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#so i'd rather avoid that if possible
dangerous-drabbles · 11 months
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update
i've been putting off writing this, but i can't exactly not, so... i'll try and make this brief.
in short: i've had an epiphany.
(tl;dr at bottom)
i've been writing/brainstorming this fic since november/december last year, and since then, my ideas and understandings of the show and it's characters have evolved. and with them, my plans and understandings for iwf.
i want to be clear: this is not me saying i'm done with iwf, or going on some long hiatus. in fact, it's more the opposite.
having graduated, with summer in full swing, and feeling more sure than ever about where i want to take this fic (as well as remaining fully invested in this fandom), i plan to do more writing than ever before B)
that said: something needs to change.
this fic has been, and continues to be, my baby (besides my ever-growing, yet rarely spoken of, tmnt iteration) for most of the time i've been active in this fandom.
i've long struggled with motivation for big writing projects, but i am resolved to keep with this one because i have a story worth telling. will it be worth reading? who's to say!! (i hope so /gen)
but, as you might've noticed, my more recent updates (especially around the end of arc I) were... bad. maybe not bad-bad, but still bad from a 'technical writing/story' perspective. i struggled a lot with them, and i think that really shows.
i've was trying to figure out why its come to be this way while pushing forward by forcing myself to write, but that didn't work. it wasn't until this week, tuesday, when realization struck me (while watching a video essay, lol).
it made me realize a big part of what was making me unhappy was something i already knew, an issue underlying the fic (and my writing style) as a whole.
with this in mind, i can't keep going forward in the way i had planned.
i'm not gonna go back and change arc I. while the problem is there, especially in the later chapters, i'm early enough on that i can turn things around and (hopefully) root out the problem(s) without any major changes to what i've written/set up so far.
but to do this, i need time.
i know i know i just took a 2-3 week long break, but to pull this off, i need time to prepare and rewrite. i'm halfway through revisions for the arc II outline, and i'll need to heavily revise/rewrite several chapters, plus write some new stuff (since i'm axing the next couple i had planned/written out... rip.)
if all goes well, it shouldn't take longer than two weeks. best case scenario, i get it done in one. we'll see.
until then, i humbly ask for your patience.
as a note:
i could go deep into my inspirations for this fic, where i wanted to go originally, what's changed since then, and especially what brought me to my realization (plus the specifics of said realization) but i said i would try to make this brief, and here we are, [insert amount of words] later.
are you really surprised, though? (/lh)
[if you would like to see me talk more about that (i would absolutely always be down, i love talking about myself /j /lh), feel free to shoot me an ask. in fact, i would beg on my hands and knees, if i were not a silly guy who lives on your computer (/j)]
(tl;dr -- i am not done writing iwf. however, i had a realization that led to me reevaluating my writing and determining that i need to rewrite/revise my arc II outline, and edit/revise/completely rewrite the next several chapters.
this means i am planning to take another week or so off (i am sosososo sorry) to iron everything out and get ahead.
this whole post was me trying to explain the reasoning behind this decision, with an underlying sense of desperate patheticism to match (/j /lh).)
to conclude, i want to say thank you so much for your support, silent or otherwise, from all who have read and (hopefully) enjoyed this fic thus far. i genuinely couldn't do it without you (yes, sun, this includes you /lh.)
especially to my frequent commenters, who i promise i do see and appreciate. you guys are the real mvps <3
i have some really big plans for iwf, and i hope you'll stick around to see them come to fruition (:<
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chaosintheavenue · 5 months
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Essential Fallout 4 lore question: Can the Sole Survivor (or the faction they're working with, if applicable) end up using nukes during any of the possible endgame quests?
If you could please answer as spoiler-free-ly as possible (literally just yes or no, unless it's more Complex than that somehow) it'd be appreciated, cheers!
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prismit · 6 months
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hmmm should i play dead cells or should i utilize this wednesday to use island scan in pokemon ultra sun so i can shiny hunt honedge and name it after the sentient sword from dead cells
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amplexadversary · 1 year
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People are too quick to kneejerk react to money=bad as a concept and I think Vex immediately dropping a bunch of it into spell materials for Laudna is one of many examples of how the concept is one hell of a lot more complex than that.
Vex appears to have a worldview along the lines of “money is for saving people” and to be honest I kind of agree to an extent. It’s a resource, and god damn some resources that are really important and really damn good to have can be misused as hell, and just because some choose to do so, doesn’t make them bad.
I feel the same way about it that I do about social media or charisma and persuasive ability. Getting rid of it would lead to the loss of some crucial positives it provides, and the (more complex and not-shitty) solution is to set things in such a way that misuse of it goes against the best interests of someone who would choose to do so.
Frankly, anything can be used in a way that harms, and turning to puritanism and shunning things left and right is really just throwing away the tools you could use to protect yourself and others from particularly fucking creative assholes. It’s a cowardly solution, and people who condemn so easily without room for nuance are cowards.
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CLARA BOW // charles leclerc - pt. 2
charles leclerc x figureskater!reader
part 1 part 3 part 4
summary: you're an aspiring olympic gold medalist who just wants to compete and have fun. on the way there, a handsome monegasque f1 driver slides into your dms and changes the trajectory of your life.
note: so i woke up to part one of this having over 300 notes?? what the heck you guys 😭 thank you so much! here's a speedy part two as a thank you 🙏🏻
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capital indoor stadium beijing, china
"Annyeong (Bye), Hana!" Y/N called out, giggling as the little girl waved wildly, struggling against her babysitter who was trying to take her away.
"Bye, Y/N!!!" she yelled back, her English as unsteady and lisping as Y/N's Korean was.
The figure skater shook her head, smiling. Hana could be a handful and a little spoiled, but she really was a joy to be around, and a weight taken off Y/N's shoulders in the face of the upcoming competition. Even though skating with her had taken some of Y/N's precious rest time away, she couldn't help but be happy still. Going back to the Olympic Village early would've only meant that she would agonize over everything that could possibly go wrong tomorrow, and that was the last thing she needed with all of the tenseness and pressure that was already permeating the rink's atmosphere.
"Did you enjoy yourself?" Rafael Arutyunyan, one of her coaches asked as she slid over to the barriers.
"Yes," she avoided looking at his face, knowing there would only be disapproval there. "Why wouldn't I?"
"Hm. Well, you know what I think."
"Hana's a sweet kid," Y/N defended, sliding to a stop in front of the rink's entrance.
"I never said she wasn't," Rafael pointed out, handing her her blade guards.
Y/N began putting them on as her coach continued, "Just that this is not the kind of distraction you need the day before the competition."
"It was either this or go to my room and mope. Which would you have rather I'd done?" Pulling her red Team USA jacket on, she continued, "Besides, Adam said it was fine."
"Adam's looking at it from a PR perspective," Rafael rolled his eyes. "You know that."
"It's good for my mindset." Y/N shrugged, ignoring the cameras clicking away from the media journalists by the sideboards. "If it's also good PR, then it can't be all that bad, can it?"
"I just don't want it to affect your performance, come competition day."
Y/N sighed affectionately and pat his shoulder.
"I'll be fine, Raf. If anything's going to hurt my skating, it's not going to be this."
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cassievilleneuve
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liked by y/n l/n, isabeau.levito, and 3,271 others
cassievilleneuve my companion, my best friend, my soul sister. words can't express how proud i am of you and your accomplishments. we've both wanted to go to the olympics since we were little girls, and i'm so thrilled that you made it there 🥹 know that i'm there with you in spirit, and go kill it out there tomorrow.
love, the wicked witch 🧙🏻‍♀️
view all 16 comments...
y/n l/n there would be no glinda if there weren't an elphaba 💙 ily so so much cass! next time, we'll both be doing it together, i just know it.
karebearsk8 ahhh look what you did cass, you've made her cry 😄
y/n l/n LIES
isabeau.levito so proud of both of you ❤️ ❤️ by y/n l/n
y/n l/n thank you issy 🥰
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daniel3.jpg
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liked by carlossainz55, landonorris, and 375,187 others
daniel3.jpg caught in 4k 😳
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melisasimp how is Charles perfect in all angles😩😭
kimmiegrantxo Thank you for your service, sir 🫡
daphnemller I have been fed 😩
charles_leclerc MATE!?
landonorris he's so pathetic 😄
amyisawag asdfjhskfjd lando??? 😭
carlossainz55 where is the lie
oscarpiastri pathetic AND obsessed
charles_leclerc BLOCKED. all of you BLOCKED.
detectivelana guys guys i think we're focusing on the wrong thing here. charles is fine and all, but what's the common thread through all of these pictures? his phone. what else? his smile. in conclusion, who is charles smiling at on his phone and how do we get the grid to spill?
mellymellmell no no you're so right??
amyisawag @daniel3.jpg
daphnemller @daniel3.jpg
daniel3.jpg sorry, been sworn to secrecy 🤐
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barcaatthemoon · 21 days
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close to you || lia walti x reader ||
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you have some trouble in keeping things friendly with lia.
somehow, things had been easier whenever lia and caitlin were together. back then, you knew that you had no chance with lia. the smiles, soft touches, and comforting presence were nothing more than that of a close friend. then, caitlin broke lia's heart, and suddenly, a little voice in the back of your heart started talking again.
it was no secret to anybody how you felt about lia. even the woman in question knew about your feelings. the two of you hadn't really spoken about it after her initial rejection of you, but you knew that she hadn't just forgotten. you swore sometimes that she had to have been thinking about it whenever she'd give you certain sad looks.
"you know that this can't be healthy," leah said as she put her arm around your shoulders. the partial team bonding night at her place had become one of your favorites. tonight, leah had broken out a few bottles of some pretty nice alcohol, allowing for you and your friends to get a good buzz. "why haven't you tried again with lia?"
"because she already told me that we're just friends, and i'd rather have her as my friend than be forced into caitlin and katie jail," you told her. technically, there was no "caitlin and katie jail" but the two had a tendency not to join in on team bonding nights. especially ones that they knew would make it hard to avoid lia.
"will you please reconsider because i can't spend every morning after we all hang out picking up the pieces of your heart," leah said. there was a bit of a teasing lilt to her voice, one that barely managed to mask the genuine concern.
"whatever," you grumbled as you stormed away from her. leah sighed as she watched you pop open a bottle and take a very large swig from it. you walked off in the opposite direction of the living room, holing yourself up in leah's guest room. it was where you always stayed whenever the team got together.
tonight, everybody had been drinking enough to warrant a sleepover, so you were sure that someone would bunk with you. you didn't mind sharing a bed with most of the girls on the team. they were your friends, and you were a naturally very affectionate person. sometimes, your teammates joked that you'd be happier playing somewhere like barcelona with all the spanish girls.
you fell asleep cradling an empty bottle of tequila in your arms. lia frowned as she entered the room to see you like that. even in your sleep, it was obvious that you were hurting badly. lia had no idea how to help you. the two of you were still close physically, but you didn't talk to her like you used to. she didn't know if it was anything that she had done, but lia couldn't help but feel responsible for the way you had shut everybody out a little.
"i miss you," lia whispered as she climbed into the bed next to you. she moved the bottle out of your arms and set it on the floor. you whined and reached out for something new to hold. lia let you wrap your arms around her as you settled down with your head on her chest. "goodnight, sweetie."
in the morning, you woke up with your face completely buried in lia's chest. her hands scratched lightly at your scalp, even after she felt you start to stir a bit. lia had no idea how long it had been since she woke up, but having you in her arms felt nice. she hadn't felt at peace like that in a long time, not since she was with caitlin.
"shit, what time is it?" you asked, your voice thick with sleep. you lifted your head up, but all of your movements were groggy. lia smiled as she watched you try to gather your bearings. it was obvious that you were hungover, possibly even still a bit drunk. lia was quick to move, attempting to catch you whenever you stood up too quickly.
"careful, we've got enough injuries already," lia joked. you sent her a thankful nod as you walked towards the door. she let you go off to the bathroom, but she didn't move from the bed, hopeful that you'd return to her. lia sat there waiting for nearly an hour before she gave up and started to look for you.
"you didn't see her last night, bear, she was upset. all she wanted was to go check on you. i felt bad making her stay for as long as i did," leah said. lia got the feeling that you were talking about her. she knew that she should have made her presence known, but she was curious.
"that doesn't matter leah. she's a caring friend. that's what she told me we are, so that's just what we'll be. so please just fucking drop it, okay!" you hadn't meant to shout. leah stood there dumbfounded for a moment. in all of the time that you'd known each other, you had never raised your voice at her in anger. you realized what you did and stormed out of leah's apartment, not even bothering to put your shoes on.
"w-what were you talking about?" lia asked softly. leah's head shot up as she looked at the midfielder. there was a look of fear on her face, as if she had accidentally just outed your feelings for lia. "is (y/n) okay?"
"bear will be fine, she's just upset. i think you should talk to her though, tell her about your feelings, lia," leah said. lia nodded, knowing exactly what she needed to do.
"hi bear." it was easy enough for lia to find you. you hadn't made it very far without shoes on, which lia had been kind enough to bring you.
"you never call me that," you said with a small frown. lia shrugged as she sat next to you. "lia, i need to tell you something, but i don't want to."
"it's okay, whatever you need to say is okay. something has been eating you up inside, and i'll do whatever i can to help you because i love you," lia told you. you couldn't meet her eyes, so you missed the way that she looked at you as she confessed her feelings towards you. being the oblivious idiot that you were, you automatically assumed that lia meant in a platonic way. you assumed that she loved you the way that you loved leah or alessia.
"we've been friends since we signed, but i can't be just friends anymore. i could barely do it before, but you had caitlin. i've never really had anyone because you've always been in the corner of my mind whenever i go on dates or try to hook up. i wish that it as easy again, like when i was in germany, but i can't stop thinking about you and how fucking happy you'd make me if you'd let me be yours."
lia looked down at her hands, suddenly overcome with guilt. she had known that you had feelings for her once upon a time, but lia hadn't expected them to still be so prevalent. lia forced herself to take a breath before she finally spoke up, "i love you, (y/n). i love you in a way that is anything but friendly. i don't think that we were ever entirely just friends because i have always felt this way about you. all i've ever wanted was to be closer to you, even if i didn't understand what it was at the time."
"does that mean that maybe there's a chance for us to be more than what we have been?" you asked. lia nodded as she placed a hand on your jaw, cradling it gently. "please don't break my heart, i don't think i could handle it."
"i would never," lia promised you. with that, you leaned forward just enough to press your lips to hers. lia kissed you back gently, almost as if she was afraid that you'd shatter in her hands. the two of you broke the kiss and rested your foreheads against each other's. it was nice to just sit there for a moment staring into each other's eyes, at least it was until leah came outside yelling for you.
"will you please come inside and finish breakfast bear, i'm starving!"
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washeduphazbin · 2 months
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Could I get a one shot of, y/n is like Adam’s life ex gf she left after getting tired of his shit.. ended up falling in love with Lucifer.. (Mr. Steal yo girl thrice) and during the Adam and Lucifer battle Lucifer taunts that he stole all three of his lovers
YES. YES. I'm in love with Lucifer. Your wish is my command.
Sorry it's so short if we like maybe part 2
Also, poly luci x reader x Lilith (sorry, not sorry)
———
“Little duck?” Lucifer asked softly, nuzzling his face into the crook of your neck. You were holding onto one of his plush ducks rather tightly,
"I can't help but think...that this extermination is my fault." Lucifer let out a gasp and wrapped his arms around your shoulders, "Lulu-"
"I won't have that negative self-talk in my house." Your brow furrowed in distress,
"But-"
"No buts."
"Lucifer! Adam's absolutely moved up the extermination to spite Charlie and us!" You argued, "I...what if I go back to him."
"Excuse me, what?"
"I don't want to!" You moved away from him to the portrait of Lilith, you and Lucifer hanging in the corner of the room. "I really don't want to..." You raised your hand and brushed against Lilith's horns and Lucifer's staff in the portrait. "You know I don't belong here; I'm not a demon, a sinner, or an angel either. I'm just a human who fell because I fell in love with you and your family." You smiled sadly over at him, holding out your hand. Lucifer squeezed it tightly, "What if I can solve all of this by just going back with Adam."
"That's not happening; I'm not letting you go back to that fuckwad;" He scoffed, brushing a hand through your hair, "Do you think you'll be happier with him? Without us? Without Charlie?"
"No." You laughed bitterly, "Of course not, Charlie would kill me."
"She absolutely would. You're like another mother to her; she wouldn't let you go back to that hellscape without a fight. Neither will I; I have a few words I'd love to share with Adam."
"Oh yeah? What would you say?"
"I'm sure you'll get to hear it eventually," he mused, leaning closer to kiss your cheeks. "Just stay safe and stay away from the Hotel until Charlie or I give you the okay, okay?"
"Okay." You whispered softly, bending down to plant a kiss on his lips,
"Did you really have to bend down like that," He huffed, hitting you gently with his cane.
"Oh, absolutely."
---
"Stay home? STAY HOME?" You roared, grabbing Lucifer's shoulders, "Everyone dying, and you want me to stay home!"
"For your safety and everyone's safety. Yes." He squeezed your shoulders tightly, "If it's between you and Charlie, I-"
"You choose Charlie every time."
"I love you-"
"I know. I love you too." You smiled softly, "Kick Adam in the dick for me?"
"It would be my pleasure, my lady. Here," Lucifer handed you his phone, "It'll live stream the battle; I hacked a VoxTech drone." He puffed his chest out proudly, and you beamed, taking his phone from his hands.
"I can't wait to see Adam get dick punched in HD!"
"There's the bloodlust I love so much; if I didn't have to go save Hell, I'd totally fuck you right now."
"Then you better leave now so you can come back and fuck me as soon as possible."
"Yes, ma'am!" He gave the dorkiest salute before teleporting out of the room.
---
"I am going to FUCK you!"
"It's fuck you up...dad."
Your face palmed, curling up on the bed, Lucifer's phone in your hand, watching the live stream.
"What? What did I say? Oh Shit-" Lucifer burst into laughter as he transformed into a snake to avoid being hit by Adam, "So this is what you've been up to since Eden, huh? I gotta you really let yourself go, buddy."
"Are you judging me?" Adam snarled in a disbelieving laugh, "You're the most hated being in all of creation!" Lucifer snickered as he turned into a bird,
"Well, your first wife didn't seem to hate what I had to offer, or the second bow chica. Wow, wow!" He splayed his fingers out in a V shape and stuck his tongue in between his fingers, "Not to mention your third."
"I'm sorry what!" He snarled,
"Oh, you didn't know? (Y/n)'s a doll, the tightest pussy Lilith and I've EVER shared!"
You made a horrified sound at the phone, wanted to absolutely curl up into a ball and die, Charlie didn't look any better.
"Dad!"
"You are so dead!" Adam shouted, "And I'm gonna find that bitch, and I'm going to make her pay!"
"Sure you are," he snorted, "I'd like to see you try."
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angelltheninth · 5 months
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Jake skully smut please
Finally getting around to this one, sorry for the wait!
Pairing: Jake Sully x Fem!Reader
Tags: nsfw, smut, mating cycle, breeding kink, biting, tail shenanigans, Jake goes through his first rut, Na'vi!Reader
Word count: 1.4k
A/N: Took me long enough but here is the long requested Jake Sully filth.
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Jake didn't know what the fuck was happening right now. He woke up feeling hot as hell. Not as in he was attractive, although yes, you assured him of that too, but his whole body felt like it was burning up. He didn't know what to do, he tried to ignore it and get his duties done, he tried to go as high up into the sky to get the coolest air possible on his skin, he tried to take a swim, he tried to run it off but his body was still on fire.
He hoped he wasn't sick. He hadn't gotten sick yet, not since he started his new life with the Na'vi. He was one with his Avatar now, so every risk was that much more amplified. Jake kept pacing back and forth, his tail twitching weirdly and the base of it itching. Fuck, maybe he really is sick.
If it came down to it he would go to have his blood analyzed to avoid the worse case scenarios. If he was sick he needed to know what exactly was wrong with him.
His ears and nose flickered towards the entrance to your shared home. "Jake? You are... acting odd today. Is everything alright?"
"Don't come in. I think I'm sick." He put his hand out like that would stop you. "Please."
"Sick?" You sniffed the air, quickly picking up a change in scent. This wasn't sickness, this was... his first mating cycle. You chuckled and crossed the distance between you two, looking deep into Jake's eyes before kissing him. His startled gasp allowed you to lick into his mouth. Your tail wrapped around his wrist, you were so happy, your mate was in his cycle.
"Hey, don't, if you get sick too-" You shook your head and caressed his jack to calm him.
"There's no sickness. You are going through a mating cycle." The look of confusion and surprise on his face was, well the only word you could use was cute. "We go through it once a year. Once we find a mate our cycles fall in sync. Usually the first once happens when we reach adulthood but since your case is special your cycle is hitting you just now."
A mating cycle. His first one. "My mating cycle? What do you take for it?"
You couldn't help but laugh at his absurd sounding question. "Well that depends on if you're mated or not. In your case, I suppose you would take me."
"T-Take you?!" His mind had a few things going through it. Take, fuck, mate, breed. His cock twitched against your stomach, tenting his undergarments.
"Or rather I will be the one taking you." You knelt down, kissing his chest and stomach as you went, "If you want to of course. If not there are other things. But the... medicine is not the tastiest, just so you know in advance."
He cringed already, imagining every gross thing he ever tasted, all the medicine he had to take before, from childhood, to the army. "I think I would rather be with you." He cupped your face in his rough hands. His extra fingers felt odd at first but not anymore, the things that made him different from you were never things you sought to think less of him for. "Where do we begin? Is there anything special that goes into it?"
"Only mating bites." You smirked as he grinned at the prospect of biting you. "Other than that nothing has to change, we already made love many times, I trust you know what to do."
"Based on how many times you came last time, I'd say I'm well versed." Your hands cupped his clothed cock, his tip making a stain at the front. "Take if off babe."
Babe. Such a human term. Simple, but it always worked on you.
As soon as his clothing fell to the floor your licked the cum off his cock, eliciting a choked moan from him. Jake shook, unsure what to do with this new kind of pent up energy. Given that this was his first mating cycle you really didn't want to tease him. But you could kiss his cock all the way to the tip before standing up and taking our own clothes off piece by piece. He purred at the sight of your naked body.
"You're wet already?" He could almost taste you on his tongue.
"Usually a mates mating cycle will effect the other, the two eventually becoming synchronized and able to enjoy a few days of bliss together." Hopefully this would happen soon now that he's hit his first one. "For now we should take care of this one. Shall we?" You grinned and pulled him to your bed when he nodded dumbly. As you laid back he grabbed his ponytail, offering it to you to bind with.
Soon as the connection happened you were able to feel his lust feeding into yours, your thighs dripping with desire. "I need to fuck you." He growled, hips rocking forward, the cocktip parting your wet folds.
His eyes rolled to the back of his head when his entire length was finally enveloped in your warmth. "You feel bigger then usual." You hushed against his ear and locked your legs around his lower back, making sure his cock stayed as snug inside you as possible. Jake hissed as soon as the cooler air hit his cock when he pulled away. No he didn't want to be out, he only wanted to be inside you but he also really needed to fuck you, he needed to fill you up with his cum. His seed.
To feel as less cold as possible he kept up a fast pace, his cock pushing in and out, moaning when you'd tighten around him in need. He felt like he would never be able to stop, he'd never been hornier in his life. And back when he was in the military there were so many times when he thought his cock would explode. All of that combined was nothing compared to this.
"You feel so good babe. So good around my dick. Taking me so well, so deep." He praised. You wrapped your arms around his back, feeling his muscles under your hands tense, "Love how you touch me." It was always so soft, like he needed to be touched in moments like this.
"You deserve to be loved Jake. I love you, I always want you to know this." You pulled him into a soft kiss, your moans muffled by each others mouth, mixing with the fast slapping of hips against hips. "Bite me and make me your mate." Your own fangs ached with the desire to do the same but you wanted him to do it first. "It will help you finish."
That was all he needed to sink his fangs into the area between your shoulder and your neck. His body went still against yours, his grunts loud even with the bite, his warm cum painting your inner walls white. A little more, he needed to fuck you a little more. His cock no longer felt cold when he pulled out, it was now covered with his cum, which he felt like he should push back into you. "What... are the chances of us having a baby?"
"Right now? Not very high. When our cycles are synced we can try." The noise he made was that of displeasure, "However since you are different from the rest of Na'vi, perhaps you will get me pregnant tonight." That's what he wanted, he wanted to breed.
His cock twitched, another orgasm ripping through his body, heightened by your own, your pussy pulsing around him, your connection prolonging them both as the scent of sex and cum filled the air around you. Jake moaned, almost roared when you returned the mating bite. He really couldn't stop now, he wanted to rut into you, it felt like every orgasm bleed into another, causing him to lose count of how many he had. "Fuck, fuck, so good, fuck yes!"
Your bodies went slack against one another, his cock still twitching, shooting more small jets of cum. "Leave it in until you're done." As if you needed to tell him twice, he was more then happy to. "You did so good for your first time going through a mating cycle. As I suspected your stamina is incredible."
"Keep stroking my ego." You smiled against his shoulder and placed a kiss against the bite you made. Jake did the same, wanting to give you as much comfort and after care as he can without moving away from you. "I love you so, so much. Thank you for spending this time with me."
"Oh Jake, we're not done yet. A mating cycle can last up to seven days or more." His eyes widened in surprise again but then his face shifted into a very happy grin.
He kissed you again and again until your bodies had enough rest, not even half an hour, until you fucked again. Seven days of this. "This is gonna be so great."
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lixzey · 6 months
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monster among men
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“It's only two to three times a week, Y/n. It's not that bad, I mean would you rather patrol with Snape? He's a greasy git, unlike Regulus Black, have you even looked at him? He's bloody fit!” One of Y/n's friends, Mary MacDonald, gushed as she looked over at the Slytherin table. 
Y/n rolled her eyes at the brunette, “He is not fit, Mary.” 
Marlene McKinnon scoffed, “Are you daft? Or are you just blind?”
“What do you two even see in that git? He's annoying, self-centered, pompous, and arrogant.”
“Well, yeah, but look at his face!” Marlene jerked her head towards the Slytherin table. Y/n rolled her eyes, “No thanks, I'd rather gouge my eyes out.” 
“So stuck up, Y/n.” Mary chuckled, shoveling a spoonful of mashed potatoes in her mouth, making Y/n scrunch her nose. 
“He just looks like Sirius, what's so special about him?” Y/n grumbled, taking a glance at the Slytherin table. 
“Sirius looks like a bad boy, while Regulus, he looks like he was carved by the gods. Yeah, they look alike, but Regulus has much more defined facial structures. Have you seen that jawline? Merlin, I think it could cut my finger if I touched it.” Marlene explained, eyeing Y/n as if she was a first year.
“That is if he'd let you touch him.” Y/n chuckled, “That git's more sensitive than Sirius.” 
“Speaking of Sirius,” Mary started, her voice lower than what it was before, “Do you think he's okay that you're partnered with his brother? I mean, Sirius is like your brother too at this point.” 
“You think he can persuade Professor McGonagall to pair me up with someone else? No, he can't, making his opinion invalid. Even if he isn't okay with it, he doesn't really have a say in it.” Y/n sighed, reaching for a treacle tart, “But if he could, it would be absolutely amazing, but I wouldn't get my hopes up.” 
After the little incident in the Prefect's compartments, Y/n stormed off, dragging Remus behind her. The Head Boy and Girl, allowed her to take patrols with Remus on the train, on the condition that she will comply with the partnering situations. As soon as Y/n stepped off of the train, she avoided Regulus as much as possible. Being both Prefects, they had the privilege of riding in separate carriages up to the school. Y/n decided to run off and find her friends instead, much to the amusement of her brother and Lily. 
Throughout the sorting ceremony, Y/n's mind wandered to the possible things that could happen on patrols with Regulus Black. The possibilities were endless. Regulus could hex her, Y/n could punch him, Regulus could push her down the stairs, or maybe, just maybe, Y/n could push in the Black Lake and feed him to the giant squid. Just thinking of his smug face made Y/n's blood boil to a temperature she didn't know was even possible. 
“Hey, Y/n, look!” Marlene said, tapping her on the shoulder, snapping her out of her thoughts. She glanced at the direction her friend was pointing to, only to see Regulus Black, being dragged out of the Great Hall by a grinning Sirius Black, a laughing James Potter, an annoyed Remus Lupin, and Peter Pettigrew stumbling after them.
Y/n knitted her brows together, “What in Merlin's name are they doing?”
“They're going to give him the protective brother's speech.” Lily chimed in, sitting beside Y/n, making her jump. “Bloody hell, Lily! You gave me a fright!” 
Lily grinned, “Jumpy, are we?” 
Y/n rolled her eyes at the redhead, “I hate you.”
Lily chuckled, “You love me.” 
“So, a big brother's speech, huh?” Mary laughed, “Aren't they protective?”
“Oh please, Sirius probably just wants an excuse to bother his brother.” Y/n shrugged. She wouldn't put it past her brother and Sirius, knowing that they were absolutely protective when it comes to her, their 'baby sister'. Y/n sighed, eyeing her friends, “You want me to follow them, don't you?”
Marlene and Mary nodded enthusiastically. Y/n groaned, “Really?” 
“Yes, really!” Marlene grinned, “And you need to tell us everything!” 
“Yeah, we need all the details!” Mary insisted. 
Y/n groaned again, lightly hitting her head on the table. “Bloody gossiping shits.” Y/n murmured. 
“What was that, Y/n/n? Speak up, love.” Marlene teased. 
Y/n lifted her head up, glaring at Marlene, and gripping the fork in her hand. “I am this close to stabbing you with this fork.” 
“Just go! Go and eavesdrop on them!” Mary pushed, “Come on, don't you want to hear what your brother and Sirius have to say? Don't you want to hear what Regulus has to say?”
“Ugh, fine!” Y/n huffed, giving into her friends' pushing. She glanced at Lily, who just shrugged, “I mean, it would be interesting.” 
Y/n sighed, “You three better save me some chocolate muffins for later.” She grabbed her bag, slinging it over her shoulder before standing up and taking one last glance at her friends. “And, you three owe me a butterbeer and some sugar quills on the next Hogsmeade trip.” 
“Fine, fine, now go!” Marlene grinned, jerking her head towards the door. Y/nbrolled her eyes and shook her head, before walking away from the Gryffindor table, making her way out of the Great Hall. 
“Don't forget your patrols with Black in the seventh floor corridor from eight to midnight!” Lily yelled after her. Y/n glanced back, and stuck her tongue out at Lily. She then walked out of the bustling hall and went to find the Marauders. 
It didn't take long for Y/n to find her brother and the rest of the boys. She could hear whimpering and Sirius' voice loud and clear in a nearby alcove. Y/n walked closer, casting a disillusionment charm over herself. Y/n peered over, and saw Sirius pinning his brother into the wall behind him. 
“-if you as much as hurt a hair on her head, I will hunt you down and throw you off of the astronomy tower, Reggie.” Sirius threatened in a low voice, which is a known trait in the Black family. They could be intimidating when they wanted to, and Sirius wasn't an exception to that. His grey eyes were dark and it was clear what his intentions were. Y/n's eyes then darted to Regulus, his face was calm—as if unfazed of what his brother told him. Though, there was a hint of fear in his eyes. 
“I w-won't h-hurt her, I won't. I p-promise.” Regulus whimpered, his eyes meeting with his brother's as he struggled in his grip. 
“Just know, if you hurt my sister, I will be known from then on as James Potter, the one who killed Regulus Black, the heir to the Noble and Most Ancient House of Black.” James spat, his hazel eyes flashing. At the sight of hazel eyes flashing at him, Regulus was reminded of another pair of hazel eyes—who was often too angry with him too. 
“I-I won't hurt her, I-I won't hurt Y/n.” 
James' eyes softened for a bit. “You can let him go now, Padfoot.” 
Regulus let out a breath of relief as soon as he felt his brother's hands were off of him. His eyes trailed up, meeting the eyes of Remus Lupin. “I know you know what I am,” He started, “If I see that girl hurt at your expense, I'll have your brother tie you up on a full moon.” Remus ended in a low voice, and Regulus could've sworn his eyes turned gold for a split second. Regulus felt his eyes boring into his soul, as if Remus could see his deepest darkest secrets. He stood up taller, composing his thoughts, before meeting James, Sirius, and Remus eye to eye. “Y-you h-have my w-word. I will n-never hurt Y/N Potter.”
Though he hates the girl, Regulus does not want to hurt Y/n. For the past five years that they had each other's wands in their throats, Regulus never hexed her. He would send jinxes her way, but never hexes. He was more of the victim of her hexes—the bat bogey hex and stinging hexes were her specialties—and he had scars to prove it. Y/n Potter was a powerful witch, and there was no doubt about that. But even without a wand, she can hurt him. At the memory, Regulus tasted blood in his mouth, though there wasn't. “That girl can hurt me before I can even grab my wand.” Regulus mumbled softly, nearly a whisper. 
Remus, having heard him with his enhanced senses, “Oh, we know. But Y/n, she has her moments, and in those moments you could strike her, and we don't want that.” 
Regulus rolled his eyes, “Alright, fine. I won't do anything to your little witch.” 
“You better.” James reminded, “If my sister-”
“I said I won't, Merlin, Potter! How many times am I going to say it?” Regulus snapped, his temper overtaking him. 
“Just making it clear.” 
Regulus rolled his eyes, “It's crystal clear.”
Y/n chuckled softly. Seeing Regulus Black getting annoyed at her brother while he couldn't do anything because of Sirius was the first time Y/n has seen him not get what he wanted. She took off her disillusionment charm, and silently crept behind her brother.
Y/n cleared her throat loudly. “What are you guys doing?” 
“Mother of Merlin!” Sirius shrieked, jumping into James' arms. Y/n burst out laughing, clutching her stomach. “Scaredy cat!” 
Regulus fought hard not to crack a smile, the sight of Y/n Potter laughing, wasn't a sight he gets to see everyday. The way her hair falls over her shoulders, the way her eyes sparkle in the moonlight, the way her laugh sounded like angels singing. 
What? Moonlight? Angels? What the bloody fuck is wrong with you, Regulus!? 
“Oi, Black!” The sound of Y/n's voice snapped him out of his trance. “Huh? What?” 
Y/n rolled her eyes, “Are you deaf? I said we have patrols in the seventh floor corridor from eight until midnight.”
Regulus glanced at James, who was mouthing: I got my eyes on you, Regulus. Don't do anything stupid. Regulus silently cursed him, before turning back to the girl in front of him. “Alright. I'll meet you there in an hour.”
Y/n gave him a curt nod, before turning her back and walking to her brother. She linked arms with James, and the four walked away. Before they got out of sight, Y/n shot a glance back at Regulus and stuck her tongue out. 
Regulus chuckled softly, shaking his head, before turning away, a small smile gracing his lips.  
@helens3amstuff @gatoenlaciudad @thebetawolfgirl @lovemelikecrazyiloveyoucrazy @tchalamss @lilmaymayy @ashlynnmalfoy @crazycat-ladys-blog @michakune @mxltifxnd0m @spencerr3idd @dangelnleif @sthkate @ferrjulie @imnotoverlyobsessive
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the-modern-typewriter · 8 months
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Hello! Would you be able to do a hero x villain scene where the villain catches the hero doing something he's not supposed to and the villain uses that to blackmail the hero? I love your snippets, i could literally read them all day like a book lol
"Tsk. Tsk. What have we here?"
The hero froze. They ran through a million different versions of how screwed they were. Then, they swore quietly, and turned. "Is there any small chance that you're not going to make a big deal out of this?"
"You graffitiing the side of parliament? On-" The villain's gaze raked over the colours, the style, clearly matching it to the other acts of vandalism that had been making the news of late, "-multiple occasions." Their eyes it up. "Oh, they'll have your head, hero."
The hero's stomach sank. It wasn't even an exaggeration. "So no biggie. Right? You love a bit of chaos?"
The villain smiled. It was not a comforting smile.
The villain might appreciate chaos, but not so much as power.
The hero folded their arms across their hoodie, like that would somehow cover the bloody scrawl of 'inaction in the face of evil is evil, you bastards' behind them. It was complete with a rendition of the head minister's face with a moustache and devil horns and a list of the dead.
"Why are you even here?" they snapped.
"Consulting with him of the devil horns."
"Of course you bloody are."
The villain shrugged. "This administration is evil, as you say. It's very convenient. They're oh so eager to get me on board, yada yada."
"You in government?"
"Mm. It's horrifying, isn't it?"
Horrifying seemed like too mild a word. The villain was already powerful, with legal and official backing - however unjust - they would be unstoppable. Never mind that...
They were probably using the villain. Or, at least, trying to. The idiots didn't realise that the villain was a different sort of beast entirely; difficult to tame, malice not contained to cabinets and board rooms and cruel detachment. Or, maybe, they knew but were simply too greedy for what the villain could give them.
There was no way it would end well either way.
And now...
The villain's smile broadened, at the hero's expression.
"Relax, hero," the villain said. "I won't tell anyone."
"...you won't?"
"Not if you do a little something for me."
The hero stared at the villain, flat.
"Oh, come now," the villain purred. "I'm being nice."
"By blackmailing me?"
"By giving you a chance to avoid being executed on the front steps. By not instantly taking away the last hope that all these poor..." The villain swept forward, "downtrodden," they captured the hero's chin, "peasants have."
Their eyes met. The hero swallowed.
It didn't need saying that the villain could. Which meant that whatever they were after must be awful, for them to give up the chance of their ultimate victory, of the chance to get rid of the hero forever.
"What do you want me to do?"
"I have no doubt you're aware of the dance tomorrow."
"The one that costs an obscene amount of money that could be used on public infrastructure or the welfare of people who live here."
"That's the one," the villain cooed. "Come with me."
"Excuse me?"
"Come with me to the dance."
"As your accomplice to what?" The hero's eyes narrowed. "You're not going to kill them all, are you?"
"As my date."
The villain dropped their chin.
There was a long pause. The villain was implacable. The hero was having some sort of internal seizure. Emotional whiplash. Possibly an existential crisis.
"...you're blackmailing me to be your date."
"Astute observation."
"I notice you didn't say you weren't going to kill them all."
"I notice you didn't say no."
"Well," the hero huffed, face hot. "I don't have much of a choice, do I?"
"I was half-expecting an 'I'd rather die', I'll admit."
"I mean, it was a close shout. It is..." They looked the villain up and down, then quickly looked away from the disgustingly perfect body. "You."
The villain smiled again. Wild. Savage. No politician's curve of the lips.
The hero wet their dry lips, resisting the urge to clear their throat. "And if I do this...you won't tell anyone about..." They waved a hand at the wall. "I have your word?"
For what is was worth, and the hero had never expected it to be worth quite so much, the villain always kept their word. Unlike some people.
"You have my word."
The hero felt dizzy as the adrenaline in them bottomed out. Shaky. They realised abruptly how clammy their hands were around the cans.
It still seemed too easy. The villain could have finished them. It was a stupid, ridiculous thing to be murdered for...but exactly the kind of thing the current administration didn't tolerate. That along with free speech, empathy and the other hallmarks of a caring society.
The villain turned to look at the vandalism, attention roaming over the names, the words. It was impossible to tell what they were thinking.
"Go on then," the villain murmured. "Finish up."
"You're going to watch?"
The villain didn't deign that with a response. The hero tried - and failed - not to feel self conscious as they got back to work. They'd, for obvious reasons, never had an audience before.
After what it had cost, though, they couldn't leave the job half done.
They felt the villain's eyes on them the whole time, intent and electric. It made the hero feel like they were stripping.
By the time they were done, the hero's hand was shaking.
"Very good." They felt the villain's chest pressed against their back, their breath against the hero's ear. "Remember to wear something pretty for me."
Then, they were gone.
The hero had to get out of there.
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kinnbig · 2 months
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✨ Simple Gif Colouring for Beginners ✨
I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.
when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!
a couple of things to begin with:
I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!
I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.
as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).
I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.
this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.
okay, full walkthrough beneath the cut!
contents:
1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!
1. intro
the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.
if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!
* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)
✨ natural gif colouring goals
part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!
in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:
brighten dark scenes
remove muddy, yellowish lighting or filters
saturate colours
correct any skin lightening filters or overexposure
make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos
this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!
✨ very very basic colour theory
[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]
the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).
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so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.
in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.
it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.
looking at the colour balance sliders on photoshop can make it easier to visualise:
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so making a gif more red also means making it less cyan.
removing green from a gif means adding magenta.
taking yellow out of a gif will make it more blue.
tl;dr:
neutralise yellows by adding blue (and vice versa)
neutralise reds by adding cyan (and vice versa)
neutralise green by adding magenta (and vice versa)
2. super simple colouring (the essentials)
starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)
some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.
I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.
so here is my base gif!
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it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.
colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:
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there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.
I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.
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✨ curves layer
the first thing I always do is a curves layer. when you first open one it will look like this:
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first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.
if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.
the next step is selecting the white and black points with the little eyedropper tools.
the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.
here's what that did to the gif:
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then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.
here's what the gif looks like after picking the white and black points:
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this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.
and this is what the curves graph looks like now:
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you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.
next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.
‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.
✨ selective colour (and skin tone correction)
skin tones are made up of a mixture of yellow and red.
removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.
adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.
selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.
I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.
in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.
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the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.
here's the result. Kim's skin is a lot less pink toned and much more natural looking:
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✨ hue/saturation
this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.
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I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.
clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.
I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)
then I increased the 'master' saturation of all the colours to +5:
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I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.
‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.
done!
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✨ saving and reusing colouring
you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.
each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.
I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.
✨ another one! (speedrun!)
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HI KEN!
the white point for the curves layer was in the window behind them.
the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.
3. other adjustment layers
imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.
✨ brightness/contrast
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pretty self explanatory!
I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 
the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.
✨ levels
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levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.
use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.
levels is a good place to start if your curves layer isn't working.
(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)
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on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!
✨ vibrance
vibrance... makes the colours more vibrant. it's more subtle than saturation.
it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.
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vibrance is much more subtle!
✨ colour balance
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colour balance affects the overall balance of colours within a gif.
it's good for scenes with heavy tints.
I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.
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✨ channel mixer
I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.
basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.
kind of the reverse of selective colour?
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so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.
this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)
(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)
4. troubleshooting
‼️curves
usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(
for example, with this base gif:
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using many of the brightest points as a white point turn it wacky colours, like this:
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yikes :(
some options for these cases:
try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.
try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.
skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.
‼️over/undersaturation
if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.
oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.
5. fin!
and done! I hope this was coherent helpful to somebody.
if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.
happy gifmaking 🥰
✨ some links!
photoshop basics by @selenapastel
gifmaking for beginners by @hayaosmiyazaki
gifmaking guide for beginners by @saw-x
dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)
beginner's guide to channel mixer by @aubrey-plaza
how to fix orange-washed characters by aubrey-plaza
colour correcting and fixing dark scenes by @kylos
does resampling matter? by usergif
how to put multiple gifs on one canvas by @fictionalheroine
watermarking using actions by @wonwooridul
resource directory by @usergif
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just-a-sewer-goblin · 3 months
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Not A Hero Just A Good Man
Simon Riley x Reader (probably ooc) Simon's home from deployment and he needs his spouse Fluff and very slight hurt/comfort Should be gn!reader, if I messed up anywhere please tell me There is mentions of a girly bodywash that is owned by the reader but... anyone can own those
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"I need you to understand that I'm not the nice one out there, luv. I'm not the good cop. I'm not the hero."
You're sitting next to Simon on your shared bed, he's still in his gear, but his mask is in his hands and he's absent mindedly grabbing and rubbing at it.
"Luv, if you knew only half the stuff I've done. The absolute horrendous things I've done to people. And I'd do them again. And I will do them again."
He's growing distressed. His brows are drawn together and his rubbing over the skull part becomes harsh. He'll hurt himself at this rate.
So you get up and kneel down before him, force yourself into his view. Your hands oh so gently take the mask from his and the care with which you put it onto his nightstand chokes Simon up.
You slip your hands into his. He's still wearing his gloves, there's blood all over them.
As he looks down and sees your delicate, perfect hands in his blodied hold, the tears start gathering. He's trying to pull his hands away but you grip him harder. His glistening eyes find yours.
"I didn't marry a hero, Simon. I didn't marry someone who has a nice job or lives in a nice reality."
He's looking to the side trying to avoid your gaze. His hands are still limp in yours, refusing to hold onto you when there's still the gore of his actions clinging to his clothes and his skin.
You're gently easing the gloves off his hands and let them fall to the floor. His knuckles are bloody and split, even under the protective layer.
He swears he lets loose a sob when you bend down to press two soft kisses to the palms of his hands. He's ripping his hands away from you, cradling them to his chest.
"No.", your harsh tone makes his gaze snap back to yours again and when you grab his hands again he reluctantly lets you have them.
"Don't you dare look away from me, Simon Riley." You can see how hard he has to fight to obey your words. You can see his panting breaths get harsher and your grip is so soft, that if he truly didn't want to have you touching him, he could pull away. As if you could ever hold him against his will.
You take one of his hands and press it against your chest, deliberately drawing in deep and steady breaths and waiting until he is following your example.
"I didn't marry a hero, Simon. I married a good man."
You can audibly hear him gulp.
"I married a good man, who is willing to do the ugly work. I married a good man, who gets his hands dirty so the world is just a tiny bit cleaner."
His entire focus is on you as he hangs on to every word you say.
"I married a good man, who does horrible things. But those things need to be done. I'd rather have a good man, like my husband, do them, than someone who doesn't care at all. Someone who finds joy in them. I married a good man. And when you come home, blodied and bruised I will still love you. And when you come home after you did the worst imaginable things, things I don't even know possible, I'll still love you. And when you do horrendous things again, I will still love you. I love you."
He's looking at you and the tears catch in his eyelashes like soft morning dew on the most intricate petals. You have never seen a man more beautiful than your Simon. You have never seen anything more beautiful than the man, he allows you to see through the cracks in his walls.
"Love...", he breathes. And it's reverent, a prayer. As if you are the deity that holds his absolution. As if your words alone can save him from the damnation he suffers.
His hands slowly reach up, cup your cheeks. He's about to pull back when he sees the blood on his hands next to your unblemished face but your hands cover his and you nuzzle into the hold of a killer.
His body bows foreward, into your warmth and his chapped lips fit against yours. As soon as your lips touch he whimpers and your hands find their way to his cheek and neck, holding him close.
You only pull back enough to touch your forehead to his, both of you keeping your eyes closed.
"My Simon.", you whisper into his skin and his arms wrap around you as he lets his head fall to your shoulder, buries his face in your neck and starts shaking.
You grab onto him just as tightly. It's uncomfortable the way you're on your knees half risen to meet him in the middle but you don't care when you start humming and gently swaying.
You don't know if he's crying, probably not, but he's still shaking so you tighten your hold and whisper your love for him into the quiet of your bedroom.
When his breaths start to get quick and shallow again you force him back, cup his face and demand "Simon, look at me."
He does, his gaze is unfocused, and he's panting way too fast, but he's trying to focus on you. He's not too far gone so you check in first "Touch?" He nods in a jerky movement.
Your hands go to his again and you hold both of them to your chest with one, the other one finds his neck and puts gentle pressure there.
"Match my breaths, darling.", you instruct. He obeys.
Today is a good day, as you are able to bring him back from the brink for a second time. Slowly his eyes blink back into awareness and your gentle smile cracks open his ribcage and sets his bleeding heart free.
"There he is. Hi."
"Hi, luv." His voice is horribly rough a splintering sound like old rotten wood breaking apart but he doesn't miss the way your hand on his neck squeezes affectionately.
"Let me give you a shower?" He nods, too tired afer two almost panic attacks to answer. You stand up and offer him a hand which he takes and allows you to pretend to pull him up.
You don't let go of his hand as you pull him into the bathroom, maneuvering him so he can lean back against the sink. You know that he's tired, but you also know that the last thing he needs to see right now is himself, still covered in blood, and you taking care of that mess for him. So you don't give him the opportunity to gaze at the reflection of what's going on in the mirror over the sink.
Once you've eased every piece of armor and clothing off of him, you usher him into the shower, under the warm spray of water before following him.
Once your both under the water, your wrap your arms around him and just hold him. When he sighs you can feel the way his lungs fill up to their limit.
It's a long time before you take the bottle of shampoo into your hands and put some of it in your hands.
"Bend down for me?", you murmur.
Simon gets on his knees before you instead, buries his face in your tummy and relaxes as your hands begin to massage the shampoo into his scalp.
You're careful while rinsing it out and he presses a soft kiss to your tummy before standing up. A thank you and a offering at the altar of the only deity he'll ever worship. Then he's standing again, his hands on your hips, while you begin to lather his body in your own body wash.
You can feel him relax and it doesn't take long before he gives you the gift of his voice, even if it is so say: "Damnit darlin', making me smell like a princess?"
He's grumbling affectionately and you grin. There he is. It's always a good sign when he starts being a grump about stuff he secretly loves. It's always a good sign when he starts with his horrible dry humour.
"No one says that big dangerous men can't be princesses.", you quip back and see the way the corner of his mouth lifts up.
"I'm too manly to smell like...", he squints at the bottle. "Rainbow sunshine." He snorts. "Sounds like something that would come out of a unicorn's ass."
You laugh and slap his chest. "You are the worst, Si. Guess you gotta suck it up and smell like unicorn ass."
"The shit I go through for you.", he grouses and you can hear the grin in his voice.
When you've rinsed him off again he puts his arms around you again and pulls you into him, resting his head on yours.
"Thank you, luv."
"Always, baby."
...
"Now get your unicorn ass out of this shower so I can dry you off and cuddle with you."
He laughs roughly and slaps your backside. "The only one with a magical ass here, is you, luv."
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larkingame · 20 days
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hello all! been a moment since we last discussed some things, so I'm coming online to discuss the progress of Larkin's development and make a few announcements :)
over the last ten months, larkin has gone through a lot of changes, some of which I've documented here--but most of it I've kept pretty private. I realized that over the few short years I've been developing the game, I sort of grew an unhealthy dependence on my presence within the 'interactive fiction' community that I really, really needed to take a step back from and break, all in order to ensure that I could enjoy working on what originally started out as a passion project for me.
since july of last year, I've completely reshaped and rewritten how larkin exists as a project, shifted it's genre and started collaborating with a few others to ensure it can be of the highest quality it can possibly be. uptop, i'd like to mention @tapeworrmart who's taken on the immense task of putting together most of the game art for me, @khiita and @ann1a-1 who have both taken on the roles of my editors (and also sounding boards for when I am being absolutely insane) and my production manager phillip, who without his assistance, larkin would barely exist. with that, let's do a progress report. the intended demo of larkin, or what i've taken to calling 'episode one' (yes, i said, 'episode,' more on that in a minute) has stretched to just over 200k words worth of content. it stretches all the way from the earliest versions of larkin's original prologue, to the end of the original chapter two. so far, we've completed 3 out of the intended 20 character portraits, as well as some more art that's slowly been in development.
now, on to the announcements. probably the biggest, and the one I am most ashamed of is--due to the fact that I've been slammed with graduate school work and some other external factors, Larkin as it currently exists is not the best that I think it can be. I'm deeply sorry for this, but I want to ensure that you all are getting the highest quality game you could get from me--and right now, I know it's just not that. Which is why I am unfortunately, pushing the release of the demo back until Friday, June 14th, 2024. Patrons will be granted access to the most recent edit of the demo two weeks earlier on Friday, May 31st 2024. In the meantime, I will be working day and night (quite literally) to get what I'm dropping on you up to par and something that I'm happy with.
To make up for this disappointment, I'm planning on repopulating the blog with a lot of content over the coming months, rewriting new versions of old asks, posting art and short stories.
Next on the agenda and also an equally important announcement. I'm changing the rating of Larkin to Mature or 18+ As I've been writing these past few months, working through a lot of themes and figuring out the story I want to tell, I've found that I think the change in rating is entirely necessary. While I don't think I've ever had that big of a minor fanbase--I think that this is just what I am most comfortable doing. There has consistently grown a little bit more of gore, and trauma exploration, which is the main reason for this change in rating, but, this does allow for the inclusion of something that I've been toying with since the intial release of the game. There is going to be explicit sex scenes in this new version of Larkin--all of which, you the player are able to opt out of, or completely avoid if that's something you want--but I just thought a little announcement would be warranted. This does not mean however, I am comfortable with answering thoroughly explicit asks or getting unsolicited sexual messages. The goal is to keep this game blog mainly tame.
Please respect this boundary of mine.
Third thing to be announced. I've also changed the format in which Larkin will be released. Rather than around the twenty-five chapters in one of a series of 'Books'/'Games', Larkin will be released episodically over four 'seasons' with eight-ten episodes of around 200k-250k words each (though, this is just an early estimate--they could grow longer, as I'm basing this purely off the demo/Episode One)
Finally and a little bit of a fun note: there are now twelve romance options throughout larkin, five male, three female, one non-binary and three gender-selectable. With those upcoming asks, you'll hear more about each in the coming days :)
With all that being said, I wanted to lastly thank all of you for supporting me over the years and putting faith and your interest in this project. truly, the support of all of you means the world to me and I can't wait to share more of larkin with you all.
thank you 💖
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WIBTA if I start giving some very *very* Christian family members religious pamphlets from non-Christian religions as gifts?
To be clear, I am writing this while firmly believing I'm NTA but I am angry and don't trust my own judgment too much right now.
Background and Players: My Son (19) was adopted out as a baby by his incubator behind (my husband, 40) his father's back. He was abandoned at 4 by his adopted family because of behavioral issues related to what his incubator was putting into her body while she was pregnant with him, and went into foster care with people I will call Amom and Adad. Adad is a pastor in his 90s and Amom is a pastor's wife in her 80s. When Son was 13 and I had been with Husband for 5ish years, we had been told (by someone from his incubator's family but we didn't know that at the time) he was non-verbal and "mentally an infant" and that trying to pull him out of the routine he had would just be incredibly harmful to him, so we had given up hope of finding him and having a relationship with him. We got a phone call one day, a worker who was looking for a medical history for Son. Husband spent close to 3 hours on the phone with her, answering questions and asking anything he could squeeze in. Turns out, we had been lied to about his mental health just... completely. He's impossible to shut up and he graduated high school last year despite, you know, *gestures vaguely at everything* and I am incredibly proud of him. Half an hour after that call ended, she called back and told us Son might be interested in meeting us, was it okay for her to pass on our contact info. A month later, Son, Amom, Adad, Husband and I were sitting in a restaurant together and a month after that we went to their place for a week to spend Christmas with them. This is when they informed us that they had finalized his legal adoption a couple of weeks earlier. 2 years after that, my QPP moved in with us, and another year later 16 year old Son asked if he could move in with us. He still does.
The Issue: Son wants a continuing relationship with Amom and Adad, but due to the previously mentioned substances used by his incubator, he has memory and time management issues so I have to regularly remind him to contact them. I have no problem doing this, but the contact we have had with them over the last few years has soured me on their company. I've got no problem reminding Son to contact them and organizing rides for him to visit (usually QPP and I driving him, the trip is a couple of hours each way) but I'd rather never speak to them myself if it can be avoided. It didn't start out this way, but over the years they have made it very clear that they don't respect anyone else's beliefs. Not just us, like there was one night where they were going off about some Danish surgeon saying publicly that he was Muslim first, Danish second, and they were trying to convince us to be terrified by that. The conversation ended awkwardly when Husband asked if Adad was Nationality or Christian first (because that's different you see). We have found books on the bookshelves in the guest room about how any kind of queerness at all is demonic possession, one of which they wrote. They talk about things like being sent on a mission by their god to save as many (and I hate that these are quotes) "brown heathen children" by making them Christians as possible (Son and his adopted siblings are all First Nations, Amom and Adad are as white as I am), or how Jewish people are evil for stopping Christians from claiming their suffering because "Jesus was a Jew so aren't all Christians also Jews?". Amom once spent a week trying to convince me to go to church with her and share the details of my childhood sexual abuse with the entire congregation because "it will show God you are ready to be forgiven". QPP is a shintoist and after they found that out, we started seeing more literature about the Japanese, specifically during WWII, around their house when we visited.
We have politely made it clear that we are not interested in Christianity, especially not their version. Multiple times. We thought it was finally over after Son had a meltdown at them at his graduation ceremony because he wanted JUST ONE conversation with them that wasn't about Jesus. He was in tears trying to explain that to them, and their response was to tell him he needed to come back to church so they could lay on hands and chase all the demons making him say these horrible disrespectful things to them out of him. He was supposed to stay with them for a few days to visit after that, but by the time I tracked him down and got him calm, he didn't want to go anymore. They seemed to stop after that, like they actually backed off and I think I got maybe 2 emails that didn't mention God or Jesus, not even a "God bless" in the sign off. We were optimistic. Son was late organizing it but we dropped him off (at his request, he's worried that Adad won't make it to next Christmas and wanted to see him) at their place on Boxing Day. We did not hang around, we did not send gifts, we didn't even reply to the Family Christmas Email (it had a video of a Jordan B Peterson rant embedded in it and I've told them before that we are not interested in anything that sack of hateful arrogance has to say please stop putting him in my inbox). We have done everything we can to make it clear that we do not want a relationship with them for ourselves, including outright directly telling them politely to their faces that we will not stop Son from seeing them but we don't feel comfortable around them and don't want a relationship with them for ourselves. Son came back with "gifts" from them - a study guide for a specific Bible book (I got John, Husband got Michael, QPP set his on fire before we saw who it was) and a bag of candy that looked like it came out of a thrift store (I got the same one they always get me, which I laughed off the first and second and third time and explained I couldn't stand them because my abuser used to give me one when he was done. Husband is diabetic and got York Patties. QPP actually got something decent though, $20 for gas).
I have managed to keep my "I'd rather you hadn't bothered actually" rantingvto Tumblr, which i don't think they even know exists, but I'm still pissed about the Bible crap as "gifts". I am considering changing tactics completely and being super friendly, mirroring their energy, and giving them the same treatment they've given us. I want to make excuses to visit so I can explain the finer points of shintoism and Celtic paganism in every single conversation. I want to give them books for gifts, books like The Tao of Pooh and The Gospel of The Flying Spaghetti Monster. I want to wrap cash in pamphlets about The Invisible Pink Unicorn and leave it on their fridge.
QPP and husband think I should give myself more time to calm down and just keep ignoring it and playing nice when I'm forced to play at all but like, IT'S BEEN 6 YEARS.
What are these acronyms?
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Could you maybe possibly do a Bucky X single mum reader? Maybe he doesn't know she's a mum thinks she's ghosting him and then bumps into her and said child or something maybe some angst smut fluff the whole shebang
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Bucky was officially done with dating.
He had felt this quite a few times but never had he decided to put an end to dating in the modern day until now. Things had been going great, he didn't even think she would've accepted to go on a date with him yet she did and after that, there wasn't a single moment where he wasn't thinking of her or with her. She was sweet, smart and didn't seem to mind about his past as the Winter Soldier or the metal arm that was blatantly visible to anyone if he took his gloves off. He was finally happy, in a healthy relationship, or at least he thought so.
A week ago things had gone radio silent, there were no texts, he didn't see her at her usual coffee spot and whenever he tried calling, it would go to voice mail time and time again. It had finally hit him that she had just "ghosted" him as Sam called it. Maybe he was right, yet not in the common sense, instead he felt haunted. Haunted by her touch, by her memory and even by the stupid cookies she used to buy. The same stupid cookies he was staring at right now.
      - Can I get these? - a toddler jumped up and down next to him. It was a girl, at least Bucky thought it was a girl based on the high pitched voice. He only looked at the toddler when she pulled on the leg of his trouser, finally forcing him to look at her. - Sir, please can you pass me the cookies?
He shrugged, easily grabbing the box and handing it to the girl who went off running to the legs of a woman, a woman who looked too familiar, a woman who looked almost terrified when she saw Bucky. Honestly, Bucky wasn't even sure who was more terrified if her or him.
      - Bucky. - she said as she walked up to him. - Listen, I ...
      - That's fine. - he interrupted her. - You don't have to say hi to me.
      - No, I just ... I need to explain things.
      - I'd rather avoid the whole "it's not you, it's me" discussion. You know, you could've at least sent me a text instead of ghosting me.
      - Ghosting? No, no, you don't understand. I've been busy and ...
      - For a whole week? Clearly you're not busy enough to be perusing the supermarket.
      - Perusing? I'm just getting groceries, I forgot I couldn't if I didn't text you.
      - Oh so you do know how to text. - Bucky knew he was being mean now but he was hurt. There were may voices in his head which were making him feel like a loser, make him feel like just the Winter Soldier yet he also knew that was no reason to insult her so before he could say something he would regret, he walked away.
Technically, he had now ghosted her as well but she'd done it first so it wasn't as heavy in his mind. At least not as heavy as the idea that the girl he liked so much had suddenly stopped wanting to see him. Many things were going through his mind about what could've caused it, he didn't see another man with her at the store so it potentially wasn't one so his mind was forcing him to face the fact that he was probably the reason. Who would want to date a murderer, the Winter Soldier? No one.
      - Did you bring my milk? - Steve asked as he skimmed through the groceries. - Bucky?
      - I saw Y/N in the shop. - he sat down. - And I was a dick to her. Basically ran off with whatever I had in my cart.
      - Hold on. - Steve said as he sat next to him. - You saw her? What did you say?
      - Stupid shit.
Steve rolled his eyes. Bucky was his best friend, they had known each other since forever and he wasn't against taking his friend's side even if he knew he may be slightly wrong. Yet, in this case, he knew Bucky probably was acting out from hurt and that usually wasn't pretty or nice to hear. It was quite vicious actually, sometimes he forgot how vicious Bucky could be.
      - I don't know what you said but maybe you should apologise.
      - Probably. - he sighed. - Yet again I think she was getting ready to give me a pity speech and I'd rather not listen to it.
      - Do you like this girl? - Bucky stayed silent at this. Of course he liked her, she was all he could think about at night, she was the sun the moon and the stairs for all he cared. But she didn't want him, what else would be the reason for her to suddenly go cold on him. - You've lived for a whole century, Buck. Go talk to her and find out what it is instead of sulking.
(...)
Bucky already regretted this.
As he stood outside her apartment door, he wondered if he was a complete creep. He felt like one, waiting for someone to open the main door so he could get into the building with the sad flowers he'd bought hoping they would convince Y/N not to close the door in his face. Once more, he stared at the golden number on her door before sighing and knocking. He heard quick footsteps before the door knob was slowly twisted and the door opened. The same toddler who he had seen in the market opened the door.
      - Hi! - she said looking at him as if he was her oldest friend.
      - Uh ... Is Y/N here?
      - Meredith, who are you talking you? - he heard Y/N's voice echo through the apartment until she appeared at the door. - Bucky.
      - Hi. - he cleared his throat.
      - Mere, go inside. - Y/N ushered her daughter back inside, closing the door behind her.
Bucky stared at Y/N in both awe and confusion. Who was that toddler? Was it hers? She did look a look like Y/N and he had seen both of them at the supermarket as well. Did Y/N have a kid?
      - She's mine. - Y/N said noticing the doubt on his face. - I had her senior year of college. She's 4.
      - Why ... uh ....
      - She's 4, she doesn't really understand relationships and I don't want to bring anyone into her life that may leave. I also usually struggle to date when I tell guys I have a 4 year old ... I should've told you, I'm sorry.
      - And the ghosting?
      - I wasn't ghosting. - she crossed her arms. - Mere had the chicken pox and I had to stay home with her. I was gonna text you but I thought this ... this would be a better conversation to have in person.
      - Ah ... - he scratched the back of his neck. - I was an asshole at the supermarket, wasn't I?
      - That depends ... are those flowers for me? - she smirked.
      - Yes. - he extended his arm towards her handing her the flowers. Marigolds, her favourite. - They look a bit sad though.
      - They look perfect. - she smiled at him. - Wanna come in?
(...)
Bucky stirred awake in the couch as he heard a soft rustling following by breathing. He peaked his eye open to see Meredith staring at him with wide eyes before she poked his cheek with her finger.
      - Mr. Bucky? Can you make me pancakes?
He could get used to this.
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pathetichimbos · 7 months
Text
First Meeting - Part Two
((part one here))
((part three here))
Thomas Hewitt/GN!Reader
taglist: @goodiesinthecloset21
---
You've run away from home, hitchhiking around Texas as you come up with your next plan, only to find that life has plans of its own when a simple ride with a group of friends lands you at a lone gas station in Travis County, drawn to a mysterious man most seem to avoid.
---
You let out a sigh as you exit the store, a bounce to your walk as you head in the opposite direction you came from, moving rather quickly in order to cover as much ground as possible before the dark of the night hits.
It doesn't take long before a large, familiar figure comes into view ahead, his pace much slower than your own.
Realizing your only options are to either ignore him and pass him, or slow down and accidentally look like a creep following him, you sigh and jog ahead, slowing down to match his pace as you catch up.
"Funny seeing you again," You catch him off guard, making him jump a little as he looks at you in surprise, "...Sorry. Didn't mean to scare you, I just saw we were headin' the same way and I thought I'd just say hi."
He sighs, seeming to relax a bit after your mini jump scare.
"So..." You start, realizing he wasn't going to reply, "...You live out this way?"
He nods.
"Seems quiet."
Another nod.
"Kind of like you." You give another smile, shrugging, "I was always told I could talk the ear off of a dead man."
He lets out a small, humored chuckle, and you feel yourself relax a little.
Conversation begins to flow easier as the two of you walk along, with you talking about the people you'd met and the places you'd seen in the last month and a half. The more you talk, the easier it becomes to see the good in your adventure, the ache of your empty stomach and sore muscles fading into the background as you retell your stories.
“Can't say I'd be able to find it again, but man, it was a really beautiful place. I'd love to go there again.”
Thomas nods, a genuine smile on his face from hearing the way you described the lake you had found last week.
You can feel the long grass reaching its way under your jeans, scratching at your ankles as the two of you walk side by side down a narrow dirt path you had absent-mindedly followed him down.
“Maybe I will go back...” You hum a little, hands resting in your back pockets, “Can't be that hard to find, right?”
He lets out a low hum of agreement as the two of you break the clearing in the trees and a large white house slowly comes into view.
“Whoa...” You mutter as the two of you reach the porch, “You live here?”
He nods.
“Wow…” You gaze at the house. It was old, sure, the white paint peeling off, the windows dusty and missing a couple of panels, but it was huge, and absolutely gorgeous.
The worn porch swing creaks as a summer breeze slowly pushes it, and you can distinguish the faint sound of animals echoing from the barn that sat a bit further back from the house.
You look at the overgrown property and sigh before smiling at Thomas, almost sadly as you realize it was time to leave.
“Well, I guess I should–” Your words are cut off by a deep, growling sound.
The Texas sun was no match for the heat in your face as you realized the noise was coming from your stomach.
Thomas tilts his head and you quickly look away, biting the inside of your cheek.
“I, uh–” Southern pride keeps your mouth shut as you stumble over your words, eyes boring holes in the dirt as you try to think of an excuse.
You're pulled from your own embarrassment as a strong hand grabs your arm, pulling you up the old wooden stairs and into the house.
It was just as big on the inside, greeting you with a large hallway that stretched to the other end of the house. To your immediate right was an opening to the spacious living room, and a little further down was a staircase leading to the second story.
You, however, were directed to the left, to a small table sitting in a rather big kitchen- though it didn't seem quite as big as the living room sitting across the hall.
“N-no, it’s no problem-!” You try to protest, but he doesn't hear a word of it as his firm grip gently nudges you into a chair.
You sit there, now quietly flustered as Thomas looks through the fridge.
“Tommy what the hell are you doing!?” A new voice suddenly came from beyond the kitchen, and the owner followed in.
It was an older man, wheelchair bound and missing the bottom half of his legs. He looks to Thomas, and then to you, a look of confusion and annoyance on his face as he does so.
“Who the hell is this?”
“I, uh, I’m Y/N…” You offer, knowing Thomas doesn't speak, “I met Thomas down at the station and walked with him.”
“Does Hoyt know about this?” The man ignores you as he continues looking at Thomas.
He finally turns around, a plate covered with tin foil in hand as he shakes his head to the other man.
“Ah, shit, Thomas. I ain't dealing with this. Don't try to say I didn't warn you.” He scoffs before turning back and leaving the kitchen.
You stare at the doorway he just left through, realizing that everyone you had seen so far in this town seemed to either know or be related to Thomas in one way or another.
Perched on the old kitchen wall was a picture of the older woman from the station, though she seemed a bit younger and less grumpy. The sheriff- Hoyt, you had remembered her calling his name- had called her Mama, and the man that had just left mentioned him as well.
You wondered if they had any other family filling the rooms of this large home, though right now it seemed quiet, save for the faint echoes of a TV playing from a room you hadn't seen yet.
Thomas pushes a plate in front of you, catching your attention as he grabs a fork and hands it to you as well.
“Thank you, but you really don’t have to–”
He cuts you off by tapping the table beside the plate.
You sigh, the clench of your empty stomach reminding you that you weren't going to gain anything by not eating it.
You pull back the tin foil to reveal a full meal, something you hadn’t seen in days. The food was piled up, and your mouth was practically watering at the sight. You take your first bite, the flavor exploding in your mouth and making your stomach growl again.
It had been so long since you'd had proper food, you didn't even mind that it was cold, simply excited to get something in your system.
You eat as much as you can, having to turn away over half of it after your shrunken stomach protests eating anymore.
Feeling more comfortable, you gave him a smile and thanked him again, “Did you cook that?”
He shook his head and pointed to a picture on the wall, the same picture of the station clerk that you noticed earlier.
“She's your mother?” You question, earning a nod in response.
You open your mouth to continue when a car door slams shut outside and an almost familiar voice calls out.
“Thomas!” The man screams from the front yard.
“Is that… The sheriff?” You ask, looking back to Thomas who was staring at the door, his face now grim and shoulders tense.
“Thomas, get your ass out here!” Hoyt hollers for him again.
Thomas stands from the table, another voice echoing in from the outside.
“No, no, please, let us go!” A woman screams, her voice blood curdling and scared.
You stand up as well, a worry in your voice, “Is that Katie?”
Thomas puts a hand on your shoulder and shakes his head, a warning.
More screaming comes from the front yard, the voices of the sheriff and Katie mixing together as they yell at each other.
Thomas tugs your arm, pulling you to the kitchen pantry. He motions for you to stay quiet before shutting the door, his fading footsteps leaving the kitchen.
You sit in the dark, heart racing as your mind tries to piece together what was happening.
The slam of the front door makes you jump as the sheriff yells again, his voice much louder and clearer as he had apparently come inside, “Goddamnit, boy, when I holler for you, that means you come!”
“Please, please, let me go, I won’t tell anyone, I swear to God…” Katie was sobbing, you could hear it in her voice and the way she hiccupped between her words.
“Here, Tommy, put her in the kitchen. We’ll let Momma deal with her when she gets home.”
Your body seems to move on its own as you crack the pantry door open, watching Thomas drag Katie across the kitchen floor.
Blood is soaking her clothes, leaving a mess trailing behind as Thomas ties her hands to the kitchen table.
He glances up, intense eyes staring you down as he shakes his head, a silent command to shut the door.
You do as you're told, hands covering your mouth as you start to hyperventilate, adrenaline rushing your system as you start to shake.
You can hear Thomas' heavy footsteps leave the room again over Katie's crying, the table scraping the floor as she futilely pulls against her restraints.
What the hell did you get yourself into?
Your mind starts racing as you try to contemplate your options.
You could stay hidden here, sure, but for how long? What if Thomas wasn't the next person to open the door, and what would you even do if it was?
Would you take the risk and bolt? Would he even let you?
Your breathing starts to become shaky and uneven as the fear takes over your mind. You shut your eyes and lean against the door, trying to ignore the sounds of the girl on the other side.
She was crying, still, asking no one in particular, “God, why me? Why us, God, why–” She cries out, sobbing violently as her sentence is cut off with a broken sob.
After a few minutes of this, the front door opens once again, and footsteps, too soft to be Thomas' or Hoyt’s, come in.
You peer out of the door again, watching as the older woman from the gas station steps into the kitchen.
Katie notices her as well, immediately crying out, begging for help.
You watch as she stops in front of her with a sigh, “Oh, dear. What has that Hoyt done now…?” She mutters before walking past her.
She doesn't notice you as she walks out of view and comes back with a bowl of water and a rag.
“I don’t know why he always has to be so messy.” She shakes her head, gently running the rag across Katie's face.
“Please, please, let me go, please…” Katie pleads with her, only for the woman to hush her, “Why are you doing this?”
“Well, we’ve got company coming over, and you don’t want to be all dirty, do you?” She coos slightly as she finishes washing her face, “There we go, that’s better, isn’t it?”
Katie sobs again, yanking at the ropes once more.
The woman ignores her, walking out of view once again, you assume to get rid of the bowl of water and now bloody rag.
You close the door again and sigh, pressing your forehead against the door as tears begin to slip down your cheeks.
What was going to happen to you?
You sit there in that pantry, silent and listening to Katie’s tears as you wait to find out.
You can hear the woman come back into the kitchen and begin making something, and eventually the whistling kettle hints at tea, or maybe even coffee. At some point another woman joined her and they both took a seat and began chit chatting.
You barely listen to their conversation, only picking up on the first woman’s name, Luda Mae. You didn’t catch the second woman’s name as they chatted casually, exchanging small talk about the weather and the tea. If it wasn’t for Katie’s crying, you’d assume nothing was out of the ordinary at all.
“Oh, here, let me go get you some from the pantry.” Luda Mae's voice pulls you from your thoughts as you listen to her shuffling footsteps come closer and closer.
Your heart stops and sinks all at once and you feel sick realizing what was about to happen.
You push yourself away from the door, holding your bag in front of you as if it could somehow keep you hidden, silently pressing yourself against the back shelves as you brace yourself.
The door handle starts to turn.
A feeling of complete helplessness settles in as the door swings open.
Your eyes screw shut as light floods the pantry, waiting for the worst possible outcome as you shake, holding your measly bag in front of you.
"Please..." You mutter, whether it be to her or to a God or yourself, you don't know, "Don't hurt me..."
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