Tumgik
#lightning rambles
lightning-system · 3 months
Text
As a medium/lower support needs autistic who works with young higher support needs autistic:
We all matter. We all have the same diagnosis. We all deserve to be treated with dignity and respect.
But we are not the same.
I can mask and might be seen as 'odd' or 'weird' in public. The students I work with are seen as 'dangerous' and 'practically little kids'.
I can go to university and work with accommodations. The students I work with likely will never live independently and a few might find jobs that support them but still pay them less than an abled worker.
I have full control of my finances. The students I work with aren't allowed to make independent financial decisions, even if capable.
If I say 'no,' I'm making a choice. The students I work with can't say 'no' without being labeled as defiant and difficult.
I can feed myself, bathe myself, and take care of myself with extreme challenges. The students I work with are unable to take care of themselves without high levels of support/one on one support.
I had an IEP in high school but was mainstreamed in classes. The students I work with take separate classes and some rarely get to interact with their abled peers.
Our experiences are fundamentally different. Higher support needs autistics will experience a specific type of ableism I never will, and can never fully understand.
Lower support needs autistics need to stop saying we understand what higher support needs autistics are going through and then present autism as only being disabling because of society/lack of acceptance because that is dangerous. We need to stop saying every autistic person is capable of everything if given the right support because that leaves out huge parts of our community who will never be able to do certain things, regardless of support.
We are worthy of existence regardless of our abilities.
Autism is a spectrum. It is not the same for every autistic person. Autism acceptance and advocacy has to come with accepting, acknowledging, and listening to our higher support needs peers.
9K notes · View notes
calli0p3 · 4 months
Text
Tumblr media
has anyone done this yet
4K notes · View notes
sneezypeasy · 2 months
Text
The Lightning Scene, How Azula Targeted Katara (of All People), and the Doylist Reason Why That Matters
Mention Zuko's sacrifice for Katara in Sozin's Comet Part 3 as part of a pro-Zutara talking point, and invariably you'll get a Pavlovian response of:
"But Zuko would have taken the lightning for anyone."
(Not to be confused with the similar-sounding Pavlovan response, which is "Zuko's sacrifice ain't shit compared to a mouth-watering, strawberry-topped meringue dessert"*, which is actually the only valid counter-argument to how the lightning scene is a bona fide Zutara treasure, but I digress.)
Now, I've talked in depth about how the lightning scene is framed far more romantically than it had any right to be, regardless of how you might interpret the subject on paper; this is an argument which I still stand by 100%. That Zuko would have gotten barbecued for anyone, and that he was at the stage of his arc where his royal kebab-ness represented his final act of redemption, doesn't change the fact that the animators/soundtrack artists decided to pull out all the stops with making this scene hit romantic film tropes bingo by the time it played out on screen.
(I mean, we stan.)
There's also a deeper level to this conundrum, a layer which creeps up on you when you're standing in your kitchen at night, the fridge door open in front of you, your hungry, sleep-deprived brain trying to decide on what to grab for a midnight snack, and quite inexcusably you're struck with the question: Okay, Zuko may indeed have taken the lightning for just anyone, but would Azula have shot the lightning at just anyone?
But there's yet a deeper layer to this question, that I don't recall ever seeing anyone discuss (though if somebody has, mea culpa). And that is: would you have written Zuko taking the lightning for anyone else?
Or in other words, who Zuko would have taken the lightning for is the wrong question to be asking; the question we ought to be asking is who Zuko should have taken the lightning for, instead.
Get your pens out, your Doylist hats on, and turn to page 394. It's time to think like an author for a hot minute.
(If you don't know what I mean by Watsonian vs. Doylist analyses, and/or if you need a refresher course, go have a skim of the first section of this 'ere post and then scoot your ass back to this one.)
So. You're the author. You've written almost the entirety of an animated series (look at you!!) and now you're at the climax, which you've decided is going to be an epic, hero-villain showdown. Classic. Unlike previous battles between these two characters, your hero is going to have a significant advantage in this fight - partly due to his own development as a hero at the height of his strength and moral conviction, and partly because your villain has gone through a bit of a Britney Spears 2007 fiasco, and isn't quite at the top of her game here. If things keep going at this pace, your hero is going to win the fight fairly easily - actually, maybe even too easily. That's okay though, you're a talented writer and you know just what will raise the stakes and give the audience a well-timed "oh shit" moment: you're going to have the villain suddenly switch targets and aim for somebody else. The hero will be thrown off his groove, the villain will gain the upper hand, the turns will have indubitably tabled. Villains playing dirty is the number 1 rule in every villain handbook after all, and each of the last two times your hero's braved this sort of fight he's faced an opponent who ended up fighting dishonourably, so you've got a lovely Rule of Three perfectly lined up for the taking. Impeccable. The warm glow of triumph shines upon you, cherubs sing, your English teachers clap and shed tears of pride. (Except for that one teacher you had in year 8 who hated everybody, but she's a right bitch and we're not talking about her today.)
Now here's the thing: your hero is a hero. Maybe he wasn't always a hero, but he certainly is one now. If the villain goes after an innocent third party, there's basically no-one your hero wouldn't sacrifice himself for. He's a hero! Heroes do be like that, it's kind of their thing. The villain could shoot a bolt of lightning at Bildad the Shuhite, and the only thing that'd stop our boy Redeemed Paladin Bravesoul McGee from shielding his foxy ass is the fact that Bildad the Shuhite has the audacity to exist in a totally different show (disgusten.)
But. You're holding the writer's pen. Minus crossover shenanigans you don't have the licensing or time-travel technology to achieve, you have full control over how this scene plays out. You get to decide which character to target to deliver the greatest emotional impact, the juiciest angst, the most powerful cinematic suspense. You get to decide whose life you'll put at risk, to make this scene the most intense spine-chilling heart-stopper it can possibly be.
This is the climax we're talking about, after all - now is not the time to go easy on the drama.
So.
Do you make the villain target just anyone?
Or do you make the villain target someone the hero cares about?
Perhaps, someone he cares about... a lot?
Maybe even, someone he cares about... more than anybody else?
You are the author. You are the God of this universe. You get to choose.
What would deliver the strongest punch?
If you happen to make the inadvisable decision of browsing through these tropes on TV tropes, aside from wasting the rest of your afternoon (you're welcome), you'll find that the examples listed are littered with threatened and dead love interests, and, well, there's a reason for that. For better or worse, romantic love is often portrayed by authors, and perceived by audiences, as a "true" form of love (often even, "the" true form of love). Which is responsible for the other is a chicken/egg situation, one I'm not going to go into for this post - and while I'm certainly not here to defend this perspective as objectively good, I do think it's worth acknowledging that it not only exists but is culturally rather ubiquitous. (If you're playing the love interest in a story with a hero v. a villain, you might wanna watch your back, is what I'm saying.)
Regardless of whether the vibe you're aiming for is romantic or platonic however, one thing is for certain: if you want maximum oomph, the way to achieve that is by making the villain go after the player whose death would hit the hero the hardest.
And like I said, this doesn't have to be played romantically (although it so often is). There are platonic examples in those trope pages, though it's also important to note that many of the platonic ones do show up in stories where a love interest isn't depicted/available/there's a strong "bromance" element/the hero is low-key ace - and keep in mind too that going that route sometimes runs a related risk of falling into queer-bait territory *coughJohnLockcough*
That said, if there is a canon love-interest available, one who's confessed her love for the hero, one who has since been imprisoned by the villain, one who can easily be written as being at the villain's disposal, and who could quite conveniently be whipped out for a mid-battle surprise round - you might find you have some explaining to do if you choose to wield your authorly powers to have the villain go after... idk, some other sheila instead.
(The fact that this ends up taking the hero out of the fight, and the person he sacrifices himself for subsequently throws herself into the arena risking life and limb to defeat the villain and rescue her saviour, also means the most satisfying way this plays out, narratively speaking, is if both of these characters happen to be the most important person in each other's lives - at least, as of that moment, anyway - but I think this post has gone on long enough, lol)
This is, by and large, a rebuttal post more than anything else, but the tl;dr here is - regardless of whether you want to read the scene as shippy or not, to downplay Zuko's sacrifice for Katara specifically as "not that deep™" because "Zuko would have taken the lightning for anyone anyway", suggests either that a) nobody should be reading into the implications of Katara being chosen as the person nearest and dearest to Zuko, so that putting her life in jeopardy can deliver the most powerful impact possible for an audience you'd bloody well hope are on the edge of their seats during the climax of your story or b) the writers made the inexplicable decision of having the villain threaten the life of... literally who the fuck ever, and ultimately landed on someone who's actually not all that important to the hero in the grand scheme of things - which is a cardinal writing sin if I ever saw one (even disregarding the Choice to then season it with mood lighting and sad violin music, on top of it all), and altogether something I'd be legitimately pissed about if my Zuko-OTP ship paired him with Mai, Sokka, or just about anybody else 😂
Most importantly c) I'm hungry, and I want snacks.
*The Aussies in the fandom will get this one. Everyone else can suffer in united confusion.
569 notes · View notes
yonemurishiroku · 9 months
Text
The Lightning Thief in which Luke Castellan did not steal Zeus’ bolt, but kidnapped Jason Grace, son of Jupiter, who commands the lightning and is literally a weaponized child, to his side of the Titan Army. Idfc.
971 notes · View notes
a2zillustration · 22 days
Text
Tumblr media
We lived.
| First | | Previous | | Next |
[[ All Croissant Adventures (chronological, desktop) ]]
[[ All Croissant Adventures (app) ]]
297 notes · View notes
becauseplot · 6 months
Text
Philza Minecraft is a survivalist. 
Everyone knows this. He's the "Hardcore guy." He's an expert in the inner-workings of the natural world. He's vigilant. He knows how to hold his own in a fight, and he knows when to cut his losses, too. He knows how to keep himself alive. By extension, he knows how to keep his team alive as well. It only makes sense that they elect him as the leader of red team.
Philza Minecraft is a team player.
This is why he's always happy to go grinding for materials when the team needs it. Even if he tends to get a little distracted sometimes, wandering too far, forgetting to check global chat or talk in the team vc, he checks in with his friends and does what he can to keep morale up when everyone is feeling down. He recognizes the ease with which Cellbit operates in this environment, so he lets the man call some of the shots, or give Phil instructions. After all, Cellbit led the Ordo for months. Phil trusts his judgement. Why not play to their strengths? 
Philza Minecraft is an adapter. 
His biome doesn’t matter, nor his circumstances, nor his equipment. He’s started over more times than he can count. Working under stress isn’t something that hinders him, nor changing environments. If the game of the day is complete the tasks, he can complete the tasks. If the game of the day is kill a player, he can kill a player. He might hate it, but he can do it. For the sake of his friends, of his team, of his kids, and of their collective survival, he can do it.
There is something else worth mentioning. 
Philza Minecraft is a liar. 
Oh, but you’ll never catch him in a lie, because it’s never what he does say. It’s what he doesn’t. It’s the details he omits. It’s the parts of the tale that he glosses over so that the bedtime story isn’t quite so scary. He’ll give you everything he wants you to have and hold the rest of it close to his chest. Or, more accurately, he'll slam it in a locked box and shove it under his bed with the rest of his monsters. 
He was an asset to the Empire. 
Back then, he always asked the right questions: not "why," but "how," and "when." Back then, he knew he was valuable, so he kept himself alive. Back then, "the Angel of Death" wasn't so much a nickname as it was a title he earned. A rank.
He never became a general. The promotion was there, and he was more than qualified, he just never took it. He was content to let his friend take the helm, because Phil knew what he was.
"Knew." "Was." Was, was, was. (Come on, now, Phil. Don't be daft.)
Philza Minecraft is a liar; the man he lies to the most is himself. Yes, Purgatory is fucked and twisted, and he hates what it forces him to do, but not because it's hard. No. Because it's far too easy.
At the end of the day, what matters most is that Philza Minecraft is an arrow. Let someone else nock him in a bow. Let someone else draw him back, point him in a direction, let him loose, soar, fly. Resources, gear, tasks, points, kills, blood---it makes no difference. Philza Minecraft won't stop until he hits his target.
443 notes · View notes
ahfrickenfrick · 13 days
Text
everyone knows that the bats (mostly) aren’t powered, or invincible, but it’s hard to really get a grasp on it
with the way they all move and act in and even out of the field, it’s unnerving in a way. they all have a certain aura of otherworldly power, even the newer members
everyone of the original members of the league has had a run in with batman injured and in need of help, being the first few to earn the vulnerability and subsequently trust from the bats
when wally held dick’s limp body in his hands as he rushed him back to the base for the first time, feeling his best friends pulse stop between his arms and subsequently jostling the injuries more. he almost wasn’t fast enough, dick was out of commission for three months
or when roy was told of jason’s death, ollie had to hold the kid as he scream cried for a friend and the life his friend never got to live, even though they were just joking the other day about how nothing could touch the bats
with kon still not 100% understanding his powers, and understating tim’s calcium intake, felt the bone crush in tim’s arm underneath his touch during a training exercise. it takes years for kon to trust himself again
jon and damian fought a lot, and damian was as stubborn as jon was determined. both are young when damian tells jon to not treat him ‘fragile’ and it ends with damian in the infirmary, and jon shaking and crying, telling his father he needs to put himself into a kryptonite prison for doing so
jefferson being the leader of the outsiders and understanding that, but it still being hard to grasp with both cass and duke. both are strong, and often taken for granted, but that makes them more powerful, enhanced it enough that when they both get knocked down by the villain of the week it’s really startling
and it’s a cycle that never ends, everyone seeing the bats as godly, and then inevitably losing it and freaking out when it’s revealed that they bleed like anyone else
205 notes · View notes
sharksandjays · 10 months
Text
Once again rambling about Jay and his awesome power. One thing I've noticed about him, especially with his power, is that it seems to tax him a lot more than the others' does. Probably because of the power and intensity of lightning. I've seen so many posts about how Jay uses a very small voltage when he fights because he doesn't want to hurt people, but what seems to be supported by the canon is that it also hurts him. Every time he deals with pure lightning bolts (rather than just shocks), he seems to hurt himself in the process. This is proven in season 14 when he is literally sparking after recharging the ship.
Tumblr media
And judging by his expressions, it's affecting him. It hurts and exhausts him.
And in season 6 and season 8 we see how dealing with direct bolts of lightning affects him. In season 6, he screams when it hits him.
Tumblr media
And in season 8, he gets physically exhausted for a moment after redirecting.
Tumblr media
At least from what I have seen, this is very different from the other ninja, who seem to be able to control their elements-for the most part-at different intensities without it affecting them. (Aside from Lloyd.)
Which just brings me to the point that I personally believe that Jay's power is the most powerful of the creation elements. He doesn't use it to its full potential (and KO enemies, like he could) because, while he can handle like 900 million volts (in season 6 he's struck by like 3 direct bolts of lightning, and survives), that doesn't mean he will be combat ready after that.
This might also be why Wu brought him into the team early (with Cole). He probably needed a lot more training on pain tolerance, keeping the mind and body calm, and probably lots of other endurance training. (Which is indirectly canon with how well he was able to handle Nadakhan's mental and physical torture vs the other ninja.) His power is so unpredictable, and so his training must have been very rough when he first got his powers, which is once again supported by the canon as both Nya and Lloyd talk about how he destroyed the South(?) Wing of the Monastery with an electrical fire while practicing his powers. Wu probably had to focus on his control a lot more than with the other ninja (probably like how he had to with Nya, if you think about it. Lightning and Water are both hard to control, so concentration would be key to learn for both of them, which is ironic with Jay's fanon ADHD).
Point is, Jay is super cool and so underrated sometimes. I really think it'd be cool if the show went more into how their powers affected them! Though speculation is also fun.
Tumblr media
Anyways. Jay with the lightning chicken because they would be (are) besties.
810 notes · View notes
pinkpinkstarlet · 29 days
Text
this image is so funny to me. Like lightning is an energetic child who just drank a huge load of caffeine by mistake and now this old man has to deal with their kid going crazy
Tumblr media
@champmorado @orchestra-of-demonic-screeching @kaderp @x0stormie0x @punkeropercyjackson @microwavedfishsticks @y7kierre
142 notes · View notes
helyeahmangocheese · 4 months
Text
something really gets me about how percy sings "no one ever will take my side, all I ever do is take the fall" in good kid and luke sings "the gods were never on our side so I think it's time we watch them fall" in his reprise because it really shows how none of them wanted to be demigods, how none of them want to be heroes or villains. but the difference is that percy has internalized all of it and sees himself as the problem--he blames himself without hesitation. and even though we want him so desperately to know that it's not his fault, we can also see how easily his rightful anger can become bitterness and vengeance. he's so much more similar to luke than we want him to be, and a majority of the time, what saves him from darkness is his ability to believe in the best from others (even if this belief does not necessarily extend to himself).
181 notes · View notes
dustofthedailylife · 1 year
Text
Wait a second... he said the thing!
Tumblr media Tumblr media
The age old mystery was lifted!!! *insert Bohemian Rhapsody lyrics here*
Tumblr media
He will, in fact, not do the fandango, since he isn't a fan of Dango! *wheeze*
I'll show myself out.
1K notes · View notes
lightning-system · 3 months
Text
i am in so much pain.
this is the part of being disabled that sucks.
i took my meds. i tried to stretch. i tried to rest. i got water. i got food, went to the bathroom, got in comfy clothes, cuddled my cat.
i did everything right.
i am still in pain.
i am always in pain.
792 notes · View notes
somanywords · 4 months
Text
forgot how in the book grover spent a good five minutes beating medusa upside the head with a stick while annabeth told the 12 year old newbie to cut off her head. iconic
124 notes · View notes
eddiebabygirldiaz · 2 months
Text
buck died a year ago. his life ended in a near blink, sudden and with no warning, no sense of doom or a sign, just him doing his job. would he spend the anniversary stuck in that moment, replaying it over and over, faintly hearing the echo of eddie screaming his name even though that's surely not possible and just something his mind made up. would he push himself through the work day, fine totally fine not at all bothered, except for how being near the ladder truck makes him twitch as if a piece of that lightning is still embedded in his skin, except for how he keeps hearing the roar of wind and rain, except for how he can't meet the eyes of any of his friends. would he go to eddie's afterward, seeking that comfort he did once before, because the only place he feels really alive is there in that home. would that soothe the ache or make it worse. would it remind him of what he still has or what he almost lost. would he reach for eddie now the way he couldn't then or is what's between them still too charged and electric and dangerous to be touched, too sore and nebulous to be grasped, not without inflicting more damage. would he somehow feel both more alone than ever and also not alone at all because eddie is in it with him the way he is in all things. would he want for eddie to put his hands on his chest, not to revive but to maintain, not to push and leave but to cradle and stay, not to coax buck back to life but to give him something worth staying alive for and to remind him that they both are still here. still here. he's still here. and so is everyone else.
124 notes · View notes
yourtwistedlies · 7 months
Text
i find it fascinating that you can only see hestia when you are in need of a home. in need of the hearth. that’s why in tlt percy had seen hestia whilst being introduced to chb. he thought his mother had just died. he was in need of a home. little did he know, he’d find one right there.
285 notes · View notes
the-great-kraken · 1 year
Text
the subtle horror of the campfire song literally makes me want to scream. luke leading the entire camp in a song about hating the gods, ending it with the idea he will be there for them when the gods aren't?? it's so good i will never shut up about it
573 notes · View notes