Tumgik
#and general book and character analysis
autism-alley · 3 months
Text
if any of y’all know of a pjo/pjo show crit friendly discord server hit me up or so help me i might make one myself
18 notes · View notes
hanafubukki · 1 month
Text
I’ve been thinking and wondering 🤔 if they do increase Lilia’s life span, it’s probably not going to be hundreds of years. It will probably be longer but not as long as that (though I wish it were, because I know he wanted to see Malleus become king, etc)
So then if they do increase it, or maybe the years he has left is less than a hundred years, but as Malleus said; Lilia doesn’t want any one of them wasting their time on him when they could be living their life to the fullest.
In either case, wouldn’t it be heart breaking and yet poetic, for Lilia and Silver to have lived their life and then died at the same time? 🤔
Though if that’s the case, I wouldn’t be able to be as strong as Malleus, because loosing my father and brother at the same time?? That would break me if I was in his shoes 💔😭
You can also imagine the heartbreak Sebek would go through if his aging slowed down too you know? The pain he would feel.
But then, it also makes me wonder 🤔, it could also be half a century or the “remainder” of human years.
Because the whole point of his actions is that Lilia wants his sons to move on, to enjoy life, make bonds, and be happy. See life to the fullest as he has, enjoy life with the same joy his boys has brought him. He wants the same for them 🥹
In the end, it might just be that. Lilia living like a “human” seeing his boys grow and become the fine men they are and being proud of them all the while.
As any parent would.
Because isn’t that a parent’s wish? To see their children grow up, see them come into their own, know they will be fine, and once the time comes, they can happily pass with a smile. 🥹😭💞
237 notes · View notes
l832 · 1 month
Text
jean valjean and cosette's relationship as father and daughter is great and adorable but it's also not without issues in the way that there is no parent-child relationship that is without issues and i know that certain adaptations have taken this idea to weird places but i also. umm. i don't know i personally like to think about cosette having complicated and mixed feelings about her relationship to jean valjean. i think it's an interesting area to explore from cosette's perspective specifically. his enigmatic logic towards basically anything. the fact that while yes he is a kind and generous father who, um, goes to very great lengths to make sure she has a safe and happy life, he is also guilty of being emotionally manipulative at times. he's a good dad but he's isn't perfect, is what i'm saying. i guess.
9 notes · View notes
malewifehenrycooldown · 5 months
Text
yeah yeah i got recommended that Henry Cooldown analysis video whatever. i am still not over people comparing Henry to a medieval knight, NOT even taking the time to unpack that said mental image of a knight is 'mostly' associated with the British Monarchy*, an extension of its Empire that *checks notes* did a long list of atrocities like imperialism and colonialism, and also (multiple) genocides.
Henry is NOT British, he is Irish. Although considering the history of Ireland and how poorly the British Empire has treated them (amongst SO MANY OTHER COUNTRIES AND DIASPORAS), yeah it's NOT surprising that an Irish man like Henry is essentially forced to adopt quote on quote 'British sensibilities' to 'survive'. <- intentional imagery or not, the implications are not lost on me.
Like okay, calling out the comparison is cool but it sure would be nice if people went further to unpack what that means and implies in the long term. you know, like ACTUAL CRITICAL ANALYSIS?!
#I COULD do a whole essay about this. but i don't have the spoons to do so.#this is were i drop the big ball of information about me because fun fact! I am IRISH AND SCOTTISH. AND GREEK. so like.#so yeah i REALLY don't like the british#i hope in alternate universe i make youtube video essays about no more heroes and successfully argue how its about inter-generational traum#shallow rambles#nomoreposting#technically I was quite surprised by being recommended it. but looking at the comments i realised that their interpretation#is like the buy the books obvious surface level analysis of henry's character. not actually. thinking about the deeper things#behind his character. like. are we really going to ignore how his memories were wiped when he was adopted? okay.#to me henry is an example of someone finally confronting their trauma. how they cope is a whole other thing but henry is second#to jeane (the sister) that actually takes the time to confront the trauma although unfortunately this is mostly implied off-screen#travis BARELY acknowledges how fucked up it was for him and his siblings to be split apart and raised by different families#this got really fucking personal and i don't think anyone has actually cared enough to even consider the historical subtext#of these characters but that's just my take.#also i'm not fucking listening to a man explain to me what henry is. you know in a filmbro way. i have my own brain and interpretation and#that is all that matters to me. if you liked the guys video that's fine but honestly i am just not that interested in the essay.#you like henry for the rivalry trope. I like henry for other reasons that are open ended. we are NOT the same.#btw not EVERYTHING is about kill the past. it feels so reductive to ONLY analyse suda's work as a connected series#because it implies each one can't stand on their own merits!! that's NOT good analysis!! his work can stand on their own individually!#*about the whole knight and british monarchy thing there are other knights in other countries but unfortunately we only#think about knights in a VERY british-centric way. just thought to bring that up.#no i wont make a video essay about any of this i value my anonymity.#no i won't apologise for waking up and choosing violence today
7 notes · View notes
cannibalismyuri · 9 months
Note
hey sara when you read rwrb did you also assume alex knew he was bi up until his sexuality crisis revealed the truth to you or was it just me who labored under delusions for the first 25 percent of the book, a whole quarter of the way through, before getting the shocking surprise that alex claremont-diaz, main character of nyt bestselling debut novel red white and royal blue, by author casey mcquiston, was NOT an out and proud bisexual man?
no actually, because im not delulu like u are . anyway .
7 notes · View notes
fair-lead · 9 months
Text
i think its interesting that on page 124 danielewski uses the word "abort" and then analyzes said word (and implies in universe analysis) but doesn't (refuses to? or does it not occur?) mention the rather blaring conceptual link to "abortion" -- cutting myself off here. the temptation to pontificate random ass bullshit is tempting though
0 notes
gowns · 1 year
Text
Why Kids Aren't Falling in Love With Reading - It's Not Just Screens
A shrinking number of kids are reading widely and voraciously for fun.
The ubiquity and allure of screens surely play a large part in this—most American children have smartphones by the age of 11—as does learning loss during the pandemic. But this isn’t the whole story. A survey just before the pandemic by the National Assessment of Educational Progress showed that the percentages of 9- and 13-year-olds who said they read daily for fun had dropped by double digits since 1984. I recently spoke with educators and librarians about this trend, and they gave many explanations, but one of the most compelling—and depressing—is rooted in how our education system teaches kids to relate to books.
What I remember most about reading in childhood was falling in love with characters and stories; I adored Judy Blume’s Margaret and Beverly Cleary’s Ralph S. Mouse. In New York, where I was in public elementary school in the early ’80s, we did have state assessments that tested reading level and comprehension, but the focus was on reading as many books as possible and engaging emotionally with them as a way to develop the requisite skills. Now the focus on reading analytically seems to be squashing that organic enjoyment. Critical reading is an important skill, especially for a generation bombarded with information, much of it unreliable or deceptive. But this hyperfocus on analysis comes at a steep price: The love of books and storytelling is being lost.
This disregard for story starts as early as elementary school. Take this requirement from the third-grade English-language-arts Common Core standard, used widely across the U.S.: “Determine the meaning of words and phrases as they are used in a text, distinguishing literal from nonliteral language.” There is a fun, easy way to introduce this concept: reading Peggy Parish’s classic, Amelia Bedelia, in which the eponymous maid follows commands such as “Draw the drapes when the sun comes in” by drawing a picture of the curtains. But here’s how one educator experienced in writing Common Core–aligned curricula proposes this be taught: First, teachers introduce the concepts of nonliteral and figurative language. Then, kids read a single paragraph from Amelia Bedelia and answer written questions.
For anyone who knows children, this is the opposite of engaging: The best way to present an abstract idea to kids is by hooking them on a story. “Nonliteral language” becomes a whole lot more interesting and comprehensible, especially to an 8-year-old, when they’ve gotten to laugh at Amelia’s antics first. The process of meeting a character and following them through a series of conflicts is the fun part of reading. Jumping into a paragraph in the middle of a book is about as appealing for most kids as cleaning their room.
But as several educators explained to me, the advent of accountability laws and policies, starting with No Child Left Behind in 2001, and accompanying high-stakes assessments based on standards, be they Common Core or similar state alternatives, has put enormous pressure on instructors to teach to these tests at the expense of best practices. Jennifer LaGarde, who has more than 20 years of experience as a public-school teacher and librarian, described how one such practice—the class read-aloud—invariably resulted in kids asking her for comparable titles. But read-alouds are now imperiled by the need to make sure that kids have mastered all the standards that await them in evaluation, an even more daunting task since the start of the pandemic. “There’s a whole generation of kids who associate reading with assessment now,” LaGarde said.
By middle school, not only is there even less time for activities such as class read-alouds, but instruction also continues to center heavily on passage analysis, said LaGarde, who taught that age group. A friend recently told me that her child’s middle-school teacher had introduced To Kill a Mockingbird to the class, explaining that they would read it over a number of months—and might not have time to finish it. “How can they not get to the end of To Kill a Mockingbird?” she wondered. I’m right there with her. You can’t teach kids to love reading if you don’t even prioritize making it to a book’s end. The reward comes from the emotional payoff of the story’s climax; kids miss out on this essential feeling if they don’t reach Atticus Finch’s powerful defense of Tom Robinson in the courtroom or never get to solve the mystery of Boo Radley.
... Young people should experience the intrinsic pleasure of taking a narrative journey, making an emotional connection with a character (including ones different from themselves), and wondering what will happen next—then finding out. This is the spell that reading casts. And, like with any magician’s trick, picking a story apart and learning how it’s done before you have experienced its wonder risks destroying the magic.
-- article by katherine marsh, the atlantic (12 foot link, no paywall)
16K notes · View notes
neil-gaiman · 9 months
Note
Hi Neil,
I hope this doesn't get buried in the ask box, but if it does, I'll still be glad I sent this, just to know this little lengthy slice of complement and thanks existed in your inbox is enough. I apologize for the length, I am pretty sure the grammar is in tatters...and probably just the general awkwardness in advance.
Frist of all, congratulations for Good Omens Season2, it's a roaring success even here in this...I don't know, bottomless pit? I myself and some others fondly call it the PRC. The show didn't made pass the firewall officially, neither was Prime Video. People still managed to watch it eventually by VPNs, shared accounts and when times are desperate...sorry, piracy. Chinese fans, including myself, using every tool in the shed to try to fool Amazon™ and our goverment, just to watch this on Prime and try to help to manifest S3, is one hell of an experience. This kind of experience is pathetic, ridiculous....and somehow hilarious in a dark, gallows humor way, almost like some bad spy comedy, I just have to share it. Worth all the trouble by the way, the reward at the end of the back channel is...well, some divine comedy to say the very least. All in all, it's a brilliant show and a solid job well-done.
Then some of my personal gratitude. They say good art resonates with your soul, I now know this is just as true as matter and gravity. Since I know Good Omens certainly resonated with mine. I'll redact the typical "depression and anxiety reduced me to a husk, a shadow of my former self" story and get to the result for brevity's sake. I can't write anything meaningful while I know I took joy in writing, I can't finish reading anything longer than a brochure while I know I was such a bookworm in the past. Then I was compelled to get up in the middle of the night, wrote a full 5000 character long analysis after marathoned S2, and then write even more analyses in both Chinese and English. I picked up American Gods because I know I need more Neil Gaiman in my life and then impressed by myself for actually finishes it the second time 5 years later. I didn't know how exactly that happened through one watch of a TV show, but I know I am changed for the better. I grasped life again, and can start living again, somehow. The resonation just keeps on giving.
This is a quiet, gentle and romantic story, it is soothing, accepting, filled to the brim with love and kindness, and it makes me feel safe and accepted and loved in a way I never felt before. I thank you for it, and hope thart I may have the privlige to witness more of this miracle. Thank you Neil, Sir Terry Pratchett and the team for this miraculous book and this miraculous show.
谢谢。(I just had to say thanks with my mother tongue, it feels more earnest this way)
Thank you so much! I'm impressed by everything you and your countryfolk have gone through to watch it as legitimately as you could.
3K notes · View notes
fandom · 1 year
Photo
Tumblr media
Memes
At a certain point, it was just hard to keep up. They seemed to fall from the sky like fizzing raindrops, soaking everything in pure wildness—memes, that is. 2022 had an absolute bumper crop of memes. The fertile field of this year’s chaos was sown freely, resulting in some impressively widespread phenomena. Most of it remained pretty contained within the dashboard, but at the end of the year the biggest meme of them all broke containment…We’re getting ahead of ourselves here. 
Cast your mind back to January 2022. We kicked off the year with Horse Plinko, which soon joined forces with Eeby Deeby in a frenzy of flaming gifs in which the poor horse plinko’d its way to Super Hell. Nothing has ever summed up the mildly deranged meme generation process on Tumblr so perfectly. 
This era of memes merged smoothly with the Month of Blorbo. Can you believe blorbo from my shows is more or less purely a 2022 phenomenon? Granted, the original post happened in late 2021, but it was the new year by the time “blorbo” secured itself in our vocabulary. How did we even live our lives on Tumblr without the word “blorbo”? It’s impossible to even imagine at this point. 
Springtime dawned with the rise of Live Slug Reaction, which dominated the dashboard as everyone rushed to plop that shocked slug in the corner of their favorite gay moments from TV and film. And in May came a very important event that would define the rest of the year on Tumblr: the launch of Dracula Daily, Affectionately dubbed “tumblr book club,” the serialized email newsletter found a hugely involved following on Tumblr and spawned an infinite variety of memes, beginning with the iconic paprika recipes. 
The Summer of Morbius dominated Tumblr from June onwards, with everyone going bonkers with Morb-based puns, jokes about the film’s most ridiculous moments, and reblogging a single GIF somehow containing the entire movie that would crash your browser when it played on your dash..
The i love you x i love you y text post meme saw us to the end of the summer, and autumn came with the rise of the GOUGER. Or is it GOUGAR? Regardless, the strange but harmless creature took over everyone’s meme palette for a while, getting involved in increasingly silly scenarios. 
This free-for-all was interrupted by the death of Queen Elizabeth, an event that was solemn everywhere else. . But on Tumblr, of course, users swamped the dashboard with Queen Liz-related memes and commentary. And crabs. There were quite a lot of those.
Later, in September, the Try Guys saga unfolding on Twitter and YouTube filtered over to Tumblr in the form of the “lost focus and had a consensual workplace relationship” meme, with Tumblr users casting various favorite co-worker ships in the roles of the controversial real-life pairing. 
And finally, closing out the year, the meme you’ve all been waiting for: the one and only Goncharov (1973). Just in case you’ve been living under a rock, Goncharov is a movie borne out of the magic combination of a misprinted shoe label and Tumblr’s fertile imagination. Thanks to a fake movie poster by user @beelzeebub, which gave names and faces to the characters, Tumblr ran absolutely wild, churning out analysis, fanart, and even fanfiction at an astounding rate. This was by far the meme to win 2022: it gained coverage all over the internet, including the freaking New York Times, and even Scorsese himself acknowledged it. You did that, Tumblr. Goncharov forever, all hail the power of the Tumblr meme!
9K notes · View notes
hanafubukki · 2 months
Text
Love Changes Lilia’s Voice
I was watching book 7 parts 5 and 6 again and I love the nuances in the game, especially the subtle shift to Lilia’s voice as love changes him.
When we first hear him as General Lilia, his voice is rough and different than what we are used to.
Then we go to the flashback scenes of Lilia trying to hatch Malleus and we can see the shift in his voice.
He goes from the gruff general to a gradual softening, it’s subtle in the beginning, but more pounced as the flashbacks continue.
You can see more of the differences each time he returns to the egg. One point that’s emphasized when he returns to the egg and speaks about how times have changed and then starts singing to egglleus
Another moment that’s notable is when he’s sitting with Malleus talking about fairy tales.
And of course, the scene where he hears Malleus’ cries and he runs to him, he has the tones of the Lilia we know with his laugh and the teasing.
Then we see Lilia at Silver’s cradle and his voice is changed once again. It has a softer tone to it from last we have heard it. Close but not yet quite the Lilia we know.
Then we get flashbacks of Lilia raising Silver and we see more gradual change with the Toto and the acorn scene. The tone and playful voice in these scenes could be heard.
And eventually, we have the Lilia we have today at NRC with his boys gown.
And I adore this gradual change we see in Lilia not only through his personality and actions, but through his voice.
How love truly changed him because of Malleus and Silver.
228 notes · View notes
oxenfreeao3 · 3 months
Text
I need Caitlyn “if I cannot become ungovernable I will become the government” Kiramman to have a full-on Machiavellian anti-hero arc so that The General Public finally takes her seriously.
Tumblr media
Analysis:
I've mentioned it before, but Caitlyn's character embodies nearly all the traits of a Machiavellian with high cognitive empathy.
Firstly and most obviously, she manipulates systems and people to accomplish her goals. Vi would still be in Stillwater and much of Act II and III would not have happened if Caitlyn weren't willing to cleverly and unscrupulously lie and forge her way to success.
We can argue she's not a very good liar. I argue that doesn't really matter. One, her lies work. Two, she is clearly ready and willing to deceive so long as she thinks it's for a good reason. The inclination is what matters. I think the important question to ask is, "What is this character willing do to?"
Secondly, she's huge on agency. It's one of the main features of her character. She demonstrates (from the five-factor model): achievement-striving, assertiveness, self-confidence, emotional invulnerability, activity, and competence.
Regarding emotional invulnerability. I want to touch on this because I think it's missed. Caitlyn is an extremely guarded character. She reveals almost no personal information about herself, even to Vi. During high-stress situations, she flinches from her own vulnerability, tries to play it off, or compartmentalizes heavily.
Vi is the bleeding heart, the open book, the one who can't guard worth a damn (it's not even subtext, other characters say this to her face and I believe it has a dual meaning).
Meanwhile, Caitlyn waits until Vi is vulnerable with her and shows her respect before even giving Vi her name. (I have more to say about the "Cupcake" scene but that's for another time).
Other aspects of a Machiavellian character include:
Cynicism, selfishness, callousness, arrogance, deliberation and orderliness.
I argue that Caitlyn's character hints at the first one, gets away with the next three because she's "sweet," and blatantly embodies the last two.
Caitlyn in S1 is a sharp edge sheathed in kindness. We like what she's currently doing and think she's a Good Person because her trajectory aligns with our own sense of right and wrong. But Caitlyn is doing what she wants. What she thinks is right. Again, it's not subtext.
Marcus: "She does whatever she wants, I can't control her!"
And in S2, I think the same behaviors we currently love in her could easily be used to spin her down a corruption arc that leaves us a bit aghast -- but shouldn't leave us surprised.
I argue such an arc would be squarely in character.
Paraphrasing from the AMA:
"Everyone is a little bit opposite of who they are in Season One."
What will that mean for Caitlyn?
I don't know, but the recipe for a very interesting time is written all over her character.
986 notes · View notes
emcscared-whumps · 1 year
Text
WRITING RESOURCES
This post will be updated with new entries Last updated: 23 Apr, 2024 See the Updated Version!
WRITING TIPS & RESOURCES
Disability Writing Guides (Another resource post)
Editing Service (by @concerningwolves)
Emotional Intelligence in Conflict
Ellipsus, the New Collaborative Writing Tool
Difficult Chapters
Drafting: Four Methods for Highly Anxious Individuals
Writing Disability: Overused Tropes
General Writing Resources Post (collaborative)
Lay or Lie
MS Word Shortcuts Guide
Platonic Relationship Development
Passive Voice Advice
Publishing
On Punctuating Speech
Scene Transition
Sentence Ending Pointers
YA MacGuffins and Games, A Trope Analysis
Your Readers Don't Know - The Truth of the First 30 Pages
Weirdly Specific but Helpful Character Building Questions
The Writer's Sus Resources Post
The Writer's Workbook
WHUMP
The Biology of Human Survival (Life and Death in Extreme Environments), by Claude A. Piantadosi
Whump Events (A linked Google doc by @whumpsday )
Whump Reference Books (A linked list created by @bump-of-whump )
Whump Resources (A resource post by @a-crumb-of-whump , how to start a whump blog, oc advice, advice on motivation and dealing with discouragement, and games
Iron Comb (Iron combs for processing wood/flax fibre used as a torture device in historical settings)
Mer Whump Bingo by @a-crumb-of-whump
The Whumpy Printing Press is Open for Submissions for Publication of Whumpy Novels!
WOUNDS, INJURIES, & TRAUMA
GSW Recovery - [A] [B] [C]
Malnutrition
Migraines
Passing out from pain
PTSD Dreams
Scar Tissue Info
Sleep Deprivation
Writing Traumatic Injuries Resources (Another resource post)
More Resources for Writing Injuries (Another resource post)
WEAPONS
Gun information
The Safety and Mechanism of a Bolt Action Rifle
Bolt Action Rifle Mechanism (Animated diagram)
Semiautomatic Rifle Mechanism (Animated diagram)
Pump Action Rifle Mechanism (Animated diagram)
CLOTHING
African Women's Fashion (Outfit examples video)
Lady's Clothes Guide
Men's Fashion Guide
Men's Suits Guide
Period Clothing References
Shirt types
Vintage Fashion Clips (Saved for scarf pin :))
MISC
African Hair Care and FAQ
Art Resources and References (Another resource post)
Creating a Chinese Name
Writing Deaf, Mute, or Blind Characters
Place Description Aid...?
Wheelchair References for Art and Writing (features images)
Whump Community Directory (Tumblr blogs)
If there're any broken links, please let me know!
1K notes · View notes
graceshouldwrite · 10 months
Text
The Most Powerful Hack to Make Your Readers Cry
You’ve seen it all: show, don’t tell, plant a visceral image in the reader’s brain of the environment/character, write a complex character arc with lots of growth and setbacks, establish deep relationships, high stakes, etc. 
All the advice for making readers cry I’ve seen so far is basically that list. But, while those things are absolutely important, I find that the thing that always does the trick, whether as a tipping point or in and of itself, is this: 
THE CALLBACK! 
Before we move on, this is an ANALYSIS heavy post, so all the book + show examples contain spoilers!!
So, what do I mean by a “callback?” Think of Chekhov’s gun, but, here, you use the gun to pierce your reader’s heart. As a refresher for anyone who needs it, Chekhov’s gun is just a rule in writing that anything you introduce in the book should play some role in the plot.
Specifically, the name comes from the example that if a reader introduces a gun in the first act, it MUST go off later, (maybe, say, in the third act). For example, in the TV show Breaking Bad, the protagonist Walter White prepares a vial of poison (ricin) that he wanted to use to eliminate an opponent early on in the series. After the assassination attempt falls through, the ricin makes an appearance again in the very last episode of the show, when Walt finally uses it to kill another opponent. 
Got that? Alright, onto the examples of successful, tearjerking callbacks: 
1. The Last Olympian (Rick Riordan); “Family, Luke, you promised.” 
Context: The character Annabeth says this line. Years ago, Annabeth had run away from home, and Luke had effectively adopted her into a found family with another kid named Thalia. Common reason for leaving home = parental trauma! Yay! He promised Annabeth that they would be each other’s “family” from now on. 
Now: Kronos, the antagonist titan, has possessed the demigod Luke and uses his body to strike Annabeth, injuring her. She’s also holding a dagger that Luke had given her when she joined his “family.”
Significance: her words + the dagger are a mental + physical reminder to Luke of his promise. They force him to recognize the sheer degree of his current betrayal by bringing him back to a different time. The fact that their found family only happened because of parental trauma bringing them together makes it worse—Luke felt abandoned by his Olympian father, Hermes. Now, he realizes that he basically did the equivalent to Annabeth by joining the titans. 
2. Les Miserables (Victor Hugo); Jean Valjean’s death 
Context:  At the beginning of the book, the bishop had caught Valjean trying to steal candlesticks to sell. Instead of handing him over to the police, the bishop told the police that he had given them to Valjean, saving him from arrest and showing him mercy. This changed his life forever, kickstarting his character redemption arc. 
Now: Jean Valjean dies surrounded by his loved ones, remembered as a benevolent man who bettered thousands of lives. He’s surrounded by light from candlesticks that once belonged to a bishop.
Context: Valjean had once taken in an impoverished woman named Fantine, showing her mercy and promising to take care of her daughter, Cosette, after Fantine died. Valjean then rescued Cosette from abusive quasi-foster parents (it’s a long story), raising her as his own daughter. This furthered his arc by allowing him to finally understand how unconditionally loving someone feels. 
Now: Valjean describes Fantine to Cosette, who never knew her mother. 
Significance: Both examples throw readers back to much earlier points in the story before the completion of Valjean’s character arc. In a way, this final scene feels like an external manifestation of his kindness paying off; both he and the reader feels a sense of accomplishment, relief, and just a general “OMG WE MADE IT.” Readers don’t feel cheated, because they were with Valjean every step of his 1,400 page arc. The weight of it all just crashes down on you...
3. Your Lie in April (anime); Kaori’s letter after she dies
Context: Kaori’s entire plot significance is that she helps Kousei, a piano prodigy who can’t play piano anymore due to traumatic parental memories associated with it, play again—but also, just to help him enjoy life again after a turbulent upbringing. She meets him a year before she dies of a medical condition, and her free spirit + confidence influences him to find beauty in life and music again. They basically do a crap ton of crazy funny stuff together lol
Now: Kaori has died, and she leaves a letter to him. Among other general confessions and thoughts, she references things they did and memories they shared: she says, “sorry we couldn’t eat all those canelés,” reminisces about  jumping with him off a small bridge into the stream below, “racing each other alongside the train,” singing Twinkle Twinkle Little Star as they rode the bike together, etc.
Significance: Yes, the nature of the letter is just sad because she’s revealing that she loved him all along, apologizing for not being able to spend more time with him, lying that she didn’t like him (to spare his feelings b/c she knew she would die soon), etc. BUT, these small details highlight exactly how many experiences they shared, and the depth of their relationship. Thus, they emphasize the significance of her death and the emptiness it leaves behind. 
4. Arcane (show); “I thought, maybe you could love me like you used to, even though I’m different.” 
Context: Character Jinx says this in the last episode to her now estranged older sister, Vi. Without going into the crazy complex plot, basically, orphans Vi and Jinx used to care for each other before a bunch of crap went down that got them separated. They then grew up on opposite political sides; Jinx grows up on the side of the underbelly city rebellion, and Vi grows up working on the side of the richer city that essentially oppresses the undercity. Thus begins the development of their opposing viewpoints and work environments, to the point where they always meet on opposite sides of a political battle, never able to come together as a family or understand each other again. 
Now: After a super dramatic confrontation, Jinx reveals that although she wants Vi to love her like she did before their separation, she knows it’s not possible because “[Vi] changed too.” She finishes with, “so, here’s to the new us” before blowing up a political council meeting a few blocks down filled with people Vi sides with. Oops! This cleanly seals the fate of their relationship as something basically irreparable.  
Significance: This callback isn’t through literal flashbacks or items like in the previous examples. Jinx’ lines are enough to bring back images of their childhood to the audience’s mind. Now, the audience subconsciously places this image of: 1) two sisters so different, hurt, and torn apart, right next to 2) the image of two sisters as innocent children who loved each other and would care for each other no matter what. 
Why do callbacks work so well? 
If you’ve noticed something in common with all of them, you’re right: they remind audience of a time BEFORE the characters have come so far on their arcs, developed, and put on so much more emotional baggage. 
Callbacks force the audience to SUDDENLY and IMMEDIATELY feel the weight of everything that’s happened. The character’s anguish and overwhelming emotions become the audience’s in this moment. Callbacks are a vehicle for the juxtaposition of worlds, before and after significant development. 
This works because we, as mortals, fear IMPERMANENCE the most. We fear LOSS. For us, time gone is time we will never get back; callbacks make us face that exact fact through a fictional character. A lost moment, time period, or even part of oneself may hurt as much as losing a loved one, and nothing makes humans grieve more than the realization of a loss. A callback slaps the audience in the face with the fact that something was lost; loss hurts so much because almost 99% of the time, what’s gone is gone forever. 
Of course, a good callback requires good previous character development, stakes, imagery, and all that jazz, but I thought I’d highlight this specifically because of how under covered it is. 
∘₊✧────── ☾☼☽ ──────✧₊∘
instagram: @ grace_should_write
I’ve been binging general media lately: I finished Death Note, Your Lie in April, and Tokyo Ghoul all within like a month (FIRST ANIMES I”VE EVER WATCHED!!), reread lots of Les Miserables, analyzed a bunch of past shows like Breaking Bad, watched a bunch of My Little Pony, worked to fix up my old writing... and that’s not even all! The amount of times I’ve CRIED while enjoying the above media and so much more honestly just inspired this post. 
Like, no joke, my eyes were almost always swollen during this period whenever I hung out with my friends and it was so embarrassing help 
Personally, I just find that this method works super well for me, and I watched a bunch of reaction videos to these above scenes (and read book reviews on the book scenes I mentioned), and it seemed that just about everyone cried during these parts. That’s when I realizes that the callback might also just be a universal thing. 
Anyway, this post is long and dense enough as is. SORRY! As always, hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated <3333
Happy writing, and have a great day,
- grace <3
674 notes · View notes
celluloidbroomcloset · 4 months
Text
I saw a few folks talking about how they can’t write meta/analyze media and I have a suggestion—read some film theory. Not criticism—theory. Consider angles, philosophies, contexts, ways of analyzing media that's not about whether the media is Good or Bad, but how it works.
(Please note: I'm not saying you have to do this in order to write meta or analysis, but theory is an excellent starting point for close reading texts and a lot of the writing within film and TV especially is very accessible.)
A few recs:
Film Theory and Criticism, eds. Leo Braudy and Marshall Cohen. This collects a massive amount of work, important essays, and important perspectives on various aspects of theory and critique. Really a foundational text that keeps on being updated.
From Caligari to Hitler. I believe literally everyone should read this book (or even just the introduction) to understand how film reflects and affects national character. This is specifically about Germany between the wars, but it is frightening how applicable a lot of it is to our current moment.
The Celluloid Closet. One of the seminal texts in studying queerness in film. There's also an accompanying documentary that is excellent.
Monsters in the Closet. This is specifically about horror film, but is one of the first to explore how queerness in particular is typed and exploited in horror.
Visual Pleasure and Narrative Cinema. Laura Mulvey defined the male gaze for an entire generation of feminist film scholars and critics. Her essay is slightly dated but still essential and applicable.
The Dread of Difference. Collects a group of important feminist essays specifically about horror films. Again, a lot of the work is quite applicable overall.
The Monstrous Feminine. Barbara Creed's work is essential feminist film theory.
The Women Who Knew Too Much. Modleski is a Hitchcock scholar and her work is expansive and entertaining.
From Reverence to Rape. Very much a companion to Mulvey, addressing the way that Hollywood itself distorts female roles. Again, some datedness, but important and easy to read.
Reel to Real: Race, Sex, and Class at the Movies. bell hooks. Don't need to say more.
Any other film folks can add more, but these are the ones that I think are the most interesting and accessible as starting points.
278 notes · View notes
ataraxiaspainting · 3 months
Text
Chrollo Lucilfer Yandere Analysis.
Tumblr media
Yan Chrollo x F Reader.
Warnings: Yandere themes, kidnapping, not SFW (both non-con and dub-con), the reader is described as AFAB and uses she/her pronouns respectfully, forced tattooing, Chrollo having a god complex but that's nothing new lol, Stockholm Syndrome, stalking, parallels to religion (mainly Judeo-Christianity), implied body transformation (using Chrollo’s book), masturbation, manipulation, and violence/gore.
Word Count: 13k.
credits to @ddarker-dreams for the yandere MBTI and like everything she writes for this creepy greaseball (check her out if you haven’t already!!) <33333
another thanks to @depravitycentral for the inspiration! check them out too!!!! their general profile and nsfw profile for mr. chrollo specifically BUT everything they write is pretty good! <33333
one last thanks to @phasmophobia-territory for the ultimate yandere types list and @blughxreader for the yandere personality meme. both have inspired the unique qualities part of this analysis, so please be sure to check them out! <333
also, for quotes i tried to do something like genshin impact/honkai: star rail voicelines so i apologize if they aren’t good (メ﹏メ)
*~*~*~*
I look forward to living life with you from here on out. However, just know that there will be many different roads we will walk together on. Their lengths will depend on you, for better or for worse. As time goes on, however, I know that they will all end eventually.
→ Introduction.
The very definition of an empty shell, Chrollo has had his humanity stripped of him from a very young age. The only people who have ever made him feel something are all members of the Troupe or are buried underground, burning in hell or soaring above the clouds as angels, either one a much better existence than the life they all spent in Meteor City. So, when he sees you, someone who has been able to make him feel something without interacting with him at all, without the use of Nen, without even brushing your shoulder against him while running to your train in a hurry, he does not know what to do.
He feels like he is back to being a small child, roaming the streets and looking through dumpsters for anything of value trying to ignore the pain of the cuts and infections all over his body. You bring up a feeling he has not felt in years; fear. Despite this situation being far, far different from those times, his brain thinks otherwise. It sends him a fight or flight response every time he sees you, as much as he hides it, much like he hides himself among the crowds and crowds of people as he follows you home. You have resurrected a beast thought to be long dead, something innate, animal, almost carnal, without even lifting a finger.
Is this who he is, he wonders? He finally feels something, for once, a sense of belonging and identity and… humanity.
It fills him with a sense of euphoria, while you view it with dread every time his Zetsu slips for just a moment. You always look over your shoulder during those times and start walking faster, but definitely not enough to deter him, and it will never be enough.
→ Darling Character Analysis.
Creative.
Chrollo has a deep curiosity about the world and appreciates a darling who shares this thirst for knowledge and intellectual growth. The form of expression doesn't matter to him, whether it's through writing, music, or eloquent speech. What truly matters to Chrollo is that his darling can communicate uniquely and authentically.
In a concerning manner, Chrollo imitates his darling’s behaviors to an extreme degree, devouring everything they do with an insatiable appetite. It doesn't matter how his darling presents their interests to him, whether it's straightforward or not. For instance, if his darling mentions their love for playing the violin after spending days alone with only Chrollo for company, the next day a brand new violin will mysteriously appear on the table beside their side of the bed. Chrollo will secretly learn to play the violin himself, the one he purchased as well as the one he gifted to his darling, practicing when they are not paying attention or are fast asleep.
As a result, his darling may find themselves obligated to reciprocate this behavior by learning Chrollo's favorite musical pieces.
He will experience immense joy, perhaps so much that he will hold them down on the bed and shower their face with kisses while they squirm and kick. Even when they eventually stop, he will continue, disregarding their pleas for him to stop.
As always, his strength is overpowering, leaving you with no action to do other than to say no.
At least there is some form of care after it is all over and done with, although it always somehow involves blending with whatever activity preceded it. For instance, if it was playing the violin, he would play you with both your favorite pieces on the gramophone he put near the bathtub while giving you a massage and preparing a relaxing bath for both of you.
It is painful, more so than the usual ache between your legs, because he pays attention to your desires and exploits them, even when he appears to be gentle. The pain lingers, no matter how hard you try to disconnect from everything happening around you.
He gives you everything you want, and it hurts because you always know why.
Bold.
A darling who never hides their intentions and just goes for it would spark some sort of admiration in Chrollo, especially if they use their boldness on him as a manipulation tactic.
He finds it entertaining most of all, but also there is a small part of him that is grateful for it because it makes his darling seem more human to him and not just something to own.
Boldness is quite a human trait, one that he so adores, especially with those he holds close like fellow members of the Troupe. It is also quite a trait that can easily be manipulated.
If you attempt to flirt to lower his guard, he will flirt back twice as hard. 
When everything is over and done with, he will admit he knows exactly what you are doing as he kisses you again, you not kissing him back this time, as good as your acting was, much to your horror.
Resourceful.
Chrollo sees himself above the rest of man, a God in his way, so a darling who is quite similar to him he would adore.
That is not to say he could not fall for someone the complete opposite of him, someone who is impulsive and wears their heart on their sleeve and everything else he does not and cannot do, but the probability is low compared to a darling that plans everything and keeps their cards close, much as he does.
That makes escape attempts though, quite common, considering how resourceful his darling can be, like using a file to saw the metal in one of his safes or the iron on their leg keeping them in his penthouse. But he loves it, it is one of his favorite things about them.
It is endless entertainment to him, a sort of fight against himself, albeit he is much, much stronger when it comes to wits most likely. You can think on your feet as much as you want, but so will he.
He will mirror their actions until the end.
Independent.
Much like his beloved's cleverness, he derives amusement from their self-reliance. He takes pleasure in dismantling their barriers bit by bit until they have no choice but to rely on him completely.
Indeed, Chrollo views his beloved as simultaneously superior and inferior to him.
There is no equality between them, only a shifting power dynamic that his beloved will soon discover. They will never be certain if his actions, like retrieving their favorite snack from the top shelf of the pantry, are expressions of love or gestures of mockery.
At times, it may be both. At times, it may be neither.
His thoughts remain inscrutable, and he revels in it.
Cunning.
Chrollo loves it when your eyebrows furrow, when you’re deep in focus, especially when you are trying to come up with an escape plan and not noticing him right behind you, because of that expression on your face.
It’s unholy, the way he worships you with sacrifices both living and not. He wants to ruin you, yet keep you as you are. So, after a long time of pondering, he concludes. He will remake your shape, not enough to completely alter it, but just enough for your walls to tumble down and let him in. That is why while he will let you try and try again to escape, he will still attempt to get into your head. He is like a poison, a parasite, imprisoning you in your fears, insecurities, and plans that are doomed to fail sooner or later. It is what he wants to be, but he also wants to be more. 
More and more he will be, and more and more he will take from you. It is only natural to want more than what is given, correct? 
It is how Chrollo and the other Troupe members survived so long in Meteor City. They take and take, not caring who they hurt because it is human instinct to want and seize. He will argue as such whenever you try to guilt him because you will soon know that he holds no shame in whatever he does. He is selfish, and he wants to stay that way. He wants you to do the same, so he loves it when you fight him or try to run away because he knows it is only nature. Nature will run its course regardless of who wants it to not. Nature does not care, so why should he? Why should you?
But he also wants you to not be as selfish as him, despite him knowing that it most likely will not be unless you are broken down enough. But that is fine, Chrollo tells himself because that time will eventually arise.
Mature.
Maturity is an elusive quality that characterizes Chrollo, yet eludes him as well. It ebbs and flows like a breeze, carrying seeds to unknown destinations, beyond the perception of onlookers. Unfortunately, you, the observer, are an unwilling participant in the multitude of games he plays and the various disguises he dons. Occasionally, Chrollo can act impulsively, adopting yet another facade acquired from others in the interludes of his life. However, there are moments when he patiently waits for the opportune time to strike, akin to a cunning serpent. But this outcome relies on your level of vigilance or innocence. Perhaps, one day, you'll find it best to surrender to his will. Chrollo eagerly anticipates that day.
Hardworking.
Chrollo feels a mix of jealousy and a desire for control when he sees someone truly dedicated to their pursuits. He wants to replicate their passion and adopt a similar persona. At the same time, he is intrigued by their determination and ambition, as he wants to understand every aspect of their character. This admiration creates a thrilling challenge for him, as he seeks to imitate their drive while also appreciating it. He wants to both admire and exploit this trait to engage in a game of cat and mouse until they submit. Perhaps it would be good to do just that, to prevent yourself from getting hurt again.
Observant.
Chrollo finds great pleasure in the thrill of the hunt, especially when his keen-eyed darling begins to notice subtle indications of being watched. These signs, carefully planted by Chrollo himself, make his darling increasingly cautious. For Chrollo, taking risks brings great rewards. Although these signs are intentional, they still hold, don't they? A lingering footstep behind them. A faint smile on a stranger's face, an unfamiliar figure lurking in an alley near his companion's residence. These signals confirm that they are being stalked, and Chrollo is entertained by the fact that their sharp instincts assure them that this is no mere coincidence or misunderstanding.
Logical.
Chrollo's beloved should possess some semblance of logic, even if it deviates from conventional understanding. The key lies in their thought process, rather than adherence to reason. This cognitive approach, be it driven by emotions or rationality, captivates Chrollo. They meticulously evaluate facts, evidence, and outcomes, exercising caution in moments of perceived advantage, as well as during bouts of insecurity and danger, where they must think quickly on their feet. This mental calculus can either serve them well or inadvertently lead to their downfall. They carefully weigh the pros and cons, thus fueling Chrollo's insatiable desire for the fun of the chase, which hinges upon ultimately catching his beloved in the act.
A Leader.
If you hold a position of leadership, whether at work or among friends, this situation will be even more perplexing and distressing for you. In an instant, you were no longer in charge, forcibly removed from your familiar surroundings and confined. Your authority, influence, and status, which held great significance, have been stripped away. You may experience a profound sense of helplessness and powerlessness as if all your hard work has been unjustly taken from you. Chrollo, as your captor, will seek to exert even more control over you if you possess the characteristic of leadership. He finds it ironic that you are now compelled to follow him, forever robbed of the opportunity to lead while you remain in captivity.
Confident Outside, Insecure Inside.
Chrollo takes great pleasure in this particular attribute, as a mere few words, be they soothing or otherwise, have the power to manipulate you effortlessly.
You find yourself compelled to dance and sing, controlled by invisible strings or some intangible force, as there seems to be no other recourse in this predicament. After enduring prolonged isolation, you will unquestioningly revere Chrollo's words, no matter how distorted they may be, treating them as a testament to be praised. And Chrollo eagerly anticipates the arrival of that day.
It instills fear in you, as both of you are aware that such a day will inevitably arrive.
With a few choice words, Chrollo can elicit tears or smiles from you, a feat that few others have managed to accomplish.
You despise it, while Chrollo utterly loves it. Intelligent.
Intelligence encompasses a wide range of abilities, making it possible for Chrollo to be drawn to various types. However, what truly captivates him is a darling who possesses either linguistic or interpersonal intelligence, or even better, both. He desires someone who can effortlessly decipher people's intentions, using words that ignite a fire within him, even if those words are aimed at him or others.
The type or types of intelligence his darling possesses greatly influences their relationship. How he presents himself in public, whether as a kind gentleman or someone who keeps his distance, depends on their emotional intelligence and intuition. Additionally, Chrollo finds it incredibly appealing when his darling shares a specific interest that is completely new to him. This not only allows him to learn something new but also adds another mask to his ever-expanding collection.
Someone who is emotionally intelligent, like his beloved, would pose a challenge for him to manipulate. They possess the ability to understand him better than most, making it all the more satisfying for Chrollo when they succumb to his desires. After all, as Chrollo often says, the greater the risk, the greater the reward.
→ Yandere MBTI: CAMS. (Cruel, Aware, Manipulative, Strict)
Chrollo possesses great skill in dismantling individuals but lacks the necessary expertise to reconstruct them according to his vision. Unfortunately, you have become an unwilling participant in his experiments. Share with him your deepest anguish and vulnerabilities. Chrollo also portrays himself as a universal remedy, claiming that he holds the power to alleviate all your suffering and resolve your troubles, provided you heed his advice.
However, he waits until he has captured you, and your defenses have crumbled. In that moment of vulnerability, when you are cut off from the world, consumed by sorrow, unable to eat or speak, he reveals himself as a deity. He extends his hand to you, leading you along a path he meticulously constructed. This path is filled with suffering, a never-ending cycle of waiting for both of you. But at the end of this dark tunnel lies Chrollo's ultimate desire: your affection.
What is your ultimate pain, what is your ultimate wish? I can provide anything and everything for you, beloved if you do not stray away from the light.
If you happen to encounter him in public before he abducts you, it is because he willingly allows you to do so, aiming to create a favorable impression that will prevent you from suspecting his true intentions. However, if you do find yourself growing suspicious, it is not without justification. Nevertheless, he will persist in attempting to dispel your doubts by showering you with more gifts and displaying gentlemanly behavior such as pulling out your chair and kissing your hand or inner wrist. Yet, everything appears excessively flawless, to the extent of inducing nausea. Everything is so… flawless all of the time, but only when you are around him and him alone. Ironically, despite Chrollo's desire to dissuade your wariness towards him, his tender and kind gestures only evoke fear.
Chrollo effortlessly switches between portraying himself as a divine figure and a malevolent force, adapting to the circumstances at hand. On one hand, he displays an uncanny perfection, never making a mistake and seemingly possessing an understanding of your thoughts and emotions even before you do. On the other hand, he reveals his true nature as pure evil by casually initiating a bet to see who can consume the most alcohol, leaving you as an unwilling participant in this game of his. As soon as you become intoxicated, he unveils himself as the embodiment of wickedness, groaning as your clothes rip off and you cry his mouth is on yours and he keeps murmuring things into your ear that are so much more terrifying than sweet and-
Panaceas are eternal, refusing to fade away, regardless of your preferences. And so is this situation with me, my dearest.
Chrollo often repeats the phrase that he would sacrifice his life for you. However, there is doubt as to whether he truly means it. His actions, whether they be subtle or overt, inflict daily harm upon you, both mentally and physically. He disguises his hurtful behavior as casual conversation, a serious one, and everything in between. Chrollo's self-centered nature raises the question of why he would make such a claim.
You remain unaware of his true intentions, as Chrollo holds the knowledge of what is genuine and what is fabricated close to his chest. He perpetuates this ambiguity, ensuring that you will never uncover the truth. Once again, Chrollo finds himself in a position of guilt, but the specific charges remain unknown. As an impartial judge, you can't discern between deceit and honesty when you have never been taught the difference. Chrollo, determined to maintain this state of uncertainty, ensures that the truth remains elusive, no matter what lengths he has to go to to make sure it stays that way.
Chrollo possesses the ability to assume various roles. He can portray himself as a reliable partner rather than a deceitful captor, a compassionate individual rather than a mass murderer, a savior rather than someone in need of rescue... The possibilities are endless. This charade is not merely a game to him, but a necessity to maintain his façade. Even if he desired to, he could never remove these disguises, as he is oblivious to his true identity, because who is he without his lies? Nothing? It is a sorrowful predicament for both me and him, you will think someday, one that may prompt you to ponder whether it is Stockholm Syndrome or your inherent empathy for others.
At some point, you will allow him to take what he desires, whether it be when he reaches a breaking point and loses control, or when you become desperate for any form of human interaction.
Whenever you are in need, call out my name. I will be there to provide whatever cure you desire for the ailment at hand.
→ Unique Qualities.
Yandere Type: 
Possessive.
Chrollo in one word would be selfish, and he himself would not deny that it suits him quite well.
Whatever he touches turns to gold in the most metaphorical sense. Whenever he sees something he wants, he will take it. Everything Chrollo takes either has rhyme and reason to it or none at all. He turns them into gold as a sign of who owns them. Even if you have fallen or will eventually fall prey to this touch. The golden touch immobilizes you so you never ever leave him. 
Like King Midas, he is selfish, and he takes pride in it. He is never humble in anything he does. That much is certain. He holds you in his arms at night like he knows your weight in gold, that he could never lose you as he lost himself all those years ago. His kisses are gentle when he wants them to be, or they can be as aggressive as he wants them to be. You’ll come to learn that it does not matter what you want, what matters is what Chrollo wants. Does not having a say in your hell hurt? Or does not having a choice help you justify to yourself that you must escape this?
Monitoring. (Watches From Afar / Direct Contact)
Really, it is Shalnark that does most of the work here, but it is still worth mentioning, especially since what Chrollo cannot get through traditional stalking alone, he asks a very teasing Shalnark to get for him. Though, if Shalnark fails, Feitan is put to the task, much to Feitan’s quite less than subtle annoyance, not that he would ever voice it. Through this trio, the work is separated into three strategies.
Chrollo’s way of finding information is as classic as it comes. Either he is observing you go about your usual day, to that coffee shop you visit before going to work, to the library you frequent on the weekends, to a park you like walking in to see the birds and to get a change of scenery while you read, or he is inside your home, looking through drawers, sampling some leftovers even from your fridge, and making a literal list of things to buy you either later or in the present moment and things to take with him when he inevitably steals you away. Shalnark’s way comes through the internet, through placing cameras in your home and showing Chrollo the footage day in and day out, and perhaps even making an online friend of you if you are that social with other people. To him, it’s all child’s play, especially with finding family members and friends of yours for later, to perhaps ask them questions under the guise of a fellow friend of yours even. But the information that neither Shalnark nor Chrollo can get from stalking alone relies on Feitan, which is where all the finding people you know and love trickle down and puddle at the bottom of this sort of vial of differing plans. This is a last resort, sort of, because there are better things that Feitan can be doing, really, but he is nothing less than loyal to Chrollo and the other Spiders, so he’ll find people who may know the answers his boss was looking for.
He does not blame Chrollo, because if the information was something even Shalnark could not find, it is something so secretive that it could metaphorically be so beneath the waves that it is on the bottom of the ocean floor.
Feitan takes on the role of the more experienced diver because he wants to make Chrollo happy.
Thankfully for most of those you know, only a maximum of perhaps five people are flicked off before you are brought to whatever penthouse Chrollo has bought for the next month or so. The rest can continue with their lives as it was, not that Feitan cares or Shalnark cares or Chrollo cares, except for poor, poor you.
Removing Nuisances. (Murder Likelihood: 8/10)
Similarly to gathering information about you, dealing with rivals follows a similar sort of hierarchy. Chrollo follows them, albeit with far less care and perhaps even stealing a few things along the way, if the rivals are rich enough, though that is quite rare to happen. Instead, he would try to threaten them through anonymous emails or letters, perhaps even with a photo of them sleeping thrown into the mix. But if that does not work, Shalnark is up next, digging up past searches and buyings that the rival perhaps regrets or wants to remain hidden. It could be anything, really, and soon this information will start to spread like a flame until the rival’s reputation is utterly ruined. If the rival is still stubborn about wanting to be romantically involved with you, Feitan is last, burying a corpse underground that looks far from the human it once was by the end of it all, and Feitan, unsurprisingly, likes this sort of business rather than simply lying in wait for a friend of yours to unfortunately cross his path.
Perhaps even Chrollo will join Feitan in this session or sessions. It sometimes happens, when Chrollo is too pent up or feeling especially angry, although he hides it well with a smile that is a bit too wide, at this rival in particular. By the end of it, when both he and Feitan look like they took a bath in blood with their clothes on, Chrollo laughs, and Feitan snickers. He feels good, both of them do. Maybe this is why Chrollo is so taken with you, Feitan wonders. The power and control that comes with you… it’s utterly addicting, isn’t it?
Adam and Eve. (Absolute Isolation) (Kidnapping Likelihood: 10/10)
Before he takes you away, Chrollo makes sure that whatever he cannot replace he takes with him. This includes memorabilia, photos, family heirlooms if you have any, and even annotated novels you have on your bookshelf with notes sticking out of them like sore thumbs. He manages to take it all away easily, just like he does with you. Chrollo, despite how selfish he is, still wants in some capacity to make you happy. In your “adapting stage”, you may be able to hide away from him in the bathroom and lock the door, but at least you will have the choice to continue whatever hobbies you had before that Chrollo allows you to do while you are self-isolating. 
He sees this small reason for you not to hate him entirely as a win. A triumph followed by many others to come.
Collector’s Habit. (Comfortable Imprisonment / Chains + Cages)
Chrollo’s penthouse is lined with things both of significance to him and you. Almost all of it is stuff that he has stolen, however, not that he cares. The paintings lined up in the dining room, the many pretty dresses put in your closet and you are forced to wear, the jewelry that he clasps onto your neck and fingers and wrists like chains, all of them are stolen in some capacity or another. 
The things that he had stolen from your home all look like they belong there, almost. Your favorite pink beret placed next to a porcelain plate of macaroons and fruit a note telling you to get ready for a date later in the evening, an old photo of you placed in a frame that ought to be at least three hours worth of your salary, your most cherished books all lined up next to Chrollo’s own, all the covers and sizes somewhat similar to one another that it almost drives you mad. It brings Chrollo comfort, while it brings you ire. 
Possibly, you’ll read one of his Dostoevsky pieces when you think he is gone, or you’ll try on one of his many fur coats when it gets too chilly or when you are curious. But curiosity always finds a way to kill the cat, because when you think you are not going to be caught, Chrollo finds a way to sneak up behind you and simply observe, smirking, even when you see him.
Attention-Seeking.
Chrollo has always been one to utterly enjoy being in the limelight. He loves acting parts, playing parts as classy as a Prince Charming to a part as scheming as a villain that has locked the princess in a tower. You get both, the unlucky person you are. He gives you roses and proclaims poems and confessions of absolute love and undying loyalty, but you then remember that he is the one that trapped you here, to begin with.
This life that was forced upon you is a fairytale very close to cracking and falling apart, but never does.
You are forced to be a helpless maiden waiting for a knight in shining armor to rescue her, but unfortunately for you, that knight is also the very evildoer in this story. So, you try to be your own knight, your own prince, but it will never be as close or as real as an actual hero. So, your attempts fail, regardless of how long they were in the making. You are not strong enough, not fast enough, and you simply cannot write your own ending in this whimsical tale if Chrollo is always aware of them.
But you come up with a plan that takes weeks upon weeks and months upon months for it to bear fruit. 
You'll comply with his desires and make your getaway when he least anticipates it. Thus, you're compelled to dance with Chrollo, flawlessly and without objection, to safeguard your plan. However, with each movement, it feels as though nails are penetrating your foot, for you're uncertain if Chrollo is aware of your actions, and it fills you with immense fear.
But it is too late to back out of this, so you keep on doing this waltz.
Eliminating Rivals. 
The basement, as always, is filled with dust and dirt with insects both alive and dead scattered on the floor next to Feitan’s equipment. Chrollo does not mind it, though, despite him still wearing the suit he wore when he was following you to the train station, the route you usually took to get back from your best friend’s house to your place. He does not like her, but he decides to let her still do whatever with her life as she pleases, unlike the person currently zip-tied to one of the rusty chairs with broken legs. As long as she does not try to seek to be more than friends with you, she’ll be safe from harm. Even though Chrollo’s gut is telling him that she will try, that she will kiss you, say “I love you” to you and maybe go on top of you in bed and-
He tries not to think about it, he is already behind schedule enough as it is, though he could just make Feitan do the work by himself. He tries not to think about it because he has to start preparing his penthouse for your arrival soon to come. He has already purchased some new comforter sets for the bedroom, along with some of the skincare products he knows you use in the bathroom. He’s busy, too busy to involve himself with something other than torturing this man and getting back on track. He focuses on the scene ahead, trying not to think about that friend of yours or the barista who always looks at you for a tad bit too long. If he let his emotions and not logic control him, he would have murdered half this town already and left love notes on their headstones.
He looks at the man, covered in his own blood, his own vomit, his own feces from being confined there for days before Chrollo arrived, deathly thin from starvation and dehydration. From what Feitan told him, Feitan gouged out one eye one day and the other eye the next day, leaving him blind and weeping, his vocal cords far-reaching past their limit, crying out gibberish like some sort of animal, something not too conscious enough of its surroundings to be anything considered even near human.
“Fei, do you hear that?”
“...I do.”
Sexual Drive: 5/10.
Chrollo knows most of what there is to know about sex, but not for his own pleasure. He uses this knowledge mainly in intelligence gathering, when Shalnark, Feitan, and even Pakunoda are not able to get the information the Troupe needs for their next heist. He holds sex with little to no emotional value because of this, since his love for the other Troupe members is high above what little admiration he could possibly hold for those people that he subtly interrogates while fucking them as gently or as hard as they want him to, whispering in their ear when they are feeling their most euphoric, asking them what dons are trading with each other and with what, asking them how the president of this company makes so much when the value of their imports and exports don’t exactly match up, asking them how exactly many secret passageways this mansion has… it’s endless, really, how much information he can get out of them. The human body is so vulnerable, especially when pain mixes with pleasure or pleasure mixes with pain or pain is alone or please is alone. Chrollo is grateful for it.
But when it comes to sex with you, Chrollo then finally sees the emotional side of this spectrum. Your bodies bond and become one, melting into one another as you both moan out each other’s name, lovingly yours and lovingly his.
This development does not surprise him because he does want an emotional bond with you in some sense of the word, he wants you to worship him just as much as he does with you.
Let us go, shall we? Before you could answer, his hand grabs your wrist, his grip making it impossible for someone like you to break away. We… have plenty to talk about and do, correct?
Violence Towards Darling: 3/10.
Don’t take this as a sign that he will not use violence on you at all. Believing that Chrollo's violent tendencies towards you are limited to slapping or ignoring you is a naive assumption. You soon realize that attempting to strike him is futile due to his lightning-fast reflexes. Fighting back against Chrollo will not resolve anything. Instead, you come to understand that he wants you to be like a pet, constantly performing tricks and obediently following his commands.
You wonder if he would also display you like a trophy. Uncertain, you contemplate whether or not you want to find out. Eventually, a few nights later, you dream of a life without Chrollo's constant control, where he does not touch you possessively and parade you around expensive events. You recognize that you are nothing more than his lapdog, his pet, his trophy.
However, Chrollo claims to see something more in you. Is he being genuine in his belief? Do you really desire to uncover the truth?
Violence Towards Others: 8/10.
In his search for you, he maintains his usual calm demeanor, though his eyes reveal his inner turmoil. Anger fills his vision, overshadowing any light. Surely, you couldn't have gone too far. He frantically scans the penthouse until he finds you on the balcony... in the company of someone else.
“Feeling intrusive, are we?”
He pays no mind to the identity of this person, although it's likely they are a former lover or at the very least, a love interest. Your declarations of love and reciprocated kisses leave no room for doubt. How they managed to reach this height is irrelevant to him.
Without uttering a single word, he opens his book, channeling an unseen force from his hands to your ill-fated companion, causing them to plummet to the ground amidst screams from both of you.
After a few moments of tears, mumbled apologies, and the utterance of their name, he informs you that a serious discussion will take place later. With that, you silently follow him back inside. He will contact Shizuku to handle the cleanup of the body in due time.
Vanilla / Kinky
Favorite Kinks:
Begging.
Both inside and outside the bedroom, Chrollo likes having you beg, from you begging him to let you orgasm to you begging him to get you that new book in that series you were quite interested in before you got stolen away. It’s a power dynamic no doubt, it makes him feel wanted by you, needed by you, loved by you. That’s all he wants, really, your love and devotion and for you to promise to be his sun and moon and stars, for you to say he is bigger and more important to me than the sky, for you to hold him, for him to hold you.
No matter how much time passes, how many different places you both stay in and leave, how many countries you visit for leisure or for Chrollo's next big scheme, he refuses to break this unhealthy pattern, even for your sake. He enjoys this routine, so why would he alter it? He will occasionally tease you for being rather selfish, even as you both grow older and wiser and your hairs both white and your skin wrinkly. He will even say it to you when your corpse is resting peacefully in its coffin, as he sheds tears for the first time in many years.
Every time please, Chrollo, please, I… comes out of your mouth, it sounds like to him, the most beautiful martial vow. 
He locks each and every one into the deepest crevices of his heart like unwilling prisoners, despite how small and cold and dead his said heart is, at least to you. They don’t want to stay, but they have to because I want them there in remembrance. Just like you. Poetic, is it not?
Voyeurism. 
The screen in front of him showed you coming out of the shower, your body dripping with soapy water with a towel on your body that barely covered anything and a smaller towel covering your hair that was put up in a clip. Shalnark placing cameras all around your place made things much easier to know things about you that he could not find out through traditional stalking alone. He is grateful for him.
Slowly, as he smiled, one of his hands went into his pants, then his boxers as he caressed the half-hard thing beneath them both. He kept groaning as it got harder and harder, his breathing getting faster and faster. He is not sure how much time had gone by, but he knows that there was now liquid, slow and warm, running down his legs and is all over his hand, and as always, you were none the wiser.
Oral. (Receiving)
Your knees are on the floor, having been there so long it hurts. Your neck is curved backward and your mouth is in pain from his large manhood in there like an unwanted intruder, as you desperately gag and choke and cry. The only reason you have not successfully gotten away is because one of his hands is grabbing the back of your head and pulling you every time you pull, hopelessly still trying to fight.
Your hands are tied behind your back with silk to not damage the skin of your wrists, while you desperately try to claw your way out of them.
You’re in the clothing that he wants you to wear, as usual, though calling it clothing would be an overstatement as it hardly covers anything. A black thong with a short skirt, along with a low-cut bralette. As always, you have no say in the matter, and even though you are unable to utter a word, he showers you with affectionate words, as fake as they seem.
Favorite Parts:
Your Thighs.
It is more of a comfort thing than anything else, really. The way that it is one of the softest parts of you, one of the meatiest parts of you, and, most of all, the easiest parts of you to grab and hold and kiss and press hickeys into and fuck.
It’s only natural for a thief to want to keep their prized possessions close to them, is it not, my darling? 
While Chrollo still places you all of his mementos and diamonds and paintings among the many, many other things he has hidden away in his current penthouse, seeing you as better than all of those things combined, he still sees you, in some ways, as something to be sanctioned, whether it be for your own safety or just his pure, unadulterated selfishness, or perhaps both.
So, he holds onto your thighs at all times pretty much, squeezing the flesh for either attention or just because he needs some security that you are still there with him, no matter how close you physically are to him.
He will occasionally rest his head on your lap, reciting his book aloud while you are obliged to listen. He never dozes off because he is too cautious for that, although he yearns for it. His desire to lie down and have you run your fingers through his hair as he gradually drifts to sleep almost surpasses all his other needs. It may sound like a fantasy for him, no pun intended.
However, it would be a nightmare for you, whether he falls asleep or not. But as always, Chrollo hardly cares. If you dare to object, your longer skirts, shorts, and one pair of sweatpants will vanish for approximately a month, only to be replaced by outrageously short clothes that barely qualify as attire.
They’re soft, just like your lips, your voice, just everything else about you, you, you. It’s the parts that most perfectly describe you, he’ll say, forcing you to tolerate all his touches because his hand is not going anywhere, just like the rest of me, sweetling.
Just stay still and let me see how plush you are just for me, alright?
If he ignores all the goosebumps and the shivers, he can assume that this is what heaven feels like. It must be, right, dearest?
Your Collarbone.
Despite everything else about him, Chrollo can be a sort of traditionalist when he wants to be. This applies quite rarely though, only really affecting the relationship he has with you, both inside and outside of the bedroom.
He likes how the bones stick out, the crevices just so perfect for him to slide the tip of his fingers across, just so perfect for him to kiss and bite, just so perfect to hang necklaces from so they are on a sort of diagonal and reflect the light, making them shine and making them highlight the hickeys that have been pressed into them, right below them, and right above them…
He forces you to wear all kinds of accessories and low-cut shirts that he can find, not caring how much money it would cost, just to see some diamond-encrusted choker on your neck. He says in the calmest voice he can muster that it is no big deal, darling, just trust me and I got this for you and you alone, now why don’t you be a sweetheart and put it on? You might think that a choker and a collar are essentially the same, as they both tightly grip the neck like a suffocating hold. However, Chrollo pays no mind to this, as owners don't concern themselves with their pets realizing they're wearing such a sign of possession.
Your Feet.
Chrollo appreciates art in his own unique way, specifically when it comes to sculpting and realism. He finds your feet to be truly exquisite, along with the rest of you. Despite your attempts to ignore it or cover them up, he has a clear fondness for your feet. Your toes are round, your heels are perfectly shaped, and your soles fit perfectly in his hands when he places heeled shoes on them. In secret, he also enjoys the scent of your feet, although he would never admit it. He would rather die than confess. 
Your feet are cute and can become sweaty and sticky, making them easy to hold onto, just like your thighs. 
Those traits really remind him after you orgasm, with you of course begging repeatedly for it a few moments before he lets you.
It's a hidden pleasure for him, even if you were to discover it, he would keep it to himself. You won't be able to get any information from him. If you do happen to find out, don't be surprised when a substantial portion of your jewelry drawer is filled with anklets.
His Fingers.
Chrollo admires his hands more than most other parts of his body. He trims his fingernails every two weeks, putting hand cream every time he steps out of the bath, never skipping this routine of his. The reason he admires his hands so much is that despite all the bloodshed and other dirty acts he does with them, they remain on the outside clean. It boosts his ego, in a way.
There are just so many uses for them, he loves flipping the pages of his favorite novels with them, he loves cutting food for both you and himself with them, he loves squeezing your thigh as either a warning or a sign of love… there are just endless possibilities, at least from his perspective.
But his new favorite thing is to fuck your clit with them, and yours alone.
Is it a privilege, then, that only yours can bring him such joy? Whether you believe it to be so or not, it holds no significance, for Chrollo finds pleasure in this, and only his satisfaction matters, given that he is the one who has taken you captive.
Please, Chrollo, fuck me, fuck me, fuck me, I can’t take this anymore I-
His movements are flawlessly executed, almost unfairly so. They are deliberate yet unhurried, demanding your submission. However, he will only grant you this pleasure if you plead for it. The act of begging will consume several minutes, perhaps even a minimum of two, leaving you in a state of desperation. Meanwhile, he will revel in your discomfort, relishing the power he holds over you. This perverse satisfaction is what he adores the most.
As you wish.
Inevitably, you will find yourself succumbing to your desires, unable to resist the overwhelming pleasure he provides. Despite your stubbornness, your willpower will eventually crumble under the weight of his expertise.
He derives immense pleasure from knowing that he alone possesses the ability to bring you such ecstasy. This knowledge fuels his ego, heightening his sense of self-importance.
His Words.
Chrollo has an insatiable thirst for knowledge, but he also derives great pleasure from imparting knowledge and amusingly embarrassing others. And when it comes to you, he takes it to another level.
He constantly showers you with compliments, comparing you to famous heroines like Juliet and Ophelia from classic literature. He insists that you possess the same beauty as any damsel in distress from those timeless tales. To prove his point, he even offers to acquire paintings of these fictional princesses and damsels for you to admire and compare yourself to.
Wanting a break from his constant attention, you agree to his proposal. Besides, you get the bonus of owning some exquisite artwork. What could go wrong, right?
Well, it turns out to be a colossal mistake.
Upon waking up, you find yourself surrounded by what feels like an entire museum filled with paintings of fictional damsels, duchesses, princesses, and queens. The overwhelming presence of these artworks threatens to suffocate you. And to make matters worse, Chrollo insists on meticulously going through each painting one by one, forcing you to endure this ordeal that could very well last for days.
Your legs resemble hers, your lips resemble hers, your feet resemble hers... every aspect of your physique and the muse's physique that he remarks upon, leaves you feeling incredibly exposed, more so than ever before.
The duration of this process is absolutely exasperating. It leaves you feeling as defenseless as a lamb anticipating its fate in the hands of a butcher.
His Knowledge.
Chrollo truly treasures his knowledge, viewing it as divine nectar from the heavens, if indeed it exists. This belief is so strong that he occasionally overestimates it, taking every opportunity to display it in a way that impresses you more than anything else he does, both inside and outside of the bedroom. Whether intentionally or not, he will state the obvious, like pointing out that the creature you're observing in the rose garden during your “date” is not a slug, but a snail. 
It frustrates you, but you acknowledge that it could be worse–he could forbid you from venturing outdoors altogether. 
Surely, that counts for something, doesn't it? 
…Doesn’t it?
Fantasies. (Consent / Non-Con) (Coercion / Brute Force)
If one were to make a comparison, they would compare you to a piece of art so beautiful, that it is instinct to witness, praise, and worship until their bodies all turn to mere dust, in which they will be swept away by those alive who do not want your refinement to be stained by those who have passed on. For what is a beauty without a beholder? Chrollo will gladly take up that role, as he is the only one worthy of seeing such a piece. You, leaning on the pillows, legs crossed, hair put up in a neat bun, wearing makeup that he has said he likes on you before, looking up at him like he has come to bless you with a mere glimpse of the divine power he holds, wearing the black lingerie he chose for you to wear this evening, made of lace with patterns of roses scattered about.
This is his welcome home gift, from both himself and you. He may have requested that you could partake in this, but since you are doing it without any complaint but instead loving doing the task at hand, he could consider him soon becoming one with your body for the evening to be an award from you for all the work he has done for the Troupe these past few days.
If such a prize is laid before him, ripe for the taking, why wouldn’t he? So, without so much as uttering another word, he starts to undress as you watch, a mix of genuine joy and interest laid out on your face. He hasn’t even touched you yet, and with this simple act, you are bound to him with the invisible thread of lust.
When his boxers are all the way down, he approaches, and you don’t blink, wanting to take it all in. Shall the fun start? When your lips meet, all reservations that you once had dissolve, as few as they are now.
(But don’t think Chrollo respects your boundaries completely when it comes to sex; if you deny him enough, over the course of months and months, he will break his composure and show you where you belong; underneath him.)
→ Strengths.
Realities. (Your Own, His Avow) (Patient / Impatient)
The being that is above you in this bed is unlike any human you have ever met before. His looks and personality are all artificially crafted, like some automaton made to resemble actual living things, but do not stray far from their roots, what they were made for, and what they were made of. I’m real, you think, I’m real. Chrollo is not.
He’s aware of everything you do. Every step you take. Every word you say.
He is aware. He possesses knowledge of all things, much like the god he feigns to be. His understanding of emotions is as keen as his logical reasoning, resulting in a situation of dread that pertains solely to you.
It instills fear within you because he holds the key to all knowledge, while you remain in not-so-blissful ignorance.
→ Weaknesses.
Lotus Eater. (Dreamy Idleness)
Chrollo, despite his attempts to appear superior to others, is not without his flaws. If those around him stroke his ego, he becomes overly confident. Yet, if one were to try the opposite approach, it would have the same effect as boosting his ego. He is cursed with arrogance, always believing he is superior to others, even some members of the Troupe. Perhaps you can use this knowledge to your advantage. Faking affection could lower his guard and further inflate his narcissism. It is a strategic move, preferable to engaging in a physical fight that you cannot possibly win. 
Therefore, when you believe you have the opportunity to escape when his guard seems lowered enough that he won't immediately pursue you, you run. At that moment, his facade will crack, his eyes will grow emptier, and the hollow husk chasing after you will not resemble the Chrollo you once knew.
→ Daily Life.
Welcome. (Day One)
Chrollo remains a mystery begging to be left unsolved.
He rises at his usual hour each morning, and it's a rarity to witness him actually sleeping. His breakfast consistently consists of sausage and eggs, seasoned solely with salt and pepper, as he avoids other spices. He purchases fresh bread from whichever local bakery happens to be closest for the week or a few days ahead. Occasionally, if you're fortunate, he may bring back something sweet while out and about, such as a chocolate-filled croissant or a cherry jam-filled danish. However, trust, whether in platonic or romantic relationships, is something that must be earned.
Interestingly, it appears that regardless of the circumstances, Chrollo seems to possess a certain level of trust that you won't make any foolish choices. On your initial day in this penthouse, he simply greeted you, patiently waiting until the effects of the drugs wore off, allowing you to cry on the bed until your tears ran dry. He comforted you, softly shushing you and gently caressing your cheeks with his thumb.
Yet, he never becomes too intimate.
Was that his motive? Is that why he opted to masquerade as a compassionate gentleman rather than a captor? Instead of asserting his authority, he chose to console you, demonstrating that such solace could be snatched away in an instant. You were oblivious to his true intentions. On that initial day, you wept more than any other day, the taste of mint on Chrollo's breath and the aroma of coffee still etched in your memory. He would inflict further harm, and for the sake of your sanity, you believe it is preferable for him to remain an enigma, shielding you from the repulsive monster lurking beneath his attractive facade.
What Could Be. (And What Is)
Strangely enough, there are still parts of your life after Chrollo has captured you that would still sort of count as normal enough that you could turn the other way and ignore all other cosmic horrors that are happening in the general vicinity. You could still decide what you want to eat and drink that day, what to watch, what to read, what time to wake up and what time to go to bed, what to write in your diary (that not-so-strangely has its lock missing now), listen to the morning birds or to the music that Chrollo allows you to listen to (which is most of it, shockingly)... the list really is endless, really, aside from a few things that you forget sometimes, much to future you’s horror.
But sometimes you forget on purpose, to divulge in the fantasy Chrollo has carefully crafted for both of you, either to fool him or your walls really are as broken down as he wants them to be.
He finds it nice when you ask him questions about whatever place he has rented for the two of you for the time being, the location at hand most likely being related to the Troupe’s plans to steal whatever is of value. He likes to show off, and to listen to him talk for hours requires the patience of a saint.
→ Punishments. (No Punishments / Tortuous Punishments)
Welcome Again. (Failed Departure)
The penthouse looked to be the same after you ran out the entrance door that you lockpicked. The fireplace was still lit. There was still a smell of peppermint in the air along with some scent of coffee, lattes maybe. Everything looks the same, just as it always has. It nearly scares you more, how calm and warm this place is, than the hand that has a grip on your wrist so tight that you feel like he will dislocate it in the very least.
But he does not look angry, but that smile is not good at all either.
He does not say anything as he closes the door behind him, turning the lock on the door so it will remain that way. He does not say anything as he continues to drag you, albeit a bit more tight in his grip now that you are within his grasp once again. Whatever you say goes in one ear and out the other, and you know better than to struggle and scream, because you do not want this day to result in yet another bloodbath, and it would be useless anyway, even if someone came to rescue you. That is why, like the sort of pet you were trained to be, you bite your tongue and obey. He seems to not be angry now, but who knows what awaits you once you are in the bedroom, where most talks and actions are the consequences of your supposed crimes. You can’t really breathe, but that is alright. Chrollo will help you every step of the way after all, as the dutiful owner he has come to be.
Perhaps a pet is all you will be.
He wants you to look up at him like some god, some deity that you worship with all your being. But you can’t, not yet, and Chrollo knows that. Perhaps some methods unknown to you but known to him can help, can’t it?
He hopes so for your sake, but what do you hope for, wish for? You don’t know, and maybe never will.
Venus Fly Trap. (Temptations of a Liar)
Chrollo is well aware of the diverse array of predatory flowers, each manifesting in its own unique way. Perhaps you too possess such characteristics, with your alluring fragrance and honeyed speech, deceiving him into a false sense of security before stripping it all away. However, there is one crucial detail you seem to have overlooked. What transpires when a venus fly trap ensnares a prey that surpasses its own size and devours its own kind and others, rather than the typical fly it ensnares?
Undoubtedly, they suffer. Yet it appears that this lesson has eluded you thus far, hasn't it?
You have displayed kindness, sweetness, and a willingness to comply, within certain limits. Undoubtedly, you possess some degree of skill, though not enough to deceive him, the enigmatic masked orchestrator of this theatrical production.
Therefore, it is without much remorse that he renders you motionless with delicate silk and persuasive words that possess the potential to sting, should you ever dare to push him too far.
However, deep down you are aware of the truth, just as he is aware too. If he doesn't take a firm stance, what other undesirable situations will you find yourself in? With a single hand, he flips open the book, while using the other to shush you.
“A shame,” He says, turning the pages. “A crying shame, really. The sky is so lovely tonight… Who knows when we will get this scenery again, hmm?”
You don’t know what he will do to you. 
…Does he?
→ Quotes.
Hello.
Greetings. It is truly an honor to meet you face to face like this at long last, [First]. There is no need to introduce yourself to me as I already know who you are. That, and… hmm. That, and I think you are not all there right now. Please, I recommend relaxing and listening to what I have to say. But just to make sure, try to speak to me… as expected.
Chat: Ballet.
All dancers must put themselves fully into whatever moves they do. I suppose that can be the same thing for you and me.
Chat: Athenaeum.
Libraries and archives are some of the places I enjoy going to the most. Maybe if you continue behaving, I’ll take you to one nearby.
Chat: Reimbursement. 
Quid pro quo, darling; I assume you know the best ways to compensate me for the broken locks?
When It Rains.
The rain is perfect for a day of staying inside. Though, hehe… you’ll be indoors no matter what, right? Good thing you have me as company today. …What do you mean? I leave sometimes, mainly to get you things might I add. I suggest being more grateful if you don’t want that koala plush to disappear.
After It Rains.
Sigh… the smell of morning dew and the sounds of birds chirping… simply marvelous. Let’s go dance on the balcony, but be sure not to get your new shoes wet and slip. I would hate to have to bring Machi again.
When Thunder Strikes.
Aw, are you going to cling to me so cutely whenever there is a storm? I wouldn’t mind that, I’ll even give you more blankets to hide in if you wish. …Wait, dearest, come back… sigh… of course she hid under the bed again.
When It Snows.
So cold out there, isn’t it? If you ask nicely, I’ll give you back your socks and slippers. Go on.
When the Sun Is Out.
Let’s go on a walk tonight when it’s not so hot out. The sunset’s beauty will only be second to your own.
Good Morning.
Good morning, love, I made coffee. Feel free to use one of the creamers I got you, and there is oat milk near them somewhere in the fridge… Hm? I have never really been a fan of sweet drinks, so black coffee tastes good to someone like me. 
Good Afternoon.
Sure, you can cook lunch. But allow me to cut the ingredients and heat sources. We know how you used them last time.
Good Evening.
It’s so quiet you can only hear the crickets chirping. It’s quite a romantic atmosphere, isn't it?
Good Night.
Ah ah ah. No bed for you yet. Give me a goodnight kiss first. No, you can’t sleep on the couch either. Or the floor. If you keep refusing, I’m going to ask you more questions than yesterday. …That’s better.
About Chrollo: Tattoos.
There is something comforting about them, I think. No matter what the person does to reject it, it will stay. The permanence of such an act should also be what you should be. Now, bite me again and you will sooner than later find yourself in a tattoo parlor. Am I understood?
About Chrollo: Lies.
Don’t say that, my love. I’m not lying to you, I’m just picking what parts of the truth to show and hide. There is no harm in that, I think. 
About Us: Home.
This place is much more human with you in it. Do with that as you wish.
About Us: Cull.
Life and death have a sort of agreement. A contract if you will. The more lives taken by your hands, the more your own life is put at risk. Quite poetic. Like everything else in life, there must be balance.
About Us: Matrimony.
Being bound by just a few words… The very idea is beautiful in my opinion. If you want, we can get married. It is not like anyone else is going to put that pretty ring finger of yours to good use, anyway.
About Us: Panoply.
Anything you want you shall receive. Just say the word. Unless it is already here, which is a possibility.
About You: Humanity.
The human psyche is truly fascinating, don’t you agree? All it takes is a few words or a few actions and it all comes crumbling down. Like you.
About You: Epiphany. 
Not a man, not ten men, not a hundred men can ever provide me with the same joy you give me. You’re special, you know? You make me feel… alive.
Something to Share.
“Be glad as children, as birds in the sky.” A quote from Fyodor Dostoevsky. But… birds are constantly migrating to better places, so really, are they grateful and glad for the gift of life?
Interesting Things.
I see you are doing experiments with pH again. Just be sure to not use all of the vinegar, please. And no, vinegar cannot melt a door, for the final time. 
About Nobunaga.
He thinks more with his heart than his head. But he means well for the Troupe. Or himself when he makes someone call to order takeout for him. 
About Feitan.
I learned a lot of torture methods from him. He truly is the best at what he does. As for social skills… not so much. But everyone has their ups and downs, and that is Fei’s.
About Machi.
One of the most loyal people I have ever met. Also one of the most in tune with their wants and needs. If she thinks of something to say, she’ll say it without a doubt. She is very transparent when it comes to that kind of thing.
About Hisoka.
Hisoka… he is very… out there, isn’t he? But he is valuable to me, so I give him free rein to do whatever he wishes.
About Phinks.
One of the physically strongest. Though also one of the only ones to ever get a laugh out of me. Shizuku once asked him why he did not have any eyebrows, and the way he stopped talking and stared at the ceiling caused us all to snicker. Feitan did earn a blow to the head by the end of it because Phinks does not hit women… He is much more gentlemanly than he appears.
About Shalnark.
When it comes to computers and such, Shalnark is the person to do it. He was the one to convince me to get a newer phone model and taught me how it worked. He kept chuckling as he did, and every question I had asked earned a wide smile in response but no actual answer. He says I am an… “old man at heart…?”
About Franklin.
He is not the most talkative one out there, but if ever comes to games to decide matters, he is the one for the job. Once, Uvogin betted fifty thousand Jenny if he ever beat me in chess. Franklin managed to almost win in the end, but he gave up at the last moment. He said he couldn’t bear to do that to me.
About Shizuku.
At long last, she at least remembers my name. She is quite charming in her own way… I see why Franklin took on a sort of caretaker role for her.
About Pakunoda.
Paku… Paku is one of the sweetest people I know. Whenever I didn’t feel well, she was the first one to come and help me feel better. She even fed me her rations, regardless of the tough times we were put through. I should ask her to make me soup again, I have missed the taste of it…
About Bonolenov.
When he trusts you enough, he has quite a humorous and proud side. He is very proud of his culture, and as someone who did not have one as a child, I find it very admirable.
About Uvogin.
I swear he could drink enough beer to kill a whale and still not be satisfied. The same goes for fights. Any challenge goes, whether that is an eating or video game contest.
About Kortopi.
His copying ability is quite useful, and Nobunaga wanted to give him a haircut using his sword. He declined of course, much to Nobunaga’s disappointment. …Hm? A copy of you? No, you are priceless, and nothing can ever compare, even a version of you that does everything I ask. There is a charm to your disobedience. That, and Kortopi cannot make living copies.
More About Chrollo: I.
Come. I got you some books for us to read together. But before you touch them, I must tell you that you can only read them while on my lap. Isn’t that such a great deal, dearest?
More About Chrollo: II.
“Better to reign in Hell than serve in Heaven…” Yes, I can see the parallels between this line and myself. Is that why you decided to show me this? …Oh, you just wanted an excuse to call me Lucifer again. Do what you wish, I suppose. But please put that book back on the shelf where it came from when you are done. You know I hate it when you mess up the categories. …Hm? Don’t do that, or I won’t get you any more mochi. …You know my threats aren’t empty, my dear.
More About Chrollo: III.
…Do you need something from me, dearest? No? …Why am I asking? So you just happen to be pressing your chest against my arm for no apparent reason? …I see. Well, if you want my attention so badly, who am I to refuse?
More About Chrollo: IV.
Yes, that note is from me. That gift is also from me. Open it, please. …You should try wearing that set next time. Your thighs will stand out better. You were the one that was asking last night, not me. Ah, you are feeling rather adventurous these past few weeks, aren’t you? …Looking for something? Is this it? You know, I’m disappointed in you, to put it frankly. I thought you were coming around. You know what happens now, don’t you?
More About Chrollo: V.
Time has certainly sped by, hasn’t it? Let me give you a word of advice. No matter what happens, always remember those who have gotten you to where you are now. As a result, your situation can prove to be much less isolating that way. …Yes, that includes me. For when you are alone, my dear, your mind always finds a way to eat you whole.
Chrollo’s Hobbies.
Leading an orchestra and executing a grand theft operation share fundamental principles. It is imperative to maintain a commanding presence, ensuring that others adhere to your lead. Collaboration becomes the pivotal factor in achieving triumph during such endeavors.
Chrollo’s Troubles.
I find it perplexing how some individuals effortlessly navigate life with a serene demeanor, rooted in their unwavering sense of self. Maybe it stems from a twinge of envy, or perhaps there's another elusive element at play. But being envious is part of being human, is it not?
Favorite Food: Black Squid Ink Carbonara.
It is briny, and salty, like the sea. Quite refreshing as well, especially paired with homemade pasta. Only the best quality is allowed. …I am not being too picky. Do you know how many children in Meteor City have grown up never eating from a fast food place, much less a local restaurant? I simply am greedy because I can now. I couldn’t before, and that is why I do so as an adult.
Favorite Food: Opulence. 
As an adult, my current ability to indulge in greed is a newfound privilege that I couldn't have experienced previously. Hence, I find it impossible to resist the temptation of adding an extra serving of truffle or caviar to my plate.
Least Favorite Food: Canned Cabbage.
One of the very few foods I refused to eat unless absolutely necessary was canned cabbage. It was slimy and always came in watery vinegar with mostly moldy parts… I was desperate, but not desperate enough to eat that. Machi, Nobunaga, and Phinks all agreed. Feitan didn’t, much to everyone’s annoyance.
Least Favorite Food: Waste.
Paku, Machi, and Feitan had a sort of pact that they forced on the rest of us to never throw away things that were still edible. According to Shalnark and Uvogin, moldy food is still edible. Phinks and I disagreed but… we got outvoted. 
Receiving a Gift: I.
Indulging in scrumptious meals truly possesses the power to alleviate all worries. So, how can I express my gratitude?
Receiving a Gift: II.
Oh? Thank you, dearest. …For your own good, you better not have put salt instead of sugar this time.
Receiving a Gift: III.
Ah... considering you seem to have a moment to spare, would you be interested in sitting down and enjoying a shared reading session? The choice of material is entirely up to you, of course.
Chrollo’s Birthday.
You are such a prize, you know? You’re in an outfit worth its weight in gold, actually, now that I think about it, diamonds. Autumn has set in, the weather gets colder, and the food gets warmer. Perfect time for spending quality time with someone, wouldn’t you say so? Please, allow me to do this with you, [First]. I have never really cared for this day if I am being honest, but… now that you are here, I feel like new opportunities are around every corner.
Birthday.
Happy birthday, [First]. Within reason, I would like to treat you to whatever your heart desires. Food, art, wine; anything, just tell me, alright? I will see to it. …Heh. I’m afraid a fall from this penthouse will not be enough to kill me. …No, I am not going to put it to the test, since I am certain about it. Please think of something else. The world is your oyster, dearest. But… remember that I can always close it before you can get to the pearl.
Feelings About You: Ethereal.
This feeling… I haven’t felt something like this since… Hmm? Am I? Quite the observation.
Feelings About You: Euphonious. 
…I miss your voice, you know. I always like it when you get caught up in a topic that interests you, no matter what it is. …But last time I took the gag off and took you out, you behaved quite terribly… Here, I’ll tell you what. I’ll take the gag off, and I’ll get you something related to your interests, and then we can talk about it. Does that sound good to you?
Feelings About You: Eternity.
We shall be together forever, bonded at the hip if we must be. I promise you. Do not worry about the details. It does not matter if you like it or not, because I will take care of whatever obstacles get in our way. Whether that obstacle is you or any… outsiders.
Feelings About You: Elision.
Do know that I do mean it when I say that I do want to make you happy. Yes, our relationship is less than ideal, but in the end, just know my feelings for you are indeed sincere. …I’m not exactly willing to take criticism, but I could try, perhaps. If you like to do so, I am willing to compromise, though.
→ Conclusion.
You never hear Chrollo in his movements, but you do in his actions when he wants you to.
He puts far more effort into the little things, the details than outright saying his feelings for you, or just telling you his threats. That mysterious gift that appeared on your bed while you were away at work, that just so happens to contain some of your favorite sweets? 
The bouquet on your kitchen table that was placed while you were asleep? The box of dozens if not at least a hundred pictures of you by your mailbox when you tried to file a police report? 
Chrollo is patient to a fault. You will never know what is happening, at its fullest, until it is far too late.
You can put as much blame on yourself as you want, and hate yourself as much as you want, for not realizing how dangerous this entire situation is. But this position under Chrollo’s thumb is so much more horrifying than you could ever imagine, so do not blame yourself for not noticing everything at once.
That is not to say Chrollo won’t try to degrade you into thinking this is all your fault.
Your walls will be as good as broken and crumbled down sooner than you think.
234 notes · View notes
fkapommel · 5 months
Text
Etymology of TLT Character Names
Wanted to provide a fandom resource for analysis and theorizing. Since House names are explained in GTN, this list will just focus on first names. DM me for sources. Enjoy <3
Gideon
Biblical prophet, military leader, and judge, meaning "feeler," "hewer," or "one who cuts down." According to narrative, the Israelites had forgotten their god for 40 years and were punished by assaults from enemy tribes. After Israel turned back to God for aid, Gideon, an unnoteworthy Israelite, was delivered the message by an angel that he should lead Israel against its enemies. Gideon requested three miracles be done by God to prove his and God's ability to do this task, which God then performed. Gideon then completes God's tasks, including destroying an idol of Baal in the Israelite camp and displacing a much larger enemy encampment. Gideon delivered 40 years of peace for Israel during his lifetime and refused kinghood and dynasty when offered by his people. However, upon his death, the Israelites returned to worshipping Baal. A "Gideonic victory" can mean winning a battle against the odds.
Harrowhark
Harrowing - to use a piece of farming equipment to level soil, break rocks, and kill weeds to ready the dirt for seed growth. Also refers to the Harrowing of Hell, a non-Biblical, early to middle English traditional episode in which Jesus, upon death by crucifixtion, enters the Underworld to preach salvation to souls interned there before his birth, thus allowing them to enter Heaven. This tradition has been canonized by Catholic theology.
Hark - the first word of many ancient texts or announcements, meaning "listen." Biblical angelic speeches often begin with "hark."
Judith
The feminine of Judah, a Biblical Hebrew name meaning "praised," "woman of Judea/Jewess." The name Judith appears twice in the deuterocanonical Bible: once as one of Esau's wives and seperately as the titular character in the Book of Judith (a book not part of the canonized Bible). In the Book of Judith, Judith is described as a widow who uses her wit, charm, and skills of seduction to be invited to the private tent of Holofernes, the general of the enemy Assyrian army who had laid siege to her city. Judith is able to get Holofernes drunk and overpowers him, decapitates him, and steals his head to show to her city. She is of the few illustrations of the "ideal Jewish woman."
Marta
Derived from Aramaic, meaning "the daughter," "the lady," and "dedicated to Mars"
Isaac
Meaning "he laughs," referring to the father of the Biblical character's laugh of disbelief when God told him, Abraham, that his nonogenarian wife would conceive his child. Isaac is one of the three patriarchs of Israel, grandfather to the 12 tribes. When Isaac was a child, God commanded Abraham to take him up a mountain and sacrifice his child in His name. When Abraham proved his obedience, God provided a ram to sacrifice instead of Isaac. Isaac went on to marry Rebekah; though they eventually believed her to be barren, after Isaac prayed to God, Rebekah concieved twin boys, Esau and Jacob, at an old age, just as his mother did. Rebekah grew to prefer Jacob. Later, due to Sarah and Jacob's scheming, Isaac gave Esau's birthright to his second-born son, Jacob. Jacob would live on to father the twelve tribes of Israel.
Jeannemary
This specific spelling seems to be an invention of Tazmuir, but the duel components of the name are significant. Firstly, "Jean-Marie" is a French masculine name. Jeanne is the feminine form of the English "John." "Jeanne"  can be traced to a Biblical Hebrew name, meaning "God is gracious." The most notable historical character of the same name is Jeanne d'Arc, a young female military leader who acted under divine guidance. Upon instruction of archangels and saints, Jeanne fought in pursuit of the coronation of Charless VII during the 100 Years War. Her leadership led to multiple military victories but was punctuated by multiple failures. The unsuccessful relief of a besieged city led to her capture and deliverance to the English, who tried her for blasphemy by wearing men's clothes and refusing submission to Church authority. Found guilty, Jeanne was burned at the stake at 19.
Mary is the most notable feminine name of the Christian Bible, referring predominately to Mary, mother of Jesus Christ, Mary Bethany, and Mary Magdalene, a female disciple of Jesus. Mary was born immaculately - without sin - so that she would be a pure vessel to carry Jesus, who she concieved as a virgin. Mary Bethany was a friend of Jesus and sister to Lazarus. She was deeply emotional about her brother's passing, which persuaded Jesus to resurrect her brother from the grave. Mary Magdalene was a probably wealthy Jewish woman who aided Jesus' teachings. As a loyal apostle, she was a witness at both His crucifixtion and resurrection.
Coronabeth
"Coronabeth," like "Jeannemary," is an obvious Tazmuir invention. "Corona" refers to both the part of the body that resembles a crown and to a colored circular frame around a stellar body, usually caused by its atmosphere.
"Beth" is derived from both "Elizabeth" ("God is my oath") and "Bethany" ("House of Figs"). The suffix -beth comes from Hebrew origins, meaning "house."
Ianthe
From the Ancient Greek, meaning "violet flower" or "she who delights." She was one of the 3,000 water-nymphs called Oceanides, daughters of the Titans. Ianthe and her sisters served as a companion to Persephone when she was in Hades. She is also a character in Ovid's Metamorphosis as the beautiful fiancé to Iphis, a character who has her/his gender changed by the goddess Isis.
Note on the Tridentarii: Coronabeth was almost called "Cainabeth" and Ianthe "Abella" after the two Biblical brother characters, Cain and Abel. In the narrative, God preferred Abel's divine sacrifices and loved him more than his brother. In a jealous rage, Cain killed Abel and hid from his crime, his family, and his God. When God asked him, "Where is your brother?" Cain returned, "I am not my brother's keeper." Angered, He cursed Cain with the Mark of Cain. Separately, the first fratricide cursed the Earth to never turn over its vegetation to Cain, the first murderer. His Mark symbolizes him as a wanderer, a person who belongs nowhere; however, it also protects him from the curses and abuse of others, returning scorned words and abuses back to the harasser seven-fold. Though Coronabeth and Ianthe received their names elsewhere, the lusty, jealous, murderous themes of Cain and Abel's narrative were present at the time of their creation and thus should not be dismissed.
Naberius
Though I can't find the meaning of the name, "Naberius" is rooted in Latin. It first appears in Johann Weyer's 1583 manuscript, "The Deceptions of Demons." Naberius, or "Cerberus" - relation to the same named three-headed dog of Ancient Greek theology unknown - is a Marquess of Hell, directing 19 legions of demons. He provides cunningness of the arts, sciences, and rhetoric in man through vocal instruction and can restore lost honors and dignities. His semblance is of a man with three dog heads or a raven.
Abigail
Biblical Hebrew name meaning "my father's joy," "my father is exalted." Abigail is a Biblical figure, being the third wife of King David and mother to one of his sons. She is a strong believer in the prophecy of David's ascension and his great dynasty. Abigail is considered to be one of the seven Jewish woman prophets and, in the Talmud, of the four women "surpassing beauty in this world." The word "Abigail" can refer nonspecifically to a waiting woman or handmaiden.
Palamedes
There are two notable historical fiction characters that share the name "Palamedes." Palamades was an ancient Grecian prince who joined the battle of Troy, according to the Aenid. After Paris had taken Helen to Troy, Palamedes was sent as envoy from Agamemnon to Odysseus because the latter man had previously vowed to defend Helen's marriage. Odysseus, however, did not want to attend the war, but Palamedes was successful in proving his fitness for war and ultimately delivering Odysseus to Troy. According to some traditions, Odysseus never forgave Palamedes for this and eventually killed him. In the Apology, Plato characterizes Socrates as looking forward to death in order to speak with Palamedes.
Secondly, Sir Palamedes is a knight of the round-table, a Saracen pagan (or probable Muslim) who converted to Christiantiy later in life. He is introduced dueling another knight, Sir Tristan, for a lady's hand, which he loses; these two fight several more times but with unclear victories, leading to a hate-love relationship deepened by their love for the same woman (the woman of their first duel). Many stories have Palamedes as the hunter of the Questing Beast, a fearsome animal the target of many a fruitless hunt. After years of pursuit, it is ultimately his freedom from wordly material granted by his Christian conversion that allows him to slaughter the beast. He remains loyal to Sir Lancelot after his affair with Queen Guinevere is revealed and follows Lancelot to France. Sir Palamedes is later killed by Sir Gawain. Except in matters concerning his love and Sir Tristan, where he often lost control of his anger, he was one of the most chivalrous and honorable knights.
Note: The story of Sir Palamedes, as a product of Arthurian legend, is nearly impossible to summarize properly due to its expansiveness and document fragmentation. If interested in the topic (such as the wink wink homo-erotic love-hate relationship he has with Sir Tristan,) i encourage futher research.
Camilla
"Camilla" is the feminine of "Camillus," a Latin term meaning acolyte, a helper of the Priest during religious processionals and ceremonies. In the Aeneid, Camilla is a queen gifted to the goddess Diana as a handmaiden who became a virginal Amazon warrior.
Dulcinea
"Dulcinea" is a name created by Don Quixote for his character, derivative of the Spanish word "dulce" meaning "sweetness." Princess Dulcinea was invented in the titular character's mind to be the most perfect, beautiful, and regal woman since he believes chivalry requires such a lady of him. To refer to a loved one as like Dulcinea is to express your idealistic devotion and love to her.
Protesilaus
"Protesilaus" may come from the Ancient Greek "protus" for "first." Protesilaus was a hero in the Iliad. According to an oracle, the first Greek to set foot on land after sailing to fight the Trojan War would die. Protesilaus was the first to dare step off ship; he sealed his fate then, later dying in combat. His widow was so devoted to his memory that she built a bronze statue with his likeness. She later self-emulated when the statue was burned and destroyed.
Silas
Latin in origin, "Silas" means "of the forest." Notable figures named "Silas" include first century St. Silas, who accompanied St. Paul on his second mission. He is credited as co-author of the two letters to Thessalonians and the Book of Hebrews; however, authoriship is disputed. St. Silas is sometimes depicted with broken chains due to an episode in which an earthquake freed him and St. Paul from imprisonment.
Colum
From the Gaelic word for "dove"
228 notes · View notes