Tumgik
#but if anyone has any you're welcome to add on!
M*A*S*H 4077 & DND
guess who started their m*a*s*h rewatch around the same time they've gotten into d&d and now cannot stop thinking about the utter chaos and hyjinks of The Gang trying to play a campaign. it starts with none of them really super into fantasy roleplay, but they're all So Fucking Bored they might as well play to have something to do.
it started off imaging just what role they'd each play, but now I couldn't stop myself from imaging each person's race, class, AND, just for fun, the dice they'd use!
hawkeye: isn't that bothered about races, probably either an elf or just a human. class is paladin, relating the paladin's 'call for good' something like the oath doctors take to always help and heal patients, no matter what (and, let's be honest, probably feeds into his egotistical nature at being a naturally skilled surgeon, as if he was 'called'). cannot be Asked to care about ability scores (only to deeply regret it when he's nearly off'd the first battle) except for pouring most of his points into charisma. mostly likely of the party to Fuck his way out of a confrontation (no matter the other's gender #bihawkrights). spends most of the campaign messing around and forgetting what his spells are, but when the party hits a serious battle, is the first to throw himself in and use any spells to help his friends before himself. originally wasn't that interested in the game, but overtime becomes one of the ones who gets really into it, screaming across the board at ppl's bad roles and cheering & trying to pick ppl up in glee when they win. dice of choice:
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(just the most wack-ass coloured dice I could find, metaphor for the inside of his brain (also this way he can tell if anyone tries to conceal any as theirs)).
radar: while interested in the fantasy stuff (being a comic reader), was a little intimidated with all the math & rules involved until hawkeye and bj convince him. part of me thinks he could be a halfling or dwarf, but then I think he might enjoy being a humanoid creature like a minotaur (farm boy) or a satyr bc of his love of animals. class is bard, where he carries/plays the drum. enjoys and gets really into the story, but is always flummoxed when it comes to the battles, asking what everyone else thinks his character should do (only for everyone to yell back several different answers). always needs a couple of seconds of mental math to add his modifier to dice rolls (me too radar) but when the party comes across a riddle or puzzle, is usually the first to figure it out. keeps trying to pick up small creatures to put them in his sack. is not allowed to talk while people make their roles bc of too many times where he's predicted the number before they can read the dice (the moment of hawkeye's saving role during a Big Bad battle was kind of ruined when radar elatedly jumped up at the nat20 before the dice even left hawk's hand). dice of choice:
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(cute little puppers!)
margaret: at first is staunchly against it, calling it childs' play, but eventually is worn down by hawk & bj and is also so bored, she gives in. thought she might be an elf, but in the end chooses genasi, picking fire power. chooses the fighter class, leaving hawkeye to make a remark that gets a dice thrown at his head. doesn't really get super into the meta of the game or the story (often tells the dm to get on with it and cut to the action) but does love to play, where it overtime becomes a good outlet for anger ('the demon tries to approach you, margaret what do you-' 'I SLICE OFF HIS KNEECAPS WITH MY BATTLEAXE!'). is a good player until the roles don't go her way ('you only rolled a 10, so your attack doesn't hit-' 'SCREW YOU! KLINGER GIVE ME YOUR 18 ROLE!'). is pretending like she isn't having fun but everyone can see through her. dice of choice:
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(these seemed the most like margaret, elegant but not too girly).
henry: is also peer-pressured into joining. picks barbarian class so he doesn't have to think about spells. tries to pick human bc all the other races were 'too complicated' but got told due to his class, he has to pick a more built character like an orc, so an orc he ends up being. but he's bad at it, often either trying to escape a battle or by being a peacemaker, trying to persuade the monster out of battle but with such a low charisma score, it usually ends up with him getting clonked over the head and margaret jumping in before he's killed. keeps trying to give his gold to poor peasants they meet along the way. doesn't understand any of the mechanics. rolls so many nat1's that nobody will switch dice with him anymore, thinking his are cursed. the game is often more stressful for him then not, but he enjoys the time with his friends. dice of choice:
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(I dunno, for some reason when I think of henry I think of a dark orange/amber).
potter: prolongs joining, thinking he's too old for it, but is also peer-pressured and eventually caves, thinking it'll be good for morale. chooses dwarf and for his class to be an old wizard. doesn't understand half the rules, spends most of the time muttering under his breath as he goes over the manual, radar (un)helpfully leaning in beside him to explain. but once he gets the hang of it is a good team member; is the only other person besides margaret to take the hints and puzzles seriously and without him (+her) the party would probably be making circles lost in some boundless woods somewhere. cheers his teammates on when they make a high roll or powerful move and only occasionally has outbursts ('well colonial sir, you need a 16 or higher to cast-' 'MULE FRITTERS! I said cast magic missile and that's an order!!!"). dice of choice:
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(same thing - when I think of potter, I think a dark blue).
charles: the last of the group to get into it. completely refused and repeated that 'he was far too smart for that kids' stuff' and everyone was wasting their time. but when someone had to dip out of the campaign last minute to deal with a medical thing, charles was brought in as filler with the promise of a day's R&R. at first I thought high elf, but switched to dragonborne, of the noble variety of course. chooses sorcerer (blessed with some innate magic, as his ego prefers). constantly complains about the needless complexity of the rules and why bother having ability scores when it's the modifier that counts???? is always arguing with the dm on his rolls. uses up half of his turns to use mage hand to steal hawkeye's things or cast ray of sickness on him when he's being annoying - but, when it comes down to it, is one of the more strategic players and has gotten them out of many sticky situations. like margaret, is pretending he isn't having fun, but isn't immune to jumping up with the others over a saving nat20 role, at one time even excitedly picking up a confused radar. in the end, swallows his pride to shyly ask if he can join the party finally ('you know, it'll, uh..it will give me something to do during those boring intervals, and clearly this group needs all the brains it can get..' '..charles, you wanna come play with us?' 'well, if I must..'). dice of choice:
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(the snootiest of dice, a pure gold colour).
mulcahy: also initially intimidated by the mechanics, but is happy to play a game with his friends. a possible half-elf or maybe a wise owlin. cleric, obviously. gets invested in the storyline, often applauding the dm's story or asking 'what happens next???" only to be told to wait till the next meet. one of the few who has actual healing spells and probably the only reason everyone didn't die in their first battle. a nerd who enjoys solving the puzzles. actually gets into the lore and one time had a deep, 2 hr conversation with radar & hawkeye about the disenfranchisement of some of the races and the hierarchy of the class/rule structure within the fantasy realm, and how it relates to theirs. the next day, radar came to his tent to show him a little sketch he did of his character in cleric robes, shrugging it off, but mulcahy loved it so much he pinned it up on his tent walls. dice of choice:
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(inspired by one of my favourite mulcahy lines, when he's talking about missing holding services in real churches - 'I am rather fond of stained glass', which I always think of whenever I see stained windows. tried to pick the ones that emulated the colours best (also would've liked maybe a light, forest green colour; it just feels mulcahy-esque to me).
klinger: one of the first to join bc what else what he gunna do but sit in his tent, sewing up pantyhose? rogue class, of course, relating to the 'urchin' background. changeling race, so that way with his class he can hide at any moment, and also, as he says, 'can perfectly match his outfit no matter what he looks like!' tries to follow the storyline but doesn't have the attention span for it, half the time guessing the wrong answer to any clue or puzzle (will come and poke the dm awake in the middle of the night with his patrol gun, claiming to have figured it out). second after hawkeye to try and Fuck his way out of a situation. cannot do math to save his life, making margaret often rip his dice away from him to add it herself. will gang up with hawkeye to use his pickpocket skill on charles. resourceful enough to have tricked the villains multiple times and gotten away with it but will also roll to try and kick the villain in the nuts to see what happens. dice of choice:
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(these just screamed klinger to me; I like the dark, 'masculine' colour contrasted with with the colourful flowers).
bj: thought I missed him? well, I saved the best for last bc bj...is the dm! ha ha! no one really in particular stood out, but after thinking on it, he seems like the best fit. first, I was thinking of the episode 'the kids' where he gets really into the story he's telling, full of voices and sound affects and all. and secondly, our kindly mustacheo'd doctor loves Mind Games and pranks - what better way then stringing his friends along into one big, zigzag puzzle? bj loves nothing more then having his friends on the edge of their seats, only to pull out a bad guy the group thought they got rid of months ago, glee in his eyes watching them combust into screaming and table flipping. getting a thrill during off hours, hearing hawkeye & charles hastily whisper across bunks to each other on the campaign thinking he can't hear them, or getting shaken awake by margaret in the middle of the night, demanding answers. he spends hours planning out the campaigns in the tent (and finding new places to hide his papers from hawkeye), sometimes writing peg about it and occasionally - if the timing of the mail is right - using her suggestions she writes back. but mostly, bj just loves watching his friends have a good time - cheering each other on and hollering with each battle won, feeling proud of them for everything accomplished (when he doesn't have to babysit hawkeye & charles from casting spells on each other, trying to answer radar's 49th question on how rolls work, or keep margaret from solo fighting the demon fifteen levels above her). dice of choice:
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(idk, these just feel 'bj hunnicutt' to me).
other camp members: - frank: was only let in Once after margaret begged hawk & bj, saying it was only fair. initially picked human bc 'they're clearly the purest and most civilized race!!' (causing eyerolls), quit thirty minutes in after being told he couldn't be a fighter 'cause they already had margaret and that he couldn't just 'set all his abilities to 20', calling them all nerds and angrily throwing a d20, only for it to bounce back on the tent beam and hit him in the eye. - some of the nurses have occasionally filled in, but otherwise don't play outside of margaret (most of their time was filled up with hawkeye using his character to flirt with theirs). one time nurse kellye filled in; she played a cute little halfling druid, and her and radar teamed up to help rescue all the forest animals, much to the groups chagrin. - zale & igor: permanently banned. both tried to eat the dice on a dare.
campaigns are held twice a month in the swamp, with drinks and stale pretzels to go around. use to sometimes go all night but after one too many nights of clambering arguments over each other's rolls, the whole camp banded together to force a curfew. while the game only exists within the swamp's quarters, they'll once and a while jokingly call each other by their character's names (and if you're margaret, one time accidentally using it to call hawkeye to surgery, which he now never lets you live down). during the last campaign of the story, radar pulls out another drawing he did - this time of everyone's characters, standing valiantly over the dragon they slayed. it now has a place of honour hung in the swamp.
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johaerys-writes · 8 days
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I got u fam. Achilles was known to ransom captives rather than kill. Why? If he went to troy for glory, then why was he not out there killing left and right? Do you think that deep down it was against his nature and he was just “stalling”? What exactly was his plan to achieve glory? TSoA in a way implies Achilles did a lot of “stalling” to have more time with Patroclus, but I want to hear your take on the Iliad.
Hello, thank you for this ask! You raise a few different questions so let me answer them one by one.
Why does Achilles ransom captives rather than kill? What was his plan to achieve glory? In Book 1, Achilles explains exactly why he went to Troy, and his attitude towards the Trojans in general. This is what he says to Agamemnon at the agora:
For it was not on account of Trojans warriors I came to wage battle here, since to me they are blameless— never yet have they driven off my cattle, or my horses, nor ever in Phthia, where the rich earth breeds warriors, have they destroyed my harvest, since there is much between us, both shadowy mountains and clashing sea. But we followed you, O great shameless one, for your pleasure, to win recompense for Menelaos and for you, dog-face, from the Trojans; none of this do you pause to consider or care for.
Achilles doesn't have anything personal against the Trojans. He didn't come to Troy for the singular purpose of slaughtering them and their families, nor does he seem to revel in that violence, even though he also says that of all the Achaeans he is the one that conducts 'the greater part of furious war', as the strongest among them. He takes pride in his skill but he isn't bloodthirsty. He came to Troy as much for honour (i.e. winning recompense for the Atreides and restoring Hellas' honour as a whole, which is how the war was framed), as for glory. Therefore, helping Agamemnon win his war and bringing Helen back to Menelaus would have been Achilles' 'plan to achieve glory' if you want to call it that. I know that the take of Achilles being obsessed with his own glory and doing everything in his power to make sure he gets as much of it as he can is quite popular, but I believe that his reasons for fighting in the war are much more multi-faceted than that. And it's also something that he very eloquently explains throughout the Iliad as well.
Later on, in Book 21, when Lykaon (one of Priam's sons who had been sold by Achilles to slavery and managed to find his way back home) implores Achilles to spare him once more, Achilles tells him that he used to spare the Trojans because it is what his heart chose once, but that is no more. And then he kills him—which comes to show us that brutally slaughtering the Trojans he encounters isn't like him at all, and it is not what others expect of him.
As to whether it is in his nature or not, I really can't say. I do think that, as I said earlier, Achilles as a character isn't bloodthirsty or violent for the sake of being violent, he does not kill needlessly even when he does have that choice—we only see him slaughtering like that after Patroclus' death, which is essentially the breakdown of his character. But I believe it also has to do with his upbringing: in a previous ask I mentioned that Euripides in his Iphigenia at Aulis has Agamemnon explain to Menelaus (and the audience) that Chiron raised Achilles to be honourable and to stay away from wickedness. Achilles himself says that Chiron taught him to keep a single heart (i.e. to be steadfast and keep true to his words and actions), to be respectful of the gods and those he chooses to follow (the Atreides in this case) and do honour to them with his spear, unless they lead him or the people astray. That doesn't sound like someone who kills people left and right, nor like someone obsessed with glory no matter what is required to achieve it. And this is a portrayal that is encountered in other works of antiquity as well. Which tells me that this is the way Achilles was intended to be perceived: stubborn and hotheaded, but at the same time honourable, law abiding and very rigid in his moral code leader and warrior.
2. Was Achilles stalling? That is a question that does not really have a straightforward answer imo. Miller chooses to have Achilles stall so he can have more time with Patroclus, but the truth is that in the Iliad we have no evidence of that. Even the extent to which Achilles knew of the prophecy isn't conclusive: in Book 1, he already knows that he will never be leaving Troy and that he'll die there, but it is only in Book 18 that Thetis mentions that Achilles' death will come soon after Hector's. It is not clear in that exchange, at least to me, whether Achilles hears of it for the first time or if he has known it all along. So we can't really know whether he was delaying his own death, nor if he did it for the sake of Patroclus. I believe that anything we say on this topic is pure speculation.
As to why the war took as long as it did: there is no straightforward answer to this either. Perhaps the armies were evenly matched for the most part. Perhaps Troy's walls were just that strong. Perhaps it is the result of bad leadership: as it is hinted a few times in the Iliad, Achilles would get into arguments with Agamemnon and other leaders, presumably because he disagreed with their ways of doings things, which could mean that Agamemnon was just, well, an incompetent leader whose decisions caused the war to go on longer and longer. Perhaps it is a combination of all of the above. For all we know, Achilles, as the extremely straightforward and honourable person he is, wanted to do his best to make sure the Atreides win their war so they can all go back home—and he has already planned and prepared for his death in that case, as he tells Patroclus before he leaves to fight Hector that he expects him to come back safe from the fighting and take his son to Phthia to meet his grandfather and his clansmen after Achilles is gone.
That doesn't sound like someone who fears or stalls his death, but as someone who has prepared for it even if it saddens him. Besides, Achilles' greatest descriptor, 'swift-footed', does not imply a person who would be stalling when it comes to anything, rather a person that sees what he has to do and simply does it; although whether he was ever entirely sold on Agamemnon's and Menelaus' war is also debatable, if you ask me.
I hope I answered your questions!
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Can you tell me about Paris I live not far but I've always been curious, I picture coffee shops and quirky buildings and lots of books. Or maybe I watch too many movies 🤔
[NOTE: Long post!!]
Hello, Anon! <3
Hmm well I can only speak from my own experience, and my perspective will be that of a foreigner bc I did not grow up in France, and currently I'm not there (gonna try moving again maybe later in the year when I save more money), but there are a lot of cafes around central Paris (however, the famous ones are ridden with tourists and due to that are crazy expensive). There are international chains too like Starbucks or McDonalds for food, but I'd rather pay the same money on a coffee from a real cafe than on Starbucks, but that's just me lol. Imo it might be difficult to find a cheap but good cafe in central Paris because so many tourists visit them, so you have to search around a bit more if you want a good deal. Lots of boulangeries around too, and the prices are usually okay (not sure how expensive food is there now, but they were fine at some point I was there lol).
The buildings are more or less as pretty as they look in photos, but only in old Paris. A lot of boring-looking apartment buildings are around as well. Also if you're ever in an old apartment building, sometimes you have to really search for the hall/staircase light at night lol, otherwise you gotta use a torch to go up/down. But that might be normal in all of France idk, I haven't been in apartment buildings in other cities there.
Anywhere that is a tourist attraction though (of which there are many in a place like Paris) is OVERWHELMED by tourists. Like, if you lived in the area during peak holiday season (for example the Trocadéro near the Eiffel Tower), you will see a lot of visitors and may have to really weave your way through crowds if you have to get to a place quickly lol. But Trocadéro is fun in the summer if you can find a spot to chill out in the sun imo (just remember to wear sunscreen bc one time I didn't think it was THAT hot and I got a pretty strong lace-patterned sunburn through my top lmao).
There are theatres and cinemas EVERYWHERE which I ADOREEEE <3333 Nightlife culture is very good - there is almost ALWAYS somewhere to go or something to do, if you felt like it. There are underground jazz clubs, hidden bars, and at one point (not sure if they do it anymore post-covid pandemic) there used to be raves thrown in abandoned churches. Those things are certainly more fun with a friend or group of friends, imo. Lots of restaurants everywhere too, but ofc some are more expensive than others.
There are many bookshops too, and little stalls dotted along the Seine that sell old books and artworks (not sure how expensive they are, but they would probably have some nice books!). One time I was going to the theatre for a show and saw this second-hand bookshop still open and I ended up leaving with a first edition of Jean Giraudoux's Sodome et Gomorrhe.
Paris is somewhat like what is shown in the movies, but you need to give the city a reality check -- no city is perfect. Like many other cities, there are dodgy areas you'd wanna avoid sometimes, you may see people begging for money, there might be litter in some places (unfortunately), strikes make it more difficult to move around, and if you planned a visit that coincided with a big protest, then you probably won't get the picturesque and squeaky-clean experience of Paris that movies always try to show off. Also, if you're ever curious to visit and if you're not a fan of huge crowds, I *HIGHLY* recommend visiting in the winter. Less annoying swarms of tourists lol.
Paris is what you make of it tbh!
Hope this helps! <3 And if you made it this far into the post, here is some cake for you 🍰
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talisidekick · 1 year
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I don't care what nationality you are. US, UK, French, German, anyone in Europe, please do me the grandest of favours and spread this around. Steal the link, make your own post, I don't care; just get it to the eyes of your viewers because if they're Canadian, I need your help.
This petition ends May 26th 2023:
What is this about?
"Whereas:
The world is becoming increasingly hostile to transgender and nonbinary individuals;
Transgender and nonbinary people's rights to live as themselves are being restricted and removed in many places;
This includes the so-called "Western democracies" which have historically been presumed safe;
More than a dozen American states have enacted or are considering legislation eliminating or criminalizing gender-affirming care; and
Canada has prided itself on being an inclusive, tolerant, and welcoming society for everyone regardless of gender identity or gender expression.
We, the undersigned, residents of Canada, call upon the House of Commons to extend to transgender and nonbinary people the right to claim asylum in Canada by reason of eliminationist laws in their home countries, whatever country that may be."
It's better to give people an exit plan, and just hope they won't need it, then to do nothing and assume they'll be fine. Help us keep making Canada a positive place for everyone. I hope you'll sign if you're Canadian, and if you're not, I hope you'll help us make some positivity by sharing this around.
(Edit: A bullet point in the petitions description has been removed from this post, but remains on the petition. It's removal is due to misinformation around the UK's Equality Act 2010 only providing protection for those seeking sexual reassignment surgery. And while the Equality Act 2010 does explicitly state this, the Equality and Human Rights Commission has released an Equality Act 2019 Code of Practice document that specifies all transgender people are protected under the protected characteristic of "gender reassignment" regardless of desire to undergo the specific surgery initially identified in the Equality Act 2010 document. There has been, as of this editation, no direct quote or statement of plans to remove these protections from discrimination to the public.
I'd also like to add that there do exist protections already for 2SLGBTQIA+ folk to seek asylum in Canada, and the MP who made this petition has apparently been made aware of this, however, due to certain restrictions on that act, Canada currently lists the US as a safe country for 2SLGBTQIA+ folk because as long as there is one safe place(state, province, or territory) in the country for queer folk, the ability to seek asylum is denied. This petition clearly states a need to make a more specific clarification regarding this and open up assylum if any discriminatory laws pop up at all within a country, no matter if it's regional laws, or country wide. Specifying this because there's been a reblog or two calling this petition pointless and because I'm already clarifying UK law misinformation, might as well tackle misinformation from my own country as well. ♡)
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steddiealltheway · 4 months
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"Yeah, I'll see you next year," Steve says as yet another girl turns him down. As soon as she's out the door, he turns to Robin. "I swear I'm striking out like I did at Scoops Ahoy."
"No, I don't think so. I think you're doing much worse," Robin replies with a laugh. "But really it's very entertaining. A great way to end my year."
Steve runs a hand through his hair and turns back to his abandoned stack of tapes only to turn back around as soon as the bell above the door rings. He turns around with a heavy sigh as soon as he realizes who it is.
"Great to see you too," Eddie says with a humorless laugh.
Robin cuts in before Steve can. "Don't take it personally. He's just unsuccessful in his mission to woo a lady and get a New Year's kiss."
"Really?" Eddie asks, leaning across the counter.
"I think I'm coming across as desperate."
"Because you are," Robin adds unhelpfully.
Steve shrugs. "Well sorry I'm a romantic."
"Sorry that you've never gone a year without a New Year's kiss since, what, middle school?" Robin asks, grabbing a stack of tape to put back on the shelves.
"Yes, and I don't want to break the tradition now."
Robin rolls her eyes as she walks away, and Eddie props his chin on his hand. "You're actually struggling to find someone?"
That's an understatement. Steve has gone beyond struggling and is full-on failing at the task at hand. "At this point, I would take anyone."
"Even me?" Eddie asks with a wide smile.
Steve stares at him for a moment and considers it, eyes dipping down to his full lips and back up at him. "Let's see if I can get anyone else first."
Eddie's hands dramatically clutch his chest. "You wound me, Steve. Am I really last choice for you?"
Steve raises his eyebrows at him and deadpans, "Absolutely."
Instead of the dramatic response, Steve expects, Eddie instead leans over the counter and lowly says, "I can change your mind about that if you'll let me."
Steve laughs and leans forward. "Yeah? How's that?"
Eddie runs a hand through Steve's hair, sending chills down his body as he lightly scrapes his nails on his scalp. His hand then settles on the back of Steve's head and drags him in close to whisper, "I guess we'll have to wait to see at midnight."
With that, Eddie gives him a wink and steps back. "Robin, tell me what movie to watch while I waste away the rest of this year."
Robin peaks her head out from a shelf and waves him over, and Steve doesn't register anything they're saying because he's too stuck on what the hell just happened between him and Eddie. Because yeah, he's a little kiss-starved and attention-starved, but even when he's given into his desperation with random girls, it didn't ever feel so... electrifying.
He snaps out of his bout of confusion when someone walks into the store. He perks up a bit when he notices it's a girl who is not only pretty but also very much alone. Steve gets his hopes up a bit as he does his spiel, "Hi, welcome to Family Video, is there anything I can help you with?"
The girl looks Steve up and down and lightly bites her lip before answering, "Yes actually. I'm looking for a romantic comedy. Something to give me some hope when going into the new year."
"You need hope when it comes to romance, too?" Steve asks as he leads her over to the romance section.
She giggles and twirls a strand of blonde hair around her finger. "Yes, but I was wishing it would come sooner. Maybe around midnight?"
Steve nods and chuckles. "Yeah, I know the feeling."
The girl is quick to find a tape and bring it to the register where Steve rings her up. As he hands her the tape, she asks, "So, do you have any plans tonight?"
And this is Steve's moment. He looks her up and down, staring at pink lip gloss smeared over full lips then her brown eyes that are... not brown enough. It's like they're missing the depth that Steve is used to for some reason as if he's expecting...
Steve swallows and glances around the store, spotting the head of curly hair quickly as he watches the interaction. Eddie gives him a thumbs up accompanied by a sad smile, but Steve gives him a genuine smile back. "Actually, I do have plans tonight."
The girl gives him a small oh before quickly hurrying out of the store, and Steve can't feel too bad about disappointing the girl when he sees a light blush spread over Eddie's cheeks.
"So, you do have plans?" Eddie presses as he makes his way back to the counter.
"It seems like I do," Steve replies, leaning across the counter.
"Mhm," Eddie hums and looks down, "And what happened to me being your last option?"
"I seemed to come to my senses," Steve flirts easily.
Eddie smiles and pulls a few strands of hair in front of his face, unsuccessfully hiding his blush. "So, I'll see you at midnight then?"
"I'll see you then," Steve says with a wink, his eyes following Eddie all the way out of the store and into his van.
Robin slowly makes her way to Steve's side and asks, "You know that he just stole a tape, right?"
Steve shrugs. "I'll make sure to let him know."
"And we're going to discuss everything that happened just now this year or....?"
"I'll save the panic for next year," Steve decides.
Robin smiles at him. "Good idea. You have other things to do tonight."
Steve laughs loudly and finds himself unable to stop smiling for the rest of their shift.
As he drops Robin off at her house, he gives her an obnoxious kiss on the cheek and says, "Happy New Year."
Robin scrunches her nose up as she wipes at her cheek, but she can't stop the smile that's spreading on her face. "Happy New Year, and have fun tonight!"
"I will!"
As soon as Robin is safely inside, Steve speeds off toward Eddie's trailer, trying to push down his nerves by giving himself a pep talk that he knows Robin would make fun of him for. He'll have to leave that part out when he retells everything to her tomorrow.
When he gets to Eddie's, he takes a minute to fix his hair in the mirror before making his way to his door and knocking quickly.
Eddie opens it with a surprised look on his face. "A big part of me thought you were joking."
"And if I wasn't?" Steve asks, hoping Eddie himself wasn't joking about the whole thing.
Eddie's eyes flicker down to his lips. "Then I'd let you know that we don't have to wait until midnight to kiss. There are no rules against kissing before then after all."
Steve smiles so wide, his face starts to ache. "You're right. There are definitely no rules about that."
Eddie almost immediately tugs him inside and is quick to close the door behind him before cupping his face and leaning in. "And you're sure you're not joking about this?"
"Absolutely," Steve says as his hands lightly rest on Eddie's back.
"Well, Happy New Year's Eve to me then," Eddie jokes before closing the distance between them and pulling Steve into a kiss that makes his entire being light up in a way that rivals all the fireworks that go off that night.
As they gently pull away, Steve whispers against Eddie's lips, "You're never going to be my last choice ever again."
"Yeah?" Eddie asks with a smile.
"Yeah," Steve says, kissing him again.
They lose track of time that night, but they still manage to get in a New Year's kiss at midnight. As they drift off in the early morning hours, Eddie announces that 86' may not have been his year, but 87' sure will be. And Steve can't help but think the same thing.
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katy-l-wood · 1 year
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I've seen a lot of posts welcoming new Tumblr users, but I haven't seen any welcoming old users BACK. So, if you're returning, here's some fun new stuff Tumblr has added. Some of this may be desktop only right now, but Tumblr has been very good about migrating features to mobile without too much delay. I'm also primarily a desktop user, so some buttons may be in different spots on mobile.
You can now turn off reblogs on your posts, even the old ones. Click on the little gear icon at the top of the post window and towards the bottom to set reblogs to "anyone" or "no one."
You can have up to 30 images in a post now! Just be sure to be respectful and tag it as a long post.
Speaking of long posts, you can now set tumblr to automatically shorten anything over a certain length. It's under Settings>Dashboard.
Tumblr now has content labels, which is what has allowed them to bring back mature content art. These are important, so please use them. You can turn them on on each post individually by clicking the "everyone" drop down next to the "post now" button. And you can control how your dashboard shows or doesn't show labeled posts by going to Settings>Account.
You can now filter tags and post content via tumblr itself without using something like XKit! This is also under Settings>Account.
Tumblr offers an ad-free subscription now. $40 a year. If you love this little hellsite, this is a great way to show support!
Tumblr also allows users to pay to turn their posts into ads now. It's called blazing a post. It is great fun and generally hilarious. You have no control over your audience. You're just yeeting your post, of any sort, not just advertising, off into the void. An ad-free subscription hides these posts, but you can in fact turn blazed posts specifically back on while blocking the rest of the ads. Blaze a post by clicking on the little flame icon at the bottom. You can only blaze your own posts.
You can buy fun little tchotchkys for your dashboard and, sometimes, the dashboards of others. Right now we've got crabs, a horse that shits everywhere, and the super special double blue checkmarks. These are just fun little things to play with.
You can now enable tipping on your blog/individual posts. Totally optional, of course, but can be useful if you're a creator.
Staff has been a lot more active this last year, so if you want to keep up with what is going on be sure to follow @staff, @changes, and @wip.
That's all I can think of. Everyone else is free to add to this!
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fawnforevergone · 8 months
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The Ultimate List of Dante References in Hozier's "Unreal Unearth" !!
Hello and welcome to my new-and-updated ultimate compilation of all 'Inferno' references I found in Hozier's new album! If I think of anything else, or if anyone else suggests something, I will be sure to add it, but, for now, enjoy this ridiculously long (you've been warned) list I made!
Since I didn't wanna make a post for every individual song and spam you all, the songs are separated by their respective circles! I hope that organises stuff a bit more :]
Usual disclaimer: I could be wrong about some stuff! I've read 'Inferno' and try to stick to the objective references, but sometimes I let subjective interpretation bleed through. If anyone has any corrections for anything, just lmk!! Okay, cool <3
DESCENT:
"De Selby (Part 1)"
We start the album not in the circles, but instead at the Gates of Hell. One of the main themes of Inferno is darkness, and these first two songs are embodiments of that.
The lyrics mention the idea of this being a "new empty space", suggesting that Hozier is being introduced to the feeling of Inferno through the relationship he's singing about, and, so, we begin the descent.
"The likes of a darkness so deep that God at the start couldn't bear." God is obviously a large theme of Inferno and is, biblically, the creator of light, hence the absence of it in Inferno. In fact, the first three stanzas all reference the heavy darkness of the threshold and its estrangement from God.
The Irish/Gaeilge lyrics roughly translate to: "Although you're bright and light, you arrive to me like night fall. You and I, together. You and I, metamorphized. Although you're bright and light, you arrive to me like night fall. The art of transformation is a dark art." The imagery of light and dark mixing together mimics the idea of walking from the brightness of Earth into the darkness of Inferno.
This entire album appears to be the recounting of a relationship and how it feels like walking through Inferno. Here we see the beginning of this relationship, of Hozier losing himself to the threshold.
"De Selby (Part 2)"
Part one appeared to be the step through the gates, whereas part two seems to be Hozier being enveloped by the threshold. In 'Inferno', Dante says the entrance to Hell is a darkness that no stars could shine in. We hear this shift from Earth to Unearth through the production alone; the weightlessness of part one falling into the heavy grunge of part two.
"Your heart, love, has such darkness, I feel it in the corners of the room." The theme of dark continues, as it will through the entire album, but, this time, Hozier feels it radiating from within his lover rather than the space around them. Though, him saying his lover carries darkness is not an insult. This extra depth to his lover is something more to know, something more to love. This idea actually differs from Dante, who sees the darkness as deceitful.
"I want to be so far from sight and mind." Inferno is a lawless place. He would be far from sight due to the darkness, and far from mind due to the insanity that persists within the circles.
"Let all time slow, let all light go." This lyric shows me that he has been submerged in the threshold. Again, the lack of light, but also the slowing of time. Punishment after death is eternal, something that time has no grasp on. Hozier is willing to let these aspects take a hold of him.
"I'd still know you not being shown you, I'd only need the workin' of my hands." Christianity is a heavy theme of Inferno, and this lyric plays on the proverb 'Idle hands are the devil's workshop', a proverb Hozier also hinted at in his song "No Plan" (from 'Wasteland, Baby!') - "My heart is thrilled by the still of your hand."
Now, though, Hozier's hands aren't idle, instead the opposite, his hands are working as God intended. Drawing us back to that idea we were given at the end of part one, we get the feeling that Hozier is bringing something light/Godly to Inferno, and he and his lover are fusing the ideas of Heaven/Earth and Hell.
FIRST (LIMBO):
"First Time"
We now enter circle number one, 'Limbo'. Limbo is an uneventful circle for those not worthy of punishment but also not fit for Heaven. It is mainly for those who do not believe in God, the unbaptised.
Firstly, to get to circles, Dante and his guide, Virgil, must be chaperoned by the Greek Psychopomp Charon down the river Acheron, and we see that in Hozier's first couple stanzas.
"And the soul - if that's what you'd call it, uneasy ally of the body - felt nameless as a river, undiscovered underground." This appears to be Hozier mentioning the river Acheron, one of the five rivers of the Underworld that surround Hades, and, in 'Inferno', are used to transport the souls of the dead to their respective circles.
"The first time that you kissed me, I drank dry the river Lethe." The river Lethe is another one of the five rivers, and is one that causes anyone who drinks from it to forget everything they know. Hozier is simply saying that kissing this person wiped his mind clean, similar to the end of "De Selby (Part 1)" where he mentions partaking in a transformation.
"Some part of me died / Some part of me came alive the first time that you called me 'Baby'." Relating to the previous quote, souls that drink from the river Lethe usually do so before being reincarnated, so they forget their past life. Hozier seems to experiment with the idea of being reborn by his partner's love for him - an idea prevalent throughout his entire discography.
"To share the space with simple living things, infinitely suffering, but fighting off - like all creation - the absence of itself." This lyric tells us that we should not ignore the privilege of living just out of the fear of dying. This lyric is reminiscent of "All Things End" and the circle of Heresy. Since Limbo is home to those who don't believe in God, the theme of Heresy is a very fitting one.
SECOND (LUST):
"When I was young, I used to guess 'Are there limits to any emptiness?'" The punishment for those in Limbo is to exist eternally with the curse of a hollow, empty feeling meant to represent the lack of God in their lives. This punishment seems referenced in this lyric.
[ i ended up thinking about this song more so if you want even more "first time" content, here ya go: "first time dante references." ]
"Francesca"
Into circle number two, 'Lust', we have the story of Francesca Da Rimini, a woman Dante spoke to during his visit to circle two. Francesca fell in love with her husband's brother, Paolo, and when her husband discovered the affair he murdered them both.
Hozier seems to be singing from the perspective of Francesca/Paolo but throughout the album we see Hozier liken his lover to aspects of Inferno - darkness in "De Selby (Part 2)" or Lucifer in "Unknown / Nth" - so the story of Francesca and Paolo is fitting as another metaphor here.
"Do you think I'd give up? That this might've shook the love from me?" Even in Hell, Paolo and Francesca physically cling onto another. They do not let their death affect their love.
"My life was a storm since I was born. How could I fear any hurricane?" The punishment in Lust is an eternal storm meant to replicate the throws of passionate love - a storm also depicted in the production of the end of this song. Hozier/Francesca/Paolo says that it's impossible for them to care about this punishment when life was already as treacherous as it was.
The whole chorus emphasises the imagery of Francesca and Paolo not being able to let go of each other.
"When the heart would cease, ours never knew peace. What good what it be on the far side of things?" Francesca and Paolo lived their love secretly and anxiously, so what good would peace be in the afterlife when they've already become accustomed to difficulty?
"Heaven is not fit to house a love like you and I." In the opening songs of the album, Hozier describes his lover as darkness, akin to something God cannot bear. Due to the depth of his lover, the mix of light and dark they've made, he believes Heaven would crumble beneath the weight of their relationship. That something as corrupt as Inferno is the only place suitable for them to live.
"I, Carrion (Icarian)"
Still in circle two, Hozier plays on Dante's own metaphor. In Canto 17, Dante refers to his own dread of descending Inferno to the same dread that the 'ill-fated Icarus' must've felt on his fall from the sky.
Hozier twists this, instead comparing his love to the hope Icarus must've felt as he flew towards the sun. He said, during a live show, this song is based on the idea hat Icarus never realised he fell, and woke up dead, too clouded by joy to realise what had happened.
"If the wind turns, if i hit a squall, allow the ground to find its brutal way to me." Again, we mention the storm of circle two. Lust is also said to have treacherous terrain - sharp rocks and jagged stone - that seems to be hinted at in the second half of this lyric.
"While you're as heavy as the world that you hold your hands beneath." This imagery seems reminiscent of the Greek Titan, Atlas, who holds up the Earth on his back. Dante talks about seeing Titans and Biblical Giants at the transition point of circle eight to circle nine, 'Fraud' to 'Treachery', which makes this lyric a sad hint to where Hozier will end up finding his lover; Taking the place of Lucifer in the deepest part of Inferno.
THIRD (GLUTTONY):
"Eat Your Young"
We enter the third circle of Inferno, 'Gluttony'. There are no specific references to Inferno, but the concept of gluttony is apparent. Hozier does what he frequently does throughout this album; He refuses to see the sin as "right or wrong" as Dante so stubbornly implies.
Hozier often divulges in a grey area, a spectrum or sale of severity, when it comes to the sin. Hozier's perspective seems more nuanced than Dante's, seeing sin as layered rather than objectively bad. In this specific song, he displays the different sources of hunger in humans, and where the line should be drawn.
"I'm starvin', darlin', let me put my lips to something, let me wrap my teeth around the world." We start, and reference back to in verse two, a sexual hunger, a harmless passion between two people. This is an innocent side of the sin, not deserving of the punishment of Lust which is to be ripped apart by Cerberus (the three-headed dog from Greek mythology) for all eternity.
However, Hozier moves onto the hunger of politics.
"Pull up the ladder when the flood comes." The government refusing to help the people when the sea levels rise.
"Throw enough rope until the legs have swung." When you don't have a ladder, you use a rope. This lyric plays on the notion of when governments give the impression they are helping, but are only making things worse - a take on the saying 'Give someone enough rope and they'll hang themselves', since what else are they meant to do with it?
"Skinnin' the children for a war drum, puttin' food on the table selling bombs and guns." The hunger for power manifests in war.
"It's quicker and easier to eat your young." Here, Hozier uses the common saying in a more literal sense, saying that if these politicians are hungry enough to destroy the world, they may as well physically eat their young, since it'll have the same effect.
FOURTH (GREED):
"Damage Gets Done"
This song takes place in circle four, 'Greed'! The title of the song alone is already very meaningful. In circle four, the main punishment is that the inhabitants are split into two groups and are forever forced to charged into each other and fight. Dante describes them are being so injured and damaged that they have become 'unrecognisable'.
The song is about greed within the changing of the world. It's about growing up and losing the naivety and innocence you once had, no longer able to ignore the burden of politics and money. Hozier and Brandi sing about the excitement of being young and in love, but, with the rise of inflation, it's hard to exist like that anymore - You need greed to survive.
"Wish I had known it was just our turn being blamed for a world we had no power in." This seems to be a reference to two things. One, the idea that governments blame the people for their own poverty, and Two, the idea of arriving in circle four by no fault of your own. It's not their fault they wanted more money with the world being how it is, but, nevertheless, they're being punished for it.
"I haven't felt it since then. I don't know when the feeling ended, but I know being reckless and young is not how the damage gets done." They talk about the enjoyment of the love they're singing about fading, and how they miss that, but they know that, again, this is not their fault. They know they didn't change, the world did, and they won't take responsibility for their 'sin' when all they did was adapt.
As aforementioned, the inhabitants of the fourth circle suffer extreme injuries, so Hozier saying "I know being reckless and young is not how the damage gets done" is him saying "I know that we are not at fault for being served the punishment of Greed."
FIFTH (WRATH / ANGER):
"Who We Are"
We enter the fifth circle, 'Wrath', where the inhabitants spend their time fighting to stay at the surface of the river Styx, another one of the five rivers of the underworld.
"Falling from you drop by drop." / "To hold me like water." These lyrics obviously give the idea of water, representing the river Styx.
"Or, Christ, hold me like a knife." This lyric comes in quite loudly, Hozier's voice strengthening with it. The subtle blasphemy of "Christ" and the violent imagery of "knife" comes across as a sort of anger. Being held "like a knife" is representative of how those is Wrath must feel - like they are something particularly dangerous, but still desperate to be held.
"We're born at night, so much of our lives is just carving through the dark to get so far." Again, this theme of darkness that is so frequently displayed in Inferno is mentioned again. After this song comes "Son Of Nyx", which Hozier said was the transition into the darker half of the album, and Nyx is the Goddess of the Night. Being "born at night" would make Hozier the son of the night, the son of Nyx. This gives the impression that, if the album is following on chronologically, this is the point where the relationship portrayed in the album begins to fray as Hozier starts to be consumed by the darkness.
"And the hardest part is who we are." Those in the circle of Wrath possess a 'savage self-frustration' that Hozier seems to represent throughout this whole song - A fierce annoyance with the way he and his lover let things go: "We sacrificed, we gave our time to something undefined", "Chasing someone else's dream", Etc.
SIXTH (HERESY):
"Son Of Nyx"
We have no lyrics for this song (though you can hear him faintly saying some things, one of which is him saying "who we are...") but we know it takes place in circle six, 'Heresy'. Heresy is a belief or opinion that is contradictory to religious doctrine, especially Christianity. As aforementioned, Hozier said this track is a transition song meant to replicate a descent into the darker half of the album.
Nyx is a Greek Goddess and is often known as the personification of night. She had many children all representing different things but the title would essentially mean 'The Son Of Night', and, as dissected in the previous song, we can see that Hozier sees himself as reborn into the darkness.
Once again, darkness is a large theme of Inferno, but Hozier saying in circle six that he is the Son of Night is particularly meaningful due to the association of light with God. He has been reborn as something that could not be further from God, something that opposes the idea of God, something of a Heretic.
Nyx was feared and respected by all, including Zeus, and, though I believe there is no reference to her in Inferno, she was described as residing in the dark recesses of the Underworld, which is heavily incorporated into Inferno.
"All Things End"
This song does not have many overt references to circle six but definitely incorporates the idea of heresy. As mentioned, heresy is an idea that contradicts (especially, but not always) Christianity. In this song, Hozier talks about the ephemeral nature of all things, particularly romance.
"When people say that something is forever, either way it ends." Whether it be death or a break-up, God doesn't plan for you to be able to spend eternity with your lover.
"Movin' on in time and taking more from everything that ends." Hozier, however, argues that things still have meaning beyond their end. That, even after moving on, we will remember and learn from the things we have lost.
"Just knowin' that everything will end should not change our plans." Throws back to the idea of the second verse of "First Time". If you avoided something just because it was going to end eventually, you would never achieve anything. That's like refusing to finish a movie just because you don't want to get to the credits.
When this concept of ignoring the end comes to death, we ultimately cross the concept of God. There are many rules people follow in religion, avoiding certain things because they are against 'God's Will'. Although this practice can be kept in moderation, it can quickly become self-imprisoning.
Not living your present life out of fear for an unproven afterlife can be limiting, especially if you dictate who you love due to what supernatural punishment may or may not follow. Hozier sings that we should not let God's plan interfere with what we need from life, allowing ourselves to indulge in love even if it will end - ultimately, Heresy.
SEVENTH (VIOLENCE):
"To Someone From A Warm Climate (Uiscefhuaraithe)"
This song places in circle seven, 'Violence'. Violence is split into three subcategories, or 'rings'; Violence against others, violence against self, and violence against God. I believe this song gives an overview of all three.
With this song, we recognise that the title says "To someone..." and Hozier said this song was a gift to someone who was from a geographical warm climate, but there is also a lot of heat in circle seven.
"A joy, hard learned in winter, was the warming of the bed." Throughout this song, Hozier describes himself as cold, and his lover as warm. The idea of warming the bed is a concept Hozier mentioned in his song "Nobody" (From 'Wasteland, Baby!') where he sings that, if he had a choice between the warm bed of his lover or performing on stage, he'd go home to the bed. Since this song comes after "All Things End" (the break-up song), this call back to "Nobody" could be instead referencing a permanent distance, rather than a temporary one (like the temporary distance in "Nobody").
"And, darlin', all my dreaming has only been put to shame." This could have two meanings. One, Hozier waking from a dream about his lover to find them not here. Or, two, Hozier's expectations of his lover falling short as their relationship has finally fallen through. These expectations could be a form of violence against self, the second ring, as he set himself up for heartbreak.
"And I wish that I could say that the river of my arms have found the ocean. I wish I could say the cold lake water of my heart- Christ, it's boilin' over." As mentioned, Hozier is cold, his lover is warm. His wishes he could find something to to fill the loss of his relationship, but he still feels the heat from his lover in every part of him.
"It's boilin' over." References the river of boiling blood in the first ring, violence against others, Hozier could be talking about the way his partner loved him, how that was almost an act of violence with how hard it is to now let go.
"Butchered Tongue"
This song has less references to 'Inferno', and is more of a commentary on the act of violence itself. Hozier sings of places and cultures lost to the violence of man, and he mourns this deeply.
"To say 'Appalacicola' or 'Hushpukena', like 'Gweebara'. A promise softly sung of somewhere else." This grieving for a time when native land wasn't colonised and culture wasn't violently erased is prevalent throughout the song.
In the second verse, he sings very strongly of the brutal acts inflicted upon Irish rebels by the British forces in the Wexford Rebellion of 1789. As we know, Hozier is from Ireland, and he incorporates both the Irish language and history into this album, and recounting such violent acts for this song feeds into the grieving of what has been lost: "Between what is lost forever and what can still be known."
In the context of 'Inferno', it feels as though Hozier is listing the sort of actions that would land someone within the circle of Violence whilst also appreciating the efforts those above ground take to preserve erased culture. Altogether, the song is a very moving commentary on modern violence.
EIGHTH (FRAUD):
"Anything But"
The eighth circle is 'Fraud', split into ten subcategories that are positioned around the circle in trench-like ditches, known as 'Bolgia'.
"I wanna be loud, so loud, I'm talking seismic," follows up with, "I want to be as soft as a single rock in a rain stick." Who he wants to be fluctuates between moderation and severity. He is changing, unreliable, possibly referring to bolgia one, Panders and Seducers. Seducers tend to 'lead astray', as Hozier's unreliable narration does.
The punishment of bolgia one is to be marched backwards and forwards rapidly whilst being whipped, very much evoking the imagery of a stampede: "If I were a stampede, you wouldn't get a kick." This alludes to the fact that if Hozier were sent to hell for the various sins he commits for his lover, he wouldn't resent them for it at all.
"If I was a riptide, I wouldn't take you out." The second bolgia of Fraud is for Flatterers, 'the act of giving excessive compliments, sometimes for romantic courtship'. Obviously, the song is filled with these compliments.
"I hear He touches your hand and then you fly away together. If I had his job, you'd live forever." The imagery of "fly away" gives the idea of ascending, perhaps to Heaven, as hinted at again by the idea of the longevity of living. Bolgia three is for Simoniacs, those who would sell church roles, offices, or sacred things. This seems to fit with Hozier saying that if he had a divine role, he wouldn't follow protocol, he would allow his lover immortality.
Simoniacs were sinners because they were disobeying God's trust, because the selling of divine roles would lead to corruption in the Church. Hozier is using this hyperbolically, saying that if someone were to sell him the role of God, he would most definitely be a corrupt power.
"I'd lower the world in a flood, or better yet I'd cause a drought." In bolgia four we have Sorcerers. Although Dante used this term in a more logical sense for fraudulent sorcerers - false prophets, fortune tellers, those who lied about the plans of God - Hozier uses the term in a supernatural sense. Sorcerers were punished for trying to interrupt God's prerogative, whereas Hozier is blatantly saying he would summon another flood, usurping God's plan overtly.
"I'm talking seismic." The bridge that leads to bolgia seven was collapsed by the great earthquake and, as we know, seismic activity leads to earthquakes.
"Worry the cliff side top as a wave crashing over." There happens to be a cliff near the entrance of circle eight that a large waterfall plunges over.
"Abstract (Psychopomp)"
This song appears to be the crossover point from circle eight to circle nine that I mentioned when discussing "I, Carrion (Icarian)". Before we get to that, the title itself is significant.
A psychopomp is a chaperon of death; Someone like the Grim Reaper, or Charon from "First Time", or Dante's guide through Inferno, Virgil. Here, Hozier is describing the act of hitting an animal with your car as taking on the role of a psychopomp, whilst also relating this idea to the act of letting a relationship die, leading it from life to death.
In the crossover point from eight to nine, Dante and Virgil stand and look at the large well that leads down to circle nine, 'Treachery'. The Titians and Giants burst out of the well, to big to fit, but their feet stand stubbornly in Treachery. I believe that, at this point in the album, Hozier stands here, too. He's visited all eight circles, and has one last place to go before he leaves Inferno, and ultimately his lover, behind. This song is him realising he has to let his relationship end, he has to act as a psychopomp for his love.
"Sometimes it returns like rain that you've slept through." Circle nine, 'Treachery', is a frozen over lake, aka a memory of water, similar to the residue of rain. With viewing this song as the predecessor to "Unknown / Nth", we can take this as a hint of what's to come.
"The Earth from a distance." Since Inferno is arranged in rings (like a circular staircase), Dante could feasibly look up and still see where he started his journey. The same way Hozier could look up and see where his relationship began, "De Selby (Part 1)", The Gates.
"Streetlights in the dark blue." We have the mix of light and dark again, as mentioned in the opening track, referencing back to Hozier and his partner falling in love.
"Darling, there's a part of me I'm afraid will always be trapped within an abstract of my life." Of course, Hozier is talking about the memory of the animal hit with the car here, but the way this relates to circle nine is beautiful. As we'll properly dissect with "Unknown / Nth", sat within the most central point of circle nine, the deepest part of Inferno, is Lucifer, the fallen angel. Lucifer was thrown down to Hell from Heaven, and found himself trapped in Treachery, his body too big to escape. Dante says that the more he struggles, the more stuck he becomes.
That moment he was struck down to hell is a moment he finds himself forever stuck in, just as Hozier is saying here. In the next song, Hozier relates his lover to Lucifer, but these lyrics are a gorgeous mirroring of Lucifer's experience, and another hint at the final circle we will now head to.
NINTH (TREACHERY):
"Unknown / Nth"
Okay, buckle in.
The ninth circle, 'Treachery', is also one split into subcategories, yet Hozier appears to be singing about the centre. The frozen over lake of Treachery gets more frozen the closer you get to the centre. The inhabitants start half-submerged in ice to fully plastered in it. Throughout Inferno, and the deeper we descend, a soft breeze becomes a strong wind, that, as we reach the centre, we find is caused by the violent flapping of Lucifer's wings. Here he sits, stuck and chewing on Judas, another one of God's biggest betrayers.
After "Abstract (Psychopomp)" Hozier is now exploring the final stage of his relationship. The circles of Hell had mirrored the love he once had, and Treachery is where it shall be buried. He also represents his lover as Lucifer, though not maliciously. In interviews, Hozier spoke about the song being about a heavy betrayal he suffered from someone he truly loved, and likening this to God and Lucifer is just heartbreaking.
"You know the distance never made a difference to me." The song is about knowing someone in their entirety, discovering their best and worst parts. Hozier uses Inferno to talk about the tiresome journey of finally knowing someone. He says he would've made the trip all the same, that he would've walked this far for his lover no matter what.
"I swam a lake of fire, I'd have walked across the floor of any sea." This mirrors the previous lyric, but also references specific parts of Inferno. The are many fires in Inferno, particularly in circle seven, 'Violence'. The sea floor lyric reminds me of the lake of Treachery. Though a surface, not a floor, the lake would still be below any seabed, since Inferno is geographically below the Earth.
"Funny how true colours shine in darkness and in secrecy." You guys are probably sick of hearing me say it but... Darkness is a big theme in Dante's Inferno. It is meant to represent the deceiving nature of humans when light is not being shone. Secrecy is a running thread through 'Inferno', too, as Dante finds many people he thought had done no wrong residing there. Hozier is simply saying how (sarcastically) funny it is that he only truly knows his lover in the remains of their relationship; How he only knows them after seeing them in their cruellest form.
"Where you were held frozen like an angel to me." There are many angel lyrics, but this one specifically references the ice of Treachery. The fallen angel is indicative of Hozier's experience: Seeing someone he regarded highly, even heavenly, falling from that pedestal and turning into something that couldn't be further from God's work.
"You called me angel for the first time, my heart leapt from me. You smile, now, I can see its pieces still stuck in your teeth, and, what's left of it, I listen to it tick. Every tedious beat going unknown as any angel to me." Hozier references his ex-lover chewing on his heart the way Lucifer chews on Judas. He listens to it somehow still ticking, however slowly, and at the end of the song we hear something akin to a heartbeat. The beats are "going unknown as any angel to me" since he can no longer recognise his own heartbeat after it has been mangled by another, and, since he mistook someone alike Lucifer to an angel, the idea of angels must be "unknown" to him.
"Do you know I could break beneath the weight of the goodness, love, I still carry for you? That I'd walk so far just to take the injury of finally knowing you?" We again have this imagery of walking far, referencing the journey of Inferno, and, even though he's aching with the realisation of who his lover truly is, he can't help but be grateful that he does now know them, no matter how painful that may be. That he would do this all again if it meant he at least got to the answer of who they are.
His weak heartbeat follows him through to final track as we begin the Ascent.
ASCENT:
"First Light"
The title is very meaningful for the Ascent. The song references both Dante and Virgil's ascent and the creation of light by God himself. Dante and Virgil leave Inferno through a tunnel that Lucifer left in the Earth as he was thrown down to Hell, and they emerge on the other side of the hemisphere. This song signifies Hozier stepping away from the relationship as he also makes that journey out.
"One bright morning changes all things." Dante is disorientated when he exits Inferno. He'd become so accustomed to the darkness that he asks Virgil, 'How is it that the sun progressed so rapidly from evening to day?' Hozier seems to recognise here that his relationship is no longer fit for him, that the darkness has become too encompassing, just as Dante realises on his ascent.
"The sky set to burst, the gold and the rust, the colour erupts...the sun coming up." Not only does this give the imagery of the birth of light, but it also represents Dante's view on his exit: 'Until...I saw the lovely things the sky above us bears. Now we came out, and once more saw the stars.'
"Like I lived my whole life before the first light." Hozier says that the darkness from his lover was so overbearing that it was hard to believe he'd ever felt light before - that light could not have exists with a darkness this heavy alongside it. It is a call back to "De Selby (Part 1)" - "A darkness so deep that God at the start couldn't bear."
"One bright morning comes. Darkness always finds you either way, it creeps into the corners as the moment fades." He speaks of bringing light to a moment between them, but has it quickly smothered by the darkness inherent in his partner. Another call back, this time to "De Selby (Part 2)" - "And your heart, love, has such darkness, I feel it in the corners of the room."
"After this I'm never going to be the same, and I am never going back again." This lyric is heart-breaking. Hozier states that Inferno has changed him, but he has no wishes to re-enter it. At the beginning of this album, he was begging for the likes of Inferno - "De Selby (Part 2)": "Let all time slow, let all light go." - and now he is desperate to get away from it. In "Francesca", he said, "At the end, I'd tell them, 'Put me back in it.'", yet, now, he's at the end, he's ascended, and he has no desire to go back at all.
He is letting go of his lover because he recognises that this pain was not worth it, that this love was not worth the punishment he received, so he leaves.
---
That was Hozier's Inferno !! I hope this was helpful to some people since it was very fun to make (I'm exhausted) and it's very enlightening to see how these lyrics relate to Inferno (I'm heart-broken) !! Okay, wooooo !! Enjoy !!!
2K notes · View notes
genshin-obsessed · 4 months
Text
Rent a Genshin Boyfriend!
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This is inspired by a dream lol but it’s also probably influenced by a video I was recommended on YouTube. My x reader blurb is in pink and is just something in addition i wanted to add that would otherwise break immersion (and does it anway :') ).
Characters: Venti, Kaeya, Xiao, Baizhu, Kazuha, Heizou, Cyno, Alhaitham, Wriothesley, Lyney
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Hello! Welcome to Genshin Boyfriend Rentals! We have a wide array of men that may meet your temporary dating needs, assuming you've got the money.
There are a few rules we need to go over beforehand, however. Please keep these in mind as you browse!
The Boyfriends have the right to leave during the date for any reason. If you believe it was unfair, you may contact support to potentially get a refund.
The Boyfriends are real people with feelings, please treat them with respect and refrain from pushing their boundaries.
No sexual requests of any kind. Attempting to do so will make him leave and you will not get your money back. They are boyfriends for hire, not escorts.
There are a few rules set by the Boyfriend, himself, which will be sent to you upon selection and payment. Please do your best to adhere to the rules for the best experience!
Are you looking to experience a polyamorous relationship? Feel free to hire more than one at a time! Their compatibility is written on their profiles but those are general suggestions!
Let's begin, shall we? The Boyfriends vary by region, please select the one that best suits you! If selecting more than one, keep in mind you will be the sole focus, but can ask for a slight change if you wish.
These Boyfriends are currently available for today!
┍━━━☽【❖】☾━━━┑
━━ Mondstadt ➺ Venti ➺ Kaeya ━━ Liyue ➺ Xiao ➺ Baizhu ━━ Inazuma ➺ Kazuha ➺ Heizou ━━ Sumeru ➺ Cyno ➺ Alhaitham ━━ Fontaine ➺ Wriothesley ➺ Lyney
┕━━━☽【❖】☾━━━┙
.・。.・゜✭・.・✫・゜・。.
Venti | ★★★★☆
550 Mora/hr.
All expenses must be covered by you.
A maximum of 8 hours per day.
Available for overtime events that may extend into multiple days but prices vary.
No gender preference.
Best compatibility: Lyney, Cyno
Ever wanted to be serenaded by a bard? Need someone to help you out of your comfort zone? Venti's your guy! Venti is the excitable boyfriend. He’s chirpy, knows the best places to go, is enthusiastic about every and all dates. He tends to be very loud and cheerful, so if you're looking for some excitement, he's the best!
He’s very good with shy people and doesn’t have a preference for gender so he’s great for anyone who’s new to renting a boyfriend. Venti is also great at comforting. Did you lose someone recently? Are you feeling down about life? Feeling like everything is at a standstill? Venti is great with his words and will do his best to cheer you up.
His favorite place is visiting a bar and his favorite thing to do is perform. He previously worked as a bard but has now moved to joining us in our endeavors as a Rental Boyfriend!
"I promise with me you'll be smiling until your face hurts! Or your money back!"
Venti is mindful of how much money he spends. He understands why expenses are covered by the renter, but he still feels bad sometimes. Not only that, he's not exactly cheap either. So, when he ever goes on a date with someone who can't exactly afford dinner or whatever, he comes up with other date ideas that could be entirely free! However, Venti is usually hired for his empathetic side. He's great at understanding loss and loneliness and has plenty of loyal customers who he meets with at least once every two weeks. You can be one too, if you'd like.
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Kaeya Alberich | ★★★★☆
575 mora/hr.
All expenses must be covered by you.
Maximum of 8 hours per day.
Is only available for up to 24 hours only, and prices vary.
No gender preference.
Best compatibility: Heizou, Kazuha
Do you need a boyfriend who's just great at flirting and making you feel like the most beautiful human being on the face of Teyvat? Meet Kaeya! He's quite popular as he's great with both newbies and veterans at renting a boyfriend. He's very charismatic and usually loves to fluster his partner. Kaeya is not a big spender, so don't worry about expensive dates. He's great at improvising and is just looking to make you happy!
His favorite place to visit is the bar, but he also enjoys things like picnics and window shopping. He's not a demanding Boyfriend so if you'd just like to have some company at home, he's right there with you!
Kaeya is more physically affectionate. He loves hugs, cuddles, often gives cheek kisses and will most likely always be holding your hand. If this is something you aren't a fan of, we recommend you hire someone else but can also talk it over with Kaeya, himself, if you'd like.
"Whatever you wanna do is ok with me. After all, I think the day should be dedicated to someone as special as you."
Kaeya has a tendency to forget faces if it's been a long time, so if you're renting him with a long span in between, he may actually forget you completely. He does feel really bad and does his best to play it off, but sometimes it doesn't work out. Don't worry! He's got a plan for that too! If you're a loyal patron though, he will inevitably remember you.
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Xiao | ★★★★✬
650 mora/hr.
All expenses must be covered by you.
Maximum of 6 hours per day.
Not available for overtime events.
No gender preference.
Best compatibility: Cyno, Lyney
Meet Xiao! He's not very excitable, doesn't talk a lot, and lets you do your thing. He's mainly for people who don't want a talker and prefer to do an activity with someone. Whether it be painting, watching a show, playing video games, knitting, doing puzzles, or meditating, Xiao is the perfect choice! He's got a very calming atmosphere around him and will 100% help you relax!
Xiao speaks through touch for the most part. If you need some form of physical affection, he can provide. If you want to cuddle, hold his hand, or just lay on his lap, he's happy to provide given you ask permission first.
!! If you're new to renting a boyfriend, Xiao is NOT recommended !!
"I'll do whatever you want to do, so don't feel pressured to plan something extravagant. Just be you and we'll have fun, I guess."
Though Xiao has his charm and is extremely handsome, his rating simply relies on those who like his personality type which is specific. Sometimes people want a Boyfriend who's all cool and quiet like him, but tend to realize it's not as fun when they're actually with him. He does have a few tricks up his sleeve for people like those, but will more often than not just let them crash and burn and helps them get a refund for any time he didn't spend with them. He is who he is, some people like him, others do not. His popularity has skyrocketed recently and he's pretty much on par with Boyfriends like Kazuha, Kaeya, and Wriothesley.
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Baizhu | ★★★★☆
500 mora/hr
All expenses must be covered by you.
Maximum of 8 hours per day but can be booked for multiple days together. Maximum of five days.
Available for overtime events. Prices vary.
No gender preference.
Best compatibility: Alhaitham, Wriothesley
Are you feeling a little under the weather? Don't have the ability to grab medicine? Just need a little company while you recover? Look no further than our very own doctor Baizhu! As a practitioner of medicine, Baizhu has numerous methods to help you feel better.
He'll help you take your medicine, make you meals for swifter recovery, and is more than happy to give you some much needed company. Don't worry about getting him sick, he knows the proper precautions.
"Remember, health comes first. If you don't know how to get better, I'll be right beside you."
Baizhu actually prefers to work with people who are sick. Whether they have terminal illness or temporary, he's more than happy to provide any sort of companionship to those who ask for it. He's actually helped find more serious, life threatening illnesses before and has saved a number of people like that. Baizhu is a softer boyfriend, willing to sit beside you and stroke your hair as you attempt to sleep. He's the only Boyfriend who can be booked for multiple days in advance, others work on a daily basis only.
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Kaedehara Kazuha | ★★★★★
600 mora/hr.
All expenses must be covered by you.
Maximum of 10 hours per day.
Available overtime events as well as holidays. Prices may vary
No gender preference.
Best compatibility: Venti, Lyney
Looking for a soft boyfriend? Are you trying to learn poetry? Perhaps working on poetry? Look no further than Kazuha! He's a new addition to the Genshin Boyfriends but you'd never know if we hadn't told you beforehand.
Kazuha has a more artistic side to him that he loves to show off. As a former wanderer, he's got plenty of stories for inspiration. Are you looking to maybe take a hike? He's definitely ready for one! Maybe you'd just like to find a field and lay down in it. Kazuha knows some great places already! He's both soft spoke and a gentle soul. If you need to vent or are looking for advice, we recommend no one other than Kazuha!
"I know what the description says, but I also love to try new things. If you want a partner for that, I'm happy to be one. You don't need to try anything new alone."
Even though he's new, Kazuha's quite popular and will often be booked months in advance. As he's said before, he loves trying new things and is happy to do that with someone else. Do you wanna go skydiving for the first time with a boyfriend but don't have one? Kazuha! Do you wanna go swimming with sharks for the first time? Kazuha! Maybe you're looking to rent a boyfriend for the first time but don't know who would be best for you. Kazuha!
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Shikanoin Heizou | ★★★★☆
500 mora/hr.
All expenses must be covered by you.
Maximum of 6 hours per day.
Available for some overtime events; not ALL holidays. Prices may vary
No gender preference.
Best compatibility: Kaeya, Cyno
Ever wanted to say that you dated a detective? Maybe you're looking to spice up your boring choices in partners! Heizou is at your service. He's intelligent, a great fighter, and has quite the silver tongue. He has a mischievous side to him and loves to get into a bit of trouble.
Worry not, you'll never be in any true danger, but if you're looking to get your blood pumping, Heizou might be able to do that. If you don't have a date idea, worry not. He does and he'll make every penny worth it! Though, if you'd like something a bit slower, Heizou doesn't mind taking you to some of the spots he likes to relax in. You two can sit and talk to just get to know one another before going out and doing something. He's very flexible in this case!
"Don't be shy, take a chance on me. If you're a true crime junkie, I'm basically your soulmate."
Believe it or not, Heizou's never gotten in trouble before for any of this. It's not like he brings his renters to the crime scenes or shows them anything like that, but he's got plenty of stories. He's also more playful and is the best recommended for any renters looking for an adventure! Unlike Kaeya, Heizou never forgets a face. Ever.
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Cyno | ★★★★★
800 mora/hr.
All expenses must be covered by you.
Maximum of 5 hours per day.
Overtime events only include birthdays and must be under 12 hours. Prices may vary
No gender preference.
Best compatibility: Heizou, Xiao, Venti
Are you a lover of "bad jokes"? Are you looking for a more serious boyfriend? Do you want someone who can strike fear into the hearts of criminals? Look no further than Cyno!
Though Cyno has a serious side to him, he's a lover of jokes and reverts to them to relieve tension. He's got a wide array so there won't be any repeats. If you're ever sad, he'll bring out his best and hope that at least one of them puts a smile on your face.
"Why are pigs good valets? They're excellent parallel porkers. Get it? Instead of using the word park, they used-"
Cyno actually joined the agency as a joke. Yet, somehow, he managed to get to the top extremely quickly. For all the Sumeru Boyfriends, he often takes first place. He's also stolen first place from Wriothesley in the April popularity poll. He was tempted to quit but was begged to stay and... well, now he finds a type of joy in pretending to be boyfriend. Not at all what he expected the day he joined. Cyno is also great at memorizing names and faces. Once you go on a date with him, he won't forget you and will even make it a thing to greet you as if you two have been dating for a while and he just hasn't seen you in a while.
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Alhaitham | ★★★★☆
700 mora/hr.
All expenses must be covered by you.
Maximum of 6 hours per day.
Available for most overtime events as well as holidays. Prices may vary
No gender preference.
Best compatibility: Baizhu, Wriothesley
Is there a test coming up that you didn't study for? Did you fall asleep in class and miss an entire lecture and now you don't know how to do that Statistics assignment? Well, look no further than Alhaitham!
He's the smartest we got and is the best tutor you'll ever find. From being eye candy to intelligent as hell, there isn't a subject he can't help teach. Do not make that chemistry joke with him, he will be disappointed.
Alhaitham knows the best way to increase work productivity and will help you get through your day with any type of work you have. He knows when to take breaks and will always have the perfect snacks prepared. Just make sure you can keep up with his strict routine!
"If you need help, just ask for it. I wouldn't want you to fail your classes."
!! Not the best with romance !!
While he's not good with the romance aspect of being a boyfriend, he's very good with studying. He often finds himself busiest during finals weeks and will limit his time with everyone to just three hours per day. These are the days where he's working from morning to night and only has enough time to sleep. He's very good at tutoring and often receives letters and gifts of thanks afterwards. He can still do dates and such (maybe a study date) or just a regular one, but he tends to be more awkward in that sense as he's not very used to it. Over time, he's learned a good way to reward the renters. Kisses on their cheeks tend to help a lot. He'll also let you take short naps on his lap and will even massage your shoulders if needed while you work.
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Wriothesley | ★★★★★
1200 mora/hr.
All expenses must be covered by you.
Maximum of four consecutive days for a total of 96 hours.
Only available for special events currently.
No gender preference
Best compatibility: Alhaitham, Baizhu
Are you looking for a duke who's great at fighting and was a prison administrator? What a coincidence, we have the perfect man for you! Wriothesley. While his name may be as confusing to pronounce as Worcestershire sauce, his companionship is just a legendary! He's charismatic, loves tea, can totally teach you how to fight, and has a voice as smooth as butter.
Wriothesley is tall, dark haired, and has been voted the most popular in the last four polls in a row! His intelligence and prowess speak for themselves and don't let anyone stop you from hiring him!
Need to scare off a trashy ex? Just looking for a handsome man to hold your hand as you walk down the street? Attending a wedding where everyone keeps pestering you to find a person to settle down with? Wriothesley's got you covered. He's great at memorizing family names, faces, and titles. He'll impress your family and get them off your back for good.
"Come and fall in love with me. I'll make it worth your time."
As stated above, Wriothesley has won the popularity poll for four months in a row and continues to dominate. While he's lost the position to others such as Kazuha, Xiao, and Cyno, he holds no bad blood between them and is often hired alongside another for the same renter. Due to his increasing popularity, he is the most expensive Boyfriend to rent BUT has made exceptions before. He's also a great choice to hire for a friend to surprise them as "their boyfriend for the day". He's a fast learner and yes, you will fall in love with this man. Come to terms with it before you hire him.
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Lyney | ★★★★☆
650 mora/hr.
All expenses must be covered by you.
Maximum of 8 hours per day. Works later hours as well.
Available for most events as well as holidays. Prices may vary
No gender preference
Best compatibility: Venti, Xiao, Kazuha
Ever wanted a private magic performance? Wanna see what it's like to date a magician? Look no further than our very own Lyney! Hailing from the land of water, Fontaine, he is a renowned magician!
Expect plenty of surprises as Lyney loves to catch people off guard. He tends to prefer simple dates, but grand ones are welcome if you insist. He is willing to teach you some small tricks, but most of them he won't reveal. Is he trying to steal your heart? Yeah, he definitely is.
If you're feeling sad or lonely, feel free to hire Lyney. He's willing to work late (meaning you can hire him at 10pm if you want) and he'll be at your doorstep within the hour.
Lyney is one of the few, other than Baizhu and Alhaitham, who are willing to work later in the day. Normally, most prefer to be hired earlier in the day so they have time to prepare and such before going on the date. Baizhu, Lyney, and Alhaitham are the few who can be hired after 8pm when most are unavailable. Lyney often brings some sort of gift with him, and like Cyno and Heizou, he's great at remembering faces.
734 notes · View notes
hor3nee · 3 months
Text
• Vows •
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Gojo figuring out how arranged marriage works.
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CW/TW: Fem! reader, Arranged Marriage, Heavy suggestive stuff, Mentions of virginity, Condoms?, Gojo typical flirting, Reader & Gojo ages implied to be very young (18-23), SFW (Lmk if I should add anything else!)
Characters: Gojo x Reader
AN: Pt 2 of this fic. I will die on this bitchless Gojo hill.
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"You look as beautiful as the day I married you hon'." He says with his characteristic wide smile, proud of himself for that line. Even threw in a sweet pet-name, the kind girls like.
"You married me, like, two weeks ago." He should not be proud of himself for that line.
The silence is almost deafening after that, and Gojo hates the quiet. Can't stand it. He's not used to it, he's loud and obnoxious, he's self-aware of that though, part of his charm he says. Charm, he's got an endless bountiful of it, in his ego-ridden mind at least, and honestly, he's not wrong. There's absolutely nothing Gojo lacks.
Killing curses as though it's walking through a park, handing out checks like he's got an unlimited supply of them. A living breathing powerhouse, a god even, some could say. He's young, a very young man, but he's already hailed by Jujutsu society and about anyone with a semblance of knowledge of who he was, The Strongest.
Fresh into adulthood and he's already considered one, if not the most notorious man in Jujutsu society, the potency he holds is incomparable to any other. Handsome too. Fluffy pearl white hair, legs for days, a nice build, toned, keeps it all maintained effortlessly, genetics or the such he thanks for it. A flirt in nature, girls fawned over him, how could they not? An attractive dashing young man such as himself of course they do.
Never been with one before though. A woman.
He didn't date in his teens, school was grueling, he was the strongest and he was busy, always. He could get a girl all buttered up on words sure, he has one hell of a mouth on him... Couldn't actually ask one out though, or kiss one, or get laid by one. His experience with them is non-existent. Truthfully, Gojo is as virgin as a virgin could be, he seems like he lacks in nothing, but relationships? He's clueless.
Yet here he is, married. Weaved into a union with a woman. The papers signed, wedding ceremonies done, vows out and said. Sealed his whole self to another, to you. And as are you, sewn into this 'relationship' same as he is to each other. Orchestrated by the hands of Clan elders, arranged before either of you had met each other.
Fourteen nights of sharing the same bed since, living together as spouses. It's odd, confusing, Gojo who bathes himself in self-assured composure twenty-four-seven, hasn't the faintest idea how this works. But, he is Satoru Gojo, he's hot shit, and you haven't had any complaints yet. Even if you're only two weeks into marriage, he's got this.
Just like he's got everything else in his life, he's sure of himself. The two of you have slowly, but surely gotten more comfortable with each other. Gojo does well, friendly and welcoming by nature, albeit it can come off as cockiness, he brings energy into every dinner you two share so it doesn't feel jarring and off-putting eating with basically a stranger who you'd call your spouse.
The times you touch, comes off as natural. A smooth one he is, Gojo, craftically slipping his hand by your ear to tuck a strand hair, nudging you awake in the morning effortlessly so you don't get startled. The touch of your knees when you sit beside each other. It feels natural, he makes it feel natural.
To you.
But Gojo? His brain is working in overdrive, has been since the day he took you home from the wedding. He didn't realize it at first, still full of himself in ever-lasting confidence, but as quickly as the first two weeks of being newlyweds went by, so did the semblance of stability he held in his ego. Neither of you had even shared a kiss yet. That should've happened by now, right?
Fuck.
Wait, should you two have fucked by now? Lord knows he's thought about it, a lot, he's a young man stocked full of endless libido. And you are his wife, and you're pretty. Every feather-light touch he's managed to sneak in effortlessly you seemed at ease in, but he's been mentally reeling if it's too far. Too inappropriate, but then again you are his wife.
He's your husband, you two are literally married, living together, sleeping together. Sleeping together only, of course, sex feels like something in the distant future. He'd hate to pressure you, especially since you two are just starting out, technically already locked in, till death do us part, but truly just at the start of companionship with each other.
But Gojo, is impatient and a bit aloof. He's not gonna push for anything, but when he saw the condoms at the store and thought 'Hey I have a girl now!' what else was he supposed to do? Immaturity at its finest considering how he's now sat with you, and the condoms stuffed into his back pocket while you two sit on the bed and you'd just shot down his sad attempt at flirting. With his own wife.
"...Is there something you wanna tell me?" Your eyes are glued to your phone as you ask, but he notices they flicker onto him. He's staring, isn't he? You've gotten used to it, his eyes just have a mind of their own, he can't help it he always looks like he's glaring even when he's not, and after a week spent with you sharing a home with him, he can't help himself but look at you. You're beautiful. And you're his.
"Maybe." He'll settle for being a smug little shit instead, still staring at you as he speaks.
"Maybe?" You repeat, putting down your phone in interest as he clearly tries to lure you to talk.
He hums, shrugging innocently and crawling to your side of the bed, used to be his but the night of your wedding you unknowingly took that side and he's been letting you rest on it since. Seamlessly, he pulls his face to yours in a swift but not sudden motion, his nose almost budding with yours.
There's a shared glance, a look into his eyes as he looks into yours, and the density of the air in the bedroom suddenly shoots up straight to 100. Ticklish bouts of his breath fanning lightly against your cheek while he smiles at you, expression, as always, never faltering. But movements telling. He takes your chin by his narrow fingers. You hadn't even seen them move to grasp your face, too transfixed on the look in his palpitating eyes instead.
"Can I kiss you?" There's a second, a moment for you to think, drawn out by the way his voice glides through your ears as he asks. Two weeks together, vowed to one another and you've found yourself caught in his gaze alone. You're starting to feel it, the drum of your heart responding to him.
And so, you nod, his grasp on your chin so gentle you don't even notice it's there holding your face near his as you do. It happens quickly, but it feels like an eternity, a good kind, a soft sort of mere milliseconds between the nod of approval and him moving forward catching your lips against his. His lips are soft, lulling against you and though brief has you leaning into him for more, slouching into him like you're calling for him to caress, to feel more of him in the moment, and he does that, his hands moving to wrap around your waist, pulling you into him.
Once it's done and you two, in natural timing, pull away with a slight wet plop noise breaking the silence you can see it in his eyes. Desire, need, and maybe, just maybe, love. It's small but it's there.
He meant it when he said he liked you, then on that first night, purely by expectation, you're his wife. Of course, he likes you, you're supposed to like him, he's your husband. But two weeks in and he's understanding it more, what it means to like someone, to have them as yours. To have you as his. His dazed expression from a kiss alone tells you that, this is real. He's married and he just kissed a girl, the girl he's promised his life to.
"..Gojo-"  You murmur as he reels from the kiss and gathers himself, a goofy grin plastered on his hazed expression.
"Mhm~" He purrs at you, starting to get giddy.
"Are those condoms?" He blinks at your question, stare breaking from your eyes and your lips he'd left wet with his saliva he'd been caught up looking into, to where your eyes had turned to look. He follows your eyes and looks to see the box out of his pocket, crumpled slightly from him sitting on it, spilled open over the bed.
The rubbers are all over the bed.
His hands don't pull off the sides of your waist, and his smile doesn't falter. Instead, his smirk grows, and he turns back to look at you in the eyes again. Giddy expression is written all over his face, his fingers pulling you closer with ease, because you lean into it and situate yourself closer as he does so, responding to him.
"Yup!" Gojo Satoru has no room for shame. Much less with the pretty woman he has as a wife. Marriage, the foundation of family, what makes a house a home, as his elders told him, he's getting it now. Having you here only two weeks it's already starting to feel properly shared with you, his house, your home, both of yours home. 
396 notes · View notes
bedoballoons · 6 months
Note
I’m back
I’m not sure if you write wlw or nblw/gnlw or anything like that but hear me out
anyway I was thinking, imagine the (fem! Or gn!) mechanic reader (yes my genshin self insert is a mechanic and I’m delulu) with lyney or Furina, or any other characters you wanna add if you want (idk how this works). Where the characters keep breaking things on purpose just so that the reader can come over and fix it and so they get to see reader. The reader catches on and teases the character. (You can make it lead to nfsw or not if you want ;) )
also I’ll give myself an emoji so here’s mine
-💫
I do any forms of relationships as long as they aren't incest or pedophilia! I absolutely love this idea!! I think it's super cute so I hope you don't mind but I decided to make it fluffy!! Enjoy and thank you for requesting <3
P.s Can I call you the starstruck anon?
─⊰⁠⊹ฺ🍂𝔾𝕖𝕟𝕤𝕙𝕚𝕟 ℍ𝕖𝕒𝕕𝕔𝕒𝕟𝕠𝕟𝕤⊰⁠⊹ฺ🍂
{༻~Just one more thing before you go~༺}
CW: Super sweet fluff! Reader works as a mechanic and the characters keep calling them up to fix things so they can spend time with them!
(Includes: Lyney, Navia, and Furina!)
♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡
𑁍༄Lyney:
Lyney kneeled down beside you, trying his best not to get in your way as you worked on the latest broken thing in his home...he just couldn't help it. Whenever he was near you it was like his heart decided to do its own performance, beating faster and skipping whenever your eyes landed on him...because of this sometimes the simple machinery he used in his home...would mysteriously end up not working, "So how goes the fixing hmm? My apologies for having to call you out here again, usually I'd just have Freminet take a look but he's currently busy"
"Seems to me like someone's intentionally sabotaging your heater...they even left the screwdriver inside of it." You turned to him with a sly smirk playing on your features, holding the screwdriver up to him so he could read Freminets name from it. The blush that followed was so adorable you couldn't help but tease him a little, "If you wanted me to spend time with you Lyney, you could have just asked~"
𑁍༄Navia:
"I truly cannot thank you enough for coming to my rescue again. It seems every time you leave the Spina di Rosula has yet another problem to fix...of course it's not particularly a bad thing because I enjoy your company immensely." The beautiful blonde chuckled nervously, trying to get ahold of herself before she ended up confessing her feelings to you, she was honestly shocked she hadn't yet..
"I'm always here whenever you need me Navia, it's definitely not a bad thing for me. I get to hang out with a goregous woman and get VIP treatment from the Spina."
"You're always welcome to anything here at-...I'm sorry did you just call me goregous?"
"Well...I figured since you're always bringing me here to fix things you've clearly sabotaged, it's only fair a make a little advancement myself.~"
The poor girl's face heated up, you'd figured it out? How long had you known?! "I- oh my..."
𑁍༄Furina:
"I truthfully have no idea how anyone expects a archon to live under such conditions, every time I go to use something it's no longer working. If I didn't have you'd I'd surely have left this place for something better by now." Furina talked away while you worked, trying to act as normally abnormal as ever...even though inside her emotions were on a rampage. If only you knew she wanted so desperately to play the part of your lover more than any other role, she'd even sabotaged her own residence so she could see you more often.
"I actually believe I've found a solution to keep things from breaking...if the archon so wished to hear it."
She went dead silent, unable to fathom how you could possibly stop anything in her house from breaking, "The archon wishes to, even someone with my divinity can't even think how a simple human could make something no longer able to break, I'd love to see what maniac idea you've come up with."
"Its actually very easy, all I have to do is ask if you'd like to go out sometime. Then we could spend time together without you needing to break things~"
"I-i what on earth are you talking about? I wouldn't break something just to spend time with someone, I am a archon with a busy life. I don't have the time for such nons-"
"Lady Furina..."
"Yes?"
"You left your glove in the pipe."
"..."
"May I take you out on a date?"
"...yes you may..."
♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡
ଘ(੭*ˊᵕˋ)੭* ੈ♡‧₊˚~Have a nice day~*⁠.⁠✧
522 notes · View notes
Text
Inviting other artists!
So I've just made a superhero AU for utmv. Right? Well, I really only wanted to design one guy, Lust. Sooo I'm opening the AU (WHICH LITERALLY HAS NO LORE YET SO NO WORRIES) for others to partake in!
Here's like, the basic lay out.
Choose one Sans AU to turn into superhero/villain. Please refrain from using a Sans someone else claimed.
Make them into a superhero/villain themed after something specific. (Example: A plant themed superhero, or even a cactus one!)
Keep powers balanced with weaknesses, please make them relate to their theme!
Give them a civilian identity! You don't have to draw this one, but make sure to mention their civil job and name!
Give them a Superhero/Villain name as well!
Wait, supervillain?
OH YES! You can choose the mortal alignment of your claimed Sans! Super hero, villain, neutral, vigilante? Just pick whatever you want!
Of course headcanons are welcome, it's Canon to YOUR design! Make them trans, gay, autistic, whatever! (Human designs are allowed too!)
Wait.. what do I (the artist reading this) Even get out of doing this?
Well I'll tell you! For one, its a fun artist challenge where you personalize and create a whole new hero/Villain to your preferences!
You also get to imagine their lore, and incorporate their personality into the story! They'd all be canon part of the AU. (Note: if someone claimed a sans first and you did it anyways, yours wouldn't be Canon unless issues occurred with the OG/they gave you permission.)
I dunno, I just wanna make an AU with a ton of people, ya know? I think it's be fun for us to work together on this.
CLAIMED LIST:
Lust: Hero. Complete. By @thelunarsystemwrites.
Reaper: Vigilante. Completed by @solusminds.
Outer: Vigilante. Complete by @dzasterdumpterfire
Ink: Retired Hero. Complete by @lix88888
Error: Supervillain. Complete by @its-paperd
Dust: Claimed by @billygoat26
Farmer: Claimed by @absurdumsid
Cross: Claimed by @weirdest-worlds
Geno: Claimed by @eldritchcats
Shattered: Claimed by @genderfluidyellowocto
Nightmare: Supervillain. Completed by @analexthatexists
Killer: Claimed by @a-menacetosociety
Dream (and core frisk): Claimed by @thenocturnenarrator
Blue: Superhero, complete by @createbellatheartist
Fell: Supervillain, complete @underrrtaleee-freakk
Quantum: Superhero. Completed by @nashdoesstuff (Also made an OC for the AU, Dreamshade! Superhero.)
Horror: Neutral Evil. Completed by @it-came-from-mount-ebott
Ccino: Claimed by @some-aroace-chaos
Fresh: Claimed by @nightmareishomophobic
Die sans: Claimed by @dustsansm1
Bill: Supervillain. Completed by @endless-emptyness (OC Nanno made by sane person!)
Epic: Claimed by @dtdrawz
Fatal error: Claimed by @spookyboris2
Swan: Claimed by @glitching-moon
Sci: Claimed by @joonebugg
Dance: Claimed by @dv-reblogs
Swad: Claimed by @shinanigans-art
Littletale: Claimed by @somehhuuuhh
Possession: Claimed by @b0nerific-individual
Alter: Claimed by @annabel184
Paperjam: Claimed by @papple
Decadent society: Supervillain. Complete by @supper122
Green Sans: Claimed by @xxcross-is-a-helicopterxx
Roulette: Claimed by @ant1quarian
On the claimed list, if you claim a Sans (By commenting or reblogging saying "Dibs Blank!" Or "Can I do blank?" Etc! I'll add it on the List saying: "Sans: Claimed by User"
Once it's made, please tag me so I can see! Then I'll update it to "Sans: Moral alignment. By User." And link it on this post! [Please only claim one, we want enough to go around! However you can claim variations! So one person could make dream, another could make shattered!]
[Note I do not claim any ownership over your designs for the AU, nor will I use your design w/o permission.]
With all that said! Anyone interested? [And hey, if you're not interested? It's okay to just not join. Or ignore this!]
Asks! (Questions regarding the AU!)
Can we make our own lore woth other characters?
Secondary claims?
Only two grabs?
Can we have OCs?
Can we use our own AUs?
265 notes · View notes
youremyonepiece · 3 months
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sweet idiot
pt. II of soft terror, but can be read as a stand-alone!
zoro x f!reader (she/her pronouns used), alternating pov
you know that zoro doesn't have feelings for you, not in the way you do for him. there's no way... right?
warnings: mention and description of a nightmare, mostly fluff! (please lmk if there are any i should add!)
word count: 2.6k
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you have a feeling that zoro doesn’t know how easy it is to read him.
never in your wildest dreams did you ever imagine you would meet pirates that were so kind, but that's exactly how you'd describe the straw hats. they didn't expect things from you, didn't make you prove your worth to them or earn your place amongst them. no-- instead, they welcomed you with open arms and protected you fiercely, simply because you were their friend. because you were one of them.
and somehow, you found the gruff swordsman to be the kindest of them all.
how could you not? without him, you wouldn’t even be a straw hat. somehow, he had seen you, had chose to save you, had trusted you without even knowing you. no matter how stoic he may try to seem, you know the truth. you know just how kind he can be.
not that you would ever admit it out loud to him. it’s undeniable you’ve been feeling more and more comfortable with him as your tenure with the straw hats grows, and it’s also undeniable that you’re more comfortable around him than you are around anyone else (a fact that nami and robin love to tease you about), but...
but you know he doesn’t feel the same way. you can see it in how tense he grows when you move closer to him, his pointed stare anywhere but at you. the way he never seems to feel comfortable around you. so you satisfy yourself with quick brushes and quiet company, knowing that you’ll never get to do more than gently tease the swordsman, careful to never push too far but grateful for even this.
you're running.
it's dark-- you can't see anything around you, not even yourself.
but you're running from something, this you know.
and you know that it'll all be over if it catches you.
you can feel it gaining on you, getting closer and closer--
something wraps itself around your wrist and jerks you backwards.
into danger.
a scream erupts from your lips-- this is it, it's all over, you're going to--
you awake with a start, coated in a sheen of sweat as your breaths escape heavily from you.
a nightmare. it was just a nightmare. it wasn't real. it isn’t real.
you're safe.
you're safe.
you're safe.
(but what if you're not?)
you feel your breaths increase in pace, panic rising within your chest as you struggle to distinguish dreams from reality. you might be safe, might know for a fact that nothing can touch you here, not when you’re surrounded by the safety of the sunny in the midst of your crew, but you didn't feel safe. and that's all that matters, isn't it?
in your half asleep state, still not quite fully in grasp of reality, there's only one place you want to go.
only one place you wanna be.
(only one person you wanna be with.
after all, you're craving safety, and there's only one person who always makes you feel safe.)
you're on your feet before you realize where they're taking you, but you don't stop once you do. you pad soundlessly through the women’s sleeping quarters, careful not to disturb your snoozing shipmates. it's not long before you're standing silently in the middle of the men's sleeping quarters, eyes already seeking out that comforting shade of green that follows you into your more wishful dreams.
you know where he is, which bed he's in, and you feel your heartbeat slowing down almost immediately when you finally fix your gaze on zoro’s sleeping face.
maybe the effect that the swordsman has on you should embarrass you, but it doesn't. never before had you met someone so steady, even in the heat of battle. even as he struck absolute terror into the hearts of his enemies, you felt at ease just by being in his presence.
even now, as you stare at his sleeping face in the dim moonlight. here, it's much easier to catch your breath. to believe you're safe.
of course, around zoro, you always are.
you quietly step closer until you're directly in front of zoro’s bed before sitting down, back against the wall and head resting sideways against the barrel next to you. it isn't long until your eyelids begin to droop, heavy as you watch zoro’s chest rise and fall slowly with his slumbering breaths.
this time, thankfully, your sleep is dreamless.
zoro knows he should probably move.
probably leave before you begin to stir, before you see him staring at you.
but his feet are frozen in place.
what were you doing here?
what were you doing in sanji’s bed?
why?
(why not his?)
your eyebrows knit together as a soft groan escapes from you, breaking the spell that held him captive. he spins on his heels and is out the door before your eyes can open, thoughts raging in his head and pounding in his ears.
sanji?
really?
you could do so much better.
(like maybe a certain crewmate with three swords.)
“so," usopp begins conspiratorially, causing you to look up from your breakfast at him, "sanji, huh?”
immediately, your face flushes a bright red, and zoro wants to punch something. this is not what he wants to hear during breakfast, not when it’s all he’s thought about in the few hours since he found you in sanji’s bed. if he has to listen to you talk about how dreamy you find the damn chef... zoro quickens his pace shoving spoonfuls of rice porridge into his mouth.
sanji seems to notice your embarrassment as well and is quick to smack usopp on the back of his head.
“don’t tease her,” he snaps, fixing usopp with a glare.
“what's he teasing her about?" franky wonders aloud.
usopp chuckles, completely unfazed by sanji's warning. "oh, nothing. just that someone was in sanji's bed when i woke up this morning.”
your blush deepens, and zoro's grip on his spoon tightens (it's a miracle the utensil hasn't been bent out of shape yet). "i didn't--” you start, but sanji cuts you off.
"oh, give it a rest. i moved her there when i woke up today morning. she was sleeping on the floor of our room,” he says, eyes trained on the sizzling pan in front of him. he sounds irked, as though he didn’t want to admit you hadn’t been there of your own volition. zoro, on the other hand, is suddenly a lot more interested in the conversation.
you shoot sanji’s back a grateful smile, causing a current of annoyance to run through the swordsman. “i was wondering how i ended up there,” you say, still blushing but not quite as brightly.
“okay, sure,” usopp cuts in, undeterred, “but what were you doing in the men’s quarters in the first place?” he waggles his eyebrows teasingly at you as your cheeks flame up again.
zoro catches your eyes as they flit towards him, seemingly without meaning to since you quickly look back at usopp. “i just couldn’t sleep.”
“you couldn’t sleep, so you went... to the men’s quarters?” nami asks, but her voice makes it clear she knows something zoro doesn’t. he frowns and looks back at you to find you glaring at the orange haired navigator.
you glance quickly at zoro again, causing his heartbeat to thunder loudly in his ears. why did you keep looking at him? did you... come to the men’s quarters for--
“that’s enough teasing her,” sanji says, placing the pan of eggs on a trivet in the middle of the table. “i’m happy you feel at ease in my presence, mon amour,” he says to you with a suave smile, but his quick glare at zoro before he takes the seat next to you doesn’t go unnoticed by the swordsman. you laugh at his words with a teasing comment, causing sanji to joke about you crushing his dreams, and just like that the conversation has moved on. but zoro’s still stuck on the exchange, at your furtive glances at him.
what is going on? why is the chef annoyed with him this time? is... is he right?
did you come to the men’s quarters for him?
zoro tries to push the conversation out of his mind-- it’s no big deal, he’s probably overthinking it, you probably just wanted to be around more people-- but he’s entirely unsuccessful.
could he be right?
appetite gone, zoro pushes his bowl towards luffy before getting up from the table and excusing himself from the room.
maybe a couple hundred sets of his workouts would help get his mind off things.
your eyes worriedly follow zoro as he walks out of the dining room. did he realize that you had actually gone to the men’s quarters to see him? is he upset with you for pushing the boundaries? what are the boundaries, anyway?
you think you’re the only one who notices him leave, but usopp and nami break into laughter almost immediately upon the door swinging shut and robin wears a cryptic smile as she takes a sip of her tea. sanji sighs dramatically next to you, leaning backwards to sling his arm around your chair.
“he sure is dense,” he comments, and you freeze at his words. what? did everyone know about your crush on the swordsman? you look around at your crewmates faces at the table and realize with dull horror that only luffy and chopper seem to be confused.
“sure is!” usopp says between chuckles. “i thought for sure he’d realize this time!”
“what do you mean?” luffy asks before you can-- you’re too busy stuffing the panic back down your throat. maybe you’re wrong. maybe they’re talking about something else, not your feelings-- but no, luffy’s question only seems to make everyone but chopper and you laugh harder.
“don’t you think zoro seemed a bit annoyed just then?” sanji asks luffy with a smirk.
annoyed? at you? has zoro realized you like him? you feel yourself grow red all over, embarrassed beyond belief as you push away from the table. no use sticking around, not when zoro might be upset with you for dragging him into drama. not when you might need to apologize for potentially ruining one of the best friendships you’ve ever had.
nami giggles as she watches you follow after zoro, face red and eyebrows worried. “we know that zoro has no clue about how he feels about her,” she says with a grin, “but do you think she knows?”
“‘feels about her?’” chopper echos, confused.
“he likes her, chopper,” usopp supplies through laughter.
luffy frowns. “doesn’t everyone like her?”
“not like that,” sanji says with a smile, but doesn’t elaborate. “and no, nami, i don’t think she does.”
“they make a good couple,” robin comments with a smile, making usopp howl with laughter.
you find zoro, predictably, in the crow’s nest. he’s working out with his weights facing away from the door, but you see his back muscles tense when you step inside.
not that you’re looking at his back. or his muscles.
(okay, maybe you are.)
“um,” you start, closing the door behind you and leaning against it. “can we... can we talk?”
zoro freezes at your voice-- though you hanging out around him when he’s working out is common, you speaking during then is not-- but is quick to thoughtlessly drop his weights and turn around to you with a frown at your question. “are you okay?”
“yeah! yeah, i am. but, um,” you fidget as you wince, struggling to meet his eyes, “are you okay?”
“why wouldn’t i be okay?” he asks, clearly confused.
you stare at him, trying to gauge how much he knows. did you overthink it? it doesn’t seem like he’s annoyed at you...
“why couldn’t you sleep?” he asks when you don’t answer.
you’re happy for the diversion-- you definitely did overthink it, he seems normal, not at all annoyed-- and shrug nonchalantly. “nightmare.”
he turns back around away from you, leaning down to pick the weight back up. “and the shitty chef helped you?”
you blink. is that... resentment in his voice?
“what?”
“you seemed pretty cozy in his bed.” yeah, he definitely seems upset, but you’re confused-- it doesn’t seem like he’s upset with you. if you didn’t know better, you’d think he’s jealous.
“sanji wasn’t lying-- i fell asleep on the floor. i guess he moved me when he woke up to do his kitchen prep.”
zoro pauses, then sighs and drops the weight again. he turns back around, rubbing his hand across his face. “yeah. yeah, i know. sorry.”
did he just apologize?
... for what?
but he continues before you can ask, fixing his gaze on you. “you never answered usopp. what were you doing there in the first place?”
you avert your eyes, shy about what you’re about to admit. “um. because i wanted to feel safe.”
zoro just looks more confused, eyes still steady on you. “and you feel safe in the men’s quarters?”
“no, i... i feel safe around you,” you say, finally looking back at zoro.
he looks stunned, frozen in place, eyes wide and lips slightly apart.
(you don’t notice it yet, but the tips of his ears are turning red.)
you take his shock as a sign you should continue and look down at your hands wrung in front of you. “i’m sorry. i know you don’t feel the same-- i wasn’t trying to make a big deal out of it. i’ll--”
“what do you mean? why are you sorry?” you look back at zoro but quickly look away-- you’re too embarrassed to maintain eye contact with him.
“um. because everyone was talking about it? i know you don’t like being in the center of attention with things like this,” you shrug.
he frowns. “so then they should apologize. why are you apologizing?”
you’re at a loss for words. what he’s saying makes sense, but... “aren’t you annoyed with me? isn’t that why you left?”
he doesn’t answer, making you look back at his face. you’re immediately taken aback-- his entire face has turned an endearing shade of red and he’s looking off to the side, rubbing the back of his neck. “not exactly. i was... i...” he trails off before clearing his throat and looking back at you with a frown. “i’m not annoyed with you. i don’t think i can be.”
you can tell from the way his eyes slightly widen that he hadn’t meant to say that last part, but your stomach grows warm when you hear it.
maybe... maybe zoro isn’t quite as easy to read as you initially thought.
or maybe you’re just not that good at it.
“so... we’re okay, then?” you ask, voice soft.
“yeah. yeah, i think so.” his ears and cheeks grow red again, but he maintains eye contact this time. “um. next time, you can just tell me.”
“next time?”
“next time you have a nightmare. you can wake me up. i won’t be upset.” his blush has traveled all the way down his neck now, spreading to his collarbone.
“are you sure? i-- i thought you didn’t like being woken up.”
you have never seen zoro’s cheeks be so red. “i don’t. but... i don’t mind when it’s you. it’s better than seeing you in his bed, anyway.”
you feel your own cheeks grow warm. “oh. um. sure. i mean, yes-- i’ll... i’ll wake you up next time. thank you.”
zoro nods before picking his weight back up for the second time, this time remaining facing your way but no longer looking at you. his face, though, is still red, a clear sign he’s still very much aware of you and your presence.
you feel like you’re in a daze. did... did that just happen?
he basically admitted that he's jealous of sanji, right? why is he jealous?
did he... maybe...?
yeah, you think, you’re definitely bad at reading zoro.
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ryzl · 1 year
Text
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imagine a yandere! florist 🌷
yandere! florist who is tired of his every day life. it is a never ending cycle
that is until . . . . . he saw YOU ♡
yandere! florist who, at first, doesn't care. he just saw you as a normal person (with unreal beauty, might i add) who just happens to always visit the bookstore in front of the flower shop he works on
yandere! florist who starts to see you frequently, and couldn't help but get curious as to why you always visit the bookstore in front of the shop.
i mean, could you at least go to HIS shop? pretty please? 😩
yandere! florist who couldn't help but feel overjoyed when you actually went to his shop. hooray for him
saying you ordered for a bouquet of ROSES. hmmm red?
i wonder who is it for ? your lover maybe? oh no that shouldn't be possible. you are his.
so when yandere! florist asked who's it for, you should answer honestly, alright? SO WHO'S IT FOR?
oh? what you've ordered was wrong? whew, you almost gave him a heart attack darling :3
it's actually WHITE ROSES, for a family member ig???
yandere! florist who prepared the bouquet for you (lmao expect his number on a seperate card inside the bouquet)
yandere! florist who told you to come anytime :> you are always welcome here 🥳
yandere! florist who starts to stalk you on the daily. :))
no problem with that right??? yeah, thought so too.
yandere! florist who figured out where you live !!!!
you can expect random flowers that are associated with "romantic love" by your door step :> you're welcome, my dearest.
oh love, it's very fun seeing you look around for whoever the flowers are from. you look so cute :3 he wanna squish you :>
yandere! florist who (finally) mustered up enough courage to actually give the flowers to you. FACE TO FACE 🙀
like omg can this even get any more creepier ROMANTIC?
yandere! florist who did his very best to pour all his affection to you :>
in short, he's proving to you that he's hubby material 🥰🥰🥰
yandere! florist who has vendetta against the librarian
yes he considers that librarian his rival when it comes to winning your love ♡
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to anyone who wants to add anything in here, feel free to do so :>
yeah this is so rushed >:D anyways, i would like to thank everyone for supporting my mini writings :3 (love lots)
and btw mga dude, there will be a yandere! librarian next. ay na'spill. keme keme keme :3 see you next time guys
2K notes · View notes
buckyalpine · 1 year
Note
Hello, first I would like to say that I love your writing and it normally makes me really happy while I am at some boring classes at college, so thanks for that hahaha ❤️
Also, I saw your requests are open and since I am absolutely obsessed with your angst for bucky, I am here to request some.
My idea would be something like this: reader has been in the compound with the avengers for a while now and besides really caring for the team, she has some problems being more open with friendships and relationships in general, cause of some insecurities with her personality, but in somehow she feels really comfortable with Bucky and they are kinda of great friends?
And then she's just waking by the compound looking for him one day and she hears him speaking something bad about her? Something about how he feels like she's overwhelming him cause she just has him as a friend and no one else and it kinda makes her look for him a lot for comfort ( I actually have no idea what he could be speaking, so this is just an idea but it could be anything, really) maybe this could actually be a misunderstanding and he did not meant in that way? I would love if it had a lot of angst and a happy ending, but of course is up to you!
YES I live for miscommunication and comfort and this type of angst, this concept is everything!!
warnings: Angst, miscommunication, idiots in love/ friends to lovers, plenty of fluffff
-
"Hey sugar plum" You smiled, plopping beside Bucky on the couch while he scrolled through Netflix documentaries with a large bowl of m&ms in his lap. "Whatcha watching"
"Haven't decided yet, pick something Jellybean" He handed you the remote and candy bowl, throwing his arm around the back of the couch while you got settled in and flicked through the selection of tv shows.
"Of course" Bucky snorted, shaking his head with amusement as Unsolved Mysteries started to play. You grinned, comfortable nestled against his side while the rest of the team joined one by one; Sam swiped a handful of chocolate from the bowl only to have Bucky swat at his hand like a cat.
"Get your own candy pigeon pants"
"What, y/n gets some but I don't" Sam scoffed in fake offence while Bucky shrugged, throwing one at him.
"Well you're not y/n" Bucky shrugged while you felt your heart flutter. You loved everyone with your whole heart, you really did, but no one else made you feel safe the way Bucky did. Being around him felt like being constantly wrapped in a thick fluffy blanket. Ever since you had joined the team, you struggled to fully be yourself around everyone.
Not that anyone treated you differently; but being surrounded some of the strongest and most brilliant people on the planet gnawed at your insecurities. Steve was a sweetheart, Nat was incredibly skilled and drop dead gorgeous, Tony could charm his way out of just about anything. Everyone had something that made them exceptional and then there was you. You tended to be on the quieter side, fueled with self doubt over if you actually brought anything to the team.
Were you really all that interesting?
What did you really add to the group?
Did anyone even notice your presence when you were around?
Even if they did, did it make a difference?
You'd overthink your way into a quiet corner wondering why you were the way that you were. No one else could see the way you'd worry yourself into a ball of self-doubt, figuring you were just shy and they didn't want to mistakenly push any boundaries.
Then there was Bucky.
Being around Bucky was different.
Something about him was warm and welcoming. He didn't hesitate to pull you out of your hiding spaces around the compound, making sure you joined for team events and game nights. Any insecurities you had always melted away when you were around him because he made you feel special.
Made you feel wanted.
The night went by with everyone sharing their own conspiracy theories over what they think actually happened at the end of each episode while you stayed tucked by Bucky's side. Neither of you had any plans on calling it an early night, while the rest of the team eventually all went to bed as you switched to a new show.
"I'm going to grab more snacks, want anything sugar plum?" You were about to make your way to the kitchen when Bucky placed his hand on your thigh, making you stay seated.
"I'll get it, tell me what you want Jellybean" He shook his head, grabbing the throw blanket and tossing it over your legs so you'd be comfy for the rest of the night while he went to grab the snacks. You didn't have to actually say anything, Bucky knew exactly what you wanted. He came back with half the kitchen raided on a tray along with a beer, pulling you to his side, letting you snuggle against his chest.
You let out a content sigh, unwrapping a chocolate bar while Bucky snuck a bite, the warmth of his body making it difficult for you to stay awake like you'd planned. You eventually fell asleep, waking up to find yourself tucked comfortably in your bed as the sun poured into your room, your body still wrapped in the throw he had covered you with.
You felt your body warm up at the way he was so gentle with you, having carried you to your room without making you stir the slightest. There wasn't anyone else you'd feel so comfortable around.
He was your safe space.
You found yourself hopping out of bed with more energy than usual, deciding to train in the morning instead of your late night workouts, if you were lucky, maybe you'd run into Bucky after his morning run. You made your way to the kitchen, smiling when you heard his voice, along with Sam's, the both of them bickering over something irrelevant as per usual. The closer you got, the more serious their conversation sounded making you wonder if something had come up with a mission
And then you heard your name.
You stopped half way, staying as still as possible part of you wanting to run back to your room while covering your ears, the other part of you curious to know what they were saying. You wanted to move but your feet were glued to the ground, your heart hammering out of your chest.
"How about y/n?"
"Uh y/n..." You could hear the hesitation in his Bucky's as he contemplated his next words, his tone irritated. "She's whatever. It's not like that"
"Meaning?"
"Uh. I don't know, she sort of follows me around everywhere, there's not a day I don't see her but its not like I ask to see her"
You blinked, your stomach starting to churn. Did you follow him everywhere? You did see him everyday but you didn't realize you were following him.
"I mean she's only that way with you, she's definitely not that comfortable with Steve or me" You could hear Sam trying to reason with Bucky but all he did was scoff, your heart wrenching further.
"Yeah. It's overwhelming"
You wanted to run, wishing you had stayed in bed for an extra 5 minutes, your body now hot, not from how safe he made you feel but from embarrassment. Of course he was overwhelmed with your clinginess, he didn't want to have to deal with a burden like you. He had so much of his own issues to deal with and then there was you.
Guilt started to cloud your mind as you thought about all the times you spent time with Bucky, staying by his side while he reassured you or comforted you. How many of those times were actually annoying for him, how many times did he wish you would suck it up and leave him alone instead.
"She's not really friends with anyone else on the team, I'm not sure why she hangs out with me specifically that much" He sounded even more irritated than before; the rest of the conversation a melted into dull buzz, your heartbeat thudding in your skull.
Your eyes stung, hot tears flooding your lash line at his words. Your bottom lip, trembled despite how hard you were biting down on it; your forced your feet to move, slowly backing away from the kitchen until you were far enough to run to your room. You slammed the door shut, instructing FRIDAY to soundproof the walls and turn away anyone that came by before breaking down into sobs.
All of your insecurities were dialed to 100 along with more being added to the list.
How did you not see how annoying you were being. You felt awful, embarrassed, confused.
Why didn't he say anything?
Of course he wouldn't, he probably felt pity for you. A grown adult woman who struggled to open up and still struggled with her personality. An absolute joke.
You let the day go by, too ashamed to face anyone, let alone Bucky. If he felt irritated, there was no doubt the rest of the team knew exactly how annoying he found you. You couldn't bring yourself to see any of them, deciding to skip both lunch and dinner instead while burying under the covers.
****
Bucky frowned when he didn't see you the whole day, his worries growing more when he didn't see you come by for dinner either.
"Where's y/n?"
"I checked on her during lunch but FRIDAY said she'd requested to be alone" Nat looked at Bucky, confused over how he, of all people, didn't know where you were.
"Aren't you both joined at the hip, how do you not know Barnes" Tony wiggled his eyebrow while Bucky rolled his eyes, too worried about you to retort to Tony's comment.
"I saw her once this morning in the training room but not after that. She seemed fine then" Steve had seen you that morning, happy to see you brighter when he had spoken to you, not missing your shy smile when he'd mentioned Bucky's name. "No one else saw her all day?"
Bucky was immediately out of his seat, making his way over to your room to see you, only to have FRIDAY respond instead.
"Ms. Y/l/n has asked that no one disturb her until further notice"
"For fucks sake" He mumbled, knocking at your door one more time.
"I'm sorry Sergeant Barnes, Ms. y/l/n has asked to be left alone"
Bucky was taken aback when he was tuned away; in the few times you had locked your door from everyone else he'd always been exempt from that list. Why didn't you want to see him either? He reluctantly made his way back, his mind now racing over what could have possibly happened from the night before to now.
****
You had managed to avoid Bucky the next few days, purposefully staying away from the areas you knew he'd be around and staying in your room for most of the day. Whenever he tried to speak to you, you'd find a way to escape the conversation, his words reeling in your mind, reminding you he found you annoying. Overwhelming. Clingy.
You couldn't understand why he was going out of his way to try and talk to you when you were trying so hard to stay away, your heart in pain not being able to spend time with the person you felt the safest with. Your mind made it impossible to get a wink of sleep; you made your way down to the kitchen for a late night snack instead. You grabbed a bowl of popcorn, turning the TV on to your favorite comfort shows needing a temporary distraction.
"Jellybean?"
Bucky made his way through the living room after a late night workout, his heart jumping when his eyes landed on you. He was by your side in an instant, not noticing the way you froze when he sat beside you.
"Hi James"
Bucky blinked, his name sounding foreign on your tongue.
He didn't like it.
Not one bit.
Since when was he James.
"Uh, is everything okay?"
"Everything's fine" You forced a smile, scooting over so you weren't sitting too close to him, your mind racing trying to find a way out of the conversation. Bucky could sense your discomfort but he had no idea why, his heart beating harder against his chest when he noticed your eyes shift, as if you were looking for a way to escape.
"Are-are you sure?"
"Yup!"
"Doll" He noticed the way your eyes continued to flick around the room, refusing to meet his. "Somethings bothering you"
"What makes you say that"
"I-you called me by my name-you never do that"
"What else should I call you" You avoided his gaze, fidgeting with a lose string on a cushion while Bucky felt his stomach drop.
Were you upset with him?
"You always call me sugar plum. Only you do" He shrugged sadly, his bottom lip jutting out into a pout. "You don't call me James"
"Oh" Was all you could muster, feeling your throat close up, hot tears threatening to spill from your lash line. You tried to turn away from him only to have him gently cup your cheek, tilting your chin to face him. His heart broke seeing your glassy eyes while you chewed your lip to keep from crying.
"Please tell me what's wrong, did I do something? Did I say anything?"
"No" You whispered, swallowing thickly, pulling away from him only to have him take your hands in his to keep you from running away.
"C'mon y/n, please?"
"I-I don't mean to follow you around and be so clingy. I'm just trying to give you some space Bucky" You tried to keep your voice steady, hanging your head so he wouldn't see the tears run down your cheeks. Bucky let go of your hands to cup your cheeks again, his thumbs wiping away your tears.
"Jellybean, what are you-
"I heard you talking to Sam" You spat, now annoyed that he was here trying to talk to you when he was the one who felt you followed him around. "I heard you tell him I'm always around you. That you don't even ask to see me but I'm there. I didn't mean to be so overbearing. I felt safe with you so I was closest to you, I didn't realize you felt like I was following you".
"Sweetheart, it's not overwhelming for the reasons you think"
"Then what else could it be Bucky? You could have told me you needed some space, I would've understood. I wouldn't have spend so much time hanging out with you-
"No! I like when you're around me Jellybean" Bucky almost sounded offended you'd suggest such a thing while you shook your head, sniffling.
"You don't have to lie to me-
"Y/n, no. I promise doll, this is just a misunderstanding, that's not that I meant when I was talking to Sam"
"Then what did you mean?" You whispered, confused over what else he could have possibly meant. Bucky felt butterflies in his chest, not fully thinking this through. Should he tell you what the conversation was about? Could it be worse than you thinking he didn't even like you when the truth was the complete opposite?
"I don't want to ruin our friendship if I tell you" Bucky suddenly looked scared, his eyes wide like a lost puppy, vulnerable and afraid. He sucked in a breath before speaking, inching a little closer to you. "Sam was asking about if I'm seeing anyone. He thinks I need to put myself out there"
Oh.
A sudden pang of jealousy hit your chest, the flinch in your face not missed by Bucky.
"He was suggesting..." He bit his lip, chewing it nervously before continuing. "He asked if there was anything between us. He thought maybe you liked me because we're always together" Bucky continued to look at you like a kicked puppy, his own emotions now all over the place. "I didn't think you did. At least not in that way but he kept saying there was something between us"
"It didn't sound like you liked me very much" You shrugged while Bucky frantically shook his head, mentally scolding himself. "I thought you found me too clingy"
"Never. You're never too clingy. M'so so sorry doll, I didn't mean for it to come out that way, you're the only person who I can spend the whole day with, I'm not comfortable around others like I am with you. I love when you come around looking for me. I guess a part of me was upset because Sam wasn't the first to ask me why we weren't together and ask if we were more than friends. I didn't think you'd like me and it's overwhelming for me because I feel so much and...well"
"and?" Bucky blushed, struggling to get the next words out while you anxiously waited for him to continue.
"and I really like you" He whispered, squeezing your hand in his while you shifted closer, letting him pull you onto his lap. His arms circled around your waist, holding you close to him both your hearts racing, his nose bumping against yours.
"You like me?" You felt your cheeks heat up when he nodded, his blue eyes shyly peeking up at you through his lashes.
"I like you jellybean. A lot"
"Even more than m&m's?" You felt him hug you together, your lips brushing against his.
"More than m&m's" He closed the gap between you both, pressing his lips to yours, kissing you sweetly as you gently carded your fingers through his hair. He kissed you until you both needed air, a dopey smile on his face while you snuggled into his chest.
"Does that mean I'm your sugar plum again?" He whispered hopefully making you giggle, kissing him deeply again.
"Always, my sugar plum"
"My jellybean"
****
"Fucking finally" Tony mumbled, his hair ruffled, stifling a yawn as he walked through the living room, grinning at you and Bucky sleeping on the couch.
"I told him" Steve rolled his eyes, snapping a picture of you both cuddled on the couch while Sam snorted, nodding in approval. "Took them long enough"
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tohisprettyc00l · 9 months
Note
Hi!
May I please request all the characters reacting to y/n's self-harm scars?
If your not comfortable with that it's cool.
Thank you either way ❤️
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!!Major tw for self-harm!! If you aren't comfortable with that please skip. Also, I'm sorry if I depict anything wrong. And I'm going to exclude Gus and Collecter since it feels weird to do this with the kids.
Amity: Once she saw your scars it didn't occur to her the source of said scars. In fact, she thinks someone else did it and was pissed the fuck off. "Who hurt you." was all she could muster. Once you told her the truth her whole demeanor shifts. She goes from wanting to stab someone to looking like she was going to cry. She wraps you in abomination goop as a makeshift blanket. She was not willing to leave your side for any reason.
Luz: She's basically crying at the scars regardless of who did it. She just hates seeing hurt okay? :( But when she learns you did it she freezes. She doesn't believe it in the slightest. Starts talking about how much she loves you. Granted she's saying 100 words per second so you can only hear bits and pieces of what she's saying. But she gets her point across. That point is: I love you so much and I'm sorry you had to go through that.
Willow: She doesn't mention them once she first sees them. It's none of her business, they all look pretty healed so why push? But a few days later when you guys are just normally talking she casually brings it up. You don't know how to respond. After a few moments, you tell her the truth. And you can see it on her face, the way it hits her like a sack of bricks. The fact that she didn't ask adds to the guilt. But this isn't a moment to focus on herself. She hugs you. The next day she takes you on a really nice date.
Hunter: Once he notices he does (correctly) assume the reason. But he doesn't want to believe himself. It is pretty understandable why you would want your s/o self-harming. But he knows that if he's right but doesn't talk to you he'll regret it forever. So, despite his nervousness, he asks you. He says multiple times that it's "probably not why." His heart sinks when you confirm his fears. You're immediately wrapped in a hug. He keeps talking about how sorry he is that he didn't help, as well as how much he loves you. And he means every word of it.
Vee: She does not dance around the question. Once she sees the scars she just straight up asked, "Why are there scars all over your arms?" So that was very jarring. Once you end up telling her she just stood there. Before wrapping her tail and arms around you. You felt extra secure. She is going to let you know how much you mean to her.
Raine: They know what your scars are from the moment they see them. They don't point the scars out so that you don't get uncomfortable. They do however become way nicer (if that's even possible.) Every chance they get they'll complement you. It's a very obvious but welcomed change.
Eda: Well shit. She's not even going to ask she knows what the scars are from and she's pissed. Not at you, at herself for not noticing. She hugs you and starts apologizing without an explanation. Once she does explain she makes very clear that she's not mad at you and will help you stop.
Emira: Since she's the oldest of the Blight twins I feel like she had a lot of the pressure to be the perfect child before Amity. (Edric was just kinda ignored.) But she didn't have much of a support system so she did have thoughts she never went through with them. But Titan does it break her heart to see you going through that? Her approach was way more gentle than anyone. She staged a mini-therapy for you.
Edric: On the other hand he's pretty clueless. When you tell him he is very sad. He doesn't know what to do but he starts buying you a bunch of things. He wants you to know how valuable you are.
Lilith: She has no clue how to react. She doesn't even know what you did but her blood feels like ice with how many scars you have. She asks what happened and who hurt you. She starts tearing up when you reveal the truth. She ends up cuddling with you and tries to make you feel as secure as possible.
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wannaeatramyeon · 5 months
Text
Jake Kim x Reader: Mother in Law
Requested. G/N. Meeting Minseon for the first time.
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"You want to bring someone over for dinner?" Curiosity colours Minseon’s question.
Jake imagines his mom on the other end of the phone. Hand stilling, cigarette halfway to her lips. One eyebrow quirked at the unusual request.
She asks for the name of the guest and Jake tells her.
"And is this Y/N a particular someone?"
"They're... someone to me," Jake doesn't hide his grin, "I'm serious about them and I want to introduce them to you."
About time, Minseon thinks. Rumours of her son's dating life has reached her ears months ago
"Very well. See you Saturday."
.
.
Minseon's eyes flicker down to your's and Jake's joined hands and back up again, giving you both a polite, cordial smile.
Suddenly, you feel like the contact is inappropriate. Too intimate. Jake must agree, because between the two of you, you don't know whose palm is sweatier.
You untangle your fingers, and bow. Ninety degrees, parallel to the ground. Showing Minseon the respect her station and status deserves.
Returning upright, you take the bouquet from Jake and hold it out to his mom. Jake had said it was unnecessary, but how could he expect you to meet her for the first time empty handed?
You clear your throat, "Thank you for having me over. It's lovely to meet you, Mom!" and immediately wish you never said anything at all.
Mom?!
You take one look at her shocked expression and feel your cheeks bloom. Jake tries to mask his chuckle as a cough and receives a sharp elbow in the side.
"Ow!"
Minseon blinks in surprise at your familiarity. Hmm, she knew her son can be lively, so it's only fitting that he found someone similar.
"Mom is fine," she says, "Thank you. These flowers are beautiful." She smiles, and you're taken aback by how much Jake resembles her.
.
.
You sit through a reasonably comfortable dinner.
Minseon now knows all about your family history.
Where your parents grew up, what they do, what you want to do, your grade point average. How you do fine with Math but struggle with grammar and tenses. The dog you had as a child, the fish you had as a young teen, the scar on your hand from your grandparent's cat.
Something about her, despite first impressions, welcomes you. Makes it feel like you're never talking too much, taking up too much time.
Then when you apologise for rambling, she tells you not to be ridiculous.
But the conversation shifts.
Minseon asks if you know about the Kim family history, what Gapryong Kim does, did. What Jake Kim actually does. You say yes but she gives you a rather grizzly and brutal history lesson anyway.
When she excuses herself, you release a breath you didn't know you were holding.
"Mom is..." Jake scratches the back of his head, face contrite and apologetic. "Just making sure you know what you're getting yourself into. Sorry. That was intense."
"Is she always like this?"
"Sort of." Jake picks up his chopsticks and picks at the leftover beef ribs. Munching thoughtfully, he adds, "I thought she might be better with company. I've never actually brought anyone over before."
.
.
"Your dad had some... undesirable traits in a partner." Years old wounds flare up after dinner. Over coffee and delicate pieces of cut fruit. Bitterness and anger flashes across Minseon's face before she regains her composure and takes a careful sip.
"If Jake ever gives you any trouble, you let me know."
"Mom..."
Jake rolls his eyes; is about to say that he is nothing like his dad, at least not in that regard.
But then he sees her place her hand over yours, giving you a reassuring squeeze. The same protective, maternal look in her eyes that he is so familiar with, and he can't bring himself to say anything to ruin this sweet moment.
Just give him time, and he'll show his mom, and you, how different from his dad he is.
Jake rests his hand on your knee. Big and warm. Holding hopeful futures and kept promises.
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