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#ship: short change heroes
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"Guajira, I Love U 2 Much"- Yerba Buena
SPECIAL THANKS to @86maylin , @wanderingaldecaldo , @ugh-my-back , @barbecutie , and @gloryride for holding my hand through modding 💚
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ew-selfish-art · 4 months
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DPx DC Au: Might as well be brothers. Young Justice hears about a regional hero disappearing, and while they've never met the guy, Red Robin's contacts say that Ra's is hunting him for afterlife/immortality related reasons.
Tim drake hates the annoying white uniform he's wearing but breaking into this place is crucial to his 24 hour plan to rescue Phantom. He'd never even heard of the guy until a week ago when Pru came to him with info that Ra's was looking into Midwest Real Estate, and then Tim stumbled down the rabbit hole of Ghost conspiracy theories until he saw an article demanding that local officials speak on the hero's absence of 10 days. 10 days was short enough that Tim might find a sign of life and well, another federal agency being hacked by Red Robin is nothing new.
So now, he's walking down the halls with these stupid fucking glasses and this stupid fucking suit while Kon listens from the comfort of the surveillance van. He takes a turn and sees the track suits that the illegally detained inmates are wearing, and pivoting the plan, makes his way to a locker room to get one and get changed. It does take him an extra second and he considers that this might bite him- but Tim knows the place inside and out. He's scoured all their data, and sue him for being cocky, but he has a literal alien ready to tear the place apart waiting for his heart rate to jump above 80 bpm. which is a pretty low heart rate all things considered.
Tim gets exactly where he's meant to go, and waits only a few minutes before he see's the science team extract Phantom from the high security room.
Phantom doesn't make it clear if he notices Tim, but he's basically being dragged by the couple, so Tim decides to beat them to their destination. The experimental wing had shown up in their reported data not long after they made it extremely obvious that they had Phantom in their data output.
Tim's already in the room when he starts to notice that it's not exactly a room... more like a mechanical space. The way the corners curl in the room make it almost tube like... Portal like.
Phantom is thrown in and Tim grabs him the second the scientists leave, but the kill switch key Tim made to get them out isn't working for this door like it did all the others.
"Not... Not a door."
"We're in some sort of device aren't we? Something of their own design that the government isn't aware they're funding?"
"Portal. You've gotta get out, even if you get caught, you gotta get out now."
Tim's comm comes alive in his ear, its Kon responding to Tim's heart rate rising- and Tim is hesitant to call him in but ultimately tells him to start flying over for extraction.
Then the portal goes off, and while he feels pain, he doesn't feel different. Bright light subsiding, Kon's arms around him with a confused voice, and lots of lasers being fired his way... Tim wakes up to see a much younger Phantom looking at him from the other side of the young justice couch.
Kon, Bart and Cassie are all fighting at a white board that's been wheeled in but Tim can only yawn and blink his way into consciousness enough to give a shit.
Black haired and blue eyed, button nosed with large ears, a wry thin lipped smile... Tim realizes that Phantom looks incredibly similar to his younger self. And then Tim looks at his much smaller hands and realizes that he probably looks a lot more similar to his younger self than normal.
Taking in the scenery once more, the white board is divided on the traits Tim has to the children sitting left and right on the couch. Kon didn't know who was who. That meant that maybe... the government didn't either.
Phantom turns out to be a pretty chill dude despite all the trauma, and he's incredibly prepared to both fuck with Ra's and the government in their newly found childhood twin-ship.
One of the twins is scarier than the other, and despite Danny literally haunting them, its always Tim.
(Okay now its some one else's turn :D )
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science-lings · 10 months
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okay this has been going through my mind for days and I have to get my thoughts out before I explode
Disclaimer, this is not talking about a specific artist/person and would never condone or participate in anon hate or online bullying for any reason but especially this one. 
I get why people are mad about Link being portrayed as this buff, hypermasculine, tall guy. I am too (again don’t fucking attack people over it though) and it seems like such an infuriating way to change the character just to fit into some ideal of hypermasculine attractiveness or to make a ship fall into a more hetero lense by making him a decent foot taller than whatever girl he’s being paired with. 
The world of video games and action movies and every form of media ever is extremely saturated with male characters that are swole and manly and whatever other descriptors people are trying to push onto Link that don’t fit into his actual character. There are so many characters out there that already fit this male standard and having a clearly androgynous elf guy was like a breath of fresh air. 
Link was literally designed to be a character whose lines on gender were blurred, ‘a girl with a masculine touch or a guy with a feminine touch’ so that anyone could project themselves onto him. His physical design in botw/totk was specifically made to be feminine enough to wear a certain outfit to pass as a woman (which includes a nearly mandatory cutscene where he puts on the clothes and blushes after being called pretty, like you have to be blind to think that its an experience that he doesn’t like at all) and in totk there are a bunch of outfits made for Link that are blatantly gnc, ones that are practically dresses, include nail polish and lipstick, you can even dye his hair bright and vivid colors and that’s half way to giving him new pronouns. The whole reason Linkle isn’t included in more mainline loz games was because her existence would force Link into a gender dichotomy, if there's a clearly female version of the main hero, that means the main hero has to be a man, and they would rather abandon a potential reoccurring character than make Link conform to a gender binary. 
So pardon me when it feels disingenuous and even malicious for him to be morphed into these clear masculine ideals, where he towers over any female romantic partner (even when in canon he is regularly depicted as noticeably shorter than her) or even in m/m fanworks he’s really beefed up, perhaps to make the scene feel more gay or something. 
Perhaps it’s because his more twink-y/ femboy body type is so heavily sexualized (though obviously when people are sculping abs on him it’s totally not because they’re horny about it) and that’s an issue in itself that bothers me. But it’s just so tiring to see one of the very few popular main characters who is short and feminine and androgynous be molded into just another bland muscle-headed action hero over and over and over again. 
I’m not mad at the creators for portraying him differently than how I like him portrayed, I’m mad because we really do get so few characters like him in good popular media, and to be honest, I really like him the way that he is. I love that he’s tiny and has long hair and has the option to dress any way the player likes. It seems a little distasteful to make him taller than a female love interest just because that’s how straight couples have to be, there’s just never been a real straight couple where the guy is shorter than the girl, that’s just Impossible! (/s) 
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gatorbites-imagines · 2 months
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Cockwarming with (mandalorian) m reader x anakin please?👉🏻👈🏻
Anakin Skywalker x Mandalorian Male reader
Drabble
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I miss Anakin so much… I’m so exhausted from classes, send help. This takes place somewhere during the clone wars. Reader is a part of a covert of some kind, cuz I’m not making the reader Death Watch.
On the short side, but I enjoyed writing it. This became kinda lovey-dovey, even though i didnt mean too lmao.
Anakin sighed breathlessly as he sat in your lap, his front against yours as his legs were hooked around your middle. It was very difficult, if not outright impossible for you two to spend any time together ever since the war started. With Anakin leading his own group of clones and being well known across the galaxy as the hero with no fear, to you being a Mandalorian member of a covert, meaning you didn’t want any attention on you, or said covert.
But there were times you two could find little pockets in your busy convoluted schedules to spend some time together, even if that meant Anakin having to sit in your lap as you were seating in the pilot seat of your ship, the galaxy outside rushing by thanks to hyperspace. Normally you two would have used this little time you had together to get a quick fuck in, to get as much out of one another as possible and to wring the other dry. But something must have happened on Anakin’s last mission, as he had situated himself in your lap, seating himself on your cock and just feeling you.
Anakin was never one for patience, so it left worry niggling in the back of your head as your jedi lover slowly rolling his hips. There wasn’t any exact purpose to his movements, there was no hurry to get either of you over the edge, there was simply a search for closeness and love.
You could feel him kissing at the little piece of skin exposed between your helmet and the flight suit you wore, Anakin’s hands loosely gripping your biceps as he sucked a hickey the one area he was able. It was a shame you couldn’t take your helmet off around him, not without you two getting married, but you hoped the day would come soon. Instead, Anakin had to settle with kissing your chin, or the few times you would pull your helmet up high enough for him to kiss you on the lips.
Soft praise in mandoa passed from your lips as his insides squeezed slightly around your shaft, making you groan softly in appreciation. You were nowhere near close, but that didn’t seem to matter to either of you. All that seemed to have any importance right now was the fact that you were inside him, and Anakin was warming you, creating a connection that could only be shared between lovers.
It was the closest you two could get in some cases. You weren’t force sensitive, and even if you were, the beskar of your armor wouldn’t have allow any type of mind connection, so warming your cock was another way to feel that type of closeness. That’s what Anakin said at least.
With a kiss to the top of his head through your helmet, you settled your hands on his hips, lazily rocking him along to the pace he had set himself, satisfaction filling your veins when he sighed softly in warm pleasure and devotion, a deep burning feeling that was returned just as strongly in yourself.
As the stars rushed by outside the windows of your ship, you reached up to push your helmet up just enough to expose your lips, the lips that rarely saw the light of day, and were so rarely seen by another person. Anakin peeks an eye open and cracks that handsome smile of his that always has your heart fluttering, and with a soft pull at his hips, he leans in and carefully kisses you. His insides squeeze around you, making you huff against his lips, but Anakin just laughs.
You may not have the force, and you may have to live a life in secret, hidden away from the very republic that Anakin fights for, but your love for him burns bright, and you wouldn’t change it for anything.
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epickiya722 · 9 months
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Actually, now I'm thinking about it, it's odd to me that Midoriya and Uraraka look similar and maybe that's on purpose.
Round eyes & face
Facial marks (Freckles for Midoriya, blush stickers for Uraraka)
"Brunette" (green hair is considered being a brunet/te in anime logic)
Shorter than the others
Now given that, what if Uraraka "falling in love" with Midoriya wasn't her actually falling in love? What if it was her having a self-reflection and accepting herself?
Further thinking about it... they're practically the same person.
They're both compassionate, kind. They learn to adapt to changes. They're cute, but they're vicious if pushed far enough. They won't give up on people or in a fight. Hell, they both float, use long range attacks, and close range ones. Works in teams of three (Uraraka-Asui-Hado, Midoriya-Bakugou-Todoroki) under a top Pro Hero.
And they both "rival" some feral blond that they don't act "normal" around.
What if Midoriya wasn't meant to be Uraraka's crush but her mirror? Mind you whenever someone points out her "crush" it's not someone you would turn to for love advice.
Aoyama is Aoyama (think about that reveal), Ashido practically ships anybody with anybody when there's no real chemistry, and Toga has a twisted concept of love.
You really think I would trust any of them on telling me I have a "crush"?
There's also the fact that Uraraka herself during her talk with Midoriya says they're both "oddballs". That whole talk during 342 comes off more as someone talking about their feelings about their identity and relating to a friend who feels the same about themselves than supposedly "romantic". When someone is called an "oddball", it means that person is "weird". They're not part of the "norm".
Sometimes it comes off as having different interests, like someone liking the arts unlike the majority of the group who likes sports.
Or it's someone who identifies as queer.
What if these last few chapters of Toga and Uraraka was Uraraka accepting herself?
@darkcircles4lyfe points out a detail that I didn't catch until now in this post here.
In this scene, Toga has a hold of that All Might keychain. We know it's of importance to Uraraka because Midoriya gave it to her. We also know that once before Uraraka snatched it away from her when Toga first got a hold of it during the PLF War Arc. Here, she doesn't do it. Granted, because she's bang the hell up and probably even isn't aware of her surroundings. But on Horikoshi's part, what if that's on purpose? What if here, Toga is taking the keychain as a way of saying Uraraka is finally accepting herself and her feelings? That Midoriya was that mirror she kept looking into and questioning until this very moment?
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And let's be honest here, it's not like Horikoshi isn't incapable of writing M/F ships. I just think IzuOcha is a ship he doesn't intend to make romantic because of how underdeveloped it is.
Compare it to Kamijirou and Kirimina, it is pale. Also, make note of those two pairs.
The characters in those ships also have opposing physical features.
Kamijirou - dark and light hair colors, the extrovert and the introvert
Kirimina - Spiky hair and curly hair, sharp edges and round curves
A lot of pairs Horikoshi puts together in which the characters are close (romantic or platonic) have some opposing features to them.
Gentle Crimimal and La Brava - tall and short, dark hair and light hair, one is more hands on and the other isn't
Eraser Head & Present Mic - quiet and loud, dark hair and light hair, close combat & long range
Bakugou's and Jiro's parents - quiet & loud, dark hair and light hair
It's his shtick.
But for Midoriya and Uraraka? They are just genderbend versions of each other!
That's really all I have to say here. And if you disagree, fine. Don't care for the input though, keep it to yourselves. (I say this because some of you are just damn disrespectful.)
I myself don't think IzuOcha is a bad ship, but I just don't think it's a ship Horikoshi has on his agenda. Let alone wants the audience to perceive them as "romantic" but as a "mirror".
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shuttershocky · 6 months
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how do you feel about iori/saber so far by the way, whether as a ship or just their dynamic in general
I really like their dynamic!
While Iori and Saber themselves are full of callbacks to the original Shirou and Saber, their relationship dynamic is something that's all their own.
Usually a servant like FSR Saber would have belonged to a more emotional master. Saber starts the game out as an arrogant, destructive force and a bit of a bully, constantly going "Good grief my master's so weak! How did I get such a weak master when I can solo this whole thing? I should just kill everybody that gets in my way."
Rather than get upset or insecure however, Iori's humility and martial discipline ends up making a wall for Saber's arrogance to repeatedly bounce off of. When told he's weak, he goes "You are right. I don't fight because I'm strong, but because I should." When Saber talks down to him saying his presence doesn't change the outcome of a fight whatsoever, he just goes "I know. I'm doing the best I can."
This doesn't just eventually warm Saber up to him, but it also ends up creating the soul of their dynamic for the rest of the game. Saber's powerful, impulsive, and free in all their aspects, while Iori is measured, disciplined, and tied down (he's poor, he's an orphan, he's a warrior in an age of peace). This leads to fun gags like Saber having that classic Saber gluttony which wreaks havoc on Iori as a poor ronin living hand to mouth every day, but where this really shines is in how it makes its own twist in the original dynamic of Shirou and Saber.
Underneath Shirou and Saber's relationship was the recognition of themselves in the other. Both were willing to give up their entire lives for the greater good without once thinking of themselves, and seeing it in the other person horrified them because that was someone they cared about, while making a special exception for their own self-sacrifice.
In Samurai Remnant, Saber wonders how could such a weak human have summoned a servant as powerful as them, but the answer slowly becomes obvious as their relationship grows. Hiding underneath Saber's smug nature is a legend known for brutally killing anything and everything that stood in their way, whether that be armies, kings, monsters, or even gods. Why? What could compel a human to put a god to the sword just because they were ordered to? How broken and terrible inside must you be to see an aspect of divine power and feel no fear, only the desire to fight and to kill something that should be untouchable by a human?
The most delicious part of Iori and Saber's developing relationship is Saber slowly realizing that the bravery in Iori's eyes when he (literally) locks blades with a Servant is not bravery, but something much more familiar.
It should also be said that FSR Saber is one of the extremely few servants (if not the first even) to cry about the thought of leaving their Master after the ritual has ended.
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Bittersweet goodbyes have been a mainstay of the series since Fate/Stay Night, but FSR is the first time in my memory that we see a Servant look back at the short, second life they've been given and actually break into tears about not wanting to go.
Going back to the throne of heroes would mean returning to legend. They'd be the bloodstained killer and godslayer. Unparalleled, feared, revered, and alone. Meanwhile in this incarnation, they run around doing odd jobs every day to afford rice, assumed by the neighbors to be the new fiance of the poor ronin that lives in a shack, destined to be forgotten by history like everyone around them living humble and ordinary lives. And now that they've tasted it, they don't want to go back. They've fallen in love with this life, and have to live out the rest of the Waxing Moon Ritual knowing they don't have a choice about going back.
It's soooooo good. Such a perfect capture of that vintage Type-Moon feeling, I'd almost forgotten this wasn't even written by TM themselves but by the Fire Emblem Three Houses team.
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celaenaeiln · 8 months
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can i know your thoughts on the “typical” nightwing ships (him with wally, roy, slade, kory, babs, apollo/midnighter, etc etc)?
ofc! <333
As a multishipper I literally love almost all of these
Wally
The softest ship ever! Reading about them is so cute. All cuddles and snuggles, and full on comfort.
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It's the best friends to lovers trope
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Haven't read about them in a really long while but they used to be my comfort ship. Like these two are so soft each other that they just make me feel warm inside.
Roy
Roydick is my spicy birdflash ship. Their chemistry was more heated with them constantly getting into arguements but falling together again. Going back to the comics I realize that Roy hero-worships Dick and that's why they get into so many fights. Roy literally thinks Dick is too perfect
There's this post about them which provides comic panels about Roy constantly comparing himself to Dick
But mostly Roy wants all of Dick. He wants Dick's 100% attention of them and he hates-HATES-that Dick gives everything to Batman. It drives him so mad because he thinks Batman doesn't deserve any of Dick's attention.
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Literally tells Batman- you ain't shit. I feel bad Dick had to deal with you. He doesn't deserve it for all the greatness he is.
Roy wants all of Dick and that's where I ship them including their complicated issues. What makes their relationship so great is their problems. Neither of them will compromise (Dick won't let go of Bruce and Roy won't let go of that issue), but after all the screaming and fighting they still fall back together.
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It's Dick that Roy goes to every time he has to deal with Cheshire.
Additional post:
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>:> hehe
Ollie has the biggest grin on his face XD
Slade
My OTP LETS GO
Bruh I am so into them.
My post on why they were made for each other
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YEA YEA YEAHHHHHH
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Slade literally used the steam of Dick's shower to write a message in his bathroom mirror.
okay.
I am obsessed with Slade's obsession with Dick.
I love how in one comic Dick is literally just listing everything that's wrong with his life and Deathstroke is just standing there actively listening with his arms crossed.
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He's never gonna give up that apprentice agenda.
Kory
Kory!! I LOVE DICKKORY SO MUCH!!!
When I think of love, they are the epitome of it. I didn't know it was possible to feel love through paper until I saw them. One look at the chemistry is overwhelming.
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"Questions about what's right and what's not, I'll always have them. Questions about my loving you? No! I do. Very much."
Dickkory love is stronger than Dick's moral ethics and Dick's moral ethics?
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I've never seen Dick love anyone as much as he did Kory. There are issues that came up ofcourse. I'm pretty sure there was an anti-alien sentiment among the general public (real life?) that affected them and on top of that the Batman office wanting Dick back so they just ripped him away from the titans and rewrote a whole new love story for them while trashing Kory for it but when the public's reaction and Dick's "he's so perfect everyone wants him so let's play around with love interests for him" aside, they were the king and queen of love.
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What I love about their relationship is Dick loved Kori for who she was, not how she looked. And Kori loved Dick for who he was and not how he looked. On both sides, sometimes all people see of them are their beauty not their personality or strengths or being.
Barbara
Barbara. The reason I held off on writing this.
My feelings about Barbara are complicated.
She and Dick used to be my OTP. I loved them so much I actually hated Kori for a bit, thinking that Barbara was so much better-when I was solely in the fandom. But oh how the table have turned. Very recently the feather broke the camel's back so my feelings about the two of them have changed.
Long story short, they're better off friends. But my favorite moments come from mostly short haired Barbara comics.
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This Barbara was AWESOME. She was so chill and cool and funny. She would be smart but not in a demeaning way to others.
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Also Batgirl 2000 comic Dickbabs was so sweet (below)
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Apollo/Midnighter
love them!
I think Midnighter would totally seduce Dick into a frenemies with benefits arrangement. I mean he's halfway there.
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But aside from the usual flirting, Midnighter really, really, REALLY respects Dick's fight skills. I'm sure you've seen the panels of that already but since posts have a 30 image limit I'mma skip over that to the other reason: his greater-that-meta-human tenacity. Things and circumstances that take out metahumans, Dick surpasses through sheer will power and dedication.
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So I mostly ship Dick/Midnighter but Apollo would probably join in too at some point.
Constantine
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Never getting over how John-I don't do things I don't have to-Constantine saved someone because their body was hot and and their butt looked good. But later on in the comic he talks about how cool he was and what he describes Dick as is when asked about him is:
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Additional exchange:
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Tiger
His relationship with Tiger is AWESOME!!
It reminds me of his batman Dick relationship with Damian. Snarky and affectionate.
I ran out of image space :'0
But Dick basically gets Tiger-Spyral's number 1 and most loyal spy-to abandon the agency they work for, turn coat, and hunt them down to burn the oragnization into the ground instead. They're literally so funny. I loved Dick and Damian's cute banter and Tiger is just Damian aged up but meaner lol.
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phantomrose96 · 7 months
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hi your short story is giving me absolute brainworms it’s DAMN good. I don’t have anything of real note to add so I’ll just ask: is there anything you really want to say about the story but haven’t yet (like trivia or whatnot)?
(938 Seconds Per Second)
Probably that I'd very nearly abandoned it!
The idea started from an article I was reading about time dilation - the gist of it being "okay but what's to stop you from accelerating infinitely? Up to and past the speed of light?" and the conclusion was kind of "you sort of can... from YOUR frame, from YOUR perception of time, potentially. but from a resting frame, you will appear to only ever approach the speed of light." So even if you could perceive yourself traveling 100 light years in a month... to every resting body, 100 years have passed.
So I was like cool! Fucked up potential! I really liked the concept of "you can notice your mistake after 5 minutes and already be 100 years too late to fix it."
I toyed with a few ideas and ended up gravitating towards "what if one shipmate intentionally leaves another shipmate behind... and by the time this is discovered days later, the left-behind shipmate is long dead." I also settled on "what if your shipmate sucked so bad that he causes you to snap and leave him behind"
So I started writing with that as the core idea. Main character Mendoza has the Worst Coworker in the World Universe, and he snaps and leaves Carson behind on a planet.
...But then I was a little lost. I was struggling with the substance. The "what makes this interesting" and the "what ties this all together." Sure I could just write Carson being an ass for 3,000 words and then... Mendoza leaves him behind the end?
I was even struggling with the first draft because part of me was like "what's even enjoyable about reading about a completely insufferable person...?" Even Mendoza himself is no peach. Maybe the whole concept was just unpalatable. I kinda just... ditched it where it was.
Then I came back to it this weekend and decided to kind of rethink it, fresh. And the absolute biggest difference between the early stumbling draft and what I ended up with was Sampson. He actually solved so much. (He existed in the early draft, but not importantly.) He introduced the character stakes and the tying thread to the story I was missing.
Now it wasn't just Carson annoying Mendoza. Once Sampson's tome enters the story, the stakes change. Mendoza is now in the middle of Carson actively destroying the thing Sampson is even alive for. Mendoza is now in a position of actively needing to make choices--he could intervene and try to save Sampson's tome. He could tattle. He could do anything--but he doesn't. Because "not letting Carson win" is the single most important thing. Mendoza doesn't need to be any kind of hero. He chooses not to be.
And now the reader is captive to this conflict, privy to everything Mendoza knows, and does not act on, as Sampson unravels in the background.
And now we have a thread that leads to Carson and Mendoza ending up on-planet together. Carson isn't out there for shits and giggles, he's out there because the plot point about Sampson's tome led to this. Now Carson knows about the cargo, and now he's offering Mendoza the chance to not just be passive witness, but be accomplice to Sampson's destruction.
And it's enticing. It's unimaginable wealth, and it's getting off the shitty ship, and it's never seeing Carson again. Mendoza has the chance to stick to his every-man-for-himself ideals and go along with Carson. And it's interesting to explore Carson's reasoning for why they deserve this! They're the ones who sacrificed 300 years for this journey! Don't they deserve this over some fucker who wasn't even born when this mission started?
And then it reaches one pivotal moment--Carson's gleeful declaration that Sampson will totally kill himself once he discovers what they've stolen. Because now there are consequences to this action. If Mendoza follows through with this, it's with the knowledge that he's gotten Sampson killed. (And maybe he shouldn't care. Maybe it doesn't matter. As he's asserted this whole time.)
Mendoza doesn't do it. He pulls up the ladder after Carson.
He doesn't let Carson win.
And then the ending... the ending where Sampson very much was witness to Mendoza following Carson out of the ship. If Sampson were every-man-for-himself, he could just comply and tell Major Kensington what he saw. Mendoza knew Carson was outside the ship. Mendoza came back. Carson didn't. The ship took off. Sampson knows this all.
But, Sampson has an idea of what, may, have happened. He knows he accidentally revealed too much to Carson. He knows Carson stole the tome which contains information about the cargo. Sampson, maybe, knows what decision Mendoza made.
So Sampson lies to Kensington. Sampson will swear on his life he never saw Mendoza that evening. No one will ever know.
And just!!! It was delightful to find the piece that ties the WHOLE story through. It's not just "your coworker sucks and you booted him to live out 40 years on a planet for your next 2 weeks". It's character-driven now. It's about choices and consequences and the fucked up implications that the time-dilation travel throws in.
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My favorite ships ranked!
There's a huge chance this list will change once every two days at the very least, but let's do it!
1. SUPERCORP
Literally my favorite ship ever. They're just perfect for each other in every possible way. Their love languages complement each other perfectly, they can rely on each other, and they work together like the best team in the world. Lena needs love and Kara knows how to offer it without asking for anything in exchange. She will take whatever Lena is willing to give her and be happy about it. But Kara still needs someone that will look at her and see who she really is, no judgment, and someone who she will be comfortable being herself - Kara Zor El - with.
Speaking of fanfic, I think it’s safe to say these fandom has some very talented authors who gave us very well written works. They can also work in every possible scenario, so that's a huge bonus.
Favorite scene: "Supergirl might have saved the city, but, Kara Danvers, you're my hero."
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2. SHOOT
Shoot is THAT couple that should have ended up together, but didn’t. I don't hold a grudge on it, though, because Root's death made sense to the show's ongoing plot. I can't say they would be perfect like Supercorp because Shaw has some emotional problems and Root is just also in love with a artificial intelligence or whatever, but they would work. Shaw would try - for Root - and Root would love every part that Shaw allows her to see.
Favorite scene: "You can't live with me and I can't live without you."
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3. WAYHAUGHT
Do I even have to say anything? Our most perfect CANON couple. They were perfect from start to finish. The way Nicole absolutely adored Waverly, almost like a worship even, but wasn’t afraid to stand tall on her ideas and opinions. The way Waverly acted like Nicole hung the moon and stars in the sky just for her, and how we know she would be able to do anything to keep Nicole happy. They're that couple that make everyone's teeth rotten with how sweet they are.
Favorite scene: "You guys make The Notebook look bleak."
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4. CABENSON
One of my favorite gay ships, so it has a special place in my heart. In the early seasons, it's pretty clear, at least for me, that Alex and Olivia could have something going on. I believe they were both shoving it away because none of them was ready to get seriously involved with anyone and they knew that whatever they decided to have would be too special to be treated lightly. Unfortunately, time was cut short for them when Alex got pulled away for WitSec.
I do think they will forever be each other's "almost", or "what if", but they're long past that now. They changed too much and they did it separately. If they were together, they would have changed around each other and, possibly, be able to work those differences to stay together. But now I don't think they would be able to keep a relationship. It's a bit sad, but it's also a very good portrait of reality.
Favorite scene: "You like being back on court, don't you?"
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5. BISHOVA
I'm new to this ship, but I already love it. They remind me a lot of Shoot, actually. We just know that Yelena needs to find someone who would love her with no restrictions and that she deserves to find love. And Kate needs someone able to ground her, but also someone who allows her to be as silly as she wants, someone that will always have her back, doesn't matter how insane her plans might be. They have chemistry too. Also, I can see them getting together with no drama at all, or maybe something they can easily solve, and then being together for the rest of their lives to the point that they can't even remember a time they didn’t know each other. We didn’t get to see them that much, sadly, but I keep my hopes up for more scenes of them in the future.
Favorite scene: "You have one fork?"
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6. FLEURMIONE
Okay, two intelligent and beautiful women together? Sign me in! I've been in Harry Potter's fandom for many, many, years now and, after giving it too much thought, I can safely say that Fleur would be the perfect match for Hermione. She would challenge Hermione, they would have endless discussions about any and every subject, they would have enough books together to fill up a library, and they would make each other want to be better every day. I also see Fleur being a bit sarcastic and Hermione keeps rolling her eyes at her at least fifteen times a day.
Fleur is constantly curious about the muggle world, always eager to learn anything Hermione is willing to show her. She would have a great relationship with Hermione's parents, mostly because she thinks they're one of the most genius people on the planet because they know how to fix people's teeth. Meanwhile, Gabrielle would loooove to talk with Hermione, especially when they get together to embarrass Fleur.
Favorite scene: You know, the totally canon one when Fleur asked Hermione to the Yule Ball.
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7. LOU MILLER X DEBBIE OCEAN
Heist wives? Yes, please.
We don't even need to pretend. These two were totally banging throughout the whole movie. The headcanon is that they used to date, then Debbie made some stupid decisions, met the wrong people, they broke up for a while and then Debbie got locked up. I believe Lou was so angry with her for both being stupid and for ruining what they had because she wanted to get more money than they actually needed, that she didn’t even visit Debbie in prison.
While there, Debbie had enough time to realize how much of an idiot she had been, so it's up to her to win Lou back. Meanwhile, Lou knows that she's screwed the second she sees Debbies smile again. She just can't help but orbit around her.
Also, they're the Moms, no doubt about that.
Favorite scene: "Baby, I don’t have a diamond yet."
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8. DANSEN
The only reason they’re all the way down here is because I hate CW, but I actually love them more than half of my family. They’re married, they’re moms, they’re in love, they’re perfect. Someone as caring as Kelly needed someone to make her go crazy like Alex, while Alex deserved someone that would understand her no matter what. Honestly, I just love them.
Favorite scene: THE PROPOSAL
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9. CAROLNAT
Is there any chance this could happen? No.
Do I still dream about it? Constantly.
It's just one of those couples where things would just work. My biggest headcanon for them is that they would be constantly laughing and having fun. Always joking and playing around with each other. Natasha would crave physical touch and Carol would be happy just to be around her at all. Carol would finally find a reason to stay on Earth without feeling guilty about it and Natasha would one thousand percent make a retirement party for her.
Also, they would protect each other so fiercely that no one would even dare to warm any of them.
Favorite scene: The one where Natasha ends up on top of Carol in the training room. Totally canon, trust me.
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10. GLORBIA
Might sounds crazy, but hear me out.
Barbie is literally Gloria's dream Barbie, and Gloria is the reason Barbie is alive. Once Barbie becomes human, I can totally see Gloria falling for her without even noticing it, while Barbie takes a while to realize what are those things she's feeling. I do believe Sasha would have a strong part in bringing them together. She would be the one to explain to Barbie what a crush is and what being in love should feel like, and then she would have to give her mom a gentle push to acknowledge her own feelings.
After that, fluff all the way. Gloria would be the most patient person in the world while she sees Barbie navigating human life, just happy to have whatever Barbie is comfortable giving her. Meanwhile, Barbie keeps getting surprised by how strong her feelings can be every time she even looks at Gloria.
Favorite scene: Not a scene per se. Instead, I'm bringing that Tumblr post that says "Ken only has a great day when Barbie looks at him. Gloria always has a great day when she looks at Barbie."
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Bonus
11. GAY BELLA
Quite literally, any lesbian ship from Twilight. My favorite one is Rosella, but Bella x Tanya is a close second. Bellice is also a very strong candidate, not to mention Bella x Kate. And, oh, did I hear someone say Bella x Irina or was it Bella x Leah? Honestly, just give me lesbian Bella and I will be happy.
12. ROJARIAS
One of the hottest couples that exist.
Thank you for coming to my TED talk.
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damianbugs · 3 months
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You need to tell us what you think of your favorite Bruce ships. Pls
i should preface by saying i usually prefer bruce (in my own works and others, including comics) to not be in a relationship at all because i can't think of a time he's like ever emotionally stable enough for that. like ever. THAT BEING SAID isn't that all the more reason to throw him into a ship? doomed tragic romance you will always be famous to me
and because i am insane, here are some comic recs to go with my fav bruce ships!!
>batcat
a classic favourite, batcat!!! i will admit i am not the biggest fan of their rebirth stories, and the whole wedding fiasco and most of what tom king wrote about them (and in general) was. not enjoyable. but pre crisis/golden age batcat? MY PARENTS. just. silver and bronze age batcat too. what a refreshing and entertaining couple. the thing that really makes them compelling is at the end of the day they have the same goal; protect the people of gotham. the ways they go about it can be different, and selina especially faces some serious mischaracterisation in order to make bruce look like the "hero" in the relationship, but at their core and simplest expression of love, they share the same dream, and they both know that. it's this selflessness that connects them deeply.
> "The Autobiography of Bruce Wayne" (Batman the Brave and the Bold #197) is, in my opinion, essential batcat reading. a very bittersweet story!
> for a more modern read, "Only Takes a Night" (Catwoman #32) is a delightful read about how hopelessly in love they are. bruce is such a devoted loser.
> ghostbat
every character needs that one irreparably damaging young adult tragic romance that changed their life forever and that is what ghostbat is. khoa is the perfect foil to bruce, in that ultimately, they are two ends of the same spectrum. fiercely stubborn and confident in their own moral code but in the opposite way. this ship is particularly fascinating because even now, the respect and love they have for each other years later is so deeply consuming that it is prevalent in how they interact now. i don't think bruce would have been the person he is without his relationship with khoa pre-batman, in both a good and bad ways. i also really love the hc that khoa is bruce's first heartbreak (refer to: the Snow and Gun incident).
> "Batman The Knight" is like ghostbat religious text. this is all you need. let it destroy you.
> batlantern
no long paragraph about this one because its my silly guilty pleasure. sometimes u need a ship in which they just don't get along except for the times they do. hal brings out such an irritating (said fondly) side to bruce and its even funnier because it works mutually. i think another really wonderful thing about this pairing is that they are really not so different from each other (nothing says romance than being consumed by your guilt and stubbornness), but they both think otherwise, so they knock heads while also begrudgingly respecting about one another in a colleague-friend-crush way. they want to make out so bad it makes them look stupid.
> "Batman: Universe" is a great and short silly story that shows their dynamic really well. amused me greatly. not ship focused though hal is there for like. a single issue unfortunately. but fun!!
> i usually never recommend any new 52 books to get INTO a character, but if you're interested in this pairing and its most 'popular' fanon interation, then "Jutice League (2011)" is the best place to start. you can get to their better stuff afterwards! (there's also an animated movie about it!)
> brutalia
AND BEST TILL LAST. THE BRUCE SHIP OF ALL TIME. ruined my life. CHANGED my life. i wish i could explain how insanely important this relationship is in words. i love my pairings tragic and there is quite literally no other ship quiet as dramatic or poetic than brutalia. talia is often seen as bruce's "one true love" with great reason, and him hers, and despite that they will probably never actually get back together. in a wider lense, the al ghuls and bruce have an insanely complicated dynamic, and this inherent conflict about missions bigger than themselves makes brutalia's forbidden love drama all the more compelling. talia brings out the best in bruce, and bruce respects and loves talia in a way i don't think he does anyone else in his life.
to complain for a moment, it's no wonder that because their relationship (since it's very first introduction) was so irrevocably pure and consensual (they were both so ridiculously obsessed with each other), that Certain Writers had to pull out the most out of character and disgusting stories to make it clear the tone of batman was changing. talia is always a victim to racism, misogyny and just unbelievable ooc writing — most evidently in her stories with bruce, unfortunately.
AND YET. recent comics have realised how truly ridiculous it is to write her as anything but kind and strong, and bruce being anything but hopelessly infatuated. i think my favourite thing about brutalia is that bruce and talia is a relationship that has been separated for actual Decades and so both their characters have been developed to have their own tragic stories and growth. then when we get small moments that bring them back together and letting that past show through the cracks in their carefully constructed walls, it's all the more romantic.
beautiful heartbreaking ship. the kind of relationship historians would cry over. would have the romantic period publishing fifteen books over.
> "Batman: Son of the Demon" is ESSENTIAL brutalia reading. also, if you are insane and delusional enough, it can be the true origin of damian.
> the comic moment that inspired all romance the moment of forever the blueprint even is in the famous "Batman (1940) #244"
> for a more modern take, very recently in fact, is her appearances in Ram V's run of detective comics, starting from #1062. its not brutalia focused, but a great take on how natural and yearning their relationship is now.
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saikikthoughts · 5 months
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Saiki Kusuo turned all who looked at him to stone. He had no idea why he was given this curse. He had not defiled a holy temple, his parentage should not have angered the gods. Fortunately, his curse meant conversations were often cut short, and thoughts around him didn’t stay noisy for long. Unfortunately, it meant no one could get close. Neither his parents nor his brother were immune to his power. His mother tried to stay, to delicately brush the pink strands which resembled snakes more each day. But even she turned to stone at last, and that was all his brother and father needed to leave Kusuo behind. At least Medusa had her sisters. All Kusuo had was solitude, or the seconds of conversation before the speaker froze. After a day they’d come back of course, but Kusuo was never around when that happened. He didn’t want to rob them of any more life. Still, a few returned again and again. The result never changed. The tall simpleton who brought him food, eyes shut, only to forget and open them when the bowl was delivered. The incessant talker who blindfolded himself for safety until Kusuo could take no more and lifted the blindfold with telekinesis. No matter how many times they were turned to stone they returned. He wondered why they insisted on returning to a monster. Why they chose to be paralyzed day after day. After most brave heroes' attempts to slay him failed, they never bothered Kusuo again. He almost longed for a Perseus. To have his wretched head full of deepest truths finally freed from his miserable body which could crumble his statues at the slightest touch. And yet, all he received was a daily bowl of ramen and daily news from town. But Perseus was beloved by the gods, and the current chosen of the gods would not sully her perfect hands with the bloody task of releasing him from this burden. And yet he was occasionally visited by this paragon of divine beauty. “Charity,” the townspeople called it, and praised her dearer for it. But that was not the whole truth. The face that could launch ten thousand ships was comforted by the terror he inspired, for there are worse monsters than ones that turn you to stone.
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aspoonofsugar · 6 months
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Hi Sugar!
I was reading your analysis of the five couples you see as endgame (this one here) and I really enjoyed it! But I was wondering; how do you think that Pyrrha plays a role in Jaune and Weiss's relationship? Is it something like Cinder or something unique, or maybe nothing at all?
Hi,
thank you so much for this ask! I really really love White Knight, so asks on its structure and thematic meaning are welcome!
So, Pyrrha is 100% important, as it is Ruby. They both are key for Weiss and Jaune's relationship. Of course, I am headcanoning WK is gonna be endgame. However, even if this isn't the case, I think many of the things below will still hold true in a platonic sense :)
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TRIANGLES
Let's consider these two scenes:
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What do they have in common?
They focus on Weiss and Jaune
They involve a dynamic among three characters
They deal with the choice of a partner
Both Jaune and Weiss have a specific partner in mind. Jaune wants Weiss, while Weiss wants Pyrrha. However, the end results are different from what they expect. Weiss finds Ruby, while Jaune is chosen by Pyrrha.
Why is that so? It is a case of want vs need. Here is an extract from the above linked meta:
By this point Weiss and Jaune are pursuing a superficial dream of heroes and monsters. They figure their most perfected selves beside the "right" patner.
On the one hand Weiss wants Pyrrha to be the "knight" to her "princess":
Weiss: This will be perfect! The smartest girl in class combined with the strongest girl in class! Together we will be unstoppable!
She wants someone strong (body) that complements her intelligence (mind). She thinks that in this way she can't fail.
On the other hand Jaune wants Weiss to be the "princess" to his "knight":
Jaune: Don't worry! No need to be embarrassed! So, been hearing rumors about teams! I was thinking you and me would make a good one! What do you say?
He wants someone who is beautiful and looks frail, so he can protect her. He thinks in this way he can appear strong.
Both are wrong obviously. This is why they end up with respectively Ruby and Pyrrha as partners.
Weiss needs to realize what complements mind is not body, but heart. This is why she is paired with Ruby, who lacks physical strength, but has more than enough heart to guide Weiss. Throughout the initiation, Weiss herself has to act as a Knight by saving Ruby from the Nevermore. And later on, she needs to follow Ruby's plan (so Ruby's mind) to take down the Grimm and pass the trial.
Jaune needs to realize a real knight is not physically strong, but is wise (mind) and brave (heart). This is why he ends up with Pyrrha, who is both and challenges him in two different ways. She doesn't fit feminine stereotypes and sees Jaune's value not in his superficial traits, but rather in his willingness to help. Throughout the initiation, Jaune shows this by staying behind to lead others into kiling the Grimm.
In short, Jaune wants Weiss, but needs Pyrrha, while Weiss wants Pyrrha, but needs Ruby. Let's make two considerations:
1- WK is built on "triangles". A triangle is a trope where one character wants another, but this other wants a third person, who is instead interested in the first. This is obvious in Weiss, Jaune and Pyrrha's dynamic. Weiss wants Pyrrha, who wants Jaune, who wants Weiss. The song Dream Come True strengthens this idea, as Pyrrha sings to Jaune, while throwing shades at Weiss.
Obviously, the triangle is quickly solved. Weiss warms up to Ruby as her partner and Jaune gives up on Weiss and falls for Pyrrha.
Still, this early setting is important. As a matter of fact RWBY plays with romantic archetypes in its ships. Two examples:
Renora deconstructs and reconstructs the childhood friend to lover trope. Usually, there is a character, who falls first and supports the other, until their love is reciprocated. Here, though, Nora eventually realizes that to stay with Ren, she needs to grow as her own person. Both partners need to change, so that their dynamic can transform.
Bumbleby uses a harem to explore Blake's developing interiority and animus. Each one of Blake's love interests tie into her sexuality, inner maturity and fairy tale symbolism. By going through Blake's "harem", we get many different relationships that help Blake explore herself, until she is ready for Yang.
In short, RWBY gets inspiration from love tropes, but it makes them thematic. The same can be said about WK and triangles. The point isn't that W,J and P or W, J and R are in romantic triangles, but rather that these characters make 2 thematic trios. In other words, Pyrrha and Ruby foil Weiss and Jaune and are both important for their relationship. Similarly, Weiss and Jaune's bond is key for their respective dynamics with Ruby and Pyrrha.
2- Weiss and Jaune's want vs need struggle applies to more than just the choice of a partner. It actually defines their whole arcs.
Weiss wants to honor her family legacy, but needs to define herself outside the Schnees. Jaune wants to be a strong hero, but needs to love himself for who he is. That said, Weiss and Jaune will both realize their early want. Weiss is gonna define a new legacy for the Schnee Family. It is just that the SDC is no more a part of it. Jaune is gonna bloom into a hero. It is just that true heroes are not always the strongest. Both are getting their want, but in an unforeseen way.
The same holds true for their preferred partners. Weiss is getting Pyrrha (yes, really) and Jaune is getting Weiss. Confused? No worries, it will all be clear in a minute ;) For now, let's analyze both Whiterose and Arkos and what they mean for White Knight.
WHITEROSE - HUNTRESSES
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Weiss and Ruby are each other's "hunting" partners. They fight side by side to save lives and pursue the same dream of becoming Huntresses. This is the thematic heart of their relationship, which is mirrored in their intertwined allusions. As a matter of fact there is a Hunter in both Snowhite and Little Red Riding Hood.
On the one hand Snowhite's Hunter is weak. He wants to help Snowhite, but all he can do is not to kill the princess and to leave her alone in the woods. On the other hand Little Red Riding Hood's Hunter is the hero of the fairy tale. He kills the wolf and saves the protagonist and her grandmother. What does it mean for Whiterose?
It ties in how Ruby inspires Weiss. Let's consider this scene:
Ruby: Weiss! Go for its belly! There's no armor underneath...
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In the fairy tale, the Hunter kills a boar to help Snowhite. It is his one good deed. Similarly, Weiss kills a Boarbatusk with Ruby's help to act as a true Huntress. This is why the Grimm later on becomes an avatar symbolic of Weiss's Huntress side:
Port after Weiss kills the Boarbatusk: Bravo! Bra-vo! It appears we are indeed in the presence of a true Huntress-in-training!
Weiss in the aftermath of the party where she summons the Boarbatusk for the first time: The Schnee family legacy isn't yours to leave. It's mine, and I'll do it as a Huntress.
The metaphor is clear. Ruby (LRRH's Hunter) inspires Weiss (SW's Hunter) to grow into a hero. She leads Weiss towards a better version of herself:
Weiss: Just know that I am going to be the best teammate you'll ever have!
This is the perfect set-up for Weiss to eventually inspire Ruby back. For her to become the Huntress who saves Little Red Riding Hood:
Weiss: I don’t know who you think you are, but let me tell you who I am: I am the granddaughter of a hero and a child of a villain. I am a citizen of a fallen Kingdom and an heir to nothing. I will not be defined by my name because I will be the one to define it. I am Weiss Schnee, and I am a Huntress!
Past Ruby: So, are you a Huntress? Like the ones you read about in books? Ruby: I… I don’t know…
Volume 9 offers Weiss a perfect chance. Ruby is lost and is eventually eaten by two Big Bad Wolves (Neo and the Curious Cat). However, Weiss fails:
Ruby: Don’t worry. We’ll find a way outta here and we’ll go back home. Weiss? Weiss: It's… It’s all gone… There’s nothing left for me to go back to… Just like Beacon… Ruby: You did the best you could for Atlas, Weiss. Weiss: But it wasn't enough! We hatched a crazy plan that put a whole kingdom at risk, and we don't even know if we saved the Relics from… Maybe… Jaune and Winter were able to get them out, despite… everything… despite us…
Several times Ruby notices Weiss's pain and tries to comfort her. Several times Ruby is similarly struggling, but Weiss can't support her. Weiss herself explains why:
Weiss: Maybe she didn’t feel like she could… Ruby has always been the one to get us through the hard times. We say things like “We believe in you”, “We can count on you”. I know we mean well, but…
Weiss idealizes Ruby too much and downgrades herself. She thinks Ruby can lead them all, but Weiss has actually grown enough to guide others too. She shows it by helping Jaune:
Weiss: I think you’re asking too much of yourself. We’ve been telling ourselves that failing means we’re no good. But I can guarantee even the best Huntsmen in history… they’ve all lost. But they were still incredibly brave… and good.
Weiss's speech here is an inversion of her initial dialogue with Ruby. There she feels her best is not enough and she drowns in self-hate. Here, she realizes that even if she and her friends lose, they are still good people.
It is a game of mirrors. She fails to see Ruby because she can't help herself. She sees Jaune and saves herself by helping him.
In short, Weiss fails with Ruby, but succeeds with Jaune. I think this is key for Weiss, Ruby and Jaune's dynamic.
At Beacon, Weiss is too immature for Pyrrha and doesn't see Jaune as a romantic partner. She needs Ruby to grow as a person.
In the Ever After, Weiss depends on Ruby too much and needs Jaune (who is Pyrrha's legacy) to develop.
So, she grows with Ruby until she and Jaune are ready for each other. Now, her bond with Jaune is helping her to bloom in the friend Ruby needs. It is a virtuous cycle where both Ruby and Jaune help Weiss mature, so that she can be the best partner ever. Platonic for Ruby and romantic for Jaune (imo).
If this turns out true, then Weiss's Nevermore might be tied to both Ruby and Jaune (other than to her team and family).
It is already strongly associated with Ruby, as team RWBY killed the Grimm together. Moreover, Weiss first tries to summon it to save her partner:
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Later on, she materializes its wings while fighting with her team minus Ruby:
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And eventually conjures the whole thing, as Ruby comes back:
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It is possible the Nevetrmore will be linked to Jaune, as well. After all, he is the one who calls Weiss "Snow Angel". The Grimm is meant to show that Weiss can indeed be an angel to others:
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Ruby and Jaune are equally important for Weiss. She needs Ruby to end up with Jaune and she needs Jaune to be the Huntress Ruby deserves. At the same time, Ruby and Jaune represent two sides of Pyrrha, the partner Weiss initially wants.
I usually don't use spinoffs, but I think Ice Queendom makes it pretty clear:
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Weiss looks at Pyrrha in awe, but the ones she needs are Ruby and Jaune.
Ruby is a paragon, just like Pyrrha. She has both mind and heart, like our Achilles. The main difference is that Ruby is younger, so she lacks experience and fighting prowess. Weiss needs Ruby for 2 reasons:
She needs to reconcile with her inner-child that has been suppressed by Jacques's abuse:
Weiss: I always wanted bunk beds as a kid.
She needs to see what's important is the heart (Ruby's idealism) and not the body (Pyrrha's fighting skills).
What about Jaune? In which way is he Weiss's Pyrrha? Let's discover it.
ARKOS - ANIMA
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Pyrrha is Jaune's partner and his love interest. She is also the key character of Jaune's story, as his allusion makes clear. Jeanne d'Arc is a maid whose actions are inspired by God. Similarly, Jaune is a knight able to perform miracles:
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Whose hands and resolve are guided by his Goddess:
Jaune: No. I don't think I'm healing her. Our Aura heals our bodies. It feels… it feels more like I'm using my Aura to amplify hers! Nora: Wait, aren't you worried about running out? Jaune: Pyrrha once told me I've got a lot of it. I still believe her.
Pyrrha is Jaune's deity and inspiration:
Pyrrha: For it is in passing that we achieve immortality. Through this, we become a paragon of virtue and glory to rise above all. Infinite in distance and unbound by death, I release your soul, and by my shoulder, protect thee.
So, Jaune's arc is about:
becoming like Pyrrha
overcoming Pyrrha's death
Still, how can Jaune become like Pyrrha, while leaving her behind? Aren't these 2 objectives contradictory? Only superficially. What Jaune must do is to integrate with his anima. In Jungian Psychology, the anima is the feminine part of a man. It is a side, which is often suppressed, but that needs to come to light for the man to truly mature into a balanced person. A person, who can have positive and healthy romantic relationships.
This is the crux of Jaune's character. He is inspired by Jeanne because she is both maid and knight. Similarly, Jaune must transform into a knight, who is also a maiden. A hero who overcomes his toxic masculinity by accepting his feminine parts. The only way for him to succeed is to integrate with his anima, who is represented by Pyrrha. From the first meta linked:
Jaune's journey through the anima is well conveyed through 4 stages, which stand for archetypical female figures. Each one represents a different level of maturity:
Eve is the mother - The boy has no romantic attachment and sees the woman as a source of protection and nourishment
Helen is the seductress - The boy feels romantic attraction and sees the woman as a talented individual, but pays no attention to her spiritual or inner life
Mary is the virgin - The boy feels mature love and sees the woman as a paragon of virtue, but pays no attention to her negative traits
Sophia is wisdom - The boy is ready for a relationship with a woman as an equal partner and sees the feminine as a source of wisdom with no need to objectify the woman anymore
These phases describe Jaune's general approach to women and how it changes. He arrives at Beacon looking for a girlfriend because that is what a man should do, which in itself is a very childish behavior. Then he grows to see the girls around him as powerful individuals, but he can't go behind the surface. This is true for Weiss, but also for Pyrrha, whose struggles he ignores. After her death, Pyrrha becomes an ideal, but she isn't the only one. For example, Jaune believes Weiss and Ruby can save Pyrrha from Cinder and later on he keeps idealizing them. In volume 9, he learns to let go of his idealization and to see others as their own people. He is stepping into Sophia (wisdom).
Pyrrha is Jaune's anima in the sense she represents the feminine side Jaune needs to acquire. At the same time, the way Jaune's relationship with Pyrrha changes highlights the boy's maturation:
Eve > Jaune is nurtered and protected by Pyrrha to the point he even compares her to his mother:
Jaune: Bring it on, Ice Queen! I'll have you know that I have been told that I am a natural born leader! Weiss: By who? Your mother? Jaune: A-and Pyrrha! Pyrrha: Hello again!
He feels no attraction towards her.
Hellen > Jaune grows attracted to Pyrrha, but struggles to understand her interiority. For example, he is unable to see her feelings for him or to fully grasp her inner conflict about the Maiden powers:
Pyrrha: I don't know if I can do it. Jaune: Of course you can. The Pyrrha Nikos I know would never back down from a challenge. And if you really believe it's your destiny to save the world… you can't let anything stand in your way. Despite Jaune's intentions, this doesn't bring relief. Instead, Pyrrha looks absolutely shattered, covering her mouth as she begins to sob.
Mary > Jaune idealizes Pyrrha and sees her as a paragon of heroism and virtue. He tries to emulate her and to become a hero like her:
Jaune: I think… I think she knew she wasn't going to win. That she might not come out alive. But… she also knew she was the only one that could try. Ren: So she did. Nora: Maybe we should too. Jaune: Yeah, we should.
This idealization is heartwarming, but it's what's keeping Jaune stuck. He can never overcome Pyrrha's death if he transforms her into an idol. Not only that, but it is something Pyrrha herself would not have wanted:
Pyrrha: I've been blessed with incredible talents and opportunities. I'm constantly surrounded by love and praise, but when you're placed on a pedestal like that for so long, you become separated from the people that put you there in the first place. Everyone assumes I'm too good for them. That I'm on a level they simply can't attain. It's become impossible to form any sort of meaningful relationship with people. That's what I like about you. When we met, you didn't even know my name. You treated me just like anyone else. And thanks to you, I've made friendships that will last a lifetime. I guess, you're the kind of guy I wish I was here with. Someone who just saw me for me.
Pyrrha is drawn to Jaune because he is the only one who does not put her on a pedestal. However, after her death, this is what our Knight does to an extent. So, a good resolutioin would be for Jaune to see Pyrrha for who she is. A brave girl Jaune loves and who dies too soon. This is the only way Jaune can forgive both Pyrrha and himself. This is where Weiss (Sophia or Wisdom) steps in:
Curious Cat: I am talking about you, Wise Huntress.
Let's compare these 2 scenes:
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Both have Jaune struggling with grief and self-hate. In the first one, he has just lashed out at Oscar out of anger for Pyrrha's death. In the second one, he has just lashed out at Ruby out of anger for the paper pleasers ascending. Both times, he is doubting himself. Both times, a woman comes and reassures him. The first time, Pyrrha's mother/ghost/vision encourages him to keep going. The second time, Weiss encourages him to let go. Both scenes end with a family like re-union (team JNR and team RWBY).
Not to count there are mystical leaves flying around:
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Someone coming back in an unexpected form:
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And a giant stone:
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Both situations emphasize that even the best heroes fail. Still, they give this lesson a different spin. Pyrrha teaches Jaune the importance of going on despite the risk of failure. Weiss teaches Jaune the necessity of forgiving one-self for failure. Pyrrha acts as Mary and guides Jaune towards an ideal. Weiss acts as Sophia and leads Jaune towards his real self.
The final stage of the anima is about seeing one-self and the other clearly, both strengths and weaknesses. The romantic partner stops being objectified and is simply accepted as their own person. So, Jaune's final step towards self-actualization will be to let go of Pyrrha's idealized memory and to embrace Weiss, for whom she really is. This conclusion would be perfect for his bond with both girls:
Jaune would overcome Pyrrha's death by stopping his idealization of her. He would put Pyrrha down from her pedestal and love the girl in all her beauty and contradictions. He would finally be able to understand her fully, which is what he fails to do at Beacon.
Jaune would love Weiss for her true self, instead than her superficial beauty. He would appreciate the girl because she shares some of Pyrrha's best qualities, like her bravery and her heart, which is that of a Huntress. He would accept some of Weiss's most masculine traits, that he initially ignores.
In other words:
Jaune needs to mature by Pyrrha's side to be ready for Weiss
Jaune needs Weiss's help to face the memory of Pyrrha properly
As a matter of fact only by seeing Pyrrha clearly, Jaune can fully integrate with her, which means he can fully bloom into a hero like Pyrrha. Not only that, but he can succeed, where Pyrrha fails. What are Pyrrha's 2 objectives?
Pyrrha: I've always felt as though I was destined to become a Huntress - to protect the world
Nothing, even death Could separate our souls 'Cause you're my final goal
Pyrrha's 2 destinies are to be a hero and to be in love. She fulfills them both tragically. Jaune will fulfill them both in a more positive way.
He is guiding Cinder towards her destiny, by conveying the meaning of Pyrrha's words (heroism)
He is getting his happily ever after with Weiss (love)
In other words, Jaune is fulfilling Pyrrha's legacy thanks to Weiss and is ending up with Weiss thanks to Pyrrha.
THE BEAUTY OF WHITE KNIGHT
Let's summarize Weiss and Jaune's arcs.
Weiss's story is about overcoming her father's abuse. This starts with her affirming who she is outside her surname, goes on with her healing her family and it ends with a new legacy and a new romantic interest. The Schnee name is dirtied when Willow is caught in an abusive relationship with Jacques. Their marriage twists Weiss's perception of romantic relationships:
Weiss: All my life, boys have only cared about the perks of my last name.
So, it would be the cherry on top of Weiss's arc for her family to be reborn together with a new love. A bond with someone who genuinelly likes Weiss:
Jaune: It's Weiss. I'm completely head-over-heels for her, and she won't even give me a chance. She's cold, but she's also incredible. She's smart, and graceful, and talented. I mean, have you heard her sing? I-I just wish she's take me seriously, y'know? I wish I could tell her how I feel without messing it all up.
Jaune's story is about loving himself for who he is, as a whole. Strength and weakness. Masculine and feminine traits alike. The path to do so is to integrate with Pyrrha and become the hero she was. At the same time, he needs to work through his grief over Pyrrha's death. Both goals can be celebrated with the beginning of a fresh relationship. A bond with someone Jaune has always admired. That would be Pyrrha's final gift to him:
Pyrrha: Then do it. Tell her exactly what you said. No ridiculous schemes, no pick-up lines. Just… be honest. You can't get it wrong if it's the truth.
This is why I personally don't believe either Weiss or Jaune ending up single fits their stories. Weiss deserves a romantic partner who loves her, so she can write a story different from her parents'. Jaune needs a new relationship to give both himself and Pyrrha closure.
In conclusion, I personally think both Whiterose and Arkos are intertwined with White Knight.
Arkos especially is a part of White Knight. White Knight would not be possible without Arkos. At the same time, Arkos would lack a powerful catharsis without White Knight. They are 2 bonds that are bound to grow and develop thanks to each other.
Thank you for the ask! I hope my rambling made sense :)
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love-too-believe · 1 year
Text
Why Namor x Shuri makes sense in terms of story structure
So if we go off context, Nashuri was already planned by the writers, as seen in interviews and the og script. Which isn't surprising because viewers picked up on their chemistry and romantic undertones in the movie already. The only reason this was changed is because they wanted to focus on the theme of grief and dealing with loss. Which has been the main theme for phase 4 in general since we're moving on to new heroes.
Also not sure if people are aware of this but the choice to kill Ramonda was more or less a last minute decision by Ryan. Angela only agreed to it after Ryan brought up how often it is for characters to come back.
So this could mean Ramonda's coming back to life or will continue to make appearances. If she does come back to life this more or less weakens the "but he killed her mom!" Argument.
Now let's talk about Shuri's story and Namor's role in it. Because at the end of the day this is Shuri's story.
Shuri's story in WF is her journey from childhood to adulthood. Tenoch has said this is his favorite thing about her story.
In the beginning she is a girl by the end she is a woman.
The particular kind of story structure Ryan used is called "The Heroine's Journey" a popular method to use in storytelling with female leads.
You'll find similar stories following this method in movies like "Star Wars, Labyrinth, The Hunger Games, The Wizard of Oz etc."
"The Heroine's Journey" is a female version of "The Hero's Journey" which is used for male leads. T'Challa actually goes through his hero's journey during "Civil War" and "BP" so im not suprised Ryan used the female version for his sister.
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If you look at the structure of the heroine's journey Shuri pretty much hits all of these.
Distancing herself from her mother, venturing out of Wakanda (both in America and in Talokan) aka leaving the nest, and having her time to shine.
Both the hero and heroine's journies are a method to mature your lead in a way that makes sense and is relatable since hey, we all gotta grow up some times.
Also a subtle thing Ryan incorporated was how both Ramonda and Okoye treat Shuri like she's a child while Namor treats her like an adult, because she is.
Now something that is not always included but is common in both, is the hero or heroine's being presented with sexual incitement, at times for the first time. This signifies them coming into sexual maturity which is why you won't see it in every story or may just get subtle hits of it.
Now if it wasn't obvious Namor is ment to be Shuri's expirence with sexual enticement. Possibly her first encounter since we don't know her history.
And this isn't a "maybe" situation he literally just is. Firstly, this role usually is presented when the hero leaves the nest, not to mention Namor takes up every single trope of this role.
-Invades the hero's space (hut scene)
-whispers to them (again hut scene)
-touches or caresses them (First holding her hand then putting his mother's bracelet on her)
-shows them something new and exciting (Talokan)
-Is usually older then the hero (20s vs 500)
-Often times wears clothing that is either tight fitted or very little clothing (bro is literally walking around in nothing but jewelry and booty shorts)
Secondly, sometimes you'll straight up get subtle hints and/or introductions of sex it's self.
-In Star Wars there's a scene where Leia has to sit on Han's lap and the ship starts bouncing up and down...
-Again, in Star Wars Kylo Ren wipes his mouth which we see has water on it after meeting with Rey through the force...
-With Shuri in Namor, their fight has a weird amount of grappling and holding, not to mention the back scratching...
Namor treats and speaks to Shuri like she's a grown woman. He doesn't handle her with kid gloves like everyone else, he respects her as an adult who can make her own decisions.
In a dark sense even when it comes to either raging war after Ramonda's death or the alliance. He leaves it up to her to decide.
Also Riri, just isn't this to Shuri. This is not to say people can't ship it cause you can ship whatever you want, their all fictional. But Shuri refers to Riri as "a kid", "a child" or "a girl" depending on what translations you watch. This is to show the audience that Shuri does not view Riri as an adult. They're confirmed to have a sisterly bond. Shuri lost a sibling and gained a sibling.
But back to Namor, he also is noticeably kinder to her then he is to literally anyone else in the movie besides his people. Not to mention it's canon that he finds her charming and interesting. He also likes her smile.
It's confirmed by Ryan that he never wanted to kill her even during their fight which some fans noticed, he never tries to kill her even when he has an obvious chance.
And lastly, he sees Shuri as an equal by the end of the movie, showing he has respect for her as a protector of her nation and possibly even views her as a god now but we have to wait and see on that one.
As quoted by Ryan, Namor is ment to be a Peter Pan archetype and when you think about it he really is. He's black and white way of thinking is very childish, he's incredible stubborn, he's arrogant and cocky, yet at the same time, curious and charming. Like Peter he's a father to his people (he literally refers to them as his children) and their sole protector.
There's innocence to his character that's very compelling and shows how young he is in mind.
-he collects (maybe steals, very Killmonger of him) Mayan artifacts from the surface since he never got to see Ancient Maya.
-speaking of collecting things, he even collects random surface world stuff. He has 2 gramophones in his hut, which he most likely got from a ship back in the day.
-he's suprised and charmed by Shuri's kindness. Which makes session since she's the first surface person he's ever spent time with.
-and hey, he got his love of drawing from his mama.
Now what does all this mean for Namor and Shuri in the future? Well for one you got a good amount of back up for them no longer being enemies.
1. Shuri's heroine's journey is over now.
2. Namor was the one who forced her into womanhood.
3. We concluded the story at her finalizing her grief
4. It's canon that Namor was humbled by Shuri after their fight.
5. Wakanda and Talokan will be working with each other.
6. Namor may play a mentor like role with Shuri
7. Dispite many romance scenes being removed they still chose to keep enough hints for people to pick up on.
8. Their fight is described as "intimate" by both writers.
9. Namor and Shuri are described as "two sides of the same coin" and "twin flames" (these are the same descriptions that were used for Rey and Ben Solo in Star Wars)
Why does them having a possible relationship make sense? Well the most basic answer? They're the only two people that can understand what the other is going through.
Their both protectors of great nations that are centered around a resource unique to their land and have a culture and ancestry untouched by colonization. They both know grief of losing people they love. (Namor's mother and his two handmaids, Shuri's brother and mother) Their both EXTREMELY intelligent. (Namor build a vibranium sun underwater and I don't remember where I read it but he learned English in a week.) They both find each other interesting. They both see each other as equals. They both have alot of growing to do.
So will they have some kind of relationship? Most likely. Will it be romantic or platonic? Who knows. But we know they won't be enemies so we have to wait and see.
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bisexual-queenie · 6 months
Note
Could you please write more BNHA Pro Heroes as Incorrect Quotes. I need a Pt.2
OMG Im so happy that someone wanted a part 2 to one of my favorite posts that I made!! Here yall go!
(Few trigger warnings before we begin: Use if swearing, and mentions of violence an alcohol. Let me know if I missed anything!)
Ships mentioned (Vaugley and outright): Erasermic, Edgejeanist, Nightmight, and Kamui x Mount Lady
—————————————————————————
Eraserhead: You have to apologize to Takeyama.
Midnight: Fine.
Midnight: 'Unfuck you' or whatever.
All Might: You often use humor to deflect trauma.
Nighteye: Thank you!
All Might: I didn't say that was a good thing.
Nighteye: What I'm hearing is, you think I'm funny.
Present Mic: Do you remember that horrible roommate you had back in college?
Eraserhead: You mean you?
Mount Lady: Sometimes I feel like dying.
Kamui Woods: Wha-
Mount Lady: And then I remember that I won't be able to see you if I do.
Kamui Woods: *blushes*
———————————————————————
Best Jeanist: Sometimes I feel like dying.
Edgeshot: Good for you.
Miruko: Do I look nice?
Fat Gum: You look like you're about to set someone on fire.
Miruko: Perfect.
Present Mic: A fistfight CAN be romantic.
Miruko: And you know what the worst part is?
Ryukyuu: That you're having to process your pain without vodka?
Miruko: No.
Miruko: Yeah.
Midnight: If you found out you only had one day left to live, what would you do with it?
Eraserhead: Say goodbye and mend my relationships.
Present Mic: Something illegal.
Shirakumo: Accept my fate.
Tensei: I would message ten people saying that if they didn't forward the message to 10 other people, I would die tomorrow.
Eraserhead: What?
Shirakumo: That's fucking awesome. Can I change my answer?
Eraserhead: Hizashi, just GO TO THE HOSPITAL
Present Mic: Who's stab wound is this???? Is it OUR stab wound???? No! Stay out of it!
Hawks: I'm the proud owner of an IQ of 5 (and a half)!
Endeavor: Not for long.
Hawks: Please. It's all I have.
Present Mic: "Ladies and gentlemen" is unnecessarily gendered, overly formal, lengthy, and honestly I'm falling asleep already.
Present Mic: "Cowards", on the other hand, is inclusive to all genders, casual and fun. Short and to the point, exciting, and dramatic.
Nighteye: You look like a corpse that was just pulled out of the river.
Present Mic: Wrong. I look like a cool rock star who just OD'd in their own pool. Big difference.
Gang Orca: I made lightly fried fish fillets for dinner.
Edgeshot: Kuugo, It’s 1:15 am, what the fuck.
Gang Orca: Do you want the lightly fried fish fillets or not.
Edgeshot: Well, I mean yeah.
Gang Orca: So come downstairs while they’re still hot.
Best Jeanist: Wait, you just made them?
Gang Orca: Yeah, I wasn’t tired so I decided to make lightly fried fish fillets.
Edgeshot: Say lightly fried fish fillets one more time Kuugo.
Present Mic: *speaking Spanish*
Eraserhead: I know, I know.
All Might: You speak Spanish?
Eraserhead: No. I just know the phrase, 'this is all your fault' in every language Hizashi speaks.
All Might: I would never say that Mirai is a bitch and I don’t don’t like him. That’s not true…Mirai is a bitch and I like him so much!
Edgeshot: Sometimes, I don’t realize an event was traumatic until I tell it as a funny story and notice everyone is staring at me weird.
*Present Mic sneezes*
Eraserhead: Hizashi, are you sick? Here, let me wrap you in a blanket and hand-feed you some warm soup while singing you a lullaby!
*anyone else sneezes*
Eraserhead: Oh my god. Shut the hell up.
Hawks: Uptown Funk would've made it into the Shrek Soundtrack.
Miruko: That's the truest statement I've ever heard.
Fat Gum: Hey Sasaki?
Nighteye: Yeah?
Fat Gum: What's your favorite color of the alphabet? True or false?
Nighteye:
Nighteye: ...What.
Ryukyuu: So, what's it like living with Hakamada?
Edgeshot: They once referred to sand as "heterosexual glitter."
Ryukyuu: ...
Edgeshot: I love them so much.
Fat Gum: I’m sorry, I really flew off the handle back there. It was like the handle was a bald guy going really fast, and I was his toupée.
Someone interviewing the Lurkers: What are the hardest things to say?
Mount Lady: I was wrong.
Edgeshot: I need help.
Kamui Woods: Worcestershire sauce.
Eraserhead: You’re drunk.
Present Mic: Correction: drinking. Present tense. Grammar, Shouta.
Endeavor: How did none of you hear what I just said?!
Hawks: I've been zoned out for the past two and a half hours.
Best Jeanist: I got distracted halfway through.
Edgeshot: Ignoring you was a conscious decision.
Hawks: If you put a milkshake in one yard and crack open a cold one in another yard, which yard would the boys go to?
All Might: Schrödinger's boys.
Miruko: FUCK!
Present Mic: What about cracking open a cold milkshake?
Nighteye: As we all know, the milkshake brings the boys to the yard. The presence of the boys is a prerequisite for the cracking open of a cold one, but cold ones do not have any inherent boy-attracting abilities. Milkshakes, however, do.
Nighteye: All else being equal, the boys would proceed to the milkshake yard. While it is possible to announce the presence of cold ones in the hope of attracting some boys, the pull of the milkshake is much more powerful by comparison.
Hawks: ...
All Might: ...
Miruko: ...
Present Mic: ...
Nighteye: Mind you, all of this nonsense hinges on whether or not the boys are back in town.
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djarinsphere · 1 year
Note
hi there! would love a short fic about jedi!reader introducing Din to long-time friends Han and Leia, which eventually leads to a very intense game of sabacc between Din and Han. thank u <3~
A game of sabacc
Din Djarin x female!Jedi!reader
Words: 1.9k Warnings: mentions of alcohol
For weeks, you had been trying to get Din to head to Coruscant with you. Whenever you brought it up again, he let out an annoyed sigh, talking about how he had so much to do when it came to bounties, payments and travel. 
You respected that of course. Being in a relationship with Din for a while had taught you that the man had his own way to travel, to live and to handle things. Going back to Coruscant to meet with some old friends of yours just wasn’t high on his list of priorities right now. 
But this list had to change at some point. As he slowly started working through the long list of available bounties, he gained more free time. Din would have preferred to spend it with you on a remote planet, just the two of you basking in your love for each other, but if visiting Coruscant was going to make you happy, then he would use his free time for that. Anything to see a smile on your face. 
Besides, you had talked a lot about Han Solo and Leia Organa. Your eyes were sparkling every time you told him a story about your two friends or just referred to a funny situation you had been in with Leia.
While you had been exploring your connection to the Force, mostly with Luke, you did have a lot of intimate talks with Leia as well. It brought you closer together, making you good, intimate friends. Din deserved to know that part of you.
You had been together for quite a while, a year or more, but he had never met any close friends of yours. Acquaintances maybe. People that had helped you out on your travels every once in a while. But after all this time together, sharing intimate moments together, opening up more and more, you felt like Din needed to meet your long-time friends eventually. 
It was a sunny day when you finally arrived in Coruscant, landing with the Razor Crest. “Oh, there she is!” You exclaimed excitedly when you spotted Leia outside. The woman was carrying a smile on her lips as she watched the engines of the Razor Crest turn off one by one. “I’ve seen her before. In the holo news,” Din mumbled, fixing the position of his helmet a bit. He didn’t wear it around you that often anymore, but as soon as you entered the atmosphere of a new planet, where scans of the ship could be made, he was hiding his face again. You respected this tradition. His armour was a part of him, as was the Mandalorian way of life. 
“Of course you’ve seen her before. She’s a war hero and part of the New Republic.” A chuckle left your lips as you shouldered your bag and then climbed down the ladder from the cockpit. Grogu was already in his little floating crib, a satisfied expression on his face. You had given him some sweets earlier. “Excited to meet some friends?” You asked him with a smile and the small child angled his head slightly, a curious expression filling his gaze. 
As soon as the ramp had opened, Leia was coming towards you, her arms flying around your neck to pull you into a tight hug. “Oh, how I have missed you,” she smiled, the excitement also filling her voice. You felt at home, welcomed back into the arms of your friend. 
You didn’t hesitate to hug her back, happiness spreading into every bone of your body. As soon as you left the hug though, you reached back to grab Din’s arm gently. The cool metal of his armour felt familiar under your fingertips. 
“Leia, this is Din Djarin. A bounty hunter I’ve been travelling with and well…” You didn’t need to say more. Leia understood that Din was not only “someone” you travelled with. At least not anymore. 
You could feel Din’s nervousness through the Force. He could hide it well behind his mask and his armour sometimes, but he couldn’t betray the Force. He couldn’t trick your feelings, the connection between you two. 
“Welcome to Coruscant, Din. My husband and I are excited to finally meet you,” the Princess smiled, as welcoming as always. Leia had a presence you had never seen before with anyone else. She was friendly, encouraging and a great leader at the same time. Without her, you doubted that the Rebellion would have been able to defeat the Empire. Without her, the war might still be going at this very moment. 
“Oh, I’m glad Han is here. Haven’t seen him in a while either,” you chuckled, remembering the last times you had visited Leia. Han just wasn’t one to settle down for a long time. He needed adventure, the dangers of the galaxy, in his every day life. 
“Yeah, he’s been preparing some drinks for us all. Follow me.” Leia gestured for you and Din to follow her to their apartment. 
Din couldn’t deny that he had never been in a place as fancy as this one. Technologies he had never even heard about ran this place. The apartment was huge, the windows big enough to capture the gigantic Coruscant skyline. “You also used to live in a place like this, cyar’ika?” He whispered, bending down a bit to make sure no one else heard. “No, but I’ve spent some time here. With the princess,” you explained, a chuckle leaving your lips again. You had never experienced the luxury of really living in a place like this, but your friends had often enough let you get a glimpse of it. 
Han Solo, the infamous pilot and smuggler, greeted you in the living room area. It was spacious, with a long couch and drinks ready on the glass table. You greeted him with a hug as well, feeling his hands rub your back in a brotherly gesture. “Been a while,” the pilot grinned and then took a step back to look at you. “No major injuries. Everything’s going well, then? And who is this guest of yours?” He asked, not hiding his curiosity. Not that he had ever been able to hide it. 
“That’s my partner. Din Djarin,” you replied. A smile spread over your lips. He was your partner. Hopefully for more years to come. 
“You look like you could play an entertaining game of sabacc, my friend,” Han grinned, offering Din his hand. 
The Mandalorian tensed up a bit, before he eventually shook Han’s hand. “You could say that.” You had seen Din play sabacc a handful of times. He was good at it. Especially since no one was able to read his expressions usually. You had only played against him once, but had failed miserably.
“Then let’s go.” Han had a wide grin in his face as he lead Din over to the kitchen table. The pilot grabbed a deck of sabacc cards from a cupboard in the kitchen, eventually laying down the cards. You positioned yourself behind Din, putting your hands on his shoulders. “Good luck,” you whispered, fingers brushing over the scarf around his neck. You wished you could give him a kiss as a good luck charm. But maybe he could have one as a reward later. 
The game eventually started. Han’s expression immediately changed. The grin was gone, instead he was furrowing his eyebrows as he concentrated fully on the cards in front of him. Din’s shoulders tensed up under your grip as he studied his own cards. You could feel the tension between he two players growing continuously. 
Glances were exchanged, in hopes of trying to read the other’s mind. Could they maybe have better cards? “I know I’ve won,” Han said, confidently. It was probably a part of his strategy, trying to make Din slip up and maybe draw more cards that could possibly be a disadvantage. 
“Do you?” Din asked in return, leaning forward a bit. “I think you’re trying to fool me, smuggler.” The tension was rising between them, your hands getting a tighter grip on your partner’s shoulders. 
Leia was already making a step forward to maybe interfere with this game before it could get out of hand. But Han motioned for her to stand back, for now.
“And I think you’re trying to look tough with those cards on your hands.” Han’s mouth formed into yet another grin as he leaned forward as well. Din’s heartbeat rose, a sign of his growing ambition to win this game. Had it been a good idea to let these two play a card game together?
“Just like you’re trying to look tough by switching up your cards with the ones in your sleeve.” 
You raised your eyebrows at the pilot in the seat across from you. Han’s cheeks turned a deep shade of red. “You-” he started, but an angry stare from his fiancé was enough. 
“How?” 
It was all Han asked after that. He wasn’t embarrassed about his attempt at cheating, they didn’t actually play for money, but his ego was still a bit hurt. The Mandalorian was the first person to look past his tricks.
“Let’s just say I’ve got an eye for that,” Din shrugged confidently, slowly getting up again. “Maybe you should try to act less confident next time. It’s kind of like carrying a sign that says ‘I cheat’ around everywhere you go.”
Han let out another chuckle, clearly amused but also impressed by how well Din had been able to identify his tricks. 
“Well done. A drink?” Han suggested, handing out the drinks he had already made earlier. Din wasn’t able to drink it now of course, but he would gladly do it when they were in their own room – the guest room. 
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Din was slowly removing his armour, eventually placing his helmet down on the windowsill in your room. He let a hand run through his messy curls before facing you with a smile. “I was surprised your friend took that loss so well,” he chuckled, sitting down on the edge of the bed. 
“Me too. He’s usually quite bad at that. But… how did you know he was cheating?” You had been watching Han closely as well, but you had no idea what he had done with the cards. 
You walked over to the Mandalorian as he parted his legs for you to stand between them. His hands found your hips, giving them a small squeeze before he tilted his head further up, his brown eyes searching for yours. “I didn’t. I just figured he would. Seemed to confident,” he explained and an amused smile appeared on his face.
Din knew people like Han too well not to notice something might be wrong. Even if there was no real evidence at first.
You were impressed, truly. But you still had a question left. “How did you know about the sleeve then?”
“Common smuggler trick. I can show it to you if you want,” he shrugged, placing a soft kiss on your chin. “Even though I doubt I can pull it off. I’m not a smuggler after all.”
“No, you definitely aren’t,” you chuckled, hands finding their way into his curls. “You’re something a lot better. You’re mine.”
Then you kissed the Mandalorian, passionetely.
Maybe also as a reward for his sabacc win.
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