#baby sam living through The Horrors? still did good in school | Explore Tumblr Posts and Blogs

thanksjro · 3 years

Text

Bayverse: Treating These Movies with More Dignity than They Deserve or Contain, Because I’m a Goddamned Professional - Part One

TRANSFORMERS (2007) - UNCOMFORTABLE SEXUAL TENSION BETWEEN TEENAGERS THAT I DIDN’T NEED TO SEE

So.

This is a little different than what I usually do.

Clearly.

God, how did we even get here?

Oh, I remember.

The date was September 17th, 2020, and I was in a stream with nine or ten other people watching the first Bayverse Transformers movie. Why we were watching it doesn’t particularly matter- sometimes you just gotta watch garbage so you can refresh your palate for the good stuff, I suppose. Also, a couple of folks wanted to make goo-goo eyes at Blackout’s rotors.

...It’s not my thing, but I’m glad they’ve got something to make the journey worth taking.

I made some sort of comment about only using my brain for this blog’s content, and someone (you know who you are :)) suggested that I take a proper look at the film. Being who I am, I immediately latched onto this idea, despite it being technically outside of what I write about.

And then I quintuple-downed, because winners don’t quit.

Good to know that my BA in Film Production wasn’t a complete waste of time.

Fun fact, I broke my television trying to watch Transformers for this. I think the universe was trying to stop me, by making me perform surgery on electronics, and also aggravating my carpal tunnel.

This movie came out when I was 13, and it was the first Transformers thing I saw after Cybertron. Yes, the anime one. No, not the one that’s objectively terrible.

Anyway.

How did I feel about Transformers when I saw it the first time? Well… it was okay. I liked the robots. I thought Mikaela was pretty, not that I knew what that meant back then. I watched it a few times, if only because my oldest younger brother kept renting it at Blockbuster. It was fun.

Now I’m older, and wiser, and know feminist theory, so my opinion is less “this exists” and more “blind, murderous rage”.

Our film opens up with some claptrap about the Cube™, a MacGuffin of ultimate power that allows the Transformers to create worlds in their image and populate them. Which means this is how they reproduce.

It always comes back to baby-making, doesn’t it?

The narration goes on about how the Cube™ is very powerful, and some folks wanted it for good, and others for evil. The criteria for being “good” and “evil” isn’t established, and I’m not exactly sure how one would define such a thing, when all the Cube™ does is create life, but, well, we’ve only just begun. Maybe we’ll get some answers later on.

Haha, I doubt it.

So, the Cube™ is the catalyst for our 4 million year war this continuity, and that sucker was lost in the shuffle a while back. This is a problem, because, again, the Cube™ is how the Transformers reproduce. Now everyone’s in a mad scramble to find the thing so their species doesn’t die out.

Three guesses as to where it ended up, and the first two don’t count.

Smashcut to the shit nobody cares about- the humans. We see an Osprey fly over the Qatar desert, carrying a buttload of American soldiers. We get a taste of some good old-fashioned xenophobia, as several soldiers mock a guy for not speaking English and loving his mother’s cooking, going full “funny haha gibberish language” on him. We’re two and a half minutes into the film, and I already want to stab something.

Ed Sheeran breaks into the conversation, I guess because he was feeling left out, revealing that he is the New Yorker stereotype of the film, for some reason. The fellas ask their captain, Lennox, what he’s looking forward to most about getting home from their tour, and he reveals himself to be a family man. While he’s been away, his wife had a baby, who he hasn’t so much as held yet. His men respond by mocking him.

For loving his child.

We’re three minutes into the film, and the toxic masculinity might actually make me have an aneurysm.

The Ospreys land, the lads disembark, and we get a snapshot of what downtime during deployment looks like to Bay. There are a lot of kiddie swimming pools involved. Two men play basketball. We watch multiple men take outdoor showers. A young Qatari boy brings Lennox a camelback water pack with a smile on his face. This lets me know that he’s a prop and not a character in this film. I can’t wait to see how many horrors he’ll be put through to simulate pathos.

We get a shot of a helicopter flying over the desert, one that the US military doesn’t recognize as their own. They send a couple of planes to check it out, and said planes get their shop wrecked. The helicopter is revealed to be the same ‘copter that was shot down several months prior. That’s… not good. Ghost helicopter?

No. Not at all, actually.

Lennox gets on a video chat with his wife and daughter, who is wearing one of the most ridiculous baby outfits I’ve seen in a hot minute. And I used to work in childcare, so I’ve seen a good amount of those. The writing implies that normal bodily functions are unladylike and therefore undesirable… in an infant… and that’s when all hell breaks loose, thankfully saving me from more of Bay trying to make me give a shit about these characters.

The helicopter lands, we get a shot of the mustachioed pilot, who glitches (gasp), and the line “have your crew step out or we will kill you” is uttered. Not even trying to hide the nationalism, are you?

This film hit theaters in 2007, when the xenophobia from 9/11 was still heavy in the air of the general populace, so things like this were more tolerated, and in fact approved of. Of course, it’s not like America has really improved on that subject, or ever really had a point where we weren’t terrible about it, since we live in a world where the military-entertainment complex exists.

See, the Department of Defense and a good chunk of American entertainment industries have a little deal going, and have for the last few decades, and it goes like this: The DoD will allow the use of their vehicles, personnel, and bases, or the likenesses of such, for free, in exchange for their operations being shown in a positive/morally justified light. This is why you never see the armed forces portrayed in a way that makes them out as anything less than heroes- nobody would be able to afford the sets/likenesses without the DoD’s aid. This is also why you see straight-up advertisements for the military branches on televison, in cinemas, and online, and why both the Army and Navy have flirted with having Twitch channels.

It’s all a ploy to get you to join the military, kids. It’s propaganda.

But enough about that, it’s time for our first transformation sequence!

We get a lot of moving parts with this, since it’s realistic CGI in a live-action movie, and it still holds up. It’s hard to tell what’s actually happening, but it, if nothing else, feels alien, surreal, and horrific to behold. They even included the original sound effect in the cacophony, which is nice.

Our ghost helicopter reveals itself to be a Transformer, not that we get that terminology at any point in this film. This specifically is Blackout, a Decepticon. The soldiers start firing on him the moment he starts transforming, then are surprised when the thing they started shooting with several guns retaliates. This is the point where everything ever in this military base explodes, brilliantly and repeatedly, because it wouldn’t be a Bay film without it. There’s a lot of shouting and bright lights, and I’m positively certain that a great deal of people died during this fight.

It’s just a shame that I don’t care.

Blackout rips the top off of a building like it’s a tin of anchovies, and then snags all the hard drives he can, downloading everything. This is a problem, but it seems like nobody was prepared for a giant alien robot hack-attack, because in order to shut down the power to the servers, you need to be able to unlock the breaker box, and no one seems to have the key. They solve the problem with a fire ax.

Lennox is leading the Qatari boy through the base towards safety. I should mention that it’s night now, and several hours seem to have passed since the Ospreys landed, so I don’t know why this kid is still here. He’s got, like, a house and family to go home to.

We get some more tank-throwing action, Sergeant Epps almost gets flattened under Blackout’s foot, then the movie decides it’s going to try to make things more interesting by having each shot cut flash, for whatever reason.

Someone shoots Blackout with a rocket launcher, I think, and this is the point where he throws his tiny little man off his back to go do his job. Yes, Blackout’s got a baby, and that baby is Scorponok, his symbiotic pal who likes to dig into the ground and be a sneaky little bastard.

Blackout blows up a ton more military equipment and personnel, and then it’s time for another smashcut.

Now we’re in high school, just like all those dreams I’ve had where I’ve forgotten my homework. This is where we meet Sam Witwicky, our main character, and also the stand-in for our target demographic. He’s insufferable, and I don’t like him. Mikaela Banes, our love interest, is also present in this scene, but we don’t get to know about her character for, like, another 20 minutes, because who gives a shit about women, right? They’re just props, right?

Right???

RIGHT??????????

RIGH-

Sam is presenting on his great-great-grandfather, Archibald Witwicky, for his family genealogy report, in front of a class containing maybe three actors who are age appropriate.

I know child labor laws are a good thing, and that hiring adults to play teenagers is just the lay of the land, but I swear some of these students look like they’re old enough to be on their second mortgage and third kid.

Anyway.

Archibald Witwicky was an explorer, one of the first to traverse the Arctic circle, and apparently his crew was made up of folks from 2007, because I swear the clothing for a few of these dudes isn’t period-appropriate. We get a seamen joke, because of course we do, and a sextant joke, because of course we do. Sam is also hawking all this crap he’s brought in for the presentation, because he is a little bastard who has no idea what his peers would want to buy, or really how to relate to them at all. He’s selling these “priceless” artifacts so he can get a car. Mikaela finds this charming, for some fucking reason. Also, her boyfriend is weirdly stroking her shoulder blade with his knuckles the whole time this is happening, and I hate it.

Archibald Witwicky went mad after his expedition, talking about an “ice man” so often that his family ended up locking him in a mental asylum, likely to be forgotten about. Which is sad. But we won’t be getting into the medical mistreatment of the mentally ill in Bayverse, now will we? That’s just Too Deep™.

Sam’s teacher didn’t very much appreciate having his class be turned into an episode of Antiques Roadshow, but still gives Sam an “A” on the project, despite it being a very poor report that lasted all of two minutes. I suspect the teacher has tenure, and therefore no longer gives a shit about academic integrity. This “A” means that Sam’s father will buy him a car.

Which is nice, I suppose, if I gave a damn.

Sam’s father, Ron, picks up his son in a car he probably bought at the crux of his midlife crisis, in a green that reminds me of a school gymnasium floor, then plays a prank on his child by pretending to pull into the Porsche dealership. Sam isn’t getting a Porsche, which is good, because he doesn’t deserve one. As Sam gripes to his father, a yellow Camaro drives by oh so conspicuously. Wonder what’s up with that.

Instead of the Porshe dealership, they head over to the used car lot, which is being run by Bobby Bolivia, who spends his time yelling at his employees and wanting to murder his mother. Sam is incredibly ungrateful about the fact that his dad is helping him get a car, even though it’s his FIRST car, and nobody gets a nice one the first go around. Or, at least, they shouldn’t, given the statistics about accidents with young drivers.

“No sacrifice, no victory” is uttered by Ron, which is the family motto, or so he claims. Archibald Witwicky said the same thing when he had multiple people dying trying to get to the Arctic Circle, so there’s precedence for the phrase, but we’ll see how it holds up throughout the film.

Bobby Bolivia shows Sam and Ron the cars he has for sale, and Sam is immediately drawn to the yellow Camaro in the lot, though there’s a small problem- it’s too expensive for what he and his father agreed to. Also, nobody knows where the hell it came from, so paperwork might be an issue. When Bobby tries to show Sam the yellow Beetle they have right down the line, everything explodes, because this is a Bay film, and fuck the original material this movie was based on. Bobby lets them have the Camaro for a lower price, suddenly fearful of whatever strange powers have just visited his place of business. “The car picks the driver” is suddenly more than a bullshit line to spout off in order to sell cars, and I’m certain that’s shaken the poor man.

Over in Washington, D.C., the Secretary of Defense prepares to address just what the hell happened in Qatar, lamenting on how young the audience he’s going to be speaking to is. In particular, he’s referring to the two dweebs and the hot chick sitting in one of the rows. All the women in this movie who aren’t someone’s mom are made up to be very pretty. And not even in a realistic way. But we’ll get to that in a bit.

So, the military network was hacked. That’s bad. Nobody knows who did it. That’s also bad. The only lead the US has is a soundbite, which is the signal that hacked the network.

Everyone here at the briefing is going to be helping to figure this mess out. This is great, if you like looking at Rachael Taylor for a few seconds at a time, and can compartmentalize hard enough to make that worth the effort of watching this godforsaken film.

Back at the Witwicky household, we meet Mojo, a chihuahua with a cast that doesn’t seem like it’s actually doing anything. I wish he was the main character instead of Sam.

Sam arrives home from the dealership, and says “alright, Mojo, I’ve got the car. Now I need the girl.”

As if ownership of a person is something to aspire to.

As if women are property to be owned.

As if women aren’t people, but rather commodities.

We’re 17.5 minutes into this film.

We’re introduced to Judy, Sam’s mother. She’s shrill, and annoying. This is by design, because none of the women in this film are actually people, but rather archetypes to bounce off of the male characters.

Sam and his father have a moment of what some might consider banter, then Sam gets huffy with his mom over gender roles for the dog. I, for one, think Mojo looks positively dashing in his bedazzled collar, and to hell with whatever Sam says to the contrary.

Sam drives off to go be a misogynist, with the promise to be back by 11PM.

Over in Qatar, the soldiers and that little boy are running from the attack on their base, as Lennox’s wife watches a public announcement on the matter back at home. The Secretary of Defense lets us know that we’re at DEFCON Delta at this point. Lennox Jr. cries, and all I can think about is how they probably pinched that baby to make that happen. They pinched a baby for Transformers (2007).

The soldiers in Qatar talk about shit they have no idea about, Sergeant Epps going on about somehow having been able to see a forcefield around Blackout through his super special binoculars. I don’t know how, or why, he knows this. I don’t know anything anymore.

Ed Sheeran has his doubts about this whole thing, and Lennox is also present in the scene, because I guess he’s important. Through a bit of dramatic irony, Fig- the guy everyone was making fun of for being bilingual at the start of the film- says that this probably isn’t over, as the shape of Scorponok shifts through the sand just beyond them.

Epps is having a minor crisis over the fact that Blackout saw him, but we don’t have time for that, because we’ve got to get to cover. The lads decide to head to the little Qatari boy’s house. Again, I wonder why he was at the base at all, considering that it seems like they’ve been traveling for a good portion of the day.

Back with Sam, he’s picked up his friend Miles, and together they’re going to a lake party. Are they invited to this party? Yes, but also no. It’s public property though, so it should be fine. As they park, Sam notices that Mikaela is here, which is great for him.

Mikaela’s boyfriend, Trent- whose name I had to look up- is a massive tool, and starts pestering the two boys for daring to exist in his airspace. Miles climbs a tree. I’m glad he’s having fun, at least. Sam makes a joke at the expense of people with brain injuries, and this for some reason? Warrants a shot of Mikaela making the blank “pretty girl” face? In response?

Mikaela saves Sam from becoming a wet stain on the grass, which is very kind of her, and more than Sam really deserves. Trent, his boys, and Mikaela start to head off for another party, to get away from Sam and his tree-loving friend. Mikaela offers to drive, and Trent says that she can’t handle his truck, because she’s a ~girl~. This causes Mikaela to ditch him, and start walking home.

The script knows enough about misogyny to know that this would be a nice “take that”. Michael Bay, however, likely fails to see why everything he did with said script involving this character is a goddamned problem.

Because Mikaela, bless her heart, has a lot of problems.

Let’s start with the outfit: a croptop, a jean skirt that BARELY covers her ass, and a pair of wedge heels that are at least four inches tall. On a character that is, at oldest, freshly 18.

Look, I’m all about self-expression and the freedom to choose how you dress for yourself and yourself alone, but this clearly isn’t that. This is a character, not a person, whose wardrobe was designed for the straight male gaze. She’s wearing fucking STRAP HEELS to the lake. This is about oogling. This is about reducing a whole-ass person to the same status as a piece of meat. In fact, who was on wardrobe for this? I’d like to have a few words with-

A woman? Okay, well, what else has she worked on?

You can’t be fucking serious.

ANYWAY.

Miles just called Mikaela an “evil jock concubine.” I don’t like Miles anymore.

As Mikaela walks down the road, strutting hard enough that I’ve got sympathy pains in my hips, the radio in the Camaro turns on, playing “Drive” by the Cars, and giving Sam a hell of an idea; he’s gonna drive Mikaela home, so she doesn’t have to walk the 10 miles to her house. Why he knows how far she lives from the lake isn’t addressed.

Sam kicks Miles out of the car and goes to give Mikaela a ride, which she accepts after a bit of self-deliberation, and also him making an ass of himself. The shot here is framed with Sam like he’s a normal-ass person, and Mikaela from her breasts to the top of her waist. Because of COURSE it is.

She hops in the car and then goes off about her taste in hot guys. Which is weird, and out of left field. Sam is about as confused as I am, then continues to make a fool of himself. This is his nature as a person. Mikaela has no idea who Sam is, even though they’ve gone to the same school for the last 10 years and have multiple classes together. And the fact that she was staring him down all through his genealogy presentation. And at the lake.

This movie isn’t very well thought out, I feel.

It’s at this point the the Camaro turns the key on itself and starts to sputter out and die, as “Sexual Healing” by Marvin Gaye pops on the radio.

I don’t like how this car is trying to get Sam laid.

I don’t like how this car is trying to get Sam laid with a girl who didn’t even know his name five minutes ago.

I don’t like how this car knows what sex is.

The Camaro breaks down on a cliff, and Mikaela hops out to work on the engine, and also to get the hell away from Sam’s sputtering.

As Mikaela admires the sweet engine in this Camaro, showing off her knowledge of cars, we get several shots of her from her breasts to her thighs, while Sam is treated like an actual person. Don’t bother trying to play it off as an artistic choice, Bay, this is blatant horndogging. This adds to NOTHING, other than my ire.

Sam says more stupid shit, and Mikaela, who must be the nicest fucking person in the world, just tells him to fire up the engine so she can try to sort out the problem. Then he asks why she goes for jackasses like Trent, and she decides that she’s hit her limit for today, opting to walk the rest of the way home. Good on you, Mikaela. Don’t take Sam’s bullshit.

Sam, realizing that he’s put his foot in his mouth for the 80th time today, pleads with his Camaro to do him a solid and work, and this actually works out for him. Great. Sam, victorious, once again offers Mikaela a ride, which she, once again, takes.

He drops her off without further incident, and she thanks him for listening. Even though they didn’t really talk that much. I dunno, maybe they had a super deep conversation offscreen. Mikaela asks Sam if he thinks she’s shallow, because clearly all women need approval from the men around them, and Sam says that there’s more to her than meets the eye.

Which made me groan aloud.

Anyway, she gets inside without a problem, and Sam professes his love for his new Camaro for allowing him to talk to a girl. Or at least talk at her.

Back in Washington, D.C., at the Pentagon National Military Command Center, we’re making weirdly racist calls on who hacked the military.

Up with Air Force One, a conspicuous boombox transforms into a robot, and then runs off to hack shit. The President of the United States requests some snack cakes. A flight attendant goes down to storage to retrieve said snack cakes, and finds that boombox in the elevator with her. Considering this is Air Force One, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse, and we don’t think here.

The flight attendant brings the boombox down with her and places it on the counter as she goes to get the presidential snack cakes. The boombox immediately disappears. Now, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse-

The flight attendant opens up the snack cake package, for some reason, and drops the cake on the floor. She then proceeds to eat it, and then act shocked when it tastes like floor. There’s a robot in her fucking line of sight, and you’d perhaps expect her to immediately be suspicious of such a thing-

She leaves to go feed the President floor cakes, and our little robot friend gets to work stealing government secrets. He, if nothing else, looks pretty cool doing it. He’s a very pointy lad.

Back at the Pentagon, Maddie- Rachael Taylor’s character- can hear the hacking. This sends everyone into a panic, because, well, that shouldn’t be happening. The hacking noise is a direct match to the one from Qatar, so that’s obviously a problem.

Back on Air Force One, our little robot friend is looking for “Project Iceman”, which he very quickly finds, and downloads everything they’ve got on it, and also plants a virus. The process seems to be… doing things to him. It’s weird. This movie is weird.

The Pentagon cuts all the system hardlines, stopping the process, but it’s too late- he got what he wanted, just about. Two security personnel come into the room, and the robot kills them both with some spinning blade disc nonsense. Air Force One is forced to land for the safety of everyone on-board. More security detail comes in to deal with the little bastard, but he transforms into a boombox and sits on a shelf to avoid suspicion. Now, you’d perhaps expect-

With the plane grounded, our robot is able to walk his little ass over to a cop car. And when I say walk, I do mean walk; this fucker is in multiple folks’ line of sight and nobody notices a thing. When he enters the car, he’s greeted by the mustachioed driver- the same driver who was operating the helicopter at the beginning of the film. This mustache man is a holographic avatar, one that’s being used by all the Decepticons.

We get our first real taste of Cybertronian language, as our robot- it’s Frenzy, his name is Frenzy- lets everyone know that he’s found a clue to the location of the AllSpark, and, through the power of the internet, knows where to find the guy who’s gonna give them what they need.

Three guesses to who it is, and the first two don’t count.

Back at the Witwicky household, Sam’s car does a runner in the middle of the night. Sam, horrified that his property is being stolen, pursues on a bike, screaming at his dad to call the cops. Sam also calls the cops, as he tears through the neighborhood.

The Camaro breaks into an abandoned building, Sam follows, and we finally get a shot of our audience appeal character. Sam watches in disbelief as a giant yellow space robot shines a beacon into the sky, then makes a video on his flip phone recording the experience. He apologizes to his parents for owning pornographic magazines, and goes to face his probable demise.

However, death does not come from above, instead manifesting itself as two of the strongest junkyard dogs in the known universe, who break their brick-inlaid chains to get at this little dip of a man. Sam is chased through the yard, climbing on top of a couple precarious oil drums, even though there’s a ladder, like, right there. The Camaro rolls in, scaring off the dogs, and Sam bolts, throwing the keys to his ride at his ride. When he gets outside, the cops have arrived, and immediately arrest him.

Back with the US government, the Secretary of State is having a conversation about all the bullshit that just went down with Air Force One. He and his fellow cishet old white men discuss their options, until Maddie comes in to set them straight on some of the facts. They act all indignant about it, because women can’t be smart, right?

Right???

RIGHT??????????

RIGH-

Anyway, we get a weird little deflection of Maddie’s role in everything, because a woman is nothing without the men around her, then she brings up the point that the bullshit that happened on Air Force One went down in just a few seconds, which isn’t something that anyone can actually do. She brings up quantum mechanics, which everyone blows off as nonsense- not that I wouldn’t as well- and theorizes on a DNA-based computer, which is technically a thing, if not trapped in the realm of speculation. It’s at this point that the Secretary of Defense tells her to come back when she can back these wild claims up, and isn’t just clearly spitballing.

And then he snaps his fingers at her, and any point he might have had leaves my brain so I have more room for being enraged.

Back with Sam, we’re at the police station talking to the cops. His dad is here, and Sam is trying to explain that his car is a dude. Even though he took at a video (one that was likely crap, given how quickly he spun his phone around to show off what he was seeing) the cops, understandably, don’t believe him. Then one of them, not so understandably, starts… threatening Sam? With his sidearm? And daring him to try something? This isn’t any sort of statement on the corruption of American law enforcement, it’s just bizarre.

Back in Qatar, our soldier buddies have found a telephone line, and are going to try to use it to get in contact with the rest of the world. It’s just too bad that Scorponok’s decided to make an entrance, and knock said telephone line the hell down. Ed Sheeran has next to no reaction to this, despite it happening maybe ten feet behind him. Fig speaks Spanish, and Ed Sheeran makes a point to be an asshole about it.

Scorponok is about to stab Lennox with his very pointy tail, when Epps notices- finally, someone with peripheral vision- and starts shooting. Then everyone starts shooting, kicking up enough sand to blind themselves, as Scorponok scuttles away, buries himself, then reappears behind Ed Sheeran.

Ed Sheeran does not survive this experience.

The others bolt, not wanting the same to happen to them, and for the fourth time I wonder just why the hell this young boy was at the base in the first place.

Off in the distance, the community of a nearby town wonders just what the shit is going on out in the desert. Our soldiers run into the town, and everyone gets their guns and start firing on Scorponok, who retaliates, because why the hell wouldn’t he?

Lennox demands that the young boy take him to his father, and proceeds to borrow his phone. As shit goes down outside, we have a sort-of gag where Lennox is trying to contact the Pentagon, while a telemarketer tries to get him to buy a phone package. In order for this call to go through, he’s going to need a credit card. This is where the well-known “pocket” scene comes from, as Lennox searches Epps’ pants for his wallet as he fires on Scorponok. It’s probably the best-written thing in this whole film.

With the credit card acquired, Lennox finally gets through to the Pentagon, and tosses Epps the phone so he can talk. Maybe he’s got anxiety about speaking on the phone, I dunno.

Scorponok shows off his disregard for historical architecture, blowing up several buildings, and the US government just watches this all go down. One of the actors in this scene looks like my dad, and it trips me up every time he’s on screen. Anyway, now the Pentagon knows about the giant space robots running around in Qatar. They send over some air support about it. All this manages to do is piss Scorponok off.

So they try it again.

This time it works, sort of.

At the very least, he’s left now.

Tail fell off, though.

Also, Fig’s been grievously wounded. The others, for once, don’t make fun of his native language while they help him hold his blood inside his body.

Back at the Pentagon, Maddie’s looking to prove that the bullshit that’s been going on is of the sci-fi variety, and in order to do that, she’s going to need a little outside help. She takes the information from the Pentagon, slaps it into an SD card, hides that shit in her blush compact, and then runs out the door to Glenn Whitmann’s house. Or, rather, his grandma’s house.

Glenn is a hacker, and shouldn’t be seeing anything that Maddie’s brought him, but everyone knows that confidentiality is for nerds, so whatever.

Back at the Pentagon, Maddie’s immediately been caught. It’s almost like slapping the military network onto an SD card maybe wasn’t such a hot idea. But what do I know?

Glenn takes a look at the soundbite and figures out that there’s a code embedded in the thing in about two seconds. Good to know our tax dollars are being well-spent on the US military, that some dude in his jammies can figure this shit out faster than a whole team of analysts. They figure out that “Project Iceman” is involved with this somehow, and also the existence of Sector Seven. It’s at this point that the FBI busts in. Good. I kind of want Maddie to go to jail for this, because she was about as stupid as she could be handling the situation.

Glenn’s cousin goes through a closed glass door- don’t worry, it’s tempered- and there’s a weird cut before that exact same shot continues, and he’s tackled into the pool. There was no reason for that to have happened, but here we are.

Back with Sam, we’re treated to him in his boxers, shooting basketballs in his room. He goes into the kitchen, where Mojo is standing on a stool. It’s a very tall stool, the sort you sit on, and he’s just… there. I don’t know how he got there. There’s no one else in the room besides Sam, and I know he didn’t put him there.

Clearly this must mean Mojo is God, and being on that stool is his divine will. I will be approaching the rest of the franchise with this in mind, because it’s clearly the only answer.

Our merciful Lord Mojo jumps up on the kitchen counter and begins growling at something through the window. Sam looks out… the opposite window… to find that his Camaro has returned to him, and is less than thrilled about it, to put it lightly. He drops a jug of milk- luckily it was mostly empty, given the sound it makes when it hits the floor- and gives his buddy Miles a call. You remember Miles, don’t you? If you don’t, it’s fine, because he reestablishes his quirkiness with a single shot, as he sits in a swimsuit and bathes his huge-ass dog in a kiddie pool, and answers the phone with a headset he just happened to be wearing. He must get a lot of calls during Dog Washing Hours. 

After giving us one of the most intense voice cracks I’ve ever heard, Sam books it out of his house, hopping on a bike to escape his murderous Camaro. He’s not seen the thing commit any murders, mind you, but he seems pretty convinced that it would do the job, given half a chance. Also, this isn’t the bike he rode the night before; that one is likely being chewed on by those strong-ass junkyard dogs. No, for some reason, the Witwickys have a pastel pink girl’s bike, with the fun little handle tassels and the basket and everything. As far as I can tell, Sam is an only child, and if you think Bay’s going to allow for a teenage boy to have the vulnerability to own a pink bike, you’ve not been paying attention for the last 48.5 minutes.

The Camaro gives chase, rolling after Sam on his bike at a brisk 7 MPH down the friggin’ sidewalk, one of the only scenes in this travesty of a film to actually get me to crack a smile. Sam races through town until city planning puts a stop to him, through the magic of using chunks of cement to decorate the mulch around their trees. He crashes his bike, faceplants into the concrete in front of Mikaela, and promptly dies, thus ending the film.

No, he doesn’t die. I just told a fib. I’m sorry.

Instead, he does a flip and lands on his back, likely receiving a concussion, in front of Mikaela and her friends. Her friends laugh, because everyone hates Sam, as they should, and Mikaela says that what he just did was “really awesome.” Don’t try to be nice, Mikaela, this is Sam we’re talking about; you could stick the dude in the freezer overnight and he still wouldn’t be even remotely cool.

Sam gets back to the whole “running away from a car” deal, and Mikaela decides that this is the sort of thing she’d like to do with her day, so she ditches her friends in the middle of their scheduled Burger King™ time to go see what the hell Sam’s on about.

As Sam is chased by the Camaro who is being chased by Mikaela on her motorized scooter, a cop becomes involved, tearing through the streets to join this ridiculous game of tag. Now, we’ve seen two different flavor of cop so far- the mustachioed avatar cop car that picked up Frenzy from the airport, and the dude who threatened a teenage boy with a gun after accusing him of being under the influence of drugs. Either way, I don’t think this is going to turn out well for Sam.

Sam’s cornered himself under one of those really wide bridges where people can park their cars, which wasn’t terribly smart, but it’s Sam, so this is about par for the course. The Camaro manages to miss him, but the cop car does not. Sam is actually pretty cool with the cops being here, as if they could do anything about “Satan’s Camaro.” I guess he didn’t see the decal on the side of this car that says “to punish and enslave…”

Sam attempts to approach the car for help, and gets clotheslined by a car door for his troubles. He hits his head on the pavement, certainly exasperating the brain injury he received not ten minutes ago. Still, he continues to try to talk to the holographic avatar through the windshield, revealing that the bike he’s been riding is his mother’s. Mystery solved, I suppose.

The cop car doesn’t much appreciate being slapped on the hood, and begins to rev violently at Sam, threatening to run him over several times. Then it explodes into being a robot. Sam, who’s seen a lot of really weird shit in the last 24 hours, nopes out of the situation. It’s at this point that I realize he’s wearing a shirt for the band the Strokes. I don’t know why that stuck out to me, but it did. Guess my brain needed something to latch onto during all this.

Sam is running as fast as his little legs allow, as our newest robot friend takes up a leisurely jog to keep pace. Then he kicks Sam. He kicks Sam’s body like the football. This, of course, instantly turns Sam into a bag of jelly and kills him, thus ending the film.

No, he doesn’t die. I just told another fib. I’m sorry.

Sam somehow survives being punted by a giant metal leg and lands in the windshield of a car that doesn’t turn into a robot. Then he gets yelled at by the cop car. This is Barricade, a member of the Decepticons, and Sam’s got something he wants. Or, should I say “LadiesMan217” has something he wants.

LadiesMan217 is Sam’s Ebay username. This is both stupid because no teenage boy existing beyond the year 1985 would have ever called himself that, and also because it’s just stupid.

Barricade wants the glasses Sam presented for his genealogy report, and he wants them NOW. Seeing as the thing he wants is for sale, and nobody had been bidding on it, one would wonder why Barricade and his associates didn’t just try to purchase them like upstanding citizens. Perhaps Decepticons don’t understand the concept of money, or perhaps they don’t have a stable address to have the glasses shipped to. Or perhaps nobody considered that angle when the script was being put together. Who can say?

Sam gets back to running away from Barricade, we see where Mikaela got to, and the two of them collide. Sam rips Mikaela off of her scooter, and they both fall to the ground. Mikaela, who did not buckle the clasp on her helmet, asks Sam what his fucking problem is. Then his problem shows up, and they take a very long time to get up so they can run. So long, in fact, that the Camaro has to swing in to save them. After much pleading from Sam, Mikaela gets inside Satan’s Camaro, and the two of them are whisked away to safety. Barricade pursues, and then the butt rock starts.

There’s a lot of screaming and yelling, the Camaro busts through a window and several shelves in an abandoned building, there’s some drifting, and then suddenly it’s nighttime. Barricade somehow got in front of the Camaro, and is circling like a shark. The Camaro locks the two teenagers inside itself, though I suppose they could climb out through the still-open windows if they really wanted to. The Camaro cuts the engine off, then cuts it back on and bolts for the exit, and this somehow tricks Barricade long enough for them to get past.

The Camaro dumps Mikaela and Sam out one of the doors and then transforms into that yellow space robot we saw a bit ago. It’s Bumblebee! Nearly an hour in, and we finally get a proper look at the little bastard. I guess that’s what happens when you spend the first 20-something minutes on being xenophobic and appealing to the focus groups that think it’s fine sexualize high schoolers.

Bumblebee- no, he’s not introduced himself yet, but I just can’t keep calling him “the Camaro” anymore- comes out of his transformation ready to square the fuck up. Barricade throws himself at Bumblebee, they roll around on the ground for a bit, then things start sparking and exploding, because this is a Michael Bay film. Frenzy jumps out and starts chasing down Mikaela and Sam, while Bumblebee and Barricade murder death punch each other. Frenzy manages to grab Sam by the ankles, drag him to the ground, and rip his pants off. Not sure how that happened, considering he’s still got his shoes on.

While Sam’s busy being chased by a sentient pile of safety pins, Mikaela’s taken it upon herself to be proactive about her survival, and is raiding a nearby building for power tools. She sprints out holding an electric jig saw and saves Sam by decapitating Frenzy. If you know anything about Transformers, then you know this doesn’t actually kill Frenzy, but good on her for being a badass. Why couldn’t Mikaela be our main character again? Oh, right, because she’s a ~girl~.

Sam punts Frenzy’s head, like, 50 yards, which seems like something he shouldn’t be able to do, given that he’s a massive weenie, but there you are. With that out of the way, Sam takes Mikaela’s hand and they run off to go watch the giant robot fight. The bottom of Frenzy’s head turns into a spider and he crawls his way over to Mikaela’s purse. He’s gonna steal her gum, the fiend!

Mikaela and Sam have, unfortunately, missed the giant robot fight, which means that we, as the audience, have also missed the giant robot fight. Which is unbelievably stupid, seeing as everyone who has ever watched this movie came for the GIANT GODDAMN ROBOTS.

Mikaela asks just who the hell the yellow robot is, I guess because she’s finally had a second to process what the hell’s going on. Sam claims that he’s a super-advanced robot, “probably from Japan.” Whether or not this is a reference to the Japanese origins of the original toy line isn’t clear, though somehow I think it’s more xenophobia. Sam also makes the claim that if Bumblebee had intended to hurt them, he would have done it by now. This is quite the jump from a few hours ago, when he was calling the poor guy “Satan’s Camaro.”

Sam finally, finally asks Bumblebee what his deal is, and we get our first taste of the Bayverse Bumblebee Gimmick. The Gimmick here is that, due to an injury to his vocal processing, Bumblebee cannot communicate through traditional means, i.e. speech. Because of this, he instead strings together sentences by flicking through the radio frequencies and choosing key words. This can lead to some interesting audio design, like describing his fellow Autobots to “rain down like visitors form heaven, Hallelujah!” because a radio sermon fit what he was trying to say best.

This gimmick is one that has been used in other pieces of Transformers media, at least in part. Bumblebee is unable to speak traditionally in Transformers: Prime, and instead communicates in beeps and clicks that his teammates can understand, but not so much the humans, save for Raf. In Bumblebee (2018), the idea was used whole-cloth, with the injury resulting in his inability to speak happening on-camera within the first 10 minutes of the movie, and the idea of “expressing oneself through music” being introduced by his human companion Charlie Watson.

All in all, I rather like the idea going on here; it’s an interesting part of his character that opens up for a lot of interesting and creative moments.

It’s just too bad it was introduced in fucking Bayverse.

But yeah, anyway, the other Autobots are coming to Earth. Shit’s gonna be lit.

Bumblebee turns back into a Camaro, and Sam uses the power of FOMO to get Mikaela to go in the car with him. We get a shot of Barricade fucking dying on the side of the road. Frenzy murders Mikaela’s phone, and then steals its identity, including the little bejeweled heart stickers. Good thing Mikaela remembered to go get her purse, otherwise he probably would have felt very silly doing that.

Mikaela refuses to sit in the driver’s seat, seeing as she now knows Sam’s car is sentient, and sort of feels weird about this whole thing. Sam suggests that she sit in his lap instead, as the camera angles to give us a peek at the cup of Mikaela’s bra. When asked why the hell she should do such a thing, Sam says it’s a concern about her safety, given that the middle console of the car does not have a seatbelt. Sam either fails to recognize that seatbelts going over two layered bodies won’t save either of them in the event of a crash, or he’s just trying to make an excuse to have a pretty girl in his lap.

Given what movie this is, I’m going to guess it’s the latter.

Mikaela has a similar line of thought, but scoots over anyway, saying that the seatbelt line was a “smooth move”. It wasn’t, but if I picked apart every single bad line Sam had in this film, I’d be here all day.

Mikaela questions Bumblebee’s taste in alt-mode, which offends him to the point of dumping both her and Sam out in the street and driving away. He returns, moments later, as a sleek new Camaro, that I’m sure some car aficionados would call “sexy.”

Bumblebee’s alt-mode is a 2009 Chevrolet Camaro, of which there were none during the time of filming. It was put together for this movie in roughly five weeks. Sam is blown away by the fact that he now owns a car that does not currently exist in his universe. Mikaela is impressed, or at least she would be, if women were allowed to show that emotion in a non-horny way in a Bay film.

Judy doesn’t count.

As Bumblebee breaks into yet another restricted area, we get a shot of the Earth from orbit, as several objects rocket towards the planet. Sam and Mikaela watch the Autobots burn up in the atmosphere, and Mikaela tries to hold Sam’s hand as they do, and it’s at this point that I have to address how much I hate these two’s dynamic.

I don’t give a single solitary shit about this romance, because A) it’s poorly written, B) Mikaela could do infinitely better than Sam, C) I dislike Sam so very much, D) Mikaela, who is a way more interesting character, got placed on friggin’ love interest duty because ~girl~, and E) it’s useless padding to try and make me care about what’s happening here, and I just DON’T. I do NOT care about whether these two get together or not.

We see the Autobots crash-land, three out of four of them causing massive amounts of property damage and possibly killing at least one person. Their stasis pods crack open, and they each climb out, completely naked and in desperate need of clothing to hide their shame. With a quick scan of nearby vehicles, they’re once again decent to be seen in public.

Bumblebee drives the kids out to what I can only assume is the warehouse district he sent that beacon out in, as our collection of good guys finally come together at long last. A massive Peterbilt semi-truck stops directly in front of Mikaela and Sam.

We’re over an hour into this film, and we’re just now getting to the quintessential Transformer, Optimus Prime himself.

In the original cartoon, Optimus’s alt-mode was what’s known as a cabover truck, one where the cab- where the driver sits- is seated directly over the engine. These were popular during the days when maximum truck-lengths were much shorter than they are currently. This is why when you look at height charts for Optimus over various continuities, his G1 cartoon counterpart much shorter than his other iterations.

Modern trucks are longer, and don’t need the cab to sit on top of the engine to save on space. The designers chose to use a Peterbilt to make sure that Optimus would have an imposing stature when compared to his fellow Autobots.

Because heaven forbid we not have heightism come into play in this film.

Our Autobots transform, and say what you will about these bastards being visually incomprehensible, the transformations themselves are cool as hell. My personal favorite is Jazz’s, where he does a cool windmill into his root mode.

Optimus crouches like he’s looking at a cool bug on the sidewalk and addresses Sam by name. He doesn’t even acknowledge Mikaela, which I find to be a bit rude, but whatever. He then introduces himself as the leader of the Autobots.

Peter Cullen is back as the voice for Optimus Prime, sounding wonderful as always. He almost wasn’t brought on for this project, because Michael Bay didn’t want him. If the fans hadn’t thrown a hissyfit, who knows who we would have gotten to be our space dad for the next hour and a half?

This is actually an issue that’s recurred several times in the last few years, and not just with Cullen; Frank Welker, the voice of Megatron, as well as many other Transformers, has been refused roles within Transformers properties. In general, this is because both Cullen and Welker are union actors, and Hasbro would prefer to hire sound-alikes than pay more money for the originals. This isn’t to shame the non-union actors, goodness no, just to merely point out less-than-fantastic business practices.

I realize there have been a lot of tangents, but you have to understand that I am suffering as I do this.

Optimus then introduces his team- there’s Jazz, whose first line is “What’s crackin’ little bitches?”, Ironhide, who incorrectly quotes Dirty Harry, and Ratchet, who calls out just how obnoxiously horny Sam’s character is. We also finally get Bumblebee’s name.

Mikaela asks the very good question of why the fuck the Autobots are here on Earth. Optimus explains that the AllSpark is here, and they’ve got to get to it before Megatron does. He then goes on to explain who Megatron is, stating that he “betrayed” the Cybertronian empire.

No, how exactly he did that isn’t addressed. We’ll just have to take Optimus’s word, I suppose.

If you’ve sussed out by this point the the AllSpark and the Cube™ are the same thing, congrats! You win. Megatron followed the AllSpark to Earth, where he promptly was neutralized by the cold of the Arctic circle. This was 110 years prior to the events of this film, and where Archibald Witwicky came in to the story.

When the expedition was happening, Archibald fell through the ice during a collapse, and ended up finding Megatron’s frozen body in an ice cave. He went poking around on this strange metal giant, and ended up activating Megatron’s navigation systems, which imprinted the coordinates of the AllSpark onto Archibald’s glasses.

Don’t ask how that works, it just does.

So, the Autobots need the glasses, so they can find the AllSpark before the Decepticons do, so those guys don’t use it to build an army out of Earth’s machines, which will destroy humanity.

Sounds simple enough, let’s go get that vision correction device!

Back with the military dudes, everyone’s taking a gander at the tail that Scorponok left behind. They theorize that the metal that makes up these giant murder-robots reacts to extreme heat, but elaboration on that point will have to wait, because the tail has begun to flail. They quickly strap it down, then call the military to let them know to strap anti-tank guns onto anything that’s going to be approaching any giant robots.

Meanwhile, in an interrogation room, Maddie and Glen have been left to sweat a bit. Glen takes to stress-eating, while framing it as a psychological tactic to subconsciously prove his innocence to the FBI.

This is a fat joke, with the added nasty layer of Glen being a black man about to be interrogated by one of the most intimidating white cops I’ve seen in a hot minute.

Glen immediately folds, pinning all the blame on Maddie, and claiming that he’s been a perfect angel his whole life. We get some weird purity culture out of him, before Maddie lets the FBI know that she needs to talk to the Secretary of Defense, NOW.

Over at the Witwicky household, Sam’s parents are watching the news, trying to find out what all those loud crashes were about. Optimus Prime drives down their residential street, the rest of the gang in tow, then they all park to wait for Sam to go get the glasses.

For about 20 seconds.

Sam has to physically hold the door shut to prevent his father from coming out and seeing several very tall robots from outer space tip-toeing around his freshly-landscaped yard, I guess because they got antsy. Optimus plods around on the grass and breaks a fountain, and our benevolent god Mojo comes out of the house, assuredly to smite the leader of the Autobots.

Mikaela runs onto the scene, and Sam chastises her for not controlling the robots who didn’t even acknowledge her existence, outside of pointing out Sam was sexually attracted to her.

Mojo pees on Ironhide’s foot, which prompts Ironhide to threaten to shoot the creature. This is why Ironhide isn’t getting into heaven. Sam, one of Mojo’s chosen few, claims that the mortal shell of his god is seen as a beloved pet by many humans. Sam runs into the house, before Mojo can incur his divine wrath on the Autobots.

While Sam goes to get the glasses, the Autobots decide to do a little peeping on the house, watching his parents watch TV. Sam tears his room apart trying to find the glasses, and Optimus thinks that it would be helpful if he brought Mikaela up to help look. It’s at this point that I realize that Sam has an utterly bizarre fish tank.

I mean, legitimately, what the fuck is this? No filter, no plants, might not even have any rocks on the bottom. Is this a comically oversized bong Sam threw a couple fish into? What the fuck.

Mikaela starts looking for the glasses, running into what is likely a box of porn mags, then they both look out the window to find that the Autobots have decided to hide in plain sight by transforming... in the middle of Sam’s backyard. Amazing work, gentlemen.

Sam finally convinces the Autobots to go sit in the alley and wait, only for Ratchet to run into a power line and trip into a greenhouse. The resulting impact is interpreted as an earthquake. Judy does not have the reaction one might expect from someone who’s lived in California for at least ten years.

Ratchet’s fine, by the way.

The power cuts out, and Ron goes up to check on his son, because he’s at least a halfway-decent father. Ratchet’s shining a light to aid in the search for the glasses. Sam’s parents notice this bright light, and bang on Sam’s door to see what’s up.

Sam quickly hides Mikaela and then attempts to salvage the situation, answering the door and trying to control the narrative. Unfortunately, Ron is far too inquisitive for Sam to do this, and then Judy asks if Sam was masturbating.

Judy, is privacy just not a thing to you? Because if not, it really ought to be.

She keeps going with it too, trying to come up with code words, until another one of the Autobots trips and causes Ron to panic again, climbing into Sam’s ancient claw-foot bathtub to protect himself. He looks out the window to check on his beloved yard, lamenting that the earthquake tore it up.

Ironhide is strongly considering killing Sam’s parents. Optimus tells him that they don’t harm humans, and also begins to wonder if he made a mistake bringing this guy along.

Back in Sam’s room, it’s becoming increasingly obvious that Sam is an absolutely terrible liar, and Mikaela reveals herself, if only to prevent Judy from trying to talk about self-pleasure again. Of course, now she gets to be subjected to both of Sam’s parents objectifying her, so this might be a lose-lose situation.

Sam is reminded that his backpack is in the kitchen, just in time for the government to show up at his house. Mikaela makes a comment about Judy being nice. I suppose on a surface level, yes, being told that you’re gorgeous by someone’s mom is nice. I do have to question the context that compliment took place in, however.

Sam’s about to hand the glasses over to the Autobots, when someone rings the doorbell. It’s Sector Seven, and they’re here to talk to Sam about his stolen car being part of an issue involving national security. Ron and Judy are more concerned about their yard being torn up, Judy yelling that they “need to get their hands off [her] bush.”

We still have another hour of this movie.

The agent leading this mission asks Sam to come with him for questioning, which his parents are very much against. Mojo also voices his displeasure, but it would seem that Agent Simmons is not a follower of the Tenets of Mojo. Sam gets geigered, and his readings are high enough for Sector Seven to take him and everyone in this house into custody.

As Sam and Mikaela are riding in the back of the car, Simmons brings up Sam’s Ebay account, and also the phone video he took of Bumblebee earlier in the week. Mikaela is rather unimpressed with Sam at the moment, probably because he’s gotten her arrested. She still tries to help him out though, because she really is just the nicest fucking person on the planet.

Alas, the combined efforts of these two teenagers isn’t enough to fool the long arm of the law, especially when it’s a branch of said law that deals with extraterrestrial activity. Simmons threatens to lock up these literal children for life if they don’t start talking. Mikaela isn’t taking the bait, so he goes after her father’s parole hearing instead.

Yep! As it turns out, Mikaela and her father stole cars to get by, and she’s got the record to back that claim up. Simmons calls her a criminal, then says that criminals are hot. Mikaela looks like she’s about to cry, and I don’t blame her in the slightest.

Optimus, I suppose because his dad senses were tingling, takes the opportunity to place his leg in the road for the car to run into, then grabs said car like an unruly cat and lifts it until the roof rips off due to stress. The agents in the other cars pile out and point their guns at the giant space robot. The rest of the Autobots quickly relieve them of their weapons.

Optimus notes that Simmons doesn’t seem surprised that a bunch of giant robots just took all his guys’ guns, and demands that he exit the vehicle, posthaste. Simmons obliges, after a bit more prodding. Mikaela undoes Sam’s handcuffs, and he gets fucking pissy about it, as if this girl he’s had a grand total of three (awkward) conversations with should have told him something as personal as “hey, so my dad’s in jail and I’ve been to juvenile detention.”

Luckily, she doesn’t let him get away with it, calling him out as the spoiled, self-centered, privileged little shithead that he is.

Of course, we don’t get any sort of real acknowledgement from Sam, having to move on with the plot. Perhaps, if we hadn’t spent the last hour and 20 minutes faffing about on drivel, we could have had Sam get an actual moment of self-reflection, and potentially even character growth. However, this is Bayverse, and everyone knows that personal accountability is for fucking sissies.

Mikaela and Sam ask several questions, but get no answers from Agent Simmons. And then Bumblebee pees on him.

I hate that I had to write that. I hate it very much.

Anyway, I don’t know why that had to happen, but it did, and I’m nothing if not thorough.

Optimus tells Bumblebee to cut it out, and with that the Sector Seven agents are cuffs and left on the side of the road. Mikaela orders Simmons to strip, as punishment for threatening her father, then cuffs him to a street lamp.

...Yes, that does sound like a bizarre sexual fantasy, doesn’t it?

Unfortunately for our teen heroes, they forgot to confiscate everyone’s phones, and Sector Seven knows what’s up, thanks to the power of speakerphone. More cars and a couple of helicopters show up basically immediately, and the Autobots decide it’s time to dip.

But not before Ironhide fires off a pulsewave into the ground that causes a five-car pileup.

Optimus, I suppose because he knows he chose a ridiculously flashy alt-mode that is in no way practical, just picks the kids up in and places them on his shoulder like a couple of parakeets, then takes up a leisurely jog to get away from the eyes in the sky. He runs through the city, racking up what is likely millions in property damage, as the helicopters pursue. He passes by a “Legalize LA” billboard, which feels odd to see, given what movie this is.

The ‘copters somehow manage to lose Optimus, despite him being relatively slow, and having a notable radiation level that they’ve been using to track him. He hides inside the scaffolding of a bridge, only for Mikaela and Sam to slip off of his polished body to their deaths, thus ending the film.

No, they don’t die. I just told another fib. I’m sorry.

Bumblebee snatches them up just before they hit the ground, the impact of his metal body catching them at 75 mph, killing them instantly and ending the film.

Nope, that doesn’t happen either.

Mikaela and Sam are fine, some-fucking-how, but Sam’s dropped the MacGuffin glasses. The helicopters swing back around, having noticed the sound of a car crashing into the ground and the screams of two whole adolescents. They break out a fucking harpoon gun and fire on our kid appeal character.

Repeatedly.

They wrap up Bumblebee in a series of cables, as he screams like a moose. Mikaela and Sam are held at gunpoint by what is honestly far too many dudes, and are then arrested for the second time in ten minutes. Bumblebee is smoked... because he’s a bee? Sam, not liking this one bit, finds the strength in his weenie body to push a cop off of himself, run at one of the dudes with the smoke guns, throw him to the ground, and then start smoking him. He’s immediately tackled, but points for trying.

Sam and Mikaela are placed back into custody, and the rest of the Autobots regroup with Optimus to see what the plan is. Optimus says that they can’t save Bumblebee without hurting humans, so I guess Bumblebee is just a POW now. Well, at least they got the glasses. That’s cool.

Back at the Pentagon, things are getting dicey, as the other world powers are starting to suspect that something’s up. The Secretary of Defense is approached by a man with a mustache and a briefcase. He’s from Sector Seven, but the Secretary gives not a fuck about mysterious organizations. All the computers in the room suddenly go down, the virus from earlier working its magic- only this time, the blackout is global.

Mr. Mustache opens his briefcase, while explaining that Sector Seven is something known as a “special access” sector of the government, which is why nobody’s ever heard of it; it’s beyond top secret. Commissioned by President Herbert Hoover 80 years prior, it deals with alien life.

When the Beagle 2 spacecraft was lost on the way to Mars in 2003, the mission was declared a failure. This was a lie. The Beagle 2 recorded several seconds of Mars before being crushed to death by a Transformer. This tidbit is pretty funny, given that the Beagle 2 was rediscovered on Mars in 2014, seven years after this film released. Not a terribly mysterious death anymore, is it?

Comparing the footage from Mars to the footage from Qatar has Sector Seven thinking that these are the same species. Which they are. God, it’d be so fucked up if there were two species of giant robots in this film.

Mr. Mustache theorizes that because the Transformers now know that they can be harmed by human weaponry, they’re being proactive about their safety and shutting down all forms of communication technology with that virus that keeps popping up. It’s only a matter of time before the shit hits the fan for humanity.

Mr. Secretary tells his guys to try going analog with comms, breaking out the short-wave radios, to tell their ships to return home.

Over at an Air Force base, Lennox and the gang have landed, only to be scooped up by a bunch of dudes in suits.

Back with Maddie and Glen, the two of them have fallen asleep in the interrogation room, Maddie still wearing her friggin’ four inch pumps as her legs are propped up on the table, crossed in a way that seems rather uncomfortable. Glen gets to sleep like a normal human being, with his head resting on his forearms. Why this place doesn’t have a holding cell for these situations is beyond me.

Mr. Secretary comes in to bring Maddie on as his advisor. Glen can come too, I guess, considering he’s the one who actually figured out the sound file virus.

We get a little military glorification, and then it’s revealed that Mikaela and Sam, as well as Maddie and Glen, are aboard this helicopter. Their paths cross at last. Our heroes are transported to the Hoover Dam, where Bumblebee is also. They are still smoking him.

Meanwhile, the Autobots are figuring out where to go, with the power of Archibald’s glasses. Ratchet, who I guess is omnipotent, senses that the Decepticons have also figured out the location, and that this is going to be a race against the clock. And I mean, he’s right, but the phrasing is a bit odd.

Jazz wants to know when they’re going to save Bumblebee. Optimus says that they aren’t, and that Bumblebee’s sacrifice is noble, and that he would want the Autobots to leave him and complete the mission. As this is said, we get another shot of Bumblebee getting smoked and trapped in a lab. Yep, this is totally what he would want. He absolutely signed up for this, giving himself up to the government and not at all fighting like mad to not be captured.

I don’t think Bayverse Optimus actually knows what martyrdom is, which is bizarre, given that it’s a major trait in a lot of other iterations of the character.

Ironhide isn’t even sure why they’re bothering to save humanity, given that humans are violent and awful, his point being hammered home as Bumblebee is tortured for scientific reasons. Ironhide seems to have forgotten that Cybertron has been at war for literally millions of years. Optimus has faith in humanity, however, stating that we’re “young”.

And then he says that he’s going to end his own race, by destroying the Cube™, which is how they reproduce, because that’s the only way to end the war.

Which is arguably one of the most hardcore fictional applications of eugenics ever conceived.

Being advocated for by Optimus Goddamn Prime.

We still have another 50 minutes of this movie.

Optimus then proves that he does, in fact, know what self-sacrifice is, stating that, if all else fails, he’ll shove the AllSpark into his spark, which will destroy them both. He’s pretty chill about it, too.

Up on top of the Hoover Dam, Frenzy has fallen out of Mikaela’s bag.

Mr. Secretary is also at the Hoover Dam now, as is Lennox’s team. Oh, and Agent Simmons, who is thankfully wearing pants. He offers to buy Sam a coffee, as repartitions for threatening his family, arresting him, and being a complete creep to a teenage girl. Sam gives not a fuck about caramel macchiatos with extra foam and chocolate drizzle, however. He only cares about his car.

Mr. Mustache, who is also here, needs Sam to spill the beans on all these friggin’ giant robots that are running around. This is where Sam realizes he has the upper hand for once, and he starts making demands. One such demand is having Mikaela’s record scrubbed clean, which is an actually very nice thing for him to have done for her. We’ll see if his intent comes to fruition. For now, it’s time to talk about Bumblebee.

We get a shot of all these folks heading into the secret base hidden inside the Hoover Dam, and it’s at this point that I notice that Maddie’s shirt is basically see-through.

Inside the Dam, we see that Sector Seven′s been keeping Megatron this entire time, keeping him neutralized with cryo-stasis since 1935. Cryopreservation was invented in the 50′s. This isn’t a nitpick, I just thought it was a neat little fact.

Megatron being on Earth has resulted in most modern technology. This sort of plot point always bothers me, because it takes away agency from the entire human race. We didn’t use our own ingenuity and work ethic to advance society, we plagiarized from a more advanced species. I dunno, it just rubs me the wrong way.

We get the part of the movie where info is hashed out, so that everyone is on the same page, Sam spouting off Autobot propaganda. We can forgive him for this,considering he’s 16, and no one is immune to propaganda, especially when they have zero way of doing their own research to form their own opinion with.

Sector Seven also has the AllSpark, kept in the room next to Megatron’s, like the chumps they will soon find themselves to be. It’s about ten stories tall and the reason the Hoover Dam exists. With so much concrete suppressing its alien energies, surely no one will ever find it!

Except for Frenzy, who came in through a mouse hole. Whoopsie-doodle!

The AllSpark zaps the nasty little man, restoring his body with its weird MacGuffin powers. Frenzy tells all his coworkers that he found what they were looking for, and everyone starts heading over.

Maddie asks Mr. Mustache what exactly he means by “energies”, perhaps worried that this whole thing has been some elaborate ploy to get her to invest in magic healing stones. Mr. Mustache brings everyone into a testing chamber, since the best way to explain how the AllSpark works is through a demonstration.

There’s a big fish tank in the middle of this testing chamber, in which Agent Simmons places a donated device from the crowd- Glen’s Nokia phone, specifically. Simmons makes a geologically-confused comment. When this is pointed out by Maddie, Mr. Secretary hushes her, simply saying that Simmons is a strange man. The tank is locked down, and then the show starts.

Cube™ energies are shot into the tank, and the phone explodes into life, transforming into a gorilla-shaped gremlin creature. Happy birthday, little dude!

Little dude starts shooting at the tank walls, cracking the glass until Simmons pulls the trigger and ends it. Happy deathday, little dude!

The Decepticons are making tracks towards the Hoover Dam, but Starscream- yeah, he’s in this now, don’t worry about it- arrives first, because he is a very fast jet. He transforms, showing off his ridiculous Dorito body, and fires on the base’s generators. The resulting explosions can be heard all the way down in the testing chamber, and Mr. Mustache calls upstairs to see what’s up. Looks like Megatron may be getting warmed up, seeing as his ice bath has been cut off. Lennox asks if there’s an arms room in Sector Seven, which sort of feels like asking a bakery if they have any flour.

Frenzy has entered the room that houses the controls for the cryo-stasis and set that whole system to “no, thank you”.

Mr. Mustache runs through the base, screaming for everyone to get to the Megatron chamber. Off in the distance, the Autobots approach. Could probably used some fliers on your team, huh Optimus?

Back with Frenzy, he’s decided to just straight-up raise Megatron’s core temperature directly. Hope he doesn’t do it too fast; rewarming hypothermia victims recklessly can do some serious damage.

Outside of the base, Lennox and the boys are loading up with weaponry, along with what’s the entirety of Sector Seven′s cannon-fodder department. Oh, and all the main cast. Yep, just got a couple of teenagers chillin’ in the munitions room.

Sam wants Simmons to take him to his car- he hasn’t used Bumblebee’s name in a hot minute, not sure what’s up with that- even though Simmons is currently busy loading a very large gun. Simmons doesn’t want to do that, because he’s got no idea if what Sam mentioned earlier is even true, and he doesn’t want to pin the fate of humanity on a single Camaro. Lennox takes this opportunity to tackle Simmons, despite likely not knowing that Bumblebee is one of the “good guys”. A Sector Seven guy very much doesn’t like that, and points a gun at Lennox, which prompts all of his guys to also start threatening folks with guns.

Mr. Mustache walks in on the scene, but doesn’t do anything, since he isn’t armed and knows better than to tangle with someone who’s packing. Simmons tries to intimidate Lennox, because he must have missed the day of boot camp where they tell you that guns kill people. Lennox is fully committed to shooting this dude in the lungs before Mr. Secretary suggests he give the people what they want, before things get ugly.

Simmons takes everyone to the robot torture department of Sector Seven, where they are still smoking Bumblebee. Geez, you’d think they’d have something in place for if they ever came across another giant robot after Megatron, but I guess not. The gang gets everyone to stop smoking Bumblebee, which allows him to stop moose-screaming and strongly consider murdering everyone involved with his forced captivity. Unfortunately, revenge with have to wait, as we’ve still got to deal with the AllSpark, and the fact that the Decepticons are here.

They take Bumblebee to the AllSpark, where he makes direct contact the thing, causing the AllSpark to transform, compacting itself down into a far more reasonable size that Bumblebee can carry in one hand. It doesn’t seem to weigh more than a grown adult, if his body language is saying anything. I’d make a joke about the conservation of mass being ignored, but since this is Transformers, I can’t really say much. Conservation of mass doesn’t exist for this franchise.

Bumblebee would really like to get this show on the road, and Lennox agrees, quickly formulating a plan to get away from Megatron and taking the AllSpark to Mission City, which is relatively close to their current location, so that they can hide it there.

Lennox, I know this plan is a first draft, and we don’t have a ton of time for revisions, but the whole point of building a whole-ass dam around the Cube™ was because it was very difficult to hide, given its magical MacGuffin powers. Regardless of this flaw, Mr. Secretary agrees. Lennox also asks that the Air Force be involved in this, I guess because the U.S. military wanted more screentime.

Of course, that whole “global blackout” thing is still going on, so we’re going to have to get creative with how we’re going to contact the Air Force. Mr. Secretary and Simmons make a break for the WWII-era radio Sector Seven has, while Lennox and the boys head out to shoot things, and Mikaela and Sam hop into Bumblebee with the Cube™.

This is about the point that Megatron wakes up. The first thing he does is introduce himself, which I thought was very polite of him. Then he breaks out his flail and starts bashing shit around. Not so polite, that.

Over with Bumblebee, we’re shown that the AllSpark, all-powerful object that can create life and is the whole reason this conflict is even happening, is just chillin’ in the back seat by itself. It’s not even buckled up.

Megatron escapes the base, and it’s actually super easy. He just transforms, goes through the tunnel, and he’s free. I feel like we could have at least attempted some security measures for in case the cryo-stasis failed, given that we’ve had this dude in containment for the last 70-something years, but okay.

Starscream comes over to say hi to his boss, not that Megatron gives a shit. He just wants to know where that fucking Cube™ is. When Starscream tells him that the humans have it, Megatron makes a comment about how Starscream has failed him yet again. This is their first interaction in this movie, and Starscream’s been in the story for a grand total of five minutes at this point. I know that this is a reference to their dynamic in just about every installment of the franchise up to this point, but it doesn’t feel earned in the slightest. Even if it’s going to be expanded upon in future sequels, this is a shit-tier way to set their (awful) relationship up.

Not that anyone should ever bank on getting a sequel anyway, but that’s a discussion for another time.

Megatron tells Starscream to retrieve the AllSpark, and then we cut over to the radio plotline. The radio, which is so cobweb-covered I feel like Sector Seven needs to have a serious discussion with their custodial staff, has its nobs and buttons fiddled with by Simmons until it crackles to life. But where are the microphones? Everyone starts looking for the mics, as Simmons pushes Glen into the seat, I guess because hacking modern computers and using Depression-era radio tech are similar enough.

Maddie asks Glen if he can hotwire a 90′s-era computer to transmit a tone through the radio, so that they can send a Morse code message to the Air Force. Which sounds ridiculous to me, but I don’t know enough about radios or computers to know if that sort of thing would be possible. Maybe it’s fine. Or maybe it’s Hollywood bullshit. Who knows?

Back over with Bumblebee, we get a bunch of car commercial shots, of both him and the other Autobots. Aww, the gang’s back together again! Nobody tell Bumblebee that Optimus was completely cool with leaving him to his fate.

Optimus and the gang whip around to join the convoy, and everyone makes their way towards Mission City.

Back at the radio subplot, someone’s bangin’ on the door, trying to get in. The others try to block the intruder, while Glen does his hacking stuff. Mr. Secretary breaks a case and pulls out a gun that’s about as old as he is.

Glen gets the computer working, and Mr. Secretary gives him the Super Secret Military Codewords™ to use to talk to the Air Force. While he does that, Simmons finds a flamethrower and starts burning Frenzy as he attempts to enter the room. The Air Force receives the message for an air strike. Oh, goody.

Over with the convoy, it appears that the Autobots and Lennox’s boys are being pursued by the Decepticons. It’s difficult to tell, seeing as the cameras have gone full Bay-mode, but I’m guessing that’s what’s up. One of the Decepticons flips over a minivan, likely killing a family of five. another causes a multi-car pileup.

Bonecrusher transforms, then Optimus transforms. Bonecrusher iceskates across the highway, slamming into a bus so hard it just straight-up explodes. He is on fire. He tackles Optimus, and they proceed to fall off the side of the raised highway they’re on. Then they beat the shit out of each other, until Optimus decapitates Bonecrusher with his arm-sword.

Yeah, space dad is a little intense in the Bayverse.

Back at Sector Seven, Frenzy’s decided to leave the door alone, and instead is crawling through the ventilation shaft. Mr. Secretary and Simmons fire off shots into the duct above them, as if bullets would do anything against this nasty little pile of needles.

Frenzy bursts through the bottom of the duct and crash-lands into a glass case, taking cover behind a pillar and fires on the humans on the other side of the room. While this shootout is happening, Glen receives a response from the Air Force, just in time for Frenzy to accidentally decapitate himself with one of his own spinning blades of death. This time, he does not survive losing his head.

The Air Force will be sending fighter planes to Mission City, and to establish this, we get several shots of what some might call “military porn.”

Over in the city, the convoy has arrived. Lennox hands several short-wave radios over to Epps, telling him to use them to direct the Air Force when they arrive, so they can take the AllSpark... somewhere, I guess. Above, an F-22 zooms across the sky. It is not one of the Air Force’s F-22s.

Ironhide recognizes Starscream, and gets ready to throw down. Bumblebee grabs a nearby Furby truck and hoists it up to use as a shield. This marginally works, as the missile that hits the truck doesn’t immediately kill him, though it probably did all those Furbies inside.

The resulting explosion throws all the humans around, Mikaela getting weird heaven lighting as she lies unconscious on the pavement. Sam gets it too, though, so I suppose I can’t complain too much about this particular shot. They touch hands. I really wish that I could take this moment of vulnerability as being anything other than an attempt to set up a romance between these two teens who have known each other for maybe half a week. This movie has so starved me of genuine human interaction I'm jumping at the smallest of scraps.

Bumblebee actually didn’t get out of that missile-strike unscathed, his legs having been blown off. All those Furbies died for nothing. Tragic. Sam asks Bumblebee if he’s alright, and immediately tells him to get up. Sam then remembers that Bumblebee’s legs are off, so he yells for Ratchet.

Over with Lennox and Epps, they’ve realized that the plane they saw wasn’t one of theirs. Which, you know, has already been established, but points for getting caught up, fellas. Sam is crying and still telling Bumblebee to get up. Bumblebee is dragging himself across the pavement and whimpering. It’s awful. Where the fuck is Ratchet? This is basically the only reason he’s in this film, and he’s nowhere to be found.

The actual Air Force calls on the radio, asking for their location. Brawl, who is a tank, starts firing on Lennox’s gang. Jazz and Ratchet race through the city streets. How they were separated from the rest of the team is anyone’s guess.

Sam takes a little sit on the pavement to be with Bumblebee, while Mikaela decides to problem-solve and heads for a nearby tow truck. Bumblebee hands Sam the Cube™ because, as the designated protagonist, it’s his job to handle it in the climax of the film.

Ironhide is shot at several times by Brawl, narrowly avoiding being hit each time. This, of course, means that the people he drives by in this shot are almost assuredly dead, since they’re right next to the explosions. He transforms and does a flip, as the film goes slow-mo on a shot of a woman in a low-cut dress watching him flip. She screams. Ironhide screams. I scream, though probably for a different reason.

Jazz jumps on Brawl, managing to kick off a couple pieces of kibble before Brawl grabs him and throws him into the side of a building. Ironhide, Optimus, and Ratchet descend on Brawl, and so does Lennox’s team, Brawl losing a hand and getting thrown into his own building as a result.

Mikaela breaks into the tow truck and starts to hotwire that shit. Wow, a relevant back story that culminates in her being able to save the day, thus completing her arc and staying on-theme for her character. Why isn’t Mikaela the protagonist again?

Oh, right, because ~girl~.

Megatron lands in a nearby alleyway, and Ratchet, knowing this dude is bad news, tells everyone to head for the hills. Jazz isn’t fast enough, however, and gets shot for his troubles.

Mikaela drives the truck over to Sam, who is still sitting there with the Cube™, and tells him to get his ass in gear.

Jazz gets taken to the top of a nearby building and is ripped in two by Megatron, who acts like a bird of prey the whole sequence. Down on the ground, Brawl is starting to get back up from his smackdown. Blackout appears on a nearby skyscraper. Things are looking grim for humanity.

Mikaela and Sam hook Bumblebee up to the tow line as Lennox approaches them. Sam has left the AllSpark out of his line of sight, like a fool. Despite seeing this, Lennox still gives him the flare to let the military know where to pick up the AllSpark. Doesn’t even acknowledge Mikaela. He tells Sam to head for the white building with statues on top of it and set the flare on top of the roof. Lennox can’t leave his men, because he’s the head of his operation. Why he can’t send literally anyone else who isn’t a 16 year-old boy isn’t made clear.

Sam really doesn’t want to do this, probably because he’s a child, but Lennox has recruited him to the military against his will, so he must. Lennox then attempts to make Mikaela leave for her own good, but she tells him to fuck off, because she’s gonna save Bumblebee. Clearly, this is a win for feminism.

Epps radios the choppers coming from the Air Force to let them know they’ll be picking up a package from a teenager, thus locking Sam into the job. Ironhide and Ratchet vow to protect Sam from the Decepticons on his way to the pickup point. Not one single person has pointed out how fucked up this is.

Sam starts to run off, when Mikaela stops him to let him know that she’s glad she got in the car with him roughly an hour ago. They don’t kiss goodbye, which, honestly? Good. This fucking movie hasn’t earned that. Sam for sure hasn’t earned that, even if he did clear her juvie record. No word on that having actually been done, by the way. Sam never got confirmation, and I feel like he’s not really the type to follow up on things.

Brawl fires off some shots and makes things explode. Ratchet and Ironhide provide cover fire as Sam sprints down the road. Yep, they’re making this idiot WALK to the pickup point. Sure hope the elevators are working today, otherwise this is going to take forever.

Sam carries the AllSpark like a football, and in a better movie, this would have been foreshadowed by Sam having actually been a football player prior to the events of the film, perhaps removed from the team for some character flaw he’s since grown from/accepted. However, this is Bayverse, and well, men don’t have to justify their existence in the story with things like themes and having even an ounce of thought put into their character.

Back with Mikaela, Lennox has refused to learn her name, calling her “girl” as he screams at her to get Bumblebee hooked up to the tow truck. Which she was already doing when he got here. Lennox, dude, you’ve got a daughter now, you’re super extra not allowed to treat women like this.

Optimus Prime pulls through an alleyway and crashes into a pile of garbage. I can forgive him being late, seeing as he is a big rig, and probably had to take the long way into town so he didn’t get stuck in too-low tunnels. Don’t worry about how we briefly saw him during the Brawl take-down. This is his for real entrance into the climax.

He whips around and transforms, ready to throw the fuck down. Megatron spots him from his perch and descends.

Y’know.

Like a vast, predatory bird.

Megatron shoots at Optimus in his alt-mode, and Optimus catches him like a frisbee. Unfortunately for Optimus, it would appear that the horsepower on a Cybertronian flightcraft is hella intense, and he’s carried away. The two of them crash through an office building, then roll around in the streets punching each other in the face, debating the worth of humanity as they do so. Wish I actually gave a shit about either of these people, but alas! The film spent most of its runtime objectifying women and insulting minorities. I know nothing about Optimus, and even less about Megatron.

Megatron transforms his arms into a laser gun, and Optimus does the same. They shoot at each other. Optimus gets thrown into a building, then lands on the sidewalk below, definitely crushing a dude underneath him, but I guess we didn’t check that the shot was clear for where the CGI was gonna go, so he’s fine.

Sam’s still running through the streets, while Blackout murders, like, so many people behind him. Starscream lands in front of Sam, running into roughly 30 cars as he skids to a halt. Ratchet and Ironhide fire on him, as Sam takes a breather behind a car. Starscream transforms and blasts off. He was here for about 15 seconds. Sam begins running again.

Megatron is now following Sam, because he wants that Cube™. Sam is hit by a car- not an evil one, just a regular car- and trips. The impact makes the AllSpark activate, which grants several machines in the vicinity the gift of life, including the car full of bitchy women that just hit Sam, who are upset that hitting a human being might have scratched the paint.

I get it, you hate women, can we PLEASE stop beating this dead horse?

Sam finally gets to the pickup building, which turns out to be abandoned and fenced off. Good thing the gate was open, otherwise things could get really complicated. He heads inside, Megatron crashing through a floor-to-ceiling window shortly behind him. Megatron makes the claim that he can smell where Sam is. I’m going to choose to believe that he isn’t lying here, since Ratchet did something similar earlier.

Sam finds the stairs, and Megatron calls him a slur.

He doesn’t, really, but the voice modulation certainly makes it sound that way.

While this is happening, Mikaela is driving the tow truck down an alley, dragging Bumblebee behind her with the tow cable. She stops for a moment to have a short breakdown, seeing as she is a teenager in what is currently a warzone.

Sam is still running up the stairs. Outside, the military shoots at one of the Decepticons. It is, of course, doing absolutely nothing to the giant metal space robot. Mikaela concludes her moment, looking back at Bumblebee, who gives her the okay to keep going with dragging his ass across the pavement. She whips the truck around and tells Bumblebee “I’ll drive, you shoot.”

Mikaela then proceeds to speed down a main road of this sizable city backwards, running into cars and more or less shoving Bumblebee along to his destination.

The military has finally realized that their efforts have been pointless, but it’s okay because Bumblebee is here with his superior firepower. Bumblebee proceeds to shoot Brawl in the chest, which kills him. After this, he tries to act cute, lifting up his battle mask in a very “did I do that?” way, as if he’s not the same guy who ripped Barricade apart earlier.

Sam, meanwhile, has finally reached the top of this dilapidated building. Helicopters are approaching his location, but will they make it to him before Megatron does? Honestly, I’d be more worried about Starscream on the building just due East.

Sam is just about to hand the AllSpark over, when Starscream fires at the ‘copter, causing it to crash and nearly chop Sam to pieces. Optimus Prime runs towards the scene, on a roof that I refuse to believe could actually support him. Megatron punches thought the roof from the bottom and asks Sam some philosophical questions. Sam can’t answer, given that he’s hiding on the edge of this building, his flimsy grip on one of the angel statues being the only thing keeping him from falling.

Megatron tells him to give him the AllSpark, and in exchange he might not kill him immediately. Sam tells him to fuck off, and Megatron flails the chunk of building he was hanging on to, causing Sam to fall to his death, thus ending the film.

I’m lying to you. Michael Bay is making me into a liar.

No, Sam is, instead, caught by Optimus, very likely breaking several ribs on impact. This is the point where I realize that they’ve given Optimus fingernails. Sam clings to him like a baby koala, as Optimus parkours down the sides of two buildings, Megatron in pursuit. Megatron actually lands on Optimus 2/3rds of the way down, causing the both of them to fall onto the pavement below. How Sam survives this is a mystery.

Megatron recovers from the fall first, flicking a human away from him for having the audacity to exist in his space. The flicked person hits a car, and is almost assuredly dead. At least, I sure hope so, given that this is the director cameo by the Bayman himself.

Feminist icon Megatron?

Feminist icon Megatron.

Optimus comments on the fact that Sam almost fucking died to get the AllSpark out of dodge, and we get the return of “No Sacrifice, No Victory”. Which, I mean, I guess he’s allowed to say that, since he’s actually had to do something that warranted it. His dad doesn’t get to, though.

Optimus then tells this teenage boy, who has already had a hell of a day, to kill him by shoving the AllSpark into his robot-soul-heart, should he be unable to defeat Megatron.

I dunno, I just feel like it’s a bit of an ask.

Sam climbs off of Optimus so the Prime and Megatron can rumble. He runs through the ruined infrastructure of the city, so he’s less likely to be crushed. Optimus tells Megatron to square the fuck up, stating that “one shall stand, one shall fall.”

Then he gets ragdolled around a bunch, so maybe he should have saved the talk for later in the game.

The military is running around some more, stopping in an alley to see Blackout transform to root mode. Yes, the goo-goo eyes were indeed made by several members of the watch party that started this whole thing. People went wild for Rotor-Cape Johnson.

The fighter jets from the US military are arriving in a minute. Epps warns them to aim for the robots that aren’t evil. Lennox and the gang spread out, reminding each other to aim for the underboob, since Transformers’ armor is weak there. Epps marks Blackout with a little green light, which Blackout almost immediately notices. Blackout fires on the military.

Lennox has stolen a motorcycle and is driving through the streets to circle back around and jump off of the bike, sliding on his back to shoot Blackout directly in his underboob. Wonder what his uniform is rated for for road rash.

Sam is watching as Optimus gets his ass handed to him. Up in the sky, Starscream commits identity theft, and then attacks the Air Force. The Air Force can multitask however, and light Megatron the fuck up. Sam has, for some reason, come out of hiding, and Megatron uses this to his advantage, trying to take the AllSpark from him.

Optimus tells Sam to put the AllSpark in his chest, but Sam has a better idea. He shoves it into Megatron’s chest, which has been basically shot open at this point. Megatron makes a Space Invader noise, convulses a bit, then falls over dead.

Congrats on your first murder, Sam.

Optimus tells Megatron’s corpse that he got what was coming to him, then implies that they’re brothers. What flavor of brother isn’t established, but neither was basically anything between the two main faces of the franchise in this film, so it’s fine.

Ironhide walks up holding the two halves of Jazz. Optimus informs Sam that he now has a life-debt to this child. Whether or not Sam is absorbing any information at this point is up in the air. Mikaela shows up, with Bumblebee in tow.

In tow.

In tow-

Sam stares at her blankly. Mikaela stares back, making the pretty girl face. Man, what a great dynamic these two have.

Jazz is dead. That sucks. Optimus is handed his corpse to hold, while he thanks his new friends for helping out.

Then Bumblebee talks and he’s fucKING BRITISH.

Sam is obviously shocked by the fact that Bumblebee is British able to talk now, since not talking has been his whole thing up to this point. Optimus doesn’t let it phase him. Neither does Ratchet, despite having been working on Bumblebee’s throat injury for centuries at this point.

Bumblebee wants to stay on Earth with Sam. Optimus is just like whatever. Sam agrees to have a sweet Camaro from outer space.

Optimus pulls what is left of the AllSpark out of Megatron’s chest. I’m sure that’s not a setup for potential conflicts, not in the slightest.

Over in Washington, D.C., the US President has ordered Sector Seven be terminated, and all the Transformer corpses be disposed of. And by “disposed of” they mean “thrown into the ocean.” Dang, sure hope Earth signed some sort of agreement with the Transformers so that they never come to Earth again. You know, just be proactive about our galactic safety.

The Linkin Park kicks on, as Optimus gives us our bookend narration, telling us what the Autobots plan to do now that their race is at a genological dead end. As he does, we see Lennox reunite with his wife and child, who I had genuinely forgotten were in this movie.

Optimus is pretty chill with Cybertron dying out, because now they know about Earth. We get a shot of Sam and Mikaela making out, a shot that becomes more and more horrifying the further they zoom out, because they’re making out on top of Bumblebee. Who they KNOW is a sentient creature at this point.

And then it gets even worse, because the shot changes, and oh hey! Turns out that the rest of the Autobots were just chillin’ off to the side while this went down. Optimus continues his monologue, just walking around in his root mode as he tells all of Makeout Point how they’re “robots in disguise” now.

The monologue is actually a transmission he’s sending out into space, inviting any of his leftover pals to come kick it on Earth with them, because Earth is pretty cool.

And that’s where they leave us.

IT TOOK THREE PEOPLE TO WRITE THIS SCHLOCK.

So. Bayverse 1. A film showcasing xenophobia, misogyny, and toxic nationalism. It’s rough. Is it the worst film I’ve ever seen? Not even close, but it’s bad, and it was a huge deal at the time of release. Everyone was seeing it, everyone knew the actors and robots, everyone had a scene that they liked. Everyone was exposed to Bayverse, and as a result, a lot of people entered the Transformers franchise thinking that it was all like this.

And really, how far off would they have been in 2007?

When a franchise refuses to introduce female characters until years after being established, when all those female characters have the exact same body type, when a franchise hires misogynists to write stories, when it allows shit like “Prime’s Rib!” to be published- no wonder Michael Bay was approached to direct.

What a mess.

--------------------------

COMING SOON:

TRANSFORMERS: REVENGE OF THE FALLEN (2009) - MEGAN FOX I AM SO FUCKING SORRY

TRANSFORMERS: DARK OF THE MOON (2011) - WILL YOU JUST STAY DEAD

TRANSFORMERS: AGE OF EXTINCTION (2014) - SHUT UP ABOUT THE LAW SHUT UP ABOUT THE LAW

TRANSFORMERS: THE LAST KNIGHT (2017) - ACTUALLY, FUCK CONTINUITY

#transformers #bayverse #part one #maccadam #Hannzreads #Hannzwatches #text post #long post #film analysis #off topic

204 notes · View notes

timelyowl0 · 3 years

Text

Brittana/Faberry Fic Recs

Hi! Here’s a list I compiled of some of my all time favorite Brittana and Faberry fics! I was originally going to separate the list by Faberry and Brittana, but many of the stories have both, so instead you can just read the pairings listed for each. They are sorted by multi-chapter complete, multi-chapter incomplete/in progress, and one-shots. Each title is a link you can click on to take you to the fic. All credit goes to their respective authors :)

Also, here’s a quick rating guide in case you needed to know:

GA/PG - General Audience

T - Teen

M - Mature

E - Explicit

NR - Not rated

That’s all, I hope you enjoy!

Multi-chapter (complete):

Between The Lines (T) - 19 Chapters - Pairings: Brittany/Santana and Rachel/Quinn - Rachel invites Brittany and Santana to a sleepover. Brittany/Santana with a healthy side of Rachel/Quinn

The Only True Paradises (M) - 20 Chapters - Pairings: Brittany/Santana - The tortuous evolution of Santana's feelings toward Brittany. See also "Pas de Deux," a companion piece from Brittany's point of view.

Pas de Deux (M) - 20 Chapters - Pairings: Brittany/Santana - Companion piece to "The Only True Paradises." The evolution of Santana and Brittany's relationship from Brittany's perspective.

Faithfully (T) - 5 Chapters - Pairings: Brittany/Santana - "That moment when Santana had sworn, even though she and Brittany were standing at opposite ends of the raised platform…that she could still feel Brittany's energy zinging toward her, like they were connected on the same current." Brittana, Seasons 1 through 5, as told in five increments.

My Girlfriend's Sister's Keeper (T) - 13 Chapters - Pairings: Brittany/Santana - Brittany isn't the only Pierce that has Santana wrapped around her finger. Santana's life with her two favorite people.

Mariposa (M) - 5 Chapters - Pairings: Brittany/Santana - Like a butterfly, Santana's journey out of the closet occurs in stages. From the first time she heard the word gay to the first time she flew free from her chrysalis, she can remember everything.

time passes, in love and in seasons (T) - 4 Part Series - Pairings: Brittany/Santana - Brittana, from the end of junior year and throughout senior year, told through the seasons. Mostly follows Season 3 canon.

Brittana Shorts (GA) - 8 Part Series - Pairings: Brittany/Santana - A collection of Brittana-centric short stories

it’s nice to have a friend (T) - 8 Chapters - Pairings: Brittany/Santana - They're six when they first meet. It's the first day of school in a crowded classroom and Santana finds herself drawn to the new blonde girl. OR The story of how Brittany and Santana meet and all the significant moments in their lives following the first time they see one another. - sequel

A Matter of Miserable Time (T) - 10 Chapters - Pairings: Brittany/Santana - "His voice was deep, quiet, and sure, so calm compared to the last words they had exchanged. Her voice was only a faint whisper as she questioned the man she hadn't spoken to in three years.'Papi.'"

Influence (M) - 26 Chapters - Pairings: Brittany/Santana - Brittany is perpetually cast as the dumb blonde, but the reasons behind her demeanor are more complex than that. She looks back on her childhood, her relationship with Santana, and the life-altering effects the decisions of her youth had on her future.

It’s Not Like I Wanted This to Happen (T)- 101 Chapters - Pairings: Brittany/Santana and Rachel/Quinn - Quinn takes a very drunk Rachel home from a party...encounters the Berrys…and herself. This story contains a huge amount of Brittana and a lot of Puck.

Rough Beginnings (M) - 44 Chapters - Pairings: Rachel/Quinn and Brittany/Santana - Quinn decides she needs to end this obsession once and for all, but life doesn't always work out the way we want it to. Sometimes it's so much better. Faberry.

Never Asked to Feel Your Halo (T) - 45 Chapters (1/2 in series) - Pairings: Rachel/Quinn and Brittany/Santana - The thing was, neither of them wanted this-whatever it was, but since when did the Universe care about what Rachel or Quinn wanted? Their cards had been dealt the moment they'd entered that shower together. Now it came down to how well they played them.

Standing on the Edge Dancing in the Flames (M) - 34 Chapters (2/2 in series) - Pairings: Rachel/Quinn and Brittany/Santana - Life isn't all singing and dancing, not even in Glee club. And what if being on top of the pyramid just gives you further to fall. When everyone feels like a frienemy and fathers and faculty and babies and boyfriends complicate EVERYTHING, how are you ever supposed to get anything right? (Book Two of the 'No Halo' series)

The South Side of Anywhere (M) - 47 Chapters - Pairings: Rachel/Quinn and Brittany/Santana - Sometimes you fall in love with your eyes closed, and when you open them, the person is someone you never thought it could be. It started with letters, and turned into Faberry.

Somewhere in Between (M) - 77 Chapters - Pairings: Rachel/Quinn and Brittany/Santana - Imagine if Faberry happened instead of Finchel. This is a re-telling of every episode as if Faberry were cannon. Each chapter will chronicle each episode starting at the very beginning. Some things will change and some will remain the same. Longer description in first chapter. Also side Brittana. As well as Quinntana friendship, and Puckleberry bromance.

Didn’t See it Coming (M) - 63 Chapters - Pairings: Rachel/Quinn and Brittany/Santana? - AU HS. After a devastating breakup, Quinn turns to Rachel in need of a friend, and ends up with so much more. - "If, one day, someone asks me how it all started; I'll have to say it was a granola bar that finally did me in." Faberry.

Bet You Didn’t Know That (T) - 19 Chapters - Pairings: Rachel/Quinn and Brittany/Santana - Faberry. What she doesn't know, she doesn't need to find out.

Take Me As I Am Seasons 1 & 2 (T) - 48 chapters - Pairings: Rachel/Quinn, Brittany/Santana and Kurt/Blaine - The incredibly true adventures of Quinn and Rachel, starting from Sectionals Season 1. It's just like watching the show, if Faberry were the central couple and everything revolved around them! Brittana & Klaine co-star in supporting roles.

Take Me As I Am Season 3 (T) - 26 Chapters - Pairings: Rachel/Quinn, Brittany/Santana and Kurt/Blaine - The continued adventures of Quinn & Rachel as the starring couple of Glee. Some integration of canon events, but mostly this is the story of Faberry and their world! Klaine & Brittana co-star in supporting roles

Blink and You’ll Miss It (M) - 31 Chapters - Pairings: Rachel/Quinn and Brittany/Santana - Quinn Fabray and Rachel Berry discover they like each other. Against all odds, will they be able to get together before they tear each other apart?

You’re All I Need (M) - 17 Chapters - Pairings: Rachel/Quinn and Brittany/Santana - A Faberry romance story, set when they are both single but I haven't specified when as I'm not even sure myself but most of the events are from series 3. Points of view will change every few chapters. And that's probably the worst description you've ever read but yeah I can't be bothered to change it.

quarantining or how quinn might lose it, once for all. (T) - 8 Chapters - Pairings: Rachel/Quinn - It starts like the worst horror movie ever but instead of being trapped in the basement of a creepy 50-something year old, Quinn finds herself being trapped in Rachel Berry's basement.

Once More From the Top (T) - 22 Chapters - Pairings: Rachel/Quinn, Brittany/Santana and others - Here's what you missed on Glee: McKinley's Glee Club reformed under the direction of Will Schuester. Rachel tried to recruit the Cheerios but that ended up being a total disaster. It's cool though because she heard Finn Hudson sing in the shower and he's actually really good. She successfully recruits him and now the Glee Club has enough members to be a real thing.And that's what you missed, on Glee!

Outside Hearts (M) - 37 Chapters - Pairings: Rachel/Quinn and Brittany/Santana - Rachel Berry's world is about to be turned upside down when one of Hollywood's most sought-after young actresses, Quinn Fabray, abruptly and mysteriously leaves her fame behind, moves to Ohio and tries to have a normal life while attending McKinley High. (Faberry w/ some Brittana)

I See That Ragged Soul Take Flight (M) - 44 Chapters - Pairings: Rachel/Quinn, Brittany/Santana, Mike/Tina, Kurt/Blaine and Sam/Mercedes - Ensemble cast piece exploring what happens after Season 3. Rachel, Santana and Kurt are in New York together. Quinn is at Yale. Explores adulthood, friendship and long-distance relationships. Eventual Faberry. Also contains, Brittana, Klaine, Tike and Samcedes content, plotlines back at McKinley, and frequent use of Santana POV.

All The Best (T, but I would rate M for descriptive scenes of suicide, eating disorders, rape, etc.) - 80 Chapters - Pairings: Rachel/Quinn and Brittany/Santana - After spending the entire summer away, Quinn is eager to get back to normal and make the best of her junior year. Excited to put everything behind her and start fresh, she struggles to establish a new normal. But when she's least expecting it, Quinn finds support in the most unlikely places and is forced to confront the very feelings that landed her where she is in the first place.

take these broken wings (M) - 4 Part Series - Pairings: Rachel/Quinn, Brittany/Santana and Kurt/Sam - Begins in Season one and follows Quinn through her life should she have chosen to keep Beth, realize she is gay, and fall in love with Rachel Berry. The main romantic relationship will be Faberry, with a bit of Hevans and Brittana, but apart from Faberry it will be very heavy on friendship and Quinn&Beth oriented.

the state of dreaming (T) - 3 Chapters - Pairings: Rachel/Quinn - Rachel couldn’t help the guilt that bubbled in her chest when she watched Quinn get a prom photo alone. Determined to make it up to her, she invites Quinn over for a sleepover. It becomes a routine. Set immediately after 2x20 (Prom Queen).

Enough to Believe (T) - 2 Chapters - Pairings: Rachel/Quinn - Years after Shelby ups and disappears from Lima with Beth, a blonde girl shows up on Rachel and Quinn's doorstep, armed with a lot of questions, and very familiar cheekbones.

you and her loathing this cruel world (M) - 3 Chapters - Pairings: Quinn/Rachel, minor Kurt/Quinn and Kurt/Sam - "Of all the girls he had to have sex with (which really, were none), of course it was someone with a painting of Jesus above her bed, so he knows that his only hope in hell that this will go away is in a negative test result." Season 1 AU; Kurt is pretty sure he's gay, but would like to make sure. Quinn Fabray has similar questions running through her mind. They put their theories to the test, with very much unintended consequences. - sequel

I’ve Been Trying to Reach You (T) - 25 Chapters - Pairings: Rachel/Quinn, Brittany/Santana, Santana/Puck, Rachel/Jesse and Sam/Tina - After falling pregnant in sophomore year, Quinn Fabray plummets from the top of the teen hierarchy at McKinley High to the very bottom. In an effort to give her a chance to start over, her parents transfer her to Carmel, a private school in the area with a blossoming arts program. It's supposed to be a new beginning, but what she doesn't count on is immediately becoming enemies with the most popular girl in school: Rachel Berry, co-captain of Vocal Adrenaline.

The Lopez Manifesto (T) - 8 Chapters - Pairings: Rachel/Quinn and Brittany/Santana - santana starts writing a rachel/quinn fanfic for everyone at McKinley. it’s also extremely popular as everyone awaits her weekly updates. (usually based on what the girls are doing that week.) quinn is the last to find out and is… pissed.

my heart’s a leather jacket I am waiting to give to someone sweet (T) - 15 Chapters - Pairings: Brittany/Santana - Brittany is McKinley’s resident broody rebel who doesn’t see much point to high school, and who, completely incidentally, just so happens to be kind of a math genius. Santana is Lima's golden child, the perfect and unapproachable only child of public figure Dr. Lopez. She’s also the high school’s enigma; no one actually knows anything about her aside from the fact that she’s cold, distant, terrifying, aloof, and willing to eviscerate anyone who looks at her the wrong way. Unfortunately for her, Brittany is about to get a crash course in the complete mystery that is Santana Lopez when she is asked—or, more realistically, forced—to be Santana's math tutor.

Dead Girls Don’t Sing (T) - 39 Chapters - Pairings: Brittany/Santana, Rachel/Quinn, Kurt/Blaine and Tina/Mike - S3 AU. Brittany doesn't believe in unicorns anymore, Rachel's dreams are as dead as the world, Santana is no one's hero…and Quinn? Quinn's just trying to breathe. The world as they knew it is gone -now all they can do is survive. Zombie Apocalypse. Faberrittana Friendship. Slow Burn Faberry. Character Death. COMPLETE

Simple Parts (T) - 13 Chapters - Pairings: Rachel/Quinn and Brittany/Santana - That awkward moment when you travel thirty years forward in time and find out you're married to your high school nemesis? Yeah, it totally sucks...except...maybe it doesn't.

The Lateness of the Hour (M) - 12 Chapters - Pairings: Brittany/Santana - "Brittany has much less to lose. She always has."

half of me (T) - 4 Chapters - Pairings: Rachel/Quinn - a run-in (quite literally) at the bookstore, two broadway tickets, and a seven-year-old in a plaid catholic-school uniform. what has rachel gotten herself into? future AU where quinn has beth and rachel makes it on broadway.

April Fools (T) - 10 Chapters - Pairings: Rachel/Quinn - Santana recruits - forces - Rachel to help her prank Quinn. All she has to do is pretend that a love potion has caused her to fall madly in love with the cheerleader. Simple, right? Wrong. Faberry.

Stars & the Moon (M) - 15 Chapters - Pairings: Rachel/Quinn - In the midst of dealing with Beth's adoption, Quinn ends up working on a summer community theatre production with Rachel. Hilarity ensues. Just kidding.

Love Me Any Less (M) - 25 Chapters - Pairings: Rachel/Quinn and Brittany/Santana - Junior year becomes the beginning of something no one expected, and maybe the beginning of something a few can't understand how they ever lived without. Starts mild but progresses to M rating. First fic ever! Faberry.

Better Where It’s Wetter (M) - 10 Chapters - Pairings: Rachel/Quinn - Rachel and her dads are going on a LGBT family-friendly cruise for the summer and Rachel's told she's can bring a friend. Who else to bring but Quinn?

Like a Seal Upon Your Heart (M) - 20 Chapters - Pairings: Rachel/Quinn and Brittany/Santana? - Quinn Fabray is Daddy's little girl and the perfect Christian. She CAN'T be gay. But then her friendship with Rachel Berry starts to change...

Somewhere in Brooklyn (M) - 47 Chapters - Pairings: Brittany/Santana - Santana and Brittany have been trying to get pregnant for a year without any luck. What happens when a teenage foster child and positive pregnancy test land in their laps on the same day? A unique journey of motherhood ensues.

Multi-chapter (incomplete/in progress):

Everyone's Gonna Know Now (T) - 8 Chapters (Incomplete) - Pairings: Brittany/Santana - 3/4 in series - When Santana confronted Finn about outing her, his response was, "The whole school already knows." That was pretty much true. This story is about the first moment or incident in which each member of Glee - and a few others - discovered Santana's secret.

Be Okay (M) - 2 Chapters (Incomplete) - Pairings: Brittany/Santana - “Kurt doesn’t know why he does it. It’s not as if he and Santana had ever had anything resembling a friendship, but he feels drawn to her, feels connected to the anguish in her voice as she realized that her biggest secret in the world was about to be revealed.“ This is the evolution of Kurt and Santana’s friendship taking place over a series of one-shots.

looks like a girl but she's a flame, so bright she can burn your eyes, better look the other way, you can try but you'll never forget her name (M) - 5 Chapters (Incomplete) - Pairings: Brittany/Santana - santana lopez writes down the story of her life for a reunion project set for the glee club by none other than rachel berry. aka, a deep dive into santana's life told through her eyes. very santana/brittana centric.

No One Left to Blame (M, read tags) - 30 Chapters (Incomplete) - Pairings: Rachel/Quinn and Brittany/Santana - Quinn Fabray is well-versed in keeping the truths of her family and her past firmly hidden away. But, her efforts prove to be moot when Rachel Berry, armed with her own secrets of the past, arrives at Dalton Academy and manages to turn both their worlds upside down - or, perhaps, right way up. Faberry. Trigger Warnings.

I’m not breaking, I won’t take it (M, read warnings) - 2 Chapters (Incomplete) - Pairings: Rachel/Quinn and minor Quinn/Santana - Santana gets up and starts toward her, “Jesus, what happened to you?” she mumbles, but she's softer than she was moment before. It's obvious that she’s concerned. Quinn chokes down a sob and then admits, “There’s something wrong with me.”“Hey, listen. Whatever it is, you’re going to be fine." Santana is still not getting it, but she’s rubbing soothing little circles on Quinn’s shoulders. There really must be something wrong with her too, because then Quinn is lunging forward and then she’s kissing Santana. Quinn feels her freeze, but then Santana relaxes and she’s kissing her back. or, a study in quinn fabray.

no love like your love (T) - 5 Chapters (Incomplete) - Pairings: Rachel/Quinn, Brittany/Santana and Blaine/Sam - Following the death of her mother, Rachel Berry assumes guardianship of her six-year-old brother, Daniel. After a cross-country move for his sister's job, the first friend Danny makes is a soccer-playing, lucky fin having, firecracker of a girl named Beth.

Song of Mine (M) - 18 Chapters (Incomplete) - Pairings: Brittany/Santana - Santana Lopez, the new Music teacher at a religious private school in Indianapolis, meets Brittany Pierce, the resident Math teacher. A love story with a happy ending. Promise.

Girls Over Flowers (NR) - 14 Chapters (Incomplete) - Pairings: Rachel/Quinn, Brittany/Santana - Dalton Academy—a school of prestige, refinement and the country's wealthiest students—houses the famous F3. When "commoner" transfer student, Rachel Berry directly offends F3's leader, Quinn Fabray, she becomes their target. Mayhem ensues.

we were built to fall apart (then fall back together) (T) - 8 Chapters (Incomplete) - Pairings: Rachel/Quinn and Brittany/Santana - Rachel and Quinn haven't seen each other for seven years and neither thought they'd see the other again. They certainly didn't see themselves starring together in a Broadway musical, as each other's love interests.

A Different Life (E) - 33 Chapters (Incomplete) - Pairings: Brittany/Santana, Finn/Rachel and Kurt/Blaine - Canon!Divergent Brittana. Santana and Brittany move to New York after high school. Everything is going perfectly until Brittany gets a phone call that changes everything. Seven years later, Santana has a daughter and she and Britt haven't seen each other...Canon until 3x16ish. No Louisville, no second senior year.

you get too close you’ll get a royalty high (so breathe it in to feel the love) (T) - 9 Chapters (Incomplete) - Pairings: Brittany/Santana, Rachel/Quinn, Sam/Mercedes, Mike/Tina, Kitty/Artie and Kurt/Blaine - "Alright," she began uneasily. "I'll do it. I'll go to the dumb school."Her parent's smiles beaming back at her were almost enough to make her think this could possibly be a good idea, but the nerves surging in her stomach said otherwise. Boarding School/Royalty Brittana AU

One-shot:

Tattoo (T) - Oneshot - Pairings: Brittany/Santana - "She soaks it in for a few seconds—this night, this place, these friends, this family room floor, this girl—before she says it back." Post-3x11. Brittana.

Eden (T) - Oneshot - Pairings: Brittany/Santana - Brittany and Santana teach Joe about love. 4K

Riding in Cars With Girls (M) - One-shot - Pairings: Rachel/Quinn - After Quinn quit Glee club and joined a band Rachel feels the gap Quinn has left and sets out to get her back, whatever the cost. But what happens when Quinn's only condition involves her car and Rachel's lips on hers every day at five? Punk!Quinn

and things we’re all too young to know (T) - One-shot - Pairings: Brittany/Santana - Five vignettes set after the point when Brittana become girlfriends. Not too many people would guess it, but Brittany knows that loving Santana is the easiest and best thing in the world to do; Santana is just the best person to love.

My Friends Say That I’m Falling In Love (T) - One-shot - Pairings: Brittany/Santana - Brittany and Santana spend the week leading up to Valentine's Day giving Mercedes grief about her date. Brittana romance, Brittanacedes friendship. Mouseverse. One-shot.

And What Would You Say If I Wrote the Whole Thing Out for You? (T) - One-shot - Pairings: Brittany/Santana - Some things have changed a lot since Sam left McKinley and some things haven’t really changed at all. Set circa 3x08.

The Landslide Brought Me Down (T) - One-shot - Pairings: Brittany/Santana - Our girls’ story. Sweet lady kisses, Landslide, their separation, the night of Prom Queen, Songbird, Santana’s Abuela’s rejection, the night after Santana learned about the political ad, Brittany’s senior year falling apart, the lights of New York, and other scenes.

seven (GA) - One-shot - Pairings: Brittany/Santana - A companion piece to 'it's nice to have a friend'. Takes place after the first scene in the second chapter - can be read separately to 'it's nice to have a friend'. Basically just childhood fluff that examines their friendship and the items they connect to their friendship.

baby you don't gotta fight (i'll be here til the end of time) (GA) - One-shot - Pairings: Brittany/Santana - She sees red for all of last period, a strange twinge of pain in her chest because all these people think they know Santana but they’re all wrong. or: three times Brittany tells people they've got Santana all wrong and the one time she tells Santana

The Unicorn Tapestries (NR) - One-shot - Pairings: Brittany/Santana - We lie on our stomachs on my pale blue sheets, a book lying open in front of us that we bend our heads over, sunlight all over the page and bringing bits of gold out in your skin..

But You Could Sing (NR) - One-shot - Pairings: Brittany/Santana - Why am I always the one who tells bedtime stories? Because your stories are prettier, BrittBritt. But you can tell real ones. Like what?

Colors (NR) - One-shot - Pairings: Brittany/Santana - The sunlight in my room shines from the south. The way I know: when I lean far out my window, the sun rises on the side where I can feel my heartbeat, and sets in the direction of my writing hand.

You’re Something Else (T) - One-shot - Pairings: Rachel/Quinn - 'Quinn gets the impression she and Rachel are finally on the same page about what may or may not be happening between them. All she really knows is that it's colourful.'

Raising the Bar (M) - One-shot - Pairings: Rachel/Quinn and minor/implied Brittany/Santana - Quinn never expected that the best matchmaker would turn out to be a lumpy pullout couch.

the one with the friends reference (T) - One-shot - Pairings: Rachel/Quinn, minor/implied Brittany/Santana and minor/implied Kurt/Blaine - "You can see it. Quinn standing in front of you, as close as she can get without touching you and saying, 'Are you attracted to me?'" Faberry. Post-season six.

Blame it on the Alcohol (or the gay, whatever) (T) - One-shot - Pairings: Rachel/Quinn and minor/implied Brittany/Santana - “I can’t believe what you did to my body, I used to have abs!” - In which one sentence is totally incorrect and causes chaos and havoc and Faberry feelings to happen. Also known as drunk Rachel is kyoot and Finn is stoopid.

could you pass in love? (T) - One-shot - Pairings: Rachel/Quinn and Brittany/Santana - “'Quinn Fabray, I will divorce you, don’t think I won’t!'” In which Rachel and Quinn get married, sending them into a possibly out-of-character feelings frenzy . Season Three. Faberry.

Do You Wanna Know How This Story Plays Out? (T) - One-shot - Pairings: Rachel/Quinn - It's not her fault that you feel the way you do about women, you know that, and you knew that then, too. But you've been angry at Rachel Berry for making you feel things you wanted to lock away for years, and it was far too easy to put all of the blame on her to avoid dealing with your own feelings. It wasn't and isn't fair, but it was about protecting yourself and it makes it a little easier to bear. - OR - After everything implodes with Finn, Quinn moves in with Rachel. They make out a lot without ever talking about how much more it means to both of them. Introspective Closeted!Quinn POV from second-person.

you succeed at being mine (T) - One-shot - Pairings: Rachel/Quinn and Kurt/Sam - Sequel to 'you and her loathing this cruel world'.

This Must Be The Place (T) - One-shot - Pairings: Brittany/Santana - Santana is eight years old when her Tio Carlos joins the Army. Or the less-cracky-than-you-might-expect Glee/The Losers crossover where Cougar is Santana's uncle. (If it tells you anything, i nearly titled this 'Ohana Means Family.')

This Modern Love (T) - One-shot - Pairings: Brittany/Santana - "How do you know when you're dating someone?"

Beth’s family tree (GA) - One-shot - Pairings: Rachel/Quinn - "Now that being said, my family tree is composed by both my biological family and my adoptive family" Beth explains easily enough as she clicks the mouse. But then the next slide appears and the teacher gapes at all the information, names, colours and arrows in the diagram.

pictures of you, pictures of me (hung upon the wall, for the world to see) (T) - One-shot - Pairings: Rachel/Quinn and Brittany/Santana - "Quinn looked around her room again. She'd never noticed it before, but she had a lot of pictures of Rachel." or: a faberry oneshot set between seasons 1 and 2 where Quinn reflects on a series of moments with Rachel that led to where she is now

anything could happen (T) - One-shot - Pairings: Rachel/Quinn - She stared down at the test in her hand. The line was faint, disappearing depending on the angle. It was possible she was just seeing things, but still. She pulled out her cell phone, tears running down her flushed cheeks. It felt like the earth could open up at any second, just swallow her whole. The line rang. Once, twice, she cursed quietly. She sucked in a breath as she heard a click signifying the call had connected."Hello? Rachel?" Her voice cracked. "Quinn. I need your help." A Faberry-centric rewrite of Rachel's season 4 pregnancy scare

Frannie’s View (T) - One-shot - Pairings: Rachel/Quinn - When Frannie was a child she did everything she could to make her father happy. She was a daddy’s girl through and through. She was quiet and never disrespectful. She went to church every Sunday with her mother and father and prayed every night. Frannie had a lot of friends at school and was popular and well liked. She did very well in school though her participation grades were always low. Daddy told her women were supposed to be quiet and always treat their husbands with respect. She was a princess and he was the King. He ruled the house. Frannie absolutely hated the way her father treated her little sister. Frannie desperately tried to change Lucy. She thought if Lucy could be better then their father would be happier, nicer. OR A journey from Frannie's perspective of Lucy/Quinn and Quinn's sexuality and later feelings for Rachel.

According to Judy (PG) - One-shot - Pairings: Rachel/Quinn - How Judy Fabray deals with Quinn's infatuation with Rachel.

#brittana #faberry #fic rec #brittana fic #faberry fic

209 notes · View notes

dp-marvel94 · 3 years

Text

I am you (and you are me)

For Invisobang 2021. Art by @bibliophilea

On AO3 and Fanfiction.net

Summary: Set post Kindred Spirits. Something has been different since Danny came back from Vlad's and it started when the older half ghost had the tiny clone overshadow him. The half ghost remembers: His own screams. A pain in his inmost being, in his core. A tug back and forth. Being squeezed. A crash, a collision. And then... the blackness of death.

Danny comes back from the experience changed, with the memories of two lives stuffed in his head and new powers. The fire powers are pretty cool but shrinking, often involuntarily, makes him feel weak and vulnerable. All of it, the powers and memories, terrify him as he learns what they mean. And the thought of telling his loved ones...How can the half ghost hope that Jazz, Sam, and Tucker will understand and accept him now when he himself cannot?

Warnings and Tags: Self harm, Identity confusion, Self-Hatred, Ectoplasm and melting clones related gore, Clone Angst, Nightmares, Memory Issues, Involuntary Shrinking. Panic Attacks, Frostbite is Danny’s Icedad. Evil Vlad Masters, Bad Parent Vlad Masters, Split Danny, Ghost Catcher, Hurt/Comfort, Eventual acceptance (by Danny and by his loved ones). Sibling Bonding, Friendship, Danny finally gets a hug.

Note: Welcome to my Invisobang fic! This is a semi-sequel to my story "Nothing and Everything." It's set directly after that story, though assuming an alternative ending. It is not necessary to read the older story to understand this one. All you need to know is, it deals with the aftermath of Danny being overshadowed by one of the clone's in Kindred Spirits and the emotional impact of the experience.

All that being said, big thanks to my amazing artist @bibliophilea for the amazing comic, and for beta reading! Thanks to @welcome-tothe-mystery-shack for your comments and feedback on this story. And finally, a huge thanks to my dearest sister @nervousdragonrebelpie for looking over chapters and listening to me ramble about this story for the past few months. I wouldn’t have been able to finish this without you.

Preview Below:

Chapter 1:

“No! I’m a person. People have names! I have to have a name. I’m not….” A sob tried to break free from his throat.

A knock suddenly rattled the door. “Danny!” Mom called.

Both boy’s heads popped up, focusing on the door. They turned to face each other. “Don’t do this.” The real Danny begged.

“What?” The being asked.

“Every time you get close to the truth, you dream up a distraction.” His eyes widened in desperate panic. “Please don’t-”

Danny’s eyes popped open, a dream swirling in his mind. His heart raced, the sheets sticking to his sweaty body. His brow wrinkled, one shaking hand moving up to rub his aching head. Aching…. He still had that damn headache.

The boy closed his eyes, trying to push the pain away, to coax his heart rate down. He breathed. In and out. In and out. Slowly, so slowly, the throb in his head dimmed, his heart calming. But still, anxiety ate up his insides.

Blearily, the boy opened his eyes to stare at the ceiling. Dissatisfied, he groaned and rolled onto his side. He clenched and unclenched his fists, balling up the fabric on his bed. His bed. Yes, this was his bed…. Sleeping in a bed was so nice and comfortable but at the same time... something about it felt…. off.

The boy pinched his eyes closed, trying to make sense of the feeling. His stomach flopped. Something was off. Something was different. After today, after he’d come back from Vlad’s, after the man kidnapped him, after the man clo-

Danny cut off the cursed word, his mind refusing. He buried his face in his pillow. Vlad’s. Something had happened, something had.. had changed at Vlad’s but he couldn’t... quite... remember.

It flashed in images. Being locked in a pod. Electrocution. His own screams. Pain. A pain in his inmost being, in his core…. On the bed, Danny’s core throbbed at the thought… A tug back and forth. Then being squeezed. A crash, a collision. And then... blackness.

He’d passed out. Danny knew that much. And he’d woken up at some point later but everything between that and when he had arrived home was a blur.

Confusion. His head swimming. Danielle.. sister… frowning in worry. The hiss of the pod being released. A sigh of relief. An ectoblast. Twisted metal and glass. Ectoplasm. Ectoplasm on his hands, on the floor. Oh god, oh god. He hadn’t meant to do that. He wasn’t... the others weren’t supposed to…. weren't supposed to...

Vlad... Master... Vlad... glaring in pure hatred. “Get behind me.” His ears ringing with a scream. The older halfa being knocked into his shelves. His knees wobbling. He fell and turned human. (Human... why did the fact that he could do that make him so happy?) But then horror. Vlad was still up and moving.

Then Sam and Tucker crashed through, hitting the older man. Locking Vlad (Master) in a pod. He needs... he needs to find Danielle. He needs to find his baby sister. But she’s gone. She’s gone.

His friends’ worried faces. “Danny, you’re not making any sense.” “Hey! Hey! Stay with us!” He wobbled…. where was Danielle?..... falling forward….. Sam and Tucker caught him.

At some point later, he’d woken up on his bed with worried friends and sister who he couldn’t adequately comfort. His head had been pounding and he couldn’t remember what happened to him… and what he did remember made little sense. Sam had checked his eyes; he didn’t have a concussion or any other injuries. With his head throbbing, he’d dismissed the confusion as being from the stress of the kidnapping and electrocution. His friends believed him, though anxiety was plain on their faces. But after a few minutes, his friends had said their goodbyes, leaving him to get some much needed sleep.

But now, the night after, Danny laid on his bed. His headache was gone, his mind clearer. He should feel better yet... his heart was sinking like a stone in his chest. That dream. That dream. That was familiar. So familiar. Like it had really happened. Like... it meant something. And yet…. Danny yawned, sudden tiredness overtaking him. He closed his eyes.

Maybe this was the ramblings of a sleep deprived brain. Yeah, maybe he was just tired. Maybe he’d wake up in the morning and everything would be okay. The boy pulled his covers more tightly around himself and fell asleep.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The next morning, after quickly getting ready for school and rushing off, found Danny at his locker. The boy frowned, wracking his brain. What was his locker combination again? He spun the lock, landing on 25. That was the first number, right? Then….56. And finally….12? The lock clicked and he pulled the door open.

Danny sighed. Why was that so hard to remember? He’d had to open his locker just yesterday. He should remember… but why did that feel like a lifetime ago?

“Hey! Danny!” Tucker’s voice cut through his thoughts.

Danny gasped in surprise. In his chest, his core swelled and his body reflexively flickered invisible. A second later, he reappeared, rubbing his chest.

The next thing he knew, Sam was at his side. “What was that?”

“Yeah.” His technogeek friend took a step forward, voice quieting. “Your powers haven’t slipped up like that in months.”

Danny frowned, shaking his head. “I guess... I guess I’m still kinda shook up after….” He wrapped his arms around himself.

Sam’s face softened, seeming to understand. “Do you feel any better?” She asked kindly.

The halfa’s brow wrinkled. “Well, my headache’s gone.”

“You do look better.” The goth commented, her brow furrowing with worry. “You looked rough last night.”

“Yeah, you were really out of it too.” Tucker frowned. “You kept asking where someone called Danielle was? And for your sister?” Clear confusion rang out in his voice and just a hint of teasing…. “We kept telling you Jazz was at home, covering for us.” as if the idea that he was worried about his older sister, when she wasn’t even involved, was funny.

But something in the recollection made Danny shiver. He remembered worrying about Danielle. But…. sister... he hadn’t been talking about Jazz. He’d been asking about another girl, with blue eyes and-

“Then you passed out.” Sam continued. “And we took you home.”

For a too long moment, his friends looked at him questioningly. Finally, Danny bit his lip. “I think I remember that.”

The confirmation seemed to encourage his friends. “That’s good.” Said Tucker.

Danny wasn’t sure it was. But he had no more time to think on it before the bell rang and they were walking to their first class.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

During lunch period, Danny sat down at their familiar table, the same one as yesterday and every day since the start of freshman year. He placed down his tray and looked over the tables, waiting for Sam and Tucker to join him.

The boy’s brow furrowed. The cafeteria looked the same as every day. The same as yesterday when…. Danielle phasing through the table, a tiny green speck racing passed him…. At the lunch table, Danny’s core pulsed anxiously. Yes, that had happened but at the same time…. Looking back at the two chasing him. Laughing without sound at their fun game.

Danny shivered, feeling cold. He rubbed his chest, nervously.

“Danny?” Someone was waving a hand in front of his face. “Danny? You with us man?”

The halfa blinked and turned, meeting Tucker’s eyes. “Yeah. What’s up?”

“What’s with the spaciness?” Sam said bluntly. She stabbed at her salad. “You were like that all during English too.”

“Was I?” The boy questioned. He shook his head. “Sorry. Just... thinking about stuff.”

His friends gave him worried looks but didn’t question him. Frankly, it was to Danny’s relief. He couldn’t seem to put his thoughts in order. He couldn’t explain this... weird feeling.

The friends chatted for most of the lunch period, Sam and Tucker dominating the conversation with a debate about the newest Doomed update.

All the while Danny idly rubbed at his chest with one hand. He picked at his cheese fries. Normally they were pretty good, but he wasn’t feeling it today. He shivered again, flinching as his fork fell through his intangible hand.

“Again?” Tucker questioned with a raised brow.

Danny didn’t respond, instead picking up his fork only for his core to flare and the utensil to fall through his fingers again. With an annoyed grumble, the boy rubbed his chest again.

“Do you think something’s up with your powers?” Sam quietly asked.

The halfa looked up, frowning. “No... I mean…”

The goth pointed. “Danny, you keep rubbing your chest.”

Danny looked down, brow furrowing. Below his palm, his core pulsed. There was something… strange about the rhythm and…. he adjusted the position, pressing just the smallest bit harder. Normally, it fit comfortably under his palm but now... “It’s... bigger?” He muttered.

“What?” Tucker asked.

Danny lowered his hand. “My core?” He shook his head. “No... I’m imagining it.” His core pulsed unhappily, even as he rubbed his forehead. “I’m just tired, I guess.”

Sam and Tucker again looked like they wanted to argue, but the bell rang and they split up, each hurrying to their next class.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The rest of the school day was surprisingly normal. Just his typical classes, without even a ghost fight to interrupt his day. Danny should have felt relieved for such a chill day after what happened last night but yet…. The boy tapped his pencil on his desk. He felt anxious. He must still be shook up, like he told his friends this morning.

Danny bit his lip, shaking the writing instrument in his hand again. It went flying out of his grip and clattered onto the floor. The boy huffed as he bent down to grab it. His hand hadn’t even turned intangible this time.

With that, the boy straightened in his seat. He glanced at the clock. 20 more minutes left in class. Just 20 minutes. Then he could go home and take a nap. He rubbed his eyes. He was still tired after getting back so late. Maybe some sleep would help him feel better.

Soon enough, the bell rang. Danny stood and walked to his locker. This time, he remembered the combination without wracking his brain. He pulled out his books and turned to his friends, who were collecting their own belongings.

“I’ll see you guys tomorrow.” Danny said.

“Yeah, see you later.” Tucker replied.

“Call us if something comes up with the ghosts.” Sam frowned. “I’m grounded but…. I’ll sneak out if you need me.”

The technogeek groaned. “Don’t remind me. I’m grounded too.”

The halfa looked down guiltily. “Sorry.” He bit his lip. “You guys shouldn’t be grounded because you had to save my sorry butt.”

“It’s fine.” Sam comforted. “We weren’t not going to save you. We’re your friends.”

“Yeah.” Tucker agreed. “It’s just the price to pay for being superheroes.”

Danny half-smiled, though he didn’t much feel like it. He wasn’t much of a hero. Guilt still choked his heart. He hated getting his friends in trouble. But still…. “Thanks for having my back.”

“No problem.” Tucker confirmed.

Then down the hall, someone called his name. “Danny?”

The boy turned. It was his sister, Jazz. He frowned. Oh right, he hadn’t talked to her since he’d been half out of it last night.

The girl quickly approached. “There you are. Come on. I’m driving you home.”

Jazz didn’t give him a choice as she started leading him towards the entrance. Danny waved at his friends, watching their worried faces until he turned the corner.

Less than two minutes later, the pair were seated in Jazz’s car. The girl didn’t start the vehicle, instead turning to face her brother. “Are you going to tell me what happened yesterday?”

“I... Uh…” Danny stuttered, trying to collect his thoughts.

“You disappeared during the middle of school. Sam and Tucker said some weird ghost girl showed up. You went off to fight some ghost and the next thing they knew, Vlad was carrying you away.”

The boy crossed his arms. “It sounds like you already know what happened.” He muttered.

Jazz pinned a serious look. “I know Vlad kidnapped you but…. what did he do to you?”

Danny paled. “I don’t know what you mean.”

“Something happened. You were unconscious when Sam and Tucker got back. And you were super out of it when you woke up. But you weren’t physically hurt. What did Vlad do to you?” His sister pushed.

Danny swallowed, his stomach flopping. “I... I don’t…. It’s fuzzy….”

Jazz rose a brow, her tone suggesting she knew there was more to it. “Danny.”

The boy flinched. “I... he... Vlad electrocuted me?” He remembered. Being locked in a pod, electricity running through him. The creepy hologram of his mom. But... but... there was more.

His sister paled. “Oh... I’m so sorry.” Her voice softened and she didn’t say anything for a while, then… “Do you know why he did that?”

Danny stiffened, looking up. The reason sparked in his mind, with the image. Vlad hissing in front of him, boasting his plan. The man had explained but…. the words stayed just out of reach. Danny's face set in a pointed frown. He shook his head.

Jazz’s own frown deepened. “That little girl…. Sam and Tucker said she looked just like you in ghost form. What does she have to do with all this?”

The boy avoided her eyes, heart fluttering nervously. The little girl.... her face snapped into focus in his mind. Danielle, that was her name. But... there was another word. Started with an S or…. a C. She was like him; she was a clo-

Danny shook his head. No, that wasn’t right. Well…. part of it was right. Danielle had been there. She’d been helping Vlad. She helped the man hurt him; painful betrayal stabbed at him from the thought. But at the same time…

“She helped me. She helped me fight Vlad.” The half ghost said quietly, awed realization sparking as he remembered.

“But… who was she?” Jazz asked, equally quietly.

Just like that, the boy paled again. The word, the cursed word, formed in his mind without his permission. Clone. She was a clone of…. him?... No... that didn’t sound right... he was the same as her but... it had to be true. His frown deepened.

“Who was she?” His older sister asked again.

The boy shivered. “I... I don’t want to talk about it.”

“Danny.” Her voice softened. “You can tell me. It’s-”

“I... I can’t... I don’t wanna talk about it.” He focused on his hands in his lap, trying to keep them from shaking.

“Clearly, whatever happened is bothering you. You can tell me.”

“No. I-” Danny bit his lip, reaching for the door. He couldn’t stay in here with her, couldn’t deal with the questions he had no answers for or rather... questions he couldn’t bear to answer. The… the c word... he couldn’t say it, could barely think it. How could he explain how everything felt wrong, like he wasn’t actually-

“Wait.” Jazz cut off his thoughts. “You don’t have to talk until you’re ready. Just... let me drive you home.”

The boy lowered his hand and slumped back in his seat. “You... you promise? You won’t press?”

His sister’s brow furrowed. Her face was tight, like she didn’t want to agree; but after a long moment, she sighed. “Alright. I promise.”

Danny nodded. “Let’s go then.”

Jazz turned the car on, put it into drive, and pulled out of the parking lot. They drove home in silence. Once they arrived, the boy went straight up to his room. He rubbed his head, flopping down onto his bed. He needed... he needed a nap. Yeah…. That was it. He was still tired.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Sister smiled down at him. “Look at this!” The black haired girl held up her crayon drawing. “This is me.” She pointed. “And Muscles. And Bones. And Daniel.” Her smile widened as she tapped at the last figure. “And this is you.”

The being tilted his head. He floated up, placing small hands on the green figure on the paper. He blinked owlishly up at the girl.

The corner of the girl's mouth turned down. She placed down the paper and offered him a crayon. “Come on. You try.”

The tiny being hovered forward, reaching out to touch the crayon. It was so big, almost half as tall as he was. He frowned, trying to understand.

“Make yourself a little bigger and you’ll be able to hold it.” She encouraged. “Come on. You can do it.”

The being scrunched his brow and he stretched. He was about the size of a toddler, maybe two and a half feet tall. He reached out, grabbing the crayon with his slightly larger hands.

“Great.” Sister said. She pushed a fresh piece of paper in front of him. “Now you draw. Like this.” She demonstrated, rubbing the crayon against the paper so color transferred onto it.

The being flopped down, sitting on the floor. Slowly, so slowly, he copied the girl. He traced his drawing instrument over the paper. He scribbled, creating a mess of lines and shapes without meaning or purpose.

Sister smiled proudly anyway. “You’re doing it. Good job, Tiny.”

He beamed, something in him sparking at the praise. He continued scribbling but the image changed into something more purposeful. A house took shape, stick figures. A large man and slimmer woman. A little girl and a little boy.

The little boy giggled at his drawing. His hands were chubbier than before. A toddler’s, instead of the miniaturized version of a teen’s.

“Jazzy!” He looked up, showing off his drawing to the little redhead girl.

His older sister looked up. “That looks great, Danny!” She put her own crayons down, rubbing her sweaty forehead. “It’s so hot.”

The boy suddenly dropped his crayons and drawing. “Outside! Let’s go outside!”

“But it’s hot.” The girl repeated.

The boy was already running off. “Mommy! Mommy! Can we play in the sprinklers?! Please! Please!”

Mommy turned around from where she was making lunch. “After we eat, okay?”

“Okay!” The four year old beamed, already running up the stairs to get his swim trunks.

The next thing he knew, he was outside. Mommy set up the sprinkler. He and Jazzy ran around it, giggling. Daddy came outside with water balloons and Danny let out a happy scream. “Water balloons!”

The little boy grabbed one and threw it at his sister.

Danny blinked awake to bright light on his face. His nose wrinkled. It was still light out? Oh wait, he had been taking a nap. He sat up, yawning and rubbing his forehead. He’d been dreaming again, this time about…. He shivered, remembering. He’d been playing in the back yard with Jazz when he was four. And... he’d been with Danielle. She’d been showing him how to draw.

The boy’s stomach flopped. That didn’t make sense. That hadn’t happened. Maybe... maybe he was thinking about her because Jazz had asked, earlier, when they’d been in the car but... that had felt like a memory.

Dread balled in his gut. He’d been small, smaller than her hand. And then he’d stretched and he was bigger, about the size of a toddler. Danny looked down at his hands, his human, properly sized hands. That, changing his size, wasn’t something he could do but…. In the dream, Danielle had called him Tiny. It didn’t make sense and yet….

He remembered. One of the other clones. The small green one. Danny shivered. That one, that one could shrink. That clone had overshadowed him.

The knowledge hit Danny like a ton of bricks. The tiny clone had overshadowed him. How... how didn’t he remember that until just now? How hadn’t he realized? Danny grimaced, a sickening feeling squeezing his insides. He’d been possessed. Someone else had been in his body, controlling his actions, messing with his mind. The boy wrapped his arms around himself. He felt violated at the thought. That was so wrong. Vlad had ordered one of his clones to overshadow him. And…. more memories of the experience pressed into his mind.

Danny had been semi-aware of the other presence. There had been a fight for control, another core so close to his and…. Memories, thoughts that weren’t his. Flashes of the tiny clone’s memories. And the feeling of tiny hands rifling through his own mind.

Danny pulled his knees to his chest. That must be why he’s felt so off. It was the aftereffects of being possessed. And that dream, the flashes of memory…. he must be remembering what he’d seen and felt from the tiny clone while it had been possessing him.

The boy sighed. But... the feeling would go away eventually, right? It would. He’d felt off after Sidney had overshadowed him as well. It had taken a bit to get used to being in his own body again. And Sidney was more experienced with overshadowing than his clone had been. The ghostly nerd knew how to push Danny’s spirit out of his body, instead of forcing both ghosts to cohabitate. That was why there were strange memories now, unlike last time.

But it didn’t matter. He’d get back to normal soon enough and his friends and sister would have nothing to worry about. Everything would be okay, right?

Danny stood up, rolling his shoulders to stretch. He had homework to do. He sat down at his desk, trying to ignore the way his stomach still flopped.

#Danny Phantom #invisobang #Invisobang 2021 #Big Bang 2021 #my fic #clone angst #Danny clone #tw selfhate #tw selfharm

78 notes · View notes

ilooklikeaburntchickenugget · 3 years

Text

Family Business

A/N: It took me a while to write and finish it, but I like the idea a lot. Hope you guys enjoy! Pairing: Mafia!Steve Rogers x F!Reader Word count: 3,008 Warnings: Death, weapons, mention of blood, swearing.

(Gif is not mine, by super-madi16)

Okay, so maybe this wasn’t the way you expected to spend an average Thursday night with your daughter.

Everything was going perfectly fine. The two of you were making dinner together in the large, modern kitchen of your New York penthouse, surrounding by the glimmering of lights from other buildings and down below in the bustling streets that never sleep.

Carbonara was on the menu. It was one of Stella’s favorite things to both make and eat. At the independent age of 16, it was rare that she wanted to spend time with you and Steve anymore. She would much rather be out with her friends and her dad’s credit card than to be cooped up in this rather ginormous penthouse the family called home.

But here she stood, stirring the sauce as you monitored the pasta, complaining about her day and about how stupid boys her age were (as she always put it she was looking for a man, not a boy which always resulted in Steve chocking on whatever he was eating or drinking at the time). That conversation resulted in complaining about school in general, and how much it sucked being a teen.

As you continued stirring the pasta and she went back on her phone to play another song from the Bluetooth speakers in the kitchen, a sudden gunshot erupted. Both of you froze, your eyes scanning the room to see all of the guards rushing in the direction of the noise. But it only took a fraction of a second for your mother bear instincts to kick in. Grabbing your daughter and pushing her into your chest, you desperately ran back and into the secret room behind your clothes in your walk-in closet, that Steve had designed especially for emergencies.

Running your fingers across the area, the door popped open. You desperately pushed your daughter in than yourself, shutting the metal door back with the huge lock and bar, and hid with her in one of the corners, turning the lights off. You could hear her heavy breathing, as clearly she was having a panic attack. Grabbing onto her and her soft hair, you held her and murmured sweet words of endearment in an attempt to calm her down, which seemed to work... some.

It wasn’t until you heard a loud bang against the door that you yourself softly gasped and clung onto your daughter, she let out a soft sob. Knowing someone, who was probably not an ally, was on the other side of the door frightened you and both her. She was the first, you noticed, to throw herself away from your and to a box only a few feet away. Through the dark, you could see her open the wooden box and grab a gun inside, her shaky hands visible. She slowly and as silently as she could, cocked the gun. “Stel,” You whispered to her, “I got it.” She shook her head. “Stella I told you-”

The loud crash from the metal door that one divided safety and danger between the two of you and the outside world came colliding down. You couldn’t identify much but a man with a gun in all black, his silhouette disrupting the light from your closet that seeped its way through the doorway. None of Steve’s men would dress in all black.

You weren’t sure what to do. In a fluster within your mind as your daughter held the sole weapon you two had and a man who could end it all right here, or worse, drag it on further out. Your eyes froze in a complete panic your hands involuntarily shaking and shivering cold with fear.

A gunshot sounded, the man falling to the floor in a single second as blood surrounding his body and ricocheted onto the walls. You gasped in relief, looking over to your daughter, “Stella?”

There the young girl, long brunette hair with delicate waves at the end, sat on her knees in complete horror and awe, staring at the dead body. She dropped the gun from her right hand and let out a horrid sob. Cupping her face in her hands, you rushed over on your hands and knees, holding her as tightly as you could without suffocating her body. You cooed her, brushing her soft hair in your fingers and placing your own chin on her head, engulfing both her body and soul within yours.

“I-I,” She mumbled, “I killed someone.” It took everything within your being not to start crying yourself, or worse, lash out at someone or something. The genuine and pure form of anger that pulsated in your veins made you want to rip something to shreds.

While ultimately this wasn’t Steve’s fault, you were mad at whoever did this. You had chosen this life with your husband, you two had chosen to have a child together. You brought her into this world, without her permission, and you always tried your hardest to keep her out of the world of Mafia.

She had been interested since day one of getting involved, being the head man, or headwoman just like Steve. And when she asked him about it all he wasn’t only happy to hear about her interest, he was proud. Something that Steve rarely meant, unless it was for Stella.

But you knew after tonight, that would change.

It was only a few minutes later, you were sure, but it felt like an hour for Steve himself and a whole military worth of his men to arrive. “Y/N?” He called out, running into your closet judging by the pattern of his feet moments on the hardwood floors, “Stella?”

His figure appeared in the light, his face turning from concern to sadness. Dropping the anger that once tensed his muscles, he walked over and dropped to the floor next to your daughter, as Bucky and Sam rounded the corner to see both the scene and the body in awe.

“Baby?” Steve cooed to your daughter. For the first time, she looked up with swollen and soaked eyes. Another sob escaped her lips as she moved from you to him, clinging onto his dress shirt for dear life as she cried into it, his large arms embracing her in a large hug as he kissed the top of her head. “It’s okay sweetheart, it’s okay.”

“D-dad,” She stuttered out, pulling away to look at him.

“Yeah, sweetie?” He looked down at her, still holding her partially.

“I killed someone.” He looked with big eyes at her, then calmed down and sighed.

“Okay.” He huffed out, “We’ll deal with it okay?” He looked back to Bucky and Sam, snapping only once and looking to the body which they had other men help them out with, as Steve turned both you and Stella away.

“Dad, I’m a murderer.” She mumbled as more tears fell down her red cheeks.

“No, sweetheart, no you’re not.” He sighed, “It was self-defense.”

“But I killed someone!” She argued.

“To protect you and your mother.” He repeated himself, “Darling, that’s self-defense. You’re not a murderer, and you never will be.” She continued to hold onto Steve, still crying. “Let’s get out of here, okay?” She nodded, her head still buried in his chest.

He helped you up onto your feet first, checking over your face and giving a quick kiss to the top of your forehead, before retreating back to Stella. He picked her up, carrying her bridal style into the living room. Placing her down on the couch gracefully like she was a porcelain doll, he cooed her a bit more before barking at the men around the room to remove themselves and go elsewhere in the house.

“Baby? Are you okay?” The two of you sat down on the couch. He was on her left, you were on her right. Running his hand through her hair to calm her down, he genuinely looked worried.

“I can’t do that again, Dad.” She leaned into his chest, “I can’t.” She mumbled.

“I know, sweetie, I know.” He sighed, still running his hand over her head. “You won’t ever have to again. I promise.” He gave her a tender kiss on the top of her head, you now rubbing her back in circles with one of your hands. “Do you want some dinner?” He asked her next, aware that no one had eaten yet. She shook her head. “Mkay.” He sighed, not wanting to push her.

“I just- I just wanna go to my room.” She pulled away a little, giving both you and Steve one more hug.

“You sure, honey?” He asked very lightly. She nodded.

“We’ll text you with dinner options, alright?” You spoke up and she nodded. “We love you.” You smiled at her. She nodded and walked away. Once she was up the stairs, Steve let out a sigh and moved closer to you, throwing his arm around you. You sank back into his chest, closing your eyes to absorb the warmth and safety.

“And how are you?” He asked, giving you a kiss on the head.

“As good as I can be.” You replied. “I’m just worried about her.” He nodded.

“I am too.” He admitted, “I’m so sorry that happened, it’s my job to protect you two and-”

“And you weren’t here so it’s not your fault, Steve.” You fought back peacefully.

“But if that fucker wouldn’t have-”

“Steve, stop.” You told him firmly, “There’s no need to blame yourself for any of this, okay? If we should be worried about anything it’s Stella.” He nodded in agreement.

You felt some guilt as well. You should have been the one to have the gun, you were the adult in the situation. Granted Stella was exactly like Steve; she was persistent, she was stubborn. Usually, that would get her places, she could even get more money out of Steve for shopping trips or to go out with her friends because of her negotiation skills and how she would never stop. But today was drastically different, this was a situation where you didn’t want those traits to play out. Especially the way they did.

You curled into his chest, his arms wrapping around your body, your back to his chest. “I love you, so much.” He mumbled into your hair.

“I love you too.” You slightly smiled, rubbing his arms with your hands.

“So you know what you want for dinner?” He asked you next.

“I don’t care,” You sighed, “Maybe that Italian spot a few blocks away. The one that Wanda’s family owns.”

“Oh yeah,” He responded, “Let’s get take out from there.” He pulled out his phone, still holding you with one arm, and got the menu. “Should we get Stel something?” He asked, you nodded.

“Even if she doesn’t eat it tonight we can keep it in the fridge.” He nodded in agreement.

“What do you think she would want?” He asked you again and you lightly laughed.

“You know what she wants.” You rolled her eyes.

“Chicken tenders.” You both said in tandem, light laughter following. “Mkay love,” He got up, letting you set yourself back on the pillows, “I’m gonna go order, alright?” You nodded in agreement.

As he departed down the hall to order, to leave you without any disturbance, you chose to watch some TV. More as a mindless distraction, something to keep your eyes from replaying the scene in your mind of your daughter defending you. Something to occupy the ringing in your ears between the gunshot and the sobs of the one you loved most.

You tried so hard to be calm and collected, for both her and Steve. You knew Steve would loathe himself enough about all of this, now was your time to be the rock in the family. Even if you weren’t all that solid at the moment.

“Love? Baby, you there?” You heard Steve, breaking you from your trance.

“Huh, what?” You looked up with a soft smile as you glanced at his face. He smiled back.

“You zoned out there for a sec,” You nodded as he came to sit next to you again. He examined your face for a moment, seeing right through you as if your walls were made of glass. “Baby, I need you to talk to me.” He said softly, with a slight tinge of worry in his voice. You sighed, looking down to your hands and then back up at him.

“I’m just-” You tried to contemplate which words would accurately fit how you were feeling, “I’m conflicted.” You admitted to which he gave an inquisitive look.

“How so?” He asked.

“I want to- I need to be there for Stella,” You began, “But I also haven’t had time or space to process this myself. and maybe that’s selfish, I’m sure it is. But it’s all just so much-”

“It’s not selfish,” Steve insisted plainly, “Not at all. Stella’s been through a lot today, but so have you. And if you need all the time and space in the world to figure this out, I’ll figure out a way to give it to you.” He offered a kind smile. “I can be there for both you and Stella. That’s my duty.”

“But it shouldn’t be.”

“But it is,” he continued, “Because you willingly chose to immerse yourself in my lifestyle, which was enough to ask for, and Stella didn’t have a say.”

“But still I’m her mom and-”

“And you’ve both been through a lot and you both need time.” He gave you a peck on the cheek, “I love you, and you deserve all the time that you need.”

It took a few days for Stella to come back and begin to interact with you guys again. You had brought food to her room, some candy and ice cream too, everything and anything she needed. Steve had called her off school after yelling at the principal and using the excuse, “I pay enough for that damn school the least you can do is give my kid a few days off” which seemed to work.

It was minimal interaction at first. Initially, she was just grabbing some water. Then it turned to snacks, then to a very small conversation, then to her finally spending some time with you guys.

It wasn’t until you had all sat down for a family dinner that she had begun to open up, just a bit though. It was primarily you and Steve attempting to talk about things of interest that related to her: politics, books, anything you could. She remained silent, in her own mind and world. You weren’t sure what she was thinking, but you didn’t want to push or interrupt her either.

“Dad?” She finally spoke up, her voice reaching just above a whisper. Both of your heads shot up to where she sat, next to Steve and across from you.

“Yes, sweetie?” He asked, putting his full attention on her.

“I- um,” She began contemplating what she was going to say, looking down at her food which she has slowly been eating, “I need to tell you something, now, but you have to promise me that even if you get mad, you won’t yell or anything.”

“Of course not,” He grabbed her free hand and held it on the table, “I promise.”

“Okay.” She took a deep breath, closing her eyes for a few brief moments before looking back up to him, “I don’t think I can take over all of this.” She admitted, clearly awaiting a response with little breath.

“All of what?” Steve asked.

“Your position.” She clarified.

Naturally, she was next in line to be the mob boss. Sure she was a girl, Steve didn’t care though. He had been preparing her for most of her life. But you knew from the moment she pulled that trigger that that was it. She would never be able to be in the mob.

Steve stared for a few seconds, looking down and giving off a quiet sigh before clearing his throat. “That’s fine.” He lightly smiled, still holding her hand. She gave a confused look.

“A-are you sure? You have to be mad-”

“No, no I’m not. I get it.” He admitted, “And don’t worry. We’ll find someone to take over. We can’t forget Will, Uncle Buck’s son, he could take over too.” She nodded lightly.

“Thanks, dad.” She looked up at him with a tight smile, to which he smiled back.

“Darling, I hope you realize that your mother and I didn’t just have you to take over the business,” He clarified, “You’re our daughter, and that’s your first and only role to us.” You nodded too, silently agreeing with what he was saying.

“Thanks, Dad,” She softly smiled, “I love you guys.”

“We love you too.” You smiled, grabbing her other hand, before looking to Steve raising one of your eyebrows. He gave you a confused look, pondering over what you were trying to communicate, before finally getting it.

“Oh,” He sighed, with a soft smile, turning his attention back to Stella. “Your mother and I thought it might be best to take some time off, with you, of course, so we scheduled a three-week trip to stay down in Palm Beach, at the house there.” He smiled at her, to which she smiled back.

“Wait, but what about school?” She asked. Steve rolled his eyes.

“I dealt with it don’t worry.” He began, as you got up to begin taking plates to the dishwasher, “fuck school anyways.” Stella began laughing as water flew out of her mouth, to which she covered her mouth with her hand in shock, and Steve began laughing too.

“Hey!” You scolded him, “We should not be preaching that to our daughter. Or any kid for that matter.” He rolled his eyes.

“I’m also allowing you to take three friends. No boys though, and their absence will be dealt with too.”

“Thanks, again, dad.” She smiled, genuinely, for the first time in weeks.

#Steve Rogers #steve rogers fanfiction #steve rogers fan fiction #steve rogers x reader #steve rogers x you #mafia!steve rogers #marvel #mafia!steve rogers x reader #mafia!steve rogers x y/n #mafia!steve rogers x you #Mob!Steve Rogers #mob!steve rogers x reader #marvel fanfiction #Chris Evans #chris evans fanfiction #chris evans x reader

276 notes · View notes

avengerscompound · 3 years

Text

The Tower: Family - 29

The Tower: Family An Avengers Fanfic

Series Masterlist PREVIOUS //

Pairing: Avengers x OFC, Bruce Banner x Bucky Barnes x Clint Barton x Wanda Maximoff x Steve Rogers x Natasha Romanoff x Tony Stark x Thor x Sam Wilson x OFC (Elly Cooper)

Word Count: 1858

Warnings: Pregnancy, labor, delivery, medical proceedures

Synopsis: With new powers, Thor now living on Earth full time, a wedding to plan, and Natasha and Wanda expecting, a lot is changing for Elly and her large and rather unconventional family. When Elise’s parents try to reestablish connections, Elly questions what being a family actually means.

Chapter 29: Becca

When Natasha went into labor it was about as dramatic as what you’d expect it to be for her.

It was a week before her due date, but well into the zone the doctor’s call full term. She was uncomfortable and hating it but she still insisted that she be the one that walked the kids to and from school every day so that she could cloak them. Because it was getting so close to her due date, Clint and Bucky had started to shadow her again. That meant, rather than a random changing of the guard for the people doing the drop-off and pick-up, it was always Clint, Bucky, and Natasha.

They had been out for around half an hour when they returned. I was sitting in the living room with Sam and Wanda while she nursed the babies.

Wanda had been such a star with breastfeeding. With Riley and Pietro I’d ended up needing a bottle supplement which had turned to complete formula diets when they realized the bottle was a much easier way to get lots of milk. I also remember struggling to feed them both at the same time.

Wanda had no such trouble. I don’t know if it was just her and she would have been fine no matter what, or if it was the fact her powers pretty much allowed for anything - or a combination of the both - but she could feed both twins at once, never complained, and the babies were steadily gaining weight.

If there was a way for a person to burst through elevator doors, Natasha did it. All three of us looked over startled as Nat hurried inside, beelining straight to the stairs. There was a shadow of wetness on her maternity pants and a look of frustration on her face.

“What’s going on?” Sam asked his eyes flicking from Natasha who was already halfway up the stairs to Bucky and Clint who were following after her.

“Nat’s water broke while we were dropping the kids off at school. She started getting contractions on the way back,” Clint explained.

Wanda gave an excited squeak that made Rose give her the dirtiest look a newborn can muster.

“Wow, alright,” Sam said. “El, you go with them. FRIDAY, let the others know it’s happening. And tell Happy, Travis, and Amber that I need to see them.”

“Yes, sir,” FRIDAY replied.

I gave Sam a curious look. “Well, the kids are going to need to be picked up, I figure if Happy drives one either Travis or Amber. And they’re both going to need to be extra hands-on, because I’m pretty sure Wanda’s going to want to come down and be with Nat too, right, honey?”

“Oh yes,” Wanda agreed. “I’ll come up to feed these two, but I don’t want to miss that.”

“Alright, I’ll go check on Nat,” I said getting up. “I’m sure we’re still many, many hours away. She probably won’t come until tomorrow morning.”

“Wanna bet on the time?” Sam asked.

I smirked at him. “Yeah, alright. I think 3.30 am.”

“I’m gonna say 11 am. Rebecca’s going to sleep in,” Sam said.

“Closest to it wins? If it’s exactly in the middle it can be you,” I suggested.

“Sounds good,” he said, holding out his hand for me to shake.

“What’s the prize?” I asked.

Sam smirked at me. “I’m sure we can think of something.”

I giggled and headed upstairs to check on Natasha. I found her in the shower with Bucky, while Clint lazed on the bed. “How are you doing there, Nat?” I asked.

“Completely mortified,” she said. “I was talking to one of the other mothers and I just … exploded all over them. Amniotic fluid went everywhere. All over her pants legs. And the floor. The worst part was that I think the labor started this morning, but I thought it was those Braxton Hicks contractions so I ignored them.”

“That is very dramatic, Tasha,” I teased. “Perfectly you.”

“I am really glad I have those powers, I tell you,” Natasha said. “I would have to murder half the population of the planet if pap photos came out with me looking like I wet my pants.”

I smothered a laugh. “No, we wouldn’t want that.”

“Careful, El,” Natasha warned.

“Yeah, El, don’t anger the assassin that’s in labor,” Bucky teased.

Natasha got out of the shower and I grabbed a towel and wrapped it around her as Bucky turned off the water.

“What no towel for me?” Bucky asked, stepping out onto the bath mat.

I grabbed another towel and threw it at him. He caught it laughing and I giggled and turned my attention back to Natasha. “Have you called the medbay?”

“Yes,” Natasha said. “I called them on the way home. They said to wait until five minutes apart and then come down. I only had -” she looked at Bucky. “-two? Since my water broke, so I think we are a ways off yet.”

She wasn’t kidding. Most of the rest of the day was spent just as normal. Only every half hour, give-or-take, Natasha would have a contraction. Happy and Travis went and collected the kids from school. By dinner time Natasha was beginning to feel it and opted out of eating anything but she sat at the table with us. She only winced once during the meal but tried not to let the kids see her discomfort. Bruce even had time to read Riley and Pietro their bedtime stories before things started to get serious.

At around 11.30 Natasha was in serious pain and not able to hide it anymore. Given her background and the super-serum her pain tolerance was higher than most, so it was difficult to see her struggling so much with it.

We took turns pacing with her, rubbing her back, and feeding her ice chips. At around one I ran a bath for her and Steve sat on the edge of the tub and held the nozzle against her back.

By two she couldn’t take it anymore. We went down to the medbay and Clint supported her while they put in an epidural. When that kicked in, it was like Nat was a completely different person. She just kicked back in the hospital bed dozed through her contractions and we all spread out around the room doing the same.

We all awkwardly slept where we could, only waking when the nurses came in to check her progress. At a little after three, they told us it was nearly time for Natasha to push. They turned off the epidural and the pain of childbirth returned to her in full. She hunched forward grabbing her knees and bared down. Sweat clung to her skin and her face flush red.

“That’s it, Natasha,” Doctor Shroeder coached. “Push.”

There was nothing beautiful or romantic about the way Natasha gave birth. It wasn’t a magical moment where life miraculously entered the world. It was messy and bloody and loud. After half an hour of pushing, Rebecca began to crown, and right away we could see she was going to take after her biological mom more than her biological dad. She had a little cap of pale red hair that was just visible.

“We can see her, Nat,” Sam said, excitedly.

“Not long now, Tasha,” Bucky added.

“It’s gotten to that freaky horror movie part, Nat,” Clint said. “You want a mirror so you can see?”

Natasha nodded and Doctor Schroeder grabbed a mirror and held it up for her to see. “There she is. Your little redhead girl.”

Natasha smiled and started to sob. She had gone past the point where she could speak it seemed and everything had gotten too much. Bucky patted her forehead with a damp cloth.

“Alright, Natasha, next time you feel the urge again, push,” the doctor said.

Natasha bared down. “I hate you so much, James Barnes,” she moaned as she pushed.

“I know, Tasha,” he said. “I don’t blame you.”

“You’re doing so well, sweetheart,” Steve praised.

She shot him a look that screamed bloody murder. “Shut your stupid, positive mouth.”

Tony tried to stifle a laugh as Steve’s cheeks flushed.

It was another two pushes until Rebecca’s head was clear, and only two more after that before she joined us screaming her head off. “Here she is. Your daughter has a lot to say.”

Natasha lay back exhausted but looking very pleased with herself. I was ushered forward and cut the cord and the little squawling baby was put onto Natasha’s chest. “Hey, Becca,” she croaked. “You made it.”

Her cries began to settle and she lay staring up at all the faces peering down at her. “You did so well, Natasha,” Wanda praised. “Look at that perfect little girl.”

“I can’t believe you did this with two and no drugs,” Natasha sighed, caressing Rebecca’s back.

“What time is it?” Sam asked, reaching over and playing with Rebecca’s hand.

“Her official birth time is 4.23 in the morning,” Doctor Shroeder answered.

“Ha! I win,” I teased.

Sam smirked at me. “Seems to me, we both win, princess.”

“Okay, okay, enough of that talk in front of the baby,” Bruce joked.

The medical staff fussed around Natasha, giving Rebecca her shots and a shot to Nat to help her deliver the placenta. We were all too caught up in Rebecca’s presence to pay that much attention. Though Bruce and I both looked over the placenta fascinated when it was out.

Eventually, the nurses took Rebecca off Natasha to clean her up a little and check her over. Thor rubbed my back. “Only one more to go,” he said.

“He can stay put for a little longer,” I said. “Let him get fully cooked.”

Once Natasha had been taken to her room with Rebecca and she’d showered and changed into her pajamas it was just past breakfast time and Amber and Travis brought Riley, Pietro, Sarah, and Rose down. It was funny, even though Sarah and Rose were almost three weeks older than Rebecca they were still a little smaller than her. We once again got Riley and Pietro gifts from the newborn and they were much more interested in opening those than interacting with their new sibling.

“Alright kiddos, you better say goodbye to everyone, it’s time to get to school,” Amber said.

“Do we hafta?” Riley asked.

Steve shrugged. “You can stay if you want, but we’re all very tired and everyone will most likely be sleeping.”

Riley seemed to ponder the predicament for a moment and then nodded. “Otay, we go.”

“Sounds good, bug,” I said and kissed them both goodbye. “Are you going to say goodbye to all your sisters?”

“Otay,” Pietro said and the two went around kissing first all their parents and then the babies goodbye.

“Bye-bye!” They called as Amber led them from the room.

“Okay but that was really cute,” Clint said.

“Yeah,” I agreed. “I have to say I am really glad we have FRIDAY recording things because I definitely want framed pictures of them kissing the babies goodbye.”

// NEXT

91 notes · View notes

abarbaricyalp · 3 years

Photo

@sambuckylibrary

SamBucky Halloween Prompt 5: Mausoleum

Sam meets Bucky in a mausoleum in Brooklyn (This fic is set in Brooklyn because I could not make up a reason for Bucky to be in Louisiana despite the fact that I really very badly wanted it set in Louisiana. Bucky is also slightly younger because of fic reasons.)

Rated G: Discussions of death and loss (It’s set in a mausoleum, use discretion) (AO3 link in the notes)

Title from “Little Ghost” by The White Stripes, highly encourage you to listen to the song

One I’m Most Scared Of

Sam hated funerals. He hated that his father wanted him around for them. No other seventeen year old was surrounded by so much death and mourning.

“Sam, you have a gift,” his father said. “You put others at ease just by your presence.”

Sam thought everyone else should invest in a therapist and not a high schooler.

Petulantly, he kicked his heels back against a stone bench as he stared at the walls of crypts and cremains spots. Behind him, the funeral party milled and offered condolences to the bereaved, which actually seemed like everyone in the party. Sometimes, a funeral party seemed less bereaved than relieved at these things. Sam remembered the first time he heard a man’s daughter immediately plan lunch with a group of friends without a waver to her voice or a tear on her cheek. He vowed he’d never be the kind of person that had a funeral like that.

If he even had a funeral. Putting himself in the ground in whatever clothes he died in and then becoming a tree without telling anyone was becoming a nicer and nicer option.

So, he listened to the sniffling without turning around and thought about what kind of tree he’d become. He’d already done his duties of rubbing a wife’s arm, hugging kids, tickling grandkids, listening to the same three stories a dozen times. His father couldn’t expect anything else from him. So he wasn’t thrilled when someone his age sat down beside him.

The guy was handsome in a traditional, classical sort of way. Not as boring as the rich white guys who went to Sam’s school. His hair was side parted and only long enough to make an impressive arch on his head instead of laying in his face. He had a square jaw that was a little comical and his nose was a little fucked up in a kind of endearing way. The way Sam’s best friend looked after getting beaned in the face by a wayward baseball. Like most people who came through the mausoleum, he was sad.

There was no other word for it. Sam had tried to be poetic about his time in the crypts, but there was only so much the clinical-ness of bereaved and the dramatic-ness of tortured or sobbing or anguished could do. And they were rarely entirely true. Sad was just the word for people staring at remains of someone they once loved. Sometimes the simple explanation was the most appropriate. The rest of death and grief was already so complicated. It was easier to just feel sad.

The guy was too old to be a grandkid but too young to be a kid, unless the deceased and his wife had gotten freaky in their elder age. Sam hadn’t noticed him in his previous passes of the party or from the service, where he always sat in the back and made it a game to memorize as many shades of black or ridiculous hair styles as possible.

In fact, the boy wasn’t even wearing black. He was wearing a dark brown jacket, adorned with gold accents and pins. In fact… Sam was pretty certain it was an old military dress uniform.

“Uh...are you just visiting?” Sam ventured when the guy didn’t even bother to glance over.

The guy’s mouth quirked to one side faintly. “Yeah, you could say that. That one,” he said, gesturing to an entombment with a gravemarker that read James Buchanan Barnes March 10, 1922 - February 5, 1942. Son, Brother, Friend, Hero.

“Oh,” Sam breathed and understood the weird military uniform. “Are you related to him? You do kinda look like him.”

The guy turned finally to look at Sam and raised an eyebrow. “Yeah, you could say that. I’m Bucky.”

“Oh, jeez, you were named after him too.”

The guy--Bucky 2, apparently--cocked his head in a half nod. “I’m actually waiting on someone. Do you think they’ll be here much longer?” he asked, jerking his chin over to the party.

“Well, these things don’t really have a limit to how long people can be here,” Sam pointed out. “But most people get the point when they start sealing the tomb and all. Uh, this thing you’re waiting for, is it about him? Like, some kind of memorial service?”

It was neither February nor March, so Sam couldn’t imagine why there would be a memorial service for Barnes now. It had been a while since Sam’s father had done a service in Brooklyn and he’d kind of forgotten the cult status Barnes and, to a much greater extent, Rogers had in this town.

“Nah, I’m just waiting on a friend,” Bucky said.

“Well…” Sam settled back against the stone bench. “I’ll stand in for a while.”

“You wanna be my friend? Should I be worried. I think horror movies start off like this.”

“Name one horror movie that starts off in a mausoleum.”

“Murder by the Clock. Mummy’s Tomb. All the vampire movies.”

“Dracula doesn’t live in a mausoleum,” Sam argued lightly. “And I’ve never even heard of those other movies.”

“That’s ‘cause you don’t watch classics.”

“Uh-huh. Or you were just scraping the bottom of the barrel.”

Bucky rolled his eyes and knocked his shoulder against Sam’s. “Did you know…” He gestured back to the waning funeral party.

Sam shook his head. “No. My dad’s the pastor. He did the service. He likes me to be here for moral support.”

“Hell, I don’t think my parents trusted my morals as far as they could throw me,” Bucky snorted.

Sam noted the past tense but knew better than to push for information, especially in a mausoleum during a funeral of all places. “Are you a student around here?” he asked instead.

“Can’t you tell?” Bucky answered as he popped the lapels of his jacket. “I’m a soldier.”

“Right. A soldier who’s home, spending his time in mausoleums in front of his great-great uncle or something.”

“I could be a great-great grandkid. I heard he got around.”

“I heard that was all manufactured propaganda to sell a story.”

“I read it in a book.”

“And I read about time travel and aliens in a book.”

Bucky shrugged. “There are weirder things out there.”

“Right, in a world of super soldiers and Nazis with no faces,” Sam agreed drily.

“You’ll see,” Bucky assured. “Aliens and time travel are both gonna be all anyone talks about soon.”

“Y’know, I didn’t think a guy dressing up as his great-great grandpa-uncle to meet someone at his burial site would be so into sci-fi too.”

“Multitudes and all that. You know, there were half a dozen sci-fi books in his bag when his belongings were recovered.”

“I’ve heard that,” Sam said. Only because it’d been a point in the Oscar-Bait movie a few years ago. “He’d read to Rogers when he was sick.”

Bucky looked a little wistful and then nodded.”I’ve heard that too.”

“Do you ever feel pressure to be like him? Or be somethin’ you’re not, just ‘cause someone looked at your little baby face and named you after a legend?”

That wry, sad grin came back and Bucky shook his head. “Nah. Not really. Do you, though? I mean, obviously not him. But someone.”

Sam traced out the letters of the name of someone who died in 1985. A L E X A N D E R. He nodded. “Feels like everyone needs me to be someone and I let myself play that part until people stopped noticing it was a part.”

“What’s the part?” Bucky asked as he leaned back on his hands.

“I dunno. Someone who-- Well, I mean… Maybe it’s not a full part. Maybe I’m just upset that people only want me to have one kind of personality trait. I mean, everyone knows I’m kind and I’m good with words and I care about people. And I really do want to be that guy. But when I want to be that guy, y’know? Not all the time. Sometimes I want to cry and scream and rage too. Sometimes I want to be quiet for a little while and not help someone else. Just for a few hours.”

Bucky nodded and stared at the rows of internments before them. “Y’know. I’m sure people would understand that if you told them. If you said, ‘I can’t do this right now. Please let me be quiet.’”

“I know that,” Sam said softly. He tangled his fingers together in his lap. “Maybe I’m mostly angry at myself for not being able to say something like that. I’m the guy who helps. If I don’t do that, if I beg a day off, then who am I? What am I bringing to the table?”

Bucky scooted closer and put a hand on Sam’s knees. It sent a jolt through Sam’s body and he worked very hard on not jerking his gaze up to Bucky’s face. “Sam, you just said you have other personality traits, other feelings, other hobbies that aren’t hanging out in a mausoleum. That’s what you bring to the table on the days you can’t be there for everyone else.”

Sam nodded and reached up to rub two fingers under his eye. He wasn’t at full tears yet, but he also didn’t want to get any closer. “Wait, did I tell you my name?” he asked suddenly.

Bucky lifted an eyebrow again. “You must’ve. Or someone else said it earlier. The point is, you’re still you. And you bring smarts and humor and a good head around, even when you aren’t offering free therapy or a crying shoulder. And, Sam, listen, even when you don’t want to be any of that, you’re still kind. I’ve only been sitting here for a few minutes and you’ve been kind the whole time, even when you weren’t trying. It’s not a part you’re playing. Just be who you are and ask for your time when you need it. If people reflect even a quarter of the love you put out there back at you, no one will ever begrudge you some quiet.”

Sam swallowed thickly and leaned against Bucky’s shoulder heavily. Bucky moved his hand from Sam’s knee to wrap his arm around his ribs instead. “You really think I’m funny and smart?” Sam asked eventually.

“You started spouting off propaganda theories and joking about where vampires technically live. Yeah, you’re something else, man,” Bucky laughed. “And I think you’re beautiful, which people always appreciate in people they hang around with.”

Sam rolled his eyes and ignored the last comment, thankful that his skin was dark enough to hide his blush and Bucky couldn’t see the swooping of his stomach. “Well, if you think that’s impressive, I’ve got a whole list of things I think are propaganda.”

“I’d love to hear all about it some other time.”

“Is your friend here?” Sam asked, sitting back a little and glancing around.

Bucky’s eyes cast around the mausoleum briefly too. “No. I just don’t feel like listening to any propaganda tonight,” he joked.

Sam jostled his elbow into Bucky’s rib and leaned back against his side. “I can’t remember the last time I actually talked to someone in one of these things. Everything’s always so surface level here. ‘Sorry for your loss’ ‘He was a good man’ ‘Of course we’ll come by the benefit.’ None of it means anything.”

“Well, I wasn’t part of the funeral, so maybe that was a plus. I’m just some guy. Hanging out in a mausoleum.”

“Ah, you’re the vampire,” Sam said with a grin. “Maybe I should get a stake in that casket.”

“There’s no body in it,” Bucky reminded him. “They never found Rogers’ or Barnes’ body.”

“Right, right. The train and plane.”

“It’s just for show,” Bucky said. He reached out to trace his fingers along Barnes’ last name and then held his palm against the stone for a second longer.

Sam put his hand on Bucky’s knee and said quickly, like ripping a bandaid off, “Do you want to get lunch or something? With me? Now, or later. I’m not picky. And then maybe again?”

Bucky turned blue eyes back to Sam and he really did look just like all those old pictures. That same sad smile came to his mouth. “Yeah, I really, really do. Maybe later,” he said and leaned over to kiss Sam’s cheek softly.

Sam’s eyes fluttered shut and his heart kicked up so rapidly in his chest it punched the air out of his ribs.

When he managed to open his eyes again, Bucky was gone.

#sambuckyhalloween2021 #sambucky #sambucky fanfic #sambucky fanfiction #sam wilson #bucky barnes #the falcon and the winter soldier #the falcon #the winter soldier #captain america #writing #bingo #sambucky halloween

22 notes · View notes

icefire149 · 3 years

Text

An Angel’s Vow

Chapter Five (Read on ao3 | Read from the beginning)

Once the kitchen was clean, Claire put her other duffle bag on the table. She unzipped it. “It’s not much, but it works.”

Cas took everything out of the bag and examined it carefully. The bag contained: a machete, some silver bullets but no gun, a pouch of silver coins, an iron crowbar, a lock pick set, a coin Claire thinks is iron, a couple bottles of holy water, some spray paint, a half empty container of salt, a box of penguin band-aids, cleaning alcohol, and an angel sword. Cas frowned. “This is abysmal.”

Defensive, Claire crossed her arms. “The sword is basically a hunting equivalent to a Swiss army knife.”

“I don’t understand what military grade Swiss cutlery has to do with anything, but I do know hunting. You’re going to get yourself killed.”

“Oh, so here we go! Hit me with the speech.”

Cas turned around bewildered. “What are you talking about? There’s no speech.”

“So you’re not gonna tell me that I’m being stupid and I should go live a normal life?”

“I’m not going to yell at you or tell you what to do.” Cas tried to keep his voice even. “Am I happy that you’re hunting? No. Am I frustrated that you’re hunting by yourself? Absolutely. But it’s your life and I promised to keep you safe.”

Claire rolled her eyes with her whole body. She went over to the refrigerator and snagged a juice box out. With a loud pop, she stabbed the straw in.

Sighing, Cas put his hands on the table. He looked over Claire’s hunting supplies again. “I don’t think you understand.” His voice came out much softer than before.

The juice box was half way to Claire’s mouth when she froze.

“I know you’re not going to stop now that your mind is set. I want to help you be a better hunter.”

“What?”

Cas looked over his shoulder, and studied Claire. Obviously, she was grown by human standards, but he could still clearly see the small child he devastated…..is continuing to jeopardize. His chest started feeling unnaturally tight. For a moment he thought that he could still see the baby from the shreds of Jimmy’s memory that remains with him. “I’m willing to share my knowledge of the supernatural with you. Afterwards if you’re still willing to be a hunter at least you’ll be better informed about what you’re signing up for.”

“Are you serious?” Claire tilted her head, waiting for the other shoe to drop. “How are we supposed to hunt with the kid?”

“We’re not hunting. We’re studying.”

Claire’s whole body drooped. “Studying what? I can’t imagine where you have lore books stashed here. This house is pretty bare bones.”

“Lore books would be nice, but I have a library right up here.” He touched his temple with his index finger. “And besides we have a ton of ground to cover before thinking about hunts.”

“It’s not like I haven’t been on a couple hunts already.”

“Yeah, but do you have the exorcism chant memorized? Or recorded? Can you make hex bags? Draw various devil traps? Read any Latin or Enochian? Tracking spells? Draw angel banishing-”

“Okay!” Claire burst. She put the juice box down on the table. Her voice softened. “Okay, I get it.”

Cas nodded. “Would you be interested in learning any of that?”

“You’re seriously willing to teach me any of that?”

“Of course. I want you to be safe, and I want you to be happy.”

The next thing Cas knew, he was trapped in a bone crushing hug.

“Thank you,” Claire mumbled into his chest. She let go just as fast and sat in the chair she used earlier during lunch.

Cas pushed the juice box into her reach. She took it and started drinking. He smiled, feeling the tension loosen in his shoulders.

“So….” Claire spoke with the straw still in the corner of her mouth. “When does hunter school start, professor angel?”

“We could probably start tomorrow. Does that mean you’re planning on staying for a while?”

Sitting up straight, Claire’s expression morphed from jovial to serious. “Is that okay? Is it even safe with…”

They both glanced towards the living room for a moment. Cas crossed his arms. “Of course it’s okay. You’re free to come and go as much as you please.” He sighed, uncharacteristically running a hand through his hair. “But your second question...I honestly don’t know. And that frightens me.”

Cas pulled the chair closest to him and sat down. “You’re not safe if you leave now.” He gestured at her hunting supplies on the table. “I know Heaven is after Jack. I’ve been careful to keep us hidden, but it’s not without flaws. Jack’s birth should have attracted a ton of attention. I’m shocked we haven’t been discovered yet.”

“You’ve been doing good so far. Maybe they won’t find you,” Claire said, leaning her elbows on the table. She rested the side of her face in the palm of her hand.

“They will at some point….I just wish I knew what’s taking them so long. I feel like I’m missing something.”

“Is there any kind of warding we could put up? Spells?”

Cas smiled softly. “Angel warding would be useless in this situation. Yes, it would keep Heaven away from this house, but it would also keep me and Jack out.”

“So what have you done?”

“After Jack was born….the moment we could flee, I etched Enochian sigils into his ribs to hide him from every angel.” Cas subconsciously rubbed a hand over the tattoo on his side. “My body is hidden from angels in a similar way.”

Stunned, Claire stared at Cas in silent horror.

“Actually that reminds me-” Cas turned his whole body towards in Claire’s direction. “I wanted to give you those sigils as well for protection.”

Claire slowly leaned away in her chair. “Why….would I need protection from angels?”

Cas’ eyebrows furrowed. “There’s always a chance you might stumble into an angel related case, but most importantly you should be hidden from them in case anyone remembers your ties to me. You’re important.”

“Because I can function as your vessel?”

“That does put you in a lot of danger.”

Her whole body drooped as she sighed. “Great.”

“At this point I doubt that there are any angels that remember which bloodline begets my vessels, but I’d rather err on the side of caution.”

“Does it hurt?”

“No. You’ll never notice it.”

She nodded slowly. “Okay.”

Cas got up and positioned himself to stand directly behind her. Claire closed her eyes. He placed his hands on the top of both of her shoulders for a few seconds, and then he went back to his chair.

Claire opened her eyes. “You didn’t do anything?”

“I did and it’s done.”

She burst out of her chair, running her hands down her arms and looking over her body. “Everything looks the same.”

Cas smiled fondly. “Your ribs. You won’t be able to see anything without an x-ray.”

Her eyes snapped back up at him, wide with curiosity. “That was so cool! I can’t feel a difference.” She sat back down again. “What does the warding look like?”

“Oh.” Cas sat up straighter and glanced around the room. “I can draw them out for you, but…” He frowned. “We’re going to need to buy some pens and paper.”

That pulled a laugh out of Claire. “Figures. We need to go school supply shopping.”

Confused, Cas turned his head to the side just a bit. Then it clicked. “Yeah. We’ll need to go supply shopping.”

“So the warding will be enough to keep us hidden while we’re shopping?”

Cas sat back in the chair. “Technically, yes. The reason why it isn’t perfect is how angels communicate.” He touched the side of his forehead for a moment. “Dean calls it Angel Radio. I can turn it off when I want to, but in general angels can contact and find each other through our minds.”

Claire stared at him for several silent moments while his words processed, and then the gears turned. She glanced towards the living room.

“I don’t know if he’s connected,” Cas said simply. “And I don’t want to reach out to him that way until he’s older….and understands.”

“Huh.” Crossing her arms, Claire turned back towards Cas. “He’s really got us in a pickle.”

The puzzled look on Cas’ face was evident, but he chose to nod instead. Claire cracked a smile. “Hopefully Heaven is too scared of the idea of Jack that they’ll keep their distance.”

“Hopefully.”

After a quiet pause. “Sooo...does this place have decent WiFi?”

“I believe so. Kelly was frequently on her laptop.”

“Excellent.” Claire’s smile widened. “You wanna watch a movie?”

Cas’ expression softened. “I’d like that greatly.”

“Be right back then,” Claire said hopping up and leaving the room. On her way through the house she glanced at Jack sound asleep in his play pen. He was on his back, and the foot of a stuffed lion toy was clenched in his tiny fist. Amused, Claire shook her head and continued upstairs to her other duffle bag.

It was only a minute or two later when she descended down the stairs with her laptop charger clunking into each step. “Is there anything in particular that-”

Her voice cut off seeing the pained look on Cas’ face. He was seated on the living room couch, but he looked miles away. “Cas?”

Startled, his whole body uncharacteristically flinched. His blue eyes looked dull and sad. “Sorry. I didn’t hear you coming.”

Claire slowly walked over to the couch and put the laptop down at the opposite end. “Are you okay? You look sick.” She kicked the charger cord to the side and sat down on the middle cushion.

“I’m fine.”

Her eyes narrowed. “Wanna try that again?”

The corner of his mouth twitched. “I told you in the past that angels can pick up on more than just verbal prayers. Longing. Strong feelings of intent. They’re like…..indirect prayers.”

“Yeah. So who’s praying? Dean?”

Cas sighed. “He doesn’t even realize he’s doing it, but I can feel that he’s perturbed.”

“Well yeah.” Claire pulled her legs up, crossing them. She then turned her whole body in Cas’ direction. “Jody told me Sam is like ready to tie him down so he’ll stop clawing at the walls. He’s trying to find you.”

Mildly irritated, Cas shook his head. “He’s yet to actually pray to me so I can’t imagine he wants to speak to me that badly.”

“That’s fair. One point to Castiel.”

Cas raised an eyebrow at that.

“So why are we letting Dean sweat? What did he do?” Claire grinned. “Depending on what he did, I bet we can get Jody to boot his car.”

“I’m afraid to ask what that means, but I have no doubt that Dean would never speak to me again if we did such a thing to ‘his baby’.”

Claire shook her head. “Never mind that then.”

Cas took a deep breath. His gaze slid over to Jack’s sleeping form. “Dean and I didn’t part on good terms. I spent much of the past year tracking Jack’s mother. She wasn’t easy to find.” Cas’ head turned and he met Claire’s eye. He frowned. “And my original mission was to terminate the pregnancy.”

A sudden chill crept up Claire’s spine. “Oh.”

“Dean understood the complexities of my mission. I didn’t want to hurt Kelly, but….a child like Jack is…..he could cause a lot of harm.”

Arching her neck up, Claire tried to get a better glimpse of the baby. He seemed to be sleeping with his face squished into the playpen floor. “I get the idea,” she said quietly. “Archangel power. Prince of Darkness. But…” Claire pointed her thumb in Jack’s direction. “I don’t think he fits the bill.”

“When I did find Kelly,” Cas continued. “And I rescued her from Dagon, one of the Princes of Hell…..Jack called out to me. He showed me a peaceful world. A vision of the good he’ll be able to do.”

“And that’s why you’ve gone all dad mode.” Claire crossed her arms.

“He asked.”

“And Dean?”

“To hunt Dagon I had to trick Dean and steal a special gun he prized.”

Grimacing, Claire quipped, “I bet that went over well.”

“At the time him and Sam were pitching ideas of removing Jack’s grace.”

“What would that even do to him?”

“Make him human I suppose…”

“But you don’t know.”

“No. Not for certain. And Kelly wanted her son to be whole.”

Claire nodded in agreement. “She’s right. Jack should be allowed to be his entire self. No hiding. No changing or compromising for others.”

Cas smiled softly, and then it fell while he stared at his hands in his lap. “I suspect now that Dean is mostly upset about the disappearance act, but...I’ve been keeping the distance so I don’t have to lose everyone. My siblings already dislike both Winchesters.”

A small laugh escaped Claire. “Figures.”

“And….I do actually quite like this house. It’s peaceful here. Unlike their bunker...which is filled with rooms of unknown and dangerous items.”

A glint of excitement shone in Claire’s eyes. “Are you sure? Sounds like a fun place to explore and grow up in.”

Cas shook his head. “Jack deserves sunshine and windows...and a life unmarked by hunting…..well for as long as I can give him.”

Claire nodded, and they both sat there in silence with their thoughts for a while. Eventually, Claire’s eyes moved back to Cas and the sorrow exuding from him. “If Dean left the bunker to help you with Jack out here….would you want that?”

Cas was silent for a long time. Claire couldn’t make heads or tails of his expression. Eventually he spoke in a hushed whisper. “I miss him.”

“You should ask him instead of making his decisions for him.”

Cas’ eyes darted back to her for a moment. He stared, and then he pointed at the laptop. “So what kind of movie were you thinking?”

#spn #supernatural #castiel #claire novak #baby jack truthing #jack kline #baby jack kline #my writing #An Angel's Vow

32 notes · View notes

cowboyified · 3 years

Text

Below are some WIPs I’m releasing into the wild. They were all written at different times over the past two years so any mistakes/cliches you can blame on past June, I don’t know them.

Go, be free.

This first one I think is the one I’m most fond of. I had such a vision for it; bottlecaps in trees, river swimming, making out against the fridge, all that good stuff you get with weecest.

The summer Sam is seventeen they stay in one place for long enough Dean starts referring to it as ‘home’.

It’s an old farmhouse, miles from any other structure, bar an outhouse and hay shed. There’s a porch running the length of the front and back, the wooden boards pulled up from their nails, wavy with the weather. Weatherboard paint peeling, wallpaper inside torn and missing in most places.

They’re squatting, technically. The property owned by a family saved by hunters once, friends of friends of Bobby’s, too distraught by what they’d witnessed to raise their kids on cursed land. Dean had told Sam that Dad had been told by Bobby that had been told by Pastor Jim that it was chupacabras. A whole pack of ‘em, feeding off the lambs in the back paddock, tried to take a bite out of the baby girl and Sam had said, “As if man, those things are tiny, I’ve seen pictures, you could kick one and it would limp away like a fucking chihuaha, you scared of chihuahas, huh, Dean?” But Sam still hikes his sheet up under his chin when he hears scuffling under their window between sleep.

There’s remnants of the house’s past inhabitants still scattered around the place. Sam had stood and slid two inches on the wheels of a tiny replica car that had been jammed under the couch the second day they arrived, piffed it at his brother’s head, who’d caught it, exclaimed that it was Camero, dude, treat her with some respect and had sat it on top of the fridge.

The bookshelf in the corner of their shared bedroom holds mostly dust and tattered occult books stolen from libraries from all over the country, left by hunters who have found what they’ve needed and moved on. There are a few of the worst Stephen King novels shoved haphazardly on the top shelf and Sam finds something funny in that, the irony in enjoying bad horror when the real deal lurks behind the screen door.

Dean gives him a look when Sam pulls down and cracks open a copy of The Tommyknockers, snorts, “Haven’t you read that one already?” and Sam says, tucking himself into bed, “Yeah, it fucking sucks, King was royally off his head while writing it, that’s why it’s so good.” Sam finishes three quarters of it in one sitting while listening to Dean’s quiet snores from the other side of the room.

It’s a ten minute drive to the closest town, an off the highway, invisible to the outside world, kind of one-street community. No reason to take the exit if you don’t already know it’s there, one store, one gas station, one bar in an old brick post office building, unfitting, the carpet pulled up at the corners but home to the best fries Sam has ever had in his life.

Sam follows Dean out to the courtyard, neither of them are legally old enough to drink but there’s nothing else to do but to get respectably drunk in a place like this, anyone that has lived long enough in the true country is some kind of functioning alcoholic, so Dean orders a beer and isn’t asked for ID. In a town small enough for everyone to know every intricate detail in the threads of dirty laundry, they are foreigners. No one knows where they’re from or where they’re going and Sam knows that Dean likes it that way.

It’s never been a secret that Sam prefers to feel like he has a part in everyday normalcy. Dean thrives under anonymity, gets a kick out of it because it makes him feel dangerous. He had stopped accompanying Sam to school two states ago, a silent agreement with their father when Dean had come home early and helped John cut splits into the tips of bullets instead. Like hell I’m signing up for compulsory extra curricular activities. What’s the point in making friends with people whose biggest concerns are the answers to whatever bullshit test and who fucked who last Friday?

Finding comfort in a nine-to-five kind of community is a flaw Sam’s been burdened to deal with.

It’s early afternoon, the courtyard is empty and the table they chose rocks on its legs every time Dean slides his drink over for Sam to share. It’s bitter and Sam hasn’t had enough beer in his life to know if it’s supposed to be like that or if it has just soured from the long journey it took to get from the brewery to their glass. He drinks it and doesn’t grimace because his brother is looking at him through the rays of warm country sun.

“Tastes like piss, huh,” Dean says, leaning forward out of the light so Sam can see him clearly again. He takes back the glass.

“S’not that bad,” Sam replies, rubbing the leftover condensation into his hand, doesn’t look at Dean, finds it hard these days, twists in his gut all wrong. Sam knows why.

His brother hums, “There’s gotta be something else to do around here.”

Sam thinks, Dad’s left the car, we can go wherever we want, but doesn’t say it because his brother is loyal to a disastrous fault.

That’s a recurring thought. Sam in the shotgun seat, his brother behind the wheel, driving away. Just away, to someplace else and they’d be okay because they’d have each other and all Sam ever needs is his brother, like water. But John will be back in two weeks, term starts again in a month and he needs his father to sign the enrollment forms. Two more years.

“You see the old dredge outside of town?” Sam asks, remembers passing it when they arrived, all twisted, rusting metal, the bones of it against the setting sun.

“What did I tell you about respecting your elders?”

“You told me that they all smell like porridge and are easily susceptible to sleight of hand. No, Dean, Dredge,” Sam stresses. “Big rusty old machine that pulls minerals out of water.”

“Looking to strike big, Sammy?”

“Yeah, you see, my family is poor, brother at home too dumb to get a job. Our father went to get milk and never came back,” Sam sniffs for effect. “I can’t go home empty handed again, sir.”

“Ah, a real sob story,” Dean nods in understanding, tips his head back and finishes the beer. “Let’s get out there then, sonny. We shan't let that simpleton, downright fool of a brother go hungry.” Dean jabs Sam in the ribs when he stands, hard enough for him to gasp, gets Sam’s head under his arm before he can recover. Sam claws embarrassingly at his brother’s torso, face pressed warm into the side of Dean’s waist.

“I will pray for us young Samuel, for I too, dream of riches,” his brother is exclaiming, tripping them out and onto the street. “I only ask that we share whatever bounty dredged as I saw the most exquisite pony a few miles back and I simply must have it.”

And Sam thinks - with his flushed cheek hard against Dean’s skin through the thin sweaty fabric of his shirt, heart beating too fast against his ribs in a way that has nothing to do with exhaustion - you can have it all.

---

Sam’s brother’s perpetual state of being is ten miles over the speed limit; this can be applied to almost every aspect of him. Dean goes and goes and rarely stops. They’re pushing double that out of town, north of their property, into the forever stretch of flat land and Sam loses himself in it. That idea of away, of going and going and that Dean could take him because he’s an expert in the field.

The Impala blasts Born To Be Wild and Sam imagines the lyrics spreading out over the dry grass. He rolls the window down and throws his head out, trying his best to keep his eyes open against the road’s wind. The sun beats down, warmth soaking through and into his bones and Sam laughs as the cattle turn to catch a glimpse of them soaring.

Dean pulls him in, tugs at the back of his shirt, says something along the lines of, what are you, a dog? Should get you a shock collar for all the times you’re a little bitch, but Sam can’t hear him over the roaring of the open window and the look of transparent glee on Dean’s face, it’s loud and assaulting and Sam has to turn away because seeing Dean like that wobbles him dangerously from the nonchalant facade he has going on in relation to how he feels about his brother. But mostly his face hurts from smiling too wide.

Used as a warm up last year. Boyking!Sam

He thinks he’s in Louisiana, maybe. That he got here in the tray of a pickup and that he couldn’t feel the wind in his hair like maybe he should. The driver had stopped for a piss-break and Sam had snapped his neck without his hands.

He rubs them together now, tries to feel guilty but there’s nothing to feel guilty about because his hands are clean; he doesn’t have to use them anymore.

Sam thinks he’s in Louisiana because he stepped out of the truck and into a wet kind of heat. There’s a church with thick greenery growing over the roof and white wood that’s been mold-blackened by the humidity. He laughs to the darkness because it's very funny to him that he’s driven himself subconsciously to a place of grace.

He skips up the steps, two at a time, gleefully. The smell of the bayou and rotting wood has put him in a good mood. The lock snaps when he blinks, the chain unraveling and snaking into a coil at his feet. The doors open for him and maybe he did that with his mind too, or maybe they were just expecting him.

The church has been used recently, its interior better kept than the outside, bibles tucked neatly in the backs of pews, ribbons tied into plaits. The white of the moon falls in blankets through the windows, shadows of leaves moving over the floor like rippling water and the bust of Mother Mary prays for him at the altar.

Sam spreads his arms and addresses her, says to the room at large, “Shall I repent for my sins, oh Lord?” and it echoes, gives him goosebumps, a current under his skin. He has an audience here because God is omnipresent, this is a place of worship and Sam has always been good at that.

A church in Louisiana, standing before a plaster of his mother’s namesake in a church for a God he used to think could have some defying factor in a destiny that was always going to be concrete. It’s funny, blatantly. Sam puts his hands gently to Mary’s cold face, kisses her on her lips before crushing her head, spraying ceramic.

Sam stands behind the lectern, hands red with his own blood now, sticking the pages of the Good Book. He’s read it before anyway.

“Am I to be forgiven?”

Last is a casefic I had planned out in 2019. I didn’t get very far into the actual writing part of it, but I still think the setting is cool, less so the plot I had in mind.

Just outside of Bridgeport, Connecticut there’s a community built on a sandbar. A small secluded semi-island, connected to the mainland by a mile-long beachfront. A town of forty to fifty now abandoned, vandalised residences.

The police find the bodies of the boys there, bleeding out and into the sand, each other’s skin caught under their fingernails.

Sam watches as his brother pulls the sheet back from one of the corpses, laying blue on the steel morgue tray. He’s a kid, a boy, not even eighteen. Hairless, lanky, multiple stab wounds puckered around his belly and Sam thinks he does not look peaceful for someone who is meant to be at rest.

Dean is quieter than usual, his body language stiff. They’ve seen their fair share of dead kids but Sam thinks that this one might look a little too much like an adolescent version of himself. Shaggy brown hair, too long limbs, college on the horizon. Sam blankets the sheet back over the boy’s face and hears his brother exhale in what he thinks might be relief.

The coroner tells them that the other two are the same, besides the youngest one. He’d been blinded, thumbs pushed through his eyes until they popped like grapes. He asks if they want to see him too and Sam says no, thank you, we’ve got what we need.

Which is a whole lot of nothing, but they’ve only just arrived and there’s evidence that doesn’t involve corpses that needs to be checked.

“Pussied out in there huh, Sammy?” Dean says as they’re walking down the funeral home’s front steps, past the manicured roses and trimmed lawn. You see these perfect hedges? We’ll treat your dead mother with the same detailed care!

Sam pulls at his tie and scoffs because he knows he wasn’t the only one uncomfortable standing in the morgue; cases that involve kids always rub them both wrong.

#wip dump #wincest #my words

18 notes · View notes

sara78 · 4 years

Text

SPOILERS FOR 15X20 AHEAD

Okay, I'm ready to get as much hate for this as possible.

But I liked this episode.

The barn scene. Okay, lemme be honest, I didn't expect it to end like THAT. But it did, it just happened in the blink of an eye, and when you think about it, that's what hunters life is all about.

People go like "hE fOuGhT gOd bUt DiEd fRoM a nAiL wTf" please, think about the fact that thing was long af, and was huge. He was slammed into it, it probably went through his spinal cord. As he said it himself, getting him from it would just kill him faster. There was nothing an ambulance or first and ait kit could have done.

And knew that was going to be his final moment, right there, with his brother.

"Stay, stay with me. Stay with me, please"

Dean Winchester begging. Not for help, not for anything else but for Sam to stay with him. I'm thinking about it now and I think he's at that point, after everything, afraid to die alone. Probably his fear was to be left all alone, without anyone. To die in pain and not to have anyone by his side.

He was begging Sam to stay because he needed him for one last time. Needed to take a look at him and see that the life he lived, full of pain, horror and death wasn't for nothing, because Sam grew up to be a wonderful man, and Dean was proud of himself for once, proud that he was the reason Sam was a man he is.

And because Cas reminded him that he raised his little brother for love. Not just because he had to. But because everything he had was Sammy.

"You knew it was always gonna end like this with me. Saving people, hunting things, it's what we do man"

Dean never got a chance to live a normal life. Even though he fought so hard (and won) to be free, out of Chuck's story, after he was finally free, he still remained the same.

He knew that the apple pie life would never settle with him. He had a shot at it, and he came back, not being able to resist it, even though he had a family at home, waiting for him to come back.

Dean was raised to be a hunter. Raised to be a good little soldier. He never went to school, never had free will to that extent like Sam did. Dean was still the hunter, the man who's carrying so much on his shoulders. Dean knew he was going to go out like that. He wanted to go out like that. Guns blazing, fists swinging.

And, I'd like to point out - WE DO. Not just Dean, but Sam too. Without Dean, Sam's a whole another person. And so is Dean. Without Sam, Dean is lost. He always feared of living a life where his little brother isn't alive.

And you know what hurts? The fact that he was okay with it all. He knew he was going to die and he was fine with it. He was smiling, he was happy.

"No, no bringing me back, okay?"

He was tired of coming back, and never learning a lesson he should learn. He was tired and he wanted peace.

"Lemme look at you. There he is. I'm so proud of you, Sam"

He managed to, on his death bed, pull out that he's proud of him. He rested his hand on Sam's shoulder, bringing him to solid ground because he could see the pain and the fear in his little brother's eyes.

And Dean, Dean needed to take a look at him and see that the life he lived, full of pain, horror and death wasn't for nothing, because Sam grew up to be a wonderful man, and Dean was proud of himself for once, proud that he was the reason Sam was a man he is. The things Cas said to him, they settled in. And he realized that he was the reason Sam was shaped in a man like this. And he was proud.

"I've always looked up to you"

Dean pointed out that not necessarily the big brother had to be a model. Dean sure was for Sam, but the differences in their personalities is something that couldn't be changed. Sam was stubborn, strong, always trying to write his own life. Dean never tried. He had to be a good soldier because it was just easier than to fight, but Sam didn't want to. Sam was always the smarter one, and that's what Dean looked up to. That's what he was proud of.

"And you're stronger than me. You always have been"

Dean wasn't ashamed to say that. He was proud to admit that. He was proud to say that Sam has always been the one holding him together. Even when they fought, had their disagreements, Sam was always the stronger one because he didn't always got touched with the fact that they're family, like Dean did. Sam had a different perspective. He could walk away from Dean, but Dean could never walk away from Sam.

"I was scared"

Dean was scared. All these times, Dean was scared. People never saw because he kept it hidden. He was rough on the edges but very few saw that he was suffering far more from what he showed to the world. Normal hunts, yeah, he can do those solo. But he grew up with his baby brother. He didn't knew for better. They were always together, and when their dad hasn't been home in a few days, he was scared to go through that alone. He wanted to have Sam by his side, because if anything goes down, like it did, he was everything he had left.

"I can't do this alone"

"Yes you can"

"Well I don't want to"

Thank you for shattering me with that one.

"I'm not leaving you. I wanna be with you. Right here. Every day you're out there, living and you're fighting cause you, you always keep fighting. You hear me? I'll be there, every step. I love you so much. My baby brother."

Always keep fighting. JACK, THAT HURTS! And the chick - flick moment. And the fact that Dean knows he will forever rest with his brother. And the smile. He was happy to go. You know why?

Because he knew that Sam would have a chance at normal after he's gone. Dean all too well knew he was the only thing stopping Sam from leaving this life.

What hits close to home is the fact that Dean Winchester, man who was never good with words, emotions, managed to pull out "I love you" for his brother.

"You see light at the end of this ugly ass tunnel, I don't"

Dean knew that he was never going to be able to walk away from it. At the end of the day, that's who he was.

But Sam, Sam was always so strong and wanting a change. He wanted something else in his life, something more than pain, horror and death. And Dean knew that Sam needed a leverage. And his death, he knew that would be the final string that would make Sam hang the shotgun and the salt and turn around from this life.

Everything Dean ever fought for was Sam's safety. And now, knowing that the God won't mess with them, he was ready to let go. He didn't want to come back and anchor Sam when Sam had a shot at a normal life, and Dean had a shot at peace.

"I need you to tell me that it's okay"

And in that moment, Dean is slowly but surely losing the battle. The pain is becoming too much to handle, numbness is swallowing his face. And Dean was scared to let go, and he needed his little brother to reassure him. He needed him to give him a green light, to know that he deserved rest, peace. To know that he will keep fighting after he's gone and that he won't have to worry about that.

And Sam gave it to him. He allowed Dean to let go. And the look in Dean's eyes softened up, like he was glad that his brother finally had the courage to let him go. He let out a sigh in relief, and gave in with a smile on his face and tears on his cheeks.

"Goodbye Sam"

Dean let go. The hand falls, and he's at peace.

This was a proper goodbye for the two of them. After so many years of losing each other, a goodbye like this was something that they both deserved.

"But when that day comes, if that day comes. Sam you have to take it for what it is. And you have to promise me, that you'll do then what you can't do now. And that's let me go"

Sam lets his big brother go. He knows he's at peace, he knows he was happy to go out like that. He knows Dean was tired and he wanted this.

And so, he moves on too. I'm sure he had points where he just wanted to give up. Nights when everything was too much and he wanted to give up. But he remembered that fist on his chest and those words "always keep fighting" and I'm sure that they guided him for the rest of his life.

He moved on but never forgot. The impala is still there. There's a kid he named after his big brother. He was living a life, knowing that Dean was happy for him, that this is what Dean wanted for him.

"Heya Sammy"

It felt so nice seeing them together again. As Bobby said, time up there's different. Who knows how long Dean has been in heaven before Sam came.

Now, they have their peace together.

Cause at the end, it wrapped up how it began - with a reunion of two brothers.

P.S - I wanna apologize for every possible grammar/spelling mistake in this. I usually don't write here because I'm too insecure about my English since it's not my native tongue, but I had to get this out. Seeing so much hate towards this end really hurts me and I know I'm probably gonna get a load of hate but that's not gonna change the fact that I loved this.

#dontspoilthefinalhunt #jensen ackles #dean winchester #supernatural #s15 #spn spoilers #supernatural final season #jared padalecki #sam winchester

70 notes · View notes

fireheartwraith · 3 years

Text

So, I decided to watch Fate: The Winx Saga after some deliberation (I saw the trailer and it looked cool). As I never watched the original Winx Club, I'm coming into this pretty much blind to the lore, so if you want to know what someone that doesn't have the "it's different from what I wanted" baggage thinks of the show, let's go!

Episode 1 and Episode 2

• Ooh, this is giving me flashbacks to my first day of university... Luckily Pedro is a good soul and saw me just standing there and asked me if I was a freshman (yes), if I was lost (very much so) and if I wanted help (please)

• I can tell the the show wants me to ship these two because meet cute but... I didn't think it was cute. He was kind of rude in the beginning and it wasn't *sparkles* it was small talk. My talk with Pedro was pretty much the same, except he was nicer. Being a decent person doesn't mean romantic attraction, Show, if you want me to ship this you will have to try harder

• Oh, he's the ex

• Something tells me Stella wasn't this bitchy on the original show. I am not here for the female rivalry, specially if it's because of a basic white dude

• I have never related to someone as much as I relate to Terra since I too tend to talk too much, too fast, and overshare to make up for my insecurities and anxiety. My mom is the plant gal though...

• I want a succulent!

• Bloom, who the heck talks on the phone with the speaker turned on in a room full of people you don't know???? Show wants me to believe you're an introvert when you pull this shit???

• I love Aisha

• I also love Musa

• Is a burned one kind of like a werewolf? Where if it scratches you, you turn into one? If that's the case, is there a way to get them conscious again? Like the wolfbane potion in Harry Potter

• I'm gonna pretend everyone is over 18 bacause I can't handle another Riverdale

• ........ everything changed when the fire nation attacked

• I'm sorry but you can't talk to me about the elements and expect me to not think about atla

• Being an empath in high school must suck. All that teenage angst....

• Changeling! Makes sense. My bet is that her father is the leader of the burned ones and the principal is her mom

• I get that she's missing home and normality but her mom was a bitch

• I'm glad they revealed this now and not at the end of the season, when literally everyone would know

• Stella quit being a bitch

• I expected the princess of Solaria to be a fire fairy, not an air one....

• Riven and Beatrix deserve each other

• Protect my gay baby!!

• MAGIC LESSONS

• Bloom needs to meditate and Stella needs to chill

• What kind of human parents name their child Bloom??? Aisha sounds like a human name, not fucking Bloom. I bet it's a white people thing, like Ashleigh

• Stop being mean to Aisha and Terra! They're just trying to help!

• Musa really found the one bitch in this place that doesn't have anxiety and went 👀 huh

• No! Don't use anger! Are you the only kid that never watched A:TLA?? Have you learned nothing from Zuko???

• No! Don't follow the whispery voice in the woods! That's how people get killed in horror movies!

• Oop, that's a lot of bodies

• Something tells me that burning a burned one isn't going to help

• Aisha to the rescue!

• Gross

• SO THERE IS A POTION

• Silva is a really common surname here in Brazil.... We're fairies confirmed

• Oh, they are going to pretend that Sam being Terra's brother is drama worthy huh

• Stella quit being a bitch /rt

• Yes! BOND

• huh

• That's different

Episode 3

• Have I already said that Aisha is the best??

• I still don't get what the specialists are. One the first episode Sky told Bloom "you are a fairy" as if he isn't one, and the only thing I've seen specialists do so far is fight with sticks. What are they doing in magic school?

• So, Silva can't get better until the burned one that infected him is dead? I'm pretty sure there's something like this in vampire or werewolf lore

• Is Silva Sky's dad or something?

• MAGIC LESSONS

• Don't go to the dark side Bloom! Beatrix bad!

• How many headmasters does this school have??

• Oh yeah, this dude is evil too. I forgot he existed

• Uh, do all hetero coupled do cringey shit like that?

• My mom starts talking to me about something she was thinking about as if I have the context ALL THE TIME!! We're all Terra #PowerToTheNerds

• But I'm more of a coffee addict than a tea aficionado

• Oh thank god they are using km

• RIP Silva

• Aaawww suite to the party!

• Okay but grown ups gossiping while being 100% of what the youngsters are trying to hide is my favorite trope ever

• All these pop songs are going to age the show

• Terra that was so awkward omg

• What the fuck Stella???

• How old do fairies get? Like, do they live for centuries?

• Is it bad that I discovered what shotgunning is through a smutty wolfstar fanfic? 😬

• Rosalind? Former headmistress Rosalind?

• Oop, another dead body

• Oop, Silva..... F 😔

• Bloom can't you listen to Aisha for once??? You are going to get yourself killed

• That's a sweater, not armor

• Because that's not creepy at all

• You could at least have phoned a responsible adult before running off into the forest looking for a toasted slender man

• Your suite mates don't qualify as responsible adults but it's better than nothing I guess

• Oh look, a portal to another dimension!

• Look! A responsible adult!!

• Oh, he's still alive

• Oh wait, nevermind

• Did she just Thanos him?

• Hugs!

• I still don't get what the specialists are

• My best friend in high school was adopted so I'm having flashbacks... Her birth parents got in contact after almost two decades of radio silence. It was a very difficult time for her, with lots of different and sometimes opposite emotions about the whole thing. In the end she accepted that whatever happened, happened and that the mom that raised was her real mom, no matter her faults. I hope that Bloom can get to the same conclusion

• Alright, I wasn't expecting Rosalind to be in magic cryogenic coma

• Why can't they meet? Is Rosalind evil or something?

Episode 4

• At least now Bloom is aware that her friends have their own lives and aren't they just to be her sidekicks

• Girls sticking together!

• Still don't get why Musa needs to hide her relationship with Sam.... If I was Terra I would be more upset that my friend was hiding the relationship from me than the relationship itself

• Last episode was Sky's daddy issues, so this one is Stella's mommy issues. And, of course, the whole show is about Bloom's issues (general)

• The Queen of Solaria is named Luna?? Huh

• This episode is also about snooping

• I'm going to find whoever thought hdr was good idea and force them to watch something on Netflix when the screen is so dark you can barely see what's happening

• I'm going to pretend that's a p!atd reference

• I'm going to pretend I didn't hear 2004

• Can the camera stop spinning, I'm getting dizzy

• Anakin noooo

• Rehabilitation magic?

• So Queen Kindness is not so nice after all

• I want to give Sky points for figuring it out but let's be honest here, it was not that hard

• When did they name themselves "Winx"? And what does that even mean?

• ANAKIN NO

• Good for you sky

• Yes! Tell the responsible adults!

• Push her

• So your parents were from Aster Dell

• Well they both are redheads

• Oh sweet Anakin...

• SEE???

• Silva that's shady as fuck

That's all for now! I will watch the rest, but don't know if I should make another post or just edit this one...

#fate: the winx saga #ftws #ftws spoilers #ftws reaction #fate the winx saga spoilers #bloom #bloom x sky #terra #musa #stella #aisha #am i forgetting someone #sky #riven #beatrix #dane

42 notes · View notes

carriagelamp · 3 years

Photo

I read more books this month than I anticipated. I should probably wait before doing a February book round up, but I already feel like I’m struggling to decide which ones to cut from my list so I’m doing it this weekend instead of next. If I read much next week I’ll bump ‘em up into March’s round up

Asterix and the Missing Scroll / Chieftain’s Daughter

I got the last two “new” Asterix books out of the library so I could officially say I had read them all. Over all my opinion is… they’re fine! None of these would ever become one of my favourites, but they’re all fine stories. The art is good, it is completely in-line with the original, and the stories are… fine. I liked The Missing Scroll quite a bit more than The Chieftain’s Daughter but I never find a ~hurr hurr teenagers~ plotline that interesting, whereas I do enjoy seeing Romans get chased down by unicorns so that’s probably not surprising. There’s some spark I can’t put my finger on that the new Asterix books just seem to be missing though… a bit of humour or cleverness or something. Still, they’re fine reads if you’ve been hungry for more Asterix and I’m glad I read them. (Though the library gave me the American translation of The Chieftain’s Daughter, something I didn’t realize until I started reading and realized that this is wrong??? I’ve been reading these books since I could read and I know this is wrong??? What the hell is happening??? The I realized the publisher was different and I simmered in fury the whole time I read it — WHY ARE YOU CHANGING NAMES AND WORD CHOICES IN A WELL ESTABLISHED SERIES THAT ALREADY HAS AN ENGLISH TRANSLATION YOU ANIMALS WHY ARE YOU DUMBING DOWN THE LANGUAGE AAAUGH

The Bride Was A Boy

This one was cute! The Bride Was A Boy is an autobiographical manga written by a transwoman recounting her experience with transitioning, meeting her boyfriend, and eventually getting married. It’s mostly done in a 4-panel style and is interspersed with lots of information about the LGBT community, particularly in Japan. A lot of it was stuff I was already familiar with, but I still found it adorable and a very worthwhile read. it would be a fantastic book for young queer people who are looking for more of an introduction into international queer space

Cul de Sac: Children At Play

Cul de Sac is just a weird, fun newspaper comic series about the children who live in a small neighbourhood. It fully taps into the children-as-semi-feral-chaos-agents, and there’s something hilariously nostalgic about the whole thing. Lots of times when stories try to portray children there’s always something… wrong about it, something that doesn’t mesh with true childhood, but in this comic I can see glimpses of my grimy, dirty-covered self as a preschooler running around the pages. I would definitely recommend trying them!

The Cremation of Sam McGee

I reread The Cremation of Sam McGee and The Shooting of Dan McGrew and man, they don’t stop being buckwild. These are two really famous Canadian poems that were then illustrated by equally famous Canadian artist Ted Harrison. Harrison’s style is gorgeous and distinct and given what strangely grisly stories these poems are they fit the mood perfectly. Everything feels just a little tilted and wrong and unsettling. If you enjoy an occasional poem (especially ones that are super fun to read out loud) and haven’t read these before, I would recommend them! Or do what my teachers did, and read Sam Gee to a young child in your life and watch them be baffled and concerned and horrified.

There are strange things done / in the midnight sun / by the men who moil for gold...

The Gryphon’s Lair

The second book of the Royal Guide to Monster Slaying series written by Kelley Armstrong; I’ve been eagerly awaiting this book! It’s a very cool fantasy series because it really leans into environmental stewardship and the importance of studying animals and conservation so you can find ways to live alongside a healthy ecosystem. In this book Rowan is officially accepted as the Royal Monster Hunter, which means a whole new set of trials and burdens. She has to contend with a baby gryphon that is becoming increasingly large and dangerous, plotting family members, doubt about her abilities, a potential curse, and a daunting quest deep into the mountains in order to set things right. If you’re looking for some very gentle high fantasy, this series delivers.

Hogan’s Heroes comics

What to say here. Anyone following this blog has suffered the knowledge that I’ve been rewatching Hogan’s Heroes lately. When I found out that there was a short-lived, shitty comic series in the 60s? Of course I had to hunt them down. And so I’ve read them! And they sure were a shitty comic series from the 60s! They were, shall we say, of wildly varying quality. Some were actually really funny (like #5, it easily had the best art and best jokes imho), others were a slog, and most were fine and amusing enough to read the whole way through but not much more.

If you don’t know what Hogan’s Heroes is about: it was a 1960s sitcom that took place in a WWII POW camp, in which the Allied prisoners trapped there had a massive, complex sabotage/spy ring right underneath the camp. The whole show is about constantly outwitting the bumbling Germans while keeping up the pretense that they’re all just normal prisoners. The show is hilariously funny and I would recommend that, even if I can’t say the same for the comics unless you’re like me and are just really thirsty for more content...

Magic Misfits: The Fourth Suit (Ripley)

The final book of Neil Patrick Harris’ middle grade series, The Magic Misfits. In this fourth book, the group is fragmented and forced to meet in secret to avoid notice from the mysterious and powerful Kalagan whose cruel machinations have already turned the quiet little town on its ears, putting people’s lives in peril and destroy Leila’s fathers’ magic shop. The Misfits are going to need all their skills to finally unmask this sinister magician and break the mesmerism he seems to have placed over the entire town before it’s too late to save no only the town, but their friendship and trust.

Super charming series, and the illustrations are gorgeous.

Marsupilami

HOUBA! I watched a very bad TV adaptation of this as a kid that still managed to find a place in my heart, and so I decided to finally try reading some of the original comic! On one hand: it was exactly what I had hoped! The art is cute, the marsupilami is so dynamic and fun to see on the page (and has a way better characterization than he does in the show), and it’s really funny! Unfortunately! It is also pretty racist! Yikes! That seems to be a reoccuring downfall for some of these older Belgian comics... I also tried reading the first book of Les Tuniques Bleues and aye ye ye… I couldn’t actually get through that one. That being said, these were older volumes and frankly, North American media was also real fucking racist at that point so I’m not gonna write them off either. I really liked most of this book, and will probably try to get my hands on one of the more recent volumes of both Marsupilami and Les Tuniques Bleues to see if they get better with time. (If you’ve read either of those series and have volume recommendations hmu)

The Pagemaster

I’m a sucker for novelizations, I have no excuse beyond that. I recently rewatched The Pagemaster and decided to read the chapter book. And it was a solid little adaptation! It’s about Richard Tyler, a young boy with a head for statistics which unfortunately means he lives in constant fear of (in his opinion, statistically likely) injury or death. However that fear is put to the test when he gets caught in a horrible thunderstorm and has to shelter in a nearby library with halls and shelves that stretch beyond the imagination and with untold perils hidden among the pages of the books. Richard, with only his library card and three novels that hope to be checked out, has to venture through the different genres and horrors housed int he library if he ever wants to find the exit and get home to safety.

Pumpkinheads

A very charming little graphic novel. Cute art, and really loveable characters. Josiah and Deja work every year at a local pumpkin patch, and are best friends during those weeks. However this is their last year working there before going off to university and as the last day at the patch comes to a close they realize that they both still have regrets. Deja sets off on a mission to avoid work, eat all the interesting snacks around the patch, and get Josiah to find the girl he’s been crushing on every year and has never worked up the nerve to talk to.

After being deprived of human contact for almost a year, this book really hits you right in the heart.

The Screwfly Solution

A deeply upsetting scifi/horror short story! I read it on the recommendation of a friend and, yes, can confirm that this fucked me up a bit. I honestly don’t even know what to say about this that wouldn’t spoil it, but frankly with everything being as it is, this hit a little bit too close to reality. (That being said, it was very well written, like this is a very good story on a literary level and it does exactly what it sets out to accomplish.) If you feel like reading twenty pages and being really disturbed, give it a go! Otherwise go and read any number of the much happier books on this list!

The Whipping Boy

This was a book I remember reading as a lit circle book back in elementary school and really loving. After telling myself I’d reread it for years, I finally sat down with it again. If you somehow got through school without reading this one, it’s about a brat of a prince and his whipping boy — since it would be unspeakable to strike a prince, when the prince misbehaves it is Jemmy who gets whipped. Unsurprisingly, there is no love lost between the two of them, because the prince is always intentionally causing problems that Jemmy has to suffer for. Things begin to change though when the prince decides to run away and drags Jemmy along with him. On the run, being chased by highwaymen, and desperately trying to hide their identities, these boys go on a fast-paced adventure beyond the castle walls. It wasn’t as special as I remembered it being as a kid, but it’s a fine little chapter book.

36 notes · View notes

spnwatch · 3 years

Text

Season 2: The Rankings

Whew. Oh boy.

They were still puttering about in season 1 to an extent. But now? Now they’ve really hit their stride. This season was a veritable chocolate box of delights and I ate my way through it. The overall myth arc was kind of nonsensical, but that emotional throughline? Christ. Spn buries SO MUCH emotional complexity into its leads, and they cashed in every cent in that two part finale. It packs one hell of a punch. And yeah, okay, I knew the broad strokes, the twists and turns. It’s hard not to be spoilered for a season of tv that aired over a decade ago. But reader! It mattered not!! I. Still. Wept. That’s when you know it’s the good kush. 1.) 2x12: NIGHTSHIFTER. This one just snagged the top spot by merit of its sheer ambition. Supernatural often feels like a very empty universe to me, just two guys and one car drifting from place to place. Which is fine, it makes for compelling TV, but they totally flipped the script here and this episode really dazzles precisely because of that contrast. It’s a huge, cinematic episode, a metropolitan setting full of uncontrollable elements, and it’s great to see Sam and Dean so profoundly vulnerable. The outside world is pressing up against the windows. They have sniper dots trained on them! They are, literally and figuratively, out of their depth! We’re not in Kansas any more, baby. God, I haven’t even mentioned the supporting characters. The entire mandroid rant deserves an Emmy. Victor Henrickson’s entrance! Heist movie antics! Agh! 10/10

2.) 2x07: THE USUAL SUSPECTS. Again this episode was a cut above precisely because it showed us what the brothers look like from the outside: sketchy as all hell. It’s so good when reality ensures, because it’s great to be reminded they lead objectively insane lives! Through Linda Blair’s eyes we get to see just how unknowable, feral and amoral they appear to the eyes of polite society. Put under a microscope like this, they’re scary guys! They’re just not socialised like normal people. They don’t really care about being arrested, or about the felonies. Getting arrested is an irritant above everything else. They’re still working the case from the inside. They’re professionals; excellent liars, and totally in sync with each other. The handwritten notes they pass, like delinquent school kids! A delight! The thrill lies in watching Blair slowly unwrap their strange logic, and unravel the mystery of both the brothers and the ghost. Ugh, what a great perspective shift. I’m 100% here for it. 10/10

3.) 2x09: CROATOAN. Ugh, this setting. Small Town Gothic, complete with eerie mist, hostile locals and creepy Stepford vibes. Sam really shone in this episode. He’s so soothing and giant, and it made his suffering at the end all the more devastaing. The real reason this episode ranks so highly is their conversation in the surgery. It just killed me. Dean’s sheer, bone-deep exhaustion, his admission that he’s tired of the life. Sam’s despair, because he knows Dean won’t leave. The performances were so steller. I can’t even really think too deeply about it because it makes me too crazy. 10/10

4.) 2x21: ALL HELL BREAKS LOOSE: PART ONE. I loved this finale so much more than the finale in Season 1, LOL. It might just be because I’m more invested now, who knows. The opening of this episode is a piece of art: Boston playing on the car stereo, the rain, the small cafe, the lighting. Gorgeous. I love when they have to interact with ordinary people! It adds so much: texture, humour, personality! It draws things out of Sam and Dean that we just don’t see when they have each other to bounce off of. It was so good to see Ava and Andy again. “I just woke up in freakin’ Frontierland!” The gang’s all here, folks! This episode would rank higher, but recieves minus points for the long boring speech the demon gives Sam, and killing off the first gay in the show 0.2 seconds after her introduction. Anyway. The ending of course unzipped me; Dean cradling Sam’s dead body, muttering “It’s okay, it’s not even that bad.” The elation of their reunion, so devastaingly cut short! Sam, twenty two years old, bleeding out in the mud. The sheer, hopelessness of it all. The horror. My notes for the end of the episode simply read: “Dean oh Christ. Oh my God. Oh no.” It’s just one of those scenes that stay with you long after the credits start rolling. 9/10

5.) 2x20: WHAT IS AND WHAT SHOULD NEVER BE. I never thought I could be so profoundly upset by watching a man happily mowing a lawn. Dean’s trauma over the loss of his mother has undercut the whole show up until this point, and here it bursts to the fore. What really got me was the simplicity of it all. Just a sit-down dinner, an engagement. A beer on the porch. Fuck, he deserves it. He deserves everything. All the performances were great, they really served to show there’s a whole life in these AU characters. The fact it wasn’t all perfect was bizarrely more devastating. AU Sam’s weird straight hair and dorky jacket sealed the deal for me, as did his baffled terror in the warehouse. But even here, with no training and no idea what’s happening, he gets into the Impala! Because that’s his brother! Because I’m a huge baby I had to remove points because of how upsetting I found Sam’s quiet hostility towards Dean, HA. But that’s really just a testament to how well-realised their dynamic has become by the second season. 9/10

6.) 2x15: TALL TALES. Every single thing Sam does in any of Dean’s memories. Also alien slowdance set to “Lady in Red.” Also Bobby breaking them up like they’re petulant children. Gold, all of it gold. 9/10

7.) 2x11: PLAYTHINGS. So I’m a slut for a cool setting, obviously. Turns out, Supernatural did The Haunting of Bly Manor fifteen years ago. The swimming pool! The attic! Creepy dolls! The weird little playground! This episode has it all! I loved the saga between the ghost sister and the old lady, which would honestly make a killer movie in its own right. But I’m digressing. The main star of this episode was, of course, Dean’s profound and escalating sexual insecurities. “Well, you are kinda butch. People probably think you’re overcompensating.” FATALITY. I would’ve placed this one higher but the weird incestuous undertones kinda squicked me out... however, I did think we were meant to be creeped out by it, which is more than I can say for some other uh. Instances. It was, after all, beautifully paralelled at the end with the two sisters reuniting in death. “I can’t leave here, and you can’t leave me.” SHUDDER. Also, honestly, can Sam have one (1) breakdown on his own without Dean’s own emotional baggage taking over? Older siblings, smh. 9/10

8.) 2x22: ALL HELL BREAKS LOOSE: PART TWO. This one ranks lower than part one purely because I thought the yellow-eyed demon’s overall plot was kinda nonsensical, and I cared not for John’s weird deux ex machina moment. Like do you expect me to feel sorry for that bitch? I don’t! Anyway, that being said, let’s move on to Dean’s eyes in the junkyard when Bobby asks him, “do you have that low an opinion of yourself?” They’re so flat. So dead, like a shark’s. He doesn’t need to say anything back, because it’s all over his face. That non-expression says it all. This is the culmination of the emotional arc that began with his savage beatdown of the Impala in episode 2x02. To call it survivor’s guilt wouldn’t even begin to cover what Dean goes through this episode. It’s all in Ackles’ performance; in the the way he yells, “What am I supposed to do now, Sammy?” The complete claustrophobia of it all. There’s nothing for it but to make the deal. Dean’s been moving inexorably towards this moment for the entire season. 9/10

9.) 2x13: HOUSES OF THE HOLY. What a kooky little episode! Magic fingers! Sam’s costcutter seance purchases! The scooby-doo placemat he uses as a makeshift altar! I love him, your honour. Obviously this episode has a lot of *~dramatic irony~* in it because of the later seasons, but it stands alone as a total banger. I was so gutted for Sam when the "angel” was revealed. So many good little Sam moments to be found in this episode. His soft, quiet little revelation that he prays every day. His awkward, earnest explanation to the horrified priest! Dean gets some great moments chasing down the would-be rapist down those dark, snow-covered streets. His speech to Sam where he explains his lack of belief is brief, but it’s a total gut punch. Rounding it off with Knockin on Heaven’s Door was just the cherry on top. 9/10

10.) 2x14: BORN UNDER A BAD SIGN. Ahaha I love the way Dean acts whenever Sam’s psychic powers come up. He treats him like a rebellious teen, it’s so funny. “What’s going on with you, Sam? Smokin’, drinkin’?” As if Sam’s behaviour was a) at all under his control or b) anything Dean wouldn’t HIMSELF do. Dean’s just like, this isn’t how I raised you! Truly hysterical. The whole sequence between Meg!Sam and Jo was fantastic and horrible. Sam’s huge physique is never threatening, but it really was in that moment. The interplay between them was totally spine-tingling. Meg’s impression Sam slowly crumbling away over the course of the episode was so compelling and I’m sure it will be a really fun rewatch now I know the *twist*. 9/10

Favourite lines this season:

The way Sam says “black cat’s bone” in 2x08

“You’re not gonna go kill somebody because a ghost told you to, are you insane?!” - Dean, 2x13

“Dean, this is a very serious investigation, we don’t have time for your blah blah blah blah.” - Sam (according to Dean), 2x15

“I’m fine, except for every single thing that’s happening.” - Ava, 2x21

#I feel like I'm exposing myself as a sam girl here #I love them equally I swear #supernatural #there's so much i left out like my comprehensive love for JO #what does she have? A KNIFE #I just didn't really dig NO EXIT as an episode sadly #spnwatch

10 notes · View notes

feverinfeveroutfic · 3 years

Text

a man of many colors: a one shot

an accompanying piece to the fever in, fever out-verse. circa 2013 (or whenever he started getting heavy). a little something soft, sweet, and sensual for your sunday. enjoy 😘

“Never marry at all, Dorian. Men marry because they are tired, women, because they are curious: both are disappointed.” -Oscar Wilde, the Picture of Dorian Gray (aka my favorite book and the driving force behind my long fics save for now it's dark)

It was nearly midnight by the time Alex returned to his apartment in Brooklyn. Another rendezvous with Testament was in the books. Add to this, he finally had gotten Planetary Coalition out to the world after he had wanted to do it for what felt like forever, and he could not have timed it any better with the arrival of the summer solstice, and yet it felt so long ago despite the year behind him. Nothing else to do but to chill out and call it night. When the morning came beckoned the question as to what to do next.

He ran his fingers through his shoulder length mane of jet black hair as well as that notorious silver stripe on the right side of his head, the only piece of hair as gray as the full moon outside of his window. Like the pearl upon a prince's crown.

He then reached over and flicked on the switch next to the doorway. The floor lamp next to his couch lit up the big red painting on the wall: to the right stood his cluttered guitar wall; to the left was his bookshelf.

Alone in Brooklyn.

He set his things down next to his small, shabby couch and he was about to take a seat when he peered down at his wrist watch. And then he remembered.

“Oh, Sam's probably still up,” he muttered to himself.

His longtime best friend Samantha Shelley who lived two doors down from him. She lived there for as long as he did in New York City, since the start of the New Millennium. The last thing she told him before he embarked on tour was she stayed up late enough in the case of his feeling lonely on the dates and he could call her at any time he so wished. She had seen it before, and she had witnessed it firsthand with both Stormtroopers of Death and Anthrax.

He had been sitting for a prolonged time anyway with the flight back to the Big Apple and thus, he doubled back outside to the warm summer night and the deserted sidewalk. Indeed, her front porch light shone bright from next to the door frame.

He adjusted the lapels of his little top shirt and then he knocked on the right panel three times. Alex gave his hair another little toss back and kept his thumbs tucked into his pockets. He peered behind him to the empty street for what felt like forever when the front door swung open.

“There he is!”

He turned to find Sam standing there in the doorway, wrapped in a loose white paint splattered smock and with a paint brush in one hand. Even though she was four years older than him, her jet black hair never turned gray at any given time. She still looked like little Sam I am, the bored and restless art student that could from the coast of California, relocated to New York City, much like how he did over a decade later. She threw her arms around him and he returned the favor with her.

“I was wondering when you'd get home,” she said as she rested her head against his chest.

“And I was just wondering if you were up,” he confessed as he held back to look right into her dark eyes.

“You feel a lot softer than usual, too.” She brought her attention to his body, which had grown a bit rounder in recent months.

“That's road life for ya,” he replied with a shrug of his shoulders. “And just getting old, too.”

“Well, come on in, big boy—I couldn't sleep so I was just going to make myself some tea and paint something.”

Alex closed the door behind him and the soft aroma of dough caught his attention. Sam ducked into the kitchen to his right, and he followed her in there, where the aroma was even stronger.

“Damn, what smells good in here?” he asked her as he took a seat at the edge of the bar so he could watch her. She had set the brush down on the counter, right in front of him, and his eyes ran over the little brush head and the smooth dark bristles that came together to a fine point.

“Cannoli,” she replied as she switched off the oven. “Gotta have something with the tea.”

“Keep those away from me,” he begged her.

“Why? I thought you love cannoli.”

“I do.”

Sam frowned at him, and he nibbled on his bottom lip. He lowered his gaze to his round waist and his thickened thighs.

“Do you see me right now?” he asked her with a gesture down to the middle of his body.

“I do see you.” She couldn't resist showing him a grin. “You look fine, Alex.”

“Fine being relative, I presume.” He raised his eyebrows and shrugged his shoulders.

“No, fine meaning 'elegant'.”

“'Elegant' being relative, too.”

“Not at all! I love the way your body looks now.”

“All fat and old just for your enjoyment,” he chided.

“Alex, you're not that fat,” she declared. “In fact, you're not fat at all. And for crying out loud, you're younger than me. If you're old, I'm ancient.”

“Yes, I am fat—look at me! Look at this big belly!” He leaned back and placed those slender hands on his round belly. “It's all from eating too much. It's all from living here and being around a whole cornucopia of food all the time, whether it's here or out and about.”

“I think you look amazing with some extra weight,” she confessed. “I think it's just a sign that you love to eat and you love feeling full. I mean, you did eat up all that pizza for me that one time.”

Alex let his lanky arms relax a bit and he laughed at that memory.

“Do you remember that?” Sam rested her hands upon the edge of the counter and she gazed on at his old stone face.

“How could I forget? Chuck smoked a shitload of weed and Eric, John, and I all got the munchies big time. It was right then I knew I was gonna get fat some day.”

“You're not fat!” she insisted. “Your face is so sweet and you've got the cutest little tummy now. When you and I started getting closer, I seriously thought you'd look good with a little weight. And it's not big at all—it's real cute and sweet looking.”

“Prove it,” he said.

“Prove it?” she laughed at that.

“Yes!”

She nibbled on her bottom lip. There had been a few times in the past where they got close, but nothing happened to help either of them. There had been times where she wanted to come closer to him.

She then raised a finger to him.

“Don't move,” she told him, and he shook his head. Sam ducked out of there and into the next room for something. Alex kept his hands rested upon his knees and he never flinched once the whole entire time she was out of there. Soon she surfaced from her bedroom with a pad of watercolor paper in one hand as well as her dusty old paint palette.

“Man, you've had that thing forever, haven't you?” he teased her with a sly smirk upon his face.

“Since the beginning of art school,” she recalled, “and when both Bel and Marla told me I was gonna need it. Anyways—” She set the palette down on the counter before her.

“Take off your clothes,” she commanded him, and his eyes widened with horror.

“...why?”

“Don't question it, Alex. Just do it.”

He shifted his weight in his seat and he looked down at his freshly filled out body. She bowed her head a bit so a piece of her black hair lowered over her right eye. He swallowed and shifted his weight again.

“I know that look,” he muttered. “That look has haunted me for so long.”

“I'm gonna tell you the same thing I said to Joey and Frankie,” she started, “in fact, I think said this to you when I drew your full body the first time. We're both adults here. I won't do anything that makes you feel uncomfortable.” She then peered over her shoulder to the fridge. “I have an idea.”

She opened the fridge door and took out a bottle of red wine.

“Oh, boy,” he quipped, nervous.

“I know how you are with booze,” she recalled as she shut the fridge door with her hip, “and I know how you like your wine, too. You told me to prove it so I wanna prove it and you know, I want you to be comfortable.” Without another word, she opened the bottle and poured a bit into a clear clean glass from the overhead cupboard.

“It's easy on me,” he said.

“It's easy on Alex's delicate little tummy,” she teased him as she handed it to him and then proceeded to pour herself one. She then raised a glass to him and they clinked their glasses together. He downed the whole glass in one gulp: he didn't realize how thirsty he was until it hit his tongue.

“My goodness,” she remarked as he set the glass down on the bar.

“Man alive, I was dyin' of thirst,” he declared: she could see it in his eyes.

“Take off your clothes, Alex,” she commanded in a low voice. He sighed through his nose and then he held onto the lapels of his silk shirt. He was careful to take it off and drape it over the back of the stool. Sam sipped on her wine as she watched him take off his shoes, followed by his jeans and his shirt, the latter of which he was reluctant to take off in front of her. He held still there with his fingers on the hem and his eyes fixated on her.

Sam nodded her head at him.

“Go ahead,” she gently coaxed him. “Go ahead. It's okay.”

Alex fetched up a sigh and then he peeled off his shirt for her. He stood there in his underwear right in front of her.

“All the way,” she encouraged him, and he recoiled a bit.

“Come on, baby—let me see you.”

He lowered his gaze to the palette and the brush. Of course.

Alex let them drop around his lanky ankles and he stood before her, completely nude. Sam showed him a little smile.

“Now we're cooking with macaroni.” She downed the rest of her wine and picked up the palette and the brush, and then she snapped her fingers for him to follow her into the front room. He kept his shoulders hunched and his hands down below his thick waist, but once she turned around to face him, she scoffed at him.

“Come on, Alex, just relax,” she begged him. “It's not like I'm gonna suck your dick and tell you it's all a game of cowgirl and Indian.”

“I'm just not used to this, though,” he confessed with a nervous chuckle.

“Oh, come on, you're a Renaissance man! And I want you to feel like that, too. Every Renaissance man deserves to be painted. So—” She patted the comfy couch cushion. “—have a seat, my love.”

His toes curled a little bit at the sound of that, but he slid onto the cushion closest to the arm. And he rested his arm there to help himself relax. It was just the two of them after all. Sam doubled back into the kitchen for a glass of water for her brush: she also dragged the bar stool in and placed it right in front of him. She took a seat with the watercolor paper on her lap and the palette and the water on the coffee table right before her. She eyed the full shape of his body, especially around his middle.

“Pleasingly plump,” she noted.

“I'm pleasingly plump if the North Pole is refreshingly chilly,” he grumbled.

“The North Pole is refreshingly chilly!” she laughed. “But look at you, though—all full and round and well fed.” He knitted his knees together as if to be modest, but it only accentuated the softening shape of his body. “Just so undeniably gorgeous.”

“So do you want me to lay on my side or—?” He leaned onto his right side and he rested his elbow further on the arm of the couch.

“Yeah. Just put your legs up on the cushions next to you—just like that—”

It was awkward to feel a rush of cool air in between his legs, such that it made his face turn warm. Either that or it was the wine talking.

“Your face is so rosy,” she remarked. “I don't think I've ever seen it this pink before.”

“I'm laying on my side, buck naked, and I've got a little wine in me after a three hour flight following a big ass tour. I feel pink.”

Without another moment's hesitation, Sam got right to work. She kept her gaze fixated on him and every so often, she took a glimpse down at the paper to make sure she was getting it right. She had done for so long and yet it helped to go back to basics every once in a while.

“I love your body,” she said at one point. “I'm just so in love with your body and the way it looks.”

Alex held perfectly still with his left hand rested upon the side of his belly as it hung down a bit. He held there even when he felt the pressure coming on in his right arm and his hip. But he stayed there for her. He watched her closely, at the movement of the brush and the soft look of love in her eyes.

They had known each other for years and yet that look and her desire to create always left a soft feeling in his stomach. She was fascinated by him, because she saw him as an artist rather than a genius. She saw him as a man rather than a god.

And it all came down to her painting him right at that moment and how she felt about him.

“I just think back to what you said to Joey that one time,” he piped up.

“What one time?” She chuckled at that as she lightly ran the paint brush down the paper. “Joey and I went out for about a year and a half before he met Krista, and then again literally ten years later. It's been on and off between us.”

“When you guys started going out and I overheard you saying that exact same thing to him,” Alex replied as he shifted his weight a bit. “Like, verbatim. You said the exact same thing to him. How you love his body and how you wanted to render it somehow.”

“Well—understand, I was madly in love with him then,” she pointed out as she rinsed off her brush. “I wanted to draw him the way I've been drawing you but—his heart has always been with Krista.”

She dipped the brush into the patch of black, which he soon figured out was Prussian blue mixed with a bit of dark brown.

“And yours is with me,” he said in a near whisper. Sam lifted her gaze from the palette for a look over at his nude body. She had the look of love with him, but then there were the times his face softened at the sight of her.

“Right?” Alex asked her with a raise of his eyebrows. Sam raised her head and showed him a warm little smile, but she never replied. He knew she was thinking it, but she never replied.

Instead she bowed her head again and resumed painting. He knew she was rendering his head. She then cleared her throat and spoke again.

“Referring back to Joey and Krista, just yesterday, she asked me why you and I aren't married yet.”

“Yet?” Alex chuckled at that.

“Yeah, I know. I told her that I feel like you and I have known each other for so long, and we keep coming back to each other, and it's so soft and silky and cozy between us that I have no choice but to come back home to Mr. Skolnick. And so it's because of that, according to her, we might as well be.”

“Nah,” he shook his head.

“I know, right? We're best friends. I think that in and of itself should be enough.”

“I think it should be, too,” he confessed.

“We like each other. We love each other. I can take it.” Sam dipped the head of the brush in the bright sunny yellow paint.

“Who needs a piece of paper to say it, am I right?” He showed her a little smirk.

“Right!”

She raised her gaze again and he wondered what she was putting that yellow on.

“You know, I've always loved the way you look whenever you get all full of food,” she confessed. “You get all silky and sweet looking.”

“Like the night you finally warmed up to me?” he recalled.

“I think it was you who warmed up to me,” she corrected him, to which he shrugged.

“I dunno if it matters—it was the night we both finally calmed our asses down and said 'yes' to each other.” That brought a laugh out of her, and she rinsed off the brush again.

The thin head of the brush with a bit of China white on top for the signature streak atop his own head. Within time, she rinsed off the brush and showed him the painting, to which he brought a hand to his chest as if he had seen Avalon.

“Oh, my god—Sam. You never cease to amaze me.”

“I kept messing up your fingers,” she said, “on your right hand.”

“They look good, though!” he declared. “Eh, it's guitar player's fingers after all.” He dragged himself along the cushions a bit and his right ached from holding it there for so long.

“Would you like some tea?” she offered him as she set the paper on the stool.

“Yes, please—and can I sit up now?” he asked her with a slight pout to his lips.

“Yes, you may, big and beautiful,” she announced as she wiped the head of the brush on the towel. Alex rolled over onto his back and hoisted himself up onto his elbows: his body had grown soft enough that it was slightly difficult to sit up without the use of his arms. Sam strode over to him to help him but he managed to do it. He leaned back against the back of the couch and then he took glimpse down at himself.

“I feel so distended,” he confessed, and she reached down and lovingly patted his little belly.

“Nah, you're cute,” she giggled. “Just so cute.”

“Which is it?” he teased her.

“What do you mean?”

“I'm beautiful, cute, hot—which is it, Sam I am?”

“All of those things.”

She stooped over and brought her face close to his. Those smooth sensual lips. That large beaklike aquiline nose. Those deep eyes that haunted her for decades.

“You are a man of many colors, baby,” she whispered to him as she ran her fingers through his gray streak.

“You're not just saying that 'cause of that, are you?” His eyes darted up towards his streak.

“The stripe is the epitome of it. I've known you since you were a young boy and I've watched you blossom into such a big and beautiful man.”

“It's funny—I've always wondered why you always come back to me, too,” he admitted with his voice low and husky. He sat there before her, nude and growing as round as a Buddha.

“I've always wondered, too,” she added. “Because you're just so full and lush now—I love every inch of you. I take that back, I'm in love with every inch of you. I'm in love with every inch of you, every inch of this man before me. I don't need to marry you—I love you that much. I never want to stop drawing you, even when the streak overtakes and it all turns gray, and it falls out of your head, and even when your body softens to the point of no return.”

Those sensual lips turned up into a sweet little smile, one that made her think of Cliff. He lowered his gaze to the paint brush in her free hand, and she brought her lips to his forehead again. She looked right into those deep set eyes and showed him a smile in return. He was usually so stone faced and serious but whenever he looked at her, he grew as soft and silken as the skin on his belly. He was a sixteen year old boy once again.

“Are those cannolis still warm?” he asked her in a small voice.

“I believe they are, given I never took them out of the oven,” she told him with a wink. “Put your clothes back on and I'll bring the tray in plus some tea. I want you to eat to your heart's desire. I want you to feel the love I feel for you within you.”

#alex skolnick #alex x sam #sam shelley #samantha shelley #one shot #a man of many colors #accompanying piece #fanfic #fanfiction #testament fanfic #renaissanceman #fluff #fluff with an edge #is that a thing? it is now #also on ao3 #m/f romance #long time friends #writing #text

4 notes · View notes