#it can't really get things to look this original and unique
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Making Humanoids Less Human
I did make a small post on this, but now I've got the art for a much bigger and more detailed post! so here we go.
I had several anonymous asks that all came in quick succession weeks ago. Every single one of them was basically just a variation on "how would you take (typically humanoid) fantasy being, and make them look less human?"
This blog does not exist for me to just give people original designs for free, my goal is to show off my own personal thoughts about fantasy design and help people figure out how to adjust their own designs to fit their vision better. That means when people ask me questions about how to do something, I want to give them things to think about so they can come to their own conclusion. I don't mind making original designs to illustrate concepts, but a whole flood of "show me how to make this specific thing look different" all at once like that was too much. I'm not answering them all individually, it's just not what I want to do.
But what I can do is show my own thoughts and ideas about how to take any fantasy design and push it further away from "human", and you all can look at my ideas and figure out your own way to do things!
So here are the main 4 methods I've come up with to make humanoids look less human.
(image description: a simplified drawing of a humanoid face surrounded by four altered versions of the same face. clockwise starting from the top left, they are:
Speculative, drawn as a cat person. Additive, drawn with horns, pointy ears, sharp teeth, and a second pair of eyes. Subtractive, drawn with blank eyes, no nose, and no eyebrows. Exaggerative, drawn with a long face and huge eyes, as well as a wide mouth, narrow nose, and big ears.
end description)
I am personally a fan of the speculative route, which means exploring an alternate root of evolution to create a new design. Through this method, I've created monkey elves, frog goblins, and pig orcs.
the additive option is the most common, I think. adding new feature or doubled features to a humanoid form is a very intuitive way to change the design and make it look less human. you see this in most fantasy and scifi designs, like star trek aliens and the dnd player races.
subtractive and evaggerative are the most common options for people that like the uncanny valley. it's really easy to make uncomfortable designs by removing or exaggerating recognizable features, and they're often used together. Slenderman, for example, removes all facial features and skin color but also exaggerates the limbs and body.
Combining the four methods will give you a really interesting design as well! So for practice I decided to explore an alternate design for Tieflings, the part-demon player race in dnd.
(image description: four examples of differnt tiefling designs using the previously described methods. the additive example is just offical dnd art of a tiefling woman with purple skin, horns, and a long tail.
the subtractive sketch looks very alien, with a bald head, empty eyes, and no other facial featuers aside from a small mouth. it has three fingers per hand and two toe per foot.
the exaggerative sketch shows a hunched humanoid figure with huge eyes and big ears. the neck, limbs, and digits are all long with claws at the ends of the fingers and toes, and the limbs are also quite muscular.
the speculative sketch shows a bipedal figure with features similar to a giraffe, including a long neck, ossicones, and hooves.
end description)
now, because tielflings have such a distinct look to them, obviously my new sketches don't really look like tieflings, do they? the only one that comes close is the giraffe. relying only on one type of alteration to the human form has left the designs rather empty and lacking in the more iconic traits of the original concept. so i tried a sketch that combined my ideas! it came out looking like a completely different creature lol, like it could be a kobold or something, still not really a tiefling.
(image description: a sketch of a creature with a giraffe-like head, long tongue, and sharp teeth. it appears to be roaring at something and stands in a half-crouch. it has long limbs with hoof feet and clawed hands, as well as a long tufted tail curled behind it. end description.)
didn't work out. too far into the animal side of the speculative evolution, I think. so I tried again and got a design I liked much better!
(image description: a digital painting of a tiefling leaping back and casting a glowing orange spell. she is wearing a tunic with a corset and detached sleeves, as well as several pieces of jewelry. Her skin is purple with dark patches like a giraffe's spots, and she has a giraffe's ossicones as well as hoof-like hands and two-toed hoof feet. Her tail is long with a tuft at the end. She has glowing eyes and a flat nose, and there is a single sharp tooth visible poking out of the side of her mouth. end description.)
Brought the face back into slightly more human proportions and that helped a lot. Sometimes designs just take a few tries! that's normal.
and hopefully this is helpful to all of you! there are so many ways to alter humanoid designs to come up with something original and unique to you!
#humanoids#making humanoids less human#altered humanoids#non primate humanoids#tiefling#long post#my designs#and btw ai cannot do this#does not matter how detailed you prompt it#it can't really get things to look this original and unique#it can't really blend different features like this in a way that makes sense#you have this power#the computers cannot replicate it
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declaring myself the only person who is normal about this one anime (closely followed by the two irl friends who made me watch it, and my mum who watches it with me, but they are not subjected to nearly as much Online stuff as I am so they are inherently more normal about things anyway)
#maggles ramblings#i don't know what ppl on here are like about it and i don't think i want to. i think it will remain one of those things i enjoy by myself#bc like the story is about this one big and fucked up family. but apparently it's only 'family' in the loose sense;#as in; i haven't gotten to any clarification in the anime itself yet but the wiki says it's more a structure of power than actual family#which makes some things in it... Much more tolerable to say the least. but i do not trust literally any fans on here to care about that#i have a very strong inkling that not many ppl would care enough about that distinction anyway and get too into shipping regardless#despite how much ELSE there is to look at; including things i haven't really seen other stuff cover before in this particular way#and like yea ik there's shit in it anyway; not all bad but some is just rather sensitive yknow. but my point IS#that i simply do not trust the wider internet on here with the themes and situations i find so interestingly portrayed in this thing.#my brain kind of conked out near the end and i lost my original point#ahh idk it's tough to explain. i get it though in my head i am so correct about everything#like. it has some Really interesting parts!! two main characters who hate each other bc they think the other has everything they want!#when Actually both are suffering uniquely!!#an older sibling trying to deal with guilt over not protecting the younger one from abuse when they had the chance to -#and the younger one accepting their desire to reconnect; without being forced to forgive them!#characters dealing with not being Wanted; with not being able to help; with feeling like they're causing problems just by existing!#but then you have shit like 'haha this guy says weird things abt the teen characters as a joke lol'#and 'this character is trans? noo you're mistaken they simply dress feminine bc they're too cowardly to present as a guy'#and more. but yea it's. so tough. there are parts i like but i do not want it to be assumed that i also agree with all the weird shit#but i KNOW on here i can't just assume everyone else cares as much abt the shit as i do.#so i think i will just be happier having fun with it with those two irl friends of mine.
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Dungeon Meshi Episode 7 was super interesting from an adaptation standpoint - this'll be a little different from what I usually write about (though I do still talk about the animation in the full video).
Studio Trigger have never done a straight-up manga adaptation before - and led by Yoshihiro Miyajima, a big fan of the manga who pushed hard for the adaptation to get made, and who has never directed a full series before, it was unclear if they'd be able to find the right balance between a simple panel-for-panel recreation and making something that's completely different.
And in the first few episodes, you could really feel the tension between the influence of a cautious young creative with great respect for the source material, and a studio with a unique established visual style. It kinda seemed like they were ping-ponging willy-nillily between the two sides of that spectrum.
But this episode showed that Miyajima (and series writer Kimiko Ueno) can take 3 chapters, slice them up and rearrange them into a cohesive-feeling episode while taking into account the differences between screen and page, and using them to their advantage.
Starting with the way the water looks. This line from the manga describes a faint magical glow to the water in this lake and you can see that the cavern fades into darkness above, but Kui's illustration style doesn't really define lighting and shadows very much compared to the cel-drawing style of animation. So the animators took the opportunity to use the water as the light source, and make a whole episode that's lit almost entirely from below. It really gives an otherworldly feeling to this area.
Particularly when the Kelpie shows up, that under-lighting works wonders to define its anatomy within the relatively simple line art.
What do you do when you can't show the immense fuck-off scale of a monster with a beautiful full-page spread like this?
Well you use what you do have: the ability to move the camera instead. This is such a great way to communicate the scale of this thing, AND such a great way to show some of Senshi's anime-original butt-cheeks!
This is one of my favorite shots from this episode - this whole sequence is super hectic, cutting quickly from character to character, but they use tricks like this to keep you from getting confused. This is framed much like it is in the manga, but with the moving image, they're able to use the trajectory of the fish head in the background to lead your eye directly from Chilchuck, right to the point where Senshi pops up in the foreground and transition seamlessly from one character to another!
Now, it's not all good - I am a bit disappointed that they removed Marcille's own Senshi-style soap-making montage, which was the perfect visual representation of the culmination of the character development and understanding built between Senshi and Marcille.
It's a shame to see it go.
I get more into that, what else was cut, and much more in this video where I broke down the entire episode!
Check it out if you feel like it. If you don't, jump in a ditch, cover yourself in leaves and jump out at people as they walk by.
Thanks for reading!
youtube
#dungeon meshi#anime#manga#laios touden#marcille donato#senshi#delicious in dungeon#video#mini essay#original
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Storyediting Questions to Ask
As You Read the First Draft:
Are there place that surprised you as you read your first draft?
- Why do you suppose that is?
- Is there material there you'd like to expand?
What are the character really doing in this story?
- Might they have issues you haven't explored fully yet?
Look to the places that drag.
- These might be scenes where you have avoided dealing with something deeper.
- What are the characters really thinking in these places?
- What are their passions, frustrations, and desires?
Imagine alternative plotlines.
- How might your plot be different if ti headed off on another tangent from various points in the story?
- You don't have to follow them, but they might suggest other streams that can flow into the main plot.
Think About Structure:
Does you story play out naturally in three acts?
Is there an immediate disturbance to the Lead's world?
Does the first doorway of no return occur before the one-fifth mark?
Are the stakes being raised sufficiently?
Does the second doorway of no return put the Lead on the path to the climax?
Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?
Are there strongly motivated characters?
Have coincidence been established?
Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?
Is the timeline logical?
Is the story too predictable in terms of sequence? Should it be rearranged?
About Your Lead Character:
Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?
A lead character has to jump off the page. Does yours?
Does this character avoid cliches? Is he capable of surprising us?
What's unique about the character?
Is the character's objective strong enough?
How does the character grow over the course of the story?
How does the character demonstrate inner strength?
About Your Opposition:
Is your oppositing character interesting?
Is he fully realized, not just a cardboard cutout?
Is he justified (at least in his own mind) in his actions?
Is he believable?
Is he strong as or stronger than the Lead?
About Your Story's Adhesive Nature:
Is the conflcit between the Lead and opposition crucial for both?
Why can't they just walk away? What holds them together?
About Your Scene:
Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?
Is there enough conflict in the scenes?
What is the least memorable scene? Cut it!
What else can be cut in order to move the story relentlessly forward?
Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?
Does we need a new minor subplot to build up a saggin midsection?
About Your Minor Characters:
What is their purpose in the plot?
Are they unique and colorful?
Polishing Questions:
Are you hooking the reader from the beginning?
Are suspenseful scenes drawn out for the ultimate tension?
Can any information be delayed? This creates tension in the reader, always a good thing.
Are there enough surprises?
Are character-reaction scenes deep and interesting?
Read chapter ending for read-on prompts
Are there places you can replace describing how a character feels with actions?
Do I use visual, sensory-laden words?
For a Dialogue Read-Through:
Dialogue is almost always strengthened by cutting words within the lines.
In dialogue, be fair to both sides. Don't give one character all the good lines.
Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.
Can you get more conflict into dialogue, even emong allies?
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
#writers and poets#writing#creative writing#poets and writers#writers on tumblr#creative writers#let's write#resources for writers#helping writers#writeblr#how to write#writerscommunity#writers#author#ao3 writer#writer community#female writers#writer#writer on tumblr#writer things#writer problems#writer stuff#writing inspiration#writing prompt#writing advice#writing community#on writing#writing tips#editing#question
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Matching - Portgas D. Ace
Find more of my work here: Tumblr MasterList
This is a little idea I had for a larger Ace fanfic I'm working on. I might revise this! Please let me know if he's in character or not...I'm starting to have my doubts.
It had been the better part of a week. No, maybe a whole week at this point. While before you’d spend most of your free time around him, now you were constantly “busy.” Heck sometimes he even finds it difficult to find you on the Moby Dick! Was this the end of the honeymoon phase everyone warned him about?
Were you starting to get tired of him?
You kept sneaking around...without him! Before you used to sneak around together! Worse still is…every time he pops up to see you, you always seem like you're hiding something. It's like quickly stashed papers, and tightly clenched fists. It’s the way you spin on your heel, and tense up, when you used to not do that at all.
What was maddening was how when the evenings would hit, or even at random parts of the day, you’d run and crash into him with a huge hug. You’d beam at him bright and genuine just upon seeing him, heck you’d be practically vibrating with joy as you’d squeeze the life out of him. He’d almost turned to fire once.
Maybe you weren’t tired of him?
When you did cuddle with him, your eyes seemed to linger on the tattoo on his arm. He’d even woken up to you tracing it with your finger once before. You’d looked sheepish that he’d caught you admiring it…actually you looked a little…panicked too…
You’d squirmed in his grasp when he asked you about it. Saying things like how it’s pretty, and how it’s a tattoo unique to him, so you were admiring it. You're pretty good at dodging his line of questioning whenever he voices his suspicions about your behavior. You were also incredibly sneaky about distracting him with your affections, and by the time he’s regained his original line of thought, you’d already be gone.
There's something fishy in the air and it's not the sea king he caught the other day.
He only finds out what it is you'd been scheming behind his back when he gets back from a mission. He was so distracted for most of it. He couldn’t figure out why you were so clearly avoiding him sometimes…were you having second thoughts? What was going on? Was this an elaborate prank?
He was still in a daze as he made his way back to the Moby Dick. You used to bring peace, yet right now you’d thrown him into turmoil. He hated the way he was doubting you. He hated not knowing what was wrong.
“Hey look Ace’s back!”
“How’d it go champ?”
“Aaaaaaacee!” It was your voice that pulled him back completely.
He’d barely had a moment to look up than you’d thrown yourself on him with a hug. The force of it all almost send him toppling backwards. His hat had been knocked off his head, and he could feel the press of its medallion on his throat. He's relieved at how genuinely happy you are to see him, yet still an unease twists up his stomach in knots.
You pull away much too quickly, pulling his arms and rotating them, checking for any damage. The way you're checking up on him to make sure he's not hurt and that he's okay floods his entire system with warmth. Yet he can't help the constriction in his chest and the nagging as to what it was that had you sneaking around before he left if you missed him this badly?
He can hear the crew laughing at the obvious display of affection.
“Being bold there little missy,” they taunt you.
You shrink in on yourself a bit, embarrassment catching up to you. However when you take his hand in yours, and whistles and cheers break out, “I was doing it for Ace,” the timidity in the lines of your shoulders and face brings the heat to his own face, “I thought he might like it.”
He squeezes your hand in his. Yet his brain screams at him, then what was all that sneaking around about?
Unsure how to deal with things, he just studies you closely as you ask him about how things went and how the mission was. You're not up to anything really, or at least it doesn't seem like it. You're as attentive and engaged as ever, things are just as they used to be before.
You drag him to the kitchen, knowing he must be hungry as he usually is after a mission. You even sit with him in your little corner of the mess hall while he eats, something you hadn’t done much prior to his departure. He's talking to you about the guy with the interesting abilities that he'd fought with his mouth full, and you're indulging him.
Yet even as he tries to fall into your old pattern, the confusion only festers further. What had been going on with you?
He feels absolutely awful, doubting you with the way you’re listening to him like he's the most interesting guy in the world. To be fair, to you, he really is. He keeps talking and chewing and answering your questions, yet the thing he really wants to talk about is bubbling just below the surface. Somehow all the tension and excitement peaks and he goes head first into his plate of food.
When he finally comes back to, there’s no food on his face, and he’s resting on his arms on the dinner table, his plate off to his side. You’re still next to him, gently brushing your fingers through his hair, patiently de-tangling any clumps you come across. He groans while sitting up and blinking the sleep away.
“You’re up,” you observe aloud, “here let me clear these out of the way for you.”
You get up from beside him, unthinkingly pulling your sleeves up your forearms, and reach for the plates around him. He notices something odd about one of your hands as you walk away with the stack of plates in your hands, but before he can say much you're already on your way to the kitchen counter. He watches you, lethargically shoving food in his mouth as you hand the dishes over to Thatch, who looks at your hands, then looks his way for a moment with an amused grin.
He could actually hear the next thing as the cook raised his voice, “nah leave those dishes to me, go hang out with your loverboy.”
Had the pirate not shoved you away with a plate of food in hand, Ace got the feeling you would have pointedly ignored Thatch’s teasing to do the dishes. You walked back, your brow and lips pursed in a kind of indignation. He couldn’t help the little huff of amusement. You’d gotten much better at handling their teasing over time, but he wouldn’t deny it was cute how it would get to you sometimes.
You took a seat beside him again, sliding the plate the cook had given you towards him. Your…well he could only hope he was still really your beloved, just stared at you in silence as he chewed. For some reason it made you squirm.
That’s it. He’d had enough. He has to figure this out. You’d said it yourself, it’s really important to communicate things! That’s how relationships last!
“You’ve been real weird lately,” was what came out as he grabbed the new plate of food, “you been avoiding me?”
His brow furrowed at the way your gaze immediately fell, taking your expression with it, and how you began to fidget with your fingers - a nervous - wait. Ace’s hand extended to grab your left one, bringing it up to his face.
There on your left wrist, right where your pulse sat, in black ink sat the letters ASCE, arranged horizontally and smaller, but a perfect replica of his own otherwise. Instinctively he rubbed his thumb across it, almost as though he was checking to make sure this wasn’t an illusion and that wasn’t just normal ink from a pen.
You were looking back at him, he could see it in the way your shoulders bunched near your ears, and the wobble of your lips, and how you couldn’t keep eye contact for too long, but kept glancing back at him…you were nervous. He absentmindedly began drawing circles on your wrist, just staring at you.
“I was avoiding you, I guess,” you admitted, “I was hoping to surprise you with that,” your free hand moved to play with the hem of your shirt, as you shrunk even more, “was it presumptuous of me? Should I have asked first?”
“For a second I thought I’d managed to chase you away,” he admitted quietly, looking back down at the mark of permanence you’d etched into your skin, “that you’d gotten sick of me.”
You snatched your hand away before he could think, moving in to embrace him, “get sick, of you? Then I’d be a tasteless heathen or…whatever, unworthy of you- totally - completely - absolutely unworthy of you!”
Your arms tighten around him, “I’m so sorry I put you through that love.”
“All that sneaking around was for this tattoo?” He couldn’t help the involuntary little crack in his voice. “You really did surprise me darlin’.”
He pulls away from you first and his hands find your wrists, and his eyes again fall onto the symbol, the symbol of him, lovingly tattooed into your skin. A mark to let people know just who put the ring on your finger.
He didn’t look up from it, even when you spoke up again, “Ace,” he just traced circles over the mark that sat proudly in bold black letters, “I’m really sorry that I made you feel that way - wait does that sound? It’s not-no wait. It’s my fault!” He glanced up at you for a moment as you struggled to put what you wanted to say into words, working strenuously to apologize sincerely.
His lips wobbled upwards.
He couldn’t help it.
You’d gone out of your way, to tattoo his mark onto your body. He couldn’t help but stare at it as he continued to rub circles with his thumb. Not only that, you were straining yourself so much all because he voiced that damned insecurity of his.
“I didn’t mean to put you through that?” You tried again. “I wanted it to be a surprise, but I didn’t want to hurt you.” You paused, and he felt you move closer. “I’m sorry if what I did hurt you-no-I’m sorry that I did hurt you.”
There was a pricking at the corners of eyes, as he finally took his eyes off your little gift to him to look at you. There was a kind of relief, or maybe it was appreciation? Maybe even a tinge of surprise? He was touched, that was one thing he knew for sure-if the fire that burned in his chest was any indication. He was a sick bastard for appreciating this, wasn’t he? Seeing you so genuinely apologetic - it was alarming really, did he really deserve this apology when he was doubting you? How could he ever hope to compete with this?
“You’ve got nothing to apologize for, doll,” his voice was uncharacteristically quiet as he continued to rub circles into your wrists.
“No I do,” you insisted, “Ace, I’m happy you’re communicating how you felt to me,” you responded quietly, but firmly, “so don’t downplay how it felt when I was the one being sneaky.”
“You didn’t mean any harm though,” his lips pull into a gentle smile as he slowly brings your tattooed pulse up to brush his lips against it before flicking his gaze to meet yours, “you were here prepping this lovely gift for me and I was only thinking of myself.”
A smirk tugs at his lips at the way you have to shake yourself out of whatever spell he’d placed you under, “just because I didn’t mean any harm, doesn’t mean I didn’t do any harm,” you press on, shuddering a bit when he brushes another kiss to your pulse, “if you did the same, I’d probably have felt the same way too, you have nothing to feel bad about.”
“Forgive me for doubting you, cariña?”
He almost laughs at the affronted look you give him, firing back a, “forgive me for hurting you, love?”
“Nothing to forgive,” he’s smiling more now, “I’m glad you were being so sneaky, made this surprise all the better.”
“Don’t downplay your feelings Portgas D. Ace,” he could hear your frown, “your feelings are important to me, you’re important to me.”
“My full name cariña?” He couldn’t help but tease.
“Yes,” you answered immediately and he looked up to see how upset you looked - it was almost annoying - he’d rather not dwell, “I want you to get just how upset you were off your chest.”
That got a chuckle out of him, despite the irritation that was rising.
“I don’t want to think about it too much,” his smile fell for a moment, “I don’t want to ruin this happy moment with stupid emotions in the past.”
“But I don’t want them to fester-”
“Mi amor,” he looked at you, almost pleading, “it’s true I felt like you were ignoring me, but seeing your little surprise makes me the happiest man on the five seas.”
Seems that was enough to quiet you. Though… “six, if you include the All Blue.”
When you chuckled at him, he felt his smile returning. He honestly couldn’t care less about the past. He’d said his piece, you’d talked it out, he didn’t care anymore.
“So, you know I love you right?” The timid way in which you asked was enough to knock the wind out of him.
Yet, he grinned, and brought your marked pulse up to lips again, “I love you too.”
“Oi get a room!” The two of you startled at the sudden shout coming from the other end of the mess hall. “Sure we can barely see you in your little corner, but the lovey-dovey energy in here is off the charts!”
“Shut up Thatch!” Ace fired back. “You’re just mad you can’t gossip to Marco about it!”
“You’re the one blocking the show!”
“Good!”
“It’s real funny though,” there was a pause, “who’d have thought the wild Fire Fist was actually a huge pile of mush!”
With the newfound yelling, people started to file into the mess hall. Which was when he noticed it was mostly empty prior to that. Of course among the people who filed in was the aforementioned first division commander.
“You like your little surprise Ace?” He asked the younger man.
“Wait you knew?”
“Who else would she ask yoi?” The medic gave him a lazy grin before turning to you. “So, did you get to say what you wanted to say yoi?”
Ace studied you as you shook your head looking both disappointed and sheepish.
“What did you want to say?” He couldn’t help but ask.
You huffed, a sheepish smile wobbling your lips, as you moved to his left side, your right hand pushing his upper arm to show more of his tattoo.
"See,” you held up your own tattooed wrist next to his arm, “now we match."
Extra:
Ace later: “I’m gonna marry her.”
Marco (who is next to him): “aren’t you already married?”
#portgas d ace x reader#portgas ace x reader#portgas ace x you#one piece x reader#one piece x you#portgas d ace x you#portgas d ace fluff#portgas d ace#portgas d ace fanfic#one piece fanfiction#one piece#ace one piece
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Sooo has anyone else noticed that Chaos Sonic seems to know things about Sonic that he logically shouldn't?
He constantly brings up Sonic's failures, describes him as looking "sad and pathetic" and being "tragic" when Sonic doesn't even look upset, and seems to have inherited chili dogs as his favorite food to boot.
But the Chaos Council doesn't know about Sonic's biggest failures. They don't know that he feels sad about anything, or that he likes chili dogs. Not even Nine knows these things in detail, and even if he did, we're not given any indication that he told the Council anything after giving them the initial idea for Chaos Sonic by accident.
And yet, he takes every opportunity to poke at Sonic's insecurities, even targeting his friends and blaming him for getting them hurt.
How does he know Sonic well enough to make these kinds of targeted remarks? I like that he can, it leads to a lot more interesting interactions than if he couldn't, but what's the in-universe explanation?
Well, Sonic absorbed some of the Prism's energy when it shattered, and Chaos Sonic was created mostly with the energy from the shards. While this could give them a sort of mental connection, it doesn't seem to go both ways, and I have a slightly more specific theory for how it all works.
That being: I think the Prism itself knows Sonic. Which is kind of a bold claim, I think, but hear me out.
First of all, the energy that's in Sonic's body (once tempered with Nine's tech of course) adapts his gloves and shoes to his environment in ways that'll protect him. New Yoke doesn't require anything special, but the Boscage Maze has tall trees that are difficult to climb, so it gives him retractable claws. No Place is filled with water, and Sonic can't swim, so he gets hover shoes to keep him afloat even if he falls in.
That's a suspicious amount of intent going on there, isn't it? And they appear the instant Sonic enters a new world, so he doesn't even encounter the obstacles his clothes are protecting him from before getting them. It's like the energy already knows what the world is like and what Sonic's capabilities are.
Secondly, Shadow reacts physically to the giant sparkly specter of Tails that shows up in the void, which tells me that those are all Actual Things that the Prism conjured up.
And that's. kind of weird, right? I just assumed these were symbolic of memories flashing through Sonic's head, but I guess they're also flashing through space itself, which I will admit did get a laugh out of me the first time I watched it
(They might not be "memories" exactly since we never flashback to when these lines were originally said, but they're certainly Something that came from Sonic's head so my point still stands)
Finally, when the Chaos Council uses the Prism energy to make the Giant Eggman, it specifically takes the form of the original. That didn't come from Mister Doctor's imagination - that's how Sonic remembers Eggman.
Not to mention, they keep hammering home how uniquely linked Sonic is to the Prism, so why not have it be the other way around? I'm not saying that the Paradox Prism has to have any kind of sentience for this theory to work (in fact I'd be surprised if it did), but it could be acting as a sort of container for data on Sonic, just like how Sonic is a container for its power.
And if that's the case, then it explains how Chaos Sonic knew so much; he's tapped into that very data bank from the get-go. It also complicates the question of how to restore the Prism a bit, because yeah Sonic might have to put his energy back into it, but does the Prism have to give anything back to him in return?
Regardless of the answer, I'm really looking forward to learning more about how the Paradox Prism works (and also any potential future Chaos Sonic appearances because I loved every moment he was on screen)
#sonic the hedgehog#sonic prime#sonic prime spoilers#chaos sonic#analysis#meta#*deconstructs the lore of the whole show to explain why Chaos Sonic likes chili dogs* another day well spent
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Can I make a request for Willy Wonka I know in the movie he can't read and the situation could be where reader has a letter from a family member and is busy and asks Willy to read it out to her but he embarrassingly admits he can't read and reader is understanding and comforts him plz
Letters From A to Z
Willy Wonka x reader
Words: 960
I feel like you wanted more angst and this wasn’t really angsty 🫣 I hope you still enjoy reading it!
Oh how the months fly.
One moment you’re with your mother, living your regular routine day to day life as the weeks pass you by. And the next you’re living independently, making something of yourself in a unique and lovely town.
Along with this new environment came a new job of course, new friends, and an unexpected new beau.
But after some time spent away from your origins you have to admit you were growing slightly homesick. Which is why you’ve decided to write your mother.
You wrote a quick note, telling her about the good and bad parts of your current job along with Willy Wonka, your sudden suitor.
Two weeks went by and although initially eager to get a response, your mind completely forgot about the letter once you returned to your weekly dues.
That was until one day, when Willy stopped by after retrieving your mail for you.
Hands currently occupied with a frying pan, you instructed him to place the letters on the counter.
But as Willy did so, he noticed an envelope that looked different than the rest.
Its font was not as professionally done and it was a beautiful pastel color. “What about this one?” He asked, picking it up.
Instantly recognizing the color your face lit up. “That’s from my mother! Open it, open it,” you ushered.
“Your mother?”
“Yes, I sent her a letter earlier this month, you know about how things are going, about you…”
The chocolatier raised a brow at this, prompting you to add, “all good things, I promise. But go on,” you repeated.
He looked quizzically at the envelope then back at you, “I don’t know it seems very personal to do that.”
“Are you kidding? I want you to read it, go on now.”
You waited patiently, eyes glued to your food while you heard him breathe out a quiet, “…alright.”
You hear the crinkle of the envelope as he breaks it open with his finger.
He holds out a, “hmm,” for an unusual amount of time causing you to turn to him. His eyes were squinted and his eyebrows were forced down with the crease in the center deepening as he held the paper in both of his hands.
You mirrored his expression confused by what was going on?
Does it say something weird? Is it bad news?
“What? What is it?” You ask, growing anxious by the moment. Finally he closes the letter, placing it back on the counter.
“There’s something I should probably tell you. Or maybe something I should’ve told you about before. Well frankly it’s not that important,” he brushed off, “although others tell me otherwise,” he runs on, beginning to converse with himself near the end.
“Willy,” you turn the stove handle on low for a moment, leaving your food and focusing your attention and your body on the boy, now concerned, “what’s going on?”
You watched him press his lips together with an embarrassed smile creeping onto his face. This was unlike him, he rarely gets bashful at least not in front of you.
But then he spat it out, “Actually I…don’t know how to read.”
Your eyebrow muscles pull down while your nose scrunches, “you don’t know how to read?”
“No…” you looked at him waiting for him to explain more and he seemed to understand your lack of words, “I devoted all of my education to chocolate.”
“But reading is sort of important.”
“I’m beginning to notice that around here, yes.”
You stand, face still expressing shock, and you can tell he’s ready to move further. “I don’t know how to read, okay.”
You suck in a breath before releasing it realizing that maybe your reaction was not the most rational.
“I’m sorry Willy. I’ll admit that wasn’t the best response, I was just surprised that’s all.”
You two mull in silence for a moment as you try to formulate your next thoughts but he seems to have thoughts of his own.
“Does it feel strange for you to be with a man who can’t read?”
You shake your head in a second, “of course not! It doesn’t feel strange at all. Although it can be rare, there are some people, even older, who never learned how to read. I’m actually impressed by how much success you’ve gained without the skill.”
Willy’s ears perked up as you expressed admiration.
But still you knew how important the skill was around here.
“It’s fine if the answer is no, but I’m curious, have you ever considered learning?”
“Initially no,” he explains, “but as I found out how unusual it is, I’m starting to believe that I should.”
“Hm. Well If you truly wanted to learn, I could always teach you.”
Finishing your meal up, you split it, placing it on two plates nearby before bringing it over to him and setting one plate in front of him then placing the other in your spot.
One side of his lip tugged slightly, “wouldn’t that be odd?”
“Odd? Maybe. But I think it could be fun!”
He grins at your optimism that he usually displayed. “I guess, we could give it a go.”
You clasp your hands together in contentment. “Terrific! We can start tomorrow,” you beam at him and his expression finally mirrors your enthusiasm before it turns to remembering.
“Oh here,” he hands you the letter that started this whole discussion, “read it.”
You take the letter and instead of reading it you position yourself beside him, “here how about I read it and you follow along with where my finger is so you can see where I’m reading.”
He nods l in agreement while you begin and he follows along as you delve into the writings from your mother.
#willy wonka x reader#willy wonka imagine#willy wonka fanfiction#willy wonka fanfic#wonka imagine#wonka fanfic#wonka fanfiction#wonka x reader#wonka 2023
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A Haunted Doll's new kid
“A Damian and he's haunted doll”
Instead of Jason having Danny as his childhood doll or haunted doll, how about if Damian got haunted doll Danny?
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Where a young Talia Al Ghul stumbled across a very old and abandoned mansion in a middle of nowhere, only tall dark trees and harsh winds accompany her outside of the manor, at her vulnerable worse moments, her team was ambushed by a very cunning new group..took a lot of damaged out of her but she survived and now left wandering on her own, without anyway to contact the league or if she will faced punishment for being defeated, she decided to seek shelter inside the lifeless Manor for the time being, but to her surprise inside the manor it was warm as if no sign of abandonment as if it was alive, only one there was a beautiful baby doll.. something those rich young daughters would play at those times she heard from rich society of children..
Only Alive entity keeping her warm and welcome, so she decided to bring it to the League and no matter how childish this action was..she really can't stop letting go until she give it to her son in his 12 birthday, hoping him to take care of the Precious doll as if a heirloom, which it is😅
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Damian knew what this Doll was, it was his mother's doll. A doll so clean and beautiful, he never understand why there was a doll back then at the league.
It was his first everytime to even see a doll up closed than reading and imagining it at textbooks and examples of words in his former lessons, the Doll was strange.
Unlike The doll, it felt alive, warm and cozy like a child would be clingy to it's parent
He could feel waves of emotions he could distinct knowing the Doll's feelings..
No matter how much time passed after his mother gave it to him, he knows understands why he's mother would take care of this Doll.
No matter how much his family freak out at the constant, chairs spinning too see the baby doll sitting in it, finding in other places standing, moving heads, and little joyful laughter's. (Except for Alfred cause he already accepted the doll,)
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Danny was absolutely not amused, after a whole prank war with the fam, Ellie and the others decided to trap him in this stupid girly baby doll, with a brand label with his name💀 and decided to drop him off to a abandoned version of Vlad's house just for funzies if a few mortals ever get scared, but it kinda backfired now he's been getting good care through this girl now turn woman then her son is now taking care of him, he is grateful he isn't some kind of heirloom..right? But it was fun haunting this so called bats, even sending Grey hairs to his new profound kid caretaker,
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Danny appearance as a doll is a female baby doll, that is plump and porcelain, he also has a voice box for the original dolls lines, but he sometimes make some unholy and demonic noises to scare one of the bats except for Alfred or Damian, the doll that he was inside in had Caucasian skin, dark hair and deep blue eyes that look like had stars twinkling in it which he approved, his dress was a plump white dress that had green designs in it that was glowing, a small beautiful beach hat and a cute glowing green heels? Shoes ya that's the description and some cute accessories like a golden bracelet which had unique jewels like emerald, ruby, and etc,
when talia found him, the Girls, Ellie had created a very doll like luggage with his necessities, clothes, things for dolls..which he considers are now his own belongings after being used to the routine in the league and how he accept this as a vacay cause he knows CW is watching him😅
#danny phantom#batfam#dcxdp#Dpxdc#danny fenton#bruce wayne#dc x dp au#Damian haunted doll#inspired by Jason doll#jason todd#Damian Wayne#tim drake-wayne#dc x dp#dc x dp original?#dc x dp prompt#im gonna make a tim version next which is in my drafts...maybe dick's or Alfred..Ya I dont know if am gonna let bruce have one..maybe..#Jason's doll
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The common rebuttal to "this reads like fanfic (derogatory)" is "read better fanfic," which is true in certain cases, but on the other hand, there is some grain of truth to the idea that you can tell when someone's primary mode of literary analysis is fanfic instead of... well... literally anything else.
It's okay to like or even prefer fanfic, but if you want to take your craft seriously you also need to read books, dude. Published books will teach you a lot of stuff fanfic doesn't, like proper dialogue formatting and how to introduce your reader to unfamiliar characters. Even the crappiest book (well, if it's not After or 50 Shades, which started off as fanfic to begin with lol) will have been subjected to some sort of editing process to ensure at least the appearance of proper grammar. That's not a guarantee with your average fanfic, and hence why you can't always take all your writing cues from fanfic because it's "so much better" than commercially published original fiction or whatever.
Frankly, fic writers tend to peddle some absolutist and downright bad takes sometimes. "Said is dead" is a terrible rule, though not because said is invisible and a perfectly serviceable tag; that's just part of it. Dialogue tags are a garnish, not a main dish that can be swapped out for more ostentatious words. If your characters murmur and mutter instead of simply saying stuff, your readers are going to wonder why nobody speaks up.
"'I'm explaining some very plot-important shit right now lol,' she elaborated," likewise, is a form of telling. Instead of letting the reader extrapolate that "she elaborated" via the contents of the dialogue itself, you're telling them what to think about it. And that's why it's distracting: your authorial hand is showing.
Writing is an act of camouflage. You, as the writer, need to make your presence as invisible as possible so as to not intrude on the reader's suspension of disbelief. That's the driving reason behind "show, don't tell."
And overall, everyone could stand to cut down on the frequency of their dialogue tags anyway. Not every exchange needs "he said" or "she whispered" attached as long as you establish who is doing the talking before the exchange.
Some people will complain of confusion if you go on for too long without a dialogue tag, and that definitely is a risk, but at some point you also need to resist the temptation of holding the reader's hand. If they can't follow a conversation between two people, chances are they weren't meeting you halfway and paying that much attention in the first place.
In fact, you don't even necessarily need action beats in between every piece of dialogue, as Tumblr writing advice posts will often suggest as a fix. Pruning things often cleans them up just fine.
Another fanfic-influenced trend in writing is, I guess, beige prose? A heavy focus on internal narration with lots of telling. It's not a style I can concretely describe, but every time I click on a non-mutual's writing, I feel like it always has, like. This "samey" voice to it. There's no real attempt to experiment and use unique or provocative language, or even imagery half the time. It's almost a dry recital of narration that doesn't leave much room for subtext. I see this style most often in fanfic where you can meander and wax poetic about how the characters feel without ever really getting around to the plot. And it's like. DO something.
Other tells that the author is taking their cues from fanfic mores rather than books:
>>too much minute description of eyes, especially their color and their movement
>>doesn't leave much room for subtext (has a character speak their every thought aloud instead of letting the reader infer what they're thinking via action or implication)
>>too much stage action ("X looked at Y. Y moved to push their seat in. X took a deep breath and stepped toward Y with a determined look on his face. 'We need to talk,' he said.")
>>tells instead of shows, even when the example is about showing instead of telling ("he clenched his teeth in agony" instead of just "he clenched his teeth")
>>has improper dialogue tag formatting, especially with putting full stops where there should be commas ("'Lol and lmao.' she said" instead of "'Lol and lmao,' she said." This one drives me up a wall)
>>uses too many dialogue tags
>>"em dashes, semi-colons and commas, my beloved" - I get the appeal but full stops are your friends. Too much alternate punctuation makes your writing seem stilted and choppy.
>>"he's all tousled brown hair and hard muscle" and "she's all smiles and long legs." This turn of phrase is so cliche, it drives me up a wall. Find less trite ways of describing your characters pls.
>>"X released a breath he didn't know he'd been holding"
>>every fucking Hot Guy ever is described as lean and sinewy
>>sobbing. why is everyone sobbing. some restraint, pls
>>Tumblr in general tends to think a truism counts as good writing if you make the most melodramatic statement possible (bonus: if it's written in a faux-archaic way), garnish it with a hint of egotism, and toss in allusions to the Christian God, afterlife, or death. ("I will stare God in the face and walk backwards into hell," "What is a god to a nonbeliever?") It's indicative of emotional immaturity imo, that every emotional truth need be expressed That Intensely in order to resonate with people.
>>pushes the "Oh." moment as the pinnacle of Romantic Epiphany
>>Therapy Speak dialogue. why is this emotionally constipated forty-something man who drinks himself stupid every morning to escape gruesome war memories speaking about his trauma like a clinical psychologist
>>"this well-established kuudere should Show More Emoshun. I want him to break down crying on his love interest's shoulder from all his repressed trauma" - I am begging u. stop
>>"why don't the characters just talk to each other?" "why can't we have healthy relationships?" I don't know, maybe because fiction is not supposed to be a model for reality and perfect communication makes for boring drama?
>>improperly using actions as dialogue tags ("'Looks like we're going hunting,' he grinned")
>>why is everyone muttering and murmuring. speak up
>>too many adverbs, especially "weakly" and "shakily." use stronger verbs. ("trembled" instead of "shook weakly")
>>too many epithets ("the younger man" or "the brunette detective")
>>too many filter words ("he felt," "she thought," "I remembered")
>>no, Tumblr, first-person POV is not the devil; you're just using way too many filter words (see above) and not enough sentence variation to make it flow well enough. First-person POV is an actually pretty good POV (not just for unreliable and self-aware narrators) if you know what you're doing and a lot of fun crafting an engaging character voice.
Tumblr's hatred of first-person baffles me, and all I can think is you would only hate it if your only frame of reference was, like, My Immortal. Have you tried reading A Book?
First-person POV is just another tool in your toolbox, and like all tools, it can be used properly or improperly. But it's not inherently a marker of bad writing. The disdain surrounding it strikes me as about as sensical as making fun of the concept of characters. Oh, your work has characters in it? Ew, I automatically click off a fic if it has characters in it. like what.
#writing#obligatory disclaimer that I am speaking broadly and this is in no way intended to make anyone feel self-conscious
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An analysis on Anya (an Anya-lysis!)
As promised in my Twiyor season 1 wrap up post, it's time for me to give Anya time in the analysis spotlight – an "Anya-lysis" if you will! (yes, I've been waiting to make that pun!)
*I apologize in advance for the length of this post. I felt that splitting it into two would have hindered the flow of the analysis, so I kept it as one long post. But I promise it's not as long as it seems...the high number of images make it seem longer!*
Before I get into my analysis, I wanted to preface this post with a fantastic quote from @incomingalbatross, who perfectly describes the unique role Anya has in the series.
"Realizing that Spy X Family really is The Anya Show to me, and not just because "oh look, cute baby child" but because Anya is the center of the story. She has so many secrets resting on those tiny shoulders. She is juggling so many agendas. She's the one who knows everything and her choices drive the plot—she chose Twilight, she chose Yor, she chose Bond—and even when you look at the other characters and their relationships she IS the star they orbit around! Twilight and Yor's relationship is built on their shared care for Anya! And more than that, at the core of it all, Anya's goals are the ones we're invested in.
The center of this story isn't the superspy trying to do his job, or the assassin trying to do hers. It's the little girl who said "FAMILY" and pulled the building-blocks of one close around her with all her tiny strength, and everyone else in this story keeps being moved and changed and redirected by the force of Anya's attachments to her family.
And at the same time she is SO SMALL"
While Twilight may be the protagonist, and Yor the deuteragonist, Anya is definitely the main character in Spy x Family. Not only would there be no "family" without her bringing Twilight and Yor together, but her status as the main character is quite unique among shonen series, or even media in general.
Typically in stories where a little kid (like, below the age of 10) is the main character, either the majority of other major characters are also little kids, or the kid's main purpose is to be a cute comic-relief foil for the adults. But while there are kids Anya's age in SxF, the other important characters in the plot, namely Twilight and Yor, are not. So rather than the typical scenario of the main kid character constantly being surrounded by and working off their fellow kid characters, Anya is more often interacting with her adult parents. And it's not just for cutesy moments and comic relief – the true heart of SxF is about a fake family that could any minute be destroyed, with only little Anya being aware of this grim reality and doing everything she can to keep things together...all without the ability to be truthful with anyone, not with the adults or her fellow kids. While her parents are each secretly fighting for their own vision of world peace, Anya is too…the "world peace" of the family she doesn't want to lose. It really is a one-of-a-kind scenario for a little kid character.
But having such a special main character role doesn't necessitate a well-written character. But in Anya's case, she definitely is. In fact, I think she's the most well-written little kid character I've ever seen.
Too often in media little kids are portrayed as being overly cutesy, overly bratty/whiny, and/or act much older than they should. A key factor in making a little kid character believable is that you can't just make them cute and/or emotionally immature...they have to also be weird. Anyone who's spent time with little kids knows all the weird stuff they say and do because of their less restricted child brains and ignorance about the world. A good example of this is Lilo from Lilo and Stitch (another well-portrayed kid character). The movie does a good job showing all the weird habits Lilo has, like the bizarre origins of her favorite doll, the freaky voodoo stuff she does to the local bullies, and how she totally buys the fact that Stitch is a dog. Likewise, Anya has tons of little endearing weirdnesses, starting with her wanting a spy dad and assassin mom simply because she thinks it's "cool," to the funny lingo she develops like "ooting" (odekeke) and "ohayou-masu" ("happy morning," a.k.a, an adorably incorrect way of saying "good morning"), to thinking it's acceptable to give George a leaf as a parting gift (then wanting it back later), to her comical remarks whenever she thinks Loid and Yor are being "flirty."
Another realistic aspect of Anya's character is the fact that she's not super-smiley and overly cheerful/bubbly like many other main character kids. Not that she doesn't smile and can't be cheerful, but her default expression is a look of uncertainty or wide-eyed cluelessness, which makes sense considering her upbringing (I'm talking about her default expression in canon, not in merch or other marketing as characters tend to always smile in these even if that's not their usual expression – just look at Yuri's merch!) Most of the time when other characters are talking, she looks perplexed, like she isn't sure what's going on but she's really trying to learn/understand.
These expressions make more sense to me than a child who smiles all the time, because she's at an age where she still doesn't understand the right emotions to feel at the right time. A fantastic example of this is when she punches Damian – her face is totally blank! No anger, no fear, no embarrassment...because she still hasn't learned the proper emotions to feel in a situation like this.
All she knew was what Yor told her and that she was bothered by Damian's attitude. In fact, the iconic smug smile that she shows in that scene is the result of her not knowing how to properly react when faced with bullying (cry, get angry, etc).
Similarly, she has a very bored expression when all the kids are upset about George's plight, as if she doesn't really get what all the to-do is about. This also creates good contrast to how the other Eden kids from their rich families were probably forced to grow up fast, and thus act more like 8-10-year olds than the 6-year olds they're supposed to be. Meanwhile Anya, who's supposedly younger than them, stands out with her more childlike mannerisms.
This all makes sense not just because she's still a little kid, but because her view of emotions has been skewed by the fact that she can read people's minds. So she has to not only learn the socially proper way to react to people's actions and words, but also when she should, or should not, react to what's on their mind. I believe this is why she has such a wide variety of expressions compared to the other characters – her mind reading has forced her to experience way more emotions at such an impressionable age, though not always with enough context and guidance to identify when they're socially acceptable to express.
There are way too many examples of Anya's incredible range of expressions, so I'll just have to pick a few!
Put all this together – her childlike reactions to situations, but with a twist because she can read minds, plus her endless array of comical faces, and you have one of the funniest characters I've ever seen.
Because Anya has such a wide variety of expressions, and her default expression is that of uncertainty, there's a lot more meaning when she does smile. The shining smile she has when Loid praises her for getting a stella, when she plays with Bond for the first time, and when she meets up with Becky after their shopping trip, have a lot more significance because that's not an emotion she expresses all the time. Since happy/cheerful isn't her default mood, the emotional impact of scenes where she does smile is all the more stronger.
Likewise, considering her age, Anya isn't much of a crier either. Having a kid character burst into tears and throw temper tantrums is common, but the amount of notable times Anya has exhibited this behavior is relatively few. She did have a tantrum early on when Loid stopped her from going into his room and when she demanded that Bond be her dog…but those are the only notable cases in my opinion. She has shed tears here and there, but again, not a significant number of times. Similar to the scenes where she smiles, when she does cry (in a non-comical way), like when she's reminded about her mother at the Eden interview or when she's finally reunited with Yor after the bus hijacking, it has a lot more meaning.
Another common trait for little kid characters is that they're usually a representation of total purity and innocence. While Anya doesn't have the same dark ulterior motives and immoral occupations that the adults have, she's not shown to be a complete angel either. Even though good intentions are what drive her, she can be a manipulator, mischievous, and even cocky at times, like when she insists on being called' "Starlight Anya" after getting her first stella, when she was being overly competitive with Damian after the bus hijacking, when she was joking around on the bus after finding out the bombs were fake, and when she almost attacked Bond after he chewed up Penguinman. But all of these examples only serve to make her a more fleshed out character as opposed to just being the cutesy, happy series mascot all time.
Obviously because of her mind reading powers, she manipulates the adults around her all the time, but again, there's never any malice involved…it's clearly the result of a little kid doing everything in her power to keep the happy family she's created. And due to her mind reading ability, she's learned to be much more proactive than reactive – she knows what people are going to do before they do it, and what their intentions are without them saying it. This has allowed her to become resourceful way beyond her years, which has led to her saving the lives of both Twilight and Yor on more than one occasion.
One emotion Anya does have an abundance of is empathy. Typically children don't start to develop empathy – the ability to understand and relate to the intentions and feelings of others – until a bit past Anya's age. But because of Anya's ability to read minds, it makes sense that this part of her development would take priority over something like proper speech and school smarts. Her empathy extends to all the adults around her, her fellow kids, and even animals. While a lot of her empathetic actions stem from her need to help keep Twilight's and Yor's identities secret and thus maintain the peace of the Forger family, there are many examples where this isn't the case and she's simply acting out of nothing but concern for others: comforting the Eden cow because she understood it was scared, worrying about the well being of the Project Apple dogs, leaping into action when she heard someone drowning, and comforting Damian when she knew he was scared during the bus hijacking.
Even when identity reveals aren't at stake, she still comforts Twilight and Yor when they need it, like when she thought Twilight had a nightmare after his backstory reveal, and when she knew Yor was concerned about Loid's relationship with Fiona.
The bus hijacking was a prime example of Anya being empathetic, but not to an unrealistic degree. She empathized with Billy enough to diffuse the situation, but not on a deeper level because, again, she's a little kid. She understood he was upset, but she didn't have outpouring sympathy or deep, introspective thoughts about his situation – that's something an adult would do, not a little kid who's still learning what emotions to feel at what times. What she eventually does is something that makes perfect sense both for her personality and age. With some great resourcefulness on her part, she was able to figure out what she had to say to manipulate Billy the right way, but at the same time she was playing it by ear and basically clueless as to the depth of the matter, yet mustered up all the courage she could…typical Anya.
There are a lot more examples like this of Anya's sense of empathy, too many to list. But the bottom line is, although Anya does use her powers to manipulate people to benefit her own situation and those she cares about (who can blame her?) it's clear that even at such a young age, she's a genuinely good girl who wants to help others and do good in the world, even if she's too young to realize it yet. Not unlike her parents, really. I think we'll be searching a long time before we find another 1st-grade aged character as awesome as Anya.
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akira himekawa are unbelievably cool.
soooo here's the thing. i was looking at akira himekawa's website on a whim and found a public blog, with posts that go all the way back to 2009. many hours of google translating later, and i've developed an even stronger admiration of these two women and their exceptional career as manga artists. they share so much in these posts about the creative process, their thoughts on social justice, their connections with nature, and their most major original story, gliding reki, which seems to have always been a passion project in the midst of commercial work.
from what i could gather, reki is unique in that they were determined to do it in full color. and they did it, because after reading about their career, it's clear to me that when these women set their mind to an idea, they make it happen. see also: they just recently produced and distributed their own art book, because no publishers were offering to do it in a way that pleased them.
their stated goals for reki were to make something more adult than their previous children's manga, taking place in a city, involving a lot of mechanical art, and featuring stronger romantic and self-described erotic subtext. good for them. before i get into the four swords-related stuff, i'm sharing what i could find on the internet about reki.
more under the cut, because there's quite a bit to discuss :)
not much that i could find on the blog specifically references four swords, but they have many fascinating insights about nintendo, the zelda fandom, and the franchise as a whole. i can't know for certain because this information was surmised from translated text, but it seems as if their manga with chibi link made them feel a little stifled, which is why they took a long break before returning to do twilight princess. it's not lost on me that even a work like four swords, which they may regard as not their favorite or best, still has inspired and brought together so many passionate, creative, and diverse people. this is especially sweet because it seems as if they met each other, and formed their creative partnership, because of a shared fandom interest of their own.
honda and nagano have shared their thoughts and feelings on this blog for more than a decade, and they have a lot of thoughts and feelings. throughout their entire career they've made commentary on work-life balance, their experiences as women in a male-dominated field, and their desire to create original art while simultaneously enjoying some commercial work as well. they are passionate about social justice, particularly re: women and indigenous people, and offer insights on aspects of culture and history and the state of the world that really could resonate with anyone. and they really seem to appreciate fans of their work, and emphasize repeatedly the care and thought they put into their manga in the hopes it will inspire and bring catharsis to readers. they love animals (especially wolves), being outside in nature, being nerds about art they enjoy, a certain subgenre of romantic manga that appealed to and empowered female readers in the 90's and 2000's, and traveling around the world to partake in activities like horse riding and falconry.
the coolest part is, they're still updating the blog to this day :) in fact they seem to have recently returned to it, reflecting that twitter is not their preferred manner of sharing things online. they seem very familiar with and fond of older-school blogging culture.
there's a lot more i could say here about my findings, some of which do pertain to... certain ships 💜🖤 . but i don't want my genuine appreciation for these authors to be overshadowed by that kind of conversation. in addition to a link to the blog itself, i'm including a few translated posts of interests, which you can interpret and incorporate into your perception of the media however you please. at the end of the day, it's a really cool gift that these artists have chosen to share so much over such a long period of time. by making their personalities, beliefs, and insights more visible to fans of their work, i hope it brings new context to the stories we already love.
a modern-day insight:
re: the zelda mangas. these are from several points throughout their career. please note that they have so many fond things to say about zelda as a franchise and their work on the mangas, especially regarding the way they've affected fans. i encourage you to look for yourself, on their blog and their other socials!
re: gliding reki
re: the creative process (and in the latter two, the fandom that seems to have inspired them!)
re: their two goofyass adorable tiny dogs that they dress up in outfits while also loving wolves like a lot, they love wolves (both domesticated and wild), they really love wolves
re: wolf day (every day is wolf day,)
re: indigenous rights
re: painting serious works on commission vs their manga. i can't know for sure exactly what it means, but it really does kinda hit
re: a fan and manga artist in training bringing them art and a note
and a moment from a twilight princess manga interview i found very sweet :)
okay. you've made it to the end. i know you're wondering. here you go. please remember that this is and always has been a public blog, and these posts are actually from 2009 and 2010. also please remember that the point of this post is not to cause or fuel fandom discourse, but to appreciate these authors and the things that they choose to express.
(also, this is the column they were referring to in image 1. it's FASCINATING. give it a read if you'd like!)
the dots are there. you're welcome to connect them.
thank you for your beautiful work and insights, honda and nagano. please never change.
#akira himekawa#four swords manga#legend of zelda#four swords#loz#twilight princess manga#(yes there is v/dow stuff at the very bottom okay it's there just please read the rest)
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The 5 common questions people have about aplatonics
so, I've seen so many blogs on the aplatonic tag having to answer the same questions over and over again, so I figured I could make a list so that people can have an easier time getting to the answers they are looking for! (and apl people can just link back to this post if they're asked one of this questions, if they want to)
What does aplatonic mean?
Aplatonic is a term that refers to the lack of (or experiencing little) platonic attraction or platonic love, it can also mean having trouble forming platonic relationships due to trauma or being neurodivergent.
2. Does that mean aplatonic people don't have friends?
Not necessarily, there are aplatonic people who don't (desire to) have friends or wouldn't label any relationship they have as friendship (even though, to an outsider, some would seem as one), for numbers of reasons.
However, there are some aplatonic people who do have friends, but they're not really close to them/don't feel love for them.
love and care are different things, you can care for someone and want the best for them even when you're not close enough to them to love them.
3. But if aplatonic people don't have friends, does that mean they don't socialize with anyone?
Nope! friendships aren't the only way you can socialize with people. Family, classmates, coworkers, lovers, neighbors, those are all people you have have nice conversations with!
4. Are all aplatonics also aromantic?
Not all of them, while it's true that there are a lot of people who are both aro and apl (see: me), there are aplatonics who are alloromantic (feel romantic attraction) or just don't label their romantic orientation.
(fun fact, the original coiner of the aplatonic label is an alloromantic asexual!)
5. Are all aplatonics also loveless?
Again, not all of them, there is a great overlap between the aplatonic and loveless community (shout out to my loveless apls!), but not all aplatonics identify as loveless.
Some love in a romantic way, familiar way, alterous way (if you don't know what alterous attraction is, I recommend looking it up!) or just in a completely unique but ultimately queer way (hi, it's me, I'm lovequeer).
I still don't really get it...
That's okay, you don't have to understand something to respect it, if you're still curious and want to learn more about us, there are multiple blogs on the #aplatonic tag sharing their different experiences with aplatonicism, you just have to know where to look!
And remember! the Aspec includes the aplatonic spectrum, you can't say you support aspecs if you don't support aplatonic people as well!
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youtube
The Heartsteel splash art is very bad, and here's why
I am not a fan of the collective Heartsteel splash art, and in fact, I think it's kinda s***ty. Not on a technical level, mind you, it is every bit as well rendered and nicely drawn as most other Riot art is, but as a way to introduce these characters? As a pitch to get us excited about them? This is genuinely kind of f***ing terrible.
First of all, it's copying the original K/DA splash arts, which also had each band member copy pasted in different positions in each splash, with a different character in the spotlight. And that's not a great place to start from, because it feels like a total lack of confidence in the product, like some suit-wearing executive saying "just copy whatever worked the first time!" The splash art should be an opportunity to introduce what's new and unique about the band, and copying K/DA like this completely fumbles that opportunity and invites really unflattering comparisons.
Second, the copy pasting is a problem. For two reasons: First, it looks cheap. It just does. There is no way to put out six splash arts with the exact same pixels copy-pasted into different positions that doesn't, on an instinctual level, feel cheap. All that says is "we didn't want to pay for more than one splash art." It looks like corner cutting.
Second, it forces every character in the art to be completely separate from one another. A big part of the band's charm in their excellent music video is the interaction and camaraderie between the boys as they get into frat boy shenanigans shooting their music video, but since every character has to be able to be copy-pasted and moved independently in the splash, they can't interact or pose together in any way, making them seem completely disconnected from one another. One of the simplest ways to add a bunch of character and charm to these splash arts would be to have one character up front doing their cool pose, and then the other five boys dicking around in the background, armwrestling or hugging or, I dunno, giving each other piggyback rides. Instead, we just get sterile clip-art of each of them that don't even seem to be aware that the other guys are there.
And when they are up front, the poses they do are also… mostly kinda lame? Sett is supposed to be this tough-guy with a heart of gold rapper with a big attitude and he's just, like, vaguely flexing, kinda. K'sante is supposed to be this imposing, powerful vocalist and he's just… standing there. Yone looks bored, Aphelios looks like an emo kid who's being forced to be in a family photo by his mom, and Kayn, who's supposed to be this rowdy chaotic bad boy, is just… doing a peace sign and sticking his tongue out? He gets completely overshadowed by himself: his Shadow Assassin and Rhaast forms in the background, which DO get to interact, which DO get to play with each other, and who are more charming than everything else these splash arts do.
It genuinely baffles me that Riot couldn't be bothered to spend the money to get each of them unique splash arts, give these characters an opportunity to show off their costumes and their personality, or at least spend the money to have them drawn a little bit different in each of the six versions of this thing that they put out. This splash art, to me, feels like an active discouragement from investing in Heartsteel, because looking at this, looking at all the corners that are being cut, even Riot doesn't feel committed to them as a project.
And like yeah, the music video is great and it's doing a lot of heavy lifting for them, but this splash art is an actual liability, it makes the whole project look worse.
#tbskyen#heartsteel#heartsteel kayn#heartsteel sett#heartsteel ezreal#heartsteel aphelios#heartsteel yone#heartsteel k'sante#heartsteel rhaast#league of legends#Youtube
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Okay. I've been playing Tokyo Debunker today, since the release happened to catch me on a day when all I'd planned to do was write fanfiction. I just finished reading the game story prologue (it was longer than expected!), so here's a review type post. If you're reading this post not having seen a single thing about this game: it's a story-based joseimuke gacha mobile game that just released globally today. It's about a girl who suddenly finds herself attending a magic school and mingling with elite, superhuman students known as ghouls. If you look in the tumblr tag for the game you'll see what appears to be a completely different game from 2019 or so: they retooled it completely midway through development, changing just about everything about it due to "escalating competition within the gaming industry."
I'll talk about how this looks like a blatant twst clone at the end.
Starting with the positive: The story is charming. I enjoyed it thoroughly the entire time and am excited to read more. The mix between visual novel segments and motion comics was really nice--it broke things up and added a lot of oomph to the action or atmospheric scenes that visual novels generally lack. I like the art in the comic parts a lot. the live2d in the visual novel parts is... passable. Tone-wise, I think the story was a little bit all over the place and would like to see more of the horror that it opened on, but I didn't mind the comedic direction it went in either. The translation is completely seamless. The characters so far all have unique voices and are just super fun and cute. Of the ones who've had larger roles in the story so far, there's not a single one I dislike. It's all fully voiced in Japanese and the acting is solid. (I don't recognize any voices, and can't seem to find any seiyuu credits, so it seems they're not big names, but they deliver nonetheless.) Kaito in particular I found I was laughing at his lines a ton, both the voicing and the writing.
He's looking for a girlfriend btw. Spreading the word.
The problem is like. The gameplay is the worst dark-pattern microtransaction-riddled bullshit I've ever seen. Hundred passive timers going at all times. Fifty different item-currencies. Trying to get you to spend absurd amounts of real world money at every turn. There's like five different indicators that take you to various real-money shop items that I don't know how to dismiss the indicator, I guess you just have to spend money, wtaf. Bajillion different interlocking systems mean you have zero sense of relative value of all the different item-currencies. I did over the course of the day get enough diamonds for one ten-pull, which I haven't used yet. Buying enough diamonds for a ten-pull costs a bit under $60 (presumably USD, but there's a chance the interface is automatically making that CAD for me--not gonna spend the money to check lmfao), with an SSR rate of 1%. BULLSHIIIIIT.
There's like a goddamn thousand-word essay explaining the dozen different types of character upgrades and equippables and equippables for the equippables!! Bad! Bad game design! That's just overcomplicating bullshit to trick people into thinking they're doing something other than clicking button to make number go up! That is not gameplay!
In terms of the actual gameplay, there is none. The battle system is full auto. There might be teambuilding, but from what I've seen so far, most of that consists of hoping you pull good cards from gacha and then clicking button to make number go up. There's occasional rhythm segments but there's no original music, it's just remixes of public domain classical music lmao. I'd describe the rhythm gameplay as "at least more engaging than twisted wonderland's," which is not a high bar
At least there's a cat in the rhythm bit.
And like, ok, I gotta remark on how derivative it is. Like I mentioned in my post earlier, this game is unabashedly aping twisted wonderland's setting and aesthetic. (That said, most of the stuff it steals from twst is magic school stuff that twst also basically stole from Harry Potter, so...?) However, it isn't exactly like twst: in this one, the characters say fuck a lot and bleed all over the place and do violence. Basically, the tone is a fair bit more adult than twst's kid-friendly vibe. (Not, like, adult adult, and I probably wouldn't even call it dark--it's still rated Teen lol. Just more adult than twst.)
Rather than just being students at magic school, the ghouls also go out into the mundane world to go on missions where they fight and investigate monsters and cryptids. Honestly, the magic school setting feels pretty tacked-on. The things that are enjoyable about this would've been just as enjoyable in about any other setting--you can tell this whole aspect was a late trend-chasing addition, lmao. So, yeah, it's blatantly copying twst to try to steal some players, but... Eh, I found myself not caring that much. Someone more (or less) into twst than me may find it grating.
Character-wise, eh, sure, yeah, they're a bit derivative in that aspect too, but it's a joseimuke game, the characters are always derivative. Thus far the writing & execution has been solid enough that I didn't care if they were tropey. If I were to compare it to something else, I'd say the relationship between the protagonist and the ghouls feels more like that of the sage and wizards in mahoyaku than anything from twst. There's some mystery in exactly what "ghouls" are and their place in this world that has me intrigued and wanting to know more about this setting and how each of the characters feels about it. I have a bad habit of getting my hopes up for stories that put big ideas on the table and then being disappointed when they don't follow through in a way that lives up to my expectations, though.
So, my final verdict: I kind of just hope someone uploads all the story segments right onto youtube so nobody has to deal with the dogshit predatory game to get the genuinely decent story lol. Give it a play just for the story if you have faith in your ability to resist dark patterns. Avoid at all costs if you know you're vulnerable to gacha, microtransactions, or timesinks.
#suchobabbles#Tokyo Debunker#it's a global simultaneous release so I'm curious to see how it ends up doing in Japan#it's gonna be competing directly with stellarium of the fragile star which releases in a few days lmao. and is about a magic alchemy school#looks like the two games twt accounts have a similar number of followers#and then theyre competing with bremai releasing in may...#also adding this at the very end since i cant confirm anything:#but i found out abt this game bc it was rt'd by the former localization director/translator of A3en#i dont know if she worked on it or maybe her friend or maybe shes just hype! who knows! but i think her word (or rt) is worth something
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Day 5: Rabbit, Reclaim
AGJGDFJF FINALLY IT'S DAY 5 SO I CAN POST THIS
For some reason everytime i draw him he looks so young because i'm accidentally overcorrecting since i'm used to drawing older characters. So unfortunately he looks way younger than i meant him to lol, whoops.
But wait there's more- AHAHAHA
While I did initially plan this for GGY week I eventually got the idea to use this as an excuse to draw other GGY designs, soo..
(Not sure why tumblr formatted it that way with 1 of them big but it doesn't matter lol)
I've been wanting to do this for a while, I put the tags of each person next to their design but ofc I'm still gonna tag them in the post itself so you can see their art for yourself if you haven't already. But I enjoyed each of these in their own ways so if you don't mind I think I'm gonna type a bit of text next to them..
@chipistrate This was one of the first I drew out of these, the design was pretty fun to draw but sorry if I messed up a few details, it was a bit difficult lol. The mask and goggles are really fun to draw and they make for a cool design, along with all the glowing blue. (and yes, I tried to subtly include the heelies lol)
@lunzi0 This was the first fursuit one I did lol. I adore the little stars in the design, they personalize it so well and make it really unique. I wanna try this design again since I feel like the other ones show my improvement a bit better, but I hope you can appreciate the effort I put in on my first attempt <3
@carouselrabbit This one was really fun to draw, I absolutely love the eye shape/lashes, it stands out and I always love drawing eyes with a bit of eyeliner lol, the daycare theme legwarmers is a cool nod to the balloon boy arcade machine being connected to them, and was just a fun addition in general lol, I like the style of legwarmers what can I say, fnaf changed my fashion sense a bit. also the subtle paraells to freddy's design is a nice way to connect a bit to gregory himself.
@puhpandas I can't remember if I talked about this design last time I drew it but, overall I'm really happy with how this came out, it's such an indicator of improvement since I started drawing this and I'm glad I was able to draw it better than last time lol. All the patchwork and similarities to Vanny's suit work really well, and the rabbit you chose to base it off of was a good fit, the colors make it a bit more difficult to shade for but i like detail lol, hope you like it too :)
@dykevanny I knew I wanted to do this since I started but I wasn't sure if I'd have time, and I'm glad I did! I hope you don't mind I combined aspects from the first design I saw and the second one you replied to my ask with, I liked the big purple sleeves lol. (I just realized after doing all the shading I forgot to include the oil splatter on his jacket, sorry!) It was definitely a bit difficult due to the head shape being so different but.. fluffy. i love drawing fluff. And the glowing swirl on the goggles, the shape of the ears, I love a lot about this design. :D
I have a hard time with writing compliments but I wanted to get some of those thoughts out, some of the things I like about these designs apply to multiple lol. I adore every one of these designs but I find it hard to put into words what I enjoy about them, hope the original creators are happy with these. <3
I also kept the ggys without as much lighting effects on a separate file, I felt like I should add them since they're a bit brighter lol, makes them look different.
Okay now that I've gotten all that- Sorry this post is so long! I didn't think it'd end up taking up so much space lol. Buut.. working on this drawing and thinking about it and potential context behind it gave me an au idea for it, but I'll put it under the cut since I understand most people probably won't care and just wanna see the drawings lol.
Idk if I'm confident enough to write for it but I'll give a bit of a summary.. I'll keep it under the cut for people who aren't interested and just wanna see the art though lol.
After the main events of SB and Ruin, now that the mimic's been set free, Cassie's taken control of by what's left of Vanny, using her as a new host. But with Cassie being the only human left alive down there, after being reawakened, Dr. Rabbit has nowhere left to go but back to his old host.
Vanessa, Freddy, and Gregory hadn't gone back to the Pizzaplex after ruin, but they were trying to figure out a plan to get Cassie back safely. One night after Freddy and Gregory disappear, Vanessa leaves to go find them. As dangerous as the pizzaplex is, it's her best guess for where they might've gone. She doesn't want to think about what could've happened to them, in denial for the worst case scenario. She tries to keep herself calm by telling herself they probably just left to go back for Cassie, maybe they didn't want her stopping them.. but deep down she knows it can't be that simple. She knows something's off, even if she's not ready to admit it.
When returning to the pizzaplex, she brought along her own V.A.N.N.I. mask, though unlike the one Cassie used, it was clear of the mimic's influence. After all, she was going to need some way to travel through potential blocked routes.
By the time she found Gregory, she'd still been wearing the mask, seeing him down the end of a dark hallway. He looked confused, afraid, his mind was a wreck of conflicting emotions. She started rushing towards him, happy to see him okay, until he finally spoke.
"You need to get out of here."
She stepped back, taking off the mask, only to be faced with the worst case scenario.
It was a wreck, covered in stains and tears, but it was still recognizable. He was wearing that old suit again.
As he waved, she could see Freddy's claws peeking out from the doorway, as the two stepped closer towards her.
So, she did what he told her to do, and started running. She could hear a faint voice coming from the mask, and put it back on before finding somewhere she could hide.
It was his voice again, telling her which way to go.
I guess that was the dramatic way to summarize the main idea behind it, lol. Basically Gregory and Dr. Rabbit work the way Sun and Moon work in Ruin, whichever one is in control in the real world, the other is left behind in the AR world. Or at least that's my interpretation of how they worked, considering Sun was always in mask-on scenes and moon was mask-off. I'm not too sure where the plot might go from there, and maybe I'll consider writing for it, I dunno. I've never wrote fanfic before because I get deadly afraid of writing them out of character lol, but maybe?? I have ideas for scenes and premise and stuff but I don't know if I have the confidence to write it.
But anyway! That was just more of a fun side-idea I came up with while working on this, if you read this far thanks, hope you enjoyed :)
here's some silly little lineless doodles as a reward for making it to the end hehe
now that's what I call an art dump
@ggyweek2024
#WOO finally that block of text is over lol I can focus on tags#initially I wanted to make my own ggy/dr rabbit design to go along with this but.. I didn't have enough time/motivation to#hopefully eventually I'll get to it though!#anywayy..#ggy fanweek 2024#fnaf ggy#ggy#dr rabbit#fnaf dr rabbit#fnaf gregory#fnaf sb#fnaf security breach#fnaf security breach fanart#fnaf sb fanart#ig he's (somewhat lazily) in the background#fnaf glamrock freddy#ok that's all :)#hope you all enjoyed you have no idea how excited i was to post this#and all the energy it took to keep it a secret#i wanted it to be a surprise :D
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Taekwondo Groundfighting
how does taekwon-do cover grappling? Or at least traditional taekwon-do?
-justhugsplz
From asking Michi, the short answer is that it pilfers a lot of it's ground fighting from Jujitsu. Which, ironically, means we share the same ground fighting fundamentals. Taekwondo works from the perspective that you're not going to be spending much time on the ground, so it's not a focus, and a result, probably never really developed its own groundfighting toolkit.
There is a element of, “if you can't make your own, store bought is fine,�� to martial arts. If a martial arts master identifies a gap in their curriculum, in a lot of cases, they simply find someone else's solution to that situation, and incorporate it, or adapt it to fit their needs.
Neither of us know what historical groundfighting looked like in Taekwondo. It should probably be said, but Taekwondo is not really a, “traditional,” martial art. It has its origins in the 20th century, so the integration of Jujitsu may have always been with Taekwondo, to some degree. It's also possible that the original intention was to supplement Taekwondo with some other groundfighting martial art, like Ssierum.
Traditional Korean martial arts include Ssierum, Subak, and Taekkyon. I'm not especially knowledgeable about any of those. Of those, Taekwondo sometimes styles itself as a successor to Taekkyon, but more in the sense of, “loosely inspired by,” rather than a reconstruction.
Though, in recent years there have been some genuine attempts to revive Taekkyon. I'm not saying, “reconstruct,” because I think there's an unbroken line, it just that Taekkyon fell out of favor in the 19th century, and almost died out, not that it actually had died off.
Taekkyon does have its own set of joint locks and grappling techniques, but I'm not familiar with those, so I don't know if they're unique to Taekkyon, or, “the same thing everyone else does.” There is a legitimate element to the idea that basic physiology doesn't change, if an arm lock works one way, that doesn't mean you copied from someone else.
As far as I know, Hapkido was developed independently of Taekwondo, so they probably weren't intended to work in concert, but some Taekwondo schools do pull their grappling from Hapkido.
So the short answer is, Taekwondo tends to lift its groundfighting from other sources, whether that's Jujitsu, Hapkido, or another available martial art, and as a result, it's quite possible that the original expectation was that practitioners would supplement their groundfighting from another source. Especially given that groundfighting isn't a priority for Taekwondo.
-Starke
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