#i may not be able to write or draw but at least i can make silly little posts | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Tumblr has been banned in Indonesia for providing people with access to pornographic content.

#i may not be able to write or draw but at least i can make silly little posts

peakymelody · 1 year

Text

- DANIEL RICCIARDO RETURNS HOME

[x] / langston hughes, poem / [x] / ernest hemingway the complete works: “the old man and the sea” / [x] / reasons for staying, ocean vuong / fredrik backman, us against you / [x] / Yrsa Daley-Ward, from bone; “this was the story” / F. Scott Fitzgerald, The Great Gatsby / [x] / Azra T., My Heart is Full of Open Windows /

#one thing about me is i WILL make a maxiel webweave #this is inspired off of that recent max interview. it ruined me #i may not be able to write or draw but at least i can make silly little posts #maxiel #webweaving #poetry #max verstappen #daniel ricciardo #formula one #f1 #mv1 #dr3

322 notes · View notes

anyasathenaeum · 4 months

Text

Lover (Nanami x Reader smut)

A/N:This is my first ever writing for Nanami/JJK as a whole. Please be nice about it. I felt like the Nanami lovers deserved some goodness. Do I know what I'm doing? No. Did I at least enjoy it? Yeah. Anyways, please have this... whatever this piece is. Warnings: MINORS DNI, AFAB!reader, female terms are used, mentions of penetrative sex, oral (f receiving), unprotected sex (WRAP IT BEFORE YOU TAP IT, FOLKS).

Nanami is a quiet lover.

His expressions of love are never glorified or big, never flashy or particularly grandiose. He shows how much he loves you through the little, quiet things.

The attention to detail with each and every lunch that's sent with you to your place of work. A hand on your lower back, guiding you through crowded spaces. A moment of remembrance, bringing you a treat or a gift you'd briefly mentioned in passing. A gentle kiss to your knuckles when it's nobody but the two of you, with no prying eyes around to witness the small gesture of love intended just for you. The way his hazel eyes lock onto you and soften oh-so-slightly the second you enter his field of vision. The small ghost of a smile that plays on his lips when he sees you.

Nanami refuses to let the world intrude on the refuge that your love offers. His love is meant for you and you alone. Nobody else would or should be privy to the love he shares with and feels for you. And so, his declarations of love are quiet; little secrets that only the two of you know about and would ever be able to recognize. It takes time, but eventually, you realize that all these little actions scream those three little words that Nanami refuses to say except for in the privacy and safety of your shared home.

"I love you."

Nanami is a gentle lover.

He's seen so much sadness, horror and suffering in this world, and despite his blunt and cold exterior, Nanami does every possible thing to protect you from all the wickedness in the world. It may have claimed others, it may have torn some of his friends from him, but it will not take you from him so long as he draws breath on this earth and he would be damned if he would ever do something that hurt you.

His touch is so, so gentle for somebody so big and so strong, his fingers tracing the softest of patterns over your delicate skin with the lightest touch, taking in every bit of you. His grip, while firm, never tightens to the point of risking hurting you, such as when his large hands hold your hips down and your thighs apart as he uses his tongue to draw the most beautiful sounds from your lips.

"K-Kento, I-... I'm gonna cum.."

You mewl and whine as Nanami continues to use his tongue to drive you closer and closer to your orgasm, his nose rubbing oh-so-gently against your clit with every movement and a hint of a smirk on his lips as his tongue delves deep into your pussy, relishing your taste and the feeling of you squirming from the pleasure he's giving you.

"That's it, my love. Cum for me."

His low voice sends shivers down your back every time, causing your grip on his blonde hair to tighten as he pulls yet another orgasm from you, the overwhelming waves of pleasure coursing through you. His hazel eyes never leave you as he continues to lick your pussy and suck gently on your clit, prolonging your orgasm for as long as possible until your body finally relaxes. Once you've recovered, Nanami's kissing you with as much love and care as he can muster, the taste of your slick on his tongue making you wet all over again and the seemingly endless ache for him in your core returns immediately, making you squeeze your thighs together. Of course, nothing escapes Nanami's notice, a rumble of a chuckle escaping him at the sight of your neediness.

"That's my girl."

Nanami is a tender lover.

With every thrust to the hilt inside you, through the haze of his pleasure, Nanami still ensures to treasure you for every moment he spends with you, inside you. You're carefully encased in his arms, tucked almost protectively beneath him as he presses his lips against yours, his cock filling you and stretching you deliciously with each and every stroke.

Soft grunts and growls slip from his lips as he fucks you with surprising tenderness, his gaze often drifting to where the two of you are joined so he can watch himself sink his cock into you over and over again, claiming your body in ways nobody else ever would. His fingers often intertwine with yours against the mattress or pull your hips ever closer to his own, allowing him to thrust into you even deeper.

The sudden, loud moan that escapes you as he angles your hips lets Nanami know that his cock has found the perfect spongy spot inside you, making you see stars as his thrusts increase in speed and intensity.

"K-Kento! Lo-love you! Love you, Kento! Kento, please!"

You can't control the words slipping from your lips as Nanami continues to sink his cock deep into you, never once failing to hit that spot deep inside you. The pleasure you feel is too overwhelming, your words escaping you without a thought and without hesitation as yet another orgasm washes over you, your cunt fluttering and spasming around him. The feeling is so intense that he needs to stop his thrusts in order not to fill you up then and there.

You whine when Nanami suddenly pulls out, a frown on your lips as you gaze up at him hazily.

"You didn't cum, Kento. Why'd you stop?"

The smile he gives you in return makes your heart flip in your chest - his expression is one of pure peace and adoration, the tenderness and affection he feels for you evident in his eyes as he takes everything about you in as you lay beneath him. He doesn't answer you, instead just leaning down and pressing his lips against yours. However, unlike before, this kiss isn't hungry or desperate, but rather gentle and soft and oh-so loving, and you faintly realize that Nanami is cherishing you, your body, your very existence in this moment.

He holds you close to him for a little while, giving you some time to recover before slipping his cock back inside you and beginning his thrusts once more, pulling more beautiful sounds from your lips and more soft moans escaping him as he works you towards yet another orgasm. This time, however, he doesn't slow as you cum once again, your pleasure driving him over the edge with you. A low groan escapes Nanami as he buries himself inside you to the hilt, his cock pulsing as he spills himself deep inside you, his seed coating your walls.

'Where it's meant to be,' Nanami thinks to himself, never saying the words aloud.

As he collapses next to you in the bed, Nanami doesn't hesitate to pull you into his arms, both of you panting from your exertions. He holds you close once again, saying nothing for a while and instead just watching you as you curl up against him, his heart aching for love of you as you press your cheek against his bare chest and wrap your arms around his much larger form. This time, before you can so much as begin to form any words, Nanami leans his head down, his lips by your ear as he whispers those three little words to you softly.

"I love you, (Y/N). Never doubt that."

Nanami is a lover. And his love belongs solely to you.

#anya's athenaeum #jujutsu kaisen #jujutsu nanami #jujutsu kaisen nanami #jjk #jjk x reader #jujutsu kaisen x reader #jujutsu kaisen x you #jujutsu kaisen smut #jjk nanami #jjk nanami x reader #nanami kento #nanami smut #nanami x reader #kento nanami #kento x reader #jjk kento #kento smut #jjk smut

1K notes · View notes

araminakilla · 1 year

Text

Regarding Death Wolf...

Hear me out (NO, it's not the kind you are thinking)

We know Death has a job, right? To collect souls and most likely release them to the afterlife.

And for this job, he has to be there when somebody is about to die, as demostrated with him being there moments before Puss' eight death.

Supposing he is THE Death and he has been doing this since the beginning of time (or at least when there were enough stories of the Grim Reaper to adquire a physical form) that means he has seen a lot, A LOT of awful things.

Murders, suicides, massacres, death of infants, people who didn't deserve to die alone, animal cruelty, some other heavy stuff I won't mention here, etc etc etc.

And we thought "man, how is he able to cope with all of that? That job has to be utter torture for someone."

Probably many of you could think that he is able to do that because he is Death, and he was "born" with that purpose and only him can reap souls perfectly.

But while he is a force of nature, he also WAS a force of nature. Let me explain it well: He adquired a personality enough to be angry, excited, frustrated, amazed, happy, among other emotions.

While he has supernatural power and is most likely the most powerful being in the Shrek Franchise (or in Dreamworks as many say) he is also a PERSON.

Someone with a code of honor, morals, opinions, beliefs, etc.

Returning to the question "How can he bear all of that?" taking into account he is no longer an inevitable force, but a character of his own.

The answer is something you may relate to, and that is: Creativity and escapism.

To be the embodiment of Death, the guy is a very creative fella.

First of all, his design. I heard many people saying here and in Twitter that his design is something they would come up in their edgy, teen years of drawing their first fursona.

Guess what? They are right, the wolf form is someone's fursona. It's DEATH'S fursona. He clearly came up with this badass, piercing canine form to blend with the Fairy Tale Land assuming the form of the "Big Bad Wolf". He most likely had other forms he designed over the centuries and was able to present as them like if he were on a role play game in the living world.

His sickles? The weapon of choice with the little crossed cats on it to have a bigger effect of terror for Puss? Those who can become knuckles and join to create a scythe? Those are his creation, probably after thinking it for a while and writing all of those functions on a paper.

The way he presents himself? In the bar? The coins in his eyes as a "watching you" sign while being a cool reference to the Ferryman of souls? He transforming Perrito's forest into the background of a skull? The chilling reveal at the Cave of Lost Souls? The fire ring? It was all him.

As for the escapism part...

When the world becomes too heavy to deal with as real life issues tend to make us feel bad, depressed, angry... we tend to escape it somewhere. And in our time the common place would be the internet as in webpages or comics, stories, etc.

But what has to do with Death Wolf you may ask?

Well, while he would NEVER be able to escape his job entirely, he can have moments where he can enjoy a good hunt of people who don't appreciate life, like the whole plot of the Puss in Boots sequel could demostrate.

He managed to have a little time outside his eternal routine to chase an arrogant cat who took life for granted. He enjoyed it, it was thrilling, it was exciting.

It was a way to escape a monotonous, grim "life", if just for a short moment.

So, when the chase ended as his prey no longer feared him and now was ready to fight for his last life, the wolf retreats, happy for Puss' character development but resigned because he once again had to return to "The Eternal Duty"

And that's not even counting all the times Jack "I'm dead inside" Horner had to interrupt Lobo's hunt and remind him of his job even in his "spare time"

Death knew the chase had to end eventually, but he didn't want it to end.

He didn't want to return to his own world

And if we look at Death like that, then he is probably one of the most relatable characters Dreamworks has ever make.

In the Shrek Franchise:

Monsters can be loved

Princesses don't have to fit the perfect standards of beauty

Handsome guys can be possesive jerks

Love at first sight doesn't work like one would think

Happily ever afters had to be built and not just obtain them with magic

And Death is the most creative and "full of life" being in the world

Because he would absolutely go crazy with his life/work if he wasn't.

Because in a world of Kings, Poets and Soldiers, he's the Supreme King

And he's also a perky goth but none of you are ready for that conversation.

3K notes · View notes

prokopetz · 2 years

Text

I think we need to take the “what if the conventional monster was friendly?” thing in fantasy worldbuilding further. “What if the dragon was friendly?” and “what if the orcs across the valley were friendly?” are well and good, but I’m thinking more like “what if the animated skeletons in the local graveyard were friendly?”

I think with the animated skeletons in particular the key is to play up their separation from the living in a way that’s still kinda creepy, but in an odd way rather than a horrific way. Something like:

Animated skeletons are explicitly not just skeleton versions of the living people their bones came from, and in fact don’t seem to have much in the way of individual identity – or, at least, if they do, they don’t express it in the way that humans do.

They aren’t impaired by the loss of individual bones – including the skull! – and can freely swap bones among themselves. The same pile of loose bones won’t always animate into the same number or configuration of skeletons, nor does having more available bones necessarily translate into more skeletons.

Consequently, questions like “how many skeletons are there?” are difficult to answer.

Animated skeletons generally seem to understand both spoken and written languages, but don’t have much capacity for producing language; they don’t speak or write, and their capacity for signing is limited to stuff like nodding or shaking their head for “yes” or “no“, pointing to indicate objects or directions, etc.

In spite of this, they appear to be able to communicate complex information and ideas amongst themselves, but it happens via some undetectable, (presumably) non-language-based medium.

Their otherwise limited expressive capacity notwithstanding, skeleton “culture” (if that’s the word for it) is very big on making music. Instruments and sheet music are among the few material goods that skeletons value, though the former are typically limited to those that can be operated without breath.

(This generally means percussion and strings. Wind instruments that can be operated without breath are an occasional feature; pipe organs are a big deal in those skeleton communities that can get their phalanges on them, as are a modified form of bagpipes, operated by two-skeleton teams where one plays the music and the other inflates the bag with a portable bellows.)

Apart from music, skeletons are mostly into repetitive manual labour, though exclusively on a volunteer basis, as they’re uninterested in payment and will simply collapse into inanimate piles of bones if coerced. If you want a skeleton to do something for you, be prepared to explain why, in detail, to a silent, motionless, and expressionless audience.

Skeletons are notably more likely to heed a request from a priest or religious scholar than from laypersons. There are a lot of theories as to why this is; the skeletons themselves are disinclined to comment.

A skeleton with nothing better to do may squat like a gargoyle near some well-trafficked location and observe local goings-on, remaining motionless apart from turning its skull toward points of interest for days or weeks on end. It’s generally considered polite not to draw attention to their presence.

#media #fantasy #tropes #monsters #worldbuilding #death mention #religion mention

12K notes · View notes

nightsmarish · 9 days

Text

Summary: as summer at hogwarts approaches, both you and Regulus build up your walls again, lose sleep, and are warry of saying yes to the offer to go to Potter Manor.

A/n: might write a pt.2? Would we like that? Maybe? Idk, I lost the plot halfway through and u can tell lmao. Also, have not written for this specific ship, so I may not be as good as the queen of this ship

Update!: pt2

Poly!moonwater x gn!reader (Remus lupin x regulus black x reader) | 1.6k words

Tw: allusions to toxic family, losing sleep, snippy bc of losing sleep, negative thoughts, anxiety, a nap dude

⊹₊ ✰ ⋆⊹₊ ✰ ⋆⊹₊ ✰ ⋆⊹₊ ✰ ⋆⊹₊ ✰ ⋆⊹₊ ✰ ⋆

History of Magic is usually an easy subject. Sit down, take notes, look over the assignment, complete it during dinner or before bed, and you're done.

But today everything but that is happening. You managed to get all the way to sitting down and pulling out your parchment and quill before the words Professor Binns says all mesh together. Nothing makes sense.

And you know it's due to the ache behind your eyes, the pounding in your head and the ache in your bones.

The last few nights you haven't slept, not really at least. It's nearing the end of this year at Hogwarts so everyone is preparing to go home. Planning what they will do with one another over break before the new year starts up. Talking about their family traditions, and a feeling of excitement takes the castle.

Despite this, a feeling of dread has been following you like your own personal rain cloud. The knowledge you'll have to return home eating you alive. Knowing you won't be able to contact Remus or Regulus, less your parents find out you're dating them, making you feel like you're choking on your heart.

The memories you've made this year really should weigh out the weeks you will spend with your family. In the stiff place, you're forced to call home with strict rules and expectations. Yet, you feel horrible. And it's been causing you to force yourself into your studies for the upcoming tests. Avoiding sleep due to nightmares that have recently plagued your mind.

Which leads to now, the room spinning slowly on an axis, ans Professor Binns slightly to blurry, even for a ghost. You know you need to zone back in, drink some water, take a vitamin potion or even visit Madam Pomfrey at this rate. Yet you can't make yourself do it.

Continuing to stay in your zoned out state till the end of class. And that's when even you draw the line.

Standing up from your seat as everyone filters out, albeit a little you're moving a little slower than usual, you exit in search of your boyfriends. Either or both. And it's not exactly a very long search, quickly finding yourself face to face with Regulus Black and Remus Lupin.

"Hey, dove." Remus' voice is sweet, per usual, like the comfort of a spoon full of honey on a sore throat.

Regulus doesn't speak for a full moment, analyzing you. To anyone else it would look judgmental, but the softness in his eyes and slight pull at the edge of his lips tell you differently.

"Hi, Rem." The boys look at one another, an unspoken conversation playing out.

"Why don't we go to my dorm?" Remus looks back to you, "haven't had much time for the three of us. James and Sirius have quidditch, and Peter is going to his study group."

"I'm down." Without another word, the three of you walk towards Gryffindor tower.

ᯓ★

Remus knows that Regulus tends to be a little quieter the closer to the end of the year, having been around the other Black brother for a while now. Already knowing how closed off Sirius would get when he still lived at the Black Manor, building up the walls early to protect himself when he left.

Even now, Sirius does it. Remus isn't sure if it's a habit or the fact that Regulus has been refusing to take the offer to stay at Potter Manor as well.

But you? You, he's not sure. Remus knows you and Regulus have known one another longer than he's known you, and that's never really bothered him. Remus knows all three of you love one another, and he's never felt left out. But know? Know he wishes you'd talk about your own home life.

Regulus doesn't like talking about his experiences at home; the only thing Remus knows is from old stories from Sirius. And Remus will never pry, not wanting to force either of you to do anything you don't want to.

But Merlin, he feels nearly useless right now, wishing to see the tension in your shoulders calm, wishing to see you and Regulus calm again. Wishing Regulus would take the offer to join them at Potter Manor. He wishes for both your safety more than anything.

The walk to the dorm is quite, but not peaceful. Everyone trying to stay calm and wishing someone else would say something. But no one knowing quite what to say to break the silence.

Once you do get up to the dorm, the Gryffindor's dorm, Regulus sets his bag by Remus' nightstand, you following suit, the emblems on your bags a contrast to the surrounding room. Regulus goes to find clothes he's left in Remus' closet before, while you sit on the lycans bed to slip off your shoes. Remus sits next to you, his hand resting on your lower back.

And finally, after far too long, Remus breaks the silence. "Dove..."

You glance up at him as you slip your shoes under the edge of his bed. "Yes?"

Remus sends a quick glance to Regulus, who's slipping on a long black sleeve shirt, one more comfortable than the previous Slytherin uniform. "I understand if you aren't comfortable with it, but..." He pauses for a moment, glancing back to look into your eyes, his thumb rubbing gentle strokes on your spine. "If you want to, you know you're welcome to stay at James' house."

Under his hand, Remus feels you tense, and from his peripheral, Regulus paused to listen.

"That's- that's okay, Remus. But tell James I appreciate the offer, please." You stand up far too fast for your lack of sleep, causing you to fall right back where you were sitting. Alerting both boys.

One of Remus' hands stay glued to your back, the other on your shoulder, as if your keen over. Regulus is quick to stand infront of you.

"Love, you should stay with them." Regulus' voice is full of worry. "It's better than any other option."

"You're not going." Your eyes shoot up to Regulus', far more defensive than you mean to be. Remus' hand, which was previously on your shoulder, moves down to the bed, the other hand continuing to run against your spine again.

"That's doesn't mean you shouldn't go." Regulus matches your defensiveness out of habit.

"You both should come." Remus talks before you can shoot back, hand on the bed finally moving to Regulus' arm, never seeming to catch a break.

There's a heavy pause. One that goes on for an uncomfortable amount of time.

"I'll think about it if you do." Your voice is more timid as you hold your stare at Regulus' eyes, his boring right back into you. Intense, deep, and so, so, loving.

Regulus sighs, "fine."

"Thank you, both. Seriously, you should come. James and Sirius want you guys there. Not to mention James' parents, they love new people." Remus kisses your hair line, standing up, hand leaving your back, before kissing Regulus on the lips. Both your bodies lossen.

Remus moves to change out of his uniform, and you quickly stand up to join him. Regulus' hand comes out to make sure you're steady as you grab a pair of sweats that no one truly knows who belongs to. They were probably once James, but at some point Lily stole them, and at a different point Sirius stole them back, and now so many of your friends have worn them at some point, it's probably weird.

Grabbing those and a jumper belonging to Regulus, you turn back to see Remus already curled around Regulus' back, who lays with enough room for you to join them. Both trying not to show just how eager they are for an afternoon nap.

You climb onto Remus' bed as well, using your wand to close the curtains, magically dimming the lights in the room before placing it on the bedside table. Curling into Regulus' front, leg thrown over his hip, you tuck your head into his neck. Yet your eyes remain open.

You definitely want to sleep, and you know you should, Remus is likely already asleep, knowing the bastard sleeps like the dead. Yet the knowing you could have another wretched nightmare makes you stay awake, staring over Regulus' shoulder the the golden brown hair tucked into his back, belonging to Remus, and letting the black hair belonging to Regulus slightly tickle your cheek.

"Go to sleep dove. Both of you. Please, you can't function without it." Remus' voice seems to startle both you and Regulus, both believing he was asleep, and believing the same about one another.

You pull back from Regulus neck, facing him, seeing the features of his face barely visible in the dark room. "We will, baby." Your voice is soft, as if you were telling a secret.

Remus merely hums and shift slightly before relaxing back into Regulus' back.

"Get some sleep, darling." Regulus kisses your cheek, "it's going to be okay in the end."

"I know. I know. We both need sleep; Remus is gonna kill us." Softly connecting your lips with his, slow and lazy, both smiling at the hum from Remus, confirming the empty threat you made for him.

You return to your being tucked into Regulus' neck. "'M sorry for being snappy with you." You mumble against his skin.

"You have nothing to apologies for, I understand where you're coming from darling." His hand rests on your hip and lower back, relaxing further into you and Remus, closer and closer to having a lovely nap. Of which, you join with the hopes of no nightmares.

168 notes · View notes

kouyou-arc-when · 3 months

Text

ON DAZAI AND EMPATHY: A character study Before you read: Obviously diagnosing any character in fiction seriously is a fool’s errand, but I am a fool, so let’s just do this for amusement. The main thing I desire is to discuss is the extent to which Dazai is capable of various types of empathy, as well as how that influences the way he sees and interacts with others. It will be chaotic and all over the place because I just sat down and wrote this in a fit. Let me explain some factors in analyzing Osamu: The author's intention is clearly to make Dazai's internal world a mystery. Since we don't have enough information, all we can do is hypothesize based on external elements. Generally, across all novels, the only time we’ve seen anything of Dazai’s perspective is in “The Day I picked up Dazai” (Beast continuity) – where he “saves” Oda and tortures that random dude. We don’t hear his thoughts narrated from first-person perspective, unlike many of the other novels.

Now, the crux of the issue. For years, it’s been discussed whether Dazai is a “sociopath”. If we disregard that sociopathy is a very loaded term that can mean a lot of things depending on which specialist you consult, at the very least, Dazai does strike me as someone with a unique expression of empathy, who could qualify for Anti-social personality disorder or a related condition. I will abandon the idea that Dazai is a sociopath, and use actual concepts that have legitimacy within this post. Whether Dazai could qualify for ASPD or any other disorder is something I've seen discussed for many years within the fandom. I'll try to analyze how these concepts could apply to him. In regards to mental health and Kafka (since it is a contentious matter) and the validity of any of this: I understand that a lot of people are resistant to the idea that any of the characters could have conditions more complex than depression, anxiety, and PTSD. This is my counterpoint. I have noticed that Asagiri emulates a lot of characteristics commonly attributed to “geniuses”, without confirming or potentially even intending to write these characters as having a specific condition.

A great example is Ranpo – who will read as autistic to any decent mental health professional (Untold Origins). Did Asagiri intentionally sit down and say “I am going to write an autistic character”? Maybe not. However, the “genius” stereotype is profoundly connected to visions of autism, even if people aren’t aware of it. Take people like Sherlock, House and L from Death Note – they’re commonly believed to be autistic by fans. All of these characters borrow from the same group of traits, that just happens to correspond with a certain condition - savants have always been popular in fiction. It's been known that the favorite type of character for Asagiri is the “prodigy” type, and he has used geniuses across fiction for inspiration of most notable intelligent characters within BSD. For Ranpo it was Sherlock, for Fyodor it was Joker from the Dark Knight (a classic sociopath), for Dazai it was Patrick from The Mentalist.

What I’m trying to say is, you can see various personality disorders connected to the portrayal of these geniuses, and even without confirming their state, it is clear they are either intentionally or unintentionally coded to be that way. Extremely intelligent characters not being able to read social cues, lacking empathy, disregarding rules etc. is something we commonly see in fiction. Basically, a lot of people don’t even know that these stereotypes are based on certain personality types, disorders, and illnesses. It’s sort of like drawing a character and dyeing their hair a certain shade of blue that you don’t know the particular name of: it doesn’t change the fact that you used that color, and the fact it has a name. Most authors are not mental health experts anyways, so they may not be entirely aware of every detail of the psychological framework they write the character to possess. They also may not write it consistently, as they're mostly emulating stereotypes. I mention Ranpo and autism because a character can embody traits of a stereotype without the author even necessarily having the intention to do so, however, to anyone who knows a thing or two, it is clear Ranpo is on the spectrum. If Ranpo were to express a few traits that go against this, it would not necessarily take away from the large-scale portrayal he is meant to exude: an autistic coded genius.

Why am I saying this? It is entirely possible for the author to write Dazai as a person with anti-social personality disorder, to “code” him in that way, but to not be entirely aware of how an individual with ASPD realistically tends to act. Because he may be emulating a certain "stereotype" of a genius, he may also end up emulating specific psychological states, without making them entirely consistent in a realistic way. Writing the way individuals with ASPD tend to deal with empathy can be extremely difficult for anyone. It's easy to emulate a sociopath on a superficial level, but beyond that, it gets more challenging. How would a person with limited empathy act when they're hurting someone? That is an easier idea to handle. But how will they act in a friendly relationship? This is where it gets tricky. That is likely why someone like Dazai can never be consistently compatible with a very specific disorder: but, he can come very close. Besides, concepts such as anxiety and depression are pretty well-known, but more niche mental health conditions are not as well understood. So, BSD Osamu was written with specific attention to mental health issues because the author himself was someone who spoke heavily on the topic. I’ve read a lot of real-life Dazai Osamu, with special attention to No Longer Human (the main inspiration for BSD Dazai was Yozo) – and neither RL Dazai nor Yozo gave me the impression they could qualify for ASPD at all.

I know BSD Dazai is the opposite of the RL author in so many ways, but I guess it’s relevant to mention this because we know so little of BSD Dazai’s internal working processes, and Asagiri's main inspiration can tell us a lot about the intentions behind Dazai's portrayal. Generally, an intention or idea behind a character can give a lot of clues to us - more than anything, I am under the impression some of the main ideas behind Dazai's creation was that: 1) He doesn't feel like he belongs among humans 2) He has mental health issues However, we have difficulty defining the exact source of why all of this is in more realistic terms.

Naturally, since Dazai, an extremely socially intelligent person, sees himself as "othered", it is logical to assume he is not capable of fulfilling some emotional function most people can in a successful enough way. If he were just mentally ill in more typical ways (only depression), I theorize he wouldn't feel that "othered". He specifically is not meant to feel human. Obviously, his extreme intelligence is one of the things that isolates him, but the question is what else?

We are led to believe Dazai "sees" something the rest of us don't, and that is one of the reasons he wants to die. However, there is something more to it, as I believe it to be. We have two characters who are as intelligent as Dazai: Fyodor and Ranpo, and neither of them is suicidal, as far as we know. I believe Dazai "feels" a certain way, and then finds a way to logically justify it. Due to his intelligence, he likely falls into a complex loop which leads him to existential nihilism: but you usually don't end up in a place like that if you tend to feel alright in the first place, regardless of how smart you may be. While Dazai is certainly isolated due to his extreme intelligence, most of the people who made an impact on him are nowhere near him in that respect. In fact, I'd argue Dazai isn't even looking for someone equally intelligent to him, unlike Fyodor (this would take another post to explain).

The man who means the world to him, Oda, is more emotionally intelligent and full of common sense, but definitely not his cognitive equal. You can tell a lot about a person depending on what they value: and due to this I believe that Dazai's main issues relate to emotional matters. He primarily feels isolated due to his emotional state, and his intelligence pushes the problem further. Otherwise, he would treasure people like Ranpo and Fyodor over guys like Oda and Atsushi: he's looking for something to ease his emotional pain. Dazai doesn't seek out raw intellectual stimulation as much as comfort/excitement. This post will be an analysis of how Dazai compares to the "average" psychologically and some of the reasons he may feel so othered. Basically, my theory is that the feeling of being "othered" comes from his emotional profile, as much as it comes from his intellectual capacity. Those two take equal parts in his psyche.

Why would Dazai feel so emotionally "othered"? I believe it may have to deal with a specific personality disorder or condition, and mainly how he experiences empathy. One of the possibilities is ASPD. Anyways, let’s look into common ASPD symptoms, and then we'll look into common behavioral patterns the character shows. Dazai is equal amounts portrayed seriously and in a “jokey” way, but his worst traits and moments are usually described without humor. To preface: Keep in mind that you can have any or all of these traits without it qualifying you for a certain disorder. It is the extent to which you show it that makes a person, like Dazai, out of the norm.

1. Repeatedly breaking the law: This one goes without saying, he was in the Mob as Young as 15, and seemingly a violent criminal even before that age. To differentiate him from other members of the Mafia, it is stated by tons of people throughout the story that Dazai was practically born for this job.

Oda in Dark Era:

He was openly murderous before the age of 15, according to both The Day I picked up Dazai and Fifteen:

Dazai and Oda interacting in TDIPUD When talking to Kyouka, it seems that he has an “interesting relationship” with murder as a whole:

One thing is for sure, Dazai is much calmer, calculated, and more Machiavellian than most criminals in BSD, and this all started at an extremely young age. Many people kill when they're young, but they're not this casual about it. The age at which he was this cold about would be of diagnostic significance.

2. Lack of remorse: Everything mentioned above, it is clear that Dazai has an even more complicated relationship with guilt and empathy. I’m pretty sure anyone in real life would consider him out of the norm, as it’s explicitly stated Dazai doesn’t feel remorse for all sorts of things he does, but there are some hints he is either ashamed of the way he is, or regrets his nature, but accepts it. What is particularly significant here is how young Dazai is when he shows a marked level of these traits. A key event that stuck with me is from the Dragon Head event in Mayoi (from my understanding it was written by Asagiri), where Shibusawa mentions Dazai will regret something (to me it sounded like he meant that killing Shibusawa will end poorly for Osamu). However, Dazai’s reaction was interesting – it was like he was almost amused that anyone would believe Dazai “could” feel regret for anything.

Mayoi Later down the timeline it’s quite questionable whether Dazai feels regret for some of his actions because he hides his feelings like a snake hides its legs, but there are implications he is somewhat remorseful if you read between the lines. More on that later. Dazai has changed compared to his past self, but to talk about that, and the extent to which he has changed would take a whole other post.

More on his lack of remorse, In “The Heartless Cur” Dazai is very young when he gets some randos from the Mafia killed in front of Akutagawa, yet his main emotions are amusement and boredom. This is not the “typical” emotional range of most people, even practiced criminals. For example, Chuuya kills people just like Dazai, but his reactions to it are entirely different.

from The Heartless Cur Murder tends to not be the preferred or first solution Chuuya goes for: there is an expected amount of hesitance if you read into Chuuya. He put a bomb below Chuuya’s and sabotaged Ango’s car without much bother. I’d say even if you do see It as a “means to an end”, the way he did it was really cold. Usually, when people of all kinds do bad things, they have remorse and empathy they need to suppress, but with Dazai we don't see much of that. It's like he can just "do it'. He’s also really great at torture, in Side B at age 15-16, he already describes himself as a “specialist”. This is also touched upon when he speaks to Kouyou:

No matter how "grey" a character is, torture is a very specific process that takes a particular psychological profile to pull off. To be a "specialist" at it, you definitely need to possess dented empathy. Lack of remorse and empathy does not mean a person is going to be a criminal at all - it simply opens the opportunity that they may get lost in those waters more easily compared to the average person.

3. Repeatedly being deceitful I’m pretty sure we don’t have to cover this one. Yozo, the character he was loosely based on, is a big liar, and commonly uses “clowning” to distract from his real personality. Even the real Dazai Osamu wrote extensively about the concept of “lying”. There is a lot to talk about Dazai and “masking”, and I’ll get to that in the second half of the post. Generally, Dazai lies a lot, one can’t even be sure what his personality really is. He lies by omission, manipulates, and intentionally deceives people without any issues. There are so many quotes about this that I’d probably reach the image limit right there if I wanted to reference them all. 4. Being impulsive or incapable of planning ahead Does not apply

5. Has difficulty sustaining long-term relationships: Dazai is famously a hoe. From “All women are his type” (and it seems he has zero issues getting together with any woman, young, old or even taken) to being known as “the enemy of all women” (said by Chuuya), it’s clear he is very promiscuous. Wan is in the gray area of canon, but in one of the earlier chapters he has so many love letters by different women that Atsushi burns them all. Kunikida said he hits on any woman he sees in the Entrance exam novel, which is further supported by random Wan! Chapters, silly crossovers, and everything else (literally anything female).

Not only that, but Dazai sounds like a consistently manipulative and toxic romantic partner. In an Otomedia interview, written by Asagiri, Dazai’s real type was basically something like: “Any woman is fine, because he is confident he can shape her to suit his tastes” which shows a remarkable lack of care for the personhood and individuality of his partner.

When answered what he’d do if his partner cheated or betrayed him, his answer was even more concerning. Depending on the translation, it goes something like: “He has not been cheated on, but he has cheated on others” or “he set up women to cheat on him/betray him” where both are a lot, just in different ways.

Either he is compulsively unfaithful, putting all above together, or he plays mindgames with his partners. He’s also told Kunikida that: “And from my experience, it takes only a smile and some kindness to get a woman swooning over you when she's fallen on hard times” painting an image of someone who takes advantage of people’s weaknesses to get what he wants.

Regardless, it’s clear he is very manipulative and likely emotionally abusive. I won’t even touch upon his obsession with double suicide. There’s also the fact that he seems to use sex to get what he wants – insert scene where he fucks the nurse to get his phone back.

Other than that, Dazai appears to be rather solitary. Ango and Oda are said to be “the only ones close to him” because they respected said loneliness. Even in ADA, Dazai seems to be professionally close to people, but very few people seem to know him on a personal level. I’d say he keeps people at a distance intentionally – before it was violently, later it is by being avoidant. For as much of a womanizer he is, there was that early comic where he spent Valentine’s Day drinking at Lupin “with Oda”, instead of going out with any particular person. I think this demonstrates how emotionally distant he is from all the people he interacts with

6. Being irritable and aggressive:

Dazai is not particularly aggressive, nor irritable, but he has moments where he slips. Tbh, reading back, it says a lot about Dazai’s character who he gets angry at and why. It’s important to say that when Higuchi calls him out on “Hollowing out the hearts of his opponents” in incredibly brutal ways, Dazai replies that he thinks “Sadism is just a method, and how it’s boring”.

Akutagawa is the receiver of a lot of his violence to a disproportionate degree. He beats up Akutagawa beyond what could ever be “just training”. There’s something that ticks him off about Akutagawa, which is interesting, since Dazai tends to not react this way to anyone who doesn’t touch him “intimately” in some way. A lot of people justify Dazai’s physical abuse by saying it is “training”, but it stood out to me how he kicks Akutagawa in the stomach even the first time he meets him in “Beast”, when Akutagawa is just an extremely traumatized and deprived kid he refuses to recruit. There is not much utility to that kick, to me. It felt personal.

Another example of him expressing anger is when people “called him foolish for wanting to die” – clearly he did not take it well since all of those people ended up dead. This is from “The Day I picked up Dazai” when Oda tells him he is a fool for wanting to die.

Other times Dazai expressed rage was in relation to Ango and Oda, particularly anything that related to Oda’s wellbeing.

He snaps at his subordinates when they tell him he shouldn’t be friends with someone “of such low status”, and the only time we really hear Dazai say he hates someone is when he’s torturing one of the guys who put Oda in trouble in the Beast timeline of “The day I picked up Dazai”. Obviously, he is resentful towards Ango and incapable of forgiving him. “Dead Apple” guidebook touches on it.

“Though they were once good buddies who used to drink together, to Dazai, Ango is one of the persons who caused the death of Odasaku. He still holds that resentment up to now, and is unable to forgive. Ango also seems to feel Dazai’s silent wrath towards him.”

Harukawa has said to pay attention to how cloudy the eyes of a character are to accurately interpret their psychological state. I don't think there are many times Dazai's eyes are drawn in such an extreme way - there is no "light" she talks about here. His eyes are pure black when he talks to Mori during the Guild arc.

He also agrees with Fyodor on “Malice being the best fruit that God Bestowed upon Mankind”

There is also this with Jouno:

Basically, Dazai rarely gets angry, insults don’t work on him (as he tells Chuuya), nor does beating him up, but when he does get irritated he flies off the handle and has no issue crossing any normal boundaries.

That detail is what stands out to me – usually, people have a line they won’t cross when getting mad, but for Dazai it’s like most moral lines disappear. Imo, his anger is for social standards over disproportionate in how far he’ll go and how he'll act on it– he usually has a clear intention to harm the individual he's mad about. In comparison, Chuuya is someone who gets angry more than Dazai, but Chuuya clearly has a line he won’t cross. There is also no pointed sadism in his reactions. Dazai will likely do almost anything.

Basically, it's not how much Dazai gets angry, but the way he gets mad that sticks out to me. Most importantly, Dazai only ever gets enraged if it concerns something very personal and intimate: Oda and his death, his suicide attempts etc. At this point, for me, It’s safe to say that if Dazai gets extremely angry, it means the topic affects him on a deep level (a hint to whatever Is happening between him and Akutagawa, I could talk a lot about that).

More on Dazai’s unpredictable and violent nature:

Stormbringer I think there is a valid argument in seeing Dazai’s aggression as just a tool he uses to keep others at bay, something to hold over people and control them – but even then, it shows a marked disinterest in social norms people usually respect.

7.Having a reckless disregard for their safety or the safety of others This one builds upon all the others. However, it’s always been interesting to me how it’s clear something flies over Dazai’s head when it comes to regularly empathizing with others.

This is often seen with Chuuya. In my opinion, most of the bullying Dazai gives Chuuya is not motivated out of rage, but rather some form of spite. He goes at length to Rimbaud about planning Chuuya’s murder in “15”, then he also lets Chuuya be tortured in “Stormbringer”.

I am under the impression he sees these moments as “amusing” and doesn’t fully emotionally understand why this is something bad, even if he does on a rational level. I’ll say that Dazai did seem to show some rage whenever anyone hurt him physically in the past (seems likely to be a hint to a traumatic past), which Chuuya did when they met, but I don’t get the impression he is generally angry with Chuuya, it’s more like he just enjoys fucking with him. Ironically, for how rarely Dazai gets angry, it seems he reserves his rage/irritation exclusively for people and things he cares about, so Dazai being specifically irritated at Chuuya is just a sign of how much the guy gets to him.

If Dazai were angry at Chuuya, it is in character that he would try to hurt him a lot more than he does. However, I'd say Dazai has a blurry space for what's ok between "keeping someone purely safe" and "deeply hurting them". There is some lack of emotional empathy there - to him, it is more amusing than anything to see someone he finds interesting struggle.

Dazai sees boundaries differently. He’ll put people into danger or through discomfort without worrying much, especially if he’s sure they’re going to walk and live after it, but sometimes not even that. (there’s so many examples of it). I’d say it’s not that Dazai doesn’t care, he just cares about people differently compared to what we’re used to socially.

Regarding personal safety, it’s pretty obvious: he’s a suicide maniac, but even more, he also puts himself in harm’s way all the time without any anxiety present. Examples are when he provokes that sniper in Dark Era (when Oda gets angry at him and wants to punch him), knows he is going to get shot by Fyodor, but lets himself get hurt anyway. When he “dies” in 55 minutes, he seems “lightly” surprised, but there’s no strong reaction to it. To me, it seems that the only physical harm he dislikes is pain he suffers from another person (when he doesn’t plan it). Dazai apparently doesn’t feel much “anxiety” – I remember many different times when he comments on another character’s timidness or meekness, seeing it as something unusual.

8. Behave irresponsibly and show disregard for normal social behaviour He’s extremely eccentric, and even Ranpo says he doesn’t get him. Dazai asks women to commit suicide the moment he meets them, and often attempts suicide around people even if it distresses them (Entrance exam).

While I think he made this excuse in Dark Era to Taneda because he didn’t want to work with Ango, I do believe he believes what he said: “You’d lose your job if I did that.” Dazai wryly smirked. “I don’t like places with lots of rules.” Not being able to accept conventional rules is very often a telltale sign of a personality disorder. Clearly, Dazai fits many of the criteria necessary for having ASPD, so let’s look at some other details that are common for people with ASPD.

Masking: In psychology and sociology, masking is the process in which an individual camouflages their natural personality or behavior to conform to social pressures. Masking is common with many disorders, such as autism, ASPD etc. I am pretty sure it’s canon Dazai masks – on a BSD exhibit, the key element Asagiri wanted to talk about in Dazai’s personality was related to this.

“When I describe Dazai to the staff, there is a phrase that I always use, “an unworldly being with a mental age of two thousand years.” Dazai has far surpassed the mental dimension that human can reach, thus no-one can even tell if the emotions he shows are the real things or not.

There are rare moments when that Dazai shows his very “human” side. That is when he talks to another superhuman who is on the same level with him. The other is when he talks about his old friend who has passed. This is the scene when Kyouka wondered “Maybe I’m, after all, just a murderer at heart.” and refused to be saved. And Dazai’s reaction to that. When he said “Don’t give me any of that!” here, he really meant it. That was an outburst from Dazai, as a 22-year-old boy, in this scene.” Light novels often describe his smile as fake, mask-like, and I could probably find 20 panels where Harukawa clearly drew him to intentionally seem like a fake smiler. From “15” to “Entrance exam”, Dazai often drops his mask, and then goes back to acting silly just to make the other person relax. He does this with everyone, Mori, Kunikida, Atsushi, etc. Chuuya also mentions that Dazai’s “happy-go-lucky” personality in ADA is something new, and he believes it doesn’t fit him.

Kunikida says this in the Entrance Exam: "For someone so full of eccentricities, there is something about his behavior that makes it seem as if he has an unobstructed view of the world. I don’t know exactly why, but all his emotions strike me as an act to some degree. Is he just playing dumb? Could there be more to him than he’s letting on, lurking behind his ambiguous mannerisms?"

More than anything, Dazai himself says that Oda was the person closest to seeing his “real” personality. That pretty much confirms he keeps his real self hidden away. I’d say that there are several possibilities to why this is: He hides it because he dislikes being vulnerable, he doesn’t know how to act “normal”, people are unable to understand him, so masking makes it easier for him to communicate with others…there’s a lot of theorizing I could do here.

Dazai also tends to have interesting thoughts about personalities as a concept.

You’ll commonly see Dazai say something serious, followed by a severe reaction of the other character, ending with Dazai changing his demeanor and saying “just kidding” to lighten the air.

Manipulation: Dazai is extremely Machiavellian – he is prone to manipulating everyone around him, regardless of how much they care about him or not. He manipulated Chuuya into joining the mafia, he does the same with Akutagawa even today: Here we have him preying on Aku's insecurities to sabotage his self-confidence

He seems to be able to cut off his emotions from any situation, seeing people in a raw, factual sense.

There are several moments throughout the novels where Dazai talks about people as if they’re purely resources or pawns. An example of this in Dead Apple (where Chuuya gets angry because he doesn't respect people or show enough sympathy)

The way he speaks of Atsushi, when asked what he thinks of him in a guidebook, is something like “developing as expected”. Especially in the original, it sounds extremely factual, mechanical, and cold. To me, that doesn’t mean he doesn’t care about Atsushi, he’s just the type to compartmentalize his emotions in opposition to his thinking. This is very common for a few personality disorders and mental health conditions: the capacity to totally cut off your emotions from the equation. Obviously, many people are capable of doing this to one extent or another, but the amount to which he does it is what makes it significant.

Lack of traditional empathy: Personally, I think everything comes down to this. Dazai's experiences with empathy are one of the main themes of his character arc. I believe one of the things that makes him feel othered is his lack of emotional empathy.

People with ASPD tend to have issues experiencing what a lot of people consider “typical” empathy – however, ASPD is also on a large spectrum, so experiences certainly vary. Keep in mind that "lack of empathy" is common for all sorts of disorders, but since ASPD seems to be one of the most popular choices for Dazai, I decided to start there.

Before we continue, there are 2 types of empathy: Cognitive empathy is the ability to recognize and understand someone’s feelings and experiences and imagine yourself in those scenarios. Emotional empathy is experiencing shared emotions with someone or feeling emotions as though the experience is your own.

People with ASPD can commonly do the first type easily, and struggle with the second one. It does not mean they cannot experience emotional empathy, it’s just rarer for them to feel it. In my opinion, Dazai heavily relies on Cognitive empathy compared to Emotional empathy.

You can see often that he seems to not entirely understand “why” something is wrong on a personal level, but he can logically see it. This is a running theme, and you can commonly see that Dazai doesn’t fully understand “normal”.

“15” Asagiri seems to be writing Dazai as someone who has gone “beyond the human dimension” in his skills and intelligence, so other people can’t fully understand him, but I think this goes both ways. Dazai has lost touch with what’s the standard human experience.

One of the times Chuuya specifically calls out Dazai for not "acting human-like" is when he's not expressing empathy and respect. It is clear that Dazai's lack of empathy is one of the aspects which make others see him as "inhuman".

There is another situation with Kunikida during the Azure Messenger arc where Dazai seems to apologize for not getting something “is normal”, it slips by you very easily. It is framed as a joke, and it can be read as him making fun of Kuni, but Kunikida asks himself why Dazai apologized. It does read a bit unusually.

To me it seems like Dazai doesn’t fully emotionally understand other people, so when his mask slips you can see that he struggles a ton with getting what’s exactly “typical”.

Because Dazai is extremely intelligent, he masks in order to fit into society, and he does it successfully since he can intellectually understand most social and emotional functions and processes. However, he slips up like everyone does. This is why he got along with Oda well – since Oda just let him act like himself without having ulterior motives. Dazai didn’t have to “mask”. He didn't see Dazai as "just anyone", but he also realized Dazai was human. Basically, to Oda Dazai was a kid that had empathy issues, but he was struggling much like everyone else.

Personally, I feel like Dazai doesn’t feel entirely “human” because he doesn’t feel “emotional empathy” on the same level as other people, and this is one of the key issues of the character (as it's clearly stated in the Dead Apple manga, where Dazai does seem a bit upset by Chuuya's reaction)

. The reason he felt “seen” by Oda is because Oda fully recognized this and still believed Dazai could do “good”. In our society, it is common for people to think that "empathy" and "sympathy" are conditions for being a good person, but it isn't so simple. The possible complexity of Dazai's moral state is why I find the character so interesting - a person without traditional empathy choosing to be good is really fascinating. (more on this later).

Boredom and general emptiness: “Boredom” is an extremely common complaint for people with ASPD – in fact, intense, non-standard boredom, along with other symptoms such as atypical experience with empathy, is one of the easiest ways to recognize ASPD. A “numbed” emotional state is common for people with ASPD, and due to their different emotional range and inability to connect with others in a more typical fashion, they are prone to “boredom” and seeking out extreme experiences.

Alcoholism/Substance abuse is common for people with ASPD, and it’s pretty much canon Dazai drinks a lot (alcohol is even in his likes). Aside from that, Dazai often cites boredom as one of the main reasons he wants to die, and I remember so many instances where he complains about it in bizarre circumstances. This is common for people with ASPD: depression/suicidality is comorbid, and I have heard people with ASPD mention they wanted their life to end once they no longer have enough stimulation. Dazai is often stated to be “bored”, or look bored even when extremely horrifying things are happening (people dying around him/telling their life stories..). An example with Mori where he talks about wishing to die (from 15):

Another really funny thing, a lot of people with ASPD I have seen tend to dislike “dogs”. Obviously, this hatred comes from the real life Dazai being scared of them and thinking they can attack at any moment, but it’s a funny coincidence. They tend to dislike dogs for an entirely different reason than Dazai does, to be fair.

How Dazai seems to see himself and morals in general

Generally, to me it seems like Dazai is not entirely happy with his nature. He admires Oda and doesn’t understand why he wouldn’t use his talents to rise up in ranks within the Mafia, simply because that is logical to Dazai – perhaps it is that difference between them that he enjoys so much. He is frequently attracted to displays of empathy:

Examples: 1. Ango documenting the deaths of people within the mafia even if it’s “just a waste of money” 2. Almost everything Atsushi and Oda do

He often describes altruism as “interesting”. I am also under the impression that Dazai has a tendency to project his nature onto others, which we can gather from his “Evil expects evil from others” quote to Mori. Furthermore, he sadly remarks in Dark Era that he is “a man despised by righteousness”. so I feel like there is something up here, some sort of guilt, distaste or shame.

This tells me:

a)Dazai sees himself as “evil”

b)He is constantly assuming the worst in others or is prepared for the worst

Another thing this tells me is that Dazai is someone who is likely extremely wary of people’s intentions. This is a ubiquitous theme all across BSD, especially when we see him as a kid. Osamu tends to be skeptical of everyone and everything, as if he’s waiting for people to betray or fuck him over at any corner. In TDIPUD, he keeps getting upset that he can't figure out Oda, since it makes no sense for him to be so charitable for absolutely no reason. Oda said “good and evil are the same to you” – personally I interpret this as Dazai being largely amoral rather than immoral. Whether Dazai can be described as “good”, “evil” or “neutral” largely depends on your view of ethics. Just because someone lacks traditional empathy, it doesn't mean they are necessarily sadistic or bad at all. Immoral and Amoral are two words that sound similar but have different meanings. Immoral is an adjective that describes “something against pre-established morals, ethics, or standard societal practices.” Amoral, on the other hand, is an adjective that describes “something or someone completely lacking morals.” In common society, if you’re not “good”, you are often automatically “evil”. Basically, a person who has "no morals" is just as bad as a person who has cruel beliefs, but those two fundamentally differ. However, in a technical, utilitarian fashion – this is often seen to be true. More or less, “good” is the neutral state, and the more you step away from it, the more “evil” you are perceived to be. The more moral conventions you break, the more "evil" you are, regardless of your intentions. The results of the actions matter more than the source and motivations. In the end, a person is dead, regardless of why you killed them or how you felt about it. The reasons why people do conventionally moral things can be all over the place too - people aren't always kind because they have sympathy. When I hear “evil and good are the same to you”, it sounds like Dazai has no need for either, meaning, yes, he has no inherent need to do good, but no need for bad, he is simply not opposed to either of them. Regardless of what he's doing, he feels the same way. They're both tools to satisfy particular needs. Many people read this and say "aha, so if he sees no difference between the two, that means he is evil", but I think the truth is in the middle. I always say that to estimate Dazai's moral framework, you need to judge him outside of normal conventions. Basically, his starting point in making decisions is different. He begins his process likely by thinking "what will this bring me?" Most of his “evil” is not out of pure sadism, it’s just that he feels no need to stop himself due to moral conventions, he mostly cares about practical results. This is opposed to Kunikida who cares about ideals and morals in a vacuum and pursues them in their most idealized version (and it's well known Asagiri writes duos as opposites). Entrance exam as a novel was about how idealism can lead people to ruin when it's unrealistic.

He’s naturally immune to socialized pressure that forms the moral frameworks of most people on an emotional level. All of this is very common for ASPD, and a few other conditions. The more I see Dazai talk about how he sees the concept of personality, murder, morality – the more I am convinced his ethical framework is focused on results rather than the inherent morality of said actions. Example: He's going to lie to you to make you happy, even though "lying is bad". There is no inherent value in staying honest if it makes an individual miserable in the long run, even though society sees frankness as a virtue. That way, most actions are “open” for Dazai to undertake, he has no qualms most people have against them, since he doesn’t have socialized morals. A lot of the time, we only see certain things as "unconditionally bad" because we've been socialized to see them that way, even if it's not necessarily logical. He simply lacks socialized morals, leading to a tendency to be amoral. Everything is a means to an end, every action is alright if it's a tool that has more pros than cons. Oda's death was a useful character arc, since it led Dazai to taking Oda's moral framework as his own. He doesn't believe he is better than others, nor does he enjoy hurting random people, he doesn't kill or rob randos to get something and believes he is justified in it. Things of that type would make him “immoral”. Most of Dazai’s evil actions seem utilitarian, rather than committed for the pure act of pleasure or cruelty. When I say “amoral”, I mean this from Dazai’s point of view. Since he has no “moral boundaries”, all actions are open for him to undertake. He can go as far as he wants to any extreme largely depending on his subjective worldview and feelings (as seen in Beast, where he breaks all sorts of ethical codes of being "a good man" so Oda could get a decent life). However, since he is aware that there is a fight between good and bad in every person, and that evil tends to win out compared to the good, under enough pressure, he admires people who selflessly continue to be kind. That is why Oda, a highly moral person even beyond what is logical (his insistence to not kill even if it harms him) is the opposite that pushed him to change. Ulterior motives tend to be something Dazai is worried about in people, perhaps because he is possibly projecting all he is, or can be, on others. He describes Oda specifically as:

"a man who has no ulterior motive". Oda is obviously being a good person partially out of self-interest ("people live to save themselves"), but this self-interest is not destructive. I think for Dazai, it was difficult to find people who didn't have an ulterior motive that was ultimately hurtful, and he projected that onto everyone. Oda acting in his self-interest was ultimately beneficial to everyone. All in all, while Dazai does admire Oda's morals - I think a lot of this appreciation comes from an intimate and subjective place, where he feels comforted someone like Oda even existed. Continuing Oda's work is likely an extension of this as well. Keep in mind, any person has the right to see Dazai's actions as bad, as they often are. I am more speaking of Dazai's internal mental framework. Conclusion: Dazai has no inherent need to do good or bad, for the most part. He just goes as far as he needs to to satisfy his emotional needs.

Oda saved Dazai’s life in the day I picked up Dazai, and listened to him, but expected nothing in return. I feel that Oda saw this struggle within Dazai, and the way “good and evil don’t mean much to him” due to his disorder, but recognized that Dazai perhaps didn’t want to be this way.

Since Oda saw Dazai’s “irregular” nature, and still believed he could be a good person, Dazai was touched and decided to change his life. I believe Dazai had some distaste for himself, regardless of his lack of empathy, he could recognize what he was doing was not entirely right. As Asagiri mentioned, Oda told him exactly what he needed to hear, and the fact that these words were so life-changing to Dazai tells us a lot about what he had on his mind. In my opinion, to see who Dazai is, you need to follow exactly which words got to him.

In my opinion, it likely meant a lot that a person he actually admired wanted to be in his life, especially a person he considered so kind like Oda. He often says that Oda is “the most interesting person he knows”. Imo, this is because “empathy” is one of the things Dazai doesn’t fully understand. He had to learn it. Since he understands human nature so well, cognitive empathy comes easy to him, but he still fucks up sometimes.

Here, I also feel like he is talking about himself – he sees himself in Kyouka. It doesn’t come naturally to Dazai to be “good”, but he is trying his best, that is his ideal now. (Asagiri said this was one of Dazai's rare human moments). For that reason, I think Dazai admires empathetic people and tends to dislike those who are naturally violent, or even choose to be violent out of sadism.

On the BSD exhibit, Asagiri said Atsushi was "an empathy user", and how that is the key to his character. During one interview, the author mentioned that Dazai keeps testing Kunikida's ideals, but Osamu secretly hopes that Doppo will prove to be right, and Dazai wrong. This to me paints a picture of someone who hopes that "good" is worth it, at least from an intellectual point of view. When talking with Fyodor, he seems to admire people who live emotionally, thinking god doesn't prefer perfection, logic and harmony.

"The ones who actually make the world run Are those who scream in the storm of uncertainty and run with flowing blood"

Dazai seems to reject the idea that him and Fyodor and better because they are more calculating and cold - like I mentioned earlier in this god-forsaken post, this to me says Dazai believes empathetic and emotional people are better than him.

"I've come to see it many times, his gimmicks are the accidental and illogical that's a weakness two of us have in common" He suffers because he is not like them, and that contributes to him feeling "othered".

Negative emotions and Akutagawa

My guess is that one of the reasons Dazai has so many issues with Akutagawa is because he is projecting his own issues with his lack of empathy onto him. This makes him relate to Akutagawa, but also dislike him beyond how he usually treats people. Akutagawa questions why Dazai's acts of violence are justified, while Osamu is judging Akutagawa: to me it sounds that Dazai sees his actions as at least partly justified because they are "logical" and utilitarian. He puts a difference between him and Aku, as if Dazai's natural instinct is not to mindlessly hurt others. However, it's interesting he needs to draw this line.

I believe Dazai sees a lot of the hurt he enacts on others as either "justified" or subconsciously defensive. "If I don't hurt others, they will hurt me", and he uses this against all kinds of people to keep them in control. In the Dark Era novel, Dazai speaks of Akutagawa like this:

“When I first saw him over in the slums, I was horrified. His talents are extraordinary, and his skill is extremely destructive. Plus, he’s stubborn. If I’d left him to his own devices, he would’ve ended up a slave to his own powers until he destroyed himself.” Interestingly, Dazai was "horrified" at what Akutagawa was capable of, where most things don't seem to exactly phase him. I think something about Aku's capacity for violence even scares him, and he "lashes" out in response to control him.

Later on Oda calls out Dazai's thinking indirectly in Beast, saying that hurting Aku is still bad no matter why he did it. (more on this in the next section) However, it’s very clear he cares for Akutagawa in “Chopsticks and a Spoon”, so I do feel like he’s likely aware of it. In fact, that story contains one of the gentlest expressions Dazai has pointed at anyone, so I think he partially sees Akutagawa as "innocent" in nature, and more like a wounded animal. I'll likely write a post about it. Since Dazai has expressed some lament or even shame regarding him being a person "hated by righteousness", I do think he is a bit ashamed of who he is. This part is a theory: When talking about "No Longer Human", Asagiri mentioned that he felt the book was about "embarrassment". Since Dazai is canonically famously based on Yozo to some extent, I feel that we can guess that Osamu likely does feel some shame - the question is about what. The rare times we see BSD Dazai express something similar to shame is when talking about his moral nature (when he beat up Akutagawa in Dark Era), but it's a "blink and you'll miss it" type of thing. Yozo and RL Dazai's relationship with his father was one of the cornerstones of his work (NLH even ends with him mentioning how he would have been alright if he had a better relationship with his father). Within the book, Yozo feels all sorts of things which make him feel "inhuman", but he is terrified about being open about it due to his strict father who sees him as somewhat strange. Since the theme of "fatherhood" was lightly touched upon when Atsushi's orphanage director died, I do think this is potentially a sore spot for BSD Dazai too. My guess is that Dazai likely had a poor relationship with his father figure, who saw him as "strange" or "inhuman" due to the way he acted: leading BSD Dazai to feel shame over his nature. Perhaps one of the things that made his father see Dazai as inhuman was his lack of typical ethics and empathy. Osamu internalized this - and ended up becoming a criminal at a very young age, perhaps in an attempt to confirm what hurt him, seeing himself as someone who could mostly do bad (which could be one of the reasons he wanted to die so young). Perhaps Oda making a way for him to "act good" was life-changing because of that too - it targeted a specific wound. All of this is speculation, but Dazai did mention that "self-pity leads you to living a life that is an endless nightmare". My guess is he was talking about himself there: and his own experiences with shame. To extend this: I think one of the reasons Dazai is so harsh on Akutagawa is because he is possibly projecting his relationship with his father onto Aku. Akutagawa is violent and troubled, and Dazai was shamed for the same thing. (but it would take a lot of time to work through this theory, so moving on..)

Dazai exhibiting empathy However, Dazai does show empathy for Oda, and a lot of it. I’d go as far as to say that he over-empathizes with Oda, while he underempathizes with everyone else. His relationships with the people closest to him tend to be why some people think he may have BPD. Especially due to devaluation and the "favorite person" concept. For someone with this type of BPD relationship, a “favorite person” is someone they rely on for comfort, happiness, and validation. A FP is a person who someone with BPD relies heavily on for emotional support, seeks attention and validation from, and looks up to or idealizes. For Dazai, this is Oda. On the other hand, In the context of BPD, “devaluation” refers to a psychological defense mechanism or coping strategy that individuals with BPD may employ in their interpersonal relationships. Devaluation involves a shift in the person’s perception of others, where they view someone they previously idealized or held in high regard as unworthy, flawed, or worthless. They become unworthy of their affection and praise. The person with BPD may engage in behaviors such as intense criticism, verbal attacks, withdrawal, or even cutting off contact with the person they have devalued. These actions are often driven by the individual’s fear of rejection, abandonment, or a desire to protect themselves from potential hurt or disappointment. For Dazai, the clearest example of this is Ango. However, a person can exhibit the "favorite person" and project the phenomenon of devaluation without having BPD. In my opinion, Dazai does show heightened polarity in his feelings toward others, but I am not sure if BPD would be my choice for him. It's very difficult to say, as many conditions mask as BPD, and Dazai's expression of empathy is unique.

Dazai idealizes Oda, and deeply sees his pain as his own, while he always frames Akutagawa in a negative light, even though he is likely one of the people Dazai cares about the most (next to Oda, Chuuya, Ango, Atsushi, especially according to Beast). Another example of his heightened negative emotions are Ango, and Chuuya to a much lesser extent. My guess is that Dazai doesn’t deal with caring about people well, especially when they are any sort of “threat”: which is why he tries to “bully” them down. The reason he goes easier on Chuuya than Akutagawa is because he feels Chuuya is in his nature more sympathetic.

In my opinion, the moment Dazai warmed up to Chuuya was when he realized that The Sheep were pushing Chuuya around: he was no “King of the sheep”, he was acting out of empathy and care. Since Chuuya is so powerful, it was likely admirable to Dazai that he didn’t abuse his abilities for self-gain. This is when he decided to isolate Chuuya from the Sheep: and I think the reason above is specifically why

I'd say Dazai is likely "spikey" to anyone he cares about but has less confidence they won't hurt him. There are two camps of people: 1. Atsushi, Oda, Kunikida, Sigma (generally upright, meek, moral at the end of the day) 2. Chuuya, Akutagawa, and lastly Ango (people who are aggressive, challenging, and need to be put down in Dazai's eyes).

He cares about both camps (Sigma is debatable, I spoke of the type of personality Dazai seems to deal with easily in his case), but he likely feels "less safe" with the second type. Mori could potentially go into the second camp - there is some respect and resentment there at the same time. He even talks about this with Kunikida in Entrance exam.

"“I guess. But you, Kunikida, I’ve got a good idea of who you are now, so nothing you do will ever surprise me. I mean, compared with me, you’re just a simple man with a simple mind, after all.”

See? You wear your heart on your sleeve. You don’t hide how you’re really feeling. It’s nice. You know what else is nice? Just knowing that you’re going to be worrying later to yourself, ‘Am I really that simple?’”

“Why, you—”

But I refrain from arguing. Whatever my response, he’s just going to end up telling me, “I knew you’d say that.”

I suppose that being around Kunikida comforts him since he is predictable, yet kind. On the other hand, someone like Chuuya excites him, because he is wild and challenging enough, but is still a good person when it comes down to it. Basically, Dazai is hypervigilant of pain.

Akutagawa is “off the chain” in comparison to all of them. I am under the impression that Dazai can care about people without treating them well at all, and 2 of the people who are at the top of his list (Chuuya and Aku) are people he “seems” to dislike (In Chuuya’s case rather openly in his profile).

It appears that the more “intense” and “unpolished” parts of Dazai’s personality are strictly reserved for people he cares about, but he is extremely selective about who he shows emotional empathy to as it’s such a rare experience for him. He may capable of "cutting off" empathy to protect himself emotionally. It is quite clear some aspects of empathy miss him broadly in Beast, when he appears shocked that Oda would react so strongly to endangering Akutagawa since “it’s all supposed to end well if he survives”. That sentence itself is totally tone-deaf, yet Dazai is acting as if Oda is supposed to take that normally. It’s quite clear that Dazai doesn’t treat Atsushi all that well in Beast either, as he exploits his fears for Atsushi to be totally obedient to him.

I really like this moment, because it demonstrates that even if Dazai does have some point regarding Akutagawa and the way he goes about things, the way he has treated him is still too much – and Dazai can’t exactly convince Oda, a decent person, why this is ever justifiable under any circumstances. There is an aspect of regular empathy that misses Dazai – it doesn’t cross his mind why his actions are inherently bad. Perhaps it is possible that Dazai was treated with little to no empathy growing up, so he accepted that as a model for acceptable behavior. A lot of the time, cruel actions don't seem to even register to him as bad, in an almost innocent way. It's like it doesn't cross his mind that stuff is out of the ordinary. When talking to Oda about this, he was described as "childlike".

However, Dazai shows a lot of extreme emotional empathy for Oda, which tends to be rare for people with ASPD (obviously, all traits of it are on a spectrum).

Dazai clearly feels as if he himself is being beaten when Oda suffers. Furthermore, “Beast” shows that he is willing to endanger multiple people he cares about so Oda could live and write his book. In his words “the me from other worlds doesn’t care about the world” – showing that even though he may “care” about people, it’s really hard for him to fully emotionally connect with others.

This leads him to severe feelings of loneliness and isolation, but it’s quite clear Oda is the exception to this.

Dazai has multiple anxiety attacks when meeting with Oda in Beast and TIPUD:

“I see.” Oda says after he gives it a moment of thought. “I’ll do so then. That is very kind of you. You are a good guy.”

Dazai’s expression becomes distorted.

He opens his mouth, and closes it again, as if he can no longer breathe.

If he tells him everything now, maybe things will go back to how they were. The two of them will go to the bar together and have a toast. Just like that night.

“Odasa…”

Just as Dazai is about to say that name, a train passes by. The express train passing through that station cuts through the silence of the night, right next to where Dazai and Oda is."

and obviously the whole showdown at the bar. Earlier, Oda mentions that Dazai looks like he is about to cry:

An interesting part here is that Dazai gets shocked that Oda would even consider that Dazai could hurt him:

It almost sounds absurd that Dazai, who is known for scheming even against people he likes, would be that surprised someone would expect this from him. This, to me, shows that Dazai does have that underdeveloped, childish emotional side to himself, where he doesn’t understand everything he does. It’s quite logical why Oda, or anyone else, would be consistently doubtful of Dazai, yet he is so used to not caring about anyone, that when he does feel things he is remarkably unpolished and just as illogical as anyone else. I’d say his heart is like a knife that went blunt from lack of use. Since he has no experience dealing with people he feels strongly about, it always comes across very messy – and Asagiri himself often describes him as childish at his most vulnerable.

Furthermore, the lyrics of the song for Beast have these words to say: “Loving you to death won’t kill me Because I don’t love this world enough” And in the Beast novel, he mentions all he has to give to the world is love. I think we can certainly see that Dazai is not emotionless.

To me it seems like Dazai is capable of selective emotional empathy. I feel like one of the reasons Oda was “the one” Dazai attached himself to the most, is because Oda was a struggling man who was also depressed (rather clear the more you read), but he was empathetic and accepted Dazai for who he was.

Him and Dazai had difficulties in common (the guy was a killer as a kid too), yet Oda did his best to be a good person – that is one of the reasons, as Asagiri mentions, why he had an “outburst” when Kyouka implied former killers can’t be good people. Oda was a good person in his eyes, and his role model of “empathy”: someone he wished to emulate. I am pretty sure that Oda became the blueprint for the moral compass he strives towards.

Most importantly, Oda didn’t really judge Dazai when he showed his lack of empathy, while he remained firm in what he believed in.

“Odasaku is the type of person who will never lecture anyone. Because he does not consider himself a superior person who can teach and guide others. However, it doesn’t mean that he has nothing he wants to say. The sentiments that he couldn’t convey in these two scenes were finally delivered to Dazai in the last scene through the words “Become a good person.” Very meaningful scenes when read as a set.”

is how Asagiri described Oda during the exhibit. As Asagiri says, one of the reasons he didn’t tell Dazai anything when he provoked the sniper was his modesty. Since Oda didn’t look down on him, yet showed concern and fully understood Dazai wasn’t just a struggling depressed kid, but someone with serious issues who also happened to be a child – Dazai grew to deeply care for him. Oda didn't shame him, likely avoiding Dazai's hypervigilant sensor for pain.

Selective empathy is common for many disorders – and Dazai, after not feeling “seen” his whole life, ended up making a true connection with Oda. I guess, in that sense – Oda was the one who really reached Dazai’s heart, and since he was the only one who came that close, all of Dazai’s emotional empathy is reserved for him.

In my opinion, the reason Dazai was so difficult to “get to” was that even people who had good intentions toward him never truly saw him.

To see Dazai as a depressed woobie who just needs to be saved is to idealize him – which wouldn’t exactly help him. They’re talking about a version of him that doesn’t exist. If the only way he could be seen as worthwhile was someone seeing him as more “traditionally good” than he truly is, it’s not going to work. He needs to be seen for exactly who he is, and still given a chance to be better.

Likewise, it had to be someone who wasn’t helping him in order to get something from him. I would say that one of the main reasons why Dazai got so attached to Oda was because his friend had no reason to save him, he gave him space, and didn’t even force himself into Dazai’s life.

It was purely altruistic, and for Dazai, who expects the worst from others and seems to fear people’s intentions, this was perfect. One of the main aspects of Dazai's character is his anxious-avoidant attachment style, where he is likely so afraid of potential pain, he pushes others away, or punishes anyone he cares about who might hurt him preemptively. A lot of this is not impulsive, but calculated, which is why he feels a natural resistance to Akutagawa (but relates to him and cares all the more because of it). He understands the self-destructive nature of Akutagawa.

"If I’d left him to his own devices, he would’ve ended up a slave to his own powers until he destroyed himself.”" I believe Dazai likely allows himself to fully empathize with Oda because he feels only Oda is "safe" in this world. The fact that Oda is dead and gone perhaps makes caring for him even safer, as his image of Oda will never change.

Conclusion: I'd say Dazai is someone who is probably extremely traumatized, with a specific emotional profile that doesn't allow him to experience empathy like normal people do - and this is one of the defining traits of the character for me. He is able to isolate himself from normal social pressures and boundaries - and because of this and his extreme intellect, he feels like an alien in this world. A lot of his struggle likely deals with the fact that he dislikes the hurtful person he is, but has difficulty seeing why he should be better - all while he has a distaste for sadism, cruelty and senseless violence in others. In my opinion, a lot of his own cruelty is "reactive": he acts "evil" because he expects the same from others ("evil expects evil from others), and decides he wants to beat them to the punch. He is comforted when he is in the presence of altruistic and empathetic people, because he doesn't have to be what he dislikes (as "enemy" evil will always make him react since he is threatened). In the end, he rationally sees that cruelty is negative, but he still feels it is an effective tool. If Dazai weren't this way, he wouldn't consistently choose empathetic people for his company throughout the story, while acting callous himself most of the time.

A lot of things Dazai does to me feel like he is avoiding hurt, or attempting to "control the pain" he gets in his life. Notably, Dazai mostly lets himself get "bullied" by people he sees as innocent and simple like Kunikida, since "Kunikida will never surprise him" - he knows that Doppo won't cross the line. Ironically, he famously says he "dislikes physical pain", but often gets himself into physically dangerous scenarios.

It's like he doesn't mind pain if he's the one in control (when Fyodor let the sniper shoot him, when that dude from Mimic shot him point blank). Avoidance of pain and control are other keys to Dazai's character. In that sense, I think Dazai was possibly traumatized and learned to almost completely disassociate from empathy early in his life. There are so many theories I could think of here that we'd get nowhere.

It is clear that Dazai is capable of extreme emotional empathy due to his relationship with Oda, and it's possible he doesn't allow himself to feel it in most scenarios due to his avoidant nature regarding pain. However, whatever the reason behind it, it is clear he doesn't feel a ton of emotional empathy in his day-to-day life, and this disassociation from empathy has crafted him into a person who doesn't fully understand "normal humans".

That is why he sees them as fascinating after Oda dies - he reaches Dazai's heart and opens him up to the idea that not all people are unempathetic and cruel - meaning Dazai doesn't always have to be on guard. Does Dazai have ASPD, or is his lack of empathy a result of other things: PTSD, CPTSD, is he perhaps autistic? I can't say for sure, as it could be so many things. Personally, anyone could make an argument for any of these in my eyes. Above, I mostly analyzed his displays of empathy and tried to study which emotional patterns he appears to follow. I think Dazai's character arc has a lot of worth specifically because we see someone for whom emotional empathy may not be natural trying to be good. It's a unique ethical dilemma, and that's one of the reasons I feel in love with the series. Since it isn't natural for him, his efforts mean a lot, and the struggle feels real and genuine.

Thank you all for reading if you made it this far <3 I've taken a lot of posts and translations I've gathered over the years, and I am sure I won't be able to thank everyone, but, I'd like to show appreciation for popopretty, aja154ever and many others for sharing info from exhibitions, databooks and so. Have a nice day !

#bsd #bungou stray dogs #bungo stray dogs #dazai #dazai osamu #osamu dazai #osamu #oda sakunosuke #bsd dazai #theory

198 notes · View notes

writingwithfolklore · 5 months

Text

Following a Trail of Clues

Lots of plots have at least some aspect of figuring out a mystery or uncovering some hidden truth. While it may not be a traditional murder mystery, writing a plot that revolves around the gathering of information and uncovering of clues can be written using a lot of the same techniques.

1. You should probably plan it

If you’re strictly a pantser, give it a shot, but I have never been able to pants mysteries like this. I would recommend planning it from the beginning and saving yourself a lot of time and headaches trying to piece it together later.

2. Start with the beginning and end

When planning a mystery, I start with the beginning, and then skip to the point that they uncover the truth or figure it out and work backwards to fill out the middle. What is the last hint they need to uncover the full truth, then, what leads to that hint, rinse and repeat until we get back to that beginning you created.

For example, say the MC is trying to find their missing friend. The last point would be ‘they find their friend’, so that’s where we begin. Maybe right before that, they’re told the location, to get their location, they’ve kidnapped one of the bad guys who knows it, to get to him, they need to break into the evil lair, to find the lair, they need to spy on the organization, and so on.

3. Diversify the hints

I talk about this a bit in my post about written elements (here), but essentially, you’ll want to diversify how your characters get their hints. It will seem cheap if they find everything they need to know on conveniently spaced notes or journal entries (unless you can really justify that), or it’s all told to them by someone who happens to know it all (such as the ‘wise man’ trope).

Maybe they find the last clue written down, but the one before was told to them from a key character, and the one before was puzzled out through a riddle, etc. etc. Here are some places to find clues:

Someone else knows something

This could be either an ally or an enemy. Family members, friends they weren’t aware of, a hidden partner, seemingly a stranger who knows more than they’re letting on. If they are an ally, there should be a reason they haven’t come forward yet, or justification for why their testimony is where it is in a story. Maybe they are somewhat accidentally guilty in the mystery, maybe they are afraid to be involved, maybe they aren’t aware anything has happened at all.

If they’re an enemy, maybe your protagonists need to corner them, best them in a battle, talk to them away from their boss, kidnap them, etc. Consider why this person would betray their ‘side’ to provide a clue to the protagonists.

Journal entries, notes, letters, ledgers, or otherwise written down

Physical evidence—footprints, pieces of clothing left behind, an object, photos, drawings

Biological evidence--fingerprints, DNA, hair, etc. If your character already has access to the equipment for this, great! If not, consider how they could find this out.

A prophetic dream or vision (use in cases in which it would make sense for your character to have this, obviously)

A riddle, poem, or song, if you can justify it.

An educated guess (for small jumps)

Timing—if they can figure out a timeline, they may be able to figure out something else

Something is missing or off place. That’s odd, character always leaves their book on the bedside table, so why isn’t it there?

Any other ways to get hints or clues to your characters?

#writing #creative writing #writers #screenwriting #writing community #writing inspiration #books #filmmaking #writing advice #hints #clues #following a trail of clues #writing mystery #mystery #detective

399 notes · View notes

francis-writes · 2 months

Note

could you write something about Feyd and Rabban competing for reader's affection?

It's a dream scenario... at least until you actually partake in it. None of Harkonnen brothers is willing to give up and they both are able to almost everything to gain advantage.

(By the way, in this scenario they both fell for you, but it would be possible that one seduces you just to piss off the other; it would be more likely that Feyd tries to win over Rabban's crush just to assert his dominance. Or perhaps Rabban tries to take Feyd's partner to get a revenge for Arrakis and also to at least this time not be the second, worse brother)

They are both rather straightforward but still their methods are a bit different.

Feyd would be more subtle and strategic. He would observe and listen to you to find out what you like and to know more about you. All these informations help him to give you things you may like or to randomly mention some facts you told him to prove that he cares. He doesn't hide his intention to seduce you but he's more subtle in his approach. He tries to use his charm and sweet words to convince you to him. He also invites you to watch his fights because he also wants to impress you with his fighting skill (and he would be happy if you enjoyed the murder as much as him). Feyd is likely to send servants to observe you and tell him what you're doing, whom you're meeting and what you're talking about (as i said, he has yandere tendencies). If there's a need, he will try to manipulate you into a relationship.

Not saying that Feyd's methods are much better but Rabban is more honest. Or simply not concerned with subtlety nor formalities. He tries to impress you by showing his strength and bragging about his power. He spoils you with gifts, not necessarily connected with your interests, he rather chooses things representing luxury and wealth he can give you. He may get a bit touchy - nothing too far but Rabban often puts his hand around your waist or on your thigh or he randomly lifts you up to show his strength (i am sorry, me and my friends sometimes lift each other for fun but now i imagined that considering size difference with Rabban it may look like that scene from lion king and it's too funny. I may draw it one day). He also wants to suggest that he can make you happy but uhhh idk if talking about his previous romances (with all intimate details) is a good way to do it.

Their rivalry goes on behind your back as well and it's even more ruthless. They threaten each other both with violence and blackmailing, there's also perhaps a few physical fights.

At one hand, they both often make sure that you aren't alone with the other. At the other hand, you can't spend time with them both at once because of the tension. They try to stay calm and make good impression but sooner or later (usually sooner) there starts a little squabble. They start mentioning each other failures or embarassing memories. After some time Rabban can't control himself and starts yelling, meanwhile Feyd-Rautha looks coldly at him as if he barely holded himself back from murdering Glossu.

By the way, of course Baron would quickly notice this competition but he wouldn’t interfere as long as the situation isn't out of control and as long as brothers' fight for your feelings doesn't disrupts his plans. Moreover, he may even use this occasion to turn them against each other even more and manipulate, perhaps promising help in winning your affection.

No matter which one you choose, the other one is P I S S E D. Probably they won't try again after you rejected them and hurt their pride (unless...?). Rabban will just be bitter and angry seeing you with his brother, he may start avoiding you or lash out when you meet. Feyd-Rautha on the other hand will just claim that you have bad taste and it's your loss, but he still becomes cold and distant. He may plot a way to take a revenge on you.

Also, you can't choose both. Both are pretty possesive and wouldn't share you, especially with each other. And if you don't want any of them? You are fucked. They reconcile temporarily just to get a revenge on you for rejecting them.

#feyd rautha harkonnen #feyd rautha imagine #feyd rautha x reader #rabban harkonnen x reader #rabban harkonnen #beast rabban #beast rabban x reader #dune imagine #dune 2023 #dune part two #harkonnen x reader #house harkonnen

233 notes · View notes

schrodinger-swriter · 2 months

Note

if u havent already can u write hcs for Lucifer w a artist s/o? it’s totally ok if u cant but like imagine him opening up random cabinets to grab something only to see a doodle of him on a sticky note!

or finding drawings and painting of him on your table that you were planning to give him 🫶

Lucifer x Artist!Reader

Once more I hope you guys don't mind me bouncing around in the requests, usually I would answer them in the order they've been sent in but I've just been feeling... off as of late.. I think I might write down everything then close down the inbox until I'm caught up and at least had a day to rest. The mental illness is getting rather up in arms lately..

Moving on! I hope you enjoy, Anon!

You two trade ideas, as creatives. He does seem like he would be into painting as a medium alongside making his ducks. Though, art is more so your thing in comparison to him. He simply doesn't have enough time or energy to put pen to paper; too absorbed in getting the quicker satisfaction that comes from his duck crafts.

He keeps every single doodle you've left around the house, it may seem like a small gesture but the fact that you care enough to leave him notes to remind him how much you love him and reminding him to take care of himself means a lot to him... One day he wants to return the favor, but he just doesn't know how yet exactly.

He gets you the very best materials that he can get, which... is very likely anything that can be thought of. Water colors, oils, acrylics, anything and he'll get it for you. Borrowing from the Writer!Reader post he makes hand crafted things for you every now and then. Handmade sketchbooks and colored pencils, as well as making new paints with you. Finding ways to make the pigments together is nice! It allows you both to spend time together and experiment.

As for the drawings you make to surprise him.. he has to fight himself not to gush to you about how much he loves them. He wants you to still be able to surprise him, so as hard as it is he's going to at least attempt to be quiet about it... for now...

#hazbin hotel x reader #hazbin hotel x you #hazbin hotel imagine #hazbin imagine #hazbin x reader #hazbin x you #lucifer x reader #lucifer morningstar x reader #lucifer morningstar imagine #lucifer imagine #lucifer x you

231 notes · View notes

moonclade · 10 months

Note

Hello! I was wondering if I could request a Percy Jackson x (gn) reader x Annabeth Chase, basically Percabeth x reader, where reader is an absolute insomniac and hardly goes to sleep at night? Maybe Percabeth trying to keep reader company/going on a night adventure/doing something until they all collapse on a couch and fall asleep or just reader staying until Percabeth falls asleep and trying to get away but getting pulled into bed by them too? Hope it's not too complicated, thank you!

note ー i don't know if you want them to be in a poly relationship, so i will make being in a relationship or not up to the reader! i also was trying something new with this writing style so this may sound different.

not proofread || lowercase intended

1.9k words

you were a zombie, wallowing in your own serene melancholy.

wandering every night around your cabin, your soft footsteps mixing in with the sighs and snores of your half-sisters and brothers.

you envied the way they were able to dream so peacefully, their bodies enveloped and cozy in their rumpled sheets.

yours were different, devouring you whole and seeming like a cobra the way the blanket would slither around you and leave you uncomfortable and unable to spend more than a few minutes lying in bed. a cage in the form of white linen.

eventually, you'd start sweating, the droplets running down your back and head, soaking your shirt and leaving you in desperation to put yourself to sleep.

this then led to you pacing back and forth, attempting to tire yourself out enough to slump over and finally meet the sweet embrace of sleep. it was a clockwork cycle.

the gods seem to be taking pleasure in your struggle, because your silent pleas kept going unanswered. you cursed them out internally, especially your parent.

a sharp knock at the window piqued your interest. two figures were there, illuminated from behind by the moon, causing their features to be unnoticeable.

you walked over in apprehension, before noticing annabeth's telltale ponytail and calming down.

percy points towards the door, locked after the ares cabin managed to sneak in and give everyone a "surprise". it took you days to get the terrible marker drawings off your face.

you hurriedly rush outside, not wanting to be alone in your misery anymore.

"what are you guys doing here?" you hissed, eyes darting around to make sure no one was outside as well to notice the three of you.

percy and annabeth exchanged a glance.

"well, we're worried about you," annabeth fiddled with the garnet coral on her necklace. not in a nervous way, but on instinct.

"worried about what?" you chuckled nervously. it felt like you were in an intervention session, the way they kept communicating silently.

"you haven't been sleeping in days." percy holds a finger up when you attempt to argue. "we can tell."

your head dropped, not bothering to dispute his claim. it was quite obvious, with the way you weren't able to keep up in training as well as you used to, your movements lethargic and reaction time slow enough that a snail could probably manage to slay you down.

in fact, even chiron came up to you asking what the problem was. you brushed him off, saying it was just you not being able to sleep at night and downplaying the whole situation. he tried pressing on, but you had cut him off by saying you had an arts and crafts class to help the apollo campers teach, bolting away from the scene. you slightly regret it, knowing that he most likely had a solution.

you would've thought that at least annabeth would've abstained from the idea of sneaking out to your cabin, but here she was. a sheepish shrug was all you earned when you raised an eyebrow questioningly.

"we care for you," annabeth reasoned. "we came to check up on you, it has to be boring in there all night."

you nodded, letting out a sigh. "thanks for coming, but what are we even going to do? it's not like we can stand here all night."

the duo swapped looks once again as if they didn't think that far ahead, which was surprising on annabeth's part.

"it was kind of a spur of the moment decision, y'know." percy began, until his eyes lit up. you didn't like what that implied.

"the lake!" he dragged the two of you by the wrists before you could begin to form a thought about the myriad of things that could possibly go wrong. you shook off any apprehension, and followed as best you could.

he was literally the sea embodied, and she was wisdom defined. you didn't know why they bothered with you in the first place, but you loved them. maybe the gods really were on your side.

a smile grew on your face as the three of you rushed side-by-side through the veil of darkness. at the pace you went at, canoe lake soon came into view.

the moon was lucent, reflecting off the still surface of the pitch-black water. you decided to stay on the boardwalk, not trusting your arms not to give out as soon as you hit the water. of course, percy was always there to help out, but you didn't want to bother taking that risk. plus, you didn't want to get back into your bed soaking and smelling of wet grass.

the son of poseidon was having the most fun, splashing around, sporadically throwing buckets of water your way. whenever he did, you would grumble and slip your hand into the water, retaliating. not that it did much, considering he was already in the lake.

annabeth stayed near you, casually watching percy act like a kid and sometimes poking fun at him with you. after a bit, she strayed away to play mermaids with him.

the sight of them diving underwater and resurfacing, every time with giggles following them. you pouted in jealousy, wanting to play mermaids as well.

in a split second, without ruminating over it any longer, the icy liquid encircling you and nipping at you as you manage to break the surface of the water. the once tranquil water was now choppy and loud, the current the only thing you could hear.

you felt as free as the river that led into the lake. unstoppable and unyielding. all your doubts had been washed away with the water, and the drowsiness that had been a heavy weight on your shoulders had been lifted, even if it were for those few moments.

percy and annabeth swam over to you, not wanting you to waste the last bit of energy you had left.

"weren't you just complaining about how you didn't want to get wet?" percy lifted an eyebrow in question.

"nothing will ever make me pass a game of mermaids," you toothily beamed.

or so you thought.

after nearly ten minutes of splashing and cackling in the water, you were worn out and the excitement had drained out of you. the two demigods noticed, due to the fact you began to make your way slowly back to shore alone. you didn't want to ruin their fun with your problems, so you had left unannounced.

percy quickly came over to help, annabeth trailing behind. wrapping a toned arm around you, he managed to singlehandedly get you back on solid ground. once you made it, you immediately laid down, staring up at the duo.

"you know, we could always play mermaids some other time. you didn't have to come in the lake," annabeth sighed, her cloudy eyes shining in concern and brows furrowing.

even when she was drenched, she managed to look effortlessly beautiful. aphrodite surely blessed her.

"you're staring," percy teased once he noticed your watchful gaze on her as she wrung water out of her hair and clothes.

your face heated in embarrassment, and you averted your eyes to the forest in the distance as if something interesting was going to appear. "i spaced out."

he gave a lopsided grin in knowing. "whatever you say."

a cold breeze caressed your skin, sending shivers up your spine. this didn't go overlooked, as annabeth acted and offered you a spare gray jacket she had brought along.

"it's your jacket, you're going to be cold," you refused her offering.

"i won't." she went against your wishes and draped the jacket over you. "we'll just go inside for a bit, and i'll warm up."

you grunted, but still kept the jacket on, slipping your arms through the sleeves. it was warm and smelled like lemons, a welcome change from percy's bitter seawater smell.

as the three of you made your way back to the cabins, you opted to stare at the glimmering stars in the sky. you'd stared at the bright dots every time you couldn't sleep, memorizing each constellation as a way to make the time pass faster. you hoped that eventually, you wouldn't have to study the sky for hours on end.

"you gonna keep walking?" percy called out to you, and you realized you had walked right past annabeth and percy. dashing back towards them, you realized that they were waiting right in front of percy's cabin.

"well, i guess i'll get going then," you awkwardly pointed behind you, believing that this was the end of the night.

"no, no. you're coming inside," annabeth gestured at the open door.

once again you were in a dilemma of what to do, but again decided that the punishment was not going to be worse than the reward. besides, all you were going to do when you got back to the cabin is mope around until the sun peaks over the horizon.

walking in, a briny scent slaps your face. you didn't hate the smell, but rather found it comforting every time you walk in.

"you can lay down, you looked really tired a while ago," he nodded towards his bed. not objecting, you throw your heavy and exhausted self onto the mattress.

"why is your bed more comfy than mine?" you grumble into the pillow.

"maybe i just deserve it more," percy replied, earning him a middle finger from you. he chuckled.

it went silent for a bit, the two no doubt doing their secret language made up of different stares and hand movements. you didn't bother turning around to check, until a weight pressed down on the bed on either side. you flip yourself over, and see percy and annabeth climbing into bed with you.

"wha- there's not enough space for all of us." you muttered. no one paid mind to your statement, and still sandwiched you in the middle.

"oh really?" percy smugly said, happy to prove you wrong. you simply rolled your eyes.

somehow they had managed to fit on the small bed, and that's when you decided that you should be going back to your own bed. you sat up, and began to slide the sheets off your body, before percy stopped you.

"where are you going?" his arm caged your torso down to the bed, and you fell back in instantaneous acceptance that you were not escaping. you were close enough to hear his heartbeat, the steady cadence keeping you relaxed.

"everyone's going to wonder where i went." you pointed out. usually everyone woke up to you sitting up in bed with the most restless but also, ironically, drained expression on.

"we can deal with that tomorrow," annabeth began playing with your strands of hair, ruffling them. she remembered that you loved the feeling of fingers running through your hair, and that it reminded you of you parent.

"fine." that was the last word spoken that night.

you listened as annabeth's breaths turned slow and shallow, soon followed by percy. her hands went limp in your hair, a little crown around your forehead.

normally, the heat of being in between two people as well as a blanket would drive you mad, throwing you out of the bed and looking back up to the endless canvas of night. but this was different. hedged right between the two people you love right after a night of doing something other than feeling pity for yourself changed the game.

slowly your eyes shut, their warm embrace slowly lulling you to the blissful reward of peaceful dreams.

#[🌙clade]#guess who hates this lmfao 😝#percy jackson #percy jackson x reader #pjo #hoo #hoo x reader #annabeth chase #annabeth pjo #annabeth chase x reader #annabeth x reader #percabeth #percabeth x reader #x reader #booklr #percy jackson and the olympians #percy pjo #demigods

551 notes · View notes

yandere-kokeshi · 10 months

Note

Hey, I only really need some short headcanons for this (but of course make it whatever length you want), but miles with a s/o who loves to cuddle and physical affection🥹 whenever going to bed, laying on his chest or opposite, holding hands, hugs, sleeping with ur head on his lap or opposite and hair playing and sorry im getting carried away ☹️

Thank you tho! always love whatever u write, I also do see that you’re not super touchy so if you don’t feel this one then that’s ok :)

Warnings: yandere behavior

A/N: Hi :)! You're not getting carried away and you've made me realize something. I don't usually write touchy readers due to my own experiences. I don't like being touched. I only like receiving gifts or words of affirmation.

But I know that touch is a huge part of relationships to some people so I hope you enjoy this. Ty for the request darling <3

In the beginning, Miles would slightly freeze up whenever you touched him. He wouldn’t know what to do other than touch your back but with awkward hands. Sweat and goosebumps appeared on his skin.

But the more you were touchy, the more Miles gradually began to acknowledge and swing around to your boundaries with touch.

He loves how affectionate you are. It makes him feel loved and appreciated. Sometimes being a hero is draining, and sometimes he just needs to be held, someone that can let him cry and tell him everything is okay.

He’s the definition of clingy. This boy cannot live without touching you in some way. He has to be kissing or hugging you, and at times, he may be overwhelming. When you least expect it, Miles comes behind you and kisses you, holding you as his hands fiddle with your shirt. If he could, he’d want to Koala hug you 24/7.

Whenever the both of you walk around Brooklyn, he always holds hands with you; his hands swinging back and forth with yours as he rambles on what to do. Occasionally, he’ll hold pinkies if he feels that his sweaty hands will gross you out.

Cuddles are really important to him. Never in his life would he deny your requests when you ask for them. The second he gets to your/or his apartment, you can bet that he’s scooping you up and making you lay on him on a bundle of blankets, wanting to know about your day.

With him on your lap, he doesn’t mind it. He’s more than happy to lay on your lap and let your fingers playfully boop his nose as he talks about things. However, Miles does like it when you’re on his lap, especially after a hard day of socializing.

Being able to run his fingers over your face, tracing your face, and watching you read a book, or be on your phone makes him realize how lucky he has it. By the time his mom comes in to tell him about dinner, both of you are passed out on each other.

When in his room, he loves drawing you whenever he has the chance to; although, he tries not to do it when you are in sight. In his sketchbook, he has a bunch of colored pages and thick pencil drawings of you in different areas and poses. Most things he draws of you are sleeping, smiling, and doing something funny on the same day with him.

If you by chance forget to hug him or kiss him before you leave, that entire day he’s thinking he did something wrong — Miles is chewing at his fingernails, gets snappy and grumpy at anyone, and sadly overthinks.

By the time he sees you again, he asks you straight up. And if you reassure him that you’re not? He’s so relieved that he’s on the verge of crying. He makes sure to hug you tightly, whispering in your ear how you scared him, and don’t do that again. He relies on your touch as comfort.

Gives you a bunch of piggyback rides. No matter what time or how many people are around, Miles is instinctively grabbing you and putting you on his back.

—

Masterlist || Please consider reblogging and commenting instead of liking, it helps me as a creator!! Stay well!!

393 notes · View notes

chronicbeans · 1 year

Text

Wally and a Puppeteer Reader (part 3)

My brain has gone on with this idea and I love where it is going. Yippee!

TW: Obsessive Behavior, Stalking, Scopophobia/Eye Imagery, Idol Worshipping

🎥 This has gone on long enough! In just a few weeks since that interview, the letters and pictures have increased tenfold! You keep finding Wally in the oddest of places, like on your desk, in the lounge, or even next to your locker. It constantly feels like eyes are watching you.

🎥 Even the contents of the letters are getting stranger. They were always odd and creepy, but at least before they had lighthearted words in them. Now they're saying things like "You're the air I breathe and all I see. You make my days better or worse. You keep me warm and keep this neighborhood bright! Please, never abandon me!" It's all written in that messy crayon writing, too, which makes an eerie contrast to the words that makes you sick. It seems so childishly unaware of how disturbing the words are when thought about for too long.

🎥 The drawings aren't much better. Nine out of ten times, they include you in some way. From the pictures just including you, including you and the characters from Welcome Home, to - worst of all, in your opinion - you in real life places. You sitting at your desk. You sleeping in the lounge. You getting a cookie at the snack stand during the interview. There's even one of you putting on your coat at the lockers. The drawings may not be the highest quality, but they are detailed enough to both be recognizable places and to alarm you.

🎥 You have an idea of who it might be. It's gotta be Wally's voice actor. They were his puppeteer before their arthritis kicked in. They just couldn't move their hands enough to properly puppet him anymore, always complaining that it hurt, despite the medications they took. But, the producer did decide to keep them as Wally's voice actor, saying that nobody could replicate his distinct laughter, tone of speech, and voice pitch. Despite this, Wally's voice actor was properly ticked and hated the fact they were replaced. They're always acting passive aggressive towards you. It must be them, probably to try to scare you away.

🎥 Today, you have decided to confront them. Marching over to their recording booth, you knock on the door. When they open it, they have that signature glare that would put even Frank's to shame. Before they can even ask what you want, you tell them all about what has been going on and how you know they have been doing it. They have to be behind it. All of these drawings and letters have Wally's signature writing and art style. The only person that knows Wally more than you is his voice actor. It HAS to be them!

🎥 They grow silent, before looking at the pictures and letters. Then, they look up at you and say, in the most matter of fact tone "I haven't been able to draw or write anything in character for a YEAR, (Y/N). What makes you think I would put myself through the pain of trying to replicate it after all this time, with my horrible joints, just to frighten YOU, of all people? You aren't worth my time, much less my comfort. You got any other evidence to accuse me of this... Whatever this is?"

🎥 You grow silent. To be honest, thinking back on it, it really is a stupid idea that they would do all of this to scare you. If they couldn't even muster up the energy to go out of their way to verbally confront you, then it would be shocking for them to put the effort to write and draw things to do so. You still have one more question, though...

🎥"What about the voice I've been hearing? It sounds just like Wally. You are his voice actor. You have gotta know something."

🎥 Their eyes grow wide. Then, they shrug "The one that has been saying things about... well, something. It's always a bit too muffled to hear exactly what it is. I thought you somehow improved your Wally impression and were practicing in order to replace me completely. Your impression may be off enough for the producers to care, but it was always the best one here. You're telling me you aren't the one making that voice?"

#welcome home #wally darling x reader #wally darling #welcome home arg #welcome home x reader

930 notes · View notes

wisecrackingeric-2 · 4 months

Text

LONG ASS MESSAGE UNDER CUT!!!!!!!!!!!! ITS A MASSIVE THANK YOU TO EVERYONE!!! I’ll tag everyone whose made a star for this drawing in the replies- if I’ve missed anyone or if you wanna be added, PLEASE LET KNOW!!!!!!!

At the time of writing this, there’s about 40 minutes let of 2023, and I’m VERY DETERMINED to get this posted before 2024 so I am in a bit of a rush so alas, this may not be as well-written as I’d like it to be but that’s the price I must pay alas HDNEHENEJDN

I wanna start this by saying I’ve always had a lot of anxieties surrounding the New Years, and things changing- even just seeing posts that were from the year prior always seems to give me anxiety. Things change, people move on, while I stay with the same interests- it’s always been something I’ve struggled with, but making this has helped me come to terms with all of that and I’m glad.

Theres no better words I can say right now other than; Thank You. Thank you so, so, SO much to my friends, both new and old- my friends who’ve been here since the very beginning and have stuck by me through this whole rollercoaster- and to all of my new friends, who it sometimes feels like I’ve known you all for at LEAST five years and not like, five months or something HDBWHNWUDNDHDJS thank you to everyone who has ever been kind to me, supported me and enjoyed what I’ve created- I’ve recieved probably the kindest words I’ve ever heard in my entire life this year. Thank you to the people who stuck by me when times got tough and helped me through my own seemingly very insignificant or silly problems HDNEJENSK

This year has easily been one of the best years of my life. 2022, to keep it short, was awful- I came out as a Transgender gay man to my parents and it went awful. I was dealing with the worst mental health of my entire life and there were times it felt like there was no hope. On top of all of that, my childhood dog passed away- so all and all, I wasn’t looking forward to the future. But my loving partner introduced me to Resident Evil, and as a result the community as a whole- and to say it changed my life would be an understatement.

I know it’s obviously no secret that I have a favourite character, Luis Serra Navarro- but to say his character has changed me as a person for the better would also be a MASSIVE understatement. I’ve never ever in my entire life resonated with a character so profoundly before- as a queer and trans man, I saw myself reflected in his performance, and that means more to me than words can even describe. His character encapsulated me in a way no other has done before, and genuinely helped me accept my autism, my queerness and my trans identity as a good thing- I could write absolutely ESSAYS on his character and I have. I’ve consumed more Don Quixote media than I think I ever would have otherwise HDNEHENEJD and to say I’ve genuinely become a more confident and happier person because of his character would, again, be SUCH an understatement. It’s truly hard to describe how much he means to me, but I hope my words give a good idea.

For the first time in a very, very long time, I get to look forward to my future. I don’t see my Queerness or my Trans identity as a setback anymore; I have things to look forward to, plans I’ve made and a future I can look towards. And I cannot thank my friends- all of you know who you are- André and Andrea and everyone in my life and this small little community I’ve unintentionally formed for giving me that opportunity. Words will never be able to describe how grateful I truly am, but I hope this is close enough.

Thank you for letting me fully indulge in my autism and enjoy Luis’ character to the fullest. I’ve never felt happier enjoying something in my entire life.

Thank you everyone. For everything. May you all successfully defeat your own windmills <3

189 notes · View notes

nights-at-crystarium · 8 months

Text

You know what, I assume that people always read my pinned, or notice the pointer "new reader? start here" in every new Fragments' episode. I might be deluding myself. So hi hello lemme TALK ABOUT MY COMIC.

Before I get too rambly (and I mean RAMBLY), here's a quick intro. Fragments is a comic focused on feels and slice of life, made by a queer guy, aiming to ~character study~ the main cast (Vivi, Raha, Alisaie, Feo Ul) and fill in the gaps in canon (or linger in canon moments that needed more air imo), the tone ranging from angst to fluff to meme. Good punches require a good windup, so please don't expect angst anytime soon :3c

The story's segmented (fragmented, heh) into episodes. Episodes 1-11 take place in ARR, you can enjoy them with no worry about spoilers. Episode 12 onward is ShB, with all the spoilers and lorebending.

My storytelling style assumes you haven't only played through ShB, but know it like the back of your hand, i.e. it's for nerds and thinkers. Of course there's plenty of silly moments that don't require any deep knowledge, but the overarching story does. Often I skip canon events, only hinting that they took place, simply because I don't wanna retell the msq 1:1, I've got plenty of original scenes waiting to be drawn. You're in for a treat if you like obsessing over emotional and moral implications of things. And, yes, this's a story about a morally grey mc. Don't expect to be spoon-fed "and this's why that thing's bad, kids".

Currently I've outlined all the main story beats up until post EW, so it's like, not being winged as I go. Yes I refine things here and there, but I know where I'm going. I'm going ham!!!! With the lorebending post ShB. Initially I didn't plan to, but the more I learned about Vivi and personally grew as a writer, the more courage I got to "divorce" from canon. The general xiv story may still be good wherever it's headed, but it's not suited for an established wolgraha, so I'm making food for myself.

Everyone imagines the lil scenes from their wol's life, I'm taking that a tiiiiiny step further. Fragments tells a cohesive story that's looking to be the longest project at least in our corner. I can and will hyperfixate on this for years.

I started out just like many others, being hit with ShB like a truck, I wanted to put a catboy under a microscope and rotate him forever. Although I'd already been drawing for decades, I didn't have the comic-making skills yet, or eloquence to write the dialogue, so I spent the first half of 2022 self-studying, just because I needed a mouth to be able to scream about my ship.

Vivi didn't exist prior to my obsession with Exarch. He was made for this, he started out as a reagent (or a foil, now that I know fancy writing terms) for a rich and fun chemistry, and keep myself entertained for years, first and foremost.

Me, a fool: okay let's make a guy that falls in love with Exarch in this particular moment, what kinda life must he have led to- Me: ....oh no

The chemistry quickly bubbled up and exploded in my face, involving not only Exarch, but other characters (first as a means to subtly tell about Vivi, then they also demanded their own screentime), and here I am, sitting with a massive script on my hands, drawing my blorbos every day. Thanks for enabling that btw.

I care about characters a lot. I ask a lot of whys and hows. I'm critical-minded and burned on many bad stories that did their characters dirty, and I wanna be an opposing example. What I'm doing is extremely ambitious and risky, yes, but I can only invite you to tag along and see if I stick to my word.

The internet's a cruel and unforgiving place nowadays, and here I am, pitting my passion against what feels like decaying humanity. I'm making this comic to keep myself happy above all else, being sincere and cringe because life's too short to be anything else.

Thanks for reading this, and if you haven't yet, read Fragments here!

#ffxiv #vivien rell #crystal exarch #g'raha tia #wol x g'raha tia #wolgraha #own: next lvl #fragments talk

303 notes · View notes

the-cat-and-the-birdie · 2 months

Text

I don't know who needs to hear this, but you should make an OC.

You should make an OC. Specifically a Spider-Sona. Like now. Preferably yesterday. [A MEDIUM-LONG essay about OC's, fanfiction, and how to enrich and better your writing skills in literally every sector. Throughout this essay I reference my two characters Disco-Spider and Inca-Spider as examples of the way OCs can be used.]

_________________________________________

"But no one cares about OCs -"

OKKAYYYY??

IDK about ya'll but fandom is NOT my final destination no siree

I feel like a lot of the time we get so caught up in posting and notes we forget that for many artists and writers on this platform - fanfiction is not the true end goal.

Many of us write and draw fanart for years -

But the fact of the matter is if you want to be an author someday, if you want to be a graphic novelist, an animator, etc, etc - You're going to HAVE to make OCs.

If you want to study English in college or publish books - you're gonna have to write an OC at least once. If not hundreds of times.

If you want to study art - chances are at some point you're gonna have to fill a portfolio with original pieces, including some of OCs.

If you want to do something with your writing, if you want to get better - or make a career out of your art, you HAVE to make OCs at some point.

And this is especially true for fanfiction writers.

You can get very very very good at writing in your specific fandoms, you may have the emotions of the characters on point, and the ability to describe the scenery.

But if you don't know how to create and design a character - if you don't know how to worldbuild, or come up with scenarios without the help of characterai and ChatGPT - you won't be able to write a book.

If you're an artist and you don't know how to draw an original character from scratch, how to match colors, how to draw certain skin tones, certain hair, wheelchairs and mobility aids, how to design a character from looks, to clothing - it's going to be so hard to expand your art outside of fanart. You'll always be beholden to the notes and popularity of your particular fandom.

Do it - even if you've never written or never draw before. Even better.

That's why I CHAMPION Spider-sonas so much. They're basically OCs on easy mode.

Can't write backgrounds yet? Here's a bucket on canon events to pick from? Can't draw faces? Blank mask with eyes.

Hell, if you're really really new about it - just pick a character and make a slightly different variant. Make a Hobie of your own, make a Peter variant. Make a Mary Jane variant. Pick a something you like and turn that into a character.

Can't write? Just fill-in the 'My name is [blank], I was bitten by a [blank]' script that Miles does. Can't draw, just draw out a basic shape of a body and color-out the suit, no fancy pose needed. That still counts!!

Make a self-insert. Make yourself fit into the story, design your suit, write out how you fight crime, how you'd act at the Society, meeting Miguel or Miles.

That's still character design, that's still worldbuilding.

We always hear people say 'Make art for yourself' and yeah that sounds nice - but people also misinterpret it.

Make art for yourself doesn't just mean making art that you personally like.

Making art for yourself also means making art that develops your skills even if no one gives a fuck. It's about making art as practice without the intention of it being 'completed', making OCs that never get used, drawing locations you see or writing a random ass short story then shoving it into your Google Drive forever.

Making art for yourself means making art that invests in yourself.

It means making art that interests you, challenges you, or helps you develop.

And making OC's helps develop your fanfic writing skills.

In may fandoms we begin to fall into these routine 'tropes' between characters and their personalities. This is usually known as the 'fanon' characterization.

Because when you have a set amount of characters and people, there's also a set amount of interactions and relationships between those people.

Writing OCs and having those OCs interact with canon characters allows you to dig deeper into sides of the canon characters we'd never otherwise see.

That's why I wrote Disco-Spider Diane like I do. Often, we see Hobie characterized as the chaotic, rowdy, confident type - which is perfect characterization for him. But in almost all of his interactions - he's the wilder, bolder, extroverted one. I wanted to put him in a situation where for once, he was the calmer one. I wanted to explore more grounded and chill sides of Hobie, one where he's the one grounding the other, and thinking logically - because in canon, we're hinted at a side of Hobie who's way more methodical and slow-paced and willing to stop and wait it out and play it off. And I wanted to see that. I wanted to explore what he'd do if he was faced with someone just as chaotic, who put on a cheeky ironic act - just the same as him.

Because no other characters serve that purpose in canon.

If there are elements of a character or concept you think are interesting but outright ignored by canon and fanon, you can create an OC to explore those parts.

For Disco-Spider: I wanted to explore how someone like a militant Black Panther would handle being Spider-woman, when Spider-people are usually shown as pacifists - what that would look like or how it'd shape her morals based on era, etc. For Inca-Spider: I realized there were so many culture based Spider people like Pavitr and Spider-UK. But none for indigenous communities, and NONE from countries that only existed in other universes. So, I created an indigenous character from Tawanti - a country that's located where Peru would be for us.

You can give a canon character a sibling, to explore how they'd interact with family. Give them a partner that acts totally different than their canon partner, write how that'd change the way they show love.

OC's make your original writing better, AND your fanfiction writing too. They can help you understand canon characters on a deeper level.

And sure, nobody likes your OC. NOW.

But every single character you write about, is someones OC. Every character you write about was once treated that way. Once upon a time, Dean Winchester was just some rando character in the pilot script of a show that hadn't picked up yet. Probably no one gave a fuck until CW picked it up.

The writers had to not only make him and develop him - they had to BELIEVE in him enough to pitch him to a TV show channel to make people care.

That's always the first step. Believing your character's story is worthy enough of being told and presenting it as such.

ESPECIALLY if your OC represents a demographic you don't see represented. Cause yes if there isn't any black women in canon then I'll Thanos this shit and do it myself.

Make OCs.

Write them. Draw them. Even if it's bad. Who the hell cares. Big Mouth is on Netflix with multiple seasons, have you seen that show?? 'Ugly' art is not a crime.

Make piccrews, fill out OCforms or take quiz's as them. Write little blurbs of them hanging with canon characters then post it in the tag.

You don't need a huge Spidersona sheet or a long long fic explaining their backstory. They can just be there.

MAKE OCs.

Make them to explore more in your fanfiction, make them so future you can write that novel or draw or that comic or sell those prints or whatever it is you plan to do.

Make it so your fanfiction AND original writing can grow stronger. It isn't just about notes and content and follows.

Make an OC. Make a Spidersona. Literally you have nothing to lose but your chains.

"Nobody cares-"

Oh they'll care when you pop out with that 6-book publishing deal. They'll care when you're designing big characters for movies. Cause that's how it happens. Watch.

ANYWAYSSSS if you made it this far I hope this inspired you to at least play around with the idea of OCs and Spidersonas in general.

Here's Hobie.

BYE.

If you want to make a sona and are kinda lost on where to start, lemme know!! Because I think they're amazing starting places for those who have never written or drawn before. Or if you have a sona but want to develop them further.

I haven't seen a guide to spidersonas and i wonder if that's something some people might want/need.

Seriously if I can even get one person into writing or drawing I'll be over the goddamn moon.

MAKE OCS PLEASE.

144 notes · View notes

johnbleepingzoidberg · 1 year

Photo

UNTITLED EVIL LUIGI AU COMIC THING | Page 2 & 3 of (???)

Eggman Bowser’s come to make an announcement. Particularly to shut down any premonitions Mario may be holding onto a little too tightly. Bowser and Mario are able to set aside their differences (for now, at least) so that they can work together on a common goal-- figuring out where the hell Luigi is.

(A/N under cut)

---

believe me when i say i really wanted to link all the pages together in a neat, practical way so that everything would appear more organized than it actually is, but tumblr hates me and won’t let my posts show up in the tags if i include a hyperlink of any kind. :D

i read somewhere that tumblr only disallows posts from showing up in tags if it includes an external link (vs an internal/link to another tumblr page), which, in theory, shouldnt be an issue since the pages i’d be linking to are also on tumblr but regardless it’s not cooperating with me anyway. i’ve been on tumblr for what feels like a million years but this is the first time ive tried to make my posts cohesive like this so if anyone knows how to fix this issue im all ears 🙃 for the record, everything related to this au will be going into the following tags on my blog: #my art, and #evil luigi au. we’ll just have to sort things that way for now, i guess 😭

i start work tomorrow so can’t say when there will be a new page but i do have a lot planned out already. so hopefully i’ll be able to continue what ive started for at least a handful of more pages 🤠 next page will be fun to work on. for a bowuigi-centered story, where’s the luigi?! he’ll show up soon. just in the form of a flashback for now though 👀

also sorry if my handwriting is evil. it’s just personally easier/faster to write out everything by hand than type everything out but i may try to type the next page’s dialogue to see how it goes and to see if it makes things look ✨cleaner✨

(also also i spent so much time trying to figure out how to draw them doing a handshake for the “truce” panel. i ultimately failed. therefore.... fist bumps LMAO)

#bowuigi #bowser x luigi #bowser #mario #super mario bros #super mario movie #bowuigi comic #my art #mine #evil luigi au #remember how i said last time there will be absolutely no consistency to this in any sense of the word #these 2 pages really showcase that LOL #love how i go from drawing bowser with a full set of teeth to like. 3 #maybe i really should consider typing out the text thatd probably help #anyway i hope i can keep this going for a bit #i do plan on writing an original comic someday so this is good practice/is a good confidence booster for me #i love drawing bowser holding teeny ass cups. it is so funny to me. why #also working on trying to better distinguish this story from mr L's story #because when i started it i did not really know about the whole mr L thing LOL #so im hoping it doesnt seem like im trying to like.......rip off that whole concept #that would be sad :(

1K notes · View notes

Last Seen Blogs

thegreat-gaspis-feelblog

The Great Gaspi's Feelblog

hildcit

Hi! o/

iheart-mandy-blog

my wonderwall

inastracaput

i've loved the stars too fondly

the-memory-project-blog

Advice Blog