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trafltr · 1 year

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ooh baby, ooh baby, i’m in love | eren jaeger.

the note 𐦍 i’ve recently been thinking about a successful, older (early to mid thirties), soft spoken eren who lives to spoil the woman of his dreams—so i’m gonna share this with y’all too. i’m actually just projecting our relationship. not proud of the ending but wtv. part two here. inspired by west coast, lana del rey.

contains 𐦍 nsfw, fem!reader, stupidly rich!eren, established relationship, vaginal sex, mating press, cervix kisses, use of pet names (princess, baby, my wife, the usual yk), unprotected sex, breeding, squirting, softie eren, mild body worship, size kink, hand on stomach while fucking mhm, i love you’s exchanged, praise kink, eren talks to your pussy while he’s in it, i’m thinking black reader but it’s all subjective babes: if you like it, read it!!

truth be told, eren jaeger doesn’t believe he has much to live for.

he’s kept his circle small for all of these ongoing years; with the occasional extension of acquaintances from work dinners, or christmas parties—though, he preferred to slip away from such events when eyes weren’t so…watchful. he likes to think his social battery has drained over the course of his life. looking back at his angstful teenage years, fourteen year old most likely wouldn’t recognize the person he is today.

his once intense nature that resembled an overbearing presence of loud determination turned calm—steadfast and slow to visible anger (with the exception of a passive aggressive comment here and there from simple annoyance). the short hair that once barely covered his nape now fell to his broad shoulders, however, he preferred to keep it up—maintaining appearances while keeping it convenient. the smaller five foot six body grew to an intimidating lean six foot four instead.

however, those things were quite trivial; he knew such changes happened with growth and eventual maturity.

but for a significant chunk of his life, eren was never the greatest with women. he was oblivious—blind to the wandering eyes full of admiration from girls in his classes and workplace—and nose deep in his books. he wouldn’t rest until he was on top of his grades; which he had no problem with. His emphasis on success failed him when it came to the dating scene; to say the least he was shy—and married to his work as well.

but on top of all this, eren was a patient man, and good things always comes to those who wait.

and when a dangerously beautiful woman comes wandering into his life on the street outside of an office dinner he gracefully slipped away from, asking him for an extra five dollars to help pay for her cab home from a no-show date—a woman that has him battling the slew of warning alarms sounding away in his usually zen mind and redefining what he thought was himself—he knows that he’s waited long enough.

simply put, he’s a man of his craft; dedicated to two things. his work, and his wife.

His wife—the phrase has his brain melting into pure grey matter that spills out his body in the form of love. To even think he has the opportunity to refer to you as such is priceless in itself. eren didn’t believe he could love—let alone love this hard. you ask him to run, he’ll say how far; jump—how high?

you’ve changed him—ever since he offered to drop you off in his sleek black mercedes benz parked somewhere by the valet and you giggled in response, saying ‘i’m not usually so trusting of strangers’ will the slightest glint of curiosity in your bright eyes.

and somewhere in between the months, his ten hour workdays turned to six, important software development meetings got pushed back for convenience, the accumulating days of paid time off started being used, for once, his assistant could do their job, and his new focus was you.

diamonds and pearls, nails and hair, dinners on boats and vacations on beaches, shopping sprees on his black card and all of his devotion towards you—only you.

eren…he’s a worshipper—it doesn’t take much for him to get on his knees for you. he’s not ashamed, if anything, he’s proud. he likes to say that anything that’s his, is yours; so who are you to deny what he gives you?

that’s another thing he oh so loves about you—you readily take everything he can offer. you let him take care of you, and he wouldn’t want it any other way; you’re his wife after all.

his wife, his wife.

“my wife…” eren mumbles to himself as he buries his face into the crook of your perfumed neck. the pronounced scent makes his head spin, you can’t fathom how in love with you this man is. as his large hands engulf your own, he’s met with the texture of your wedding ring that cost him over twenty grand, the one you cried over when you saw it in his hands offering it to you—but eren doesn’t think it does his adoration for you enough justice.

he prefers to show you.

while there’s no doubt that material items and dream homes are things you like to receive—there’s nothing better than the way he has you now, one leg resting atop his shoulder and the other barely slung around his waist as he steadily ruts his hips into your own.

oh, how could you be so beautiful? splayed out on the bed like a wicked man’s deepest desires and dreams; the one he secretly lusts for from across the room with no hopes to introduce himself because you’re just so out of his league. your hair is messily draped over the silk pillows, all remnants of your lipgloss/lipstick gone from your parted lips and instead smudged on his own, the gold necklace with his diamond initial was falling into the dip in your neck, and you were gazing at him with need. pure, heartfelt need.

your body arches towards him, manicured hands trailing towards your own chest to play with your nipples that hardened from the low temperature of the room. “i need you eren, make me feel you—i want it.” your voice is smooth, accompanied with a small whine that reminds him just how spoiled you are, and how it’s all his fault.

but he couldn’t care less—you deserve it for wandering into his life to make you his own.

“i know princess, i know.” he knows damn well you need him, he knows, he knows—he’s repeating it as he peppers a kiss to your jewelled ankle before pressing down on the back of your thigh to steady himself.

eren fucks like he loves—endlessly and hard.

maybe that’s why the way he bullies your pussy while bottoming out has you grasping at the threads of the sheets and chanting his name like a hymn followed by prayer. he lets your cunt feel every bit of him, the ridges—veins, down to the last inch. he’s terrifyingly big, another thing you love about him.

his dick feels like it’s mushing your insides, curving up against your spongy walls that oh so desperately tighten around him. every thrust is harder than his last, and the way the trimmed hair resting above his base brushes against your clit provides all the extra stimulation that has your head rolling to the side. your uncontrolled moans turn to sobs when you feel his tip tickle your cervix—and boy does it make him a rejuvenated man.

“look at me.” his words barely register as syllables in your clouded mind—you keep your head turned, eyes focused shut as your body shakes upwards from the fervour of his unrelenting tempo. there’s a lot of things eren can have, and you not watching the way his slick covered dick slips in and out of your weeping pussy isn’t one of them. “you have to look at me pretty girl.” his tone is soft but firm, thick fingers taking your chin in his hands and turning you towards him once again.

“see how well you’re taking me? all of it.” he gives you a million dollar smile, hinting for you to watch where the two of you connect. “your pretty cunt just wants it so bad, right?”

“oh, eren…” it’s always a sudden surprise how soiled his mouth can get at times like this. heeding his request, you watch his cock disappear in your folds—and you sight of it has you fluttering around him like a whore.

“you were made for me, weren’t you? prettiest sight i’ve ever seen.” you’ve heard his praises a multitude of times, having him ramble on about fucking you so much your walls moulded to fit him like a tight glove, only that now, he’s saying it to your pussy instead.

“only you ‘ren, was made just for you.” you babble out, feverishly bucking your hips up to meet his ruts.

when your eyes finally rip away from below and back up to his face, the look he wears has your cunt melting like putty. with furrowed brows, a dip in his forehead and a bitten lip, he watches your body move with each fuck. even in such a sinful position, you were just so divine.

almost subconsciously, his ringed hand moves from your hip and over to your torso, gliding over your pierced belly and stopped at your lower stomach, “I’m right here baby.” gently, he applies pressure to the spot, making your eyes blow open as you moan in response. the feeling gives you butterflies—ones that go straight to your clit and stimulate the nerves in your shaky legs.

“cummin—eren i’m cumming!” you’re rambling, scrambling to push his hand away from your belly, but it’s all too late, and eren knows that well. how could he not? your body is a temple, he’s explored every inch of it, and the sudden vice grip your walls have you him and periodic throb of your cunt is all too telling. your orgasm is drawn out, legs spazzing around your entranced husband, “mm, oh-fuck! yesyesyes eren, don’t stop!”

oh, aren’t you just perfect. his eyes soften when he watches how your mouth hangs open in a silent scream, only to capture it in a languid and sloppy kiss, teeth grazing your plump lips and sucking on them like a sweet. you whine he pulls himself away from your body completely, instead he takes the time to tack his thumb to your puffy clit, rubbing feint circles and the occasional attempted heart on the bud. he always does this, coaxing out the last of your orgasm with nimble fingers that you dream about

“you gonna let me take good care of you?” he asks softly between hushed breaths while grabbing hold of both your legs and hoisting them over his shoulders. helplessly, all you can do is nod; you’re in a trance at the very sight of him. his defined torso is illuminated by the back light of one of the many lamps in your bedroom, his hair is slipping from its captive elastic band, the grip of his hands on your ankles sends searing hot pulses straight to your sensitive clit.

he gives himself a few good pumps, sliding his length between your folds. your wetness aids him in bottoming out once again, but your sensitivity has you squirming in his hold. “gotta stay put baby.” he marvels, talking you into submission, “that’s my girl.”

his praises are followed by the shift of his hands down to the back of your thighs, they gently rub the plush skin before pushing them down to meet your chest. while there are some circumstances where looking down at you sparks something within him, eren likes to be eye to eye with you when he’s balls deep—turns him on even more being in such close proximity with such a captivating woman.

you squeal from the uncomfortable burn in your hamstring from being folded in half with the additional feeling of eren’s body weight on your own. you swear that you can feel your heart palpitating in your ears as you feverishly clench around him. “it’s too much! can’t take it, can’t take it!”

“of course you can, you know you can, your pussy takes everything i give it.” eren speaks between juts, pressing your knees to your shoulder blades as he pistons into you without any regard for decency. his thrust feel like a hammer, knocking your body into the memory foam mattress you begged him to buy.

stars cloud your eyes as he wraps himself tighter around you, head in the side of your neck as he peppers kisses across your skin. your pants and gasps are loud, amplifying the sounds of slapping skin and balls hitting the fat of your ass. his favourite part is when you dig your nails into his back, leaving cresent shaped imprints and jagged lines across it like a painter with a canvas; scars of your love.

deep groans fill your ear, soft and sweet; all eren can ramble about is you—how good you feel, how quick you can make him unravel like a ball of string, how lucky he is to have you in his life—the list goes on.

“i love you—fuck, i love you so much baby, you treat me so well.” with his declaration of love, his pace seems to increase, fucking you dumb and leaving you to heave for whatever air is left to breathe.

“i love you too, so much.” your eyes scramble around in your haywire brain, overloaded by the repeated feeling of the jackhammering going on in your walls and the non-stop cervix kisses he gives you. “it’s all yours, eren; you deserve it, you deserve this pussy. you married this, have it.”

eren jaeger doesn’t believe he’s deserving of much; has he earned things? yes. but you…laying beneath him, telling him he deserves you? it makes him never want to leave—not that he would dream of doing so in the first place.

he does deserve it—your words make his brain malfunction. he deserves it. fuck, you might just be the death of him.

you’re crying for him, grasping at any part of his body possible to get him closer to you than physically possible. your tighten around his base once more, and your hand flies down to messily prod at your clit in an attempt to play with it.

meanwhile, eren’s unrelenting pace falters; that man knows he’s going to cum soon, and he’ll be damned if he doesn’t do it with you. so he pleads with you to give him one more—telling you that you’ve got another one bundled up in there for him. to say it’s true is unknown, but your body listens to eren, and miraculously whatever he believes will happen comes to fruition.

but your body is delicate—everyone knows delicate things break under pressure. with the unrelenting strain and stretch his dick gives your walls, the tight feeling in your core, and aching numbness in your legs, your buildup feels much more violent—ready to release all built up tension given to you by your husband.

“eren—keep on going like this and i’m gonna make a mess!” you fuss around, hand reaching to gently push his torso away in fear you may soil the freshly made sheets.

“that’s the goal.” he states as a matter of factly, brows furrowing as a suppressed groan bubbles up from his chest at the thought: pretty little face going stupid and clawing at anything within reach as you writhe and cum all over his torso and lower body. you can’t make him budge now that he’s a determined man.

his strokes grow sloppy but powerful, curved cock repeatedly ramming into your spongy spot that force your plush walls to grip around him, “you’re eating me up here, love.” he mumbles, moaning into your mouth in the disguise of a messy kiss.

the last roll that tips you over the rocky edge is a shaky one, the last one he could give before emptying himself into you. it’s thick and hot and you feel it fill you as you twitch underneath him and cover his abdomen with your juices. wordlessly, his hands reach for yours as he stills; soft lips peppering the lining of skin on your cheek.

eren jaeger knows that change is inevitable—it comes with time. but eren jaeger also knows one thing will stay the same; his love and adoration for the pretty girl laying below him.

#eren jaeger x reader #eren x reader #eren smut #eren jaeger smut #aot smut #aot x reader #snk x reader #snk smut #eren yeager x reader

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prettieinpink · 8 days

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REBRANDING YOURSELF

COLLAB WITH THE HOTTIE????!!!!!!! @honeytonedhottie. LMAO NOT US PLANNING THIS IN LIKE DEC THEN RELEASING IN APRIL. I luv you so much ur my fav moot. moots who collab together, stay together. Check out her post on her page too, as usual, she makes the best points so y'all better listen.

Rebranding is a process in which you redefine who you are and how others perceive you. Each journey of rebranding yourself is personal and individual. When you rebrand yourself, you further align yourself with your higher you. This post is a guide to getting started on your journey!

UNDERSTAND YOUR CURRENT SELF.

So, take a step back and think about who you are as an individual right now. What are your values and beliefs? Does your external self reflect your inner self? Are you comfortable in your current environment?

These questions and more will help to see which aspects of your life you may need to redefine. See if there’s anything that doesn’t align with your higher self.

After that, pick those aspects that need to be redefined. Why do you want to change this? How has this been impacting you internally/externally? Does this aspect stem from your environment or yourself? See why this aspect needs to be improved.

DESIGNING YOUR BRAND

This is more of a fun step! So, using your aspects design how you want that specific thing to look and feel like. Avoid being vague or non-specific. Try to put in as much detail as you can for each aspect.

If you’d prefer, you don’t have to use ‘aspects’ and instead use your life generally. This is your redesign, so do whatever is more comfortable and achievable for you.

ASPECTS

Health

Social life

Career

Hobbies

Family

Finance

Spirituality

Personal development (mindset, goals, improvement)

Self care

Culture

Well-being

Things to include

Achievable goals

How your environment looks like

How your daily life like

How you see yourself

What do you feel after

Why this is alignment within yourself?

You can do this any way you want. The one I would recommend for redesigning your life would be a vision board, preferably a physical one. If you don’t want to do that, there are still a lot of options such as writing it down into a pretty poster, creating a playlist that will reflect your brand, creating a pretty list, or having sticky notes around your room as reminders.

Be creative and detailed with this. You should spend at least an hour if not more trying to redesign your life/aspects.

CREATING GOALS

Goals are so important, especially when we are moving in a different direction than we were before. As we’ve got the current status of who we are and what we want to be, creating goals should be easy.

Make your goals visible. Put a sticky note on your mirrors, put it as your laptop background, put a reminder on your phone, listen to a playlist that motivates you of your goals or anything else that will constantly remind you of your goals.

Other than that, remember that goals have to be achievable, mindful, and flexible.

ESTABLISHING HABITS

Habits are so important to rebrand yourself. Habits make up your identity. The way you act, speak, and do daily, can subconsciously influence you to be someone who isn’t in alignment with your higher self.

As much as it’s important to establish new habits that align with you, you have to root out the habits that are pushing you off track from achieving your goals.

The good thing is that you can do both at the same time. Replace those old habits, with brand new ones. For example, when you open your phone first thing in the morning instead of opening up TikTok, get YouTube opened and start a 5-minute meditation to start your day.

However, just because a habit is beneficial for you, it doesn’t mean it is in alignment for you. For many people, they prefer to read books as a productive alternative for leisure, however, you may not be able to read a book and focus. In that case, you may want to watch an educational video instead. You’re still getting the benefits, but just in a different way.

STEP FIVE: IMPLEMENTING YOUR BRAND DAILY

Think about all the little details of how this person would act, from morning until night. Embody their actions, words, aura, and vibes. This is when having a visual of your goals is good, so you can see what you need to do.

This includes no longer indulging in things your higher self wouldn’t do. Regardless of how much comfort, entertainment, or dopamine something gives you, you have to let it go if it is destroying your mind.

I way I recommend implementing your brand daily by creating a daily routine that focuses on a different goal each day of the week. E.g:

Monday - Practicing being mindful (meditation, journaling, connecting with your religion)

Tuesday - Fitness (pilates, weightlifting, hot girl walks)

Wednesday - Socialising (going out to meet new people/connecting with old friends)

Thursday - Productivity (Schoolwork, studying, business, workplace tasks)

Friday - Self-care (taking a slow day however you’d like)

ta-daa!! thanks 4 reading. now go follow @honeytonedhottie 💕😍

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monarch-of-jack · 2 months

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A reminder that this is a very special Aro week this year!

Because our lovely Aro flag is turning 10 years old!

Let this year also be a reminder of how far we've come as a community!

When I was a baby AroAce out in the early 2000s, Aromanticism was virtually unknown. It was attributed to misogyny, misandry or being anti-social. But I've seen you guys prove it for almost two decades now, that Aromantics are some of the most wonderful, inclusive and welcoming people out there. And true revolutionaries that redefine what relationships and love and family truly means in this world.

From the loveless Aros to the high love Aros. From the Queerplatonic Aros to the Aplatonic Aros. The AlloAros to the AroAces. The Demiro, Greyro, Lithro, Frayro, Recipro, Quoiro, Aegoro, Aroflux and all the other Arospecs under the umbrella. Whether you are starting to be recognized or still fighting to be visible.

We are all valid, and we have all come so far! So celebrate yourselves and your community this year! We're all amazing!

I can't wait to see how far the next decade will take us~

#aromantic #aro #arospec #aro week 2024 #aro week #aromantic week #aromantic history #I still remember when the green yellow orange striped flag was used #or when people kept using the old yellow stripe verison of the current flag instead

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charles-leclerizz · 2 months

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TRAILER : THE BEGINING

🏁 Content warnings : Swearing.

🏁 Spoiler alert : Please read the masterlist, Character sketch and Team sketch to understand.

🏁 Genre : Drama, Action, Sports

🏁 Reading time : 15 minutes, 6 seconds

🏁 Word count : 3.0.k (3021 words)

🏁 Chapter summary : It all begins now.

🏁 Author's note : So, this is it, welcome to the beginning of this wild ride. Just wanted to explain a few things [so skip this right now if you're not really interested, no hard feelings !] Now, this format is probably confusing, basically the first part of this is the trailer, how it would look on Netflix, the actual video/film. And the writing after the banner, Behind the Scenes, is literally behind the scenes, what isn't shown on camera. Second, this whole series is meant to be very dramatic, it's entertainment made by "Netflix" [not really, please don't sue me] for God sake. With all that said, Enjoy!

Masterlist · 🪷 Aisha · 🪷 Porsche F1 Team · 🪷

[Please play this song whilst reading the trailer & feel free to stop once we get behind the scenes with the drivers !]

The screen fades from black to show a Porsche F1 car skidding down the track, the sound of screeching rubber against the tarmac harmonises with the energetic music that pumps behind the video.

Circular shots of a driver climbing out of the car from different angles flash across, and just before they tug off their helmet the scene changes to the paddock, pit crew, mechanics and drivers rush past in a blur, their differently coloured uniforms merge together like lights in a city scape. Suddenly, everything stops and the music fades away momentarily.

“In the fast-paced world of formula 1,”

Scenes of driving legends hoisting up their trophies with happy grins and champagne soaked racing gear flash past. Ayrton Senna, Michael Schumacher, Kimi Räikkönen.

“Where every second counts and emotions run high.”

The grating sounds of cars speeding past bursts into the frame, Max Verstappen shaking his fists ambitiously as he wins, yet another grand prix, Charles Leclerc as he wins in Spa and Monza, Carlos sainz and Lando Norris partnering up in the Singapore 2023- “Yeah, it’s on purpose.” The Spaniard grits out just as the narrator begins to speak again.

“Our team is about to redefine the game,”

The narrator is revealed, a woman, tall and proud as she sits in front of a grey backdrop. Her blonde hair is cut to a sharp bob and her glasses, astute and black sit high on her nose as she laughs jauntily and arches a well-managed, bleached brow at one of the three camera’s recording her, “Is that good?” she huffs out, thick Manchester accent shining through her cheerful words.

Black takes over once again, and the Indian flag, flapping in the wind from a tall pole that reaches high into the sky is shown, the bright, proud colours shining against the pale, blue sky. The camera pans down to the bottom of the ground, where the same driver,who was emerging from the car in the begging is looking up, at their flag.

But instead of their helmet securely fastened around their face, it’s held between the crook of their elbow and waist. The white base is glossy as multiple sponsor logos are littered around the entire frame, along with the black, bold letters “PATEL” being showed off at the back, currently visible to the camera along with the behind of the driver’s racing suit.

The shot pans up, revealing long flowing hair, black thick strands a contrast to her off white racing suit. The same flag peeks out from between the chunks of her fluttering locks, large and proud on the expanse of her back. The driver begins to turn and just as her red painted lips come into view the scene changes and a different narrator begins to speak again.

“From the makers of 'Drive to Survive' comes a new Netflix Original Series that takes you behind the scenes of the most exhilarating sport on the planet.”

Scenes of the woman running across the paddock and into her garage, her teammate not far behind overlay the announcement.

Another moment is revealed, this time of her ducking into her car, glove covered hands braced on the halo as her face turns upwards towards a racing engineer who speaks to her. She nods before turning to look directly into the camera and lowering herself into the cockpit.

The woman begins to speak again, "Aisha is our trailblazer in Formula 1.”

The iconic lights of Formula one begins to count down as the mechanical ticking echo throughout the grand-stands and the camera goes to shoot the anticipatory lull in the air as spectators hold their breath whilst the engines start up and the last light dims.

“She’s smashing stereotypes and racing towards victory.” The team principal shakes her head, a soft, proud smile playing on her light pink lips.

The team car revs menacingly as the gaggle of drivers manoeuvre their way through turn one of Bahrain.

The Porsche chassis glows between the unmanageable scuffle of the other 18 cars on the track, as both team racers attempt to come out on top in the dangerous pile of engines, the expectant victor of the throng doesn’t appear, the deep blue red bull is yet to emerge. The crowd gasps and cheers as the true victor begins to approach the next turn, speeding down the straight.

The camera catches the proud logo on the side of the car, “Porsche” and on the back, as the DRS begins to activate, the opened flap reveals, “Patel”.

“I just hope people are ready to see her in action. Because she isn’t stopping anytime soon" She stares into the camera as her name appears on screen, a small box enveloping the words, “Katherine Anderson, Porsche team principal.”

Finally, the rumoured driver comes into the scene, walking up to the stool as the camera drags up her slack clad legs, the cream material swishes by her ankles along with the golden payaal that jingles with each step of her stiletto heels against the floor. Her torso is revealed slowly, a tight top hugs her bust whilst the printed Porsche logo morphs against the curves of her chest. The varied tennis barcelets and charmed jewellery around her wrist titillate together as she takes a seat on the chair, and her face is revealed.

She squints her eyes and brings a manicured hand up to push away the straightened hair from her lips, her mouth purses as the unintelligible voice of the producer talks to her, whilst her eyelashes flutter and she hums in agreement.

“So, I just talk?” She asks, pointing a finger at the camera that faces her before blotting the lipstick on her lips. She nods once as the cameraman confirms.

“My name,” She tilts her head as she smiles, perfect, white teeth shining underneath the light, “Is Aisha Patel, and I drive for Porsche F1 Team.”

The camera cuts again, showcasing Aisha on the podium, pushing a large trophy up into the air as her teammate, Pierre cheers and sprays champagne on her stomach from his place on the “2nd” platform. She shakes her head and laughs as her entire head becomes soaked with the bubbly, sweet drink. Multiple identical shots are placed one after the other, of her standing proud and sweaty on the 1st place podium.

“I’ve worked my ass off,” Aisha’s voice over-runs the music, “And I’ll be damned if anything stands in my way.”

She squares her shoulders as she unzips her racing suits and bunches it up at her waist as she stomps over to Max Verstappen, the Dutch man looking equally malicious as his blue eyes roll with annoyance and already red face puffs out intimidatingly.

She pokes a finger into his fire-proof covered chest as she begins to shout, ignoring the worried stares of the crew around her in the Red-Bull garage. Max spits out the long, twirling straw from between his lips and begins to argue back.

Her mouth moves angrily as she goes to snatch the can of branded drink from his tense hands, throwing the sugary drink in his face, thoroughly dousing the shouting man and reducing him to a spluttering mess as she stomps away, flipping off one of the camera’s that eagerly follows her.

The narrator returns, his deep timbre rumbling through the video, “But the road to victory is never easy, as Aisha navigates through rivalries, scandals, and the pressure to perform.”

The scene switches to Aisha rushing out of a hotel in England, the night before Silverstone and the odd, overwhelming flashes of hounding reporters seem to be tuned out of her gaze as Lando runs behind her, grabbing helplessly at her hand whilst tears stream down her flushed face.

Her hair is mused and makeup runs haphazardly across her tan skin, she wretches her wrist out of the man’s grip, shaking her head as her lip wobbles. She covers her eyes before dodging and weaving through the paparazzi, barely able to mumble polite, “excuse me’s” from between erratic sobs, as she unlocks her expensive car and slips into the driver’s seat.

The second shot is of her and Carlos, hand in hand as her shoulders begin to shiver in his hold whilst she adjusts the heavy cardigan that hangs limp from her shoulders. The Spaniard’s face is tough and rocky as his hands comes to embrace her upper arm, cradling her against his side whilst the rest of the drivers begin to flee the racetrack, already tired from the latest qualifying session.

Yet, the papparizzi continue to hound the pair mercilessly, Aisha hides her face as the man beside her stops his firm footsteps and turns to a reporter from a less respectable news channel, the sleezy jounarlist gulps but stands his ground as he pushes his microphone forward. Carlos glances down at the tech with disgust, and just before he opens his mouth, the scene ends, and we’re taken back to Aisha who sits contently in the interview.

“In this world, you must fight for every inch. And I'm ready to fight, no matter the cost.” She smirks at another camera, her side profile showing off noticeable details over the expanse of her face like the sharp cut of her nose and the splattering of freckles across her cheekbones along with the odd beauty marks spotted above her lip and a few inches from her nose.

The final shot is off Aisha climbing out of the Porsche car, removing her helmet, allowing her hair to flow over her shoulder and down her back as she tilts her head at the camera and leans back against the pale white halo of her car.

She then crooks her finger at the viewers, gesturing for the cameraman to follow her hand as she holds up a singular finger, and points upwards towards the sky.

The shot is then of the of the expansive indiago above, and through the magic of editing, the Porsche logo takes up the screen.

“Get ready to experience the thrill, the passion, and the drama of Formula 1 like never before.” The narrator ends his sentence powerfully as the crescendo of the song reaches its peak.

“This is 'Formula for Love'.” Aisha ends the trailer, waving at the camera before the video is overtaken with black once again.

The title card appears, “Formula for love – A netflix original series”.

As the words disappear, a shot of Aisha’s car speeding off into the distance after which a mechanical, “Streaming soon, only on Netflix.” ends the trailer.

Aisha sighed, tapping her thighs as the filming concluded and many on-set employees rushed to her side, patting at her face along with offering her a can of thumbs up, the condensation runs down the metallic container and onto her fingers.

“Thank you, guys so much,” Aisha sipped at the straw protruding from the can in her hand before smiling at the people who merely stared at her, already putting away their various tools. A compact snapped shut, a damp towel thrown over a shoulder and a camera cover flipped closed.

Aisha sucked in a breath, flicking her eyes over the workers before looking over at Kate, who was signing a paper handed to her on a writing board.

She chuckled at Aisha’s worried expression and the silence that hung in the air, “It’s okay,” she assured the driver, who looked relieved as the people recovered and retreated away from the filming set, going back to their stations.

“They aren’t very used to people thanking them.” Kate shrugged, “They reacted like that to me as well,”

“Oh, thank God,” She patted her chest as she waved at the director, who smiled back and showed her a happy thumbs up, “This is all so new to me.” Aisha tugged at her hair as Kate pulled up her phone and scrolled through her calendar.

“Don’t worry too much about its Aisha, you’ll get there.” She rubbed the nervous driver’s arm and hissed when her phone vibrated, “I have to go, so much to get done before our first season,” Kate shook her head, wishing Aisha goodbye as she walked out of the trailer and out towards their still concealed garage.

Aisha hummed distractedly, before realising she had no idea what to do once Kate had walked away, “Wait!” But the team principal had already left, “Damn it,” She bit her nail once, handing off her empty can and plucking out her phone from her pocket.

“Oh, there you are.” A media manager bounded up to Aisha, surprising the woman as she jumped and whipped her head around to the approaching worker, “The driver’s briefing is about to begin,”

The man waved a hand at his face before pinching his Porsche x Adidas apparel between his fingers and forcing air between the material and his chest. He was likely middle aged, and sported dark brown hair with peppery roots and salted strands that peeked out from between the chocolatey curls.

He showed her his F1 team ID and stopped fanning himself to usher her with his hand.

“Shit- okay,” Aisha stuffed her phone away, following him out of Netflix filming trailer, out to the dark murky sky above the paddock, towards another building.

The office was tall and white, covered with floor to ceiling windows that were shielded with a layer of reflective film, “Oh God.” Aisha murmured beneath her breath as she took a few calming breaths, already forgetting to trail behind the man who was staring at her impatiently whilst holding the door open, watching as she stared at the building by straining her neck upwards.

She prepared herself, flapping her hands around slightly and jolting when the manager cleared his throat.

“Please hurry Miss. Patel. It won’t look good if you’re late.”

“I know, I know.” Aisha repeated, assuring the increasingly nervous man who walked up to her.

“It will be okay,” He laid a hesitant hand on her shoulder, taking an exemplary deep breath for her to copy. He continued when she did, “I’m Harry, sorry for not introducing myself, and I will be in charge of all media at Porsche.”

“Okay?” Aisha shook her head a few times to clear her mind, “Meaning?”

Harry chuckled and hung his head, “Meaning. That I’ll be with you in there. You won’t be alone.” He pointed a finger at himself, “See, you already have a familiar face to look for,” His slightly aged face wrinkled happily when Aisha smiled at him and relaxed visibly beneath his comforting hold.

“Thank you, Harry,” She huffed and stood straighter, “Let’s do this.”

Her heels clicked beneath her confident steps as she thanked the man who held the door open for her and Harry, who walked contently behind her.

Aisha craned her head around the bend, following the acrylic signs that read, “Driver briefing – Conference room 1.” She adjusted her shirt, feeling, for the first time in forever, conscience of her clothing and slipped a thumb beneath the waistband of her slacks to adjust them slightly.

“Let’s do this,” She pushed at the milky white door, steeling her face with a bored, neutral expression just as her name was called out, most likely for rollcall.

But, Aisha stopped in her tracks, the door barely nudged open when a flurry of deep chuckles and whispers erupted at the sound of her name.

“Seriously? Is this what fans are doing now?” The speaker rolled his “r’s” whilst shaking his head.

“How much do you think that cost them?” An oddly familiar British voice mumbled whilst crossing his arms and nudging the man next to him.

And one of them groaned and slapped his thigh once, complaining about “-needing better media stunts.”

Aisha scoffed quietly, so these were some of her heroes? Assuming that a woman could never possibly be selected to race, instead she was an obsessive fan who had shrines for each of the men stashed in her closet?

She pushed open the door, causing a few drivers to rustle and shift in their seats and turn minutely towards the sound of the door hinges, opening and closing.

Aisha walked forward and planted a hand on her hip, leaning onto one leg as each of the men looked towards her with annoyed expressions.

“I’m sorry, fans aren’t allowed here.” A French man, dressed in glaring red began to stand up, nodding discreetly at the security men flanked at either side of the doors- who glanced at each other hesitantly and barely moved at his guidance, obviously recognising her, “How did you even get in?”

“Ridiculous what they’ll do for an autograph,” Another one stood, and stared at her thunderously, his Dutch accent causing him to lisp his angry words, “All right, time to go.” He was the first to directly address the security, “Guys, get her out.”

Aisha held up her hand, between her fingers a prestigious card stood proud, the F1 logo bedazzled in gold foil, shimmered beneath the yellow lights, she glanced over her shoulder at the burly, guards who relaxed at her identification.

“Aisha Patel?” She looked to the FIA officer who stared at her, amused with her entrance before ticking off her name, “Porsche F1 driver.” She announced her title, smirking with slight arrogance at the gob-smacked expression on both the French and Dutch men, both of whom flushed an embarrassed red and muttered apologies whilst returning to their seats, next to both of their teammates.

“I’m here for the briefing?” Aisha prompted the officer, before smiling at the rest of her fellow drivers, most of them attempting to suppress their cackles at the other two’s mistake.

“Yes, of course Miss Patel,” The man greeted her, gesturing to an empty seat next to Pierre who smirked at Aisha.

She began to walk down the walkway between the sets of chairs filled by F1 team personnel and racers, waving at a few of the managers from other teams who knew of her position and staring darkly at some drivers who looked her up and down with curiosity.

“Sorry for being late, I was busy paying of my debt. Do you know how much it costs to get your name on the register?” She leaned forward on her crossed knees, looking down the row with a sarcastic expression. The ones who did dare to meet her eyes mumbled in agreement and slumped against their seats.

“Fuck-“The driver who made the comment doubled over, hiding his freckle covered face in his hands, causing his bright orange athleisure jacket to stretch prompting his teammate to chuckle whilst patting his back.

honourary tags [for special pookies] : @disneyprincemuke, @weekendlusting, @woozarts, @mellowarcadefun, @paintedbypoetry, @33-81, @kazuha-pista-badam

A/N : And that's that, the first ever episode [trailer really] of this series is done and dusted. As always please show some love to this tinker-bell minded writer and remember to comment and reblog <33

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storiesbyrhi · 7 days

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Witch!Reader x Bat/Vampire!Eddie Munson Series Masterlist The Grimoire The Timeline

Warnings: canon typical violence, horror genre typical violence/some infrequent gore, swearing, animal death, no beta, death in childbirth (mentioned, not described), abusive parents, suicide, spiders/bugs, grief/mourning; light smut; warnings updated each chapter.

Synopsis: No witch has stepped foot in Hawkins since 1845, but when Vecna opens the ground and poisons the town, a voice begins to call to you. Have you been brought back to this cursed place to heal the townspeople’s wounds, to save a hexed bat that always finds its way to you, or to redefine your history with a reunion 150 years in the making?

Chapter Summary: You are wide awake. 2340 words.

1986

Every day Eddie watched the jar. He watched how the moon water moved, alive and with a viscosity different from regular water. He watched the apple slices dry and the sprigs of lavender go stiff. He thought if he watched closely enough, he’d see the magic working, but he never caught a glimmer of craft.

When it was time, you let him plant the enchanted seed in the new coven neighbourhood. Your home would grow furthest out, close to the shade of the woods. A spell later, you were traveling back to Forest Hills to begin packing the trailer up.

It had been months since you’d moved in, therefore you had accumulated a lot of items.

“Do you need all of these?” Eddie asked, holding up one of five shoeboxes, all packed with feathers you had found. “And is this a normal amount of feathers to find? What is wrong with the birds in Hawkins?”

“Yes and no and a lot. I told you that if you are gonna help, you can’t question every single thing you pick up,”

“I’m doing no such thing,” he rebutted.

“Eddie, you told me to cull my jar collection,”

“I stand by it. There are too many. You can collect more,”

“I use them! Frequently! And I don’t just keep any jar. All the ones I have are, like, uniquely shaped or extra sturdy!” you whined. “Asking a witch to not collect jars is just…” You shook your head, not able to find the words to express the atrocity.

Eddie smiled at you softly. “Perhaps I am not the best helper,” he conceded. “Perhaps my time would be better spent doing something else,”

“Something else like use your vampire speed to clean the bathroom, or something else like turn into a bat and sleep?”

An hour later, Eddie was asleep in one of the boxes containing clothes, and you were wrapping more empty jars in bubble wrap.

…

A monument to witchcraft and love. That’s what Eddie thought when he saw the house. It had the glorious drama of Ev’s Victorian home and the softness of the other witches’ cottages. Expansive stained glass windows. Detailed architraves, the wood so dark it appeared black. Red brick. A single-story structure, but the dome of a conservatory was visible over the roof. It extended back into the woods, settling into the landscape as if it had always been there.

Eddie thought back to all the places he had lived in. The house his father’s rage felt the brunt of as much as he did. The farm he came into adulthood on. The colony caves. The cold and lonely hotel rooms. The trees above Forest Hills. He’d never had a home, apart from your arms, but there it was. Real and in front of him.

The sun was setting over the valley as Eddie stood before the house. You’d seen it early that day, doing your final checks before okaying the move. It was your magic the house grew from, so naturally you were less awestruck by it. The floorplan and aesthetic had been born in your mind. Still, it was a beautiful thing.

“Think it will do?” you asked Eddie, coming to stand beside him.

He couldn’t tear his eyes away from it. “It’s…” How many different words were there for ‘home,’ he wondered. What language could fully communicate the depth of emotion?

“Enchanted seeds create homes, not houses,” you told him as you walked towards the front door. “Come and see.”

Eddie followed, almost expecting something to happen as he crossed the front door threshold. Once inside, Eddie clenched his jaw. It was more perfect than he could have anticipated.

The furniture was plush and comfortable, an eclectic mix of antique pieces and modern amenities. Bookshelves stood tall and waiting, ready for the library to arrive. Potted ivy trailed up and around curtain railings and along the walls.

“You never got to see my place in the Catskills. A lot of the furniture comes from there. The rest comes from the seed… It’s the kind of magic that makes me wish we could study it, you know? I want to know the science of it. How does it work?”

“It seems to me that part of the power of magic is in the unknowing,” Eddie replied, as wise as any of the Witches Who Came Before.

“It does appear to be the case,” you agreed.

For a while, you let Eddie wander aimlessly through the house.

He marvelled at the bath, huge and round, like a pond and definitely big enough for two. A huge wardrobe door that opened into a secret library. The conservatory full of thriving plants, flowers, herbs, and other living things Eddie did not have a word for. Every window a different shape but never square. Strange detailing like cat shaped doorknobs and pink quartz basins.

Eventually, Eddie sat on the end of the huge bed, its four posts grand and its linen crisp. He looked over at you and held out his hands.

“Come.”

You walked to him, taking his hands, and standing between his legs. Eddie looked up at you with those sparkling brown eyes, the adoration radiating from him.

“It’s an irrational idea, this fear I have that I’m dreaming. That I am still cursed, haunting this town until the end of time. But a vampire cannot dream. The cursed cannot dream. But still…”

Gently, you let go of Eddie’s hands and leaned into him, snaking your fingers into his hair as he pressed himself into your body, wrapping his arms around your waist.

“You are wide awake. Alive… kind of… But definitely here. With me. In our home. Soon-to-be, with our friends. Our family. And just in time for Halloween.”

He purred a happy sound, nodding into you. “A witch’s favourite holiday?” he hazarded a guess.

“Hmm, not all of us. Most of the witches I’ve known tended to find more obscure holidays to worship at the altar of. New Years is a big one, too. Alas, I am but a cliché All Hallows witch,”

“With much respect, I see that,” Eddie said. You laughed, shrugged. He looked up at you again. “You did fall in love with a vampire, after all.”

…

Far away from the rest of the world, you and Eddie spent almost a week settling into the new house. Grimoires were catalogued into one of the three library rooms. Dandelion puffs were jarred and shelved. Every trinket found its home.

Eddie tested the rainbow light that flooded the rooms, discovering that in the magic there was safety. Sunlight that filtered through the windows did not burn him. He could be free and at ease.

You explained to Eddie the importance of representing the elements within the home. Earth in the plants, wooden carpentry, and the grounding crystals. Fire in the candles, ever-burning incense, and roaring fireplaces that only ever emitted the exact level of heat you wanted. (“In summer, the flames burn cold,” you told Eddie and watched his smile grow.) Water in the mirrors, seashells, and small fountains found in the glasshouse room. Lastly, air in the wind chimes, feathers, and windows that could remain open without upsetting the temperature inside.

During the day, you began work on your garden, creating flower beds in the shape of pentagrams and sewing seeds. Borage for the butterflies and bees, primrose – I can’t live without you; angelica in case you need to break any future hexes; and yarrow, amaryllis, and polypodies.

One evening, just before sunset, you found Eddie rummaging through the apothecary pantry. As you entered the room, his manic smile told you he’d had an idea.

“What’s the story, morning glory?” you asked him, perching on a stool.

Eddie sunk to his knees and shrugged. “The fires are out… The Shire is no longer burning,”

“The Shire being… Hawkins?”

“Yes. And us. We’ve sailed to the Undying Lands,”

“You’re really making Tolkien your whole personality, huh?” you joked.

Eddie smiled up at you. “Until the next book… But what I’m saying is, now that we do not have a battle to prepare for. No conflict upon the horizon. What do we do with all of eternity?”

“Oh… My plan was to eat a lot of Meg’s cinnamon rolls… Try to get Steve Harrington to stop haunting Mel… Maybe work on a spell to make myself teeny tiny so I can ride around on you when you’re a bat…”

“Wait, seriously?”

You gave him a sly smile. “Maybe,”

“Well, I would love that… But, I was thinking a little more introspectively. Back to things we have thought about before. Like, why I am the way that I am… What that means…” He ran a finger along the leaves of the mimosa pudica plant beside him. The leaves felt his touch, curled inwards on themselves. It was one of Eddie’s favourites, the way it reacted to the world around it.

“Any new insights?” you asked softy.

“No… But… If I believe in you and in your magic and the way you make sense of the world… then I… I have to do something,”

“Do something?”

“We get back what we give, right?”

“Yeah,” you agreed. “It’s not always obvious or direct. Or timely. Or even equally fair… But, yeah… There is definitely something like the concept of karma at play. And even if there isn’t, living as if there is can only be a good thing,”

“Then I must show more grace… and gratitude… Even if I am a monster, maybe especially because I am… I can give goodness too.”

Without thinking, you slid off the stool and joined Eddie on the floor. “You already do. You don’t owe the world anything.”

Eddie smiled, first a small soft thing, almost sad, but then it twisted into something else. Ear-to-ear and full of teeth. “I owe it more than one life,”

“But if we count all the lives you have saved. Both by killing what plagued this town, and by preventing deaths at the hands of bad people-”

“Morality cannot be simple addition and subtraction. There is no math that can quantify goodness or righteousness. You know that,” Eddie cut in. He watched your face, saw the pensiveness blossom across it. “Don’t worry, my little witch, my plan is not as life-or-death as this all makes it seem… I just want to do something good for your friends,”

“Your friends,” you corrected quickly. “They’ll be your friends too. Your family. You’re part of this coven.”

Eddie reached out to cup your face in his hands. “Your coven is yours. But I will take the friendship. I have years of loneliness to make up for,”

“Then what-”

He cut you off again, this time with a kiss. You brought your hands up to his shoulders, draping your arms around his neck. Eddie pulled you into his lap and you curled into him like the leaves of the mimosa.

His mouth kissed and sucked at your neck between sentence fragments. “I’m-” kiss “going-” kiss “to plant-” lick “them-” kiss “flowers.” His punctuation a kiss that wanted to be a bite.

You were hardly listening to his words. His words and ideas and introspective musings could all wait.

Eddie laid you down on the floor, the smell of the oak still new. You arched your back and pulled him down by his collar.

“Bed,” you mumbled into his mouth.

“Why build a house if we’re not gonna use it,” he answered.

One hand splayed next to your head to keep him up, the other tickling its way under the hem of your skirt and up your thigh.

“Besides,” Eddie said. “Doesn’t feel like you can wait.” He was sliding your underwear off, throwing them across the room. He rested a hand on you, sliding an index finger through your slickness.

“I can’t,” you agreed, breathy and impatient. “Now. I want you now.”

Eddie didn’t have to be asked twice. With his pants still hanging from an ankle, he was fast to set up and slow on approach. You felt the tip of him follow the path made by his hand, gathering wetness, and shooting electricity through your body.

You melted into jelly beneath him, bliss written all over your face. Eddie loved you like this, pliable and prone to tears of ecstasy.

He held himself back, keeping his pace slow and steady. His vampire muscles screamed to go faster, to rail you into next week, but he liked pulling you apart. Liked how you unconsciously uttered strings of words like ‘full’ and ‘please’ and ‘can’t.’ Liked when you clawed at him to come closer, bit down on his shoulder.

“I love you,” he told you, mouth on your ear, tongue licking. “So. Fucking. Much.”

There was a seemingly endless amount of ways Eddie had learned could make you cum. Talking to you was a favourite for you both.

“You’re so perfect, so perfect… You feel so perfect… You’re so warm and soft and I… I want to eat you whole…”

Your response was in the pooling tears and the nodding and the slack jaw. The begging, “Please. Please.”

“I love you. I love you. I love you.” It was all it took. Your orgasm exploded moments before his. Eddie’s thrusting getting harder and faster for the few seconds he took to follow you. He had to grind his teeth together to stop himself from ripping into your neck.

You kept your eyes closed, not aware of your surroundings. When you felt Eddie’s arms slide beneath you, you smiled and hummed. He carried you to your new bed, cleaning your skin with a warm washcloth before curling himself in behind you.

With the last of your day’s energy, you tangled your fingers through his, falling asleep happily.

As Eddie listened to your breathing find its mellow night rhythm, he saw a vision of you in his mind. Hands full of flowers and foliage. A coven of audience. Glorious and beaming.

End Note: I made a small Pinterest board with inspo for their house - click here to view.

I hope you are all as well as any of us can be at a time like this. I hope this story continues to provide comfort, escapism, and fuel for daydreams. xo Rhi

Fic Taglist: @paranoidmunson @idkidknemore @paprikaquinn @stardustworlds @loz-brooke @wyverntatty @vintagehellfire @dark-academia-slut @scarletwitchwhore @becks1002 @mrsdollardog @heyndrix @luceneraium @rosaline-black @devilinthepalemoonlite @goldencherriess @iamwhisperingstars @wiltedwonderland @blueywrites @breezybeesposts @jadehowlettthewolf @spikesvamp79 @foreveranexpatsposts @tortoiseshellspells @wingedpeachjudgegiant @stardustmunson @live-love-be-unique @fangirling-4-ever @reanimated-alice @b-irock @gh0stlybunnie @myown-worstenemy-2003 @woozzz @cyberxlust @hiscrimsonangel @buckysbarne @m00nlight101 @word-wytch @spicysix @briasnow-blog @goth-cowgirl-03 @moviefreak1205 @pastel-pillows

All Eddie Taglist: @solomons-finest-rum @ruinedbythehobbit @sweetpeapod @thorfemmes @corrodedhawkins @grungegrrrl @lilzabob @averagemisfit03 @ches-86 @ilovecupcakesandtea @onehotgreasymechanic @hazydespair @mel-the-fangirl @eddies-hid3out @siren-lungs @aheadfullofsteverogers @hiscrimsonangel @dashingdeb16 @cultish-corner

#Mine #Burning Yarrow #Eddie Munson #Vampire!Eddie Munson #Bat!Eddie Munson #Eddie Munson x Reader #Eddie Munson x You #Eddie Munson/Reader #Eddie Munson/You

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hellomynameisbisexual · 2 years

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"We are challenging people to face their own external and internal biphobia. We are demanding attention. We are redefining 'anything that moves' on our own terms."

So declares the introduction to Anything That Movies, a bisexual zine that ran from 1991 to 2001. Founded by editor and photographer Karla Rossi, Anything That Moves got its name from the stereotype that bisexual people will sleep with "anything that moves," and it sought to redefine these and other assumptions about bi people in its decade-long run. Rossi didn't respond to Mashable's request for comment.

All 22 issues of Anything That Moves are now archived by a group of young bisexual people and allies. Not only does the archive introduce a new generation to a rare instance of bi-focused writing, but it's also shockingly relevant to issues bi people face today.

Discovering the bisexual zine

Snippets of the introduction have circulated the internet in recent years, and they're referred to as the ATM "manifesto" on its website. The words caught the attention of bi writer Kravitz Marshall, but he had never seen other material from the zine.

In 2020, Marshall found the Anything That Moves website, a relic of the early 2000s with an incomplete archive. He then bought issue #16 from Bolerium Books, a source for out-of-print books and material related to social movements. Marshall scanned each page of the issue and uploaded it online for free; he had planned on doing this for all issues of Anything That Moves, but acquaintances on a bisexual Discord server expressed interest in helping. The discussion grew so much that they created a separate server.

"It was the first time I became aware such a thing existed and I became very excited at the thought of finding and reading more copies," said Jo, a bi femme activist who became involved in the project and now helms the archive email.

The group found issue #2 via Reddit, but believed finding all the issues would be a difficult process — until a member of the now-inactive archive server was able to gather PDFs of every issue through her university library.

"It was thrilling and such a relief," Marshall told Mashable, "because had this not happened, we might've had to do it the hard and expensive way."

"It happened so fast," Jo recalled. "I just remember about seven bisexuals, including Krav and myself, putting our heads together to figure out the best way to get our hands on all these copies and how to share them with the rest of the LGBTQ community."

Now, the work of Marshall, Jo, and a group of bi people and allies is gathered in the archive.

Joy and heartbreak of Anything That Moves

Reading through the archive is, personally, an ambivalent experience. Anything That Moves began before I was even born, and I feel kindred reading this decades-old work; it's like reading discussions I've had with bi friends back to me. The articles, reviews, fiction, and poetry in discusses visibility, (non)monogamy, the inclusion of trans people in bisexuality — to name merely a few topics still pertinent today.

Despite the joy of reading this bi-centric work, however, it's telling how little has changed since 1991.

Jo, who grew up in a conservative area, found the zine refreshing and comforting. "Even when you discover/read/watch anything regarding LGBTQ history, it’s very rare for any specific focus to be given to the bisexual community," they said. "Finding Anything That Moves was a shock to my system."

Marshall was touched by the "unfiltered life" within its pages. "There's urgency, there's knowledge, there's joy, there's righteous rage, there's lust," Marshall said, "and you don't have to go searching between the lines for it — it grabs your shoulders and shakes you until you reach the back cover."

Despite the joy of reading this bi-centric work, however, it's telling how little has changed since 1991.

For Jo, the experience of reading Anything That Moves has been both special and heartbreaking. "A lot of the subject matter is stuff that the bi community has been dealing with forever," they said. "The same stereotypes and heterosexism that bisexuals faced nearly thirty years ago are still very prevalent today."

"It really hits you that virtually nothing has changed about the outside perception of bisexuality and bisexuals," Marshall agreed. "Almost every single issue we grapple with now is a hand-me-down."

He pointed to a piece in the inaugural issue called "This Poem Can Be Put Off No Longer" to display his point. Here are the first few stanzas:

The first several stanzas of "This Poem Can Be Put Off No Longer" by Susan Carlton, featured in the first issue of 'Anything That Moves.' Credit: Anything That Moves / Susan Carlton

The poem continues, but the point is clear from the start: Bisexual people aren't believed for who they are. They're belittled and told to "choose a side," that they're bisexual for attention. It's difficult to think that this poem is over 30 years old.

The poem "truly could've been written yesterday... or 50 years ago," said Marshall. "How long do we have to keep screaming the same things to the world over and over until people stop pretending we're speaking another galaxy's language?"

Stigma against bisexuality still persists today, and impacts people's lives: Bisexual people are more likely to be anxious and depressed; they're also more likely to experience intimate partner violence.

The stagnancy of the world's perception of bisexual people infuriates Marshall, he said, but it's imperative to still talk about these issues. "You can't just stop talking about these issues, so you just say the same things, because the world that needs to listen to you refuses to move on. And I'm not a fan of repeating myself," he said. "You just feel like you're going crazy."

The solace of Anything That Moves, however, is that even though progress has been slow, fellow bisexual people can relate to the shared experience detailed in its pages.

"How long do we have to keep screaming the same things to the world over and over until people stop pretending we're speaking another galaxy's language?"

After Jo came out, for example, they internalized that being bi made them "second-rate." They didn't feel welcome in cisheterosexual circles nor LGBTQ circles, a common feeling for bisexual people who feel like they're straddling both. Searching for issues of Anything That Moves, part of bisexual history, helped Jo connect with other bi people. Being able to meet others facing the same issues, and sharing this historical information and searching for more, has made the biggest impact on them and their identity.

"I don't feel as alone as I once did because bisexuals of today wanted to learn more about their bisexual elders," they said.

Those who have found the archive have also felt that connection. The archive team has received waves of emails, messages, and followers — some wanting to help, others thanking them.

"For the most part, people are just delighted to finally get to read the magazine," Marshall said.

Even this positive feedback echoes the sentiment of the time. Readers wrote to Anything That Moves, and some of those letters are published in subsequent issues. "You can see so clearly how life-changing these publications were to some people," Marshall said, "so thank God it was brought to the world."

"It's something I definitely needed when I was a closeted, bisexual teenager."

The archive has helped current bi readers ground in their bisexuality, Jo said. The archivists even connected with some former Anything That Moves editors, who discovered them through the project. "I'm just happy we got a chance to say thank you for everything they left for us to discover," Jo said.

There's still work to be done for the archive, like transcriptions for easier reading and sharing. Some people involved even planned on making an original virtual bi zine, Marshall said, but due to personal commitments, the idea fizzled out within months.

"I still hope it'll exist one day," Marshall said. "If by some miracle the future grants me that wish, I won't reveal its title, but I find it pleasantly cheeky."

For now, of course, there's nearly two-dozen issues of Anything That Moves. Jo believes the zine is a gift.

"I want to be able to share this gift with anyone else who may need it," they said. "It's something I definitely needed when I was a closeted, bisexual teenager."

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oneatlatime · 3 months

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The Crossroads of Destiny

Strap in folks it's finally finale time!

I'm getting a bad feeling from the 'previously on' segment.

*gasp* Song's bird horse!?!?!

Toph gets some serious speed with that earth tongue walking.

Ty Lee's flattery gets less and less subtle. I get the feeling that a lot of Azula's more worrying tendencies could have been curtailed if someone had stuck her on stage as a child.

Is Zuko taller?

The cuts between these scenes are getting ridiculous. Some of these scenes are maybe 15 seconds long.

Zuko knows what's up. He and Iroh have teamed up on that particular fire breathing party trick before.

"It's time I face Azula." Buddy. No.

"You're so dramatic." POT. KETTLE. BLACK.

The last time Iroh and the Aang Gang teamed up, it was also against Azula. She has a way of uniting enemies.

The longer I stare at this the more I giggle.

"Good inside him isn't enough. Why don't you come back when it's outside him too, ok?" Congratulations to Sokka for articulating one of the fundamental human truths. Intentions can go take a hike when all that's visible are actions.

I love that! Iroh says he brought someone along in a tone that very much implies that he asked for help from a friend! Then you go outside and see he kidnapped a dude! And then they just leave him there!

I see your fake meditation. No one as rotten inside as this guy actually meditates properly.

The Dai Li be like

Katara? Why are you ripping into Zuko? Why is Season one bitchy Katara back? I don't want season 1 bitchy Katara to come back.

"No offence." "None taken." Iroh loves his nephew, but Iroh knows his nephew.

The one time Iroh's advice is explicitly solicited is the one time his advice is corny crap. That sucks.

Ba Sing Se is a tel? That's neat.

Hey Toph? Now would be a great time for that new metal bending trick of yours.

Avatar inadvertently validating my fear of subway grates.

I know this is life or death serious and all, but isn't the Sokka and Ty Lee dynamic cute?

MOMO!

This episode's thesis statement boils down to "what happens when you cancel arts programs and theatre kids don't get a chance to monologue in controlled conditions."

Honest question: Is Azula actually so deluded to believe that Divine Right of Kings crap she just spouted, or is she saying what the Dai Li needs to hear to side with her? Usually I think everything out of Azula's mouth is a calculated statement for manipulating others, but the way the show framed that monologue makes me think she actually believes what she's saying.

This conversation between Katara and Zuko, aside from showing that Katara is as capable as Sokka at sticking her foot in her mouth, is actually showing Zuko's growth well. So many of the things that he waves away with an "it's ok" are things that would have made him explode back in season one. It's about time he redefined that scar of his too.

"Aang! I knew you'd come!" "Uncle! The fuck?" Zuko truly has a way with words.

Hey Iroh maybe save your heart to heart until after you've exited the prison?

Wait so this episode is named after Zuko's arc? It's Zuko's destiny this finale is dealing with? Poor Aang's not even the main character in his eponymous show's season finale? Dang.

What was I saying about waiting to chat until you're outside the prison?

So every word out of Azula's mouth here is definitely a lie. She doesn't need Zuko at all. She's got a whole army and already has possession of the throne. What does she need with someone she considers to be an inferior firebender?

Father's love? That guy who burns off faces? The audacity.

"You are free to choose." Is it really freedom of choice if choosing the answer Azula doesn't want to hear ends with Zuko in a crystal cage?

Gotta say I'm intrigued by how quiet Zuko's being for this whole episode. Compare it to the volume of his confrontation with Azula at the Spa place at the beginning of the season.

This is so awful. This is so skin crawly. This is so going to end badly.

Toph can turn doors into ping pong balls. I like that. And what does she need Sokka scouting for Dai Li agents for? She can sense people for miles.

I love the line read on the "I'm not leaving without Bosco!" But does this guy really think he's in a position to make demands, after all the stuff he's ruined in the last, what, two days?

This is a cool move. Full body air bitchslap.

Katara cut her hair! That's kind of like what she did to Pakku with the ice disks.

How has no one been knocked out yet? Everyone in this fight should have at least 5 concussions by now.

I don't know what to make of it, but when Zuko says "I have changed" he sounds more calm and confident than he has all season.

I love the dynamic between Sokka & Toph and Mai & Ty Lee. Everyone involved knows they're second string and no one's really that invested. So they're all kind of chill.

I don't know what's going on in this fight, but Zuko is far too talented and Katara and Aang are both going down too easily.

And this right here is why this fight is only going to end badly for Aang. As soon as Azula's tired of playing, she'll call in reinforcements. Aang doesn't have those.

I hate Azula so much, which means I'm very annoyed to say that she and Zuko actually make a good fighting team. Did they practice drills together or something back in the day? They way they tag out and back in, and exchange fights, flows so well.

Jesus

Crap ok

She nerfed him in the power up sequence! That's not allowed!

So help me god if the writers hook these two up after pulling this crap I will riot.

Iroh could have been helpful if he'd been there earlier. Guess it takes a while to break out of crystals. Although I do like the detail that he stops fighting as soon as Aang and Katara are out & safe.

I was wondering why the magic water was randomly brought up earlier after disappearing for the entire season. I figured it had been lost in the desert with the rest of the stuff on Appa's saddle.

I'm so sorry, but the way Aang's arrow flashes once to confirm that Katara's saved him makes him look like an external USB device confirming successful connection.

I'm loving how immediate the regret from Zuko is. Proof that he has learned over the last two seasons.

"The Earth Kingdom... has fallen." AND WHOSE FAULT IS THAT? This King rubs me the wrong way. Consistently.

I'm fascinated by the fact that they managed to securely transport a bear on Appa's back.

Final Thoughts

Poor Aang has been demoted to secondary character in his own show. This finale was all Fire Nation.

Well done Azula. No matter which way you look at it, she won. If Azula was the main character, this episode would be the crowning glory series finale.

Sokka and Toph spent the whole episode running around putting out fires, only for five more to spring up in their place. I honestly don't know how they and Appa reconnected with the rest of the Gaang to fly out at the end. There's this feeling the whole episode of being consistently one too many steps behind, and I think it's most obvious in their incessant side quests.

Poor Katara went through about seventy billion emotions this episode. I take back my anger at her bitchiness. She deserved a vent session, although I don't think Zuko quite deserved to be the recipient of it. But he took it well.

Congratulations to Zuko for falling backwards into the only right choice for all the wrong reasons. This episode was only going to end with Azula victorious. She recruited an army and successfully executed a coup without breaking a sweat - that is not a level of enemy that Aang and friends has ever faced before, and not one they can realistically win against. Like with Long Feng, this is not a threat you can hit. You can't bend at ideologies and loyalties.

Zuko was going to end this episode siding with the Fire Nation as a free man, or in Fire Nation custody. This way, someone with an actual semi-functioning conscience now has access to the upper levels of the Fire Nation. This could be really interesting.

To be clear, I fully believe that Zuko chose to side with Azula because he swallowed her offer hook, line & sinker. For the guy who invented "Azula always lies" he sure does fall for her lies a lot, especially when she's saying exactly what he wants to hear. I believe Zuko believed her about getting his honour back bla bla bla, chose to follow her because of that belief, and has already realised at least some of what she said was lies by the end of the episode. Which is promising! It looks like there's potential for a Zuko mole next season!

I'm worried for Iroh. Firelords who burn their children's faces off with no shame don't strike me as the type to shy away from executing their brothers.

The Aang fakeout death at the end was not remotely believable unfortunately, mostly because kids' cartoons don't ever pull a Psycho and kill the nominal main character half way through. It probably would have freaked me out if I'd seen this episode as a kid though.

Azula hitting Aang during his power up sequence was inspired. A very well done subversion of expectations, which finally validates my frustrations with the concept of power up sequences in general. Few things bug me more than the mooks politely waiting their turn while the good guy does a quick wardrobe change.

So... is the war over? The Earth Kingdom's fallen, the Southern Water Tribe have been functionally out of the game for a while now. There's only the Northern Water Tribe left, which are only still standing because of a Hail Mary that I very much doubt Aang can pull off twice. So is next season's focus going to be defending the Northern Water Tribe from a final Fire Nation push? I think that's the only place that isn't conquered by the Fire Nation in name at least. On the bright side, this means the Gaang won't be returning to Ba Sing Se. Good riddance. I hate that place.

I've never seen a show with a finale that focuses so intensely on the conflict of someone other than the main character. I don't really know what to make of this episode. I think I liked the one before it better. To be clear, everything that happened made sense - characters were in character, events unfolded as expected (if you handwave an elite force of earthbenders preferring a 14 year old over their seasoned leader), but something about this episode is just a bit boring to me. Maybe they telegraphed it too hard in the previous episodes? I don't know. I'll have to chew on this one a bit.

#atla #avatar: the last airbender #avatar the last airbender #the crossroads of destiny #a resounding meh

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clementianos-blog · 1 month

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From the beginning, Tim and Steph had a kind of chemistry in their lack of chemistry. They were very different - backgrounds, perspectives, family influences, etc. About all they had in common was that they were only children with family troubles, but even those similarities were abundantly different once you scratched the surface even a tad.

But what I find interesting, and seriously questionable, is how their actual relationship comes about. Steph repeatedly makes choices that aren't the best while "trying to help" and Tim repeatedly has to correct her. He's more-or-less acting like a conscience to her. I guess you could look at this as being that strong part of Tim's personality that drives him to help others. It's why he's Robin. Unlike his predecessors (and successors), the main reason he became Robin was to help Batman; helping everyone else was a secondary (and Batman's primary). To Batman, Tim's Robin is the "I'll help you so you can help everyone else." It's ingrained into him to see the shortcomings of others and he intrinsically wants to help.

There are multiple moments in which Steph is ready to walk away from a lowlife thug who is vulnerably facing certain death - and Tim explains why they need to help. But that's a major theme in the Batman comics in general, so it doesn't really fit the bill of what we're talking about here in a way that is unique to Steph and Tim.

But this does:

Steph is willing to steal two Zesti sodas from a convenience store after she and Tim cleared out the bad guys. He sees no problem in taking the Zestis as long as they will be compensating the store for them rather than stealing. He probably thinks "we COULD go to another, open store, but I'd rather help this one out" or even "best to be seen as little as possible" etc. It doesn't really matter. What matters is that he anticipates that she's thinking about stealing them. He asks "this your treat?" to put the burden on her since she was the one who offered to pick them up.

This could also be his subtle and not-enough way of pushing the "this is not a date" vibes he's been lazily humming out at her lately. Which brings us to the scene that follows this directly:

Tim has been emotionally cheating on Ariana for quite some time, relying on Steph for the emotional pick-me-ups and help-me-outs as well as leading her on. He's reflected on this a few times and even tried to do something about it several times before this point. But here, he is pretty open about his resignation.

This is the kind of thing teens do a lot - really, everyone does it at some point or another. We redefine our understanding of the world, of our morals, of our personal resolve to suit what feels nice. Exactly this is why it's a very good piece of advice to write down your goals in distinct, objective terms and keep them visible to you when you make them. If you say you aren't eating sweets for a month, be specific about what that means. If sugar in your coffee is an allowance, then say so. If desserts, pastries, jams and jellies, and candy are not allowed, then say so. Without being specific... we start to think things like "Well, a blueberry muffin isn't really a sweet (even though this one is covered in sugar crystals and tastes sweeter than the candybar I had last month)."

I'm not really cheating on Ariana. I haven't held Steph's hand. I haven't kissed - er, I haven't intentionally kissed Steph.

The problem is often that we don't see the danger of this stage. Just like Steph saw no danger in stealing two Zestis from the convenience store, Tim sees no danger in letting Steph treat their outings as dates. It's just a buck. It's just a game. It's not serious. No one's getting hurt by it.

And this is a problem for the exact reason Tim gives Steph.

What Steph did was so small, so simple, and seemingly so harmless. The shopkeeper probably would have handed them a case of Zestis each for what they did. But the shopkeeper isn't there.

Steph has Tim here to help her understand why it's wrong to compromise even an inch of her integrity.

What Tim is doing is so much worse. SO much worse. There is no justification, no excuse, and no good reason other than "this makes me happy right now."

But unlike Steph, Tim doesn't have a... well... Tim to put it in perspective. To help him see why it's wrong. Why it starts like this, and soon he'll be bending all the rules.

Instead, Tim has a Steph who is the one dragging him into this quagmire where he's blatantly cheating on his girlfriend and cannot see it for what it is.

And yes, it's clear he can see that it's wrong - just like Steph knew that taking the sodas wasn't really right. But just like with the sodas, neither of them recognized the action for what it truly was: stealing/cheating. Once put into that context, Steph immediately pays. If it were simplified like that to Tim, he would cut it off. The end. No more. I'll either say goodbye to Ariana, or I'll say goodbye to Steph.

But he sees something else: he feels happiness, he sees two happy girls, and he thinks, "No one's getting hurt here. It's not really right but it's not like I'm, you know..."

It starts like that. And soon you're bending all the rules.

TimSteph has a lot of positive qualities to it, but the fact that Steph's a project of Tim's - to build into an upstanding citizen from the rough place she's been raised - means that he needs to stay in the role of her pillar of morality. If he doesn't, as we see, then he falls himself.

Tim managed to say no to the Zesti, but the apple was just too tempting.

#timsteph #tim drake #stephanie brown #robin 3 #spoiler #dc spoiler #dc comics #comic excerpts #comic analysis #character analysis #robin 1993

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april · 7 months

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i think that maybe trying to hold on to the original meaning of "shadowban" is a lost cause since 1) it's definitely entered a wider lexicon than the one it was created in and 2) there are synonyms for it that haven't been redefined. so...

i propose that everyone referring to the original meaning of "shadowban", i.e. where a user's actions are entirely hidden from everyone else but are still visible to them, i.e. there is no way to tell while logged into that user account that their actions' visibility is limited, use one of the synonyms ("hellban", "ghost ban") instead.

maybe this way, we can both continue to refer to the original meaning, and avoid confusion with the modern/prevalent meaning of "shadowban", i.e. where the user is visibly search-banned or has other obvious limitations applied to their user account.

#cue people in the notes exclaiming they did not know the original meaning #...cue people not being able to discern the difference between the two very distinct things i'm describing

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who-is-page · 4 months

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hi! just want to uuh . note? i guess? that the p-shifters that started the. I guess discourse?? are reclaiming the term. Alot of them are using it as an alternative to Clinical Zoanthrope they're not old-style P-shifters

I'm going to be honest, you can't really ... Reclaim a term like that. You can't erase the history of the term, its meaning to the wider community, and the ways in which it's been used (and, most importantly, continues to be used!) to hurt others.

For a brief and shallow explanation, it isn't like a queer person trying to reclaim "fag." It's more akin to someone trying to reclaim a logo or a dogwhistle or a general group term that is known and used by people to this date. Like, you can't reclaim the term "Scientologist," for example. Or the terms "anti-otherkin," or the zeta symbol, for examples more relevant to our own communities. Those have very, very apparent meanings that aren't going to be overwritten, because they're still being used by the communities who originally coined them to mean what they were intended to mean. These aren't abandoned terms. These aren't terms which are primarily weaponized as insults or slurs (although the groups connected to them have certainly done harm to others). These terms are still being used in their intended ways. There is no way to separate the people who are 'reclaiming' it and the people who are just ... Using it. So reclamation doesn't work. Especially when there's no visible effort being made to unpackaged the baggage connected to the term, and any attempts to do so are likely to fail because, as said, the terms are still being used in their original ways. Does this make sense?

Additional afterthought edit: Also, thinking more on it, it's kind of fucked up for someone to try and steal another community's identifying terms and forcibly redefine them? Like, we criticize that all the time in the otherkin and therian communities, and that's not exactly a one-way street. There's plenty of nuance to be had here about the damage that specific groups do, like pshifters-- but something about this still doesn't quite settle okay for me. I don't like pshifters, I think their groups are almost always inherently harmful. But at the same time, does that make it okay for other people to step into their communities and do the same thing that KFF do to us?

#ask

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thetwistedrope · 11 months

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given the Discourse, i couldn't not post this article.

Extremism experts and LGBTQ advocates warned that removing merchandise could be seen as a success by anti-LGBTQ extremists and violent protesters which could lead to copycat behavior threatening the already marginalized community. "I think this will embolden alt-right actors, who now are going to believe that with social media campaigns and targeted actions against retailers that they can proceed in limiting visibility of LGBTQ people," said Sophie Bjork-James, a professor at Vanderbilt University, who researches the white nationalist movement, in an interview.

"Target's giving into this," said Victor Asal, a professor at Albany and extremism researcher. "Other extremists will say 'hey, that's a great idea. We should do that.'"

Michael Edison Hayden, a senior investigative reporter at the Southern Poverty Law Center, believes extremists are making calculated efforts to redefine LGBTQ+ Pride as a "toxic" or dangerous thing.

Bomb threats, he said, are intended to scare the community and supporters into silence. National LGBTQ+ organizations, including Family Equality, GLAAD, GLSEN, The Human Rights Campaign, and more are calling on Target and all businesses to stand up against anti-LGBTQ+ extremism. "When values of diversity, equity and inclusion are tested, business must defend them unequivocally," the organizations said in a joint statement.

#target #pride #lgbt #lgbt+#queer

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artbyblastweave · 1 year

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So we know what your thoughts are on Jack Slash in Worm canon (very good thoughts, thank you for sharing them) but what do you think of Jack in Worm fanfic?

The thing about Jack in canon is that part of why he's so absurdly "successful" is that his floor for what he considers a "success" is incredibly low. He wants to cause as much chaos as he can, with his own survival being an instrumental end towards that first thing. (This is I think an underdiscussed element of his character- Bonesaw notes in her interlude that he's starting to visibly show his age, and that's probably not unrelated to his enthusiasm at the prospect of getting to end the world as the big finish.)

All of this means that Broadcast doesn't have to work all that hard to produce an outcome he's happy with. The 9 eat shit in Brockton Bay but Jack has a great time and lives to do it again. He ends the series locked in a time loop where he's perpetually getting eviscerated, but by the standards he's operating under he still basically eked out a win.

What this means is that in a counterfactual where Jack gives a single solitary shit about someone or something besides himself- whether that's actual moral principles or just quotidian self-interest stuff like "being able to afford gas"- a lot of avenues for stakes and drama return to the character. To say nothing of, like, interpersonal relationships. If you've got a goal more complicated than burning everything down and running away, the ability to subtly manipulate other parahumans is useful but not necessarily an instant-win button. The Black Knight- the alternate version of Jack shown in Eden's interlude- would probably unironically be a fascinating character to explore in a fic, because that's a Jack who's attached himself to a larger project (albeit one that values him mainly as an attack dog) and therefore a Jack who's on some level beholden to what other people think and a Jack who can't just murder his way out of every situation with Broadcast as a lubricant. Giving Jack's power to anyone who's slightly less of a deliberate cartoon shifts the genre towards that of comedy; and probably a comedy where the protagonist constantly faceplants, because by participating in a society (curious!) he's ceded his ability to redefine terms so that he's always winning.

#there are some fics that explore this premise #but I want there to be more #worm #wildbow #parahumans #jack slash #thoughts #meta #asks

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akookminsupporter · 6 months

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Jungkook's interview with The Atlantic

About releasing a full album in English:

At first, Jungkook felt conflicted about this. “I was thinking, Is it okay for a Korean to not release Korean songs at all?” the 26-year-old singer told me through an interpreter, from his entertainment company’s office in Seoul. BTS achieved global popularity while making music almost entirely in their native language, with the exception of a few English-language hits such as “Dynamite” and “Butter.” At the same time, the whole point of his solo effort was to challenge himself—and exclusively singing in English seemed like one good way to do that. Yet he hopes to connect with people on a level deeper than language. “When you think about pop stars, they’re these really cool singers that you’d look up to since your childhood,” he said. “Of course, things have been changing a lot. But I still have that pop-star image stuck in my head since my childhood. And I want to be a cool guy that gives off that amazing vibe.”

Jungkook said he loved the demo for “Standing Next to You” so much that he recorded a full track the next day.

About writing or not his own music:

He told me that, for a long time, he thought it was important for artists to write their own records (as some BTS members elected to do for their solo albums). Jungkook has written and produced songs for BTS, including quiet ballads and electropop anthems; at least two tracks that he wrote for his solo project ended up being recorded by the group instead. “As I grew up, I came to terms with reality and started accepting what I’m not good at or what I don’t have to do,” he said. “At this moment, there’s nothing I want to write about. So I was thinking, Do I really need to invest my time into creating a song from the beginning to the end?” With Golden, the urgent desire wasn’t there, and the timing didn’t make sense. (BTS is expected to reunite in 2025, after all of the members have completed their mandatory military service; Jungkook has yet to begin his.) Rather than writing lyrics or composing melodies, he chose to experiment with new vocal techniques and hone his live-performance skills.

About the content in his songs:

The songs on “Golden” reference mature themes—namely, substances and sex—more explicitly than his previous work, in part because of the relative cultural conservatism of his home country and the idol industry. Jungkook has openly acknowledged this shift (and seemed unbothered by the more pearl-clutching reactions) but says he’s not trying to redefine himself in relation to his past. “Jungkook back then was Jungkook back then, and somehow, I became who I am right now. The one that’s making all the judgment calls is me, myself, in this very moment,” he said. “I’m not thinking, Oh, I should break away from that cute image as the youngest member ... Lyrics are just lyrics, and images are images.” He added that he chose love songs for their universality, but that people shouldn’t read them as autobiographical.

Throughout our conversation, Jungkook would do things that might read as typically maknae to those fans who’ve followed him for years: drinking his water by lifting the cup with both tattooed, sweater-pawed hands; waving goodbye for a solid 15 seconds with a giant smile on his face, again with both hands. But the way he talks—how he visibly works through a tricky question as he’s speaking, correcting himself or jumping in to add a thought—and his poised manner offer clear signs of creative intentionality and hard-won maturity. Those signs come through in the album too: in his natural-sounding enunciation, the way he slips between a fluttery falsetto and a warm lower register on “Closer to You” or plays with volume and tone on “Hate You.” It’s the sort of growth you see in someone who hasn’t stopped running.

#jungkook #golden by jungkook #bts in solitario

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