Tumgik
#puss in boots analysis
araminakilla · 1 year
Text
Regarding Death Wolf...
Hear me out (NO, it's not the kind you are thinking)
We know Death has a job, right? To collect souls and most likely release them to the afterlife.
And for this job, he has to be there when somebody is about to die, as demostrated with him being there moments before Puss' eight death.
Supposing he is THE Death and he has been doing this since the beginning of time (or at least when there were enough stories of the Grim Reaper to adquire a physical form) that means he has seen a lot, A LOT of awful things.
Murders, suicides, massacres, death of infants, people who didn't deserve to die alone, animal cruelty, some other heavy stuff I won't mention here, etc etc etc.
And we thought "man, how is he able to cope with all of that? That job has to be utter torture for someone."
Probably many of you could think that he is able to do that because he is Death, and he was "born" with that purpose and only him can reap souls perfectly.
But while he is a force of nature, he also WAS a force of nature. Let me explain it well: He adquired a personality enough to be angry, excited, frustrated, amazed, happy, among other emotions.
While he has supernatural power and is most likely the most powerful being in the Shrek Franchise (or in Dreamworks as many say) he is also a PERSON.
Someone with a code of honor, morals, opinions, beliefs, etc.
Returning to the question "How can he bear all of that?" taking into account he is no longer an inevitable force, but a character of his own.
The answer is something you may relate to, and that is: Creativity and escapism.
To be the embodiment of Death, the guy is a very creative fella.
First of all, his design. I heard many people saying here and in Twitter that his design is something they would come up in their edgy, teen years of drawing their first fursona.
Guess what? They are right, the wolf form is someone's fursona. It's DEATH'S fursona. He clearly came up with this badass, piercing canine form to blend with the Fairy Tale Land assuming the form of the "Big Bad Wolf". He most likely had other forms he designed over the centuries and was able to present as them like if he were on a role play game in the living world.
His sickles? The weapon of choice with the little crossed cats on it to have a bigger effect of terror for Puss? Those who can become knuckles and join to create a scythe? Those are his creation, probably after thinking it for a while and writing all of those functions on a paper.
The way he presents himself? In the bar? The coins in his eyes as a "watching you" sign while being a cool reference to the Ferryman of souls? He transforming Perrito's forest into the background of a skull? The chilling reveal at the Cave of Lost Souls? The fire ring? It was all him.
As for the escapism part...
When the world becomes too heavy to deal with as real life issues tend to make us feel bad, depressed, angry... we tend to escape it somewhere. And in our time the common place would be the internet as in webpages or comics, stories, etc.
But what has to do with Death Wolf you may ask?
Well, while he would NEVER be able to escape his job entirely, he can have moments where he can enjoy a good hunt of people who don't appreciate life, like the whole plot of the Puss in Boots sequel could demostrate.
He managed to have a little time outside his eternal routine to chase an arrogant cat who took life for granted. He enjoyed it, it was thrilling, it was exciting.
It was a way to escape a monotonous, grim "life", if just for a short moment.
So, when the chase ended as his prey no longer feared him and now was ready to fight for his last life, the wolf retreats, happy for Puss' character development but resigned because he once again had to return to "The Eternal Duty"
And that's not even counting all the times Jack "I'm dead inside" Horner had to interrupt Lobo's hunt and remind him of his job even in his "spare time"
Death knew the chase had to end eventually, but he didn't want it to end.
He didn't want to return to his own world
And if we look at Death like that, then he is probably one of the most relatable characters Dreamworks has ever make.
In the Shrek Franchise:
Monsters can be loved
Princesses don't have to fit the perfect standards of beauty
Handsome guys can be possesive jerks
Love at first sight doesn't work like one would think
Happily ever afters had to be built and not just obtain them with magic
And Death is the most creative and "full of life" being in the world
Because he would absolutely go crazy with his life/work if he wasn't.
Because in a world of Kings, Poets and Soldiers, he's the Supreme King
Tumblr media
And he's also a perky goth but none of you are ready for that conversation.
3K notes · View notes
rainbow-beanie · 1 year
Text
Thing I just realized after talking with one of my friends on discord, I believe that, since puss had been on his own for most of his life, there’s a very strong possibility that he could be really fricking touched starved. But because of what happened with humpty, with the egg not only tricking him once, leaving him no choice but to become an outlaw, leaving his poor mother at the orphanage. And I can’t imagine the pain he felt upon seeing the heartbroken look in his mothers eyes. That’s something that stays with you for life. but twice when he was tricked into helping steal the golden gooses duckling by someone he once called a friend and brother. Inevitably leaving him to say good bye to humpty for the last time- would understandably cause him to have trust issues, and thus would make it really hard for him to form other connections.
Which brings me to my next point: leaving kitty soft paws at the altar.
It was mentioned in the last wish that puss, for once in his life, felt scared, and thus could not go through with it. cause, when you’ve been tricked by one of your closest loved one and only friend like he was, the thought of connection would be terrifying for him. Now what he did was still wrong, but it paints a really heartbreaking picture all the same. I’m sure a big part of him really wanted to be at that alter, cause he really loved kitty soft paws, that’s something I’m certain of, and so did she. But even with that fact he was still too scared to be there. And that’s something he’s admitted he regrets deeply.
Another thing I want to point out is the scene in the cat lady’s house in the last wish. When puss was forced to act like a normal cat, like eat cat food, use the litter box. And worst of all (in his opinion) being surrounded by cats in a cuddle pile in the evening and night. Now what makes this scene worse for puss is the fact that, since he has trust issues, it would make sense that he wouldn’t let just anyone touch him. So while being touch starved, he could also be touch aversive, just look at his body language in these shots:
Tumblr media Tumblr media
His whole body is all tensed up, and he has his front paws under his chin, trying to keep from touching anyone. But by the second one, he seems like he’s given up entirely. though he still has his front paws in the same place. I’ve never seen someone look so lonely surrounded by strangers, cause that’s what they were: strangers. He never once relaxed. Thank goodness purrito and Goldie appeared when they did, cause I don’t think he could’ve lasted any longer in that place.
I’m sure he was so relieved to leave there, and reuniting with kitty was an added bonus for sure, even if they weren’t on the best of terms for obvious reasons.
77 notes · View notes
santacoloma · 1 year
Text
Maybe it’s just me over analyzing things but I noticed something while watching Puss In Boots : The Last Wish for the 8138838483rd time; the ‘hero’ version of ‘fearless hero’ has a very important different lyric placement …
Tumblr media
This was the version that played AFTER the film so I think this was to show that Puss now understand the fact that he’s allowed to be afraid.
26 notes · View notes
fangirlneverlie · 1 year
Text
I love you people who over-analysis one scene, I love you people who look at small detail that people haven't noticed, I love you people who take characters and characteristics seriously, I love you people who noticed subtext, I love people who over analysis media or TV shows in general I LOVE YOU I LOVE YOU I LOVE YOU
17K notes · View notes
kookies2000 · 1 year
Text
We all know this scene when Puss faces his past lives.
Tumblr media Tumblr media
Spoilers
I'll be honest, something was disturbing in this scene when I first saw it. I'm rewatching the scene and trying to put my finger on it. Then it hit me. That Tik Tok comment I saw that said the Lost Souls were acting like the sins from the Bible. The connections people made from this film and toxic masculinity. This scene right here is oozing with toxicity and masculinity.
Before I go any further, I would like to say that I am not down-talking men. I'm analyzing this scene as a Mexican woman.
Anyways, here are some traits in toxic masculinity.
Self-reliance - Men believe they have to do all the work and handle everything by themselves. Independent at all times, they need no one. They believe doing things by themselves will make them successful in life. Being vulnerable will cause the man to be ridiculed. That's Puss throughout the film.
Promiscuous - There's nothing wrong with having sexual relations with others. If it's your thing, it's your thing. But there is such thing as too much of a good thing. Being flirtatious is ok, healthy even, but when it becomes very frequent or an obsession, it can lead to problems in forming long-term romantic relationships. Puss in a nut shell.
Being violent and dominant - Most men believe they have to be strong, physically mostly. So they take risks in life and try to beat others in their own game. Taking risks can be a way to demonstrate dominance. This can include gambling as well. Or dangerous sports. The cause of some of Puss deaths. Not to mention Death pretty much gave Puss a reality check. Puss isn't as strong as he thought he was.
And a big one, refusing to seek help when struggling - self-explanatory. Men try to be emotionless and never seek intimacy with others. Especially with other men as it's seen as a weakness.
All these traits are displayed in this scene. At first, it's fun for Puss because he remembers how much fun he had in his past lives. All the parties, lovers, drinks/food, adventures, risk-taking, everything. But once the adrenaline wears down, Puss knows it's time to leave. But of course, the Lost Souls don't let him. They try their best to convince him to leave Perrito and Kitty and get his lives back. They straight up tell him he doesn't need them and he's better alone. But at this point, Puss already formed a bond with Perrito and is reconnecting with Kitty. He remembers his regrets and this is what makes him determined to go back.
I guess the Souls notice this and start to ridicule Puss for being so vulnerable. Which is something I pointed out already in self-reliance. Men get teased and made fun of if they show even an ounce of vulnerability. Men can't have intimacy with their friends, let alone friends who are men. Men can't be held down by marriage. It sounds over the top but it does happen. I've seen it happen in the past in my household.
Men are also pushed to be physically and emotionally strong. Which is what Puss was trying to do as well. He didn't want to be afraid. He didn't want help and was a lone wolf. He refused to seek help when struggling. Thankfully for him, Perrito was a very determined guy. He followed Puss and helped him become more vulnerable and to open up more. Fixing his relationship with Kitty and becoming fiends.
So yeah, this scene was something alright. Puss was already developing at this point of the film. And then they made him face just how toxic he was being in his past lives. It almost felt like torture for him. But this is an important step in developing into someone better. You have to face your past some time and realize your mistakes so you don't make them again.
Ps, Antonio's voice acting here was incredible. Voicing nine different Puss while making each one unique. From the tone of voice to personality. He deserves some recognition for this scene.
2K notes · View notes
fanfic-inator795 · 1 year
Text
Spoilers for Puss in Boots: Last Wish (specifically Perrito) below
My bff and I were talking about this last night, but I figured I’d write it all out here: one thing I really do appreciate about Perrito is that while other characters may see him as naive and innocent, the film never treats him as overly naive or foolish.
The best example of this is when he’s explaining his backstory. It would have been SO easy to have him be still searching for his family/litter mates, believing firmly that they still wanted him/were still playing ‘hide and seek’. If they’d done this, then Perrito really would have been an extremely naive character (as well as all the more unnecessarily tragic). It also would have been easy to have this be Perrito’s wish, as well as the lesson that he needed to learn - that he doesn’t need his former (and incredibly crappy) fam, and that he can/should move on from his tragic backstory, letting himself be with his new friends instead.
But the film doesn’t go this route... Because Perrito has already realized and internalized this lesson.
Think about it. For as much as he may seemingly still see the whole ‘swim in the river’ incident as an extra challenge to a game of Hide ‘n Seek, outside of the “Guess I’m still It!” joke, Perrito doesn’t dwell on the fact that he never saw his family again. Just as he never dwells on nearly drowning. He only brings up his past when others ask him about it, otherwise he’s only focus on the present - which is why he’s so satisfied with things to the point of not needing a wish.
When it comes to his backstory, he instead just sees the brighter side of things regarding it (getting a new ‘sweater’ that he was able to grow into) and focuses on moving forward and meeting new friends, instead of going on an endless search for those who left him behind. Even while he’s at Mama Luna’s, he still tries to socialize with the other cats - though he backs off when they hiss at them, still understanding that he isn’t exactly well-liked there.
What’s more, it’s made VERY clear that Perrito’s tendency to trust in people without hesitation is not out of naivete: it is out of choice. He knows that people can be cruel (we see him briefly get scared of Jack Horner and the Bears when he gets kidnapped, even if he ends up making friends with the latter) and he knows that he can’t exactly fight back against that, being such a tiny dog. But he’d still rather give people a chance instead of just hiding away from the world. He never tries to claim that every person has some good in them or anything like that, he simply states “well, you have to trust somebody”.
What really drives this point home - aside from the excellent advice that Perrito gives throughout the film, showing just how thoughtful and wise he is, even when he seems totally clueless in other moments - is his moment in the film’s climax with Jack, where he’s finally able to do the cutesy eyes. The joke is how Jack is ‘dead inside’ and would never fall for such a ploy, and how Perrito is (or rather, would be) dumb for thinking that simply being cute would stop this heartless bastard.
But the twist is that Perrito already knows this. There isn’t a moment where it’s shown that he thinks this act will work. No, Perrito meant it as a distraction the entire time - he wanted to try and help, and he trusted his friends to catch on and take the shot once the distraction worked. And I freaking LOVE THAT! I love that Perrito is so much more than just ‘diet Donkey’ or ‘innocent and naive dog that doesn’t know how the real world works’.
He knows how it works, he just chooses to still see the bright side in things in order to improve others’ lives as well as his own, because there’s a difference between naively trusting people who haven’t proven themselves and just giving people a genuine chance to be your ally/friend. And I’m just so happy that Dreamworks not only made a character like this but just did a fantastic job writing him.
1K notes · View notes
calypsolemon · 1 year
Text
something about the way Kitty can't help but end up trusting and loving others despite all the ways she has been hurt, and her own insistence that she does not trust others. The way that she so naturally falls into trusting Puss when he shows a modicum of honesty and genuine emotion to her.
I think Kitty is someone who has a lot of love in her heart, a fact she hates about herself because it leads to her getting burned quite often. She feels like she cannot ever truly practice what she preaches and just stay away from caring. Even, towards the end, she gives up her wish to Puss, not because she thinks he deserves it more, but because at that point, even wishing for someone to trust feels like a failure on the part of herself to just learn her damn lesson and stay away.
Which is why it is so important that she finally gets what she needs through Puss. That she witnesses him fighting for his life instead of running, fighting for his right to love her for the short time on this earth that he has left. She needed to hear this from somebody, that she is worth caring about. More than just a cute pet that looses its luster when it starts scratching the furniture, more than just a fleeting fancy abandoned the moment something goes wrong. She finally has someone tell her she is worth recieving the love and trust she so easily gives, in equal measure.
532 notes · View notes
themattress · 1 year
Photo
Tumblr media
This thought just suddenly came to me - “Big” Jack Horner from Puss in Boots: The Last Wish is essentially the Chloe Bourgeois that Thomas Astruc intended to write in Miraculous Ladybug from the get-go and has since desperately been writing even when his prior failure contradicted it: a spoiled, privileged, entitled, petty, sadistic, and humorously self-aware and over-the-top sociopath who loves no-one but themselves and can never ever be redeemed.
This was the intended audience reaction to Chloe:
Tumblr media
Unfortunately for Astruc, for some reason or other he bungled this completely in Seasons 1-3 of the show, portraying a Chloe that had significantly more nuance than that, which means now he’s stuck jamming a square peg into a round hole and insisting viewers go along with it.
550 notes · View notes
baambastic · 1 year
Text
Spoilers ahead for Puss in Boots: The Last Wish
I can’t stop thinking about The Last Wish (go see it if you haven’t, seriously, it’s incredible) and I wanted to talk about a moment that I think carries a lot of meaning even though it’s easy to gloss over.
Tumblr media
I want to talk about the moments before and after Puss draws his gatito blade against El Lobo del Muerte.
Tumblr media
During Puss’s climactic duel with Death, the Wolf slashes Puss’s boot, bats away his hat, and knocks his sword out of his hand. The Wolf is destroying the symbols of the legend of Puss in Boots, stripping Puss’s mortality bare.
Tumblr media
But Puss is no longer defenseless before Death. He has spent the movie’s runtime building bonds with other characters, finally letting others into his life, no longer walking alone as his legend demanded. His gatito blade, given to him by Kitty Softpaws, represents this development. Puss has cast aside his legend through learning the value of his life, and in doing so, he can stand against and block Death’s blows.
Tumblr media Tumblr media
Ironically, Death’s attempts to take Puss early are the very catalyst for Puss’s success in redefining himself, symbolized by Death’s blocked blow allowing Puss to reclaim his symbols—his hat and sword—with their meaning now changed by the accompaniment of the gatito blade. The unstoppable weight of Death’s scythe has quite literally pushed Puss towards a new life.
The Last Wish is packed with moments of visual symbolism, but this one in particular is the standout to me, both because and in spite of its brevity.
580 notes · View notes
picklepie888 · 1 year
Text
I hope we continue this trend of having a breakout animated film at the end of every year from now on.
Tumblr media Tumblr media
634 notes · View notes
sideblogdotjpeg · 1 year
Text
ok soo i was trying to figure out how pib's character fit into the thematic web of the neverafter and it made me think of like. pib & aesop acting as foils wrt to the concept of morality in fairytales
i think pib, in a very roguish way, represents moral neutrality/amorality. he will lie, cheat, steal and kill happily and unrepentantly (because lying is SOO much fun) - but he also does it without any real sense of malice or greed. like its important that the core of the original puss in boots story was him lying in order to help tomas. pibs lies are never centred around hurting anyone, but rather to help himself and his friends.
conversely, i think pib also recognises the need to do traditionally "bad things" to survive. like he WILL absolutely give the mule the shit for betraying them, but ultimately also understands that it was what was necessary for him to survive. and he cant fault him for seeking safety and refuge. which is why i think pib could represent a kind of amorality (or at least morals in the fairytale sense). like literally adhering to a universal moral code is simply unimportant to him. not a factor of consideration. he is protecting himself and his friends, and thats what matters (and of course what else should matter to a tricker cat)
this is in contrast to aesop who is like, from his introduction, defined by his strong sense of morality. he is also fundamentally a good person, but he believes that that goodness is manifested through behaviour that adheres to a moral code. his stories are strictly cause and effect. you act good, you are rewarded / you act bad, you are punished. also, beyond that, i also get the sense he thinks his stories are superior for having that stricter morality? (hopefully i didnt misremember this bit, but) he says that the neverafter is more susceptible to corruption BECAUSE of its lack of moral clarity & rigidity. but it seems that he believes the world SHOULD operate within that strict moral system (aka he is a TOTAL SNITCH!!). thus, in contrast to pib's amorality, aesop represents a hypermorality - adherence to a universal moral code that allows for no exceptions no matter what.
- also, side note, from this framework it might also explain why pib & pinocchio team up at the beginning. like pinocchio IS in the transitory stage from the aesop-like fixed moral to the kinder neutrality of "lying cant be bad if it saved my father" -
anyways! idk if this is something that will ever come up or was intended. PROBABLY not! but its an interesting parallel i think!!! ummm neverafter fr makes my brain go brrrrr
479 notes · View notes
Text
Two fun things about Puss in Boots you can catch on a rewatch:
Y'all ready for me to blow your minds? You could always see Puss's lives carved into Death's left scythe, even in the first fight of the movie.
Tumblr media
Here you can see it on the inner groove. It's hard to get good visuals throughout the movie but if you're eagle-eyed you can catch it at least 5 times before the big reveal.
Tumblr media
Here it is again when Death almost kills Puss the first time. It's so subtle but once you see it, it makes the rage in Death's eyes make so much more sense, it makes his motive so slap-in-the-face obvious I didn't know how I didn't notice it the first time I watched this movie.
There are at least 3 more times you can see the carvings before he draws attention to them that I found. The first time is when Death breaks into the bathroom and Puss escapes, and the second is the scene before Puss's anxiety attack in the woods, where Death brandishes his scythes - you can see it in the smear frame before he wields them. The final time is the most obvious, before Death smashes the second crystal in the Cave of Souls:
Tumblr media
Also I love that Puss has a lisp only when he says gazpacho I just think that's a funny bit of characterization
The attention to detail in Death's design is remarkable. Some movies wouldn't have even tried adding the lives on the scythe until the reveal was convenient, but having them be there the whole time with Puss unaware really adds to the tension and the shock of realization that Puss has been stalked by Death for his whole last life. It's so fucking cool. Also Puss's recollections of Santa Coloma differing when he tells Perrito vs when he's in the Cave of Souls is so good:
Tumblr media
When he tells Perrito it's overcast but the lighting is more warm and colorful, it shows a bright future ahead for Puss if he could overcome his fear and enter the church.
Tumblr media
But when Puss really stops and thinks about the moment, the truth is revealed. It's unsaturated, it's desolate, it's lonely for Puss in the moment. The future he wants with Kitty feels so far away it's almost unreachable, too far for him to overcome his fear.
God I fucking love this movie. It's so incredible and has such immense rewatchability.
457 notes · View notes
rainbow-beanie · 1 year
Text
My favorite scene from puss in boots the last wish.
tw: visual of panic attack
THIS SCENE MAN! QvQ
I’ve never experienced a panic attack before (thank god) but this scene really captures what it’s like to have one, even if you yourself haven’t had one. And to people that have, they might see themselves in this scene. The fact that puss looks so helpless in this scene really tugs at your heartstrings, cause until this point, we’ve never seen him like this. he’s always been this fearless adventurer that laughs in the face of danger, and LOVES the sense of adrenaline he gets from being in dangerous situations. Cause despite being in danger, he’s always in control, and has the means to escape deaths grasp.
But it seems this time, death himself is hunting him down, and for once in his life, he is TERRIFIED. and he doesn’t know what to do, cause he’s never been scared like this. So having a panic attack when you haven’t had one before must’ve been really scary for puss, cause he doesn’t understand what’s happening. He’s shaking all over, he can’t focus, and he can’t breathe. When he’s scared like this he loses any sense of control he has, leaving him a vulnerable mess that would be easy pray for anyone nearby. And that is the most terrifying thing of all, cause in this state he wouldn’t have the means to defend himself cause his mind is constantly telling him to run and hide from danger, even if there’s nothing around.
Purrito was the MVP in this scene, you can tell that he had no clue what to do, but he tried to help anyway, cause even if puss was really mean to him since they met, he still cares about him.
91 notes · View notes
chasing-posts · 1 year
Text
I think Kitty was telling the truth when she said she never showed up to the wedding. And I have a couple of reasons why: (warning, its long)
Tumblr media
1.) Her entire character arc is learning to trust. This includes opening up and being honest about herself and in this case: her past. So it makes no sense for the story if she just LIES about Santa Coloma, especially after making a big deal over it. If anything it would take away from the scene and her character when she finally open up.
Tumblr media
2.) I think the only way they could have saved the relationship between Puss and Kitty naturally, after Puss left her at the altar. I kept thinking "how can they possibly save this relationship after what he did" and the answer the movie came up with was HILARIOUS! Her not showing up was the perfect answer to that conundrum.
Tumblr media
3.) I think she was more mad she was proven right, than she was about him leaving her. That he did pick himself and his reputation over her. And he was so full of himself that he never checked on her after leaving. And she knows he didn't check up on her based on his reaction and the fact he never brought up her leaving. She's not like Puss, she knows about his adventures and what he's been up to. Thanks to his status as a legend, she knows about ALL of his adventures. But he doesn't know about hers, and didn't bother to find and confront her. That's how she knows he didn't know her side.
Tumblr media
4.) Her being mad at him, was because she thinks he betrayed her intentionally and maliciously. She may know that he didn't show up, and based on his reaction, does not know about her doing the same. But it's not until his breakdown, where she listens to Perrito and him talk, that she finally understands WHY he did it. And how much it hurt him to do so. That he is legit ashamed of himself. Before that moment, she was sure he was out to betray her, like everyone in her life. But after she hears the real reason, she stops treating him so harshly. She opens the dialogue/ gave Puss the opportunity to talk about it with her. You can bet that she was the one that got them so high in the trees. After all she has no claws to climb, and yet she was so far in front of him, as if leading him up to a place he would have naturally been given him an advantage... But she's trusting him. Its Kitty who opens up the conversation with the "if you wanted to hold my hand/ I remember the last time you did this you had cold feet " dialogue. And when he takes her up on it, and nervously tells her what/ why he did it, and how it is EXACTLY like he told Perrito, she rewards him by finally coming clean about what she did. Why she left him too. And finally tells him the whole truth on the matter.
Tumblr media
You can also tell that that's the moment she truly starts to fall in love with him again. "You don't seem like that guy anymore." Is a statement that has so many layers to it, but the biggest implication is that this version of Puss, is the one she is starting to trust.
Tumblr media
The shaving scene may have set the mood earlier on the movie, but this open and honest conversation, is what made her swoon and start to believe in him.
Tumblr media
5.)I think it sets up a good story/ contrast to who they were at the beginning, and who they are now. And by beginning, I mean them at the end of Puss and Boots 1. In that movie they're flirting, equals, in love... but their relationship is also unstable. She ended that film stealing from him and running off. And in the Shrek franchise, its shown Puss is quite the flirt with the ladies, imlplying they're not together. This Santa Colona flashback fills in the blanks for what happened between the movies, and also shows that when they first met, they may have been too young for each other. Too inexperienced. Not old enough to want to actually settle down, on both ends! If I were to hazard a guess, I'd bet that Puss proposed spontaneously, and she accepted in a moment of excitement, but leading up to the ceremony they both got more and more nervous until eventually, they both got cold feet and dipped, but for different reasons. He was too obsessed with himself and worried about his legend, and she was too flighty and could not trust him. Which ended their relationship (this is mostly HC though. Just speculation on my end.) But now they're both a lot older. They've lived a few lives, though we don't have a concrete number, there's clearly been many years between now and Shrek 4. And Puss in Boots 1 was a prequel to the Shrek series so, yeah, they are both MUCH older now and are both finally at a point where the two are ready to settle down and be together.
Who they are right now, is the best version of themselves. And in contrast to the last moment, instead of her running off with his boots, they are sailing away together, with him in her arms.
Tumblr media
I understand the appeal of saying she lied... but I LOVE the implications of what it means for her to be truthful.
Tumblr media
They are currently my FAVORITE couple is Shrek franchise. Softboots is perfect! And it's their open honesty and trust in one another, that makes it so.❤
Tumblr media
193 notes · View notes
asmodeus-snoof · 1 year
Text
I share with you a subbed snippet of an analysis made by one of my favorite youtubers, jordi maquiavello, who made a cool breakdown of the wolf's whistle from the last wish!
this adds more meaning to the whole scene, and feels complimentary to the theories of the melody being a somber and mocking version of fearless hero, and a version of ring around the rosy!
if you can, please watch his analysis! it's in spanish, but it's totally worth it. he points out a lot of small details which, I think, hadn't been mentioned before, and I love it so much.
youtube
222 notes · View notes
theoutcastrogue · 1 year
Text
Trickster saves the world by fucking it all up
Tumblr media
“The water begins to part, and you see vast and many realms of the Neverafter, many stories, many different versions of the stories of your companions. You see different versions of Pinocchio, different versions of Sleeping Beauty. All these things unveil themselves to you, and you see lots of great powers in this world. You see witches and fairies. You see monsters, like a terrible leviathan coming after Pinocchio. You see the Big Bad Wolf from Little Red Riding Hood’s legend.
But you also see, over and over again, this continuation of animals in these stories getting up to mischief, and you look back at all the different lives you’ve lived, and you always see the clever fox, the cunning rabbit. You see these different versions of the cat in these stories, and in some places you’re helping, in some you’re hurting. But you feel this sudden tug or pull of understanding that there’s some reason or purpose to the animals that appear in these stories.
And when you think of your most recent life, of taking a poor miller’s son and through cleverness and trickery making him king, it seemed that there were a lot of forces trying to control the flow of these stories and determine what it is they should be, and that your role has often been to upset that. That you’ve lived many lives of saying, something’s actually going to be a different way now. Something unexpected or strange or hilarious is going to happen to subvert the order of how these things tend to go.”
— the DM (Brennan Lee Mulligan) to Puss in Boots (Zay Oyama) in Neverafter Episode 4: “Once Upon A Time”
Tumblr media
Reynard the Fox
“In mythology, whenever a system becomes overregulated, a figure spontaneously appears to restore balance by introducing chaos. The trickster is “playful, mischievous, and sometimes outrageous.” He delights in paradox, confusion, and “auspicious bewilderment”. He keeps us from being too confident that we know what we are doing or that we are in control. [...] The trickster confounds a perspective that sees reality only through the lens of power. He proves that something exists that is neither power nor its opposite.”
— Susan Wyatt, “Awakening the Trickster”
“[Tricksters] stabilize society by annoying it.”
— Paul Mattick reviewing Lewis Hyde’s Trickster makes this world
Tumblr media
“I feel like in the last one, my kind of life was a little simpler. I did some trickery, but overall, I was a little on the sweeter side. And I think it seems fun and it seems correct to just fuck it all up.”
— Puss in Boots (Zac Oyama) in Neverafter Episode 4: “Once Upon A Time”
@we-are-trickster​
262 notes · View notes