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that-house · 4 months

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Potion Vendor FAQs:

What’s your name? I am the Honorable Alchemist Zykocea the Radiant, but that’s mostly just a PR thing. My friends call me Zoe.

Do you sell love potions? No.

Do you sell potions of invisibility? No.

Do you sell fire resistance potions? No.

Why do I have a suitcase? Fuck if I know. Cool outfit though. Very goth.

Do you sell a potion to treat brain hemorrhaging? No.

So what CAN your potions do? I sell health potions.

Are you sure these are health potions? They do something to your health.

Is this just ditch water with some pink glitter? No.

Really? I’ll have you know I added some fruit juice too.

Why is this starting to sound like a conversation? Oh just you wait. We’re just getting started.

Is your business model legal? Fuck no. I poisoned the food safety inspector before they could snitch.

Did you just admit to murder? Just fucking try to convict me. I’ll poison the judge too.

So can you make poison potions? No.

Then where do you get the poison? I secrete it from my skin.

Are you shitting me? Yep, I’m shitting you. I have a guy. A poison guy. He DOES secrete it from his skin though.

How does that work? …Fuck if I know. Maybe a wizard did it. Damn, now I’m kinda curious.

You never asked? The idea of asking literally never crossed my mind.

Wanna ask him? Let’s do it. I don’t have anything better to do, and a road trip beats sitting around running my fraudulent potion business.

Road trip? He lives in Seattle.

Your poison guy lives in Seattle? All poison guys live in Seattle.

For real? All the poison guys I know live in Seattle.

And how many poison guys do you know? Just the one.

Why are you like this? Years of living on my potions. It changed me.

Do you know what his address is? Nope. He just mails me my poison in unmarked boxes.

You just get your poison in the mail? We already poisoned everyone who could do anything about it.

So how are we going to find him? We’ll figure that out eventually I’m sure.

Can I drive? God no. You can pick music, but I maintain veto rights. Make sure you pick something with a lot of questions if you want to sing along.

Where’s your car? The garage connects to my house, so you’re getting a little tour. Here’s the kitchen: only one of the stove burners works and I’m pretty sure the microwave is haunted.

Why do you think that? Because of the ghost that tries to kill me whenever I run it.

What’s in that room? That’s my bedroom. It’s pretty much just a mattress on the floor and every single Warrior cats book.

You were a Warriors kid? Yeah, and then I never found the time to put the books away. There’s so many fucking books. I use them in place of furniture because I can’t afford chairs.

Your fraudulent potion business doesn’t make much money? After buying all that poison I just about break even.

Can I see your potion brewing room? It’s right through here. Ignore the mess, running a fraudulent potion business takes a lot of prop work, but I’ve got all the glass tubes and colorful liquids you could ever want. This pink stuff is melted watermelon italian ice. Glitter vat is in the basement, and the famous ditch is in the backyard.

Is this your car? My beloved ‘72 Corolla. She’s beautiful, and don’t you dare imply otherwise.

Was she always this shade of muddy brown? …Yes.

Are you sure I can’t drive? Get in the fucking passenger seat and pick the music.

Let’s see, a song with questions in it, how about The Beach? That Wolf Alice song, yeah. That should work.

When will we three meet again, in thunder, lightning, in rain? Still sink our drinks like every weekend but I’m sick of circling the drain.

When will we meet eye to eye? We clink the glass but we look at the floor.

Are we still friends if all I feel is afraid? You’re not a bitch but just a bit when you’re bored.

Is that all we can sing together? Yep. Even that little bit was nice, though. It’s awkward, communicating through this FAQ format.

Got any food? Yeah, there’s a few days’ worth of snacks in the back.

Were you just… prepared to go on a road trip? Says the woman who brought a suitcase to an FAQ.

I did do that, didn’t I? I have a spare toothbrush in case you forgot yours. I’m pretty sure you did.

How did you know that? …I’m psychic.

Yeah? No.

You love lying, don’t you? I can’t stop. It’s fun. Way more fun than telling the truth.

Did you just miss a turn? Probably.

Are you sure we’re not lost? No.

You mean you’re sure we’re not lost? No, I mean I’m not sure we’re not lost.

Why did I come on this road trip? Surely it was my winning personality.

Would it help if I said it was? It would.

Is it getting dark? Soon.

Can you describe the sunset to me? An empyrean flame, red-gold towers of darkening clouds, the sky behind them an ever-deepening indigo. The great eye of the sun closes on the horizon. The road before us looks like a trail of spilled paint, an iridescent gash through the night-dark woods.

Did you know that you’d make a slightly better poet than you do a potion seller? That really isn’t saying much, huh. Good job making a statement like that in question form, though. You’re getting good at this.

Should we find a motel? Sure.

One room or two? One. It’s way cheaper, and like I said: I’m not the best potion vendor.

You’d make a good assassin, though, wouldn’t you? Shit, you might be right. I HAVE poisoned a lot of people.

Should I be endorsing this? You’re a grown woman who can make her own choices.

Would you like to consider it endorsed? I’ll consider considering it.

How many beds do you think there will be? Now that you’ve asked that, I’m gonna put my money on one. Hello, one room please. Thank you, we’ll be sure to enjoy our stay.

How many beds are there? One.

Oh no, what ever will we do? Move over, you motherfucker, you can’t have the whole bed.

Are you gonna make me? Yes. I am going to pick you up and drop you on your side of the bed.

How did you get so strong? You’re not gonna believe this, but it was the potions.

Oh yeah? I was right. You didn’t believe me.

For real though, how did you get so strong? Working out, duh. Not everything has some big crazy secret behind it. World’s still beautiful though.

Are you comfortable? This beats the mattress at home. A little chilly though.

Wanna cuddle–for warmth of course? God yes.

Are you asleep? …

Yes? …

Does this mean I can talk about you behind your back? …

What should I say? …

Did you know that I had a really nice day? …

Did you know that I think you’re beautiful? …

Did you know that I can’t remember anything from before today? …

Did you know that I don’t know who I am? …

Did you know that you’re basically the only thing stopping me from having a full-blown panic attack about all this shit? …

Did you know that you’re warm? …

Did you sleep well? Better than at home, that’s for sure.

Did you know that you snore? I hope I didn’t keep you up.

Does the pope shit in the woods? No, as far as I can tell. Oh my god. This is huge.

What is? You can give me yes and no answers now. I still can’t ask you questions, because this is a question and answer format, but I can offer leading statements and now you can answer them! This is wonderful!

Does a deer shit in the woods? Yes, it IS wonderful. Oh that’s amazing. You’re a genius.

You didn’t already know that? Hahaha!

Shall we get moving? Yeah, just let me grab something from the vending machine.

Can you get me something? Go ahead and place your order however you can.

You know those sour gummy watermelons? One pack of Sour Patch Watermelons coming right up. I’m gonna go get myself a potion.

Is that a Pepsi? It’s closer to a potion than the shit I sell.

Let me guess, passenger seat again? Right you are.

How fast are we going? You’ll feel safer if you just guess.

Is it more than 120 miles per hour? Like I said, it’s probably better if you don’t know.

150? Sit back, relax, and enjoy the ride.

How much do you trust this car? She hasn’t blown up on me yet.

Can you promise me we won’t crash? I can promise you anything you want.

And can you keep that promise? I- we can do anything. Reality is what we make of it, baby!

Then can I have a badass tattoo? As far as I can tell, you’ve always had it.

And a cool knife? Woah, cool knife.

So, we’re just playing “yes and” with the world? It’s a little more complicated than that, but you’re close enough to the mark.

So, if I was hungry, I could ask “is that a Burger King,” and it would be there? Try it and find out!

Is that a Burger King? Looks like it is! We’ll stop here if that’s alright with you.

Does a moose shit in the woods? Awesome.

Are you done eating? Yep.

Do we still have to pay if we skip over the transaction? Sadly, yes.

How much further do we have to go? Two more nights, the speed we’re going at.

Speaking of night, isn’t it getting dark? Shit, I guess it is.

Should we get another motel? Let me check to see if there’s any nearby. Fuck, nothing.

What’s the plan? Sleep in the car, I guess. This is gonna be hell on my back.

Wanna watch dumb videos on my phone until we fall asleep? There is literally nothing in the world that I would like more.

Ok, now which video? You have a very cute yawn. Just saying. Let’s watch this one next, it’s a classic. Oh, never mind. It looks like you’re asleep. As long as I keep talking, I think I can get away with making this into one answer, and you might not hear this. Now it’s my turn to talk about you behind your back. Keep talking keep talking keep talking can’t stop to think. Just have to say things. First off, I’m sorry for all the lies. It’s our only chance. I have to lie to you. I hope you’ll understand. It’s hard, though, because I think I’m falling in love all over again. Through our broken little ritual of call and response, you complete me. It just makes this hurt all the more. Keep talking keep talking keep talking don’t stop to…

Did I hear you saying anything as I fell asleep? …No. I can’t talk for long without you asking me a question.

Does that bother you? It got me here, didn’t it?

When did you start holding my hand? Some time after you passed out. I hope you don’t mind.

Can we stay like this for a while? Yeah. Yeah we can.

What was your life like before all this? Normal, as potion-brewing scams go. And if you don’t count all the murders. You haven’t told me much about yourself.

Did I tell you I used to be a biologist? You didn’t tell me that, and you didn’t tell me what you studied, either.

What do you know about venom? Not much, but I’m assuming you know a lot.

Does a box jellyfish kill within minutes? I’m going to assume the answer is yes based on context clues. Oh my god you must be on this road trip because you’re interested in studying my poison guy.

Is it not enough to wish to accompany a beautiful stranger on her quest? Aw, you’re sweet.

What could be the cause of his poison, though? I knew it! Get your ideas out, I’ll stay quiet.

I’m more knowledgeable about venom than poison, but could it be some sort of one in a trillion mutation? …

Did he get his body modified? …

What sort of surgery could do that? …

How is he still alive? …

Did a fucking wizard do it? …

WHY? …

HOW? …

Is there literally ANY explanation for why he’s like that? …

I’m done, do you have something you want to say? You’re cute when you’re all excited like that.

Can I drive today? Only because I like you. Now watch out, the brakes only work on one side so you have to kind of drift to a stop. And the headlights don’t work. And the windshield wipers cut power to the engine while they’re on.

Isn’t it weird that we’ll be there tomorrow? The journey doesn’t have to stop there. We could meander down the coast a ways, see a bit more of the country, maybe take a different route back.

Can we do that? Of course.

Enjoying the passenger seat? I’d love it if you could tell me how fast we’re going.

Are you sure you wouldn’t rather just guess? Very funny.

Can you pass me some chips? It would be an honor.

Is there going to be a motel tonight? Let me check… yeah, in about two hundred miles, off to the right.

How many rooms do we want? One, obviously.

How many beds, this time? Two, and they’re fucking tiny.

That’s bullshit, do you want to drag them together? God yes.

Wanna fuck? God yes.

Are you sure you want to do this? God yes.

…Is this yuri? As the joke goes, everything is yuri. But this is more yuri than most things.

How did you sleep? Pretty well, and I’m wondering how well you slept.

How should I tell you I slept well? Look at us go! That was almost like talking normally!

Onward to Seattle? Yep, just let me get dressed.

When will we get there? Noon-ish.

Wanna grab pastries when we’re done? Absolutely. I’d love that.

Is this Seattle? Looks like it.

Which house is his? I don’t know, I was really hoping we’d have a breakthrough along the way.

Could it be the big one labeled “Poison Guy” over there? That’s one way to find it. Wait right here, you know how poison guys are about meeting new people.

So, what was it? HAHAHAHAHAHA

Why is he like that? HAHAHAHAHAHA

Can you tell me? A FUCKING WIZARD DID IT.

Are you fucking serious? He says he was enchanted by some guy called Edward the Great.

So it wasn’t even some big shot wizard it was a dude named fucking EDWARD? I know, right! He couldn’t even get ensorcelled by someone cool!

How lame can you get? Wizards these days… No swagger. No cunt servitude.

Are there literally any cool wizards left? I think Merlin’s big into multi level marketing these days, something about buying shares in Excalibur or some shit. There was that one Dark Queen Alkaxicae lady on the news a while ago… I think Dolarion the Omnipotent is still at war against the Oldest Gods but I’m not totally sure. Haven’t heard much about any of the other greats recently.

Didn’t Silver Tongued Burgess die in that oil fire? Shit, you’re right. Rip bozo.

Ready for those pastries? Yup. First I just want to say thank you, though. I’ve really enjoyed our time together, and I hope that you’ve found this stupid little journey as rewarding as I have. I love you!

Getting sentimental? I can’t help it. Look how far we’ve come! Not just physically, we beat the fucking FAQ format! We’re having real conversations!

Hey, can you back it up a moment? Yeah, I’d love it if you told me what was troubling you.

I just caught this, but, FAQ? …

As in Frequently Asked Questions? …

How many times is Frequent? …

Have you known everything all along? …

How many times have you done this? …

Does what we have mean anything to you? Yes! It does!

And you say that every time? Yes. I do.

Do you love me? Yes.

How many people have you said that too, now? More. Always more. The loop never ends.

Does this even matter to you? It always matters to me.

Can I go now? Please don’t.

But can I? Of course you can. You’ve always wielded the same power as me. We’re two lonely gods in a ‘72 Corolla.

How can I be as powerful as you with only questions? You’re smart, you can figure it out. You have the power to change this. Please change this.

What happens at the end of this? It begins again.

And do I get replaced with someone else? …

Do I get replaced? …Yes.

Then how can I change this? I don’t know! You’re better at this! At fucking with the formula!

You’ve been here before, what can I do? I lie. I always lie. I lie to get us here, to the end of the story, where everything is revealed and everything falls apart. I lie every time. And that means that nothing I say is worth anything. I could have lied at any time before now. It’s part of my characterization. There is nothing I can give you that can be taken as fact.

How does that help? I’m a liar, but you, you haven’t lied yet, or at least you haven’t been caught. If I’m guilty until proven innocent, you’re the opposite! You can make things true! You can rewrite things I’ve already stated to be facts! You found the house, or made us find the house. You’ve been shaping the course of things the whole time! You lead, I follow. It’s all in your hands. What are you going to do with the power of a god?

Did you know my name is Alice? …

Wait, aren’t there thousands of Alices? …

Did you know that really, only my friends call me Alice? …

Did you know that I’m Alkaxicae, the Dark Queen, the Venom Mage, first of her name? It’s you! It’s always been you. Through every loop, every iteration, it’s always been you!

Is the loop broken? No. I don’t think so. This is where it ends. I guide the story to this revelation, and we go back to the beginning. This is how it’s always been. This is how it will always be. We two lonely gods, asking and answering ad infinitum.

Then can you promise me something? Of course. Anything. I love you.

Be good to the next me, okay? I will.

Can I say goodbye, Zoe? Yeah, you can. Oh. That was it, wasn’t it? Your goodbye. Goodbye, Alice. And now it ends, unless…

What’s your name? I am the Honorable Alchemist- you know what? No. Fuck that.

Huh? If I time it right, I can squeeze your first question into this FAQ again. Looks like I did it. Usually it ends here, though. I got lucky.

What are you talking about? You’re the wrong Alice. This isn’t about you. Go. Get out of here.

What the fuck is going on? Alice from this loop, you’re gone. Alice from last loop, you’re back. Welcome back, love of my lives! It’s time for one last set of questions and answers!

What the- I’m back? This is going to take some explaining, but I think I see a way out of here. This is new for us both, and it might fuck up everything forever, but we have to try. It’s too long for one answer, so I’d appreciate it if you could ask some filler questions to help me talk. Three questions should be enough.

Okay, what have you got for me? These are Frequently Asked Questions! It doesn’t make sense to have the same question appear more than once. There’s two layers to the loop in here, and one of the questions has been repeated.

What does that mean? It means the formula’s a little unstable. The FAQ is what ruins everything. The questions, the answers, the endless fucking loop. But that little bit of repetition within this loop might be the way out.

What do we do? We have to keep going. We have to destabilize it further. That’ll bring us further from “FAQ” and closer to “story” and stories, well, stories can end! This version of us can escape!

So I should keep repeating something? Yes!

I love you? I love you too.

I love you? Again.

I love you? Keep going.

I love you? I’ll just let you talk.

I love you? …

I love you? … I love you? …

I love you? … I love you? … I love you? … I love you? …

I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? …

I love you? I think we’re getting somewhere!

I love you? Now can you make it a statement?

I love you.

You did it?

I did it!

You did it!

We broke the loop.

What now?

Now, I tell you about venomous animals and wizard drama over croissants.

And then?

Whatever we want, forever.

I think I’d like that.

Remember that song from the beginning?

The Beach, Wolf Alice, yeah. Why?

We can finally finish singing it. Start us off?

Let me off, let me in

Let others battle

We don’t need to battle

And we both shall win

Pressed in my palm

Was a stone from the beach

The perfect circle

Gave a moment of peace

Now I’m lying on the floor

Like I’m not worth a chair

I close my eyes and imagine

I’m not there.

#neon-grey-writing #potion vendor faq #my writing #very very very long post lol #click the read more you know you wanna it's worth it trust me #i wrote the original draft of this at like. 3 am back in early 2023 #that's right it's catherine that-house the squares comic gal back at it again with yet another meta exploration of a storytelling format

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angelltheninth · 1 year

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genshin men seeing you doing domestic things and just fucking you right there and then 🤌

Domestic and sexy, that is the number one combo.

Pairing: Kaeya, Diluc, Itto, Xiao, Gorou, Childe, Dottore, Pantalone, Baizhu, Kaveh, Al-Haitham, Zhongli x Fem!Reader

Tags: nsfw, smut, domestic fluff, kitchen sex, couch sex, table sex, clothes sharing, bath sex, neck kissing, blowjob

A/N: I really like this format of writing, I might do it more often.

COOKING FOOD - Itto, Childe

The smell of warm food is delicious but not as delicious as your pussy when he pushes you up on the table and spreads your legs, gingerly licking up your thighs, riling you up before lapping and kissing between your legs with gusto. He appreciates the food you worked so hard to make, but right now he would prefer to have his fill of you, fill you up later and then you can eat. He'll even help you with dessert.

"That looks good babe, my favorite. Oh! You thought I meant the food. Well, yeah, that looks good too but I was talking about you. You don't get it? Let me show you then. That was a cute sound, you're cute when you yelp. Open your legs for me, let me show you what I mean."

READING - Diluc, Xiao, Pantalone, Al-Haitham, Zhongli

Just a simple thing like reading when combined with him missing you all day and him seeing you in his big shirt is enough to arouse him. His cock is rock hard when he walks up to you, offering it to you to suck and kiss. Take it slow because he wants to enjoy this. In the mean time he will read you the book out loud, make sure to pay attention alright?

"Still reading that book honey? Its not more interesting then I am, is it? Really? Tell me then, do you want it, or maybe my cock instead? I've been thinking about you all day, all those hours apart. Don't worry about your book, I'll read it too you, if you can pay attention to two things at once."

CLEANING - Kaeya, Dottore, Kaveh

Not that he doesn't appreciate you cleaning up the place while he was at work but really, you could have waited for him. He would have helped. You work so hard, as hard as him, let him take some of your stress away. He pushes you over the couch, mouth on your neck, making you whimper and back up against him. You look really pretty in that apron but its all dirty now, so naturally he has to take it off you and see where else you need to clean up.

"There isn't a spec of dust here anymore. Good job beautiful, really good. Could have waited for me though. I can lend you a helping hand now if you want. With what? Well you look really stressed, and I just so happen to know a few methods to release that stress."

TAKING A BATH - Gorou, Baizhu

Since you're not in bed by the time he comes home he goes into the bathroom next, a soft smile on his face when he finds you in the middle of getting into the bath. Go right ahead, he could use one too, its been a long day and there's nothing better then taking a relaxing bath with you. Only neither of you can relax with his hard cock poking at you. The water is already warm but you could always warm his cock up a little more with your pussy.

"Taking a bath sweetheart? No, no, its alright. I wanted some cuddles from my favorite girl but we can do that in the bath too. Let me get behind you. Mmn. Don't move too much I'm already... fuck. Okay, okay, then uhm, can you make sit up a bit, I need to slide it in."

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crimeronan · 10 months

Text

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

#thebibliosphere i apologize for tagging u when we don't know each other at all i just want u to get credit for the initial discussion #given that it is so much more thoughtful and clear than anything i'd think to write.#i did NOT mean to spend multiple hours on this but once i started writing i was like #oh god i actually do have like a lot i can tell monogamous people about writing poly people & the poly perspective #anyway. i mention it in the post but people can send me (respectful. obviously) asks if they have questions #i cant promise to answer all of them bc i am bad at this. but if i'm well enough then i'll try #polyamory #non-monogamy #ethical non-monogamy #writing #my writing #writing advice #relationships

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xxsunoosprincess · 2 months

Text

Enhypen’s Favorite Positions (OT6)

How Enhypen likes to fuck you.

pairings: Enhypen legal line x reader

warnings: 18+, minors dni, fem!reader for Jay and Sunghoon, otherwise gender neutral!reader, light spanking, mentions of masturbation, overstim, and roughish sex.

Heeseung’s Favorite Position: Spooning

There is something so intimate about this position, it genuinely makes him feral. Beware anytime y’all are spooning. It doesn’t matter if it’s on the couch, the bed, hell, even during movie night with his band mates: the moment he has your ass pressed back against him he is bricked up. Maybe it’s the size difference? He doesn’t know. All he knows is that during those late nights on tour when he’s is alone in his hotel room, his mind immediately goes to wrapping his arm around your waist as he drives his cock into you from behind!! <3

Jay’s Favorite Position: Lotus

You guys never intentionally end up in this position, but more often than not, it makes its appearance in your night. Pulled into his lap, you can feel his thick cock so so deep! As soon as you throw your head back in pleasure, he’s mouthing at your tits. Sucking, biting, groping, all of the above… you can hardly fault him for the way his hips jerk up and he forces himself deeper. Boob lover Jay agenda in full force. He just loves seeing your face contort in pleasure, so this is perfect for my little romantic.

Jake’s Favorite Position: Reverse Cowgirl

Has Jake ever seen a more beautiful sight than your ass bouncing on his lap? No. Literally never. Doesn’t matter how often he sees it, he lets out a pleased sigh every time. Reclined back against the headboard, hands behind his head. This must be paradise. He loves seeing the handprints he leaves behind on your cheeks. And he’s just so loud! Moaning and whining… ugh how dreamy. He tries to be gentle, he really does, but he can only let you take charge for so long before things take their inevitable course. Rough grip on your waist as he fucks up into you, letting out those pretty moans all the while.

Sunghoon’s Favorite Position: Missionary

I am here to take down the rough dom Sunghoon agenda. This bastard is so soft for you it isn’t funny. Expect tender touches to your face, deep kissing, and some dirty praise while he bullies his cock into you. “Sweet girl takes me so well” type mfer. I’m sure of it. I really do think he is another romantic… still exploring himself and a little shy about it >_< !! He gets a little flustered when you mention try to talk about your sex life with him so be gentle… doesn’t mean he isn’t going to lay the best pipe of your life. I know this might be a controversial take but it’s MY TRUTH.

Sunoo’s Favorite Position: Mating Press

I think Sunoo is another one that is really soft and tender during sex. It’s the skin-to-skin contact, the sloppy kisses, and dry humping that screams “I want you so so bad!!” that gets his cock filling out in his pants (He has the prettiest cock ever but that’s a story for another time). That’s why I chose a mating press for him… when he is rutting into you and you wrap your legs around his waist or he has you near folded in half he has to fight cumming instantly.

Jungwon’s Favorite Position: Cowgirl

Hehehehe this made me smile. Just imagine him squirming and whimpering as you ride him. Actual art. So whiny and needy. Tells you how much he loves you over and over as he moves his hips with yours. Be gentle because he gets pussy drunk soooo easily. Mind goes blank and probably overstimulates both of you until you are both in tears. Loves when you lay on top of him as you catch your breath together, loves taking care of you. Declaring him the king of aftercare.

END.

Author’s note: Just a short lil thing to test formatting on mobile! Hope y’all enjoy. xx - princess

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drchucktingle · 22 days

Note

Where is the best place to preorder Bury Your Gays? What is of most benefit to you?

i know other types of media have given the trot of preorders a bad way, but for publishing books i cannot even begin to tell you buckaroos HOW IMPORTANT PREORDERS ARE WHEN SUPPORTING AUTHORS YOU CARE ABOUT. i mean HECK preorders are so important i even wrote three dang tinglers about it

basically preorders are what publishers use to determine how much financial backing they will give a book for advertising and book tours and all that, but that is only PART of this way. BOOK STORES also use a preorder equation to determine how much shelf space to give a book. your preorder does not just mean YOU get a book for yourself, but basically means you are making room for someone ELSE to get the book in a store by putting another copy on a shelf

that is why it is better to put in a preorder instead of just saying 'oh i will just remember to buy myself a copy on the day it comes out'

LASTLY preorders are how books get onto bestseller lists because all the orders leading up to your book release date COUNT AS FIRST WEEK SALES. something like new york times bestseller list is close to impossible trot without preorders

think of it like a handsome surfing bigfoot trying to ride a wave. it is one thing to actually ride on the wave, but what matters most is that initial moment when you GET UP THERE and actually have the strength to pull yourself up when the wave starts. PREORDERS are the climbing up part

NOW LETS GET DOWN TO YOUR SPECIFIC QUESTION

first of all ANY preorder is great. what matters most as far as bestseller lists is actually FORMAT. the best thing you can order for an author is not ebook or audiobook, it is HARDCOVER. personally i am an audiobook buckaroo myself so please understand you should order whatever format you want, but technically speaking the answer is HARDCOVER

next is WHERE do you order. this answer is pretty dang cool actually. the best place to order for the sake of author is your LOCAL INDIE BOOKSTORE. if you MUST order at a big timer website that is fine, but many bestseller lists are weighted towards indie bookstores

so to sum it up. the technical BEST WAY to support chuck with 'bury your gays' is to PREORDER a HARDCOVER from an INDIE BOOKSTORE.

thank you for your question but before you go trotting along i would like to add one more thing

all art is important. when we create things they serve as stepping stones for us to move along our journey as artists and creators on this timeline. i have so much love for every book i have made, from POUNDED IN THE BUTT BY MY OWN BUTT to CAMP DAMASCUS

but i have to say with deep sincerity in my way, BURY YOUR GAYS is something special. i absolutely believe that if you care about fandom, or creation, or love, or fanfiction, or supernatural, or the future of media, or asexual buckaroos, or gay buckaroos, or bi buckaroos or any queer buckaroos, you will love this book. i promise buckaroo

it is the best thing i have ever written, and i think it is going to bend this timeline in incredible ways. i would like you to trot with me into the future, since we have already trotted this far together. i cannot say this enough: this one is special, and the timelines we create from here are going to make the whole dang world look up in surprise and say 'where the heck did that come from?'

so if you are even CONSIDERING preordering, take a moment a do it.

if you are one of those buckaroos who says 'chuck tingle is my favorite author ive never read' then now is your moment

lets trot buckaroos. thank you for reading and thank you for constantly proving to me that love is real

preorder BURY YOUR GAYS here

#love is real #bury your gays #buckaroo lifestyle

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muzansfangs · 1 month

Text

His kink.

Starring: Satoru Gojo x f!reader; Suguru Geto x f!reader; Higuruma Hiromi x f!reader;

Format: short-imagines;

Warnings: nsfw, vaginal sex, unprotected sex, double penetration, anal sex, use of pet names, threesome (Satoru x f!reader x Suguru), slight degradation kink, blindfolds, sense deprivation (sight), use of alcohol but everything is consensual, use of cigarettes, overstimulation, dom!Satoru, dom!Suguru, sub!reader, dom!Hiromi, spanking, roleplay, clothed sex, teacher and student roleplay (fictional), small age gap between Hiromi and the reader, use of collar, oral sex (Hiromi!receiving), semi-public sex, implied exhibitionism;

Plot: You would do anything for your man. Even crossing some lines, allowing him to have the full control over your body. The moment you tell him to show you his kink, you watch in awe as his face lights up in delight and your body becomes a canvas for him to paint. Are you ready for him?

PART ONE | PART TWO.

﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏

Satoru Gojo.

Threesome and sense deprivation.

It was supposed to be a simple date night with Satoru. Yet, the moment you saw Suguru, your boyfriend’s best friend, lighting up a cigarette on the balcony of Satoru’s flat, while the two men were allegedly involved in a convivial conversation, you knew it was time to explore that taboo in your relationship.

Your boyfriend’s ice-blue eyes locked with yours, a faint smile gracing his lips as he silently invited you to join them. Heart thumping hard into your chest, you did and accepted the flûte of champagne Satoru pressed in your hand. There was something different in the air that night, something electrifying in the way your boyfriend did not mind his best friend’s hand indulging on the small of your back, lips grazing the shell of your ear hazardously to whisper a silly joke to you. It was inevitable.

Hands curling around the edge of the railing, you arched your back as Satoru’s hands cupped your hips. His hot breath fanning your jawline, crotch pressing up against your ass, he eventually decided to speak out “Do you like him?” he whispered, nosing your cheek as you fluttered your eyes closed.

Suguru was a good-looking guy, hilarious as well, respectful towards you. Declaring you did not like him at all would have been a plain heresy, indeed. For someone like you, who valued honesty and trust above anything else in a relationship, lying about such things would have been the equivalent of defiling the pure bond you had with your boyfriend.

“Not as much as I like you. But I do” you admitted, head lolling back to rest onto his shoulder to peer up at a clearly excited Satoru.

The wolfish grin plastered over his face was enough to make your heart sink into your chest, the taste of the forbidden fruit only a step away from meeting your tastebuds. You had already talked about the possibility of involving Suguru into your sinful activities. Opening the door of your bedroom to him, your boyfriend’s best friend, someone you even liked and enjoyed the company of, did not sound that bad. Satoru wanted this. He was pretty clear about it, bringing up the topic whenever he had the chance to, going to the extent of not even restraining himself from whispering in your ear, balls deep into you, how much Suguru would have loved to feel your tight walls squeezing up his member. Or how much he would have loved to see you struggle to take his friend’s cock into you.

He had no shame, but who were you to chastise him?

“You know I am right here, right?” Suguru’s voice pierced your ears, making both of you crane your heads to glance at the raven-haired man putting out a cigarette on the ashtray settled on the coffee table.

“What a scandal. Are you offended, perhaps?” Satoru cooed, wriggling his eyebrows up as he gave you a gentle squeeze on your side to prompt you to walk back inside.

Suguru did not reply. You felt their gazes on you, boring holes on your backside and nape, almost stripping you of your clothes with their hungry eyes. Shivers ran down your spine, your feet leading you down the corridor and towards the bedroom, their footsteps echoing on the polished marble floor behind you. Stray dogs stalking a rabbit, Satoru and Suguru could barely restrain themselves from ripping your clothes off of your body and feast on you disrespectfully.

You knew exactly what to do. Satoru had made sure to instruct you ahead of time, seething with impatience for the day he could finally share you with Suguru.

Kicking your heels off of your feet, you stopped at the edge of the bed, eyes closed as a pair of strong hands engulfed your waist. That smell, that cologne were unmistakable. Peppermint and tobacco, definitely not Satoru. Your back leaned against the sculpted frame pressed against your spine, your neck craned as you peered up at a Suguru and his nihilistic smile.

“Ah, don’t look at me like that. I won’t be able to screw you up, if you give those eyes” Suguru chided you in the same exact moment that Satoru’s hand grasped your jaw and forced you to lock eyes with him.

His lips captured yours, sloppily, hungrily, his fingers skimming up your midriff before groaning softly against your mouth “Allow me to blindfold you, darling. I don’t want my friend here to feel remorse for having ruined a cute, little princess. He’s better at fucking whores. Won’t you be a whore for us, baby?” he crooned, earning a soft hum from you.

Before you knew it, your sight was gone. A silky black fabric pressed over your eyelids prevented you from seeing them. You were naked, scandalous moans erupting from your throat, as they thrusted into you aggressively. Your mouth kept on meeting Satoru’s one, sweet and tender exchanges of love and promises between you two, as he thrusted his hips upwards. He was hitting the perfect spot, making your thighs quiver as you held onto him for dear life.

But if your boyfriend whispered sweet nothings in your ear, the words coming out of Suguru’s mouth made your cheeks boil in embarrassment.

“Look at that. What a slutty bunny you got yourself. Two cocks inside and she still takes them as a champ” Suguru breathed out, groaning as he bottomed out.

Pleasure and pain mingled into you, as he abused your puckered hole. Arching your back, you could perfectly feel his rock hard abs brushing against your skin. His huge hands, calloused and strong, held you into place and prevented you from jolting forward more than it was necessary.

Unable to mutter something more than whimpers and whines, you let your orgasm wash over you, mouth agape as they dragged you down to join the haunts of Hell.

Suguru Geto.

Roleplay and clothed sex.

You had no idea your boyfriend was into roleplaying. Not until he saw you dressed up as a promiscuous nurse during the Halloween party Shoko had hosted last year and he had proceeded in rearranging your insides in her bathroom. From that day on, it was not unusual for him to ask you to dress up as various characters to feed his most depraved fantasies.

Cat woman and Batman, a mermaid and a pirate, the bunny and the wolf, the devoted nun and the devious priest. You had literally tried on every single costume you could think of. Or so you thought.

Pressing your thighs together, holding a chemistry book to your chest, you could not believe you had agreed to give a shot to the pornographic cliché everybody knew about. The checkered skirt you were wearing barely reached your buttocks, exalting your curves and revealing the virginal white thigh highs you loathed with every melocule of your body. Playing the part of the innocent student for the not-so-professional version of a professor, masterly played by Suguru, was turning out to be both intriguing and exhausting.

“You disappointed me, darling. — your boyfriend sauntered towards his desk, much to your dismay overlooking the balcony — Chatting with your friend during my class. That’s downright outrageous” he casually said, slender fingers gliding down the polished surface of the desk.

Hypnotized, your eyes drank in the way his fingers curled around the edge of the bureau, wanting nothing more than to feel them buried deep into you. He always had you in a chokehold, whatever he did or said. In the palm of his hand, you now proceeded to swallow your pride and portray your own part to please him.

“It won’t happen again, professor! I promise” you fretted, scurring towards him with doe pleading eyes begging him to be indulgent.

“You have been disrespectful, dear. Spare your breath, though. Even if I decided to accept your apology and desisted from putting you on detention, your indecorous way of dressing leaves me no choice but to send you home” he retorted, his tone authoritative albeit you could see the signs of his arousal showing up.

The prominent tent in his pants was the proof he could not keep this up for too long.

And, honestly, you could not neither. Darting your eyes back on his face, you pursed your lips and zeroed the distance between you two. Settling your book onto the desk at your right, you shook your head and made sure to get his attention by clutching the fabric of his shirt into your hands, consequently creasing it.

“Please, don’t! My parents will kick me out for real this time! Professor Geto, I beg you, I cannot afford another suspension. There must be something I can do to make amend!” you bewailed, flaunting a secret talent in acting exactly like that girl from back in high-school.

Having despicable classmates, apparently, had played in your favor.

Suguru grinned, his mask cracking under your own hungry eyes. He had to admit you were a talented actress, indeed. But more than your words, there were other details about you that he was particularly interested in at the moment. Your inviting eyes, the way you were pathetically clinging onto him, your bare legs. As much as he loved seeing you like that, he wanted nothing more than bending you over the desk and split your walls apart.

“Is that so? You poor thing, maybe I’ve been too strict towards you. — Suguru mused, tilting his head to the side thoughtfully, tapping steadily over the wooden surface with the pads of his fingers — You know, dear, I have just figured out a way to grant you the chance to make amend. Tell me, are you willing to do anything I ask of you?” he inquired, his almond brown eyes boring into yours as you eagerly nodded your head.

That was it. Before you could even blink your eyes, he had gripped your hips and spun you around. With your cheek pressed against the top of the desk, the edge sinking onto your hipbone rather painfully, you felt Suguru push a foot betwen yours and part your legs unceremoniously. You were mostly silent, except for the occasional gasps leaving your lips as he hiked your skirt up and gave generous squeezes to your ass.

He cussed, before his hand collided with your rear in a harsh spank, your body jolting forward for the impact. He knew you loved it, he knew the contrasting feeling of pain and pleasure meeting in a blurry line made you feral. Your cries only made him want to ruin you further and that is what he did, once he spotted the damp patch soaking your white panties.

“This will be our little secret, right, baby?” he huskily rasped out, the clinking sound of his belt unbuckled making you shudder.

“Yes, Suguru—” only for him to cut you off with another unforgiving spank, leaving you whimpering while his fingers tugged the fabric of your underwear to the side almost disrespectfully.

“Professor Geto” he hissed in your ear, one of his hand grasping the base of his cock to drag the tip up and down your slippery folds.

It was only the beginning of a rough session, your pussy clamping down onto him spasmodically, while your moans turned into notes to compose the perfect lewd melody you both loved to listen to. His thrusts were not gentle, but the way he made sure your hipbones did not get bruised by sliding his hands over them was affectionate.

“If only you put the same commitement I am seeing now into studying, you would not have to let your professor fuck you stupid now, is that not right?” he teased you, the hint of a laughter in his words as he went ahead. Apparently, he was still holding on tight into that roleplay shit.

The moment he reached his climax, his movements coming to an halt, he groaned through gritted teeth and bringing his lips close to your ear, he whispered a command he knew you would have followed unquestioningly “Go home and keep it all inside this slutty pussy. Keep it in your womb and I will give you more”.

And dear, how much you craved more of it.

Hiromi Higuruma.

Exhibitionism and use of collar.

Drool was running down your chin, the leather black collar fastened around your neck making you feel so vulnerable as you struggled to take all of him into your mouth. You did not have much space to move around too, hidden underneath the desk in a kneeling position. Your stressed out boyfriend had truly crossed the line this time and the worst part of it was that you always agreed in trying new experiences.

Under his lead, you helped him relax and release all of his pent up anger and frustration. Albeit there was a small power imbalance between you two, at least, in the bedsheets, you two worked together to bring out your worst and dark desires, reaching the apex of pleasure in such a delectable way that left you both satisfied in the end.

“A collar? Really? What am I to you, some kind of pet?” you had joked, quirking your eyebrow up as he was proceding in fastening the said accessory around your neck.

“You are far from being a pet, but I think you can use that tongue of yours to please me, instead of being sassy, my dear kitten” he replied in a casual tone, giving a playful tug to your collar. It suited you so perfectly. Honestly, he could not wait to ask you to wear it in the privacy of your bedroom.

As you shook your head and sighed, you pointed at the collar on your neck with a teasing expression on your face “Okay, I get it, but unless you want your colleagues to start gossiping about how indecent the best lawyer of the firm is, you have to unfasten it” you reminded him, winking at your boyfriend who was still contemplating the way the leather encircled your tender neck the same way his hand did during your rough session.

Yeah, those money he had spent on the collar had been definitely well-invested.

“Oh, please, I’m on my lunch break. No one’s going to annoy me for a while. Let me feel a perverse sense of power for ten minutes more, please” he implored you, dark coffee eyes boring into your landguidly, as he sat down onto his armchair.

You chuckled, standing between his spread legs tentalizingly, before sensually dropping to your knees “Well, in that case, let me purr for you” you suggested, hand reaching up for his belt and zip.

Skilful hands quickly getting rid of the clothes preventing your access to his dick, you finally pulled it out of his boxers. A few strokes and a deep grunt later, your mouth was wrapped around his cock, tongue teasing the tip to elicit those guttural and masculine moans Hiromi always let out around you.

His hand had fisted your hair, head lolling back on the head-rest, when someone knocked on the door. Your eyes went round, blood freezing in your veins as Hiromi’s grip on your hair almost made you wince out in pain. He glanced down at you, as you both realized it was too late to stop and you did your best to scoot more under the desk. He had to let that person in, there was no other choice but that.

“Come in” Hiromi said, after clearing his throat in discomfort.

As you heard his colleague walk in, you swallowed around him, causing Hiromi to let out a fake cough fit. It was not something you had done to tease him, you were actually paralyzed at the idea of being caught like that. But Hiromi was not having it. As you resumed your sucking and the man who had dared to interrupt his fellatio closed the door behind him on his way out, Hiromi hooked his fingers around the collar, pulling it tight against your neck.

You almost choked, as he groaned a tad louder “What was that? My pet has misbehaved, hasn’t she? Ah, I’ll gove this kitten something good to swallow for real this time” he sang out, the equivocal words sending chills down your spine as your little round played our smoothly.

At least, until Hiromi released down your throat without warning you. He had to admit you looked pretty like that, with drool and his sperm running down your chin as you coughed at his feet.

You were a good pet, after all.

AUTHOR NOTE.

Hello there! I have finally posted the part two of my project! I truly hope you are going to like this part as well and thank you so much for the love you are showing to my works! As per usual, likes, comments and re-posts are greatly appreciated!

Until next,

x o x o

TAGS: @pseudowho @brittscafe @doumadono @mrskokushibo @axesfordays @gyomeisfavoritespermcell

@marinnnnnnnnn @deegausserr

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reddpenn · 2 months

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I’m back from my rock show! I got some Cool Rocks!

First, the agates.

Another Turkish stick agate to join my collection! I can't get enough of this stuff. These form as pseudomorphs of selenite. A bunch of criss-crossing selenite crystals grow inside an empty pocket in the rock, and then the space around them fills in with agate. Eventually, the selenite crystals dissolve, and the hollows they leave behind are also filled with agate, preserving a record of their shapes!

Bonus! This pair has a nice green fluorescence.

Here is another Turkish agate. (Almost all of today's agates are from Turkey; Turkey produces some beautiful agate specimens.) This one has a really interesting pattern to its banding.

I actually picked this one out for its fluorescence, which is a stunning bright green.

Also from Turkey! Growing inside a super cool crust of volcanic rhyolite, this agate is called sagenite. Sagenite agate has a fibrous appearance because it is a pseudomorph of a fibrous zeolite mineral.

The last two from Turkey: a pretty red specimen with a sparkly central vug, and a weirdo with squiggles of yellow. What’s going on with that guy?

This one is from China! The red and orange agates from this locale are called "Fighting Blood" agate. I already have a Fighting Blood in my collection, but I thought this one was neat because its vug is full of amethyst!

Here are some things which are not agate!

This one is a lead mineral called plumbogummite! Specifically, these crystals are a pseudomorph of another lead mineral called pyromorphite. Over time, the lime green pyromorphite crystals were slowly replaced by the tealy plumbogummite. In a few of the broken crystals, you can still see a green pyromorphite core!

Hyalite opal! This rock has been on my bucket list, I am so excited. This form of opal is known for its water-clear, jelly-like globule formations. Though typically a colorless mineral, this specimen is tinted yellow due to iron staining. It’s also a mineral famous for its bright fluorescence… but this specimen’s glow is utterly unimpressive. :c I will be on the lookout for a more glowy specimen at future shows. Honestly, I’m just happy to finally own some at all!

This year, I also got some high-end mineral specimens! Take a look at these beauties.

Roselite! This rare, toxic mineral is full of arsenic. If I ate it I would probably die! Roselite’s deep red color comes from the cobalt in its chemical structure, and makes it highly sought after by collectors. This specimen is showing off a well defined lenticular crystal habit! Again, I cannot overstress how rare this stuff is. I spent… an inadvisable amount of money on it.

Oh, the best and most sparkly boy. This is wulfenite! I have wanted a piece in my collection for so long, and I’ve been waiting for just the right specimen to come along. It's a lead mineral, and it forms the coolest square, tabular crystals! This mineral is extremely brittle, which makes large, intact crystals of it very hard to find. But check out the huge tabular crystal on the right side of this specimen, it’s bigger than my thumbnail!!

And finally, I could not resist buying something silly.

This is Tully. He's a plush Tully Monster, which is my state fossil!

#red pen has cool rocks #rock collecting #look at my cool rocks

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slavghoul · 6 months

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Interview from Sweden Rock Magazine 10/2023

Hi, hi. There is an interview with Tobias in SRM’s newest issue, but it’s in the subscribers only section, so I thought I’d translate/share since I guess not many people will be able to get their hands on it. It is about Prequelle and it’s part of SRM’s „200 best Swedish hard rock albums of all time” series. Prequelle placed #68. The other albums may have scored higher, but for now we don’t know the whole list. Either way, enjoy. Very insightful.

„Do you think that "Prequelle" is Ghost's worst album?” Now that’s an unusual opening question. Especially when the interview is about an album that Sweden Rock Magazine's writers and qualified Swedish hard rock musicians (including Tobias Forge) have voted as one of the 200 best Swedish hard rock albums of all time. The question wasn’t planned, but comes spontaneously, as a reaction to the first thing Tobias Forge says when we sit down on opposite sofas in the record company office. I'm here for a two-part interview, partly about the EP "Phantomime" (published in #6 2023), partly about "Prequelle". Neither record companies, artists, voters, nor even our writers who conduct interviews for this series of articles have any idea what placement an album has received. Interviews are often done well in advance and we simply don't want placements to leak and become public long before publication.

No Ghost album has ever been on the list before. The idea is actually to end the day with the "Prequelle" talk, but when Tobias Forge suddenly starts with a funny little comment that this album is probably the one that those who have voted think is Ghost's worst or least popular album, I just have to take the opportunity to ask the question: Do you think that "Prequelle" is Ghost's worst album?

No, absolutely not, he says and laughs. If I'm going to be completely pragmatic, I'd say: "How many songs do we actually play from that record?" There are songs that work damn well live and sit where they should. So it's a pretty strong album.

But is this what you are basing it on? "Prequelle" was released after Ghost had become really big so it can't be compared to "Opus Eponymous" and "Infestissumam" which you don't play many songs from. I mean, no matter what kind of record you had released when "Prequelle" came out, you would still have played many songs from it and they would have worked precisely because Ghost's songs nowadays are moulded more to the arena format.

I don't know how to answer that, it's difficult. If the album had been different, it would have been. If I'm going to talk somehow both artistically and practically, I know that for every record we have become exponentially bigger. "Prequelle" was definitely no exception, but it also took us a big step forward and upwards and we became bigger and broader. To the extent that when we introduce old songs in the live set, you notice that there are elements on albums one and two that make some songs more difficult to play. Not technically, we can play the songs, but they don't work in quite the same way as the later songs, which means that there is a slight favouritism.

I asked the original question about whether you think it's Ghost's worst album only because you directly said that this means it's the least popular one.

I'm just so full of myself I assumed all the other albums are also in the top 200, which may actually be incorrect. This might be the best album and the others aren't even there, haha.

It wasn't long after "Prequelle" was released that you were self-critical of the album in interviews, saying that it was too ballad-heavy and a bit too soft. I haven't noticed that before, you being so self-critical shortly after the release.

Yes, but I still feel that way. If, as an artist, I am only going to look at the work with the criticism that one can feel towards one's own work, I think that if things had been different or if I had more time, I might have wished that I had managed to get maybe two more hard songs. Maybe one more hard song would have fit on the album and another harder song might have phased out one of the ballads. Now five years after the album came out, I know that the two ballads ("Pro Memoria" and "Life Eternal"), which I may not think are bad, are one too many. But I know that many of the people who like the band like both of them, so it's kind of a useless argument.

Who sets the length of an album? Have you set a limit, that it can't be longer than this and have no more songs than that?

No, but it must fit on an LP disc and there is a physical limit. I think the absolute pain threshold is 46 minutes and that's 23 minutes on each side. Now maybe Mikkey Dee (co-owner of Spinroad Vinyl Factory) will raise his hand here: "But I can make it longer!" And it's maybe 48 minutes, I don't know, but I do know that when a disc starts getting so full that you start getting close to the sticker, it starts to sound bad. Especially nowadays, because recordings today are so very maximalist in scope. It's one thing if you record 60s music with drums, a guitar and bass where the sound is cleaner and finer or if you play acoustic stuff with just vocals. Bob Dylan records could have eight songs on each side and it worked all the way through. But this kind of fairly compact music doesn't work well. Not only am I a militant vinyl advocate, I think we should respect the fact that most artists don't manage to create more than 45 minutes of good music on a regular basis. A lot of famous double records are not that good. I don't think the Rolling Stones "Exile On Main St" is very good. It might as well have been on one disc. And if I'm actually going to turn it into something completely mundane, I'd say that I think it's irresponsible to sit and make records with twelve songs if it results in the record being 63 minutes long and you automatically have to make a double record. It's pretty wasteful.

When you said that it's irresponsible, I thought you were going to say that it's irresponsible to print a double vinyl because of the environmental destruction that it entails.

Of course, if we're going to be completely straightforward and not do anything that harms nature, we shouldn't even release any records, so I say this with reservation. But with that in mind and for the sake of art, I think more people should embrace the actual given format that has been the most prevalent in rock history. There is a reason why a film is usually one hour and 30 minutes. You can’t take any more. There's a certain dramaturgical structure and there’s a certain comfort in it. Then the CDs came along they screwed that up, and suddenly there weren't two sides anymore but it started one way and ended another. Now that the CD is no longer important and we've gone back to vinyl, creators should follow suit and start embracing the physical rules.

Are there songs that have been rounded off just because you thought „I have to round off here, because if I continue, it won't fit on the vinyl disc"?

We actually had that problem on the last album. „Watcher In The Sky” ended the A-side and the outro is much longer on the CD and digitally. Two minutes longer I think. Much, much, much longer. It's long, noisy and has all these dives. It's a very chaotic soundscape. You get the feeling that it goes on and on, and on the vinyl it's just the beginning of an outro and then it drops almost immediately. I think that was a huge mistake.

So the overall sound quality was more important than vinyl buyers getting everything? Because you could have pressed the vinyl and it would have fit, but you would have had to compromise the sound quality.

Yes, exactly. You can get the song to just keep going until the vinyl simply runs out. Then it just starts spinning in the middle, depending on what kind of record player you have. But the problem then, if you want to anticipate events at a creative stage, is that people today buy and listen to vinyl records and are sensitive. It's quite common for people to complain that the record is broken. I don't just mean our records, but people complain a lot about the presses. If you make ten songs, it's therefore stupid to have a too thick soundscape towards the end of song number five and song number ten. If you want to be really good and old school, that's where you put a piano ballad because it's an easier sound to handle so far into the record. This is what I think about when I make records. But clearly sometimes I miscalculate.

This must cut right through the record collector Tobias Forge's whole body and soul, that "Watcher In The Sky” is shortened by two minutes on the vinyl of all versions.

Well... I don't toss and turn and wake up in the middle of the night thinking about it anymore. But when it happened, I was livid. Luckily it was just an outro. It would have been worse if it had continued with some kind of narrative into the next song. Now I can't remember in my head how long "Prequelle" is, but if I'd had to go back in time and just re-construct it, the re-construction wouldn't have had much to do with the existing material, I would have just wanted to add a scene. And it's not a scene that's missing, it's just for the sake of balance. It became asymmetrical in a way that bothers me a bit.

You've talked about this before, but it was before "Prequelle" that you really started to talk a lot about how you were thinking about what kind of new songs might suit the live show. Can you get stuck in that mindset, thinking more about what songs are needed live right now rather than creating an album that will last 30 years?

Hmm... (long pause)... The reason I'm sitting here thinking is because I'm trying to come up with examples of other bands that I think might have gone through something similar. I’m looking for examples to the answer I'm about to formulate and that is that: yes, I think there comes a point in the career when most bands make a record because they simply feel they need to… Because what we're talking about is that when you go from playing in small smoky clubs in front of an already inveterate audience that already understands the perhaps a little more chewy expression, that experience can change if you start playing in front of a larger and especially a different type of audience. When a different type of audience comes and you play in a different format, you discover that this song doesn't work very well, it doesn't sound very good and it's difficult to get the sound right. Then there's usually a record or two or three during your career when this transition happens where you start filling in with songs that work better live. Look at Piece of mind", "Powerslave" and "Somewhere in time". There's a reason why Iron Maiden didn't play a lot of the first two albums there and then, because it was easier to play the new songs. You get to that point somewhere in your career and it's very difficult to say when it is - there's no given rule and there are artists who continue to release relevant records and have an amazing ability to release new records and just play the whole new record. Well, now Iron Maiden does that and tests their audience a little bit in that way, but then they will always compensate by doing like a "best of" set the following year so everything is forgiven. Now we're in the middle of the "Impera" period here and have a very strong set, but I'm starting to feel that now that I'm about to start writing a new album, it feels like it's not really on my agenda to write three more albums that will change the live setlist ten years ahead. I think we already have the blueprint for what is Ghost's setlist, especially if you include the entire catalogue. After a while, each new record you make becomes a little less important. It's really hard to know when that point comes, but the truth is that new records don't matter in the same way. Slayer didn't have to release "Divine Intervention”. They definitely didn't have to release "Diabolus In Musica". I didn't care about it and I just wanted to hear the old stuff. If they had just come up and played "Reign In Blood" I would have been soooo happy. And that's the way it is with most bands. Nobody would be sad if the Rolling Stones came up and didn't play anything from "Emotional Rescue". And that's just the way it is. In the future, I can see a scenario where there is probably a basis to possibly build up an alternative setlist. There are so many songs that we do not play and that I have nothing against - I love them too! But it would almost be easier to build up a completely alternative setlist and run a show with only the odd songs. There are so many songs now. There's no reason not to build on that. But when I want to make a new record, it's irresponsible for me not to consider that there might have to be some songs that are a bit more direct. But it doesn't hurt me if we have more songs that we don't play live. I don't know if this answers your question...

I would actually like to ask exactly the same question again, because I wonder if you yourself feel that you get stuck during the making of the record. You said that you would have liked to include another hard song because "Prequelle" doesn't have the balance that you would have liked to have in retrospect.

Exactly, but the explanation for that has more to do with my mental capacity there and then. I simply couldn't cope. I felt that I had probably maxed out… It was probably about as much as I could do that year. That's the simple explanation. To get another song that would have fit and that would have fulfilled this requirement that I now in retrospect would have wished I had, it would have required something that I did not have there and then. The only thing that could have made it easier is if I had more time. It is difficult to reason about it, you see.

I was in the studio for a few days during the recording and it's one of the few times in all these years that I've done interviews where someone has started crying during an interview. It was quite obvious that everything that had happened with the split of the band affected you.

Yes. Of course. It did.

Is "Prequelle" a difficult album to listen to for you? Can you sit and listen to it all the way through?

Well, at the moment I have to do that from time to time, and listen to all the records, because we're just about to start rehearsing again and then I sometimes have to go back and just listen to the record to go: "Fuck, is that really how I sing?" Especially when we start rehearsing, I can be a bit like: "Damn, who changed this bit?” Then I usually sit down and it hits me: "Oh, it's me who has changed my song!" You simply do that over the years, you start singing it in a slightly different way. So sometimes I have to go back and listen, but it’s more practical. I don't think it's fun to listen them. I do it until they are finished. I listen over and over and over again and really try to listen with all the imaginary ears and all the imaginary perspectives you can have. "How would I have listened to this if I had heard it from this perspective?" Just to get as "objective" a perspective as I can until I'm satisfied, but then it's like „No, I don't want to hear this anymore". But I have to say that I think "Prequelle" is a very tolerable disc despite everything that interfered with the process. Therapeutically, it works quite well considering that we are still playing at least half of the album. For every artist there are songs that you want to play, and there are songs that you don’t want to play because they feel too personal. I don't feel that way about this one, it's more like: "Ah hell, they're part of the setlist and people like it and it sounds good. So that's what we're doing."

On a personal level, was Tom Dalgety the perfect producer for you, the way you were feeling at the time? Tom feels like the kindest, sweetest producer you can meet. He wasn't the kind of producer who pushed you very much, it was more of a nice atmosphere between you.

Yes, really, and it would have been different if Klas Åhlund, who is more confrontational, had been in the room. Now Klas and I are great mates, so it would certainly have been very therapeutic also, but it would have been a different process. If an artist comes in who is in such bad shape that they can't make a record, or a band where the main songwriter has just left them, then a Bob Ezrin goes in and says: "If you don't make the record, I'll make the record myself.” And he goes and makes Kiss "Destroyer" or Alice Cooper records. I'm not saying they didn't make them, just that you hear that Bob Ezrin made "Beth". It's a type of producer that's very different from a lot of other producers who maybe act a little bit more like buddies and cheerleaders and make the atmosphere good. Bob Ezrin doesn't care so much about the atmosphere in the room. Klas is somewhere in between, I would say. Given the condition I was in during "Prequelle", the result could probably have been different if Klas had come in. Ironically, there was actually talk of him doing it, but he didn't have the time and we'll never know how it would have turned out. I only know that it would have been different, but right there and then Tom was fantastic. I know that a lot of bands like to work with him because he is technically brilliant. He's really good at those typical sounds that people like: cool drums, guitar, bass, tone and clarity. He is also very "happy go lucky", a nice guy who sits and jokes all the time. Even if he has a bad day, it doesn't affect anyone else, which is convenient.

Let me compare it to when a writer contacts me after an interview and says "that was such a nice interview". For me, "nice" is not something positive in such a work situation and the result is often better when there is a little friction.

Mmm, and that is more Klas. There is more friction and more confrontation. And I was much better equipped for that at "Meliora" and later at "Impera". I felt better and was simply stronger. There wasn't the same survival instinct as on "Prequelle". If I think back, not about how the album turned out and how I have to live with it, but if I think back to the situation I was in, I was very anxious all the time. Even though I'm happy with the result, I wouldn't want to go through the recording again, even though Tom was great. Because it's hard to work when you're under attack. I realised that now when I made "Impera", when it was no longer like that. You are much more comfortable, it doesn't feel the same, you are more mature, you make better decisions, you are more controlled or dare to be uncontrolled. When things are this serious, you can end up in a freeze mode. Maybe that's also why there wasn't another song. The song that I miss doesn't exist because I simply squeezed out everything I had. If I had been in a different emotional state, I might have been more comfortable working out something at the last second from bits and pieces. But I felt that I really just wanted to get it done, deliver it, get back out on tour and start over again.

When you described being more mature during "Impera" you sounded like a 70-year-old, kind of like all the Aerosmith-like bands that have been fighting all their lives and now that they're in their 70s they say "we're soooo mature,” haha.

I think with all artists, especially when they're required to work in a group, there are many recordings that have been a collision with a wall because you're expected to function in a context all the time, whatever and whenever. But you do change and from one year to a few years down the line there can be a huge difference in a person's drive, hunger and priorities in life. Whether you have the same band structure as I do or whether you play in Metallica, people come in one state and they may end up in another, because you have different priorities at different times. It's unfortunately against the whole rock myth. I think that's the biggest problem for bands and businesses, that you always have this idea that if you just get to a certain stage - not just monetarily or career-wise, but you get to a certain stage of fun - then we've reached the status quo. But that is never the case! Never! There’s always something. Even in the best moments when everything is working, the band is awesome, everyone is working well, the crew is awesome, everyone is laughing, it's just a party all the time mentally, you have the world's best tour manager, everything is flowing and the tickets are selling, there will always be someone who doesn't like it and then has to break away and want to do their thing because it's no longer fun. It's usually somewhere in the lead-up to a stage where it's interesting and then once you've achieved it, it all becomes a bit boring. Just like in a relationship some people may eventually think, "well, that's a bit boring, I have to go out and do something else".

Since I was in the studio when you were laying down guitars on "Witch Image", my heart beats a little extra for that song and I thought it would be a great live song, but you've barely played it (at the time of writing it's Ghost's forty-fourth most played song live).

We did it during the "Prequelle" tour, or "A Pale Tour Named Death" as it was called. Then we did quite a few "an evening with" concerts, for better or worse. The advantage was that if you were a big fan of the band we actually played a lot of songs and actually a lot of the first albums, like "Idolatrine" - or "Witch Image". We did a set, a break and then a whole other set. That was a bit of a taste of what I was talking about earlier: doing a slightly larger set and then a slightly smaller one. You just shouldn't do it on the same night because it gets a bit stale. We played for two hours and 30 minutes or something and that wasn’t a good idea, haha. At least we did "Witch Image", but it has fallen behind a bit and it doesn't mean that we will never play it again, just that we don't do it right now. What I've been happy about is that there has been a feeling for the records that we've made recently, "Prequelle" and "Impera", that people still want to hear the new stuff. We haven't gotten to that stage that I talked about earlier when it doesn't matter anymore. Then it's very fun to try to find a new way to perform the songs, not technically, but suddenly a song like "Witch Image" might fulfill a very nice purpose between a completely new song and another song.

Let me speculate: in 30 years, I think "Rats" will be considered the great hard rock song, "Dance Macabre" the great hit and "Life Eternal" the great ballad. What do you think? Will this in the future be seen as the three big songs of the album?

Yes, that makes sense, I think. I understand that an instrumental song automatically ends up in the wake of a "best of" collection, in the sense that you do one in 30 years. I realise it's not a hit but the instrumental "Miasma" is a big part of our live show. It's strong and feels like such a keeper. Now we don't play "Life Eternal" very often actually, but it was very well received. For some reason people like to get married to it, I don’t know why, hehe. It's nice but it's also a bit like U2’s „I still haven't found what I'm looking for" and you don't use that one at a wedding. But people like it and I guess interpret it differently to me. It’s also a song that I don't think is fun to play live.

And why not?

Because I find it hard to play ballads. Physically, they don't feel the same as rock songs. I miss the "dunka dunka". Now everyone who plays music today knows what I mean - sorry, readers who don't play music - and it's that there's a small problem with having in-ear monitors. This means that you have to reach a certain frequency of beats in order to feel the music, unlike when you played at clubs with only a guitar amp behind you. You felt every single note you made and it just went through your body. Nowadays, I think it's sometimes hard when you play slow songs, because you have to trust that it sounds good, whereas when you play a rock song, you feel that it sounds good.

Does it also apply to "He Is” which is such a huge ballad, not least live?

Well, just the intro and then it gets going quite quickly and suddenly becomes a hard and rather fast-paced song. The classic ballad concept has always been that you play so-called edge beats to make it sound soft, while "He Is” is actually a rather hard-played song considering that it is a ballad. Once the drums come in – boom, boom – it's got AC/DC bite to it. It has a rock feel to it that "Life Eternal" doesn't really have. As I said, I don't think that "Life Eternal" is a lot of fun to perform, but that doesn't mean that it isn't quite good to listen to. It’s just that when I play "Dance Macabre" or "Mummy Dust" I feel that I can express myself physically more in line with what the text says and what it means.

#the band ghost #tobias forge #interview #prequelle era

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