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#i don't care what those stupid cartoons say
nawoken · 3 days
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Ơ v Ơ
Thanks for liking my post guys, I appreciate it. So I will start spreading my mind when I don't have anything better to do from now on then.
Hm, today will be... a reader from Gravity Falls, who got transported into TWST world. Oh, reminds me of those good old days, when we still had a bunch of good-quality cartoons. (T vT)
You can be a friend of Dipper and Mabel, who joined them on their trip to Gravity Falls. Or the town's resident, who has always known about this place's weirdness but most of the time, when you bring it up, no one actually believes you. You can even be the twins' sibling, or well... Lil Gideon's dogsbody (no one want this right?)... That's your choice.
I want to build a reader who has enough understanding of those mystery creatures so it's better if you have a few links with the main cast :")))
After the defeat of Bill Cipher, a few years went by in peace. Until one day you wake up in a whole different world that has magic. Great, it's cool, you're fine, nothing too bad yet, it can be worse, right? After all, you used to encounter many more strange things than this.
Maybe, after not being able to contact you for a long time, Dipper will realize your disappearance and find a way to help you. Or..., the headmage in front of you can do something like he said.
Nope, you're wrong, he is useless, that's what you realized after staying there for a while. That biscuit doesn't even care about finding a way back for you! So, you have to find another way while facing a bunch of other overblots.
You've never really told anyone else about stuff you used to face back in your world, mystery creatures, monsters, and a Dorito from different dimensions.
Mostly because when they asked why you can face all this "transport to another world" or "fighting some gooey inky monster" things so calmly. Or why did you act so aggressively about making a deal with Octoville Housewarden. You told them how you used to fight this triangle entity from different dimensions, that planned to destroy your world, but they would just brush it off or say that you have a wild imagination.
You feel a bit sad when it happens, but you get it. Some magicless people can fight off a Dream Demon that can control space, matter, and even time? That must be hard to believe. So you just let it be.
~~~
But, out of nowhere, mystery creatures start to appear around the Isle of Sages.
What do you mean you saw Gnomes with a red cap and blue outfit running around in the jungle? And there is a whole island that suddenly appeared overnight?! Some scientists tried to approach it and it arose from the river, appeared to be a freaking giant head?!
It's all too familiar to you. After all, you had gotten into a bunch of trouble with them during your stay at Gravity Falls. It must be that this island has some kind of connection with that town!
Then, you just have to find that connected point to open the dimensional portal, and come home, right? Maybe, the twins with their uncles will get to you before you even have to do all that.
So, you just acting like normal. But your friends don’t want that. Mostly Grim, Aduece, Epel, and Ortho when they took an interest in the mystery thing that recently appeared inside NRC. Jack and Sebek tried to protest, saying that it was stupid but got provoked by “Why? Are you scared?” from the others.
You got dragged in, mainly because you worry for them. Even when they have magic, you still have more experience with this than them. You don't have the Journals with you but you used to spend quite a lot of your time studying and understanding them alongside the Pines twins. So, you’ve memorized most of it, if not all.
~~~~~~
The moment your groups step into this strange part of the forest, with some big red mushrooms with dots and some floating shiny orbs come straight out of a fairytale. You know this is a "Gnome Forest".
Before you can get everyone out of this place to avoid meeting those creepy creatures that have an obsession with finding a Gnome queen. You see Jade, observing and taking note of the mushrooms.
Jade: What a pleasure meeting you guys here.
Deuce: J...Jade-senpai?! What are you doing here?
Ace: Ye, and where is Floyd, is he sneaking also around?!
Jade: Fufu... don't you think it a bit rude to ask questions without stating your reason for being here?
Jade: But, as you can see, I'm studying these delightful mushrooms. And, no, unfortunately, my brother isn't into this kind of thing so there's only me.
Jade: ... Then?
Epel: W...what? Oh, we're here for the mystery creatures that been lurking around.
Jade: Oh, from the rumors?
Epel: *Nod* Yes.
Ace: Hm, you must be here for a while, have you seen anything yet?
Jade: Sadly, no. However, I do hope that I can encounter one of those, Azul might take an interest in them (For business thingy, I guess). Hm,... do you mind if I join you guys?
Deuce: Uh, no...
Jade: Great! ^v^
(Okay, that is, I'm out of brain juice for that conversation. Hope that is not too Ooc (XvX))
You stood aside, looking around worriedly while Ace bickered with Deuce due to letting Jade join. Jack felt your restlessness, mistaken that you're scared so he tried to comfort you. Sebek saw it and loudly said something about how weak humans are.
That's when some shadows dash by, Jade, Jack, Ortho, and Sebek become more alert while the others are a bit startled. Grim screaming something about not wanting to be eaten and clinging onto Ace's face though.
Looking back and forth a few times just for you guys turned to Epel, and saw a Gnome right next to him with a flower in hand. You know that shoot, Jeff! And! seeing his action, you also realized what come next.
Epel: ...For me?
Jeff: Yes, for you, my... future queen! (I can't, this is too much, I'm dying)
Gotta say, your friends have a good laugh except for Epel, who looks about to explode and Jade has this amused smile. If not for how bad the situation actually is, you might laugh as well.
Y/N: Guys, we should go.
Jeff: WAIT!!! Let me introduce myself first, I'm Jeff, Gnomes' leader. And, we are looking for a new queen...blah blah... (sorry)
At some point, Epel blew up, and he started throwing spells and that's when they knew what Jeff meant by them. 1000 Gnomes running out from God know where merged into a huge Gnome then chased them after their fail attempt of fighting it.
Ace: WTF is that?!
Deuce: How can we fight it if it keep merging?!
Grim: Wroahhhh, It's so fast!
Ace: You should just accept their marriage proposal!
Epel: WHAT DID YOU SAID?!
Jack: Why did I agree with this...
Sebek: I KNOW THAT I SHOULDN'T LISTEN TO YOU GUYS!
Ortho: This is quite fun, isn't it?
Others: NO!
You are tired of running, Jade has already gone out of sight the moment that thing compiling. You tried to reach inside your backpack, you were prepared for this after all! Your dog whistles. You just need to find it from the pile of things you quickly stuffed into your bag.
Finally! You quickly told everyone to cover their ears, mostly for Jack and Sebek due to their sharp hearing, and blew the whistle. That giant Gnome started to fall apart, and those Gnomes quickly ran away, far from the noise that hurt their ears.
Ace: Uh... What was that?!
Epel: Prefect, h..how can you do it?!
Grim: Haha, good job my henchman, I know you can do it.
Y/N: Gnomes, they have enhanced hearing so they can't bear high-pitch noise.
Deuce: But, how did you know that? Did you read about it somewhere?
Ortho: I don't think so, I've scanned them and I don't find any research about those creatures. So, prefect, where do you study about it?
Jade: I also want to know. (^v^)
Sebek: Where are you coming from?!
Y/N: Guys, just calm down. About those creatures, of course, I know about them. It's from my world after all.
Others (minus Jade): What?!
Jade: Oh... that's really interesting.
Deuce: Why have you never told us this story?!
Y/N: *stared back at him unamused*
Ortho: Hm... I do remember they used to say something about fighting supernatural entities.
Ace: But, I thought that just some jokes!
Y/N: Well, now you know it not.
Epel: Wait, so you did fight those?!
Y/N: Yes.
Sebek: Hm, maybe you're not as weak as I think, human.
Jack: Is that why you're worrying then entire time?
Y/N: Yes, I just don't know how to warn you guys since you're not gonna believe me.
Others: Sorry...
It can be said that everything ends happily. You guys talked to Crowley and he has to start doing some research about your theory of the connection between Isle of Sages and Gravity Falls (Ramshakle dorm).
You become a storyteller for the first-year gang, Jade (he wants to know all the information), and you might not know but also Rook, who observed your groups from afar the day of the exploration. Telling them about those creatures that you've faced, the journals, the Pine twins, their uncles,... and even about Bill Cipher.
You tell them, they tell the others. The famous magicless Prefect used to fight paranormal and supernatural entities that have been lurking around lately?! Only your friends actually believe in it, but that's enough for you.
Until they started to find you for more information, so Ortho helped you create a blog to spread some, not every single of them though. Should start some business by solving mysterious things. Talked to Azul and he might help you, you used to help him so he wouldn't trick you with his deal,... right?
Well, who knows? You know quite clearly the consequence of making a deal without thinking right?
EBIIL LIA COFBKA JFPP JB?
______
Why is it this long?! I just want to type something fun and spread some idea but then it turns into a whole ass rambling :')
I still have more for it, but I'm lazy, my brain might or might not die at this point and I can hear light, see noises... I should sleep but I'm hungry. :'))))
English is my second language so there might be some confusing things in my wording, let me know if you feel there is anything that needs to be corrected, thank you.
I also haven't had a chance to finish Gravity Falls' series and it also has been a while since the last time I saw it. I've tried my best to gain more information about it when wrote this but if I am wrong about something, please tell me.
Anyway, I might do part 2 for this if I'm in the mood. See ya!
Oh, Also, Idia found this CD. It's old, yes. But it's an old game CD! Might be worth a ton this day. But, most importantly, he wouldn't say no to ancient games. An otome game about dating a pink-haired high-school girl... (I changed her ending a bit I guess).
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(part 3 of November Paramedic; part 2 is here.)
When Gareth mentioned a plan to locate Eddie’s paramedic in shining armor, Eddie assumed it'd be him getting into various accidents all over Indianapolis. It's something the little shit would've found funny, okay! But, Gareth's plan is much less hazardous and slightly more logical: lurk around the university until they spot him. Like a pair of drug dealers trying to tempt the goody-two-shoes protagonist into addiction and sin on an 80s Saturday morning cartoon.
It's not the simplest task since they don't know when Steve might be there. Also, other responsibilities mean they can only spare so many hours loitering. So, thirteen days post-hatching plan and nineteen days post-meeting Steve (not that Eddie's been counting or anything), with nothing to show for their ethically questionable behavior, Eddie is ready to give up. Especially since both of them have a rare simultaneous day off. Usually, those are spent jamming, smoking, playing D&D… literally anything other than this.
"This is fucking stupid," he says, cigarette clenched between his teeth. "We're not gonna run into him."
"Sure we are," Gareth says. He drops his butt among the dozens they've chain-smoked and lights another without meeting Eddie's gaze. "We're getting closer. I can feel it."
"The only thing you're feeling is delusional. It's time to give up."
"Eddie, c'mon-"
"Nope." One last drag and Eddie stomps out his cig. "Fuck this; I'm out."
He stalks toward his van at the far end of the parking lot. Gareth curses before running after him.
"Dude!" he exclaims, jogging to keep up with Eddie's longer strides. "You can't just give up! What about what you said-"
"I was being stupid. What was I even imagining? We orchestrate another meeting and, what, I use my freakish wiles and seduce him? And then we'll live happily ever after…" Eddie shakes his head. "It doesn't work like that. He'd probably turn out to be a douche anyhow."
"No, listen!" Gareth seizes Eddie's arm and yanks him to a stop in the middle of the lot. "You always do this. Self-sabotage and cut things short, even when there's potential."
Eddie scoffs. "You know what else always happens? I end up liking them more than they like me. It's not fun."
"You don't know it'll be like that this time. You have to try."
"No."
Eddie takes a step back. He's done; he's out. Gareth reaches for his wrist to pull him back in. He jerks away, almost losing his footing and stumbling into the burgundy car behind him. Gareth's arms shoot out to help, but Eddie steadies himself before crashing. For a second, silence reigns as they assure everyone's on solid ground. Then Eddie opens his mouth to once and for all-
"Eddie? Gareth?"
Their heads snap to the side, eyes landing on… Max? Looking unusually dressy in high-waisted shorts and a fitted top under an oversized jacket, and her hair in a high ponytail. She's got her skateboard under her arm, a messenger bag with a textbook sticking out, and a confused furrow between her eyebrows.
"What are you doing here?" she asks.
Fuck. They can't tell her the truth – she'll never let him live it down. Fortunately, Gareth realizes this too, because he says:
"Uh, I go to school here? What are you doing here? The math building is way over there."
She rolls her eyes and leans on the burgundy car. It's a shiny BMW M5 – the limited anniversary edition. Jesus fucking Christ, Eddie almost dented that thing! It's worth more than his life. And Max is slouching against it like it's nothing. He could warn her not to scratch it, but she's unlikely to care; she's always been metal that way.
"Waiting for my friends," she says. "We have dinner on Tuesdays."
Eddie's ears ignite. Dinner? With friends? While wearing what's basically a date outfit?
"Ooohhh…" he says, sharing a grin with Gareth. "And do these friends include someone special?"
She shrugs, looking anywhere but at him. "I don't know what you're talking about."
"C'mon, Red! You're killing me! I need to know if he's good enough for you."
His fingers hover over her ponytail, as if to tug at it. She slaps his hand away.
"You're annoying."
He laughs. This terrible day just became infinitely better. He won't rest until he gets what he wants – or until she punches him, which'll probably come first. He's about to tell her so when a voice calls her name. Both turn to look, and…
It's a boy Max's age. He's beaming and waving, quickening his steps toward her. She smiles too, almost shyly, as she waves back. It's the perfect opportunity for teasing, if Eddie's day hadn't just become infinitely better.
His tongue is heavy, his skin is itching, his heart is bruising his ribs from the inside. Sweat is gathering in his pits and it's getting a little hard to breathe. Because walking half a pace behind the boy, carrying a huge duffel with such ease it might actually be stuffed with feathers, is… is…
"Yesssss!" Gareth hisses next to him. He may also be fist-pumping. Eddie isn't looking.
"Hey!" The boy stops in front of Max. "Sorry, practice ran late."
"It's okay," she says, cooler than ice, though her eyes are glittering. "I just got here."
She says something else, or maybe the boy does? It's all background noise, because Steve has caught up. Steve, in jeans and a polo that must've been tailored to his exact measurements because oooooooooohhhh boy. Steve, unshouldering the bag, muscles shifting and straining under his shirt with the movement. Steve, smiling, his golden eyes flying over Eddie.
"Hey! Eddie and Gareth, right?"
Eddie draws a sharp breath. He remembers!
"Y-Yeah!" he squeaks, hands fluttering to either wave or shake hands, ultimately doing neither. "Hi! You're here!"
"I am," Steve says, casual, as if inane conversations with former patients happen on the regular.
(It better not – Eddie doesn't do well in competitive settings.)
Max, keen eyes darting between them, asks, "You know each other?"
"Met at work," Steve says. "Or, I was working and he…"
"Ah." Max taps her temple. "That."
"How do you know them?" the boy asks her.
She points at Eddie. "Neighbor. And that's the guy who dumpster dives outside our apartment building."
Gareth flips her off. Eddie would laugh, but he's busy pretending he doesn't know what Steve looks like shirtless. It's hard (pun slowly growing more relevant) – his gaze keeps dropping to the polo's undone top button. Steve is just as gorgeous out of uniform, and now Eddie's thighs are tingling with want. He could stare at him forever…
Unfortunately, 'forever' is cut short by a woman arriving in a flurry. Wait, no. 'Flurry' implies some sort of graceful whimsy, while this person… she's a hurricane crashing into a house.
"Sorry I'm late! Nielsen wouldn't stop talking and got angry when people started leaving because it's an important lecture so this girl called him out for not keeping time because he goes on all these tangents and he said they're interesting tidbits and she said it's disrespecting our time and-" She pauses for breath. "You don't care, do you?"
Max, Steve, and the boy shake their heads.
"Right. Sorry." The woman turns to Eddie and Gareth. "Hi! I'm Robin. And you are?"
"My neighbor and his friend. Steve treated his concussion," Max rattles off, glaring at them. "You didn't answer my question: why are you here?"
Gareth frowns. "I told you," he says, pointing at the building. "School." He points at himself. "Student."
Max glares harder. "You don't have class on Tuesdays. And Eddie doesn't go here at all."
"I had stuff I needed to drop off."
"Is tagging along a crime? Jesus."
Max doesn't reply, though her glare remains.
Robin hums. "Okay, so this is super-enjoyable, I love just standing around, but I'm starving, so…" She looks at Steve, who nods.
"Yeah, we're going," he says, but neither moves. He glances at Eddie, which makes her glance at Eddie, and then they make a series of eyebrow-movements at each other, ending in a shared smile. Steve asks, "Have you guys eaten yet?"
Eddie shakes his head, pulse racing. Is this going where he thinks it is?
"D'you wanna come with? There's this diner we like…"
Holyshityesitis!
"Yeah!" Fuck, too eager. "I mean, uh, sure, sounds good."
"Cool." Grinning, Steve clicks a remote car key; the burgundy BMW beeps. What the fuck? How high is a paramedic's salary?! "Did you drive here?"
"I, uh…" Eddie falters. Shit, wasn't he supposed to? It's been three weeks and he feels fine – he thought he was in the green!
"Nope! I did!" Gareth says, 'proving' it by hauling his house keys from his pocket and jingling them.
Steve nods. "Should be safe for you to drive again, but the less strain you put on your brain, the better. Even a mild concussion isn't anything to sneeze at."
"Y-Yeah, I've been taking it easy. Basically done nothing. Until now."
Max snorts. Eddie is going to pour coffee through her mail slot.
They decide Eddie and Gareth will follow Steve's car to the diner, since Steve can't fit all of them (the real reason he asked if they drove here, duh). It's good because Eddie gets the chance to panic/gush/collect himself in the privacy of his van. It's bad because Gareth drives, lest their fib be revealed. Gareth spends the ten-minute journey gloating about driving Eddie's beloved girl, interspersed with 'I told you so!'s.
The diner is cozy, all wooden furniture and sepia photographs on the walls. A graying waitress who smells like tobacco directs them to a booth and takes their orders. An awkward silence then falls as they wait for someone to speak.
The boy clears his throat. "My name is Lucas, by the way. I don't think I said." After shaking his hand and introducing themselves, Lucas says to Eddie, "I think Max has mentioned you."
"Oh yeah? I've been dying for her to mention y- Ow!"
Eddie rubs where Max kicked his shin. Her glare is murderous. Lucas is blushing happily, though.
"So, what d'you guys do?" Robin asks.
Right. Time to small-talk like adults. Eddie gets his job as a mechanic out of the way, then gives the word to Gareth, who tells them he's a creative writing major. Robin turns out to be getting a masters in linguistics and Lucas studies biology.
"I don't actually know what I want to do, but biology feels broad enough to give me options, y'know? I can go to med school, or forensics, or, I don't know, paleontology?" he says. Max glows brighter with every word that comes out of his mouth. Cute.
This then segues into talking about their friends, who by the sound of it lead incredibly interesting lives.
"Dustin's at MIT, Mike's at Oxford, Will's in San Francisco…" Lucas says, counting on his fingers.
Max interjects, "El's in Africa building houses and teaching kids English."
"Erica is still at home, finishing high school and drowning in early acceptance letters to, like, every Ivy League there is," Steve says with a look of pure pride.
"Nancy and Jonathan – they're our age – are chasing scoops in Afghanistan… " Robin says.
"... and Argyle is also in California," Lucas finishes.
Eddie whistles. "And here we are, still in Indianapolis."
"Dude, I'm surprised I got this far," Steve says. "Wouldn't've managed without her."
He jerks a thumb in Robin's direction, who preens at the acknowledgment. Robin's cool, Eddie decides. Garrulous but fun and nice… and verrrrrrrrry close to Steve. The kind of close where they're always in each other's space. Where they wordlessly transfer food between their plates. Where Steve unceremoniously wipes a speck of ketchup off Robin's chin after she repeatedly fails to get it. They're comfortable, but not necessarily romantically affectionate. Like they're siblings rather than lovers.
(Dear God, if you are in heaven, let them be siblings.)
Conversation flows. They joke around, tell stories, swap opinions. Robin gets passionate about tonal shifts when stage shows are adapted to film, and Eddie tries not to stare at Steve's mouth as he eats. And then, once their plates are cleaned and they're waiting for dessert, Gareth leans his elbows on the table and fixes Steve with a purposeful look.
"I figured out where I've seen you before."
Eddie stiffens.
Steve blinks. "At campus, right?"
"Thought so, but no. I realized it's actually…" Gareth chuckles. "It's ridiculous, but uh, my mom had this calendar…"
Steve recoils, red flooding his face. Robin, Lucas, and Max shriek in delight, Robin grabbing Steve's arm and shaking it as he hides behind his hands.
"And my mom," Gareth says between bursts of laughter, "she's shameless, all right? She kept it in our kitchen. So during, what was it, November?"
"November," Steve confirms, muffled.
"For 30 days, if I wanted to check the date or make a notation… I saw you."
Tears stream down Robin's face, she's laughing so hard. She and Max have started chanting 'Slut! Slut! Slut!' at the still crimson Steve.
"You don't understand," Lucas says, gesturing for emphasis. "We've been waiting for someone to come up and say 'hey, weren't you…?' for years. Thank you so much!"
"Hey, thank my mom," Gareth says. Eddie's quite stunned he'd throw his own mother under the bus like that. She's a really nice person, too!
"Makes sense," Max says. "Moms love Steve."
"All parents do," Lucas says.
Cackling, Robin pinches Steve's cheek. "Gotta hide your mom and your dad around Steve!"
Steve bats her off, flushed but smiling. "Yeah, yeah, laugh it up. You got your wish, now shut it."
That only makes the three restart the chant to ridicule him for his harlotry. Steve's indignant squawk that 'it was for charity!' merely has everyone laugh more.
And Eddie? Well. As he sits beholding this man who works as a paramedic and drives a luxury car, who models for charity and allows his friends to mock him for it, who blushes and giggles when they lovingly call him a whore…
All Eddie can think is that he's in fucking trouble.
Afterward, it only makes sense for Eddie to drive Max home. Steve shakes his hand outside the diner, saying it was nice to see him again. Eddie, not knowing how to ask for Steve's contact info without seeming weird, agrees. He waits until the BMW drives off, then tells Gareth to get the fuck out of his seat. Gareth relocates to the backseat, whining since Max already called shotgun.
The initial minutes, they're quiet. Then Max turns to Gareth and says:
"When were you telling me Eddie is your mom?"
"Huh?"
"You said you knew about the calendar because of your mom. But that's not true."
The warmth drains from Eddie's face; his knuckles crack around the steering wheel. Gareth's expression is the epitome of 'oh shit' when he meets Eddie's gaze in the rear-view mirror.
"Yes, it is," Gareth says.
"It's not," Max says.
"It is!"
"It's not! The calendar was for 2021, and in November '21 you were a freshman and had already moved into the dorms! If your mom kept it in her kitchen, you wouldn't have seen it!"
She scowls at Gareth, mouth pinched and eyes flashing, daring him to contradict her.
Gareth swallows thickly. "It… wasn't for 2021."
"Yes, it was."
"How do you know?"
She puts her hands in her lap and lifts her chin, almost primly. Eddie gasps as the penny drops.
Gareth screams, "WHAT!"
"You have it?" Eddie cries. "Why do you have it?"
She scoffs. "You know why – you've seen his pecs."
"I don't- Okay, how're you so sure it's me?"
"Because you spent all of dinner looking like you wanted to crawl inside his mouth and live there." Her nose wrinkles. "At least I hope it was his mouth you want to crawl into-"
She's cut off by Gareth shouting "I can't hear you! Lalalalalalala-"
Eddie crumples in his seat. He's depleted of blood, air, life, everything. Behind, Gareth is grilling Max for information: are Steve and Robin together? Is Steve single? Is he queer?
Max replies: no, yes, and 'that's not for me to tell, moron'.
Gareth nods, satisfied. "That means he is. If he was straight, you'd say so." He slaps Eddie's arm. "You got a shot, man!"
"You… don't know that…" Eddie wheezes.
Max tuts, shaking her head. "You actually want to hit on my chauffeur."
"He prefers the term 'seduce'," Gareth says.
Eddie smacks his face into the steering wheel at the next red light.
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Tag list: @rougenancy, @raisedbylibrarians, @yourebuckingkiddingme, @swimmingbirdrunningrock, @emma77645, @goodolefashionedloverboi, @eddielives1986, @stevesbipanic, @the-redthread, @fandemonium-takes-its-toll, @henderdads, @gay-little-bitch, @lordofthepointygerbils, @lenore1232, @imzadidragonfly, @zerokrox-blog, @eddiemunsonswife, @cherrycolas-things, @ediewentmissing, @princess-eddie, @atombombbibunny, @ajamlessbaby, @dogswithforks, @grimmfitzz, @cutiecusp, @cuips-not-cute, @manicallydepressedrobot, @messrs-weasley, @madaboutmunson, @mightbeasleep, @suikatto, @brassreign, @snapshotmaestro, @bea-sayan, @courtjestermunson, @csinnamon-fox, @steveisabicon, @spectrum-spectre, @spinmewriteround, @just-super-fucking-gay, @escapingthereality, @oneweirdcryptid, @deehellcat, @misticageri, @lovelyscot, @olivethenerd16, @linkydinky06, @rynnytintin, @anything-thats-rock-and-roll,
I won't be adding more to the tag list because there are already so many of you. Instead, I'll be tagging the four remaining parts (it'll definitely be seven in total, btw) as #steddie fic: november paramedic. Hopefully, they'll show up in the tags and you'll see them that way.
Thank you for reading 🖤
Part 4
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maiko-san · 6 months
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TADC x Robotic Jester! Reader (Part 2)
Part 1
Since part 1 doing so well, I'll be making part 2
ft. Jax, Gangle
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You're not really sure how time really works in the digital circus, but who cares anyway? You just live your own life here without worrying about anything especially your human past.
You're at The Tent, practicing your skill on a tricycle while juggling lit torches in your hands and on a tightrope.
Ragatha had gone to her room to rest while Kinger is in his pillow fort, probably thinking about his insect collection.
You were too focus juggling the torches and not noticing a pair of scissors cutting the rope. The last thing you hear was a 'snap' and then you fall on the ground quite comically ( in cartoony way ) followed by a laughter. You let out a groan and shakes your head, you couldn't help but growl as turn your head to face the culprit.
It was the newcomer, Jax.
JAX
Number 1 pain the as#&! in the entire circus. You don't like him one bit ever since he first appeared.
He loves tormenting others and saying "I love to see something funny happen to people" follow that stupid grin of his.
"Hahahaha! Look how funny you look when you fall, you look so stupid!" he laughed. Your teeth clenched together. "It's not funny....rabbit" you said, standing up and dusting your clothes.
Sometimes you have the urge to throw him into the void but Caine somehow can hear your thoughts and tell you not to or he will confiscate all of your items and give you a timeout.
"It would be more funny if you were to set on fire— oh wait, you already are!" Jax grins, you stare at him in disbelief. You take a whiff and you swore you smell something burning, your tail kinda feels hot for some reason.
You turn your head to see that the tip of your tail is on fire.
Let's just say, Jax loves tormenting you the most. You remind him of those cartoon characters in tv shows!
Some of his pranks can be overboard and there are times it causes you to become malfunction all thanks to his pranks especially when he pours water into your joint circuits, causing your limbs to twist uncontrollably.
He doesn't care that he hurts someone (or even cares about their feelings). Knowing that Caine could fix/solves everything with a snap of his fingers.
Jax is straight up a bunny from hell.
None of the others like Jax including you.
You just don't know what his problem is but if he ever dares to hurt your friends with his silly pranks, you won't hesitate to throw him into the void.
You roll your eyes and sigh, with him around the area making you lose interest in training. So, you decide to leave and go back to your room or go to Ragatha's.
After a few days had passed, a new human had appeared in the circus.
Gangle
A ribbon with a mask? She's an odd one.
The very first moment she arrived, she was nervous and scared.
Caine was about to give her a name until Jax decided to name her himself.
"How about Gangle? They do move so 'graceful' " he said with a proud grin on his face, you look at him in disbelief. Seriously? That just mean! ( Gangle means moves ungracefully ). Before you could protest about the name, Caine just agreed with the suggestion he have given.
"Well! Gangle, welcome to your new home!" Caine smiles.
For the first few days, Gangle did really well actually. You notice that she has two masks with her, that is her comedy mask and tragedy mask.
Gangle is very light since she was made out of ribbons, if you run past her the poor girl gets knocked down by the wind and breaks her mask at the same time.
You did it once and you feel guilty for doing so.
So you remind yourself to always be careful whenever you're around her.
Gangle really appreciates how you are so careful and gentle around her, unlike Jax who pushes her on purpose whenever he feels like it.
Every time she breaks her comedy mask, you would offer to fix it for her but she softly declines.
"Wah!" again, Jax tripped her over when she walks past him. Her comedy mask falls off her tragic mask and smashes on the floor, "My...my comedy mask" Gangle sobs as she holds up a piece of her shattered mask.
She sighs to herself and picks up the mask piece by the piece, she stops when a hand hovers her.
She looks up to see Ragatha, Kinger and you. You couldn't help but let out a scoff, glaring at the rabbit "Seriously, Jax? Again." you glare at the purple rabbit. "Pfft. What? Not my fault that she doesn't see it coming~" he said, closing his eyes as he shrugs off what he has just done.
Gangle and Ragatha could see that you're on your last straw. Your limbs extend and wrap themselves around the rabbit, causing Jax to blink in surprise.
The next thing, Jax was thrown out of the tent. There was a Jax shaped hole left on the roof of the tent, indicating he was thrown high up.
Gangle didn't expect for you to do it, she was shocked. She appreciates that you stood up for her but at the same time, feeling that she's a burden.
You assure her that it wasn't a problem and tell her if Jax ever bothers her again with his silly pranks, don't be afraid to tell you :D.
A/N :
State in the wiki, Jax gets to choose his own name when he first arrive and he also chooses Gangle's name too.
If you're thinking that "Jax is too mean!' that's what he is, he's just a straight up a-hole and a sociopath(?).
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meieis · 4 months
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thinking about the past -Satoru Gojo
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My note: Since I couldn't find anything to do, I wanted to watch the cartoons I loved watching as a child, as a result, while watching 'American Dragon: Jake Long', a scene I saw in the second episode gave me great inspiration.
Warning(?): None
Synopsis: In 2006, satoru constantly put himself in embarrassing situations around you. Satoru thinks to himself about one of these memories
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He pouted as he sat bored.
You weren't around because you Have a mission and he had nothing to do today. Now that he think about it, he should congratulate himself on having managed to get you and his relationship this far, maybe... Should he get himself a cake as a reward? Remembering the past was something he often did, sometimes even crying in his sleep... This was a fact, except for his memories with you, there was not a single memory that did not upset him, except maybe a few exceptions. From the first time you met in 2005 until the day you married you. The only good times are... Now when he has plenty of time to think... Why shouldn't he?
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2006.
Satoru, Shoko, Suguru and you. The full cast of second years, you and Shoko spent time more often because Satoru was stupid, he would bullshit and embarrass himself around you to get your attention. Everyone was used to ignoring this 'nonsense', except you. As the person who was the reason Satoru was embarrassing himself, you were sick of it, spending who knows how many hours of his day trying to get your attention, if failing that, buying gifts for you and already declaring you his girlfriend! You rejected him so many times and he didn't even care.
Suguru sighed while sitting with Satoru in the empty classroom, listening to Satoru talk about you, he begged God to save him. Just then, Suguru received a message, he took out the lighter from his pocket and handed it to Satoru. “Satoru, can you take the lighter to Shoko?” Satoru instantly agreed and quickly left the classroom they were in.
Within a few minutes he found Shoko and you, Shoko was listening to your conversation as she was waiting for a lighter to smoke. “He is so handsome!” he heard you say happily “I'd like to marry him, Shoko,” Shoko rolled her eyes at your words. “What do you see in him anyway?” These words are enough for Satoru! You are in love with him! This is a love confession! He always knew you were a shy tsundere!
he approached you with a proud smile "Shoko here's your lighter" he said proudly and gave the lighter to Shoko and quickly hugged your arm. “I feel the same way you do!” During this conversation Shoko quickly walked away from the you two. you looked at Satoru in surprise
“Wow Satoru.... I... I didn't expect you to feel this way....” you muttered in surprise. Satoru smiled and proudly placed his hand on his chest "You know me!" Satoru said proudly. “So… the chrollo from Hunter x Hunter is attractive?”
Satoru nodded, "definitely and— Wait.... WHAT?!" He shouted in surprise, causing the people on the street to look at Satoru with incomprehensible looks. "I was actually telling Shoko about the Chrollo, you know—" Satoru fell on both knees as if he was a defeated character in a game "My girlfriend is in love with an anime charac-" Slap "I'm not your girlfriend, you Santa!"
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2018. present day
Okay, he looks like the Santa Claus who would agree but the slap was definitely an exaggeration, he couldn't help but pout when he heard the door open... "I'm home-" Before you could finish your sentence he hugged you tightly "Welcome!" "You love me, don't you?" he said happily.
The fear of abandonment that he felt deep down, he remembered this memory and asked you. You love him, don't you? Even if you rejected him in 2005 and 2006, you - "I do" You caressed Satoru's hair as he hunched over as he hugged you "I'll do it forever" Those words made him smile, he guess... He remember this memory in the future it will be nice to think...
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extra
"So what made you ask this question?" you asked during your phone conversation with Satoru. Satoru laughed playfully.
"I don't know" he said, and continue "After all, you. the one. who. said. you. would. never. marry. me. in the past"
you sighed. "And you too... The freak who said you'd make me yours no matter what" Satoru chuckled at your life-weary tone, and he say :
"But, still... I win, not you"
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roshambo05 · 6 months
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(TW: Mentions of ableism)
A few months back, my little sister and I started watching ROTTMNT together. While we had many reasons for our sudden interest, it was mainly due to the high praises from fans for its stellar autism representation. I myself am autistic, and my sister, a sucker for a good cartoon and my biggest supporter in more ways than one, was just as enthusiastic as me if not more so to see if the show lived up to the hype.
For a little background, Rise's version of Donatello is canonically autistic. And honestly, it was incredible representation. Watching the show with my sister, I was shocked by how often I was able to relate to Donnie. His sensory moments, difficulties with conveying emotion, his touch aversion, even little things like his use of sign, it all hit so close to home that it was almost scary. But what really hit me the hardest was the movie (spoilers btw).
Near the end of the movie, there were two moments that really stuck with me. The first, of course, was the incredibly accurate and disgusting scene showcasing Donnie's texture sensitivity as he tried to link with the Kraang ship. And while I was still ruminating on how accurate it was and how disgusted and panicked I felt, I was hit by this line: Raph - "Don't worry, Donnie! This is not a hug! It's a rescue!"
Now, to many of you, this might seem like nothing special, but for me, this was the single most important moment in any piece of media I'd ever consumed. To me, this was Donnie's family understanding and accepting him as he is. This was his brother making an effort to accommodate his needs. Because Donnie hates touch that isn't on his terms, especially when he's already around anxiety and unfamiliarity. Raph's acceptance of this fact and active reassurance in an attempt to comfort his brother in a high-stress situation shows just how much he and the others cared about Donnie, not in spite of his autistic traits, but because of them. Believe me when I say I started tearing up. And at first, I was embarrassed. Here I was, eighteen years old, crying over a children's cartoon. But I came to realize that it was because I'd never felt seen in that way before.
When your only exposure to autism in media is Sheldon Cooper and Rain Man, when you're given movies like Sia's Music and told to be grateful, when the largest corporation claiming to speak for you is actively trying to eradicate you, when all you're ever told is that your very existence is wrong, it becomes hard not to believe those things. A lack of representation in my life not only led to a late diagnosis but an extreme self-consciousness and lack of understanding from my peers. I struggled to be treated as an equal because people saw me as stupid and reclusive. But for the first time in my life, I was given one movie, one character, that made me feel accepted. And it made everything feel that much lighter.
Representation always matters. Whether it be ethnicity, disability, sexuality, gender identity, or whatever else it may be, it is incredibly important. Most marginalized groups grow up with no one to relate to, feeling like they are unimportant or wrong for existing. And that cannot stand. People deserve to feel seen, no matter who they are or their background.
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sillypiratelife · 4 months
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You need to read the live action, the manga and the anime as different canons. It's healthier to the fandom's brains AND it's also better for analyzing properly what is going on.
One Piece is the type of story that relies heavily on the medium it is presented on. Hm actually, let me correct myself: One Piece is the type of story that celebrates and understands and was born to be told in that specific medium. The form and the content don't exist as separate entities, but are rather intertwined to elevate the narrative. That the characters are soooo cartoonish is not a mere style choice— it holds meaning, it complements what the author is trying to transmit.
One of the first things that I learned in college while studying storytelling was that there's a max point for tension in any story. There's a top to how tense you can keep the audience. If you reach that point, you won't be able to intensify the emotions; that's it, you need to introduce a breather or you'd end up with a stagnant narrative.
In manga/comics and cartoons/anime it's easier to walk that line. The power to make some silly joke or have the characters acting stupid is in the hands of the mangaka. I bet any manga reader or anime watcher can think of a moment in their fav series when the characters were in the middle of a seriously important moment, just to be involved in something ridiculous that breaks the tension.
It's fantastic. Mangas and animes love to make fun of their mediums, introducing satire to allow the audience some laughs. It's not until later when the reader/watcher sits and realizes how fucked up the whole situation was. A delayed punch to the gut, something to keep the mind working and thinking of their series until they wait for the next chapter/episode.
How to make the audience feel the impact of a character? Well, you can allow the audience to empathize with the character by explaining their reasons or backstories, you can show the world through their eyes. You can also show them all goofy and happy, so when the hammer strikes the readers/watchers will be nostalgic for the good times, mourning the fact they will not get more of that and becoming nostalgic. There are so many ways to keep a character haunting a story...
Oda is aware of all the manga medium can and cannot do. For people like him, the limitations are actually just more tools to play with. If you want to double check what I'm saying, go reread the panels where Luffy awakened Gear 5. Only manga could offer what went down in those panels; when the very nature of Luffy's powers are revealed to the audience and the characters, the manga gets self-aware and voices it out: "hey, this is the type of thing that only happens in comics, right?"
The anime allows a different range of tropes and shapes the story, correctly translating it. It's true that the best translations mind the public and the medium, adapting the jokes and references. It's also true that every translation is a little betrayal to the original, a unique creation in its own right. A good example of that is the way that the fillers shape the perspective of the watchers when it comes to the characters' dynamics. If the anime has a filler arc where the fight, a new tension will be present in the next manga canon arc. If the anime shows a filler where characters are close friends, it's gonna be weird when they start acting all distance back at the manga canon events. Not all fillers are meant to be considered part of the main storyline, of course. You have OVAs and you have movies and fillers and all types of media that are considered separated.
On the other hand, you have the visual changes: imagine that the anime changes the angle of a scene where two characters used to stand close and put more distance between them. What the manga could mean as a subtle implication that those characters cared about each other could turn into cold tolerance of the other's presence. Even the best of animes have those changes!!!!
In One Piece's case, turning the story into a live action series must change almost everything. It'd be impossible to maintain the cartoonist aspects of the story (unless they decided to go full Looney Tunes in that movie with Brendan Fraser lol). The choice was the following: we can try to keep the original elements even when they translate poorly to the new medium so we can please the original fans that are used to the story —OR we can try to translate the essence of the story and change all that needs to be changed, so that we keep the storyline and storytelling coherent and cohesive, at the cost of creating something not necessarily alien, but still new.
Violence in OPLA is way more serious.
You know how in the manga/anime characters would get fatally wounded and come back like it was just a minor injury? Or how they'd heal with no major medical intervention? That's a liberty of the medium. Your brain doesn't process the same way when you see a drawing wounded and when you see a real life person wounded. In OPLA, the suspension of disbelief is harder to achieve. Even and because the story was already introducing Luffy's powers and other fantastic elements, they needed to be careful to not overdo it. One option was to make people actually die— to know that in the live action not everything is so silly? It raises the stakes. OPLA discards some elements that are natural of a manga and in consequence, the story turns out to be darker. You have no fillers or little stripes of silly drawings or author comments or openings and endings. You'll have to do with what you do have and tell a story worthy of being told in that new medium.
That's a good translation right there, made by someone who understands that you cannot copy and paste things recklessly. That's the formula that made so many live actions fail, in fact.
You'll see many fans complaining because they don't understand any of what I just explained. For them it's easier to justify their opinions by saying that "they did this bad and that's why I don't like it" than admit that "they did this correctly but it's not my thing anyway".
One big example? Fanservice cannot be carried out from manga/anime to a live action. It's not the same to exaggerate the proportions of a body in a drawing (we can discuss the morals of this later) than ask of it from a human person. It's not the same to use some sexual traits in fiction as a way to appeal to the audience than to carry out those implications to a live action (again, I'm not saying it's good or bad because that's a discussion for another time).
Actors are humans. They will never have the same characteristics as an animation or a drawing, no matter how advanced technology is. The sooner you understand that, the sooner you appreciate art for what it is in its medium.
So really, what's the healthiest option? It'd be to approach each version as exactly that, a version of the story. As foreign as it can sound to some fandoms, the audience doesn't have to justify their opinions on something. Opinions are not professional reviews or art analysis. You can be as subjective as you want! To perceive each version as its own little world is easier: you can say "I like this better" without invalidating the opinion of anyone else. There's also the fun in exploring the different implications (they look like friends in this version but like lovers in this other) and playing with the divergences. Fans do that all the time in their art (literature, visual art, music, etc)
You can also analyze different versions of what is going on and contrast them. Do the differences change the form and content of the story or just one of those things? How does this new element change the dynamic between these characters? Are the characters written well but get thrown into a new setting? Is the setting the same but the characters feels more like ocs than the characters from the original story?
Knowing how much One Piece values symbolism, it'd be interesting to see how they could translate the constant influx of symbols in the manga or in the anime to the live action. The live action might show just the most important parts, cutting all the rest for lack of both space, time and budget. What does the author consider to be vital to the story and what can be cut down?
To have three parallel Luffy's in different stages of the story is fascinating to me, more so than the idea of trying to mix three formats that won't even match, mind you.
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emeraldkarma · 1 month
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You guys know that tim is treated badly by his original family, but he goes to another universe, and that batfam adopts him and is horrified by the way he was treated? Usually he doesn't exist in that universe because Janet drake married a woman instead of jack drake?
Why doesn't bart have one of those? Like speedsters are known for dimension hoping and getting stuck in other times its not out of the cannon possibility that Bart was up to some speedster shenanigans and got stuck in say... the Justice league animated cartoon universe?
Like that fic could be so good and I'm toying with writing one too like I have rough outline of events in my head.
Think about it, in young justice bart has eventually died, max died, his mentor wally has next to no respect for him, Joan and Jay are having trouble raising him too, Jay even says 'we could use the break, being guardians to the fastest boy alive isn't exactly breezy on the same page wally admits that he doesn't believe in him or think he's worthy of being the flash, when bart gets shot in the knee and has to have emergency surgery without any meds and completely conscious as the doctors tore him apart over and over, the only one there was cyborg who I don't think bart would have been all that close too.
And that's just the big things, the people around bart are constantly under estimating him, in some of the first Yj issues when batman asks Max if he thinks the boys could handle there own team and asked if he trust bart he says, 'i trust superboy and robin.'
Let's not forget that bart most likely has ADHD and obviously has superspeed, but everything he does his home work with superseded max or Jay make him redo it becouse he isn't observing the information but bart latterly has a photographic memory so there's no reason to make this poor boy waste an hour of time writing an essay when he could spend like two minutes doing it and have the same or better quality. Wich also doesn't make sense becouse the other speedsters use their speed in public all the time, including for their jobs.
You know who would get along with bart really well though? Justice league cartoon wally west. Not only does barry not seemingly exist In this universe, neither does bart, wally doesn't have Barry's legacy on his shoulders so he has no reason to hold so much animosity towards bart, and this wally is funny, and sweet, and he cares so much and he too uses his speed everywhere! Wally in Justice league and Justice league unlimited is he kind of guy to take what ever curve ball was thrown at him including a 15 year old first cousin once removed from another universe.
Like I'm probably gonna write this kinda fic because I'm in love with this concept! I want one so bad that I have to write it myself.
But seriously this wally could be such a good mentor to bart, and so would the rest of the League.
Plus If Jl wally took bart in it would give him an excuse to move to bigger apartment, and get his life sorted out and sell his stupid hook up van.
And wally would be passed if he found out how other universe wally treated bart, because wally jokes and trash talks occasionally he at least know not to do it in that person's house, to there parent, while they are still home.
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justherforfics · 2 months
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Jessie's girl (hopefully a series)
(A/N) hey i just wanted to say this is the frist time ive ever posted or tried to take a fanfic seriously, so i would like to apologize in advance. this whole fanfiction is based off a dream i have and each chapters respetive song(because ofc each chapter has a song) again i hope you like it. have fun
summary of the series:
jj, john b and you were close friends in grade school, back when you lived on the cut. but when your parents divorce tension rises and you and the pouges drift apart. Now living with your mom on figure 8 and her stupid new husband as they pressure you into law school. will you be able to stand up to your parents? will you rekindle your friendship with the pouges? or do and jj want more? find out on the next episode OF DRAGON BALL-
Warning/ mentions of child abuse, and possible inaccuracies
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chapter 1:seven
Although growing up on the cut had its problems, nothing was better than those summers at John B’s house. Back in grade school you and JB became friends fast, as your dad had gone to school together at one point, and back when you were seven, that meant you two were destined to be besties. Not long after JJ joined making the friendship a trio. Almost every day during the summer you would run around the beach covered in salt and sand looking for shiny pebbles and shells, or playing pirates. It was also helpful for your parents, as they used the time you were away as time to “discuss things”. Though you never quite knew what that meant at the time, even if you did it wouldn't matter, as long as you got to hang out with your boys.
Some of those summer nights if you were lucky you could sleep over and watch old scooby doo cartoons and munch on snacks till you pass out. It wasn't until Big John started offering to drop you and JJ at your respective homes did you notice JJ’s home life. You couldn't quite get why, but Mr. Maybanks always seemed to be upset. The first time you figured that he might have stubbed his toe or burnt his toast, that always put you in a grumpy mood. But then when his mood never seemed to change that you thought it was unlikely that he stubbed his toe everyday.
It wasn't until later one evening, sitting at the dock with JJ while JB had gone inside to ask his dad if they could swim again, that it clicked. You were sure you knew why JJ’s dad was always mad or why JJ would have one to two bruises. Why haven't you noticed before!
“Hey j?”
“Yeah” JJ turned to look at you.
“I think your house is haunted” JJ looked at you confused, tilting his head slightly.
“Why, it's not that ugly…is it?” JJ asked nervously
“No! It's just..you dad is always mad, so that must be why.” You respond enthusiastically.” and the scooby gang can’t help him and obviously he doesn't know how to get rid of the ghosts”
JJ sighed and looked down at his lap for a moment contemplating what to say. Then he inhaled with a quick smile before turning back to you.
“Oh? Yeah i  guess that makes sense” he played along.
“Lucky for you i can take care of it”
“Oh really?” he mused, fully turning his body, criss-cross-apple-sause facing you
“Yeah…ok..well not really, but i know how to take care of you” you smiled, turning to face him as well. JJ blushed a bit at the thought before asking
“How are you going to do that?”
“You can live with me!” you answered grinning ear to ear,” I’ll even let you be my first mate on my pirate ship! Just don't tell john b,” 
You put your hand out with a small “deal?”, before he put his hand in yours in conformation.
“ but please don't tell JB, because he thinks he’s the captain still” 
JJ laughed holding his stomach,”i won't”
“Promise?”
“Cross my heart”
again i hope you like it hopefully, and i will try to post constantly. Love you guys and stay safe? i guess, i don't know how to end these lol.
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ojamayellow · 5 days
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People are claiming that kids groaned at the Earthspark trailer (therefore "kids don't want ES") during the 40th Anni Transformers Event but imo even if that's true I still doubt it? Kids go NUTS over different variations of their fave things. see: Live Action Transformers, or like multimedia franchises like Marvel or Sonic!
But even so, people saying "not even kids enjoy Earthspark" is wrong unless you personally surveyed every child. There were young teens (or pre teens?) at my local 40th Anni Screening who lost it at the Earthspark sneak peek.
Not always, but people who tend to dislike Earthspark dislike it because it's "#woke", or they're a genwunners/tfp-fanatic. I haven't seen TFP, but the way people obsess over it as if it's the only good Transformers show makes me want to avoid it until the very end.
And sure Earthspark has flaws, but that doesn't make it a failure in writing. Everything that exists has a flaw. Your favourite cartoon, Transformers or not, has flaws. G1, Beast Wars, TFA are all highly regarded cartoons that have incredible flaws and issues that frustrate me. But they're not overall terrible shows, unless you solely focus on the flaws.
IMO, Earthspark being a Paramount/Nick show severely affected it. Nick only cares about SpongeBob now. And the "10 episodes in batches every few months" affects the show. A weekly show would've been so much better! One of our free tv channels here only has a batch of S1 Earthspark, but they screen those on a regular basis, much preferable!
And god I DO wanna blame Hasbro, and I sorta do. But toys are bought always. Yeah the quality could be better but that's a sad reality of production these days. I don't know how well the distribution was in other places, but I live in a small city in Australia. We only have some of the smaller toys and Megatron + Twitch + Bee combo. I've never ever seen Nightshade. Can someone please send me a Nightshade? (Yet again we still got loads of Cyberverse Starscreams here... Maybe I'm just in a weird spot).
Actually yeah I'll blame Hasbro too cos they rehashed older toys when we wanted some screen accurate Seekers, but the whole Paramount thing was stupid. Anyway if Earthspark /is/ cancelled after Season 2, I'll be extremely upset. I love this show dearly. There's heart (spark?) in it. And what's worse is that if it is cancelled, the haters will be like "HA! I TOLD YOU SO. WE DONT NEED KIDDIE WOKE MEDIA, WE NEED SKYBOUND QUALITY CARTOONS OR TFP AGAIN" like shut up? Transformers is initially for kids to sell toys? Shut up?
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see-the-ending · 10 months
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Locklyle Headcanons
@waitingforthesunrise and I had a whole conversation about this. Some of these are hers, some are mine. By the way, this is a long post.
Lucy wears Lockwood’s pajama shirts to bed.
Holly is the one who started all of the bets on how long it would take Lucy and Lockwood to confess their love, kiss, and start dating.
Lockwood is a closet/hangers person. Lucy is a drawers/floor person.
Lucy organizes her clothes by feeling. Lockwood organizes his clothes by color, activity, and how much he wants to impress Lucy.
Lockwood does the laundry. Lucy says she makes the bed but she really just throws the comforter back on the mattress and goes “Done!”
Lockwood does most of the chores.
Lucy says “Thank you, love” and kisses him and that’s his payment.
They’re literally every trope ever.
Big moment of catharsis after a fight in the rain with “I love you, bloody idiot?” Totally in character.
Saying “I love you” by accident? Totally in character.
Established relationship but then someone finally says it? Totally in character.
But you see, if the big fight were to happen…
Lockwood: *does something reckless and stupid*
Lucy: *is mad*
Lockwood: Why do you care so much?
Lucy: Because I love you, you bloody idiot! 
And she kisses him.
Lockwood’s all like, “what?” 
And Lucy starts storming away.
And so Lockwood runs after her and he’s like “You can’t just tell me you love me, kiss me, and then walk away. I love you too, Lucy Carlyle.”
And then they kiss.
Dinner was very awkward that night.
So something will happen, romantic-wise, and Lockwood blushes and looks like a dork.
And Lucy’s like, “Wipe that silly look off your face, Lockwood.” Then she does it for him.
And he’s all like “Well, what if I put it back on my face? Then what happens?”
So she’s like, “Then I’ll just have to kiss you more, I suppose.”
At their wedding, Lucy either wears a white dress for the ceremony and a blue dress for the reception.
OR
She has one of those dresses that’s all shimmery and shifts depending on the light.
I like the skirt on this one.
Lockwood wears a blue three-piece suit.
And he matches his socks.
Before the wedding, Lockwood’s like, “Let me in, I want to talk to Lucy.”
But Holly’s all like “No.”
Lucy says it’s fine.
They end up kissing when she’s in her wedding dress before they get married.
Holly’s just like “Why? Why am I here?”
Lockwood cries when Lucy walks down the aisle.
He dips her when they kiss. Exactly Something like this
He has a different suit for the reception.
George also got him a tie with cartoon ghosts.
George is best man for the both of them.
Barnes is standing in the back, just watching. “Those two crazy kids. Finally.”
I have a whole list of songs for their wedding playlist, but first dance is: I Want You by Stephen Sanchez
The pure duality of they sleep together but then they SLEEP together. Y’know?
Lucy’s more flirty, but Lockwood can be really soft and make her blush.
“Hi.” “Hi.” “I love you, you know that?” “Yeah, I do :).” “I need you to believe that, Luce. I love you more than you can imagine."
Lucy’s crying because no one ever really loved her like that before.
He just hugs her. 
He traces circles on her shoulder a lot. Soft gestures like that.
Lucy’s the little spoon because Lockwood protects and Lucy needs protecting.
He's like “Luce, love, it's okay. I'm here. I love you and I’m never letting you go."
She’s still crying.
He kisses the tears running down her face.
She’s like “fuck you <3”
"You don't get to make me feel like this, Anthony Lockwood" "Like what?" "Happy and sad and amazing and bad all at the same time. I love you."
Okay imagine: Lockwood's sitting in an armchair. Lucy goes to sit next to him, perched on the arm. He wraps his arms around her waist, she wraps hers around his shoulder/neck and then before you know it, she's sitting on him and they're cuddled together and she's like "Mine."
COFFEE DATES
Lockwood’s had a bajillion coffees and now he’s buzzing and hyperactive
Lucy’s downed like six espresso shots and she’s still tired.
It’s raining when they walk home.
He gives her his suit jacket.
But they forgot an umbrella so he’s soaked.
But he doesn’t necessarily mind that he’s in a wet shirt clinging to his chest because Lucy’s totally checking him out.
She keeps stopping to kiss him on the way home.
And then they get back home and Lockwood's like "Yeah I need to change" and dude just takes his shirt off right in front of Lucy.
She’s red-faced.
George is in the doorway just like “Get a room.”
So they do.
Their respective rooms.
And it’s been a few minutes so Lucy thinks Lockwood is done changing so she goes to return his jacket.
But no, he’s not.
He’s just sitting there, on the bed, without a shirt.
He just spent the last ten minutes thinking about how Lucy Carlyle just kissed him over 20 times in the same hour.
He’s grinning like an idiot.
And Lucy comes in and she's like "Lockwood, what are you doing? You're still wet and you're not dressed and as attractive as I may think that is, you're going to freeze!"
He's like "What a blissful death though."
“But if you die, I can’t kiss you anymore.”
She tells him that every single day and then kisses him to prove her point.
When Lockwood puts his arm around her shoulders, Lucy reaches her hand up to hold his so she's both making sure no one takes him and that he's not leaving.
I'm gonna make a Pinterest board for their wedding.
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all-too-unwell-13 · 2 months
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ik I'm kind of late to it, but I just watched the live action atla series!!! I've only watched the first so far, but I have some things to say!!!
(Also, please keep in mind it's been ages since I watched the cartoon, so any comparisons I make are based on my memory).
Okay, I'd just like to say I love the casting so far. Like, Katara and Sokka are so cartoon-accurate (is that a thing?), and while Aang does look like he's approximately 7 years old, his casting was also good.
The casting for Zuko was different than how I'd imagined him to look if he was a real person, but so far he seems good too :) although I am slightly concerned about his facial expressions because um.
Anyway!!! I love love love Katara so far, and though I wish she'd stand up to Sokka and his stupid patriarchal beliefs (I don't know how to explain how he acts at this point any better tbh) a bit more, she's so sweet and the way she immediately cares for Aang is just <3<3<3
I'm going to be honest, Aang flying at the beginning looked so unrealistic the cgi was not cgi-ing at that point I think (I also have no idea if that was actually cgi or smth else but let's ignore that!!! Hopefully you know what I mean). But I love how they did Katara's waterbending because, wow, that little sphere of water she made levitate after Aang told her how; I thought it looked so cool.
The firebending!!! I don't know how to describe it other than 'cool,' because it just looked so realistic and :O, you know what I mean???
The Avatar State looked amazing too!! Aang did look a bit strange (I think) when he was flying during it, but other than that, the way his markings lit up was just like the cartoon; it genuinely looked so powerful.
Anyway !!! I will probably also rant about the rest of the episodes when I get to those :)
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spookmemepls · 6 months
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☠ ― 𝑊ℎ𝑜 𝐹𝑟𝑎𝑚𝑒𝑑 𝑅𝑜𝑔𝑒𝑟 𝑅𝑎𝑏𝑏𝑖𝑡? 𝑆𝑡𝑎𝑟𝑡𝑒𝑟𝑠. (𝑆𝑒𝑛𝑡𝑒𝑛𝑐𝑒𝑠 𝑓𝑟𝑜𝑚 𝑡ℎ𝑒 ℎ𝑖𝑡 𝟷𝟿𝟾𝟾 𝑚𝑜𝑣𝑖𝑒, "𝑊ℎ𝑜 𝐹𝑟𝑎𝑚𝑒𝑑 𝑅𝑜𝑔𝑒𝑟 𝑅𝑎𝑏𝑏𝑖𝑡?".)
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"Don't worry! Whatever you say!"
"Hey! Be careful with that gun!"
"This ain't no cartoon, y'know."
"I'll be in my trailer, taking a NAP!"
"Scotch on the rocks. And I mean ice."
"I can take it, don't worry about me!"
"Wait 'til he gets on his feet, THEN hit him with a boulder."
"How much do you know about show business, ___?"
"Look, I don't have time for this."
"What the hell happened in here...?!"
"The job's gonna cost you a hundred bucks."
"This is NO way to make a living..."
"Is that a rabbit in your pocket or are you just happy to see me?"
"___! Is that you?!"
"Nice booby trap."
"I've worked with a lot of wise-quackers, but you are despicable."
"Kinda jumpy, aren't you, ___?"
"Get this straight, meatball. I don't work for toons."
"I think... I'm gonna faint..."
"That's it! That's the connection!"
"Well I don't work for peanuts."
"Another stupid news reel... aww, I HATE the news."
"You've been hanging around rabbits too long."
"I don't know who's toonier. You or ___."
"I'm not bad. I'm just drawn that way."
"OW! My biscuits are burnin'! Fire in the hatch!"
"Please, ___, can't you tell how much I need you?"
"I hope you're proud of yourself! And those pictures you took!"
"No toon can resist the old "shave and a haircut" bit."
"Hey, ___, don't you have a car?"
"Thanks for the cigarettes."
"Don't let me catch your peepin' face here again, got it?!"
"Nice monkey suit."
"Wiseass."
"Get outta here, get me some money, too."
"The whole thing stinks like yesterday's diapers."
"Put the poor guy/girl/etc. on two weeks notice. Cutbacks, they said."
"Here's to the pencil-pushers. May they all get lead poisoning."
"Tomorrow's Friday, ___. You know what happens here on Friday?"
"You got that camera of yours? Mine's in the shop."
"Yeah, that was a long time ago. We should do that again sometime."
"So what's his/her/their/etc. problem?"
"I know this all seems pretty painful now... but you'll find someone new."
"Got the password...?"
"Don't tell me you've lost your sense of humor already..."
"So I took a couple of dirty pictures. Sue me."
"I caught you with your PANTS down!"
"I'm surprised you're not more cooperative, ___."
"No, not all the time! Only when it was funny!"
"No wonder you hate me...!"
"C'mon, don't cry, I don't hate you."
"This means war."
"C'mon, ___, where's your sense of humor?"
"The stain is already gone; It's disappearing ink! No hard feelings, I hope."
"If it's ACME, it's a gasser!"
"One of these days you're gonna DIE laughing."
"Work's been kinda slow since cartoons went to color..."
"Not tonight, ___... I've got a headache..."
"But ___, you promised...!"
"What could have POSSIBLY happened to you to turn you into such a sourpuss?"
"Take comfort, ___, you're not the first man/woman/etc. whose S/O played patty cake on 'em."
"I won't believe it, I CAN'T believe it, I SHAN'T believe it..."
"Is there nothing that can permeate your impervious puss?"
"We're SUPPOSED to be hiding, what's WRONG with you?!"
"What's wrong with YOU? You're the only person in this theater that isn't laughing!"
"___'s the love of my life! The apple of my eye! The cream in my coffee...!"
"Drink this, it'll make you feel better."
"Just like a toon to drop a safe on a guy's/girl's/etc.'s head."
"I see working for a toon has rubbed off on you."
"My whole purpose in life is to make people laugh!"
"I've been risking my neck for you!"
"I'm looking for a murderer."
"You're my only hope...!"
"You keep talking like that and I'm gonna have to wash your mouth out."
"Ain't I a stinker?"
"A better lover than a driver, huh?"
"Seriously, what do you see in that guy/girl/etc.?"
"Give me another excuse to pump you full of lead!"
"We toons may ACT idiotic, but we're not stupid!"
"We demand justice, but the real meaning of the word probably hits you like a ton of bricks!"
"___, darling, I want you to know that I love you."
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Home Sweet Home part seven
Content Warnings: Captivity, Starvation, Burns, Muzzles, Collars, Manipulation, Victim Blaming, Rats, Past Torture, Past Rape, Vampire Whumpees, Human Whumpers
Note: The girls (read: girl, boy, and creature) are fighting.
And now October was back downstairs. This was to be expected, of course. But it didn't particularly like being alone with Pavel and Odessa so soon after the incident with Falkner's friends.
At least it had its pet rats. They were always a comfort in these dark times. It scooped Mira up off the ground, and stroked her patchy gray fur.
Pavel's burns were so very interesting. They covered half his face like the villain from that superhero cartoon Arbor had introduced Falkner to on one of their dates. What was his name? It had been something deeply stupid…
Well, never mind. The point was how much October enjoyed Pavel's disturbing state. His healing was going so slowly, inhibited by the silver muzzle and collar, but had dealt with most of the deep-tissue damage from yesterday.
October wished it had been a doctor. Then it could look at wounds like this every day.
Odessa finally broke the silence. "What the hell is wrong with you, October?"
October tore its eyes off Pavel and turned to her. "A lot is wrong with me. You'll have to be more specific, babe."
"You pushed my brother into the sun!"
"It's okay," Pavel said, his vocal cords and tongue now mostly healed. "It would have happened anyway. Falkner being a maniac isn't October's fault."
"That's not an excuse." Odessa crossed her arms. "You're just as bad as those hunters."
Now was October's chance to shine, and show off its skills at histrionic attention grabbing. It could hardly keep its excitement in check as it put on yet another mask, this one made of misery and self loathing, so very different than the one it usually wore for Falkner.
"I'm sorry," it said, wiping a crocodile tear from its eye. "I was trying to help. They're violent and cruel because they think it's entertaining. Anytime I managed to perform for them, their punishments weren't quite so bad."
"Oh." Pavel had clearly fallen hook, line, and sinker. "You thought they'd think you hurting me was funny or whatever, so they'd be less violent? Is that it?"
October nodded, trying to look ashamed as it gently stroked Mira's fur. "I know I was awful. But I did warn you about them. It isn't your fault. This is just a bad situation."
"Bullshit," Odessa hissed. "Don't pretend like you care. If you did, you would have followed when Falkner and that woman shoved us down the stairs. But you decided to stay upstairs, pouring their drinks and laughing at their jokes."
"You're so fucking harsh," Pavel snapped, once again changing his whole demeanor at the drop of a hat. "I don't get it. You're never like this."
Odessa fumed for a minute, then switched to raving at her brother in another language. At first, October assumed the language was Russian, but realized its mistake when it couldn't understand a word of it. Probably Ukrainian.
"Speak English," Pavel said. "If you're going to talk about October, it deserves to know what you're saying.
"Fine!" Odessa didn't so much as consider her words before she continued raving. "It is a goddamn whore and a liar who's done nothing to help us. I don't know why you're so defensive of it. You don't owe it anything. You're too damn sympathetic."
There was a time when these words would have stung. Hundreds of years ago. But by now October had heard far worse. If anything, it was offended that Odessa couldn't come up with more creative insults than "whore".
It held Mira close to its chest, and watched the argument play out. Its emotional state would surely be far worse if not for its precious little pets.
"That's enough," Pavel said to his sister. "God, listen to yourself. You've got it all backward. We're the ones who should be trying to help October, and not the other way around."
"And why is that?"
"Because it's been here for almost a decade. Look at how we're acting after two nights. And instead of feeling bad for it, you've taken its existence as a personal attack. It sure isn't perfect but- Fuck, what do you think eight years in a hellhole like this would do to your brain?"
Odessa took a deep breath. Then another. She didn't look any more satisfied, but didn't want to accidentally say something to hurt her brother. October could hear how fast her heart was pounding against her ribcage.
"What were you doing upstairs last evening?" Odessa asked October. "And tell the truth. I can't deal with any more nonsense."
For the first time in a long time, October opted for honesty, nuzzling Mira with its cheek. "After everybody went home, Falkner wanted to screw me. And believe me, I don't get to say no. Is that what you wanted to hear? Then he fed me for the first time in months before I fell asleep."
Odessa tried to cover her mouth, but hissed in pain as she burnt her palm on the silver muzzle. "Fuck. I'm- I'm sorry. I didn't realize."
"What's the problem? After all, I'm just a goddamn whore. You said so yourself." "Well I didn't think-"
"That's right," October interrupted, reveling in getting to be so deeply unfair. "You didn't think. You never think about anything."
"Welk how was I supposed to know that he- That Falkner- I mean-"
"Spit it out."
"How was I supposed to know that Falkner has been raping you? I wouldn't have ever guessed that. It's not fair that you expect me to assume."
"I don't expect you to assume." October set Mira on the ground and watched her scamper off into a hole in the wall. "But trust me, I know I'm a whore. Refusing to sleep without someone in authority is what set me up to be murdered in the first place. I'm not making that mistake again. And I don't need the likes of you to pass judgment on me."
Odessa looked close to tears now. She was so obviously the kind of person who thought rape was somehow worse than any other crime someone could commit. As though torture paled in comparison to sexual assault.
October knew better. It had been through so much worse in its painfully long life. But if playing this card was going to get it some much deserved sympathy, or better yet, convince Odessa to shut the fuck up for once in her life, then it would play the damn card.
"Let's not have another fight," Pavel said softly. "We've all said stuff to hurt each other. Can we just get along and try to help each other now?"
Odessa nodded mutely.
"Alright," October said. "But I'm not putting my neck on the line for either of you. I've done just fine on my own." Mira fought to escape its hands, so it set her on the floor.
"That's fine," Pavel said. "Just as long as we don't fight."
And for a moment, October could almost forget that Odessa and Pavel were only here by its own request. That this whole situation was its fault, all because it had admitted to needing some company.
Its lapse in memory wouldn't last. But it was a fine to to indulge in. For now.
Taglist: @sulnusoup13 @heavenlyeden @kira-the-whump-enthusiast @excessive-vampires @pigeonwhumps @foresttheblep
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fireheartwraith · 2 months
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Someone accused me of being a hater and that pissed me off so here are all of my thoughts on the Netflix Avatar The Last Airbender live action series. What I liked, didn't like, what I'm worried about or hoping going foward, etc, in no particular order because I was just hate typing. I tried to separate my rambling into topics, but I did that after I had already typed everything. Enjoy
Zuko and Zhao:
I liked most of the fire nation characters. Zhao took some getting used to, but it was a fun new take on the character. I loved Zuko's crew and Azula's scenes. I really hate what they did with the agni kai and Zhao's death though, it really feels like they missed what those scene's meant for Zuko's character. Everyone already said all there is to say about why having Zuko fight back is a stupid idea so I won't comment on it, but having Iroh kill Zhao also pissed me off. He's supposed to die because of his own arrogance and greed and Zuko is supposed to try and help him because he's the type of person who would offer a helping hand to an enemy, despite his father's attempts at beating the kindness out of him.
Ozai:
I like what they are doing to Ozai, it could be interesting and add depth to the character, I just think it would be less ooc it those moments of doubt and "weakness" were in private? Like, in public, he is always this perfect façade but in private, the mask starts to slip away. But I think they’re going for that, so that's okay. It also adds dimension to his relationship with Azula since she also dons a mask of perfection, and this shows that she learned that with him.
Azula:
Speaking of Azula, I'm a bit worried because since we already sympathize with her, she could not be as menacing and intimidating a villain, but I hope it will work out.
Iroh:
I'm really 50/50 on Iroh. I like his interactions with Zuko, but why was he out there spewing fire nation propaganda and justifying his war crimes. My dude, what the hell.
Katara:
I really hate what they did to Katara and Suki. Let me punch someone. I won’t say much because everyone else has already exhausted this point, but yeah. Katara is so much more than a bender and a little sister. Her mother's death didn't just affect her bending, it changed everything in her life. She had to become her mother and take care of her brother when she was so young, she’s kind, caring, and a little overbearing at times. But she’s also prideful, jealous, stubborn, and has a bit a temper. She's not a perfect girl who smiles softly at the world around her. She's angry at what happened to her, she’s resourceful, she's funny, she's dedicated. This show's Katara is a bender, and that's it. And she's a prodigy at it, became a master all by herself because she don't need no man, no sir. Because #feminism is when your female protagonist is relegated to side character with no flaws apparently.
Suki:
And Suki, oh Suki... what did they do to you? Ah yes, cartoon Sokka is sexist, so instead of having him go through character growth spurred on by getting his ass beat by a girl, we'll just make that girl instantly fall in love with him and have an ungodly amount of sexual tension just so she and the audience can ogle at this shirtless man for a good thirty seconds. Yes, that's much better and not sexist at all!!
Sokka:
I like how they are focusing on Sokka's intelligence and other ways to be a hero since I've always loved that detail of his character (i seriously love when in modern aus he's studying engineering, bonus if he has a minor in arts and literature), but considering he *does* become a skilled warrior I fear this plot thread may not payoff. Like "you don't need to be a warrior to be a hero!! But here's some swordbending lessons just in case" is weird. Similar to that is what happened in the cave of two lovers: changing the answer to the riddle was stupid. It makes no sense in the lore AND makes Sokka look dumb. Couldn't he at least be the one to figure it out? The sibling moment was cute though.
Katara and Aang:
What bothers me most (after what they did to my poor girls) is that the gaang don't feel like friends, much less a found family. Katara isn't Aang's earthly attachment. If they wanted to start the romance when they look closer in age that's fine, but they could still be friends? I mean, they tell us they're friends and very important to each other, but are they? They went on a trip together and talked a couple of times. Katara should have broken him out of the iceberg on purpose because it not only shows how she disregards her own safety to help those in need, it is the inciting incident of the show and should be more than an accident. Again, she’s supposed to be a protagonist, the story is supposed to be told through HER. She's the one who should do the intro!! Not Kyoshi, Gyatso and Gran Gran.
She should teach Aang waterbending. This is Book 1: Water, why isn't that boy waterbending. That would further both the plot and their relationship. Which is supposed to be a cornerstone of the show, mind you. And I'm not saying "relationship" as in a romantic one. They should be friends, confide in one another, Katara should calm him down when he enters the Avatar state because this shows how important they are to one another. Gyatso's memory being what calms him down is cute, but if it impacts what is, again, a main plot point of the show (Katara is Aang's earthlyattachment), they shouldn’t do it. Also, Aang should have tried to firebend and accidently burned Katara. This way, Katara learns she can heal (which again is super important. Anyone remember the season 2 finale?) it also causes Aang to block out his firebending out of fear of hurting others again. WHICH IS ALSO A MAJOR PLOT POINT. Give me back Kataang, the show literally isn't the same without them.
Also, much time did the three of them spend together as a crew? Not that much, I feel like. Where's my found family?
Jet:
There are some things that I deeply miss, like Sokka's argument with Jet about the old man. The cartoon is very anti violence, it is definitely its thesis. We can discuss wether they are right or not forever, but the show is arguing that even though the fire nation citizens in the earth kingdom are living in a settler colony that serves the imperialist agenda, they are still citizens and killing them is wrong. This confrontation is so important for both Sokka and Jet's characters, and turning Jet into a terrorist feels like a betrayal of his character. And no, armed resistance like what the freedom fighters do isn't terrorism, regardless of whether or not it's morally right.
Missed theme:
The other thing I miss is Teo, his dad, and the other refugees being in an air temple. It adds a lovely grey area to the whole thing. Aang is pissed off that a sacred ancestral home of his people has been invaded and partially destroyed by machines (which also serves as commentary on industrialization and how historical sites are torn down to build skyscrapers and factories irl. We come back to the industrialization theme that the fire nation brings to the table multiple times, but a really obvious exemple is the painted lady episode in the third season), but also the people doing it are refugees running from an imperialist and genocidal army.
I think they saw the obvious parallels between the cartoon themes and real-world shit happening right now and decided to sanitize it lest they piss someone off with politics. Which ended up pissing me off.
The bending:
The visual effects where fine. Sometimes the humans ragdoll a bit too much, but that always happens. The bending looks good, but the firebenders attacking the monks in the beginning look just as powerful as eveyone else when they should be op because of the comet. The comet doesn't look thag much of a threat right now. Also in the cartoon is implied that Gyatso suffocated like twenty firebenders and himself as his final act, which is much more badass than what we got.
The creatures:
The creature design is very good, specially the ones supposed to look scary, because even the ones supposed to look cute look kind of scary here. Can you imagine anh child buying a live action Appa plushie? Because I can't. I also wish we got to see more of Appa and Aang's relationship. I understand it's probably expensive as fuck to animate, but we need them to be buddies. Remember, we have the lost Appa acr next season.
Script:
The acting is... fine. I just laughed when Aang turned to the camera and started to monologue about his personality, but that’s more on the script than on the actor. Speaking of which: oh god, please stop explaining every lore detail three times in expository dialogue. Sometimes, it's okay to tell not show (pacing, establishing worldbuilding, etc. It's why the cartoon intro exists!) but must you do it every time? And then repeat it??
Costume:
The score is obviously great, and the set design is good. Costume, makeup, and hair sometimes are iffy, but that’s because some things will never look good in live action. Yue will always look more like cosplay instead of a real person, I guess (I still think they could have just tried a very light blond wig or gotten an albino actress or something, but whatever). Wish Zuko's scar was looked more like a burn scar and less like a black eye. The clothes looked good, just a bit too "new" looking. Show me some dirt! They always look more conving when they get dirty and bloody.
They have points to improve upon, but overall, it's fun enough to watch on a weekend. But alas, the original is always better (not perfect, just better)
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chatonnoir · 2 years
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i really like how you gush over the prevalance of romance in ML. I hate how people say thats a negative in how the show focuses "too much on romance and not on the agreste plot", or that the ships are taking over the plot. like fam, its suppose to be having such a huge seat at the front
Thank you for the message honeybun and yes ML is about emotions and the platonic and romantic love between its characters and it's beautiful and we love to see it!!!!
The way self-proclaimed feminists will rag on ML being so focused on the cute shoujo romance as being "unfeminist," as if romance enjoyed by teenage girls isn't one of the things that grownass men love to ridicule more than anything else, is one of the most tragically hilarious bits of irony about ML "critics." Like yes you're sooo right girl, turn ML in to some grimdark hbo bullshit that men would take more seriously instead of a "silly teenage girls cartoon," how very feminist 😶
Nowadays I often purposefully make a point of bringing up the fact that I love the romance genre/kdramas/shoujo/etc. in conversations with men as a sort of test and guess what? 10 out of 10 times the immediate reflexive action is to scoff and be like "seriously?" and make fun of how stupid or cringe that is. Why is that? Why was the conversation totally normal and fun when we were talking about whatever stupid bloody shounen action or sports anime that they liked, but I bring up "girly" anime and suddenly its so stupid and cringe? Luckily I went in to those interactions expecting that reaction and have a talent for making men feel stupid so they backtrack real fast but I feel bad for any girl they might've subjected to the same bullshit who was made to feel stupid and ashamed of her interests. And when men DO like any of that "cringe" girly/romance stuff?? They feel the need to overexplain or be defensive or make excuses about it. This is just the widespread norm.
And ML "critics" have a bad habit of conflating their personal tastes with objective criticism. You don't care for shipping and romance? Fine, you do you. But ML is ABOUT the love story, so do yourself a favor and stop watching the show if you’re just going to keep acting like that fact is a flaw in and of itself. This is what happens when they're only used to a certain type of popular media, i.e. media that is approved by said adult men. Shoujo and similar types of Power of Love girl-oriented media were always niche and no one knew or cared about them outside of the specific target demographic because girls would gladly watch "boys' shows" but god forbid a boy ever touches a "girls show." Hell, that’s literally why Tangled had to be called “Tangled” rather than “Rapunzel” so they could get boys to watch without it being dismissed as a “girly princess movie.” Same with Miraculous technically officially being called “Miraculous: Tales of Ladybug and Chat Noir” instead of “Miraculous Ladybug,” even though the latter name is what was on all the concept material, because boys and girls are all down to watch something like Spider-Man but boys aren’t likely to watch a superhero cartoon titled after a girl hero unless the creators put the male hero in the title as well to prevent it from being labelled as a “girl’s show.”  ML is ABOUT the main ship and people don't know how to deal with that, they're not used to romance being anything other than a C or D or Z plot in something that's not branded as a romance novel or "chick flick"
If you're so interested in the Agreste plot and care less about shipping go watch Sam Raimi's Spider-Man for Harry Osborn or whatever. Oh speaking of which, for the people who whine about caring more about the Agreste plot over the angst it introduces to Marinette & Adrien’s relationship and how Marinette is being “forced” in to a story that’s “not about her”/”girlbossing her way in to the Agreste plot” and say Adrien should be the protag and how he’s “””clearly written more like a main character than Marinette is””” etc. etc.: So this character, Harry Osborn, the “red bug hero’s best friend who has a dead mother named Emily and a rich asshole mentally unstable supervillain father whom he doesn’t know is a supervillain and whom he wishes he got love and approval of,” who Adrien’s story was very unsubtly based off of? Not only was he not the protagonist or even a love interest, he dies in every version of the story! And even this story, which was not a love story and was in a superhero action series aimed at boys, put the majority of its focus on how the identity reveal of the rich supervillain father affected and put a strain on the best friendship/platonic love between his son and the red bug hero lmao.
It's almost like relationships and platonic and romantic love are deeply human experiences and thus interesting and moving to explore in stories and that maybe focusing on love and character relationships in a story isn't a bad or shallow thing 🤪
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I think banksy isn't a particularly great person in regards to what he has shown me about art and design stuff. Like, sure he made it to the top from being a street artist/graffitist, cool as shit, love to see a guy winning. Less of a fan of the bit where he started pretty much just making cool looking stuff for rich people and not being a graffitist.
This isn't me saying he shouldn't have changed or progressed; good for him, etc. I am saying his work has became gentrified. See, Banksy was a graffitist, like that guy that lives near you that draws dicks on bins or the one that did a really good spray of a cartoon character at your local skatepark. Now, that is illegal, even in most skateparks, and i wouldn't care about that if it wasn't the reason for my first issue.
So, if you get seen graffiti-ing you get arrested or whatever, even if you're on a public wall where people are allowed to, because nobody knows that those are a thing half the time and assume you're a criminal (not that I'd care if you were). After you make your shit its not over still because now you get chucked into this lot of people that are considered vandals because they dared to draw something on a wall, you're now in the same lot of people that smash up bus stops for no reason, isn't that fair?
Now, banksy is banksy so he doesn't get that same treatment. He gets praised for it, and his work get protected, unlike most graffiti. So now just he is allowed to graffiti shit, him and his team, apparently there are a few of him now. But at least that's the end of it, at least he's just some guy that is allowed to graffiti because he transcended the law, good on him.
Anyway, its not just that, number 2 is he is gentrification incarnate. People started protecting the areas his work was on and selling it and shit (I don't quite remember the details of that, but apparently people tried to sell the walls themselves)
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(From my stupid fucking friend, luv u bby)
So he's a lil bit corporate, but that can't be on prupose right? Like, you wouldn't just make artwork that vaguely gestures toward having some kind of meaning whilst not addressing said thing that the meaning should address, right? You wouldn't use vagueness as a means of making something palatable to corporate fucks whilst also removing any depth to it, right?
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Banksy come on man.
I can imagin that bouquet as a pepsi can and it has more meaning there. The satire, underlying message, just a bit of the funny.
The vagueness of it all really serves as a nice mask for it. This came from a thing that says "Banksy advocates for peace" what peace? Where? In regards to what? That looks like a rioter; it seems like the government pissed people off a bit too much and the rioter is reacting adequately. The headlining plus the image make it seem like Banksy is calling rioter out for being violent, but I'll put it down to the headline being a headline. Here's another:
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See now because I know my deal with recycling and stuff I can say this is about microplastics and how melting plastic for recycling isn't great still because of the fumes and shit, and I think that's great. But let's be real here, what is it actually saying? Its probably more along the lines of "man, things are kinda bad, but this kid has childlike wonder so he doesn't notice. You are the kid and you don't see the bad" or something like that.
But maybe its not and maybe he's being genuine. Maybe plastic being thrown into our atmosphere is a big deal to him. I want to see it as that, so I'm gonna, I think.
Don't those fences look a bit oddly placed though? Round the sides of the graffiti, them ones... well that leads me onto an entirely new point.
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What is graffiti?
According to the American Heritage Dictionary of the English Language one definition is "a form of vandalism involving painting, text or images in public spaces"
So the crime thing from the start, yeah whatever, you already mentioned that dipshit.
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So what the fuck is this headline then? Is banksy's art not graffiti? When does it become socially acceptable art? Isn't it a thing in graffiti that we're aware nothing is permanent so that's why people draw over others' shit? Why can't we play by his rules and draw too? That doesn't seem fair.
You know, I've saw things about banksy's work getting done in an alley once, there was a layer of plastic added onto it so that people wouldn't vandalise the vandalism. Apparently passing graffiti artists would piss on it as they went by. Again, apparently, I cannot find where I saw that but its incredibly funny.
But note that headline, "Banksy Art in Folkestone Vandalised by Graffiti." Where is the cut off point here? Why is that one art and the other is graffiti? Why does Banksy's get called art and the others get called vandalism? To clarify, Banksy's work, because of how known and unknown he and his team are, is called art, without question from news sources and headlines and shit. Yes, I do remember there was initially a whole thing about him just being some guy, but now he's celebrated for it, and that's what I'm drawing attention to here.
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Even the BBC addresses it, his work is something that should be considered vandalism but isn't. Someone liked it, then rich people started picking up on it and now people have tried selling walls because of it.
So maybe this isn't so much a comment on Banksy...
Arguably, to me at least, this is more of a comment on the audience his work has garnered. Do I think his work is bad? No, actually. In fact, even if the symbolism or imagery means little to me in some places, I'd argue they're really good, I know what I'm thinking of when I think of his work and for such a reason, they stick. The colour usage is fine, the stencils used are probably ones he cut himself, he's home-made. It's all not that bad.
The issue is simply the audience it has gained. A large proportion of it are people that hate graffiti but love banksy, a graffiti artist; already you can see the issue. Most of them are little rich weirdos that love graffiti as long as its up to a certain standard and isn't on their property, then they can have it phoographed and put on a canvas in their house, on their wall, in their property... you can see the point I'm getting at with the sort of people I see enjoying his work.
I do think his work wouldn't garner the same audience if it weren't the way it were. The rioter with a bouquet for example; you can see it as a call for peace, which is incredibly shallow and is blaming somebody that has been dicked over by the system, as many people would, especially with the piece being out there in public for everyone; you can alternatively make the comparison the bouquet throwing mirrors the throwing of flowers n shit at the end if races, a congratulation for being remembered as a tyrant or whatever. But because the piece, to my knowledge, has not had much meaning applied to it explicitly, by banksy, then the public makes the meaning, and the public has decided its a call for peace.
Simply put, banksy is not necessarily a bad artist but the audience that decides on the worth of his work aren't great in discerning a message from art. We know war is bad, we know our government is fucking us, but I'm sure you can come up with something more creative than that.
Fucking sick that Banksy got where he is, he somehow beat the law and is loved for it, came up from nothing, and is still pretty much unknown. Love that for him. I just think his audience could use some work.
Oh yeah and he's from Bristol which is unacceptable.
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