#might return to this piece later because I like the idea but not 100% how I did it here | Explore Tumblr Posts and Blogs

hellofeanor · 3 years

Text

Fëanorian Quenya

Hey friends! Do you like elves? Do you like the Silmarillion? Do you like Fëanor and co? And most of all, do you like spending hours thinking about minor details pertaining to made-up languages??? If so, boy do I have a treat for you! Let’s delve into the weird world of Fëanorian Quenya and explore some history and mechanics of why they talk Like That.

I’ve seen a lot of posts joking about the Fëanorian lisp, which is about as funny as a joke about a speech impediment can be. 👍 It’s important to understand, though, that this IS a joke. No, they didn’t really speak with a lisp. Yes, they did pronounce some S sounds as TH. That’s the critical disclaimer here: SOME. It’s not a blanket pronunciation. There’s a lot of background research that goes into determining which words would be pronounced with S and which would be TH, and that’s what we’re going to look at.

So if this is something you’ve come across in fandom and you’re not totally sure on the details, or if you ARE sure and just want some more in-depth info, read on.

The stuff probably everybody knows already

For anyone who’s been hanging around the Fëanorian corner of the Silm fandom for more than three minutes, there’s about a 100% chance you’ve heard of Fëanor’s penchant for retaining an archaic TH pronunciation after the majority of the Noldor went ahead and started pronouncing this sound as S instead. You may also know that this sound is represented by the letter thorn (Þ) in HoME, but since thorn doesn’t exist in modern English orthography and it’s a pain to keep typing the ALT code, I’m sticking to TH here. Anyway, all this was due to the fact that Fëanor was a huge mama’s boy, and his mom Míriel Therindë (later called Serindë, which made Fëanor want to punch walls and possibly also fellow elves) was an outlier who retained the TH after it fell out of use. Her son Fëanor, in turn, kept this up to honor her. Now, whether or not he would have bothered if this sound hadn’t literally been a critical part of her name is debatable, but that debate is outside the scope of this essay.

Fëanor continued to use the TH pronunciation until his death, and required his sons to use it as well. Finwë, however, switched over to S after the death of Míriel and before his marriage to Indis. Fëanor, reasonable and level-headed as he was, took this as a personal insult and decided that anybody who rejected TH likewise rejected him. So presumably, his loyal followers would have obeyed his totally reasonable demands not to give in to the seductive S-shift.

Why tho

Why did the Noldor decide to alter their pronunciation from TH to S? Great question. Nobody really knows. For the hell of it? IDK. ¯\_(ツ)_/¯ But the important thing to understand is that elves, and especially Noldor, were really committed to making sure their language sounds cool. This is why it changed so much and so comparatively quickly for an immortal population: they were actively invested in changing it. They liked inventing new words and exploring new sounds and messing around with grammar.

So at some point some influential Noldo might have been like, hey y’all, let’s stop saying TH and say S instead! And everyone (except Míriel I guess, who was known for her elegant manner of speech and didn’t want to muck that up by changing pronunciation of a whole letter) was like, whoa, capital idea my good egg. And they went with it. Previous ideas along these lines included ‘hey y’all, let’s stop saying KH and say H instead’ and ‘hey y’all, let’s stop saying Z and say R instead’, and those went over swimmingly. Nobody could have foreseen the problem this TH to S business would cause.

Now here’s a fun fact. There was another change to Noldorin pronunciation that happened AFTER Fëanor’s birth, that he himself was involved in. This one was all about bilabial to labiodental F. And those sure are some words, so if you don’t know what I’m talking about (I don’t blame you), BILABIAL is a more whispery sound that happens when you say F using only air passing through your pursed lips, and LABIODENTAL is when you say F with your top teeth touching your bottom lip. Going forward I’m going to use PH to represent the bilabial sound, and F for the labiodental.

So F got on the radar of the Noldor via the Teleri, who used this sound in their language. And ol’ Fëanor figured it would be awesome to incorporate it into Quenya because he thought the PH sounded too close to HW, and the two were getting confused by lazy speakers. Why did he care? Because of his dad’s name and his own, of course. If people started to get lazy in their pronunciation, we’d end up with Hwinwë and Hwëanáro, which would be terrible and stupid and unacceptable. He accused the Vanyar of leaning down that road, and he wanted to stop that kind of shift before it happened to the Noldor. How to do that? Why, by instigating a different shift from traditional Noldorin PH to Telerin F!

“Hey y’all, let’s stop saying PH and say F instead!”

“Whoa, capital idea my good egg.”

Moral of the story: Fëanor is only concerned with Quenya pronunciation insofar as it affects his own name and the names of family members he likes. He does not care whether it’s staying the same or moving to a new sound so long as it personally makes him feel good and his name sound cool. Therefore the true way to piss him off would be to call him Curuhwinwë Hwëanáro, son of Serindë.

Okay so here’s how it works

Now that history is out of the way, let’s get back to how TH was used by the Fëanorians. As I mentioned earlier, TH wasn’t a blanket pronunciation. It all depended on the original form of the word, and whether the root had a TH or an S. And some very similar-sounding words come from different roots, so this can get tricky. A great resource that’ll give you this information is Eldamo: Quenya words where the S was originally TH are marked out with the Þ (thorn) symbol in the wordlist.

Some examples:

Súlë (spirit, breath) comes from the root THŪ, which means it would be pronounced with a TH. Silma (white crystal) comes from the root SIL, so it and related words like Silmaril would be pronounced with an S. No Fëanorian would say Thilmaril. Isil (moon), however, is a similar-sounding word that comes from a different root: THIL. Olos (mass of flowers) comes from the word LOTH, but: Olos (dream) comes from the root LOS. Fëanorian pronunciation would immediately differentiate between these two words.

While Fëanorians may have retained the distinct pronunciation of TH vs S, other Noldor can still differentiate between original S and S-that-used-to-be-TH in their writing. There are specific tengwar to use depending on the word’s original form. Silmë (the one that looks like a 6) is used for original S, while súlë (or thúlë, the one that looks like an h) is used for original TH.

Which other elves used this sound in their speech?

Fandom has really latched on to this TH as a Fëanorian thing, but it wasn’t that exclusively. The TH sound was actually ubiquitous in other elven languages, and in Valinor, only the Noldor dropped it. It was still used in Telerin and in Vanyarin Quendya. The Vanyar retained the TH not because of anything to do with Míriel, but just because they were a little more conservative and their language didn’t pick up on all the changes that the Noldor made. They also noped out of the Z to R shift the Noldor initiated, opting to keep the Z around.

When Indis married Finwë, she stopped using the normal Vanyarin TH and switched over to S as a gesture of loyalty to him and his people. Finarfin, however, out of love for the Vanyar and Teleri, switched BACK to TH. I like to think about how much it would have annoyed Fëanor that his snot-nosed kid brother was speaking correctly, but for the wrong reason. Go down one more generation, and Galadriel very specifically did not use TH. But this time it was absolutely a choice made as a glaring middle finger to Fëanor.

What this means for your fanfic or whatever

The big takeaway here: you can’t just have Fëanorians replace every S with TH and call it a day.

If you’re inventing names for your Fëanorian OCs or coming up with phrases for them to say, it’s important to look into the history of all Quenya S-words you end up using to determine if they should be S or TH. If Fëanor got mad about somebody saying Serindë instead of Therindë, he’d get equally mad about somebody saying Thilmaril instead of Silmaril and assume they were mocking him. Remember: this is a dude with no chill. (On the other hand, if you WANT somebody to be mocking Fëanor, Galadriel would 100% do this because she has an equally negligible amount of chill.)

It’s also important to note that the TH isn’t a true shibboleth, since pretty much all elves EXCEPT the non-Fëanorian Noldor use it. And even the S-preferring Noldor would still be able to pronounce the TH. Those who went into exile would go on to use it commonly in Sindarin, and those who remained in Valinor would still encounter it among the Vanyar and Teleri. So if you’re writing a scene where somebody has to pronounce a TH word to prove their loyalty… yeah, everyone can pass this test. And in the opposite direction, you can’t use TH to prove somebody’s an evil Fëanorian, either. They might just be Vanyarin or something. Or, like. Really Old.

Would the sons (and followers) of Fëanor keep using TH after his death? Oh hell yeah. This is an entire family unfamiliar with the concept of not dying on hills. They will keep using it unto the ending of the world. Actually, with Sindarin becoming the common language of Middle-earth from the First Age, probably not a lot of change happened in exilic Quenya. It became a lore language: a piece of living history. It would have been preserved as it was when the original speakers left Valinor.

(And then, thousands of years later, Galadriel finally returns home to Tirion like, Long have mine eyes awaited this most blissful of sights, and ne’er hath my sprit soared with such grace, for I am returned! And all the Amanyar Noldor stare at her like, whatchu bangin on bout, eh? Because they had nothing better to do in the peace of Valinor than push Quenya to brave and frankly questionable new horizons.)

Anyway, there you go: a somewhat brief history of Fëanorian Quenya. I hope you found this informative and useful, or at the very least not boring. Obvs this is super condensed and, uh, not particularly scholarly, but I promise I know what I’m talking about. I have a university degree! (Not in anything even remotely related to what’s written above, but I hardly see how that’s relevant. It’s still a DEGREE.)

Questions? Need clarification or want more info? My asks are always open!

#feanor #silmarillion #quenya #tolkien #middle earth

433 notes · View notes

fatehbaz · 3 years

Text

It is spring in Houston, which means that each day the temperature rises and so does the humidity. The dampness has darkened the flower bed, and from the black mulch has emerged what looks like a pile of snotty scrambled eggs [...]. I recognize this curious specimen as the aethalial state of Fuligo septica, more commonly known as “dog vomit slime mold.” Despite its name, it’s not actually a mold -- not any type of fungus at all -- but rather a myxomycete (pronounced MIX-oh-my-seat), a small, understudied class of creatures that occasionally appear in yards and gardens as strange, Technicolor blobs. Like fungi, myxomycetes begin their lives as spores, but when a myxomycete spore germinates and cracks open, a microscopic amoeba slithers out. [...] When the amoeba encounters another amoeba with whom it is genetically compatible, the two fuse, joining chromosomes and nuclei [...], growing ever larger, until at the end of its life, it transforms into an aethalia, a “fruiting body” that might be spongelike in some species, or like a hardened calcium deposit in others, or, as with Stemonitis axifera, grows into hundreds of delicate rust-colored stalks. [...]

These creatures exist on every continent and almost everywhere people have looked for them: from Antarctica, where Calomyxa metallica forms iridescent beads, to the Sonoran Desert, where Didymium eremophilum clings to the skeletons of decaying saguaro cacti [...]. Throughout their lives, myxomycetes only ever exist as a single cell, inside which the cytoplasm always flows -- out to its extremities, back to the center. When it encounters something it likes, such as oatmeal, the cytoplasm pulsates more quickly. If it finds something it dislikes, like salt, quinine, bright light, cold, or caffeine, it pulsates more slowly [...]. It can solve mazes in pursuit of a single oat flake, and later, can recall the path it took to reach it. [...]

How do you classify a creature such as this?

In the ninth century, Chinese scholar Twang Ching-Shih referred to a pale yellow substance that grows in damp, shady conditions as kwei hi, literally “demon droppings.” In European folklore, slime mold is depicted as the work of witches, trolls, and demons -- a curse sent from a neighbor to spoil the butter and milk. In Carl Linnaeus’s Species Plantarum -- a book that aspires to list every species of plant known at the time (nearly seven thousand by the 1753 edition) -- he names only seven species of slime molds. Among those seven we recognize Fuligo in the species he calls Mucor septicus (“rotting mucus”), which he classifies, incorrectly, as a type of fungus. [...]

These “ladders” or “scales of ascent,” in turn, inspired the “Great Chain of Being” -- the [...] worldview central to European thought from the end of the Roman Empire through the Middle Ages, that ordered all of creation from lowest to highest [...]. Over time, Linnaeus revised his classifications of Homo sapiens, naming “varieties” that at first corresponded to what he saw as the four geographic corners of the planet, but which became hierarchical, assigned different intellectual and moral value based on phenotypes and physical attributes. The idea that humans could and should be ordered -- that some were superior to others, that this superiority had a physical as well as social component -- was deeply embedded in many previous schema. But Linnaeus’s taxonomy, unlike the systems that came before, gave these prejudices the appearance of objectivity, of being backed by scientific proof. When Darwin’s On the Origin of Species was published in 1859, it was on the foundation of this “science,” which had taught white Europeans to reject the idea of evolution unless it crowned them in glory.

But the history of taxonomic classification has always been about establishing hierarchy [...].

I did not learn until college about a taxonomic category that superseded kingdom, proposed in the 1970s by biologists Carl Woese and George Fox and based on genetic sequencing, that divided life into three domains: Bacteria, Eukarya, and Archaea, a recently discovered single-celled organism that has survived in geysers and swamps and hydrothermal vents at the bottom of the ocean for billions of years.

Perhaps a limit of our so-called intelligence is that we cannot fathom ourselves in the context of time at this scale, and that so many of us fail, so consistently, to marvel at any lives but our own. [...]

A few years ago, near a rural village in Myanmar, miners came across a piece of amber containing a fossilized Stemonitis slime mold dating from the mid-Cretaceous period. Scientists were thrilled by the discovery, because few slime mold fossils exist, and noted that the 100-million-year-old Stemonitis looks indistinguishable from the one oozing around forests today. [...]

One special ability of slime molds that supports this possibility is their capacity for cryptobiosis: the process of exchanging all the water in one’s body for sugars, allowing a creature to enter a kind of stasis for weeks, months, years, centuries, perhaps even for millennia. [...] The only other species who have this ability are the so-called “living fossils” such as tardigrades and Notostraca (commonly known as water bears and tadpole shrimp, respectively). [...]

In laboratory environments, researchers have cut Physarum polycephalum into pieces and found that it can fuse back together within two minutes. Or, each piece can go off and live separate lives, learn new things, and return later to fuse together, and in the fusing, each individual can teach the other what it knows, and can learn from it in return.

Though, in truth, “individual” is not the right word to use here, because “individuality” [...] doesn’t apply to the slime mold worldview. A single cell might look to us like a coherent whole, but that cell can divide itself into countless spores, creating countless possible cycles of amoeba to plasmodium to aethalia, which in turn will divide and repeat the cycle again. It can choose to “fruit” or not, to reproduce sexually or asexually or not at all, challenging every traditional concept of “species,” the most basic and fundamental unit of our flawed and imprecise understanding of the biological world. As a consequence, we have no way of knowing whether slime molds, as a broad class of beings, are stable or whether climate change threatens their survival, as it does our own. Without a way to count their population as a species, we can’t measure whether they are endangered or thriving. Should individuals that produce similar fruiting bodies be considered a species? What if two separate slime molds do not mate but share genetic material?

The very idea of separateness seems antithetical to slime mold existence. It has so much to teach us.

-------

Headline and all text published by: Lacy M. Johnson. “What Slime Knows.” Orion Magazine. August 2021. Photos by Alison Pollack and published alongside article.

570 notes · View notes

mrsnegan · 3 years

Note

hey beautiful! loving all your writing! and was wondering if you’d do a request with the reader having Negan as her neighbor and he gets jealous when her guy friend comes over instead of him

[Hi there! So, so sorry it took me this long to write your request. But here it finally is, another smut fest, I just can't help myself. 😅]

Warnings: smut, dirty talk, rough sex, jealousy, oral sex (f receiving), bodily fluids, squirting, aftercare

Moving into a new neighborhood always felt weird. Getting used to a new surrounding, meeting neighbors and hoping they would be kind of alright was a pain in your ass. You hated those situations. But meeting Negan, your neighbor of two years by now, was the most cool thing ever. He was a real sweetheart with a sailor's mouth, ready to help whenever there was a problem, ready to party whenever there was an invitation. Even if he was eye candy as well, a real flirt at times, you didn't consider him as an option, more as a friend, a life long partner in crime.

Negan, on the other hand and unbeknownst to you, did definitely have interest in more than harmless teasing. He liked you - a lot. Though he would never pressure you into anything, would never make a move without any signal from your side, because he cherished your friendship as much as you did and respected the hell out of you. Little did he know that a mysterious male guest of yours would shake up his whole resolution, unleashing something primal and urging inside of him.

---

You stood in front of the oven, the lasagna smelling delicious and nearly ready to eat. Paul, your friend from work, would ring at any minute. He was a nice guy, helping you out with a big project. In return, you invited him for dinner to thank him for all the effort. This wasn't a date though, Paul was gay 100 percent, the coolest dude in your opinion. He dated an Italian barkeeper who was at work right now, so it would only be the two of you. Either way, you looked forward to a chatty evening with good food, lots of wine and laughter.

Your doorbell rang some moments later and you opened it with a bright smile.

"Hi Paul, come in!"

"Hi there! Thank you so much for the invitation, Y/N!" he beamed, handing you two bottles of wine.

The two of you entered your kitchen, preparing the rest of the dinner together. It was such a relaxing atmosphere, you had missed nights like this.

The lasagna tasted as delicious as it smelled and the first bottle of wine was empty much sooner than you thought. Paul and you talked about work, life, love and everything in between. You felt at ease, happy to the core. The second bottle was opened a few moments later and both of you decided to enjoy the nice weather in your little garden.

"Hey, who's this?" Paul asked, head pointing towards Negan's property. You could see him standing on his terrace, looking straight at the both of you.

"My neighbor and friend Negan", you answered and waved with a big smile. To your surprise, he just looked straight ahead, turning on his heels to get inside.

"What the fuck was that?" you asked perplexed.

"Uh, honey, sorry to break the news, but he seemed to be severely pissed about your male company."

"Huh? That's...why should he?"

Paul looked at me with his eyebrow raised, his glass of wine still in his hand.

"He's some nice piece of ass, at least from what I could make out. And honey, let me tell you, he's jealous because I'm enjoying your presence, not him. He's definitely hot for you."

You laughed loudly at his explanation, shaking your head in disbelief.

"No, he isn't. We're just friends."

"Y/N, for real, I know how a jealous man looks and he definitely wants you all to himself. I'd suggest you get your beautiful ass over there and get banged real good. Because jealous men are such a turn-on and won't keep their hands off of you."

Despite knowing Paul for a long time, you clasped your hand over your mouth.

"He's my friend..."

"So you keep saying. What's wrong about friends with benefits? You absolutely deserve a good time. And he looks like a real snack", he winked, drowning his wine and getting up.

"Besides, I need to get home, it's late. I will get myself an Uber. Don't you worry your pretty little head, just get over there for your dessert."

You said goodbye at your front door half an hour later. While you watched Paul drive away, your heart kept beating faster and faster. Your feet carried you to your kitchen where you drowned another glass of wine. Was it possible what Paul had said? Was Negan jealous? Deep within you there definitely was a spark you felt, a pull towards Negan. He was handsome and funny, that much was true, though before Paul's suggestion you hadn't seen Negan in this kind of light. And since it had been spoken out, you couldn't stop thinking about what his lips might taste on you, what he might feel pressed between your legs.

You gulped audibly, not believing your own thoughts. Blaming the wine for your inappropriate thoughts seemed too easy, but admitting you were attracted to your neighbor was too difficult too. Sighing, you pulled your cardigan over your shoulders, grabbed your keys and went to his front door. The wine gave you the much needed confidence to do so, but your heart hammered in your chest nonetheless. What if you would destroy your friendship with this stupid little action? What if Paul was wrong? But you had to take the risk or you wouldn't sleep at all at night, laying awake with the punishing thoughts of what if.

The door bell rang in your ear louder than you remembered. Your palms were sweaty, so you tried to anchor yourself on your cardigan, hugging yourself tightly.

When Negan opened the door, he looked pissed to say the least.

"Hey", you said timidly.

"Hey", he answered without the warmth in his voice you were used to.

"Can I come in?"

"Why would you want to? You do have company, don't you?"

With a dry mouth you shook your head. "He went home."

"Asshat", he mumbled and you raised a brow.

"Negan, we need to talk."

"About what? I think it's more than fucking clear. Have a good night", he said, motioning to close the door in front of you, but you pushed yourself against it.

"He's gay", you told him, letting him stop in his tracks.

"What?"

"Paul, my visitor. He's gay. He's one of my colleagues and a good friend. This was a thank you dinner because he helped me out at work", you explained even if you didn't have to.

Negan pinched the bridge of his nose, opening the door wider, so you could slip inside.

Both of you stood awkwardly in front of each other, just staring at your shoes.

"Look, Paul said you would be...jealous. Are you?"

You heard Negan huff before you risked a look into his face. He looked troubled, as if he calculated the pros and cons of his next words.

"Fucking shit, Y/N, yeah, I'm jealous. You satisfied now?"

"No", you answered truthfully, risking everything with your next move. You closed the distance between the both of you, getting on your tiptoes to press a fleeting kiss against his lips. You pulled back as fast as you had kissed him, adrenaline driving through your veins.

Negan's growl surprised you, he was on you in an instant, pressing you against his door, his lips colliding with yours. The heat radiating from your bodies made you feel dizzy, his hands held your face tightly while he devoured your mouth with passion. He deepened the kiss as his body pressed itself against you, grinding where you ached the most. Your hands grabbed his strong frame for support, the moan into his mouth made him stop, pulling away a bit to catch his breath and also look into your eyes.

"Damn, baby, you have no idea how long I've been waiting to do this."

The groan leaving your lips spurred him on, moving his center against your trembling body in a nice rhythm.

"Shit, I...I had no idea."

"You surely didn't. Such a sweet, innocent girl. You wanna continue?"

He stopped all at once, earning a desperate whine from you.

"Y-yes, please Negan."

That damn grin of his made your knees buckle. He was so hot and he clearly wanted you. Thanking Paul silently for speaking his mind and Negan for his jealousy, you made the next step by pushing his shirt up, revealing his lean stomach to your hungry eyes.

He just smirked down at you, helping you out by pulling his shirt over his head. You admired his tattoos for a while, tracing them lightly with your fingers. He caught your hands in his, kissing your fingertips before he let go to slip your cardigan over your shoulders before he open button after button of your silky blouse, revealing more and more skin as well as your bra.

"Hot damn", he mumbled when he had freed you from your blouse, starring blatantly at your cleavage.

"I wanna worship every part of that hot body before I fuck you senseless."

Moaning at the prospect of getting laid by Negan, your hands found a home on his chest again.

"You...you don't need to be...you know...gentle with me, at least not this time." You bit your lip at your own forwardness. This was definitely the wine speaking. Your panties were wet the minute he had attacked your mouth and edging was the last thing you needed right now.

"Oh baby, you're full of surprises. The next time, huh? You sure?" Negan played with one of your locks, scanning your face for any second thoughts.

"Yes", you whispered.

He was on you in an instant, his hands on your ass, pushing you against him before he lifted you off the ground to carry you to the living room.

He sat you down on his dining table where the cold wooden surface made you gasp.

"I would carry you into the bedroom...but I think that's something for the next time", he winked, pushing up your skirt and slipping off your shoes. "I need to have a taste right now."

He surprised you yet again by dropping to his knees. Your panties, soaked as they were, were gone in an instant and his impatient mouth closed around your center.

You jumped at the sudden pleasure, too much too soon. Your hands wandered into his hair, desperate to push him away and to keep him there at the same time. The moans leaving your lips sounded like they were coming from someone else. He ate you out with passion, the slurping sounds so foreign to your ears that you turned a light shade of red. But he seemed to enjoy himself, biting down gently on your clit.

"Whose pussy is this?" he asked against your wet flesh, his breath on your lower lips driving you insane. You couldn't form a sentence, earning a light slap against your inner thigh.

"I asked you a question, baby. Whose pussy is this?"

"Y-yours", you moaned, you answer accompanied by his fingers rubbing over your folds.

"Yeah, that's right, mine alone", he mused, closing his lips around your clit again while two of his fingers entered your slick channel. He fucked into you with precision, driving you to your breaking point in no time. You came against his mouth and around his fingers screaming his name.

"So beautiful. Better than I could have ever imagined", he mused, looking up at your face. "I could do that all night. But you didn't ask for gentle, did you?"

There were no words with which you could respond, your orgasm had made you feel like jelly, absolutely unable to do anything than breathe.

You heard Negan's belt come undone and the zipper of his jeans. With the little strength you had left, you lifted your head to look at him. The sight you were greeted with drove another moan out of your mouth. Negan stood in front of you, cock in hand, stroking it languidly while his gaze was fixed on your wet center.

"You like what you see?", he asked, smiling warmly with a hint of mischief in it.

"Yes", you whimpered.

He came nearer, pushing the head of his cock between your soaked pussy lips.

"Fuck...", you uttered, over-sensitive but so damn horny for him nonetheless, despite the earth-shattering orgasm he had gifted you with.

"Patience, baby. Gonna fuck you so good, don't you worry", he mused, concentrating his movements on your clit. You jerked under him, the pleasure rapidly building and as he rubbed himself harder against you, you came again.

"Shit, would you look at that? You like my cock that damn much, don't you?"

As hot as his dirty mouth was, you wanted to feel him, finally. So you pushed your arms up and around his head to pull him down for a longing kiss. Just as his tongue sloppily played with yours, he entered you in one swift motion, setting a fast pace from the beginning.

The moans and groans you shared echoed through his house, the wood underneath you creaked with every movement. This was precisely what you had asked for, a good, hard, passionate fuck, something primal to get rid of all the tension. He fucked you harder still, looking down at you with furrowed brows. His right hand pulled your bra down to bare your bouncing breasts to his heated gaze while you tried to anchor yourself underneath his punishing thrusts. You hadn't been fucked like this in a long, long time, nearly forgetting how much you liked to be taken, to be claimed. And Negan was just perfect at fulfilling your fantasies, his cock feeling incredible.

"Baby...", he purred when he watched you play with your nipples, throwing your head back in the process.

There was something building inside of you again, much stronger than before. Your moans got louder in the process.

"Don't stop, don't stop, don't...", you chanted repeatedly, while Negan fucked you hard, his hand coming down between your legs to flick your clit roughly with his thumb. The walls came crashing down for you, your orgasm roared through your body, wave after wave of pure bliss, so much so that Negan had to pull out to make room for you to squirt all over his cock.

He practically roared at the sight in front of him, jerking himself off furiously and shooting his load against your sodden pussy.

Both of you panted heavily while coming down from such an exquisite high. After a while, Negan helped you out of your skirt and bra which were still dangling on your sweaty body and carried you upstairs to the shower. Underneath his big shower head, you pulled him against you, still with shaking legs, but happy, so damn happy.

"Thank you for being jealous", you said giggling against his strong frame.

"No worries, baby, I still am. You're mine now."

You laughed at his comment, even if you knew he was honest with his statement. The kiss that followed was sweet, a nice contrast to your rough coupling some minutes ago.

"But honestly, I would love to invite you for dinner, have a proper date if you would like to", Negan suggested, his hands drawing lazy circles on your back.

"I would absolutely love to", you answered, peppering his chest with light kisses.

---

Taglist: @iluvneganandjamie @murphslass @negans-attagirl @you-a-southpaw-doll

#negan #negan smut #negan x reader #negan x you #jeffrey dean morgan

455 notes · View notes

eponymous-rose · 3 years

Text

Talks Machina Highlights - Critical Role C2E131 (March 30, 2021)

Tonight’s guests are Liam O’Brien and Sam Riegel!

Brian points out that a lot of Caleb’s greatest fears have come to pass. Liam: “It’s funny, because he’d kind of believed for a while that those things weren’t going to happen. After a while, he got complacent.” He notes that it was extra wild because everything with Trent popped up again in the midst of that complacency. And how did it feel to be defiant toward Trent? “I think Trent successfully made Caleb question if Caleb really was in control“ at the dinner party. “I feel like anything that I do is part of his plans for me, or is that just gaslighting? I’m legitimately scared of that dude.” Sam: “Of Matt?” Liam: “Sure.” He highlights the disconnect between knowing that the M9 is mechanically powerful and could possibly defeat Trent in a dice-and-stats battle, versus fearing him in a story sense and being convinced he can do almost anything.

Sam, on Luc’s death: “That was brutal, man. Matt Mercer is a-- he hates children! Clearly. He actively sought to kill a child in the campaign in as brutal a way as possible. He hates children and wants them dead. Canon. No, but to RP, that was horrible.” He highlights that so much of Veth’s arc has been about trying to get back to her family. “We had to choose something and we thought we were making the right choice. It was all Veth’s fault, and it was pretty rotten. My heart was beating pretty fast, and I certainly didn’t want to have my son die live on the stream. I don’t know what Veth would have done. That’s the end, that’s over. It’s almost worse than when your own character would die. This is something that would also kill Veth.” After the episode was over: “just shaken. I also didn’t know what to do next! That felt like a turning-point moment for my character, weirdly so close to what we assume to be the end arc of this campaign. I texted Matt later that night and was like, that’s it, Veth’s out, I’m tapping out.”

There’s an interlude in which Sam discovers a new dream to record an episode of this show from his Peloton. Dani informs him that she will not be inviting him back.

On Astrid, Liam: “I literally don’t know what she’s doing. I know that she’s dangerous, she always was ambitious, and there’s not been a moment where Caleb let his guard down with her. He’s not trying to reestablish what they had. He cares for the both of them, for Astrid and Eodwulf. He thinks about it a lot, still. He can’t tell how much she buys into everything that she experienced and is now living as a full-grown adult. He suspects that she’s bought in and is not going to change things, because she believes in the system, as much as he’d like to peel her away. He does believe that they want what’s best for the Empire, and stopping whatever wants to come vomiting out of a hole in the frozen north is good for everyone. And they’re powerful. They’re not trustworthy, obviously. But there’s enough at stake to make it worth it. He could imagine a situation where they fight each other to the death.” He was convinced Astrid was going to stop them when they left the tower and was really shocked when she held back. Sam: “Not me! I’ve trusted Astrid since day one. She’s the greatest! I sent a letter to her, she’s very nice, I think you guys would be a nice couple. I believe every word she says.”

On having to decide on Veth deciding to go off and save the world after Luc’s death. “Like I said, I was ready to be done. And then I decided somewhere in there that that’s not very D&D. So I thought I’d leave it up to somebody else, so I asked Caduceus to decide for me, essentially. She knows she’s putting her other family in danger if she doesn’t go. It’s an impossible choice, you know?” Liam: “I love watching you grapple with it, because you’re a lovely father and love your kids.”

On the Sanatorium, Sam: “That was brutal, man. Matt lulls you into a sense of complacency. We’d forgotten that Caleb was a stone-cold killer! It had been a while since he went on a murder spree. Still got it!” Liam: “I never meant for this character to be perfect sunshine.” Brian: “You don’t say.” Liam: “He’s very not-perfect, and I think in his brain, he was going in with the impression that they needed to get in and get out as soon as possible. The place is crawling with people with magic ability, and I didn’t have faith that we wouldn’t be sussed out or something wasn’t going to blow an illusion.” Everything was about getting out of there as fast as possible.

Did the conversation with Yeza help with Veth’s decision? “First of all, every conversation with Yeza is a beautiful one. Every time she talks to Yeza, it makes her feel good. In some ways, she’s gotten to the point now where she knows Yeza’s going to be supportive, she knows he’s going to allow her to do what she wants, but maybe that’s too much. Maybe she needs to not listen to him, basically, and be like, no, you need to be selfish now, dude, you need to say ‘come home, I’m sick of you leaving’. At a certain point, being supportive can turn into being enabling.”

Cosplay of the Week: Jester in the snow! (liljerbear47, photography by kairiceleste on Instagram)

On Trent’s motivations for chasing Caleb: “I really don’t know. The simplest explanation is to just hammer down the nail that’s sticking up. It has crossed his mind that all high-level wizards are in danger of their own ambition and egos, so it’s occurred to him that Trent might have the same kind of ideas that Halas had in the past, and maybe Caleb was always meant to be another body to jump into. Maybe in some sick, disgusting, twisted way, he wants him to be his successor. I am thinking of the next campaign, without getting too deep in, trying to do something that is much more ride-along. Caleb is very, very specific, and I thought long and hard about all the different pieces on the chessboard for him. For campaign three, I’m looking forward to seeing what happens.”

Dani: “Do I need to be keeping lore on your fucking ads?”

On the cursed dagger: “It was a tricky one, because in campaign one, one of the characters was under the influence of a cursed weapon, but it interacted with him and he knew what it was and what it did. And it affected his gameplay as a character. For me, Veth didn’t know what it was, ever. I as a player knew what it was doing, but Veth didn’t know at all. So it was kind of like my dirty, dark secret for many months. I knew this thing was coming perilously close to killing me, but my character didn’t know enough to bring it up to her friends. Nobody ever asked! So I was like, well, I guess this thing’s just going to kill me one day, and it’s kind of going to be a surprise.” Liam: “Sam, you love danger and self-destruction so much, you might as well be Mollymauk.”

On the fight in Yasha’s sequence, Sam: “You gotta put a character in your storm giant creature. It was so fun! It was so great of Matt to involve us in this encounter. It would’ve been fun just to watch, because Matt would have made it amazing and Ashley was sweating bullets, which is always fun to watch.” Sam notes he felt guilty, but Liam was going for the kill. Liam: “Matt’s gotta be careful about giving me that kind of story beat. I do not fucking care, I just fucking flip, I’m like, well, I’m going to destroy you, and I have no qualms about it. It’s too much fun!”

The Beau/Yasha tower date was in part inspired by not being able to give gifts as easily this last year. “This thing that we do together is a gift, but I love finding these moments, like the book for Jester and the tower for Yasha and for Beau. I really just wanted to give both of them a little magic for a night. I wanted them to leave this-- we’re trying to be as entertaining as possible, but shit is having an effect on all of us too, and I wanted them to have an escape, a great place to escape to.”

Fan Art of the Week: an amazing group shot, plus Marion, Yeza, and Luc! (vocaz on Twitter)

On choosing Essek over Trent, Liam: “It would have been so interesting and awful and great! Essek and Astrid and Eodwulf are everything that Bren used to be attracted to that are terrible for him. Essek, hopefully he can with time find a way out of the hole that he dug himself into, but it was only two months ago where he was found out and his ambitions came crashing down around him. Long-term, I have high hopes for him, but I think it’s going to be hard.” In contrast, Astrid and Eodwulf are still “deep in the shit. It would have been really hard to navigate, but fun to play at the table. We made the right choice with what we went with. Essek’s just getting started, and Caleb doesn’t trust him entirely, because he was burned so hard not too long ago. He’s still more trustworthy than the other three. So it’s the better choice. While Caleb has all these ties on the other side, they’re really fucking dangerous. So if you have to choose, you choose Essek. But fuck that die.” Sam: “Veth, much like Sam Riegel, makes instant decisions about whether to trust someone or not and sticks to it forever. Astrid, 100% trust. Eodwulf, 100% distrust. Essek, completely distrust. I still don’t think he’s a good guy. Ikithon? Trust. 100%. Because you know where he’s coming forward, you know what he wants. I still want him dead, but I trust him.”

On Veth’s post-adventuring plans: “Veth is probably still too in it right now to think about what comes next. I, Sam Riegel, have a good idea of what I want Veth to do post-campaign.” Brian: “Maybe you shouldn’t tell us. Save it for the show!” Sam: “All she knows is she can’t do this anymore. It’s very unhealthy to be battle-wounded every other day. It’s fun for a while, but college has to end at some point, and she’s gotta go home.”

On Frumpkin changing appearance and returning to the Feywild: “I don’t know what I’m going to do, but the way it feels now for Caleb is that he feels too enmeshed in everything that has happened, and too much good has happened, and too much needs to happened, that that really narcissistic, selfish goal has the risk of harming everything else, which is more important. And that’s how he looks at it now. So he’s gearing towards letting everything from the beginning of the campaign, and where he started, go, and trying to figure out what use he’s going to be now and what he’s going to do if they’re not all dead. If Matt throws that shit down, I don’t know what I will do, I think about it a lot. But turning Frumpkin white and saying you’re free either way is him preparing to let go of everything he’s been holding on to for a really long time. He’s addicted to that idea that he can fix himself, and we’ll see if that hard choice gets presented, what he might do. But where he stands now, he doesn’t think that’s going to be reality, and he sees a way that he can be of use that he never really anticipated before, so he’s slowly shifting gears towards living with the pain he was trying to remove.”

On the last request scene and confidence heading into Aeor, Sam: “I feel like that’s a good request. I think all of us realized that if we die, that probably bodes badly for the world. I feel like all of us are at a point now as characters and as friends, that the first order of business would be to take care of everybody else’s shit, although we probably have different ideas of how to do that.” Liam: “I want the Empire to be healed, Caleb has all these memories of his parents and what they wanted for the world, and he wants that too. It’s clearly not in place now, the system needs to be broken and replaced. That could be a part of Caleb’s sunset. I don’t want Caleb to die, so maybe he can work on that after. As everything starts to shake out and we start heading towards our destiny, Caleb’s just free-floating. He’s not even going after the same thing he started for. So he’s looking at Veth’s family, and Luc specifically, and seeing that’s me, that’s a little boy in the Empire.”

#critical role #critical role spoilers #talks machina #talks machina spoilers #long text post

551 notes · View notes

swiftwidget · 4 years

Text

Gigantomachia, “Master’s Scent,” & Izuku Midoriya

This is a portion of a larger theory/analysis paper that I am breaking into smaller pieces to be assembled later as a larger whole on Ao3 when it is complete. I wanted to get this part out before MHA 285 spoilers.

__________

Gigantomachia is a noumu created by All for One himself and is a creation that AfO’s Doctor says he tried to replicate with his own High End Noumu. He is All for One’s loyal bodyguard/servant sent to be an ally and weapon for Shigaraki, though he only willingly followed him once Shigaraki defeated the leader of the Meta Liberation Army, Re-Destro.

In the current arc, as of MHA 283, Gigantomachia is answering the Shigaraki’s call to come to him via radio. (Gigantomachia’s eyes whited out at the command, similar to how the High End Noumu Hood’s eyes did when he lapsed into a more base state during his fight with Endeavor.) He is carving a 80 km path from the Gunga Villa to the remains of Jakku General Hospital where the battle is raging between Shigaraki and Izuku.

But before that, as we are seeing Shigaraki wake from his months-long nap, Gigantomachia smelled his “master’s scent.”

I believe that he doesn’t smell Shigaraki when he says that.

I believe he is sensing Izuku Midoriya.

Gigantomachia’s own words

What does “Master’s Scent” mean?

Did he just mean Shigaraki? Well, that’s up for debate. While the moment in question happens at the end of MHA 271, the chapter after Shigaraki is broken out of his tube and shocked to start his heart (MHA 270), it’s not a guarantee that’s what triggered the smell from 80 km away.

Pay attention to Gigantomachia’s words. He has only referred to All for One as “Master” and Shigaraki as “Master’s Successor” and “True Successor.”

Back in MHA 231, when Gigantomachia is sniffing out Shigaraki prior to Shigaraki proving himself worth following, in the context of his scent he refers to him as “master’s successor.”

He calls Shigaraki “True Successor” when Shigaraki proves his strength and impresses Gigantomachia.

If he is referring to Shigaraki as “Master” it would be a first.

Now, could it be that the “scent” Gigantomachia smells is the Quirk: All for One that Shigaraki now has? That is somewhat doubtful, I think, since we don’t currently have a precedent for individual quirks having smells. Additionally, if there was a quirk that could identify other quirks by smell, I feel All for One would have kept something like that for himself considering his interest in Ragdoll’s Search Quirk. (Granted, post-skull-crushing AfO doesn’t have a nose… but he doesn’t have eyes to add to Ragdoll’s Search Quirk either.) Even then, would Gigantomachia refer to specifically the quirk All for One as “Master” over the person All for One? That seems less likely even taking into account Quirk Singularity and the appearance of All for One in Shigaraki’s dreamscape prior to awakening.

We believe that the “scent” is directly related to All for One, the scent of All for One’s immediate family. And assuming the Dad for One theory is correct, that would be Izuku.

In MHA 283, we have Gigantomachia barreling toward the battlefield between the Heroes, various noumu, and a battle between Shigaraki and Izuku. His eyes covered are covered by the armor plate that previously covered his chin, and he is very possibly just following his nose as he follows Shigaraki’s verbal order and “Master’s Scent” on his way “to Master.” And he literally is roaring “To Master” as he is crashing through towns.

What comes next?

What happens when Gigantomachia gets to the battlefield and finds himself between Shigaraki and Izuku, and only one smells like “master”? Will he lash out against Shigaraki, or recognize Shigaraki’s voice but realize that this person Shigaraki is fighting shares “master’s scent” somehow? Would he recognize Izuku as AfO’s son?

More importantly, what happens when Gigantomachia reaches the battle and finds Izuku with his “master’s scent” showcasing multiple quirks, flying above Shigaraki who is an incomplete vessel for the Quirk All for One, not able to handle the power given him, and beaten down from a prolonged fight?

When Gigantomachia was offered to Shigaraki as an ally, he lamented that Shigaraki wasn’t strong enough to be All for One’s successor, he wanted to accept him because it was All for One’s decision to make him successor but he couldn’t bring himself to because Shigaraki was weak. He attacked him and the other members of Shigaraki’s League.

The Doctor explained that Shigaraki must prove himself and get Gigantomachia to submit - to do so, he’d have to be the kind of “king” Gigantomachia describes: someone who inspires dread, is admired, and is strong.

Shigaraki only becomes that in Gigantomachia’s eyes when he witnesses him standing in the middle of a ruined battlefield, his enemy bleeding and beaten and bowing before him, and all the enemy’s allies frozen in awe of Shigaraki. Only then does Gigantomachia call Shigaraki the “true successor.”

Now? Now, Shigaraki is in the middle of another ruined battlefield of his making, a near mirror image, but his enemy is not bowing down before him. The tables are turned.

At the end of MHA 283, Izuku Midoriya is flying - floating with Shigaraki’s grandmother’s own quirk - keeping his own allies safely away from Shigaraki with Black Whip and vowing to take him down with the strength of One for All no matter what. And Shigaraki is below him, looking up at Izuku, broken and blooded because his body is incomplete and can’t handle All for One or the number of quirks he’s been using.

If someone appears more powerful than Shigaraki even with All for One, will Gigantomachia’s loyalties change or at least come into question? Would Gigantomachia see this as Shigaraki’s fall from approval? Fall from his role as “true successor?” Would Gigantomachia simply abandon him and his allies? Would he just lose his will to fight against Shigaraki’s enemies and return to lamenting that Shigaraki isn’t enough?

If Izuku has the same “scent” as Gigantomachia’s “master,” All for One, how much more does that change things for Gigantomachia? Would Gigantomachia declare Izuku Midoriya a better successor for All for One? How would the other heroes present react if Gigantomachia were to imply Izuku is “master’s” family? The Dad for One Theory exists because there are a number of things that seem to imply, foreshadow, and work thematically that would support the idea that All for One is Izuku’s father. Is this where we get more blatant hints at it?

As for the other heroes, they certainly have enough questions now about Izuku:

The fact Shigaraki was after him at all

The fact Shigaraki (All for One) called Izuku (the First) “little brother” in front of heroes

The fact that the heroes knew All for One as literally “All for One” and Endeavor even said over the radio that Shigaraki was looking for “One for All” before Izuku said Shigaraki was after him

The fact Izuku keeps displaying new and different powers while in the same area as Shigaraki who is displaying multiple quirks - the comparison has to be drawn by someone (and, I mean, there’s even two Todoroki’s present)

In MHA 284 Bakugou, said that people will find out eventually and Toshinori makes a point to say that it isn’t just villains who seek power (see: the Hero Commission and their sketchy dealings with paying Hawks’ family off to raising him as a hero from childhood).

What could happen next?

As for Gigantomachia’s loyalties, what carries more weight? All for One’s son or the incomplete and damaged vessel/successor who is ultimately being beaten in a show of power? Will Gigantomachia still be under the influence of Shigaraki’s verbal commands or will his loyalties cut that tie? Will Shigaraki’s role as All for One’s successor and heir to his power come into question?

For Izuku, despite gaining ground and seeming to strike fear into Shigaraki, he’s using a lot of power in his arms. He was already warned that he can’t tear up his arms anymore or risk losing function in them. He’s using 100% attacks, wrecked his left arm already so he has to use his extremely damaged right arm. Will the backlash of using this much power in a do-or-die fight render him too injured to fight or move? Will he need some kind of rescuing? (Will @aoimikans Luke Skywalker prophecy come to pass and Izuku loses a hand/arm? Will Shigaraki?)

Could we see a kind of Avatar State Izuku with the Will of One for All shining through like how All for One’s personality/will peeked through when Shigaraki was not in total control?

If Izuku is badly injured, could we see a regeneration quirk manifest from One for All? (@aoimikans theorizes that the 4th’s quirk could have been healing or regeneration and Toshinori avoided telling Izuku that to keep him from being even more reckless because who knows what the drawback of that quirk might be.)

Could we see Shigaraki try to take One for All in a last ditch effort only for One for All to reject him? (And my gosh, the imagery that could go with that, AfO rejected by his brother again. Nana forced to reject her grandson.)

Will Gigantomachia get there in time to see Izuku defeat Shigaraki and have his loyalties change / reveal something about Izuku’s father / decide he’s a better fit to be All for One’s successor? If Izuku does get badly hurt, will Gigantomachia see the other heroes and forget his orders, forget the villains on his back and simply abandon them in order to “rescue” (kidnap) his master’s son who showed more power, more promise than Shigaraki?

(Will my old theory that Gigantomachia is noumufied Crimson Riot get any kind of hint more than my gut feeling?)

The end of the battle has to be getting closer… probably? Either way -

We have a real chance to see some long-standing theories get thrown a bone:

Dabi and Endeavor and Shouto are on a collision course so we may see some Dabi is a Todoroki theory finally get confirmation.

Gigantomachia is on his way to “Master” and could be about to blow open the Dad for One theory with some blatant hints/foreshadowing/just saying it. (Or he might be literally on his way to Master, make a 90 degree turn and ram into Tartarus while all the heroes are busy which boy wouldn’t that be out of the blue?)

No matter what happens the heroes and possibly Hero Commission are going to want to know what the deal is with Izuku, his quirk, and why Shigaraki targeted him. The Hero Society is going to have so much clean up and explaining to do. There is likely going to be another major tonal shift in the world of MHA.

But even if we only just see Gigantomachia’s loyalties come into question, if Shigaraki’s place as AfO’s successor isn’t as solid as before because he is weakened, we will have a lot to explore there as well.

#mha #bnha #izuku midoriya #tomura shigaraki #gigantomachia #all for one #one for all #dad for one theory #mha spoilers #bnha spoilers #master's scent #what I believe it means #toshinori yagi #nana shimura #katsuki bakugou #Endeavor #shouto todoroki #this arc is crazy and makes me put on my thinking cap

2K notes · View notes

lovee-infected · 3 years

Note

This idea just hit me like a train. How would twst boys react to WAP from Cardi B?? 😂😂😂

I'm trying to ignore the fact that I might've never discovered WAP without this request...🗿

Warning(s): What should I even tag as the warning idkk ckcjxjsjsjdjdjck- Mentions of WAP's lyrics, mentions of nsfw, Warning for Idia's part bc I think it went a bit too far-

Riddle Rosehearts

Heard of this song named WAP being trending between students -> Searched it up -> Riddle:... Riddle: *Turns off his phone*

Bans WAP from the whole Heartslabyul afterwards, and every student found listening to it will have to face Riddle's: "NOOOOOOO- NO WAP IN THIS HOUSEHOLD - GO TO HORNY JAIL OFF WITH YOUR HEADS YOU UNWORTHY CREATURES- "

Trey Clover

Searches: "What does WAP mean?" before wards and after reading the search results he decides that he doesn't really need to listen to the song itself anymore.

He just clears his browsing history and returns to baking cakes. Nothing has happened, he knows nothing.

Cater Diamond

He is the guy making those "Night raven college react to WAP!!" videos on magicam. His reaction videos get over 100k views and people from all over the Twisted Wonderland start following this dork for them.

Who cares about the WAP itself? As long as he can gain followers over these videos he doesn't care how the song is supposed to be.

But at last Riddle discovers his videos by finding other dorms' students laughing over them and forces him to take them down💀 Man, Riddle really did ruin his once-in-a-life time chance for becoming popular.

Ace Trappola and Deuce Spade

Riddle has banned WAP Heartslabyul so they're going to illegally listen to it. It was Ace's fault though, Deuce is innocent.

Ace searchs up the music video, Deuce just sees the thumbnail and tells Ace that he doesn't think that this is going to be a good idea but Ace cuts him off by asking him not to be such a chicken-

Though they had to stop because Deuce was all shaky and embarrassed after just 20 seconds :"Stop this-STOP THIS- I CAN'T DO THIS- WE'RE STILL TOO YOUNG" and Ace had to stop to shut Deuce because they could've gotten caught at any second because of his unholy screams.

[a few minutes later...]

Deuce: It was saying DOORS in this house

Ace: Bruh what the- we both know it was saying Wh*res.

Deuce: Y-you dirty minded bastard!! It was clearly saying doors in this house!

Ace: Why the hell would they say doors in this house!??? It was wh*res!

Deuce: Doors!

Ace: WH*RES

Deuce: DOORS

Ace: WH*RES

Deuce: DOOOOORRRSSSSSSSSS

Leona Kingscholar

See he might be a jerk but he hasn't yet gotten to the level of appreciating this way of presenting women in songs-

He's just going to pretend that WAP doesn't exist,but most of the Savanaclaw on the other hand are going wild because with WAP, now he can't even take a peaceful nap without WAP being looped in his brain.

Ruggie Bucchi

WAP isn't beyond his power, he's handled stronger songs.✨ He'd regularly rap WAP in public when he's feeling like it.

Now he goes around to recommend WAP to naïve students and taint their virginity by making them listen to WAP without knowing what it is-

Jack Howl

Catches Ace and Deuce listening to WAP and ends up listening to it because of them. He doesn't knpw what to say...

He isn't mad, just disappointed. Disappointed parent noises. Out of all these students, why should he best buddies which these two?

Time to drag Ace and Deuce to a corner and give them a long speech on why young men their age need to be focusing on mastering skills and achieving success through these golden years instead of violating rules and tainting their pure minds.

"Trappola-kun, Spade-kun, you've greatly disappointed me. You need to be more mindful of your actions as fellow freshmen of night raven college. Is this how the future's great magicians are going to be? How do you think your parents would feel about this new habit of yours? Have you thought of how despicable women are being presented through such songs? Are you going to support such a taboo message toward ladies?"

And Ace and Deuce end up having to listen to him and think of their bad actions for the rest of the day...

Azul Ashengrotto

[Before listening to WAP]: He hears of this WAP song being super trending between students. What might it secret be? What kind of magic would make a simple song so hecking popular? He has to find out.

Azul thinks that by learning WAP's ways, he might be able to produce songs that are even better for mostrolounge and even start his very own music company! But before that he needs to listen to wap itself...

[After listening to WAP]: ...He discovers what kind of magic is making it so popular, but decides that it'd be better for him take a step back from the world of music for now. Yes, he's traumatized

Floyd Leech

"Hey hey koooeeebiii chaaannnn have you seen my new dance~?" ah yes, he's got the WAP dance and he's proud of it. These are the time when he's genuinely thankful for getting to have human legs.

But the WAP dance isn't his only target, he realizes that Jamil doesn't seem to want Kalim to know anything about WAP, but thankfully, Floyd is going to be kind enough to bless the young Kalim with his wealthy knowledge on WAP. ✨

Jade Leech

"My...my...that was savage," Jade is amazed, it's quite wonderful how these fragile creatures can go from Micheal Jackson's smooth criminal to WAP in a matter of years.

He's still having trouble keeping up with latest human trends and popular songs but, he's slowly liking humans a lot more than before. These creatures have already reached the level to make put p*rn in music, impressive.

Kalim Al Asim

He hears students whispering about an epic song named WAP during the classes, and of course he'd be intrigued!

He looks up the song but Jamil has already blocked his access to any sources that he might find WAP in, yet Floyd was kind enough to lend Kalim his phone to let him listen to this masterpiece. Later on, Floyd tells him about the WAP dance and bam, Kalim is addicted.

"Everyone watch me! I've got the WAP!"

Poor Jamil doesn't know which is worse, having Kalim signing it loudly in the dorm or watching him showing off his skills in that WAP dance in public. It's time for Jamil to go on a long, long trip and never come back until Kalim graduates from this school.

Jamil Viper

Listens to WAP once, is going to spend the rest of his life pretending that he has never heard or watched it. The most ironic part about it is how he watches the music video instead of just listening to the song and...the snakes. Good lord the snakes- He isn't sure if he likes snakes anymore.

The snakes part seriously traumatizes him but not like Kalim does when he asks Jamil to learn him the WAP dance. And heck no Jamil isn't going to learn him how to dance like a wh*re. At this point, he decides to deny WAP's whole existence.

Kalim: At least tell me what a WAP is!

Jamil:

Jamil: Worship and prayer.

Vil Schoenheit

Hasn't listened to WAP and refuses to do so. He's got standards.

Rook Hunt

"Bravo!!! These Mademoiselles have taken the art of music to a whole nother level! Beaute! 100 points! 💯" (...what else did you expect him to say?)

Just as always, no one can really tell if Rook really liked it or not but from the way he acts he seems to be... intrigued. Apparently WAP starts to get too famous in school and Rook would always be the first one to find out if a student is secretly listening to WAP in public, so he doesn't mind popping up and reminding the students not to listen to such a potentially stimulating song so carelessly: "Monsieur (x), it's adorable to see you appreciating such a glorious piece of art in this lovely day, but I don't think that all of these students staring at us right now are yet prepared for such a beauty,"

Epel Felmier

He just asked Ace for some music that'll make him sound more badass and Ace gave him the WAP:

Epel listening to WAP be like:😳😶😨😕😭

His face is redder than a tomato after the first 30 seconds of WAP, but Ace tells him that he'd be the bravest human being ever if he takes the urge to listen to this in front of teachers.

Tries to dance to WAP and make a video with it to upload on magicam, but Vil catches him in the middle of process.💀💀💀 The video turned out pretty good though. It looks just like a mother (Ehm- Vil) getting into her child's room (Epel-) and finding them doing some crazy shit.

Idia Shroud

He's the silent and seemingly shy dude who's listening to WAP in the highest volume under those head phones during classes.

Divus Crewel: CaF2(s) + Br2(ℓ) → CaBr2(s) + F2(g)...

Inside Idia's headphones: " ~ Wh*res in this house~ there some wh*res in this house~ there some wh*res in this house~ there some wh*res in this house~"

Bonus: He once forgets to connect his headphones to his tablet before playing WAP:

[Wap is being played at max volume inside Trein's class]

Idia: *Thinks that the sound is coming from his head phones*

The classroom: "Beat it up, n*gga, catch a charge

Extra large and extra hard

Put this p**sy right in your face

Swipe your nose like a credit card"

Trein: 😳

Students: 😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳

Crowley about to jump down: 🤭

Idia still not realizing what the hell is going on: 'Lucy lucy baby~ hihihi- wait- why they all staring at me now...? Did they hear me internally flirt with Lucius?'

No need to say what happened to Idia after this...

Ortho Shroud

No WAP for him. You may find him reacting to "If you're happy and you know it clap your hands" if you're interested.🗿

Malleus Draconia

Thank goodness he just finds the censored version of WAP... Listens to the whole song, but doesn't understand most of the lyrics. The "Put this cookie right in your face" part confuses him the most, he doesn't get it. Why would you put a cookie in your face? Is this something humans usually to do with their desserts? Like, would they put ice cream in their faces too?

Virgin dragon keeps on asking people, including Lilia, to tell him what it means to put a cookie in one's face, yet no one seems to give him any proper answers ):

Perhaps human music just isn't his thing, he's getting back to sad violin noises which he listens to when he isn't invited.

Lilia Vanrouge

WAP go brrrrrrr. Our sassy grandpa is legit in love with this piece of gold and all of the humans for achieving such a glory. The beat is superb and the lyrics are: Delicious, motivational and creatively written.

Even better, WAP has an unofficial but smexy dance too. Old man Lilia is never too old for performing a sexy physically challenging dance.

You can now hear savage rock sounds combined with WAP playing in the background coming from his room when he's vibing in the afternoon.

(I can totally see him wearing a neko maiden costume while dancing to WAP and you can't tell me otherwise)

Silver

Finds WAP in papa Lilia's playlist...

Silver:

Sebek Zigvolt

Sweet mother of love Sebek feels like listening to WAP has taken his virginity away-

He is a good boy, no, he once was a good boy. He's no longer the worthy man he used to be now that this unholy song has tainted his soul.

Legit feels guilty and and sinful after WAP, so you can find him praying for forgiveness to that Malleus portrait in his room every night.

"Oh young master forgive my thoughtless deeds, I beg for your mercy upon me now that I've sinned..."

Dire Crowley

Not saying that a drag Queen Crowley dancing to WAP would be a thing, but a drag Queen Crowley dancing to WAP would be a thing- Everyone bow down to the Headmaster, the most gracious of them all 😩😩😩👌🏻

Please, don't blame him. Birby is under too much of pressure after the very recent overblot cases and he needs a way to let go of the stress😔😔😔

Sam

Is illegally selling copies of the WAP because most of the dorms had blocked access to this song for the students...

"Helloooooo little demons I've got the WAP! In stuck now-"

#twst #twisted wonderland #twst x reader #twisted wonderland x reader #malleus draconia #vil schoenheit #idia shroud #Jamil Viper #kalim al asim #Azul Ashengrotto #jade leech #Floyd Leech #leona kingscholar #riddle rosehearts #Deuce spade #rook hunt #Dire Crowley

963 notes · View notes

namelessayakashi · 3 years

Text

Merlin/Arthur Fic Rec List

This is going to be a long post, so the recs start blow the cut!

I wanted to make a fic rec list!! So, here I am. Should be doing my uni homework that's due tonight but I am a terrible procrastinator.

I will probably make another one later on when I have more time that is more organized, but this one is in no particular order.

Last Updated 23 Sept. 2021

Also, quickly, a big thank you to @kickassfu for the making gif above for this post, ilysm Maf!!

Onto the fics!

Unsaid Love by AeonTheDimensionalGirl

Rating: Teen & Up

Archive Warning: No Archive Warnings Apply

Type: Return Fic; Angst with a Happy Ending

Wordcount: 4,022

Quick Summary: Songfic for the song Unsaid Emily from Julie & the Phantoms. Follows Merlin through the years as every century on Arthur's birthday more and more of a song is revealed to him when he goes to sleep. [Regency setting fic]

-- I am still not over this fic of @aeonthedimensionalgirl's, this fic is literally incredible. It is so good. I recommend reading it with Unsaid Emily playing on repeat in the background.

The Wisdom Of The Ages by tehfanglyfish

Rating: Teen & Up

Archive Warning: No Archive Warnings Apply

Type: Fluff; Getting Together

Wordcount: 4,200

Quick Summary: "Saving Arthur while disguised as Dragoon the Great was all well and good until the king decided the old sorcerer deserved a reward. On the run from Arthur, Merlin finds sanctuary in an elderly women's social club. What was supposed to be a one-time visit becomes a regular part of Merlin's week, as he returns each Friday to discuss recipes, commiserate about aches and pains, and lament the state of his love life." - Summary directly from AO3

-- Such a good fic, honestly, like. Merlin befriends Camelot's elderly ladies. Need I say more? It's great.

Forgetful Days by OnceFutureEmrys

Rating: General Audiences

Archive Warning: None Apply

Type: Fluff; Modern AU

Wordcount: 620

Quick Summary: "Arthur is very forgetful. Luckily, Merlin is there to help." - Summary directly from AO3

-- Seriously, @oncefutureemrys this fic is so cute and it's just great, def recommend it

Home in Your Arms by OnceFutureEmrys

Rating: General Audiences

Archive Warning: None Apply

Type: Pining; Fluff; Modern AU

Wordcount: 1,574

Quick Summary: "Arthur is missing Merlin when when he hears someone knocking on the door..." - Summary directly from AO3

-- Yes, another one from OFE, because I love her and her fics. This fic is so sweet, it is a modern University AU!

Ink On A Page by Hisa_Ai

Rating: General Audiences

Archive Warning: None Apply

Type: Pining; Fluff

Wordcount: 2,170

Quick Summary: Merlin writes his feelings on parchment, because if they are on paper, they are just words on a page, and not really his and didn't hold any meaning. One day Arthur notices him writing on one of these pieces of parchment.

-- Literally so beautiful. I loved this fic so much, and I recommend it so much. It is a canon era confessions fic, and it's just so good.

Fool Me Once by CaffeinatedFlumadiddle

Rating: Teen & Up

Archive Warning: Author Chose Not To Use Archive Warnings

Type: Humor; Magic Revealed; Dark Humor

Wordcount: 18, 728

Quick Summary: "Uther finds out about Merlin’s magic, but can’t seem to kill him. Merlin is just trying to protect Arthur. They become a begrudgingly effective duo. Arthur doesn't understand why they think he isn't noticing this." - Summary directly from AO3

-- I mean, can I just recommend this entire series? Seriously, the series this fic is in is just--excellent. I love this fic. It has Immortal Merlin and Uther Knowing about his magic. Seriously, though, just this series is amazing ahah Exceptionally Exceptional, Calling the Middleman, Returning the Favor, In Which Arthur Lets a Sorcerer Live and Regrets It, just to name a few, are incredible and I definitely recommend reading them.

for my beating heart is far too small for the entirety of my love for you by kickassfu

Rating: Teen & Up

Archive Warning: None Apply

Type: Fluff; Established Relationship

Wordcount: 1,566

Quick Summary: Arthur is trying to learn a little magic to surprise Merlin at his coronation after their wedding.

-- So, I actually gave @kickassfu the prompt for this one. And oh my gods. How they did it? So soft, sweet. It is so good, and I 100% recommend you check it out!

That’s my Man by AeonTheDimensionalGirl

Rating: Teen & Up

Archive Warning: None Apply

Type: Emotional Hurt/Comfort; Magic Revealed; Arranged Marriage; Angst with a Happy Ending

Wordcount: 2,287

Quick Summary: "By ancient, prophesied law, Arthur Pendragon must wed Emrys.

Problem is no one knows who they are." - Summary directly from AO3

-- I told you Aeon would be on here again! Love this fic so much. Love magic reveals, love arranged marriages. Seriously, this is great.

the house is flooded (as is his heart) by powered_by_notes

Rating: Teen & Up

Archive Warning: No Archive Warnings Apply

Type: Domestic Fluff; Return Fic

Wordcount: 2,281

Quick Summary: Arthur leaves to do some work in town, and Merlin runs into a bit of trouble with the cottage and their chickens while he's gone.

-- They have chickens. Enough said. No but really, this is so good, they live in a cottage and they have chickens and I definitely recommend this fic.

Emrys the Really, Truly Terrible by lindenwaverly

Rating: Teens & Up

Archive Warning: No Archive Warnings Apply

Type: Magic Reveal, Emrys Reveal

Wordcount: 15,241

Quick Summary: Arthur has repealed the ban on magic, but Merlin still hasn't come clean about his identity. The issue comes in where, Arthur wants Emrys to be his Court Sorcerer

-- literally. cackled. this is so great, i loved this one. i read it in the morning and do not regret it one bit. some of the dialogue just killed me. it's a great fic, and you should definitely read it.

Arthur Pendragon's Business Judgment Rule by oddishly

Rating: Teen & Up

Archive Warning: No Archive Warnings Apply

Type: Woke Up Married

Wordcount: 27,459

Quick Summary: "Arthur and Merlin wake up married. Camelot is in the middle of treaty negotiations with a visiting king. It's okay, Arthur has a plan." - Summary directly from AO3

Lord Drake's Bequest by Pennyplainknits

Rating: Mature

Archive Warning: No Archive Warnings Apply

Type: Modern Era, Fake Relationship

Wordcount: 9,966

Quick Summary: " "To my great-nephew Arthur I bequeath Tintagel Distribution, wholly and without reserve, save for one condition. You must marry, and stay married, for a period of no less than six months. You're a wonderful businessman Arthur, but a full life needs love and companionship, not just a string of affairs. Settle down young Arthur, and your life will be the richer for it." " - Summary directly from AO3

of all things magic, a cerulean haze by powered_by_notes

Rating: Teen & Up

Archive Warning: None Apply

Type: Magic Reveal

Wc: 7,092

Summary: "When Arthur goes missing, Merlin goes off on his own searching for him. He knows to look for things that the others simply do not and has things at his disposal that the others, again, simply do not.

. . .Magical things, of course.

In all his power, worry, anger, and relentless searching, he has no idea the missing king is being shown all the things that Merlin is doing with that power.

. . .Magical things, of course." - Summary directly from AO3

-- Loved this sm. Gods, I was supposed to read this ages ago, but only FINALLY just found the time to last night and it was so great. Arthur is kidnapped while out doing smth for Merlin and it's just really good.

On the Run by Sorceressofdragons

Rating: E

Archive Warnings: None Apply

Type: Modern AU

Wordcount: 18,155

Summary: After an unsuccessful attempt on their lives, new neighbours Arthur and Merlin decide to take off into the woods. Their destination is Morgana’s country estate, but these two city boys don’t know anything about survival—so if the foxes don’t get them, the lack of Monster Munch might. Featuring sex mishaps, weird food, walking in circles, and some obligatory cuddling. Oh, and Merlin is hung. - Summary directly from AO3

-- fucking KILLED me. This was just -- it was great. Literally, from the start I SWORE i knew the who and why only to discover I was totally off with the *why* and it was fantastic.

Hear Your Heart Sing (Love, Love, Love) by schweet_heart

Rating: Mature

Archive Warnings: None Apply

Type: Soulmate Au, Modern Au

Wordcount: 15,834

Summary: Merlin used to like the idea of finding The One – until he fell in love with Arthur Pendragon. Now he has a boss he can't date (but can't stop thinking about), a soulmate he can't find (who has terrible taste in music), and a best friend who can't believe he still hasn't got his act together (even though it's seriously not his fault).Sometimes, life is unfairly complicated, even without your soulmate singing painfully catchy tunes in the back of your head. - Summary directly from AO3

-- This one was just great. The soulmates, the songs, the misunderstandings--it was great. I loved this one.

Note to Idiot by tinylilremus

Rating: Teen & Up

Archive Warnings: None Apply

Type: Harry Potter AU, Modern AU

Wordcount: 9,762

Summary: Arthur and Merlin are members of the Accidental Magic Reversal Squad who work different shifts and share the same office. Arthur, who works the day shift, can't stand the rain. Merlin, who works the night shift, can't concentrate without it.

When they both get tired of changing the weather in the magical window in their underground office, is there a more British way to settle their differences than with a few passive-aggressive memos? - Summary directly from AO3

-- HP AU! A Ministry AU at that! I literally. I loved this so much. Merlin & Arthur are both in the AMRS, different shifts, and it's just hnsdsjdkh it's so good. Really, it's great. And we get to see them on the job a bit!!! Which is fun. This one is def a great one to read, esp if you like HP AUs

as stated previously, this list is being frequently updated with more fics!!!

187 notes · View notes

zmediaoutlet · 3 years

Text

in support of Texas relief, @padaleckimeon donated $100 and requested Dean Jr. meeting Sam and Dean in heaven. Thank you for donating!

to get your own personalized fic, please see this post. (no longer taking prompts)

(read on AO3)

When Dad dies, Dean takes a week off. It wasn’t sudden, or a surprise. Dad had been sick for a while, his body starting to fail him. At first Dean had been scared, and then he’d been angry. He was only twenty-four when Dad got the diagnosis and it wasn’t—fair, in some stupid but essential way. He’d barely graduated from college and, yeah, Dad was kind of old, older than a lot of his friends’ parents, but—he thought, somehow, that him dying just wasn't… applicable. Dad was just—there, always. Solid, supportive, kind of boring maybe but also stronger than anyone Dean had ever known, or would ever know, and it wasn’t right that he could just be sitting in his apartment midway through a novel and get a call and kind of sigh, because he was in a good part in the book, and then to sit up straight with his hair standing on end to hear Dad say, quiet, I'm sorry, buddy. We need to talk about something. That’s what he said, first. That he was sorry.

There were treatments, but not many. Dean had flown out and gone to a few of the appointments with the oncologist and Dad had been quiet, listening to the options. He’d researched a lot of this on his own, because Dean had done the same thing, and they’d both been nodding along during the options. Injections, radiation. Chemo. Dad had asked, polite, what the life expectancy was for each option, and Dean had watched the side of his face and not the doctor, and when the answer was given Dad had closed his eyes briefly, and then looked away from both Dean and the doctor, out the window at the snowy day, and Dean had known, then.

Dad made it past Dean’s twenty-fifth birthday. He had a party with his friends, at his girlfriend’s apartment, and they tried to keep his spirits up but it was a pretty shitty party, all told. The next day, his actual birthday, he flew back out to Dad’s house and he was in good spirits—had a mini-cake, even, with a single candle that he made Dean blow out—but he was thin, and his hair was growing back in snow-white and tender-soft, and when Dad fell asleep in front of the crappy old cowboy movie that Dean had picked just because he knew Dad for some reason liked it, Dean went out onto the porch into the nearly-springtime air and he cried, pissed at himself. Pissed at everything. Then just—unbearably sad, because he liked his current girlfriend but he didn’t think he was going to marry her, and that meant that whatever girl he did marry would be one his dad would never meet—if he had kids, they’d never know how his dad concentrated like a motherfucker on crossword puzzles and obsessed over documentaries and knew every single piece of the inside of that behemoth car in the garage and was just the smartest kindest most stubborn person. Just—the best person. They’d listen to Dean’s stories maybe but they wouldn’t know, because Dad would never meet them, and that was just—unbearable, that night. In the morning, Dad made oatmeal and Dean added a bunch of sugar because Dad’s oatmeal was inedible otherwise, and Dad smiled kind of rueful like he always did when Dean did that, and then Dad said, I’m sorry, again, kind of quiet, and Dean reached out and held his hand—thin, and the bones feeling frail—and he said don’t be sorry, Dad, and four months later, Dad was dead.

Dad was always pretty up-front with him about most everything, especially after he and Mom split up. When he was twelve, Dad explained the supernatural very carefully, telling him that he was safe but that other people might not be, and why. When he was thirteen, Dad told Dean that Hell and Heaven were both real and that there was, definitely, confirmed, a God, and maybe it wasn’t the same God that other people knew but that Dad said he was kind, in his own way. The person in charge of Hell, Dad said, was maybe less so, but she wouldn’t hurt Dean, ever. Dad said he knew that for fact, and he said it so certainly, looking Dean in the eye, that Dean believed him. When Dean turned eighteen, a few months from graduating high school, Dad took him to a tattoo parlor and said for maybe the first time in Dean’s life that something was non-negotiable, and Dean hadn’t cared because what other kid in the senior year was going to walk at graduation with a kickass demonic tattoo?

There were other things, though, that they didn’t talk about. Dad said one day a lot when Dean was little but then, when he was older and it was clear that one day would be never, he just said—I can’t, buddy. I wish I could.

After the week off, rattling around the old house, and the cremation with no service that Dad had insisted on, Dean drives out to the lawyer in Sioux Falls. She’s nice. Respectful but not cloying. The Samuel Winchester Estate that Dean is the sole beneficiary of is—a lot of money. A lot more money than he knew Dad had, or that he could have ever earned. Dad has assigned some of the money to go to charities, and to some people Dean doesn’t know—the lawyer doesn’t say who in the specific, but says they’re kids of some of Dad’s old friends. Dean didn’t know Dad had many friends, much less ones who’d get trust funds in inheritance. Aside from the stock options and the accounts and all the money left over, Dean inherits a list of assets. The house, of course. The Chevy in the garage, with the stipulation that he can never sell it. A safety deposit box, from which the lawyer has already retrieved the contents.

She leaves him alone, to go through the box. Neatly organized, like everything else in Dad’s life. File-folders of pictures, printed out all old-fashioned. Some of Dean when he was a baby. Some of when Dad and Mom were still together, leaning against each other, Dean hugged between them. Some—much older, creased and faded, stored in little plastic sleeves so they can't degrade. He recognizes a few from the framed copies Dad always had in the house. Some he hasn't seen. Most of them—almost all of them—are of his Uncle Dean, who died before he was born, and he looks especially at one that just—hits him in the gut, in this awful way where he has to sit there looking at the soothing taupe paint of the conference room wall before he can look at it again. Uncle Dean's facing the camera, sort of, although he's laughing about something and not really looking into the lens, and there's Dad, laughing too. He looks… young. Younger than Dean is now. He flips the picture over. Dad's handwriting, careful: 2006, Bobby's house. Almost fifty years ago. An entire life he didn't know. He thinks again of his imaginary future kids. These lives they have, grandfather to father to son, that overlap like a venn diagram but—not enough. Not close to enough.

What's a life? How to summarize, from beginning to faded end, in a way that would make sense to anyone but who it happened to?

Dad left letters, explaining, but he's gone and the context is missing. There are so many questions Dean wants to ask but he can't, of course, anymore. The first letter is attached to the key to the bunker, where he would never take Dean when he was alive, and on winter break from med school Dean flies from Boston to Kansas and rents a car and drives alone through the snowfields.

Dark, inside. He throws the big switch and the lights crackle, hum on, almost reluctant. He has no idea how it's getting power. Dust, but not as much as there could be. A library, a kitchen. Archives upon archives. Dad had explained, but what little he'd said both in life and in the letters didn't come close. It was home, he wrote, for over a decade. The only one we had with four walls, for our whole lives, although we didn't think of it that way. I didn't, at least. Dean doesn't know what that means but he looks into the bedrooms and sees… emptiness, plain bunks and old desks and funny lamps. I just picked a random room, Dad said, and as Dean's looking he really can't tell which was Dad's. Figures. Their house when Dean was growing up didn't change a bit, no matter how terrible that wallpaper was. It's only when Dean pushes open the door to room 11 that there's any personality, and he flicks the light and stands there blinking, surprised. Guns and knives on the wall. Books, piled up. Empty beer bottles crowded on the little table. Dust, but—not as much as there could be. He walks in, cautious, this feeling in his gut like he's in someone's home and they've just walked out, and could return any moment. A food bowl on the floor. A shirt flung over the chair. On the desk: more books and magazines and a folded actually-on-paper newspaper from 2024, and a job application, half filled out. Dean Winchester, it says at the top, in mostly-neat capitals, and Dean rests a hand on the back of the chair and feels… strange. He tries to picture it—the man from the pictures, Dad's brother, filling up this space. Drinking beer and reading pulp westerns and checking out—oh, weird, magazine porn. Dean shakes his head. Impossible.

In the letters, Dad said: Hunting was all we knew how to do. With everything we knew, it was our duty to use the knowledge the best way we could. I went back and forth on it. Your uncle never did, even if I know there were times he wished he—that we both—could be something else. I don't want that for you. I want you to live exactly the life you want for yourself. No expectations, okay? Not from me or anyone else.

There are printed files that go back a hundred years. More than. Paper files, but old SSDs too, with connectors Dean has to find adapters for. Dad: If you want to know what we did, it's digitized. I know I always said I'd tell you one day, but I never knew how to say it. I'm sorry for that. I always thought I'd be one hundred percent honest, if I ever got a kid, because of how we were raised. I didn't know how hard that could be. Stuff that you'd want to say, but when it came time to just open your mouth and say it there weren't any words.

Dad wrote up all the old hunts, it turned out. Simple notes about where/when/how, the kind of monster it was, the number of people who died and the people who were saved. The people they had to explain things to, who knew now about the supernatural underbelly to the universe. He noted, too, if there were injuries, and Dean reads with his hand over his mouth a long, long litany of Dean W. shot, right arm; Sam W. broken bone in hand; Dean W. concussion; Sam W. strangled. On and on. No wonder Dad didn't make a big fuss when Dean broke his leg in the fourth grade.

He sleeps in the bunker overnight, in one of the spare bedrooms that's not room 11. There's a fan on the ceiling, dusty office supplies on the desk. By lamplight he reads the letters, on his back on the stiff terrible mattress, his eyes stinging and past-midnight tired. Our lives weren't the kind of thing anyone would want, Dad wrote. I spent so long trying to get away from it because I thought 'it shouldn't be this way' – and I was right, you know? It shouldn't have been how it was. But it was that way, anyway, and in the end that was something I was okay with. We were making what difference we could. We were happy. A lot of people have it worse.

'We'. Dad hardly writes Uncle Dean's name but he's in every letter. We, we, we. Dad told Dean stories, of course, the dumb stuff they got up to when they were teenagers, or the (sanitized, Dean's sure) adventures they had as adults, but despite the pictures on the wall at home and the pictures in the deposit box and the whole life that's here, Dean can't—see it. Beer bottles on the table in the bedroom, one on either side of the tiny table. The shirt slung over the chair. We were happy, he says, but—how? Dean can't imagine it.

In the last letter Dad wrote, I think I'm writing this when I've got a month or two left. Dr. Hendricks isn't sure. I wish I had more time, to explain how it was. Who we were. I never told you the most embarrassing thing in the world, but I'm old and I'm not going to be around and not much will be able to embarrass me anymore, so screw it. (Fifty years ago I would have gotten really mad at myself for that kind of comment; more things age can fix.) There are books about us. There's a hard drive, in the bunker. It's labelled BURN THIS. (That's your uncle's handwriting.) They're true, more or less. Written by a really crappy, amateur writer, but he was a kind of prophet, and he knew everything there was to know about us, and he wrote books for about five years, based on our life and the real things we did. Some of it is exaggerated and melodramatic. A lot of it is just how it happened. You'll have to decide which is which. I don't come off too well in some of them but I hope you'll understand that the world… I don't know how to describe it. Somehow the world felt different, then. It was just us, trying our best. I hope it gives you some idea of the life we had. No matter what happened, I'm glad that life led me to you.

What's a life?

Dean marries. Not the girl from college but a woman, later. Red hair, blue eyes. Absolutely no sense of humor beyond puns. Hates cooking and has strong opinions on movies from the 1980s. They have three kids, a girl and then a boy and then a girl again. All dark-haired, smart. Dean gives the boy the middle name Samuel and his wife holds his hand, says it sounds great.

He's a doctor. He meets hunters. He sets bones for free and prescribes medication when needed and when it will be needed. A woman, last name Novak, calls him and says you know, your dad was one of the greats?, and he meets people—older than him by twenty, thirty years, with scars and dangerous lives and guns hidden in every corner, and he hears stories. Sam Winchester, who saved the world. Dean knows—he's read the books—but there are more years that the books didn't cover, more people who didn't die because of his dad's intervention. "They were the best," one man says, shrugging, and gets no argument, nods and shrugs from every hunter in the room, and Dean goes home that night and kisses his littlest girl where she's already tucked up in bed, and he thinks: what will she know, about who her grandfather was? Who their family is? What could she possibly know?

Dean's wife dies in her eighties. An accident. A broken hip, an infection following. Still happens, even in this new century. The kids are grown, have kids of their own, and the funeral is big, and there are people at his elbow who say to him we're so sorry and who share anecdotes of her life and who support him to his chair, even though at ninety he's perfectly capable of getting to his chair himself. He's a cranky old man, he realizes. She would've laughed at him. He thinks, inevitably, of his own father's death. Silent and unmourned, except by one. What's a life.

He writes letters, for his children. The estate is handled. He calls the oldest girl and explains to her that she's going to be the executor, and that there are things she has to keep. A key. A car. Pictures, so that her boys will know where they came from. "Of course, Dad," she says, placating a little because he's old and clearly starting to lose his grip, but she'll do it. She's a good kid. Dean learned how to raise a kid from the best.

When he dies, he's expecting it. The trip to the hospital. The monitors. He knows the pain meds even if he's retired and his doctor looks like an infant but she gives him the good stuff. It's—easy. A slipping away. He closes his eyes to sleep and there is a moment where he thinks with surprisingly clarity, this is okay, isn't it, and has the feeling of someone's hand laid on his, and then he sleeps, and doesn't wake up again.

He opens his eyes in an armchair, in a house that he doesn't recognize but that feels instantly familiar. Music playing, somewhere, and a gold-tinged afternoon spilling through the window, and tone-deaf singing from the kitchen. His mind feels clearer than it has in… Tears come to his eyes but it doesn't hurt. He puts his fingers to his mouth and smiles, breathing in slow, and thinks—well, this is it. Heaven.

Time is no longer time. Space is—immaterial. There's a house, not their house, but it's roomy and it has what he needs and the bed he crawls into with his wife at the end of a day is comfortable, and that's what matters, as he lays his hand on her hip where he used to lay it always, and she sighs against the pillow and squirms and tucks herself into a fetal pretzel, like she always used to. The spill of her hair red against the pillow. Her warmth, plush against his bones. She smells not of honeysuckle or vanilla but just like warm, human skin, the faint bite of salt-sweat at the nape of her neck, the must in the morning in thin bluish light when she turns over and finds him awake, and smiles. Incredible. The weight of her is real, and the spot between her breasts when he kisses her there is real, and he'd always believed in some distant way that what his dad had told him was true—that there was a heaven, that there would be some kind of justice after death—but it was distant, and academic, because of course there was a life to live and patients to care for and children to raise and a wife to bury and a death to get through. What a thing, to come to. This place, with her hair on the pillow, and her smell. He hadn't forgotten it, in the end, after all.

The house sits in some place that feels like South Dakota. Home, or close to it. A lake among trees. A distance between things. He reads, and plays games he barely remembers from being a kid, and he watches the Ghostbusters movies again because his wife insists and they are, he has to admit, still funny, but he makes fun of the weird museum guy anyway, and she kicks him where her feet are tucked in his lap, and he tickles her in retaliation, and then—well, the movie will be there, later, when they're done.

She rides her bike every day. One day she comes back and says she was just visiting her mother, and Dean sits up and says, "What?" But—of course. What's time? What's a space, between this shared slow heaven and another? She shrugs—his mother-in-law says hi—and he sits there on the couch with his game paused, watching her go into the kitchen and shake her sweaty hair back from her face, redoing it into the practical twist at her neck like she always does, and he thinks—okay. Okay, maybe now.

The bookshelf has every book he could want, and seems to know what he needs to read before he does. Raining outside, spattering gentle on the eaves, and his wife made a huge pot of tea and took it to bed upstairs and left him just a cup, and so he sits at the kitchen table with his cup of tea and opens the book—Home, by Carver Edlund—and reads it, lingering, even if he's read it three times before online, his thumb brushing over the cheap too-thin pages of this physical copy. There's a poltergeist, preposterous. The psychic, odd and familiar. The brothers, united, and he reads the next-to-last chapter very slowly, lingering, as they find the box of pictures, as they get into the car together. Drive off, to meet some new dawning day.

He finishes his cup of tea. Puts on a clean shirt, combs his hair. "I'll be back," he says, to his wife, and she blinks at him from her nest of blankets with her own book and then only nods, and Dean goes downstairs and gets into his car and finds the road, beyond the garden gate, and drives.

He doesn't know where he's going but that doesn't matter. He turns on the car radio and it's playing—oldies, but really oldies, the stuff that was old when he was little. What childhood sounded like. Farms appear, melt away. Trees rising, through hills. He sings along, under his breath, remembering: a roadtrip to his grandma's house, Mom sleeping in the passenger seat and Dad driving through the night, and Dad singing very, very badly, as quiet as he could, and Dean thinking even as a kid that this was some private thing, to see, and he had to be silent and not show that he was awake or it would disappear. That feeling, it crept up on him at the oddest times, when he was an adult, and later. That sensation of the armored tank of the car moving through the dark, and the silence around them, and the quiet music inside, and Dad, in a world of his own, entirely separate from the world he shared with Dean.

Another hill. Climbing a mostly-paved road. Not raining anymore but the sun coming in slanted gold through the trees. Distance, and a curve, and then: a house. Old-looking. Older maybe than the one Dean and his wife share. In front of it, a car. The car.

Dean parks. He gets out, and the air smells washed-fresh, a little fecund. Like summer. He puts his hand on the hood of the Impala and it's sun-warm and he tears up, completely unexpected, and has to sit on the hood and hold his hands over his face, his heart—full, in a way he's felt since dying, but not in this particular way, this way of feeling that he thought had mellowed, a lifetime ago.

So much for putting on a good face. He wipes over his mouth and dashes his eyes clear. A porch, with new-carved railings. A door, painted blue. He knocks, his body feeling empty and clean and young, terribly young, and before he's quite ready the door opens, and it's—his uncle, in a purple plaid shirt and paint-spattered jeans and grey socks, frowning at him, saying, "Uh, hi?"

He looks—almost exactly like he looked in the pictures. Maybe forty, lines beside his eyes and heavy stubble on his jaw. The age he was when he died. Dean opens his mouth, can hardly dredge up what to say, and then he hears a voice say, "Dean?" and Dean and his uncle both turn their heads to see—Dad, young too, completely shocked, standing on the far side of the porch in running gear with sweat slicking his hair back from his head, and Dean drags in air and says, "Dad," and Dad grins at him, that big creased dorky-looking dad-smile that Dean only got once in a blue moon, and he steps forward and they're hugging, then, and it's—heaven. That's all he can think. Heaven, Dad's arms tight around him, his shoulders slotting in under Dad's because—Dad was so tall, and this is where Dean fit and never would fit again once Dad was gone. Here, under Dad's arm. Like being a kid again.

Dad's hand on the back of his head. A startled, shaky, deep breath in, and then hands gripping his shoulders, and being shoved reluctantly back to have Dad look down at his face, serious and worried. "How long has it been?" he says. "Are you—you didn't—?"

"I was ninety-seven," he says, and Dad's eyebrows go high and he smiles, big and glad and real, relieved. He touches Dean's face and Dean smiles back, tears rising again for no reason and for so many reasons. "I look good, don't I?"

Dad huffs a laugh. "You look great," he says, and then his eyes lift over Dean's head, and Dean has to turn around because—

What to call him? Uncle Dean. Standing there with his shoulder against the doorframe, his mouth tucked in on one side. Like from right out of one of the pictures, returning Dad's look. His eyes drop after a second to meet Dean's and Dean feels this odd jolt, in his chest. Bizarre, to see. He's real. All Dad's stories, the wall of memories, the books, and here he is, in grey socks, looking all over Dean's face like he's seeing it for the first time. "Guess you got your looks from your mom's side of the family," Uncle Dean says, finally, and Dad says, behind him, "Nice, dude," and Uncle Dean shrugs, unrepentant, but with an unexpected dimple quirking into his cheek, and holds out his hand to shake, and Dean takes it and has another shock at it, warm, callused, firm, real—while Uncle Dean says, wry, "Well, I guess some introductions are in order, huh?"

Uncle Dean and Dad share the house. It's nice, inside. Old fashioned in a way that feels comfortable, as Dean's come to expect. (He wonders, in a few hundred years—will new arrivals to heaven expect old-fashioned arcologies?) Uncle Dean brings beers from the kitchen and Dad takes his without even looking, drinking in Dean's face when Dean's doing the exact same to him. He looks so young. Younger, maybe, than he was even in the few pictures Dean has of him being a baby, held tiny in the crook of Dad's massive arm—some past time, some time Dean doesn't belong to, but Uncle Dean clearly does. Dad shakes his head after a few seconds, huffs again, rueful. "I don't even know where to start," he says.

Uncle Dean rolls his eyes, behind him, and says, "How about you ask the kid how he's doing, genius." Mean, but he squeezes Dad's shoulder too, and Dad bites his lip, looks at Dean, his head tipping. Asking.

It's awkward, but only in the way Dean would expect. To see his dad after so long—and both of them dead—and to explain… what? A life. Being a doctor, meeting a wife. Children. Grandchildren. "Great-grandpa Sammy," Uncle Dean fake-whispers, "told you you were old." Nudging Dad, half-sitting on the arm of his chair. Looking proud enough he could burst, although Dean doesn't know exactly why.

"Are you going to make dinner or are you just here to heckle?" Dad says, looking up, exasperated, and Uncle Dean raises his hands, says, "Oh, I'm here to heckle," but he gets up, too, says, "You get tired of the inquisition, kid, we've got more drinks in the kitchen," and cuffs Dad around the back of the head before he disappears down the blue-painted hall—and music comes on, after a moment. The kind of music that was on Dean's radio as he drove. Comfort sounds that go deep into some space beyond his bones.

"He's a lot, sorry," Dad says, after a second.

"I know, I read about it," Dean says, and Dad blinks at him, mouth half-open, before he remembers.

They have dinner. Uncle Dean makes burgers, fries, a spinach salad that Dean and Dad both groan at, and he looks at them across the table with his burger in his hands and shakes his head. No salad on his plate, Dean notices. They talk but about—nothing. Uncle Dean asks if the Broncos ever won the Superbowl again and Dean tries to dredge up an answer. Dad asks what his wife did for a living. Dean wants to ask things and doesn't know how. There's time, he knows, but for now all he can do is—watch. Dad leaning back in his chair with a beer, smiling at him while Uncle Dean tells some probably well-worn story about trying to fix the Impala in a rainstorm, and Dad was pissed for some reason and so kept handing him the wrong tools. "It was too dark to actually read the grip numbers," Dad says, patient like it's the hundredth time, and Uncle Dean says back, immediately, "Who needs the numbers? You can feel the weight in your hand!" Old arguments, well-worn, in the well-worn house. The way they move around each other, washing dishes, putting plates away. The way Dad's eyes will jump across the table, half a second before Uncle Dean's even opening his mouth, a smile already waiting to be pushed back down.

When it's night he says he should get back to his wife. "I'd like to meet her," Dad says, "some day."

"Gotta see who's willing to put up with a Winchester," Uncle Dean says, eyebrows waggling.

Dad sighs but nods, too. Dean gets folded into a hug, there under the tuck of his arm, and then he hugs Uncle Dean, too, impulsive and just—wanting to, feeling like a kid. Uncle Dean startles but hugs him back right away. "You're good, kid," he says, quiet against the side of Dean's head, and Dean nods and says, "Thanks," for more than he can say other than that, right then on this particular day, and then he gets into his car and pulls away from the house and looks back to see Uncle Dean gripping Dad's shoulder again while they watch him move away—and when he's home, after a blurring drive that's long enough for him to settle himself, he comes up the stairs to where his wife's warm in bed and slides in beside her and she says, sleepy, "How was it," and he says against her hair, "Perfect," because—it was. It was perfect.

Dean comes alone to their house twice more, on days when he needs it and doesn't see a reason not to. He brings his wife, the third time, and Dad's extremely polite and Uncle Dean asks her about engineering and Dean enjoys it, from the couch, while she gets the same interrogation he did, and they're driving home with her at the wheel, his eyes on the passing trees, before she says, "They're an interesting couple," and it doesn't strike him, for what may be a mile of blurring distance, why that sentence wasn't quite right.

It should be a shock. It isn't. That it isn't should, itself, be a shock, but he sits with it for a few days, the easy rhythm of heaven sliding around them.

He goes to see his mother, finally. She's in a place on a lakeshore. Her first husband, kind but remote, giving them space. She presses his hands between her own and he goes through the list of answers to all her questions, smiling, feeling déjà vu, and then says, cautious, that he's been to see Dad. "Oh!" she says, and doesn't seem upset. "How is he?"

"Good," he says. They never married, his parents—Dad had told him, much later, that it just didn't occur to him to ask—and he knew they didn't resent each other, but there wasn't much closeness there. He didn't realize how little until he was married himself. Still, he's cautious as he says: "He and my uncle have a place. Uncle Dean, you know?"

Mom sits back in her chair. "Well, then," she says, soft. She's youngish, too. Fifty maybe, her hair shot with grey. "That sounds about right."

He doesn't know how to ask but there's no way to do it other than just—to ask. "What do you know about him?"

Mom smiles, slow, and looks out at the lake. "Honey, your dad's a good man, but I think you know as well as I do that he doesn't give a lot away." Dean follows her look. A boat, far out on the water. Not close enough to hail. "He didn't talk about his brother, much. That said more than I think he knew it did. All those pictures. Well, you remember." She shakes her head, looking down at her lap. "I resented him for a while. A dead man. Silly of me. But then I suppose your dad could have resented Luke, if he'd—cared more. Sorry. That sounds like I'm angry, but I'm not. There just wasn't much left in Sam, that's all. He loved you and he loved someone that wasn't here anymore and there just wasn't room for me, or at least not room for what I needed. I wished I could've known him. Dean, I mean. I would've understood your dad a lot more, I think, but then—I don't think I would've ever met him, if Dean were around."

When he gets home he pulls a book off the shelf. Frail, the spine cracked badly. Supernatural, the first book in the whole series. When Dad was at college and the whole thing started. He sits on the floor by the bookshelf and lets the cup of tea his wife brings go cold on the rug, and reads again and again the scene—coming down the stairwell, finding the car in the garage, going through the details of the voice on the tape, on where their dad (Dean's grandfather) could possibly be, and Dad says there's this interview he can't skip. His whole future, on a plate. In the story, it's Dad's point of view, and he looks at Uncle Dean and Uncle Dean smirks, and Dad thinks, This is exactly what I was getting away from. Dean drags his thumb over the page, looks at the shelf. All those books. All the years in them, and the horrors in those. Hell, and apocalypse, and none of it euphemisms or easy metaphor. All the things Dad wanted to get away from—and then all the years, after, where he stayed exactly where he was. And then—a lifetime later—to come back home to a house, with a blue door, and his eyes not bothering to follow his brother as he leaves a room, because he knows without doubt that he'll be back.

In bed, he asks his wife, "When do you think the kids will get here?" and she turns over and stares at him, and says, "Hopefully not for years?"

He shakes his head, folds his arm under his head. "Duh," he says, and gets her to punch his chest lightly. "Ow. I meant… I don't know. What do you think their lives will be? Like… who will they be? I can't even imagine."

She stops trying to lightly beat him and goes thoughtful. Her thumb finds the little scar on her chin and rubs it, as is her habit, and her eyes slip over his shoulder to the distance. "They'll be—them." He raises his eyebrows, and she shrugs, rolling closer. "I mean, what do you want from me? I knew Abbie for fifty-one years and I still think that girl's a mystery. When she's… probably a grandmother herself, now, I guess. Is she still at Notre Dame? Are she and Andre happy? Are the boys healthy and do they like each other, and did she ever get Jacob to stop drawing cartoon dicks on the walls?" Dean laughs—god, he'd forgotten that—and she smiles at him, props her head on one fist. Says, softer, "Did she live the life she wanted to have? I don't know. I guess when she gets here we can ask her, but we'll never…"

No, they'll never. Dean touches the scar on her chin and she focuses on him, instead of some other world they're no longer privy to. "It's a venn diagram," he says, after a moment. "All of us. Abbie, overlapping with you and me, and then us overlapping with our parents, and on and on, all the way back. I guess we don't get to know what's outside the center parts."

"Even if there's a hundred and four crappily-written books about the other parts," she says, raising her eyebrows, and Dean shrugs, caught. She grins, shaking her head at him, and then squirms in close, tucking in under his chin. Kisses his throat, sighs. "Why not stop at a hundred? Seems random."

"I don't know, maybe the publisher wanted him to stretch it out," Dean says, and she hums, and puts her nose on his collarbone to settle in. He smooths her hair back, away from her shoulder. His favorite book is Swan Song, probably. The final one, as far as most people knew. His dad, the hero, saving humanity and the world, but that wasn't the best part. The best part was the army man, stuck in the door. His dad, looking at that, and meeting his brother's eye, and that being—enough. Just that, and all the life it represented. Enough.

"Venn diagrams," he says, aloud, quietly.

"Yes, you're very brilliant, Dr. Winchester," his wife says, mumbling. "Now go to sleep."

He kisses her hair, and does.

#ffcc #wincest #dean jr #my writing #this is again just sort of a collection of paragraphs #and it's--mostly what you asked for i think?#but mainly it's me musing about the unknowability of parents and children #so uh #that's what i was able to manage #hopefully i'll remember how to construct a story soon lol

207 notes · View notes

atopfourthwall · 3 years

Note

Ive only recently gotten into classic Star Trek so I don't think I can properly answer but what is it specifically about Discovery and recent Star Trek that classic Trek fans hate?

Putting this behind a cut because... it's a lot.

Well, first of all a big rejection of it is just on an aesthetic level. Up until the 2009 movie (which was considered a reboot, even with time travel elements), Star Trek tried to treat the original series and how it was portrayed as pretty sacrosanct. Sure, they might occasionally make jokes about goofier aspects of it and discard some of the stupider stuff (like how in the final episode, penned by Gene Roddenberry himself, that women weren't allowed to Captain starships), but how TOS looked? That's how the 23rd century looked. Buttons and multi-colored outfits and boxy computers and smooth, undetailed ships WAS what was appropriate for the time. When Scotty came back in TNG, they had him on the holodeck and it was the TOS bridge. When DS9 traveled back in time to that era for an episode? They went onto the Enterprise and visited it. When in an Enterprise 2-parter we had a TOS-era ship? It looked like a TOS ship. They even did a 2-parter on Enterprise to explain why Klingons had smooth foreheads when later (and earlier) they didn't. Star Trek up until then cared about maintaining that continuity of appearance. But Discovery is set in the TOS era... but nothing looks like TOS. Even when we got the Enterprise and those uniforms and we saw inside the ship, it was an upgraded form. The only logic I've seen people try to argue about WHY it doesn't look like it actually did was "Well, audiences won't accept something as cheap as TOS being futuristic." Well, then you've got a few responses there: -Don't set in TOS era, then. -That's horseshit, because audiences from the 90s through the 2000s accepted it just fine. Even a piece of dialogue from DS9 explained it perfectly: "I LOVE 23rd century design." It LOOKS cheap, but it was just the aesthetics of the period. And the Enterprise 2-parter it still looked good in HD. Hell, arguably it looked BETTER in HD because they knew how to light it and create mood and its own unique flavor. -It's even more horseshit because people are STILL going back and watching it even today, as indicated by you saying you've started watching it, so clearly it's not that much of a barrier. But what's even more egregious is the TECHNOLOGY. You might be able to accept updated aesthetics if at least matches what was present during the period... and it doesn't. Holographic displays and communication (holodeck technology AT ALL, frankly - it's possible it was there, but TNG seemed pretty adamant that the holodecks were fairly new, very impressive technology), weapons not looking or acting like they traditionally did, Enterprise and Discovery having R2D2-style repair droids that certainly did not exist in TOS, the wrong sound effects being frequently employed, replicator technology for good-looking food instead of food dispensers that gave out marshmallows and cubes, and honestly the tech level shown in Discovery looks just as advanced - if not MORE advanced than seen on TNG 100 years later. And this is a minor thing, but despite the attempt to make the future LOOK futuristic, from a cultural perspective, the future looks... way too damn similar to now. The excessive swearing (it was said in particular in Star Trek 4 that while they certainly did cuss, it was less common and they sure as hell weren't dropping F-bombs), a party on Discovery that looked like a rave (when previously it seemed like the most popular music and culture of the 23rd/24th century was considered fairly high-brow entertainment [classical music, Shakespeare, great works of literature and plays, etc.] - and while you could certainly argue that that snootiness and love of that stuff is a problem with Star Trek and a sign of how sterile and homogenized it is, THAT is the future they presented and a character in Voyager loving some of the goofier parts of 20th century culture like jukeboxes and old sci-fi serials was considered unusual), and just the general way people talk betrays the idea that the writers aren't thinking about how society changes in the future. It's just the modern day, but with cooler technology. But hey, let's set aside the general aesthetics - some people aren't going to mind that and find

ways to handwave away a lot of stuff (even Discovery season 2 TRIED to handwave away stuff like the holographic communications, but did a piss-poor job of it). This brings us to the problem of the WRITING. And the problem with the writing is a big Michael Burnham-shaped indentation. To be clear, I don't mind Michael as a character or her actress - there are interesting aspects to her, centering a Star Trek show around the science officer is a neat idea (though that means you should probably NAME IT AFTER HER and not around the ship, because it suggests this is a standard ensemble group and not JUST her)... but the actual execution is that it feels like the entire universe bends over backwards for HER. She has a unique relationship with a beloved longtime character that is retconned in. She has unique relationships with several important characters to the point where the fate of billions of people hinges on her and the decisions she makes. She is presented as almost always correct about everything, and those that oppose her are often wrong, naïve, or active enemies. Now, this is less of an issue in the third season - but that has its own unique problems - but in the first season, the resolution of two major storylines (mirror universe and the Klingon war) revolves around her and her relationship to the Terran Emperor and Lorca. In season 2, her mother trying to help or save her is the basis of the ENTIRE friggin' plot with time travel and the like, with special knowledge and history having to do with her and everyone ready to abandon their lives for her so she won't be alone when she has to go to the future when arguably they barely know her (the timeline of the show is debatable). Season 3 has a few different problems with her - the first is that she keeps being involved in things that don't concern her (why is she going down to Trill?) and she keeps violating orders. Now, her violating orders is a problem throughout the entirety of Discovery - in fact, it's kind of the instigating factor OF the series. And arguably, other Star Trek characters are guilty of that and they face no consequences, just as she faces none... and yet it's the brazenness with which it happens, and in those other series it's arguable because the series tries to avoid excessive continuity changes for its episodic nature, so the status quo MUST return to normal... but Discovery is pivoted as one of MAJOR continuity, so her lack of consequences (and indeed eventual PROMOTION) is baffling to the point of frustration. Now again, let me be clear here - she is not a bad character in and of herself. Honestly what it shows is that being the science officer on a starship is not where her talents lie. She should be in a position where she has a lot more freedom to act and not in a major command structure... but being in that command structure, what we see in season 3 is that she lacks the discipline, emotional maturity, responsibility, leadership qualities, and general other traits necessary to be a Captain. Only once during season 3 did she display such a quality - putting the safety of the Federation above a friend and colleague... but other times she will happily disobey orders and put herself and others in harm's way, creating potential new problems. Now, again, Star Trek is rife with characters doing that... but usually not the Captains. And, in fact, when this happened once on DS9 with one officer disobeying orders and putting their own personal feelings above the greater responsibility, it was made VERY clear that the incident would mean that they would never be able to command a starship because of the unofficial reprimand. What's even more frustrating about her is that the character is ALWAYS shoved to the forefront so much to the point where we just get sick of her. SHE is the one giving log entries (usually pretty piss-poor ones, at that - very flowery and nonsensical and kind of dumb) and not the Captain. SHE is the one given so much focus and how the plot of the episode affects her. Barely anyone else gets any focus episodes - I STILL can't

remember the names of some of the secondary characters because they're so rarely said, and a PTSD-related plotline in season 3 for one of the secondary characters basically gets resolved OFF-SCREEN. Michael would be fine if we actually had a chance to miss her... but we never do. Arguably one of the best episodes of the show is in season 2, when it focuses on Saru and his people because Michael DOES take a back seat. It's his story and his development and problems relating to him and his people. And even if, again, we forgave the idea of so much focus on her even in plots that aren't about her... she never seems to really change that much. She'll TALK about how she's changed, but I see no real difference in the way she acts (MAYBE season 1 to 2, where in season 1 she was stiffer and more Vulcan-like, but that's it). But hey, let's assume that's not a problem for you - you really, REALLY like Michael and are fine with so much focus on her. Simply put, the writing of the rest of the show... is just kind of dumb. The ship is powered by magic mushrooms that let it teleport everywhere because the universe has super fungus capillaries throughout it that nobody can see and also it's magic and can resurrect the dead. The time travel plot of season 2 doesn't make any sense when you sit down and diagram it. Well-established Trek lore is just kind of sprinkled in, but now in ways that doesn't match what it was before or at least in ways that completely recolor how it's supposed to work, because it needs to serve THIS plot. Everyone remembering a murdererous monster fondly after she leaves because "Hey, she was coooool." The explanation for the big mystery in season 3 is just fricking stupid and one of the two big reasons why I've finally given up on Discovery, because it's just so absurd, doesn't match how anything works, and just feels like the writers giving the middle finger to the audience because they care more about "YOU MUST FEEEEEEL THINGS!" instead of it making sense. And indeed, there is certainly a balance to be made of plot vs. emotion-driven storytelling - some stories are dumb, but are forgivable because the character writing and emotion are so strong that they override how goofy the plot is... but sometimes a plot is just so dumb it overrides anything I'm SUPPOSED to feel. And it would help if I already liked the show, already gave it some benefit of the doubt... but I don't and it hasn't done enough to impress me. A little thing that's a problem with ALL of current modern Trek shows is that whole sprinkling lore thing - I don't think a single episode goes by in ANY current modern Trek series that doesn't have a random reference to classic Trek lore. A name, a line of dialogue, etc. It comes across like the creators don't trust you to enjoy it on its own merits, but want you to like it because "Hey, remember thing? We know about thing! Like us because we mentioned thing!" But hey, I recognize that these are things that other people may not have any problem with or just disagree in general. But for me and my family, these are the big ones that keep us from enjoying it. Hell, my brother and dad still watch it for hatewatching purposes, but I was done after season 3. I gave it plenty of chances to impress me, and while each season MARGINALLY got better as it went along, I'm tired of waiting to actually like it and to stop feeling like it thinks I'm a fucking idiot. If other people still like it, great - it clearly appeals to them in a way that it doesn't appeal to me and they are free to enjoy it. Other people probably have their own issues, but this long, rambly bit is the major stuff for me.

107 notes · View notes

elysianslove · 4 years

Note

Hello! I know this may not be your thing but I decided to give it a shot, if not no biggy!

I was wondering if you would be interested in writing Gojo and/or Sakuna with an asexual lover? (One that doesnt feel sexual attraction but doesnt mind kissing and cuddling etc and loves physical affection but nothing beyond that?) And like, how a relationship with that kind of person would come to be?

Because Sakuna and Gojo both give off *he totally fucks* vibes.

So how they ended up with an asexual lover would be interesting, maybe the MC rejects their advances because fear of being hated for being Ase? Because they know that the other person definitely fucks.

How would their relationship work? How would the guy react/comfort the MC.

(Maybe it ends with a epilogue with no sex(as in penetration and blowjobs to be exact but mc later in a relationship would be willing to do things like handjobs and other hands on/Using toys to pleasure their partner because they cant in that way) but lots of passionate makeout sessions/kissing/sucking and worshiping the mc's body? Especially the collar bone)

If you arent into it that's cool! I totally get it!

This is pretty self indulgent after all ahahaha it's hard being an asexual in fandoms lmao.

hi my love!! okay to start off, i’m really honored you sent in this request to me. idk just the fact that you’re trusting me with it is really sweet hehe. i’m fairly knowledgable about sexuality but i don’t like to write about things i’m not 100% sure about because i don’t wanna risk doing anything wrong or accidentally offending you! but!! thank you for going into detail with the request, and i hope this is what you were looking for, and that i didn’t do any mistakes <3

i wrote headcanons so i can go into detail and write for both!!

some nsfw under the cut, my loves! <3

ryomen sukuna

i’d say, to begin with, it would take a small while for sukuna to even be accepting of his own feelings towards you. nothing having to do with your sexuality, just you in general, specifically that you’re human and so different from him. i don’t think sex ever crosses his mind, at least at the start, because he’s too busy being really angry over the way he can’t seem to control his reactions to every little thing you do. so he himself won’t actively work at starting a relationship with you.

but he will realize, over time, that you’re not doing anything either, even though he’s been noticing that you’re not pushing him or his advances away. like any act of protectiveness that involves him physically touching you intimately, you don’t reject, and you’re always ready to retort at any quip he had. he could tell that these feelings he had for you were mutual, he was just so confused as to why you weren’t doing anything about it.

sukuna’s a thousand year old cursed spirit. he does not know shit about sexuality. i think the way he’d look at it is fuck who you want and fuck who you like. i feel like nicki minaj’s said that before, has she? he doesn’t like thinking too much about it, you know?

his confession would probably be a kiss because words? he doesn’t know them. when he feels you return the kiss he’s, deep down, elated, really, and this is simply because of his naturally sexual personality, he starts hinting at more, until you stop him. he’s really confused because you just kissed him back? you’ve been kissing him for so long why do you want to stop now? he can see the fear steadily growing in your eyes and he’s even more confused now he’s just. humans are so weird.

when you cautiously tell him, “i don’t want to go further than this. is that okay?” you look like you’re waiting for the world to erupt in your face. he just frowns and shrugs like, “yeah but that’s not the point. do you not want me?”

it takes about an hour and a half for sukuna to properly process what you’re saying. at first he’s so thrown off by it, not by you! he just can’t process the fact that someone doesn’t feel any sexual attraction towards someone or doesn’t crave sex at all. it’s not that he’s rude about it, it’s just a really foreign concept to him, you know? when you add that it’s just sex, and you’re okay with a lot of other things, the gears in his brain finally start working again and he just goes.

*shrugs* ok.

literally lmao. like i said earlier, sukuna doesn’t give a shit like whatever do what you want.

because of the rush of emotions he’s feeling towards you, and the fact that this in itself, a relationship, and a relationship with a human too, he doesn’t really focus on the fact that he might want more from you. he’s easily satisfied with a lengthy make out session, and he admits it to you every time he sees you get a little anxious or unsure of yourself.

however, his needs do grow with your relationship. it’s kind of clumsy, your transition into a proper long term relationship, especially with sukuna, but you two make it work.

you agree to try different ways to pleasure him, even if he kinda rushes through them because he’s generally just excited to have your hands on him. at first he’s content with anything you’re offering, but it makes him feel kinda useless when you won’t let him touch you and you have to remind him that your needs are different than his and that you’re sated differently.

i see sukuna as a curious and experimental guy, so he would definitely let you use toys on him. nothing too extreme, because he still needs that sense of control, but you do use some toys like a fleshlight or a vibrator to rile him up. he likes using your hand too, because it’s always so soft against him and it feels a hundred times better than any toy. he learns not to overstep any boundaries though, and not to do anything that might make you uncomfortable even if it takes him a little longer. like i said, the whole idea is just different to him, so it takes him a while to understand, and he’s still learning as he goes!

he loves your make out sessions, especially after you establish your boundaries and your limits and what you’re willing to do for him. he absolutely adores leaving your skin a sky of blue, pink and purple it sends chills down his spine marking you like that. he’s always touching you all over, and just loves to grab and knead at your skin.

in the proper long term, he doesn’t mind it at all tbh. the two of you develop a system, and he’s okay with it. the same way you would never cross his boundaries and force him to do anything he doesn’t want, he’d do for you too! it really never truly mattered, and it truly never will.

gojō satoru

different from sukuna, i think gojō would definitely be knowledgable about things like this. idk he just seems like the kind of guy that’s innately so aware of everything around him, and can read people exceptionally well.

he probably picked up on the fact that you weren’t comfortable with sex, or just didn’t experince sexual attraction, on his own, but never really brought it up because it was never his place. but the same way he picks up on that, he picks up on your obvious crush on him. he pays both details no specific attention until he starts to realize his own feelings for you, and begins on his subtle advances.

he tried to make his advances as sfw as possible, you know? just in case his suspicions were confirmed to be true. he was just extra flirty, sometimes touchy but never in an inappropriate way. very subtilely like always having your shoulders or knees touching or dusting of your jacket or feeding you a piece of his food. cute little things like that.

he gets super worried when he notices you start to distance yourself from him, because he can’t imagine what he might’ve did to push you away. he overthinks a little, worried that he overstepped his boundaries or made you uncomfortable in any way, but he isn’t afraid to approach you about it, to make sure he doesn’t repeat his mistakes, especially with someone like you, who he’s slowly growing more and more infatuated by.

when you admit to him you’re asexual, he realizes he was right, but then he’s like, “and? did i do something?” and now it’s your turn to be confused because here you were worried about rejection but here he was worried about you?

this specific incident is what makes you let loose and finally just freely admit your feelings for him. he’s ecstatic about it, seriously! all that’s on his mind is that he gets to go on a date with someone he really likes. sex is the last thing on his mind, and yeah, you’ll eventually have to talk about it, but not for now. it’s for later, when things get a little more serious.

they do get serious, to both your delights, but the dreaded moment is approaching you. gojō definitely sits you down and says, “we’re only having this talk so i know never to do anything outside of your limits. everything about this relationship is 50/50, and i want to know ways to make you feel good, too.”

please sir your hand in marriage.

i definitely believe gojō’s a kinky guy, and is more than willing to try out literally any sex toy you pull at him. genuinely, he’ll try anything you wanna try. if you ever offer a handjob, he’ll ask a million times over if you’re sure. usually, he likes to just do it himself, but have you there next to him. he won’t touch you, but your hands will be in his hair, and you’ll be kissing his neck, or just murmuring how much you love him in his ear, just spurring him on. he knows the last thing on your mind is anything sexual, but there’s just something about being under your watchful, almost bored gaze as he fucks himself.

anyways before i get too into it lmfao, he loves kissing you. loves loves loves it. not even full blown make out sessions, just gentle, serene kissing. he can kiss you for hours.

he is also incredible at body worship and praise. paints your pretty collarbone pink and purple, whispers about how you’re perfect for him, describes all your features to you like poetry. he’s an incredible lover, really. nothing can make him fall out of love with you, absolutely nothing.

#jujutsu kaisen #jujutsu kaisen x reader #jujutsu kaisen headcanon #sukuna #jjk sukuna #sukuna x reader #sukuna headcanons #saturo gojo x reader #gojo x reader #satoru x reader #gojo headcanons #saturo gojo headcanons #gojou x reader

575 notes · View notes