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#seeing a post going around and i got stuff to say
flemingsfreckles · 3 days
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Physio’s Daughter pt.5
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Jessie Fleming x Reader
Read the previous parts HERE
Warnings: cursing
WC: 4.0k
A/N: hi :) enjoy (if you’re reading this the same day it was posted and want to help make a decision on the future of this story go vote on the poll on my feed)
The players ended up with way more downtime than the staff during the week before you all left for Paris they were really only responsible for keeping their bodies ready to play and showing up to get on the plane. You and the rest of the staff had meetings, more paperwork, you all had to pack your equipment away, it took more hours of your time than you had expected.
This meant you had to turn down Jessie on three different occasions when she asked you to coffee.
The first time Jessie shook off the rejection. Not thinking much about it, you were obviously busy with work and didn’t have the time that day.
“I’m wrapping up here. Want to grab a coffee this afternoon?” She stuck her head into your office.
“I would Jessie but I’m not out of here until 5 tonight. Plus should we be grabbing coffee?” You give her a questioning look. You had agreed to friends now, friends grabbed coffee but it felt like a gateway to something more with her.
“Oh, okay, sorry I didn’t realize you had to work so late.”
She shook you off, walking back over to her locker to grab her stuff and leave for the day, having to stop alone for coffee.
She didn’t stop asking, one thing about that girl, she loved to stop by your office and she also loved to get coffee.
“Coffee? Do you have a lunch break at some point?” Jessie’s head once again swung around your office door early in the morning when players were released for a couple hours break before having to return in the evening for film.
You sigh throwing your hands up, gesturing to the pile of papers in front of you “I’m supposed to get a lunch but I think I have more travel paperwork to do during that time, I don’t know Kelly from the administration called and-”
“Don’t worry about it.” You notice the tight lipped half smile she gives you. You so badly wanted to say fuck it to the paperwork and go get coffee with Jessie, you’d get coffee with that woman every second of every day if you could. But you had work. You were at work and she was your coworker.
Insistent on getting you to say yes, Jessie offers another plan. “What about tomorrow morning since it’s a later start? Before we come in?”
“Tomorrow I have to be here at normal times, it’s just you guys who get to come in late.” You give her a frown.
“Look if you don’t want to come to coffee with me, that’s okay, just say that though.” Her voice is quiet but she looks frustrated with you. Her eyebrows furrowed, upset lines on her forehead.
“No! Jessie, I do! I do want to get coffee with you, just, this isn’t a great week. I’ve still got a ton of work to get done before we leave. As the newbie on the staff I get all the simple but time consuming work no one else wants. Unfortunately the next few weeks will be just as crazy for both of us.”
“Okay.” She turns to leave “I’m sorry for bothering you.” Before you can really stop her to explain that she’s not a bother and honestly the short chats you get with her are the highlight of your day, she exits the door. And you're left alone in your office, a massive pile of paperwork to still get done.
With only two days left before you had to fly to Paris you were trying to get most of your work done today. You didn’t want to have to deal with work and the stress of packing tomorrow. You curse yourself for not packing sooner. You end up in the office until it’s dark outside checking your watch and seeing it was 7:30 at night. Your mom had left the office two hours ago, giving you a kiss on the head and telling you not to stay up too late.
You focus in, getting tunnel vision on the paperwork, racing through the stack of papers, until your phone goes off.
Jessie Fleming: what time do you have to be in tomorrow?
A text from Jessie has your phone vibrating in your lap. You pick it up and respond, wondering why she would need to know.
You: 5:30
You: Do you need treatment? Is your calf alright?
Jessie Fleming: So the facility will be open at 5:30? Calf is fine but I’m trying to get in some extra recovery and stretching, feeling a bit tight after today's work.
You: Yeah it should be, for all I know I might still be here when you show up.
Jessie Fleming: You’re still there?
You: I am
You: sent an image
You send Jessie a selfie of you, smiling in your desk chair, a significantly smaller stack of papers than she saw you with earlier in the day.
Jessie Fleming: sent an image
The image is her, in what you assumed was her Canadian apartment bed, a soft smile on her face, her head resting on a pillow with light gray cover on it. What also stands out to you is the way her sheet is pulled up, just under her collarbones. You can see her collarbones, she wasn’t wearing a shirt.
You: Why are you in bed this early?
You: Do you sleep shirtless?
You regret hitting send on the second message when you actually see that she’s typing.
Jessie Fleming: That’s professional to ask
Jessie Fleming: But yes
Jessie Fleming: Most of the time
Jessie Fleming: Obviously not when I have travel roommates or anything, but I’m in my own place for the next few days so I’m enjoying it before a lot of hotels with Janine.
Jessie Fleming: And I’m in bed because I’m watching a documentary and I’ve been told to get as much sleep as I can by the training staff at work.
Jessie Fleming: Especially this new young girl, she has been on my case about taking care of myself and whatever, but she’s cute so I gave her a pass.
The mention of Janine has your mind thinking back to the other day, Janine grabbing Jessie and whispering to her before she gave you a look that felt like she suddenly knew everything. You wanted to ask Jessie about it but now probably wasn’t the best time.
You: I sleep like that too, more comfortable
You: I’m sure that girl is just looking out for you.
Jessie Fleming: I know, right? I tried to tell that to so many of my teammates, none of them listen.
Jessie Fleming: stop texting me, go back to work so you can go home.
You: you’re the one texting me
Jessie Fleming: shhhhh
You: 🙄
You put your phone away, putting it on silent so there was no temptation to text Jessie, having no idea if she had responded. You finish your paperwork, finally standing up your back and knees both cracking as you stretch. You check you phone as you walk to the car, seeing it was 8:22. You’d have to go home, get dinner, shower, all to get up at 4:30 to be at work by 5:30.
A message from Jessie sits on your screen. You debate texting her back but you don’t want to wake her if she’s already gone to sleep.
Jessie Fleming: Have a good night, hope you’re not at work too late :)
When you sit back at your desk the next morning you feel deja vu, feeling like you never left. The only difference is there is no longer a pile of work in front of you, you thank yourself for staying to complete it all last night. You lean forward letting your head rest on your desk for a moment.
“Hi!” Jessie comes around the corner of your office, sounding way too chipper for 5:30 in the morning, but then again she was able to be in bed at 7:30. You look up to her to see her carrying two coffees. She approaches you and sticks her hand out offering you one of the drinks. You were so grateful, you had opted for 5 minutes of extra sleep in the morning instead of getting a coffee and you were starting to regret that decision.
“Should you really be showing up to my office with coffee? You do remember what happened last time you did that, right?” You question her, squinting at her across your desk and sending a glance to the wall where she had pinned you.
“Maybe that’s why I’m doing it, maybe I liked what happened last time.” She pauses, tilting her head, thinking back to the memory. “Except not when your Mom walked in, I didn’t like that, that was terrifying.” A quick grimace follows by a smile comes across her face.
“Jessie, we can’t.”
“I know, I know.” She sounds defeated. “I just figured since going out for coffee doesn’t really fit into your schedule right now, I’d just bring it to you. I promise I’m not trying to get anything out of you.” She sits down in the seat across from you.
“How late were you here last night?” Jessie’s phone buzzes on the table, she ignores it.
“Just before 9.”
“Oh wow, I was asleep by then.” You envy her early bedtime.
“Yeah so I am incredibly grateful for this, thank you.” You shake your coffee cup as her phone lights up with another notification. This time your eyes trail to it. You’re not trying to look at her messages but you just can’t help but glance at the lit up screen.
Jessie noticed your eyes' quick movement toward her phone, “Sorry that’s just Janine, I told her I was coming in to do some early recovery and she’s giving me a hard time about it.”
“What do you mean?”
“She’s just teasing me.” She pauses, “about you.” She uses her coffee cup in her hand to point at you.
“Oh, did you tell her? She gave me a weird look the other day, after you came back and we hugged in the training room, you two walked out together and she sort of stared at me. So did you tell her? About the kiss I mean?” Finally getting an appropriate time to ask what was up with Janine’s look.
“It may have slipped out, one of the times I was talking about you. But she’s been teasing me about you since before that.” Jessie looks down to type back to Janine on her phone.
“Jessie!” Her head snapped back up when she heard you scolding her name. Knowing someone else knows about your kiss, someone you didn’t yet know well enough, makes you uneasy. “You can’t just be telling people that!”
“It’s Janine, she’s my best friend, she knows me too well, she knew something happened and asked. I didn't think it would be a big deal, she’s not going to tell anyone.” Jessie defends herself.
“I get that you think that Jessie, but if she slips up, next thing the whole team knows, then it gets out, you’ll get in trouble for sleeping with the student trainer, who’s 4 years younger than you.” You were spiraling, you’re not sure if you believe what you’re saying or if your mom had just scared you into it. You didn’t want your own career to be at risk and you definitely didn’t want Jessie getting in trouble.
“We haven’t slept together, plus you’re an adult, it’s not like I’m 20 and you’re 16! We’re both grown.”
“I know that, but good luck telling that to anyone else, they won’t listen!”
“I really didn’t mean to tell her, it just sort of slipped out and I’m sorry. I didn’t think it would be an issue.” Jessie crosses her arms across her chest, she feels less warm than usual, less friendly, less inviting.
Only, it felt like it was a problem that she had told people. You weren’t sure why Jessie would think it was okay to go around telling people about your kiss without at least checking in with you. A small bubble of frustration with the woman sitting across from you started to build.
“Jessie, if people find out I could get fired! Sure, it might temporarily make your image bad but you’re too damn good, you’ll stay Captain, you’ll keep getting your call ups, keep being desired by different clubs, it won’t ruin your career like it could mine.”
“Nothing is going to get out, nothings going to happen, it’s not that big of a deal!” Now Jessie is raising her voice at you slightly. She’s leaning across your desk.
“Maybe it doesn’t seem like that big of a deal that to you, but it is to me.” You yell back, thankful that no one else was in at the office yet. You take a breath realizing this argument was not something you needed to be doing at 5:30 in the morning. “You should probably go do your recovery. I have things to get done” You point to the doorway.
“Oh.” It’s obvious the sadness on Jessie’s face and in her voice. A sudden change from her argumentative demeanor. “Yeah, I’m going to do that.” She pushed back from your desk. “I’m sorry.”
You let her walk out without saying anything. She doesn’t close your office door on her way out. Feeling stupid about the argument, you let your forehead come crashing back onto your desk with a loud thud, a lot harder than you intended.
“You okay?” You hear Jessie ask, hearing the sound of your head against your desk from the other room.
“Yeah, all good.” You groan back. You didn’t want her to care and feel the need to check on you. You know you shouldn’t care about he either but you can’t help yourself.
Despite being quite annoyed with Jessie at the moment, you’re unable to look away every time she passes by your door, doing exercises or walking across the room to get equipment. Time goes on and then you hear her digging in the ice cooler, the sound of a plastic bag and some shuffling around.
“Stupid wrap.” Hearing her talking to herself you stand up from your chair, it was your job after all to help with these things. You see her struggling to hold and secure a bag of ice she had made to her calf.
“Let me help you.” You offer empty hands to take the ice bag from her, grabbing the wrap and squatting in front of her to help her get it tight on her leg.
“Thanks.” She gives you a smile, the way she was grinning looking down at you sent a shiver through your body.
“Is it still treating you okay?” You look up at her from where you’re kneeling in front of her.
“Yeah it’s been good, just being overly cautious with it still, that’s why I’m doing all this.” She points down where your hands were wrapping the ice bag. You just nod, returning your focus to what you were doing instead of staring up at the girl’s pretty brown eyes.
You let the silence sit between the two of you for only a second before you break it.
“I’m sorry for how I reacted in the office just now. I think I’m just a little paranoid, we’re adults, we’re allowed to do what we’re doing technically. I just didn’t think you’d be going around talking about me and the fact that you kissed me.” You stand up.
“To be fair, I’m not going around talking about you to everyone, it’s really just been to Janine, she made some comments about you before we had even really talked much, she knows me too well. She knew I was interested, so she made some comments about me finding you pretty to which I blushed and she was onto me right away apparently I’m not great at hiding my crushes.” She looks down at her feet.
“I just freaked out, knowing that someone else knows that you had me against the wall, in my office.”
“If it helps, she doesn’t know I pinned you to the wall.” Jessie’s face is now a bright red. It’s suddenly very obvious to you how close the two of you we’re standing, face to face. It’s apparent that you can make out all the little details of her face, where each freckle sat across her nose and cheeks, you could see it all. Despite still being upset and frustrated with Jessie for telling Janine about your previous kiss, you suddenly don’t care and have the desire to kiss her all over again.
“Jessie.” You stare at her lips while saying her name. You don’t know if she noticed you’re staring, but her tongue runs over her bottom lip, wetting it.
“What?”
“Don’t, what, me. You know what.” Your eyes don’t move from Jessie’s lips.
“No I don’t. You’ll have to enlighten me.” You do, leaning in your hands finding her face you pull her toward you. Your lips meet hers, they’re warm and soft and plump against yours. Her hands find your hips, pulling you against her hard. Her grip is tight, it feels safe. This time you’re able to finish your kiss, both of you pulling away just before you debate sliding your tongue against her lips.
“You really should stop bringing coffee to my office I guess, it always seems to end like this.” You let out once you both breathe for a second. Jessie lets out a soft laugh.
You hear the door to the training room open and you jump away from Jessie, turning to pretend to organize something, finding nothing, everything already being packed up. This leaves you just standing there looking at the wall. You and Jessie both look over to see Janine standing there, coffee in one hand, training bag in the other and a smirk across her face.
“Well you two aren’t suspicious at all.” She says sarcastically as she walks from the doorway further into the training room and in your direction. “I’d recommend actually doing something to make it look like you two weren’t just doing what I think you were.” You can’t read her tone as she speaks to you. “Looking at imaginary things on the wall doesn’t really work as a good cover.” She stops behind you to speak softly only to you. You stay facing the wall, not wanting to turn and let either of the players in the room see how bright red your cheeks are.
“I’m going to go change, I’ll be back in probably 5 minutes, behave yourselves.” Janine says to both of you, she walks away into the changing room.
“Whoops.” You turn back to look at Jessie who is still standing where you kissed her. You both have matching blushes on your face.
“At least it wasn’t my mom this time.” You shrug at her, trying to make light of the situation again.
“I guess,” she shrugs back.
“But seriously Jessie, we can’t keep doing this, we leave for Paris in less than 36 hours. You have to go, be focused, be this team's leader, we can’t, I can’t be distracting you.”
“I know.”
“So that means no more surprise coffees, no more private meetings, like Janine said, we have to behave. Strictly professional from now on. No more of this.” You use a finger to point between the two of you.
“Strictly professional, got it.” She nods at you but her smile tells you she’s not taking you seriously.
“I’m serious this time Jessie.” You try your best to be stern with her.
“So am I.” You were both lying through your teeth, and you both knew it but neither of you were going to call each other out and say anything.
“Or just until the Olympics are over.” You add, hoping she’ll maybe be interested in whatever the two of you were doing come the end of the games.
“Until it's over.” She flashes you a smile before turning to leave, following in the direction Janine went to change. She flashes you a smile before heading through the doors. You move back into your office leaning against the desk.
“Hey.” You jump as Janine flies around the corner of your office door. She walks in closing the door behind you.
“Okay I don’t have a lot of time, but I need to talk to you really quick.”
“What’s up?” You move behind the desk, looking for her file pulling it out. You start to open it and Janine’s hand comes down on it, closing the folder hard.
“This isn’t about me.” She’s staring down at you as you sink back into your chair.
You realized exactly what this was about. “Oh.”
“If you so much as hurt a hair on her head-”
“I won’t.” You interrupt.
“I wasn’t finished.” You nod, letting her finish. “Jessie is a special human and quite frankly she doesn’t need you. She’s perfect on her own, she’s strong and independent and she doesn’t need you, but she wants you, so I’m going to respect that, but please let her focus on this tournament. I don’t know what you two are really doing, she’s been pretty tight lipped, but please. She’s smart but she might not think straight with her crush brain, she might think she can handle starting something with you during this tournament, but she can’t. She needs to be focused. She’d hate herself down the line if she let someone get in her head and mess with her playing. She’s worked her life for these tournaments. This team needs her focused, not distracted because of you.” Janine rants at you.
“I know. We’ve discussed it. I won’t be a distraction to her or to anyone. I promise, I want what’s best for her and the whole team.” You mean it, you want what’s best for the team, and you don’t want to distract Jessie or anyone, you saw how hard they all worked and would hate to be the reason anything went wrong.
“You seem like a good person, and given that Jessie likes you so much, you must be. So I’m going to trust you.” Her hand comes off the file on your desk.
“Janine! Come play Teqball with me!” Jessie hollers through the training room.
“Ahh the queen of Canada awaits.” Janine says, looking at you. She turns to leave, her hand on the doorknob. “Just so you know, I’m serious, don’t hurt her, I’ll make your life miserable.” The way she spoke with still a large smile while telling you she’d ruin your life was slightly terrifying, but very much fitting for her Canadian personality.
“I know.” You just nod. And you did know. It wouldn’t just be Janine coming after you if you messed up with Jessie her entire team would hate you. If you distracted her from the tournament the country of Canada would hate you. You’d never get to work for a Canadian team, you’d never get to live that down. Your nerves build up a bit, even though you had no intentions to hurt Jessie ever, things happen, life happens.
Your spiral of nerves is diminished as you hear Jessie’s laugh carrying through the room. Just her laugh made you smile, your nerves ease. You were in deep, probably in too deep, but there wasn’t anything you could do now, except go to Paris and do your best to just be coworkers with Jessie. You needed to be invisible and not a distraction..
So that’s what you did. Or at least tried to do.
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zexapher · 2 days
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Vacuan Nights, Like Vacuan Days
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They’re just so great together! I’d love for Jaune and Weiss to get a little downtime in Vacuo to live out a moment like this. They really deserve it, and I’d love to see Jaune’s guitar make a reappearance.
The comic here was inspired by u/Silverstar1243’s excellent piece of art, A Serenade Under the Moonlight. Send some love to them on their twitter, commission some art if you’re willing and able, they’ve made some great stuff.
You folks may have noticed I threw in a couple of references for those in the know; the Golden Oreos behind Yang (double stuffed, I might add) for the trio’s ship, Weiss liking it rough for Mallobaude’s great fic, and of course I made a whole theme around the Arabian Nights Disney song. A song, along with its Aladdin compatriots, which I spent the better part of a day finding covers for just to listen to on repeat while I worked.
This one’s now officially my longest comic project, with 14 panels, two over the past record since I added the White Knight kiss at the end. I’m pretty happy with how it turned out. Not sure I’d say it was more difficult than my Vanity of Vanities post, but for this one I actually knew how to use my editing software going into it (at least somewhat).
Put a lot of work into this one, been working on it on and off since February. Took a few breaks for vacation, to make my memorial post for Rooster Teeth, and another five meme edits or so, but I came back around to it. First half was pretty easy, relatively minor edits inserting characters into scenes and so on. The second half with Jaune and Weiss was tougher though, with color correcting, merging poses, redrawing features, drawing Jaune’s entire head to fix some lighting issues, etc. Really like how the edit to make Jaune strum his guitar turned out.
The time it took to make the whole comic got me down a little, until I did a bit of math. Including my side projects since starting this, all the scripting and editing and all, I’ve been pumping out a panel every two days. That seems pretty good to me, that kind of accomplishment makes me a little proud of myself.
Really need to get around to watching the second part of the Justice League Crossover movies. It’s got a few Vacuo scenes that might make things a little more authentic instead of me just using Saphron’s house and pretending it’s a suite in Vacuo. I do love taking yet more character stills from Jaune and friends experiencing deep trauma and turning it into something positive, been making that a bit of a personal habit. And I’ve got to say, the background for Jaune and Weiss’ scene is really beautiful, pulled it from when Sun and Neptune hear Ruby’s message about Salem. That’s just a really good shot all on its own, I even saved a copy for my computer’s wallpaper after editing out the two.
Posting a big RWBY White Knight edit, watching not one but two RWBY Beyond episodes, and all on the trail of the news that RWBY’s found partners that they’re negotiating with and that the creative team is expected to stay on. And I'm sipping bubble tea. Life is good.
Anyway, pardon the long write up. I’m invested in this one, and am quite pleased with how the comic turned out. I hope you all get a kick out of it as well!
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thebroccolination · 2 days
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“IF NO ONE ACCEPTS YOU, YOU HAVE ME”
Lately I’ve seen the narrative around Krist shifting from “he’s homophobic” to “he was homophobic, but he got better :)” so!
Let’s go back to a moment in 2017 during a ceremony where Krist and Singto accepted an award from the Thai branch of the gay magazine Attitude (now defunct). That’s the magazine that published this photoshoot:
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[Attitude, 2018, promoting SOTUS S] (they also did one in 2016 for SOTUS)
Krist said that a friend of his once came out to his parents, and the parents wouldn’t accept him, so Krist told his friend, “It’s okay. If no one accepts you, you have me, and I accept you for who you are.”
So, yes, Krist was hotheaded when people kept harassing him about his sexuality, but can anyone truly blame him? No one looks at all the times he answered politely. Just the one time he broke. [EDIT: I just spoke with someone who was there when the infamous IG story was posted, and they said: “Krist's tone and demeanour when he emphatically said "no" was like, y'know, still friendly. It's like when friends tease you relentlessly and you say ‘no’ more forcefully to get them to stop?” And that actually was my first impression of it back in 2020—a joke that landed badly. And it lines up with his first apology: that he felt badly because his answer was taken out of context.]
There are people today who film these guys at the urinal. Who treat them like property because of money and time spent on them. Who hire trucks to drive around their company building making demands. And it’s 2024. GMMTV has legal teams on this stuff now. But you and I can’t imagine what kind of invasiveness Krist and Singto went through in 2016 as one of the first pairs in the BL industry to gain overnight fame and rabid, unprecedented focus from millions. Of course he snapped. It’s widely known that fans and reporters target Krist over Singto to get information even today because Singto never gives anyone the satisfaction of a reaction, but Krist is a people-pleaser and truly struggles with saying no to people. He’s always been the emotional one, the one who overthinks, the one desperate to make people happy. And when fans wanted to force KristSingto to publicly say that they were secretly dating, fans thought they could get Krist to break first, and they were right. (Personally, I always thought the Instagram story was an exaggerated joke that was a barely veiled “drop it.” EDIT: I’m glad at least one person who was there at the time can corroborate this.)
Then interfans came along, marked him as an easy target, and maliciously miscast him as a bigot to wave after wave of new interfans who never bothered to research further after a random person on the internet told them he’s a homophobe.
Krist asked his parents for their blessing to audition for SOTUS when he was still a teenager. He was afraid of what they’d think, but because his parents are lovely people, they supported him. And they still do. Krist’s father has a running joke that he’ll let Krist marry Singto if Singto brings a durian for the dowry.
I never included Singto in my clarification thread because I knew how quickly people would dismiss anything with Singto as conniving, tricksy fanservice. But you really don’t know anything about Krist until you see him with people he considers his safe spaces. That includes people like Mike. Like Gawin. Godji. Oat. These people who love him because he’s earned it.
I know I talk about this a lot. But I won’t ignore it when people try to twist his character, especially with I see them making assumptions about the premise of Ex-Morning. All I believe is that he was angry and afraid and overwhelmed. Then he reacted, apologized, and learned how to handle the fame and the invasiveness better.
Please stop trying to claw marrow out of a past mirage.
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eufezco · 1 day
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civil war!bucky x fem!reader ( angst , fluff ) no use of y/n
based on the captain america: civil war post credits scene
a / n : english is not my first language so yeah 😭 also my request are open for mavel characters (especially bucky and steve)
You had doubted whether to go or not.
You had been up almost all night, the dark circles under your eyes spoke for themselves. You tried to get some sleep but it was impossible. You moved nervously in bed from side to side. After not finding a comfortable position, you got up and started walking around your room in an attempt to calm your nerves but the four walls were suffocating you.
Steve found you throwing up in the bathroom, on your knees, and with tears in your eyes. He held your forehead so you could let it all out and then wiped your mouth. Steve gave you enough time to recompose and when you were done, he sat on the bathroom floor with his back against the wall and let you lean against his chest while you sobbed. You should let him sleep, it had been a long day for everyone, your bodies were still aching from the fight and Steve had enough to worry about. But despite all that, Steve's strong arms held you tightly close to his body, as if he was trying to hold back the part of you that he knew would leave with Bucky.
Steve took you in his arms and carried you to the couch where he placed your head on his lap, wrapped you in a blanket, and caressed your hair until you fell asleep. When you woke up, Steve wasn't home.
You had doubted whether to go or not but in the end, you went because if you didn't, you would never forgive yourself.
—Hi.
—Hey —. Bucky let out all the air he'd been holding in, relieved to see you.
When Steve arrived and you weren't coming with him, Bucky couldn't help but feel bad. He knew it could happen and he didn't blame you for it. You had already lost him twice, you weren't going to take one more, you didn't deserve to go through that again. The idea of being away from you again did not appeal to him either.
Steve, on the other hand, wasn't surprised to see you. Last night you let it all out in the toilet and on his shirt, and you got some sleep, so he figured you would have regained your strength. Or at least you would pretend that you had, the thing was, that he knew you were coming. —I'll go and talk to King T'Challa —. He said and walked out, leaving you and Bucky alone.
You slowly approached the gurney where Bucky was sitting. The metal arm was gone and only the part attached to his shoulder remained. His wounds were treated and on his face, you could finally see a peaceful expression. His brows were not furrowed, his jaw was not clenched, instead he was showing you a sad little smile.
—How are you—? How are you doing?
—I'm good. I'm ready. How are you? —He asked back.
—I'm fine I guess.
After your answer there was silence.
Bucky knew you were lying because of your tone of voice. He was aware of your disagreement with his decision. Steve also had asked him many times if that was what he wanted but this was not about what he wanted or not. Now that he had reclaimed his ability to choose, he had to use it to do what was right, and what was right was to go back to sleep until there existed a way to free him completely from the Winter Soldier program.
—Buck, you know you don't have to do this.
He shook his head at your words. Of course you wouldn't stop trying.
—I can't trust my own mind. —You were going to complain again but he talked before you could. —And as much as I would like to make up for all the time we've lost, I have to do this. Until they figure out how to get this stuff out of my head I think going back under is the best thing. For everybody.
Now it was you shaking your head. For everybody but you. After all these years you had finally gotten him back, after thinking he was dead, after fighting your friends defending his innocence, you were going to lose him again.
Without saying a word you placed your hand on top of the one he had resting on his leg. The sad smile appeared on his lips again and he looked down at your hands. The touch of your fingers on his skin felt nothing like the human contact he had been experiencing these past few years. Your touch was gentle, your fingers rested on his hand delicately, as if you were afraid of breaking him. It was the first time in a while that anyone had cared about that. Bucky flipped his hand over to link your fingers together.
Using your free hand you lifted his chin and you not only made him look at you but also made his lips at the perfect height for you to kiss them. You pressed your lips against his, he squeezed your hand. Yours moved from his chin to rest on the side of his jaw, your thumb caressing his cheek. You didn't know how or when you started crying but you felt the hot tears slide down your cheeks until they mixed with the kiss. Bucky felt the salty taste and after a few seconds, he broke away from your lips. He rested his forehead against yours and let your hand go to cup your cheek and wipe your tears.
—You are making this very hard —. He mumbled against your mouth.
You kissed him again because it was either that or trying to convince him one last time not to do it. Bucky's hand cupped your cheek, god, if only he had his two arms and could touch you and feel you the way he wanted. Bucky's lips gladly kissed you back one more time, until you both heard Steve fake coughing behind you.
You parted ways, already missing the feeling of his lips and hand on you. Steve came with two nurses and you knew that it was time. You felt your legs weakening but you could not break down in front of Bucky so you hugged yourself and hid yourself in Steve's chest. Your friend wrapped one of his arms around your body.
—She'll be fine. I'll take care of that.
Bucky pressed his lips together and nodded, thanking Steve.
—I'll wait for you —. You said and Bucky flashed you one last smile. He hadn't asked you to because he didn't want to be selfish but he was waiting for you to tell him so. Hearing you say that you’ll wait for him gave him the peace of mind he needed to breathe in the cold gas filling the cryostasis chamber.
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the purpose of this post is for me to figure some stuff out so i'm open to feedback and discussion
disclaimer: i love Halsin, he's my precious bear man
but damn i am pissed
i started to really dig into the epilogue, specifically that last morning after the brain goodbye scene in the room at the inn where he says he has nine wagons of kids and he will aid the people in Thaniel's realm
sadly i can't find any footage of what he says when Tav goes "oh a community built with your own hands, i'd love to see that" (or something to that extent) bc i think that is the one option that nullifies the goodbye and i think? he just asks if Tav is sure and then happy end bells
but even so
the interaction practically starts with "why does this sound like you're saying goodbye?" - oh that's because he is. at least for now. but Tav can visit, he's very eager for them to visit - and then narrator is like a tenday later Tav went to the commune and then the party invite stuff, not important
and I'm like....
it just hit me how - yes, Halsin has abandonment issues and he wants to help those orphans and all the homeless refugees and all the great stuff but like…… HOW DARE YOU DECIDE FOR ME THAT I DON'T WANNA GO WITH YOU????
watching that on a loop three times seriously hit me hard and i don't like it (as in me, personally, not in the sense that it's bad writing or it makes no sense for him to do that, maybe it does - if somebody can help me wrap my head around that, I would be super grateful bc atm I'm stuck in my own emotional reaction to Halsin making decisions for me)
in my head Tav's response to that should be: fuck you, i don't want to visit - fuck that! i wanna go with you and move in with you bc I love you but i guess you don't really want that huh? oh you do? then I guess we are at an impasse, huh?
bottom line is - what do I want to do with it in my fic?
i could ignore it bc i kinda wanna, i don't want them fighting like that
on the other hand it would be great to have this devolve into a conflict, bc i already sprinkled a few tiny bits of them saying not the best things but then the other kinda steps past it or around it and they are fine, but it would add some realism for them to have a serious disagreement about their (joint) future and about communicating and making decisions and could be something to be revisited as a work in progress for them to grow into as their relationship keeps going
i don't mind exploring difficult shit in my fics, i already decided to commit and give Tav my trauma and it was very cathartic just drafting that bit, and this turning into a conflict could play into that I suppose, could work really well
I guess my problem is the dissonance between Halsin doing that unintentionally bc of his own issues and him generally being very considerate and respectful of others, especially Tav imo, he was perfectly happy to follow their decisions as a leader but now I guess they are no longer the leader and this is his thing, his commune, his new purpose in life and ofc he could never be selfishly happy when he could be doing good things for strangers but like.... i can't grasp that step how from that he goes into "therefore I shall not offer this as a choice for them but instead make that a foregone conclusion that this is goodbye, at least for now" - is it bc asking means risk of rejection and he'd rather reject himself to spare them both the interaction?
sorry this got rambly XD but anyway - thoughts?
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havendance · 14 hours
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Okay, I want to play too. Building off of @dustorange's post and @silverwhittlingknife's post
I think, how I would play this: the circus still happens obviously.
And then Dick dies when he's 16 in circumstances similar to Batman #408, where Dick is shot by the Joker and it causes him to fall to his death. (Dick has to die by falling. To me.) Bruce isn't able to catch him.
Bruce is obviously devastated. Going off of Silver, we'll say no Robin!Jason in this AU. Jason can get away with stealing the tires off of the Batmobile of an extremely grieving Batman. As a treat.
Tim is also devastated. I usually have Tim being 3 at the circus, so I guess he's 11-12 when this happens.
I think the fact that Dick was the only Robin in this scenario means that Tim is more reluctant to push himself as a replacement Robin. That and the fact that his HERO Dick Grayson died means I think that he's slower to act.
Eventually though, things get bad enough in Gotham that he does just because someone has to and he ends up as Robin. We'll handwave the details for now.
I think that Dick should get to come back to life during the Knightfall Saga. As a treat.
He comes back to Gotham just in time to see that there's a new Robin and watch Bruce get his back broken.
Tim's been Robin longer before Knightfall in this AU, so he's got a little more experience, but he's also 14, and while Bruce is lying in the Batcave and they don't know whether he's going to wake up or not, and he's fetching the medicine in that one comic, he runs into this unknown, edgy looking vigilante who blames him for Bruce getting his back broken and it's just everything he's been thinking to himself.
Dick sticks around in Gotham long enough to see that there's a new Batman and of course Bruce has someone else he can get to do that. Of course he doesn't need Dick. He runs off to go do like, black-ops vigilante work somewhere.
I think he and Tim do run into eachother once more before Dick leaves town though and Tim's like 'I know I'll never be as good as the first Robin, but that just means I need to learn everything I can' and tries to bother Dick into teaching him stuff because he can tell that this mysterious vigilante is way more skilled than him.
Dick mostly avoids Gotham, but I think they keep running into each other, coincidentally. Tim ends up teaming up with him during Contagion instead of Catwoman and they're both in Paris at the same time etc etc.
And eventually on one of these team-ups, Dick does a quadruple somersault and Tim sees it and everything clicks together and he imminently runs away because that's Dick Grayson and Tim has been talking up the first Robin all this time and it's a lot okay?
I think this is about when No Man's Land happens so Tim goes to go hide in Gotham and help out Batman and become a National News story and all that jazz instead of thinking about it.
But afterwards, Tim is ON THE CASE. I think he doesn't tell Bruce about this because if Dick hasn't told Bruce then he probably has his reasons? And what he was actually wrong? (Even though he knows he isn't)
And then, um, let's put the Dick and Bruce finally confronting each other during Bruce Wayne: Murderer/Fugitive because Dick comes back to Gotham when he hears that Bruce murdered someone because he doesn't want to believe it, but I think he also can't have that same bone deep belief in his innocence that he does in canon because of all the estrangement.
So he attacks Batman and demands to know the truth (without revealing who he is) and Bruce won't answer. Bruce also doesn't know how this mysterious vigilante knows he's Bruce Wayne/got accused of murder, so he low key suspects DICK of framing him, which normally he'd be too busy being Batman full time to care, but here he also recognizes some of Dick's fighting style so he starts investigating him to uncover the mystery.
Meanwhile, Tim noticed that Dick is back in town, so he's trying to recruit Dick to help him get to the bottom of this. He knows Dick's identity now, but he doesn't tell Dick that, he just drops various hints that he knows and hooks Dick up with a line to Oracle (who he has also not shared his conclusions with other than a vague 'there's something about him')
And hmm somehow this all resolves with like, Dick's identity getting out and him and Bruce talking face to face. Bruce is just so desperately amazed that Dick is there, meanwhile Dick still has various issues that are not resolved and it probably ends with Dick running away again and Bruce holding himself back from chasing after him like he desperately wants to. Because if Dick doesn't want anything to do with him then that's just his right because Bruce WAS the one who got him killed.
He does stalk Dick from afar though. Just without initiating contact. Tim and Barbara are more pushy about trying to hang out/talk with Dick in the aftermath.
To skip ahead, I think Bruce leaves Dick the Batmantle after he 'dies' as this last ditch attempt to share how much he loves and respects Dick.
And this getting long so I think I'll call it here.
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factual-fantasy · 2 days
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9 asks! Thank you!! :}}
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Awe! Thank you! I'm so glad you like all the stuff I make! :DD
And thank you again, that means a lot to me 🥹 things are starting to look up, I have hopes that this is all over soon!
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I'm very uncomfortable with fanart/fan works being made for me.. So I tend to be rather strict about it not being made! <:/
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@chickenmilk120
Well? Why not go for it? :0 You've got nothing to lose! :}
Yeah, since I've been dealing with all these health problems I've had a lot of time to lay around and feel down. :( So I used that time to finally pick up pokemon Scarlet! Which is where this sudden pokemon phase is coming from XD
As for what happened, we still don't know for certain. :( I've got some doctors appointments ahead of me that will hopefully figure out what's wrong and get me all fixed up. <:')
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I'm doing everything I can to battle/deal with these health problems I've got going on. All Tumblr is doing is giving me a bit of a mental break/distraction from it all. <:}
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@willthemechanist
Nothing in particular, other than a grumpy member of the fam! <XD
I know that I've played up the quilts power and importance, but the truth is the quilts have no real power- they're nothing more than a sentimental accessory <:}}
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@olives-in-shadows
:DD THANK YOU SO MUCH!!! :}}}
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Thank you! My days going fairly well so far! :}}
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@neo-metalscottic
Thank you so much for all the kind words!! :DD Man could you imagine if I reached 50,000 by the end of the year?? That would sure be something! XDD
So! Onto your questions. The whale encounter with barnacles and the ship wreck encounter with Tweak were both intended to be exclusive to the sea dwellers AU. Though those creatures are intended to exist in my main au, those specific encounters might not happen..
The point of the main AU is that these monsters exist, but the crew have never encountered them. Which casts doubt on Kwaziis stories..
As for the gups, that's a mostly joke-y idea that's not connected to any main AU. :0
As for Bash, it's hard to say what color he'd be all fixed up. The original car was red or purple I think, but that doesn't seem like a color he would want.. maybe red or green instead. Maybe both! XD
As for where'd he'd go post war, I can see him wanting to go back to Cybertron. As long as his friends are there that is :}}
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whumperofworlds · 4 months
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Don't get involved in discourse don't get involved in discourse don't get involved in discourse don't
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protectoratenova07 · 1 year
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I will never not get annoyed over people saying that Brian/Grue joining the Heroes was the obvious and easiest choice out there. Admittedly, the WOGs expand more on it, but even with what we get from Arc 4 when he talks about his trigger event, I can't comprehend how anyone wouldn't see the reasons for him not wanting to join the government sponsored heroes.
Basing this off memory, but to sum it up, Brian goes to him moms house after getting a text from Aisha asking for help. He finds her in some poor condition ( I don't think he goes into detail and it may not matter if he did cause he's not telling the full truth here) and when he tries to take her back to his dad's, their step-dad gets in thew ay and doesn't let them leave. Brian proceeds to beat him up, take his sister back, and gets powers sometime in between.
Then, he, aisha, and their dad go to the police the very next morning. They explain what happened and Brian still describes how he almost got sent to jail. Only aisha backing him up and his step-dad missing an asshole anonymous meeting saved him. And he still got some months of community service. Like, in my opinion he did the right thing every step of the way and still almost got screwed over.
Sometime later, (not immediately cause he's 14 to 15 when he gets powers) he decides to try and take care of aisha by being a villain to get enough money/backing to do it.
That's all described in arc 4. Now we get into the WOGs. Again, basing this off memory, but I can try to find them later.
First, Brian lied about his trigger, a little bit. General event still happened, but when he claimed he didn't know who the man was besides being his mom's new boyfriend, he lied. He knew that man bc it was the same boyfriend who had abused him in the past. And his mom brought him back and let him interact with his sister. Add in his mom's other problems and his dad's ("I wouldn't describe him as abusive") there was a fair bit of emotions Brian was going through that he didn't share. But at the end of the day, every adult in his life failed him and his sister. He wouldn't be willing to extend his trust as easily.
Second, a different WOG described Brian getting into crime in a panic bc aisha had done something afterward that led to her needing to get bailed out of something with money (again, going off memeory) so even if he wanted to join the wards he'd be doing it with a record. Presumably he later decided he might as well go all in on it and get aisha into a safer environment than both his parents. He probably thought it may help with keeping her out of trouble as well if she wasn't around two people who didn't know how to raise kids (not that he did either, but he probably thought he couldn't do worse).
Third, by WOG he did actually consider the wards, but after researching them decided they wouldn't be worth it. Admittedly this was moreso bc of his own hangups with commitment. Bc telling the big organization your power and identity then trying to bail wouldn't really work out, but apparently it was still preferable to a career of crime. It's not like the Protectorate would actually have authority to take a child away from their parents anyway without major proof, especially if that kid isn't a parahuman themself.
Fourth, the undersiders were generally a low risk high reward chance until Taylor joined and brought them her bad luck. They operated for a year and only got into some mild skirmishes with Lung and them being escape artist didn't have an issue with him. Besides that, they made a shot ton of money on top of the 2grand their sponsor gave them.
Fifth, I don't think we ever learned what the time table was for Coil helping out with Brian getting custody, especially given how suspicious Brian was of their mysterious boss and his motives preleviathan. Maybe Coil admitted to knowing Brian's problems and offered a solution at the start. Maybe Brian opened up with it as a condition to him joining. Or maybe after a few months of getting 2grand a relatively easy missions Brian decided to trust the boss who hadn't screwed him and ask for the money to be given to him in a legal paycheck for better chance at custody. I say that last option bc Brian is supposed to be the careful pragmatic one who thinks about his choices and doesn't do the crazy option unless bug girl decides to go full throttle and he begrudgingly goes along. And giving his personal details and a sure fire way of blackmail isn't excalty the pragmatic choice.
Tldr: he has to have some pretty big distrust of authority cause shifty parents and probably shotty police and by WOG became a criminal in a panic before going full in on it. Cause he was, again, like 15 years old.
Now, the argument for him joining the wards is that the Heroes/PRT could have snapped their fingers and given everything Brian would want. And seeing the deal Madcap got I can definitely see the idea behind it, but there are a few problems with that. A) Brian wouldn't know shit about how desperate the Heroes are bc they don't advertise that. B) I'm not sure how much power they would actually have over taking kids away from unhealthy environments cause laws and shit would probably limit that. C) as stated above, he says he almost got jailed for hurting his step-dad so I don't see him liking authority at this stage, no matter how just he was in the eyes of the law for it. D) Brian's own issues and that he's a 15 year old so he won't see the world as a perfectly rational being.
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gregoftom · 1 year
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GOD i am trying so fucking hard not to read into the fact that tom repressed the shit out of how he actually felt when he learned he probably won’t go to jail and then when he went to greg, he could. express it. you know. he could be himself. i really hate so much what i read into it BECAUSE I SHOULDN’T BC I KNOW WHAT HAPPENS LATER AND I SHOULDN’T TRUST THIS SHIT BUT ARHJARHA HOW CAN I NOT WHEN HE’S REPRESSED ASF PER USUAL BUT THE MOMENT HE GOES TO GREG OR IS ALONE WITH GREG HE EXPRESSES HIMSELF FULLY, HIS RAGE, PAIN, [MANIC] HAPPINESS, AFFECTION. I HATE THIS SO MUCH. AND GREG IS IN THE CORNER COWERING BC HE DOESN’T UNDERSTAND THAT THE REASON TOM ACTS THIS WAY AROUND HIM IS. no. i Refuse to read That into it. but yall get what i’m saying right. 
AND THEN THIS
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are you fucking kidding me. like was that really fucking necessary.
#tomgreg#god i hate thi IS S how#im gonan. i gotta sit down for a sec i'm jahving a jhemmhorrage#hemorrage#mhem?? you know that ththing#oh yall are prob expecting a novel in the tags wel like i said in the post. i think it's interesting that tom is like. Himself. around greg.#when they're alone. he can be like. maybe his core self? i don't know. maybe it's some kind of. parallel.#to how he tries to be a roy. which can be compared to say. roman. who was confirmed to have had the concept.#of being gay. like. they put on a show right. like roman's true self is he'd die for his family. but he won't say it outright.#and in fact hates being called out on it/makes excuses for it.#you see where i'm going with this. they pretend to be. yk. something they're not.#but around greg HES SO EXPLOSIVE and SO AFFECTIONATE and so PLAYFUL. like i said. he's like a schoolboy.#we get glimpses of that with shiv but she doesn't seem to like it so he learns to repress it.#when greg refused his little wrestle to the ground [by the way. ok gayass] he got snippy and took it as a rejection.#but it won't stop him from continuing to be himself around greg bc there's something about him i guess.#like obviously i'm trying really hard to think rationally about this bc i don't know if i can trust the writers with something like this.#and i'm getting conflicting thoughts and feelings and ideas from stuff i've seen about season 4.#but like. yeah. i don't know. it's interesting to me. this scene was interesting to me.#i'm not gonna cap the whole tom going koo koo bananas bc well he flipped a desk and beat his chest unga bunga. but. yeah.#ALSO GREG ASKNG ''IS IT REAL'' BEFORE TOM KISSES HIM GOD SEND THE FLOOD#DONT FUCKING DO THAT#anYWYA IM GOING MY BLOOD PRESSURE IS RISING little lord fuckleroy has left the call#txt#SORRY SORRY ALSO tom calling them the waystar two hAHHhhhhhfdne wowowoewoewd what is he your fucking boywife. fuck outta here
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e-adlirez · 8 days
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Treasure Seekers 3 Review/Ramble
Welcome to the third and last entry of the Treasure Seekers trilogy :D
"Wait what?" I probably hear you ask. "What about the other four treasures they said the girls would find?"
And to that I say
yeah it do be a bit sad that they never made a book 4
But make no mistake, Legend of the Maze is a doozy of a third book, and I'd say it's almost on-par with book 1 if not surpassing it. Unfortunately there is no free digital copy of the book, so uh if you're down to spend a bit on a digital copy on the E-book site of your choosing or on a physical copy in a bookstore, I salute you for your determination.
As for the rest of you, you're just gonna have to trust me bro :] /j
Ready? Let's go :D (also this is being written by a sleep-deprived E running on hyperfixation juice so if you find any grammar issues feel free to let me know so I can fix them)
The story begins with the Thea Sisters touring the Capelletti House in Verona with their Italian friend/tour guide Sebastiano. Yes, this Verona.
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So yeah Colette is fantasizing about Romeo and Juliet as a romantic ship, Vi is trying to kill her Santa by telling her that Romeo and Juliet are fictional characters (which Colette responds to with "oh hush I can dream"), and oop-- loose floorboard-- what's this package under the flo-- LE GAAASSSPPPP LANE LOOORRREEEEE
The girls fangirl about the ABL jumpscare a lil' too loudly and Sebastiano is a lil' confusion, soooooooo the squad goes out for some snacks outside the Capelletti house to explain stuff to Sebastiano
buckle up Sebastiano you're about to get two 300-page books worth of Lane Lore™
While listening to the story, it turns out that Sebastiano may or may not have heard a peep about a legend about a treasure called the Treasure of Eternal Love (adapted Scholastic name is "Treasure of True Love" which ew, snatches the original Italian name instead), which was said to have been owned by Juliet and tho a lotta people are trying to find it, they dunno where it is now. Sounds very Seven Treasures of the World to me :]
How does Sebastiano know a peep about this very obscure legend? Turns out he learned about it from a letter written by his great-grandpappy Jacopo, who was an archaeologist like Aurora :3
So Sebastiano invites the girls to dinner at his place so the girls can look for the letter. Vi don't get too comfy with the house library I know it looks very cool and antique but we got a goal and that is sifting through a lil' box of Jacopo's kept things and find some-- HOLY CRAP LANE LORE™
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"Hi Jacopo, tysm for helping me with my research on the Treasure of Eternal Love, you're a real g my guy, regards from me and my sister Linda, also tysm for the tour of Verona."
-- ABL
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The girls tell Sebastiano their findings over a dinner of bigoli al pomodoro, give some extra Lane Lore™ about Jan von Klawitz and Aurora's six sisters, and mention the possibility that Linda knows where the treasure is, which means that Luke is probably after it too, but also Linda might know where the treasure is, which means a lead >:3
First stop: Verona's city hall, where Sebastiano's friend Guido works and is able to help them with finding information about a Linda Lane who may or may not have lived in Verona approximately a century ago. They find a document that says yes, Linda did in fact live in Verona once, and also her address is listed there because legalities, y'know how it is.
So the girls head on over to the address, knock at the door, and are greeted by an old lady, and :0 turns out this old lady (her name is Mia) knew Linda personally.
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Linda and Mia met when Linda was in her older years and Mia was a smol child. Mia would read for Linda since her eyesight deteriorated in her old age, and they hung out a lot together. When Linda left to return to England, she left the house to Mia, as well as a good chunk of the stuff she had in said house as mementos for Mia to remember her by.
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Hey guys you wanna see a trick, it's called "the Lane Lore™ %", aka how fast can we get this old lady up to speed with the ABL drama-- /j
Unfortunately Mia doesn't really know anything about the treasures, but she does have this wack painting of a scenery in Japan that just won't align correctly no matter how much finagling you do to it-- oh there was an envelope inside-- LANE LORE™?
So the letter inside the envelope is a letter from Aurora to Linda basically Aurora telling Linda she found the Treasure of Eternal Love, but because Jan is on her tail, she left the treasure in the "House of the Sun" for now. Now, if you tried looking up "house of the sun", you'd get a hotel in Florida, a manga, a former Incan temple that's now a monastery-- you get the picture, it do be a weird detail and probably not it bro, besides Aurora's too much of a gremlin to be that obvious with her riddles.
At least if you're not a Shakespeare nerd like Colette is (the kind that never read past Romeo and Juliet's wedding), because if you were, you'd know that at one point Romeo equates Juliet to the sun rising in the east. Romeo is simping for Juliet, Juliet is the sun, ergo, the Capelletti house.
But uh, thing is we already went to the house and we already know that Aurora came back for the treasure and took it somewhere else. Sooooo might as well see what the last letter says--
"Hi so I'm on the run rn I can't chat for long because Jan is pissed and he wants to find me and force me to reveal the treasure, and I don't think I wanna know how not-kid-friendly this is gonna get if he does find me. Thanks for introducing me to your friend tho :D she's cool and thanks to her help, the treasure is safe and sound in the shade of the cherry trees! I'll come back for it one day, hopefully that day comes soon. Anyway, hugs and kisses, Linda." - ABL
Spoiler alert, despite having a beeg cherry tree on the painting, there was in fact nothing else hiding behind the painting.
LUKE TRANSITION
So Luke is doing Luke things, not touching grass as per usual. Cassidy comes by to give him a lil' souvenir from great-grandpappy Jan von Klawitz's house in London: Jan's old notes. Luke immediately dismisses Cassidy without even so much as a thank you -- Cassidy girlypop you're not scoring that man no matter what you do, he's the Adrien to your Marinette girlie we're only at book 3, you might as well accept your fate -- and Luke takes a lil' peek into Jan's notebook (he also calls his great-grandpappy "Jan", like just "Jan". I dunno maybe I'm just finding it weird because I'm Asian . .) for the goods.
And goods Luke does find, which he proceeds to consume like a goblin. Bit of Klawitz lore here:
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"Grrr grrr stupid Aurora and her smartass tricks grrrrr who does she think she is grrrrr she beat me to the Treasure of Eternal Love in Verona grrrrrrrrrrrr well at least now I know how she works, I managed to find this friend of hers Jacopo, who definitely knows about the treasure even though he keeps playing stupid like I don't know that he knows Aurora. Something something cherry trees, I ransacked every single cherry tree in Verona and there was literally nothing, wth, Aurora why are you like this" - Jan von Klawitz
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Luke responds to this seedy lore from his great-grandpappy with "hehehHEHEHAHAHAHAHAHAHH JAN YOU IDIOT, YOU COULDN'T SEE WHAT WAS RIGHT IN FRONT OF YOU BECAUSE YOU UNDERESTIMATED THE LITTLE PILOT GIRL, I ALREADY KNOW WHERE TO LOOK"
Cut back to the girls, and they know where to look next, too
It's Japan, i-it's Japan, y'know Japan's relationship with their sakura/cherry blossoms
Turns out Linda has a friend named Kyoko Bianchi, a Japanese-Italian botanist who was raised in Japan. Since Aurora mentions in her letter that Linda's friend came in clutch, she was obviously referring to Kyoko and now the treasure is in Japan.
So Japan transition :D (based on my personal experience in Japan and also a bit of canon continuity consistency, I headcanon that despite being written in English, this segment of the story mostly had the girls speaking in Japanese, a language they would know how to speak a bit of at least (and apparently Vi is conversational in Japanese so c'mooonnnn).)
The girls land at Narita Airport and take a train to central Tokyo (damn Kumi from Cherry Blossom Adventure you came in clutch possibly teaching the girls how to Japanese subway offscreen because they actually didn't get lost using it on their own :D). Kyoko's hometown was Tokyo, so might as well start searching for her descendants/relatives there. First stop: Shibuya.
Colette is playfully ribbed a bit for having a big-ass bag while everyone else only brought smol backpacks around with them, the luck of the girls not getting lost using the Japanese subway must be balanced out so Paulina's GPS decides now is the right time to be a dick, Shibuya Crossing, and finally they make it to the hotel where Amrita Bianchi, their first Kyoko descendant candidate, is at.
And this is the first time the girls come across the concept of cosplaying, I genuinely don't know how they managed to sidestep it for so long especially since they've been to Japan before for a student exchange, all I can really justify it with is that university has been kicking their a-- RATSUNE MIKU??
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Gahd even in 2018 Italy there was no escape from her /j
Anyway so Amrita didn't know Kyoko, so their second candidate is Shinobu Bianchi, a guy living in Shinjuku. They find him-- or more accurately run into him (literally) on his way to work, try to explain things to him but this man is running late, so he invites the girls to follow him to his workplace. They find themselves in a cafe on opening time, customers start filing in before the girls can even tell Shinobu what the whole deal is, soooooo karaoke break :D
Vi c'mon it's not like there's much else to do while waiting for Shinobu-- what're you gonna do, sit there and wait? A-actually y'know what that sounds like something Vi would happily do but c'mooonnn Vi where's your sense-a humor :D
Thirty minutes of singing later, they finally get five minutes to explain to Shinobu what they're looking for and Shinobu says "sorry I dunno Kyoko, I am half-Italian on my dad's side, but my mom has a different Japanese surname"
So the girls Peter William a bit emotionally, Pam goes to what Scholastic is telling me is a kiosk but might as well be a 7/11 based on the banger food Pam got from said kiosk, the girls take a taxi to a Capsule Hotel (judging from the illustration it looks like the Shinjuku Kuyakusho-mae Capsule Hotel), and after a bit of dinner, Peter William into their capsule rooms physically.
The next morning, Nicky goes out for a morning jog as usual (she prolly slept with her capsule open so she wouldn't get claustrophobic), and she finds a gardener tending to a Kyoko Bianchi flower :0 like no joke that's the name, it's a K. bianchi, named after a botanist who founded the Fairy Garden (Disclaimer: neither the K. bianchi nor the Fairy Garden Foundation in Japan exist, they're fictional bits for this fictional story and that's fine :3). Nicky gets the address for the Fairy Garden, runs back to the girls who are having breakfast, and they head on over to the venue.
At the Fairy Garden, the girls meet a gardener named Toshio who happily shows them around, and despite not knowing all the Lane Lore™ (yet), he knows enough to lead them to Kyoko's perfectly preserved office, where the late Bianchi has displayed some pictures from Verona, as well as her furniture and encyclopedia collection.
After a search, they find what was presumably a haiku alluding to Jomon Sugi and the writer's voice being hidden in there, and one jaunt to the record of Jomon Sugi in Kyoko's encyclopedia collection and uhp-- a hidden cassette tape inside the volume!
On one hand, victory, the girls have found a VHS tape that is implied to have a personal recording from Kyoko Bianchi herself, so they're super-close to the treasure now :D
But on the other hand, they found a VHS tape in the year of our lord 2018.
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Good news, Toshio knows a buddy who's super tech-savvy, and that's including tech things. Bad news, he's in Kyoto, which is about 445 km/283 miles away from Tokyo.
So the girls quickly take a shinkansen and some bento boxes to Kyoto :D (their wallets are probably sobbing in an 86-USD ticket per person)
At Kyoto, meet Ren, are lowkey surprised that his house is a traditional Japanese house as opposed to a modern flat but hey it's a pleasant surprise, and Ren is able to play the tape for them.
In the tape, Kyoko explains the Treasure of Eternal Love, how it ended up in her hands at the ripe age of 20 through Linda and Aurora, and some Treasure of Eternal Love lore, or rather Ring of Eternal Love lore:
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Yeah sure Romeo and Juliet were fictional characters, but reality, so it goes, isn't that much different. The Ring of Eternal Love was a courting gift from a suitor to a bachelorette of the Cappelletti household. The suitor and the girl's families had hate boners for each other for a while now, but instead of spiraling into a destructive mess of family feuding and death like in Shakespeare's play, they decided to call off the feud so the two lovers could be happy together. And now the ring, as Kyoko puts it, has been passed down from her to "one who shows love every day, in every way, towards everything that grows from the earth."
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The girls are happy they got to see the tape and its contents, but they Peter William emotionally once more because well, they're back to square one now-- literally the only clue they have is the thing Kyoko said, and what is the thing Kyoko said? It's cryptic and weird and h a h ? Ren offers to accommodate them for the night, the girls get to sleep on futons for the first time since Secret of the Snow, and the next day they decide to have some downtime vacay-ing in Nijo Castle. A vacay that results in Vi having an epiphany about the riddle and thus who has the ring.
Meanwhile with Luke, he's planning something. Something that's got Cassidy in Japan and putting her master's degrees in Engineering, Chemistry and Computer Sciences to use by assembling a drone (I'm wondering how Cassidy has so little braincells out on the field despite having THREE MASTER'S DEGREES like holy crap--)
Cassidy tries complimenting Luke on the motherboard he sent in from Alaska and-- ew Omar why are you here I thought Luke fired you-- ooh what's that package thing-- oi don't diss on Japanese people being polite, once you see the ruder options you're gonna be pining for that shnit-- wait what how's this drone gonna find the Ring of Eternal Love--
Anyway the girls plus Toshio and Ren take the train back to Tokyo (istg if they took the shinkansen--) and back to the Fairy Garden Foundation, where they talk to the current head gardener: Mr. Murakami.
Mr. Murakami does in fact know Kyoko personally, and after a bit of persuading (it involves a bord like many good things in this world), he decides to bring them to his hometown Nara (which involves a train to Kyoto and then a train from Kyoto to Nara which on the Kodama plus the cheapest option from Kyoto to Nara is-- CHEESUS CRUST 91 USD PER PERSON AND THEY HAVE TO GO BACK TO TOKYO AFTER THIS???)
ANYWAY Mr. Murakami takes them to Nara Park, where he hid the treasure. He brings the girls to it, he checks the hiding place and
It's empty?
Wait, the hiding place is empty?
WAIT WHAT THE HIDING PLACE IS EM--
Off in Alaska, Luke is cackling in his fancy custom-made not-gamer chair.
Mr. Murakami is distraught, most of the girls stay to comfort him while Nicky and Ren scout out the area. In their search, Nicky and Ren find a big broken drone that seems to have crash-landed in the garden, and oop-- LVK logo. It was probably used to spy on Mr. Murakami to snatch the treasure. "DAAAMMMNNNN YOOOUUUU LUUUKKEEEE" Nicky probably would've shrieked at the top of her lungs if she weren't A. in Japan (it's very quiet generally), and B. within earshot of poor Mr. Murakami, who's still recovering from the horrible shock. The girls, Toshio and Ren take the drone to Kyoto while Mr. Murakami stays in Nara with the fam to recover because man, he deserves the break :(
In Ren's house in Kyoto, Paulina and Ren get to work hacking into the drone to snatch its data, and they find that the drone's memory goes as far back as to being in Alaska for some reason. Why would an LVK drone be in Alaska? Unless-- :OOOOO SECRET BASE??
With that lead, the girls depart for Anchorage, Alaska (if I plugged it into Google correctly the price for the flight totals out at a 567-USD one-way flight holy crap girlies have mercy on your wallets-- not including the mini shopping spree for winter clothes Colette was more than happy to drag the girls on). Ren gives Paulina a little flash drive with some written code that could come in clutch in whatever shenanigans they end up in in that secret base of Luke's. Yes Violet as much as I think you're the only person in the group who seems to be concerned for your wallet, ya'll are nawt surviving Alaska with those summer clothes ya'll are wearing.
Behold, a long rest/14-hour timeskip in the form of the last two letters the girls have yet to read from Aurora to Linda. (Well the girls besides Vi, God's sleepiest soldier over here is eeping in the back before the flight's even taken off--)
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(These are the real letters this time around lmao, if you're confused, Aurora addresses Linda in these letters via her middle name Amaryllis.)
Dear Amaryllis,
I'm very sorry that, because of my job, you are taking on a responsibility that is perhaps too great, and that puts you at risk.
It's all because of the greed of my former professor, a mouse who is incapable of recognizing that beauty should be shared. My dear sister, I have thought about it for a long time, and I have come to the conclusion that the best solution is to take the Treasure of Eternal Love from Verona, where it is not safe... and put you at risk. I am sending you a copy of one of the photos I hold the most dear, in memory of the love that binds us. I hope it will help you make the best decision...
Yours, Aurora
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Dear Amaryllis,
You wrote me that you are making a decision about the treasure. I agree that the mouse you're planning to entrust it to is worthy of that trust, and I will wait for more news. But you must be careful, even when you write to me, to not mention names or places. We need to watch out, because my former professor is more alert than ever.
It seems that he's building an underground shelter for his riches, designed as a kind of maze to test anyone who manages to enter it...
Professor Jan is clever, and he's always loved riddles, puzzles, and mysteries. I wouldn't wish for any mouse to find themselves in his maze!
Now I must say good-bye, my dear. Sending a big hug.
Yours, Aurora
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Once the girls land in Anchorage, Alaska, they rent an SUV, pull out Google Maps, read some of the brochures Ren printed out for them just in case, fangirl over a moose (Nicky that's not something to fangirl about have you seen what they're capable of--), and accidental secret tunnel discovery?
Well, accidental secret garbage chute discovery, anyway, since the one thing that allows the girls to not break their ankles when landing is some garbage bags. Food waste garbage bags no less :D Ew :D
Some old aircraft bits are found too which is nice but it's never elaborated on whose old aircraft bits those were so we're moving on to the girls entering Luke's secret headquarters and Nicky trying not to die from claustrophobia :D
CCTVs pose an initial problem, but Ren's flash drive comes in clutch and allows Paulina to freeze the cameras so they can go in undetected (Ren how do you know how to program that is there something you wanna share to the class--). One lengthy labyrinth later, the girls manage to get out of the "we're walking in circles" loop-dee-loop they wound up in and find this little room with a little lit fire pit and an ominous riddle involving the "elements of nature". Pam has the idea of extinguishing the fire pit, and sure enough, inside the fire pit is a key that fits perfectly into the door across the room.
And right after Pam turns the lock on the door, a trapdoor opens up beneath her and she falls into the pit below. It's padded, it's kinda cozy, but it's way too deep for the girls to reach Pam from above without a rope or attempting to risk falling in and getting trapped as well. The girls are very reluctant to leave Pam, but Pam unfortunately only metaphorically slaps some sense into the girls and tells them to go on because they've gone too far to back out now so COMMIT TO THE BIT GODDAMMIT
(you guys like the rhyme-y bits? They're kinda fun to write I do like the rhyme-y bits a bit <:])
And thus the girls minus Pam go through the door to the next room, where there's this swimming pool with a key inside it, which Nicky swims down for, assuming that the trap in the room will only activate once they get the key into the door leading to the next room. Obviously she winds up being very incorrect, as the moment she takes the key from the bottom of the pool, the water starts to drain away until all you got left is a sopping wet Nicky in an empty pool and the key to the next room, which Nicky tosses over to Paulina while asking for her shoes and her dry clothes that they packed. Colette is devastated, devastated I tell you at the idea of leaving Nicky behind, on top of having to leave Pam behind, but Nicky's got faith that the girls will pull through and come back for her; so Colette, Paulina and Violet move on to the next room.
A LOT of walking down a twisting hallway later, the trio make it to the next room (which they use Nicky's key for), and we got four pots with something or other in them, lighting too dim to discern properly what's in the pots, a button sequence puzzle with no margin for error, and a wack riddle. Oh and Paulina's tablet's finally died after possibly uh, 18-ish hours of not charging it. RIP Paulina's tablet, that's gonna be set aside in the corner for the time being.
The pots turn out to have different types of sediment in them, and the wack riddle turns out to be the clue to the correct sequence to input, so the three figure that out fairly quickly and slide down the chute leading to the next room. Except for Paulina, who had to get her tablet from that corner she set it aside in, and wasn't able to make it to the trapdoor-chute in time before it closed on her face, leaving her trapped "forever", as the wack riddle states. The one time you're told to stop holding it, man, unbelievable. I'm never letting go of my tablet again /j
Now Vi and Colette find themselves in an empty room, and they only realize when they get down that Paulina wasn't able to make it out in time. Now this entire time, Colette has been going through it. Of the girls, Colette's been taking the whole leaving-my-friends-behind-for-the-greater-good thing not well at all, and it culminates in an emotional breakdown. Violet comforts her and reassures her that they'll get the ring, they'll pick up the other girls and they'll get outa here soon, but they gotta be brave now for the other girls. (Kinda hard to capture in short and sweet words what the emotion of the scene was but oh well). After a bit of calming down, Colette and Violet look around to find themselves in a... surprisingly simple room? There's a door on the other side of the room from them, and besides that there's literally nothing but thin air.
The two go to the door and move to open it. Yeah this one's surprisingly simple. Just walk on over, pull the door open, walk o-- a gust of wind slammed the door shut . .
Yeah that's right. You ever leave a window in your room open on a windy day and leave your door also open, and the wind going into the room slams the door shut? Yeah, it's that multiplied by uhhhh how much is a vent opposite the door opening up just to blow f%#ken WIMDY-level winds just to slam that metal door shut? However that much multiplies that. The two find themselves in a situation where had all five of them been there to do this puzzle, it would've been far easier; but it is doable with only two people. The plan is one of them wedges themself between the door and the frame and prop it open, while the other crawls under the first person's leg. Transitioning to the second person propping the door open for the first person is gonna be a bit dodgy, but it is doable kinda.
Now Colette has been going through the ringer emotionally, and if you've seen this trope before, you'd know that it'd be a real damn shame if they lost their emotional pillar and had to carry the entire plan on their own, riiiiggghhttt? She's been the handling this situation the worst (emotionally), and it would bring her a belly of the beast to trump all bellies of all beasts and force her to do a The Next Right Thing (hot take: Anna's arc in Frozen 2 was really good), presumably after a lot of sobbing in the corner! It's perfect for angst, and it's perfect for empowerment to see Colette pick herself up and be strong for the girls and save the day!
Which is why Colette doesn't end up being the last one standing :D
Colette was the one who propped the door open for Violet, who crawled through to the other side. The plan was to have Vi switch with Colette so Colette can get through, but one thing they didn't take into account was the fact that the vent would slowly create stronger and stronger winds the longer the door is held open for, so Colette winds up allowing herself to be trapped in the air room so Violet can do the thing. (Oh and the plan was Colette's idea too.)
Heeyyyy Viiiiiiii~ Do you have some cash left over in your wallet? Because I think it's time for you to put your money where your mouth is :DDD
So yeah Violet continues on alone.
Also if you're wondering where Luke is this entire time, he is in fact in his base, still not touching grass and none the wiser about the whole five lil' rat girls sneaking into his base because of the whole frozen cams situation. He does technically notice something's off, but he thinks that the clock in one of the cameras is broken and he ends up complaining about it to Cassidy, haha L. It is also at this point where we learn that the girls have been in Luke's base for a little over three hours at this point :D
Meanwhile, Violet goes down the narrow metal staircase in the hallway outside of the last room and finds herself reminding herself to stay calm but also inside Luke's treasure room, where treasures of all shapes and sizes reside. From whole dinosaur skeletons to ancient Egyptian statues to paintings to suits of armor and-- holy shnit Luke has the Ark of the Covenant in there too o o yeah this guy means business holy crap--
The Ring of Eternal Love is in there too, the lone treasure in the set of seven empty pedestals that Luke was prolly intending for the Seven Treasures of the World. So Vi, clearly not having watched Indiana Jones Raiders of the Lost Ark, attempts to lift the glass case protecting the ring, which sets off the alarms in the treasure rooms, and whoa holy crap there's a robot voice speaking through the alarms? WAIT WHAT DO YOU MEAN FIFTEEN MINUTES TO SELF-DESTRUCTION
Luke, having the shock of his life, comes down to the treasure room to see what's up, and of course it's one of the five brats who's been getting in the way of his endeavors. Hardly a surprise, really, those five have been a pain in the ass from minute one of Luke looking into the Seven Treasures-- from stopping him getting the Alabaster Garden (he didn't even get to see what it was smh), to duping him with the most audacious of gottems to exist only partially due to his goon's stupidity, and now sneaking into the heart of his base without him, his cameras, or his sensors noticing. Strange how there's only one of them, though.
Just like Aurora Beatrix Lane almost a hundred years prior, this young lady is naive, morally stubborn, and idealistic. She is preaching out about sharing these treasures to all, even when the worth of these treasures comes partly in the luxury of not everyone being able to enjoy them. There is value in that sense of rarity, and it's not like any of the uncaring, ignorant whelps working in the museums look at the pieces that sit before them and realize the true value that they have the privilege of looking at everyday. They wouldn't care about them-- they would do the bare minimum to these unique masterpieces and leave it at that. And this naive brat thinks that they are more loving, more caring to these pieces than Luke is?
But as naive and morally pretentious and... ignorant of time and place this woman is (did she really not hear the self-destruct alarm and is thus willing to babble to her grave?)... she is clearly very intelligent. She was able to affect the base's security system such that she could come in undetected. She was able to get past all four traps without getting trapped herself. It is strange how she is alone here, though. She is usually with four other girls-- ah, that's it. They got trapped, and she left them, so she could get to the treasures on her own. What a show of common sense, that is! She must've seen that the traps were designed such that risking oneself to rescue a trapped person is just not worth it, and that first point already makes her far more intelligent than Cassidy or her buffoons could ever be. It could even be on-par with Luke himself. What if... perhaps....
What if they worked together?
Luke, after a bit of back and forth with Violet, gives Violet an offer to ditch her friends and become his partner. If she accepts they can divide everything between each other in the vault, and together, they'll be able to uncover the treasures of the world and enjoy them all to themselves.
I mean of course Vi turns down the offer in favor of sticking with her friends but y'know what it was worth a shot, Luke, kudos to you for spotting a gemstone instead of covering it with mud and pretending it's not there.
Heavily disappointed by Vi turning him down for the sake of "the power of friendship" (I wish I was kidding)(Scholastic!Vi's (?) words not mine)(I would be incredibly disappointed too), he turns to leave her in the treasure room, and it's only then that Vi realizes she kinda effed up. Luke is the only guy here who knows the base inside-out, and thus would know a way to get the girls out so they can Not Die. And to add insult to injury, Luke made a bomb shelter out of his treasure room, so the entire base may explode and the girls might die, but the treasures are gonna be completely fine. Intact, even. Luke leaves, and the robot voice announces ten minutes before self-destruction.
As soon as she's able to, Vi calls the elevator, juggling anxiety and being able to think under pressure. She figures out that Luke oh so helpfully uses pictograms for his elevator buttons instead of numbers, and presses the button for the control room (the heliport floor is locked by a key). She arrives in the control room, eight minutes before self-destruction.
Just as Vi enters the control room, the cameras get kicked back into action, oh so conveniently showing to Violet a timer ticking down to the big kaboom in real time, and footage of Nicky waiting anxiously in the pool room (and Luke leaving), for extra stakes. One Perception check said "yeah, this is a LOT of buttons, TOO MANY BUTTONS", and the tablet sitting on the desk required a password, so oh god what do
Six minutes before self-destruction and one panic attack later, Vi manages to psyche herself up enough to roll for Investigation. She finds a button for disarming the traps, and that allows the girls to get outa the traps and meet up again in the treasure room. Happy reunions aside tho, four minutes to self-destruction
Turns out the girls (thankfully) didn't know about the self-destruct situation. No need to explain tho because Vi is deadlifting the group braincell like she's never done before. She drags them down to the base's... basement, where a train that was probably used to carry the treasures into the base sits unused and ready for the girls to figure out how to work. Three minutes before self-destruction, no pressure :D
Pam sits at the train's controls, Paulina tries to help but immediately brain crashes at the old-timey controls, thus deciding she'd rather help Nicky get the bars off the rails up ahead. Two minutes left, and Pam figures it out and is ready to-- wait they need electricity-- okay cool Nicky and Paulina are taking care of that, cool
Pam gets the train to start up, Nicky and Paulina manage to hop back into the train, and escape the base's explosion range with about ten seconds to spare :D
After stopping the train in a spot where their braincells could afford to deflate, the girls take a minute or two to breathe y'know, just take a minute to breathe, nibble on some wild raspberries growing in Denali National Park, before figuring out what the hell their next move is.
Vi suggests they tell the authorities about the whole secret-base-under-the-park situation and the treasure room and the stuff inside it (since Luke oh so foolishly gloated to Vi about the treasures being perfectly safe), on top of removing the train so it's not getting up in nature's business. They head back to the car talking about their adventure, get a bit sad that they weren't able to find the Ring of Eternal Love-- and oop just kidding, Vi pocketed it in the treasure room right after Luke dipped :D
So on top of the girls escaping with their lives, not only is Luke gonna lose the Ring of Eternal Love as quickly as he got it, he's also losing his entire treasure vault. Can I get a ripperooni
And that's Legend of the Maze :D
I would say that the hyperfixation-that-consumed-these-girls'-lives-for-a-whole-week energy is very strong in this one in the best way, and the girls' personalities are at their most showcased here. The banter is bantering, the girls' dynamics with each other is very believable here, Vi is carrying the group's braincell the entire time and she looks like she's a bit tired from carrying it but y'know wut she's still willing to carry it because it's honest work and she knows how important it is to have it :3 also her trying to kill Colette's "Romeo and Juliet are so romantic" Santa but failing miserably because Colette unashamedly likes believing in the power of love is hilarious
The main thing I wasn't sure about was.... all the infodumpy bits? The infodump goes a significant bit harder in this book than the previous ones (even more than Compass of the Stars, which is an achievement), and it's Scholastic-style infodumping, so you get the girls calling Luke an "evil mouse" or "selfish mouse" and I'm sitting here like "just call him sewer rat please ya'll had no problems calling him that before please for the love of god use that instead it sounds better--"
Don't even get me started with Amrita Bianchi explaining to the girls what cosplay is like she's the damn Merriam Webster dictionary--
Also the Japan segment with y'know Japanese culture and stuff had the terms localized for some reason??? Like haori became "dark jacket", kimono became "long, elegant Japanese dress", they didn't even mention Ren's hakama (he was wearing a very traditional Japanese look), they felt the need to explain bento boxes as "typical Japanese portable lunch boxes" even though "Japanese lunch box" probably would've gotten the point across just fine and also there was an illustration of the bento boxes, Japanese characters became "logograms" for some reason, and dango became "rice dumplings" which became infinitely more confusing for me because the illustration made it look like takoyaki--
I could go on and on but yeah, there are a lot of these and it felt very infodump-y to me. I'm hoping it's just a translation thing, because the story overall feels pretty solid. Scholastic, what happened to the asterisks? Were they just too much for one page? I feel like you would've been able to squeeze them in just fine to make the reading experience a little smoother,,, just like, so it's an optional thing for the reader to read the mini-infodump of the term if they dunno what it means,,,
Other than that tho I don't think I have much to complain ab--
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COUGHS GAGS SCREAMS CRIES WRITHES ON THE FLOOR
(I have the magic-of-friendship-invocation tolerance of an angsty teen I'm sorry :'3)
Scholastic, buddy chum pal buddy chum buddy chum pal,,,,
You could've had Vi say "the only way I got here was thanks to my friends", and it would've been fine and infinitely better-sounding and probably more in-character,,, o<-<
Gahd I hate it when Vi's used as the power of friendship prophet -m-
There's a more minor one as the girls are going back to the car and Vi is telling the girls about the deal Luke offered her, and the girls ask her what she said, and she says "I told him I already had the greatest treasure in the world... true friendship!"
Meanwhile I'm sitting there like "MMMMMGGGGGGHHHHHH 'friends like you' or 'sisters like you' or 'my friendship with you' would've sounded better -m-"
(Also the girls call each other like "friends", so like "you were in fact right, friends", which is like, what happened to "sisters" or "girls" those work perfectly fine and get the girls' close relationship across significantly better than "just friends")
Most of what I'm saying here tho are just nitpicks and probably (hopefully) are just stuff with the English translation-- in all seriousness, the book is pretty good.
Aurora's trail here makes sense and is rather logical, and the interesting thing I find about it is that it feels different from the previous two books' worth of shenanigans. Aurora in this one had far less veers and nation hopping shenanigans, and I feel that it was perhaps intentional. Perhaps to give off finale vibes-- Aurora works far more closely with her sister in this one, and the main thing the girls had to work with was not Aurora's diaries, but the letter she wrote to Linda when they were discussing the Ring of Eternal Love. Something about it feels closer, more intimate, more tragic than the previous ones. I felt the need to put her last to letters in the book verbatim because they were emotional dammit -m- Damn you British Amelia Earhart you've done it again /lhj
Luke's character I think is the strongest here. He gives off in a way the most... normal? Vibes here? He's still not touching grass and muttering to himself ominously a whole lot, but his mindset is nice and easy to wrap your head around here. He literally doesn't care about his goons unless he needs something from them, he is more than happy to overanalyze the crap out of a piece of text if he feels Cassidy didn't look through it thoroughly enough, and he wants what he wants right away, and that includes the things he needs to get the thing he actually wants. He as a character literally observes everything happen from his base in Alaska and backseat gamers the crap out of his goons if he sees something they didn't, or if they fumbled the bag and it was perfectly avoidable had it not been for SM being SM--
Also his blatant disrespect for his great-grandpappy Jan is holy crap haha-- it might just be my cultural background, but when I saw Luke call his great-grandpa "Jan" and then say "you disappoint me, Jan", I was flabbergasted haha, not a criticism I just wanted to mention it because I thought it was funny
I really like the fact that Stan and Max (aka SM) didn't show up at all in this book. It would've been easy to have them show up for regularly scheduled hijinks, but in Luke's mind, none of SM's operations have ever been... up to Luke's standards. Especially with how much of a ruckus they tended to make with their presence, they were more of a liability to Luke than an asset; therefore Luke changing up his strategy to be as hands-off and clean and non-intrusive as possible feels like something he'd do, what with how laser-focused he is on min-maxing efficiency to get what he wants as soon as possible.
Omar still being there despite being "fired" might just be a Scholastic oopsie so I can forgive it, Cassidy is still simping for Luke and trying to impress this man and trying to prove she's at an equal level to him, but every time nah. Just nah. Girlie you think you're on the same level as him, which can't possibly be further than the truth. I haven't seen Miraculous Ladybug, but I'd bet Cassidy has even less of a chance of impressing Luke, than Marinette had a chance at getting Adrien to see her as more than "just a friend" before they finally got together.
Now here's something I've been wanting to ramble about for a while: Violet being left alone instead of Colette. It's actually pretty clever when you think about it: Colette is the closest the girls have to a heart (tho she plays hot potato with Paulina when it comes to that role imo), so she's been the most emotional and the most sentimental of the group this entire time. From daydreaming about Romeo, to wanting to believe in love, to happily picking up a microphone to sing karaoke with the girls, to her strong reactions to having to leave the girls behind one by one for the sake of their mission, Colette was being set up for a moment where she is the one who is left alone. You see it a lot in media: the main character is the most sentimental one and as their friend squad make their way to the Big Bad Evil Guy, the supporting characters are forced to get left behind one by one to either hold the evil minions back or because there's no way for the character to move forward with the MC; so the MC is forced to go through the five stages of grief knowing that their friends trust them to get the job they'd set out to do done. It literally happened in Geronimo's third Kingdom of Fantasy book Amazing Voyage, and in that one Geronimo was the one who desperately didn't want to be alone, but he wound up carrying on alone anyway. You see this kinda thing everywhere.
However, in this bit, it makes total sense that Violet is the one who ends up carrying the last leg of the journey alone instead of Colette. Compared to Colette (and honestly the rest of the girls), Violet is the most level-headed. She's the girls' braincell keeper (in this trilogy), the babysitter holding the leash tied to the four gremlins, the one keeping everyone on track and also making sure that the group's collective ADHD doesn't spiral down as badly as it could possibly be. Whenever the girls make a big move that could affect the whole group, Vi is the one asking if it's a good idea or if it's worth doing, and she's the one thinking ahead enough to say "if x happens instead of y, what then?" You get the idea-- Vi is the most capable of keeping herself level-headed even when she's under all this pressure, and she's good at analyzing and planning on account of her often taking the position of the quiet observer.
With this context, it sort've makes you wonder what was going through Colette's head when she offered to help Violet get out of the air room. Violet and Colette in particular get paired together fairly often, and it's probably because of how well they're able to understand each other-- so with the plan, was Colette volunteering herself to prop the door open out of "it was my idea" courtesy, or was she thinking that maybe Violet would be able to figure things out better and thus needed to get to the other side? She probably was expecting to get to the other side with Vi, but would she have thought far enough ahead to a what-if where that wasn't possible? :3c
And Scholastic and power-of-friendship funkiness aside, Violet did handle the situation well, all things considered. The one bit where she only realized Luke was hers and the girls' only ticket out of there was a bit weird, but it can be chalked up to her not being able to take that into account in the moment because of a mix of stress, sheer bafflement from Luke's deal, and the fact that when put on the spot, observers don't exactly handle taking the driver's seat that well :'D (speaking as an observer myself here)
It makes me wonder a bit if Violet and Luke were meant to be foils of each other, what with how similar they are to each other (both of them being observers and planners who delegate more often than they do the work themselves), yet different enough that the contrast between the two is striking. Said difference being
Violet touches grass. Luke does not :)
Anyway so yeah, that's Treasure Seekers 3, and while it is kinda sad that this is where Treasure Seekers ends, y'know what? It gave a solid show as the last installment in the trilogy. I liked it, I liked the canon compliant blorbo angst, I liked the characters character-ing when the dialogue was letting them breathe :]
And of course, we can't forget
God's sleepiest soldier <3
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She deserves that nap after what she went through and you know it--
#geronimo stilton#thea stilton#thea sisters#violet conked out the moment she got into the suv and the girls drove off to plan stuff out. change my mind /j#there's a bit where nicky fangirls upon seeing a moose like she suddenly turned ten and like#she inched closer to the window to see it better but violet was like “hey you're squishing me”#and nicky was like “sorry vi.. i got a bit excited.... y'know how much i love nature”#and vi in this moment where she gave straight-up the most mom vibes#was like “here let's swap seats"#like UEUEUEUEUWAAAAA....#also like remember the bit where colette wound up lugging a big-ass bag around with her while the girls had smoller backpacks#well surprisingly it backfired but not in the way you'd think#the rest of the girls were basically stuck wearing the same clothes the entire time#meanwhile colette was happily not having to deal with wearing clothes that weren't accumulating sweat from having to walk around#if not y'know because of japan's heat#i wrote this while i was sleep deprived so maybe i missed more than a few things in this review that i wanted to say because forgor#maybe i'll end up editing stuff in here a bit after like#i'm more awake#but yeah <3#if the infodumpy bits and dialogue quirks are the same in italian i will cry /hj#*psst hey angst lovers wait for my next post i got something for you*#wait for like#when i wake up and hopefully actually get to sleep tonight lmao#before i go consider#alternate scenarios where any of the other girls end up in that same situation with luke#i'll leave those ingredients on the counter. take them and use them however you wish :3#book rambles#book rant#book review#rambles
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sonknuxadow · 2 months
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every time someone on the internet lies about surge's origins to prove that sonic is canonically trans an angel loses its wings
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infizero · 8 months
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every time i so much as think about that scene where light looks at porn magazines while scowling i go into hysterics its genuinely the funniest thing i've ever seen
#the funniest thing is is that i truly believe he thought he was being 100% convincing. that that's normal behavior for a completely straight#completely allosexual man#light is fucking awful and i hate him but also there's nuance to him. and sometimes i can get a little like. oh thinking about his life#before the series. specifically factoring in my headcanons about him being gay aroace and autistic and stuff. ppl have written some rlly#good fics surrounding those topics.... but yeah thats not even canon stuff but i dont care#anyways its not in a way of making excuses for how he is i just think it adds more to his character#hes total garbage but i think theres really interesting stuff with him when it comes to how he's.... VERY disconnected from others#just in general. he's like aware of how to act ''normal'' on like the most textbook surface level without being like. Aware enough to#be able to make it more convincing. and as ridiculous as it is i do see some of myself in him in that sense#also that person who said light and L is just autistic guy who's been masking his entire life vs autistic guy who's never masked in his#entire life. LITERALLY EXACTLY. genuinely perfect way to describe them they are both so similar when it comes to this#but the ways they go about it are very different. light has been playing the part of the perfect son his whole life. L doesnt try to change#himself for anyone and doesnt care when people think hes weird. both of them arent very socially aware and havent had any real friends#their whole lives. its such a fascinating parallel between them#i could go on a whole fucking thing about how light was pretending to be someone he's not around his family and at school and everything#long before he got the death note BUT. i wont. at least not right now#jesus christ how did i go from laughing about him with the magazine to this. my bad#derailed my own damn post. idk swagever#will say rq tho. watched a vid on youtube that pointed out how light expected his family to think nothing of the fact that he's gone to#such drastic measures to hide his diary when making the plan with hiding the death note which is like#that level of dedication would NOT be normal. so the fact that light expects his family to think nothing of it......#i mean you could read that as light just once again being socially unaware. but it could also imply that light's family kind of Knows#he's hiding something and just doesn't address it. (he's gay. im talking about him being gay)#the video also referenced this comic that i didnt rb cause the actual premise of it (lawlight wedding) is um.#not at all my kind of thing. BUT it was light describing himself as a house with a basement when his family sees him as a one story house#and i thought that was such a cool analogy#ANYWAYYYSSSS i need to go to bed. thanks if you read my ramblings#serena.txt#death note posting
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flamboyant-king · 7 months
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You know me. I like barely ever show any NOT SAFE FOR WORK drawings on here. So instead, I'm sharing drawings of my face AS I was drawing each NOT SAFE FOR WORK thing.
And the subject is right there, smack dab in the middle. Being tormented by the sins of the egg. (I drew him really cute but I can't share the rest.)
ALSO, I'd like to state that it's not corngraphic except like two maybe, it's more so like violent. We are all just having fun beating this guy up. Like, step right up and stomp on his face type shih. I never ever ever draw violent stuff, unless it's lewling related, so this is like cathartic.
This uhh feeling will fade after Halloween hopefully and we'll go back to our regularly scheduled wholesomeness and cammypus.
#i looked in a mirror 20 feet away as reference because im like NYAHAHA WHAT EVILS HAVE I COMMITED#and i see my own smug face in the mirror like 'yes this will get me hunted down'#sketches#i do comedy slapstick violence but ya know doing more darker jokes and adult humor feels nice like im not censoring myself#i mean i still am by not showing you guys a lot of the bloody or even H O RN Y stuff but ya cant expose everything#like for those of yall who have followed me for years id say were all legal here for more than my usual 13+ content#i just want ro be appealing to a broader audience IN CASE i ever did make it somewhere but haha its been what#8 years since i started this blog. any credit i had died off with teeny taku fhjdjsksajsk#ive got no image to uphold. i have nothing im trying to promote anymore. i do but ive lost the plot ya know#im just having fun and im glad you guys are just ...letting me? like i looked at my old stuff#with the cookies the pokemans the fehs the ocs. and yall just let me go freaking wild and thought#yeah ill give that a like. bless yalls hearts. bless ya souls. ive got thousands of posts on here and yall just let me run wild#and thank you for that. ya never pit pressure on me. kts me outting pressure on myself.#i do wish there were folks that did look forward to some actual tangible content instead of me shitposting with no cohesiveness#but thats just hard with adhd. and try as i might with medications and alarms and deadlines and what have you. its just. difficult#like even the tags here are derailing. but i hope that alongside me just having fun doing my thing. i hope i can get on course#where there is a clear line to follow in my life but i dont lose sight of it as i trail off#but for now. im just drawing experimenting and straight up goofing around. have fun you guys#i may not show you everything but just know im having fun too.
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kyouka-supremacy · 1 year
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Thoughts on odazai? I wondered if your reasons for disliking dazai apply to this ship since it doesn't seem to function the same way other popular dazai ships do
Mmmmhh okay first off, I'm afraid my dislike for Dazai transcends all ships (╥﹏╥)
But I do think odazai is very enjoyable for its own uniqueness!! Oda is the only person Dazai respects, literally, and that's bound to make their relationship distinctive and unique. I feel like respect should come with every healthy relationship, so you see the appeal here? Odazai is the only ship that shows a side of Dazai that finally feels authentic– it shows a side of Dazai that is willing to care. For the rest of the franchise Dazai's character is pretty much up to interpretation, there's the mystery element of never being able to tell what's going through his mind, but Oda's existence alone is enough to show us a true face of Dazai for once– which is nice, because Oda showed us a side of Dazai that is capable of love. Which wasn't exactly predictable given Dazai's nihilism, cruelty and apparent disregard of human life; and yet even him is capable of love. And he truly is! Even if you don't like them romantically, Dazai's love (platonic, if you prefer) for Oda is undeniably there, and it's nice, it's miraculous to get to witness it. In a way, Anon, maybe you're right! I don't like Dazai, and still odazai has the power of making Dazai feel sympathetic: because it shows you a man who cares about another person, and who would do anything for them; and then that person is taken away from him. You just can't not feel sympathy for that, it's inherently human to relate to and be touched by another man's suffering, and a thousand times more so when such suffering is moved by love. Odazai is the only ship that makes me want to ship it because I think it would make Dazai happy, and makes me feel happy for him.
Odazai is a sweet, tragic, comforting ship. People have definitely put it more eloquently and in detail than me, but it's just the completely lack of judgement on both sides which is SUCH an appealing aspect. They can be their true authentic selves with each other, and it must have been so staggering and exhilarating and overwhelming for Dazai specifically who probably didn't even know who he himself was– how much human he could be. There's the mutual respect, the genuine admiration. There's the feeling of being accepted and understood like they aren't by anyone else– they both share this morally grey view of the world, and they are the only ones who aren't judgemental of the other's lack of morals; they get each other. In a world that results meaningless to them, they can be each other's reason to live. Then there's the making each other better?? Seriously, what other ship makes Dazai even slightly better. Oda canonically changed Dazai's whole existence prompting him to do good for the rest of his life with six words. And again, the fact alone that Oda is the only person to ever make Dazai capable of love– that's as good as it can get! Dazai is the best he can be as soon as he allows himself to be vulnerable and emotional and soft and honest, and Oda prompted him to do exactly that. And I know that's very arguable, but we literally do not know if Dazai ever truly loved anyone after joining the good guys, or if he's just doing good things because Oda asked him to instead of having an innate will to do good for a genuine love of human beings– maybe he's really doing all of that solely because he loved a man and he will never love anyone else; we really have no way to know, and it's up to interpretation. My take, while we're at it (because I'm drunk on tiredness and I can't stop talking), is that Dazai, even if coming from a place of having no fondness for humans and exclusively doing good because he was asked to rather than for a true conviction, got so accustomed to doing good, he actually... Became good (Aristotle and moral virtue being something you can get better at by practicing it). In that case, Oda would be someone who literally taught Dazai to love, and that's beautiful in its own way.
I didn't get much into Oda's side of the relationship; I feel like I don't know Oda a lot, I only watched the Dark Era episodes of the anime once ten months ago and even Beast doesn't feel like giving away much of his personality. But I do like to think he would love Dazai; if else, I feel like Dazai too is a special person to Oda like no one else is.
Also like, there's the fact that they're quite literally canon. Like I don't know what to tell you it's literally there. Not that many men out there Osamu Dazai would literally abandon everything he's ever known, completely turn his life upside down, start doing good without even believing in good, for. Characters who aren't canonically gay but who's actions don't make any sense until you interpret them as gay and stuff. It barely even count as queerbating tbh like it's just right there.
#Writing this was illuminating. Still don't like Dazai tho 😔#osamu dazai#I feel... Some of this *may* apply to Daz/atsu too but I have mixed feelings about it#sakunosuke oda#odazai#If they use the same criteria to write the name on Dazai's tomb they did for Oda it's literally going to say “o.dazai”#bsd#bungou stray dogs#mine#people asks me stuff#Thank you for this ask! As you can see I love giving my opinion on matters lmao#Besides yesterday I finally got around to finish watching the Beast movie and man I was not prepared for–#Dazai's voice cracking at the bar Lupin scene that scene was so good#Tbh for most of the time in the bsd fandom I thought fyo/dazai was my favorite Dazai ship but tbh...#I think I might have been mistaken to assume that#I mean I never thought about fyo/dazai as intensely as I do for odazai#And granted I don't think about Dazai a lot either way but still ///////#I MAY have rewatched some odazai bits from s2 ep4 and I MAY have gotten a little bit too emotional over these two#I mean. Dazai's desperation seriously??? Why is he suddenly so human??? I can't make this post any longer but I'm sobbing#I'm thinking about that time - I made a post about it that's going to be published at some point but whatever -#that time I was showing Oda's death scene to my cousin for whatever reason#And Dazai entered and he throws his coat away#And my cousin goes “what was that why did he throw his coat away”#And I answered without beating an eye “because that coat represents his position at the pm and everything he's ever known#and he's willing to throw all of that away and leave everything behind without even thinking about it if it's for Odasaku”#I'm not sure where that came from so promptly but I still think about it a lot#The fact that Odasaku spent the last moments of his life advising his friend on how to live because he cared about him–#and his last wish was literally for him to be happy and live a peaceful life. Okay that was not very heterosexual of you#Bones didn't have Dazai cry in that scene because they're cowards
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arcadequeerz · 3 months
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Oh mind electric we're really in it now.
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