#I think she’s so interesting. not really well written or consistent but interesting | Explore Tumblr Posts and Blogs

angelwonie · 5 months

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ME AND THE DEVIL || coriolanus snow

PAIRING: coriolanus x fem!reader

WORD COUNT: 10.1k

GENRE(S): smut, fluff, slowburn, enemies to lovers, angst (if you squint)

SUMMARY: Coriolanus Snow is a difficult man to please. And yet you have overtaken his mind—you, the only person in the academy who seems to have no interest in him. But he is also a persuasive man, and he usually gets what he wants. There's only one problem: falling in love wasn't a part of the plan.

WARNINGS: SMUT [unprotected sex, oral (fem receiving), fingering, degradation, praise, overstimulation, manhandling, edging, crying, breeding kink, brat taming?, coryo is mean but down bad], canon-typical violence, mentions of blood and guns, morally gray coriolanus

It started with a change of seats.

In the academy, students were assigned a study partner meant to last throughout the year. The partners were to sit together in the lecture rooms, write each assignment together and support the other in weakness. The goal of this premise was to keep all students attentive and growing—the academy hardly accepted laziness and not at all incompetence. In the top class which consisted of, as the name suggests, the academy’s finest students, the hunger for success stood stronger, and tolerance for failure—lower. Therefore study partners were as close to a lifeline as a student could come.

Coriolanus had no problem with that. Working with others, as vexing as it could be, brought on more pros than cons, especially when he was allowed to take the lead. And if anything went wrong, he was free to blame someone else for the outcome—though Highbottom never really believed him.

The Problem, which currently he referred to with a capital P in his mind, had begun when Dr. Gaul suddenly announced a change in the seating arrangement.

It came as a shock to everyone and frankly, turned the whole orderly system on its head. Livia was moved away to sit with Festus; Gaius with a clearly disdainful Arachne; and he—with you, a girl just recently having joined the top class and taken the spot of a guy who had moved down in ranks.

Originally, you had seated yourself next to Sejanus, in the only empty seat in the room. When Dr. Gaul walked into the room, they all stood. She told them not to bother sitting again and began reading the names of what was to become new partnerships.

Coriolanus could hear Clemensia letting out a groan of frustration upon her name being read out alongside Sejanus’. He bit the inside of his cheek to stop his smile from spreading at the misfortune he had evaded.

But it didn’t last long, this state of contentment, because soon his own name was read aloud—with yours.

Your face, as he noticed upon looking in your direction, had no distinctive emotion written across it. Your brows were ever so slightly raised, the corners of your mouth straight. You spared a single glance in his direction—glimmering eyes meeting his blue ones—then, without much reaction, strolled towards the seat which Clemensia had yet to vacate.

“I think you’re in my seat.”

It was the first time he heard your voice. It was far from gentle, but not exactly rough; clear, but not exactly loud. You were standing with your back straight, your bag at your side.

The sound brought Clemensia’s attention to your figure for a solid second before she turned to Coriolanus, brows furrowed.

“This is so stupid. Why would she separate us when she knows how well we work together?”

He didn’t have time to answer before you took a step closer, this time letting your lips spread in a smile. It revealed your teeth, but no cordiality. “You’re still in my seat. You can question the authority of our teachers another time, right?”

Clemensia, a little stunned, stood unmoving until Dr. Gaul shouted at her from the other side of the room. She took her things and with a last look of disbelief cast Coriolanus’ way, moved towards her own designated seat.

You placed your bag by the desk and sat down, legs crossed at the knees. Coriolanus did the same, although his eyes drifted to his right just a little. You looked a bit like a Greek statue, with your posture and expression so much like his own.

Dr. Gaul clapped her hands anew. “Well, what are you waiting for? Introduce yourselves!”

Coriolanus cleared his throat and you turned to him, a somewhat bored look in your eyes.

“Coriolanus Snow,” he said, extending a hand.

You didn’t take his hand. “I know who you are.”

You didn’t speak to him any more that day. Or the day after that. Or the next.

All he had was your name and the (maybe feigned) looks of boredom you seldom sent him. And a growing annoyance which came about each time he politely told you good morning and you replied in a dull tone.

Nobody knew much about you, which resulted in what students do best when met with lack of information—they make up their own. Livia Cardew claimed you were from district 1. Clemensia whispered to Coriolanus about how your place in the academy was most certainly bought by your parents. Festus Creed was utterly convinced your arrival was a test to see how long they would last alongside a girl who showed no interest in anyone and yet walked with her head high.

But the only rumor which held any truth to it at all was Arachne’s hesitant scoff about how she knew you before.

Livia immediately picked up on the statement and leaned forward in her chair. “You did? So she isn’t from district one?”

“No. But she might as well have been.” Arachne looked to the rest of them for a dramatic effect. “She’s a total bitch, anyway. That’s all there is to say.”

That ended the discussion.

One day, perhaps a week after you and Coriolanus had become study partners, you walked into the academy wearing the tiniest skirt he had ever seen. It was the academy’s uniform, only altered to be shorter and tighter, framing your hips perfectly and ending just about halfway of your thigh.

Coriolanus heard Clemensia scoff from where she stood by his side.

“Attention seeker.”

“Is that even allowed?” Festus asked, though it was unclear whether he meant vandalizing the academy uniform or how otherworldly your legs looked in the skirt.

Whichever it was, the answer was probably no.

On a daily basis, you were already pretty. He knew it and he was well aware the other boys also knew it from the way they eyed you like hawks when you weren’t looking. And, let’s be honest, you were never looking at any of them. So there was a whole lot of staring which Coriolanus caught every time, while you remained either oblivious or too stubborn to acknowledge the attention.

Now, he thought, you must be aware of it—at the very least.

He, personally, was painfully aware of it. Like an embarrassing Victorian man whose mouth waters at the sight of a woman’s ankles, he felt his pants were suddenly too tight. It was in a state of panic that he adjusted himself, clearing his throat. His hand squeezed the desk he was leaning against as he mumbled an incoherent reply that was just enough for Festus and Clemmie to continue their conversation without his input.

From over Clemensia’s shoulder, he could see Volumnia Gaul and Casca Highbottom strolling into the room.

“Dr. Gaul’s here,” he said, pointing with his jaw.

“Oh, right.”

The two of them walked away and Coriolanus closed his eyes, rubbing his nose bridge.

Once he opened them again, he was met with your frame approaching—and he almost jolted in surprise. Your hair was hanging loosely down your shoulders, pinned back on one side to reveal golden earrings. You took a step in his direction and he wondered what for—the distance between you was close to nothing.

“Move.”

Taken aback, he fought the urge to look around and see if anyone else had heard. But no, you were too far and class was almost starting; everyone was busy with themselves.

“Sorry?” he asked with a strained smile.

You sighed, looking vaguely annoyed. “You’re blocking my way.”

He grit his teeth, moving aside. You sauntered past him and into your seat, which he only now realized he had been standing in front of. Your skirt flowed behind you; when you bent down to place your bag on the ground he almost caught a glimpse of your panties. Almost. But what he saw was enough to fill him with rage that didn’t subside for the rest of the lesson—along with his boner.

“I personally think she’s nice,” Sejanus offered when Coriolanus mentioned your poor behavior towards him during lunch. Of course, he said nothing of his dick hardening—oversharing wasn’t his forte.

“Well, you don’t sit with her.”

“I did. And she was nice to me.”

He sent Sejanus a death glare which worked effectively to shut him up.

Coriolanus didn’t really care about your demeanor. It didn’t mess with his work—when you had to be cooperative, you were. And outside of class, Clemensia was more than happy to cling to his arm like a koala. The same went for Sejanus. What bothered him was that look—of disdain, boredom—the lazy way in which you displayed your distaste, like he wasn’t even worth an effort to hate. Because you didn’t hate him.

You just… didn’t care.

You terrified him. You made him see red. You made him react physically, for God’s sake. And he had spoken to you all of twice. How pathetic was that? Enough to stay forever in his thoughts, that much was certain. He was never going to say a word about this to anyone.

But worst of all was this: you liked Sejanus.

Whenever he saw you talking to anyone, it was either your friends from your old class or him. Sejanus Plinth, from district two, with nothing but irritating opinions and a fortune to offer. He saw you laugh at his half-developed jokes, look at him in total focus while he spoke.

One day, about a month after it all, when Highbottom showed no signs of letting them switch seats ever again, he decided to ask you about it. Dr. Gaul was currently strolling about the lecture room, monologuing, which gave him enough time to lean to the side, towards you.

“Seems like you and Sejanus have gotten quite close,” he said, loud enough for only you to hear.

If you registered his words, you made no signs of it. His eyes trailed lower, to your tiny, tiny skirt and the plushness of your thighs which he was free to look at but not allowed to touch. He clenched his jaw and tried again.

“What is it you want? His money?”

At this, your head whipped in his direction. His cool, blue eyes bore into yours and he could see anger, clear like black on a white piece of paper, in your gaze. Your shoulders were tense, lips barely parted. But this only lasted a brief moment—a glitch in your composure—before you straightened your back and grit your teeth into a feigned smile.

“And you? What do you want from him?”

He opened his mouth to answer, but was cut off by Dr. Gaul’s piercing voice.

“Miss L/N and Mr. Snow! Perhaps the two of you will answer my question since you’re so deep in discussion.” The woman looked at the two of you sternly. “What is the point of the hunger games?”

You looked at Coriolanus, who seemed perfectly content in his seat. He had no intention of answering. Bastard. You folded your hands into fists and stood up. Everyone was looking, but only Coriolanus’ gaze made your heart thump against your chest. It felt as if you had something to prove.

“To keep the districts at bay.” With a glance towards Sejanus, you bit the inside of your cheek. “In a highly unethical way, of course. It hardly takes killing twenty-three children to prove a point.”

“District children. Remember that,” said Dr. Gaul. “You may sit.”

You obeyed, suppressing a sigh of relief.

At least it was relief until you felt a hot breath on the side of your neck, paired with Coriolanus whispering, “Liar.”

You looked at him, seemingly unphased, and let out a soft scoff. “If you didn’t like my answer, you should have said something instead.”

“I didn’t say I didn’t like it, just that it was a lie. Don’t worry, though, I don’t think Sejanus can tell.”

Your jaw tightened indiscernibly. The boy whose curls were falling into his forehead gave a smirk, eyes trailing to where Sejanus was sitting and then back again. You just looked at him, unwavering.

“You know nothing about me.”

“And you know nothing about me,” he said, lips spreading to reveal his teeth. “Now we’re both liars.”

***

On the third of the month, the Plinths threw a party.

It was a large gathering, consisting mainly of the academy’s students and their immediate family. The occasion was unclear—unofficially, it was said the Plinths wanted to scout the students to see who was fit to win the Plinth prize. But it was just rumors. Officially, it was a celebration of the academy’s fiftieth anniversary.

After all it had endured—the rebellion, the war, Coriolanus Snow—a party seemed in order.

On the topic of Snow—you were terribly irritated by the way his words were swarming around your head like bees. Somehow, you had managed to remember his voice down to every shiver and for whatever reason, your brain wouldn’t let go of it. Even as your mother, with her eyes fixated on the mirror, smoothed out the length of your silky dress and asked if you liked it. Even as the two of you left the apartment. Even as you exited the car and walked up the steps to the academy’s ballroom.

“Nervous?” your mother asked.

“No.”

She pushed the doors open.

Coriolanus had showed up to the party in a fitted, dark suit along with his grandma’am right on time. Upon his arrival, he had scouted Sejanus somewhere in a corner with his overbearing parents, while Clemensia stood with Livia and her sister. You were nowhere to be seen as far as his eye could reach. His grandma’am dragged him around the room in search of conversation partners and somehow ended up deepening into a discussion with Mr. Plinth, leaving her grandson to fend for himself with Sejanus by his side. The farce lasted for about half an hour; he felt himself growing weary.

Then, you came in.

Fashionably late, as always, with your mother at your side, you strolled in like the entire party was thrown in your honor. And truly—he might’ve believed you if you said so, with the way your strapless dress sat around your curves.

In his peripheral vision, he could glimpse Sejanus swallowing hard. Coriolanus fought the urge to outright laugh at the ludicrous hope swimming in the eyes of his ‘friend’. He was reaching too high. Way too high.

“Y/N! What a relief, you’re here!”

It was the voice of Strabo Plinth that made you turn your head in the direction of their little clique. A smile spread over your face, but disappeared as soon as your gaze landed on Coriolanus. He watched carefully as you approached with your mother, the pearls on your neck glistening in the overhead light. Sejanus was still staring like a fool; Coriolanus felt his blood turn the slightest bit warmer, the tips of his fingers tingling.

“Mr. Plinth, Sejanus.” You sent the two of them a sweet smile, then cast a look at Coriolanus with your lips pulled tight. “Coriolanus.”

He nodded at you. “Sweetheart.”

You didn’t comment on his choice of word, but he could see your jaw tightening and your chest fluttering, pressing against the restraints of your dress.

Thankfully, it seemed nobody else had heard—Mr. Plinth was too busy gushing over yours and Sejanus’ friendship to notice anything else. Coriolanus’ shoulder bumped into yours and you shuddered. The conversation dragged on until Mr. Plinth was beckoned over by another group of people who looked like politicians, and wandered off with a cranky Sejanus in tow.

Left alone with Coriolanus and his grandmother, you began to plot your and your mother’s escape.

“Look, mom, there’s Livia. We should go say hi.”

You had taken less than five steps before Dr. Gaul’s voice reached your ears.

“Not so fast, miss L/N,” she said, a menacing smile on her face. She waved you and your mother over to where she was standing—right between Snow and his grandmother. “Surely your mother wants to meet the only gentleman whose grades are as good as her daughter’s.”

Your mother took the bait immediately, forcing you to follow her back to where you wanted so deeply to escape. “Oh, gosh, really? Coriolanus Snow, is it?”

“Yes, ma’am.” He bowed his head, sending your mother one of his disgustingly gorgeous smiles.

“Now, Coriolanus and Y/N are my best students.” Dr. Gaul, more enthusiastic than you had ever seen her, pulled you and Coriolanus to either side of her, squeezing your shoulders. “And study partners, too. They work so well together. How about the two of you go for a dance?”

“Oh, I don’t dance—”

“Yes, Y/N,” your mother obliviously interrupted, “don’t let those five-year dancing lessons go to waste.”

Your face formed into a half-smile, half-frown. “Right.”

Coriolanus sent you a triumphant smile as he stuck out an arm for you to take. You hesitantly snaked yours through it, heart hammering as he led you onto the dance floor.

The song playing was irritatingly slow, and Dr. Gaul’s smile too wide for all this to be a coincidence, but you decided to let it slide—it wasn’t like you really had a choice. Coriolanus positioned you in front of him. From over his shoulder, you could spot Sejanus, to whom you mouthed a silent plea for help, but the boy proved useless when all he did was send you a smile and a shrug.

Coriolanus placed his hands on your waist appropriately and you hesitantly placed your own atop his broad shoulders. Although you made sure not to touch him more than you had to, the hardness of his muscles was prominent against your fingertips.

The distance between you vexed Coriolanus to no end—especially when he had seen you in a skimpy, tiny black dress all pressed up against Sejanus at Arachne’s birthday party. His fingers harshly tugged at your waist and he smiled in satisfaction at the way your body pliantly molded into him. A gasp threatened to escape you, but you held it back, instead swallowing quietly.

It turned out both of you were excellent dancers. Coriolanus sensed exactly when you were to make an unexpected move and was always able to maneuver you however he wanted.

Finally, you decided to speak—a five-minute song danced in silence would last an eternity. “Clemensia’s staring daggers into my back. Am I in danger?”

The blonde smiled. “Not at all.”

“How come?”

“I’ll protect you.”

You smiled incredulously, shaking your head. “I hope you have a knife underneath your blazer, then, because she looks dangerous.”

“I could snap her neck in half with one hand.”

The way he said it—no hesitation and total seriousness—made you choke on the laughter that was supposed to come out, replacing it with a burning sensation somewhere in the depths of your stomach. His hand, on the small of your back, fiddled gently with the lacing of your dress, then lazily moved back to your waist.

You cleared your throat. “I heard your father was a great man.”

“Yes.”

“I’ve also heard he was a terrible person.” You tilted your head to the side, putting on a curious expression. “So, which one is it?”

“Are the two mutually exclusive?”

At that, you laughed. Real laughter, with your head tipped back—laughter he had never heard before, not even when you were around Sejanus. Something swelled proudly inside his chest.

“Only you could say something so bizarre. But no, I suppose they’re not.”

He swayed his hips along with yours, then brought your hand up, signaling he wanted for you to spin. Whilst he swirled you around, you felt the tips of his fingers against your cheekbone, tucking something behind your ear. Once you were in front of him again, you brought your hand to touch the soft surface that felt like a flower.

“What is that?”

He raised one corner of his mouth. “A rose.”

“And why, pray tell, are you giving me a rose?”

He swirled you again, this time his fingers grabbing at the flesh between your clavicle and throat, pulling you against him. You felt his very fingertips, cold and soft, against your muscle, his hot breath against your left ear.

“To mark my territory.”

With that, he swirled you back and resumed the ordinary dance, with a deadpan expression and shining eyes, emitting an unidentifiable emotion.

Your cheek trembled, although you tried to hide it by tightening your jaw. “It’s picked from your garden, then, I suppose.”

“Grandma’am’s.”

“Really?”

Before you could do anything, he leaned forwards so the tip of your nose grazed his pulse. You stood stunned, taking a breath and being met with the strong smell of roses. You caught a glimpse of his collarbones, peeking out from underneath the two buttons he had undone in his shirt. He drew back before you could think to push him away, lips spreading into a smile.

“Those are also from our garden,” he murmured.

“Coriolanus…”

He liked the way you said his name this time.

Not arrogantly or carelessly, but like it was the most important thing in the world; a bar of gold in your hands. And the shiver in your voice—the thought it must’ve been the most delightful thing he had ever heard. He wanted— no, he deserved to hear it again, but it would have to wait. You were looking up at him the way he yearned you would, like he was impossible to ignore.

“Hmm?”

You smiled a strained smile, chest heaving. “The song has ended. I believe I should go dance with somebody else.”

Without awaiting a response, you released yourself from his grip and turned your back on him. He stood in somewhat of a silent shock.

And he felt it again, this immense anger because how dare you wrap your arms around Sejanus and convince him to a dance, when he’s standing right here, ready to rip anyone’s throat open to feel your body against him again.

After your dance with Sejanus, you scurried off to the bathroom, silently inspecting the rose sitting neatly in your hair above your ear. It was a piercing red, matching perfectly with your dress. You sighed into the mirror, rolling your eyes.

The rest of the evening was spent drinking champagne—too much of it, definitely, but who was counting the glasses which you picked up and later discarded?

Coriolanus, of course, but he was much too embarrassed to say anything and much too agitated and proud to even consider asking Sejanus to look after you. No, he’d rather see you pass out drunk than have Plinth take care of you—he could do that himself. But he didn’t. Not that day, anyway. He left the party somewhat early, assisting his grandma’am down the stairs although she claimed she didn’t need his help.

“What has gotten into you today? You’re too eager to help and you’re looking around like a lost district child.”

“I’m not, grandma’am. Get into the car.”

But before he could follow in her footsteps, he heard laughter—the same laughter he had heard for the first time just an hour earlier.

He turned automatically, without much thought, and felt rage well up in him as he saw you and Sejanus leaving the hall shoulder-to-shoulder, your respective parents in tow. You were clearly drunk, your steps unsteady.

Sejanus said something to you, apparently something you found funny, because you slapped his shoulder and laughed again. Unfortunately for you, the heels you were wearing weren’t exactly wasted-proof and gave out from underneath you when you moved your ankle to the side.

It took the slip of a second for you to tumble down the remaining four steps of the stairs, and another two for Coriolanus to catch you, his arms knitting tightly around your waist.

“Coriolanus,” you mumbled, at a loss for anything better to say.

“Are you okay? Does it hurt?”

You shook your head, but he went out of his way to sit you down on the stairs and inspect your ankle anyway.

“Stupid girl,” he said, landing a barely discernible slap to the side of your thigh as he stood, having concluded you were alright. “Why drink more than you can handle?”

“I have a habit of getting in over my head.”

He looked down at you, the disheveled hair and still present rose which you hadn’t taken out yet, and smiled. Slowly, Sejanus and the rest of them descended down the stairs and Coriolanus turned to get in the car. But first, he sent you a smirk over his shoulder.

***

Dr. Gaul’s experiments were always interesting.

In the best cases, they were innovative and in the worst—fatal. None of the academy’s top class knew which one this one would turn out to be when they followed Highbottom into the laboratory.

“What if she kills us?” Livia, who wasn’t particularly fond of you but neither did she feel a particular distaste for you, whispered.

“She won’t,” you whispered back. “We have the president’s son in our class.”

“Right.”

The lot of you walked inside, scattered randomly until Gaul reminded everyone to stick to their partners. You heard Clemensia let out a prolonged sigh upon Coriolanus escaping her grip and approaching you instead.

He smiled self-importantly. “Y/N.”

“Snow.”

The smile faded marginally.

Dr. Gaul ushered everyone closer. A servant dragged off the thick, two-meter long piece of fabric covering what at first sight looked like an aquarium, but later revealed to be a cylinder of rainbow-colored snakes. Someone gasped.

You furrowed your brows and took a glance at Coriolanus, who in turn looked back at you. You were quick to avoid his gaze, but not quick enough for him to miss it.

Dr. Gaul sent you a half-enthusiastic, half-manic smile. “Now, everyone give me something of yours. Come on, I don’t have all day.”

Coriolanus moved first, which you didn’t mind until he grabbed hold of you and pulled you along.

“What are you doing?”

“What, are you scared?”

His eyes twinkled and you tore away from his grip. But it was too late; the two of you were standing right in front of the open snake habitat. You swallowed hard.

He reached into his pocket and fished out a pencil—golden and engraved with his last name—before handing it to Dr. Gaul. You followed suit, albeit hesitantly, and handed her an embroidered handkerchief.

The rest of the class did the same. Dr. Gaul received all the items, stacked them and instructed everyone to sit. Then she gathered it all into one big pile and threw it into the cage. Immediately, the snakes swarmed around the items, licking and slithering.

“These snakes,” Dr. Gaul said, “are lethal only when met with a taste they don’t know. Meaning right now, when they’ve touched your things, they are harmless. Come say hi.”

Nobody, including you, moved a muscle.

Obviously, everyone was busy figuring out why this was even an experiment if they were harmless—from what Dr. Gaul said it sounded more like a visit to the zoo. Next to you, Coriolanus furrowed his brows and stared the cage down with his icy eyes, inspecting.

“No volunteers?” Dr. Gaul sighed. “How about Y/N and Coriolanus?”

You froze, looking at Coriolanus with wide eyes. “You first.”

He tilted his head. “Ask nicely.”

Forcing a smile, you swallowed your pride.

“Please.”

He stood from the seat and you forced yourself to disregard his grin and the way his uniform strained around his back muscles.

Just then, as your eyes followed his steps, you saw something by Dr. Gaul’s feet, something shimmering in gold. You squinted at the object. It was barely visible, currently hidden in Coriolanu’s shadow. Coriolanus walked up to the cage and the overhead light fell onto the object, revealing what looked like something engraved. The letter S. The letter N. The letter…

“Coryo, wait!” You shot up from your seat. Coriolanus looked at you in bewilderment as you grabbed his wrist roughly. “You can’t touch them. Your pen isn’t in there.”

“What?” His gaze dropped to the golden pen at your feet.

You looked at his face, as if to make certain he was whole, then at his wrist in between your shaky fingers. How embarrassing, the way your body had grown so hot and how tragic, the way you had made a scene. You wondered what Coriolanus was thinking, with his mouth parted and eyes on you.

Dr. Gaul clapping her hands together brought you back to reality. “Quite impressive, miss Y/N. I must admit, your reaction time was even faster than predicted.”

You turned to her in disbelief and maybe a bit of anger. “You did it on purpose? Why?”

“Why, to see if you were willing to save Mr. Snow here.”

“That’s absurd, I would have done it for anyone!” Your face grew hot as you ripped your hand away from Coryo’s wrist, as though burned by his skin. “And what if I hadn’t noticed?”

“Then I would have known I made a mistake letting you into the top class. Regard this as a little test, if you will.” She sauntered happily over to you, where she stopped to whisper in your ear: “And for your information, miss Y/N, yesterday these snakes got familiar with mr. Snow through an assignment. I would never put him in danger, so calm your heart.”

Dr. Gaul proclaimed the class dismissed and left—left you to stand in utter shock for at least ten seconds. Then, before any words could escape Coriolanus’ mouth, you followed in her footsteps, practically running out of the room.

After this incident, you avoided him.

He noticed immediately, the lack of you in the hallways when he walked through them and the tenseness of your expression in class. Every time you showed up in those tiny skirts and paid him no mind, he resisted the urge to throw you over his shoulder. You had to be put in your place, certainly so—with the way you were messing with his head. A threat, but he chose to look past that, just this once. What he couldn’t look past were your plush thighs, pretty lips and addicting aura.

Once, after school had finished, he cornered you in an empty classroom in which you were rummaging through your bag, clearly searching for something.

“Looking for this?”

You jolted back, looking at him over your shoulder and at the kays dangling from his fingers. As your face grew hot, you turned your back to him again, suddenly not so keen on finding the keys.

“They must have fallen out of my bag,” you mumbled.

He inched closer, until his chest was against your back and he could drop the keys into your bag. They rattled—the only sound in the room spare for your breathing.

He craned his neck to mumble against your earlobe, “How come you’re avoiding me, my sweet?”

You turned again.

“I’m not avoiding you.” You huffed at him, raising your head high. “Why would I avoid you? I simply don’t care for your presence.”

The side of his lips twitched. “Don’t lie to me.”

“I have class. I need to go,” you said, before realizing in terror that you’d both just had the last lesson of the day—of which he was fully aware. “I mean…”

He took a step and you went silent. His hand cupped your jaw harshly, pointer finger and thumb on each respective side of it. He pulled you closer by his grip.

“I thought I told you not to lie,” he said, squeezing your cheeks. “Did it not register in that pretty head of yours?”

Your lower lip trembled deliciously, eyes tinted with a hint of fear. “Coriolanus…”

“Call me Coryo. Like you did that day with the snakes.”

There was a change in your expression: widened eyes turning normal again, lips curving into a soft smile as you pried his hand off. He let you, god knows why. Maybe because everything turned uncalculated when he was around you or maybe because he wanted you to listen to what he said.

But you just said, “I’ll call you that when you earn it.”

His blood boiled.

“I don’t think you’re in a position to make demands, sweetheart.”

“Sejanus is waiting for me outside, Coriolanus,” you said, putting your hand on his shoulder teasingly. “I don’t want to keep him waiting.”

He grit his teeth. “Do you think this is a game?”

“I don’t know,” you said. “Is it?”

He held his outburst enough for you to leave—then, he punched the nearest surface and let out a loud groan. A threat, definitely. A dangerous one. But he’d tear it out of you—these sensations similar to his that he knew you felt.

And how could you be of real danger to him when he was just as much of a threat to you?

***

When Dr. Gaul and Casca Highbottom announced an ‘educational school trip to district eight’, everyone thought they were joking.

They were, in fact, not. They took the train for almost ten hours—by the end of it, everyone was weary and irritable. Dr. Gaul told everyone to pay special attention and care to their partners and make sure they were safe, and despite the tiring trip, Coriolanus took on his task with the utmost importance.

“What are you doing?” you asked him as he, for the third time, slung his arm around you to pull you away from passing wagons.

“Protecting you, like Dr. Gaul told us to.”

You snorted a laugh. “I’m sure she didn’t mean from horses.”

“Horses can be dangerous.”

You just rolled your eyes. His arm stayed draped around your shoulders for the rest of the walk. When you arrived at the inn, Coriolanus leaned close to you abruptly and placed a kiss on your cheek. Before you got the chance to even think of protesting, he was gone.

The next day all of you were to join Highbottom in his speech in front of the district people.

It was a simple stage made of wood—the people stood spread out on a small square in front. There were almost too many to fit.

You, as students, were not supposed to do anything in particular other than stand there and look pretty. Coriolanus made the effort to assure you you were splendid at it already, his fingers fanning over your waist. It sent shivers down your spine, and he smiled in self-satisfaction. You cursed him for his perceptiveness as the two of you walked onto stage.

Coriolanus was far from relaxed as his eyes scanned the crowd. You just had to wear that godforsaken skirt in front of a bunch of starved men. If he could, he’d tear all their eyes out. Starting with that brown-haired asshole in the first row. As Higbottom began his speech, Coriolanus walked up to you and stood purposefully a bit in front, as though to cover you.

“Is it not impractical to wear a skirt today?” he asked, sending you a pointed look.

“It’s quite warm,” you replied, blinking up at him. “Do you not like it? I wore it for you.”

He clenched his jaw, heart swelling in pride. Of course he liked it—a little too much to be considered appropriate—but not for everyone to see. He leaned down almost indiscernibly, but you felt his hot breath fan your lips.

“When I’m president, nobody is going to see you in that skirt except for me.”

You grinned. “When you’re president? What exactly is the extent of your ambition, Mr. Snow?”

“You are.”

His pupils were expanded, fingers snaking to hold you by the waist. If anyone noticed, he didn’t know, but it didn’t really matter anyway. His fingers found their way under your uniform and he observed attentively as your eyes widened, teeth sinking into your lower lip when he caressed your bare side.

“Okay, everyone, let’s go,” Highbottom said, signaling his speech was finished.

Coriolanus let go of you. The lot of you moved, surrounded by peacekeepers until you reached the truck ramp. You walked first, carefully placing your steps.

But you only managed to take three of them before something—someone, to be precise—pulled your leg to the side and you fell.

Your brain barely registered the pain of your bare knee hitting the ramp before you were no longer on the ramp, but the ground. An ache spread along your side. Coriolanus shouted your name as he jumped down from the ramp, despite Highbottom’s screams at him to stay but.

The man who had pulled you down, who Coriolanus recognized as the hungry-eyed man from the first row, pulled out a knife from his pocket. He lounged just as you froze, unmoving spare for the trembling of your lips. Coriolanus grabbed him and pushed him down; but not before he had managed to sink the knife into your calf. He heard you scream.

“Help her!” he roared at the peacekeepers, who had their weapons raised at the man who was trying to get up from the ground, but weren’t firing.

Coriolanus, enraged, ripped out the gun from one of the peacekeepers’ hands. He heard some words of protest but ignored them entirely as he pulled the trigger. And again. And again. And again. Until the man was more holes than flesh.

“Help her, for fuck’s sake!” he roared again; this time they listened and gathered around you.

He spared only a glance at your bleeding figure, then turned to the rest of District eight’s crowd—the part of it that hadn’t thought to flee the scene—and fired again. He heard Sejanus shouting, he heard Highbottom shouting, he heard Dr. Gaul shouting, and the peacekeepers gathered around him like flies, but he listened to none of them. He fired and fired until the magazine was empty and someone tore the weapon out of his hands.

“Coriolanus,” you whispered.

Only now did he fully look at you, at the cut in your leg and at your frightened face. He ran over, relieved nobody tried to stop him, and kneeled next to you along with a clearly useless peacekeeper. There was blood on his white shirt, but not on his fingers when he ran them over your thigh gently. It didn’t look like a deep cut, but it was bleeding a lot.

“It’s okay, Y/N, you hear me? Listen to me!” He grabbed your tear-stained face with one hand and turned it so you were looking into his eyes. “You’re gonna be okay. Don’t close your eyes.”

When you didn’t reply, he shook you a little bit. “You’re alright, okay?”

“Okay, Coryo,” you said meekly.

He nodded and tore a piece off his shirt to wrap it below your knee. He was angry, unbelievably so, and felt if he didn’t look at your face now and then he might kill all of them: the peacekeepers, his fellow students, Highbottom. He bore a hatred for them all. But you were the priority; you needed saving.

He heard you whimper, using one hand to hold at his shoulder.

“Why did you…”

He cut you off. “Don’t talk. I’m gonna fix this. You’re okay. Keep your eyes open.”

You obeyed for as long as you could, for as long as it took for the medics to arrive and carry you away; then, you let yourself drift off.

***

When you first woke up, you were met with Coriolanus’ perceptive eyes staring back at you.

“Coryo?” you asked.

“How do you feel? Does it hurt?”

You wanted to answer, but your mouth felt as if it were made of lead. Coriolanus shouted for the nurses to bring you water, yet before he had even turned his head to you again, you were fast asleep. He sighed.

***

The cut wasn’t deep.

That’s what the doctors from district eight said, their heads hung low in shame. You were alone upon waking this time, spare for the nurse they had left to take care of you.

“Coriolanus,” you said. “Where is he?”

“He just left to get some rest, ma’am. We sent him away for an hour fifteen minutes ago. He’d been sitting here all night.”

“I want to see him.”

“It would be unwise to deny him his sl—”

You stood up and walked out, much to the nurses’ dismay.

After a ride to the inn in which all of you were staying, you walked into the hallway that you knew belonged to the boys.

You had no idea where Coriolanus’ room was, but thankfully you met Sejanus just as he was leaving his room.

His eyes lit up as he saw you. “Y/N! You’re okay, thank god. I was so wor—”

“Where is Coryo?”

He stopped, smile falling the littlest bit. “Last room to the left.”

You smiled and patted his shoulder. “Thanks.”

You knocked on the door three times and stood silent, waiting. After half a minute, you heard his voice—husky and deep—telling you to come in.

He was standing by the window, looking out at the desolate district eight. The back of his new shirt was just barely holding out the strain his muscles created as he crossed his arms.

You cleared your throat. “Coriolanus.”

Clearly not expecting it to be you, Coriolanus turned on his heel, sporting a smile as he saw your face. You had changed clothes—another tiny skirt and shirt adorned your body. You were walking without difficulty, just like the doctors had foreseen, perhaps even more confidently, with your head high.

He expected you throw yourself into his arms, or maybe pull his hair and kiss him, but he absolutely didn’t expect you to cross your arms over your chest and ask him:

“Have you lost your mind?”

“Sorry?” he asked, frowning.

You took a step back, biting the inside of your cheek. “What have you done? What have you done, Coriolanus?”

He looked into your eyes in search of disgust, terrified, but found only worry. You were worried for him. Not them, not that man, not your reputation and the rumors—you were worried for him.

His gaze flicked down to your bare legs, no scar left from the incident, and then up to where your stop was squeezing your tits together. Did you come in here to scold or seduce him? He really could not tell.

He took a step in your direction, reveling in the way your resolve was starting to fade, lower lip trembling. “I was protecting you.”

“You didn’t have to kill him! You didn’t have to kill them all like animals!”

At this, something switched. He snorted, almost mockingly. Against your will, you felt your panties getting sticky when he walked closer and closer, until he had you backed against the wall. One of his hands rested next to your head while the other he ran over your cheek, stopping to cup your jaw.

“You don’t think he would have aimed higher if he’d gotten the chance? You don’t think you’d be dead if it weren’t for me?” His hot breath landed on your lips and you swallowed. He dragged his finger along your lower lip and you opened your mouth obediently, making his lips curve into a smile. “Now be a good girl and say thank you.”

Your legs rubbed against one another subtly. “Thank you, Coryo.”

“For what?” He slapped the inside of your thigh, making you jolt.

“For protecting me.”

His fingers crawled up your thigh to soothe the place he had slapped, rubbing small circles against your sensitive skin. It was embarrassing, how damp your panties were and how you had to press your lips together in order to avoid letting a whimper slip. The poor lighting cast shadows on his face, blonde curls falling just above his eyes.

He was devouring you even though he’d barely touched you.

“You’re trembling,” he said, eyes twinkling.

“It’s the cut.”

He tsked, shaking his head in faux disappointment. “Liars don’t get rewards, sweetheart. I thought I’d made that clear.”

He saw your nipples straining against the thin fabric of your shirt and tightened his jaw. You were here to seduce him, definitely. His desperate little girl. Funny how you had such a dirty mouth until his hands were on you—then, you seemed to go entirely limp and thoughtless. One of his hands snaked to the back of your head, the other stayed touching your thigh—too far away from the place you wanted it to be.

“Kiss me,” you pleaded, standing on your tiptoes to reach him, but he just pulled you down by your hair.

“No. Not until you beg me for it.”

You scoffed shakily, reclaiming the very remnants of your dignity. “I won’t beg you for a kiss.”

He pressed his chest against your sensitive tits, pulling at your hair so your noses were touching.

“Don’t I deserve it after everything I’ve done for you?”

“I didn’t ask you to do it.”

“But you liked it,” he remarked, sliding his warm hand up your shirt, until he could fiddle with the hem of your panties. His fingers tapped against your clothed pussy only once, making you jolt, before returning to the spot between your hip and leg. “You liked having someone kill for you. Just as you like when I touch you and when I care for your attention.”

“I don’t—”

“I think you’ve had a little too much being a brat, though. Now it’s my turn.” He slapped your pussy through the fabric and this time, you didn’t manage to hold back a whimper. “Beg. Me.”

“Please,” you whispered, face hot.

“What was that?” He pretended not to hear, leaning down even more. You wanted to punch him for his self-importance, for his cruelty, but it was what you craved, too—you’d take everything he gave you, although you’d never say it out loud.

“Please kiss me.”

His hands left you entirely before they cupped either of your cheeks. Your heart hammered in excitement watching Coryo’s eyes feeding on the sight of you. He lowered his head slowly, connecting your lips so softly you almost didn’t feel it. You tried to grab his collar and bring him closer, but then he just pulled away and sent you a pointed look which made you retract your hands.

Then, he kissed you again—this time pressing harder against you, making your eyes flutter shut. His fingers held you softly, as though you could break any moment, but his lips enveloped yours like he had been waiting for the opportunity for years.

You opened your mouth immediately as he licked at your lower lip and he hummed in appreciation. His fingers tilted your head as he slipped his tongue inside. He was hot against your own tongue, swirling and exploring, not letting you breathe out anything except small, timid whimpers. He smelled like roses, tasted like them too.

Your hands wandered to his broad shoulders, then down his clothed chest, his solid muscles against your fingertips. They flexed underneath your touch, a throaty groan of Coryo’s disappearing in your conjoined mouths. Your mouth watered at merely the thought of seeing them bare, seeing him.

Coriolanus pulled away only when he had to take a breath—angry at this humane obstacle in his way but soothed upon seeing your swollen, parted lips.

“You’re nothing without me,” he rasped out, trapping your jaw between his thumb and pointer. “Say it back.”

You looked at him through hazy eyes. “I’m nothing without you.”

He pushed you against the wall, lips against your jawline. He sucked a mark into your neck and you mewled out his name, tangling your fingers in his hair. His tongue ran over your throat, then swirled around your collarbones as he pressed wet kisses to them and your stomach.

Once he reached the waistband of your skirt, he dropped to his knees, looking up. You felt something turn in your stomach; the heat between your legs intensified tenfold.

His fingers hooked under the waistband of your panties and pulled them down your legs languidly. Once gone from your body, he picked them up and dangled them in front of your face. You tried snatching them from him, but he just stuffed them into the pocket of his pants.

“For later,” he said, smiling. “To remind me what a desperate little girl you are.”

“I’m not—”

He cut you off by bunching your skirt up around your hips. The cold air made you shiver lightly, but his eyes set on the most intimate part of you like he was about to eat you didn’t really help, either.

Before you could look away from embarrassment, he dragged his nose through your slick folds. You let out a choked gasp as he came in contact with your clit. His hands slid up to your upper thighs, squeezing and prying them apart so you weren’t in the way for him to take his time. And he did take his time—painfully so.

After almost five minutes of aimless fingers trailing over your cunt but never touching for too long and never on your clit, you let out a loud whine, legs fighting against his grip to close. To no avail, of course—Coryo was much stronger than you and very intent on keeping you in place.

“Be patient,” he murmured into your heat. His eyes flicked up as a warning and you instantly stilled.

His tongue finally touched you in the form of small kitten licks on your clit that made your breath ragged and fists tighten. He saw you tightening around nothing, heard you whining pathetically for more and mercifully let his tongue enter your warmth. You clenched around him immediately.

He pulled his mouth off of you momentarily to look up at your pretty face twisted in clear rapture.

“Enjoying yourself, sweetheart?”

When you didn’t answer, he brought down his hand to swat at your clit disapprovingly. You squirmed at the contact, slick practically dripping out of your cunt. His eyes met yours and you quivered, suddenly afraid he’d stop.

“Yes,” you whimpered. “So much.”

As a reward, he pushed two fingers into your pussy, watching as you gasped for air, furrowing your brows. He scissored them a little bit, then dipped his thumb into the arousal coating your cunt and let it rub small circles into your already puffy clit.

Your legs felt weak already and he must have sensed this, because he grabbed your thigh and positioned it on his shoulder. This way, he could curl his fingers enough to hit the spot which made you whimper so loudly it was shameful.

Soon, his thumb was replaced with his mouth that sucked your tiny clit into his mouth.

He heard you moan his name and felt his pants tighten significantly. Part of him hoped everyone could hear the noises you were making, while another part of him felt the urge to murder anyone who dared even overhear these sounds that were innately his possession.

From his position, he could see your tits brushing against your thin shirt and cursed himself for not being in a spot that would allow him to play with them. He’d have to settle for playing with your cute little cunt.

Your legs started shaking when he added another finger to pump in and out of your dripping hole.

“Oh, fuck,” you moaned, hips bucking into his face. “Feels so good, Coryo, thank you.”

A guttural moan of his vibrated through your body and you cried out his name. A warm coil began tightening in your lower stomach. It was clear you were close—from the way your whimpers had grown unabashed and squeaky, the way you clenched around his long fingers, the way your hips stuttered against his tongue.

“Oh my god, Coryo, I’m so close— Can I come?”

So polite, he thought. Shame you only acted like this when his tongue was flicking at your clit.

His eyes glimmered as he looked up at you. “Only if you ask nicely.”

“Please, please, let me come, please, Coryo.” You let out a broken moan as his teeth grazed your clit. “Please.”

Your legs spasmed around his head as you felt it close, so close, and your eyes fell shut in pleasure.

But then it was ripped from you, this bliss, as Coriolanus pulled out his fingers and retracted his tongue, leaving you empty and stunned. You stared at him, lips parted, and at the self-satisfied smile adorning his features.

“What, you really thought I’d let you come when you’ve been acting like a brat?” He licked his fingers and something throbbed between your legs. “Stupid girl.”

He stood up, turning his back on you. You couldn’t see it, of course, but he was silently counting the seconds it took for you to protest against the treatment. Finally, you retrieved your consciousness in full and pushed yourself off the wall.

“Wait, Coryo,” you pleaded, grabbing his arm. “Please. I’m sorry.”

He turned, raising his brows. “You’re sorry?”

“Yes. I’m so sorry. I’m gonna be a good girl now, I promise.” Your lower lip quivered; he saw the promise of tears welling up in your eyes. “I’m gonna make it up to you, okay?”

At this, you sank to your knees—a sight which made his adam’s apple bob. But he was getting impatient; his cock was aching painfully and when you looked at him with eyes widened and teary like this, he was willing to give you anything in the world.

“Get up,” he demanded.

You did as told, thighs trembling slightly, and his hands cupped your cheeks. Coriolanus led you to the bed in the middle of the room, hovering above you with his forearms on either side of your face. His hardened cock rubbed uncomfortably against the fabric of his pants. He laid it against your plush thigh for relief, but all he got was a slutty mewl from you and more precum leaking from his tip.

“Sejanus is next door, you know. You don’t mind?”

“No.” You shook your head eagerly. “I don’t care. Just want your cock.”

The side of his mouth lifted as his hands slipped under your shirt. You gasped as his fingers found your nipples and pinched them, tantalizing your poor clit to start throbbing harder. He pulled the skimpy shirt over your head and threw it away somewhere, letting out an audible groan at the sight of you. Next to go was your skirt.

He stayed staring at you for some time before he suddenly landed a slap to your cunt, making you jolt with a whimper. Then, he leaned to press open mouthed kisses against your throat, sucking the skin that covered your pulse into his mouth.

His lips grazed your jaw. “You want him to hear, then? Is that it?”

“N-no,” you whispered shakily, feeling the tips of his fingers teasing your perky nipples. “No, Coryo, just want you.”

“Say it again.”

“I want you, Coryo, only you. I’m yours.”

Coriolanus let your fingers slip under his shirt, letting out a shaky breath as you traced his abdominal muscles. He helped you pull it over his head, then he pulled down his pants and briefs as well. You watched hazily at his cock free from its restraints, certain if he’d tease you anymore you would start drooling for real.

Thankfully, he wasn’t in the mood for teasing—he slapped his dick against your clit once, twice, watching you squirm, then positioned himself at your entrance.

Your foreheads touched as he pushed inside agonizingly slowly.

“I’m yours, too,” he whispered against your mouth.

He was decently thick and longer than average—even lying still in your cunt, he reached places your fingers couldn’t dream of. Your eyes had a hard time staying open in facing the fullness which came with having him inside, but he was having none of it.

“Look at me when I fuck you,” he said.

“But you’re not even fucking me.”

You felt his cock pulse inside you before his hands roughly grabbed your thighs and pushed them up against your chest. This newfound angle was overwhelming in itself—when he additionally began thrusting his cock in and out of your cunt, you saw stars. You let out small noises, but he paid them no mind, leaning forward to have a good look at your face.

“Who knew the academy’s best student was such a fucking slut?” he tilted his head, ignoring your nails clawing at his biceps. “Guess words aren’t enough, hmm? I need to fuck that arrogance out of my sweet girl?”

You didn’t reply; he didn’t expect you to. His cock found that spot that made your toes curl faster than you could have expected. When he hit it for the first time, you let out a whimper close to a shriek in volume. Instead of slowing down, he just went harder, his hips slapping against yours in the otherwise silent room. He thought Sejanus probably was able to hear it all.

It was easy for him to slip his thumb between your parted lips; even easier to coax you with a gentle slap to your slack jaw to suck on it. Your mouth wrapped around it and he groaned, pushing your thighs further against your tits. He saw your eyes glossing over, felt your poorly suppressed moans against his finger.

And god, you were so compliant to his touch, so perfect.

“Spread your legs,” Coryo said, moving his hands away.

You obeyed to your best ability, practically letting your thighs fall limply at your sides. He spread them further and sank deep into your dripping pussy. Your slick had made a mess of the sheets below, creating a small puddle in the white material.

His fingers grabbed both of your wrists and placed them on your lower stomach. One of his hands kept them in place while the other played with your sensitive nipples, twisting them until a couple tears escaped your eyes.

“Don’t move your hands.”

When you nodded weakly, both his hands grabbed your waist, guiding you back and forth to meet his relentless thrusts. He could see the vague outline of his cock in your stomach, your tits bouncing deliciously before him with each abusing rut into your cunt.

“Good girl,” he mumbled, lightly tapping at your clit.

Your walls sucked him in like it was all you were made for, fluttering around his cock and leaving a creamy ring at the base of it. He wanted to fill you up—not only with his cock, but with his cum, wanted to watch it leak out onto this bed, wanted to hear you beg him to stop. Him, only him. He wanted you forever.

Coryo leaned down to connect his lips to yours, teeth napping at your lower lip. You were whimpering, mewling his name, and he tightened his grip on your waist. He pushed you further down on his cock, again and again.

“How does being the first lady of Panem sound, huh?”

You just nodded, tears streaming down your cheeks in reaction to his cock bullying the gummy spot in your cunt.

“Yeah? You’d like that, wouldn’t you?” he asked, rubbing tight circles into your clit. “I’d give you everything you want. You hear me, sweetheart? Everything.”

His hips rutted into you so roughly your vision was hazy, but clear enough to grab at his sturdy shoulders. You had disobeyed what he said, but it seemed he was unaware, chasing his own high.

His cock was thrusting into the right spot repeatedly, fingers maneuvering your clit so that you almost screamed, slick practically gushing out of your hole.

“Fuck,” you whined out, feeling your pussy pulsating. “Coryo, I’m—”

“Yeah, I know. Come for me, sweetheart.”

You let go and so did he—seed spilling into your cunt as you clenched around him. You sobbed his name and in an attempt to soothe you, he planted kisses along your collarbones. He let you ride out your orgasm against his hand before he pulled out.

Vaguely, you could see his cum spilling out of you and onto the sheets.

Before you could even make an attempt at calming down your heart rate, he stuck two of his fingers into you again.

“Too much,” you whimpered, but he paid you no mind, stuffing his cum back into your swollen cunt. Too tired to move, you let him do it, only mewling his name softly from time to time.

Once he was done, he licked his fingers clean and smiled alluringly. You scooted closer to kiss him—he tasted of you and him combined. His hands cupped your face as you both lay down, facing one another.

“You’re nothing without me, either,” you said, running your finger down his exposed chest. “Mr. President.”

His grin widened. “That’s right, sweetheart.”

TAGLIST: @peterpan-neverfails @urfavevirgoo @sayyysss @hwajin @hoshiseon @atrwriting

also big thank you to kathy, kiza and lex for being my enablers! ilyy

#coriolanus snow smut #coriolanus snow #coriolanus snow x reader #coriolanus x reader #tom blyth smut #tom blyth x reader

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vulcanhello · 2 years

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star trek the savage trade was. so much. there were implications. there were friendships. there were ten thousand unfulfilled ideas. it was not well written but it WAS a ten course meal of food for thought

the most interesting part of this book was the complexity between spock and valek which was completely disregarded even though it arguably had the most interesting stuff going on. for example; when they meet up again after over ten years

varen is her twin brother, which we’ll get to. but here she’s pretty rude towards spock, despite later telling kirk that she felt bad for bullying him/formally arguing against his existence when they were kids. which. okay. only to LATER find out she’s been amongst humans for over ten years. she even starts this little romantic thing with kirk like this

she does stuff like this multiple times. kirk as the narrator even frequently mentions how ‘un-vulcan’ her actions are

i thought it might have been heading in a direction where she also felt like her emotions were getting the better of her as a kid, maybe making her feel like spock was better than her even being half vulcan, but no. it was just about her going along with every other vulcan’s prejudice towards him. then there was this whole thing where she came to take back her opinions because she respected sarek and amanda so much, and of course once spock grew up and proved himself’ she respected him too. but like. there’s so much there. the main point made here regarding all this was that vulcans underestimated spock because obviously spock is great but he couldn’t earn respect until he proved himself in his profession. until then though it was public debate over his existence. imagine your classmate getting up and arguing you shouldn’t be alive. and the only person who’s disagreeing with her is her brother. WHICH.

next point: spock ‘when i feel friendship for you i feel ashamed’ has longtime childhood friends he still keeps in contact with? obsessed. what’s this? you’re not going to include him in the narrative? bro. varen is apparently spock’s only friend from way back and this isn’t even talked about. it’s basically just the reason why valek was angry with spock as kids but she already didn’t like him so it wasn’t like her brother and spock being friends was a catalyst. what i’m getting at is that this author put SO MANY interesting things in the story and then just didn’t use them. ACTUALLY GOING OFF THAT

obsessed when novels mention sybok. this one’s especially interesting as according to her, sybok was seen as better than spock. in the final frontier novel it went that sybok felt like an outcast already, and was noticeably more emotional than other vulcans. spock, who assimilated and became as vulcan as possible to offset being half human, was still seen as less? insanity. i just feel like there’s so much going on here talking about spock’s childhood and then when you read the end of the savage trade spock’s just chillin with ben franklin absolutely uncaring (which good for him. if i met a childhood bully who was now everything she bullied ME for? i would be ruthless. spock elects to lose to benny frank in chess multiple times so he’s above all that)

anyways there was so much the author could have done with valek because she was really really interesting but her and spock almost never interact and it ends up falling pretty flat. LOST OPPORTUNITIES, like pretty much every star trek book in existence

ok one final thing the spock and varen being vulcan lab partners thing was really cute

#sorry i literally want to tear this book apart with my teeth THERE WAS SO MUCH THAT COULD HABE BEEN EXPANDED UPON #and yet the runtime is filled with kirk and valek trying to get togethr 💀#also like half the plotlines of the first half of the book were completely dropped in the end this was NOT a well written book but bro #whatever happened with valek and spock and varen was ten thousand times more interesting #especially if we wanna discuss spock having a single friend from childhood he still keeps in contact with #i think that’s nice that’s something i want for spock even if it doesn’t really fit his character as someone who felt so alienated from v #vulcans that he ended up in starfleet #i would love to read abt him and varen what do they talk about? apparently varen attended the VSA so #they send their upcoming papers back and forth for editing and in the space version of google doc comments they drop all the drama from #their respective workplaces #ok fr tho i think this part of the book would have benefitted from valek and spock having more interactions. i mean she’s REALLY out here #acting very human and the FIRST thing she does is get on his case about FRIENDSHIP? when literal chapters later she commits the same crime!#i KNOW its bad writing bc in what world would spock admit to having friends but BRO. in the context of the story taking it at face value BRO #also. it was kinda funny that in the beginning of the book kirk is so wow mr spock its like we have a consistent and ongoing mindmeld we’re #so in synch <3 #and then turns around and falls in love with this woman because she’s sooo vulcan #sorry! it’s funny to me. what do you really want sir 🤔#ok kidding i thought the valek / kirk thing was kinda sweet #i need to annotate this book and everything because the only thing mccoy did this whole story was have crazy sex with the ex gf of the #guy who wrote candid which. not my fav of the high school lit but #there was a slavery plot that mostly got dropped with the two alien races from the beginning #i think if i could rewrite any book it would be this one because it was THERE IT WAS ALL THERE. it just needed the talent and the time #okokok im done. for now #captain’s log #trek books #tos

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divine-donna · 2 months

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tell me

instead of writing a fic, i settled on writing just a general collection of headcanons. these are gender neutral. and uh, i'm on a mission to convert my friend to the swann arlaud agenda.

anyways watch anatomy of a fall on a big screen. don't do what i did, which is just watch it on my laptop. movie is too good to be watched on a laptop. and also be a streaming service.

these are gender neutral, by the way.

part 02

character: vincent renzi (aka. hot lawyer from anatomy of a fall)

for vibes: "tell me" by fifty fifty

moving to france wasn't on your list of things to do when you were in your early teens. it was such a drastic move. but unfortunately, it made sense because your mother was a film scholar who specialized in french film and she got a job to teach at a prestigious university. it was an opportunity she had to take and you were brought along for the ride.

picking up french was not that hard. you learned in school and also picked it up from the films your mother watched. you remembered watching Cléo from 5 to 7 a lot. maybe you shouldn't have, considering its themes. being immersed in the environment helped you pick up on it quicker.

all to say, you were fluent by the time you reached university.

you don't remember which class you met him in. you just know you got put in a group together for introductions. typical first year stuff.

"vincent renzi."

he had a boyish charm to him. he looked younger than you, yet you were the same age. there was still some baby fat on his cheeks.

your smile was warm. "(y/n)."

he became one of your first friends.

university was a rough transition period. you left your old friends behind. you didn't like them that much anyways. they didn't seem to like you either. so, you essentially came into university without many friends.

it's a gradual friendship, one that arises from meeting up consistently and then those meetings evolving into hanging out for hours.

doing schoolwork while drinking coffee, reading in the library, going out for dinner. hell even cooking for each other. it was a solid friendship.

it helped that you guys also wandered in the same social circle. so you also had mutual friends, including german exchange student sandra voyter.

they always talked about how you two were together. always seen talking. always seen outside of class. even when you guys had so much work to do and you shouldn't be with him because you guys ended up distracted and procrastinating your papers.

"why do you still have this?" he asks.

it was your third year of university. your place was small cozy. and it was affordable with your two other roommates. you guys had gotten lucky with the rent.

"have what?" you don't look up from your laptop. you were nearly finished with your paper.

"this."

you look up. vincent's holding up a dvd box with a beat up cover sleeve. the colors were faded and the cardboard was bent all over, creating multiple webs.

"because it's mine?"

"it's all beat up. wouldn't it be better to transfer to a new box?" he shrugs.

"my mother gave it to me when i graduated. it's...niche, i guess." you think about how she gifted you her favorite movie and the movie she has written a whole book about.

"everyone knows Céline and Julie Go Boating."

"not in that sense. just in the sense that my mother has an interesting way to mourn me leaving the house." you still stayed with her when you went back. but graduating really proved that you weren't a kid anymore. "i really liked it when i was younger. because of the colors. the rest of the stuff did not register with me. according to her, i kept asking her to put it on."

"you must have had an interesting taste as a child."

"well...she specializes in this stuff. so i'm not surprised."

"you don't even have a tv."

"okay well, i have it for novelty sake."

your eyes return to your laptop screen. you don't notice the way vincent's eyes linger on you, watching the way your fingers intently move as you finish up your paper. or how you furrow your brows when rereading your sentence and realizing it makes no sense. or the gentle curse beneath your breath when you realize you've forgotten a word in your sentence. he's never heard someone curse so gently.

he sets the dvd back where he picked it up from, feeling the worn out cardboard.

it was your birthday. such a scary time, for it to come so soon.

originally, you thought it was going to be you, vincent, sandra, and some of your other friends. after all, vincent was good as organizing group events and outings.

when you showed up at your usual meeting spot, it was just him.

"are they going to meet us there?" you question.

"we'll meet them after." he smiles.

"what is going on in that brain of yours?"

"you'll see."

when he takes your hand, your heart flutters. you've held hands before. but never did it make you feel so...light. like a cloud. you weren't sure if you were imagining your cheeks heating up slightly.

vincent leads you to a nearby cinema. he buys two tickets for a limited showing of Céline and Julie Go Boating.

"this is so..." you can't help but let out a laugh, staring at the movie ticket.

"why not? get the full experience." his eyes are gentle. there's tenderness in his gaze. it makes you feel all warm and gooey on the inside.

"you know the movie is...over three hours long right?"

"of course. that's why i picked an earlier showing. so we can get to dinner on time later."

being in the dark with your friend for over three hours. watching a movie about two people who were coded to be lovers. what could go wrong?

nothing, really. in the eyes of someone else.

to you, and to him, everything.

you haven't seen the film in forever. so rewatching it was like watching it for the first time without being distracted by the colors.

vincent couldn't watch the movie. he was more interested in the way your face shifted, how you whispered about not remembering that happening, how you laughed and the way your lips curled so cutely.

in truth, he could care less about the movie.

you were his favorite film.

as céline and julie were in a soap opera, enacting a hetero-normative plot, you turn to look at vincent. you were wondering how your friend was holding up.

your eyes meet his and your lips can't help but curl into a smile.

"are you watching?"

"of course." his eyes flicker to the screen for a brief moment.

"or were you watching me?"

"your reactions are interesting. they tell me what i should be thinking of the film."

"i shouldn't be the one you judge this film on."

silence between you two. the kind of comfortable silence you two are used to. but something feels more different. perhaps because it was dark. perhaps because the world seemed to fall away and it was just the two of you and the film faded into the background.

you were oddly close to him. your shoulders were touching. and if you moved forward, your noses would be able to touch.

you shift closer, causing his breath to hitch. "thank you for this, by the way." when you whisper, it is a message only meant for him.

"happy birthday." he says. he moves his face closer, heart pounding.

you want to meet him in the middle. you want to feel his soft lips against your own. and yet, something grips you hard. it's stomach curdling.

you move forward, your lips on his cheek. his eyes widen and his shoulders slump a little. you pull away. "it's...nice. to have the bestest friend i know."

"that's not a word." sadness settles in his eyes.

"all words are made up. so i can make up new ones."

in the moment you felt unsure about not making a move. that regret comes to follow you in your life.

graduation came too soon. way too soon.

you had decided to leave france for a bit, go to grad school abroad. somewhere else where you could pursue an mfa in creative writing.

it was your last coffee before you guys would graduate, inevitably separating.

vincent said he wanted to tell you something. it was urgent, something important to him. you could tell he wanted to spit it out.

or did he want to vomit because he was nervous?

"stop leaving me in suspense!" you take a sip of your coffee. "what is it?"

should he tell you?

should he confess?

he wants to tell you. oh so desperately. and yet, he feels it would be selfish to.

it's not about if you didn't feel the same way. to vincent, being rejected is the better scenario.

he didn't want to keep you grounded in france, a place you were looking to leave because you have spent a decent chunk of your life here. moving was good for you.

he worried that if you felt the same way, then maybe you would reconsider going away. and if you were looking to leave forever, he didn't want to be the thing keeping you here.

i love you. i have for a while. let's go on a date.

thirteen words. three sentences.

it was so miniscule. but he felt like atlas, carrying the sky. he was carrying a whole world.

vincent wipes his palms against his jeans. his heart was stuck in his throat. and his brain acted first.

"i got accepted into law school."

"that's great! oh my god!" you nearly squeal for him.

your happiness for him was enough.

writing a hit debut novel is no easy feat. and yet, you did it. people loved your novel.

the novel centered on two friends. their platonic bond ends up in a weird limbo, where there's romantic tension but neither wants to act upon it in fear. ultimately, the two friends reunite years after they separated, on different career paths. they meet at a conference, sit at a bar, and the novel ends with them rekindling their relationship. you left it up to the reader to interpret that being romantic or platonic. or even if they never talked to each other again after that night.

you were on fire as an author. and your recent publication, a collection of short stories, had become particularly famous. especially on social media.

you decided to go back to france for a few months. you wanted to spend more time with your mother and catch up with your friends. all of them you haven't seen since university.

unfortunately it also didn't mean you were on vacation. you still had to work. and you had many book signings to attend to.

when you look up to see the next person, your heart nearly lurches out of your chest.

vincent aged like wine. he still looked like how he did in university. less baby fat. gray hair. some wrinkles. but you liked it.

his eyes meet yours and he walks over. "my favorite short story was the one about the cow farmer."

"that came from a dream i had as an undergraduate student." you open the book and sign the first page. "how are you?"

"good. good. how about you?" he smiles. he's so radiant. you're reminded why you missed him. and why you felt regret in your body from all those years ago.

"well, you already know about me." you gesture to the books. your books. "have you...met up with sandra recently?"

"on the rare occasion. she's been traveling a lot. but recently she moved here. with her husband."

"her husband...samuel?" vincent nods. "he's an interesting character. from the few times i met him."

"they seem to be doing alright." he takes the signed book and peeks at what you wrote. there's a heart next to his name.

"we should talk more. catch up."

"if you're free."

you think for a second. "can you come back in thirty minutes? i should be done by then."

vincent smiles. he leaves the bookstore.

he's waiting outside for you after those thirty minutes.

#x reader #male reader #female reader #gender neutral reader #anatomy of a fall #swann arlaud #vincent renzi #headcanons #fluff #romantic #vincent renzi x reader #anatomy of a fall fanfiction #vincent renzi fanfiction

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yellow-berrys · 1 year

Text

sweet weeping soul | remus lupin x fem!reader

summary: your friends aren't really your friends, and remus lupin helps you realise that. a (hopefully realistic) tale of toxic friendship and how one escapes from it, into healthy relationships, both platonic and romantic. angst -> fluff

aka five times you cry in front of remus and one time he cries in front of you.

warnings: toxic platonic relationships, crying, sadness, envy, insecurity

navigation | masterlist

Remus Lupin makes you feel different, not yourself, per se. Around him, you become soft and reserved. It’s rare you have a conversation anyway— for you never really talk to him, or spend heaps of time around him. Lily is friends with him and you’re friends with Lily, so by extension he is your good friend too.

He is prettier than you and so kind, always with a cuddly quarter zip on or a fuzzy sweater. Sometimes he looks at you like he might kiss you, but you’ve seen him with other people and he looks at them the same, dark lashes nearly touching.

Remus has been told that he’s soft, all his life. There’s a steadiness gleaming from his kind honey-brown eyes, and a certain gentlemanly way to his neat strands of light brown hair. There’s gentle written all over him, and he always has a sweater on in the colder seasons. He always looks quiet, and he always is quiet, preferring to leave the talking to Sirius or James. Remus is everything consistent and everything mellow. A little mystery is woven into the way he does everything too. It makes him elusive, more interesting.

Mostly, he begs to differ. If you really get to know him, he swears like a sailor and is scarred like one too. His humour is snarky and sometimes crude. But he guesses that other people might be right, because he forgives too easily and loves too hard.

Especially as you’re alone at breakfast, sitting at your place down the table and playing with your food. You look a bit distraught, he thinks. Where’s Lily? And everyone else? You clatter down your fork because everything looks unappetising. Even the delicacies the house-elves prepare so painstakingly look dull and dreadful.

Remus notices your self-deprecating expression as a Slytherin girl passes by you and waves. She looks at you inquisitively and you respond with a small smile that is the furthest thing from genuine. She leaves with an arm hooked into her boyfriend’s, both looking worried for you. As she passes where Remus and the other Marauders are sitting, Remus can hear tid-bits of dialogue.

“Poor thing,” she says.

Remus decides you’re definitely not okay when even Sirius hums, “L/n isn’t looking too well today.”

You’re talking to Professor McGonagall now, a more amused smile on your face as you joke with her. But when she leaves you return to looking downtrodden and when you push your plate forward and start to get up from your seat, your eyes look empty. It’s when you hurry past him that he decides that he should go after you.

Fast taps against the tiles of the hallways alarm you. You turn and there’s Remus, long legs gaining mileage on you. He reaches you and you step to the side to let him go past. You’re confused when he stops before you. His eyes flicker down to yours and they’re filled with concern.

“Hey,” he breathes.

“Hi,” you smile politely and it doesn’t quite reach your eyes. Remus hates it.

“I’m sorry if this comes off weird or creepy, but I couldn’t help but notice that you don’t look very happy,” he says quietly.

You laugh. Again, it doesn’t sound right. It sounds forced and stuffy, “It’s not weird and I’m fine.”

“Where are your friends?” he asks, gently.

You shrug. It’s heavy enough that Remus can tell that you care a lot.

“They’re all gone?”

“I heard them early in the morning,” you say, nodding slowly.

“Are you okay then?”

No. You had heard all the girls in the dorm giggling as they got ready at six in the morning, tippy-toeing around your bed. When you peeked an eye open, feigning slumber, Lily was wearing one of her date night dresses, a pretty sun-dress that was only used for picnics. Trixie from Hufflepuff was there, and so was Olive. You squeezed your eyes shut and when they were all gone you noticed the picnic basket was missing. Dread pooled in your stomach and you tried in all your might to believe that they went for a date or were going to come back up to invite you. You thudded down the stairs and asked a first year sitting by the portrait about them.

“They were talking about a big group date,” she swung her legs, “Something about a park.”

You had smiled, “Thanks.”

You look at Remus, “Yeah.” But your voice breaks embarrassingly midway and your tired, disappointed mood starts to wear through. It’s impossible to put up a front in front of Remus, who’s gazing at you in such a fret. But he’s Lily’s friend and Lily surely had her reasons to not invite you. After all, you have your problems. It makes sense that it’s probably your fault and Remus deserves not to know.

Remus tries to gauge the problem out of you- wheedle it and make it clear that he does care. Somewhere in your half-hearted smiles he’s developed a crush on you because he thinks your attempts to make him less worried are so sweet.

But you simply shake your head every time he wants to know what’s wrong and ignore that he’s very close and very handsome.

You set off to your dormitory, but realise that you don’t really want to be there. Remus can tell from the conflicted look in your face.

“I’ll sit with you in the common room and you can please, please tell me what’s wrong. I want to help.”

He says it so earnestly that you nod, “Okay.”

“I woke up this morning and they were all getting ready for something, with the hair curler and dresses. That means going out, usually. And Lily was wearing her picnic dress, the one with little flowers on it. I heard them giggling as they all went out and I thought maybe they’ll come back for me. But when I sat up there wasn’t anyone in their beds and the picnic basket was gone. I didn’t know what had happened so I went downstairs to ask this first-year and she said they were going on a group trip, plus James.

“I feel so left out,” your bottom lip wobbles, “Because if this was a one time thing, I wouldn’t feel so bad, but they do this all the time. And I’m tired of constantly trying to join them when they haven’t even invited me in the first place. Every time they hang out they never think of me. I mean, they invited Trixie and Olive, and I wish I could say I’m closer to them than Trixie and Olive but I don’t think that’s true anymore. Every time. I’m sick of trying to take the initiative to make plans, and if I don’t they never think about me.

“In the holidays, they all went out to see this movie, and I get it, they all live near each other but they invited Hannah from Slytherin and not a word to me,” Remus’ heart pangs a little bit hearing your trembling tone, “It was only when I wrote to them asking if they wanted to see it with me that Lily said she had already seen it and so had Mary and Dorcas and everyone else. Okay, I accepted it, I did, and said we could go to the art gallery but no one replied.

“I tie my shoelaces and they never wait for me, but when they tie their shoelaces suddenly I have to be there, no matter what. And I can’t ever hang out with two of them because the others feel ostracised, even though they always leave me out. Lily gives me strange looks when I chat to Dorcas for more than 3 minutes straight. Once we were talking about volunteering for a charity and she looked back at me as if I was neglecting her, accusatorily. I wasn’t going to volunteer with Dorcas anyway, she lives in the Highlands. But then she can go and wrap gifts with Mary at the mall and not invite me,” your voice wavers.

“I know it’s small, but it hurts so much. The worst thing is that I’m the problem here. There has to be a reason why they never invite me and I don’t know what it is. I try to be a perfect friend and I always wait for them when they pack their bags at Potions even if everyone else is leaving. I don’t get it and it’s bothering me,” you cry out, eyes watering.

Remus wants to cry too seeing you cry, “Oh, darling.”

“I don’t understand what is wrong with me,” you despair, “I might not be the prettiest thing in the world, but I try,” voice cracking.

He needs to have a word with Lily, he thinks.

“There’s nothing wrong with you, gorgeous,” he murmurs, “Don’t blame yourself.”

“But there is. They’re really nice people, why can’t I see it?”

“Maybe they’re not nice people,” he offers.

“Don’t say that,” you whisper, “Lily’s dating James. Mary’s dating Peter. Dorcas is in your bookclub.”

“Well, love, they’re not very nice to you. And no she’s not, far from it actually, no he’s not, they split, and no, she left.”

“Guess I need a life update then.”

“Why don’t you talk to them about it?”

You murmur, “I hate confrontation and why would they change just because I told them to? I’m scared, Rem.”

“I get it, beautiful. You can sit with me and Peter and James and Sirius and Marlene and Queenie and Jolene at lunchtimes and whenever you want.”

He’s so good, he doesn’t ask any questions or push you. Your teary eyes gaze up at him in wonder and admiration and no one’s ever looked at him like you do now. Here he goes again, loving too hard.

“Really? I wouldn’t be intruding?”

“Never, lovely.”

You surge and hug him, which catches him by surprise but he melts into it. It’s the nicest hug he’s been given, ever. He doesn’t get many as a guy, and usually they’re half-hearted and rough, but yours is grateful and warm. He’s all red and flustered after it but he doesn’t think you notice and you don’t.

“We’re about to head to Hogsmeade, you wanna join us?”

You think about it, “After I get these tears off my face.” You hurry up the stairs before he can say a word.

“Nice going, Moons,” Sirius barges in from wherever he was hiding in the first place, hair slightly dishevelled, “You got some chocolate? I didn’t finish breakfast trying to stealthily tail you both up the stairs.”

“He is just so delicious,” Mary sighs. You laugh, “Who, Peter?”

“Oh not Peter. Remus Lupin.”

You smile. Delicious.

“Pfft, Peter. I only dated him to get closer to Remus.”

Your smile turns into something that’s unsettled, but she’s too busy ‘ooh’ing and ‘ahh’ing over his “washboard abs” to see you, even though he’s got an ungodly amount of layers on.

“Speaking of, I think I have a crush on him!” she squeals and you smile again, kind of creeped out by her behaviour. You’re sure you’re just too sensitive about these things, “Will you introduce me?”

“Sure,” you lead her to where Remus is reading the paper. He looks up and he doesn’t give anything away. He's a mystery when he’s not too busy being soft. In reality, he can feel his heart start to speed up and his cheeks warm.

“Hey, he’s blushing,” Mary whispers. Although it’s loud, Remus can hear it and feels self-conscious.

You whisper back, “Shhh, I’m sure he’s not. Hi Remus.”

Remus nods at you, “Morning.”

“Oh he says morning, what a cutie,” Mary giggles and you giggle too, though Remus hears the strain your voice is in.

“Remus, meet Mary Macdonald. She’s my friend. Mary, meet Remus.”

Hm. Remus thinks, remembering to be polite. He should give her the benefit of the doubt. He extends a hand, “Hello Mary.”

You watch their interaction, spiking a little bit of disappointment in you. Is it at Mary paying more attention to Remus than you (and rightly so, you think. If you were that pretty you’d have people clawing at your feet too.) or because Remus might like Mary?

You miss how Mary looks at Remus hungrily. He swallows, uncomfortable, looking towards you and grimacing. You nod, a minute dip of your head, and carefully pry Mary away from him.

“C’mon Mary, you promised to drop me off at my class.”

She studies her nails, “Actually, I need to go to the bathroom. You think you’d be okay with going alone?”

It’s not really a question, and your face falls. You walk alone. Remus has just witnessed Mary lying, because instead of turning three halls down to the left and turning to the right one hall down, she begins to flirt with him. It sours his opinion of her.

“You free this Saturday?”

He shakes his head, “Nope.”

“Next Saturday?”

“Nah.”

She sighs, “Handsome, let’s not play hard to get.”

He shrugs, “I’m not.”

“Why won’t you?”

Remus isn’t brutal enough to tell her the real truth, which is that he hasn’t heard good things about her. So he says, “I’m not interested and you dated my friend and broke his heart,” which is pretty accurate in itself.

“Enigmatic.”

He sighs, returning to his paper.

A few hours later, you’re confronted with an awful truth as Remus sits peacefully opposite you reading a book. He’s in pure bliss as his eyes skim the page and his fingertips brush the edges of the paper. His hair flops in front of his eyes and you resist the urge to touch it. There’s a little smile on his lips.

You like Remus a lot, and you can’t, because Mary likes him. It feels forbidden, and you can’t imagine how Mary would react. Friends didn’t like other friends’ crushes, they stayed a comfortable distance away from them. Rule 2 in the book. And Mary brings it up at night.

“Say, Y/n, would you mind not being so close to Remus?”

You’re finishing up a Transfiguration essay and look at her, caught off guard.

“I’m not actually that close with him,” you laugh, “At least not romantically.”

She narrows her eyes, “Yeah, I know that. As if he would ever be romantic.” with you, she means.

You’re silent, ignoring her dig at you. This is a critical part of how to be a good friend. You don’t want to ruin Mary’s ventures with Remus but you really like him, both platonically and romantically.

“Could you back off? I know you both are friends and whatever but I need this.”

You chew on your lip. It’s a shame, because you did like him and Peter and Sirius and James and Marlene and Jolene and Queenie. You still want to be friends with him. But Mary has a jealous streak and you’ve seen the girls who she’s left torn and beaten.

“I don’t think I’ll ruin your chances, Mary.”

“Neither do I,” she says harshly.

You’re struck by her sudden tone. It’s curt, snappy and it’s loud. It hurts. You immediately find the tears swarm in your eyes. So you startle, “I forgot, I need to go find Marlene to get some advice on the essay.”

“Since when have you known Marlene Mckinnon?”

You leave, tears flowing as you furiously wipe them away. Remus is downstairs with Sirius, and Sirius is begging for chocolate for some reason. You catch his eye. He immediately calls to you, but you pretend to not hear. You can’t hang out with him anymore. You hurry down to the Prefect bathroom. It’s always empty there.

You sit down by the bath, pacing out your breaths. Soon you calm down, and when you have the energy to look around you, you see Remus leaning against the door. There’s a crease between his brow.

“Rem, I can’t be near you much anymore,” you blink at him, “This won’t be a surprise to you but Mary really likes you. I don’t want her to be uncomfortable, or think I’m trying to steal you from her.”

Remus’ frown only deepens, as you refuse to meet his eyes. He hooks his fingers under your chin and lifts your head up.

“Aren’t you?” he grins. He thinks if he’s going to want you he might as well want you right.

You bring your hands to his and you gently take them away, patting his hand, “Don’t. Even if I’m friends with you, it’s too friendly for Mary.”

“Honey, you don’t need to do what Mary says.”

“It’s not what Mary says. It’s Rule 2 in the book.”

He laughs, “Rule 2 in the book. And what’s Rule 1?”

“Never leave your girls hanging for boys. I feel like I’ve betrayed her.”

“Well, you can always hang with the others, right?”

You nod, “We’ll see. I’ll see you around?”

His eyes are filled with something unreadable and mysterious. He wants to be with you, so badly, he wants imploringly to show you what you mean to him. But he nods, he understands, and pecks you on the cheek. “Remus!” you admonish. He’s smirking away, the last you see of him is the imprints of a shy smile, latent and alluring.

You smile, feeling bitter as you tell Mary, “I’ll leave Lupin alone, Mary.”

She flickers her eyes up at you, “I didn’t think you weren’t going to.” She looks bored, and you feel nothing but disappointment.

“Wait up, Lily!” You call. You wish you didn’t need to, but you guess that you’re forgettable.

She stops, a little disgruntled.

“What’s got you so excited for today?” You ask her, slinging your bag over your shoulder.

“Well, certainly not Potter going to ask me out and me to reject him. He hasn’t in a while, so that’s been a relief.”

You laugh, “Are you missing it?”

“Never.”

“Don’t you think rejecting him that harshly is a little sad?”

It’s true. He’s nothing but nice in his advances. All he does is give her flowers, most of the time he doesn’t say anything but frown when Lily pushes the flowers roughly back into his grasp, and leaves disappointedly. He’s been doing this for only a little while, and he looks less and less infatuated with Lily each time. Once she turned to you smugly, and you raised your eyebrows.

“Must be nice having no guys pestering you for attention,” she had told you.

You had cheerfully agreed with her, but inside you were heartbroken.

Lily enters the hall, an expectant look on her face. Instead of James waiting by the big door, he’s eating, no flowers or chocolates in sight. Remus turns and gives you the tiniest smile. You give him a sympathetic one.

“Huh. No flowers.”

You stay quiet. If you say something, it’ll come out berating or pathetic to Lily. Maybe if she didn’t always brutally dismiss him or flame him to no ends, he might continue, but isn’t this what she wanted?

You talk to Queenie, who pouts, “Can’t tell you, sorry Y/n.”

You’ve seen James with Regulus, the latter denying his love though not like Lily had. It’s accepted and Regulus returns the affections, though in his own cold way. James looks happy whenever he’s with Regulus.

Lily calls to James, “Potter, I didn’t see you water the plants today.”

James shrugs, “Okay, Evans. They’re watered. I got someone to do it. Someone much more competent than me.”

At that he winks at Regulus, who goes red and smiles tenderly. Sirius rolls his eyes, whispering to James, “Oi, eyes off my brother or you won’t have eyes at all tomorrow.”

Lily’s curt all day long, and snippy. You don’t dare to say a word to her and tippy toe endlessly after she scowls at you for asking if she wants some hot chocolate.

At the end of the day when you’ve come back with accompanying Dorcas to the Potions storeroom and three of the girls come surging, whisking Lily away but never offering you with the same warmth. At the end, you quietly slip away from the group. You have this harrowing feeling you don’t actually belong with them. No one notices and you press your lips together.

“Girl’s night!!” Dorcas yells.

There’s only a little more to go till you graduate and you’re officially able to leave the dormitory. Maybe they aren’t so good for you. You just wish you could be included more, cherished. What if I don’t deserve to be cherished? The question swirls in your mind, distressing you. When you bump into Marlene near the quidditch field, trucking down from practice, she sets down her broomstick and takes off her gloves.

“Don’t see you here often, darl,” she sits next to you, “You’re in the firing zone of Sirius’ wild bludgers, by the way.”

Sirius is hovering above, hitting bludgers fiercely. One zooms past your shoulder, only because Marlene nudges her broomstick to the bludger. You barely flinch.

“Hey. Are you okay?”

You look at her, “Yeah, I’m good. Just wanted to get some fresh air.”

“At 8 in the night? Where are your friends?”

You feel so vulnerable right now. “I’m- I’m with you. You’re my friend.”

“I know. Okay,” Marlene thinks for a second, “Where are your dorm mates?”

You sob, “They’re having a girl’s night.”

“Without you?”

“I…” To be truthful, you don’t know where you are with your friends. It makes you even more emotional. You feel tears well up in your eyes. Marlene makes a strained noise and you see she’s crying too.

“Oh, don’t make me cry too,” she sobs, “I can’t handle emotions.”

Sirius notices, and nearly gets taken over by a bludger. “Moony,” he shouts, “We’ve got a problem.”

“We’ve or you’ve?” Remus asks dryly from the sidelines.

“You’ve. Not I’ve but you’ve,” Sirius points to where both you and Marlene are sobbing together.

“I’m only one man, there are two of them,” Remus looks at Sirius meaningfully.

“Fine.”

“Which one do you want?”

“Marlene.”

Sirius flies over to Marlene, mounting his broomstick.

“Marlene, you good?” He crouches down on the grass.

She glares at him, tearily, “Do I look okay to you, Black?”

“Right, well, why are you sad?” Sirius has the tact of a three year old although Marlene’s too busy crying to care.

Marlene points at you, “She’s sad, so I’m sad.”

Sirius hops up, and pats the incoming Remus on the back. “They’re all yours, Buster.”

Remus sits down next to you, “You know, there’s a cloud over there that looks like James.”

It really doesn’t, it’s night and you can’t see much. But it makes you huff a laugh out. Remus relaxes. Marlene stops crying.

“It’s pitch black, idiot,” she grins.

He smiles boyishly.

“Marlene?” you peek up at her, still halfway to dry eyes.

“Mm?”

“Can I stay at your dorm for the night? I don’t really feel like going back to mine.”

“Sure. Okay, I need a shower. I can’t be hugging you all stinky and sweaty.”

“You smell great,” you smile at her.

“Thanks.”

“No problemo.”

You turn to Remus, “Shuffle over some ten centimetres please. For Mary.”

“Mary’s having a girl’s night without you, sweet thing, does she really matter?” Remus moves nonetheless.

“Yeah,” you hiccup, “I want to be a good friend.”

He doesn’t question you and leaves it at that.

Marlene comes out, drying her hair with a towel.

“Are we good to go?”

“Yeah!”

“C’mon.”

You look back, “Bye Remus!”

He’s smiling so softly your heart thuds. It’s the prettiest smile you’ve ever seen. You wonder what he’s thinking about.

He’s thinking about you. Sweet weeping soul.

The scene’s set. It’s a sweeping plain overlooking the rest of Hogwarts, symbolic and gradual. This is where you’ll graduate. It’s bitter, but you’re mostly ready to move on from school. Of course, you’ll miss days spent with fellow students and the teachers, and the school grounds where you spent so much time laughing and loving, but you think you’re okay with going solo. You haven’t worked out where you’ll be staying, there’s still ten weeks left in the school year where seventh years hang around aimlessly and try to soak up as much of Hogwarts as they can. But you know if you don’t find a place to stay, you can always bunk with your parents.

You already find yourself shedding tears, as you go up to give a speech. After the procession, McGonagall calls you over.

“Oh darling,” she cries, mascara muddied from her watery eyes, “I’ll miss you so much. Thank you for being such a good student. Have you got a place to stay? A job? I’ll always be open to giving you the Transfiguration professor role so I can focus on being Deputy Headmaster.”

You laugh, “Professor-”

“Please, we’re both adults now. Minerva, or Minnie, or Mins, or Nerve.”

“Nerve?!”

“Sirius Black does have some calling me that.”

Both of you let out watery chuckles.

“Minnie, thank you so much for being my Professor,” you wipe the corner of your eye, “Oh I have to do this eleven more times. You know, I’ve learnt so much from you and you’re just a dear. I can’t believe I’m leaving this place, forever. Not yet, and yes, I applied for a position in the Ministry.”

“Don’t forget Hogwarts. Please visit, weekly.”

“I will, and I won’t forget about that Transfiguration job.”

“Please, remember it, you always had a competence for most things you did. Even Magical Music, which I remember you saying you hated, despised, loathed, and were terrible at, but Professor Quavers thought you were a very capable student.”

“Minnie,” you weep into her shoulder, hugging her, “Please remember me.”

“I couldn’t ever forget you,” she leans to whisper, “You are one of my favourite students.”

It makes you cry even harder. In the end, you take a picture with her and exchange emails, phone lines, addresses. She hands you an envelope, which later you learn encloses automatic recommendation letters and some gift cards.

This is done eleven times more, teachers bestowing you with gifts and promises of communication. By the end, your hands are full and you put the things in your bag by your chair, going to join Lily, Dorcas, Mary, Alice in taking photos. Mary’s voice shouts, “I still like Remus Lupin!”

“Cheers to the new apartment!” Dorcas’ father says, “What beautiful girls.”

You freeze. They had an apartment planned and ready? Maybe you’re ready to leave your friends. You turn away, crying more when you see Queenie.

She beckons you over, “Come take photos with us.”

You smile. Everyone huddles close. Remus is beside you, all wily and eyes sparkling with tears. “You alright, darling?”

“I’ll miss you, Rem. You know I haven’t really gotten to talk to you much, but you’ve been nothing but wonderful to me.”

“Ask her!” Jolene hisses.

“Right, so, I, we, the guys and the girls, are going to rent apartments with each other. Do you want to join us?”

You’re starstruck. You start crying in his arms, and he looks very concerned.

“I’m sorry, I just can’t keep them in. Of course I want to join you, you guys are amazing.”

“Sweetness…” he wipes your eyes with a handkerchief he has yet to use.

“Remus, Mary, remember? She still likes you. I know you’re only doing this as friends and she does too, but she doesn’t like people hanging around…” you meet his eyes.

He looks at you again in that unreadable way and you don’t know what to do. Sirius is quietly taking pictures of you two with his expensive camera. He likes the way Remus looks at you and the way you don’t seem to know what it means. Fine photography. Would make an excellent engagement gift. I'm so smart. He flips the camera. And so handsome.

"Get a load of you," James scoffs.

You haven’t watched Mean Girls yet. Queenie finds that astounding, and so everyone must attend the movie marathon she holds. You hang your coat up on the rack, stepping out of your shoes and sighing.

“How was work?” Marlene asks.

“That question makes me feel so old,” you huff, cracking your joints, “It was so-so. Marcus tried to harass Heron into getting Jerome out of the project that he and Heather are working on.”

“Oh really. That mother-”

“Evening!” Sirius barges into the apartment, wearing his suit, “Did you know, Marcus was-”

“Harassing Heron into getting Jerome out of the project that he and Heather are working on,” you finish, “How does the public relations sector know that?”

“We do have excellent public relations.”

“Where’s James?”

“He’s picking up Regulus.”

“Awh,” you coo.

“I wish James had a sibling so I could date them too,” Sirius grouches.

“Don’t be like that, Pads,” Peter strides to the fridge, kissing Jolene on the cheek and grabbing a can of kombucha, “They’re so good together.”

“Good my a-”

“Language!” Marlene calls.

Someone knocks on the door. You open it and Remus is standing, stretching. A little strip of skin shows as his shirt lifts. His top button is undone and he looks tired. But he still looks at you the same, red on his cheeks and red lips turning up. I can’t be loving him like this, you think, it’s overwhelming.

“Hey,” you open the door.

He smiles at you, “Doing well, honey?” He doesn’t say much at all, but when he does it’s always followed by a “beautiful” or “pretty” or “doll”.

A chorus of greetings come from around the television. He nods, turning back to you, “I gave exams back today. Talked my quota full.”

Beaming at him, you hand him a bowl of popcorn, “We’re fine with it. You speak as much as you want.”

He smiles at you again. He’s doing a lot of that. But then again, he’s always like this when he’s tired. At a bar, he’ll be tilting his head, smiling at you through fatigued eyes, begging James to go home. When he’s up grading papers, he’ll be smiling at you, the same melting eyes and lashes nearly touching. And you always say, “How much of your soul did you trade to the devil for those lashes?”

He never gets it, and he says, “Comes with the beard I need to shave off every morning.”

You’re snapped back by a slamming of the door as James comes in with Regulus.

He’s right– he doesn’t talk much, just sitting back on the sofa, observing and listening. He watches you most of the time, and he sees when you’re about to cry. Your breathing gets unsteady and eyes start finding anything else to look at. You tremble as you reach for popcorn, and excuse yourself multiple times, and you manage to stop crying mostly. None of your friends notice much, too busy yelling at the screen, but he does.

You start bawling when Regina’s influence over the rest of the girls vanishes, and Remus immediately turns to you, leading you across the hall.

“I’m so sorry,” you ramble, “Why is it that I’m always crying when I see you?”

Remus doesn’t mind– he likes that you feel comfortable enough to be vulnerable around him.

“It’s just that– that movie reminded me so much of my old friends and it’s all too overwhelming thinking about them. I mean, they haven’t called, I don’t know where they live and I’m so grateful but also I feel so bad about it.”

“Hey, it’s okay. They didn’t deserve you.”

“I know, but the movie hit so close to home, Rem. I’m so glad to have you.”

Remus pretends that by ‘you’, you mean him, knowing it means the whole group of them.

You sob quietly, bundling his shirt into your hands. He lets you, and he’s quiet about it. You’re a sweet weeping soul, rendered that by your ex-friends. But he wants you so much.

“Good news,” you announce, going into Remus’ apartment to recite to him what you had just read in your weekly mail, “McGonagall got a dog, his name is Hubert and he’s a border collie. Also, Mary has a boyfriend.”

You had had to write to Mary to tell her you were moving across the corridor from Remus. She hadn’t replied. None of your friends had bothered to ask where you would stay. You had decided those friendships were over. Still, you kept a friendly distance from Remus. You had only known she’s gotten a boyfriend when the boy himself wrote to you asking you for your blessing. You had written back, telling him that you and Mary were no longer friends, but nonetheless that you wished them well. It was a sign that you were truly over it.

You’re searching through his apartment, when you hear quiet sniffles coming from his room. You knock, then enter. Your heart aches as you see Remus leaning against the wall, crying.

“Rem…”

“Go away,” he mutters, muffled.

“Remus.”

“Oh.” he doesn’t lift his head to look at you. You sit next to him on the floor.

“What happened?”

“I like this girl.”

You try to fight your own disappointment back, and smile, though it’s warped.

“Yeah?”

“There’s no way in hell she likes me back. I mean I’ve done everything to show her I do. I’ve called her pet names, tried to be charming, hell, I’ve even flirted.”

The disappointment is winning.

“And I get it, because I’m all gnarly. But it hurts.”

He continues, “And she’s…perfect. Like, really beautiful. She’s kind, so charming, so empathetic and she has the prettiest smile.”

You pretend you’re glad for him. You’re really not. You want to leave, maybe he’ll stop talking about her. But you still listen, because you do care. As much as it hurts you to know he likes another girl, it also hurts you to know he’s sad. Lovely, caring Remus, with his shyness and comfortable silences.

“She’s really everything to me, and I don’t think I’m much to her.”

“Don’t say things like that, Remus,” you begin, “You’re a great guy, and any girl would be lucky to have you, especially her.” The words don’t sit quite right, they feel sour on your tongue.

“I’m not good enough for her.”

The words crush you, and you frown.

“Hey!” you snap, “Remus John Lupin, you are so good, and so kind. I can’t bear to hear you badmouth yourself like this. You are not gnarly. I think you're charming. Love yourself for me, Remus, please.”

He looks at you, eyes swarming with that emotion.

“Thank you, darling.”

–

Remus catches you by surprise when he’s standing by your desk.

“What are you doing here, Remus?”

“Good evening, fine sir! How are you doing? I’m well, thank you!”

“No, seriously,” you cross your arms, “This is the intelligence department. How did you get in here?”

“Let’s just say, your boss is a 60 year old woman, and I sure know my way around them from playing bingo with my grandmother and her friends every Saturday.”

“Glad to see you’re feeling better.” And he looks better too, creases gone from under his eyes, which are now blinking endearingly at you. He had told himself he would tell you, and that would be it. Queenie tells him that you do like him, but he can’t believe her. He’s tapping his foot nervously.

“I am. When will you be off work?”

“I just have to send this email and I’ll be done.”

“Great!” He pulls out a book and starts reading. You finish your email, click send, shut off your computer and reorganise the files on your desk. You put on your coat, and put your bag on.

“Ready to go, sweetheart?” he asks.

"Yep.”

“Lovely, we’re going to take a stroll around the block. It’s a…thanks for the other day.”

You smile, “You’re more than welcome.”

You pass by a flower shop. He stops, “Hey, I want to get a present for you know- her.”

You feel your heart pang, “Yeah, sure," and then follows the obligatory, "Need some help?”

“Obviously.”

You step in and the bells jingle. A friendly shop attendant pokes her head from where she’s cutting roses.

“Hi Remus,” she grins at him, wiggling her eyebrows and he blushes, “And you are?”

You smile, “I’m Y/n.”

“Petunia Evans.”

“Lily?”

“Yes. Are you his girlfriend?”

You laugh, you’re flattered that anyone would ever think you’re his girlfriend, “Oh, I’m not his girlfriend. We’re actually here to find Remus’ crush a present! I’m Y/n,” you shake her hand.

“His crush, you say?”

“Yeah, his crush! By the way, I’ll tell you my favourite flower, can you psychoanalyse me?”

She giggles, “Okay!”

You whisper it in her ear and she starts a long tale of surprisingly accurate details of your life.

“Damn, you’re good.”

“Thanks. Remus, is there anything you’re looking for in particular? For this crush?”

Remus blushes.

You go to inspect the flowers at the front to hopefully get cheered up by the bees and the butterflies that touch down on little sprigs of pollen. You won’t revert to the sweet weeping soul that they made you. Remus buys some flowers and sets them down on the counter.

Petunia takes her dinner break and slips out of the building quietly. You’re admiring the little glass panes on the wall which let the right amount of light through, walking backwards and around the room. Remus is wondering when he should do it, turning uncertainly and walking towards you. You turn quickly too, “Remus, look at the ceil-”

You crash into him. He catches you, flowers in one hand, you in the other. You’re very close to him– he smells like a forest and chocolate. His eyes flicker to yours and there’s the expression again.

“Sorry,” you smile, stepping away. He doesn’t let go of you, instead pulling you closer. You look up to him with wide eyes and he’s so red all of a sudden. He brings the flowers to cover his face.

“These are for you,” he murmurs.

“Awh, but you really didn’t need to,” you grin, bringing the flowers up to your nose, “I offer my services for free!” They are so nice, and he's so nice.

“Services?”

“You know, helping you pick out the flowers and all.”

He sighs, “Darling, I don’t know how else to say this, but, I want you. I don’t have a crush, you’re my crush, I just never had the guts to say it. I want you by my side, all the time. It was hell on earth trying to stay away from you all these years because of Mary. I don’t know if you even like me, but I really, really like you, maybe even love you.”

You open your mouth, then shut it, eyes wide with sparkling, “I like you too.”

“Really? Because you don’t need to say it back just because you’re nice, I’m a lot of things but I don’t know if handsome or boyfriend material is one of them.”

“Rem, I adore you. You are so pretty and you always are comfortable when I’m crying and upset and raging.”

“Can we try this out then?”

“Of course we can. I’d do anything for you, Remus Lupin.”

“And I promise I’ll never make you a sweet weeping soul.”

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bogkeep · 2 months

Note

Would you recommend the SSSS comic? I know little of it beside the very beautiful artstyle and premise

to answer the question of if i would recommend SSSS as a comic: yes, yes i would.

a description for those who don't know: Stand Still Stay Silent is a post-apocalyptic horror + adventure webcomic set in the nordics (norway, sweden, denmark, finland, iceland) that have been isolated from the rest of the world and gone back to their old gods. the the world outside of safe zones is full of trolls and beasts - humans and mammals that got infected by a horrible virus and turned into monsters. the story follows a ragtag crew that ventures into the old world (derelict denmark) on an expedition to collect books.

the comic updated every workday until it concluded in 2022, and consists of two Adventures. the creator had plans for many adventures with these characters in this world, but ended it after two when she wanted to take a new direction with her life.

what i love about it:

- the art is GORGEOUS. it's been a huge source of inspiration for me. open any page and it's a masterpiece, and you will ask yourself "how the FUCK did she update this FIVE DAYS A WEEK"

- the characters are wonderful and endearing. i just, i love them so much. i am so thankful lalli hotakainen exists he is one of my #1 blorbos forever

- the world is so cool. the blend of chunky sci-fi and norse mythology fantasy magic slaps. it goes so hard. i fell so hard for this comic when i got to the big ferry ship with a viking style dragon head prow added to it. it's everything

- it really really gets nordic cultures. it's difficult to explain all the dynamics and nuances but it just gets it. it brings me as a scandinavian a lot of joy to read a story that speaks to my heart this way. the attitudes, the language barriers, the cultural differences... it was so refreshing to me in a media landscape dominated by american stories. when the pandemic hit, i decided to reread the comic because i found such an odd comfort in seeing how it depicted the scandinavian countries reacting to, well, a pandemic.

- there's kittycats

what i don't like about it:

- the most glaring and obvious flaw is that everyone in the comic is white. there's not a single character of color anywhere, not even i background shots or the prologue. there's no mention of the saami people (the indigenous people of northern europe), either. i believe this was done in ignorance more than malicious intent, but the implications are Extremely Bad and it's been bothering me (AND MANY OTHERS) since day 1. that is the number one caveat i will give to anyone wanting to check this comic out. i've been in the discourse trenches and i am not going to excuse this. it's just bad!

- you can tell in the middle of adventure 2 that the creator has kind of lost interest in the work, around the time when she found jesus i guess. like, very few people can keep up work on the same creative project for years and years and years and i think it's fine that she wanted to drop it, but it's a bit sad to see the comic dragged to its end like a limp corpse, and feeling like the creator no longer really cares about the characters.

- minna sundberg has said and done some questionable things, presumably gotten somewhat radicalised over time, and has also converted to hardcore christianity which is what her new works are about. there's nothing about this in SSSS - there is a moment of christianity represented in the story in a sort of mythological sense, just like the other religions, but this was written before minna's conversion. her new works... are a Choice. i have much to say about them, and i have, and im not gonna rehash it now.

SO YEAH hopefully this will help you take an Informed Choice! i got into this comic in 2015 and was deep in the fandom and it's for better or for worse part of my soul foundation now.

i also recommend A Redtail's Dream, minna's "practice comic" before SSSS, based on finnish mythology and the kalevala.

#stand still stay silent #might as well tag this if i wanna dig it up later

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scintillyyy · 1 month

Text

anyways i do think analysis of the sexism that steph faced in 90s and early 00s comics and highlighting comparison of her treatment with that of tim's as a result of the sexism inherent in the writing by the writers is important & i've done it myself.

however. however. hm. despite this, i do think it's important to remember that by *limiting* it to a 1:1 comparison of stephanie's chances to tim's, of *course* steph is going to come out on bottom & a lot of that has less to do with sexism than one would think (it does definitely have *some* to do with sexism, i won't deny it). because the problem is that steph is a *side* character. a very important one, mind you. and dixon was doing his damndest post NML to try and elevate her to a main/core character. but she has been, since her very inception, a side character. and it's that, more than anything, that truly stymies her character chances. if the third robin had, by chance, been a female character and steph had been introduced/created to foil off her, steph *still* would have come out on bottom. if the third robin had been lonnie and steph had still been created, steph would have come out on bottom. steph coming out on bottom has suprisingly little to do with tim doing well. tim does well & is given endless chances because he's a main character. steph doesn't because she's a side character in that era. if there were a 'spoiler' title written by dixon that was allowed to make her a main character, he absolutely would have had her do well & become one of the best fighters in the dcu, of course he would have. it's why he wanted to make her robin, and not just that, an absolutely amazing robin. but since dc didn't want to elevate her to main character at the time, a side character she remained. and side characters. hm. i get it. it can be tough to like side character because you want the world for them! but in the end, side character are going to be treated as side characters.

so like. if you really want to interrogate steph as a female character of the 90s it's important to compare her not just to the male main character of the work she's in, but also to the treatment of other female characters *in her position of being a side character* at the time when evaluating whether she was treated fairly as a character. was she treated with more care and thoughtfulness to her characterization than other side female characters in the 90s? was her characterization unique to her and consistent? was she the token girl or are there other girls in the narrative? did it seem like the writer cared about her as a person? was she allowed to have interiority? was she allowed to be *more* than just a love interest? was she allowed to have meaningful and complex relationships outside the love interest? she made a lot of mistakes, but was she ditzy or airheaded or dumb? there's so much sexism surrounding steph's treatment, yes. but for a 90s female side character she makes out like a bandit on so many levels, even if she's never allowed to be as good as everyone else. idk.

#sorry was thinking of this #don't get me wrong i understand the frustration with the sexism i feel it to but #some of the frustration with her treatment is that she's a side character. and sexism does play a role in her #being unable to achieve main character status. but. hm. even comparing her to babs and cass is like #of course babs and cass get to be good and amazing at everything and get all the chances bc they're main characters

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charlotte-official · 21 days

Text

4/15/24 - 4/25/24

THE STEAMBIRD

a/n: ahhhhh I am horrible at keeping up with the schedule I set for myself. HOPEFULLY, however, I'll be able to do better from here on out- especially since summer break is coming up soon!!

headlines: house of the hearth has no rejects, go away il dottore. red haired winery owner is not your daddy. legal advisor helps gay exorcist come out to parents. boys who live with wolves and cat girls are stinky, dawn winery owner says. light of ksharewar angers “the horde” for denying homosexuality. artifacts make super goose, harbinger overthrown.

written by @charnverite

HOUSE OF THE HEARTH HAS NO REJECTS, GO AWAY IL DOTTORE

WARNING: IL DOTTORE IS NOT A LEGITIMATE DOCTOR YOU WANT TO BE SENDING YOUR CHILDREN TO GET CHECKED UP. THIS IS A FORMAL WARNING FROM THE STEAMBIRD. PLEASE DO NOT TRY TO SEEK HIM OUT EXPECTING MIRACLES AND CANDY.

On April 23, Il Dottore asked Arlecchino for the House of the Hearth's rejects, to which she swiftly declined. What transpired was a small argument between the Fatui Harbingers, Il Dottore throwing petty insults here and there before giving up and deciding to leave Arlecchino alone.

Il Dottore, or the 2nd Fatui Harbinger, is known for his wild, cruel, and sadistic nature. The Doctor is infamous for his experiments, being known to go to inhumane and disgusting degrees. Dottore, in approaching the Knave, Arlecchino, the House of the Hearth's director and 4th Fatui Harbinger, asked for the said "rejects" of her "children." To this, the Knave curtly responded with less than 5 words: "No. ♥️"

"He wanted me to send any "rejects" to him. He planned to experiment on them and then share the results with me." ~Arlecchino, The Knave, 4th Fatui Harbinger. Talking about The Doctor - Statement obtained by the Traveler.

The Doctor found himself to be bewildered to be treated with such a simplistic and dismissive statement, replying "Well fuck you too, you bitch. It would’ve been better if your mother won that fight." Arlecchino would continue to respond quickly and calmly as Dottore continuously shot insults at the woman who called him a cunt once. Sarcastically, Dottore would tell her to die and Arlecchino would tell the man that that is his job. He would then give up, saying he'll leave her children alone.

While the Knave may have been able to bore Il Dottore away by being unresponive to his vulgar insults and taunts, there's no guarantee that the Doctor certainly won't try again. As according to several unnamed witnesses, it's been seen that a mint haired man would approach the House of the Hearth at least once every two weeks. Could the Knave be truly considering his offer or does she remain stagnant in her decision?

ft. @arlecchino-official @dottore-official

RED HAIRED WINERY OWNER: NOT YOUR DADDY

Taking a look at the red haired Diluc Ragvindr, owner of the Dawn Winery, would one think that he is a man with children? Well, obviously not, seeing as the man lives alone in his manor and a face too young to be considered a father at any point in his life. However, on some odd day, one of Diluc's anons, Hug anon, decided to tell the man he was father to various children- though not biological.

A sort of routine between the man and his anonymous friend, is that every some day, the two exchange pleasantries in regards to how the other has been doing, or what they have been doing. A consistent pattern with Ragvindr, however, is that nothing very interesting really ever happens to him. So once again, after a slight argument with his friend, they began to exchange said pleasantries, Diluc once more admitting nothing really happened with him. Hug anon, growing a tad impatient, insisting that surely something must've happened, and Diluc continued to deny such.

Growing frustrated, the anon persisted asking that if they were to ask someone else- say, his kids or brother("..who you don't acknowledge"). This is what piqued Diluc's interest. He didn't have any kids, after all, so the man was reasonably confused. The anon continued to elaborate, saying that they weren't biological.

ka"Are you implying that I am either pregnant, gotten someone pregnant, or adopted someone." ~ Diluc Ragvindr, Owner of the Dawn Winery.

The anon continued to tell Diluc, saying that he has "adopted multiple someones whether he has realized it or not." Finally, the anon finally caved and decided to tell who the alleged "children" were, listing off names such as that of the Spark Knight of the Knights of Favonius, Klee, or the Cat's Tail's Bartender, Diona (who has expressed fervently that she despises the man). Diluc denied the accusation, and Hug anon later told him that he just can't accept his emotional attachments. Diluc then became slightly upset, opting to ignore the anon, who rushed to go "tattle" on him to his adopted brother, Kaeya Alberich.

This, unfortunately, backfired. As the Calvary Captain of the Knights of Favonius pointed out that the claim was rather baseless, as Diluc didn't even interact with said children on a frequent enough basis to be considered a father figure to any of them. Diona, catching wind of the allegation had quite a bit to say on the matter.

"Ew! Diluc is not even close enough to being called my dad! I wouldn't even let myself get within a 5 mile radius if I could choose, ew... And I already have a daddy so scratch the idea!! It's a not very good one, no offense, but EW!!!" ~Diona Katzlein, Bartender for the Cat's Tail.

ft. @diluc-official , @kaeya-official , @diona-official

indirect mention (the literal blog was not actually involved). @razor-official , @bennett-official , @fischl-official , @klee-official .

LEGAL ADVISOR HELPS GAY EXORCIST COME OUT TO PARENTS

It's no secret that the pale haired exorcist, Chongyun of Liyue, is a homosexual. The guy has stated it various times, and unlike Sumeru's Light of Ksharewar, he openly accepts it. ...However, the exception to his open acceptance of sexuality is his parents. With the help of his friend and famous legal advisor, Yanfei, the two scheme and try to lay out a plan to help him come out to his parents.

Chongyun, in desperation, made a statement clearly crying for help, saying that if his family asked again whether he's gotten a partner or not he may just run away to Fontaine to become a potato farmer. Yanfei, friend and "professional bullier" to Chongyun, asked if the exorcist didn't already have a partner, as she was under the impression he did. (She tends to tease him about having a boyfriend, though never names who.) Chongyun denies this and Yanfei begins throwing accusations at the poor exorcist.

With his head in his hands, the exorcist swiftly ignores the legal advisor's questions and explains that his parents don't know anything about his interest in males and that he's scared to tell them about his "swinging the other way." From there, Yanfei attempted to ask Chongyun about the scope of his situation, trying to formulate how he could tell his parents of his situation. Chongyun wasn't very eager about this, asking Yanfei anxiously if his parents really did need to know. However, Yanfei rebutted that if he didn't do it, his parents would begin asking for grandchildren and where his girlfriend or spouse.

Chongyun responded that his parents were already doing as such and asked why it sounded like she had experience in this sort of scenario. Yanfei admitted that her parents didn't know yet and they would ask if she had a boyfriend yet.

"there is no experience a girl just knows ok well actually my parents send letters asking if I have a boyfriend yet and I just send a blank piece of paper that says nothing except 'idk'LISTEN I JUST THINK JTS FUNNY TO SEND THEM BLANK PAPERS LIKE THAT" ~Yanfei, Legal Advisor from Liyue.

"LISTEN I JUST THINK JTS FUNNY TO SEND THEM BLANK PAPERS LIKE THAT" ~Yanfei, Legal Advisor from Liyue.

It turned out, that Yanfei's secret was sending her parents basically blank pieces of paper to avoid the question, to which Chongyun mused, asking if he could try that himself. Yanfei pointed out that it wouldn't work since he lives near his parents. Chongyun admitted that his travels around Teyvat were mostly because he wanted to avoid his parents. So alas, the two friends began discussing how Chongyun could come out of his parents while simultaneously arguing whether he had a boyfriend or not. Chongyun continued to deny as such, saying that he'd never lie to Yanfei. She retorted back that he lied when Xiangling ate one of the pages in her law book.

The two ended up agreeing that Yanfei could help introduce the idea of homosexuality to the exorcist's parents so that all he would need to say is that he was gay. And with that, the Yanfei set off with Chongyun to help get himself uncloseted. How did his parents react? Well, stay subscribed to the Steambird to find out in the future!

ft. @yanfei-official @chongyun-official indirect. @xiangling-official

BOYS WHO LIVE WITH WOLVES AND CAT GIRLS ARE STINKY, DAWN WINERY OWNER SAYS

Diluc Ragnvindr, was asked a question. Who is the stinkiest person in Mondstadt? Diluc, to this, answered immediately, Razor, from Wolvendom. The user denied this answer and asked him to name another person.

"Well he's kinda homeless... So name someone in the city or Springvale." ~user

To this, Diluc began to be more reluctant to answer the question, mumbling that he was actually thinking about Diona, bartender from the Cat's Tail. The user, appalled, asked him why, which he answered was because she smelled like gerbil cages.

ft. diluc-official

indirect: diona-official , razor-official

LIGHT OF KSHAREWAR ANGERS "THE HORDE" FOR DENYING HOMOSEXUALITY

In regards to gossip surrounding Sumeru's Light of Ksharewar, Teyvat continues to speculate the man is a homosexual. The General Mahamatra, being known for his serious nature and horrible jokes, told a joke about the Acting Grand Sage, Alhaitham, about hating pork. To this, the Light of Ksharewar, Kaveh, replied he hates Alhaitham. The rest of Sumeru seemed to disagree.

On a particularly quiet day in Sumeru City, Cyno, the General Mahamatra decided to share another one of his infamous jokes, "Why does no one in Sumeru eat pork? because they All-hait-ham". Kaveh, Light of Ksharewar, catching wind of this, commented that he hates the Alhaitham. Cyno immediately called Kaveh out, calling him a liar, Kaveh arguing back that Cyno can't just throw around assumptions like that(with horrible spelling). Zandik, a scholar, also agreed with the General Mahamatra. The Light of Ksharewar frantically rushed to explain his stance, arguing against the scholar with even worse spelling.

"And here we see a human adult displaying what is deemed 'queer' behavioral traits. Note how the text rapidly goes into 'keysmash' territory and transitions to an 'all-caps' mode. These are key signs of a homo sapiens in distress or in a state of intense emotional responses attributed to overly positive emotions rather than negative. It is best not to further distress the individual lest they alert The Horde. And woe betide any who dare to alert The Horde." ~Dendro Dragon Sovereign, Apep

Apep, Sumeru's Dragon Sovereign, commented on the architect's behavior, much like that of a scientist studying a specimen on a documentary. In regards to Apep's last two sentences, Kaveh found himself confused on who the mysterious "Horde" was. Apep said nothing besides that the lesbians would eat him alive.

ft. @kaveh-official , @general-mahamatra-cyno-official , @zandik-official , @dendro-dragon-apep

SUPER GOOSE TERRORIZES SURROUNDINGS, OVERTHROWS HARBINGER

Did you know the Fatui, an infamous organization in Snezhnaya, has a pet goose? Meet Cecil, the Fatuus goose who was given artifacts by Sumeru's Dragon Sovereign, Apep? Unbeknownst to the goose, she gained immense power and began to terrorize her surroundings.

When Apep spotted the goose trying to pick up a giant claymore with her beak, an amusing thought was brought to the dragon's mind. So alas, naturally they would give the goose ancient artifacts which withhold elemental energy that can boost one's battle performance. With the artifact set being gifted to the goose, Apep sent her off with a boost in physical strength. However, it turns out that the goose was already relatively powerful to begin with! Cecil, as shown through previous interactions is adept with a sword and various other weapons, which she uses to terrorize others. In fact, it was found by the Traveler that the goose posessed a delusion!

In later developments, it was uncovered that the goose had dueled with the 11th Fatui Harbinger, Tartaglia. It has been led to believe that the delusion the goose has acquired was from none other then that of beating Tartaglia in said duel! Additionally, the goose has gone as far as to challenge the Traveler to a fight and bite ferociously at Diluc Ragnvindr, Dawn Winery owner, and il Dottore segment, Epsilon. (Who is seemingly... acquainted with Ragvindr despite the redhead being known for his dislike towards the Fatui.)

Despite the goose's aggression towards most, the exceptions to Cecil's ferocity are that of a puppet with the sigil of the Electro Archon and a mermaid from Fontaine. As studied, the bird seems to hold a sort of affection for her puppet friend, Kabukimono, and mermaid pal, Niananian.

In the end, while this Fatui member goose may be simply just a, well, goose, she is a force to be reckoned with! Step with caution, dear readers, because you may want to be wary of geese! You may never know which one has Verdant Blessings of Chaos from the Dendro Dragon Sovereign!

ft. @goose-of-the-fatui , dendro-dragon-apep , @snezhnayain-carrot-top , @not-the-darknight , @segment-epsilon , @stelliferousduo , @thewanderingpuppet , @purple-scales-and-tales

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canmom · 2 months

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reading Brainwyrms by Alison Rumfitt. it's interesting. clearly part of the post-Topside wave of trans lit, with the same 'plugged in to twitter' energy, but way more British about it. which means most of the allusions are very transparent to me. it's a combo of... hardcore kink driven romance as the main arc, in a near-future setting in which TERFism goes further to the point of outright bombings, and a scifi element with alien brain parasites that it's gradually building towards.

compellingly written, I'll give it that for sure - I lay down to read for a bit and before I knew it I'd read like a third of the book. the main character's disaffected, traumatised air is well observed, and the kink doesn't hold back.

I think my reservation with it so far is that it feels a little too much like a polemic blog post about the way things are going. the MC Frankie is a trans woman with a pregnancy kink who survived a bombing at a GIC and now works in social media moderation - it's all stuff that is blatantly Relevant To The Argument, as it were. it's tricky to criticise it for that because it's like, what you're saying is that it's tightly constructed and thematically consistent and that's bad somehow? but I think I've come to feel that I like fiction to bring me something a little new and unfamiliar.

the chapter I most enjoyed so far was actually a more metaphorical, abstract interlude, in which resistance to fascism is cast as becoming 'one mass of queer flesh, which now grabbed and clawed...'; 'faces locked in kisses until they became one face. the cops would try to pull at this mass, but to no avail'. very 'faggots and their friends between revolutions' stuff.

the chapters which are presented directly as social media posts and articles are also sharply observed. i think a lot of fiction in which the internet features heavily suffers from not understanding the internet very well (Hosoda's Belle for example), but for example the chapter 'Curious Cat' where an anonymous person (blatantly Vanya) is sending messages asking for help with a parasite, and getting rebuffed or misunderstood, and the chapter where Frankie relates a murder of an instagram model by a stalker who posts about it to a reddit community devoted to her, read as very real.

a lot of the story is about responding to a terrifying political situation in sexual terms - a flashback chapter depicting Frankie having sex with some terf's pretentious brother ("with each thrust from him, she thought to herself, I am a traitor, I am a traitor to the cause"), or the preface which jokes about how in another world the author would be writing 'cool horror stories about vampires raping werewolves, ones with no subtext at all'. I prevaricate a little on whether this is a compelling examination of a theme that I do find interesting (the mysterious origins of sexual desire) or just edgy for its own sake.

this is an odd novel for me in some ways because while on one level, this is about people who I could very easily be a single degree of separation from were they real, it's also about a facet of life that is still quite alien to me and in many ways I only know about second hand. I've never been to a kink club (that wasn't in an MMO anyway lol), I'm way too much of a nerdy autist shut-in to know what it's like to be someone who would feel put out if she hadn't had sex in a week. so even before the parasite stuff, it's hard to know how much of Frankie and Vanya's stuff is real, and how much is fantasy. is this really how things go between people? it sounds kinda fun, but unlocking the door this far has already taken years.

when I've read books about the crazy lives that American trans girls supposedly live and interesting sex they're apparently having, they've been at a certain remove, the other side of the Atlantic. and this book feels sort of similar, even though I know it's set right on my doorstep. idk, I've never been good at this.

anyway I don't think I want to write fantasy novels so directly about The Discourse of the day, but it's probably good that someone is. that said, it's hard to parse like... ok, it's titled brainwyrms, and 'brain worms' is a common way of describing an obsessive, cultish idea you receive from the internet.

and like if you look at the newspapers, or twitter trans discourse, you certainly could believe that this country is on a rapid slide to putting us in camps. however, my day to day life has been... it's not without hostility, but the average street harasser isn't doing it because of a Guardian or even Mail article. this country has a subculture of deranged weirdos who hate our guts, and a political class who will happily stoke culture war shit to score points, but most normies I've met don't care one way or another that I'm trans - they might mention a family member or friend they know who's also trans. the day to day conflicts are over way more prosaic shit, the landlord vs tenant forever war, or how the kitchen should be cleaned. which of these windows is more informative of the 'overall' state of affairs? not that a more violent terf cult is a bad premise to write a novel around, but a sense of impending doom is a pretty powerful mechanism to keep you scrolling, right?

like in 20, 40 years - will the terfs really be bombing the Tavistock and banning transness, as Rumfitt imagines in her near-future setting preface? or will they go the way of those newspapers in Thatcher's time who smeared the gay movement, just as they smear us today? of passing political obsessions like 'new atheism'? I don't know the half-life of cult shit.

anyway, time to read the rest of the novel, and see how it handles this brew that it's concocted.

#fiction #sff #novels

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niftukkun · 15 days

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fanart for a scene in @nerdydowntherabbithole 's Taking Life As Is on AO3 !! a scene early on in the fanfic that sounded so cool it gripped me with inspiration, where a vulture swoops down and gets fucking got by a leviathan while our dear protagonists look on in horror of the beautiful brutality of mother nature happening right in front of them! dont you love it when you leave your rotting corpse behind and immediately get hit with the existential horror of almost dying and the primal fear of seeing something that much bigger than you and realising your fragility when you were once a godlike being above such lowly thoughts and struggles? anyway.

some details and thoughts !! :

-just before this scene, sugar (survivor's name in this fic) hunted and ate a salamander, so i included it in this here drawin too !! hell yeah esoteric fic-accurate details -(pro tip for any artists out there; if you want to push something into the background, gradient overlays are your friend. also, dont forget to check your values. outline your characters if they aren't popping out of the background enough) -in other, not fic-accurate detail,, moon's dress and marks. i think in the fic, moon's dress is more like,, an actual dress with sleeves and such. but also like, i do what i want and i want something thats barely a dress so i can show off my anatomy/mechanical bits art skills. i dont care if its not canon compliant im calling rule of cool -whoops i forgor the wires uhh shit nevermind it would cover the cool bits anyway whatever -also, while i am proud of the vulture and leviathan, they both used reference. like, i sketched them out yeah, but also the sketch was mostly done by staring at a reference the whole time and overlaying it on the canvas as needed when the drawing looked a little too off. so if you look at this and think 'aw man this guys too good at drawing i could never draw a vulture/leviathan/background/whateverthefuck like that' youre wrong. use references and get better at art by referencing references -shoutout to the miraheze wiki btw for supplying most of my references for this. fandom wiki could never

this fic holds a special place in my heart. like, i dont agree with it on a lot of things (how the cycle works, time between slugcat campaigns, how rot works, etc), but its very internally consistent and i like how all the characters are written. i really do like how, despite all the bickering, the iterators really do care for each other and love each other. i like that the blame isn't pushed just to pebbles, the acknowledgement of there being a lot of nuance and complications in the whole situation. i like the worldbuilding, nsh's wetland-esque biome, srs's gleaming glass beaches, the different interesting fauna/flora, slugcat society worldbuilding, the fucking trains hell yes trains.

most of all though, i love the authors dedication to getting a happy ending. no one left behind. all the iterators in the local group are getting freed (except for innocence but thats a different thing) all the slugcats are alive and doing well (even artificer's kids!!). and even though the fic throws the characters around, bad things happen, steps backward are taken,,, there is almost a palatable message that no matter what, things will be okay. artificer did bad and its acknowledged with visible consequences (scavenger temple route, which mightve made things so much easier on the route to nsh) but she still gets her kids back. hunter had her rot cured and even got some sick new upgrades but still struggles with overexertion and moments of weakness. both pebbles and moon have ptsd from the rot and the rain respectively and its handled reasonably well, not even mentioning the survivors guilt and learned helplessness on nsh and the whole,, guilt from causing this whole fiasco and the feeling of it being all their fault from srs,,,, , ,,,

i dont know. i just really like how dedicated the fic is to showing the realistic consequences of the unforgiving and brutal world of rain world and weaving it into a story of forgiveness and freedom. there are struggles but the heroes will still win and get to go home happy. its cathartic. i love it a lot.

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waspredteeth · 6 days

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regarding Chris and Damian as foils... I'm always peeved when some people minimize what could be interesting about their relationship to "a child who only values his biological family and hates his adoptive family vs a child who renounces his bio family and embraces an adoptive family." This brief summary/discussion always tends to boil down to Damian is an evil child who must learn to appreciate his adoptive siblings from Chris, who's a perfect boy who loves his adoptive parents and hates his abusive bio parents. When really, that screws both of their characters.

Damian has a complicated relationship to say the least with Bruce and Talia, but neither of them taught him that blood is everything. When written well, Bruce should be stressed and neglectful but deeply loving and Talia shouldn't be an abuser but a sorrowful mother who wasn't able to give him a free life that she wanted for herself.

I should stress that the "blood son" rhetoric that pops up around Damian existed only in his first appearance and the animated movies. In pretty much all of the comics afterwards, Damian was disparaging of Dick, Tim and Cassandra, but he didn't point out his "biological superiority" unless it was specifically in service to Tim's own storylines. His character evolved from an annoying brat that exists to challenge Bruce and Tim for a couple issues to a full child character whose insecurity within a family leads to him lashing out at everyone he deems closer to Bruce than he could ever be. Moving on to Chris Kent, his entire first storyline revolves around building a relationship with Clark and Lois and finding the resolve to fight back against Zod and Ursa. In the end he makes the sacrifice to return to the Phantom Zone in order to ensure that his bio parents can't return to Earth. But in the end, he's just a kid. He struggled with fitting in on Earth. Unlike Clark, he didn't understand why he had to hide his powers. Had he not been sent back to the Phantom Zone to wrap up the story arc, I would've really liked to see Chris struggle with pretending to be a human kid after so long being taught the opposite by his bio parents. Later on when Chris reappears aged-up (deja vu) he's still pretty much the same character but notably more cocky and impulsive to contrast against Thara Ak-Var.

Damian and Chris's potential interactions should be preceded on how similar they are - not on how superior Chris is because he's a loving kid, and Damian is too traumatized to express the same kind of trust and affection that people expect from child characters. Besides, they have entirely different situations. Damian is a child suddenly being dropped into a large and well established family with complicated inner dynamics and rituals, while Chris is a child being brought into a small and simple family structure consisting of Clark/Lois, Kara and Clark's parents. (Pointing out here that Jon didn't exist and Kon-El was killed in Infinite Crisis months prior to Chris's appearance). Chris's bio parents are cut and dry neglectful and abusive, and Damian's parents are a complicated jumble of neglect, ooc abuse, angst, and love. Damian had to contend with the frankly insane plots and history of all the Bat-characters while Chris was confined to one plot line in a fairly consistent Superman run. I don't think I have to spell out how mentally unstable and grief-stricken a lot of the Bats were when Damian became Robin versus the relatively normal lives of Ma, Pa, Clark and Lois when Chris showed up. When exploring what their interaction could've been, I think Damian would one-sidedly hate Chris, who would try to avoid him. Damian would resent Chris for being everything he isn't: a child whose flaws are accepted and embraced, a child with a complete loving family and support, and a child that allowed to be a child. Chris probably wouldn't like Damian at first for being Robin when he got used to Tim being Robin, and he'd be discouraged at how snappy and anti-social Damian is. He's a kind child, but he's not a saint. Chris would have the usual child hang-ups about interacting with mean kids and socializing outside his family. They'd accept each other the way that they are, but I don't think they'd become friends until Damian matures and Chris acclimates to human society as his own individual. Maybe eventually they grow to trust/confide in each other like Bruce and Clark - but until then it'd probably a lot of Damian making rude comments and Chris going :/

#idk there's a lot about Damian and Chris I'd love to explore #ill prob make another post detailing their friendship in my au #damian wayne #chris kent #dc #waspdoesathought

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bluedalahorse · 4 months

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off the cuff thoughts about the differences between being public and being recognized

Don’t hate me but I’m actually really interested in what kinds of delicious narrative tension Young Royals 3 is going to play with when it comes to the Wilhelm/Simon relationship not just being something that happens openly but something that is public. As in, a relationship that has a public presence and meaning, that is going to be consumed by the public in some way and evaluated under public scrutiny. As in something that the palace may attempt to curate and spin a certain way for the public eye.

In my mind, being “public” is different than just being “recognized” or just being “together” in a way that the people around you can see. In a show that’s a little more “slice of life” like Heartstopper (hate to use this as the contrast example but it was the first thing that comes to mind) there’s a lot of emotional stakes to Nick and Charlie calling one another boyfriends, and then being boyfriends in front of their friends and family. And generally it’s positive when they can take these steps of being more recognized by the people around them, because it allows for a lot more emotional honesty, self-expression, and self-acceptance. It’s also historically significant, given the way that queer couples in previous periods of history have at times been forced to live in the shadows.

For Wilhelm and Simon there’s emotional stakes to being recognized as a couple, especially as they try to reclaim agency for themselves in the wake of being violently outed. Yet Wilhelm’s position as crown prince means there’s going to be political stakes as well, and for that reason they can’t be recognized without also being public. And it feels very much like this emotional threads and these political threads are in conflict. Whether they like it or not, Wilhelm and Simon are symbols. I do wonder if Kristina and some of her associates at the palace will choose to openly support Wilhelm and Simon’s relationship, but also express a lot of opinions about how that relationship gets styled and posed in photo ops. The monarchy could want Wilhelm and Simon’s relationship to be a sign of their progressiveness, showing that they can adapt to the times while still remaining one of Sweden’s constants. But I admit I would absolutely devour a storyline where this is called out for the calculating PR move that it is, and not just written off as a message about cozy acceptance.

I also think it’s interesting how this idea of the public image of relationships applies to other characters in the show. Public scrutiny is something we think of affecting queer relationships a lot, but it impacts other types of relationships as well. So let’s go into the girls’ arcs for a little bit…

Felice is constantly under scrutiny for how people perceive her relationships to Wilhelm and August, and she is consistently negatively impacted by social expectations around female gender roles. People gossip about her being a gold digger when Wilhelm kisses her, for instance, despite Wilhelm initiating. Alternately, I think a lot about the shift between Felice and August’s initial hookup in 1.3, where Felice is in a bad place emotionally but at least has some agency in her anger and rage, and some of Felice and August’s early public appearances, such as when the headmistress expresses approval of them together and says August looks happier. There’s subtext here about Hillerska being the place where high status boys and girls meet one another to eventually marry, and about women managing the emotions of the men they’re in relationships with. And, what does August yell at Felice for? For not holding his grief for him when he’s sad about Erik, of course, and holding emotional space for Wilhelm instead. He expects her to be managing his emotions. This is not just August’s general toxic douchery (although there is that) but like, what adults and public expectations have socialized into him from birth. Now, Felice and August’s relationship was never going to be functional to begin with and it’s pretty damn dysfunctional in private, but that public pressure to behave according to certain roles made things even worse between them. It trapped Felice, too, because of the expectations that she act like a Good Society Wife to whoever she’s in a relationship with and not challenge him. That’s why Felice’s public instagram blast is so important. It’s not just a fun moment, but one where she stops playing the Nice Girl and says openly how fed up she is.

Meanwhile, in season 2, Sara and August’s relationship doesn’t have quite the same kind of dysfunction. But I’m really struck by the anxiety and fear that hits Sara during the scene in 2.4, when she overhears August’s phone call to the palace and the plans for the next ten years of his life. When Sara and August fight at the ball, we can see how worried she is about the idea of her relationship with August being under the PR microscope. Not just because she’s in a relationship with the guy who exposed her brother and was pretty shitty to her best friend (although, there is very much that) but because of the nature of public scrutiny in general. Sara is already looking ahead to the endless slog of press conferences and curated social media feeds, and she knows August wouldn’t be able to protect her from that because he is the reason she’d be getting that attention in the first place. Wilhelm wasn’t able to protect Simon, after all. She’s also got her eye on how the threat of attention is affecting August, making note of how he’s turned to unprescribed ADHD medication to stay on his feet. I think it’s incredibly smart of Young Royals have the canonically autistic and ADHD character be so aware of the psychic toll it takes to present a public persona, and to recoil from that horror when it’s offered to her by the person she most desires. (I also think that’s exactly why an AU fic where Sara ends up in that public princess-consort-to-be role would be so damn interesting. I don’t think we’ve seen that kind of story with an explicitly AuDHD character and I would honestly just be fascinated.)

To bring this back around to Wilmon… I do not want to ignore the historical significance of a queer prince having a recognized queer relationship, and I do think that is something that can come with moments of joy and happiness that I will enjoy as an audience member. At the same time, I think given what this show has chosen to say about relationships serving a public function, especially in ways that reinforce the class system, I am practically salivating to see what kind of commentary we will get about how this relationship gets packaged for the public. What kind of PDA is acceptable to the press? What terms are Simon and Wilhelm allowed to use to refer to one another in interviews? What kinds of places are they allowed to be seen together? What hobbies can they pursue? What colors is a queer prince allowed to wear? Is the pink sweater Wilhelm’s sign of rebellion, or was it imposed on him by stylists because they thought it made him approachable and quirky and accepted by his parents, and Wilhelm found himself liking it in spite of the imposition? Does Simon feel he can reclaim a sense of his own image, or does he feel like he’s being curated into something he’s not? What if Simon’s ideas for his future conflict with those of the palace’s? What then? How do they find their real relationship with one another when the people around them are always attempting to craft one?

I also wonder what our role will be as audience. We have been watching Simon and Wilhelm’s story for three seasons now. Will the show challenge some of our assumptions about true love and authenticity? Will it call us out for our voyeurism? To what extent are we complicit with the public scrutiny that governs the lives of Hillerska students and the upper classes? I am so curious to find out what season 3 has to say about us, even if it takes the form of criticism we aren��t expecting.

#young royals #wilmon #yr season 3 #this is what passes for me writing a wilmon post i guess

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cr-pisacs-evil-brother · 9 months

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Pathologic Bachelor ARG Megapost

This post is a culmination of months of (mostly my own) research into the Bachelor ARG. For far too many days and far too many hours, I’ve been doing my best to solve this, with the help of a few other people. I looked very deep into most Fyodor Vitin posts, played through The Marble Nest several times, looked extensively through the Pathologic wiki, and read/analyzed countless outside sources for this post, and I will link as many of them as I can. (If there are links that you think would help the ARG that you’d like included in here with credit please let me know.) For any people that are credited, an “@” before their name implies that it’s a Tumblr username, while a “u/” proceeding their name implies it’s a Reddit username. I have discovered and analyzed dozens of leads, some of which are more likely to be important or intentional on the part of IPL than others. The primary purpose of this post is to give all of you Pathologic fans new leads and theories to analyze in pursuit of solving the mystery behind this ARG, so many of the things within this post should be looked into further! With this post, I will lay out my findings in a series of sections, all of them having several connections to each other. This post is more than 10,000 words and is not meant to be read all at once, so feel free to read sections, take breaks, re-read sections, or skip around if you'd like. “Observations, Research, Analysis” is a vast majority of this post and consists of observations made about the ARG material, as well as any research I did into those findings that bore fruit, and analysis/connections to other things. The additional notes section consists of some of the conclusions I’ve reached after putting all of my evidence together, as well as some connections I didn't really make in the previous section, but keep in mind they’re still just theories so they could obviously be wrong. I would like to emphasize that I am not a native Russian speaker, but I did have many native Russian speakers helping me along the way, and in particular, I’d like to thank @kurury-chan for her massive help with this. She transcribed the newspaper for me, provided tons of consulting, translated many other Russian sources, and actually went out of the way to go on an irl tour of a certain ARG-related location to see if my theories about it could hold any ground! Because I'm not a native Russian speaker, the sections where I'm required to analyze Russian text (notably the newspaper section) will probably be the least interesting and I'll probably end up making a lot of points that aren't valid. Additionally, I’d like to thank @cryingsyren (who also happens to be my bf) and @ded-not-ded for their help. As for formatting, since Tumblr doesn't have tiered lists for some fucking reason, all main points will be written as bullet points, and any sub-points within that bullet will then have numbered points afterward. For example like this:

The first main point about a topic

Sub-point of the first point

Second sub-point

The second main point about a topic

I'll either do that or I'll do it like this:

First main point

First sub-point First sub-sub-point

Second sub-point

Second main point

Edit 1: I've had to revert much of the Chat text (the font I used for the sub-points above) to regular text because of a formatting glitch that irreversibly changed most of the Chat text to bold, which was very confusing.

Depending on which looks better in the context of the points. Because that formatting is so awkward and clunky I'll try to minimize the use of tiered lists as I convert this from the Google Docs format to the Tumblr Format. Most of the time that I use tiered lists here it's to deal with the character limit Tumblr has on single blocks of text within a post. With that out of the way, let's just get into the post.

Observations, Research, Analysis:

"The Accident" Fyodor Vitin post

The first thing I noticed about the newspaper when I took a good look at it was the use of bolding with certain letters. If you look at the Newspaper you’ll also see ink splattered on the page in several areas, which could be a clue toward noticing the bolded letters, or it could be something else I’ve yet to discover. I knew I wouldn’t be able to transcribe the entire newspaper by myself, not being a Russian speaker (although I’ve just started learning!) so I enlisted the help of @kurury-chan, a native Russian speaker, and she transcribed the entire newspaper for me in Cyrillic. After getting this transcription I went through and spent a couple of days looking for which letters were bolded, writing them down, and coming up with possible translations/meanings. I’ve come up with lots of possible meanings for these, but for many of them I couldn’t figure anything out, and I’d love help if anyone has any idea what they could mean! To me many of them seem like word fragments that are simply missing one or two letters, and so in the document where I list all of the bolded letters I put some words/phrases that are very close to the seemingly fragmented words. Once again keep in mind that, while I’m trying to learn Russian, my understanding of the language is still rather weak, so I may have mistranslated some of these. Another small detail to mention is that there’s a prominent crease on the left side of the paper that runs through a decent portion of the bolded words. First, I’ll start with the bolded letters on the left side of the page. I may have missed a couple, and I may have written some of them down as bolded when maybe they aren’t supposed to be seen as such.

Here is a link to a list of all the letters I think are bolded on the left side, which lines they’re on, and possible meanings, many of which I’ll be discussing here. I will not go individually through what I believe all the bolded letters mean, but I will go through and explain the ones I think are most meaningful and important, as well as some connections I’ve made with them. And here is a link to the original Russian transcription and my best attempt at an English translation.

It’s possible that the crease that runs through the left side of the paper and notably runs through many bolded words somehow denotes that those particular bolded words are special, or perhaps that they should be seen as separate from the other bolded words.

Line 15 has a rather interesting bolded phrase, because it actually appears to make a somewhat coherent 3-word phrase, but one of the words seems to be a surname, “Pepe.” Additionally, the crease on the left side of the page starts right above the word “ПЕПЕЛИЩЕ” in the title, and splits it so that “ПЕПЕ” is separate from the rest of the word. (ПЕПЕ is Pepe in Cyrillic.) If you want to know what the non-Pepe words say, skip to the next bullet point, because the rest of this one is my analysis of the ПЕПЕ part. So, of course, I looked into the name a bit, looking through all notable historical figures with the last name, and found one that I think is of special interest: Guglielmo Pepe. Born in the small ancient town of Squillace, Pepe entered the army at a very young age, and was an Italian commander during the early 1800s, but his military career was fraught with trouble, as he also had rather revolutionary politics, which angered both the government he was serving and many of his peers, and he was exiled on several occasions. Upon Pepe’s return to Italy at the age of 30, he was given the rank of general. After this, the most notable events in his life would largely consist of his attempts at going rogue in revolutionary attempts to change the existing power structure, for which he was usually punished. (It’s also perhaps worth mentioning that his brother was part of the attempted French invasion of Russia.) All of this is to say, Pepe obviously shares some striking similarities to General Block, perhaps the most striking of which is his status as a 30-year-old general, which is an aspect of Block’s character that is highlighted several times. So, of course, I looked into Block’s character a bit more, and discovered that in the Russian version of the game he is called “General Ash” instead of “General Ashes.” “Strange,” I thought, until I saw that in Russian, Ash is “Пепел” which is pronounced as “Pepel” for anyone that isn’t familiar with Cyrillic. If we look into it, we do see that the letter after the Пепе is л, but it is notably not bold. This is, if you're counting, two separate times in this paper where the plural for ash, пепелище, is split up so that only the пепе is emphasized. As for other connections between Pepe and Block, we could look at them both harboring some revolutionary tendencies and being punished for it, both by The Powers That Be and his peers. General Block also tells Artemy that he was born in a town not too dissimilar to the Town on Gorkhon; this is interesting because there are some connections to be drawn between Squillace and Gorkhon, primarily that both of them preserve the beauties of ancient times that have all but been lost to most people. Related to this, it should also be noted that I believe the plot of The Marble Nest was heavily based on the plot of The Seventh Seal, which is the same movie that inspired the character Alexander Block.

The rest of line 15 is also interesting, but I’m not sure exactly what it’s supposed to mean yet. It translates to “Heaven on Pepe” basically. I consider the “Pepe” part to probably be the most important, since there’s a large crease that runs through it, which I think probably denotes a level of importance? The line’s meaning might be related to the fact that “heaven” is sort of a synonym for “utopia,” or the character that Block is based on is the protagonist of a movie that revolves around the ideas of heaven and Christianity, which is something we saw very briefly with Block in Pathologic 1. If you have any ideas please post about them and tag me, or simply comment/reblog this with your ideas!

Line 1 and line 18’s bolded letters both start out with “ов”, and for my English speakers out there it is pronounced sorta like “ove.” ов is interesting because if you translate it as о-в it actually is the shortened form of “island” in Russian. Line 1’s bolded letters read as “ов попо”, and for people not familiar with Cyrillic попо is basically “popo.” There are, apparently, many Popo islands in the world, and I couldn’t find one that I think directly connects to the ARG or Pathologic, but maybe someone else out there will, or perhaps that line has a different meaning to it. As for line 18, it says “ов испустивших” and according to Russian wiktionary, the second word is one letter off from the word “Emitted.” I looked a bit deeper, though, because that didn’t satisfy me (why would they use the incorrect spelling of a word after all?) and I didn’t see much, but I did find two things that used the exact word “испустивших” that interested me: A Saudi Arabian newspaper that has been translated into Russian, as well as a Russian poem from 1777 celebrating the birth of Grand Duke Alexander Pavlovich, also known as Alexander I of Russia. The latter is more interesting to me for numerous reasons, the first one being that it might serve my theory about the connection between line 1 and 15, as line 1’s bolded letters end with попо and line 15’s end with пепе. The connection is weak, too weak for me to make it a separate bullet point, but strong enough for me to want to explain. So, as we know, there is a connection between line 1 and 18, it’s what this whole bullet point is about, and this theory (using the term “theory” loosely) relies on us seeing them as very closely connected. Basically, Alexander I was the ruler of Russia during the French invasion, which is interesting because, if you’ll remember, Guglielmo Pepe’s brother, Florestano Pepe, took part in the French invasion. This, to me, is an interesting connection, but I do admit it’s definitely a reach.

That’s where I’ll stop talking about the bolded letters on the left side of the paper. If you’d like to see what other bolded letters there are, what they could possibly mean, and try to decipher the meaning for yourself please go to my linked Google Doc(s).

As for the right side of the Newspaper, there are some bolded letters, but I can't seem to make much sense out of them, and by this point in my research I was starting to pursue more promising ARG leads, so this section is rather incomplete. Just as a reminder, the right side of the newspaper is an advertisement for a lantern/kerosene shop. I personally think the right side is more interesting than the left for a couple reasons, but most of them are either self-evident or will be discussed later.

The lantern on the right side of the paper is the same model that’s used throughout the Haruspex’s route, but most notably it’s used a ton during The Marble Nest as set dressing. And when I say "a ton" I really mean it.

I also remembered vaguely an unused lantern item found in the game files of Pathologic 2, so I went to the Pathologic wiki to look for it, and surely enough the exact lantern used by Artemy, the one that appears so many times in The Marble Nest, is also an unused item present in the game files. When using console commands to give yourself the item, you’re able to click on it and select the “touch” option, upon which you’ll see the number 6192355001378070 where the name of the item should be, and 6192355001378072 where the touch text should be. I’m not sure exactly what these numbers are supposed to mean; my first thought was that they seemed long enough to be coordinates, so I put them into google maps and it does lead to a location in Russia! Nonetheless, the numbers are a little bit too long to make sense as cohesive coordinates. Still, it might be something worth investigating. You'll see later in this post just how significant numbers and number patterns are in this ARG.

The word used to describe one of the victims of this inferno, “academician,” has sorta interesting connotations in countries that were once part of or heavily influenced by the USSR. This person is referred to as “Mr. F.L.” in the article. This guy is also said to be a historian and a “бытооописателя,” which as you can probably tell by the fact that I’m not using the translated English version is a weird word. Perhaps the strangest thing about this word is the fact that it clearly has 3 o’s where there should only be one. The actual meaning of this word is odd, as it’s very rarely used, and according to all sources I could find (including native Russian speaker and linguistics enthusiast @kurury-chan) it is either an archaic term for a historian or a term meaning “writer of everyday life.” I’m honestly not sure what that means, and at first, I thought it meant something like a blogger. The most complete and coherent definition I could find describes it as “author of works describing everyday life.” A different translation I found seems to say it means something like "chronicler," which I suppose makes some sense.

In the bottom right part of the paper, you will notice what at first appears to be a signature. Admittedly I had almost no hand in this part of the investigation, except for the isolation and upscaling of the text. Most of the work here was done by @cryingsyren with some help from @kurury-chan and @ded-not-ded. Here is the image that I got for them of the text, and here is our current interpretation of it: It at first seemed to be Russian cursive (and it probably is supposed to be), which complicates things quite a bit, and @cryingsyren spent a couple days trying to figure out exactly what it says, (with some help from @kurury-chan) and as far as we can tell it’s four letters, which are separated into either two or three sections. I think we have a decent grasp on what they’re supposed to be in Cyrillic, but the interesting thing is that they do look a lot like both Russian and Latin cursive. I’ll describe them now using what Latin character they look like in quotes followed by what Cyrillic character they look like in parenthesis. The first section is an “M” (М) and a “K” (К), which are very clearly connected. The next section is either an “H” (Н) or an “H” and an “n/u”. We’re not exactly sure whether the H and the n/u are supposed to be connected, but the n/u being lowercase seems to imply it is. The interesting thing about the n/u is that, while it looks like it could be a Latin n or u, it also looks like it could be a Cyrillic и, which is the italicized version of the Russian letter и. It seems all too coincidental that all of the letters they used have almost exact visual counterparts in the Latin alphabet. At the moment our working theory is that it could be initials, and this is where I come in, because for days I knew I recognized the "MK" part of the signature, but I couldn't remember exactly where from until today. For anyone that has played too much Pathologic Classic HD like me, you may recognize the "MK" signature from the center of the loading screen in that game, scrawled in a way that most people wouldn't pay attention to it, and certainly that most people wouldn't have it committed to memory like me. During the roughly 170 hours I've spent playing the game I've probably looked at that MK more than I've looked at my youngest brother. This presents the question, who is MK? Well at first I thought it could be Mr. Katzman, as referenced in the "Mask" post, but that didn't seem right to me. This is when the fact that so much of my brain is Pathologic lore facts came to help again, when I remembered state inquisitor Mark Karminsky, who you may remember as being one of the men people thought would come to the town before Aglaya Lilich showed up. As for the rest of the writing, I'll leave that up to you guys to figure out.

Something to note for later on: We know there to be 19 inquisitors when Pathologic takes place, and in this ARG the number 19 becomes very important with later clues.

"Mask" Fyodor Vitin post

Arguably this is the Fyodor Vitin post I’ve done the most research into, and it eventually led me to develop a very deep and passionate interest in the Buryat peoples that has so far caused me to read several books and around a dozen academic papers about them. I haven’t only done research into the Buryats for this post, though, because although the Buryats are the primary inspiration for The Kin, they’re not the only inspiration. Despite all of this research work, this section will be rather short because I’ve already been through and exhausted most possible leads I’ve found, and this is what remains. Since the post is in English, and I think everyone that follows me presumably knows English (если вы не говорите по-английски, я хвалю вас за то, что вы зашли так далеко) I won’t summarize it, so I’d recommend reading the Vitin post and then coming back.

We see in the post the mask of “Muu Shubuun,” which we’ll immediately notice is almost the exact same mask as is used by the Executors in the game. Actually, in the Marble Nest, you can acquire the Executor mask, and its touch text reads, “The mask of Muu Shubuun, ‘the wicked bird.’ Part of the Reaper costume from the local theatre.” I have found several different sources that lead me to believe this is based on actual Buryat folklore, however, I’ve heard several conflicting accounts on whether Muu Shubuun is an evil spirit that tricks people by taking the shape of a beautiful woman, or if it’s closer to what we see in the game/ARG, but both seem to be documented as existing within sources on the Buryats. I think this confusion between the two likely means the stories and connotations associated with Muu Shubuun vary based on different groups of Buryats. An alternate spelling I’ve seen used is “Mu Shuvuu.” Possibly related to this is the character “Shar Shuvuu” (which means “eagle owl”), who appears in The Marble Nest during the “marriage” scene in the steppe camp behind the cathedral. In fact, a surprisingly high number of NPC characters in this DLC are named after birds.

The phrase used in the post to describe a seasonal festival, “dosoo ba beshē tēēhēē” is where I’ve devoted much of my research, with most of that research being from about a month ago. Only the third word in this phrase, beshē, appears as a kin word in the games as far as I know. However, we can use a method here that people in the Pathologic community have been using for years to figure out the meaning of kin words: Most of the steppe language in the game is based on one of many languages: Buryat mostly, Mongolian sometimes, Tibetan sometimes, and some parts of it also take inspiration from other languages of similar origin to these. A majority of the language seems to be based on Buryat, and many Kin words come straight from the language. A few words in the game seem to be made up entirely by Ice-Pick Lodge, and many are based on words from the aforementioned real languages but tweaked slightly, as if to indicate that the steppe language spawned from those languages but has some distinctive elements. To determine what this phrase means, I tried my best to dig into the languages and find parallels:

“Dosö” in Buryat means “inside”

In Mongolian “dooshoo” means “down”

In Mongolian “ba” means either “and,” “we,” or “sorcery”

In Tibetan, “ba” means “cow”

“Beshē” in the game’s steppe language means either “not” or “other”

The prefix “të-” in Buryat means “to transport”

In Mongolian the prefix “te'e-” also means “to transport”

As for the “-hee” part of the word, I have not found a single source that could tell me what it means. I’ve found several Buryat words that end in “he,” but I can’t seem to find a connection between them strong enough to suggest what it denotes.

Upon first seeing this festival mentioned, I believe I commented somewhere on the Pathologic subreddit that it might be the same one we see in the Kin’s camp behind the cathedral in The Marble Nest. While I’m not 100% convinced still, I also don’t doubt it that much. One interesting thing to note for any people that might wanna investigate this in the future is that I’m pretty sure what we see in the Marble Nest is the same thing that Nara and the Haruspex perform in the abattoir, as they both seem to happen on day 10, and if you look close you can see that Nara is the one that is cut open in The Marble Nest. Seemingly with the Haruspex gone, there is no one that knows the lines and so the ritual doesn’t go as smoothly as it could.

“Messages” Fyodor Vitin Post:

This particular Fyodor Vitin post is the third one, which if you know Ice-Pick Lodge certainly has some importance to it. The post is a series of letters and images, one depicting an Executor and one depicting Voronika Kroy, who's a minor character in Pathologic 2 and the main character in the Pathologic Feverish Feelings ARG. The letters detail how the recipient’s reports about Voronika Kroy have been seen and have started an investigation by the Federal Bureau. What’s most interesting to me are two things: the jumble of (Latin alphabet) letters in the bottom left, and the number used within the letters (the post-card letters in this case).

The number in question is “196-17-1” which is apparently the case number used for the Voronika Kroy investigation. This number will be more important later in relation to other clues. One interesting thing I've found is that the RGB value for 196-17-1 is a deep red.

The jumble of letters at the bottom of the picture is “eiamrucdvrturxoevecid”. It is 21 letters and can be divided up into chunks of 3 or 7 letters. 3 and 7 of course being Ice-Pick Lodge’s favorite numbers. Up until this point, it has been assumed that this is an anagram, and I have no reason to doubt that. It has already been pointed out in the Pathologic subreddit that the words “Executor” and “Corvid” can be found in the anagram, as well as the Latin words “Cura”, “Curare”, “Curari”, “Medici”, and “Vivam.” Credit for finding the Latin words goes to u/apostforisaac who is apparently studying Latin at university! Additionally, u/Own_Sympathy_9814 deduced a possible meaning by unscrambling the anagram and finding “MAVRUD + VERIDIC + EXECUTOR”, which they believe hints toward the answers lying in the Marble Nest (I wrote the entire Marble Nest section of this post before finding their post about that, so I do feel pretty validated by it). Many people have been approaching this anagram, like many other parts of the ARG, as if they have one right answer, and frankly, I just don’t think that’s in the style of Ice-Pick Lodge. I’ll quickly list out some words/phrases I found in the anagram and what they mean/how they could relate. I will also include words that have already been discussed, and they’ll be marked with a “*” so you don’t think I found them. Most of the ones marked with a * I won’t be discussing, as most have already been discussed extensively. I also won’t be discussing the ones that I think probably don’t have much meaning, but I’m including them because it still could be something later on down the road.

I am You don’t actually even have to unscramble the letters to get this one, as the second, third, and fourth letters of the jumble simply spell it out. What's interesting is that the 7 "I am" discourses are a crucial part of the Christian Gospel according to John. The Gospel according to John was an important clue during the Feverish Feelings ARG, which revolved around Voronika Kroy and her Inquisitor father, Peter Kroy. If we're speaking of the four canonical gospels, we must also address the Gospel according to Mark, which coincidentally is the name of an inquisitor that has popped up elsewhere in this ARG. Following this theme, there is actually a non-canonical Gospel According to Peter, which seems too cool to be a coincidence.

Eve This is one you don’t have to unscramble also. Interestingly, Daniil is often compared to a snake, even being called a snake-man in Marble Nest by Shaazgai, a man belonging to the Kin. In the biblical story of Adam and Eve, it is a snake, often thought to be the devil, that convinces Eve to eat the forbidden fruit from the tree of the knowledge of good and evil.

Retroviridae The scientific name for a retrovirus. If I was more knowledgeable about biology I would say more, but this seems important.

Rex Iudaeorum Translating in Latin to “King of the Jews,” this was the inscription that allegedly was put on the cross that held Jesus of Nazareth, as detailed by 19:19 in the book of John. Very interesting as Daniil does compare himself to Jesus at least once in the Haruspex route, on the night before Aglaya comes. The Gospels, as discussed before, all detail the life and crucifixion of Jesus Christ. The "19" connection is also interesting because of the inquisitor detail, and I'll talk about more of the connections to 19 later in the post.

Cardio Commonly used medically as a prefix for heart conditions, “cardio” is a Latinized version of the Greek “kardia,” which simply means heart. Heart imagery is very common and significant to the Bachelor.

Eva This is similar to the Russian version of Eve.

Corvid*

Cura*

Curare*

Curari*

Medici*

Vivam*

Mavrud*

Veridic*

Executor*

Order Could relate to the committee in The Marble Nest and the fact that after they’re replaced by tragedians the absurd order begins getting sent out to the orderlies.

Carex ericetorum This is a plant that would almost definitely be present in/around the Town on GorkhonThis is a plant that would almost definitely be present in/around the Town on Gorkhon

Creature

Marble Nest:

The Marble Nest, as we know, is very concise, only really lasting half a day in-game. Because of this, the dialogue does tend to feel a lot more intentional, as though the named characters are not necessarily speaking only to The Bachelor but also trying to convey a message to the player. This, of course, is because The Marble Nest takes place inside Dankovsky’s head. If this ARG will be revolving partly around The Bachelor, as it seems to be, then there’s no better place to start than digging into his head, which is why I’ve played so much of the Marble Nest for this.

There are several specific stories/myths/historical figures that are mentioned through Marble Nest. First, we’ll go through some of these.

There is a very interesting conversation that The Bachelor has with Georgiy Kain, where he is trying to justify his decision to lift the quarantine restrictions to The Bachelor, who is rather upset obviously. I’ll cut down and paraphrase most of the dialogue, since if I didn’t this would be much longer, but basically the conversation goes as:

[Georgiy introduces himself, and says he decided to let The Bachelor sleep so that he would have the strength to face the upcoming trial] [Daniil asks if Georgiy lifted the restrictions and let the plague into The Stone Yard] Georgiy: “Quite so. It's plain to me that you are on the verge of shredding me into pieces. But still your wrath. As a great Athenian once said, ‘Strike, if you will, but hear.’” Daniil: “Themistocles, I know. He met a rather gruesome end, by the way. Died of plague.” Georgiy: “No, it was Pericles. You are a learned man, but history is not your strong suit. Which is why you should listen to me. Perhaps it will help you see something that you missed in your previous studies.” [Georgiy then goes on to explain a bunch of other stuff about the plague, which as far as I’m concerned isn’t all that useful to the task at hand.]

I find this so interesting because The Bachelor, in his own head, poses a question to himself, gets it wrong, and then has another separate figment of his imagination correct him, and then proceeds to tell The Bachelor that he’s not great at history and should listen to Georgiy more. What’s even more interesting is that, as far as I can tell, Georgiy and Daniil are both wrong, it was actually Themistocles that said “Strike, if you will, but hear,” and it was Pericles that died of plague. I found this interesting enough to look into who Themistocles and Pericles were, and here’s what I found:

Themistocles was a politician and general that broke the mold by being non-aristocratic and populist, which gave him the support of the people but put him at odds with the nobles and some of his peers. He turned 30 in 494 BC, which qualified him to run for the position of Archon, which he did, and won the position the following year. He had a prominent rivalry with another politician named Aristides. Whereas Themistocles was populist, Aristides primarily fought for the upper class. Themistocles eventually 20the rivalry after Aristides was exiled. Years later, though, Themistocles himself was exiled, and while he was gone his enemies took the opportunity to charge him with treasonous activities, knowing he could not defend himself. Because of this, Themistocles could never return to Athens, and so found employment and a home among the people that he once fought against while serving Athens. Given military command once more, he was actually Themistocles who said “Strike, if you will, but hear,” and it was Pericles who died of plague. I found this interesting enough to look into who Themistocles and Pericles were, and here’s what I found: Pericles, to me, has less interesting things about him in relation to Pathologic, with the main two being that he rehabilitated the image of Themistocles and he died of a plague. What could be interesting is the fact that General Block and Captain Longin are in both Pathologic 1 and 2 often compared to Achilles and Patroclus, two Greek soldiers from ancient folktales, primarily known for being two of the most important characters in The Iliad. To me, drawing a connection between Achilles and Block, as well as Pericles and Longin, isn’t that absurd. What could also be interesting to note is that Pericles was the main character in a play written in part by William Shakespeare. While Themistocles' life almost exactly fits the character arc of General Block, down to the weird connection between him dying of the plague in The Marble Nest and Themistocles drinking bull blood (as well as Dankovsky thinking Themistocles died of the plague), I think how Pericles fits in could lie in the Shakespearean play, as we all know how important theater is to Pathologic. You see by now at least partially what I think this alludes to, but I’ll talk more about it in the additional notes section.

Next, I’ll discuss a mythical story brought up in the Marble Nest: The Tower of Babel. This is brought up by the clerks sitting directly outside Georgiy Kain’s house. I think most people would talk to these guys right before talking to Georgiy, but I have more to say about it so it’s written second. When talking to one of the clerks during their argument about the plague, one man mentions that he thinks The Polyhedron is at fault, and no matter how Dankovsky replies (he has 3 options), the man then says “History already knows an example of people trying to erect an impossible tower. It ended in tragedy.” I could go on explaining why I believe this guy is talking specifically about the Tower of Babel, this post is already long enough so just trust my reasoning here, please. Notable to the point I’m trying to make, one of the other clerks brings up that he thinks the plague was started because of the irreconcilable differences between The Kin and the town, and the fact that the Kin have been forcibly mashed into the town. When Dankovsky asks the man if something is holding the Kin in the town, preventing them from leaving and returning to the earth, the man says “Someone is… our rulers. They have embedded the steppe people into this town, carved them into its warm flesh. This isn't a town, it's an honest-to-God minotaur. A chimera. And chimeras have remarkably short lifespans and bad health. Can you breed a snake and a crane? You can, yes. But the progeny won't live long.” This dialogue is interesting for a few reasons, one related to the tower of Babel and two related to other possible ARG clues. The first interesting thing is that what he’s describing, drawing a connection between the Tower of Babel and the Polyhedron, actually makes a lot of sense. To him, the Polyhedron is not only an affront to God, but its accentuation of human hubris coincides with a beating down of nature and the earth, represented in part by most of the Polyhedron’s mass being concentrated far above the earth while also piercing the earth’s heart. The story of the mythical tower, to oversimplify it, is essentially a tale of people from many different walks of life all coming together to construct a giant, seemingly impossibly tall tower in order to avoid the possibility of a second biblical flood destroying most of humanity. God sees this attempt as an affront to both him and the natural order, and so before the men are able to finish the tower he divides them all by making them speak different languages, making it impossible for them to understand each other. So, in this second clerk’s interpretation, the plague is a result of the town both rebelling against/abusing nature and also taking the Kin into itself. Unlike the first man, who believes the tower itself is at fault, this second one believes it’s all because of the town making itself into a “chimera,” which he believes cannot live long. What’s clear to me, though, is that although these men believe they disagree, their explanations complement each other very well, which brings us to our third man, who has a rather simple but somewhat confusing explanation. This clerk believes that this plague occurred in the town because men should not be “remodeled or altered,” and when asked what that has to do with the epidemic he replies “I don’t know… It wasn't we who designed the world like this. I believe in men, Doctor; in superhumans, I do not. This earthly life wouldn't fit them. Immortals have no place in the world of the living. This is just how it works. Take from it what you will.” This man seems to be implying that Simon Kain, the immortal man, is the reason why this plague appeared in the town. This is when it all started to come together for me: these men's stories do really all complement each other, because here they are posing the Polyhedron, chimera, and Simon as all the same. This will further be explained in the additional notes section. Three parts of one whole if you will.

Now, the mention of the Tower of Babel is interesting for two other reasons, one of which will be discussed in the additional notes section and one of which I’ll discuss here. In the Fyodor Vitin “One can work here” post there are numerous items displayed in the room pictured, but perhaps most interesting to me is the golden bull statue that sits at the front and center of the photo. My first thought when seeing that image was “Oh! This reminds me of the biblical story of the golden calf statue, which I bet is what they’re referencing.” For those who aren’t familiar, I’ll be oversimplifying another biblical story now. While trekking from Egypt to the holy land, Moses leaves his people behind to climb to the top of a mountain and commune with God. Moses is gone for forty days, upon which the people are fearful that he will not return, and so they molded a calf statue out of gold to worship. God, upon seeing this, sends Moses down to the base of the mountain to punish his people for their sins. Moses burns the golden calf in a fire, ground it to powder and water, and forced his people to drink it. He then killed all of them basically. My thought process was related to the fact that The Bachelor is punished severely by The Powers That Be for his own affront to God, the pursuit of immortality. Now, after that previous discussion about the Tower of Babel, I am noticing some very interesting things in this picture, and primarily that there are two other related statues. Now that we have the previous context about The Tower of Babel and the clerks in our mind, we can see new meaning in these statues: a black statue of a centaur, and a white bust of a man. The interesting thing about the centaur should be obvious, it is another chimera. The bust of the man, which seems to be made of marble, reminded me somewhat of ancient Greek statues that are chiseled to glorify certain leaders and make them seem somewhat perfect while also immortalizing them in stone. You can probably see the connection I’m making here, and so I will leave the rest of the explanation for the additional notes section.

Another thing that's interesting to note is the aforementioned three men, unlike most characters in Pathologic 2 and the Marble Nest, do not stop moving when you pause the game; their animations continue to play even after you bring up the pause menu. If you’re unaware, there is actually a small detail in Pathologic 2 where pretty much everything nature-based or that is a natural force of the world, as well as everything that’s supposed to be seen in a meta-narrative sense, does not stop moving when you pause the game. This includes rain, leaves falling, the particle effects that come off the clocks, fire, executors (not orderlies), plague particles, etc. Once I noticed this (while trying to get a screenshot of some things to analyze) I tested out some other NPCs in The Marble Nest, and all of the other people I tested seemed to freeze when the game was paused. However, this is not to say that no other characters in the Marble Nest move when the game is paused. I only tested about 4 guys besides the primary trio we're discussing, mostly just to make sure it's not a thing that all Marble Nest characters do. If one of you people reading this would like to go through and see which characters in The Marble Nest also possess this trait, it could prove fascinating.

Finally, I’ll talk about two somewhat modern (at least modern compared to the previous two) stories that are brought up in The Marble Nest, although not directly: The Time Machine by H.G. Wells and The Masque of the Red Death by Edgar Allan Poe. Admittedly, I have not read either of these stories (it’s possible I read the EAP story 5-6 years ago and just don’t remember it), but I do actually know quite a bit about the stories and their themes from a couple of literary studies on specific genres I’ve done over the years. Additionally, for this section, I have done some more research on the plots and themes of these stories which yielded fascinating results.

The Time Machine is brought up when The Bachelor visits The Cathedral and speaks to a Tragedian standing within. The Tragedian talks about how the building is not a temple, but a machine. Daniil asks what kind of machine, and The Tragedian responds “This is a time machine. Time works differently on the inside and on the outside. It's frozen now. I think something's broken.” To which Dankovsky can say “A time machine? Are you saying it can transport me to the past or to the future? Like in that Englishman's book, what's his name…” For this, I did some research into what book he could be referring to, and almost instantly Time Machine stood out to me for a number of reasons. I think there might be something interesting to be said about how this relates to the ARG, but I’m not going to be the one to say it, because I’m honestly not sure how or if it does. I will describe how it connects to Pathologic though, in case that sparks anyones mind. The work is apparently seen as popularizing the idea of time travel and the time machine, which relates to what IPL has said about The Bachelor’s route I suppose. As for the plot, it’s about a Victorian man using a time machine to travel to the year of A.D. 802,701. He meets two races of people, one descended from the oppressed working class and one descended from the pampered owning class. Over hundreds of thousands of years of this lifestyle, the two races have started to diverge, with the owning class becoming child-like and basically useless, while the working class has been forced into a life of toil and hardship which has shaped them into a race of underground-dwelling animalistic race of people. Essentially the novel is a depiction of class struggle and the class contradictions inherent within capitalism, but with a bit of a metaphorical twist. The toiling of the working class underground is what allows the upper class to live in abundance without the need for work. There is very interesting commentary here to be made on the worms/odonghs in the game, as well as the eternal youth that is present in some elements of the stone yard, but this isn’t a Pathologic essay, it’s a Pathologic ARG essay.

The Masque of the Red Death is alluded to by The Bachelor in a dialogue with a wandering citizen, who opens up the conversation by saying “A masquerade ball will be held in the main square this evening. People want to celebrate our victory over the sand pest. You don't mind…?” To which The Bachelor has 3 possible replies, one of them being “I seem to vaguely remember a rather famous story about a masquerade held to celebrate a victory over a plague. Remember how it ended?” To summarize, The Masque of the Red Death is about a group of noblemen taking refuge in an abbey to hide from a plague (the plague is known as the Red Death). The plague’s symptoms are gruesome, and all people who contract it apparently die within a half hour. The main character, Prince Prospero, and his fellow noblemen believe themselves to be entirely safe, though, as they have welded shut all the doors and isolated themselves in the abbey. To entertain the guests, the prince holds a masquerade ball that takes place in seven of the rooms of his abbey, each colored differently. The first six rooms are blue, purple, green, orange, white, and violet, with the last being black and illuminated by a red window. No guests venture into the seventh room, as they are all scared to enter it. Every hour a clock in that room chimes, upon which the guests freeze and go silent momentarily, before resuming normal activity once the chiming stops, only to do the same thing after an hour. Once midnight comes, a person appears in robes covered in blood and resembling a funeral shroud, wearing a mask that depicts a person clearly infected with the Red Death. This figure walks through six of the chambers before the prince starts chasing them with a dagger. Confronting them in the seventh room, the prince immediately falls dead upon seeing this person’s face. The other party-goers all charge the figure, stripping them of their clothes and mask, only to find that there is no one underneath. The conclusion of the story states that the figure was not a person, but rather an embodiment of the Red Death. The Red Death also appears as a reference in the novel The Phantom of the Opera, as well as several film and musical adaptations. The titular phantom dresses up as The Red Death, and in many adaptations wears a skull mask as part of the costume.

I believe Hamlet is also brought up at some point in The Marble Nest, but I can’t seem to find the dialogue so I’m unsure if that’s true.

Next, I'll talk about another random Marble Nest clue

The Bachelor’s hover text for the beetle item says “I used to collect these as a kid. Left the collection with my father.” @pseudoquiddity found that a paper on the top of “The Beginning” Fyodor Vitin post spells out Mechnikov, which is almost definitely referencing Ilya Ilyich Mechnikov, who was a Russian zoologist and immunologist who achieved incredible scientific discovery during his life, and notably for us he was largely focused on the issue of aging and extending human life. Mechnikov was actually brought up in an IPL teletype post as one of the Bachelor’s main influences scientifically, alongside Albert Einstein and Max Planck. The relevant thing about Mechnikov here is that, as a zoologist, he did many notable studies on insects throughout his career to see how their bodies reacted to things compared to how ours did. One thing that’s interesting to me is that the type of beetles we see in the game, I believe, are based on Trypocopris Vernalis, commonly known as the spring dumbledor or spring dor beetle, which is not known to inhibit the region that the Town on Gorkhon would reside in. Another thing I find interesting is the touch text from the Alpha version of the game, which reads “Some fifteen years ago, the Soul-and-a-Halves, the gang of children who are defined by sharing special bonds with their pets, actually considered to allow flower chafers as their "Halves" due to the beetles ‘looking as though they knew something’. The idea was quickly abandoned as ridiculous.” Maybe I’m just 8.6 thousand words into this post and have finally gone insane, but I think the beetles “looking as though they know something”, combined with their close connection to Dankovsky, it seems too intentional.

In the “Feverish Feelings” ARG, the Beatles (the band) were brought up indirectly and used by the players as a clue to get more information. This also related to the clue relating to the Gospel according to John. Additionally, speaking of Mechnikov, u/Fantastic_Advice5593 theorized that the numbers on Daniil’s train ticket from one of the original ARG notes could be hinting toward the date May 15th, or 5/15 (15/5 if you use the non-American dating system I believe), which is Mechnikov Day, and is commonly recognized as Mechnikov’s date of birth. Proving this connection further, the “Messages” Fyodor Vitin post was posted on May 15th. Another interesting thing is that if we convert the time that the “Messages” image was posted to the time scheme used in Pathologic (that is, a 24-hour clock), it comes out to 19:35 (Using GMT+3 time zone, as that’s where Moscow is located.) This is interesting because “Messages” was also posted 19 days after the previous post, and I know for a fact that 19 is an important number in this ARG: The newspaper from the “The Accident” post was labeled as issue number 19, the bible passage that we saw referenced in the anagram from the “Messages” post is John 19:19, the jumble of letters that we found in the touch text for the unused lantern item includes “19,” and so does the 196-17-1 number from Messages. In a way, the number 19 is sort of a self-checking method to substantiate some of the clues we’ve found thus far.

Griffins’ Tower

Many of the details in this section wouldn’t be possible without @kurury-chan who, upon my inquiry about the tower and its accompanying pharmacy, actually visited it, got tons of cool pictures, and translated a ton of the history for me! I literally cannot thank her enough for her help with many elements of this post, but especially in this section. In the original Pathologic ARG, “Feverish Feelings,” the Griffins’ Tower is brought up a couple of times throughout, and was part of an intensive fandom discussion because many elements of it paralleled many themes and plot points of Pathologic. The following connections/possibly related facts are a combination of fandom discussion from the time and my own research:

The tower is connected to a pharmacy that has existed since the 18th century. Both were once owned by the Poehl family, who were a rather eccentric yet somewhat mysterious rich family. Rumors from the time (The 18th/19th century) speculate that members of the family engaged in “…alchemy and witchcraft, and in the basements of the house he turned mercury into gold and bred griffins. Since ancient times, it was believed that griffins, mythical creatures with the body of a lion and the head of an eagle, were the guardians to secret sacred knowledge and treasures.”

In 1994, the artist Alexey Kostroma, together with the society "Here and There" (Tut i tam), organized a demonstration/art-piece to advocate for the preservation of the tower and the revitalization of the city, which they believed was falling apart before their very eyes. During this demonstration, they hoisted a large egg (approximately 1.5 meters) onto the top of the tower, and they painted (I’m not sure what was used to put the numbers on the tower, but I assume it was paint) numbers on almost every brick of the tower. While the purposes for the those two additions rarely get brought up in conversations surrounding it, the egg and the numbers are now some of the most well-known parts of the tower, despite the fact that neither of the two are there anymore. The Polyhedron, as we know, is a tower that at the top houses children and is made from its own complex blueprints. Additionally, in the Marble Nest, but also throughout Pathologic as a whole, there is a common piece of imagery that connects eggs and the Utopians. In the opening of The Marble Nest, the item that’s used on the loading screen is an egg. If you look at the egg sprite in P2, you’ll see a crack in it that heavily resembles the Polyhedron. Daniil Dankovsky commonly uses the Latin phrase “ab ovo,” which means “from the beginning” but when literally translated means “from the egg,” and his touch text for the egg in Marble Nest reads “To understand anything, start ab ovo — ‘from the egg.’”

While playing through The Marble Nest several times for this ARG, I noticed something that gave me more confidence in The Griffins’ Tower playing a role in it. If you guys have played Pathologic as much as I have you’ll know there’s a tower in between the Stone Yard and the steppe that you can’t enter and is barely ever really explained. If I’m picking apart my brain correctly for Pathologic 1 knowledge, I believe it is implied to be a Focus of some sort. If you’ve only played Pathologic 2, or you haven’t played through The Bachelor’s route in P1 enough, or you haven’t read through the Pathologic “Corpus” entries, you probably have an incomplete idea of what a “focus” is and all that it entails. I won’t go too deep into it now, but it’s said in one of the Corpus entries that, on top of the Polyhedron, Cathedral, Stillwater, Crucible, etc., there were a number of experimental Focuses that were built for Simon Kain to test the limits of what buildings could capture the human soul and memories. It’s a building you can’t ever enter, but it does have a visible door, which is very similar to the way that Simon’s focus is described by Victor Kain. I’d like to draw your attention to the visual similarities between that tower and the Griffin Tower. I’d also like to draw your attention to the fact that, in the original design concepts of Pathologic 1 every character is associated with a specific animal, and Simon Kain’s is a griffin. What is a griffin? Well, it’s a fusion between two drastically different creatures, a lion and an eagle; a griffin is a chimera.

Interestingly, in 2005 (the year Pathologic came out) the pharmacy connected to The Griffins Tower was closed for a while because it became flooded with water while trying to extinguish a fire.

There is a photo in the pharmacy connected to the tower (which has now been converted into a museum about the history of the place and pharmacies in general) that depicts, during the early 1900s, the pharmacy sitting next to a theater called “Simpatiya” (Sympathy).

While @kurury-chan was on a tour of the pharmacy/museum she found an interesting marmite that was on display. It was created by Samuel Clarke and it’s called “Pyramid,” and the marmite has an accompanying poem: Когда ночи темные, подумайте о Кларке, который попал точно в цель. Его ночные огни создают светлые ночи, в которых вы прекрасно видите. (When the nights are dark, think of Clark hitting the mark. His night lights create bright nights in which you can see perfectly) This is interesting largely because the poem reminds me somewhat of the body text for the lantern ad found in the newspaper post.

In the original email mentioning the Griffin’s Tower, Voronika Kroy appends the message by saying “P.S. I feel like I’ll need this memory later.”

Seventh Seal

I watched this movie after discovering all of the allusions to General Block we’ve seen thus far, but being unsure what to do with any of them. For those that don’t know, the movie The Seventh Seal’s protagonist Octavius Block has been listed as one of the main inspirations for Alexander Block, and since IPL seems intent on leading us to analyze certain works of literature/film/theater for this, I decided to look into it. What I found is incredibly interesting I think, because it seems that one of the main inspirations for The Marble Nest is The Seventh Seal.

The title is based on a bible verse (from the Book of Revelations) that reads “And when the Lamb had opened the seventh seal, there was silence in heaven about the space of half an hour.” This verse appears both at the very beginning of the movie and then again toward the end. This thirty minutes/half-an-hour element appears prominently in both this story and The Masque of the Red Death. One other place it appears is on the pocket watch in the first Fyodor Vitin post, where the time on it is 2:30. I am very confident that it also appears in The Marble Nest once or twice, but despite looking I was unable to find it. If anyone else knows where it might be, either comment on this post or message me, and I will put it in this section and credit you.

The movie's plot revolves around Antonius Block, a disillusioned medieval knight returning from the Crusades. Block is struggling throughout the movie with his inability to believe in God and his realization that his whole life has been wasted. He wishes more than anything to do one last deed before his death to give his life meaning. The movie is set during the Black Death, with prominent elements of the story revolving around the plague. The movie largely focuses on how Block takes in several poor and out-of-luck folks fleeing the plague, inviting them to stay at his castle and escorting them along the way.

Toward the beginning of the movie, Death comes to take Block, but he convinces Death to play him in a game of chess for his life. This game of chess continues throughout the movie, with Death allowing Block to take several breaks in order to find clarity about his life and death. Toward the end of the movie, he allows Death to take his queen, effectively ensuring he would lose the game in the next turn, so that his companions could get away without Death noticing. After returning to his castle, everyone has a nice meal before Death arrives and takes everyone, excluding the people that Block helped get away by tricking Death.

Many things from Pathologic seem to take inspiration from this movie; most notable being the storyline of The Marble Nest (Dankovsky’s “People” screen categorizes people as chess pieces, essentially implying that his struggle against death is a sort of chess match), but there are also some smaller things. For example, there is a scene where the characters encounter someone afflicted with the plague who cries out for help, and one of the women tries to get closer to give the man water, but another person stops her, as giving water to a plague victim is futile and dangerous; almost immediately after this, a personification of Death appears. This heavily reminds me of the intro/tutorial of Pathologic 2, where a similar scene occurs.

While watching the movie, it’s very easy to see how Block was directly inspired by the main character, but it’s hard to convey exactly how without describing many scenes in detail, so I will simply describe one of them. After leaving a church confessional where he admits to his faith faltering and wanting to perform one meaningful deed before he dies, Block encounters a young woman who’s about to be burned at the stake for allegedly having ties to the devil. He takes pity on this woman, seeing something special in her, and believes she can tell him about life after death. This, to me, seems very reminiscent of Block’s storyline with the Changeling in P1.

Another small lead before this part of the post is finished: This lead, I will admit, I stumbled across completely at random, and will not talk about much because there’s not much I can say about it that isn’t obvious. It might be worth looking into the Russian philosopher Nikolai Fyodorovich Fyodorov, and perhaps thinking about if Fyodor Vitin was based partially on him, since we know Vitin works closely with Daniil.

Additional Notes/Comments:

In the newspaper clipping, it is said that a man with the initials “F.L.” had been one of the apparent two victims of the fire that burned down several buildings. This man (who I’ll simply refer to as “F” from now on) is an academician, historian, and writer of everyday life, which obviously fits well with the man that we know as Fyodor Vitin, and it has been assumed up until this point that he was the victim of this fire. I think there are three possibilities here: Fyodor Vitin was not the victim of this fire somehow, Fyodor Vitin is not his real name, or the newspaper is lying to us. In connection to the light/lantern emphasis in the newspaper, it might be worth it to note that the word “vitin” in Faroese means something like “the lighthouse”/“the beacon”, while in old Swedish it means something like “to know.” What’s more interesting is that Vitin in old Swedish is a second-person plural present indicative, and for people that got a useful education, that means it’s a verb that’s used to factually describe the current actions of the people that the speaker is saying it to. If Vitin isn’t his real surname, his username could mean “Fyodor beacon”, or “Fyodor (that you all) know”.

As discussed extensively in the section on the Tower of Babel, there is a direct connection drawn between the Polyhedron, Simon, and chimeras. We elaborated a bit on this connection in the section on the Griffins’ Tower. What’s especially interesting then is the fact that, in The Marble Nest, the Polyhedron is labeled as “focus,” implying that Simon’s essence is infused in the Polyhedron, as is what happens in the first game. This, I believe, confirms our theory about the connection even further. What then makes this even more related to the ARG is the fact that in the “One can work here” post by Fyodor Vitin, we see the three statues depicting the golden bull, the centaur, and the marble bust of a man. It is then worth noting that this bust of a man made of marble could be a reference to The Marble Nest, perhaps trying to get us to look there for clues. I believe, if the golden bull is meant to represent the Polyhedron (or at least the Polyhedron argument in The Marble Nest), and the centaur is meant to represent the chimera, then the marble bust of the man is meant to represent Simon (or, once again, represent the Simon/immortal man argument from the Marble Nest). This is supported by my point about the marble busts both immortalizing men and also making them more into concepts than men (as the statue can only depict a small part of a man’s life, usually depicting him in battle, leading a governmental position, etc). In the original game, and as can slightly be seen in hints of the second game, Simon is sometimes seen as more of a concept than a man; he is the ideology of the utopians incarnate, the perfect man that represents everything humanity could be. As a chimera is vital to Burakh’s quest, so too is it vital for Dankovsky’s (and it’s interesting to note that Burakh has the chimera revelation while in conversation with Dankovsky.) If the Marble Nest is used to represent the stone yard, or the “town” in its purest form, then Simon Kain is the marble man. It then becomes important to figure out where the “One can work here” picture is supposed to be depicting. I believe, if the statues there are supposed to represent all that we’ve said so far, the location should be representative of Dankovsky’s fight against death, and therefore I say it probably has to be Thanatica.

Now, as for all the connections with General Block, there are obviously many of them, from the Guglielmo Pepe hypothesis to the mention of Aristides/Pericles to The Seventh Seal to the whole “ash” thing, it seems far too much to be a series of coincidences. I don’t think it’s too crazy to connect the prominent appearance of the number 30 in the Block/Pepe/Aristides context to the prominent appearance of the number 30 (as in half an hour) in The Seventh Seal, which makes the appearance of the number 30 in that first Fyodor Vitin post even more interesting. It’s long been theorized that, from what we see in the Haruspex’s route and what we’ve seen in Pathologic 1, the Bachelor’s new route will probably feature General Block much more prominently. Perhaps, as the first ARG was so focused on the inquisitors, we’ll also get to learn more about the army in this one. Maybe General Ashes even had something to do with the building that was reduced to ashes?

The topic of religion, and specifically Christianity, comes up a lot in The Marble Nest. I think all the connections I’ve made in this post to Christianity have convinced you that it’s seemingly an important part of this ARG. In the first ARG, there were certain biblical passages that acted as clues, specifically from the Gospel according to John, which we talked about in the section on the “Messages” post. As is also mentioned in that section, the connection to Inquisitors Peter Kroy and Mark Karminsky seems to be driving us toward looking into The Gospel according to Peter and The Gospel according to Mark. It’s also talked about in that section how these both relate to Daniil. Mark Karminsky specifically also seems to have had something to do with the "Accident" mentioned in the newspaper, and so perhaps combining numbers from the newspaper within the Gospel of Mark could lead to some clues.

Still, as much as I’ve said in this post, there is more I wish to analyze but have not yet. This post has been in the works for a while, though, and I don’t want people to be waiting any longer, so I’ll have to save that other stuff for another day.

If anyone can somehow get into the game files of the Marble Nest and retrieve the texture/model for any of the letters or books (like the two linked images), that will end up being very helpful.

Other screenshots from Pathologic 2/The Marble Nest that could be of interest:

Grigory Gorky (Pathologic 2) Grigory Gorky (The Marble Nest) Mikhail Goba (The Marble Nest) Daniil Death Certificate (The Marble Nest) Rug (The Marble Nest) Book (The Marble Nest) Familiar Bloody Handprint (The Marble Nest) Tipped Over Lantern (The Marble Nest) Staff Sergeant Plover (The Marble Nest) Avrely Gubar (The Marble Nest) Odd use of Roman Numerals (The Marble Nest) Cathedral Letter (The Marble Nest) Plant that I found several times in the Cathedral (The Marble Nest)

#pathologic #pathologic 2 #pathologic arg #daniil dankovsky #мор утопия #Bachelor ARG

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