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a9saga · 2 years

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“fuck you” by cee lo green is a masterpiece. i was 11 when that song came out. i remember the first several times i’d heard it on pop radio i was like, what...??? this song has to be from the 50s or 60s. i was extremely confused to be hearing it on pop top 40 radio. i’d never heard a contemporary song that felt so retro it sounded alien to me, i seriously did not realize it was a new song that came out that year. i couldn’t even think, the first several times i heard it, if it was good or not, because all i heard was its old soul. i eventually did come to hear in it why people were enjoying it, why it was so big on the radio, and i only enjoy the song a lot more as i’ve gotten older. there is one thing i resent about its pop success though, and i don’t blame it on the song as much as the laziness of censorship in its aftermath.

correct me if i’m wrong.... did this song not singlehandedly popularize the words “forget you” in place of “fuck you”? “forget that” instead of “fuck that”? because we’ve heard it a good amount of times in the years since. replacing “fuck” with “forget” in that song made enough sense, the sentiment was ultimately shared with the original, even if inherently more understated by it. “screw you” would sound off, "flip you” would obviously be a little silly. and it’s the very title of the song. it’s a great title for the song, but if it was gonna be played on the radio, which we wanted it to, it needs a title. straight up bleeping or silencing it isn’t gonna work if you’re supposed to recognize and call it by the very title.

and i wanna restate, i honestly love the use of cursing in the chorus. it’s fantastic for the song in a way that’s even funny. it wears influences on its sleeve of artists who would’ve never been able to title a song “fuck you” in their time. the song is soulful, lively, gorgeous, as were many songs about heartbreak back in the day, but it’s so ironic for it to be such simply and crassly stated anger and frustration amidst all that. but do you not side with the narrator here? fuck that guy, and fuck her too. i really feel for him and he has every right to be hurt. yeah, fuck em. hats off the cee lo green, bruno mars, and everyone else who wrote and produced that, because it’s a clever idea.

and then to copy the use of “forget” over “fuck” in such a singular, unimportant instance in a song... well, why?

i feel like even playing the clean version takes some of the steam and power out of the original song. that said, i still wouldn’t mind hearing the song in public or in some pg setting. songs following it that have changed a “fuck” to a “forget” without need just feel kind of silly. often we don’t even really speak like that. just silence the “fuck” for a clean edit. you remember this thing you’ve offhandedly said “fuck” to in the middle of your song. at least in cee lo green’s song, he’s still empowering himself to get over his hurt by telling himself to just forget it. the sentiment doesn’t hold up the same. “forget” sounds silly in other times, and honestly it just sounds like a copy. not everyone has to do that every single time now...??? stop it. anyway, fuck you.

#i cant think of a popular song that does this off the top of my head right now but you know what i mean?#and its not applicable to most ways to use the word either #like youre not gonna hear justin bieber and that australian kid say 'i'll be forgotten if you cant be right here :('#it sounds silly and dumb and does not share quite the same sentiment or power even where it is used the same way as the original #i wanna hear the words fuck you >:( or just dont bother to replace the word at all just take it out thats fine #shut up kaily #this is another one of my general pop culture rambles i dont know how to tag #i wish i had a tag for whenever i wanna reread this post or the one about how tommy and amy winehouse are geniuses #but whatever

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collidedscope · 8 months

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i'm the kind of blogger that usually just reblogs and, if you're lucky, might even add my 2 cents in the tags. but every few months, i get blessed by the comedy gods and will post 4 slightly funny things in a row, which leads my activity feed to have big, dramatic slopes like this:

and then in a week or so, it will go back to that dinky little plateau for the next 3 months.

i have been a dedicated tumblrina for nearly 10yrs now, and this has stayed consistent across multiple blogs and many different fandoms.

it's gotten to the point where i'm almost proud of my consistency. if my little internet-addled brain is starved for attention, i can rest assured that i will get that dopamine soon enough. and if one of my silly little posts breeches containment more than usual, i can depend on my activity feed being much less overwhelming in a few days.

#even right now if you look at my most popular posts you can see the top 5 were all made within like 3 days or something #tbh im not really sure why im even posting this- i just think its neat to see others' experiences of this site #so i thought i might share this thought #i speak

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hexiva · 5 months

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Roleplay Is Not Dead Nor Doth It Sleep

There's a post going around about how text-based, freeform roleplay is dead, and I was typing up a huge response to this, with an accompanying guide on how to find roleplayer in 2024, when I realized it might have a bigger reach if I made it its own post. So here's that guide.

I hesitate to say that there isn't a problem with the new format of social media making roleplay more difficult to find, but in the desire to make that point, the OP of the original post has left people with the idea that there's no way for them to get into freeform text roleplay in 2024. Which just isn't true! Here, look at all the ways.

Forums

The link to RPG-Directory to find roleplaying forums is a good start. Once you've found a forum RPG, even if you don't join, there's usually an 'advertising' section on that forum where other forum RPGs post their ads - this may help you to find forums that don't advertise on RPG-D.

Another really good forum to find roleplay on is Barbermonger. Barbermonger is focused on connecting people for one-on-one roleplays.

This last one's going to be weird, but it turns out that there are still people seeking roleplay on the Gaia Online forums after all these years. I think this is delightfully retro and then crowd there seems a little older than average. No pre-existing knowledge of Gaia required.

Tumblr

You can also find forum roleplay groups (as well as tumblr and Discord groups) right here on Tumblr. Usually, the thing to do is to use the search function - search for "[genre] rp" or "[fandom] rp" and sort by "latest." (If you sort by Top, you are likely to find dead RPs.) For example, here's fantasy rp, historical rp, and marvel rp. You can also try jcink rp, as most roleplay forums are hosted on Jcink these days, or discord rp, depending on your favored platform.

There are also tumblr blogs specifically dedicated to advertising roleplays. I'm not super familiar with these nowadays, but just in the process of searching those tags above, I found these:

Jcink Tinder

RPG Adverts

RPings

There are more, I just don't know them off the top of my head.

Listen, don't run away, I swear it's good now - I swear Reddit is good now -

Reddit is a good place to find Discord roleplays. It's a little heavier on smut-only roleplays than other platforms mentioned here, but it's not impossible to find sexless, plot-based roleplay here either. Most ads are for one on one RP, but you can find groups mixed in here too. The big subreddits for text-based freeform RP seem to be:

r/DiscordRP

r/RoleplayPartnerSearch

r/roleplaying

r/Roleplay

Some of these have weird rules about what you can put in your ad, and I don't remember which ones, so read carefully and don't get discouraged if your ad is initially removed.

Discord

In 2024, Discord is by far the biggest and most popular platform for roleplay, and it has its own native roleplay advertising hubs. Here are a bunch:

roleplay partner hub

Rockin Roleplay

The Roleplay Garden

roleplay help

the roleplay connection

RP Central

Roleplay Central

Roleplay Hub

Barbermonger also has a Discord server

Roleplay Meets: Reborn

RP Hub

The Scribes Guild

DM Rp Village

cherry blossom! roleplay hub

DM-RP

Roleplay Round Table (21+)

The Historical Syndicate (specifically for historical roleplay)

The Roleplayer's Directory

If you can't find the Discord roleplay you want on here, you can also try Discord hub websites, like Disboard. These work similar to tumblr tags - search for [genre] rp or [fandom] rp.

Other

The original post specifically mentions that 'all the old "omegle but for role play" type websites died out ages ago'. This is mostly true, but not quite! There's still Rolechat. It's a little janky, but what it needs more than anything is a bigger user base. Their Discord server is also a good place to find one on one discord roleplay. It is, of course, free, but if you want to support its development, they have a patreon.

Please reblog this post, and add your own tips on how to find roleplay!

#roleplay #rp #fandom rp #discord rp #jcink rp

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emo-batboy · 11 months

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Battinson on SNL

Idk how popular Saturday Night Live is outside of the US so there will be some links for context. That said, as a New Jersey native, I think Battinson would totally watch the show. And since he's a celebrity...👀

To promote WE’s newest charity fund, Alfred signs Bruce up to be a guest host on SNL (à la this post) The announcement is made, and everyone’s like “oh this is going to be a disaster. That man can’t even hold eye contact or speak a full sentence without crying.”

But oh, that’s why it’s so funny.

Now, hear me out. Bruce’s strengths are displayed best when he’s himself. That’s why he’s so popular in Gotham. That’s why the internet calls him Relatable TM and a Disaster (Affectionate) and “Poor Little Meow Meow.” It’s his ✨ essence ✨

But he tends to get overwhelmed or self-conscious onstage, right? Because he can’t be Himself himself if he has time to overthink something. So after a few meetings with Bruce, the writers of SNL figure out the perfect way to keep Bruce from getting anxious.

They decide to load this episode with as many skits where Bruce plays different caricature-like versions of himself as possible. The objective? Make him break character and laugh so he doesn’t overthink. And if he breaks character, he’ll still technically be in character because he’s playing himself, you know? Genius.

So that’s how they go about structuring the show. During the few days they have to write, they decide to take everything about Bruce’s public image and either ramp it up to 11 or turn it on its head.

He speaks quietly? Turn it into a running gag. He dresses in all black? Make him emo. He tips well? Add that in too. He’s “depressed” and “sad?” Literally, all he does on screen is laugh and break character. What’s not to love?

Of course, Bruce also gets to decide what skits are in each episode as well. (Refer to this if you have no idea how SNL works.) He loves the idea, though, and he has a surprisingly dark sense of humor which bleeds into some of the sketches. They add in a few skits without him, and they’ve got their lineup.

It’s the wildest episode of the season. Here are the highlights:

OPENING MONOLOGUE

It’s the big night, everyone’s excited to see Bruce Wayne hosting a live sketch comedy show with no idea how it will turn out.

To begin his monologue, Bruce walks on, opens his mouth to start talking, and immediately two cast members appear as stagehands to set up six microphones in front of him. He is already struggling to keep himself together.

Bruce: “You may be wondering why I’m host- Cast Member: *adds one more tiny microphone to his chest* Bruce: “You may be wondering why I’m hosting tonight.”

It’s working. The audience loves it.

Halfway through, Kate McKinnon comes out in a dark cloak with a chalice. “Your sustenance, my lord.” *sees camera* “Oh. Sorry. Carry on.” And she shambles off. Bruce has to take a second before continuing.

Bruce knows when (most of) the jokes come. It’s literally on the cue cards, but he still falls into a fit of giggles.

There are a few more gags, including Lex Luthor peeking out from behind the band set-up, all teasing the show to come.

Overall, an amazing way to set the tone for the episode. Expectations have been set. Then the skits begin!

(Oh but before I forget: During every single live skit with Bruce, the writers have scheduled for one of the cast members to run in dressed as a stagehand and put an extra mic on him. They do not tell him when it will happen.)

SKIT #1

Between the monologue and the first skit, he has to do a really fast quick change, but to everyone’s surprise, Bruce is a natural. (Huh, wonder why.)

The skit is called Gotham PTA Meeting. We open in a meeting room full of stereotypical PTA moms setting down baked goods and gossiping. And apparently, there is a new PTA member attending today 👀

Right as the meeting starts, he enters. Bruce walks in wearing the most emo get-up imaginable. He’s got a Nirvana shirt, a comical amount of eyeliner, black skinny jeans, chain accessories, metal rings, AND a clip-in extension to give him fringe.

Someone immediately runs in and puts another mic on him.

PTA Mom: “Oh, Bruce! You made it! Did you bring a snack?” Bruce: “I brought lemon bars.” PTA Mom: “Why are they black?” Bruce: “They match my soul…they’re also vegan.”

He talks like a moody teenager. HE CONSTANTLY has to brush the fringe off to the side to read the cue cards. And because there’s so much eyeliner and he’s sweating a bit from the lights, it starts running everywhere.

PTA Mom: “Bruce, you’re a little quiet. What are your thoughts on increasing the school lunch budget?” Bruce: *eyeliner dripping down his chin* “I think it’s a great idea.”

SKIT #2

For a pre-filmed skit, they bring back the Chad character with Pete Davidson.

It’s 2 am, and Chad is working at a 24hr drug store in Gotham. He’s reading Twilight (the book is upside down) when the lights begin to flicker.

He turns around and tries the light switch, turns back around, and JUMPSCARE it’s Bruce dressed as Edward from Twilight.

Yes, he IS sparkly.

Bruce is awkwardly holding a bunch of items, all concerning. He plops down a few knives, several raw meats, Sudafed. Chad: “Oh hey.” Bruce: O_O “I’d like to check out please.” Chad: “Lit.”

Chad’s “No Fucks Given” energy and Bruce’s “Please Do Not Perceive Me” energy clash like titans. The whole skit centers around it.

Bruce: *sweating bullets* “Oh. You’re reading Twilight?” Chad: “Just the title.” Bruce: *throws the book through the window at lightning speed* “It’s not very good. You should probably read something else.” Chad: *shrugs* “Okay.”

Chad: “ID?” Bruce: “ID? For what?” Chad: “Sudafed.” Bruce: “Oh. I don’t really need that, actually.” Chad: “Already scanned it.” Bruce: “Haha. Of course.” *awkwardly produces a scroll from his pocket that says Bruce Wayne DOB: 1901* Chad: “Okay.”

Bruce checks out, Chad picks up a porno mag or something, and we see Bruce turn into a bat and fly off through the window behind him.

SKIT #3

The next skit they have is Celebrity Family Feud: Billionaires Edition. Again, Bruce plays himself, but he’s more of a background character. Instead, the skit makes fun of billionaires as a whole.

Bruce’s team consists of Kylie Jenner, Lex Luthor, and Oliver Queen. So just imagine three Lucille Bluths standing beside one another.

Bruce’s bit? He just keeps handing cash to Steve Harvey every time he breathes in his direction.

Host: "We got the richest man in the world: Bruce Wayne!" Bruce: *hands him a roll of cash* Host: "Oh, what’s this for?" Bruce: "It’s your tip. I always tip." Host: "Oh, Mr. Wayne, you don’t usually tip the show host. I’m also a millionaire myself." Lex Luthor: *snatches it* "Well, if you’re not going to use it, I will…for charity, of course." Host: "Uh huh, whatever helps you sleep at night."

Just a ton of fun quips, the usual.

At some point, Harvey says, “That’s batty.” Bruce: *ducks* “Where?!” Host: “Oh, I don’t mean Batman. He’s not here.” Bruce: “You don’t know that.”

This time, the mic bit is a bit different.

Host: “We asked 100 billionaires: How much does a loaf of bread cost? Top three answers are on the board.” Bruce: *hits buzzer* Host: Bruce, your answer is? Cast Member: *runs in with a megaphone and holds it in front of Bruce* Bruce: “TEN DOLLARS?”

Board dings! That was the #1 answer

Brucie Wayne for the win

SKIT #4

Next is a skit that dares to ask Gotham, “Why would anyone live here?”

The skit begins with someone opening a press conference for Wayne Enterprises. “And now presenting: Bruce Wayne!” Bruce walks in…

But it’s not him. Instead, it’s one of the cast members dressed in a black suit with horribly gelled brown hair.

Everyone in the audience is wondering where the actual Bruce is before another cast member runs onstage crying, “Help! Help! I’ve just been robbed! Somebody call Batman!”

A mini version of the bat-signal lights up…

We hear some generic hero music play…

And there he is: Bruce Wayne dressed in a horribly cheap Batman costume

(They got the cowl ALL wrong btw)

Bruce puts his hands on his hips in a weird superhero pose. Bruce: “I’m Batm-” Cast Member: *runs out to attach another mic to his costume* Bruce: “….I’m Batman!”

Cue all of the gags and digs against Batman. The fake Bruce faints then starts crying under a table. Someone calls Batman a furry. Bruce is barely keeping it together the whole time. Lord help him, but he asked for it. He approved the skit.

Bruce: “Looks like a job for my bat taser!” Cast Member: “Isn’t that just a taser with a bat on it?” Bruce: *whispers* “You shut your mouth.”

He saves the day, the police take the thief into custody, then Batman myStErioUsly disappears. Bruce: “Look over there!” *runs off* Cast Member: “Oh my gooood, how did he do that?”

CLOSING SEGMENT

Finally, they have the Weekend Update where Bruce comes on as himself for the final time.

Since they got his permission, the writers switch out some of Bruce’s jokes last minute. (Think Bill Hader’s Stefon which notoriously caused him to break character because the writers would mess with his cue cards.)

News Anchor: “Here to promote his newest humanitarian project: Bruce Wayne!” “Mr. Wayne, what a pleasure to see you today.” Bruce: “Thank you. This is probably the longest I’ve been out of the house.” News Anchor: “Since the Riddler catastrophe?” Bruce: “Since ever.”

News Anchor: “So Mr. Wayne! Before you make your announcement, any life updates?” Bruce: “Yes, actually. Just a few days ago, I adopted five- *starts losing it* five more children.” News Anchor: “Wow, really? So you have eight kids now.” Bruce: “Uh huh. *tears streaming down his face* One more orphan and I get the tenth one free.”

News Anchor: “So where can people find you online?” Bruce: “Well, I don’t have social media because I’m afraid of people, but sometimes I’m on Twitter.” News Anchor: “What about a phone call?” Bruce: “Oh no, phone calls- *giggle* phone calls give me fainting spells.”

It’s a great way of finishing the show, with the most genuine version of Bruce. Then, he gets to what’s really important!

News Anchor: “So if they can’t reach you on social media or on the phone, what else can our viewers do, Mr. Wayne?” Bruce: “They can donate to the Wayne Foundation’s newest charity called The Arts Initiative. It funds programs for the arts in underdeveloped school districts nationwide. I’ve already donated $30 million, and I’ve pledged to match every dollar donated within the next week.”

And that’s what he’s here for :) They share a link for where and how to donate. The anchors praise him for his charity, which he deflects because he can definitely afford this, and the 90-minute broadcast is over.

The camera pans away with the whole cast waving goodbye, and Bruce is seen keeling over with laughter.

Along with some of the other skits, these four specifically go viral. WE raises a fuck ton of money, and everyone loves Bruce.

THE END

LOVE YOU ALL!! Let me know what you think :D

#battinson #bruce wayne #batman #batman 2022 #the batman 2022 #the batman #battinson needs a hug #gotham #dc universe #dc #saturday night live #snl #soft bruce wayne #batdad #batfamily #gotham city #brucie wayne #only in gotham #give battinson a child 2k23

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alargehunkofdebris · 10 months

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Why There’ll Never Be Another Good Omens 2 Experience

The strangest thing happened after a few days post my watching of S2. I got a wave of real, bittersweet sadness.

Not due to the obvious – I was dealing with that too, but with more excitement than anything – but because I realized something, as a writer and consumer of media. I realized that it’s unlikely I’ll ever get a media experience close to what I experienced at the end of Good Omens 2. Because really, its setup was absolutely unparalleled – in general, and for myself personally.

I am currently writing my third romance, and what I’ve learned primarily about the genre, the way for it to really work, is that there needs to be something keeping the couple apart initially. The more things keeping the couple apart, the stronger the romance hits. The more the couple clashes with each other, the better it is. Societal norms, class issues, initial dislike, literal danger—all these aspects are what make a romance a story. It’s that conflict that creates the compelling narrative. No romance was ever popular because things worked out well from the beginning – it’s that “look at what we were, and look at us now” aspect that gives readers/watchers that satisfaction. It’s the “I can’t believe this happened” effect. The “I would never have foreseen this” effect. The “they’ll never be together” effect. It’s why forbidden romances are so incredibly popular.

Another aspect that makes a romance story really work well is the amount of time it takes for the romance to develop. A couple that gets together after a few days? Eh, it’s tricky. You better make it really dramatic somehow. A great example is Titanic – class differences, betrothal, and a huge amount of danger threatens this couple, so them being in love after only a few days works. But what really sells this one is because we can see how this romance has survived beyond those few days. We see it 80 years in the future, still there, in the memory of Rose. That is why it hits so hard. Romances that span over long periods of time (especially ones that are bittersweet/tragic) hit so much more than ones spanning a short period.

But wait! There’s more!

You can up this effect by not only having the romance take time in story…but having it take time in real life, for the viewer/reader.

This is why romances in TV shows that take years to finally work out are so compelling. It’s that “Pam and Jim” effect, that will-they-won’t-they deal. We are waiting right along with them, and we’re feeling that same relief when all those things keeping them apart finally fall away. This is harder to pull off, because there’s never that guarantee that the story will make it that far. TV shows get cancelled, creators lose interest or die, etc. So it’s not just “Will They, Won’t They,” it’s “Will They, Won’t They, Can They Even Try?”

This is also compounded by that fear that it won’t happen in-story after all, and while in romances you’re pretty positive that things work out (they kinda have to, for it to be labeled a “romance”) in other media, there’s always that possibility. Look at Community – there’s a forbidden/conflict-ridden romance that didn’t end up working out, even though it was “Will They, Won’t They”d for six entire seasons. You also then have shows and ships where fans are almost sure it won’t happen, but still hold out hope. (See: Supernatural, Sherlock, etc.)

Now. Now look at Good Omens. Look at that absolutely unparalleled, unbelievable set up. It’s unbelievable because it takes almost every single thing that makes a romance compelling, and not only uses all of them, but dials them up to 11.

Why are they at odds? Why are they forbidden from being together?

Because they are literally the most opposing forces you can imagine in Western Canon. They are the Angel Guarding The Gate and The Serpent of Eden. The literal only way you could’ve made this a bigger deal would’ve been to make it God and Satan, and even that would’ve not hit as hard, because it’d be like two CEOs getting together – there’s no fear of a higher power adding that delicious conflict. And to add to all this, in real life, the couple is portrayed as two men, which adds that second meta level of conflict.

And what fear/danger is keeping this couple apart?

Not just familial disappointment—but disappointment from God and Heaven and Hell. Not just moral guilt, but the guilt of potentially dooming the entire Earth. And finally, on top of that, the very real danger of being killed. Not only that, but making it as though you never even existed.

And in real life, they face all those roadblocks that queer couples in media have been battling for years and years, but I'll talk about that more in a second.

Okay, then Time. How long have they been kept apart?

For…all of it.

All of the time that ever existed.

They, quite literally, could not have been kept apart longer.

And this leads into those final two points, the ones that actually really sell it. Because I can sit down right now and write a story about an angel and a demon falling for each other at the beginning of time against all odds…but what I can’t do is to have already written it thirty-three years ago.

That’s how long this story has existed. Thirty. Three. Years.

I’m not even counting how this is using characters that have existed as opposing forces for thousands of years. I’m not even saying that, even though that’s also a part of it. But besides that, this story, this exact story started thirty-three years ago, and is still being continued by the author to this day.

Do you know how uncommon that is?

Yes, we have canon that has lasted for many, many years. Hundreds. We get new versions of beloved older stories ever year. But it’s so very rare that they are by the same creator. We get new Sherlock Holmes content, but it is not written by Arthur Conan Doyle. This, on the other hand, is actual canon content, written by the author of the original. That is unbelievably rare.

That means we’ve got a fandom where some people have grown up with these characters. People who read it at twenty are fifty-three. People who read it at fifty are eighty-three. Kids who saw their parents reading the book now have children of their own. It is a cult classic that has been in the hearts of so many people for generations. Me, personally, I fell in love with it ten years ago, at age twenty, at the very beginning of my own writing journey. This story means so much to people, because it’s stood that test of time.

And yet, this story was never explicitly romantic. So many saw it that way, but it was never something confirmed. Because this was a book from the 90s, at a time where this kind of romance just wasn’t in popular media if it wasn’t played as a joke. It was, back then, the same kind of “forbidden” as a romance between angel and demon. So people imagined, but they never expected anything more. And they’ve continued not expecting more, because even in the 2019 first season, there was never any true confirmation of anything, and people accepted it. You have a 33-year-old story here – it’s possible that this major change/confirmation could happen, but all things considered, it was unlikely. You would never blame the creator for not making major developments to a story they wrote with their late friend a lifetime ago. And no one in production was saying a word to confirm or deny, but we’ve seen all this before. It was a Will-They-Won’t-They…Probably-Not situation.

And then you have the end of S2.

And that's where that bittersweet sadness comes in for me, personally. Not at a huge level, not to the point where I'd have it any other way, but it's there regardless. Because I realized that this was a unique situation that could never be replicated, for me, and likely for many, especially readers of the book pre-show. In all likelihood, I would never again experience a romantic payoff like this one. Because it was the most forbidden of forbidden romances, the couple of which have been kept apart by the worst of all dangers and highest level of guilt for the longest amount of time literally possible, written over a real-life span of time where this kind of romance went from “completely taboo even in real life” to “finally acceptable in popular media,” written by the same creator, and not confirmed as canon until the story reached the age of Jesus Christ himself.

And the real kicker is, even after everything these two literally star-crossed lovers have gone through…they’re still being kept apart. They’ve still not taken down those final, seemingly insurmountable barriers between them. It wasn’t a “here you go 😊” move to make long-time fans happy – it’s being used as a perfect, painful plot point. After 33 years, we’re still having to wait longer.

Chef's kiss. Couldn’t have been a better set up if it was mathematically calculated. And yet, the best part is that it happened organically.

It just works.

#good omens #good omens 2 spoilers #go2 spoilers #good omens 2 #gos2 spoilers #good omens s2 spoilers #good omens spoilers #good omens season 2 #good omens season 2 spoilers #gos2 #good omens meta #good omens 2 meta #neil gaiman

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koolades-world · 1 year

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Demons and Humans not understanding each other

Inspired by several other posts I read about this same thing <3 honestly even if the brothers insisted it was safe, I would consult Satan, Lucifer or Barbatos

this is mostly mammon freaking out

Humans think the deadliest things are like, adorable, like Cerberus. Mammon especially does not understand why Mc wants to run towards the very dangerous, very mad three headed dog. A few times he has had to throw Mc over his shoulder to keep them from staying behind

“MC CERBERUS BEING THE BEST BOY DOES NOT JUSTIFY HIS ACTIONS HE WANTS TO KILL US”

“But he’s so cute! He just needs a snuggle buddy”

Humans can also be very stubborn if they’re too hot or cold but refuse to admit it. It’s fine with Lucifer does it because he’s one of the most powerful and therefore resilient demons in Hell, but not so much when Mc does it. Beel and Mammon love playing in the Devildom snow, but given that it’s the Devildom, it’s definitely a lot colder than it is in the human realm. Even after ten layers, Mc is still freezing but refuses to admit it.

“Mc, are ya shivering? I thought ya would be too warm under all that”

“I’m sweating with this one jacket”

“I’ll live! Let’s go back to the snowman”

“no I don’t think you will”

On the same note, sometimes demons forget humans can’t withstand crazy temperatures. Asmo will invite Mc to a popular bathhouse, sauna or hot springs, forgetting that the temperature would literally boil Mc alive

“Hey Asmo this is the place you wanted to go, right?”

“Yes! Isn’t is cute?”

“Everything except the part where I boil alive”

“what!”

Some foods can kill humans just by being near them so imagine how the brother would feel when they learned this, it’s giving that lunatic pudding incident with Diavolo from that one card

“Mc! You’ll love this. Open wide!”

“Asmo I feel funny”

“DO NOT FEED MC THE TAKEOUT LUCIFER SAID ITS DEADLY FOR HUMANS IN LARGE AMOUNTS”

“FUCK NOT AGAIN”

In retrospect, humans probably sleep a lot compared to demons. Some demons probably don’t sleep at all, except Sloth demons. Setting aside about eight to nine hours of the day just to sit idly might not make sense to them until they learn they will shut down without it

“How are you feeling about the exam we just took? Exam week is finally over.”

“Mc? Mc, Satan is talking to you. Why are you on the floor”

“MY HUMAN IS DEAD”

“No, I think they’re just asleep idiot”

“oh. wait, THEYRE ASLEEP IN THE MIDDLE OF THE HALL lucifer is gonna kill me”

I’d say both demons and humans are social creatures, but humans will go insane without social interaction. Yeah a demon would probably be upset if they didn’t talk to someone for thousands of years but I don’t think a human could last more than ten without losing grip on reality. Humans tend to copy each other, which is probably bizarre to demons. Humans don’t even understand yawning so demons definitely won’t

Going back to the food thing, demons can probably go ages without eating, besides Gluttony demons. Humans need to eat so frequently compared to them

“So you’re tellin’ me that if Mc doesn’t eat for a whole week, their insides start to eat themselves?!”

“Yes. But, Mc ate a few hours ago.”

(Mammon was already gone when Satan turned back around)

Demons probably also play game that would definitely kill humans. My brother and I used to play crazy games when we were little (our favorite game didn’t have a name but we would put Barbies in the toy train tracks and see what would happen when different Thomas and friends character would hit her. The train tracks would glow in the dark! I did not let him put my favorite doll in the train track and he had to listen since I was the older one, she was not a barbie and had bendy feet? that’s not for now) but we never seriously got at each other throats. I cannot imagine what games demons and demon children must play. Satan was born fully grown but imagine if he was born little and the brothers had to play his favorite games with him. I feel like they would find the Barbie game I played a little weird too. Like, they would probably tell me that I should’ve done it in real life since that would be better experience or something batshit like that

“Aww, Satan, do you remember all the times we played “Five minute eye stab” with Lucifer? You were so cute. Sometimes I think Luci let you win.”

“Do not talk to me Asmodeus.”

“I’m sorry, you played what?”

“One time we gave him an actual knife by accident and since he was good, he ended up stabbing Lucifer’s eye.”

“You’ll be next if you don’t shut up and let me read”

“HE WHAT”

“Oh he’s fine now, clearly. Only took him a few hundred years to regain normal eye functions”

“Can we not talk about this anymore?”

Babe it is a miracle Mc is still alive

#obey me #obey me!#obey me belphie #obey me satan #obey me asmo #obey me beel #obey me levi #obey me mammon #obey me luficer #obey me x reader #obey me x you #obey me x mc #obey me mc

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dreamermonica · 1 year

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“how much do you love me?”

in which you question the extent of their love out of the blue.

—includes itoshi sae, itoshi rin, michael kaiser, mikage reo, nagi seishiro, isagi yoichi, bachira meguru, barou shouei

—gender neutral reader, isagi is the only normal one AGAIN, trigger warning for kais*r himself, established relationships, fluff, crack, nagi’s got a bit too real for a sec, some swearing, yeah this is reminiscent of my most popular post on genshinblr what abt it😤

SAE surprisingly ponders your question. years of your random questions getting ignored has its effects, and it is definitely the reason you're now staring at him like a madman, ready to catch his response in an instant. oh my, you think your heart isn't ready for this. what could your lovely and handsome boyfriend say that'll effectively swoop you off your fee—

“as much as one would love a rock, i guess.”

you whine as you throw your head back in frustration, sliding off the couch dramatically, earning him a scoff. “so mean! and unromantic too! pick a disability, not multiple!”

“well, you're as dumb as a rock. can't have too much in this world, unfortunately.”

a pout makes its way to your features, before suddenly switching into a suspicious frown when you see a small smile creeping on his face.

wait...you're as dumb as a rock?

“oh...?” your face immediately looks up at him. “and how much do you love this stupid rock exactly...?”

seeing that you finally caught on his antics, a heart-fluttering chuckle escapes his lips, his eyes shut in amusement as your heart beat quickens at the melodious sound.

“a lot—as in more than anything in this world.”

RIN ignores you. acts like you never spoke in the first place. why? hah, his pride's too high for him to even properly answer that. even if he said something that's relatively joking or teasing, it'd be lying in a way, right? so what purpose would it solve in answering your question? exactly. none. so you get no response, whatsoever.

“rin-chan, answer my question, please?”

radio silence.

“rrrrrrrrrin. rinnnnnn. riiiiiiiiiiin. RIN!”

he still continues on walking, gaze still ahead whilst you struggle to waddle along with his wide strides, opting to grab his arms as to not get left behind.

“itoshi rin! just how much do you love m—”

he places his gloved hand flat against your face, shutting you up as he moves you away from his line of sight. his teal stare still bored and unbothered.

“any louder and you'll attract attention. i don't want paparazzi stuck to us for the rest of the day.”

you narrow your eyes at him as he practically drags you along, legs unable to keep up with his pace. “i don't see how that refrains you from answering my question, though.”

“i won't answer a question you already know the answer to, so shut up.”

you blink twice, swearing you just saw his cheeks go a bit red for a quick second. were you seeing things...?

KAISER, the mischief, always has to edge you on for a bit before giving you what you want. (🤨📸) it's how he functions as a partner—never failing to be an infuriating piece of shit who gets on your nerves whenever he gets a chance. what makes you think now would be an exception?

“hmm...” he hums with that annoying curl of his lips once more, feigning thoughtfulness. “what do you think?”

“more than you love yourself?” you guess expectantly.

but with how he gasps dramatically at you, all your expectations of the narcissistic king drop like dead flies. your expression must’ve also dropped without you noticing, because now, your asshole of a boyfriend is cackling at you. you mercifully resist the urge to hit his annoyingly pretty face as you pout and face away from him with a huff.

“what’s with that glare? i didn’t mean it, you know.” yet he continues to snicker like a child.

“what did i even expect from you…" you sigh, visibly deflating in disappointment as you stand up to leave. “i’m an idiot.”

“yep, you are for even believing i’d—” wrapping his arms around your frame, he pulls you onto his lap with yet another shit-eating grin of his. “—let you go like that. now gimme a kiss, chuu—”

pushing away his exaggerated puckered lips from your face, still glaring at him. “what do you say first, my liebe?”

he chuckles, half of his face flat against your palm that’s pushing him away. “i’m very sorry. i love you more than anything. well, except my side chicks—” your glare turns into a scowl. “—just kidding! i love you, baby. so much that i’d give up anything in this world just to see you smile.”

removing your hand from his face, you finally let him attack you with his kisses.

REO smugly raises his black card. well, it would’ve been a lot more cool and impressive if he didn’t practically jump out of the couch in his pajamas and full-on sprinted to his bedroom to fetch it. was he waiting for this question for a long time now?

“…what’s that have to do with—”

“i love you, as much as the amount within this baby right here. if not, then more!” he slaps the who-knows-how-much card onto the coffee table, gazing at you with excitement not much unlike a puppy waiting for the coos and praises of its owner after fetching them a stick.

adorable. so goddamn cute. ahhhhh. you want to rip your hair out.

“how long were you waiting for this moment…?” why does this scene seem so familiar?

"a long time. i saw this while reading one of the romance novels you had, and i just had to do it.” he smiles sheepishly at you. “was my excitement a dead giveaway or…?”

that explains the feeling of deja vu, then. you remember getting giddy over that specific scene. mindlessly, you snort at the fact that this man has more achievements than anyone you’ve ever known yet he’s still trying to impress you. jesus. he’s so…

you lean over to him, grasping his hand in your own. “you know, you look so kissable right now.”

he perks up immediately. “heh—then, don’t mind me if i do.”

NAGI hums, animatedly tapping away at his game, not sparing you a glance. “would it be bad if i said that question’s a hassle?”

“…? why do you think so?”

“well…you’re only asking that because you want me to say something that’ll uh…make you blush or something right?” he starts, voice remaining bored as ever. “but if i don’t manage to, you’ll be dissatisfied or even use it as leverage to get mad at me to get my attention.”

you frown. “what are you—”

“i don’t mean it in a bad way.” he finally looks at you, a bold ‘victory!’ visible on his phone screen. “it’s not that i’m not willing to indulge you—it’s just that i don’t really know how to be romantic, and i also don’t wanna make you sad so…”

you blink when he performs a beckoning motion with his fingers, silently requesting for you to come near him.

complying with a raised brow, your confusion is immediately replaced by shock, and maybe a tad bit of warmth as the tall boy’s arm wrap themselves around your form, pulling you down with him with a small ‘oof’.

“n—nagi!?” you squirm.

“i love you a lot, [name].” he nuzzles his face onto your hair, his next words a bit muffled as they left his lips. “so don’t get mad at me, please?”

how in the world are you going to get mad at this goddamn sloth when he’s acting like this??

ISAGI blinks. scanning your face for a moment for any uncertainty or insecurity that might’ve influenced your posed question. but when he finds none, redness takes control of his entire face like a infectious parasite.

“why do you want to know?” his voice is meek, most likely caught off guard by such a direct question.

“just curious.” you reply, smiling at the way he seems so wrapped up in your finger despite it being so loose. “you don’t have to answer though. it’s quite an open question—vague and has a lot of possible answers.”

he stares down at his palm, carefully planning out his next choice of words for your inquiry. he really wants to provide an answer, something that shows he’s completely confident in your relationship. but…

how much he loves you? how is he even going to start?

“i’m not really sure how to put it but,” he starts, determination on his expression as he turns to look at you. “i’m certain i love you a lot. not sure just how much exactly but…”

“if it could go by anything, i think about you so much that my first instinct in the morning is to grab my phone and text you a good morning,” he adds on while rubbing the back of his neck sheepishly. “i-i don’t know. was that a good way of putting it? there’s also the fact that i always unconsciously brew two coffees even when we don’t live together, and oh! there’s also that time i—”

too caught up in his mind to recount the times his love had overshadowed his rationality and normalcy, he fails to see the lovestruck gaze given by a certain someone, completely and utterly in love with the man chatting away that you could probably see hearts in those [e/c] irises.

just wait till you start on sharing your side of the relationship.

BACHIRA grins impishly as he takes out a ruler, pulling down an imaginary board from thin air whilst putting on some nerdy glasses from nowhere. he points the tip of the ruler on an equation, your face now deadpan.

what is he doing…?

“the formula for measuring my love for [name]! note; very easy!”

you snort at his antics, before deciding to play along as you nod for him to continue.

with his ever-present grin, he taps the board with his ruler, adjusting his glasses as if to catch your attention like a typical teacher. “now, [name], can you try to answer this equation for me? these glasses are kinda blurry.”

n-no teaching or guides at all? uhm, okay.

you suck in a breath, gazing at the imaginative board with an unperturbed focus.

[name]’s infinite beauty x [name]’s infinite kindess x [name]’s infinite funniness equals N…what are these variables?

this shouldn’t even be a working equation but if you’re playing with how bachira’s mind works, then…“infinite?”

“yes!" he swoops in lowly and sweeps you off your feet, a yelp escaping your lips as he lifts you up bridal style. “looks like i have to add [name]’s infinite smartness into the equation too, what do you say?”

“whatever you want. but i think i need to mention that infinity isn’t actually a number so i think you’ll have to make a different formula—”

“jokes on you, i won’t let the laws of math deter me from figuring out the estimate of my infinite love!”

BAROU sneers. making quite an ugly face that forces you to be wary if he’s about to spit in your face or not.

“hah, when and where did you hear that i, the king, loved you, a mere peasant??”

raising a brow at him, you quickly throw a glance at the bouquet of flowers delicately placed onto a polishes and refined vase, the glint of its glassy appearance reminding you who it undoubtedly came from, and whom it was given to.

“at the front of that bakery you like, around 3pm on a sunday a few weeks ago, after i gave you flowers, you replied to my confession by saying—” you’re promptly cut off as an oven mitt is unceremoniously thrown at your face.

“what the hell?” he says breathlessly, letting out an unbelieving scoff as he crosses his arms. like a tsundere. “why do you even remember all that? creep.”

“well, you see, it was the first time king barou had bared his feelings towards me. an extremely rare moment, even though we’re basically dating right now.”

his eye twitches. “WHO THE HELL SAID WE WERE DATING?!”

“eh?” your sarcasm is immediately gone. “you said you loved me back, so i thought that—”

“is that why you’re always in my goddamn house unannounced??” he cuts you off, again.

“it’s kinda late to retract my view of our status now though. your sisters really like me as your lover for some reason.”

he responds with a groan, muttering something about how his soccer is now doomed by some outsider. silly king. he doesn’t even notice that he could always kick you out, yet simply chooses not to.

no i didn’t add a part where they’d explicitly have to theoretically choose between you or soccer because lets be fr they’d all choose to kick a ball forever over some head

its 3am rn (no beta we die like men) so if theres a few typos or pronoun and grammatical errors that ive missed, please do tell me!

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supersoakerfullofblood · 2 months

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Point of View: the Biggest Thing You're Missing!

Point of view is one of the most important elements of narrative fiction, especially in our modern writing climate, but you rarely hear it seriously discussed unless you go to school for writing; rarely do help blogs or channels hit on it, and when they do, it's never as in-depth as it should be. This is my intro to POV: what you're probably missing out on right now and why it matters. There are three essential parts of POV that we'll discuss.

Person: This is the easiest part to understand and the part you probably know already. You can write in first person (I/me), second (You), and third person (He/she/they). You might hear people talk about how first person brings the reader closer to the central character, and third person keeps them further away, but this isn't true (and will be talked about in the third part of this post!) You can keep the reader at an intimate or alien distance to a character regardless of which person you write in. The only difference--and this is arguable--is that first person necessitates this intimacy where third person doesn't, but you still can create this intimacy in third person just as easily. In general, third person was the dominant (and really the only) tense until the late 19th century, and first person grew in popularity with the advent of modernism, and nowadays, many children's/YA/NA books are written in first person (though this of course doesn't mean you can't or shouldn't write those genres in the third person). Second person is the bastard child. Don't touch it, even if you think you're clever, for anything the length of a novel. Shorter experimental pieces can use it well, but for anything long, its sounds more like a gimmick than a genuine stylistic choice.

Viewpoint Character: This is a simple idea that's difficult in practice. Ask yourself who is telling your story. This is typically the main character, but it needn't be. Books like The Book Thief, The Great Gatsby, Rebecca, Dr. Jekyll and Mr. Hyde, and the Sherlock series are told from the perspective of a side character who isn't of chief importance to the narrative. Your viewpoint character is this side character, the character the reader is seeing the world through, so the main character has to be described through them. This isn't a super popular narrative choice because authors usually like to write from the perspective of their most interesting character, but if you think this choice could fit your story, go for it! You can also swap viewpoint characters throughout a story! A word of warning on that: only change your viewpoint character during a scene/chapter break. Switching mid-scene without alerting the reader (and even when you do alert the reader) will cause confusion. I guarantee it.

Means of Perception; or, the Camera: This part ties the first two together. If you've ever heard people talk about an omniscient, limited, etc. narrator, this is what they mean. This part also includes the level of intimacy the reader has with the viewpoint character: are we in their heads, reading their thoughts, or are we so far away that we can only see their actions? If your story is in a limited means of perception, you only have access to your character's head, eyes, and interpretations, where an omniscient narrator sees through all characters' heads at once. (This doesn't eliminate the viewpoint character--most of your writing will still be in that character's head, but you're allowed to reach into other characters' thoughts when needed. You could also be Virginia Woolf, who does fluidly move through everyone's perspectives without a solid viewpoint character, but I would advise against this unless you really are a master of the craft.) Older novels skew towards third person omniscient narration, where contemporary novels skew towards first person limited. You also have a spectrum of "distant" and "close." If omniscient and limited are a spectrum of where the camera can swivel to, distant and close is a spectrum of how much the camera can zoom in and out. Distant only has access to the physical realities of the world and can come off as cold, and close accesses your character's (or characters', if omniscient) thoughts. Notice how I said narration. Your means of perception dramatically effects how your story can be told! Here's a scene from one of my stories rewritten in third-person distant omniscient. The scene is a high school football game:

“Sometimes,” he said. “Not much anymore.�� “It’s not better, then?” She shivered; the wind blew in. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, stuttered there, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” She met his eyes, which he pulled away. “You don’t mean that," Piper said. “Maybe not. He’s too confident, though.” The cloth of Carmen's uniform caved and expanded under Piper's fingers.

With distant-omniscient, we only get the bare actions of the scene: the wind blows in, Piper shivers, the cloth rises and falls, Carmen points, etc. But you can tell there's some emotional and romantic tension in the scene, so let's highlight that with a first person limited close POV:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” Frost spread up from her legs and filled her as if she were perforated rock, froze and expanded against herself so that any motion would disturb a world far greater than her, would drop needles through the mind’s fabric. A misplaced word would shatter her, shatter him. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, thought better, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” “You don’t mean that.” She spoke like a jaded mother, spoke with some level of implied authority, and reminded herself again to stop. “Maybe not. He’s too confident, though.” Piper felt the cloth of his waist cave and expand under her fingers and thought: is this not confidence?

Here, we get into Piper's thoughts and physical sensations: how the frost rises up her, and how this sensation of cold is really her body expressing her nervous fears; how she "thought better" and put her arm around his waist; her thought "is this not confidence?"; and how she reminds herself not to talk like a mother. Since I was writing from the close, limited perspective of a nervous high schooler, I wrote like one. If I was writing from the same perspective but with a child or an older person, I would write like them. If you're writing from those perspectives in distant narration, however, you don't need to write with those tones but with the authorial tone of "the narrator."

This is a lot of info, so let's synthesize this into easy bullet points to remember.

Limited vs. Omniscient. Are you stuck to one character's perspective per scene or many?

Close vs. Distant. Can you read your characters' thoughts or only their external worlds? Remember: if you can read your character's thoughts, you also need to write like you are that character experiencing the story. If child, write like child; if teen, write like teen; etc.

Here's another way to look at it!

This is a confusing and complex topics, so if you have any questions, hit up my ask box, and I'll answer as best I can. The long and short of it is to understand which POV you're writing from and to ruthlessly stick to it. If you're writing in limited close, under no circumstances should you describe how a character other than your viewpoint character is feeling. Maintaining a solid POV is necessary to keeping the dream in the reader's head. Don't make them stumble by tripping up on POV!

#writeblr #writing #writing advice #fanfic #writers on tumblr #writing questions #creative writing #bookblr #writerscommunity #booklr

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5ummit · 1 year

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So there's this post with a troubling number of notes going around insisting that "dead dove" is not a genre, it doesn't inherently have anything to do with darkfic, and that the tag could be applied to fics that are "100% fluffy where everyone's having a good time" if they happen to contain some abnormal (though entirely non-problematic) content like an unusual kink. The claim is that "dead dove: do not eat" is simply a "courtesy tag" that means "this is a very specific niche, mind the tags." And that's just... wrong.

I wrote up a whole rebuttal to this post since I can't stand misinformation and frankly OP was being kinda rude and judgey on top of their wrongness. But right after I posted my reply, OP turned off reblogs because, and I quote, “some fuckwad added some dumb shit onto this post and it is no longer educational” (the “fuckwad” being me and the “dumb shit” being proof that they were wrong). A couple people have asked me to make a rebloggable version of my response, which I've decided to do because this isn't the first time I've heard similar claims and I want to help set the record straight. However, I'm not linking the original post on the off chance this gains traction because OP did the right thing by turning off reblogs, preventing it from circulating further, and I don't want them to get hate for being unfortunately misinformed.

For those who don't know the history, "dead dove: do not eat" was originally proposed as a catchall "hydra trash party" alternative label for any fandom to warn that the content of a fic may be considered problematic or potentially upsetting and to read the tags carefully so you know what you're getting into and won't complain later. Specifically, DD:DNE was intended to convey that the Bad Things in the fic would likely be reveled in and not explicitly condemned by the narrative, which some people tend to get up in arms about, hence the need for the extra warning in addition to the tags. Don't believe me? Here's the original proposal (note DD:DNE can be found on a handful of fics dated before 2015 but this is when it really took off and became a Thing).

There are currently around 50,000 fics tagged as "dead dove: do not eat" on AO3 and close to 50% of those also include the rape/noncon warning (which of course is not the only type of "dead dove" but is one of the most popular and most consistently tagged). The normal percentage of noncon fics in any given fandom? Around 1-3%. That's a HUGE disparity. So don't tell me that dead dove is just a general "courtesy tag" and doesn't or shouldn't have dark connotations. Even the context of the original joke on Arrested Development has a dark undertone. Micheal Bluth casually finds an animal carcass in a bag in his refrigerator with the label "do not eat", as if eating it would be any sane person's first thought. The whole situation is kinda fucked up. And this fucked up vibe very much carries over into fandom usage too, as was intended.

The claim that dead dove has nothing to do with the content's genre and could just as easily be used to describe a 100% fluffy fic in which everyone's having a good time is straight up Wrong, or at the very least, severely warping the original meaning. Also, when someone these days says that they like/dislike "dead dove" most people in fandom automatically understand what that means because of the consistency of its usage over the years and the way language evolves. Whether you like it or not, "dead dove" IS a genre now and the term does carry a specific connotation. I do agree that DD:DNE should definitely still be used in conjunction with other tags, when applicable, to be explicit about the exact type of fucked up content you may find, but to say that the term is meaningless on its own is patently false and I'm tired of people who don't know what they're talking about pushing this narrative and causing even more confusion.

You want a generic term that also means "mind the tags" and doesn't have any inherently dark connotations? Just use good ol' "what it says on the tin" instead of trying to force dead dove to be something it's not.

#fyi I've tweaked my response slightly to remove specific references to OP and make it read better on its own #I hope I don't regret making this post and inviting The Discourse #but dead dove is a topic that is very near and dear to me #I feel like someone has got to say something and put a stop to all of the misinformation around it these days #fandom #long post #my words #psa #wendy's help desk

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xavieryaa · 1 year

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The Reddit Blackout, #196, And Being New to Tumblr

okay i've seen a lot of people in the past ~24 hours or so confused by everything going on with Reddit & Tumblr from both sides - people new to tumblr who don't know how to use it, and tumblr users who don't know what's going on with reddit and why many of its users have joined up here i know this isn't really related to my blog but fun fact about me: i was up until recently a very active reddit user and even mod a subreddit, but I've also been on tumblr for about 3 years now on different accounts, so I think I can see pretty well from both sides of this and explain what's going on this post will be split in 2 sections: what happened with reddit (and what #196 means), and a guide for new users

1. What The Hell Is Going On With Reddit?

The thing that's caused all this ruckus is a major change to Reddit's API, which is what Reddit provides to people so they can pull directly from Reddit to make third-party apps or tools.

The change is that Reddit is changing its previously free API to be paid. Which on its own kinda sucks for developers, but it's not unexpected. They need to make money somehow, right?

The problem is that the API pricing is WAY TOO FUCKING EXPENSIVE. The developer of the most popular 3rd party Reddit app, Apollo, says it will cost him $20 million a year to continue running the app as normal.

Essentially, this pricing forces almost everything third-party to shut down, which causes 3 major problems:

Third-party apps cannot keep running, which sucks for normal users because Reddit's official app is awful. It's slow, its video player is a thing of nightmares, it doesn't have many useful features third-party developers have made.

It sucks even more for visually impaired users because they can't use the official Reddit app at all. Reddit's official app does not work with iOS's native text-to-speech function. Third party apps, on the other hand, often do. So Reddit is forcing blind users away.

Third-party moderator tools cannot keep running, which sucks for moderators because many rely on these tools to properly moderate their subreddits. And moderators are often necessary, because without them subreddits get banned and hate speech and even CSA can often run rampant.

So you see why this change is bad.

Reddit users were PISSED.

So over the past week and a half or so, they have been working on organizing a site-wide blackout. The majority of the most active subreddits have now gone private. Some are only doing it for 48 hours, others (such as r/196) are doing it indefinitely.

That's why you can't access most of Reddit right now, and that's why many users have come here.

You're probably still wondering, though - what is this #196?

Well, as you may guess, it's connected to that subreddit r/196 I just mentioned. r/196 is a subreddit which only has one rule: every time you visit, you must post before you leave.

That's it, that's the subreddit.

The thing about r/196 that set it apart from most other subreddits - and what lends the subreddit's users perfectly to Tumblr - is that it was dominated by queer and leftist users.

So now they've come here and set up shop in #196 and r/196 so they can continue their merry little shitposting.

There's a ton of lore related to r/196, actually, but this is already a long tumblr post and quite frankly I cannot be bothered to write about it at the moment.

2. I'm Here From Reddit, What Now?

Hello there, random new user. As a double-citizen of Reddit and Tumblr, let me show you around this place.

First off, there are some other people who are better at explaining that I am who have made some really helpful things. Watch this Strange Aeons video as a guide to Tumblr culture and functionality and read this post which directly compares Reddit and Tumblr.

Assuming you've done that, here's some additional advice of my own:

Do you miss sorting subreddits by top of all time/the year/the month? Well, you can do something very similar with tags! If you go to a tag at the top of the screen you can select top, and then at the dropdown that says "all time" you can select different time periods! Even 6 months, which Reddit hasn't ever had.

Tumblr has a lot of cool customization features! Even outside your icon/banner/bio, you can change you blog colors and on desktop you can have an html theme (which has its own thriving community here). That customization is part of what sets Tumblr apart from everywhere else - I think you'll enjoy playing with it.

Notes will probably confuse you at first. Unlike the different numbers for upvotes and comments, notes combines the total number of likes, reblogs, and replies into the same number.

Outside of organizing your own blog, when making your own posts tags are what help other people find your post. Use them! But don't abuse them, because then people will just block you.

There are three ways of people finding your post: if someone follows you, if someone follows the tag(s) assigned to your post, and if someone is just scrolling through the tag(s) assigned to your post (and also the secret 4th way no one uses, which is finding it on the trending page, but even if people did use it no one will find your post initially that way)

tumblr is no longer The Discourse Website. And unlike what Reddit wants you to believe for some reason, it is very much alive still. Most of the people seeking fights have moved to Twitter (though some have also moved back here again). You will not get any brownie points for being a dipshit like you do on some subreddits.

So there, welcome to the hellsite (affectionate), you'll pick up on all the in-jokes eventually, for now just try not to be a nuisance and soon enough this'll be your new internet home.

#reddit #reddit blackout #reddit migration #196 #r/196 #reddit refugee #new to tumblr #long post #text post #xavi.txt

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booksandabeer · 2 months

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Celebrating 10 Years of CA:TWS — A Stucky Rec List

Rec list for the CA:TWS 10th Anniversary Event @catws-anniversary (thank you so much for organizing this event! 💙) | Prompt: Memories

10 years, huh? 10 years of Captain America: The Winter Soldier. 10 years of what many—myself included—still consider to be the best MCU movie ever made.

But also 10 years of post-TWS fanfiction. 10 years of Bucky Barnes Recovering and Steve Rogers' Sadness Errands; of Up All Night to Get Bucky and Revenge Road Trips; of Winter Soldier Trauma Umbrellas and Everybody Needing A Goddamn Hug; of Good Bros and Soft Epilogues. 10 years and tens of thousands of Steve/Bucky fics later, here we are.

So, to mark the occasion, let's take a trip down memory lane and celebrate the movie and the stories it inspired: One fic from each year since it all began:

There's really only one rule here: All fics are set before, during, or after the events of CA:TWS and/or reimagine its plot in interesting ways. Naturally, many of the fics on this list are post-TWS canon divergent, but I tried to go for a nice variety of length, genre, and popularity to keep it interesting. Speaking of popularity, this is very much not intended as a round-up of ‘most popular fics of each year’ because—and I say this with all the love and respect in my heart for those stories and their authors—nobody needs a rec list for that, and I believe in spreading the love. Here we go:

Poltergeists by enemyofrome | 17K, T

Author's summary: When the helicarriers blow up and the Winter Soldier goes on the run, he takes Steve with him. He's got a name written in Morse code on the inside of his arm, a ton of questions he doesn't know how to ask, and now, a new handler with absolutely zero sense of self-preservation to contend with. Life is hard. In which Bucky tries to figure out whether he's a human being, Steve does everything he can to keep from losing him again, and there are lots of explosions.

Starting off with one of the best versions of the 'Bucky didn't leave Steve, he took him with him after the Potomac' fics that were (and still are!) so popular post-TWS. This one stands out because of its fantastic beginning, its interesting take on how Bucky was broken and remade into the Winter Soldier, and because it allows both characters to be messy. It's a popular fanon trope that it's Steve who brings out a ruthless, almost vicious streak in Bucky, but here it's emphasized that this is very much a mutual thing. Just like Bucky, who's often afforded the "excuse" of still figuring out how to be a person again, Steve gets to be difficult here—without ever turning him into a stubborn asshole. They're both traumatized, and they're both allowed to show it and to lash out, including at each other. Also, this fic will give you capital-F Feelings about morse codes and apples. Believe me.

sleepwalk back to the battle site by ftmsteverogers | 22K, T

Author's summary: “I’m going to track down every HYDRA agent that’s left,” Bucky says, buckling his gun deftly to his belt. “And then I’m going to kill them.” “Oh,” Steve says. “Come with me?” Bucky asks, dangerous hands tucked into his pockets.

A classic post-TWS fic that picks up right after the movie ends. Equal parts Revenge Roadtrip, Bucky Barnes recovering, and Steve Rogers being in urgent need of a good hug. This starts out intensely melancholic—Steve's despair and helplessness are palpable and there's a scene involving a drinking glass that still brings tears to my eyes just thinking about it. Halfway through, the story changes pace and becomes much more action-heavy, but it still manages to allow space for the quiet, intimate moments between Steve and Bucky. They have both become sharp and deadly men, but they're also allowed to be soft with each other. Their coming together feels sweet and inevitable. I also really enjoyed the Steve characterization here. His absolute conviction that Bucky is still Bucky at his very core and always will be, but also his emotional and intellectual flexibility to adapt to this still-new-to-him, changed version of Bucky rang very true to me.

Surveillance by Sproings, 7K in 2 parts, G

Author's summary: If there are ears everywhere, that means it's somebody's job to listen. I hate my job.

Do you ever think about how SHIELD bugged Steves DC apartment and how horrible that was, but also...you're kind of curious what they might have overheard? Do you ever wonder about the people who listened in on his sad, lonely life? Well, here you go. An outsider POV fic told "through the ears" of an unnamed SHIELD agent assigned to spy on the private life of a man who doesn't really have much of one. The story begins just before IM3 and takes us all the way through the events of CA:TWS and beyond. It's clever, original and told with great empathy for both the subject under surveillance and the person carrying out that surveillance—who increasingly questions its purpose. Here's a small snippet to give you an idea of the fic's style:

He got a phone call, once. He put it on speaker, too, which was very exciting for me at the time. It was from an archivist at the Smithsonian. They seemed really surprised that he answered his own phone calls. The two of them talked for a long time about an exhibit the museum was planning. A very long time. As if one of them was starstruck, and the other was desperate for any kind of human interaction.

What Gets You Through by velleities | 12K, M

Author's summary: For Steve, getting through each day is a process – one he’s currently failing at spectacularly. Feeling out of place in this brave new world, he hopes to find a home in Bucky, and looks for him with everything he’s got. But Bucky doesn’t want to be found, and when he does touch base with Steve, he never sticks around for long. Bucky has embraced the modern age, leaving Steve lagging behind – or so Steve believes, until Bucky shows him otherwise.

This post-TWS fic revolves around five encounters in liminal spaces, and each time Bucky has pieced himself back together again just a little more. Despite their increasingly longer and more honest conversations, and Bucky's incremental progress, he always disappears again, leaving Steve to grapple with his heartbreak. There are quietly gorgeous moments in this fic (the bus and the church in particular were my personal favorites) as well as wonderfully crafted characterizations. Bucky is initially portrayed as somewhat feral in some ways yet surprisingly well-adjusted in others, and I love that Steve can't help but be a little annoyed at that. However, it quickly becomes clear that, in good old Bucky Barnes fashion, much of it is really just a front put up for Steve's benefit...

A Real Boy by itsnotbleak | 5K, T

Author's summary: It took the Winter Soldier three weeks to remember that human beings needed to sleep and eat. It took Steve far too long to realise the Winter Soldier was sleeping in his bed.

A wonderful, short-but-doesn't-feel-like-it fic (in the very best way) set immediately after CA:TWS, in which Bucky secretly and then soon not so secretly visits Steve in his apartment. Follow along as Bucky Barnes argues with his brain about sandwich toppings, the importance of a good night's sleep, and the necessity of personal hygiene. Also: how to best go about becoming a real boy (again). And who the hell is that Bucky guy anway? This is as soft and sweet a Bucky recovery fic as you're ever going to find. It's funny but not silly; sad in a way that all of these stories inherently are—because, well, these are some tragic boys—but not super angsty or depressing. A beautiful story with a lovely, hopeful ending.

Savage God by PottersPink | 36K, M

Author's summary (abbr.): Past, present, future, Steve knows Bucky Barnes. It’s why he recognized him when he found him in that alley in April of 1942, even though Bucky was older, stronger, wearier; he called himself The Asset, and had a metal fucking arm. He flinched when Steve tried to touch him, and when Steve told him he loved him, his first response was to ask why. Seventy years later, Steve wakes up in the twenty-first century, and he doesn’t know whether to be heartbroken or hopeful when some of the things Bucky revealed to him in 1942 start falling into place.

An absolutely riveting AU that will have you on the edge of your seat the whole time. I'm itching to talk about it more but I cannot since it would mean spoiling the hell out of it. What I can say is that it's a very intriguing and clever exploration of what would happen if Steve knew about the future but without really knowing any of the details. How would it change the events of CA:TFA and CA:TWS, and how would it change Steve himself? I so very much appreciate this characterization of Steve as smart, competent, and unwavering with a hefty dose of no fucks left to give. This fic features some really nifty time travel and plotting, great action sequences and a very satisfying ending where certain people get their much-deserved comeuppance. Plus: Bonus Shrinkyclinks (kind of)!

Charlie Lock by seapigeon | 105K, M (hard M)

Author's summary (abbr.): The Winter Soldier knows that sometimes, in order to make the kill, you must destroy what the Target lives for. Steve Rogers knows that he can't fight his captors. If he fights, they'll kill Bucky. But the price of his life is steep. Tony Stark has nothing left to live for, but he's needed. So all these miserable motherfuckers better stay alive, too. Clint Barton never expected to be a leader. But a leader he is, and no one else is going to die on his watch. --- A story in which the first wave of Project Insight succeeds, and the Avengers must pick up the pieces and find a way to stop Hydra from completing its work with Zola's algorithm.

This is not only the longest fic on this list, but also the angstiest one—by a mile, so please heed the tags. It's dark, disturbing, and brutal. However, it is neither relentless misery porn nor is it shocking for shock's sake, where everything is magically forgotten and/or healed the moment Steve and Bucky start kissing. Instead, the author puts these characters into an absolutely horrifying situation and then slowly, gently guides them out of it and into the light.

It's a Stucky fic but it's also a multi-POV ensemble piece featuring all the Avengers and other familiar faces. If you are someone who'll always be a little bitter about the unfulfilled promise of an Avengers found family, then this is for you. In this AU, they do not only fight together, but grow together in every way. They truly become a team, not just co-workers barely tolerating each other. The story takes its time exploring the characters and the group dynamics. Steve and Bucky are definitely at the center of the narrative but there is space here for every member of the team to grieve and adjust to the new reality and to find at least some measure of healing. It's a story about the meaning and the consequences of revenge, about hope and resilience, and about love in all its many forms. It also has one of the most satisfying title drops that will have you pump your fist in triumph when it happens. It's a tough read, but ultimately a very rewarding one.

SPELEVINK by Ginny_Potter | 10K, G

Author's summary: Bucky’s back. He’s leaving me messages through IKEA plushies, Steve texts Sam. jesus christ, rogers, Sam texts back. Or, Bucky lives in an IKEA Tiny Apartment, Steve is a dancing monkey once again, and somehow they find their way back to each other.

This is an absolute DELIGHT of a fic that will have you alternately laughing out loud and crying quietly into your SVARTFIBBLA blanket (super-soft, recycled polyester, 47x63"). It's ‘crack treated seriously’ at its very best and a clear homage to the fandom classic Infinite Coffee… (that’s not a dig or a spoiler, the author says so in the author’s note).

Now if you know me, you’ll know that angst o’clock is my happy hour and I’m usually not very into these heavy-on the-humor quasi-absurdist fics (because I’m super special and not like all the other girls, obviously). But. I LOVED this story so, so much. It’s such a fun read—even when it makes you cry—and it really became one of those ‘huh, I guess I’m into this after all’ moments of joyful (self)discovery via fanfic for me. I never thought a pair of oven mitts could move me like that, and I'll never be able to walk into an IKEA again without muttering "F******!" under my breath (iykyk). Absolutely fantastic.

a handful of dust by RecoveringTheSatellites | 20K, M

Author's summary: Steve looks for Bucky for a long time. But the thing is that Bucky doesn't get found, Bucky finds. Bucky always finds Steve. This takes a hard left after the Potomac and stumbles through the dark a lot after. Take a bit of running, the occasional synaptic misfire, the resurfacing of old memories, a dash or two of PTSD, and (eventually) a nice dose of action, stir, and serve over some unresolved issues.

Honestly, the second paragraph up there perfectly sums up the story. It's a good ol' fashioned Bucky recovery fic with some angst, some action, and a whole lot of healing and devotion. Steve and Bucky get to be very sappy about each other, but also extremely Badass Battle Boyfriends™ when somebody threatens their hard-won happiness. Both are allowed to be messy, unstable, and very co-dependent.

This was the first time this author played in the Stucky sandbox and I mean it 100% as a compliment when I say that you can tell. This is someone with "fresh legs" diving headfirst and very deep into the Stucky trope pool and they're doing it with great relish and enthusiam. The result is a story that rejects some of the tried and true conventions of the post-TWS fanfic canon and lovingly embraces others, but that is definitely aware of and in dialogue with the body of work that came before it. Also, it's just a really fun read that gives these two the very soft ending they deserve.

Everybody is Supposed to be Dead by pollutedstar | 22K, M

Author's summary: In 1944, Bucky Barnes falls off a train into the Alps, missing and presumed dead. Months later, Steve Rogers nosedives a plane into the arctic. In 2010, the Winter Soldier project is uncovered by S.H.I.E.L.D., and Bucky Barnes is found alive. Three years later, Steve Rogers’ frozen body is found in the ocean.

A really interesting AU and a fascinating exploration of what could’ve been; the impact it would’ve had on the events and characters if Bucky had been the one to be “found” first. How would it affect Steve to come back into a world where he isn’t quite so lonely and adrift, and where he does have the relief and reassurance of having Bucky by his side and at his back? How would that have changed the way he acted and reacted to this strange new world and the people and organizations trying to recruit him to their cause even though the ice hasn't even completely melted off his body yet?

There are a lot of astute and precise observations about characters like Tony, Natasha, and Clint in this story, and on top of that, it offers up some very compelling insights into Steve's conflicted and difficult relationship with his role as Captain America.

it's never over (hey orpheus) by romcommie | 12K WIP, 2/?, M

Author's summary: He remembers a song first and then everything else follows, burying him below. Or, Bucky Barnes pieces a life back together with a few choice verses, some duct tape and seventy years worth of spite. Steve Rogers tries very hard to relearn there's a life to be lived in the first place.

Ok, listen up, people! This is a WIP and there are only 2 chapters posted so far, but I haven't felt this absolutely bonkers excited about a post-CA:TWS fic in a long while. We're talking frothing at the mouth here. I have such a massive crush on this fic, it's a bit embarrassing, really. It's one of those fics where you know after just a few paragraphs that you're in very good, very competent hands. The wealth of historical and cultural detail; the way the story shifts/flips/flickers back and forth between time, perspective and narrative levels; the Bucky voice—it's all so well done! I'm so insanely excited to see where the author takes this!

ENJOY!

#catws10 #stucky #stucky fic rec #stucky fic #stucky rec list #steve x bucky #stucky fic recs #steve x bucky fic rec #stevebucky fic rec #stevebucky #my recs #*drops this and runs aways* this rec list nearly gave me an aneurysm. you're welcome!

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