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#and i know the whole save file is going to blow up
Helpless part 40, It is very often nothing but our own vanity that deceives us
"Neeks, you awake?"
"What time is it?" The Hades child mumbled, pushing his hair out of his face.
"11:24."
"How the fuck am I still tired?"
"Because you still need to catch up on sleep and you're off drugs medical and others after a while so you're still adjusting."
"I'll be honest I didn't process half of that." Will rolled his eyes teasingly, walking over to mess up his hair more than it already was. Will started to look through some files he'd brought in with himself as Nico started to get ready,
"Can I braid your hair?"
"You know how to braid?"
"Not very well, but Kayla made me learn a few years ago before she had to let Aussi cut her hair on a dare."
"I can imagine how well that went, but sure." Will sat next to him, brushing out and parting his hair before starting to do a french braid. "Do you have the second volume of Heartstopper?" Will laughed, quickly kissing Nico on the cheek.
"I can't believe I thought you were straight but yes, I have all the books."
"I can't believe I thought you were straight."
"Think you were the only one Neeks."
"Oh shut up Solace."
"Don't think I will di Angelo."
"Gods save me."
"What do you want to eat?"
"Nothing." He answered almost instantly,
"Not an option."
"I'm not hungry." He promptly ignored him and pulled out three ceral bars from his pocket,
"Pick one."
"Leave me alone."
"Do you feel sick?"
"I- I- just... can't, drop it William."
"I'll leave them here, just eat when you can, alright?" He said, half hugging him.
"Fine."
"Nico, have you considered talking to someone? Maybe keeping a journal as well?"
"Only if you'll also get help." He couldn't think of something he wanted to do less but Will needed help, desperately.
"It's not your job to worry about me."
"Will, I'm your boyfriend, it really is."
"Are you comfortable with the idea of talking to someone?" He was fine, he knew he was worthless what's the point of lying to himself.
"N-no." Fuck, this wasn't going the way he hoped.
"Nico, you don't need to do anything that you aren't comfortable with, that won't help. Also... I'm sorry about last night.. I- it's- yeah I'm just sorry."
"Will, no one's perfect, you need help, please, just try to."
"Neeks, I'm fine, really. I was just shocked last night and yeah, there have been a lot of people in the infirmary because of the war normally it's just less hectic." Lying through his teeth, he hated himself for it but that's fine, just another thing to add to the endless list. He wasn't Nico's responsibility, he doesn't need anything else on his mind.
"Just, take a break every now and then, I swear you're always working."
"Actually Kayla's ban me from working for the rest of the week soooooo."
"Good, you need it. Wait does that mean I don't get to see you for a week?"
"Nope, you can't get rid of me that easily. Apparently I'm too much of a simp for that, but I have a feeling she's timing it to make sure I don't spend the whole day here."
"I can see that happening, but you need a break so she is completely right."
"I really hate you sometimes di Anglo."
"I know." He whispers, blowing the son of Apollo a kiss.
"Solace, times up!"
"Better go Sunshine, also... I'll try journaling, I don't know if it'll help but I'll try."
"I'm proud of you Neeks," He ruffled his hair before pressing a soft kiss to his lips, he kissed him back, wrapping his hands around his neck."I'll see you soon."
***
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buglaur · 1 year
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this is virgil
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slaygentford · 1 month
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Armand's podcast chiarobscuro on obscure art history is just him speaking in a monotone for 1 hour about 1 page of 1 illuminated manuscript nd it's coincidentally number 1 trending on pods because people use it as a sleep aid. but then sometimes in the middle of it he'll say something incredibly disturbing and a cult (haha.) following starts claiming there are hidden subliminals in it which are allegations Armand never acknowledges and which people on twitter roast but reality shifters on tik tok get increasingly into. Daniels podcast by/line is beat out consistently by pod save America which is totally fine and not contributing to his alcoholism or his divorce or his psychosexual obsession with armand. he won't listen to armands podcast as a point of principle except for when he puts it on to fall asleep and then gets weirdly turned on and then pavlovs himself into arousal every time he hears armands voice. one sided psychological torture. Armand's cult (haha.) following continues to grow until lestat's podcast lestat (self-titled) filed in culture & the arts blows up and usurps him even though its an hour and a half one-man monologue about quite genuinely nothing at all, though worryingly often, his mother. and Louis? well Louis isnt privy to any of this because he has a child to raise and zones out whenever lestat starts talking about renting out a bigger recording studio for his podcast so that he can have guests on and invest in sound equipment FOR CLAUDIAS FUTURE, OF COURSE. her college fund Louis! the dividends will go toward her college fund. ahaha. what is the definition of this: dividends. Louis gets curious and listens to lestats podcast but gets distracted by recommended for you: chiarobscuro, finds it interesting enough that he doesn't fall asleep, and mentions it offhandedly to lestat after telling him lestat (self-titled) is cute. lestat is distracted by the high of being told Louis likes his podcast but wakes up in the middle of the night sitting straight up in bed when he remembers Louis said "chiarobscuro" in passing at precisely 7:46am this morning. lestat who has armand in his phone represented by the 🕴🏼emoji from college (Louis doesnt know he knows him, lestat has never once mentioned him) calls him from the bathroom at 4am and demands he immediately end his podcasting career. armand who of course answered at 4am counters that they meet in a neutral location to discuss terms. at 5am lestat and armand meet at a park. lestat rages, scaring off several sunrise joggers and their dogs. armand allows this to happen in silence and then says look across the pond. at which point lestat does and sees a bedraggled 50 year old white man plodding along with bodega coffee. you needn't worry about your Louis, says armand. I have a different project. I have been implanting subliminal messages in my podcasts in order to lure Molloy into my thrall. lestat, grudgingly impressed, concedes and stops to get coffee for the family before going back home. Louis and claudia are delighted by the impromptu breakfast and lestat is offered a special shower time reward. before disrobing, and working quickly, he hacks Louis' phone (passcode claudia's birthday) and in a fit of true selfless sacrifice deletes not just Louis' subscription to chiarobscuro, but his podcast app as a whole--damning his own podcast to never again be heard by Louis but removing armand permanently from their lives forever. he joins Louis in the shower, stunned by his own genius. perhaps he will have that worm molloy on his show in order to thwart armands plans. lestat 2 armand 0. it's almost enough to ease the burn of armand telling lestat in their audio production class in college that he's too dumb to start a podcast
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nonasuch · 6 months
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Did you ever write more to the "vader finds out that leia I'd his daughter" story?
No but it’s been percolating in my head for a while so let’s go
(continuing from this)
The first thing Vader does is cover his tracks. Wipes the security cameras for the whole cell block, wipes the prisoner logs, makes sure that no trace of Leia’s capture or escape will be in the files synced daily with Imperial Center. Puts in transfer orders for that nervous junior officer to somewhere very far away and very quiet. Saves only one short vid clip, to the secret hard drive hidden in his own respirator.
I’m Luke Skywalker. I’m here to rescue you.
While he’s doing this, his children (children! plural!) are getting themselves into trouble, and out again. Apparently the trash compactor was involved. He will have more footage to scrub. Somehow they’ve acquired a Wookie.
Kenobi is with them.
Vader should have foreseen this. Of course, Kenobi.
His presence saturates the Force, nearly drowning out Luke— and Leia, too, now that Vader knows to look. It’s enough to break Vader free from the chill of shock, his rightful fury seen as through a window right up until it shatters, and engulfs him again.
But he forces it back. He wants answers, before he kills Kenobi.
(I’m Luke Skywalker. I’m here to rescue you.)
He hasn’t played the clip again, but it echoes in his ears nonetheless.
When he faces Kenobi, Vader is still off-balance. Kenobi seems as calm, as unruffled as he ever did, though he’s far too obvious in buying time for Leia and Luke to attempt an escape.
Vader asks him: “Do they know?”
“You’ll have to be more specific,” Kenobi says, light and unconvincing.
“You kept them from me,” Vader says, and that is a thought that feeds the Dark, that lets him hammer at Kenobi’s saber until he’s nearly past his guard—
“I kept them from your master,” Kenobi says, his voice still even and pleasant and false, hardly betraying his exertion.
“I’ll kill you for this,” Vader vows.
“I expect so,” says Kenobi. “I swore I’d die before I let Palpatine harm another child in my care. If dying will keep them from him, it’s well worth the cost.”
(I’m Luke Skywalker. I’m here to rescue you.)
By the end of this speech Kenobi recovers a little of his old skill, turning Vader’s blows aside instead of merely bearing up under their weight. Too soon, Vader falters, losing the momentum of rage. They both fall back to defensive positions. Any living troopers have long since cleared the area; the whole deck is a ruin of saber gouges and shattered armor.
Vader rarely speaks without thinking. The nature of his breathing apparatus makes this a necessity, more often than not. But the words escape him anyway.
“Who named them?”
And now Kenobi is the one who falters. It is satisfying, if short-lived. “Their mother,” he says. “With her last breaths.”
A long time ago — a lifetime away — there was a list of names. Two lists, really, to start with, and then another of the names held in common to both. No record of it survives, not even on the hard drive hidden next to Vader’s heart.
On Naboo, children are often named for virtues. A child might be called Aluuk, for kindness, or Alié, for wisdom.
On Tatooine, a child’s name is the parent’s hope for its future. Perhaps Lukka would grow to be free; perhaps Leyah would grow to be fierce.
And perhaps they have. Vader does not know. Kenobi took that from him.
Vader won’t kill him yet, though. He still has questions.
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allwaswell16 · 1 month
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A fic rec of my favorite One Direction alpha Louis omegaverse fics as requested in this ask. If you enjoy the fics, let the writer know by leaving kudos and comments! You can find my other fic recs here. Happy reading!
- Louis/Harry -
🌰 Light, Spark and Fire (series) by green_feelings / @greenfeelings
(E, 239k, CEO Louis) Life’s pretty ordinary for Harry. He lives with his best friend, got into university just like he’s planned, and manages to support himself just fine for an unbonded omega. If he sustains that lifestyle by getting paid to help alphas through their rut every now and then, that’s nothing to be hung up on. Until he’s hired by an alpha that turns everything upside down.
🌰 Say Something by @kingsofeverything
(E, 105k, age difference) At fifty years old and recently divorced, Omega Harry Styles isn't interested in dating. When his doctor suggests a heat and rut matching service, he signs up out of necessity. It’s the only use he has for an Alpha in his life. Twenty-eight-year-old Alpha Louis Tomlinson aims to change that.
🌰 Ace of Spades by @allwaswell16
(E, 78k, pirate au) Louis is a pirate, Harry is his captive, and no one is who they say they are.
🌰 These High Walls by LarryAlways28
(E, 68k, CEO Harry)  when the older, and wildly attractive Harry Styles offers him a deal in exchange for saving his family's legacy- how could Louis ever refuse that?
🌰 Unveiled by @phdmama
(M, 65k, royal au) There are no robes. And not a single one of them is veiled.
🌰 and i would search the night sky to find you by devilinmybrain / @thedevilinmybrain
(E, 56k, boarding school) Harry Styles is a high class, well-bred Omega attending Bosworth Academy - a prestigious boarding school looking over the small town on Kinsey. He has his whole life already planned for him, learning his place as the potential mate for an important Alpha, practicing his home making skills, and be obedient above all else.
🌰 Just for Tonight (I can be yours) by @sadaveniren
(E, 42k, royal) Harry, prince of Cestrescir, has been betrothed to Ludvic, prince of Yorvik, since birth. He'd accepted a loveless marriage as his duty to his country, until an accident threw him in the path of a gentle alpha
🌰 You're Not My Type (still I fall) by Imogenlee / @imogenleewriter
(M, 38k, farm) He's been in stickier spots; he reminds himself. Way stickier. This is just a bit of rain; it'll blow over. Then Harry will just... well, alright, he isn't entirely sure what to do when the rain stops because he'll still be stuck and lost.
🌰 Endgame by @brightgolden
(E, 38k, royal) Where omega Crown Prince Harry Styles is trying and failing to get pregnant for four years, but all that is about to change when courtesan alpha Louis Tomlinson comes into the equation.
🌰 The Risen (series) by @creamcoffeelou
(E, 28k, cult au) In search of the next breaking story, Harry goes off to do something no one else has been able to do: get the scoop on Louis Tomlinson and his devoted group of followers.
🌰 Keep Me Closer by zanni_scaramouche / @zanniscaramouche
(T, 18k, uni au) Louis expects Harry to react poorly, maybe even file a formal complaint and that’s gonna suck ass but Louis won’t say shit cause he knows he deserves it, so he prepares an apology before Harry’s even turned around.
🌰 Single Bells Ring by nonsensedarling / @absoloutenonsense
(M, 16k, alpha/alpha) A holiday singles event is not where Louis wants to be tonight, but there he is, helping his best friend find love.
🌰 Prince Harry and the Expert in Motorcycle Maintenance by @juliusschmidt
(E, 15k, fairy tale) a cinderella au in which prince harry rides a motorcycle and louis, a simple mechanic, fixes it.
🌰 Bentley Station, Now Arriving by LadyLondonderry / @londonfoginacup
(T, 13k, space) There's a ball coming up, and Harry is going to attend. Niall will make certain of that.
🌰 It's Been Ages by @2tiedships2
(NR, 13k, friends to lovers) Louis shook his head in exasperation. “If you’ve been watching, you would see that Harry is interested in, like, alpha alphas. Not me.”
🌰 I’ve Always Liked the Fireworks by QuickedWeen / @becomeawendybird
(T, 12k, football) When alphas and omegas reach the age of twenty-one they are required to attend a Proving Day ceremony. Omegas watch as alphas do their best to compete in events, show off their skills, and prove how good a mate they can really be.
🌰 Come In and Change My Life by lightswoodmagic / @lightwoodsmagic
(E, 12k, neighbors) Harry and Louis become friends when Harry looks after Louis' cat during away games, until one night at a party changes everything between them. It's just a shame Louis' going to be away for the FIFA World Cup for three months.
🌰 Just Jump by @jaerie
(E, 9k, heat) “Hi!” The alpha said again and Harry took the hand he offered and shook it firmly. “I’m Louis from Omega Services. It’s nice to meet you.”
🌰 a body wishes to be held & held by @turnyourankle
(E, 9k, heat/rut) Harry wants to return the favour after Louis helps him out with his heat.
🌰 A Silver Lining In A Storm (You Were Lightning, I Was Born) by @fallinglikethis
(E, 6k, arranged marriage) after the death of his first fiancé, a man who turned out far worse than Harry thought possible, his subsequent marriage to the man's brother leaves Harry finding it difficult to trust that everything will work out
🌰  a rose by any other name by delsicle / @eeveedel
(G, 3k, Victorian) Harry is a sheltered omega who is the pinnacle of good breeding, but the flowers in his family’s garden – and the alpha gardener who keeps them – prove to be his greatest weakness.
- Rare Pairs -
🌰  That Don’t Define Who You Are by @lululawrence
(NR, 7k, Louis/Harry/Nick Grimshaw) the one where Harry is a licking omega with a broken bond who helps heal a fairly hapless beta with a folding bicycle. When Harry also meets the beta's alpha, things start to get... interesting.
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literaryavenger · 5 months
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Love Is A Battlefield
Summary: Bucky gets hurt during a mission and you can't help but blame yourself.
Pairing: Bucky Barnes x Female Reader
Warnings: Minimal use of Y/N. Language cause why not. Mentions of Bucky's past. Injuries. Overprotective reader. Description of violence. Fluff. My poor attempts at being funny.
Word Count: 4.5K
A/N: This was inspired by this post and a dream I had lol. I couldn't help but start writing and this is what came out. Enjoy.
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"Who the fuck do you think you’re calling a bitch, you ass?" you sneer at the guy to your left right before kicking him in the stomach and then bringing his head down on your knee when he doubles over, effectively knocking him out.
"Language!" you hear in you earpiece and roll your eyes.
"Why don’t you shut the fuck up, Rogers." you tell him while making your way through the corridor, taking Hydra agents down as you go.
"Can’t you do this without cursing so much?!" he sounds more exasperated at you than at the agents he’s supposed to keep distracted outside.
"Can’t you stop bitching in my ear? I’m a little busy here!" all he answers with is a groan and you know you won this round.
You hear Sam crackling before he says "1-0 to Y/N." which makes you laugh.
"Thanks, Sammy."
"Anytime, baby." you roll your eyes at his nickname, the small distraction allowing an agent to get too close to you and you feel a sharp pain in your forearm and almost drop your gun.
"Shit!" you hiss at the pain and zero in on the idiot that cut you.
You can hear the concerned voices in your ear, but don’t allow yourself to get distracted again as you take care of the last few agents on your side of the building.
"Y/N, are you okay? What’s happening? Can someone get to her?" you hear Bucky’s voice for the first time since the mission started and you can’t help the warm feeling it brings, the concern in his voice making you answer almost immediately.
"Just give me a minute!" you say as you battle the last guy standing.
Once you’ve successfully knocked him out, you take a second to breathe before addressing the voices still coming to your ear while you make your way through the maze of corridors in this Hydra base.
"I’m okay guys, but apparently all these people have some sort of collective knife kink." you say and you can hear Steve’s annoyed groan and the rest of the team’s laughter as you check out your cut. Not too deep, you think to yourself.
You think you hear a relieved sigh between the laughter, but almost instantly forget about it as you finally come to the door you’ve been looking for.
"Clint, status?" you ask him since he’s on the roof, being the eyes on the whole operation.
"Everyone’s thoroughly distracted out here." he answers.
"Good. James, Sam, are you done with the explosives?" you can hear Sam grunting as you enter the room, locating the computer you need and turning it on.
"Just a second!" Sam says, you hear a couple of punches landing and then "Done. This place is ready to blow as soon as you have the files."
"And hurry, we can’t hold them off forever." Steve adds.
"Inserting the USB now, I need at least 5 minutes for the download to finish. Friday, remember to copy Hill at Shield HQ and to save the files in the Avengers private server." you tell the AI as you make your way through the office, grabbing files that seem important as the digital ones download.
"Really? Why the private server?" Steve asks between punches.
"Because, Captain Dumbass, these files could contain sensitive information about one of our own. We have to be careful with them." you say while still looking through the cabinets of papers.
"Do you have to be so mean to me?" he almost whines.
"Hey, it’s your best friend that I’m looking out for." you say almost laughing.
"Yeah, I’m sure it’s me you’re doing this for." You can basically hear the smirk in Steve’s voice but before you can answer, Natasha cuts in.
"Are you two done bickering?" she says annoyed.
"Oh no, please, let them keep going, this is so entertaining." Tony comments, but you get distracted from the conversation when you find a black box in one of the desk drawers that was previously locked, you open it and can’t help the gasp that escapes you. Bucky’s dog tags.
"Guys… do we have to blow up this base?" you ask, quieter than you’d like, leaving everyone else confused. Between all of the “what”s you hear Steve say your name.
"You know the drill, we download the digital files, save as much of the paper ones as we can and then blow the building up. This one’s no different." he tells you, but you can’t help but disagree.
"I think it is…" you can hear them asking you to explain, so you do, trying to find the right way to say this "I think… I think this is the first base they took James to." you say, still talking quietly but loud enough for them to hear.
The comms go silent, everyone processing what you just say, only the sound of battling going on, but you’re only worried about one person.
"James?"
Nothing.
"James, are you okay?" you can’t help but worry, his silence snapping you out of the trance you were in, you close the box you were still staring at and put it safely in your pocket, your hand going to your ear instinctively.
"Bucky?!" He still doesn’t answer.
You hear a bip behind you and Friday lets you know the download is complete, you take the drive and make your way out, your worry only increasing with every step.
"Does anyone have eyes on Barnes?" you ask the rest of the team.
"Oh no." Clint says, and you stop immediately, your heart beating out of your chest.
"What?! You can’t just say ‘oh no’ and not elaborate, Barton!" your mind is going into overdrive, not knowing what to expect.
"I have eyes on him, but you’re not gonna like it."
"What do you mean, Clint?! just say it!" this time Steve is the one to snap at him.
"He’s getting surrounded, it looks like he’s passed out." you swear you can actually feel your heart stopping.
"Can anybody get to him?" you say desperately.
"He’s got maybe 2 minutes before he’s surrounded, everybody’s too far or too busy." yeah, Clint’s really not giving you any good news today.
"Can’t you help him out?!" you almost yell at him.
"Not without hurting him, there are just too many!" he sounds more worried with every word and you know it’s bad. "Technically you’re the closest." He informs you and you frown.
"What do you mean, technically?" You look out the window of the corridor you found yourself in, looking towards the roof and find Clint already looking down at you while he speaks without stopping his aid of the others with his arrows.
"The second window to your left. He’s right under it." you go to said window and try to open it, but it’s closed shut.
"These windows are bulletproof, Clint can you break it somehow?"
"I can, but you could get hu-"
"Just do it!" you yell, cutting him off.
You can see him aim an arrow to the window, it hits its target and you can hear Clint counting down from 3 before it shatters.
You take no time to be careful of the glass as you take a little disk from your belt and press the button while pointing it at the ground.
A rope shoots out of it and anchors to the floor and, while attaching the other end to the back of your suit, you make a mental note to thank Tony for always updating your tactical suits with new useful gadgets.
You leap out the window, landing with your feet on the wall, basically running down on it as you take out your guns and start shooting down at the now dumbfounded agents.
Before they can even figure out where the shooting is coming from, you're on the ground next to Bucky, cutting the rope with a knife, then stabbing the agent closest to you.
You’re punching, kicking and shooting, trying your best not to get too far away from Bucky, basically shielding him with your body.
You hear a faint ‘holy shit’ from Clint and the other’s voices come through but you can’t follow the conversation, your whole focus on keeping Bucky safe.
You stray a little too far away from him as you do the take down move Natasha taught you on one of the agents, your legs around his neck as you bring him down to the ground.
When you turn around you see one guy getting dangerously close to Bucky’s unconscious body and you feel a sudden burst of possessiveness throughout your own body.
"He’s mine." you basically growl, taking a knife from the body of the guy you just took down and throwing it.
It lodges perfectly in his throat and he goes down right away, blood pouring out of him. You have no time to be disgusted as you keep taking down agents and, one after the other, they all drop.
The second the last one touches the ground, you're kneeling down next to Bucky.
"Please don’t be dead, please don’t be dead, please don't be dead..." you keep repeating, looking for the button on his tactical suit that monitors his health. Again, thanks Tony. You find it and press it "Friday, vitals."
"Heartbeat detected." the AI says and you immediately let out a breath of relief, not even knowing when you started holding your breath. "Head injury detected, possible concussion. Various cuts throughout his body. No other injuries detected."
It could be worse.
You give yourself a second to breathe while looking at Bucky, then talk into your comm, not taking your eyes off of him.
"Ok, guys, uhm... Bucky’s ass may be cute but it’s heavy. I’m gonna need a hand here." you hear some snickers and then Clint’s voice. "Cap and Sam are on their way."
You’re still looking at Bucky, almost worried that the second you take your eyes off of him his heartbeat is gonna stop, when you hear footsteps behind you and, almost automatically, you grab a knife next to your foot and throw it.
You hear it before you see it, the metal of the knife hitting Cap’s shield before he lowers it and, his face shocked and glad for his fast reflexes, he says "Relax, it’s just us."
"Sorry, I’m a little jumpy."
"Gee, wonder why." Sam says sarcastically as you turn back to Bucky.
"Just take James to the jet, Sam."
"Why do I have to carry his ass?" he whines like a child.
"Because you can fly, birdbrain, you’ll get there before we make it to the front gate." you’re almost irritated at this point, but when you turn to the duo and Sam gives you an unimpressed look, you sigh and try to calm down.
"Sorry, just… take him to safety. Please." Your voice is soft now, Bucky’s well-being the only thing on your mind. Sam picks up on your concern and gets serious, moving towards Bucky to pick him up.
"I’ll take him to the jet. See you guys there." and with that, he takes off.
You watch him go for a second before you feel a hand on your shoulder, turning around to see Steve’s equally concerned face.
"Relax, you heard Friday, he’s gonna be fine. Even if he does have a concussion the serum will heal him in an instant." you know he's right, thanks to the serum his bones heal overnight, a concussion is nothing.
But still, you can’t help the worry you feel.
"I’ll relax when he’s awake and I can see he’s fine." he’s about to say something back when you hear Tony’s voice in your ear.
"If you two are done making out about it, we really should be getting out of here." you roll your eyes and smile a little at the pink color Steve’s cheeks were turning while you start making your way to the front courtyard of the base where Natasha and Tony are still holding off the remaining Hydra agents that just seemed to keep coming.
The second he sees you both giving them a hand, Tony takes off towards the roof. "Incoming, Robin Hood, get ready for take off."
This is your cue to get to the jet, Steve, Natasha and you making your way to the front gate while still fighting, the remaining agents scrambling away the second the explosions inside the building start.
You all get to the jet and, after making sure everyone’s inside, Steve turns to Clint. "Take us home, Barton." he merely nods and makes his way to the pilot's seat, immediately taking off.
You make a beeline to where Bucky’s lying on a gurney, still unconscious.
"How is he?" you ask Bruce without taking your eyes away from the super soldier’s face.
"He’s okay, his cuts are already starting to heal themselves, so should be his head injury. He should wake up maybe within the hour, two tops." you nod and make your way to the chair beside his bed, taking his right hand in both of yours. 
You don’t know why you do that, now that you think about it you’ve probably not even touched Bucky in general more than a handful of times.
You’re not the closest of friends, you work well together in the field and get along outside of it, you hang out in group settings such as game and movie nights, team trainings and the team-building outings Tony forces everybody to go on, but that’s about it.
The lack of one on one interactions, though, didn’t help you escape your growing crush for the long-haired super soldier. You just can’t help the warm feeling you get every time he’s even in the same room, let alone when he looks at you.
You can hide it when you’re in mission mode, always being professional, but the second it happens in a normal setting like the living room or the kitchen or the gym you turn into a flustered schoolgirl, stumbling over your words and blushing every time you have his attention.
You’ve convinced yourself he doesn’t notice, if he has he hasn’t said anything, but for your own piece of mind you pretend he just doesn’t.
Sometimes it seems like he does it on purpose, though. He’d get close enough that you can smell his cologne and basically feel his body heat.
Sometimes his hands hover on your waist while he passes by you, never actually touching you but just close enough to make you almost pass out at the feeling.
And you can swear you can see a smirk on his face, but it always disappears so fast it’s just easier to convince yourself you’re imagining it.
He would have the most innocent face while asking you if something’s wrong, and all you can answer with is a small ‘I’m fine’ before basically running away, never once seeing the smug look on his face at the flustered state only he manages to put you in.
You’re brought out of your head by Steve’s hand on your shoulder, again, as he says "he’s gonna be fine."
"It’s my fault…" you say quietly, ignoring his attempt at comforting you.
"It’s not y-" you interrupt him before he can even finish.
"Yes, it is. I distracted him." You say firmly before your voice softens. "They were so close to getting him, Steve..."
You can’t take your eyes off of Bucky, almost willing him to wake up, so you could apologize. "Do you have any idea what would’ve happened if they got to him? What they could’ve done to him…" you trail off, not wanting to voice all the possibilities out loud.
Of course you know Steve knows. He worries more than you for Bucky, his best friend, basically his brother, the only family he has left from his past life.
But Steve is having none of it.
"You wanna play the blame game? He wasn’t even supposed to be on this mission, but I couldn’t stop him. He knew what it entailed, he knew it was a base full of hydra agents, but he didn’t back down because it was the right thing to do. He wants to do good and help us take down Hydra for good, he knows the risks but it was his choice. You can’t take that on you." Logically you know he's annoyingly right, again, but looking at Bucky laying motionless you can’t help the guilt that creeps up on you. 
"Friday," you say quietly, ignoring Steve’s confused look "play the footage of Bucky before he passed out coupled with the audio from our comms."
The hologram on the table in the middle of the jet lights up and Bucky’s figure can be seen fighting, then you can hear your own voice telling your theory to the group and Bucky halts for a second, he almost gets punched but avoids it at the last second, hitting the guy with his metal arm.
Steve turns to you with a smug look, knowing he was right, but you raise your hand before he can say anything and keep watching.
You see Bucky fighting and hear yourself calling his name and you can see his eyes rolling when you call him James. He’s asked you countless times to call him Bucky, but you always refuse, not sure why.
All you know it’s that it kind of annoys him but in a different way than when Sam or Peter annoy him, you can tell he’s not actually upset, it’s kind of your own little thing with him seeing as he doesn’t allow anyone else call him by his first name.
You can see Bucky still fighting and ignoring you, but when he hears you call him “Bucky” for the first time he stops, right as an agent is throwing a punch.
You see Bucky get hit in the jaw, stumble and fall, his head hitting the wall behind him pretty hard. He doesn’t get up, but you see the last agent standing get taken out by an arrow, Clint you assume.
You can hear your alarmed conversation with Clint as more agents slowly creep up on Bucky, probably being cautious, worried he could wake up any second, then there’s the sound of bullets flying and agents getting hit.
Suddenly you’re there.
You take your eyes off the screen, about to tell Steve that even he can’t deny now that it was your fault, but the whole team's attention was on the footage of you mercilessly taking out man after man, even Clint’s there watching after putting the jet on autopilot.
The look on your face frightening to the point where you almost don’t recognize yourself.
You don’t want to relive the moment, so you shift your attention back on Bucky, your hands still holding onto his.
You can hear Clint’s “holy shit” and then your “he’ mine” and you feel yourself heat up at the possessiveness in your voice.
The video gets paused and you can hear Tony asking "what the fuck was that?" his voice clearly amused, and you know what he’s asking you.
Before you can answer though, you feel Bucky’s hand squeeze yours softly, your eyes snaps down to it and then to his face while getting up from your chair.
He’s mumbling something that sounds very similar to your name but his eyes are still closed.
"James?" he slowly opens his eyes and they instantly find yours, a smile forming on his face that you can’t but mirror.
"How do you feel, Buck?" Steve asks him from beside you.
"Like I got hit really hard in the head." he groans while he tries to sit up, his hand still holding onto yours while you help him.
"Take it easy," Bruce tells him while stopping next to him on his other side "you probably don’t have a concussion, but I’d put some ice on your head to help with the headache."
"I’ll get it." you let go of Bucky, and walk to the mini freezer to get the ice pack.
Bucky takes a moment to look around him, his eyes landing on the screen where you’re frozen mid-fight.
"Friday, unpause the video." he says, curiosity taking over.
He watches you fight, protecting him with your life and he swears he’s never been more in awe in his life. He sees you get on your knees next to him and hears your whispers, praying for him to be okay, over and over.
He sees the relief in your face when Friday tells you he’s alive and he hears you call his ass “cute” as you ask the others for help, making him smile again.
"Friday, stop the footage." you say, ice in your hands but maintaining a safe distance from Bucky, embarrassed that he saw how worried you were for him.
You stand there in silence for a second while Bucky turns to look at you, the smirk on his face definitely real. You blush, cursing your body for how it reacts to his gaze, while Steve clears his throat.
"Why don’t we give you guys a minute..." he ushers everyone to the front of the jet, almost having to wrestle Tony to take him away from what he called 'his new favorite show'.
Bucky extends his right hand for you to take and you do as you get closer, your left hand going to carefully place the ice on the back of his head.
He hisses a little at the contact and you wince, giving him an apologetic smile, but his eyes never leave yours and his hand squeezes yours, letting you know he’s okay.
"I’m sorry." That's all you can say and, whatever you were expecting him to answer, it was definitely not what he says next.
"You should be." you bite your lip to stop it from trembling, your emotions getting the best of you and your guilt only growing, but he keeps going, "You distracted me. You’ve never said my name before, and it was the sweetest sound to ever come out of your mouth. Shame on you for keeping it from me for so long, doll."
He brings you closer to him, taking your hand in his left, his right going around your waist as he rests his chin on your stomach while looking up at you, your left hand still holding the ice to the back of his head.
You giggle at the puppy look he’s giving you, trying to resist the urge of leaning down and kissing him.
"Smooth, Barnes." he laughs with you, before growing more serious.
"You looked really worried." you feel your emotions bubbling up again.
"I was…" you say, your voice small "I’m sorry you got hurt because of me" you're basically whispering, afraid that if you raise your voice any louder the tears you’d been trying so hard to hold off will start falling.
"It’s not your fault, doll." before you can protest, he keeps going "and I’m fine. We’re all fine. I just took a little nap."
You roll your eyes at his attempt at a joke but can’t hide the smile starting to form on your face while he gives you a grin of his own.
You're so lost in his eyes that you almost forget about the reason all of this happened.
You let go of his hand and he gives you a confused look with a slight pout on his lips that just makes you smile more.
"Bucky," you start, taking the little box out of your pocket, but he interrupts you with an exaggerated gasp.
"Are you asking me to marry you, doll? Because, don’t get me wrong, I’m flattered, but maybe we should go on a date first." you can't help but laugh as you gave him a little shove, careful not to hurt him more.
"I’m not asking you to marry me, you jackass." you get more serious as you look at the box in your hand.
You don’t even realize you're biting your lip until Bucky reaches up and tugs it out. You look back at him and feel weirdly nervous, not knowing how he'll react.
"I found this at the base, and I’m pretty sure it belongs to you" you laugh a little out of nerves as he lets go of you to take the box and opens it.
He lets out a real gasp this time, fishing out the tags and holding them in his flesh hand, his face unreadable.
He looks back up at you and for a second your brain goes to the worst case scenario in which there's a lot of blood and screaming, but that image is quickly forgotten as Bucky gives you the biggest smile you’ve ever seen on his face.
He places his hands behind your thighs and effortlessly moves you to straddle him, his movements so fast that you drop the ice pack out of surprise, but you don’t have time to do much as Bucky starts peppering kisses all over your face.
Your surprise turns into giggles and he slowly stops his assault, the smile never living his face, the look on his eyes that of pure adoration. "Thank you, doll… You don’t know what this means to me."
You don’t know if you’re imagining it, but you think Bucky’s starting to lean up and you think he’s about to kiss you when you hear a whistle followed by a slapping sound and an “ow”.
You both turn towards the sound to find the whole team looking at you two, Steve has a smirk on his face, Tony’s next to him, rubbing the back of his head and the rest of them are snickering.
"Seriously?!" your irritation does nothing to hide your blush, Bucky’s own embarrassment clear as he hides his face in your chest. 
"What? Capsicle said a minute, we gave you a minute!" Tony said, earning another slap on the back of his head from Steve.
"Just go away!" you say laughing and they all go back to the front of the jet but you can hear their little laughs while they whisper, making you roll your eyes before looking down at Bucky who’s already looking up at you.
"Can you do me a favor, doll?" he asks you and you nod.
"Anything."
"I’d hate to lose these. Hold on to them for me?" he says, holding up his dog tags.
"Are you sure?" you ask uncertainly as he puts them around your neck.
"I’m more than sure." he says while looking at them on your chest and then looking back into your eyes, his smile impossibly big and you’re sure yours looks the same.
He wraps his arms around your waist, bringing you closer and you wrap one arm around his neck, your other hand going to play with the tags around your neck. You’re looking down at them when Bucky speaks again.
"So," He starts, his smile becoming a teasing smirk. "you think my ass is cute, huh?"
You groan, hiding your face in the crook of his neck while he laughs at your reaction.
You can hear the others laughing too and can’t help the laugh that comes out of you, more sure now than ever that everything is gonna be okay.
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slvt4em1lyprenti2s · 2 months
Text
There’s only one bed
Summary: you and Nat go in a mission and there’s only one bed
Word Count: 1.7k
fluff
Pairings: Natasha Romanoff x fem!reader
!NOT PROOFREAD!
Natasha's POV:
Fury Just called me into his office to have a mission debriefing. Normally we'd have the brief with all the Avengers but, this is an undercover mission and let's just say majority of the team aren't very good at that. They blow their cover all the time and can't persuade people to save their lives. Ironic because that's exactly what it does on missions, save their life.
I've been told I'm going with someone but a name hasn't been given yet. I hope it's not an Agent from the academy. They're all newbies so I'll have to hold their hand the whole mission because they're clueless. As I'm walking I bump into Wanda.
"Oh hey, good luck on your mission!" she cheerfully said.
"Thanks also, do you know who I'm going with? I mean like any details about them?"
"All I know is apparently she's very popular among her fellow students, and by that I mean, she's hot."
"Students?! Great, so she's from the academy?"
"Yeah but, Fury wouldn't send her with you if she couldn't handle it."
"I guess your right but they can be really annoying needing to be walked through every single step of the mission."
"I guess you're right but, rumour has it, she's the best of the best. Your level even."
"Ha, I've heard that one a hundred times before, no one's better than me c'mon Wands you know that."
"Haha, yeaah I know Nat but just give her a chance?"
"Fine, I will but, I got to get to Fury now, I'll see you around."
"Bye, good luck!"
We parted ways and I gave her a smile. I walked into Fury's office and was welcomed by the sight of a beautiful woman with wavy y/h/c and shining y/e/c eyes. I going to be honest Wanda wasn't lying, she's perfect. Oh my god, I can't be thinking about these things she's my mission partner! She was already sat down in a chair opposite Fury when I came in so I took the chair beside her.
Fury started talking first, "Thank you for both making the time to be here, as you know this is an undercover mission so, pack a bag that'll last at least 2 day and 2 nights. We can never predict what'll happen at these kind of events."
"Speaking of, what event is it and why exactly are we going?" I questioned
"Well I'm glad you asked. It's part organised by Darren McHugh, not a big name in any industry but filthy rich. Attending the party is Lauren Emerson, your target. All you need is information from her about a weapon Hydra is developing. Her father has every Hydra scientist and engineer in his pocket so, she'll know a lot. Now, she's interested in women which is why there is no men on this case with you. I need you y/n to seduce her and get intel while Natasha watches your 6 and looks for another possible target who, isn't confirmed to be there, but there's a good chance he will be.” Fury explained.
"What's the other guys name?" the other girl asked Fury responded, "James Scott."
"Is that all?" I ask
"Yes that's all. Here's your personal copies of the file and be ready at the quinjet in 30 minutes."
With that we both left but I couldn't help feel a pang of disappointment shoot through me at the thought of her flirting with other people. Damn I really need to snap out of this.
I got up to my room and pack my things. I also put in my red dress and black heels for the party and go to the quinjet. As I'm walking I see her already standing there. She catches me staring as I walk towards her and she extends her hand.
Reader POV:
I look over and see Agent Romanoff coming towards me, eyes trained directly at me. I offer my hand for her to shake and she does. "Agent y/l/n, y/n y/l/n."
“Natasha Romanoff.” She responds
With that we both boarded the ship, settled down and engaged in conversation. It was a long flight and we were going to have to spend the next 24-48 hours together so, may as well get to know each other. This conversation however turned into shamelessly flirting with each other constantly.
Time skip to when the ship lands and they get to the hotel (still reader pov):
We get the the hotel and Natasha asks for our reservation at the front desk. While she's doing that I take a minute to really take in this place because it's massive. There's a chandelier on the ceiling and art all over the walls. The architecture is beautiful and it has gold accents along every wall. It also smelt like vanilla, don't know why that's relevant but it smells nice.
I hear a 'thank you' and 'enjoy your stay' so I assume that Nat has got the key so I begin walking to the lift (elevator). I step in and so does Natasha just a bit behind me. She presses the button to the 5th floor and we stand in a comfortable silence for the short 10 second ride. The doors open with a ding and we step out and go look for our room. Natasha takes the lead and goes straight to our door and opens it with the key card.
"Wow Shield really outdid themselves with this one ay?" I think aloud
"Yeah, they really did." She agreed
As we were walking around the both of us were quick to realise something.
"There's only one bed." Natasha pointed out
"I was just thinking the same thing. I'll take the sofa I don't mind at all." I say trying to come up with a solution.
"No, it's okay I can." Natasha instantly tries to shut me down
"Honestly I'll sleep there it's fine." I repeat
"Look uhm, you don't have to but to save ourselves a very polite argument do you wanna just share it. I mean it's a double so..?" She nervously asked
"Yeah sure I mean, if your up for it?" I half mumble
"I'm the one who suggested it dummy of course i'm up for it."
I chuckle at her response and put down my bags by the bed. If I was being honest with myself I couldn't help the butterflies that formed when thinking about sharing a bed with her. Goddamnit, she's my superior I can't be thinking like this.
Natasha POV:
I brush my teeth and get changed in the bathroom whilst y/n orders room service. When I walk out she was getting changed so she only had a bra and pyjama trousers on.
"Oh.., oh! I'm so sorry!"
No sorry it's my fault I should've told you I was changing."
"It's fine, I mean we're both girls right? Nothing we haven't seen before."
"Yeah, yeah you're right, both girls."
"Never seen a girl with abs like that though."
The blush spread on her face faster than a forrest fire. She was flustered and I took great pride in knowing I did that. I made my way to the kitchen so I'd be ready for room service when it came.
Three knocks at the door alerted me that the food was here. I thanked the staff and put the food on the counter.
"Hey y/n tea's here!" I yelled to her. (It depends where your from but tea is just how we say evening meal, like dinner)
"Thank god, i'm starving." She gave me bright smile before plating everything up.
We sit on the sofa with our food and watch whatever trashy TV shows are on. We laugh at parts of it and it gives me butterflies, her laugh has quickly become my favourite sound. It's just so beautiful and care free, it also means she's happy which makes me happy. I'm snapped out of my thoughts when I hear her softly say.
"Hey you okay? Lost you for a second there."
“Yeah, oh um, yeah I'm fine just thinking."
“About what? You were very focused."
"Nothing don't worry about it. Anyway, it's late we should go to bed."
"Your right I'll take the plates into the kitchen."
While she was doing that I went to the bedroom and set up the bed. I was laying down when she came in, she tentatively lowered herself o to the bed and layer down facing me.
"You sure it was nothing?"
"It wasn't really nothing and I'm about to talk a lot and I don't want you to talk till I'm done okay?" I respond with a hesitancy in my tone.
"Go for it." she says.
"I like you, like really like you. I know it's wrong because I'm your superior and your not even out the academy yet but I'm 25 and your what like, 20, 21 give or take so it's not like it's weird. Also can you blame me? You're perfect. Everything about you is perfect. Even though we only just met I can't help falling for you y/n. I'm sorry if I've just ruined the friendship we built today but I really needed to get that off my chest."
I look her deep in the eyes for any kind of reaction to what I just said. After a couple seconds of processing she smiled at me. Probably the biggest smile i've ever seen her have. She still hasn't said anything so I speak up. "Well?"
She doesn't answer me, instead she gently grabs my face and kisses me softly. Our lips dance against one another as second nature. Once air becomes a problem we release from each other's grasp.
"I like you too, if that wasn't already clear."
She giggled like a school girl when I grabbed her waist and started peppering kisses all over her face. She stopped and snuggled closer to me and buried her head in my chest.
"This woman is the one for me" I thought to myself as I held her safe in my arms. Although I really wasn't looking forward to this mission now.
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thankskenpenders · 6 months
Text
Sonic Superstars!
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Superstars is out! And guess what? It's good! It's a worthy new entry in the series, and I mostly like it. Mostly. Except for the handful of parts I don't. As usual, allow me to share my thoughts.
(For the record, I got the PS5 version of Superstars. I can't speak for how it plays on older hardware like the Switch, or how the weird Steam version that seems to make you log in with Epic runs. But I encountered zero performance issues, personally.)
General thoughts
The thing is, aside from two notable flaws I'll discuss in greater detail below, I can sum up my feelings on most of Superstars quickly. You see, it's... a Sonic game. This will either be a blessing or a curse depending on who you ask. It's not a bold new take on the series that'll blow you away, but they also didn't fuck it up. There's no catch this time! There's something refreshing about that straightforwardness, given how rare it is to get a regular-ass New Sonic Game from Sega. It's just a new classic-style game where you can play as Amy, set on a new island with all new zones, and Fang is in it! This might be damning with faint praise, but that's what it says on the tin, and they did a good job overall.
(It also has co-op. That's nice. I didn't play it in co-op.)
It plays exactly how it should. At no point did anything feel Wrong. The graphics might not have the absolute highest fidelity, but I think the character models look really nice, and the levels look appropriately good with vibrant color palettes. A couple zones like Sky Temple gave me Klonoa vibes, which I like. One zone is an absolutely incredible homage that I won't spoil. The story here is minimal (as expected), but there are a few good moments of telling the story through the gameplay, particularly one very cute sequence with Trip. I did find a couple stage gimmicks moderately annoying (Speed Jungle 2 and Press Factory 2, looking at you), but like... I could say the same thing about Mania, and also damn near every other Sonic game ever made. There's always That One Level. Superstars may not raise the series to new heights, but it generally executes well on the standard beats of the series. It's an easy recommendation for all fans of 2D Sonic.
Really, aside from the two big flaws (we'll get to them), this game's greatest crimes are simply not being quite as good as Mania, and also coming out the same week as the more creative and polished Super Mario Bros. Wonder. If we hadn't gotten Mania, I would easily be calling this my favorite 2D Sonic game since... what, the Advance trilogy 20 years ago? I like the Rush games, but if you asked me to replay one or the other, I might have a better time with Superstars. And, yes, it beats the hell out of Sonic 4. It's not even close. Anyone who says this game is exactly like Sonic 4 is just being a hater.
...I guess I would say that $60 is a bit steep for this, but you know it'll be on sale for a more appropriate $30-$40 in a few months. This isn't a Nintendo game we're talking about here.
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Nice little tweaks
Superstars also features a number of welcome quality-of-life updates over Mania, bringing it more in line with the design ethos of modern platformers.
You have infinite lives! No more getting a game over on the final boss and having to redo the whole final zone - or, god forbid, the entire game
Time overs are gone! It'll warn you before you go over ten minutes, but I have no idea why because it doesn't kill you anymore
The game features a hub from which you can easily replay previous levels, rather than needing to beat the game or put in a cheat code to unlock the level select
This means you can easily go back and hunt for any special stage rings you missed. However, as a tradeoff, it seems like you can only get one Emerald per zone now, rather than being able to get Super Sonic by the end of the first or second zone
You can swap characters between levels! No more having to start a whole 'nother save file to play as Tails
And those characters even have optional little movement tutorial rooms available from the hub, which is great for new players who may not know about things like the Drop Dash
And, finally, checkpoints now feature arrows pointing in the direction you were supposed to be going, in case you forget upon respawning
Of course, while you might not be getting game overs, Superstars certainly compensated with some bosses that kicked my ass.
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Bosses
Here's what I would consider notable flaw #1.
I have mixed feelings on the bosses in Superstars. I don't think many of them are poorly designed - in fact, a lot of them are good, and offer fun moments of spectacle. But for a 2D Sonic game, they're REALLY long and drawn out, and by the late game this was starting to get draining.
Bosses tend to be the type where you have to dodge their attack patterns for a while until you get the chance to hit them exactly once, MAYBE twice. A few bosses seem to have quicker options if you abuse your post-hit invulnerability or play as a character with a double jump, but many will either be completely invincible or run away to the background for long periods of time, making it impossible to damage them outside of the allotted windows. And even if it seems like you'll be able to get in a second hit, many bosses turn invincible and skip ahead to the next attack pattern as soon as they take the first hit. Again, most of these fights aren't BAD, but because of this behavior they sometimes take almost as long to beat as the entire levels preceding them. This didn't bother me much early in the game, but against the more challenging bosses towards the end that kept killing me several minutes into a long fight, it got tiring. The final boss of Story Mode probably took me like an hour.
While this certainly isn't an uncommon style of boss design, part of me suspects they did this for the sake of co-op players. For one, playing in co-op means that you don't necessarily have to start the entire fight over if one person dies, so I assume the length is less of an issue. But in particular, true classic-style Sonic bosses that you can just hit repeatedly with good timing would go down in a few seconds against a team of four players. Likewise, the swarm of clones from the "Avatar" Emerald power would probably obliterate every Genesis era boss with one button press. So I get why every boss needs all these invulnerability periods, but still. I at least wish they'd made some of those attack patterns shorter and given you more frequent opportunities to deal damage.
Emeralds and their powers
Speaking of the new Chaos Emerald powers: they're neat, I guess? They're fine. I didn't use them much. Actually, I kept forgetting I even had them - although the game will play a noise and show an icon in the corner of the screen to remind you any time you reach a spot where a specific power is useful. Avatar, the first power you get, is at least good for getting a couple free hits in on the trickier bosses. Yellow's ability to slow time is obviously good, but, again, I always forgot I even had it and made it through just fine without it. I was also pleased to realize that the swimming power is useful for the water levels and not just for climbing up waterfalls.
Oh, and the new grappling-based special stages kind of suck, but they're not the worst, and I'll at least give them credit for trying something new. (Motion Sickness Zone from Sonic 1 does return as a bonus minigame, but I only did it once lmao.)
Battle Mode
I haven't played Battle Mode. Couldn't tell you if it's good or not. It did, however, give us official designs for Metal Tails and Metal Amy after all these years, and also it let me make this:
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...Okay, enough beating around the bush. Let's talk about the thing that REALLY drags down the experience.
The soundtrack...
(This lengthy section on the music will feature some light spoilers for things like zone names and themes.)
Now, don't get me wrong. There are some bangers in here that I've been listening to on loop. But this is one of the most inconsistent soundtracks I've ever heard, and I'm not sure I've ever played another game where the music has such a sharp dip in quality in the back half.
As anyone following this blog knows, prior to release I was a little obsessed with trying to gauge what the soundtrack would be like. "Jun Senoue" and "new Classic Sonic game" naturally evokes the memory of Sonic 4, but from the start we knew Tee Lopes was involved as well, and almost all of the music previewed before released leans more towards the sound of Sonic Mania than anything else. I was hopeful! I was excited! Jun deserved another chance at doing another classic Sonic OST, and Tee is one of my favorite game composers of all time between his Sonic material and other works like the TMNT: Shredder's Revenge OST. I frequently thought back to this Sonic 4 remix medley by Jun and Tee as a reminder that these two could really be the dream team, bringing out the best in each other's work.
Sure enough, the front half of the game is largely dominated by the Mania sound, whether it's a track by Tee himself or one by an in-house Sega artist that's compatible with his style. Pinball Carnival Act 1 by Rintaro Soma (an up-and-coming composer who wrote a bunch of the Cyber Space themes in Frontiers) takes obvious inspiration from Mania's Studiopolis Act 1, to the point that I was shocked when Sega posted the track and revealed it wasn't written by Tee. Act 2, however, forges more of its own sound by leaning into the act's spooky haunted carnival theme. And despite being the music lead, the only level theme that I know for sure was written by Senoue in the front half of the game (Bridge Island Act 1) was actually arranged by Tee Lopes to give it more of that Mania sound. Hell, the level clear jingle is literally just the one from Mania. A few level themes by other composers don't quite match that style, but they fit in well enough.
But there are early signs that this sound won't be consistent throughout the game. Our first warning of things to come is the boss music:
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When early copies started floating around and the soundtrack leaked, many, many people hoped that this was merely a placeholder, like the literal Sonic 4 Episode II music used in the earliest previews of Speed Jungle, and that it'd get replaced with a day one patch. Oh, those poor, innocent fools...
Even if you don't mind the poor production with the returning Sonic 4 faux-Genesis sound, this is a very simplistic thirteen second snippet of music that then plays a second time in a higher key before it loops. This wouldn't be the end of the world if the bosses were as short as the ones in the Genesis games, of course, but they're not! This theme is used for a ton of lengthy fights throughout the game, including an EXTREMELY long and tedious autoscroller boss at the end of Golden Capital Act 2. Maybe I would've enjoyed the bosses in this game more if they were paired with some earworms that'd get me hyped up and sell how cool and exciting the fights are supposed to be, but grating songs like this just made the minutes spent fighting those bosses feel like an eternity.
Still, boss music (and menu music) aside, all of the level themes in the front half of the game ranged from decent to great, with the peak easily being the phenomenal Lagoon City Act 2 by Tee Lopes. And then... I got to the back half of the game. And the Mania style completely disappeared, replaced largely with the dreaded Sonic 4 sound. That isn't the style for EVERY song in the back half, but even the ones that try something different tend to be weaker than the material from the first six zones, with less engaging melodies and less intricate arrangement. Many sound straight up unfinished, leaning on extremely basic synth patches with no personality. And there isn't a single track from Tee in the back half. He just disappears from the project altogether.
What this means is that we go from this absolute banger by Tee Lopes in zone 6, which elevates what's otherwise a bog standard desert level to a thrilling adventure:
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To... this, in zone 7:
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It's EXTREMELY jarring!
The thing is, this is actually one of the better tracks in this style. I have to assume this is by Senoue, because you can totally hear a good Adventure or Heroes era Senoue track in there once you get past the crude synth replication of the Genesis era Sonic sound. Senoue is still a great composer, as you can hear clear as day with Bridge Island, but he's working with a restrictive sound palette that doesn't play to his strengths at all. If only he'd bust out that damn guitar, or at least pick some better synths.
(And no matter what people will tell you, no, this is not an accurate recreation of what the Genesis's YM2612 chip really sounded like, nor is it representative of what it CAN sound like at its best. Go back to the Streets of Rage 2 or Ristar soundtracks if you need a reminder.)
While I can at least see what the Press Factory tracks were aiming for, some other faux-FM synth tracks are just really bland. They don't have anything interesting going on, and they also don't seem particularly tailor made for the levels they accompany. They're just attempts to mimic what Sonic 1-3 sounded like on a very literal level. Take, for instance, the Golden Capital Act 1 theme, AKA "we've got Sky Sanctuary at home." While the better level themes in this game enhance the mood or even completely carry the vibes of a level, the weaker tracks can really suck all the air out of the room and make a level feel like more of a slog.
What kills me is that there are, in fact, a couple examples of how to do throwbacks to classic Sega FM synth music well on this very soundtrack! They're just not the Sonic 4 type tracks. I love the Frozen Base Act 2 theme, presumably composed by legendary Sega composer Hiroshi "HIRO" Kawaguchi, who's responsible for all-time classic arcade soundtracks like Fantasy Zone, Out Run, Hang-On, After Burner, and more, as well as the hacking and pinball themes from Frontiers. Maybe to an untrained ear this doesn't sound all that different, but it has a catchier tune, better instruments, and stronger production overall. I'm also a fan of the track for Sky Temple, which isn't perfect, but it blends a few Genesis-esque instruments like the Sonic 1+2 snare with other instruments for a richer sound. If the whole soundtrack sounded more like these examples, I'd definitely be complaining less.
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I really just have to wonder... how did this happen? How did this end up being so inconsistent? Many fans on social media are jumping to the conclusion that Senoue is just extremely stubborn and refuses to ditch the style from Sonic 4. I can't deny this possibility, but some things just don't add up. The almost complete lack of "retro" style music in the promotional material. The fact that the style just suddenly shifts halfway through the game, then disappears for the final zone, as if that's not the note they want to end on. The complete lack of any tracks by Tee Lopes in the back half. The focus on the Mania-style tracks in the bonus "mini soundtrack." And most perplexing of all, the fact that three of the first tracks you hear in the game were Senoue compositions that were given extra attention with arrangements from Tee Lopes.
This is pure speculation on my part, but it almost seems like they straight up ran out of time.
Perhaps Jun wanted more of his tracks to get full arrangements from Tee, or for Tee to contribute more songs, but things were down to the wire and they chose to leave in some of the raw Sonic 4 style demos. The soundtrack being crunched out in a matter of months at the end of development would certainly explain why Speed Jungle had to be demoed without its music a mere four months ago. It'd also explain why a game that's only a few hours long needs NINETEEN composers listed in the credits. And also the fact that multiple zones just have completely different, unrelated music by different artists across their acts. Did they need multiple artists working on different acts simultaneously, completely independent from each other with no time to cross reference each others' work, due to extreme time constraints? I'd buy it.
Ah well. It's not the end of the world. I've heard worse Sonic music. But I'll always think of what could have been...
At least the final battle with Eggman at the end of Story Mode has a pretty kickass boss theme, which ALMOST makes up for how bad most of the preceding boss music is (and the fact that that very difficult fight doesn't have a checkpoint between phases and took me like an hour to beat lmao). It even seems like it might be written by longtime Phantasy Star Online composer and recurring Sonic contributor Hideaki Kobayashi. That's the guy who wrote NONAGRESSION!!!!!!!
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The postgame
Speaking of beating Eggman! It turns out Superstars has a good deal of postgame content, as merely beating the last zone with all the Chaos Emeralds doesn't take you to the true final boss. In order to do that, you'll need to do something else.
Before we hit the big spoiler warning, I'm going to give any future players who are still reading a warning. If you value your sanity... don't force yourself to do all the postgame stuff. Don't make the mistakes I did. It's not worth it, and it may very well knock your personal score for the game down a couple points.
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SPOILERS FOR THE STORY, UNLOCKABLES, AND THE POSTGAME BELOW THIS POINT
YOU'VE BEEN WARNED
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The bonus scenario
Sonic Superstars has a big surprise in store for anyone who beats the main story. For the first time since... what, Silver? In 2006? We finally have a brand new playable character in a new Sonic platformer! (I wouldn't count the player avatar in Forces as a full-fledged New Character.) Yes, after the credits roll, you unlock Trip as the super-secret fifth playable character. I was really excited to see this. Trip is cute, even if her masked appearance from early in the game is perhaps a more unique design than a Sonic-ified lizard girl who can only vaguely look like a real sungazer lizard. She IS the first new Sonic character Ohshima has designed since the '90s, though, so she gets points for that - and she gets even more points for literally turning into a dragon when she goes Super. We love a girl who can turn into a dragon, don't we folks? And her playstyle is fun, too, with a double jump and the ability to roll along walls and ceilings.
But Trip isn't just playable. Like Knuckles before her, she gets an entire alternate story mode of her own, which somewhat remixes the level layouts, generally makes things more challenging, and swaps out Eggman for Egg Robo. I was so excited to see this! It really felt like the game had so much more in store for me than I'd anticipated.
...Then I spent probably around three hours attempting to beat the new final battle with Fang at the end of Trip's Story. And it made me regret doing Trip's Story at all.
Once you learn the patterns, a lot of them are actually piss easy. But the difficulty comes down to a few misguided factors:
The fight is LOOOONG. On a successful attempt the whole thing will probably take the average player about, like... seven or eight minutes? Maybe longer? This is where I really started to get pissed at the game for making me wait through these stupid attack patterns before I could attempt to hit the boss once.
The fight is divided between two phases, one with Fang in a vehicle and another with him in a giant robot, with no checkpoint between them. Dying to one of Fang's bullshit attacks on the second phase means having to redo the ~5 minute first phase all over again. And, worst of all...
Fang has multiple projectile attacks that are guaranteed instant kills, even if you have rings.
Also there's a stupid desperation headbutt attack that can really easily catch you off guard and kill you, but I only got that far in the fight once.
It's the instant kills that got me. If those fucking immobilizing net attacks just made you drop your rings, or you could at least wiggle out of them by mashing buttons (EDIT: apparently you CAN do this but you literally have to button mash so rapidly that it's a crapshoot whether or not you'll physically be able to do it), it would have been totally doable! Kinda fun, even! Slow, but pretty cool in terms of spectacle. But nope! Three hours! Three hours on this! This is, without a doubt, the hardest boss I have ever faced in any Sonic game, period, and one of the hardest bosses I've ever seen in ANY game. All because of one attack pattern where making a tiny mistake means starting over.
The glitches didn't help, either. Something about the way the circular boss arena was set up in both stories' final battles seems to make the floor intangible sometimes for non-player objects. Occasionally my dropped rings, enemies I was supposed to knock towards Fang, or one of Fang's insta-kill projectiles would just fall through the floor randomly. This definitely wasn't my main problem, but it helped drive home the idea that this fight just wasn't worth my time.
After three hours of attempts, I gave up. I just went and looked up the ending of Trip's story, as well as the contents of the Final Story, on YouTube. Turns out I made the right call, because boy, that true final boss looks like dogshit. It's just a very dull fight against a big generic cartoon dragon. Apparently this is the thing Eggman was looking for. It appears and is defeated with little fanfare. I think I liked it better when I assumed the scary dragon being foreshadowed was just Super Trip.
...Also, hey, what's up with The End being very conspicuously visible in the background of the last zone?? I know it's just a cheeky cameo, but, like... isn't it supposed to be sealed away in Cyber Space right now? Should I be taking this literally? Does this have lore implications? This is one hell of a way to remind people that the timeline's been reunified, I guess
Closing thoughts
I really hate to part ways with Superstars on a sour note like this, because like I said up top, I mostly enjoyed my time with it! It's really just a small handful of particularly frustrating bosses and the inconsistent soundtrack that drag it down. Other than that, it's solid as a rock. Maybe wait for sales if you're not dying to play it, but it's definitely worth playing for any Sonic fan. Just... skip the true ending. I would have stepped away MUCH happier with this game if I'd done that.
I wanna try to end this on a more positive note but I'm tired, so, uhhhh... look, you can unlock a Metal Nights skin for your Battle Mode bot!!
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Anyway back to jamming to about half the soundtrack on loop while pretending the other half doesn't exist, and looking forward to the continued Fang Renaissance with his upcoming IDW miniseries
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spaceoperajay · 1 year
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Maxwell: Did he get worse?
Going to analyze Maxwell’s motivation in the short and then speculate on some fun ways for the plot to go.
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Short starts with Maxwell hating his life and then Charlie tripping him and making him look at one of his many statues. She really wants his ego torn to shreds.
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(from Charlie’s comments in various character speech files. No longer in game.) Maxwell’s got some complex feelings around the statues. At first when fresh off the throne he admires his statues
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But they change when he’s with the others. He’s been humbled. And in the short his reaction is complex but remorseful. Maxwell seems to regret his old ways and ego.
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And the flashbacks in the short don’t show Maxwell thinking about how great that power was for him. He is clearly regretting it and realizing the toll it took on him. I’m pretty sure the flashback is from a Maxwell POV not a Charlie one- we see several moments that only Maxwell could know about. This is a man who has seen the error of his ways.
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And when it’s come to Charlie, he’s always known what he did was wrong. He knew then too, but he was simply just a guy in way over his head. He hated that he scared her and probably thought he was protecting her with his lies.
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But, on the other hand he has come to rely on shadow magic.
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It’s how he stays alive and it’s how he stays useful in a large group of people who have very good reason to resent him. The thing that ruined his life is now the only thing keeping him afloat. It is a big question of how much of an option he has to use it. His attitude towards magic has changed somewhat too.
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He goes from frustration about his “form” to a simple helpful comment of it’s use, really showing his new view of magic as a tool.
If he’s regretful over what happened to Queen Charlie and his use of magic, is he regretful of what he’s done to the survivors? That’s somewhat more complex. In the short (and others) we can see everyone care for Maxwell, even Woby.
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The character who he has arguably wrong the most, Warly, will be on good terms with a Maxwell who contributes to the camp.
It’s clear Maxwell has made amends with the other survivors, but does he mean it? Would he sell them all to Charlie?
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He at the very least sees himself as owing a favor to Wilson, who he also seems to have some Vitriolic Best Buds relationship with from their quotes. However he doesn’t express regret to any of the survivors. I doubt he knows how, with how his inability to be honest with Charlie hurt him. And how do you say sorry for ruining people’s lives like he did? However even if he were to betray the others to Charlie I don’t think that is him becoming more selfish or forgetting bonds with the survivors he has made.
I think rather him doing whatever he can do to save Charlie from Them is a great character arc for him.
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The short is deceiving in that we are shown how Queen Charlie means to trick him. Catch him while he’s depressed and vulnerable, wound him physically, wound him emotionally by reminding him of his former grandeur with his statues.Then remind him how good the two of them used to have it. And for the final killing blow, offer him power mimicking what he used to have.
But these aren’t what Maxwell wants.  Queen Charlie however is so blinded by rage and pain that that is all she thinks he is capable of.
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Queen Charlie has told him what she thinks of him from her play, blinded by Them just like he was on the throne. She can’t even remember what actually happened. She just hates and hates. She thinks all Maxwell wants is power, which is just wrong. He doesn’t want the statues and he doesn’t want uncontrollable magic. What he wants is to undo what he did to Charlie, in whatever form it is possible.
He can see through how she set him up for their deal too. Make them weak then offer a solution they can’t refuse? That’s Maxwell’s whole gimmick! But Maxwell can’t refuse this, this is his only way to get close enough to Queen Charlie to save Charlie, maybe.
Is Maxwell going to attempt to betray everyone? Sure, but it’s not going to be because he is slipping back to his old ways, it will be because he’s trying to undo his worst crime. 
I speculate he will be stopped by Wilson and the affection he holds for the man under the guise of “a debt”. It’ll be the community and bonds he has made that make he realize he doesn’t have to save Charlie alone.
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jodithann827 · 11 days
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He Said What?!?
Rated: General / Posted on Ao3 / @today-in-fic
Summary: What would happen if he heard something he wasn’t supposed to?
Huntsville, Alabama
December 18th, 1998
Motel 6
The slow and steady hum of the radiator vibrates across the cramped confines of the not quite dingy, but not quite pristine motel room. The sun, having set hours before and taking what little warmth the day offered with it, left the room dark, save for the two beside lights and the standard desk lamp which emits a soft glow. The sound of water gargling flows through the closed bathroom door while Assistant Director Walter Skinner sits on one bed, waiting to wash the stink of the day off. Shaking his head slowly, he thinks back to the previous morning. His commute had been a breeze, his secretary was finally back after a detestable stomach flu had held her captive the week before, the Director of the Bureau was in a relatively good mood, and all of the agents under his watch were performing as needed. Yes, it had been the perfect start to the day. Perfect until Fox Mulder barreled into his office (he really needs to put a stop to that) spouting off about alien abductions and mysterious disappearances. The day went so well until 9:48. Why he entertained Mulder’s crazy ideas is beyond his comprehension. Well, that’s not entirely true. As strange as Muder is, Skinner genuinely likes him—not that he would ever divulge that tidbit of information—and, crazy or not, Mulder has proven himself to be an exceptional agent.
As Mulder spouted and Skinner listened, removing his glasses ever so slowly and rubbing his temples at the thought of the impending headache, he thought back to the previous weeks. Weeks in which Mulder killed a man and faked his death, only to reemerge and blow one giant metaphorical hole right in the center of a government conspiracy. That’s not to mention the almost-death and then amazing recovery of Agent Scully, which Skinner still isn’t sure he understands. He’s just thankful that Agent Scully is at home recovering, and will be ready to get back to work in a matter of weeks. Unfortunately, he knew he wouldn’t have the same luck taming the beast that is Fox Mulder as Scully would.
When Mulder finally got to the point and asked Skinner to sign off on the 302, Skinner could hear Scully in the back of his head. Don’t let him go, Sir. He shouldn’t go alone, Skinner. You know what’s going to happen if I’m not there. He found himself nodding at her words, though Mulder mistook his nodding as permission granted. He profusely thanked him and, with the look of a kid on Christmas morning, mentioned something about booking the first flight out and going home to pack before Skinner realized what had transpired. So, out of respect for Agent Scully and a concern for Agent Mulder, that’s what brought him to Huntsville; a crazy X-file with an even crazier agent. Of course, Mulder’d booked the trip so quickly that the only vacant motel in the area had one room, which is how Skinner finds himself with a roommate.
The bathroom door opens, tugging Skinner from his thoughts. Mulder walks out, thankfully dressed in plaid pajama pants and an old shirt, as puffs of steam follow him.
“Bathroom’s free,” he announces, striding over to the black duffle bag placed haphazardly on the side table chair. He rummages around for a minute, then steps back and falls onto his motel bed.
“You know I could have handled this one on my own, Sir,” Mulder insists, as he had the whole plane ride to Alabama, the car ride to the local station, and again on the way to the motel. Skinner glances in his direction and makes a weak attempt to raise his eyebrow like Scully does, which Mulder of course doesn’t notice..
“Two days, Mulder. I’ll give you two days,” Skinner responds, once again shaking his head, as he gets up and departs for the bathroom.
***
Later, as they lay in their beds, not quite ready for sleep, Skinner looks up at the pale white ceiling of the motel room and sighs. “I know you could have handled this on your own, Mulder,” he admits. Even though it’s dark and he isn’t looking in his direction, he knows Mulder is smiling.
“You promised Scully you’d go with me,” Mulder half asks, half states. Skinner chuckles, or at least as much of a chuckle as he’s willing to emit in front of an agent. “I understand, sir,” Mulder assures him. “I know she worries when she can’t be there to have my back. I know I sometimes make rash decisions…” he pauses when Skinner huffs. “Okay, maybe a lot of the time. Thank you, sir, for being willing to come with me instead of denying the case. I appreciate it, and I know Scully does as well.”
“How’s she doing?” Skinner asks, carefully, as he doesn’t like to speak of agents who aren’t present.
He’s been concerned about her since her remission. She called him a week and a half after her discharge, indicating she was fine and ready to be back at work. Skinner had to bite his tongue from saying something he would regret, like Have you completely lost your mind, and then told her in no uncertain terms that she is not to grace the doors of the Hoover building for at least another four weeks, and only then with a doctor's note. She’s still so weak, physically. Even when she returns, he knows she won’t be ready to be in the field right away. He makes a mental note to check for any upcoming conferences he can send them to upon her return, maybe ease her back into work.
“She’s getting stronger every day. I’m pretty sure she kicked her sweet and well-meaning mother out of her house by the second week of her recovery,” Mulder laughs.
Skinner is amazed and wonders how the agents accomplish anything, being two of the most stubborn individuals he has ever had the pleasure of meeting.
“That’s good,” he tells him, then adds, “It’ll be good to have her back. Well, goodnight, Agent Mulder.”
“Goodnight, sir.”
***
Hours later, Skinner awakens to a sound. Unable to identify it at first, he lies motionless, straining his ears. He hears it again. After a few moments, he realizes it’s Mulder, whimpering in his sleep. Recognizing the agent is dreaming and they aren’t in imminent danger, he rolls to his side and tries to go back to sleep. As he’s about to doze off, Mulder’s whimpers become more frenzied.
“Please, no,” Skinner hears from the next bed. He raises his head a bit, checking to see if Mulder has woken up, but the man’s closed eyes and pained expression assures Skinner that he is very much asleep. Unsure of how much longer Mulder’s dream will go on, Skinner attempts to sleep, but is incapable.
“No… can’t. Please… understand,” whines Mulder. Skinner wonders what is going on in that brain of his. He’s using a voice Skinner has never heard. He sounds scared, young, unsure.
“Mm lost,” Mulder continues, and Skinner hears a hitch in his voice. He wonders if Mulder will start crying in his sleep. Maybe he’s dreaming about his sister.
“Without you,” Mulder states.
Nope, Skinner immediately knows who Mulder is thinking about, and he longs for sleep. Of course, he’s suspected it for years. But without evidence, he never wanted to make a big deal out of it. He knows there are tons of wagers and bets floating around the bureau regarding the status of Mulder and Scully’s relationship, but he usually doesn’t pay too much attention to those things.
“Need you,” Mulder's voice pulls Skinner from his thoughts. “Best friend… No die. No happen”.
Skinner realizes Mulder is thinking back to the cancer. He wants to wake him, tell him it’s all okay; Scully is fine and she’s not going anywhere. But he also doesn’t want to startle him or cause him any embarrassment, though there isn’t anything to be embarrassed about, at least not yet.
“Promise me,” he mumbles, followed by a string of gibberish from Mulder’s dream-induced mouth. “Scully… please…love you… me.” Skinner prays sleep takes him that very instant. He knows more than he needs to, more than he should. Apparently, something in Mulder’s dream has calmed him, which Skinner doesn’t care to know, nor does he want to speculate. He realizes Mulder’s breathing has evened out and he is slumbering once more.
Unfortunately, Skinner is now wide awake and can’t get his agents out of his mind. Now that he knows, even though he tells himself there really isn’t anything to know, he quickly decides not to do anything about it. Fox Mulder and Dana Scully, as much of a pain in the ass as they—well, he— can be, are his best agents and their dynamic is something not to be messed with. He rolls over again, imploring that he’ll forget every word by morning, but knowing the sounds are burned into his brain forever.
***
Skinner wakes the next morning, wishing and hoping it was a dream, but upon seeing Mulder exit the bathroom, dressed in his suit and ready for the day, he knows it was anything but.
“How did you sleep, sir?” asks Mulder, a look of complete innocence on his face.
“I never sleep as well on the road as I do at home,” Skinner replies, sitting up and stretching. The morning sun is attempting to peek through the drawn curtains. Well, now or never, Skinner thinks to himself. “Hey, Mulder,” he says, his voice strong, but slightly tentative, as if testing the waters. Mulder looks in his direction, eyebrows knit, waiting for him to speak. Oh to hell with it, he thinks. “Mulder, did you know you talk in your sleep?”
Mulder’s eyebrows reach so high they almost touch the top of his forehead as his eyes bulge from their sockets. I’ll take that as a no, Skinner muses. Mulder stares at his boss for a minute, and Skinner almost feels sorry for him seeing the terrified look of pure dread adorning his face.
“What did I, uh… did I say anything, uh…” he fumbles over his words, trying to find the right ones to ask.
Skinner smiles slightly and decides that as much fun as this could be, he’ll go easy on Mulder, just this once. “You said a few words and mumbled a bit. I’m surprised no one has mentioned it to you before. I just thought you should know.”
Lifting himself from the bed, he staggers toward the bathroom to get ready for whatever this ridiculous day has in store for him. He turns slightly to look at the younger man. They’re idiots, these agents of his, but they’re his idiots, and for now, Mulder's secret is safe with him. He’ll be ready whenever Mulder feels free enough to talk about it.
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ncis-onyoursixboss · 1 year
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Gibbs and you have an argument
Summery: You are tired of gibbs coming home at 12:00 and jusy going downstairs to work on his boat, so you mention it and when he starts to deny, you blow up a little. What you did not expect was for the words he said to fly out of his mouth.
Being the wife of gibbs ment that you sometimes had to wait an additional 3-4 hours for your loving husband to get home. Even then, sometimes he would sit in the basement for hours at a time, only coming up to get dinner when you forced him too. Still, you composed yourself and delt with those nights, always willing to tell him that you married ALL of him, even his flaws. However, this past month was different. The entire month he had been home super late, barely eating, working on that damn boat, and never even spoke to you. It got on your nerves. How could he ignore you for an entire month before realizing it? Thats why you tryed to find a way to slip it in before he evaporated, stuck working on the unfinished boat.
"Love, i know your busy but i need to talk with you." You said softly, gaining some confidence as he seemed to be better then yesterday.
"Not now (Name) im busy, you know this." He responded, just as cold as the few times he would respond to you as of late. He continued to move around, grabbing some things for his long trip downstairs.
"I know, i just wanna ask if maybe you could take a break? You have been overworking yourself, its dangerous." You continue explaining. "Besides, maybe some time with your wife would help relax-" but you were quickly cut off by an annoyed tone.
"So you just want attention?" He asked as he stops moving and stares at you. You let out a shallow breath and shook your head.
"N-no, well, kinda but thats not why i am worried. You have been this way for a month, you work till 12:00 and then come home, and go right downstairs, you only come up once and thats too get your plate to take back downstairs!" You start to get louder as you get angrier that he hasent noticed his own scheduale.
"Im trying to save lives! Are you questioning me?! My job is serious and cant be wasted eating dinner and playing family!" He shouts at you, face growing a shade of light red, showing how angry he really is. You stagger backwards, shocked he would blow-up in such a way towards you.
"What are you saying Jethro?" You ask, worried for your relationship.
"IF YOU CANT HANDLE ME, FILE FOR A DAMN DIVORCE! I CANT WASTE MY TIME WITH YOU!!" He screamed towards you. Loud enough for the whole block to hear. You shook lightly and felt your eyes gathering tears. Gibbs stared at you, almost like he was waiting.
"You want a divorce..?" You asked, so meakly, it almost broke him. He had realized what he said. He just told the love of his life, to leave. He pushed you away. He hurt you. He broke all his custom vows, in 2 sentinces. You turned around and sobbed your way back to your "Shared" bedroom.
If he really wanted you gone, you would leave. You would do anything to ensure his happiness. Even if it ment destroying you in the process.
You grabbed a duffel from inside your closet and put it ontop the bed. You walked back to the closet and grabbed clothes, stuffing then inside. You didint need much, just enough to stay with Dinozzo for the night. You and Tony had been close friends for years before he introduced gibbs to you. You knew he was alone tonight so you figured you would go there. If he couldent take you, you would to to a hotel or maybe abby's.
"What are you doing?" You heard from the doorframe behind you. You turned to see gibbs standing there, wide eyed and with his eyes watered up. You smiled softly while still crying.
"Im going somewhere else for the night, I should be back tommorow, if you still want the divorce by then, i'll file it ok?" You said. Thats when he broke. He started to cry and hugged you, not wanting to let go.
"P-please dont, im so sorry, im sorry, please, dont leave me, i didint mean what i said i swear." He stiffled through small sobs. His feelings were not what you expected.
"But you said-" however he cut you off by kissing you roughly and messily, the same slightly chapped lips in play.
"Im sorry, please stay, i'll take a break, ill get rid of the boat, just, stay." He begged. You nodded and he shoved the duffel off the bed before picking you up and placing you in. He turned out the lights, climbed in and spent the rest of the night holding you, being afraid if he let go, he might lose you forever.
"I love you, Jethro"
"I love you too"
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sailorsplatoon · 2 months
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I was supposed to be writing but instead I made a punctuation marks tierlist. Here's the link I used so we can all fight about this together.
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Reasons for rankings under cut
S-Tier:
Semicolon: The semicolon is an extremely underrated puncuation mark; it is versatile and attracts the readers attention.
Em dash: The em dash can be used similarly to the semicolon— but not in exactly the same manner— in that it can seperate different parts of a sentance while drawing the reader’s attention to whatever it is you are writing.
A-Tier:
Elpsis: A very versatile punciation mark that can be used to convey emotion such as confusion or anxiety, to show that part of a quote has been omitted, and yet again it grabs the reader’s attention... are you starting to see a theme here?
Exclamation point: A classic. It’s hard to go wrong with a puncuation mark that can convey so much emotion. Anger, stress, excitement, happiness, you name it!
Interrobang: Most people don’t actually know what this is called. It can also be written as !? or ?! and is used to convey both a question and an exlamation. How was I not taught this in school!?
B-Tier:
Question mark: It has it’s purpose and is certainly useful, but is slightly overused and can get boring at times. Readers tend to blow right past these, sometimes not even noticing that there was a question asked. It has it’s pros and cons. Can you really hate me for not loving it?
Colon: Useful, but kind of overused. Though, I’m a hypocrite because I’ve been using it through this whole list. (Do I really need an example if the enitre list is an example?)
Quotation marks: Amazing for writing diologue, I love this puncuation mark and I love to write dialogue. But it’s definitely one of the more common ones and can easily be sped past or forgotten entirely because of it. You might be thinking, “But if you love to write dialogue then why rank it so low?” My honest answer would be that I accidentally put it lower on the list, only noticed once I saved the file, and was too lazy to fix it. So now I’ve tried to come up with a valid reason for it to be in B-Tier.
C-Tier:
Comma: Way too overused, a semicolon or an em dash would have worked perfectly and would not have been anywhere near as repetitive.
Apostrophe: Useful for contactions and that’s about it. Not to mention the fact that contractions can be considered unprofessional in certain circumstances.
Brackets: Far inferior to parentheses (which were not on this list for some reason!?) because they can only really be used to explain part of a sentence that isn't present in a direct quotation.
D-Tier:
Heiphen: Be honest, when have you used a heiphen properly that would not have instead called for an en dash or an em dash? Heiphens are a good-for-nothing puncuation mark and I will not be apologizing. 
Slash: Only really useful when saying and/or.
Period: Overussed, basic, mid puncuation mark. I’ll admit that it’s necessary, but it’s basic af.
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em-writes-stuff · 5 months
Text
Fever
day one of @whumpcember
564 words
warnings: freezing to death, illness
~
Ok, first recorded non-birthed magician. Translated from ancient Agilomian to…several other languages, to well, you get it. Found buried in one of the books in Terilace’s library in the…cooking section. Whoever put it there must’ve seen the fire on the seal and stupidly assumed it was a recipe. 
Whatever. Here we go: 
Raz’s whole body shakes from the sick deep in her bones. She bundles the blankets around her tighter, hoping that they keep her warm. 
In front of her, the fire slowly dies, feasting on the last of the twigs and branches Raz had been able to find around the cavern. With effort, she scoots closer to the fire and gently blows on the embers, trying to coax a little more life out of them. 
She’s overtaken with a fit of coughing, effectively dousing the starved embers with phlegm. Their light dies and Raz sinks forward, her forehead resting where the fire had burned hottest. The heat from the stone beneath her feels cool compared to the heat in her, so she melts into it, closing her eyes with a sigh.  
The exhaustion takes over and Raz sleeps, inhaling the rising smoke from the snuffed out embers. It fills her lungs and makes it harder still to breathe, harder to stay alive. She fights, even in her sleep, Raz fights. Like she’s always done, like she’ll always do. 
Raz doesn’t wake up, she just suddenly is again. The stone beneath her is cold and the air in her lungs is hot when she breathes out. The ash that was on the ground is gone now and Raz can taste fire in the back of her throat. She inhales deeply, the sensation of her lungs expanding nearly knocking her over in pain. . 
The flesh under her chest heats and Raz grasps at her shirt, tearing it away from her skin. With her exhale, smoke comes from her mouth and nose, filling the cavern with haze. She coughs and more smoke comes out of her, burning her throat and mouth. 
She clasps her hand over her mouth and breathes in again, feeling the uncomfortable heat rising within herself again. She holds the breath in as long as she can, until the heat dies down and she breathes out, trying to control the smoke. 
Years later, Raz travels the countryside, looking for lost travelers like herself. They all know of her, the girl who died and came back with fire in her heart. She saves their lives so they don’t have to endure what she did, the feeling of her life leaving her and coming back something different. 
~
Yada, yada yada. 
Personally, I never liked the tale of the non-magician turned immortal fire being, no matter the context or how they spend their eternity, but to each their own. The scroll will be reshelved in the magic section and the audio recording will be filed according to the overly complicated system Ezran came up with. 
As for the story and how viable it is that Raz was really the first known immortal who wasn’t born with magic…it’s very unlikely. I suppose if the cave had been enchanted and the magic tied to it was…caring for her…it could’ve bonded with her as she inhaled the smoke and ash and binded with the lobes in her lungs…making it possible for her to breathe fire. Yeah. It’s a stretch. 
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sk1ttery · 9 months
Text
Wallflower AU Things :))
Set a few months prior to Graves’ accident.
“Kid, I’m gonna need to to tell me your name.” The police officer taps his pen against his clipboard, eyeing Hot-Shot.
Hot-Shot shifts in the uncomfortable plastic seat, sneakers squeaking against the lenoleum floors. He crosses his arms and huffs slightly, blowing his hair out of his eyes.
The cop purses his lips. “How old are you?”
Hot-Shot stares him down, adamant in not answering.
“Can you tell me the names of those boys you were with?”
Hot-Shot turns his gaze to the clock, pointedly avoiding eye contact.
Tick
Tick..
Tick…
There’s an irritated sigh. “Son, I can do this all day…”
Perfect. So can he.
“…Or you could make this easier for both of us and tell me who you robbed that store with.” He prompts, sounding more impatient by the minute.
An uncomfortable silence falls over them before the officer sighs heavily and pushes his glasses to the top of his head. Hot-Shot can see the indents on the his nose.
“Look, kid. You’re in here every other week and it’s always because the same boys screwed you over and left you behind. I know you have some code or- whatever you want to call it, but is that really worth your future? Why don’t you just tell me your name.”
“Shouldn’t it be in your files or some shit? Considering I’m here so much.”
“So you can talk.”
“Yeah. But why would I talk to a fuckin’ pig like you.”
There’s no way he’s ratting out his friends. His old man and mama taught him better than that.
Deny. Deny. Deny.
“Did you rob that store last night.” The cop ignores the insult.
“I don’t know. Did you see me rob it.”
The officer looks exhasperated and sits back, pinching this bridge of his nose and muttering what sounds like a prayer before standing up abruptly.
Hot-Shot flinches at the sudden movement.
“I’m not doing this. I can’t-“ He walks off, probably to find a co-worker or some shit.
Hot-Shot watches the cop talk to a coworker. They keep glancing over at him and whispering to each other. He turns his gaze to the officer’s desk, studying his belongings.
The station doors slide open and he looks around only to see a very irritated looking Graves walk in.
Oh, shit.
Graves marches past him, raising a hand in a ‘don’t’ motion before Hot-Shot can get a word out, as he approaches the officers and decends into a heated conversation.
He’ll never understand how Graves does it. He was sure he was fucked this time, but then Graves swoops in and saves his ass.
Again.
“…Graves-“ He starts to say after they’ve been sat in the car in silence for maybe ten minutes.
Graves lifts his head from where he’d been resting it against the steering wheel.
“You told me you were done with this shit, mate- I thought after you left home you’d leave them too.”
“It was just one job.” Hot-Shot mutters.
“You say that every time. ‘Just one job.’ ‘One more job.’ ‘This is the last one, Graves.’ It never is- The whole point of you leaving was to escape that shit. But you keep going back to those fucking low-life-“
“They’re my friends-“ Hot-Shot interrupts, turning to meet Graves’ gaze.
“I’m your friend. They’re gang members. There’s difference, Forest.”
“Is there??”
“Friends don’t leave friends behind.”
Hot-Shot shuts his mouth and turns his gaze away, slumping down in his seat. He refuses to admit Graves is right.
“Don’t start sulking because I’m right.”
“Fuck you, man.” He bites out.
“Why, for caring?” Graves sounds tired. Maybe Hot-Shot’s been pushing too much...
“Look.” Graves says eventually. “I- I know you think they’re your friends, Shot, but one of these days- Sooner or later, they’re going to leave you bleeding somewhere. And I know you know that, deep down.”
Hot-Shot doesn’t answer. Maybe he does know that. Those guys have never done anything for him or to help him. Despite how much he’s done for them. How much he’s risked. How he bends over backwards for them-
Graves reaches out and ruffles his hair but Hot-Shot ducks away. He’s not in the mood.
Graves retracts his hand. “Let’s just go home,” He mutters, starting the car.
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slvt4em1lyprenti2s · 10 months
Text
There’s only one bed
Originally posted on my Wattpad @MayaBishop_is_myWife
Natasha Romanoff x reader
Fluff
Word count: 1709 (Omg I didn't mean for it to be that long I'm so sorry!!)
Natasha's POV: Fury Just called me into his office to have a mission debriefing. Normally we'd have the brief with all the Avengers but, this is an undercover mission and let's just say majority of the team aren't very good at that. They blow their cover all the time and can't persuade people to save their lives. Ironic because that's exactly what it does on missions, save their life. 
I've been told I'm going with someone but a name hasn't been given yet. I hope it's not an Agent from the academy. They're all newbies so I'll have to hold their hand the whole mission because they're clueless. As I'm walking I bump into Wanda.
Wanda - "Oh hey, good luck on your mission!" Nat - "Thanks also, do you know who I'm going with? I mean like any details about them?" Wanda - "All I know is apparently she's very popular among her fellow students, and by that I mean, she's hot."  Nat - "Students?! Great, so she's from the academy?" Wanda - "Yeah but, Fury wouldn't send her with you if she couldn't handle it." Nat - "I guess your right but they can be really annoying needing to be walked through every single step of the mission." Wanda - "I guess you're right but, rumour has it, she's the best of the best. Your level even." Nat - "Ha, I've heard that one a hundred times before, no one's better than me c'mon Wands you know that."  Wanda - "Haha, yeaah I know Nat but just give her a chance?" Nat - "Fine, I will but, I got to get to Fury now, I'll see you around." Wanda - "Bye, good luck!"
We parted ways and I gave her a smile. I walked into Fury's office and was welcomed by the sight of a beautiful woman with wavy y/h/c and shining y/e/c eyes. I going to be honest Wanda wasn't lying, she's perfect. Oh my god, I can't be thinking about these things she's my mission partner! She was already sat down in a chair opposite Fury when I came in so I took the chair beside her.
Fury - "Thank you for both making the time to be here, as you know this is an undercover mission so, pack a bag that'll last at least 2 day and 2 nights. We can never predict what'll happen at these kind of events." Nat - "Speaking of, what event is it and why exactly are we going?" Fury - "Well I'm glad you asked. It's part organised by Darren McHugh, not a big name in any industry but filthy rich. Attending the party is Lauren Emerson, your target. All you need is information from her about a weapon Hydra is developing. Her father has every Hydra scientist and engineer in his pocket so, she'll know a lot. Now, she's interested in women which is why there is no men on this case with you. I need you y/n to seduce her and get intel while Natasha watches your 6 and looks for another possible target who, isn't confirmed to be there, but there's a good chance he will be. Y/N - "What's the other guys name?" Fury - "James Scott." Nat - "Is that all?" Fury - "Yes that's all. Here's your personal copies of the file and be ready at the quinjet in 30 minutes."
With that we both left but I couldn't help feel a pang of disappointment shoot through me at the thought of her flirting with other people. Damn I really need to snap out of this.
I got up to my room and pack my things. I also put in my red dress and black heels for the party and go to the quinjet. As I'm walking I see her already standing there. She catches me staring as I walk towards her and she extends her hand.
Y/N POV: 
I look over and see Agent Romanoff coming towards me, eyes trained directly at me. I offer my hand for her to shake and she does. Y/n - "Agent y/l/n, y/n y/l/n." Nat - "Natasha Romanoff."
With that we both boarded the ship, settled down and engaged in conversation. It was a long flight and we were going to have to spend the next 24-48 hours together so, may as well get to know each other. This conversation however turned into shamelessly flirting with each other constantly.
Time skip to when the ship lands and they get to the hotel (still reader pov):
We get the the hotel and Natasha asks for our reservation at the front desk. While she's doing that I take a minute to really take in this place because it's massive. There's a chandelier on the ceiling and art all over the walls. The architecture is beautiful and it has gold accents along every wall. It also smelt like vanilla, don't know why that's relevant but it smells nice. 
I hear a 'thank you' and 'enjoy your stay' so I assume that Nat has got the key so I begin walking to the lift (elevator). I step in and so does Natasha just a bit behind me. She presses the button to the 5th floor and we stand in a comfortable silence for the short 10 second ride. The doors open with a ding and we step out and go look for our room. Natasha takes the lead and goes straight to our door and opens it with the key card. 
Y/n - "Wow Shield really outdid themselves with this one ay?" Nat - "Yeah, they really did."
(This is already getting really long so instead of writing a description imma just put in a picture.)
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As we were walking around the both of us were quick to realise something. Nat - "There's only one bed." Y/n - "I was just thinking the same thing. I'll take the sofa (couch) I don't mind at all." Nat - "No, it's okay I can." Y/n - "Honestly I'll sleep there it's fine." Nat - "Look uhm, you don't have to but to save ourselves a very polite argument do you wanna just share it. I mean it's a double so..?" Y/n - "Yeah sure I mean, if your up for it?" Nat - "I'm the one who suggested it dummy of course i'm up for it."
I chuckle at her response and put down my bags by the bed. If I was being honest with myself I couldn't help the butterflies that formed when thinking about sharing a bed with her. Goddamnit, she's my superior I can't be thinking like this.
Natasha POV: I brush my teeth and get changed in the bathroom whilst y/n orders room service. When I walk out she was getting changed so she only had a bra and pyjama trousers on. 
Nat - "Oh.., oh! I'm so sorry!" Y/n - "No sorry it's my fault I should've told you I was changing." Nat - "It's fine, I mean we're both girls right? i thing we haven't seen before." Y/n - "Yeah, yeah you're right, both girls." Nat - "Never seen a girl with abs like that though."
The blush spread on her face faster than a forrest fire. She was flustered and I took great pride in knowing I did that. I made my way to the kitchen so I'd be ready for room service when it came.
Three knocks at the door alerted me that the food was here. I thanked the staff and put the food on the counter.  Nat - "Hey y/n tea's here!" (It depends where your from but tea is just how we say evening meal, like dinner) Y/n - "Thank god, i'm starving."
We sit on the sofa with our food and watch whatever trashy TV shows are on. We laugh at parts of it and it gives me butterflies, her laugh has quickly become my favourite sound. It's just so beautiful and care free, it also means she's happy which makes me happy. I'm snapped out of my thoughts when I hear her softly say.
Y/n - "Hey you okay? Lost you for a second there." Nat - "Yeah, oh um, yeah I'm fine just thinking." Y/n - "About what? You were very focused." Nat - "Nothing don't worry about it. Anyway, it's late we should go to bed."  Y/n - "Your right I'll take the plates into the kitchen."
While she was doing that I went to the bedroom and set up the bed. I was laying down when she came in, she tentatively lowered herself o to the bed and layer down facing me.
Y/n - "You sure it was nothing?" Nat - "It wasn't really nothing and I'm about to talk a lot and I don't want you to talk till I'm done okay?" Y/n - "Go for it." Nat - "I like you, like really like you. I know it's wrong because I'm your superior and your not even out the academy yet but I'm 25 and your what like, 20, 21 give or take so it's not like it's weird. Also can you blame me? You're perfect. Everything about you is perfect. Even though we only just met I can't help falling for you y/n. I'm sorry if I've just ruined the friendship we built today but I really needed to get that off my chest."
I look her deep in the eyes for any kind of reaction to what I just said. After a couple seconds of processing she smiled at me. Probably the biggest smile i've ever seen her have. She still hasn't said anything so I speak up.
Nat - "Well?"
She doesn't answer me, instead she gently grabs my face and kisses me softly. Our lips dance against one another as second nature. Once air becomes a problem we release from each other's grasp.
Y/n - "I like you too, if that wasn't already clear."
She giggled like a school girl when I grabbed her waist and started peppering kisses all over her face. She stopped and snuggled closer to me and buried her head in my chest.
"This woman is the one for me" I thought to myself as I held her safe in my arms. Although I really wasn't looking forward to this mission now.
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Note
You take requests right?
Could you maybe do something with Cliffcee? With Arcee topping?
(I'm sorry if i sound rude im just extremely thristy)
Anon I just want you to know that I love you. You don't sound rude at all and I, too, am thirsty for this ship. Dom top Arcee is an S-tier fantasy and her eager spike-hungry bottom Cliffjumper just makes it even better
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He looks so good bent over like that.
Knees tucked beneath his body on the berth, chassis down and neck craned to the side so his cheek rests against a pillow, optics trained on her. They're hazy and foggy with steam, frame overheating with charge. His thighs are spread, sloppy valve sending thick droplets of lubricant dribbling down his legs, pooling in little glowy puddles around his knees. His spike bobs and quivers with every shuddering ventilation.
"'Cee…" he finally breaks the silence, glossa poking out a little as he pants. "C'mon… 'nuff already-"
"Shut up," she swats his aft. "I'm enjoying the view."
He whines and grumbles but doesn't say anything else, twitching as another bead of lube slid out of him.
Arcee continues to watch. His valve is so beautiful, swollen up from far too much stimulation, wet and wide open and ready just for her. Whenever she decides to claim her prize. Not yet. She takes a silent holocap, saved to her memory files for later.
Her mate gulps. "C- Cee…!" There's a note of urgency in his voice now. "P… please…"
It's whispered, almost shamefully, and she grins. Always so stubborn. Never did like asking for help.
"Alright."
He gives a yelp of victory as her thumb and forefinger slide easily into his valve, disconnecting the magnetized toy that had been nestled to his ceiling node for the past several magacycles. It was a relatively simple little bit–egg shaped, not even the length of her finger, but able to stick to their insides and vibrate endlessly. Cliffjumper shudders with relief.
The berth creaks softly as she climbs up behind him. Rises onto her knees, and though his view is obstructed, he hears her panels retract and he knows exactly what her spike looks like. It's just like her, long and slender, silver with those blue ridges that he loves so much, pink biolights thrumming up and down the length. His valve clenches at the memory, more slick escaping the lips.
One hand finds purchase on his right hip, and the other grabs his left horn. It's rough and pure, molten pleasure blows through his veins. His whole body bucks and writhes, and as his back is arched, her spike slams into him with a fluid, brutal motion.
Cliffjumper crashes into a wailing overload, valve spasming and spiralling tightly around the length impaling him. His optics flicker wildly as his visual feed corrupts, and he swears loudly, "Frag frag frag oh frag YES r- right- right the- ere-!"
It threatens to overwhelm him and he turns his face into the mattress, sobs of pleasure wrenching their way out of his throat no matter how hard he tries to hold them back. Arcee fucks him through the overload, still tugging his horns back like he's a wild mechanimal she's wrangling. He loves it, can't get enough of it–so much so that he can't stop a full system reboot.
Cliffjumper goes limp beneath her but Arcee doesn't stop. She can feel in their bond that he's fine. More than fine, even. If she stopped now, he'd pout.
He comes back around to the filthy, sloppy sounds of his valve and the sharp clang of metal every few seconds. His sensors are glowing happily, and already another overload is building. He looks up at his mate, optics half shuddered a single rivulet of drool sneaking past his lip plates, and all he can think is, 'Primus I hope we go all night.'
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