and sees raph going through something he didn't before, realizing raph hasn't been angry that he's back, but that he's angry that he ever left. they don't have a conversation, because raph cant handle all these emotions and he runs away, crying as he does. leo just watches him, taking it all in and realizing the error of his ways.

hearing leo scream turns raph around, but he's too late to help him, and this is where raph regrets his own actions because right then, leo is also proven right in his argument. because he gets kidnapped. if leo hadn't chased raph down, there is a very good chance that would have been raph being kidnapped. with no backup, with no one knowing what happened to him. that's why its important that the turtles are a team.

raph goes home full of guilt, and there's a good moment of showing how he cannot open up emotionally here, because he grunts, punches the wall, knocks over some weights and forces splinter to ask him what happened, because that's how raphael is. he laments to his father that he finally understands why leo is the better son, proving that to raph none of this was about their team, but about their family. conflating the two ideas in his head. splinter gives him a talk that mirrors what he said to leo when he returned earlier in the movie, encouraging him that he is a good son and brother. this shows that these brothers have very similar insecurities about their value to their family.

the rest of the movie plays out as you expect, they go save leo, they stop the bad guy, they reconcile and behave as the team they're supposed to be. but i just want to point out that the villains plot is mirrored in leo and raph's conflict. the 'villain' here is a brother who has been cursed to be immortal without his own siblings. for 3000 years he lived to regret his actions and decided to undo his curse, but he used the cursed stone versions of his siblings to do so. no communication, just thinking he knew better (which maybe he did) and lying about it. that caused them to lie to him right back, and try to overthrow him and destroy the world. this is just one family whose inner turmoil could have destroyed the world. you might say, oh that's not a very interesting turtles villain, but its not supposed to be. its not the focus.

this movie is all about the complicated relationship between a family, and i see so many people talk about it by trying to ask who's right and who's wrong. that's not how it works. life is more complicated than that, people are more complicated than that. its boring to look at this movie and just say "leo is wrong and raph is right" because that's not even how the characters see it. this movie is about leo and raph being mirrors of each other in their arrogance, in their insecurities, and in their stubborn pig-headed refusal to let the other know how they feel. splinter says as much at the start of the movie. this whole movie shows that without each other, they need to be fighting something so they don't get swept up by their own emotions, which they are both bad at processing. they are SUCH brothers. they are so similar emotionally, yet they have such a hard time understanding each other.

personally 07 leo is my favourite leo for his complexity, his flaws his strength, his growth. its sad we never got those sequel movies to get into the other brothers heads as much as we got into leo and raphs heads.

also nolan north and james arnold taylor gave the best vocal performances in this movie and they deserve all the credit for it.

#tmnt #tmnt 2007 #tmnt 07 #teenage mutant ninja turtles #07 leo #i will defend 07 leo to death does no one understand his autistic swag like i do #all leos are like this he just got to shine cuz the movie was ABOUT his and raphs issues #this has been in the drafts for a while and in the mind a LOT longer than that #sorry its long idek if thats all i have to say about him but CLEARLY its long enough #thoughts

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riality-check · 11 months

Note

Things you said through someone else -- steddie! For the ask thingy 😄💛

(This is so old but I finally have the energy and the idea for it, so here we go!)

Steve cheers every time it starts raining. He's not a fan of getting rained on, and lightning makes him uneasy after a few too many trips to the Upside Down, but rain means people stay inside, and when people stay inside, they're not at Family Video.

It is dead, and it is glorious.

Robin amuses herself by stacking as many tapes as she can on the front counter. She's up to twenty seven and has climbed onto the counter to keep the tower going. Steve occasionally blows on it , just to see the tower shake and laugh as Robin frantically tries to stabilize it.

He bets she'll make it to thirty six before it falls. There's no way she'll make it all the way to the ceiling.

While Robin stacks the tapes, Steve relays the story Dustin told him, in typical dramatic Dustin fashion, about Eddie cancelling Hellfire last night in favor of going to see a local band they really like at a bar a few towns over. He's almost at the point where he has to do an impression of Dustin doing an impression of Eddie, which is as ridiculous as it sounds, when the bell on the front door rings.

Rather than groan aloud, Steve and Robin send each other matching help me looks.

Robin hops down from the counter but makes no move to dismantle her teetering tower of tapes. Steve looks around them to see Eddie and the guys from his band walking in and brushing the rain off their jackets.

"Hey guys," he says because he knows them, he's been to a few band practices. "What's up?"

Eddie beams at the sound of Steve's voice and waves very dramatically, but he doesn't say anything. Instead, he writes something down in red crayon on what has to be an absolutely drenched notepad. He passes it to Gareth, who rolls his eyes.

"Eddie lost his voice last night at the show, but that didn't stop him from dragging us here," he says. His own voice is scratchy, and Eddie elbows him for his dead tone.

Robin rolls her eyes, amused.

"Okay, but why come here?" Steve says. "If you're not feeling well-"

Jeff pokes Eddie. "Come on. You're the one who dragged us here because you can't talk."

"Well, all of us didn't need to be here," Archie adds.

"All of us have to witness this," Jeff says, and Archie nods, satisfied.

Eddie waves his hands frantically in an unmistakable stop talking gesture before he keeps writing on his notepad.

Steve tries valiantly not to laugh. One look at Robin's matching expression of these guys are ridiculous ruins it instantly.

Eddie makes eye contact with him, and Steve watches as he turns bright red as he keeps writing.

That totally doesn't do anything to Steve. Nope. Not at all. Because he totally didn't realize that he might not have completely heterosexual feelings for Eddie as of... last week.

Okay, they've been around for longer, a lot longer, but Steve wasn't able to catch on to that until very recently.

Other people's emotions? Easy, very clear. His own? No thank you.

Eddie tears off the top sheet of the notepad and hands it to Gareth.

"Jesus, Eddie, I can't read this," he says, and he passes it to Archie.

He takes it, squints, and says, "I refuse to read this."

Steve has never seen Eddie look more embarrassed. It shouldn't be as cute as it is.

Jeff snatches the note out of Archie's hand, and reads, out loud, "I was out last night and all I could think of was how much better of a time I would have had if you were there. Date, Saturday, 7:00, I'll pick you up, yes/no?"

Everyone freezes. Gareth and Archie stare at Eddie incredulously, Jeff holds the note far away from him, like it'll give him cooties, Eddie has his head in both of his hands, Robin looks one stiff breeze away from a laughing fit, and Steve-

Wait. Eddie feels the same way?

And then Robin's tape tower clatters to the floor, breaking the silence.

"Eddie, that's some middle school shi-"

"Damn, okay, guess we weren't enough fun for you, I'm joking, I promise-"

"Oh my god you couldn't even wait-"

"Yeah," Steve says.

Everyone stops and looks at him. Eddie takes his head out of his hands, big eyes hopeful.

"It's a date," Steve says. "But I'm driving, maniac."

Eddie's smile is blinding, and then, all at once, his friends pile on him.

"Let's go!" Jeff yells.

"I can't believe that shit work- ouch, Archie."

Robin laughs with them and gives Steve a hug of her own.

"You're never letting him live this down, are you?" she whispers.

"Absolutely not," Steve says.

"Alright, get out of here!" Robin says when she pulls back. "Get some vocal rest and find someplace dry that isn't here. You'll attract customers if you stay, and God knows we don't want that."

The guys laugh, high-fiving Steve and Robin on the way out.

Eddie is the last to leave. Steve can tell he wants to talk, can see how he opens his mouth before he remembers that no sound will come out.

"See you Saturday," he says for him.

Eddie nods and leaves when Archie yells at him to unlock the van.

Steve watches them pull out of the lot as Robin starts reassembling her tape stack.

When a car pulls into the lot and out comes a mother and her two kids who will definitely take every tape off the shelf and definitely ask too many questions and actually will make them work, Steve and Robin look at each other and say, in unison:

"Goddammit."

There are some people even the rain won't stop.

Though, Steve supposes as the bell on the front door rings, maybe that's a good thing.

Prompts here.

#ria writes #asked and answered #legitcookie #thanks for asking!!#steddie #steddie ficlet #steve harrington #eddie munson #robin buckley #stobin #platonic with a capital p #corroded coffin #jeff stranger things #gareth stranger things #stranger things #stranger things ficlet #st #st ficlet #fluff

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writing-with-sophia · 3 months

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How to get into the mind of a character? Honestly this can be for your OWN character or a fictional character. I'm wanting to write for characters- headcanons and fanfictions- and I'm so afraid I'll write them so uncanny to how they actually are.

How to get into the mind of a character?

To get into the mind of a character, you have to understand that character, believe in that character, and even "live" the character's life. But we all know each individual is different, and we cannot live different lives. A normal person who grew up in peacetime cannot fully understand the hardships of a warrior, and a doctor cannot know the thoughts of a mafia boss.

So, how can writers create believable characters? How can they possibly offer a believable soldier, cop, detective, alcoholic, or any given character type if they themselves haven't lived as them? How can they possibly offer a believable character in a situation that they've never been in?

Here are some tips you can use to get into the minds of characters:

Tip 1: Observe real-life people

To create well-rounded characters, observe real people around you. Pay attention to their behaviors, mannerisms, speech patterns, and thought processes. Take note of how they express emotions, handle conflicts, and make decisions. Drawing from real-life observations can add depth and authenticity to your characters. You can also search for novels and movies with different themes, study how characters with different pasts, biographies, occupations, and personalities act, behave, gesture, and speak. The best way is to prepare a small notebook and a pen so you can carry it with you wherever you go.

Tip 2: Create a detailed character profile

Develop a detailed character profile that includes information such as their age, background, beliefs, values, goals, and fears. Consider their relationships with other characters and how these dynamics influence their thoughts and actions. Delve into the character's past and explore significant events that have shaped them. Consider their upbringing, traumas, successes, and failures. These can provide you with a roadmap for understanding the character's mindset.

Tip 3: Use internal monologues and journaling

Imagine the character's internal thoughts and dialogues with themselves. Consider what they might be thinking in different situations, their hopes, dreams, and fears. (And why do they dream of that? Why are they afraid of that thing? What in the past made them afraid? Always asking questions.) Writing internal monologues or journal entries from the character's perspective can help you delve into their mindset and gain insight into their unique voice.

Tip 4: Consider their external influences

Characters are influenced by their environment, culture, and society. Reflect on how external factors such as family, friends, societal norms, or even the story's setting impact their thoughts and behaviors. This will help you portray their worldview more accurately.

Tip 5: Study the source material

If you're writing about an existing character from a book, TV show, or movie, immerse yourself in the source material. Pay attention to their dialogue, actions, and interactions with other characters. Take note of their personality traits, motivations, and backstory. This will help you develop a strong foundation for understanding the character. For example, recently I suddenly became interested in Nightwing (do you know him? Nightwing from the Batman series!), and I wanted to write a few short stories about him. So I found all the comics and movies that featured Nightwing and watched them one by one. I don't take notes because I have a pretty good memory (especially for characters I like), but I still recommend taking notes on special things to note.

Tip 6: Practice free writing

Set aside time for free writing exercises where you write from the character's point of view. Allow your thoughts to flow without judgment or editing. Just write, write, and write. You can reread and make corrections after you're done. Remember to gather your posts in one place; otherwise, you'll lose or forget them (like me!).

Getting into the mind of a character is an ongoing process that requires continuous exploration and refinement. The more you invest in understanding your character's thoughts, feelings, and motivations, the more compelling and authentic your writing will become.

Additionally, you can read my articles on how to write an effective character here:

How to create a superbad villain

How to make a villain's appearance memorable

Basic questions for your character

Describing a villain's appearance in a natural way

Create an effectively past for character

Common character motivations

How to create a good main character

How to avoid the instance where a secondary character stands out more/ is more lovable?

Character flaws

Writing a good Anti-Hero

Character positive traits

How to write an elderly main character?

Protagonist who is a ballerina

How to write a believeable egotistical character

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ashwhowrites · 7 months

Note

Hi babe! Can you write one where Eddie has a very sensitive girlfriend? Like, does she sometimes get bullied for some new hairstyle she got and then she cries, or she fails a test, cries again, some new clothes and some idiot judges her? cries, and then one day Eddie sees her crying once again, and instead of comforting her, like always, he was tired of her always being a crybaby who doesn't know how to deal with insults, this only makes her cry more, but Eddie notices his mistake. Don't write if you don't like it! I'm normally crybaby, I just wanted to know how Eddie would deal with this 🥰

I AM the sensitive girlfriend so I think I can make this request work :) this fic is very personal to me so please no harsh words about the readers behavior or thoughts

Crybaby

Y/N was the type of person that felt everything. She connected emotions with everything around here. It was something she loved about herself but something that she could be most insecure about.

Eddie was understanding of how sensitive his girlfriend was. She was always honest about how overly sensitive she was and that she could cry at the drop of a hat. Eddie wasn't bothered by any of it. He understood it was something she didn't have control over.

Y/N was always grateful that Eddie adored her through her emotions. Whenever she cried over something she felt stupid, he reassured her it didn't bother him. She feared she was too much to handle, but he told her otherwise. The need to cry over almost everything was draining for her, and she can only imagine it was draining for their relationship. But Eddie never had anything negative to say.

It was still a fear of hers that he thought differently from himself and was too afraid to speak up because he knew it would send her over. With every sweet word, she feared a negative one was in his head.

She knew that Eddie had to walk on eggshells with her and that he always needed to think about what he was going to say. They've had moments in the past where he put his foot in his mouth and watched her cry. Sometimes he was the one who made her cry, but she saw it as her fault. If she wasn't such a crybaby, she could shrug off anything that was said to her.

Y/N dealt with jealousy issues as well. She has been replaced and forgotten in the past. Her stomach and heart couldn't handle Eddie talking about other people he found attractive, and that included his exes. She always made sure never to ask about his past relationship because she knew it wouldn't go well. But sometimes Eddie forgets that and speaks mindlessly.

Eddie laughed as he told a story about an ex he had, slapping his knee as the laughter took over his whole body. Y/N wanted to laugh with him because she knew an ex was just an ex. But now all she could think about was Eddie working with his ex, and that if he ever talked about where he used to work, her brain was going to think of his ex immediately. His old job isn't just an old job anymore, now it's a landmark of where he had a relationship. The feeling settled in her stomach and she tried to shrug it off. She knew it wasn't a big deal, and certainly nothing to be upset about.

But the tears came down anyway, and her thoughts focused on Eddie being the way he was with her with someone else. Someone that got to learn all the things about Eddie first, and got to love him first. It was a known thing that in their relationship they didn't talk about exes often, and she was hurt that he ignored it. She went silent, fighting in herself, and hated that she was already upset. She was embarrassed, it drained her to constantly be upset about Eddie's past attractions. She hated that she couldn't move past it without it keeping her up at night. She just wanted to be normal. She just wanted a normal brain that could handle this and be mature about it.

"Why are you so quiet?" Eddie asked, realizing the silence after his laughter died out.

She simply shrugged and said it was nothing. To her, it should be nothing. All he did was tell a story and she needed to grow up. But Eddie didn't buy it and he was annoyed with the silence.

"You're crying so it's not nothing. What is it? Did something happen today during your shopping?" He asked, she never would come out and say exactly what was wrong. He knew she liked to be asked specifically so she wouldn't have to bring it up on her own.

"No"

"Is it something I did?" He asked, he knew he hit the target when she stiffened. She slowly nodded and looked at her hands.

"Is it about the story I told? Because that's pretty stupid to be upset over." Eddie said, not thinking about the words leaving his mouth. If he thought it over, he'd know that added salt to the wound. But he didn't realize the mistake at first. He didn't realize any progress of her wanting to bring it up vanished. Now she felt way too insecure to admit she was upset about it. She already thought she was pathetic enough for being upset over it, but now Eddie thought so too? How many times has he thought the same thing and just never said it?

"I'm okay." She said, smiling as she wanted to move past it.

Eddie let it go, talking mindlessly about anything. She listened but he could tell she was upset. He gave her a few minutes before pushing into her again.

"Alright, talk to me. What did I do?" He asked softly. The sweet tone he always used, but now she felt like he was faking it. Deep down he was so annoyed about having to comfort her again.

"I didn't like the story about your ex, and I felt stupid for being upset about it so I wanted to deal with it on my own. And then you said it would be stupid for me to be upset about that and.." she cried into her hands, her voice cracking as her cries took over.

Eddie felt his heart sink, immediate regret filling his body as he raced over to her. He grabbed her hands and pulled her into a hug. His hands rubbed her back as she cried into his shoulder.

"Shh, it's okay. It's not stupid. I say shit without thinking and put my foot in my mouth. I'm sorry. And you are valid to be upset. Okay? You've been open about how it's hard for you to deal with my past relationships and I disrespected your wishes to not talk about it. It's not stupid and you're not stupid." He reassured her, and he meant it. He doesn't know why he even said that in the first place.

"It is stupid! I'm such a crybaby. You have to walk on eggshells with me because I cry over everything!" She sobbed, throwing her arms up around his body.

"You're not a crybaby! There is nothing wrong with being sensitive. You can't control how you feel about things. I think it's sweet that you love me so much that it hurts to think of me with someone else. It makes me sick thinking about your exes too. I'm sorry for not being considerate of your feelings and hurting you. I promise I don't feel like I have to walk on eggshells, baby. I love you so much and I hate that I made you cry."

"I love you very much." She cried, slowly feeling better. She wiped her tears as she felt herself stop crying. He may have said the wrong thing but he said all the right things to make her feel less insecure about herself.

"I never want to make you feel stupid for ever being upset," Eddie promised, a soft kiss to her forehead as she sniffled.

"Thank you for telling me. You did so well talking to me about your feelings" He added, knowing in a moment like this she needed the praise. Talking about her feelings was hard for her and he always praised her for it.

He spent the night kissing her softly. Reminding her she's everything he'd ever need.

She may have been a crybaby, but she was his crybaby.

Tags!

@bmunson86 @mxcheese @ladymunson @michaelfuckinglangdon @z0mbie-blah @biittersweet @mirrorsstuff @somethingvicked @micheledawn1975 @ago-godance @magnificantmermaid @tlclick73 @hargrovesswifee @cityofidek @manyfandomsfanvergentreblogs @silky-luxe @lokiofasgard616 @loving-and-dreaming @eddiemunsonsbitch69 @thegemaqua @ashlynnkennedy @strangerthingsstories5255 @harringt8ns @pleasinghellfire @whoscamila @stusdollface93 @gretavankleep37

#eddie munson x reader #eddie munson #eddie munson fanfic #eddie stranger things #eddie munson x female reader #eddie munson request #eddie munson angst #eddie munson angst x reader #eddie munson fluff x reader #eddie munson fluff #eddie munson angst to fluff #ashwhowrites

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g1rlr0b1n · 14 days

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Look guys!!! It's G1rlR0b1n 💖💖💖 (bet you didn't know this is what my handle meant lol)

Yet another commission by the super talented @tamdrry!!! (this was done a while ago I just hadn't gotten around to posting it)

So, there was actually a fic that was supposed to go along with this but... I never got around to finishing it 😭

If you want to see what I had planned to write you can check it out under the cut. 👇

One of my personal headcanons is that Damian is nonbinary (or trans but for this particular story, just nonbinary for now)

Anyway, he starts to discover this after spending a lazy afternoon with Cass and Steph in Cass's room.

They're cleaning out her closet and think it'd be fun to play dress up with her little brother. He relents because he likes feeling included and he enjoys their company and doesn't 'want to mess this up'. They're several piece swaps and a whole makeover in when the girls finally settle on what they have decide is the perfect 'fit. Damian turns to see himself in the mirror, mini skirt, crop top, fish nets, combat boots, smoky cat-eye, glossy lips, and he just…freezes… doesn't react… until he does. He starts to cry and flees from the room. The girls don't know what to do but they run after him. He nearly knocks Bruce over in the hallway, then the girls come storming after and he stops them.

Bruce: what's going on?

Steph (she looks worried): we were just messing around, we didn't mean to make him cry!

Cass (also upset and crying herself): we didn't mean to hurt him.

Bruce: ok, let me talk to him. Go back to your room, we'll chat in a bit. Try to calm down, ok?

The girls nod reluctantly but turn and go back to Cass's room. Bruce had long suspected that Damian may be having a difficult time with self-discovery from little things he's picked up on and from when he was at that age himself. he had a feeling something like this would be coming sooner than later, after all, emotions and individuality were not traits looked highly upon by the League of Assassins… or (he admits) with the Batman. he knocks on his door and when there is no answer he peeks in. Damian is sitting on the carpet in front of his floor length mirror.

Bruce: hey chum

Damian:

Bruce: can I sit down?

He says nothing again but scootches over slightly

Bruce: you wanna talk about it?

Damian:

Bruce: Cass and Steph think they've upset you.

Damian shakes his head: I'm not mad at them. (He emphasizes the word 'them')

Bruce: are you mad at yourself?

Damian nods but says nothing else. Bruce pulls him into a hug and he allows it, buries his face into him, cries, and Bruce just holds him there. They say nothing else until Damian finally let's go an eternity later. Bruce tells him he won't make him talk about it and he won't make him explain himself to the girls but he is going to tell Cass and Steph that he isn't upset with them unless he would like to do it himself (he'll tell them nothing more than that, he emphasizes). Damian's not ready to face them, he tells his father he can relay the message, and he does, later once Damian has asked to be left alone. The girls are relieved, they don't ask questions, they respect Damian's privacy. It's one of the reasons why Damian loves them.

A week later Bruce takes Damian to go to a fashion show with him, he goes because his father has been nagging him to put more effort into him public persona long before this anyway. There he sees androgynous models wearing mashups of typically male and female clothing and something starts to click. He feels seen for the first time but the feeling is uncomfortable and he begins to sink into himself, Bruce pulls him into his side, and he doesn't pull away.

Another week goes by and Damian comes home to find a large box on his bed, tied up with a large red ribbon. There is a tag that just reads, "fighting evil by moonlight". He opens the box and there is a new Robin uniform inside reminiscent of one of his favorite characters, Sailor Moon. The tears he cries are from happiness this time.

#damian wayne #bruce wayne #dc comics #sorry if it's choppy. it's just a concept 😅 (the fic)#also I kept going back and forth with the adult in this story #at first it was Selina in the cool step-mom role but I decided that wasn't intimate enough #then it was Dick as the caring older brother but I dumped that because he sounded too fatherly #sooo...I changed it to an actual father lol #enter good dad Bruce lol #Anyway this is one of my favorite comms because Sailor Robin is actually dedicated to my wife who is transfem 💖

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lestappenforever · 6 months

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Post Brazil GP 2023 Lestappen drabble

There is a heaviness in his chest as Charles makes his way down a hotel hallway that isn't his own. His eyes feel dry and sore — seemingly completely devoid of any moisture. Not that he's surprised, given the countless tears he's been shedding this afternoon.

He'd qualified P2 in Brazil, still high off his P3 finish in Mexico the week before. Finally going into the race weekend feeling confident for what felt like the first time in ages. When he'd woken up that Sunday morning, Charles had been full of hope. He'd been excited. Happy.

He should have known it would end with engine failure, sending him into the barriers in the formation lap, because it's the fucking story of his life this year.

If only the team had listened to him. If only they'd changed the fucking engine like he'd begged them to.

But no. Instead, he went from P2 to a fucking DNS.

How could he be so fucking unlucky?

He stops outside of a hotel room door at the end of the hall, and he only manages to knock once before the door swings open.

Max is wearing a towel slung low around his waist, his damp hair a mess atop his head. The skin of his chest and face are flushed a soft pink.

If Charles didn't feel so damn empty, he would have been able to fully appreciate the sight. He would have reached out and tugged the knot of Max's towel loose with a swift flick of his wrist and they'd stumble into the room and fall gracelessly onto the bed in a tangle of limbs like they have done so many times before.

But alas, every ounce of desire, of excitement, every resemblance of joy, even for Max Verstappen, was ripped from his grasp the moment his car collided with the barries in the formation lap, leaving only nothingness behind. Only darkness. Only a dull ache that somehow feels situated in his very soul, rather than in his heart.

It's an odd feeling.

Max can tell that he's been crying, but he doesn't say anything — just steps aside to let Charles trudge into his hotel room with his head down and his shoulders slumped, heading straight for the minibar.

Behind him, the door clicks shut. Charles almost doesn't hear it over the sound of the beer he's cracking open.

He chugs the entire thing in one go. Opens another immediately after.

Max is leaning against the wall a couple of steps behind him, arms folded across his broad chest. Watching Charles intently, but remaining silent. Knowing there's nothing he can say; knowing Charles will say something.

The Monégasque downs the second beer. Opens a third before he turns to Max.

There's a light gone from his eyes. Max tries to suppress the shudder that runs through him at the unfamiliar sight.

He's seen Charles sad before. More times than he would like, in fact, especially this season. But this? This is something new. Something that makes something hard and unpleasant lodge in the center of Max's chest.

It's the last straw.

"Call Christian." Charles' voice is cold and flat, devoid of any emotions.

Max raises an eyebrow, heart skipping a beat in his chest.

"Are you sure?" The Dutchman asks, tentative in a way he seldom is.

He knows this is a sensitive topic. With the amount of conversations they've had about the potential of Charles joining Red Bull, Max has long since learned that he needs to tread carefully. But, this is the first time Charles is the one to initiate the conversation. And he supposes that counts for something.

Charles takes a long drink of his beer. Puts the bottle down on the table next to him. Nods.

"I'm sure," he says, voice firm. Certain. "I'm done."

Max doesn't ask another question; just walks over to the nightstand to pick up his phone. He unlocks it and navigates to Christian's contact. Allows himself one final look in Charles' direction, giving the other man one last chance to change his mind.

All Charles does is nod, shoulders squared. He looks solid — unyielding. Steady as a mountain amidst the most brutal storm.

As Max hits the 'Call' button on his phone, he can't help but think how gorgeous Charles looks like this, even though he knows that Charles' heart is broken into a million pieces.

Scuderia Ferrari will forever regret the day they destroyed the final piece of loyalty of their beloved prince — their Il Predestinato, who would have given them his entire life if they'd allowed him to.

"Hey Max," Christian's voice sounds through the speaker, and Max puts the phone to his ear.

"Christian," Max greets, watching as Charles closes the distance between them, holds out his hand expectantly. "There's somebody who wants to talk to you."

Max places the phone in Charles' outstretched hand. The Monégasque places it against his ear without hesitation.

"Christian, it's Charles," he says, green gaze locked on blue. "I'm in."

#Lestappen #Lestappen fic #Lestappen drabble #Lestappen gate 2023 #You're welcome or I'm sorry I guess #My writing #Charles to RBR

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merrycrisis-if · 2 months

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So I just want to say that I'm definitely not a suspicious person sending you a suspicious link - suspicious people wouldn't say that outright, right? I just tried to send an ask, hit the character limit, then tried to send a message, and uh, hit the character limit again. Haha. Anyway, here's what Qiu has done to me: https://docs.google.com/document/d/1hcQ_-WQ635cSrgWtEWX1gz7Xv9GbzopT_A5MpvRZA64/edit?usp=sharing

THIS MESSAGE IS THE BOMB!!! I love that you created a google doc just to gush about / psychoanalyse Qiu because of Tumblr asks's character limit, that's so hilarious and amazing!!

OK, now to reply to the message :D

[Re: Qiu] ...They're NOT EVEN AN ADULT YET. It's easy to say "just give up on the only structure you've known all your life because it's toxic" but reality is not always kind; even ignoring any kind of emotional support (which we unfortunately don't really get to see one way or another. Maybe Qiu would have been better off just running off and taking a leap of faith and relying on MC but it's not wrong to feel that the unknown is far more terrifying than the known and there was no way for them to know that choosing MC would have been better. The love of her parents - in whatever form, whether or not it's actually love, is what Qiu has known for most of their life - is a constant as long as they meet expectations.

Exactly, this!! Like, we first meet Qiu when they're still very much finding themselves / figuring out what they want in life. It's definitely a 'coming-of-age' story for them — as much as it is for MC. So their relationship with MC takes place at a point where, like you mentioned, they are still a teen(!) and their parents' expectations and (conditional) love is all that they know. It's never easy to distinguish between what one's own desires, dreams etc. are, and what's simply fed to us by society, by the people we trust/care about (in Qiu's case, it's their parents).

So I think one of the greatest joys of writing Qiu (and their relationship with MC) is acknowledging the imperfection, the growth, and their initial failure to 'do right' by each other back in high school (and the potential to re-visit that and make different choices the second time around).

There are probably bits of “it would be entirely way too selfish of me to ask MC to give up on their opportunity and stay”, among other things, but I’d like to think that feelings of “I don’t deserve to ask this of MC” are also there... Asking or hoping for Qiu to ask them to stay - I get it, I really do, but there’s also a part of me that feels like god DAMN if that isn’t fair, putting the choice on Qiu... Just as Qiu could have stood up for MC, could have shouted their love for MC from the rooftops, could have asked MC to stay; MC could have CHOSEN to stay, could have CHOSEN to prioritize their relationship with Qiu. Could have written emails, snail mail, video calls, flew back for visits, could have given long distance a shot. Maybe it was just the wrong time, wrong place. Maybe back then, neither of them could have made those choices, said those things.

And you bring this up beautifully here, where I think I was really interested in portraying MC's hurt (from MC's perspective) regarding the way Qiu never fought for them, even when they were so ready to throw it all away for Qiu — but then also slowly unpeel the layers of Qiu's perspective as well, i.e. that MC expected grand gestures from Qiu, but truth is, reality was tugging them in opposite directions, and perhaps Qiu did fail to jump off a cliff the way MC wanted them to, but they both failed to try to figure out a more mundane, less grandiose way of keeping in touch, staying in each other's lives etc.

MC back then had been seeing things in a very 'black and white', 'you do or you die' kind of way (as most 'first love' stories go), but I think now that they've had years to mature / grow, there's space for both MC and Qiu to appreciate the nuances of what had happened between them, how things fell apart etc. and acknowledge that in some ways, they were each incapable of doing the things they needed from each other, but nobody was truly at fault.

Again, thanks for the lovely message <3

#interactive fiction #merry crisis #if #asks #qiu

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junos-office-drama · 11 months

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Love that fic, but having trouble expressing that love in a comment? Worried that you're leaving the same comments over and over?

Here are 40 comment ideas!

Keyboard Smash. Bonus points for a mix of uppercase and lowercase. End with a brief compliment: "Love it!" "So good!" "Amazing!" "This is my everything!"

Emoji string. Go as long as you feel appropriate. Throw in some 🔥 for good measure.

Quote a phrase, sentence, or passage that resonated with you, and explain why. "I love this description." "This is such beautiful language." "This metaphor is so brilliant." "This is the perfect way to describe [character/thing]."

Ask the author what inspired them to write such an incredible story. (Most authors dream of these types of comments.)

Share how the fic made you feel as you read it. Were you scared for a character? Were you cheering on your favorite? Did that smut make you all hot and bothered?

Thank the author. Bonus if you can thank them for something specific: Sharing this amazing work, introducing this awesome character, creating this cool AU, etc.

Identify your favorite character in the fic, and explain why they're your favorite.

Any indication that you're so in love with a work you literally want to eat it. My personal favorite that I've received is "I want to shove this in my mouth like an entire oreo," but "I want to print this out and stuff it in my face" and "This fic is like an amazing five-course meal, every bite is delicious!" are also winners.

For a multi-chapter fic, any version of "Wow, this keeps getting better and better!" This can really help keep an author motivated, especially if they've been focused on one longfic for a while. Longfics tend to have diminishing engagement over time, so commenting on later chapters is especially meaningful.

Tell the author that something in their fic is your "emotional support [thing]." Bob is my emotional support character, this is my emotional support fic, etc.

Tag it as if it were a social post, with all the hashtags it makes you think of. #myfavoritefic #incrediblewriting #truelove

Did you do something maybe a little dumb while reading the fic? Stay up all night reading? Nearly walk into a wall because you were reading while walking? Show up late to class because you couldn't put it down? Share your dumb thing!

Make predictions on what you think will happen next, and explain why. End your comment with something along the lines of "I can't wait to find out if I'm right or wrong!" Note: Be sure to phrase your comment as to what you predict will happen, not what you think SHOULD happen.

Did the fic make you discover a new side or facet to a character? Talk about that. "I never noticed how [trait] [character] is until I read your work!" Example: "I never noticed how creative Eric was until you brought it out in this fic, but it's absolutely true!"

Have you re-read a work (especially multiple times)? "I'm re-reading this for the third time because I love it so much."

"This is my second kudos!" Repeat as many times as you want. Third, fourth, fortieth, it's all good.

Are you a new subscriber? "Loved this so much that I subscribed!"

Are you an existing subscriber? "Every time I see an update in my inbox, I get so excited and rush to read it!"

Is there an Original Character (OC) in the fic? Ask about the OC! Ask what inspired the author to create the OC. Ask for more information about the OC's background. Ask if the OC is based on any particular character or idea. Ask how they came up with the name, and if it has any special meaning. Seriously, just ask the author about their original creation.

Tell the author how attached you're growing to their story or their characters.

"It was so [emotion] when [character] did [thing]." For example, "It was so scary when Eddie charged off on his own, I was so worried for his safety!"

Having a tough time in the real world? Let the author know if their fic or characters are a much-needed bright spot in your day.

Is the fic something you normally don't read? "Normally I'm not into [thing], but this fic is so good it's changed my mind!"

Did the author portray a complex topic well, with understanding and nuance? For example: surviving domestic abuse, coming out in a non-supportive environment, dealing with trauma, etc. Tell the author! "I can really tell you did your research. You handled [topic] so well!"

Can you personally relate to a scenario or a character in the fic? Did it touch you on a personal level? Say so!

Is it an older story? COMMENT ON THE OLDER STORY! Tell the author that it still has meaning and relevance, and that readers are still enjoying it today.

Does the fic present a pairing (or relationship) you never considered or never liked before, but now you adore? "This fic has made [pairing] my new favorite ship!" or "I was never really into [relationship] before, but this fic is so well done, I've fallen in love with them!"

A string of heart emojis (or the simple <3 ). As many as you feel appropriate. (One is appropriate. So is one hundred. You decide!) Make a rainbow if you want! ❤️🧡💛💚💙💜

Did the fic make you look at the source material in a new way? Share. "I never noticed [thing] about [source material], but your writing really brought it out!"

Screaming about the pain and agony you're in, especially on whump, hurt/comfort, hurt/no comfort, and similar fics. Some authors are sadists. Let them know you're suffering (in that "oh hell it's so good it hurts" kind of way).

For chapters that end on a cliffhanger: Any screaming about how much the suspense is killing you and you can't wait for the next chapter. (Just remember not to demand the next chapter. "I'm so excited for the next chapter" = good / "You have to update right now or else" = bad.)

Is the fic now part of your official headcanon, right along with the source material? "From now own, this is as official canon to me as the original [book/show/movie]!"

Is the fic's title obvious, or is it a little mysterious? Ask if there's a secret meaning behind the title, or how the author decided on the title.

Ask the author if they have a favorite character, scene, chapter, etc. Depending on the fandom, this can be very specific (favorite weapon, attack, transformation, vehicle, horse, monster, etc.).

Is it smut? Did it make you hot? Trust me, smut authors want to know.

"This [chapter/fic] was so good, I feel like I need a smoke after it."

Is there a mystery that's absolutely boggling your brain? Share your theories! (YES: "Oh, what if Prince Smidgeon is actually killer?"). Just remember to never cross the line into telling the author what to do (NO: "You should make it so Prince Smidgeon is the killer.")

"I wish I could give you a kudos for each word in this [fic/chapter], it's just that good!"

Do you like making art? Ask the author if you can make fanart of their fic!

IF, and ONLY IF, the author has very clearly requested concrit (constructive criticism), then role up your sleeves and get to work putting together truly helpful, supportive criticism. Get started with this guide here.

Do you have other suggestions for this list?

Reblog with your favorite comments to give or receive!

(Tumblr insists on re-starting the list at 1 after the cut and I have no idea how to fix it??? It really is 40, I promise.)

#fanfiction comments #fanfic comments #fanfic #fanfiction #ao3 readers #ao3 writer #ao3 #archive of our own #ao3 comments #fic reading #fanfic readers #commentary

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not-poignant · 3 months

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Raphael has a very poetic and grandiose way of speaking that is absolutely not the norm for day-to-day life. How do you get in the mindset to come up with his dialogues? They're perfection and I just can't even imagine how long it would take to do one paragraph of the way he talks, but you're writing an entire story with him...

Oh I love this question because I can answer it, lol sadlkjfsda

Okay so, Raphael's character is tough for me.

Normally I do a lot of dialogue research before starting to write a character in fanfiction and original fiction, but Raphael actually gets proportionately very few lines that really show his full emotional range (compared to say, Astarion), and he's got an incredibly specific way of talking that sounds similar to Astarion but at the same time is very different.

They share enough similarities (calling people darling and dear for example) that it's easy to fall into the trap of giving them the same 'voice.'

I find Astarion's voice a lot easier to 'get' and I feel like I can hear him better when I'm writing him. But Raphael I'm taking into emotional spaces we simply never see in the game, and then I have to really guess how he'd sound (like coming up with the idea that the theatricality vanishes when Raphael is genuinely panicking).

I ended up listening to a lot of interviews with Andrew Wincott, the Voice Actor for Raphael who is an incredible actor and extremely articulate. He was very clear in one of his interviews that one of the reasons he was selected to play Raphael was because, in part, he already sounded like him. Obviously there's differences / skill in changing cadence and more, but for the most part, Andrew Wincott uses similar vocabulary and talks in a similar manner to Raphael naturally, so I had an abundance of interviews that I could then listen to in order to get a feel for Raphael's voice. I picked the things that felt more 'Raphael' and added them to my dialogue notes.

I often have to go back and edit Raphael's dialogue. Sometimes it's very simple things, I had him say 'much more' in the chapter I'm editing right now, and I edited it to 'far more' because I think he'd just phrase it like that. Sometimes I expand a sentence into an entire paragraph.

I've also leaned a lot from Korilla's transcripts in the game, which have been super useful. They really cement, more than anything, how much he loves lullabies, nursery rhymes, children's tales and more.

HOW TO DO DIALOGUE RESEARCH:-

If you're new to dialogue research, it mostly involves listening to - and watching a character and then literally taking notes of how they talk. The things you observe are:

The tone of their voice - Fast or slow. Loud or soft. Musical or flat. Theatrical or matter-of-fact. High or low. Questioning or complete statements. Considered or hedging (i.e. very well constructed sentences, or a lot of pauses, ellipses, broken sentences). Rambling or concise.

How often they talk - Some characters actually say a lot with very little. Raphael is actually a lot of observation and facial expressions and eyebrow movements in between his dialogue. Little smirks, hand gestures and more. Do they interrupt or let people finish their sentences? Are they comfortable with silence? I find Raphael oscillates between long theatrical paragraphs, single sentences or words, and then a lot of silence. He's actually not very conversational, in that you can have a conversation with him, but I doubt he'd see the point of two hours of small-talk. (At this point you might be realising that dialogue research is also character research, how a character talks tells you so much about a character.)

The words (and metaphors/subjects) they use - This is a big one and I'm going to break this down a little bit more:

How they pause if they don't know what to say. Is it 'um' 'uh' 'ah' 'hm' 'mm' 'mn' or nothing at all (or something else) because they've mastered self-control over their dialogue? If Raphael says 'ah' he does so on purpose.

Filler words. Things like characters saying 'like' in a sentence. 'He was like, 'I can't believe it'' etc. This is very similar to how they pause, but it's the things people say to get from point A to point B. People who don't do this have often had training or think very hard about what they're going to say before they say it. But people say 'like' or 'and then' or 'well' or 'i realised that' or 'i thought that' etc. to carry them on. Some are more acceptable than others (people do just have realisations for example).

Profanity. How often do they swear, and how intentional is it? Some characters only swear when they get hurt or stub their toe or get angry. Some characters swear all the time for fun. Some characters only use some swear words and not others. Be specific. Be aware that some swear words are cultural! This includes blasphemy. In Faerun they use 'gods' and 'gods damn it' more often than we use 'god' or 'oh my god.'

Vulgarity. This is useful for Raphael (and Astarion) because he's very happy to be vulgar. This is like... how comfortable are they talking about sex, about sexual subjects, being crude, being seductive, flirtatious? And if they use it, do they use vulgarity to shock, seduce, scare, threaten, or for humour?

Salutations and farewells. How do they greet people? Silence? A calm hello? (A lot of greetings are omitted in dialogue but this is still good to know). How do they say hello, goodbye. How does that change between friends and enemies and strangers?

Single word sentences. This might sound weird, but sometimes when a character hears something that shocks them, or needs to acknowledge something, they may say anything from 'huh' to 'yeah' to 'fuck' to 'okay' to 'all right' to 'sure' to 'go on' to 'indeed' to just laughing out loud. The list goes on. Raphael is team 'indeed' lmao.

Sentence structure. Raphael's sentence structure is - when he's most comfortable - gently provoking, teasing, vaguely threatening, and makes liberal use of simile, metaphor, fairy tale, rhyme, sayings, colloquialisms and more. Raphael talks like someone who knows someone could quote him at any moment lmao. But from here, how a character structures their sentences can be helpful to know. Go back to 'the tone of their voice.' Those notes will give you an idea of structure.

Emotionality. How emotional are they? Do they have rage rants? Joyful giggling dialogue? Do they infodump with little emotion? Or with sheer excitement? Does their dialogue feel fake or real? Opaque or transparent? Some people wear their hearts on their sleeves, and others will never be able to say 'I love you' in anything other than actions. Raphael's emotionality in dialogue is more present in his anger and irritation, and also when he feels triumphant and/or turned on.

The symbols, sayings, colloquialisms and metaphors themselves. Not all characters use these. But some people/characters will talk through analogies, colloquialisms. This is actually Raphael's biggest dialogue departure from Astarion, imho, aside from the fact that Astarion is a lot more emotional with his dialogue.

Take into account their culture, ethnicity, conceits, upbringing, education and the people they're close to:

This one is vital. Firstly, some people tend to 'absorb' elements of those around them. A person raised by affluent people will often 'sound affluent' and a person raised in poverty will often have dialogue that reflects this and if they don't there will be reasons for that. It might be a conceit (some people self-teach themselves different accents), it might be education, it might be training, it might be the subculture/s they've entered into, and so on.

When doing this research, you'll end up with a kind of master-list of actual words and probably some sentences you've written down, along with a lot of notes. You can also do this for any original characters you're making at all, you're just then making it up based on the character, and this research will also give in many ways the shape of the character.

It's a fun exercise and I highly recommend everyone tries it literally for people who don't exist and also observe your friends and family, and do a dialogue cheat sheet for some of them. It's pretty eye-opening! Even one page will teach you more than nothing at all. You can go deep and write many pages, or you can do what I do and keep it lean at 2 pages. Anyone who struggles with characterisation I suggest at least try this exercise, because anyone can put on a YouTube video and/or streaming service or even a favourite Tiktoker and start doing dialogue research! It's a way of building a character from the top down while also getting information about their foundations.

#asks and answers #pia on dialogue #pia on characterisation #pia on writing #reference #on writing #writing techniques #writing advice #dodgy advice #i might just take the second 'how to' part and make it its own post #but anyway here's how to do it!

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