#the same themes that we see in the game would be really prominent throughout this hypothetical manga obv | Explore Tumblr Posts and Blogs

oatsmeall · 3 months

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Friendly strangers.

Jk! x f!reader | smut | not proof read

Warnings: suggestive themes and language.

College au | strangers to lovers

When you started your year at college you didn't think it'd be so lonely.

You didn't really make friends or talk to people at the campus. Your closest friends went to another college, it sucked. You weren't completely disappointed though. You just minded your business and went on about your day.

However.. you and this complete stranger would often see each other throughout the day, that being your AP chemistry course And often even in the library. You didn't know him but you sometimes talked to each other. Not conversation wise but you would ask for a sheet of paper or a pen and he'd do the same. Occasionally when you'd see him in the library, you'd sit at the table he sat at and he'd do the same again. It was a routine, the game of "Friendly strangers".

You will admit though he was very handsome, tall with dark hair in a wavy mullet and tattoos so beautiful, accompanied by piercings on his brow, lip, and all around his ears. His eyes were alluring, doe eyed when he'd ask questions and siren eyed when tension arose.

You're now sitting in the library in a comfortable silence but you really want to get to know him. You've been seeing him all semester and yet you've never exchanged names. This could be a new start to finding friends.

"psst.. hey" you whispered throwing a small ball of scrunched paper.

"hm?" He seemed to become surprised. His doe eyes were prominent.

You moved from one chair to the other to get closer to him.

"what's your name? I figured I should ask... Considering I've got class with you AND we sit together anytime we're in the same room anywhere."

"Right, uh- I'm Jungkook. Your name?"

"Y/n. Nice to.. formally meet you?" You said in a confused tone.

"yeah, same."

It fell silent again, this time somewhat awkward. You looked around the library thinking of something you could say next, to your dismay, nothing came up.

"uh- so...what're you studying for?"

"that chem test we've got next week. Better prepare now to get it out of the way.."

"mhm.. that's great. You're better than me, I just come here to scroll through my laptop and skim through class work or homework. And read, of couse." You say laughing at the last part.

"well it is a library after all. I'm actually about to finish studying. I'm going to head to a corner store right now... If you'd like to come along I wouldn't mind. Maybe we can get to know each other better?"

You were surprised he asked you to go with him. Even with such a straight face you couldn't tell if he was being genuine or if he felt bad...

"sure, give me a sec." You agreed anyway.

"No way? I thought that was from a whole different era? Huh? Who would've thought."

"pay attention more in class Y/n."

"mmk..Mr. Perfect."

You and Jungkook had been conversating out on a random picnic table for what felt like forever, it felt as if you've known him for eternity, like you've known him so long. He had a strange familiarity to him. Unexplainable really.

"you know... I never thought I'd ever talk to you, ever. Or that you'd talk to me at all. I just thought you were so quiet and shy. Which you're quite the opposite.." he laughs saying the last part.

"I could say the same for you Mr. Perfect, but honestly me too. I don't know where I got the guts to talk to you." You shrug eating your ice cream.

"I used to think you were so pretty..I still do. I just couldn't get the attention of the pretty girl." His eyes became lazy, the siren eyes. Oh my God...

His head in a tilt, staring you in your eyes, you felt embarrassment arise. Your face felt warm.

"you're too generous. But you know what... I was thinking.. that you're not so bad yourself, I would stare at your tattoos.." you were trying to sound like a confident woman but you felt awkward.

"yeah? Hm. What about my tattoos did you like?" He asks quietly staring at you deeply.

"I like your big arms and hands...and the way your tattoos adorn them beautifully." you say touching lightly over his hand and up his arm.

"Really? Hm.." his gaze became dark. His big hands suddenly gripped your forearm. He got up from across the table and walks over to you still grabbing your arm.

"how about I go show you what these hands can do? Would you like to come to my apartment?" He says with worry at the end. He didn't want to make you uncomfortable.

"your apartment? U-um.. yeah sure. You don't have a dorm?" You asked in genuine shock.

"no actually, I moved out my dorm about a month ago... I like privacy." He says in a laugh.

"right.. lead the way."

All you could feel was the subtle pain in your back, Jungkook slammed you into his wall by his entrance to his apartment. Excitement rolled within you.

"Can- uh,, fuck..- may I?" He said between his kisses, he really knew how to get your spots on your neck. It felt so erotic.

"yes- mm yes- of course" you were trying to catch your breath.

"fuck- I want you bad, you're so fuckin beautiful" he said smirking while sucking your neck.

"mhm? Auh fuck, You're good at that"

He then grabbed you and carried you bride style into his living room onto his couch.

He sat with his legs spread apart, such a sexy position for such a sexy man you thought.

You crawled onto his lap causing him to close his legs together slightly, you put your own legs on either sides of his legs now sitting on top of him completely.

You lowered your body completely on him, you felt his hard cock poking your ass.

"excited?" You asked teasing him.

"very" he says shortly after continuing by devouring you in kisses.

Gripping your sides with eagerness, you began to grind on him, he encouraged you more by moving you as well with his tight grip.

"mm fuck baby, you make me harder and harder by the minute" he hisses

"fuck- you're so aggressive, I love that." You say staring at him. Your eye contact felt lethal this amped up your high.

"yeah? You like that?" Jesus, you just met the guy formally and now you're riding his lap?

He grabs your face with his big hand, forcing you to look at him. Your heart literally skipped a beat, you just discovered yourself in this moment, you loved his aggressiveness, THEE aggression.

"Jungkook- I want you...in me.." you say quietly.

"okay.. if you're okay with it then okay."

You nodded quickly. He grabbed you off of him and got up and disappeared into the dark hallway coming back shortly after with a silver foil packet. He sat down next to you. You then took over from there. Without notice you made eye contact with him while your hands went down into his sweats, stroking his cock slowly and teasingly in his pants. You just smirked at him. He threw his head back and hummed lewes noises while you stroked up and down.

"fuck- Y/n...."

You then pulled his sweats down and let his cock spring out. His cock was big. You took in what was eventually about to go into you.

He grabbed the foil packet and ripped it open with his mouth and pulled the rubber out, rolling it onto his dick.

While he was getting situated, you too we're doing the same. You took your short biker shorts off along with your panties, leaving you in your oversized sweatshirt.

He stared at you while doing so mesmerized at your beautiful body.

He pat his lap indicating to sit on it, slightly smirking at you. You did and again you put your legs on either side of his legs, you slowly sunk down onto his cock, you felt your pussy stretch out, but if felt so good to you. Your pussy throbbed, already wet you slid onto his dick nice and easy.

"mm-fuuuck, y-youre s-so big" you winced.

"baby you're so wet, all for me." He hissed throwing his head back.

"oh my God auh-fuck" you moaned as you fully plopped onto him.

He grabbed your waist hard.

"alright baby, hang onto me."

Before you could do or say anything he slammed into you hard, slowly pulling out and doing it again. Your ass smacking his balls and thighs became a louder noise, he began going fast and hard.

"o-oh my- a-auh ffuuuck" your moans were out of this world, it sounded like music to Jungkook's ear.

"yeah baby- take this cock, good girl."

The pet names made your stomach do cartwheels, you became wetter and wetter.

"yes, yes, yes, s-so good" you moaned again and again.

The lewd juice noises where on full ear display, the sound of ass on balls was amplified and your moans and cries were on blast.

"yes baby, you're doing so good, yes" he hissed. He grabbed your waist with one hand and his other reached over to your throat.

This felt so pornographic but the throat grab made your pussy throb and gush.

"uah auh, my god, f-fuck Kook I'm gonna c-cum! Fuuuuck" your pussy began to clench and so was Jungkook's hand around your throat.

"come on baby, cum, cum for me." He was also reaching his high, he felt your clench and his dick felt like it was gonna burst.

"yes, yes, fuck aughhh" you moaned in agony, your pussy was pulsating from the high you just came down from.

"yes baby, good girl" he was out of breath, breathing hard, his from hair drenched in sweat, he moved his hand from your throat your face again forcing you to look in his eyes.

"Kook- what the fuck." You say shaking. Your legs went numb. All that rough fucking made your legs weak, and your pussy throbbed and pulsated from all the force.

"yeah? You liked that?" He said still tying to catch his breath a little.

"yes." You say shyly. Even after that, you can't help but feel shy.

"here, let me get you cleaned up. I'll be right back" he stood up also taking the condom off and disposing of it.

All you could think about is how you absolutely got demolished by a stranger you only met formally today... Maybe you should continue on with these activities.

#jungkook angst #jungkook fluff #jungkook smut #jungkook x reader #bts fluff #jungkook #bts #bts smut

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coffinbrotherr · 5 months

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Istg I keep seeing videos in my recommend that have either Andrew or Ashley sprites in the thumbnail and it's always in the lines of "shock storytelling is BAD" or "this needs to STOP" (I'm not providing examples as to not install a witchhunt but if youve seen them, you know EXACTLY who im talking about.) and I dont...I don't get why? Like, ok genuinely I'm having an actual hard time understanding why because being disturbed and being made uncomfortable is quite literally the definition of horror, so why is it a problem now.

To I guess throw my hat into the ring, I'd like to explain why i personally think incest integral to Tcoaal not only because I'm just fucking tired of seeing people not like the game just because of that aspect and I'm not knocking those people because of it because people can not like things for specific reasons, for example I am not one for horror involving teeth or the mouth so I tend to ignore horror media that prominently use those as setpieces. I'm mainly talking about people that bash it without actually playing it and people that see it at surface level and just make a Baseless assumption because to me and obviously a lot of other people as it still has great reviews, Tcoaal is wonderfully written and that IS thanks to its incest themes.

We see that throughout the game, Ashley obviously loves her brother, not only in the romantic sense but also in the power dynamic. While some aspects have yet to be revealed about thier relationship as we still only have two chapters, Ashley obviously manipulates Andrew and has since they were little as evident by the hide and seek flashback. It's incredibly obvious that Ashley likes control over people and since she doesn't really have anyone else that's closer to her, she uses Andrew exclusively as he's always been there with her figuratively and literally. While this behavior definitely comes from a sense of loneliness and fear of losing the one person that tolerates her as not even thier own parents wanted to stay around them let alone her, I think it also comes down to enjoying the control. Genuinely think about the story of the game for a sec, could you imagine being in that exact situation we see the siblings in. The closest thing we can even relate it to is covid, and we could at least still leave the house to an extent and have things sent to us that we wanted. Imagine going through all that not being able to leave, literally having the bare minimum of food being dropped off to you and being FORCED to stay inside not with a slap on the wrist but with active threats of death even though you know other people get to freely live outside peacefully. Not only is that terrifying but it gives a lot more insight to Ashley's character as she's literally stuck in a place she cannot control in an unfounded situation that is positively awful, but she does have one thing she can control, she has one person she can make exclusively hers and make him do whatever she wants through manipulation and the connection with love. The same goes for Andrew as we know Andrew was at least a bit more popular with people to the point where he even had a girlfriend (Julia) and to have literally all that stripped away from him is tragic, however for him there's one more person he can interact with, one person that cares about him and truly does love him in a way only they can share. It's a beautifully horrific way of telling a story because on the outside, it just looks like "oh hah hah, that's the incest cannibalism game" but if you actually played it you would see not only is the writing genuinely funny but also incredibly smart with its subtle meaning and player interpretation. It's NOT glorifying incest, it is actively showing an incredibly toxic relationship that was made through the circumstances and actions taken with both characters and to say it's just "shock storytelling" or "it's just trying to glorify incest" is just wrong, it's using the incest to further the narrative and that's why I personally find this game to be my favorite work of horror.

But that was just my interpretation, I'd love to hear your guy's views on it because I'd love to further the discussion and potentially add to my analysis as this was just something I wrote at 12:30 AM in bed. I could go on and on about my personal analysis but a lot of it would just be me being genuinely pretty annoyed with the games detractors and overall just make for a poor reading experience.

#the coffin of andy and leyley #tcoaal #andrew graves #ashley graves

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coffeebeanwriting · 2 years

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Character Archetypes that could Strengthen your Story

None of these are required, but if you’re still debating the purpose of a character or want to add a new one— here are some archetypes to consider that can strength your theme and the story you are trying to tell! There will be a part two as the list continues!

It can also be a really neat exercise to dissect your favorite books to see which archetypes appear in there! The Hero might be easy to pinpoint, but a character archetype like The Guardian might be harder to find.

1) The Hero

The main protagonist, the focus of the story. The person we follow as they adventure out into the unknown and learn new things, meet new people. It’s vital that this character develops on their journey and the audience should want the hero to achieve their goals.

This is Katniss Everdeen, Harry Potter, Neo from the Matrix.

2) The Mentor

The mentor teaches the hero important skills that they will need to survive on their adventure and in the new world they’re emerging into. Typically, the mentor is very prominent in the early stages of the book, but will fade away as the plot progresses and the hero becomes adept and ready to take on their own obstacles.

There can be multiple mentors for different stages of the characters journey, but I would put a limit on it. For example, Hagrid leads Harry into the wizarding world and introduces him to the basics of being a wizard, but Dumbledore is the one who mainly councils Harry throughout the story.

This is Haymitch and Cena, Dumbledore and Hagrid, Morpheus.

3) The Ally

The trustful friend of the hero, one who listens and supports them. They can be used as an outlet for your character to share plans, thoughts and secrets to— thus revealing them to the audience at the same time.

The ally can be really strong as an opposite of your hero. If your hero is impulsive, the ally could be cautious and tentative. Or if your hero is reserved, the ally could be bold and loud. This can be great for balancing the story as both characters make up for the others shortcomings. There can be more than one ally.

This is Peeta and Rue, Ron and Hermione, Trinity.

4) The Innocent

Typically the innocent is a child, but regardless of their age, they see the world as rainbow and sunshine. Something occurs that will change their perspective and as they go throughout the story, they learn lessons and are forced to do some growing up.

This is Hermione, this is Dorothy in The Wizard of Oz.

5) The Herald

This one is really interesting that I just discovered by reading the source article for this post. The Herald is the person who brings the invitation into the new world or the threat that rockets the hero out of their everyday live and into the adventure.

The Herald doesn’t have to be a character, but can be a physical letter or form of message. If the herald is a character, they usually never appear in the story again— UNLESS, they fill one of the other rolls.

This is Effie Trinkett who officially brings the Reaping to District 12 and pulls the names from the bowl, this is Hagrid who tells Harry Potter that he is a wizard and Trinity who introduces the Matrix to Neo.

6) The Rebel

The character who will not settle for how things are, who wants a change and will make it happen. They have an immense sense for justice but this doesn’t make them a hero/good guy all the time, sometimes they can be an anti-hero and do bad things in order to achieve justice.

This is Han Solo in Star Wars, this is Katniss, this is Robin Hood.

7) The Trickster

The trickster can bring comedic value to the story and lighten the mood, while at the same time bringing light to serious issues. They will make you laugh but also raise very significant and important questions.

This is Haymitch who makes us laugh but also shows us a dark side of winning the Hunger Games. This is Hagrid who represents the prejudice against half-bloods, while also offering comedic relief along the story.

8) The Shapeshifter

The shapeshifter has a few different routes you can take. But ultimately, they betray the hero at one point or another.

• An ally who is revealed to be a secret betrayer— but wait! In the hero's time of need, this shapeshifter ends up helping the hero— sometimes resulting in their own downfall or death.

• An ally who outright betrays the hero.

• An antagonistic force who helps the hero in the end.

This is Seneca Crane who is an antagonistic force against Katniss but also allows for her and Peeta to win the games— resulting in his death. This is professor Snape who is falsely portrayed as a villain, but has secretly been aiding Harry through the story. This is Cypher who outright betrays Neo and the group, having pretended to be an ally for the majority of the movie.

9) The Guardian

Not the main antagonist, but a huge obstacle in the way of the hero’s goal. The hero must get past the guardian in order to get closer their goal. The guardian does not have to be a character, but can be creatures or physical obstacles.

This is the modified beasts who Katniss most overcome before her interaction with Cato, this is Harry Potter’s uncle who is always trying to sabotage Harry’s connecting to the wizarding world.

10) The Shadow

The main opponent of the hero, the antagonist. The Shadow tries stopping the hero from achieving their goals in many different ways. The antagonistic force typically does not lighten up or give mercy to the hero.

This is Snow, this is Voldemort, this is Agent Smith.

Part 2 with more character archetypes — Coming Soon.

Instagram: coffeebeanwriting

📖 ☕ Official Blog: www.byzoemay.com

This is the source used while writing this little article! Very helpful and provides more examples than I listed above. :)

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forcebewitht · 3 years

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Force's Disney Geek Master Theory: Why Twisted Wonderland Is Called Twisted Wonderland

We have all grown to know and love various Disney characters over the years, correct? Yet, I believe a lot of us can argue that not many characters have the same effect on us even as adults today as the Villains do within their respective movies. In the game Disney: Twisted Wonderland as we all know and love, the select boys to Overblot are supposed to have the "souls" of their Villain counterparts, right? But...why is it called "Twisted" Wonderland, then? The truth may lie within something that has been right in front of us all along, my friends: the meaning of a mirror. Ready to buckle in for this one? If so, then here we go!

We have seen all of these guys share character traits, looks, etc with their Disney counterparts, correct? Well, what if I were to tell you that things in terms of the "main" guys that we are supposed to pay attention to aren't exactly what they seem? This could be analyzed in a few different ways, honestly, yet the most prominent way is this: the differences in their personalities- they are reversed. Let us take this bit by bit, shall we?

Ah, yes. The Queen Of Hearts. The ranting, raging, bundle of red, black, and gold we all know and love. (or else heads would roll, I'm sure) One of the things that everybody knows about her is that she's extremely hellbent on the crazy rules that she makes up and is prone to anger honestly very easily. Yeah, you can connect that to Riddle- but think about it for a second. While that rage and the rule thing is still there, it isn't as prominent with him as it was with her, is it? With the Queen of Hearts, her whole "issue" was that she wished to make everybody listen to her and follow her every command- but Riddle was essentially always following the rules of another- not his own. This seemed to make Riddle a little more calm most of the time in terms of how he handled and oversaw things. It wasn't until he actually Overblotted that the "listen to me and only me" thing came out- buuuuuuttttttt I'll get to that part in a bit.

Next: Leona and Scar. While we honestly didn't get to see a lot of what went on behind the scenes in the Outlands in terms of how Scar even met the hyenas to begin with at all, one thing can honestly be said- Scar worked very hard to get where he was. I mean, it's not like you can get an entire pack of rabid, hungry hyenas onto your side in the course of a single day, or maybe even a week (especially as a lion, no less). No, something to that extreme takes careful planning, wording, and stringing along to ensure that nothing goes wrong along the way. The way Scar spoke to Shenzi, Banzai, and Ed made it seem as though he had known them for a looooonngggg time before this- that's where that behind the scenes planning comes in. And then...you have Leona. Leona, from what we can tell in Chapter 2, planned the idea for the "endgame" alright- but he didn't actually act upon any of the plan for himself. Ruggie did. Even in the Lion King, we see that Scar had no problems whatsoever getting his paws dirty a little within his own scheme to take his "rightful place" at the head of Pride Rock- but Leona quite honestly did not a thing once Ruggie was in motion. See where this is starting to head?

Azul and Ursula. Ursula, the Disney baddie queen of my heart Ursula, the Sea Witch. She was known all around the ocean floor for helping out poor little merfolk in secret, wasn't she? Yet, nobody ever really seemed to catch wind of the whole "her turning those who didn't quite fit the bill into polyps" thing, did they? That was one of the things that made her such a honest threat to Ariel herself- because Ursula was cunning. She did things behind the scenes, and sure- we could catch onto it out in the audience (annnddd maybe Sebastian and Flounder as well), but nobody else really seemed to, right? Azul is the complete opposite in this standpoint. He instills direct fear into his "workers" and those even beyond and within his dorm. Like- basically most knew that this dude was bad news to begin with. Azul, mostly, seemed to hide his cunning facade behind a fake yet still seemingly "soft and genuine" smile and act. But all in all, he didn't really attempt to "hide" anything- hell, he even proclaimed his entire plan of what everyone with those things on their heads were gonna do for him in the open! At least when Ursula sang as Vanessa, she was in an almost perfectly enclosed room with nobody else around.

Jamil and Jafar. This comparison here, given what occurs in the movie Aladdin, is honestly one of the biggest possible indicators of this reoccuring theme I shall clarify in a bit. Jafar, while being sneaky, was known for being a more "out there" Disney Villain in terms of his personality alongside that of his partner Iago in the film. He would smile in a sinister way, he would crack jokes out in the open, and let us not forget his crazed yet oddly interesting laughter. Jamil? He's the exact opposite. Given his past and what he has had to dealt with growing up with Kalim, he is much more reserved and barely releases a chuckle or cracks a smile at all. His personality is a lot more repressed than that of Jafar himself throughout the film. Jamil has been so used to having to hold himself back thanks to his parents in favor of Kalim's family, he doesn't seem to know how to "let go" whatsoever. Yet Jafar, while still maintaining that sneaky side of him as well, has no problems whatsoever letting a little hang loose whenever he so chooses to.

Vil and the Evil Queen. This one honestly may be a bit more self explanatory than the others- but the difference between these two is their expressions of themselves. The Evil Queen was the very first animated counted Disney Villain within Disney's history- yet, she barely had any lines throughout the film at all. Her ranges of expression were almost little to none thanks to the era in which the movie was released in- but she always looked like she was pissed, huh? Vil is the exact opposite of her in this sense. He is able to fully express himself through his various facial expressions, theatrical abilities, musical experiences, fashion style, and even how he behaves. Vil is able to do so much more than the Evil Queen did or could do within that time period, that it's almost a little staggering if you fully picture it.

Idia and Hades. Now, now. We haven't honestly seen too much of the flaming blue boy yet in TWST, but one thing is apparent here right off the bat- in terms of his personality? He is the exact opposite of Hades. Idia is much like Jamil but to a more "geek" degree- he's extremely introverted, shy, a bit snippy, yet mainly keeps to himself and his gaming tech. Hades is most often renowned as the Disney Villain with the most personality- and the best humor. Hades has no problem whatsoever being "out there" with his crazy puns, sassy remarks, anger, and even mocking behavior. I mean, please, guys- I haven't been this choked up since I got a hunk of moussaka caught in my throat!

Finally, Malleus and Maleficent. Ooooohoooooooo boy. We have to count out the live action movie Maleficent for this one (sorry horned queen fans). One thing that basically everybody even with their toe in the water in that of Disney movies kind of knows this fact- Maleficent is c r u el. She's got a bizarre set of dark powers and an even blacker heart than that. Hell, we basically had to "soften her up" a little bit in Maleficent thanks to just how seemingly irredeemable her character is in that of Sleeping Beauty. I mean, c'mon now- cursing an infant? And we get no explanation for that in the original? C'mon, now. Anyways, Malleus? As we all can tell by now, this dude is the compleeettteeeeeee opposite. Sure, he has those repressed bits here and there too, but it is evident that this dude has a heart crying out for the MC and it is big, bold, and golden to the core once you look past how he looks. He sent the MC a card for winter break, for crying out loud. Yeah, let me know the next time you see Maleficent do that smh.

Now, I have avoided using a certain word up until this point to see if anybody could catch on to what exactly is happening here. Did you figure it out? Reverse. The boys that either have Overblotted already or intend to Overblot soon stop holding out on us, Chapter 6 have had the exact opposite personalities compared to that of their Villain counterpart- until one prime point in their "character arcs". Their Overblot.

Riddle wished to have all bow before him and obey his rules.

Leona led his entire dorm into ruin and nearly sanded away the entire school in the process.

Azul let himself finally free of his personal shackles entirely and "took what was his".

Jamil finally let himself go and opened up more in his personality, almost seeming to be driven insane in the process.

Vil wanted to become the most beautiful one of all and would kill anyone within the way of that goal without any hesitation whatsoever.

The moment that the boys' Overblotted, that was the exact moment when the "soul" of their Disney Villain counterpart took control. Keeping that idea in mind, that should mean that this will happen in the upcoming chapters and their Overblots:

Idia will show off all of the personality, powers, and intelligence that he has been keeping down within this introverted self of his.

Malleus will become so broken by being left out and alone in the cold for the final time that he will turn into a completely cruel Fae and possibly nearly kill either the MC or the representation of Prince Philip within that Chapter in the process.

(Hello, my dear Readers! Guess who is trying to get back into her bigger pieces of writing? This gal right here~ feel free to drop a comment and tell me what you think of this theory- I'd love to hear your thoughts! 💕)

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object-show-analysis · 3 years

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My old question was terrible and not enough detail, here's a better one:

How do you think the result of all the things happening will affect Lightbulb in episode 15 and/or future episodes?

In order to answer this question we must first take a deep look into Lightbulb’s struggle with sadness and depression throughout the series so far. Because her previous feelings seem to become a lot more prominent as of late and it’s important to consider.

Lightbulb’s struggle with depression, and her relationship to her teammates.

One of the first prominent examples of Lightbulb’s sadness is after she is unable to talk with Paintbrush in the maze. When Paintbrush and Marshmallow go off to talk about Marshmallow’s issues, Lightbulb shows visible distress. Stating that she wanted to walk with them instead.

This solidifies two things: 1. That Lightbulb is upset/feels left out. And 2. She views Paintbrush as a friend before they seem to view her the same way.

It’s this episode that Lightbulb strengthens her friendship with Fan. And the two of them seem to get along great until paintbrush gets angry with them. This will be important later.

Paintbrushes anger and distrust towards Lightbulb extends into the next episode, where they yell at her multiple times and refuse to let her be the one to throw the balls. Which seems to make Lightbulb very sad. Wether she’s sad because she wanted to throw the balls or if it’s because paintbrush distrusts her is unclear.

This episode is also where she meets one of the most important characters to Lightbulb: Baxter.

Baxter the crab does a lot for Lightbulb’s story line regarding her depression, because he allows a lot of those feelings to come to the surface.

When Baxter leaves, Lightbulb is heartbroken. She actively cries in front of her fellow teammates, which frustrates Paintbrush as they’re mourning their own friend. In her grief,

Lightbulb turns to Paintbrush as a source of comfort under the belief that they would stick together. But due to Paintbrush’s distrust of Lightbulb’s abilities, they believe it would be better if the two of them work alone.

Lightbulb’s abilities being underestimated are a common theme in this episode. But we’ll get to that in a moment.

Being abandoned by Paintbrush makes Lightbulb’s depression a lot worse, until we get the first time she actually describes the way she feels as “depressed”. Lost in grief she drinks to make herself feel better (and though the drinks in the show have never been referred to as alcoholic, there seems to be a clear reference here.)

She also denies her own feelings, which is incredibly interesting. She refuses to admit to TestTube or Microphone that she is depressed, quickly doing what she can to hide her sadness. Not only is she depressed, she’s hiding it. And while we see a lot of examples, there’s no real way for us to tell how often she does this.

TestTube becomes continuously frustrated with Lightbulb throughout this episode, starting with her intrusion in the lab. This frustration gets worse in the alternate timeline, as Lightbulb makes many friends while TestTube struggles.

In the alternate timeline we hear Lightbulb discuss her feelings about Paintbrush further. She believes they couldn’t really be on as good of terms as she originally believed because Paintbrush wouldn’t work with her. She seems upset by this and looking for support, and is a bit confused at first when the contestants of ii infinity don’t seem to be taking her issues as seriously.

Speaking of people not taking lightbulb seriously, TestTube later shows she, like Paintbrush, severely underestimates Lightbulb. But in a different way. While Paintbrush doesn’t trust Lightbulb to get things done, TestTube believes Lightbulb gets things done without effort.

When TestTube makes this known to Lightbulb, saying she doesn’t even need to try, Lightbulb is very distressed by that statement. This makes sense considering she’s been struggling immensely throughout the episode both with her grief over Baxter and her confused feelings about Paintbrush, so the idea that things go her way without her even trying is certainly upsetting to her.

She lets TestTube know she really tries, in more ways than one. Of course she says it directly, but she also shows it. Lightbulb shows great intelligence and ability to understand others when she manages to upset both Salt and Pepper, causing them to fight with each other.

TestTube is shocked, both by the brutal fight scene, and by Lightbulb’s ability to think ahead and cause mayhem. Lightbulb is also the one who puts the timeline back to normal, once again showing her competence. TestTube’s perception of Lightbulb definitely changes after this point, and the two of them could even be considered friends.

Once the two of them return, Lightbulb is able to get her closure with Paintbrush. Paintbrush apologizes for not wanting to work with Lightbulb, explaining that they realized just how much they need her. The two of them work well together and Paintbrush understands that now.

Of course this is then followed by a very important scene when it comes to the relationship between Lightbulb and Paintbrush. Paintbrush coming out to Lightbulb as nonbinary. It’s a touching scene that really shows how much the two of them care about each other. Their bond is stronger than ever and they both seem really happy.

At least until the elimination, only moments later.

At the time of the elimination, Lightbulb has three close friends in the game: Fan, TestTube and Paintbrush. When Paintbrush is eliminated, this number drops to two.

Lightbulb is visibly very upset that Paintbrush is eliminated, but she puts on a brave face, handing Baxter to Paintbrush to make them feel better in their own times of depression. Paintbrush is shocked by this gesture and smiles, coming to a new understanding of Lightbulb.

As they leave we get one final shot of Lightbulb leaning against TestTube for comfort.

Lightbulb is distraught by the loss of Paintbrush, but she still had friends. Fan and TestTube are important to her and they keep her happy. Especially TestTube, who grows very close with Lightbulb after traveling through time with her.

This support does not stay long, as the relationship between TestTube and Fan begins to worsen due to TestTube spending more time with Lightbulb, and their later custody battle over the egg.

And while this does end in both of them making up, it does lead to the elimination of both of them. Lightbulb shows she’s upset at the loss of her friends, but still puts on a brave face, smiling as they leave her.

But once the two of them are out of sight, the smile drops. Lightbulb looks worse than she ever has before. She’s been separated from everyone she loved, now stuck with two people who already have a close bond, and the one who is responsible for TestTube’s elimination. She puts no more effort into appearing happy, not even mirroring MePhone’s excitement.

It appears to me as if Lightbulb is finally ready to let the happy facade drop. She has no one around that she feels the need to hide her sadness from anymore. Even if she continues to keep her bright (pun intended) demeanor, I doubt it’s something she’ll be able to hold up for very long.

Lightbulb has been hiding a lot of her feelings for so long, it will be interesting to see what happens when she has no one to hide from.

#tags for organization:#inanimate insanity #lightbulb ii #testtube ii #paintbrush ii #fan ii #tags for filtering:#long post #alcohol mention

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lit-in-thy-heart · 3 years

Note

hehe im glad you joined us for the hug prompts! I'll ask you for 14 - leaping hug with... mergwaine! hopefully that works for you otherwise second option for a ship would be mercelot!

thank you for the prompt!!! you will notice a theme with the other prompts (and each one that came in made me grin even more, you'll see why throughout this week) and i'll stick this under the cut because it is quite long for a prompt, i'm sorry.

hope that you enjoy it! 💖

feel free to send any other prompts

It was when Merlin’s eyes started to lose the mirth that Gwaine had suggested lightening their load with a game. Merlin had been reluctant, at first, to stray from the task at hand, but Gwaine had pointed out that they were halfway through the army’s boots and that they needed to take some sort of break before their arms cramped up.

Quite how hurling boots across the throne room alleviated the tension in their arms, Merlin wasn’t entirely sure. ‘Only with the ones we haven’t cleaned yet, right?’ he uncertainly asked Gwaine, picking up one particularly muddy boot.

Gwaine, having swung two boots over his shoulders, flicked back his hair. ‘Your choice, Merlin. We can either scuff the clean boots, or have to clean mud off the throne afterwards. Which I see as a rather appropriate metaphor.’

Frowning, Merlin turned over the boot in his hands. ‘What do you mean?’

‘Well, it’s always the common people cleaning the king’s image, isn’t it? Sanitising it. He’s always idolised by them, when he never deserves it.’

Mouth set in a grim line, Gwaine retreated to the back of the throne room and gripped the shaft of the boot, swinging it around his head and sending mud flying in all directions. As Merlin sheltered his head with one arm, Gwaine let go of the boot and watched with a satisfied smirk as it sailed across the room and landed firmly on the throne. The dim sunlight scattered across his face painted him in a mosaic of stained glass and Merlin’s hand faltered slightly, boot beginning to slip through his grasp.

Sparing Merlin a brief glance, Gwaine removed the second boot from his shoulder and squinted up at the balcony behind him. Merlin, catching his meaning, really did drop the boot as he held out a hand. ‘No. No way. Arthur will string both of us up, now that I’ve put that idea in his head, if you do that.’

With a shrug, Gwaine dutifully turned away. ‘I believe it’s your turn.’

Picking up the boot again, the servant adjusted his grip and moved to stand beside Gwaine and flung it towards the throne. His arms, already weary from cleaning at least fifteen boots, didn’t provide enough power and the boot crashed into the polite queue stretching across the floor, scattering them like birds after a stone had been hurled at them. Gwaine suppressed a snort.

‘In my defence, I’m usually the one getting things thrown at me,’ Merlin muttered, approaching the chaos with a small sigh.

Gwaine’s eyebrows drew together. ‘Who throws things at you?’

‘The townspeople when I’m in the stocks. Arthur. The knights, sometimes. Arthur again—’

‘Why does Arthur throw things at you?’

Merlin, his back still to Gwaine as he rummaged through the footwear to find the boot, shrugged. ‘Because he feels like it, I suppose. It’s fine. I’m used to it.’

‘And I thought you said he was different.’

‘He is different,’ Merlin replied, finding the boot and turning around. ‘It’s just that—Gwaine!’

Gwaine was clinging to the central statue,shaft of the boot between his teeth, his legs wrapped seductively around its waist as he tried to hoist himself up. There was a muffled: ‘What?’ and he twisted his head with an attempt at a grin.

‘You’re going to fall off.’

‘M’not.’

Shimmying up the statue, Gwaine reached up for the wrists of the two angels, hauling up his feet from the shoulders of the statue to the sculpted towers above, lurching unsteadily. Merlin desperately wanted to look away, but couldn’t bring himself to alter the direction of his gaze. He felt his eyes slide down Gwaine’s body and rest on his very prominent arse as he squatted momentarily and, catching himself, Merlin pushed his stare to what seemed to be the safe region of Gwaine’s shoulders.

Then Gwaine moved and the muscles in his shoulders bulged beneath his shirt. Merlin could feel the heat rising in his neck. As Gwaine’s foot slipped, Merlin darted towards the statue, hand outstretched to intervene if necessary. Regaining his footing, Gwaine’s hands caught the railings of the balcony and he tumbled over the top, landing with a muffled thump.

‘Arthur is actually going to kill me.’

Leaning over the balcony, Gwaine removed the boot and spat out flakes of mud with a look of disgust. ‘I’ll protect you, Merlin, don’t worry,’ he said, taking a knife from his boot and throwing it in the air with a grin.

It catapulted through the air and embedded itself in the floorboards only inches from Merlin, who had watched its progress with an ever-increasing sense of doom. ‘You saying that fills me with feelings of safety, Gwaine,’ Merlin drily said, folding his arms. ‘There’s no way that you’re going to be able to get that boot to hit the mark.’

‘Not without you up here for moral support.’

Merlin took one look at him, bathed in sunlight, and sighed heavily. Wordlessly, he pushed through one of the doors leading to a narrow staircase – why Gwaine hadn’t elected that route, Merlin was none the wiser – and ascended them two steps at a time, emerging onto the balcony. When Gwaine turned, his head was haloed by the rich woven threads of his hair, face illuminated by his smile. With a wink, he backed up as much as he could, took three decisive strides, and launched the boot over the railings. It curled in on itself as it sliced through the air in a graceful arc, mud spraying the floor like droplets of water from a salmon leaping upstream. It landed in the centre of the throne with a shudder from the sudden breeze it had created.

When Merlin looked towards Gwaine, his eyes travelled down to the exposed skin of his chest as he leaned over the railings and hastily drew his gaze to Gwaine’s smile. ‘See? Having you near me makes all the difference. Now, your turn.’

Merlin raised his eyebrows. ‘If I couldn’t do it down there, what on earth makes you think I could achieve what you just did?’

Levering himself from the railings, Gwaine stood in front of him, hands firmly on his shoulders. ‘Believe in yourself a little, Merlin. Anyway, being higher up actually makes it easier.’

Still unconvinced, Merlin gripped the shaft of the boot a little tighter. He cast one more look at Gwaine to give him the strength to aim as his friend moved away to give him space. Drawing his arm back, Merlin focused his gaze on the stern throne, pictured Arthur’s face when he’d said about there being no downside to Merlin being strung up, and hurled the shoe with all his remaining energy.

It shot through the air, collided with the top of the throne and dropped down on top of Gwaine’s.

In one smooth motion, Gwaine had launched himself at Merlin, hugging him in the same manner he’d embraced the statue. Merlin, thankful that he was steady on his feet for once, laughed into Gwaine’s neck and put one arm beneath his thighs to support him. There was the faintest scent of pickled eggs buried in the depths of Gwaine’s hair but Merlin didn’t mind it as much as he would have thought. There was a murmured phrase of congratulations breathed into the echoing crevice between his neck and neckerchief and both parties were vaguely aware that the appropriate time had elapsed for physical contact, but neither moved to detach themselves.

As Merlin marvelled at how much lighter Gwaine was than he’d expected, Gwaine was busy wondering if it would be possible to push down Merlin’s trousers with his legs and believably claim it was an accident. He wasn’t quite sure what had possessed him to launch himself at Merlin, though perhaps it had been prompted by the smile of disbelief that had spread across his mouth like the dawn when the boot had hit its target. And if this was the first victory that Merlin had secured in a short while, then Gwaine had thought that it deserved to be honoured properly.

Adjusting his grip so his hands fell to Merlin’s shoulders, Gwaine inhaled the delicate aroma of cinnamon that had folded itself in Merlin’s clothes. Perhaps he could be happy here, in Merlin’s arms. If Merlin didn’t get tired of him, that was. Beneath his body, Merlin shifted, other arm skimming Gwaine’s thighs. His head was still turned towards Gwaine’s neck, their cheeks grazing gently against each other, and Gwaine resisted the urge to nip at the skin covering the top of Merlin’s spine. One collision at a time. He was just about to try and push down Merlin’s trousers – because that wasn’t a collision, that was simply testing the waters – when the door below them crashed open and Merlin dropped his arms, startled.

Gwaine’s legs dropped with them and he slipped down, dangling from Merlin’s neck with his feet several inches above the ground. Tentatively, Merlin leaned forward to peer over the balcony and Gwaine swung with him, eyes moving with a growing sense of dread to the disrupted line of boots. Arthur was stood in the centre of the room, arms folded, with a stony expression sketched across his face.

‘One of you had better have a very good explanation for why exactly you are up there.’

Merlin and Gwaine turned to look at each other, and Gwaine’s witty reply was lost along with his breath as he caught sight of subtle flecks of gilt in Merlin’s eyes. As he grasped for words that he no longer had, Merlin twisted his head to look back at Arthur. ‘I was giving Gwaine a tour.’

‘I’ll be giving you both a tour of the stocks if you don’t get down here instantly,’ Arthur threatened.

As Gwaine detached himself from the servant, he let his hand run discreetly across the back of Merlin’s shirt, smirking at the subtle shiver Merlin emitted. Perhaps if he stuck around, then perhaps he could see just where else Merlin could successfully aim.

#essentially i'm incapable of writing short prompts #thanks again for the prompt!#i know that the hug wasn't the main focus but hopefully it's okay :)#oncefutureemrys #merlin #gwaine #merwaine #bbc merlin #fluff #lit writes #hug prompts

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shihalyfie · 3 years

Text

A meta and analysis on Hurricane Touchdown

Hurricane Touchdown sure is one of the Digimon entries that’s really difficult to describe. Often said to be “confusing” and “like an acid trip” (for pretty good reason, honestly), it somehow also manages to have a lot of hold in public memory, partially due to being one of the three movies that got widespread international distribution via Digimon: The Movie. Moreover, its relevance has started to re-emerge thanks to Kizuna, the director of which has stated Hurricane Touchdown to be his favorite movie (multiple times). Rather recently, there was even an editorial written by a journalist who had been covering Kizuna, professing that he had watched Hurricane Touchdown as a kid and hated it, only to rewatch it as an adult and appreciate it much better.

With all that, plus the fact that the movie recently got a new translation, it’s probably a good time to go back over the movie and analyze it! Despite what popular sentiment may have you believe, the plot of the movie isn’t that fundamentally incomprehensible, just buried under some rather unusual production and execution decisions. But there’s a lot to be said about the themes and story of the movie, so let’s dig in!

(All screenshots and quotations from the movie are based off the Hudie translation.)

Hurricane Touchdown in meta franchise terms

The full title of the movie isn’t technically Hurricane Touchdown by itself, but rather “Digimon Hurricane Touchdown!!/Transcendent Evolution!! The Golden Digimentals”. (The Japanese fanbase tends to shorten it to “Digimon Hurricane”, or, for even more shortening, “dejihari”.) The double-titling there is because of how it was originally screened; it was the 02 “summer movie”, screening in July (between the airings of 02 episodes 14 and 15). Functionally, the franchise has thereafter treated it like a single movie, but at the time, the fact it was technically “two” movies gave it the longest running time of any Digimon theatrical movie, clocking in at a little over an hour. (The tri. movies are officially considered OVAs and not theatrical movies due to their limited-screening nature, so as of this writing Kizuna, at 95 minutes, is the only theatrical movie to break this record.)

The movie itself has a pretty fascinating development history – for one, Akiyama Ryou was originally planned to be the starring character instead of Wallace. It’s also the first Digimon movie to be in “questionable canonicity” territory – this is very normal for Toei tie-in movies, since development for these kinds of movies usually starts at the same time or even before the TV series itself, making it hard to reconcile canon, but unusual at the time for Adventure, which had both its first and second movies be plot-relevant to Adventure and 02 respectively. It is generally understood that the movie takes place in “summer” – possibly between episodes 14 and 15, at the same position it screened in real-life – but, interestingly, the Western and Japanese fanbases’ opinions on why it’s questionably canon tend to differ: in the West it’s usually based on the appearance of Tailmon and Patamon’s higher-level evolutionary forms (which shouldn’t be possible as per 02 episode 27), but in the Japanese fanbase it’s based on Wallace’s existence posing a timeline contradiction (according to Adventure episode 45, there shouldn’t be any Chosen Children before 1995, but the movie states that Wallace had been one before then). Add to that The Door to Summer, which seemingly contradicts the ending of the movie (in which Wallace and Gumimon find what’s implied to be Chocomon’s egg, whereas The Door to Summer has the line “Chocomon isn’t here anymore”), and everything is just a tangled mess.

Despite that, it’s pretty remarkable how lasting the movie has been in public memory. Even with all of the factors working against it – the fact it’s often accused of being confusing (or, by many a Japanese kid, boring and slow) or an acid trip – Wallace is a very popular character, more so than you’d expect for a “guest” character in a one-off movie, especially one so controversial. 02 fans often even consider him an honorary seventh member of the 02 group. His article on the Pixiv dictionary wiki is pretty surprisingly thorough, at that. Questionable canonicity aside, the fact The Door to Summer even exists is pretty significant – how many one-off questionably canon movies have you seen getting an actual sequel?

As an aside, Hurricane Touchdown has a bit of an interesting relationship with Ojamajo Doremi, which is in some sense classic Digimon’s sister series (it aired at around the same time as Adventure through Frontier, and was also headed by their producer, Seki Hiromi). Wallace was voiced by Miyahara Nami, a voice actress who grew up in an international school in Austria and thus speaks fluent German and English, thus often putting her in roles that require speaking one of those. (If you listen to Wallace’s Japanese speech through the movie, it has a very heavy accent, which is deliberately affected on Miyahara’s part.) A year later, Miyahara would be cast as major character Momoko in Motto! Ojamajo Doremi, and The Door to Summer would prominently feature Nat-chan, a girl voiced by Shishido Rumi, who voiced Ojamajo’s Onpu (who is generally agreed to be Doremi’s most popular character, and Shishido’s most famous role). Coincidence? Opportunistic casting? Who knows.

The movie itself

But that’s enough beating around the bush. Let’s get to the movie itself!

I’m not going to dwell on this too much because I’m going to be going more in detail about it below, but our story starts off in Wallace’s hometown of Summer Memory, a fictional rural village in Colorado, in 1995. (As mentioned earlier, this is a bit of a timeline contradiction; Adventure episode 45 establishes that “the one who wishes for stability” and the Agents didn’t get the idea of human Chosen Children until 1995, whereas the events of Hurricane Touchdown imply he’d been one before then.) Chocomon suddenly vanishes, and a gust of wind is left behind, implying that he must have been kidnapped. It’s not exactly said by what he was taken by (Digimon: The Movie ties it into Our War Game! by having both be traced to a “virus”, but no mention of such is made in the original Japanese version).

The mystery of what it is that took Chocomon away is never fully elaborated in the course of the movie, but as it goes on, it becomes increasingly apparent that it doesn’t actually matter. Why? Well, stay tuned.

So, timeskip to 2002!

As Takeru and Hikari are visiting Mimi in New York, Hikari, who is known to have a bit of an empathic connection to Digimon, senses that there’s a “crying Digimon” (this will be important later), and Mimi suddenly vanishes – as do the other Chosen Children.

I think part of the reason this movie is often pinned as feeling like an acid trip is that the demeanor and attitude the 02 kids express in this movie feels a little too laid-back for the very urgent situation of their seniors having suddenly up and vanished (which is also not helped by the movie’s overall soundtrack being a lot more laid-back than the events on screen should suggest). This is especially odd because it’s absolutely not like the kids aren’t worried about their seniors at all! Rather to the contrary; “getting Taichi and the others back” is the major motive driving the whole group for the rest of it, and it’s constantly brought up as their goal in dialogue, shaping their actions throughout the rest of the movie. The execution of the dialogue and the overall direction create a bit of a tonal mismatch, but on its face, the actual storytelling checks.

Shortly after, Chocomon – now evolved and corrupted into something – appears, and Wallace and Gumimon confront him.

The fact that Wallace refers to his partners by their Baby-level names (Chocomon and Gumimon) even after they’ve clearly evolved brings up a lot of interesting implications. One is that, not having been privy to any great adventure in the Digital World before, Wallace doesn’t have a lot of awareness of names changing after evolution the same way his Japanese peers do. But another important thing that comes out here is that, through the course of this movie, Wallace primarily sees his partners the same way he did as a young child. A lot of this movie’s story centers around Wallace’s difficulty in moving on from the past and accepting that things aren’t the same way that they are anymore – and so, just like how he has a hard time swallowing that the circumstances have changed, he has difficulty seeing his own partners as having changed, and calls them by the same names despite everything.

Takeru and Hikari catch on, and Hikari’s psychic sense catches on that something’s happened to her brother, too.

Oh, and incidentally, said seniors aren’t in a pleasant place to be in at all.

The fact that the older kids are clearly Not Having a Good Time in the realm they’ve been kidnapped to – it’s depicted as cold, lonely, full of negative emotions, and eating away at their ability to even bodily function – is very heavily connected to what we later learn about what’s been going on with Chocomon through the last seven years. Moreover, the one truly coherent thing Taichi and Yamato can spit out at this stage is concern for their siblings – i.e., love. Keep that in mind for later!

Wallace drops a line to his family (”Amy” presumably being his sister) saying that he’s going to head to Summer Memory, and skips town. Repeat: Summer Memory is in Colorado – he’s doing something as drastic as going out of state to follow Chocomon, which naturally does not amuse his mom very much (as we find out later in the movie). Patamon eavesdrops on the conversation and relays the information to Takeru and Hikari, who contact Daisuke in turn.

So the remaining three kids nyoom all the way to the US using frequent flyer miles (which makes you really wonder whose those are, or what on earth they told their parents to allow three elementary school kids go around unassisted in another country) to go save their seniors, which apparently doesn’t fund their trip all the way to Colorado, forcing them to hitchhike from New York.

(We also get a quick scene implying that Daisuke has better proficiency in English than Iori and Miyako, as he translates some of the statements for the guy they take a ride from. This is pretty surprising, given that Daisuke hasn’t really been portrayed as particularly book smart…but then again, language skills sometimes just happen to come naturally to some people regardless of skill in books, and hey, it might just come in useful for his future ramen chef career in New York…)

We get our first major scene of dialogue between Gumimon and Wallace, and we learn quite a bit about their characters in the process. Gumimon has a similar laid-back attitude to the more prominent Terriermon in Tamers, but beyond that (and a shared voice actress), it’s important to note that they have very different personalities otherwise. In this scene, Wallace and Gumimon get in an argument over how to handle Chocomon, with Wallace insisting that they shouldn’t have attacked him and that they should have just “talked” about it – even though, as Gumimon correctly points out, he was pretty obviously trying to physically attack Wallace.

In fact, at this part of the story, Wallace is being extremely irrational and in denial. You don’t even have to watch the rest of the movie to see that Gumimon’s very practical stance on the matter is reasonable – Chocomon was very much trying to attack Wallace, and getting caught in the fight was pretty much all he could do for Wallace’s safety. But Wallace, still stuck in the past, can’t accept that at this point in the movie, and, honestly, is being a bit of a brat about it too – he’s engaging in progressively more self-destructive behavior over the course of the movie (ditching his family to set off by himself in order to hitchhike to Colorado, for one). We later find out that Wallace is specifically obsessed with going back to the flower field where he lost Chocomon, having independently come up with the idea that this would somehow let everything go back to what it was before – even though there was really no sign this would actually fix anything.

The Adventure universe generally runs on a concept that a Digimon partner is representative of part of the self, and so, tying that into Wallace and his two partners, it can be taken that Gumimon and Chocomon reflect the duality of Wallace as a character – Chocomon representing his desire to latch onto the past and hope that everything can be the same that it was before, and Gumimon as Wallace’s sense of reason, advising him about the reality of the situation and how to practically get through it (and, thus, to move on). In fact, Gumimon is the one constantly advising him about said self-destructive behavior (reminding him that his mom is probably worried about him, but also berating him for just ditching the train as a result instead of thinking about how that’d leave them without reliable transportation for the rest of it).

The symbolism is driven in even further when the only thing Gumimon has to say, in response to Wallace clinging further onto the idea that going to the flower field will fix things…is a cryptic statement that Chocomon didn’t like the heat, then suddenly offering to be a hat to provide Wallace shade. Because right now, Wallace and Chocomon are the same: clinging hopelessly to shards of the past.

The other 02 kids make their way to meet up in Colorado, but run into some snags when Daisuke, Miyako, and Iori end up missing the exit to Denver (Takeru is not amused), and Hikari and Takeru’s train ends up stranded thanks to Chocomon’s interference…

…and, making things worse, Daisuke, Miyako, and Iori try to take a plane back to Denver, only to overshoot it again. (Sorry, Taichi…your juniors are idiots.)

Fortunately, they get lucky by running into the very same boy they’re indirectly looking for on their way to hitchhiking. We learn that Wallace has never had exposure to other Chosen Children before to the extent of knowing there were any Digimon in Japan, nor has he ever been to the Digital World, so for all intents and purposes, his experiences with Chocomon and Gumimon are all he knows (i.e. he has no awareness of large-scale Digital World affairs). He also apparently speaks Japanese, which is convenient for this movie so that they don’t have to have a language barrier, but, amusingly, Wallace claims that it’s because he “had a Japanese girlfriend once”. (Gumimon, who is much more reliable of a source, says that he’d apparently put an honest effort into studying, so an interpretation that Wallace really likes anime or something is not out of the question.)

It’s also interesting to see how the others react to him, especially considering that it’s becoming increasingly apparent that he’s involved with the disappearance of their seniors. Miyako is as openly friendly as she generally always is, Iori presses him very calmly about questions relevant to the disappearances and Chocomon without even batting an eyelid (future lawyer in training here), and Daisuke is suspicious from the get-go…which is exacerbated when Wallace starts flirting with Miyako. The running gag of Daisuke getting angry about Wallace flirting with Miyako has a lot to unpack here – the most obvious standby is the shipping interpretation (or, at least, that Daisuke may be as protective of Miyako as he is Hikari), but there are other points to observe as well. Firstly, Daisuke is a rather abruptly straightforward and overly honest person, and it makes sense that he’d play badly with people who seem dishonest – after all, his suspicions of Wallace started even before he started flirting, and he also shows similar hostility around Takeru (also not a very straightforward person) when he suspects he’s being made fun of. But also, the Pixiv dictionary entry takes the interpretation that Wallace’s personality had gotten a bit “warped” by his experiences – or, in other words, he’d developed this penchant for acting like a flirt, wandering off on his own, and altogether being incredibly wishy-washy because of the trauma of losing Chocomon and his inability to get over it.

And as much as Daisuke’s being a prick about it (to the point that mocking Wallace for it gets him left there stranded with him), he’s absolutely right about the contradiction Wallace’s posing – he’s acting all high and mighty about trying to become an “adult” (meaning that going off on his own and flirting with girls presumably are part of his perception of what Mature Guys do), yet he’s being a total mama’s boy by constantly dropping everything to call her repeatedly through his trip. (It’s even worse than the subs here suggest; he calls her “mama”, the kind of super-affectionate language used by Mimi and Ken.) As Gumimon says, Wallace thinks he’s actually right, but he doesn’t actually have it together at all.

Another interesting thing to note here is that at this point of the movie, Wallace calls Daisuke “Daisuke-kun” (with honorific attached, slight distance). Remember this for later.

Chocomon appears to confront them again, but he seems to not properly recognize Wallace – because, as we later find out, he doesn’t see the current Wallace as “Wallace”, and will accept nothing less than a younger Wallace from exactly the way he was when they were separated. (It is later stated in the movie that this is why he kidnapped the seniors and turned them younger; since he can’t recognize “Wallace” the way he is now, he’s taking anyone he can find with a Digivice and de-aging them in the hopes that he’ll find “Wallace” among them.) Gumimon recognizes that Chocomon is beyond recognition, and tells Wallace to not see him as Chocomon, but Wallace refuses to accept this and continues to intervene in the fight, telling Chocomon that they’ll meet again in the flower field. Again, Wallace’s mentality isn’t that different from Chocomon’s at this point – he may not be delusional to the point he wants to literally turn back time, but he still thinks that reproducing the conditions of seven years prior will fix everything and make it all better again.

During this whole time, the older(?) kids are getting progressively younger, and it’s turning out to impact not only their physical bodies but also their mentalities. At this point, they’re starting to lose awareness of what’s happening to them, as they become more and more connected to Chocomon’s emotions.

Daisuke is smart enough to catch on that Wallace definitely knows what’s going on, and starts to interrogate him. Recall that Daisuke is completely within his rights to do so at this point – Wallace is not only acting incredibly shady, he’s also being dismissive and refusing to give Daisuke any concrete answers about something that most certainly involves him at this point. As the 02 kids keep reiterating, their seniors have been kidnapped, and it’s pretty clear to anyone that Wallace knows something about this, but he continues to blow them off.

Wallace also doesn’t seem to be very happy about the fact Gumimon had evolved during the battle – remember, Wallace is very resistant to changes in his status quo, and especially when it involves Gumimon evolving in a similar way to Chocomon.

Daisuke continues to pry into what’s going on with Wallace and Chocomon, and Gumimon, who understands that there’s no use in denying that this is a problem, tries to be straightforward about it – but Wallace, still stubbornly refusing to open up about it, won’t even let Gumimon tell Daisuke about the truth.

Daisuke realizes that they’re not going to make any territory as it is, so he decides to have Lighdramon take them to Summer Memory for the time being, bonding a bit more with Wallace in the process.

Once they reach Summer Memory, the kids learn about Takeru and Hikari getting stalled by Chocomon on the train, and the fact everyone else on it had disappeared – meaning that the responsibility that Wallace is carrying for not taking care of this problem begins to weigh further on him. Daisuke, Miyako, and Iori continue to interrogate him about what he knows.

But Wallace, still stubbornly, refuses to talk, and being in Summer Memory only drowns him in further memories of his past with Chocomon and Gumimon. We learn a bit more about Gumimon’s past, too – apparently, he was quite the crybaby…

And when Gumimon finally begins to spill the details of what’s going on – that Chocomon wants to see the younger Wallace and is kidnapping kids with his Digivice and turning them younger as a result – Wallace still continues to double down on his denial. Notice his wording – his specific insistence that things will go back to “how they used to be,” because it’s not just about getting Chocomon back, but also a fixation on recreating that happy childhood he had with him.

(There’s also a bit of a cute moment around here where Daisuke asks Wallace if he needs to call his mom – after having teased him for being a mama’s boy earlier, Daisuke really is starting to care about his welfare. It’s also amusingly mentioned that Daisuke, Miyako, and Iori are broke out of money until they meet up with Takeru and Hikari again…)

That night, Wallace tries to go off by himself to the flower field, not even bringing Gumimon with him – as he implies later, he doesn’t even want to get Gumimon involved with this because he was the closest to Chocomon – but Daisuke, having finally caught on to his suspicion that Chocomon is not only relevant to Wallace but also Wallace’s partner, confronts him about it. Wallace thus finally spills the details – that Gumimon and Chocomon were born from the same egg, that Wallace kept them from his mother and stuck with them during childhood, and that, seven years prior, Chocomon suddenly vanished while they were playing at the flower field.

Wallace: I’ve never been able to forget about Chocomon since then. Not even after moving to New York, not even once. We were such good friends…So why did Chocomon have to end up like that? Does he hate me for not being able to save him? Daisuke: So the enemy we’re fighting is actually your Digimon? Your most important friend?! Daisuke: Of course you’d never be okay with that…

Daisuke is in shock, even though he’d already started to suspect this.

I said, earlier, that Wallace is being extremely irrational and in denial. I did not say that his feelings aren’t valid. Wallace’s situation sucks, and Daisuke recognizes why this hurts for him so much, especially after putting himself in Wallace’s shoes (and in fact it’s even worse for Wallace; Daisuke’s only known V-mon for less than half a year, whereas Wallace is talking about his formative childhood friend).

Daisuke: I’d never be able to do it. If V-mon were to turn into something completely different…Even if he went on a horrible rampage…There’s no way I’d ever be able to bring V-mon down. Wallace: Daisuke… Daisuke: So then, what are we supposed to do? Wallace: It’s not something you need to be crying over. Daisuke: But…

This entire scene is an interesting one for many reasons, especially because of the position in which it aired – this was in the middle of the arc in 02 when everyone was getting their second Digimentals. Daisuke had, only a few episodes prior, expressed trepidation over “friendly fire” – fighting any friend who had become controlled by the Digimon Kaiser. This is consistent with that (and the 02 kids’ general bleeding hearts and difficulty with fighting friends), and it’s even worse – unlike before, when we were talking about evil mind control, Chocomon is pretty obviously a victim of his own madness. And although Wallace continues to insist that this isn’t Daisuke’s problem, Daisuke, for all he’s rough around the edges, is a genuinely kind person who thinks of others to the point he breaks down in genuine tears over the problem, and it’s consistent with not only his prior characterization of thinking about others’ feelings in 02 episode 8, but also how this eventually ties into his indignation over seeing others being hurt (episode 20) or their feelings being trampled on (episode 49).

Another interesting thing here is that at no point in the movie is “killing” ever brought up, but rather the word used is taosu, which literally means “defeat”. In 02 proper, its use is somewhat euphemistic – most famously, it was used in episode 44, when Miyako and Hawkmon have a crisis over killing LadyDevimon (so in short, there’s no illusions about the fact killing is in play here). But in this context, it’s not even really about killing. Wallace doesn’t even want to fight in the first place. The sheer action of physically beating up a beloved friend is painful, with killing as the ultimate unwanted outcome. Everything about this sucks. But Daisuke correctly points out that Taichi and the others’ welfare is on the line here, and everything feels like the wrong thing to do. “What are we supposed to do?”, indeed.

So that’s why Daisuke momentarily indulges in Wallace’s denial-induced pattern of thought, because it really does seem like the only out here. (Especially because, from Daisuke’s perspective, Wallace seems to understands this situation better than he does – even if he doesn’t actually.) If they go to the flower field, they won’t have to fight and everyone will be saved and it’ll be fine! Wallace is irrational and in denial, but you can’t blame him and Daisuke for really, really wanting to believe this.

And Daisuke drops this zinger of a line, too:

Daisuke: So don’t say you’re gonna go alone.

Daisuke’s characterization really is important here, because, again, this movie came out during the first arc of the series, before episode 21 and the second half that centered around Ichijouji Ken’s redemption. At this point in the series, Daisuke was still being extremely deferential to others, especially his seniors, in almost all cases, and although episode 8 was a momentary glimpse into the kind of resolve Daisuke could have when it involved something he really cared about, this movie is really the first major sneak peek into how supportive of a person Daisuke is going to develop into, especially when it comes to Ken.

And Gumimon reaffirms that he’s going to stick by Wallace no matter what – filling the traditional role of a partner that Chocomon won’t anymore.

So they go to the flower field, and everything…fails spectacularly.

Well, before that, we get a glimpse of how the older kids are doing (they’re barely even conscious now), and we finally get to see Chocomon “in his element” and not as a rampaging monster. Things really, really aren’t going great for Chocomon either. He desperately and sadly jumps among the kids, trying to find Wallace among them, and what he really, really wants is just to be with his partner again. But they’re all “wrong”…

At first it seems like Wallace is making headway – for a second, Chocomon even recognizes him as Wallace! – but he continues to insist that he wants Wallace to come “with him”, to where it’s “cold and lonely and no one is there”. The way he starts chanting that he wants to go back is represented by the young Chocomon’s voice getting progressively lost in the monster’s voice, and Wallace, starting to grasp how futile Chocomon’s clinging to the past is, makes his first statement of the movie’s core theme: you can’t go back to the past, the only thing you can do is look forward and think about what you can do from there.

So after witnessing very clearly, in front of his eyes, how Chocomon is not going to listen to reason and will accept nothing less than something he can’t have, to the point of evolving and distorting everything around him, Wallace’s denial finally hits its limits, and he accepts that fighting him will be the only option out. (Again, note the use of “defeat” here – it’s not really about beelining straight to euthanizing him as much as Wallace has finally gotten over his refusal to fight Chocomon at all.) And considering that the situation is clearly rapidly escalating, and that Chocomon himself is clearly not in sound mind and having a terrible time himself, it doesn’t take much to see why the bleeding-heart Daisuke would also end up conceding so quickly. There’s a limit to how much you can hold out with pacifism when that just happened right in front of you!

(Also, Wallace no longer uses the honorific on Daisuke. Friendship level up!)

Chocomon evolves further and further, and his personality starts to actually take a turn for the cruel as he starts toying with the Digimon. In fact, it’s made pretty apparent that they’re no match for him from the get-go – he keeps toying with reality and forcing the Digimon back and forth between forms. He ends up “altering the world” into something reflective of his own heart, and it’s repeatedly pointed out that it’s “cold and lonely” – in short, Chocomon is subjecting the world to feel the same pain and loneliness that he felt, the pain that was enough to drive him mad.

And Wallace finally has this to say:

Wallace: Like Daisuke said, I’m a big baby. But you’re not Chocomon anymore. No, you’re the one who did this to Chocomon…Chocomon was all by himself and lonely, and in that loneliness, he tried so hard…But you took his heart and locked it away somewhere! I’m going to fight. If I defeat you…If that means I can free Chocomon from you…Then I want to fight, too! I need strength…

Firstly, Wallace acknowledges that he’s been a brat – that he’s been philandering around and acting spoiled and stringing everyone around (character development!!). And secondly, Wallace finally acknowledges the truth of Chocomon no longer being recognizable anymore. The ending quarter of this movie focuses heavily on the idea that Chocomon has now become so distorted that he can no longer even be considered the same thing anymore – it’s ambiguous as to whether that “you” that Wallace refers to having taken Chocomon away is actually a separate supernatural entity, or whether Chocomon was drowning in his own loneliness to the point those negative feelings became their own entity and consumed him.

In actuality, though – it doesn’t really matter! 02 as a series would also go on to blur the boundaries between external interference and internal forces – Ken having the Dark Seed as an influence but also being personally responsible for his own emotions driving him over the edge, and having to take responsibility regardless, and Oikawa technically being possessed by Vamdemon but still being goaded on by his own fixation with the past (in fact, notice how all three of these cases have to do with a fixation on things that can’t be brought back). Right now, the only thing that matters is that Chocomon is no longer recognizable, the thing in front of Wallace is no longer the same friend he knew, and even being able to bring back Chocomon’s sense of self is something Wallace wants.

(Daisuke also throws in a more charitable interpretation of Wallace’s actions even when he’s being hard on himself, pointing out that he can’t really be called a “baby” when he also did have genuine determination to come all the way there to find Chocomon despite his age.)

Hikari and Takeru arrive on the scene, and after Daisuke loses his marbles a bit over his happiness at seeing Hikari-chan there, Hikari points out the same thing: “You’re not the Digimon that was crying.”

Chocomon starts turning the 02 kids younger too – and remember, it was established earlier that he was using the Digivice as a guide. That meant it made sense for him to target the older kids, since they had the same model of Digivice Wallace did. But Daisuke and the others have D-3s, and there’s no way to really mistake them for Wallace – so in other words, Chocomon has devolved to inflicting cruelty for no good reason, with the original motive having completely vanished.

In increasing desperation, Angewomon and Angemon decide to evolve, and…look, I don’t have an explanation either, but I have to admit I’m somewhat amused by the fact that even they don’t really seem to have an explanation beyond “well, we’re desperate and hopefully it’ll do something!”

So they evolve, and Chocomon oneshots them. But that’s okay, because they released some golden Digimentals for Daisuke and Wallace to use! So V-mon and Gumimon get shiny new golden forms –

– and Chocomon pretty much oneshots them, too. More specifically, he eats them…and within his body, Magnamon and Gumimon’s consciousness gets eaten apart to the point they start forgetting their partners. Wow, this situation just got worse.

Yeah, so, despite the movie being named after the golden Digimentals, the actual point being here is that power means absolutely nothing in this situation. Remember, I pointed out that even from the beginning Chocomon was straight-out warping reality – they really didn’t have a chance.

So basically, everything devolves into complete chaos. Everyone’s being turned into little kids, with the mentality to match. All the Digimon are being oneshotted and being tossed around like tissues. But the one constant through all of this is that the kids are constantly running after their partners.

Remember how, back when the older kids were first getting sucked into Chocomon’s world, the one thing that seemed to remain intact at first was “love”? That “love” is what reaches out to Magnamon and Gumimon inside Chocomon, and makes them remember their partners again.

And, more importantly, that “love” is what awakens Chocomon – the real Chocomon – inside his consciousness, and he wordlessly makes a gesture begging Magnamon and Gumimon to kill him. And so they do – with understanding and consent from all three involved.

So in the end, the most extreme conclusion was reached. Chocomon died, at the hands of Daisuke and Wallace’s partners. But in that moment before he died, Chocomon’s pain was relieved, and he was himself again – Gumimon says that “Chocomon was smiling”, even in spite of his usual personality being that of a crybaby. They may have failed in their struggle to prevent the inevitable conclusion of having to kill Chocomon, but they did, to some degree, “save” him – so all of it did mean something in the end. And Daisuke promises that this still doesn’t mean the end of everything – they may have not been able to bring back Chocomon, and especially not in the exact way that would make things “the way they were before”, but the future is still there for him to return someday.

So, we clean up loose ends. Taichi and the others are returned safely, and in the end, Wallace decides to still be a vagrant for a bit longer – and to flirt with Hikari and Miyako a bit before he leaves. In the end, Wallace still has a long way to go if he wants to really grow as a person. But as Miyako points out, he’s gotten a bit bolder than he was before – and he’s greeted with an egg in the end, as if opening up new possibilities.

The Door to Summer contradicts the finding of this egg, or at least opens up the possibility that this wasn’t actually Chocomon’s, so it’s ambiguous as to whether the frame of Terriermon and Lopmon at the end of the credits is meant to be taken literally, or if it’s just symbolic. But even in the case of the latter, Chocomon is seen as Lopmon, a form he never got to have in Wallace’s childhood – so, in the end, it’s about different possibilities opening up in the future, rather than replicating that of the past.

All right, let’s recap this movie for those doing a tl;dr! Or, more specifically, let’s recap the events in chronological order:

Sometime before 1995, an egg emerges from Wallace’s mother’s computer, and hatches into twin Digimon, Chocomon and Gumimon.

In 1995, while playing in a flower field in Summer Memory with Wallace and Gumimon, Chocomon disappears for unknown reasons.

For the next seven years, Chocomon is trapped in delirium, full of loneliness and pain from being unable to see Wallace, and starts to become obsessed with the idea of reuniting with him, but, in his madness, accepts only a version of that reunion that involves him being the same young child he was when they parted, as if nothing had changed since.

Wallace, likewise, develops a fixation with getting Chocomon back so that things can be like “the way they were before”, even after moving to New York.

In 2002, Chocomon begins to kidnap kids with the same model of Digivice that Wallace has, and starts to forcibly turn them younger and send them into delirium like his own, hoping that this will bring the “Wallace” he wants back. Wallace starts to chase after him and decides that returning to the flower field in Summer Memory will allow him to communicate with Chocomon and make him go back to the way he was before.

Takeru and Hikari, hoping to find a lead on their seniors’ disappearance, drop a line to Daisuke, Miyako, and Iori, who head to the United States, also hoping to find a lead in Summer Memory. On the way, they run into Wallace, who is evasive about his connection to Chocomon and the kidnapping incidents.

At Summer Memory, Daisuke confronts Wallace and learns about his story, emphasizing deeply with the difficulty in killing an important friend, and agreeing that they should reach out to Chocomon at the flower field.

Chocomon continues to fall deeper into madness at the flower field, and Wallace and the others realize that they have no choice but to fight him. As Chocomon becomes so distorted he’s no longer recognizable, Wallace declares an intent to at least save his consciousness.

As the fight carries on, the kids are de-aged by Chocomon in his madness, and Magnamon (V-mon) and Gumimon are swallowed by Chocomon. However, the kids’ love for their partners awakens Chocomon’s consciousness again, and he asks Magnamon and Gumimon to end his pain.

With everything settled, Wallace and Gumimon are able to face forward into the future in the hopes of meeting Chocomon again and starting anew from scratch.

The Door to Summer

Actually, there’s not much to really be said about Hurricane Touchdown’s spiritual sequel The Door to Summer, except that it revisits similar territory to the movie, observing it more in Daisuke’s context than it does Wallace’s. (The story is very much more Daisuke’s than it is Wallace or Mimi’s.) The short synopsis is that Daisuke, having had a pretty bad time recently, finds himself in contact with a mysterious “winter” (in the middle of summer!) that seems to reflect his own heart…and a mysterious amnesiac girl whom Mimi names Onpu “Nat-chan”, who immediately latches onto Daisuke. In the end, “Nat-chan” turns out to be “a Digimon who’s taken in a lot of evil data,” who goes on a rampage and forces the others to fight and eventually kill her.

Although the reason for Nat-chan going on a rampage is more concrete than what was given in Hurricane Touchdown (it’s portrayed as “data chips” that seem like fireflies), The Door to Summer also makes it very clear that it wasn’t just supernatural influence, but also Nat-chan’s loneliness, desire for a human partner, and jealousy of Daisuke and V-mon’s relationship. Daisuke, while showing immense hesitation about fighting her when she had befriended them, still manages to “save” her in some way, to the point she actually verbally thanks him as she dies. And in the end, Daisuke and the others decide to take her egg and find a partner for her – even if she can’t be Daisuke’s partner like she wanted, she can still start anew with someone else.

Wallace in Kizuna

Warning: The rest of this post contains spoilers for Kizuna.

As said before, Hurricane Touchdown has been said to be the favorite Digimon movie of the director of Kizuna – and certainly, while Kizuna references all four Adventure-series theatrical movies, Hurricane Touchdown’s references are the least subtle, with the plot point of de-aging kids lifted directly from it. (Except, in this case, it’s in the context of trapping oneself in blissful memories rather than being portrayed as the upfront listless torture it is in Hurricane Touchdown.) Moreover, the theme of warning against being fixated on the past is just as present in Kizuna as it was in Hurricane Touchdown, especially when Kizuna’s main antagonist (Menoa) also falls victim to something that’s part supernatural influence and part getting swallowed by her own negative feelings…so it’s only fitting that Wallace himself makes a cameo in the movie. Two cameos, in fact.

The fact that Wallace is established as canonically existing within the Adventure main timeline has thrown a lot of people for a loop, especially since recent franchise events have made it questionable as to how it’s possible for canon to even make sense anymore because consistency has just gone out the window, but the Pixiv dictionary’s chosen rationalization for this is that, at the very least, “(some version of) Wallace exists in the timeline of the main story”. I’m inclined to agree with this evaluation; the fact that people around the globe can agree that the movie is questionably canonical but can’t even agree on how, and the fact that certain franchise entries considered canon (Tag Tamers) have their own contradictions, plus the fact that it’s not like Hurricane Touchdown takes a complete knife to timeline and lore common sense and more that it has some contradictory minutiae that are really easy to sidestep, it’s not actually that hard to say that some timeline of events that reasonably resembled Hurricane Touchdown (with maybe only some minor timeline or evolution differences) happened during the summer of 2002, and thus that Wallace exists.

Assuming that the story of our canonical Wallace is mostly the same or similar to that of the story presented in Hurricane Touchdown, Kizuna provides us with quite a bit of interesting information. We’re treated to two shots relevant to him: one in the form of his name at the top of Koushirou’s list of kidnapping victims, and one where he appears in person at the very end. It’s hard to miss him; he’s wearing similar colors to the clothes he wore in Hurricane Touchdown so you can identify him even at a distance, and he’s also the only loser around here with two partners. That’s right, two! Two!! Chocomon is back – and as Lopmon, exactly like the end credits card of Hurricane Touchdown depicted him!

So it looks like that, one way or another (after Hurricane Touchdown, after The Door to Summer, whatever, make up your own story), Wallace did manage to reunite with Chocomon and start a new life with him. It looks like not all of his habits have died – he’s depicted in a place with palm trees, meaning he’s definitely not in New York or Colorado, so either he’s moved again, is still maintaining the vagrant lifestyle, or just happens to be on vacation.

The other interesting thing here is that Wallace is depicted as one of the Eosmon kidnapping victims. According to Menoa, kidnapping victims were ones who were entertaining thoughts of wanting to go back to the past and remain a child forever – something that should intuitively be against everything Wallace learned in Hurricane Touchdown. But it’s important to point out that Eosmon’s lure is depicted as working on a subconscious level – certainly, if the kidnapping victims in Kizuna were to be outright asked if they wanted to be kidnapped and de-aged and trapped in their childhoods forever, most of them would probably say “no!”, and Wallace is likely no exception! But even if he’s starting his life anew with Chocomon now, it’s not hard to believe that there would still be lingering subconscious regrets about everything he’d lost with Chocomon and the childhood they could never spend together, ones that Eosmon’s allure would end up connecting with, even if the events of Hurricane Touchdown had consciously taught him better. Alas, being a human is hard.

#digimon #digimon adventure 02 #hurricane touchdown #shihameta #digimon adventure last evolution kizuna #kizuna spoilers

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jay-the-angst-king · 3 years

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Hero Info Pages Part 2

Something I’ve always found interesting are the hero info pages for Overwatch characters. There’s a lot of details in these clips that either set up a trend that follows the hero’s character, a trend about the overarching struggles in Overwatch, or seemingly have no foundation in the lore but most certainly can be entertaining to think about how it could fit in the lore.

Part 1 can be found here.

Soldier is very straight forward, and we can see that in his Ultimate.

Tac Visor shows Soldier attacking Reaper first, then Widowmaker, then Hanzo. What I take from this is that Soldier prioritizes Talon above other criminals, and prioritizes Reaper above other members of Talon. I actually really like the composition of Reaper in front, Widow just outside of the circle, and Hanzo way off to the side, because this composition is half of why the clip is important.

For both the primary fire and the Helix Rockets, Reaper is the target. Soldier’s entire story and motivation is hunting Reaper down.

The clip for Soldier’s Biotic Field also confirms that he still has a sense of helping others and allies as he heals Tracer, Winston, and McCree. The location for all the clips is Dorado, which refers back to his cinematic, Hero, where he helped the little girl. Both of these things reinforces that Soldier is still a hero at heart even if he’s a “man on a mission” and that mission is Reyes.

Mercy’s hero info page is incomplete. That’s something to note. The clips are old clips and don’t change with updates to the game. Some abilities are not visually shown how they work. You just get a description and that’s it. For Mercy, there are no clips for her Ultimate Valkyrie, or her Resurrect ability.

With that in mind, there are still clips for her staff, blaster, and Guardian Angel which showcase other heroes.

Mercy uses Guardian Angel to fly up to Tracer, and she heals Tracer with her Caduceus Staff. When she uses left click, Tracer is attacking Reinhardt.

Now, I don’t particularly think that Angela has anything against Rein. I think this can be explained away as training or testing out new equipment because they are on Gibraltar.

However, I think that showing Roadhog rather than Reinhardt would have fit better for these clips considering that Mercy uses her Caduceus Blaster to shoot down Junkrat, a criminal.

Echo is the newest character in the game, and her hero info shows some interesting things.

Firstly, her Tri-Shot primary fire shows her attacking Tracer and Reaper. I can’t explain this as training since it’s in the same clip. Echo is not training with Reaper anytime soon.

So why is Echo attacking Tracer in this clip? Maybe it’s to show that Echo can lean one way or another depending on how she grows as a character. She is a constantly learning AI program. It can also be yet another metaphor for AI programs going rogue. Mina Liao, the scientist who made Echo, infused some of herself into Echo’s creation. Dr. Liao was also the one who created the omnics in the first place, and the omnics had gone rogue after years of mistreatment which started the Omnic Crisis.

Echo attacking both Tracer and Reaper could hint at more omnic uprising, or just another memory of the first Omnic Crisis and subsequent Omnic Uprising as seen in King’s Row.

Her Ultimate Duplicate is fascinating. From left to right, Echo is against Sigma, Doomfist, Tracer, Moira, and Roadhog.

Echo Duplicates Tracer, then shoots Roadhog for ult charge, and sticks Tracer to kill the other four. I’m not about to say that Echo dislikes Tracer. That’s just not what’s up here. Tracer is being used here because the community is very comfortable with Tracer, and Echo was new. They wanted to display this ult with someone they knew the community would understand.

That being said… What could this mean?

I think that we could read this clip as Echo accidentally killing or hurting a teammate. That would be awful and sad, but better than the second idea that Echo would sacrifice a teammate just to catch the criminals.

Her Sticky Bombs kill Sombra and Hanzo, and her Focusing Beam finishes Roadhog. This all takes place on Gibraltar, which I think helps accentuate that she’s new and learning. Route 66, where we first met her in the Reunion Cinematic, would have been a nice map to showcase her abilities, too, but they choose Gibraltar, probably to reinforce the fact that she is apart of the new Overwatch team thanks to the Recall.

Hey, Tracer, why are you shooting Zenyatta?

There’s two reasons I can place for Zenyatta being Tracer’s opponent when showcasing Tracer’s abilities. The first is the overarching theme of omnics versus humans, and that theme really permeates when shown repeatedly on King’s Row where we know Mondatta was assassinated and an Omnic Uprising occurred.

Her Ultimate only calls back to the Mondatta assassination as Tracer attaches a Pulse Bomb to Zenyatta, and it kills Widowmaker and Hanzo as well.

Widowmaker and Hanzo, you say? Widowmaker, the one who killed Mondatta, and Hanzo, another known sniper and assassin?

It seems to me that these clips are not meant to show Tracer’s allegiances, but more to continue the themes we see throughout Overwatch. These clips only hammer home the stories we already knew. A sniper killed Mondatta, a prominent speaker and activist, and King’s Row is home to omnic and human tensions.

Lucio has a whole info page about helping Overwatch, who will become his new friends. To start, Lucio uses Sound Barrier to gives shields to Tracer and Soldier.

There’s not much to say about that on its own, so let’s continue on.

Lucio uses both Crossfade and Amp It Up to heal and speed up Tracer, but he uses his Sonic Amplifier and Soundwave against Winston.

I think this is Lucio showing the Overwatch team his gear and how he can be helpful on missions with them. That would explain the full Overwatch hero cast in his clips. Lucio himself is a hero of his hometown, and we know with the upcoming Overwatch 2 that Lucio and the recalled team are buddies and working together. It makes sense that Lucio would take some time to show his new friends how his gear works.

Reinhardt is, thankfully, relatively quick to talk about.

His primary target in his clips? It’s Hanzo. Hanzo is a mercenary, an assassin, a criminal, but he’s not apart of Talon. The reason I say this is because Reinhardt is specifically attacking a criminal with no interest in Talon because Reinhardt was still working after leaving Overwatch. His work switched from fighting rogue AI and Talon to fighting regular criminals like Hanzo.

That’s doesn’t mean that he’s not going to attack Talon.

Reinhardt uses his Earth Shatter to stun Reaper, Hanzo, and Widowmaker, so he obviously will still attack Talon even if he’s no longer an Overwatch member.

Hardest thing to explain in these clips is the setting of King’s Row. Really, I think the only reason Reinhardt wasn’t placed on, say, Eichenwalde, was because Eichenwalde came out after the game’s release. So there just wasn’t a better map for Reinhardt at the time. Still, King’s Row isn’t a bad place considering that there was an omnic uprising there and Reinhardt was one of the heroes who went on that mission.

Ana... I love you, Ana, but what’s happening here? Ana’s clips are buck wild. I don’t know where to begin. I’ll add a Read More, since this is so long already.

I guess we start with Biotic Rifle. Firstly, she heals Reinhardt, and then she kills Soldier. When zoomed in, she heals Tracer, and only shoots Pharah twice, not enough to kill.

What a lot to unpack.

I think this shows that she’s good friends with Reinhardt, just as they have been for years. She is the only one of Reinhardt’s friends to apologize to him about faking her death after all. Attacking Soldier and killing him could be a sign that Ana and Soldier, though friends, do not share the same thoughts about something. My guess is that Ana thinks Soldier’s mission is too much for him, that she thinks he needs to stop before he gets himself killed. That does align with more recent releases where Ana is helping him but also checking him when Solder pushes too hard. Healing Tracer seems obvious since Ana is still a healer and Tracer is a well respected hero, but attacking Pharah is interesting. I think Ana attacking her daughter is actually a figurative way of saying that the two don’t get along. Ana doesn’t kill Pharah, just injures her, and I think this is there to show their strained relationship even though Ana still cherishes her daughter.

Much of everything after this is speculation. Like I said, Ana’s clips are wild.

Ana sleeps Zarya. Perhaps this is to show that Ana, an old soldier, is tired herself. I think targeting a younger soldier like Zarya implies that Ana thinks the fighting and wars are exhausting. Maybe this is Ana not so subtly telling the younger soldier that they need to take care of themselves, too, much like she gets on Soldier about him talking care of himself.

The Biotic Grenade is wild. She smashes the grenade at Lucio, Winston, and Roadhog to show the healing properties, but then uses it offensively against D.Va to show that Mercy can’t heal the mech. This entire clip has thrown me for a loop. I can’t particularly explain it.

Perhaps she heals Roadhog because Roadie was once a soldier in ALF, and she can not blame him or others like him who attacked omnics to defend themselves back in the day. Perhaps they might have met back then, which I think would have been interesting to explore. But then why hinder D.Va’s healing? Maybe she thinks D.Va, a 19 year old, shouldn’t be fighting on the front lines. Ana views her as a child, just like Soldier and Reaper do, and thinks that Hana shouldn’t have to fight wars for adults.

I think Mercy being the one healing D.Va is a reference to Mercy disliking how Ana uses Mercy’s research in a weapon like the Biotic Rifle. This puts them at odds with one another. On the other side, Lucio is likely there to show the amplified healing from the grenade, but maybe this also shows that Ana respects Lucio as a hero. Finally, Winston was an old friend.

Lastly, her Ultimate, Nano Boost. She Boosts Reinhardt, and Reinhardt kills McCree, Zenyatta, Tracer, and Soldier.

Ana deserves her own post at this point. Why are they attacking these four people? Ana just healed Tracer with her rifle not too long ago. For this bizarre clip, I have no reasoning, so lets see what this COULD mean.

I could explain this as Overwatch tearing itself apart. In this case, four of the five people in this fight are Overwatch members, and that only leaves Zenyatta. Maybe killing Zenyatta here is the representation of harmony and diplomacy being broken.

Perhaps this is more about Ana and Rein than it is about the opponents. Maybe Ana’s faked death made Rein incredibly upset. Maybe this clip represents Rein never letting it go. Maybe Rein, for a while, blamed Overwatch (represented by Soldier and Tracer) and Blackwatch (represented by McCree) for her death. Again, Zen’s death would represent a lack of harmony.

Overall, these are my thoughts on this set of characters. There are still over half of the cast left, and I think the remaining Talon members are next.

#Soldier 76 #jack morrison #angela ziegler #echo overwatch #lucio correia dos santos #reinhardt wilhelm #ana amari #Overwatch #overwatch meta #meta analysis

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whyarewecalledtheshipname · 3 years

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i understand where you’re coming from with that soriku post and kairi, but it feels like you’re completely undermining kairi’s bond with the both of them. a friend or lover does not have to spend time with someone frequently to conserve a strong bond. it doesn’t mean that she loves them any less. it doesn’t mean her relationship isn’t as good as soriku’s. time does not have any bearing on someone’s relationship. not to mention there’s YEARS of off screen interaction between the three of them that we never got to see.

also it’s very common that, even in close relationships, people will feel isolated and alone when apart from their loved ones. i’ve had a best friend for over ten years and i still end up feeling like that sometimes—it’s just part of life and human nature.

i know you don’t mean your words in a negative sense, but… it really sounds like you think kairi’s feelings and relationship with them is lesser. and this is coming from someone who ships soriku but doesnt ship kairi with either boys.

(link to the post in question)

this reply is going to seem disjointed bc i replied to specific points as i went:

i’m not undermining their bond. kh is. (that’s hyperbole, for the record.) it’s a repeated and repeated theme of kh3 that bonds can weaken. sora, and the audience, are meant to understand that regarding sora, this applies to kairi.

i didn’t say people had to spend lots of time with each other to maintain a bond. but they do have to spend at least some time together, in some capacity, in a way that’s meaningful, to do so. this was also a repeated theme in kh3.

��One day isn’t enough time.”

“Oh, there’s always enough time for hearts to say what’s true.”

Sora himself is being taught this lesson. What I said was that Kairi and Sora specifically have spent virtually no time together since kh1.

Riku and Kairi have. Relatively little time, but meaningful time nonetheless. In kh2, Riku spent time protecting Kairi. After DDD, Riku brought Kairi to come train with them. In 0.2, Kairi and Riku talked about the ways Riku has changed throughout his journey.

Right after kh2, Kairi brings Sora the letter from Mickey. That letter detailed the events of Recoded, where Sora learned about the people trapped in his heart. He even has a scene specifically apologizing to Kairi for leaving to address this very issue, and that leads directly to DDD. After DDD, Kairi is sent to train with Lea under Merlin before Sora returns, and therefore she and Sora spend a majority of kh3 apart as well. This is why Sora goes to the extra length at the end to spend his last day with her, with purpose: to reform a new connection. Merlin literally says it.

I never said Kairi loves/cares about them less. That logically wouldn’t make sense for one of the first sentences of the original post. Why would Kairi miss people she didn’t care for/love?

I never said her relationship with sora and riku has less value than sora and riku’s own. It is literally just /weakening/. It is not /inherently weak/, or gone, or nonexistent. There had to be a pre-existing connection there in the first place for it to weaken. That’s logic.

I /did/ say that kairi and riku have spent time together throughout the series. The series being what we /do/ see on screen, starting at kh1. I /did/ say in the very same sentence, that sora and kairi haven’t spent much time together at all, especially compared to kairi and riku. I didn’t specify that the time frame was the timespan within the games, but I assumed it was understood given the context of the words /right before it/.

I never said Kairi was somehow wrong for missing Sora and Riku. I never said her relationship with them was an outlier in regards to its strength or lack of it. I even went as far as to suggest the reason Sora and Riku feel their togetherness at heart so prominently is because their bond is /especially/ strong, making other bonds between other people look less strong by comparison. Not to mention Sora and Riku actively miss each other when they’re apart, too. But it has been stated by the developers themselves that the bond between Sora and Riku’s hearts closes the distance between them, even when they’re physically apart. And we see that in the games. My point was that Kairi’s own bond with them doesn’t quite close the distance to the same extent.

Of course, it’s completely fair for someone to feel that my post was negative. But perhaps it feels that way because when you compare the two relationships side by side, one has evidently weakened more than the other. As is showcased by the games themselves. As was directly stated and addressed in Kh3 itself.

I also failed to mention i have posted several other kairi “essays” detailing more of my feelings about kairi and her character in more depth. So this standalone post might read as negative in comparison. I also didn’t plan out this post or write every little thought i had. This wasn’t meant to be taken as a full fledged essay. I was stating the more obvious details. But again, if you felt it was negative, that’s fair. It’s hard to convey feeling when you’re making a list. Let me make one more thing clear: I don’t view her bond with them as inherently lesser. Though in regards to the story, it’s definitely less focused on. But I’ve even posted about why i think this is the case, too, already, so i’m not gonna repeat myself. I know this answer might seem cold or rude, but I don’t want people getting any funny ideas about me somehow hating Kairi, and coming at me because of it. Recently, I was posting more about Kairi than soriku, and I am not gonna start putting disclaimers in all my posts to pacify others. So i’m letting y’all know now that you can go through my kairi tag and read my feelings about her for yourselves. bc arguably, i don’t have to defend or prove anything on my own blog.

#ask #reply #this sounded angry rest assured i’m not trying to come off as aggressive lol?#kairi thoughts #kairi #if anyone doesn’t wanna see my posts in the tags the block button exists #sora #riku #my ramblings put to paper #again this sounded aggressive but my blog does have a rant warning AND im trying to out this matter to rest #*put #the main reason i’m even explaining myself to any degree is bc posts CAN be taken out of context #again i’m not tryna demonize kairi im literally just describing her role in the story at this point #<- that’s a reused tag. i’ve used that tag before. i wonder where. i wonder why.#fr everytime i post about kairi im like ‘pls don’t assume i hate kairi’ in the tags #even when it’s a whole essay about how great and valuable i think her character is #the whole point of half my kairi essays is that it is easy to dislike kairi but that i think it’s semi on purpose #and yes i read that the anon ships soriku and whatnot but that’s the thing our feelings towards characters and opinions outside a ship #doesn’t dictate my feelings about said outside characters and opinions #for the third time this sounds angry or rude but well i’m cutting straight to the point.#and yes i acknowledge that anon recognizes that i didn’t intend my post in a negative way but regardless i’m laying it out straight.#i like kairi #also i am not a fan of the trend lately on twitter and such—that any discussion about kairi immediately falls under suspicion #like bruh let us talk about kairi without stigmatizing discussion of her character.#also if someone hates whatever character—who gives a fuck? if they’re being especially toxic trash on their acc? block.#if they’re hopping onto other people’s posts and into other spheres of the fandom to be toxic and horrible? report.#let people hate characters. no ones obligated to interpret the game like you do and it goes both ways.#just don’t attack people over it when they didn’t ask #these tags aren’t AT @ the anon ok i literally specified i was talking about twitter just clarifying #basically i very much encourage discussion but i won’t discuss this more than once.

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kaypeace21 · 4 years

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something i noticed, during the s3 byler argument, Mike says “El’s not stupid, it’s not MY fault you don’t like girls.” Mike’s “it’s not my fault” doesn’t fit as a retort, the theme of his retort should be defending El. He should have said “it’s not HER fault you don’t like girls”. Knowing there were other versions of that line the writers must have consciously chosen to leave this one in, knowing how it could be interpreted. anyway, do you have any idea why mike even said that line?

Yes, I have talked about it -here (in my long ‘why Mike is gay post’). But since so many people misinterpret the meaning of Mike’s words- might as well do a shorter/more brief version .And do a post focusing on it. HE’S SAYING THIS TO HIMSELF!

First some background

Mike DOES NOT think Will is gay. Dustin foreshadows their fight in s1 saying “Dustin: “He’s just jealous.” Mike: “What?” Dustin: “Sometimes your total obliviousness just blows my mind?” Dustin: “ What matters is, he’s your best friend. And then this girl shows up… and all you ever want to do is spend time with her!” Mike: “that’s not true!”

Dustin: “Yes it is! And you know it. And he knows it. But no one ever says anything until you’re both start… yelling at each other like goblins with intelligence scores of 0. And now everything is weird”

Mike: “He’s not my best friend! … I mean he is. But so are you.”

He won’t let himself consider that Will could be gay because then it would be harder to pretend he isn’t gay himself . That it isn’t just a weird phase that he’ll grow out of. We see that throughout the show Mike is projecting his feelings for Will on to El . Who in s1 was described by 5 characters as looking like a boy (and specifically like Will, by 3 characters ). There’s just way too many examples of him projecting to list here. But s3 we see Mike is trying to mimic romantic moments between him and Will (from s2) to El (in s3). In order to transfer his romantic feelings for Will on to El. The “blank makes you crazy” vs “crazy together”, the shed scenes of “most important thing” vs “the best thing I’ve ever done”,etc.

The difference between past seasons though, is that Mike is now conscious that he’s doing this. The more feminine El gets- the harder for him it is to pretend. Especially now that they’re going through puberty- and the physical differences between boys and girls is becoming more prominent. We see this in the first ep of s3. I talked about it more here, but the Duffers use music with all the characters to convey plot points or the emotions of the characters. One example is when Mike forces Will to dance with a girl so he ‘fakes a smile’.

So yes, the fact that the very first lyrics that play when we see mileven kiss for the first time is “Just a little uncertainty can bring you down”- reflects Mike’s true feelings.And we know this is how Mike (not El) feels about their relationship because he begins to sing the song right after this lyric.The song is even from the album titled “boy in the box”. AKA: Mike is in the closet

“And nobody wants to know you now. And nobody wants to show you how.So if you’re lost and on your own. You can never surrender.” He fears that if he isn’t straight everyone he cares about will abandon him, and that he’d be lost and the only one ‘like this’ -all alone.But he can’t ‘surrender’ the false-idea of being in love with El (out of fear). This is the rural Indiana in the 80s- at the height of the aids epidemic. People on the news said gay people were being rightfully punished with the ‘gay cancer’ (aids). They equated being gay with being a perv, p*d*phile, murderer, or mentally ill. Churches said you’d ‘burn in hell’. In rural areas people would form gangs and murder people they thought were gay. Of course Mike is terrified and wants to be straight! His parents in s2 were Reagan supporters. And Reagan was notoriously homophobic. He’s probably afraid his parents will hate him, kick him out, or that someone will kill him or he’ll die from aids by simply kissing a boy.

We see Mike is doing his own f-ed up form of conversion therapy. He kisses El but he puts on the wall a drawing of Will so he can look at it while he kisses her. Probably hoping to transfer his romantic feeling for Will on to her.

Like that’s Will! He has light brown hair (not black) and Will is the only one associated with fire and has drawn himself with fire in the past. And Will even overlaps with the rainbow drawing that reads “mike” before we see the mileven kiss. It was intentional.

So when Will Says “you’re ruining everything (their relationship) .And for what?! So you can swap spit with some stupid girl.”

This infuriates Mike because he thinks swapping spit with El is the best way to save their relationship! And he’s been trying to ‘fix himself’ so Will doesn’t hate him- and it hasn’t been working, to Mike’s frustration. So he screams “El’s not stupid, it’s not my fault you don’t like girls!” because he’s projecting. And although, he loves Will… a part of him probably is a bit angry that he’s making him feel this way.

Mike never actually says to El’s face that he loves her- he even says during his fake-confession “[old people] say it”.And later Mike apologizes to El and says “sorry, I sound like a [7 year old].” Aka the number Will rolled in s1. Right after he discusses d&d with Will and talks about seeing both of them for the Hollidays. So it’s telling that after he says “El’s not stupid . it’s not my fault you don’t like girls” (to himself). He immediately regrets yelling at Will. He even closes his eyes and takes a breath before continuing. And apologizes, by giving a heteronormative answer of:

“I’m not trying to be a jerk, but [we’re not kids anymore]. What did you think, really?! that we’d never get girlfriends. That we’d just sit in my basement and play games for the rest our lives?”

Mike is yelling this at himself to keep his feelings for Will under control.El is an idea to Mike about what adulthood is- which is why he doesn’t really defend el (and his ‘love’ for her) but just talks about “girlfriends” in an abstract way. This was essentially Mike telling himself- he’s NOT allowed to just be with Will and never have a gf. He has to grow out of his ‘childish feelings’ for Will- before it’s too late, because being a gay man is dangerous. That’s why when the camera is on Mike (when he looks back a the byers house -and they only show Will and Mike). The dialogue is “But I know you’re getting older, growing, changing. I guess, if I’m being really honest, that’s what scares me. I don’t want things to change.”He doesn’t want things to change (and his feelings for Will to evolve into love, because that means Mike has to admit he’s gay and accept his future as a gay man-which at the time, didn’t seem very bright). They both are afraid of the future because of this. Mike tries to act like a ‘straight-adult’ and Will tries to revert back into his childhood because of this.

Mike also mentions “games’ because d&d is a symbol of byler’s romantic relationship. He’s just pretending to not enjoy the d&d game. Mike says they have to get girlfriends and they can’t play games for the rest of their lives. But that’s what Mike wants- he just wants to be with Will for the rest of his life (playing games) without either of them having girlfriends. Because, we see Mike never took any of Will’s d&d art off his walls.Even though he changed his poster (from the same wall that had will’s drawings on it) Mike couldn’t remove any of Will’s d&d art. It was an act - which is why he was upset (in the last episode) when Will was donating the game, and why during the Hopper speech, it pans to Mike as Hopper says “I miss playing board games every night.”

Mike even has a binder filled with every d&d drawing Will has ever given him.

In the pilot, they even say Will uses d&d to “escape” his insecurities about his sexuality “like mike” & Mike uses d&d to “escape” his insecurities about not having a gf. * And no, dustin & Lucas didn’t use d&d to “escape” anything- in the pilot script.

And right before Mike says the famous “crazy together”line it zooms in on Mike’s d&d set.

The “crazy together” scene is romantic since both Mike & Flo both equate love making you ‘crazy’. Mike saying “it makes you crazy” and Flo saying saying in s1 “ only love makes you crazy and that damn stupid”).

(x)(x)

Mike is lying about his feelings for El- and El is just confused about her feelings for Mike. The only one’s with mutual feelings for Mike is Will! Will even has a breakdown and goes ‘crazy’ after seeing a pic of them the night they promised to go crazy together - and then Will repeatedly calls himself ‘stupid’ . Because this is when he realizes and admits to himself he’s in love with Mike. And so he grabs a bat (that his dad- who called him a ‘queer’ taught him to use) and destroys castle Byers in a fit of anger and self-hate. That fight was what caused Will to realize his feelings for Mike and the jealousy he had been feeling were because he was in love with Mike. When Mike asks “what did you think, really? That we’d never get girlfriends… play games for the rest of our lives?”

Will is 100% honest a says brokenly “yeah. I guess I did” And then says angrily “I really did!” . Even if both don’t understand the gravity of their words in that moment Will was honest- he doesn’t want to ever have a girlfriend he just wants to be with Mike for the rest of his life. And Mike, who assumes Will is straight, is shocked that this conversation upset Will. Or that he would disagree with his words.

And again their last conversation (about d&d is very telling and is foreshadowing). What Will meant when he said , “I’ll just use yours when I come back- I mean… if WE still wanna play”. Is essentially foreshadowing that the ball is in Mike’s court. If he wants to be with Will for the rest of his life he has to initiate it and prove he loves Will after pretending for so long to love El, instead.

gif credit: first 2 gifs ampwn98 , 3th gif by janebycrs, 5th gif Cath-avery , 4 & 6th gifs mine

#byler #byeler #anti mileven

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bnha-scenarios · 3 years

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☕️ Special Thanks ☕️

As always, thank you so much for the coffee! Your kindness are very much appreciated! ♡

Emilija | Regan | Nela Kovaříková | 1 Anon

Onwards to the progress update.

I had. So. Many. Things. That I actually wanted to complete.

… Alas, work decided to be a bitch and swamp me with things to take care of. To put it simply, there were a lot of issues that caused a lot of overtime work even on weekends, so I had to step away from coding most of the time so I won’t burn myself out.

So yeah, I didn’t manage to complete a lot of features, though I did dabble on some stuff here and there. I’m not happy with the rather small progress either. But life happens, and there are just other things that are more important sometimes. So we just have to let it go and look forward to the next month!

I’d say that this month I was quite productive in terms of organization and planning instead of the actual coding. I have at least identified what I need to write for the ‘free activity’ time of the game, which makes about 30-40% of the gameplay itself. However, actually writing the scenes and executing it is a different effort altogether, which I have only started to embark on.

Still, it’s crazy to think that the development for the full game has been actively going for around three and a half months now. Whew. Knowing that I have a tendency to hyperfocus and then get tired of something after a short time frame, I’m going to at the very least give myself a pat on the back for still keeping this project up and running until now.

More details below ↓

Added Route: Kirishima

Let me preface this first with a declaration: I won’t be adding any more love interest after this. Please please please don’t make me do it 😅 Going through all the plans and re-setting up things to figure out how to add him in was such a painful experience…

But anyway. I will be adding this boy’s route to the full game, because a lot of people seem to want to have him in the game. He does seem like a fun character to write, so I thought I’ll give him a chance.

Gameplay

Places, Schedules, and Hanging Out with the Boys

I think you would have noticed from the last two devlogs, but there are several activities you can do in-game. One of them is to visit a place of your choice at a certain time in a day.

Some places can be unlocked when you reach a certain threshold in a specific stat, and there are others which will be unlocked when you reach a specific threshold in a character’s affection meter. Nai will message you whenever you manage to unlock a new place to visit, so keep a lookout for that!

But what happens when you visit a place?

Well, each character has their own schedules -- which you should be able to figure out either by coincidence or by talking to them at school when prompted to do so. Your Quirk will allow you to see the unlocked schedule of each of the characters, so my advice would be to check it out before deciding where to go! If you manage to come to a specific place at the correct time, you will bump into them. Normally, this will trigger a set of actions you can perform: Talk, Action, and Skinship.

Talking is a safe way to increase your love interest’s affection meter, especially in the first half of the game. More topics can be unlocked under some requirements. Generally, it doesn’t matter where you are, the topics you can talk about will be the same. There are topics which might trigger different reactions depending on how high your love interest’s affection is, so have fun finding them! However, be warned that most topics can be selected only once!

Action is another safe way to further increase your love interest’s affection meter. Unlike talking, different places have a different set of actions you could select from. More actions can also be unlocked under some requirements. Responses to this doesn’t exactly change based on the character’s current affection level, and it’s not limited to one time only.

Skinship is a riskier way to boost the affection meter: simply put, it’s a high gain with a high risk. Consider the character’s current affection level when you’re selecting from this list! He might not like it if you go touchy-feely when you’re not that close yet.

On the other hand, when his affection is high enough, you’ll find that you can have a lot of fun choosing the various options here. So be smart, bide your time, and have fun ;)

And that’s not all! Interaction is a two-way street, so depending on how your love interest views the main character, he will initiate Talk, Action, or even Skinship. There’s a lot of variations in here, and I hope you’ll have fun with this mechanic! I certainly am having fun while also pulling out my hair out of frustration designing this and trying to put the mechanism to control this into code…

Progress-wise, I think at the very least the functions for controlling this specific mechanic have been 80% completed. The actual writing however, is another story. There are still hundreds that I still haven’t had the time to write yet, and most of them are not yet coded in. Those who have been coded in still don't have sprites and music, so really, I’ll just say that the writing progress for this part is less than 1% completed….

On the left is the currently WIP full game project, with what I would say around 2-4% dialogue scripted in. And on the right side is the completed demo project.

…. Can you see how much effort the whole game is going to take me now? I did say to strap in and relax, cause this is going to be a long ride. And I wasn’t kidding lol

"Nai"

Although throughout the first week, the story will flow as your environment / characters around you teaches you on how the game works, I’m aware that the game mechanics might be hard to understand for casual players who aren’t too used to playing otome games (or games in general). Which is pretty much why I’m giving you a ‘helpline’ of some sort, in the form of another character.

Why a character? Because I can and I want to. Shush 😆

If you’ve played the demo, chances are, you’ve encountered a name which you had no recollection of existing in the canon My Hero Academia universe. Well, you’re right. Like the player’s character, Nai (full name: Namae Nai / 名前ない) doesn’t exactly exist in the canon universe, but she’s here to help you throughout the game. (She’s also there because if she wasn’t, 1-A class members becomes odd number in total and that just feels weird to me -- plus, the team exercise system in Heroics wouldn’t exactly make sense if the class has odd number of students)

For those of you who hate Original Characters with a passion (why tho), you don’t need to worry too much. She won’t be an intrusive character in the plot and will mainly not contact you unless she really has to (seriously, her full name literally means ‘no name’, so give her a break, ok?). And if, even then, you still hate her, well.... Too bad you won’t be able to enjoy the game, I guess.

For those of you who don't mind her existence: I hope you’ll take a liking to her dark sense of humor and appreciate her helping you get through the game!

Others

Fixed some bugs regarding unlocking Special Moves from certain activities and games.

Played around and customized the ‘input name’ for a little bit, so it wouldn’t awkwardly sit on the bottom of the screen. I have 0 talent in designing UI though, so the background still stays as a black screen -- but at least it looks more prominent now.

Added a little sign to indicate which route the player has entered. I think it’s pretty cute! Hopefully you’ll like it.

Assets

Those who follow me on Twitter would have seen this coming, but anyway, I’ll be using TMGS OSTs as the main character theme for the four love interests. Hush hush, okay?

Other than that, unfortunately I didn’t have time to do any assets gathering this month.

Writing

Nothing much to say here. I think I managed to script around 50% of the events in the first day, but honestly I’m not completely satisfied with it so I might go back and tweak them a bit. Still a lot of scenes to be written!

Plans for December

I'm not too sure whether there would be much progress for the next two months, since there are so many things happening and deadlines to be met at work, which is making me really unmotivated to do other side projects in my free time lately. I also feel like I haven't been taking care of my health enough ever since quarantine started, so I'm trying to get back into doing more exercises and looking for healthier food options, which also cuts into my free time and motivation I guess.

With that said, I'll still at least aim for getting some scripts coded in -- particularly for the events in day 1. Other than that, maybe hopefully some assets gathering for supporting Kirishima's newly added route, and finishing up the coding parts that I was unable to finish this month.

I'll see y'all again at the end of next month!

#my hero academia #boku no hero academia #mha #bnha #heroaka #midoriya izuku #bakugou katsuki #todoroki shouto #otomegameproject #wnha

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askroahmmythril · 3 years

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Reference List for amiibo Fighter Names (Set 2)

13) Ganondorf : Going Alone - A reference to the start of the original Legend of Zelda, the good ol’ “IT’S DANGEROUS TO GO ALONE TAKE THIS!” And the fact that, up to Smash 4, Ganondorf did not use his sword, despite clearly having one in his victory poses from Melee. Many jokes were of course made about this, this is one of them. Granted, now that he HAS his sword in Ultimate, this one’s a bit outdated, so might have to see if this one needs a revamp. I’d still be using the Smash 4 visual style though since alas, we didn’t get an updated amiibo figure for him of his OoT style.

14) Greninja : Kerobusa - A play on kero, Japanese for the sound a frog makes, and Hayabusa, the last name of Ryu Hayabusa, star of the Ninja Gaiden series. I wanted to parody the cutscene from the original Ninja Gaiden where Ryu is standing on a cliffside, overlooking the tower of the big bad, Jacquio. Given Greninja was introduced in the Kalos games, I subbed in Lumiose City and its prominent central tower for the scenery. The writing on the nameplate is from the title screen of the original Ninja Gaiden.

15) Ice Climbers : ParkaPower - Not really any sort of major reference here, I mostly stuck to the source game for this one, and just referenced that they wear parkas. Because dangit, their parkas are adorable. A notable difference between my version and Neo’s, he used the seal version of the normal enemy from Ice Climber, whereas I used the Topi as it’s what I was more used to.

16) Ike : SluggaBeef - This name actually came from WanStan, who donated this particular amiibo to me. Back with the earlier amiibos, I offered an incentive for anyone who donated a Smash amiibo to allow them to name the character, and they were the only one who donated a figure and actually took me up on that offer. Their idea was essentially just how he swings his sword with the power of a baseball bat for some hefty hits, so we played around with the idea and went with making a full-on baseball card out of it. The 24 refers to the release number of his amiibo.

17) Jigglypuff : J-Pop - A reference to j-pop style music, and well, the fact that her name starts with a J. And she’s a balloon, so those can pop. Multi leveled references! This was actually the first card I drew for the project. I originally asked Neo if he could just like, polish up my drawings with better colors and shading, and he surprised me by going full tilt and making his own version of my rough sketch. And thus the project was born. This went through some various bits of retooling, such as the Love Ball being replaced with a Fairy Energy symbol on the nameplate, and also revising her hairstyle a bit.

18) Kirby : dyson - Dyson, much like Kirby, is actually a brand of vacuum cleaner. Dyson’s commercials were famous for the designer being shown working on blueprints, saying things like “I just think vacuums should work properly,” things like that. Since it’s his most powerful vacuum power to date, I put in a Hypernova plant on his desk.

19) Link : HeroOfAges - While a little outdated visually since we now have BotW Link as the Smash rep, again, we’re in that impasse where we didn’t get a BotW style Link amiibo specifically for Smash. So he’s still got his Smash 4 look here. With this one, I just wanted to reference the various Links and LoZ games throughout time. So here we have referenced Ocarina of Time (Ocarina itself), Link to the Past (Magic Mirror), Link Between Worlds (Ravio’s bracelet), Twilight Princess (Fused Shadow), Hyrule Warriors (Link’s scarf), Skyward Sword (Beetle), the original Legend of Zelda (8-bit Wooden Sword), and the Oracles games (Harp of Ages). Neo added some extra details on each reference as well.

20) Little Mac : Jr.Whopper - Basically just a play on, if Little Mac is to Big Mac, what would you call the Whopper equivalent? Burger King for a long while was my go-to for fast food, though these days I probably prefer Sonic. Still, the joke was too good to pass up. Still amused Neo snuck the actual Burger King “King” mascot on there on his version, haha. I have no idea why I had so much trouble drawing Little Mac’s hair, I was probably way overthinking it...

21) Lucario : AttackTurn - Yu-Gi-Oh! is one TCG I have a tendency to return to every now and again. Given the Egyptian theming it has, it seemed a good fit for Lucario, who has an Anubis kind of feel to him visually. Thus I set about trying to find a card that made sense as a reference to how Lucario works. “Psychic Blade” was the best I could find. You equip it to a monster, then pay life points in multiples of 100, up to a max of 2000. The equipped monster then gains that much Attack and Defense. Thus, somewhat similar to the concept of Lucario’s aura, as he gains more attack power the more damage he’s taken. For the final card, we changed the name to “Aura of Psychic Blade” to more reference his aura. Neo added a lot of clever references in the “card info” parts of this one, such as having the Pokémon artist shown as the illustrator, a card number referencing the Hoenn games where Lucario originated, all nice little easter eggs.

22) Lucas : Tomato Kid - Given the long time wait for an official localization of Mother 3 (I forget, DID one ever get announced?), fans took it upon themselves to make their own translation. One of the more prominent ones I’d heard about was done by someone going by Tomato. And thus, since in Earthbound we had Orange Kid and Apple Kid, we now have Tomato Kid. There’s not too much else to detail here. I literally copied a screenshot of Mother 3 pixel by pixel in Visio Home for this. I couldn’t resist having the frog in the car, it’s just too weirdly cute.

23) Lucina : #FixFate - I admittedly don’t have a whole lot of Fire Emblem knowledge, so I had to just go with what references I could pull from. Lucina’s game came out fairly close to around the same time as that Fire Emblem / SMT crossover type game. Tokyo Mirage Sessions I think it was? All I really knew about it was some of the visual style of the colored shadows walking around. Given Lucina does have some time travel elements to her, going through time to fix her family’s past, her being in modern day Shibuya and texting on a smartphone doesn’t seem too out of the question... (okay it probably totally is but work with me here). I snuck in a Persona 4 reference with the Calorie Magic ad, as well as a more general SMT reference with the Jack Frost phone charm. Neo suggested adding a Splatoon ad in the background on the Shibuya tower.

24) Luigi : ReaL2401 - This is a reference to a big ol’ rumor inducing message people claimed to see on the star statue in the back garden of Peach’s castle in Super Mario 64. Supposedly, the plaque on it said “L is Real 2401.” People thought it was a hint to Luigi existing somewhere in the game. Later, more well defined images showed the plaque to just likely say “Eternal Star.” So I had the idea of Luigi leaving the message as a graffiti tag.

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reversemoon255 · 4 years

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Gundam Build Divers Re:Rise

So, if you’ve been here a while, you’ll know I’m a big fan of the Build Series. I even like Try, which has actually offended people. No joke. And Re:Rise is no exception, having the best story and characters in the lineup, not to mention some of the more innovative Gunpla. It’s pretty obvious it’s the most beloved of the Build Series by the general public as well as hard-core Gundam fans, and I feel that’s because it leaned more heavily into the Gundam side of things than the Build side, for both its ups and downs.

The Good: The story is very strong, and is able to get away with things that hampered GBF slightly and GBD a lot. It presents it mystical elements forefront and prominently.

In almost every collectibles based series, there is almost always some form of mystical element (a trend made prominent by Yu-Gi-Oh!), and both GBF and GBD lean into this to different degrees. (Actually, one of the reasons I like GBFT is because it’s the only series like this I’ve ever seen that doesn’t have a mystical element.) GBF’s was pretty subtle, being presented early on and only really being used as a motivator for the Chairman and a sad goodbye. GBD leans into it a little harder with Sarah being the main focus of the entire final arc.

GBDR is able to get around this by having the entire focus of the show be about the mystical element, so there’s no conflict between the grounded story and the abnormal additions. Also, it was just, like, really good? And I think part of that is the naivety of the characters. I was able to pick up almost immediately that everything was real, but I read a lot of the YouTube comments after each episode, and a lot of people were convinced it was just a story mission at first, with more and more people catching on as the series progressed. (For me what sealed the deal was Maiya being able to describe Kazami’s character. A supposed NPC being able to nail the personality of a player.) Since they thought it was a game, the stakes seemed low even though we as the audience knew otherwise. And when everything came to light, not only did the stakes immediately skyrocket, but they did so believably. And wanting to help people is always a good motivation.

The animation was very good. It dove at a few points, as is not uncommon, but the overall quality stayed high. There was almost no stock footage apart from the Core Changes. And the number of cameos throughout this season, especially in the last three episodes, were staggering, but were just balanced enough to not overshadow the main cast.

Except for Kyoya’s Cardass Finisher. Like, ok, reference, but it was, like, three minutes long.

All the characters were very good, and I feel part of that was both establishing a detailed past for everyone to help with their motivation and character growth as people, rather than fighters, and not having the main character be the newbie. Reiji, Sekai, and Riku were all new players and had to have plenty of things explained to them, whereas here all of BUILD DiVERS were either experienced fighters or builders, and Freddie, the non-combatant would only require an occasional explanation while he, in turn, explained his world to the players (a very important give-and-take). I also liked how they didn’t need to spell out every detail of Par and Kazami’s pasts. Par never has to explain how he became disabled to the rest of the team, and Kazami never vocalizes about the death of his dad. Sometimes that’s the better way to handle things.

And finally, the Gunpla are FANTASTIC! Look, I know I complain, but there’s a reason I’ve bought 12 Core Gundams, and will probably buy more. Each design in this series is so lovingly crafted. There’s a good balance of series, motif, and gimmick. And Re:Rising Gundam is such a cherry on all of it. Like, I pointed out all those oddities in my Wodom Pod review, but never did I even consider it was part of a combination. And it so encapsulates the themes of coming together this series oozes. I love it.

The Bad: But, of course, nothing is perfect. While I do enjoy the story, what sets the Build Series apart from other Gundams is its levity and light-heartedness, and that’s something that was lacking from this season. It’s not absent. The Space-Crossing Festival, for instance, was a great example of this, but those moments were few and far between. I think Jed dying was the moment I realized I’d have to look at this as a Gundam series and not a Build one. Being afraid for the show’s characters isn’t something I’ve had to worry about with Build. Even when Sarah’s life was on the line at the end of GBD, I knew everything was going to turn out alright. Here, though? Up until the training mission I was worried someone was going to sacrifice themselves. And it’s good that didn’t happen, but that one moment put me on edge for the entire rest of the series.

And it’s not necessarily a bad thing, but it’s something I expect from 00 or Thunderbolt. Not Build.

Already mentioned the animation had its dips. I think I watched the entire show in 720p. Would have preferred 1080. Moving on.

While I don’t have any real issues with the main cast of characters, I do have a few issues with Eve. I’m not the biggest fan of how she retcons a lot of the events of the first season, having this apparent noble sacrifice that completely doesn’t affect the story of GBD at all. And while I don’t mind May being constructed from some of Eve’s data, I wish it was built up at least a bit? I can think of some moments in retrospect where I can suss out that maybe that’s what they were going for, but it still felt very sudden. That could have been handled better.

And while I love this season’s Gunpla, there are simultaneously a lot and not a lot compared to other seasons. Like there’s a lot of releases, but a ton of them are remolds. Twelve Cores, remember? Almost every suit got a remold. The Justice Knight and Infinite Justice, all the Eldoran and non-Eldoran counterpart units, the Valkylander and Ex are the same mold, and all the Core Armors. That’s probably because they used a lot of suits that are more original and are just homages rather than straight remolds, like the Build Strike or 00 Diver, but it’s definitely noticeable.

Where do we go from here: We have an official announcement of a Divers Battlogue, just like with Fighters, and we may get OVAs like the previous seasons did, too, eventually, but I’m talking about beyond that.

After Fighters Battlogue ended, Fighters did, too. We moved on to Build Divers, and from what I can tell it’s been successful, especially this season. My worry is that with the announcement of a Battlogue, we’re also announcing the end of Divers.

Now, I don’t think Build is going away, because it has its own fanbase, and it’s just good from a marketing perspective. Take some old kits, make a few new parts for them, and resell them. What I’m worried is we’re heading to a new subtitle and a new continuity, which would be our FIFTH (Builders, Fighters, Divers, and GBGW). It made sense to end Fighters because they created a seven year time skip to explain how we got to the point of using original Gunpla, they didn’t go over well, and from a writing perspective it put them in a corner. Divers was a good reboot, returning to modified kits, and giving us a protagonist who actually pilots a Gunpla he built himself (three season in). Divers also has a very large mythos at this point, with AIs, and multiple confirmed species of aliens. If you jumped ahead just one more year, you could write a great story where it’s just exploring this inter-species cultural hub that is GBN. That’s what I’d like to see, anyway. If you skipped ahead just a little farther, you could have Asha, Towana, or Hulun return as our Yuma or Par for that season to connect it to the past one. There’s a lot of potential still there. Like, even the ending suggests they might have some more ideas for Eldora yet (whether that will be tackled in a new season, the Battlogue, or an OVA, I don’t know).

You could also return to Build Fighters. Make it take place in that seven-year gap, which would allow you to have Gunpla more on the level of what we saw in GBD (more advanced than GBF, but not at original yet). Or show us the pro circuit at the same time as GBFT and how insane that’s become. (What we see in GBFT is just the Japan’s U-19, and they apparently can’t hold a candle to actual pro players. Can you imagine what Worlds would be like O_O)

There’s just so many new stories they could tell with what already exists. I don’t want them to reboot the series again needlessly.

Also, we’re running out of headliner Gundams. The only obvious choices I don’t think we’ve touched yet are Barbatos, Unicorn, Victory, and Zeta.

As for my hopes for the Battlogue, I’d like to see Maiya and Kazami go on a date, because that would be adorable. I’d like to see Freddie pilot his first Gunpla, because that would be adorable. And I’d like to see the gang teach the village kids how to build Gunpla, because that would be adorable. What can I say? This series got kinda dark; I’d like some cute to balance it out.

Overall, this series was great. Favorite of the Build Series, even if it is a little more Gundam than Build. There’s a lot of potential still left in this universe, so I hope they’ll continue to explore it, rather than reboot the series again.

#Gundam #Gunpla #Gundam Build Divers #Gundam Build Divers Re:Rise #Review

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dbittz · 4 years

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Thoughts on a Resident Evil TV Show

I’ve been playing through the Resident Evil 2 Remake lately since I don’t have the RE3 Remake yet and it’s got me thinking about a Resident Evil TV show. There has been rumors and talks of one on and off but nothing consistent or reassuring. This a long post. These are just my thoughts/something I’d like to see. Some spoilers for the RE Universe if you like don’t know anything.

First and foremost, the show should remain as true to the source material as it can while having the flexibility to explore and create it’s story.

Plot/Focus/Theme: The story should focus on The Umbrella Corporation and the people behind/working for the company. It should show the corruption and secrecy within Umbrella along with how the company turns people into monsters, allows us to explore the character and morals of the researchers working for Umbrella. Ideally, it would focus around a set of four characters as the raise up in the ranks. They are Albert and Alex Wesker, William Birkin, and Annette. These are some of the most prominent people behind Umbrella aside from the founders (who we’ll see but are often the mysterious puppeteers behind the scenes.) Theme would be how our environment, the people we work with, change us for better or worse. While also exploring the morals and philosophy of science and eugenics since Umbrella was created as front for a bunch of old white guys to create the perfect society/race.

Setting: The show should take place in the 1900’s, 1970-90s I think is the correct time frame. I think it’s important the show takes place around the same time the games did which took place during the time they were developed in the late 90’s. This will keep with the horror of the show but also allow us to see how advanced Umbrella really is and how powerful the company is. One of my favorite times we see this in the Resident Evil 2: Remake when you first enter the Umbrella lab and you see how clean, how futuristic the lab is compared to the rest of Raccoon city. Keeping the separation during that time is key to the story of Umbrella. There of course could be time jumps and there would be flashbacks to the creation and founding of Umbrella.

The primary location would be the Umbrella Executive Training School and Laboratory with the Arklay mansion being constructed and by proximity the Arklay mountains/forest. This would allow us to fully explore the early stages of T-virus and Progenitor virus development and the parts the characters played. Raccoon City would exist as primarily an escape for our characters along with allowing us to explore the hold Umbrella had on the City and see the corruption with the officials.

Characters: Albert Wekser- One of the most well known and popular characters in RE, Wesker was a part of a secret project by Oswell Spencer to create the perfect race. Exploring Albert’s background and how he became the man he is would be fun, especially considering Wesker is one of the people to betray Umbrella and bring the corporation down. Wesker, like most of the characters, would start of a young researcher, (late teens, early 20s) planted into Umbrella alongside Alex by Spencer. Albert is Spencer’s favorite and expects much from Albert. We’d be able to explore if Wesker was always the manipulator who didn’t trust even though he and Birkin are often considered friends so were they or did Albert just use William? We’d be able to explore his relationship with Alex, a relatively new character who like Albert has a lot expected of them. I like to think that are rivals and while they do “care” for each other in some way, their sibling relationship is nowhere near the relationship of Alexia and Alfred’s. Perhaps their relation is better than the Ashford twin’s relationship, especially considering the twins relationship could be seen as “abusive” with how Alexia treats Alfred as a solider and Alfred worships his sister. That’s just something the show explore along with Albert’s military training and the creation of S.T.A.R.S while building up his distrust and exit of Umbrella. He remains loyal to them but at what point did Albert start to question not only Umbrella but Spencer, the man who had him created, who “raised” him and gave him everything he needed to succeed? What exactly was his relationship with William like? Was Wesker always so serious and mysterious or was he carefree at some point? Why does he wear sunglasses? We can infure in later games they are to hide his mutation as a result of the virus he used in Resident Evil, but why did he always wear them? Were they an intimidation technique or did he need to wear them because the way he was created made his eyes extremely sensitive to light? There is so much to explore with Wesker like did he have any romantic relations with anyone? He has a son so when and who was that mysterious person or was Jake created like Wesker himself?

Alex Wesker- Alex is similar to Albert but she wasn’t as praised by Spencer. Maybe it’s because she had a stronger love for literature and philosophy instead of virology or science? She stuck with it and rose in Umbrella because she was expected to, but maybe she didn’t love it. Exploring her character and background would be a lot of fun. She’s a new character connected to a lineage that has a strong history throughout the game so being able to explore her more and see how she differs from Albert would be a lot of fun. It’s also curious to note that she discovered the truth behind her and Albert’s creation so how does that affect her? Does she tell Albert? We see in RE: 5 that Albert didn’t know until he confronted Spencer and he didn’t handle it well so how did Alex handle it? I don’t have much to say about Alex considering she’s still so new but also because I feel like her mystery and the fact she’s always been overshadowed by Albert, and others, could help to develop and make her an interesting character.

William Birkin- A child prodigy taken in by Umbrella. The biggest things the show should explore with William is his relationship with Annette, how betraying Marcus affects him and eventually causes him to leave Umbrella as he become more paranoid about his own work being stolen. Exploring how he discovers G and rises in the Umbrella ranks would also be fun. Exploring his friendship with Albert. Much like Albert, William has a lot of pressure on him to do great things and he has a bit of an ego because of his genius and, up until Alexia shows up, being the youngest person recruited by Umbrella. I think William sees both Albert and Annette as equals. As I mentioned before I think a big part of William’s character we’d need to explore in the show is how not only he becomes the perfect, immoral Umbrella employee but how he becomes more and more paranoid that the same thing that happened to Marcus will happen to him. His life work is going to be threatened so he has to do everything he can to stay in Umbrella’s favor, to make sure he stays on top. Alexia, a new prodigal child shows up and threatens his intellect and work so maybe he tries to have her killed but fails because Alexia was expecting it. William is a genius but as we’ve seen in his appearance in Resident Evil, he is also an extremely emotional man. Exploring how William goes from being the most hopeful, Umbrella Student, to just another immoral scientist to one completely consumed by Paranoia and obsessed with his work to the point where he begins to neglect his family would allow for a great and tragic character arch that will leave viewers feeling sorry for William cause we all know how his story ends, he becomes a literal monster as a result of his time at Umbrella and we have no reason to sympathize. He was just another immoral Umbrella scientist playing god. Yeah, he had a family, but he didn’t seem to care, all he cared about what his work. Exploring his rise and fall would give fans that connection, it would make them care so that when they see/hear what happens to William and the Birkin family in Resident Evil 2, they can sympathize.

Annette- We don’t know much about Annette’s history prior to Resident Evil 2, so being able to explore her background and how she and William started dating would be interesting and fun. I like to think that Annette was the first person that William saw as an Equal instead of a rival. Albert was a friend, a rival, a conspirator, Alexia was a rival, but Annette was an equal that William could confide in, could trust with their work. I also like to think that while William may have been the genius behind G, Annette was the driving force, the one who pushed William and helped him with his success by being the clinical eye to their work. We see this in the Resident Evil 2 remake with how Annette is taking constant notes and observations on a mutated William while also taking responsibility to destroy the creature. William was the brains, Annette was the heart and together they were unstoppable. I think the relationship between Annette and William would be the only romantic relationship the show would have. We could explore options with Wesker, he does have a son after all, but William and Annette are the biggest known couple within Umbrella so exploring their relationship and seeing if there really was a love there or did they just marry because they were only ones they could trust with their work? I like to think that despite the affect Umbrella had on the two, they did love each other but as the years went on and they came closer to a breakthrough with G and William began to lose himself to his paranoia, their love began to die thus making them “married to their work.” That love is still clearly there as Annette struggled to kill William before he fully mutated but it’s possible their relationship was already on the rocks and the only reason they were staying together is because of Sherry and they felt they could only trust each other. Perhaps the two weren’t very expressive with their love and emotions, only showing them during times of triumph or success, such as discovering/creating G. I’ve always wondered, if the two were so committed to their work, why did they have a child? They are both very intellectual people so they must’ve known having a child would take them away from their work. They are upper class so they could have a nanny but still begs the question, why bother having a child in the first place? It’s possible Sherry was an “accident” something conceived as a result of one of their few moments of passion, expressed love as a result of something greater. Being an optimist, I like to think Annette and William did love Sherry, but Umbrella forced them to be distant, so they didn’t endanger her. Exploring Annette’s character outside of her marriage to William should be the first most thing, Annette is a strong character outside of her marriage, but it’s also important to explore that relationship because like I said, the Birkin relationship is the only real relationship we know of and we need that connection so we can better explore how Umbrella destroys lives.

Alexia and Alfred Ashford- The Ashford twins are only going to show up for maybe a season or a few special guest episodes. Simply because they are young and they got their own stuff to go through that doesn’t concern everything happening in the Arklay mountains/Raccoon city. I can see the two showing up one season, being brought by their father to show off Alexia to Spencer and the rest of Umbrella to prove he isn’t a failure for maybe a week or a couple months. Alexia, being a genius, would of course begin to make strides and overshadow our main cast while Alfred is simply there to help. Maybe there is a plot by William to kill Alexia, something Albert doesn’t advise, but he goes through with. Alexia expects it and simply is unphased by the attempt and uses it to further her own research/goals before she and Alfred leave. Alfred would primarily be there to support Alexia. We could also explore their relationships. They are very close and dependent on each other so seeing their teamwork would be a fun counter to perhaps how William and Annette work or how Albert and Alex’s relationship isn’t normal or perfect. It would also be interesting to explore if growing up in Umbrella is what made the twins so sadistic or was it the abuse of their father. It can be inferred that Alfred was more abused than Alexia, Alexia being the favorite because of her intellect with Alfred only being above average, so exploring that would also allow us to see how being raised in an environment where morals mean nothing can turn young great minds to crazy scientists. We’d obviously see a lot more of Alfred’s co-dependence on Alexia in their youth during their time on the show and how Alexia manipulate Alfred and turns him into the perfect loyal solider. Their relationship could be shown as creepy in that maybe their love for each other goes beyond sibling love or was it really there out of a need to survive? Alfred shouldn’t be shown as an idiotic lackey. He is intelligent, just not as intelligent as Alexia. His intellect could be shown in military skills, in his adult life he is a commander, and his ability to manipulate people just as well as his sister. It’s also possible Alfred is a bit more sadistic than Alexia, finding joy in tormenting those that threaten or oppose his sister. Alexia shows off while at the labs, but she’s bored by how simple and easy everything is. It doesn’t challenge her. They can, and should, be shown as spoiled brats but it shouldn’t be obnoxious, they do have manners and honor due to their family name and linage, but they do think that makes them better than some people. Maybe Alexia finds what she is looking for to complete her T-Veronica virus in the mountains or maybe it’s where she has her epiphany about ants. Like I said, the Ashford twins are a season, two at most but it’s important to include them because they are part of the Umbrella legacy and Umbrella problem.

The Founders: The background and history of the founders up to the creation of Umbrella and after should be explored as it’s key to the corruption and evil within Umbrella but the entire show shouldn’t focus on them.

Oswell E. Spencer- Spencer can be shown and explored but much like in the games, Spencer should be more of a strange, shadowy figure controlling Umbrella and manipulating it to fit his goal of creating the perfect race and making him a god.

James Marcus- Perhaps the only founder we’ll see the most of, Marcus is the mentor to our group and the one pushing them to excel while doing his research into T-Virus. He shouldn’t be shown as a father figure or a good guy, he is a manipulative, science/research obsessed mad man who is just as bad as Spencer. He influences Albert and William, making them as corrupt and evil as he but his death, his betrayal should impact the two, and others, because that should be the moment that even their positions in Umbrella isn’t secure. The death of Marcus should be the point that really changes the cast as they continue to grow and work for Umbrella and realize the evil of the company and as they become infected with that evil.

Edward Ashford- is dead by the time of our story so most of our exploring of his character will be in flashbacks as we explore the creation of Umbrella and as he is mentioned by the Ashford, Spencer, and Marcus. Like the other founders, he’s not a good person but he is the first one to die, murdered by Spencer, so exploring how that affects Spencer and maybe even all of Umbrella could be a fun venture.

Alexander Ashford- I’m throwing him down here because when he is shown with the twins, he isn’t that important, he’s just their to kinda flaunt, throw blame, and demand more respect because he’s kind of a joke within Umbrella, even though he’s a genius because he manages to clone a person and creates the twins. He’d also be there to show why the twins do what they do to him. Yes part of it is because they were upset about being clones, being created just to feed Alexander’s ego and prove to the world and family that he isn’t useless, but I also believe that Alexander wasn’t the best father. He puts a lot of pressure on the twins to be prefect, to be intellectuals and save the family name, to serve it, with little care to them outside of that goal so it makes sense that the twins would turn him into an experiment.

Other characters: We can show and mention other Umbrella researchers or show characters like Chief Ions, a young H.U.N.K. who has yet to earn his name, that John guy Ada manipulated for the third party organization (which should be explored more because we know very little about them other than the fact they are a competitor to Umbrella and hire people to infiltrate and steal secrets) ect. They can be seen, mentioned, and have important roles, but outside of the characters mentioned above, they don’t really serve much purpose except to further show how terrible and evil the Umbrella corporation is. It’d be fun to explore their relationships and how Umbrella affected them, but they should never pull focus from our main cast.

Last little thought: There can be mini outbreaks, there can be experiments that go wrong or escape but there should never be a major outbreak. We can hint at what sets off the events in Resident Evil Zero/1 but we should never have something that shows Umbrella could fully contain the situation. Umbrella’s own hubris and the corruption within is what brings the company down so while having stuff like a zombie or a hunter on the lose could be fun drama, it should never be a threat to the whole operation. It would also be a fun way to show how much power Umbrella has over elected officials and the media. Spies, corporate espionage, and other horror/science show drama can ensue to keep the show momentum going.

#Resident Evil #TV Show #Resident Evil TV Show #Thoughts

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